Podcasts about Ray Bradbury

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

Will Blesch is a researcher, entrepreneur, marketer, and dual American–Israeli citizen whose work is fueled by a lifelong fascination with history's greatest mysteries. Having lived and worked within one of the world's most ancient and spiritually significant regions, he brings a unique perspective to questions surrounding theology, politics, human origins, and the forces that have shaped civilization. A former member of the central council of Bayit Yehudi (Jewish Home), the conservative Israeli political party once led by Prime Minister Naftali Bennett,Will has experienced firsthand the cultural and ideological dynamics that continue to influence modern Israel and the Middle East. Alongside a successful career in international marketing and media, including serving as Global Marketing Director for the Adizes Institute, Will has remained deeply committed to exploring the unknown. Inspired by the works of Ray Bradbury, Isaac Asimov, C.S. Lewis, and J.R.R. Tolkien, he investigates the fascinating crossroads of ancient history, theology, UFO phenomena, and speculative thought. Through both research and storytelling, Will seeks to uncover hidden truths and examine the mysteries that lie beyond conventional understanding, exploring where faith, history, and the unexplained converge.Spaced Out Radio is your nightly source for alternative information, starting at 9pm Pacific, 12am Eastern.  We broadcast LIVE every night. #UFO #UAP #AlienDisclosure #UFOSightings #UFOCoverUp #Aliens #SpacedOutRadio #Paranormal #UFOCommunity #disclosure -------------------------------------------------------You can now join the Space Traveler's Club;Join us at  https://www.patreon.com/sor_space_travelers_club  --------------------------------------------------------Grab Our Latest Spaced Out Radio Gear At:http://spacedoutradio.com/shop  It's a great way to support our show!--------------------------------------------------------OUR LINKS:TWITTER: https://www.twitter.com/spacedoutradio   FACEBOOK:https://www.facebook.com/spacedoutradioshow  SPACED OUT RADIO - INSTAGRAM:https://www.instagram.com/spacedoutradioshow  DAVE SCOTT - INSTAGRAM:https://www.instagram.com/davescottsor   TWITCH: https://www.twitch.com/spacedoutradioshow  WEBSITE: http://www.spacedoutradio.comGUEST IDEAS OR QUESTIONS FOR SOR?Contact Klaus at bookings@spacedoutradio.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/spaced-out-radio--1657874/support.

Ray Bradbury cuento “El Picnic de un millón de años”. Conductores: Marcela Alexandre, Pablo Martínez, Cristian Cisternas 

