Podcast appearances and mentions of Peter Cushing

Welcome to It's A Wonderful Podcast!Fun-filled festive frights this year for the December series on the main show as we're looking at a selection of early 70s Horror movies, all based on, around or about Christmas!Starting things off is an Amicus Productions anthology movie; something they were particularly well known for, where the opening segment is where Christmas comes in!Based on the 50s comics, and what would spawn the 90s TV show, Morgan and Jeannine are talking the original British movie of TALES FROM THE CRYPT (1972) starring Joan Collins, Peter Cushing, Ralph Richardson & a slew of British character actors!Our YouTube Channel for all our video content: ⁠⁠(17748) It's A Wonderful Podcast - YouTube⁠⁠The It's A Wonderful Podcast Theme by David B. Music.Donate:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IT'S A WONDERFUL PODCAST STORE:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/g9design⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ItsAWonderful1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Morgan:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/Th3PurpleDon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jeannine:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JeannineDaBean⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠_Keep being wonderful!!

It's officially Hammer time! Join “The Invisible Dan” and “Monster Mike” as they dissect the production of Hammer's first gothic horror film, and cover all the gory details including the fantastic performances from Peter Cushing and Christopher Lee, the film's notable differences from previous Frankenstein interpretations, Terence Fisher's creative direction, the brilliant use of color and subsequently amped up violence, and so much more! If you enjoy this episode, and want to support the show, check out our Patreon!

In the final stretch of their daring Escape from Hammerland, Ian and AC pulled over to pick up fellow traveler Bill Gudmundson for a look at Val Guest's 1957 people-are-the-real-monsters movie, The Abominable Snowman of the Himalayas!More popularly known simply as The Abominable Snowman, this cerebral safari-in-the-snow film stars Peter Cushing as Dr. Rollason, a botanist whose research trip is sidelined when he joins an expedition of American poachers searching for the famed Yeti monster. What follows is a twisty, heady, and hardly monstrous story that presaged sci-fi horror classics like Alien and John Carpenter's The Thing!In this spoilerific episode, the guys talk about how this film compares to Guest and Kneale's other Hammer contributions; the transportive blend of natural footage and soundstage production design; and that delightfully ambiguous ending!Support Kicking the Seat on Patreon, subscribe to us on YouTube, and follow us at:XLetterboxdInstagramFacebookShow LinksWatch the Abominable Snowman (1957) trailer.As mentioned in the show, Shout! Factory released a great Blu-ray of The Abominable Snowman, which is still available via Gruv.We also talked about the magazine Little Shoppe of Horrors, which will feature The Abominable Snowman in an upcoming issue.Feast on the meticulous model-making skills of Bill Gudmundson at his website, Bill's Kitchen!Order AC's books on essential and obscure horror movies, Horror 101 and Hidden Horror!Subscribe to AC's YouTube channel, Horror 101 with Dr. AC.Grab only what you can carry as we "Escape from Hammerland"! Hitch a ride with our entire 2024 series in the "Return to Hammerland" Playlist!It's not too late to catch up with our 2023 trip “Beyond Hammerland”!Check out 2022's year-long journey, "Son of Hammerland"!And watch the series that started it all: "Hammerland"