Stranded alone on a forgotten asteroid, Craig Wilson survives only because a colony of strange furry creatures refuses to abandon him. When rescue finally arrives, he discovers the real danger isn't starvation but deciding how far he will go to protect the only friends he has left. Farewell to Fuzzies by Henry Hasse. That's next on The Lost Sci-Fi Podcast. Henry Hasse return to the podcast with his first solo story. The only other story on the podcast so far by Henry Hasse was cowritten with Ray Bradbury, Final Victim, which was episode #172. Discover today's story in Astonishing Stories published in September 1941 on page 29, Farewell to Fuzzies by Henry Hasse… Next on The Lost Sci-Fi Podcast, A gifted performer turns his astonishing hands into tools for theft, but every crime leaves him more frightened of what he carries at the ends of his arms. When a fortune in emeralds and murder enters the bargain, one man discovers too late that greed can develop a life of its own. Cattivo by Alan Nelson. Lost Sci-Fi Premium - https://lostscifi.supercast.com/ Buy Me a Coffee - https://lostscifi.com/coffee =========================== Newsletter - https://lostscifi.com/free/ Facebook - https://lostscifi.com/facebook YouTube - https://lostscifi.com/youtube X - http://Lostscifi.com/x Instagram - https://www.instagram.com/lostscifiguy Bluesky - https://bsky.app/profile/lostscifipodcast.bsky.social Merchandise - https://lostscifi.creator-spring.com/ =========================== ️ ️ Thanks to Our Listeners Who Bought Us a Coffee $200 Someone $100 Tony from the Future $75 James Van Maanenberg $50 MizzBassie, Anonymous Listener $25 Fintan Quigley, Curious Jon, David Bell, Steve, Miriam, Someone, Someone, Eaten by a Grue, Jeff Lussenden, Fred Sieber, Anne, Craig Hamilton, Dave Wiseman, Bromite Thrip, Marwin de Haan, Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener $15 Every Month Someone $15 Steve, Someone, SueTheLibrarian, Joannie West, Amy Özkan, Someone, Carolyn Guthleben, Patrick McLendon, Curious Jon, Buz C., Fressie, Anonymous Listener $10 David, Anonymous Listener $5 Every Month Eaten by a Grue $5 Tammy, Owen, Bruce, Someone, TLD, David, Denis Kalinin, Timothy Buckley, Andre'a, Martin Brown, Ron McFarlan, Tif Love, Chrystene, Richard Hoffman, Anonymous Listener Listen without commercials and enjoy exclusive bonus episodes every month with Lost Sci-Fi Premium—start your free 7-day trial today. https://lostscifi.supercast.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Androides indistinguibles de humanos, permanente hiperestimulación, mundo vigilado en el que el Estado dueño de vidas y haciendas, nada nuevo. Hace más de 50 años Philip K. Dick, Ray Bradbury o George Orwell adelantaron el pan nuestro de cada dia."Blade Runner” pero Google ya en “Guia del Autostopista Galactico” y Hal 2000 la IA de “2001, odisea del Espacio” compite con los psicópatas de la vida real sin diferencias perceptibles."Algo Está Pasando...” cantaba Dylan en “The Ballad of a Thin Man” pero ya sucedió y el algoritmo que nos conduce no puede ocultarlo. Un viaje por las “noticias” de hoy de la mano de la ciencia ficción de antaño, la prueba. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Arm in arm, men all over earth were a united front. The perfect weapons were held in equal trust by all nations. A situation of incredibly beautiful balance had been brought about.

Androides indistinguibles de humanos, permanente hiperestimulación, mundo vigilado en el que el Estado dueño de vidas y haciendas, nada nuevo. Hace más de 50 años Philip K. Dick, Ray Bradbury o George Orwell adelantaron el pan nuestro de cada dia."Blade Runner” pero Google ya en “Guia del Autostopista Galactico” y Hal 2000 la IA de “2001, odisea del Espacio” compite con los psicópatas de la vida real sin diferencias perceptibles."Algo Está Pasando...” cantaba Dylan en “The Ballad of a Thin Man” pero ya sucedió y el algoritmo que nos conduce no puede ocultarlo. Un viaje por las “noticias” de hoy de la mano de la ciencia ficción de antaño, la prueba. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Oh, it was to be so jolly! What a game! Such excitement they hadn't known in years. The children catapulted this way and that across the green lawns, shouting at each other, holding hands, flying in circles, climbing trees, laughing.... Overhead, the rockets flew and beetle-carswhispered by on the streets, but the children played on. Such fun, such tremulous joy, such tumbling and hearty screaming.

A professor created an advanced robot named Junior, but it was stolen by a crook during the early stages of its intellectual and emotional development.To download, right-click here and then click SaveJoin the Journey Into Patreon to get extra episodes and personal addresses, plus other extras and rewards.Robert Bloch was an American fiction writer, primarily of crime, psychological horror and fantasy, much of which has been dramatized for radio, cinema and television. He also wrote a relatively small amount of science fiction. Best known as the writer of Psycho (1959), the basis for the film of the same name by Alfred Hitchcock, Bloch wrote hundreds of short stories and over 30 novels. He was a protégé of H. P. Lovecraft, who was the first to seriously encourage his talentX Minus One was a half-hour science fiction radio drama series broadcast from April 24, 1955 to January 9, 1958 in various timeslots on NBC. Initially a revival of NBC's Dimension X (1950–51), the first 15 episodes of X Minus One were new versions of Dimension X episodes, but the remainder were adaptations by NBC staff writers, including Ernest Kinoy and George Lefferts, of newly published science fiction stories by leading writers in the field, including Isaac Asimov, Ray Bradbury, Philip K. Dick, Robert A. Heinlein, Frederik Pohl and Theodore Sturgeon, along with some original scripts by Kinoy and Lefferts.Theme music: Liberator by Man In SpaceTo comment on this or any episode:Send comments and/or recordings to journeyintopodcat@gmail.comPost a comment on Facebook here, or on X here

In a city of three million where every window glows with the flicker of a television screen, one man steps outside to walk the empty streets — and discovers that in 2053, a simple stroll after dark is enough to draw the attention of the law.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “Hunted Down” (November 17, 1977)00:45:28.123 = The Saint, “Miracle Tea Party (Audition Episode)” (July 25, 1945)01:10:39.087 = Theater Five, “City Manager” (November 16, 1964) ***WD01:32:13.773 = Theater 1030, “The Pedestrian” (1968-1971) ***WD01:57:57.483 = Tales From The Tomb, “Comfort Lies In The Dark” (1960)02:02:15.537 = 2000 Plus, “Green Thing” (September 27, 1950) ***WD02:31:55.279 = The Unexpected, “Voodoo Night” (1947-1948)02:44:00.712 = Unsolved Mysteries, “Lizzie Borden Case” (1936) ***WD02:57:50.107 = Columbia Workshop, “Carmilla” (July 28, 1940) (LQ)03:27:16.413 = Dark Venture, “The Man in 206” (December 02, 1946) ***WD03:56:36.806 = The Weird Circle, “Shadow” (April 15, 1945)04:23:51.471 = The Whistler, “Murder Opens a Gate” (February 06, 1945)04:53:25.838 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0672

Scientists from 2155 escape to 1950 to get away from a war-mongering government. Phun Phakt: This episode was based on a story written by Ray Bradbury. First aired: May 27, 1950

Ray Bradbury - Sonic Summer Stock Playhouse || Zero Hour || August 5, 2010: : : : :You can donate to show your support for my podcast and the time I put into creating and posting every week. Donations are through my duane.media PayPal account:https://www.paypal.com/donate/?hosted_button_id=MSL7S8FKCSL94My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLES.Subscribing is free and you'll receive new post notifications. Thank you for your support.https://otr.duane.media | Instagram @duane.otr#scifiradio #oldtimeradio #otr #radiotheater #radioclassics #bbcradio #raybradbury #twilightzone #horror #oldtimeradioclassics #classicradio #horrorclassics #xminusone #sciencefiction #duaneotr:::: :

Most chillingly, the Martians in Mars is Heaven aren't just invading; they're recreating loved ones from Earth—as if to trap us in a terrifying paradise. What if your happiest memories are just illusions, and your loved ones are only constructs? This episode unpacks a haunting question: could our subconscious fears and memories be read and manipulated by extraterrestrial minds?In this gripping radio adaptation of Ray Bradbury's classic, you'll discover how the Martians cleverly exploit human psychology—using telepathy and vivid images—to disarm and trap us. We break down the mind-bending possibilities of telepathic influence, the ethics of memory manipulation, and the danger of falling for comforting illusions in unfamiliar worlds. You'll hear how a space invasion might look more like a psychological war, where the real danger is not just guns, but the power of the mind itself.This episode is essential for anyone fascinated by the intersection of psychology, alien contact, and the limits of human perception. It's a compelling look at what happens when technology, memory, and extraterrestrial intelligence collide—and the existential risk of losing our sense of reality. Miss this, and you risk overlooking how vulnerable our deepest fears and memories truly are.Perfect for sci-fi fans and psychological thrill-seekers alike, this story challenges everything you think you know about memory and reality—and leaves you questioning: what if the real invasion is invisible, happening inside our minds?