In this week's episode, I rate the movies and streaming shows I saw in Autumn 2025. This coupon code will get you 25% off the ebooks in The Ghosts series at my Payhip store: GHOSTS2025 The coupon code is valid through December 1, 2025. So if you need a new ebook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 278 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November 21st, 2025, and today I am sharing my reviews of the movies and streaming shows I saw in Fall 2025. We also have a Coupon of the Week and an update my current writing, audiobook, and publishing projects. So let's start off with Coupon of the Week. This week's coupon code will get you 25% off all the ebooks in The Ghosts series at my Payhip store, and that is GHOSTS2025. And as always, we'll have the link to my Payhip store and the coupon code in the show notes for this episode. This coupon code is valid through December 1, 2025, so if you need a new ebook for this fall, we have got you covered. Now for my current writing and publishing projects: I'm very pleased to report that Blade of Shadows, the second book in my Blades of Ruin epic fantasy series, is now out. You can get it at Amazon, Barnes and Noble, Kobo, Google Play, Apple Books, Smashwords, and my Payhip store. By the time this episode goes live, all those stores should be available and you can get the book at any one of them and I hope you will read and enjoy it. I'm also 15,000 words into what will be my next main project Wizard-Assassin, the fifth book in the Half-Elven Thief series, and if all goes well, I want that to be out before Christmas. I'm also working on the outline for what will be the third book in the Blades of Ruin series, Blade of Storms, and that will hopefully, if all goes well, be the first book I publish in 2026. In audiobook news, as I mentioned last week, the audiobook of Blade of Flames is done and I believe as of this recording, you can get at my Payhip store, Google Play, Kobo, and I think Spotify. It's not up on Audible or Apple yet, but that should be soon, if all goes well. That is excellently narrated by Brad Wills. Hollis McCarthy is still working on Cloak of Embers. I believe main recording is done for that and it just has to be edited and proofed, so hopefully we'll get both audiobooks to you before the end of the year. So that is where I'm at with my current writing, publishing, and audiobook projects. 00:02:08 Main Topic of the Week: Autumn 2025 Movie Review Roundup Now on to this week's main project, the Autumn 2025 Movie Review Roundup. I watched a lot of classic horror movies this time around. The old Universal black and white monster movies from the '30s and '40s turned up on Prime for Halloween and I hadn't seen them since I was a kid, so I watched a bunch of them in October and November, which seemed an appropriate thing to do for Halloween. They mostly held up as well as I remembered from when I was a kid, which was a nice surprise. As ever, the grades I give these movies are totally subjective and based on nothing more than my own opinions and thoughts. With that, let's take a look at the movies from least favorite to most favorite. First up is The Other Guys, which came out in 2010 and this is a parody of the buddy cop/ cowboy cop movie along with a heavy critique of the reckless and corrupt culture of late 2000s Wall Street. "Dumb funny" movies I've noticed tend to fall on either side of the "dumb but actually funny" or "dumb and not funny" line. And this one definitely landed on "dumb but actually funny". Danson and Highsmith, played by The Rock and Samuel L. Jackson, are two maverick popular detectives who never do paperwork. Their paperwork is always done by Allen Gamble, who's played by Will Ferrell and Terry Hoitz, played by Mark Wahlberg. Gamble is a mild-mannered forensic accountant, while Hoitz desperately wants to be as cool as either Danson or Highsmith, but since he accidentally shot Yankees player Derek Jeter (in a recurring gag), he's a pariah within the New York Police Department. However, Danon and Highsmith's plot armor suddenly run out and they accidentally kill themselves in a darkly hilarious scene that made me laugh so much I hurt a little. Hoitz wants to step into their shoes, but Gamble has stumbled onto potentially dangerous case and soon Hoitz and Gamble have to overcome their difficulties and unravel a complicated financial crime. This was pretty funny and I enjoyed it. Amusingly in real life, someone like Gamble would be massively respected in whatever law enforcement agency he works for, since someone who prepares ironclad paperwork and correct documentation that stands up in court is an invaluable asset in law enforcement work. Overall Grade: B Next up is Fantastic Four: First Steps, which came out in 2025. I like this though, to be honest, I liked Thunderbolts and Superman 2025 better. I think my difficulty is I never really understood The Fantastic Four as a concept and why they're appealing. Maybe the Fantastic Four are one of those things you just have to imprint on when you're a kid to really enjoy or maybe at my age, the sort of retro futurism of the Four, the idea that science, technology, and rational thought will solve all our problems does seem a bit naive after the last 65 years of history or so. Additionally, the idea of a naked silver space alien riding a surfboard does seem kind of ridiculous. Anyway, the movie glides over the origin story of Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm and gets right into it. To their surprise, Reed and Sue find out that Sue is pregnant, which seemed unlikely due to their superpower induced genetic mutations. Shortly after that, the Silver Surfer arrives and announces that Earth will be devoured by Galactus. The Four travel in their spaceship to confront Galactus and realize that he's a foe far beyond their power, but Galactus offers them a bargain. If Reed and Sue give him their son, he will leave Earth in peace. They refuse and so it's up to the Four to figure out a way to save Earth and Reed and Sue's son. Pretty solid superhero movie all told, but it is amusing how in every version of the character, Reed Richards is allegedly the smartest man on Earth but still can't keep his mouth shut to save his life. Overall Grade: B The next movie is Superman, which came out in 1978. After seeing the 2025 version of Superman, I decided to watch the old one from the '70s. It's kind of a classic because it was one of the progenitors of the modern superhero film. Interestingly, it was one of the most expensive films ever made at that time, costing about $55 million in '70s-era dollars, which are much less inflated than today. A rough back of the envelope calculation would put 55 million in the '70s worth at about $272 million today, give or take. Anyway, this was a big gamble, but it paid off for the producers since they got $300 million back, which would be like around $1.4 billion in 2025 money. Anyway, the movie tells the origin story of Superman, how his father Jor-El knows that Krypton is doomed, so he sends Kal-El to Earth. Kal-El is raised as Clark Kent by his adoptive Kansas parents and uses his powers to become Superman- defender of truth, justice, and the American way. Superman must balance his growing feelings for ace reporter Lois Lane with his need for a secret identity and the necessity of stopping Lex Luthor's dangerous schemes. Christopher Reeve was an excellent Superman and the special effects were impressive by the standards of 1978, but I think the weakest part of the movie were the villains. Lex Luthor just seemed comedic and not at all that threatening. Unexpected fun fact: Mario Puzio, author of The Godfather, wrote the screenplay. Overall Grade: B Next up is Superman II, which came out in 1980. This is a direct sequel to the previous movie. When Superman stops terrorists from detonating a nuclear bomb by throwing it into space, the blast releases the evil Kryptonian General Zod and his minions from their prison and they decide to conquer Earth. Meanwhile, Superman is falling deeper in love with the Lois Lane and unknowing of the threat from Zod, decides to renounce his powers to live with Lois as an ordinary man. I think this had the same strengths and weaknesses as the first movie. Christopher Reeve was an excellent Superman. The special effects were impressive by the standards of the 1980s, but the villains remained kind of comedic goofballs. Additionally, and while this will sound harsh, this version of Lois Lane was kind of dumb and her main function in the plot was to generate problems for Superman via her questionable decisions. Like at the end, Superman has to wipe her memory because she can't keep his secret identity to herself. If this version of Lois Lane lived today, she'd be oversharing everything she ever thought or heard on TikTok. The 2025 movie version of Lois, by contrast, bullies Mr. Terrific into lending her his flying saucer so she can rescue Superman when he's in trouble and is instrumental in destroying Lex Luthor's public image and triggering his downfall. 1970s Louis would've just had a meltdown and made things worse until Superman could get around to rescuing her. Overall, I would say the 1978 movie was too goofy, the Zac Snyder Superman movies were too grimdark, but the 2025 Superman hit the right balance between goofy and serious. Overall Grade: B Next up is Dracula, which came out in 1931, and this was one of the earliest horror movies ever made and also one of the earliest movies ever produced with sound. It is a very compressed adaptation of the stage version of Dracula. Imagine the theatrical stage version of Dracula, but then imagine that the movie was only 70 minutes long, so you have to cut a lot to fit the story into those 70 minutes. So if you haven't read the book, Dracula the movie from 1931 will not make a lot of sense. It's almost like the "Cliff's Notes Fast Run" version of Dracula. That said, Bela Lugosi's famous performance as Dracula really carries the movie. Like Boris Karloff in Frankenstein and The Mummy (which we'll talk about shortly), Bela Lugosi really captures the uncanny valley aspect of Dracula because the count isn't human anymore and has all these little tics of a creature that isn't human but only pretending to be one. Edward Van Sloan's performance as Dr. Van Helsing is likewise good and helped define the character in the public eye. So worth watching as a historical artifact, but I think some of the other Universal monster movies (which we'll discuss shortly) are much stronger. Overall Grade: B Next up is The Horror of Dracula, which came out in 1958. This is one of the first of the Hammer Horror movies from the '50s, starring Peter Cushing as Dr. Van Helsing and Christopher Lee as Count Dracula. It's also apparently the first vampire movie ever made in color. Like the 1931 version of Dracula, it's a condensed version of the story, though frankly, I think it hangs together a little better. Van Helsing is a bit more of an action hero in this one, since in the end he engages Dracula in fisticuffs. The movie is essentially carried by the charisma of Peter Cushing and Christopher Lee and worth watching as a good example of a classic '50s horror movie. Overall Grade: B Next up is The Wolf Man, which came out in 1941. This is another one of the classic Universal horror movies. This one features Lon Cheney Jr. as Larry Talbot, the younger son of Sir John Talbot. Larry's older brother died in a hunting accident, so Larry comes home to reconcile with his father and take up his duties as the family heir. Larry is kind of an amiable Average Joe and is immediately smitten with the prettiest girl in the village, but when he takes her out for a walk, they're attacked by a werewolf, who bites Larry. Larry and everyone else in the village do not believe in werewolves, but they're about to have their minds changed the hard way. The transformation sequences where Larry turns into the Wolfman were cutting edge of the time, though poor Lon Chaney Jr had to stay motionless for hours as they gradually glued yak hair to him. I think Claude Rains had the best performance in the movie as Sir John and he's almost the co-protagonist. Overall Grade: B Next up is Jurassic World: Rebirth, which came out in 2025, which I thought was a perfectly straightforward but nonetheless enjoyable adventure film. After all the many disasters caused by various genetic engineering experiments in the previous movies, dinosaurs mostly live in relatively compatible ecosystems and tropical zones near the equator. No one's looking to create a theme park with dinosaurs or create bioengineered dinosaurs as military assets any longer. However, the dinosaurs are still valuable for research and a pharmaceutical company is developing a revolutionary drug for treating cardiac disease. They just need some dinosaur blood from three of the largest species to finish it, and so the company hires a team of mercenaries to retrieve the blood. We have the usual Jurassic Park style story tropes: the savvy mercenary leader, the scientist protesting the ethics of it all, the sinister corporate executive, the troubled family getting sucked into the chaos. And of course, it all goes wrong and there are lots and lots of dinosaurs running around. It's all been done before of course, but this was done well and was entertaining. Overall Grade: B+ Next up is The Thursday Murder Club, which came out in 2025, and this is a cozy mystery set in a very high-end retirement home. Retired nurse Joyce moves into Coopers Chase, the aforementioned high end retirement home. Looking to make new friends, she falls in with a former MI6 agent named Liz, a retired trade unionist named Ron, and psychiatrist Ibrahim, who have what they call The Thursday Murder Club, where they look into cold cases and attempt to solve them. However, things are not all sunshine and light at Coopers Chase as the two owners of the building have fallen out. When one of them is murdered, The Thursday Murder Club has to solve a real murder before Coopers Chase is bulldozed to make high-end apartments. A good cozy mystery with high caliber acting talent. Both Pierce Brosnan and Jonathan Price are in the movie and regrettably do not share a scene together, because that would've been hilarious since they were both in the James Bond movie Tomorrow Never Dies in the '90s with Brosnan as Bond and Price as the Bond villain for the movie. Overall Grade: B+ Next up is The Creature From the Black Lagoon, which came out in 1954 and is one of the last of the black and white classic horror movies since in the '50s, color film was just around the corner. When a scientist finds the unusual half fish, half human fossil on a riverbank in Brazil, he decides to organize an expedition upriver to see if he can find the rest of the fossil. The trail leads his expedition to the mysterious Black Lagoon, which all the locals avoid because of its bad reputation, but a living member of the species that produce the fossils lurking the lagoon while it normally doesn't welcome visitors, it does like the one female member of the expedition and decides to claim her for its own. The creature was good monster and the underwater water sequences were impressive by the standards of the 1950s. Overall Grade: A- Next up is The Invisible Man, which came out in 1933, and this is another of the classic Universal black and white horror movies. Jack Griffin is a scientist who discovered a chemical formula for invisibility. Unfortunately, one of the drugs in his formula causes homicidal insanity, so he becomes a megalomaniac who wants to use his invisibility to rule the world. This causes Griffin to overlook the numerous weaknesses of his invisibility, which allow the police to hunt him down. The Invisible Man's special effects were state of the art at the time and definitely hold up nearly a hundred years later. It's worth watching as another classic of the genre. Claude Rains plays Griffin, and as with The Wolf Man, his performance as Griffin descends into homicidal insanity is one of the strengths of the movie. Overall Grade: A- Next up is The Mummy, which came out in 1932, and this is another of the original Universal black and white horror movies. Boris Karloff plays the Mummy, who is the ancient Egyptian priest Imhotep, who was mummified alive for the crime of desiring the Pharaoh's daughter Ankh-es-en-Amon. After 3,000 years, Imhotep is accidentally brought back to life when an archeologist reads a magical spell and Imhotep sets out immediately to find the reincarnation of his beloved and transform her into a mummy as well so they can live together forever as undead. Edward Van Sloan plays Dr. Mueller, who is basically Edward Van Sloan's Van Helsing from Dracula if Van Helsing specialized in mummy hunting rather than vampire hunting. This version of the Mummy acts more like a Dungeons and Dragons lich instead of the now classic image of a shambling mummy in dragging bandages. That said, Boris Karloff is an excellent physical actor. As he does with Frankenstein, he brings Imhotep to life. His performance captures the essence of a creature that hasn't been human for a very long time, is trying to pretend to be human, and isn't quite getting there. Of course, the plot was reused for the 1999 version of The Mummy with Brendan Fraser. That was excellent and this is as well. Overall Grade: A- Next up is The Wedding Singer, which came out in 1998, and this is basically the Adam Sandler version of a Hallmark movie. Adam Sandler plays Robbie, a formerly famous musician whose career has lapsed and has become a wedding singer and a venue singer. He befriends the new waitress Julia at the venue, played by Drew Barrymore. The day after that, Robbie's abandoned at the altar by his fiancée, which is understandably devastating. Meanwhile, Julia's fiancé Glenn proposes to her and Robbie agrees to help her with the wedding planning since he's an expert in the area and knows all the local vendors. However, in the process, Robbie and Julia fall in love, but are in denial about the fact, a situation made more tense when Robbie realizes Glenn is cheating on Julia and intends to continue to do so after the wedding. So it's basically a Hallmark movie filtered through the comedic sensibilities of Adam Sandler. It was very funny and Steve Buscemi always does great side characters in Adam Sandler movies. Overall Grade: A Next up is Downton Abbey: The Grand Finale, which came out in 2025. This movie was sort of a self-indulgent victory lap, but it was earned. The writers of the sitcom Community used to joke that they wanted "six seasons and a movie" and Downton Abbey got "six seasons and three movies". Anyway, this movie is about handing off things to the next generation. Lord Grantham is reluctant to fully retire as his daughter goes through a scandal related to her divorce. The next generation of servants take over as the previous ones ease into retirement. What's interesting is both the nobles and the servants are fully aware that they're sort of LARPing a historical relic by this point because by 1930, grand country houses like Downton were increasingly rare in the UK since World War I wiped out most of them and crippling post-war taxes and economic disruption finished off many more. Anyway, if you like Downton Abbey, you like this movie. Overall Grade: A Next up is Argo, which came out in 2012, a very tense thriller about the Iranian hostage crisis in 1979. During that particular crisis, six Americans escaped the embassy and hid out at the Canadian Ambassador's house in Tehran. For obvious reasons, the Canadian ambassador wanted them out as quickly as possible, so the CIA and the State Department needed to cook up a plan to get the six out while the rest of the government tried to figure out what to do about the larger group of hostages. Finally, the government comes with "Argo." A CIA operative will create a fake film crew, a fake film company, and smuggle the six out of Tehran as part of the production. The movie was very tense and very well constructed, even if you know the outcome in advance if you know a little bit of history. Ben Affleck directed and starred, and this was in my opinion one of his best performances. It did take some liberties with historical accuracy, but nonetheless, a very tense political thriller/heist movie with some moments of very dark comedy. Overall Grade: A Next up is The Naked Gun, which came out in 2025, and this is a pitch perfect parody of the gritty cop movie with a lot of absurdist humor, which works well because Liam Neeson brings his grim action persona to the movie and it works really well with the comedy. Neeson plays Lieutenant Frank Drebin Jr., the son of the original Frank Drebin from The Naked Gun movies back in the '80s. After stopping a bank robbery, Drebin finds himself investigating the suicide of an engineer for the sinister tech mogul Richard Cane. Naturally, the suicide isn't what it appears and when the engineer's mysterious but seductive sister asks for Drebin's help, he pushes deeper into the case. Richard Cane was a hilarious villain because the writers couldn't decide which tech billionaire to parody with him, so they kind of parodied all the tech billionaires at once, and I kid you not, the original Frank Drebin makes an appearance as a magical owl. It was hilarious. Overall Grade: A Now for my two favorite things I saw in Autumn 2025. The first is the combination of Frankenstein and Bride of Frankenstein, which came out in 1931 and 1935. These are two separate movies, but Frankenstein leads directly to Bride of Frankenstein, so I'm going to treat them as one movie. Honestly, I think they're two halves of the same story the way that Avengers: Infinity War and Avengers: Endgame would be two halves of the same story 90 years later, so I'll review them as one. Frankenstein by itself on its own will get a B. Colin Clive's performance is Dr. Henry Frankenstein was great, and Boris Karloff gives the Creature a suitable air of menace and uncanny valley. You really feel like he's something that's been brought to life but isn't quite right and still extremely dangerous. The movie does have a very pat ending that implies everyone will live happily ever after, with Dr. Frankenstein's father giving a toast to his son. But Bride of Frankenstein takes everything from the first movie and improves on it. It's one of those sequels that actually makes the preceding movie better. In Bride, Henry is recovering from his ordeal and swears off his experiments of trying to create artificial humans, but the Creature survived the fire at the windmill at the end of the last movie and is seeking for a new purpose. Meanwhile, Henry receives a visit from his previous mentor, the sinister Dr. Pretorius. Like Henry, Pretorius succeeded in creating artificial life and now he wants to work with Henry to perfect their work, but Henry refuses, horrified by the consequences of his previous experiments. Pretorius, undaunted, makes an alliance with the Creature, who then kidnaps Henry's wife. This will let Pretorius force Henry to work on their ultimate work together-a bride for the Creature. Bride of Frankenstein is a lot tighter than Frankenstein. It was surprising to see how rapidly filmmaking techniques evolved over just four years. Pretorius is an excellent villain, more evil wizard than mad scientist, and the scene where he calmly and effortlessly persuades the Creature to his side was excellent. One amusing note, Bride was framed as Mary Shelley telling the second half of the story to her friends, and then the actress playing Mary Shelley, Elsa Lancaster, also played the Bride. So that was a funny bit of meta humor. Frankenstein and Bride of Frankenstein combined is one of my two favorite movies of Fall 2025. Overall Grade: A+ And now for my second favorite movie of Autumn 2025, which as it turns out is also Frankenstein, but Guillermo del Toro's version that came out in 2025. And honestly, I think Guillermo del Toro's version of Frankenstein is the best version put to screen so far and even does the rarest of all feats, it improves a little on the original novel. Oscar Isaac plays Victor Frankenstein as a brilliant, driven scientist with something of a sociopathic edge. In other words, he's a man who's utterly inadequate to the task when his experiment succeeds and he actually creates an artificial human that have assembled dead body parts. Jacob Elordi does a good job as the Creature, playing him is essentially a good hearted man who's driven to violence and despair by the cruelty and rejection of the world. The recurring question of the Frankenstein mythos is whether or not Victor Frankenstein is the real monster. In this version, he definitely is, though he gets a chance to repent of his evil by the end. Honestly, everything about this was good. The performances, the cinematography, everything. How good was it? It was so good that I will waive my usual one grade penalty for unnecessary nudity since there were a few brief scenes of it. Overall Grade: A+ So that was the Autumn 2025 Movie Roundup. A lot of good movies this time around. While some movies of course were better than others, I didn't see anything I actively disliked, which is always nice. So that's it for this week. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.  