El cuento que vais a escuchar hoy nos traslada a un Japón antiguo, marcado por la guerra, el honor y la culpa. Una historia de lealtad y deuda, pero también de errores irreparables. Durante diecisiete días de lluvia incesante, un joven se enfrenta a una tarea imposible: ayudar a morir a quien ha sido su maestro… y casi su padre. Óscar Navas (Mataró, Barcelona, 1975) es oficialmente ingeniero informático, aunque lleva tiempo programando pesadillas. Ha participado en más de setenta antologías, moviéndose con soltura entre el terror, la ciencia ficción —con especial atención al steampunk— y la fantasía. Entre sus reconocimientos destacan ganar el I Concurso Terror en Voz Alta, dedicado a la ficción sonora, la selección en Fabricantes de sueños 2016-2017 (Pórtico-AEFCFT), o quedar finalista en el II Concurso de Relatos del Golem Fest (2023) y en el XXVIII Certamen Domingo Santos (2019, Pórtico-AEFCFT). Su primer título en solitario, La máquina del despertar, inauguró la colección PulpStories de Cazador de Ratas Editorial, dedicada a recuperar el espíritu del bolsilibro. Varias de sus historias han pasado del papel al audio: iTrust, El hambre, Un dedal de sangre o Las que pintaron la oscuridad han tenido versión en audiorrelato. Además, otras narraciones han formado parte como artista invitado en varias giras de De Viva Voz por España, donde se leyeron en público junto a homenajes a Poe y Lovecraft. Le interesan los fantasmas, el tiempo y la muerte. Cree que el mundo sería mejor si se leyera más a Ray Bradbury y David Bowie fuera una religión. - Narración: Juan Carlos Albarracín - Locución Sintonía: Antonio Runa - Música: Epidemic Sound, con licencia - Imagen: Pixabay, con licencia https://pixabay.com/es/illustrations/samurai-guerrero-japon%c3%a9s-espada-2306032/ ------- Contrata tu IVOOX PREMIUM anual desde este enlace y además de obtener un suculento 50% de descuento y de poder escuchar TODOS los programas de esta plataforma sin publicidad, estarás ayudando a sostener Los Cuentos de la Casa de la Bruja: https://www.ivoox.vip/premium?affiliate-code=27e5799d254c8a29ecdab3d8d5bfa96f ------- Los Cuentos de la Casa de la Bruja es un podcast semanal de audio-relatos de misterio, ciencia ficción y terror. Cada viernes, a las 10 de la noche, traemos un nuevo programa. Alternamos entre episodios gratuitos para todos nuestros oyentes y episodios exclusivos para nuestros fans. ¡Si te gusta nuestro contenido suscríbete! Y si te encanta considera hacerte fan desde el botón azul APOYAR y accede a todo el contenido exclusivo. Tu aporte es de mucha ayuda para el mantenimiento de este podcast. ¡Gracias por ello! Mi nombre es Juan Carlos. Dirijo este podcast y también soy locutor y narrador de audiolibros, con estudio propio. Si crees que mi voz encajaría con tu proyecto o negocio contacta conmigo y hablamos. :) Contacto profesional: info@locucioneshablandoclaro.com www.locucioneshablandoclaro.com También estoy en X y en Bluesky: @VengadorT Y en Instagram: juancarlos_locutor ------- CONVOCATORIA ABIERTA – Los Cuentos de la Casa de la Bruja. ¿Eres escritor o escritora y te gustaría escuchar uno de tus relatos narrado en el podcast Cuentos de la Casa de la Bruja? Estoy abriendo la puerta a autores emergentes que quieran compartir relatos originales dentro del tono del programa: historias de terror y ciencia ficción con atmósferas inquietantes, elementos fantásticos, oscuros o insólitos, y una cuidada calidad literaria. ¿QUÉ TIPO DE RELATOS BUSCO? • Relatos de terror y ciencia ficción • Con una extensión de entre 3.000 y 4.000 palabras • Con una narrativa sólida, buen uso del lenguaje y que se presten a ser narrados en voz • Textos originales e inéditos (o que al menos no estén vinculados a compromisos editoriales) ¿CÓMO PARTICIPAR? Puedes enviar tu relato en formato Word o PDF a info@locucioneshablandoclaro.com con el asunto: Relato para el podcast. Acompáñalo, si quieres, de una pequeña nota biográfica para que pueda presentarte adecuadamente. IMPORTANTE: La recepción de un relato no garantiza su publicación. La selección dependerá de criterios narrativos, temáticos y de estilo, siempre con el objetivo de mantener la atmósfera y el nivel que caracterizan al podcast. ¡No se trata de emitir juicios definitivos sobre ningún autor o texto! Yo no soy crítico literario, ni pretendo serlo. Se trata de encontrar aquellos textos que mejor encajen con el universo del programa. Si tu relato es elegido me pondré en contacto contigo. En caso contrario agradeceré igual tu confianza y el gesto de compartir tu trabajo. Gracias por hacer crecer esta casa con tu obra. ¡Espero leerte! Juan Carlos “Corman” Albarracín Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

El cuento que vais a escuchar hoy nos traslada a un Japón antiguo, marcado por la guerra, el honor y la culpa. Una historia de lealtad y deuda, pero también de errores irreparables. Durante diecisiete días de lluvia incesante, un joven se enfrenta a una tarea imposible: ayudar a morir a quien ha sido su maestro… y casi su padre. Óscar Navas (Mataró, Barcelona, 1975) es oficialmente ingeniero informático, aunque lleva tiempo programando pesadillas. Ha participado en más de setenta antologías, moviéndose con soltura entre el terror, la ciencia ficción —con especial atención al steampunk— y la fantasía. Entre sus reconocimientos destacan ganar el I Concurso Terror en Voz Alta, dedicado a la ficción sonora, la selección en Fabricantes de sueños 2016-2017 (Pórtico-AEFCFT), o quedar finalista en el II Concurso de Relatos del Golem Fest (2023) y en el XXVIII Certamen Domingo Santos (2019, Pórtico-AEFCFT). Su primer título en solitario, La máquina del despertar, inauguró la colección PulpStories de Cazador de Ratas Editorial, dedicada a recuperar el espíritu del bolsilibro. Varias de sus historias han pasado del papel al audio: iTrust, El hambre, Un dedal de sangre o Las que pintaron la oscuridad han tenido versión en audiorrelato. Además, otras narraciones han formado parte como artista invitado en varias giras de De Viva Voz por España, donde se leyeron en público junto a homenajes a Poe y Lovecraft. Le interesan los fantasmas, el tiempo y la muerte. Cree que el mundo sería mejor si se leyera más a Ray Bradbury y David Bowie fuera una religión. - Narración: Juan Carlos Albarracín - Locución Sintonía: Antonio Runa - Música: Epidemic Sound, con licencia - Imagen: Pixabay, con licencia https://pixabay.com/es/illustrations/samurai-guerrero-japon%c3%a9s-espada-2306032/ ------- Contrata tu IVOOX PREMIUM anual desde este enlace y además de obtener un suculento 50% de descuento y de poder escuchar TODOS los programas de esta plataforma sin publicidad, estarás ayudando a sostener Los Cuentos de la Casa de la Bruja: https://www.ivoox.vip/premium?affiliate-code=27e5799d254c8a29ecdab3d8d5bfa96f ------- Los Cuentos de la Casa de la Bruja es un podcast semanal de audio-relatos de misterio, ciencia ficción y terror. Cada viernes, a las 10 de la noche, traemos un nuevo programa. Alternamos entre episodios gratuitos para todos nuestros oyentes y episodios exclusivos para nuestros fans. ¡Si te gusta nuestro contenido suscríbete! Y si te encanta considera hacerte fan desde el botón azul APOYAR y accede a todo el contenido exclusivo. Tu aporte es de mucha ayuda para el mantenimiento de este podcast. ¡Gracias por ello! Mi nombre es Juan Carlos. Dirijo este podcast y también soy locutor y narrador de audiolibros, con estudio propio. Si crees que mi voz encajaría con tu proyecto o negocio contacta conmigo y hablamos. :) Contacto profesional: info@locucioneshablandoclaro.com www.locucioneshablandoclaro.com También estoy en X y en Bluesky: @VengadorT Y en Instagram: juancarlos_locutor ------- CONVOCATORIA ABIERTA – Los Cuentos de la Casa de la Bruja. ¿Eres escritor o escritora y te gustaría escuchar uno de tus relatos narrado en el podcast