Una vez más, ¡Es la Hora Hammer! Lo que significa que vamos a lanzarnos a analizar otro gran clásico de la productora británica especializada en el cine gótico (entre otras cosas, claro). Técnicamente hablando, no hemos tratado secuelas directas de alguna de las películas anteriores, así que quizás sea el momento de traer no solo eso, sino una de las mejores cintas, con un Peter Cushing en estado de gracia: La venganza de Frankenstein. ¡A disfrutar! Musica: Astrowind, No Spill Blood, The Gateless Gate, Timecrawler 82, Kevin McCleod

Frankenstein Created Woman (1967), Frankenstein Must Be Destroyed (1969), Frankenstein and the Monster from Hell (1974) Continuing our quest to get through the rest of Hammer's Frankenstein films which starred Peter Cushing, we cover the last three titles that Hammer made. Cushing loved to play this character, and he's done it like no one ever had, or ever has. Along with the screenwriters, Cushing made this character his own, and really made him the real monster in this series. While these films might be well covered by others, sometimes we forget just how good some of these are, as well as what we might be missing the first time or two that we watched it. And as we've mentioned many times before, watching them in sequence in a relatively short time, more things can come to light. Films mention in this episode: Brides of Dracula (1960), The Bride of Frankenstein (1935), Curse of Frankenstein (1957), Curse of the Werewolf (1961), The Evil of Frankenstein (1964), The Exorcist (1973), Frankenstein Created Woman (1967), Frankenstein and the Monster from Hell (1974), Frankenstein Must Be Destroyed (1969), Horror of Dracula (1958), Horror of Frankenstein (1970), Kiss of the Vampire (1966), The Mummy (1959), Night of the Living Dead (1968), Peeping Tom (1960), Psycho (1960), Revenge of Frankenstein (1958), Rosemary's Baby (1968)

Heidihuuuuuuuuhuuuu Welt! Unser alljährliches Halloween-Spezial steht wieder an und diesmal widmen wir uns einer der berühmtesten und wegweisendsten Geschichten des Horrorkinos: FRANKENSTEIN! Denn auch über 200 Jahre nachdem Mary Shelly ihren zeitlosen Roman „Frankenstein oder Der moderne Prometheus“ veröffentlichte, wird der Stoff regelmäßig neu verfilmt, neu interpretiert, neu gedacht. Zusammen mit ihrem Gast Jacob bauen eure verrückten Wissenschaftler MO und Sandro ein gewaltiges Podcast-Monster aus den stilistisch prägendsten Frankenstein-Verfilmungen zusammen, beginnend bei den legendären Universal-Filmen um Boris Karloff, über die ebenso blutigen, wie trashigen Hammer-(Farb)Filme mit Peter Cushing, bis hin zur opulenten 90er-Adaption von Branagh und vielen weiteren (teils schrägen) Bestandteilen. Dabei nehmen sie nicht nur die Werke und ihre Epochen unter die Lupe sondern ergründen auch, warum der Mythos Frankenstein nach wie vor nichts an seiner Faszination verloren hat. Zu guter Letzt erwartet euch außerdem noch ein knackiges (F)Ranking euer Horror-Dudes, sowie ein kleiner Ersteindruck zur neusten Frankenstein-Umsetzung von Monster-Magistrat Guillermo del Toro. [Link zum ersten Frankenstein Stummfilm von 1910 auf YouTube](https://youtu.be/lAgNWAa9ns4?si=6knrYqkn1vXCoEfM) In diesem Sinne: Bleibt lebendig und menschenfrei!

Today we avert our gaze from The Gorgon. We discuss the power shift between good guy Christopher Lee and villian Peter Cushing, the use of unrequited romance to generate monstrous behavior, and what becomes of all who gaze upon this ancient beast. Join us for our final installment of this years Halloween Marathon! Synopsis: In the early twentieth century, a Gorgon takes human form and terrorizes a small European village by turning its citizens to stone. Starring: Christopher Lee, Peter Cushing, Richard Pasco Directed by Terence Fisher Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g

Analysis of Dracula AD 1972! That's right, it is time to discuss the Hammer classic with Sir Christopher Lee and Peter Cushing! Trespassing! Hate crimes! Fraud! And 1970s over the top funkiness. Support the showNo part of this recording should be considered legal advice.Follow us on Facebook, Instagram, Twitter, YouTube, and TikTok @TheLegalGeeks

The Curse of Frankenstein (1957), The Revenge of Frankenstein (1958), and The Evil of Frankenstein (1964) What can you say about the Hammer Frankenstein films that hasn't been said before? Well, a lot, actually! In 1957, a relatively small, mostly unknown studio made a film that would forever change horror and kick off a cycle of sensual, bloody, and atmospheric fright flicks that would dominate the genre for around twenty years.  To say that The Curse of Frankenstein is a classic is almost like saying that water is wet, but it is also a film that lives up to it's reputation. It and its sequels are films that not only deserve regular revisits, they also belong in more modern conversations about horror.  While nearly all the films shard crewmembers and all but one were directed by Terence Fisher, one constant defined the series: Peter Cushing's mesmerizing take on Victor Frankenstein, equal parts gentleman and ghoul. On this episode we look at the first three films in the Cushing Frankenstein cycle, and in a very real way, make a pilgrimage to one of horror's holy places.  We love these films and we hope that either you do too, or that you will by the time you are done listening. Films mentioned in this episode: The Bride of Frankenstein (1935), Corruption (1968), The Curse of Frankenstein (1957), The Devil-Ship Pirates 1964), Dracula vs Frankenstein (1971), The Evil of Frankenstein (1964), Frankenstein (1931), Frankenstein Must Be Destroyed (1969), Maniac (1963), Nightmare (1964), Paranoiac (1963), The Quatermass Xperiment (1955), Re-Animator (1985), The Revenge of Frankenstein (1958)

For our final spooky season episode we take a look at 1983's House of the Long Shadows. staring Vincent Price, Christopher Lee, Peter Cushing and John Carradine.

"Jonathan Harker reist in seiner Eigenschaft als Vampirjäger nach Transsylvanien, um dem berühmtesten Blutsauger von allen, Graf Dracula, einen Pflock durch das Herz zu jagen. Doch dieser überrumpelt Harker und macht ihn zu seinesgleichen. Wenig später trifft Dr. van Helsing ein, der sich Sorgen um den Verbleib seines Schützlinges Harkers macht. Eine Sorge, die durchaus berechtigt ist, van Helsing bleibt nur noch die Erlösung Harkers. Unterdessen ist Dracula in England angekommen."

Episode 225: Week three we round out the Stop It's Hammer Horror Time theme with a guest in Adam (friend of the show) to help remove The Curse of Frankenstein from 1957. Check us next week for our final week of Hammer Horror films, in 1959's The Man Who Could Cheat Death.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

Episode 223: This week we kick off our Stop It's Hammer Horror Time October. An entire month of Hammer films. Starting with 1959's The Mummy.Tune in next week for our second dose of Hammer Horror, with the oh so scary The Lady Vanishes from 1979.Become a supporter of this podcast: https://www.spreaker.com/podcast/a-cut-above-horror-review--6354278/support.

Welcome, once again, to our annual house of horror special!! This year, we kickoff with, yet again, another Hammer Film. This time, we're covering The Gorgon, featuring Peter Cushing and the wonderful treasure that is Patrick Troughton. We then move onto The Blood on Satan's Claw, featuring the lovely Wendy Padbury and a somewhat subdued Anthony Ainley.    Join us as we discuss Diana's inability to recognize actors when they either sport crazy mustaches or wear spectacularly poor wigs, Julie's inability to recognize famous rock stars, Anthony's best one-word review of “Meh”, and Reilly's new job of pre-screening films for our specials for obvious reasons. Additionally, please let us know if we need yet another running metric for “the Diana uncomfortable count”.   If you would like to watch along with us, The Gorgon is available to stream on Plex (https://bit.ly/48IBlKt) and on physical media from Amazon US (https://amzn.to/430bw4N) and Amazon UK (https://amzn.to/4qti8Ti). The Blood on Satan's Claw is available to stream on Amazon in the US (https://bit.ly/3L89r0y) and BFI Player in the UK (https://bit.ly/4nqUpRd), and is available on physical media from Amazon US (https://amzn.to/3L5gTcY) and Amazon UK (https://amzn.to/3L9r5kA).   Intro and Outro Music Credit: What If John Carpenter Did a Doctor Who Theme?, by George C. Music (YouTube: https://youtu.be/CPzulODLeD8)   Other media mentioned in this episode*: The Vampire Lovers (Amazon US: https://amzn.to/3TCP8aN | Amazon UK: https://amzn.to/3Wg6tIC) The Fly (Amazon US: https://amzn.to/3sXqJ1T | Amazon UK: https://amzn.to/3xn9jPp) The Omen (Amazon US: https://amzn.to/3EbmBBl | Amazon UK: https://amzn.to/3pxryjF) Warm Bodies (Amazon US: https://amzn.to/3X1g5bv | Amazon UK: https://amzn.to/4huQ2D5) My Cousin Vinny (Amazon US: https://amzn.to/3WWwdLs | Amazon UK: https://amzn.to/43wdkmb) Outlander: Seasons 1-5 (Amazon US: https://amzn.to/3lYgGJB | Amazon UK: https://amzn.to/3lWL077) Evil Dead (Amazon US: https://amzn.to/3WX9NK0 | Amazon UK: https://amzn.to/3JrWj5Q) Monty Python and the Holy Grail (Amazon US: https://amzn.to/3n4P30y | Amazon UK: https://amzn.to/3n5ong6) Percy Jackson and the Olympians: The Lighning Thief, by Rick Riordan (Amazon US: https://amzn.to/4qxnWLK | Amazon UK: https://amzn.to/4ngz10F) History of Horror Documentary: (YouTube: https://youtu.be/v4OQ7LVIWBU)    Kaos (Netflix: https://www.netflix.com)   Finally, you can also follow us and interact with us on Facebook and Instagram. You can also e-mail us at watchers4d@gmail.com, and you can join us on our Discord server. If you're enjoying this podcast, please subscribe to the show, and leave us a rating or review.   *Support Watchers in the Fourth Dimension! We are an Amazon affiliate and earn a small commission from purchases through Amazon links. This goes towards the running costs of the podcast.

[School of Movies 2025] "Adapting is like marrying a widow; You respect the memory of the husband, but at some point you gotta get it on." - Guillermo del Toro. In preparation for GDTs long-awaited take on Frankenstein we delved into some of the most significant onscreen versions of Mary Shelley's book. Taking our cues from the excellent piece by Overly Sarcastic Productions we recruit Gothic enthusiast Willow and together as a family talk you through the story, referencing different movies regarding how closely they cleave to the source novel, and how and why they choose to deviate. Many of the elements people take for granted, lightning, green skin, bolts in the neck, flat head, tendency to talk like a caveman all seem to stem from the 1931 James Whale film and its 1935 sequel starring Borris Karloff and Elsa Lanchester. Turns out that the monster, the creation or as he is sometimes called, "Adam" was, as-written a great deal more complex, something some films have expressed in the interim near-century, nearly all of the most significant we talk about, including the 1994 Kenneth Branagh version, the 2011 stage version with Benedict Cumberbatch and Johnny Lee Miller, the Hammer Horror versions with Christopher Lee and Peter Cushing, Frank Roddam's The Bride from 1985, Tim Burton's Frankenweenie, and a surprisingly great two-part TV miniseries from 2004. Accompanying, we have a Cutting Class episode releasing this weekend with a bunch of other adaptations we talked about here but were trimmed out for time and focus, and we will of course be back to talk about Del Toro's version very soon.

Baron Frankenstein is up to his old tricks in this Hammer Horror film. Ashley & Matt discuss The Revenge of Frankenstein in this episode.

The Legend of the 7 Golden Vampires (1974) was chosen by Dave, and it's a wild blend of classic British gothic horror and Hong Kong martial arts cinema, a true oddity even by Hammer Films standards. By the early 1970s, Hammer was struggling to keep its brand of horror relevant, as audience tastes shifted toward more modern and visceral scares. Looking to revive interest in their iconic Dracula franchise, the studio teamed up with Hong Kong's Shaw Brothers, who were at the height of their popularity in the kung fu boom. The result was an ambitious Anglo-Chinese co-production that brought together Hammer regulars like Peter Cushing and a full roster of Shaw Brothers talent, hoping to merge Eastern action with Western horror spectacle.The production was shot largely at the Shaw Brothers' studios in Hong Kong, with additional second-unit work in England. Directed by Hammer veteran Roy Ward Baker, with martial arts choreography overseen by Shaw Brothers action specialists, the film was one of Hammer's most visually adventurous projects, complete with elaborate sets, ornate costumes, and an energetic fusion of filmmaking styles. However, cultural and creative differences between the two studios led to a somewhat chaotic production. Despite its uneven tone and limited success at the box office, the film has since developed a cult following, celebrated for its eccentric charm and its experimental East-meets-West ambition.If you enjoy the show, we have a Patreon, so become a supporter ⁠⁠⁠here⁠⁠⁠.Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠Trailer Guy Plot SummaryFrom the misty mountains of Transylvania, to the deadly temples of the Far East, evil has a new address.When the curse of Dracula reaches across continents, only one man can stop the rise of the undead, Professor Van Helsing! With ancient legends, martial arts mayhem, and seven bloodthirsty vampires, it's horror meets kung fu in the wildest crossover of the 1970s.The Legend of the 7 Golden Vampires, where Hammer Horror meets high-kicking heroics.Fun FactsA co-production between Britain's Hammer Films and Hong Kong's Shaw Brothers Studio, marking the only collaboration between the two legendary film houses.It was Hammer's 9th and final entry in their Dracula series, though Christopher Lee declined to return, ending his long association with the role.Peter Cushing reprised his role as Professor Van Helsing for the fifth and final time in the Hammer Dracula series.The movie was directed by Roy Ward Baker, known for Quatermass and the Pit (1967), with fight choreography handled by veteran Shaw Brothers action directors.Hammer wanted to cash in on the 1970s kung fu craze following the global success of Bruce Lee's Enter the Dragon (1973).Filming took place primarily at the Shaw Brothers Studio in Hong Kong, with lavish temple sets and hundreds of local extras used for large-scale action scenes.Two versions of the film exist — the full-length international version and a shorter U.S. cut titled “The Seven Brothers Meet Dracula.”Despite its cult appeal today, the film was a commercial disappointment upon release, contributing to Hammer's financial decline in the mid-1970s.The movie features an entirely new actor as Dracula — John Forbes-Robertson, though his screen time was significantly reduced in the final cut.Over the years, The Legend of the 7 Golden Vampires has become a cult favorite among horror and martial arts fans, praised for its bizarre East-meets-West energy and campy charm.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

     This week- four tales of shivering fright to carry you through a chilly autumn night.     Kayako Saeki, with her son Toshio and cat Mar, is murdered by her jealous husband. Her anger and sorrow turn them all as onryo and place an insatiable curse on the house. Soon Toshio's teacher Kobayashi, the Murakami family, and all others who venture in will find nothing but misery. The first feature length entry in a thirteen entry franchise with entries on both sides of the globe, Takashi Shimizu's Ju-on: The Curse.     Three drug dealers try to buy some drugs found by an eccentric funeral director. As they walk to through the building, they are regaled with stories of terror and the supernatural. Rusty Cundieff's second feature is full of pointed social commentaries about police brutality, child abuse, racism, and gang violence. A 90s cult classic, backed by several fantastic performances, which would get a pair of sequels over twenty years later, Tales from the Hood.     Mark is a wannabe cinematographer living in Los Angeles. He struggles to establish his career, only finding work filming short pornographic scenes for a man he despises, and unable to form connects with women, often ending with brutal violence. All of that may change when he meets Michelle, a young woman he meets at work in a committed relationship with a similar background and interests. A rediscovered psychotronic exploitation that might be among the best of the subgenre. The first and tragically only feature written and directed by Christina Hornisher, Hollywood 90028.     Professor Hildern returns from an expedition in New Guinea with a remarkable discovery- a giant humanoid skeleton older than any previously recovered and twice as advanced. This is just the beginning of the puzzle as the Professor discovers exposure to water will cause rapid regeneration of tissue and cell which will change everything we know, a similar line of research that his psychiatrist brother is perusing. Directed by Hammer and Amicus regular Freddie Francis and starring the legends of British horror, Peter Cushing and Christopher Lee, The Creeping Flesh.     All that and Dave games on, Kevin wallows in the cinema room, Tyler gets his warm fuzzies on, and Craig cackles at the sights he has to show us all. Join us, won't you?   Episode 435: Skeleton Gelatin (and Further Tales from the Hood)

Today we unleash and ancient killer force in The Mummy. We discuss the more revenge focused tomb raiding story line, the value of having a giant Christopher Lee murder Mummy, and how the technicolor Hammer aesthetic made the Egypt flashbacks more fun than it's predecessor. This Messed Up monster roams eternal, if you don't listen and share the pod he may shamble towards you!  Synopsis: In 1895, British archaeologists find and open the tomb of Egyptian Princess Ananka with nefarious consequences. Starring: Peter Cushing, Christopher Lee, Yvonne Furneaux Directed by Terence Fisher Youtube: https://youtu.be/TZNAibM5_3w Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g  

Today we add some sex appeal into our monstrous creation in Frankenstein Created Woman. We disect the transition from Frankenstein's God Complex into a more spiritual realm, our hatred for tough "do you know who my dad is types", and the combination of body and brain for this poor couple.  Synopsis: After being reanimated, Baron Frankenstein transfers the soul of an executed young man into the body of his lover, prompting her to kill the men who wronged them. Starring: Peter Cushing, Susan Denberg, Robert Morris, Thorley Walters Directed by Terence Fisher Youtube: https://youtu.be/qbMiSpWlwZI Help us make our first feature length Messed Up Movie: https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g

In this episode of PWTorch Dailycast series "Acknowledging WWE," Javier Machado and Mike Meyers acknowledge:The Saudi Arabia WrestleManiaAI in wrestling and entertainment, the ethics of resurrecting dead wrestlers for "dream matches"Javier remembers Peter Cushing's name this timePerfect BlueCody vs. Seth - a champion vs. champion match with some actual intriguing buildVaquer vs. Tiffany - a champion vs. champion with much less intriguing buildStyles vs. Cena - a match with some build on social media I guess???Cena's rumored final opponentPeacemaker vs. Green Arrow at WrestleMania 43Ripley & Iyo vs. Asuka & Kairi - the glorious soap operaReigns vs. Reed, part 2The Jey Uso saga - a true sequel to the Bloodline storyLA Knight is doing good for himselfCharlotte and Bliss and the Curse of the Women's Titles"Police Academy" and other (sometimes inappropriate) childhood movies...and moreBecome a supporter of this podcast: https://www.spreaker.com/podcast/pwtorch-dailycast--3276210/support.

Today we dive into Hammer Horrors version of a Frankenstein movie in The Curse of Frankenstein. We cut open the value of an enhanced Frankenstein portrayed by Peter Cushing, the doctors depravity outside of the lab, and the horrendous decision that was the monsters costume. This melodramatic reimagining of Frankenstein brings new life to an old Messed Up monster tale.  Synopsis: While awaiting execution for murder, Baron Victor Frankenstein tells the story of a creature he built and brought to life - only for it to behave not as he intended. Starring: Peter Cushing, Christopher Lee, Robert Urquhart, Hazel Court Directed by Terence Fisher Youtube: https://youtu.be/TnN57J_Jy00 Help us make our first feature length Messed Up Movie:  https://www.indiegogo.com/projects/mr-creamjean-s-hidey-hole-horror-comedy-movie#/ Support the show on the Patreon: https://www.patreon.com/c/messedupmoviespod Watch our newest short film Sugar Tits Now! https://www.youtube.com/watch?v=Sz7leFqqo4g

Welcome back to the Manor and welcome to more spooky season goodness!  We're starting off October with one of the masters of horror... and stage and sci-fi and just about everything.  Peter Cushing!  He discussed how he views fantasy vs horror and we jump in with our own thoughts!   Pour yourself a pint and enjoy! This Friday's spooky season episode is on Ben Cooper Halloween costumes and our history of Halloween costumes. Get in touch with us at Podbean: https://www.podbean.com/media/share/pb-4pksr-a17e1a Or on Facebook: https://www.facebook.com/twinterrorsmacabremanormeadmetalmayhe/ Or on twitter: @Terrors_Manor On Instagram: @macabremanormeadmetalmayhem You can also find our podcast on iTunes, Spotify, Amazon, and I Heart Radio; pretty much wherever fine (and our) podcasts are aired. Image courtesy of:

This week on The Horror, we'll hear Peter Cushing and Vincent Price in, The Man Who Hated Scenes. This episode of The Price Of Fear aired September 29, 1973. Listen to more from The Price Of Fear https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/TheHorror1248.mp3 Download TheHorror1248 | Subscribe | Spotify | Support The Horror If you enjoy The Horror and would like to help support it, [...]

Send us a textA horrible toxic accident transforms an alien Kryptonian into a downtrodden janitor. When this new toxic version of him is exposed to Earth's selfish, inconsiderate ways he turns into a new evolution of a hero: Incel Space Jesus! On Episode 688 of Trick or Treat Radio we are joined by the Vegan Prince of Wales, Linus for his Patreon Takeover! Linus has selected an unlikely duo of Superhero films, The Toxic Avenger (2025) and Superman (2025) for us to discuss! We also talk about; the Frankenstein sequel the world needs now, well known actors who started out in Troma films, and how bad marketing can impact a film's release! So grab your toxic mop, save all the dogs and squirrels you can, and strap on your Kryptonian Bum Bag for the world's most dangerous podcast!Stuff we talk about: Remembering 1990, MC Hammer, The Curse of Frankenstein, Hammer Films, UK theatrical cuts, Peter Cushing, Christopher Lee, Brexit, BST, Patreon Takeover, Linus, Atomsk, Wulf Gas, noise shows, basement shows, Xiphoid Dimentia, The Brute Man, The Abominable Snowman, Macabre, Attack of the Giant Leeches, Night of the Living Dead, Night of the Strangler, House on Skull Mountain, The Stranger Within, Mansion of the Doomed, Prey, Patrick, The Slayer, My Best Friend is a Vampire, Open House, Dark Carnival, Things, Night Terror, Jacquelin Hyde, Night of the Flesh Eaters, The Dead, 90210 Shark Attack, Cracoon, Insidious, Rupert Friend, Curse of Chucky, The Taking of Deborah Logan, Jeremy Holm, The Ranger, Brooklyn 45, Michelle Bauer, Demon Warp, Invasion of the Body Snatchers, The Granny, The Manitou, Peeping Tom, Guillermo del Toro, Frankenstein, Frankie Goes to Hollywood, The Toxic Avenger, Peter Dinklage, Macon Blair, David Prowse, James Earl Jones, Sebastian Shaw, Billy Bob Thornton, Samuel L. Jackson, Oliver Stone, Kevin Costner, Vanna White, Graduation Day, Marisa Tomei, Chopper Chicks in Zombie Town, David Boreanaz, Terror Firmer, Paul Sorvino, John G. Avildsen, Troma Films, Lloyd Kaufman, Father's Day, Cannibal: The Music, Roger Corman, Blue Ruin, The Shitheads, Buttcrack, Elijah Wood, Avator, The Crow without Eric Draven, Alan Scott and Hal Jordan, Brian Michael Bendis, Slimetime, The Toxic Crusaders, CHUDHaven, Swamp Thing, Evil Dead, Fede Alvarez, The Mighty Crabjoys, Savatage, Hall of the Mountain King, Night on Bald Mountain, Ernest Borgnine, Jesus Lizard, James Gunn, Superman, Krypto, Jerry Siegel, Joe Shuster, David Corenswet, Nicholas Hoult, Rachel Brosnahan, Alan Tudyk, Edi Gathegi, Nathan Fillion, Guy Gardner, John Byrne, The New Gods, Mr. Terrific, Brainiac, Jimmy and Stiggs, Joe Begos, Sam Raimi's Spider-Man, mate rate, RobertRodriguezMusic, RIP Renato Casaro, Space Jesus for Incels, Kryptonian Bum Bag, and The Four Swordsmen of the Girthening!Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebookSupport the show

Welcome back to the Manor and welcome back to more spooky fun!  We're starting out October with an excellent creepy story on the final days of Percy Bysshe Shelley and his encounters with his own spooky doppelganger.  Did it herald his death?  Cause it?  A symptom of madness?  Oooooh... spooky! Next week's midweek spooky season episode is about Peter Cushing's thoughts on horror. Get in touch with us at Podbean: https://www.podbean.com/media/share/pb-4pksr-a17e1a Or on Facebook: https://www.facebook.com/twinterrorsmacabremanormeadmetalmayhe/ Or on twitter: @Terrors_Manor On Instagram: @macabremanormeadmetalmayhem You can also find our podcast on iTunes, Spotify, Amazon, and I Heart Radio; pretty much wherever fine (and our) podcasts are aired. Image courtesy of: James

Reel Britannia - a very British podcast about very British movies...with just a hint of professionalism. Episode 181 - The Gorgon (1964)   " Don't use long words, Inspector; they don't suit you." Get ready to have a monstrously good time with one of Hammer Film Productions' most creative and atmospheric chillers, 1964's The Gorgon! This isn't just any old creature feature; it's a vibrant, gothic mystery that brings together the titans of terror, Peter Cushing and Christopher Lee, for a truly legendary showdown. Forget what you know about Medusa, because this film introduces a new snake-haired sister to the mix, and she's ready for her close-up! The fun kicks off in the spooky little German village of Vandorf around the turn of the 20th century. This town has a serious problem: its residents have a nasty habit of turning to stone. When a young artist is found petrified, his family refuses to accept the flimsy official story. His determined father and brother arrive to uncover the truth, but the locals, terrified of a legendary curse, are tighter-lipped than a statue. This creates a wonderfully suspenseful puzzle, with our heroes piecing together clues while the village doctor (the ever-brilliant Peter Cushing) seems to know more than he's letting on. The mystery deepens with the arrival of the dashing Professor Karl Meister, played with commanding authority by the one and only Christopher Lee. He storms into town, ready to challenge superstition with science and solve the stony situation once and for all. The scenes between Cushing and Lee are electric, a fantastic duel between two masters of the genre who bring gravitas and excitement to every line. They elevate the film from a simple monster movie into a compelling human drama set against a wonderfully spooky backdrop. The film does a masterful job building the tension, giving you glimpses of slithering snakes and haunting reflections before the big reveal. When Megaera finally appears in her full, terrifying glory, it's a fantastic piece of classic horror magic. Her ghostly presence, combined with the eerie wail that precedes her, makes for some of the most memorable scenes in Hammer's history. The special effects, which show victims slowly hardening into stone, are delightfully retro and add to the film's unique charm. The Gorgon culminates in a thrilling and dramatic finale set in the ruins of Castle Borski. It's a fantastic climax filled with heroic sacrifice, shocking revelations, and a final, unforgettable confrontation with the creature. If you're looking for a horror film that is less about jump scares and more about rich atmosphere, brilliant performances, and a truly unique monster, then The Gorgon is an absolute must-see. It's a stylish, exciting, and wonderfully entertaining ride from start to finish! This and previous episodes can be found everywhere you download your podcasts   Bonus content available at: patreon.com/ReelBritanniaPodcast   Follow us on Twitter @rbritanniapod    Thanks for listening Scott and Steven

While on the Trans-Siberian Express, an anthropologist and his rival must contain the threat posed by his cargo. On this week's episode… Join the crew as we discuss Christopher Lee, Peter Cushing, and the terrors of traveling by train in, Horror Express (1972).    Show Notes: Housekeeping (4:00) Back of the Box/Recommendations (17:30) Spoiler Warning/Full Review: (22:28) Rotten Tomatoes (68:10) Trivia (73:00) Cooter of the Week (75:40) Hotline Scream: (82:25)   Connect with us: Support us on Patreon Website Facebook Instagram Twitter YouTube Shop

The Quatermass Xperiment (1955), Quatermass 2 (1957), Quatermass and the Pit (1967) Everyone knows the name Hammer Films (at least, we hope they do!) but most people associate it with gothic horror, particularly their reimagining of the Universal classic Frankenstein in The Curse of Frankenstein (1957). Yet Hammer had been around long before Peter Cushing breathed life into that first stitched-together corpse. Founded in the 1930s as a distribution company, the studio gradually moved into producing films, often adapted from popular TV and radio series. In 1953, the BBC aired a six-part serial, The Quatermass Experiment. Hammer quickly recognized its potential, adapted it into a feature film, and in doing so set itself firmly on the path toward becoming “the studio that dripped blood.” In this episode, we cover all three Quatermass films. While they lean more toward science fiction than Hammer's later gothic output, they are steeped in horror... and we think they're well worth your time. Films mentioned in this episode: And Now the Screaming Starts (1973), Asylum (1972), Brides of Dracula (1960), The Curse of Frankenstein (1957), Curse of the Werewolf (1961), Dracula Prince of Darkness (1966), Dr. Jekyll and Sister Hyde (1971), The Gorgon (1964), Horror of Dracula (1958), I Married a Monster from Outer Space (1958), The Incredible Melting Man (1977), Inhumanwich! (2016), Invasion of the Body Snatchers (1956), It Came from Beneath the Sea (1953), It Conquered the World (1956), Journey to the Center of the Earth (1959), Legend of the Seven Golden Vampires (1974), Masque of the Red Death (1964), Monster Club (1981), Nineteen Eighty-Four (1954), Pit Stop (1969), Quatermass Xperiment (1955), Quatermass II (1957), Quatermass and the Pit (1967), Rasputin the Mad Monk (1966), Revenge of Frankenstein (1958), Scars of Dracula (1970), The Stone Tape (1972), The Vampire Lovers (1970), Vault of Horror (1973), X – The Unknown (1956)

All aboard! The House of Franklin-Stein is your deadly depot for catching a ride on the Horror Express! Chris and Cindy discuss this 1972 classic starring Christopher Lee and Peter Cushing, as they struggle to solve the mystery of a frozen prehistoric specimen come to life, bent on murder and possession! Plus, Telly Savalas as a roguish Cossack captain! Then it's off to the comic crypt and Superman (1987) #6, continuing the tale of the giant mummy from last episode! When Lois is possessed, Superman uncovers an ancient race planning to take over the world! Subscribe via iTunes. Or Spotify.. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Please consider supporting us on Patreon: https://www.patreon.com/fwpodcasts Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Like our FACEBOOK page - https://www.facebook.com/supermatespodcast Use our HASHTAG online: #FWPodcasts Email us at supermatespodcast@gmail.com Clip credits: Horror Express (1972) directed by Eugenio Martin Superman The Animated Series theme by Shirley Walker “Transylvania Terror Train” by Captain Clegg and the Night Creatures “The House of Franklinstein” by Terry O'Malley, of Stop Calling Me Frank https://www.facebook.com/rockSCMF

Hammer horror reaches peak gothic chills with The Plague of the Zombies (1966), a Hammer Film Productions classic that defines British horror cinema. Shot at Bray Studios from 28 July 1965 and filmed back-to-back with Hammer's The Reptile (see episode 19), it used the same eerie Cornish village set designed by Hammer's celebrated production designer Bernard Robinson. Director John Gilling – the so-called “gentleman pig farmer” behind The Shadow of the Cat and The Mummy's Shroud – stages a story of graveyards, curses and the undead that became a template for Hammer zombie horror. Writer Peter Bryan, who joined Hammer Film Productions in 1948 as a camera operator before turning to screenwriting, provided the script and left the studio shortly after completing A Challenge for Robin Hood in 1967. When The Plague of the Zombies was submitted to the BBFC it was heavily trimmed: André Morell's Sir James Forbes originally decapitated a zombie with four shovel blows in the graveyard sequence, reduced to one for the censors. Heatherden Hall at Pinewood Studios doubles as the Forbes mansion, better known to James Bond fans as SPECTRE Island from From Russia With Love. Diane Clare, cast as Sylvia, had been one of the best-paid child “film babies” of the 1940s, appearing in The Ghosts of Berkeley Square and The Silver Fleet before leading roles in Hammer horror such as The Haunting, Witchcraft and The Hand of the Night. Her entire performance in The Plague of the Zombies was dubbed by South African actress Olive Gregg without her knowledge, a practice Hammer repeated when re-voicing Ingrid Pitt in Countess Dracula. André Morell himself had turned down both The Quatermass Experiment and Quatermass II on television before finally playing Professor Bernard Quatermass in the BBC's Quatermass and the Pit. When Hammer Film Productions made the feature version the role went to Andrew Keir. Morell also played O'Brien opposite Peter Cushing's Winston Smith in Nineteen Eighty-Four, Dr Watson in Hammer's Hound of the Baskervilles, voiced Elrond in Ralph Bakshi's The Lord of the Rings and appeared in Doctor Who. Quiz fans: Morell appeared in three films nominated for the Best Picture Oscar – can you name them? John Carson, born in Ceylon (now Sri Lanka), plays Clive Hamilton. He spent time in Australia and New Zealand before settling in Britain, later featuring in Doctor Who's Snakedance, Tales of the Unexpected and Hammer House of Horror. IMDb longlists even connect him to Tobe Hooper's Lifeforce (episode 39) though he got none of the roles. With this episode we complete a Hammer horror hat-trick of his films: Captain Kronos (episode 51), Taste the Blood of Dracula (episode 60) and now The Plague of the Zombies. He later emigrated to South Africa with his second wife, Luanshya Greer – formerly Pamela Greer, who became a TV writer for Dixon of Dock Green, Thriller and Triangle. Dr Peter Tompson is played by Brook Williams, a lifelong friend of Richard Burton who appeared with him in Where Eagles Dare, The Wild Geese and The Sea Wolves. Michael Ripper appears as Sergeant Swift; Hammer's most prolific supporting actor with 33 Hammer Film Productions credits, seven films alongside Peter Cushing and nine with #BigChrisLee. Ripper also starred in all four original St Trinian's films, . For a deeper dive into Jacqueline “Servalan” Pearce, check back to our episode on The Reptile (episode 19). This discussion of The Plague of the Zombies cements its place as one of Hammer horror's boldest British horror releases of the 1960sSupport this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

Join Tony Michas and Imprint Cast family members Suzanne Boleyn and Ryan Kendall, along with recurring guest Ron Pettersson, and a very special guest: filmmaker and Rondo Award-winning author of I Was a Teenage Monster Hunter!, Sam Irvin.They discuss Sam's incredible life, which includes booking classic horror films at his father's movie theatre, creating his own fanzine Bizarre, and interacting with some of the greatest actors of the horror genre — including Vincent Price, Christopher Lee, Peter Cushing, Ingrid Pitt, and many more. They also explore his close friendship with Cassandra Peterson (aka Elvira, Mistress of the Dark). Sam directed Elvira's Haunted Hills and served as Co-Executive Producer of the Oscar-winning film Gods and Monsters.The Imprint Deep Dive into the Hammer Horror box set includes discussions of the films Countess Dracula, Twins of Evil, Hands of the Ripper and Vampire Circus. Sam shares his interviews with some of the stars from these films and offers incredible behind-the-scenes stories.

On the first episode of season 5 of Crestwood House, co-host Shawn Robare kicks off a season of daisy-chained episodes with the lesser known Peter Cushing horror flick The Flesh and the Fiends from 1960!

Jim revisits a film that he considers the best vampire movie ever made - Hammer films' "The Brides Of Dracula," starring Peter Cushing, David Peel, Yvonne Montaur, Martita Hunt, Freda Jackson, Miles Malleson, Henry Oscar, Mona Washbourne, Andree Melly, Fred Johnson,  and Michael Ripper. Directed by Terence Fisher, this film was the sequel to Hammer's "Horror of Dracula" but, offers a story about an evil count who preys on the women of a nearby village. Find out more on MONSTERATTACK!, The Podcast Dedicated To Old Monster Movies.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Se trata del detective más famoso del mundo, astuto y audaz, una persona que ha convertido la capacidad de observación y deducción en un arte; SHERLOCK HOLMES. Acompañado de su fiel ayudante, el doctor Watson, y perseguido por el profesor Moriarty, del detective londinense se pasará por La órbita de Endor para ofrecernos todas sus caras. Desde su visión auténtica y original, creada por Sir Arthur Conan Doyle (de quien también hablaremos), pasando por todas sus versiones cinematográficas clásicas, donde no pocos rostros lo encarnaron, como Basil Rathbone y Peter Cushing, acabando con los nuevos actores que se han prestado para interpretar su papel en la gran y pequeña pantalla, es decir, Benedict Cumberbatch y Robert Downey JR. No olvidaremos algunos títulos singulares, como la serie de animación canina de los años 80. Sherlock Holmes, todo Sherlock Holmes y nada más que Sherlock Holmes, con la ayuda de Dios, aquí, en La órbita de Endor, el programa de la fantasía y la ciencia ficción. Participarán en el extenso monográfico de dos horas y media Abraham Hithorso, recién llegado de Podcinema, Asier Huarte, del podcast La Guarida del Sith y, por supuesto, el General Kurtz, uno de los responsables máximos de la página Lores del Sith. Dirigiendo la tertulia y editando el producto final, Antonio Runa. Sólo cuando toda razón es descartada, lo ilógico, aunque improbable, es invariablemente cierto. Como que tienes que escuchar este programa. ¡Elemental! Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

There's a feeling of finality about this episode.Not only is 1974's Madhouse the final Amicus horror film going under the microscope here, it's also Gabriella's swan song.Amicus were always much more than horror films as we've already highlighted in the past and there's many more interesting releases from Max & Milton to come…Music and artwork composed and designed by Cevin MooreEpisode edited by Cevin MooreInsta: @AmicusHereBluesky: @amicushere.bsky.socialIf you need to refresh your memory about Madhouse, it's on YouTube.

Send us a textWe announce a special collaborative 4K UHD release of "The Curse of Frankenstein" from Warner Archive and Hammer Films, coming October 14th. This landmark partnership brings together both companies' archival resources to create the definitive presentation of this horror classic that established Hammer as a leading force in the genre.• Warner Archive and Hammer Films partnering on a deluxe release of The Curse of Frankenstein• 4K UHD edition ($34.99) includes three aspect ratios: 1.66, 1.85, and open matte 1.37• Comprehensive special features including new commentaries and a nostalgic Super 8mm abridgment• Separate three-disc Blu-ray edition also available ($29.99) with extensive bonus content• Original mono audio preserved with new Dolby Atmos and 5.1 surround sound optionsPre-orders are not yet available.The Extras Facebook pageThe Extras Twitter Warner Archive & Warner Bros Catalog Group As an Amazon Affiliate, The Extras may receive a commission for purchases through our purchase links. There is no additional cost to you, and every little bit helps us in the production of the podcast. Thanks in advance. Otaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers. Contact us today to see how we can work together to achieve your goals. tim@theextras.tv

Another Hammer Horror Spotlight: “Frankenstein Must Be Destroyed” (1969). This week on the Scary Spirits Podcast, Greg dives into another chilling classic from the legendary Hammer Horror collection with the 1969 film “Frankenstein Must Be Destroyed”, starring the iconic Peter Cushing. Join Karen and Greg as they dissect this gothic masterpiece, exploring its dark themes, unforgettable performances, and its place in the Frankenstein film legacy. To set the mood, they sip on a spine-tingling themed cocktail — the “Frankenstein's Monster” — crafted to complement the eerie atmosphere of the episode. Whether you're a die-hard horror fan or just discovering the twisted brilliance of Hammer Films, this episode is a must-listen! Tune in for horror film insights, classic cinema nostalgia, and a monstrous mix of fun and fright.

Another release of a previously for Patreons only episode - a commentary for Hammer's The Satanic Rites of Dracula, which sees the final battle between Van Helsing and the Count! Starring Christopher Lee, Peter Cushing, Freddie Jones and Joanna Lumley!

Scary Spirits Podcast: Hammer Horror Spotlight – “The Revenge of Frankenstein” (1958). This week on the Scary Spirits Podcast, Greg continues his sensational journey through the infamous Hammer Horror film catalog with a chilling classic: “The Revenge of Frankenstein” (1958) starring the iconic Peter Cushing. Join Karen and Greg as they dissect this gothic masterpiece, diving into its eerie atmosphere, unforgettable performances, and its place in horror history—all while sipping on a delicious, themed Frankenstein-inspired cocktail you won't want to miss! Whether you're a die-hard Hammer Horror fan or just love spooky cinema with a side of spirits, this episode is packed with frightful fun and fascinating film talk.

In this episode we discuss with author Jennifer Selway her book "The Godfather of Horror Films: Boris Karloff, Peter Cushing and Christopher Lee".  Boris Karloff, Peter Cushing and Christopher Lee: three middle-class Englishmen whose names are synonymous with the history of the horror movie. Karloff was born in 1887, the year of Queen Victoria's Golden Jubilee, and Lee, the youngest, died in 2015, when Queen Elizabeth II became the longest-reigning British monarch.

Waffle On about Daleks Invasion Earth 2150AD Hello and welcome to this months episode in which Meds and Kell talk about the second Dalek movie featuring the always brilliant Peter Cushing. We are fortunate this month to have a written comment from Timmy Morris and two audio comments from Phil Hayes and Anthony 'Roo' Rooney, we thank you all.

Tom and Jenny discuss a strange British horror film, starring Christopher Lee and Peter Cushing in a story about the mysterious deaths of several prominent people that might be linked to the nightmares of a young girl. Audio version: Video version: Please support us on Patreon! Don't forget to subscribe to our YouTube channel, like us on Facebook, … Continue reading Movie Time: Nothing But The Night (1973)

Anyone who listens to this podcast knows that I love me some Peter Cushing, so I thought I would take some time to rattle off 20 or so Peter Cushing films that I feel are absolute must-sees, and three that you should avoid like a zombie plague.

This month, we're diving into the two Dalek movies from the 1960s, starring Peter Cushing as the Doctor. They are, of course, Dr Who and the Daleks & Daleks' Invasion of Earth 2150 AD. Before that, we kick things off with the usual mix of news and short topics you've come to expect. Then, after the movie chat, we open the mailbag for a ton of feedback from our listeners on a number of topics. Enjoy, dear listener. Contact us: X / Twitter: @theDWshow Bluesky: @thedwshow.net Facebook: facebook.com/theDWshow Email: hello@theDWshow.net

A story that's been around the block a few times after many screen adaptations, She became a genuine blockbuster hit for Hammer, but is it as much a hit with the lads?If you don't think the film is one to be obeyed, don't worry, elsewhere Adam brings you a bit of the history of the source novel, Philip looks at hats and Smokey warmly embraces River Patrol...“The House Of Hammer Theme” and incidental music - written and produced by Cev MooreArtwork by Richard Wells All the links you think you'll need & more! https://linktr.ee/househammerpod

This week we have another release of a previously only for Patreons episode - a commentary for Hammer classic in which the Count is undead and well and undying in Swinging London - Dracula AD 1972! Starring Christopher Lee, Peter Cushing, Stephanie Beacham and Caroline Munroe

You stumbled in—blame the algorithm or my creepy grin from Smile 3: Frown Turn (just kidding… maybe). This week's Summer Slash gets unhinged fast: We break down The Creeping Flesh, where Peter Cushing injects monster goo into his daughter and expects therapy to work. Spoiler: it doesn't. Meanwhile, Christopher Lee torments patients and we try to make sense of the movie's time loops and pub dances. Then, Saw 3D slices its way into the mix with recycled traps, twisted beef, and bad 3D—because we're doing all the 7s this summer, no matter how dull the blade. Also: Frankie Freako drops like Garbage Pail Kids meets Gremlins with Home Alone rage traps—zany, gross, and a little dimensional. Plus, why Toxic Avenger is going unrated at Comic-Con, what's up with Mr. Melvin, and why Tow might be the most underrated hit of the year.Binge now. Binge later. Binge never. Just don't inject yourself with monster flesh.Headspace – Get 14 days FREE: Meditations, sleepcasts, focus tools, and more. https://bit.ly/4eCH2dA Hulu – Binge classic and current horror FREE for 30 days. https://tr.ee/Ul1i-qP1ot Frankie Freako – Available on Digital July 14th. Prank responsibly.

[12x3] Get ready for another classic Hammer moment as we sink our teeth into John Hough's Twins of Evil, the chilling final installment of the studio's iconic 'Karnstein Trilogy'! Imagine this: two innocent twin sisters arrive to stay with their stern, puritanical uncle, played by the legendary Peter Cushing. But their new home isn't as safe as it seems, as they soon uncover a terrifying secret---a sinister local aristocrat has resurrected a dangerous vampire, unleashing a wave of terror upon the unsuspecting village! Joining us to dissect every Gothic detail of this classic is a fantastic new voice on the show, writer and podcaster Rob Taylor! You won't want to miss his insights into this Hammer horror tale. Hosts: Dan Owen⁠ & Hugh McStay⁠ Guest: Rob Taylor Editor: ⁠Dan Owen⁠  Subscribe to our weekly Substack BLOODLETTER for extra written content on all our episodes and vampire media, for ⁠⁠⁠FREE⁠⁠⁠. "God is calling on us who believe in His Holy word to stamp out that Evil, to seek out the Devil worshippers, and to purify their spirits so that they may find mercy at the seat of the Lord... by burning them!" --- Gustav Enjoying what you hear? Subscribe, leave a rating, or write a review to help us keep bringing you great content! You can also show your support by leaving a donation at ⁠⁠Ko-fi ⁠⁠⁠. Stay connected and follow our social media ⁠⁠⁠here⁠⁠⁠. A proud part of the ⁠⁠Film Stories⁠⁠⁠ podcast network. Theme music by ⁠⁠Nela Ruiz⁠⁠ • Episode art by ⁠⁠Dan Owen⁠⁠ • Podcast art by ⁠⁠Keshav⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices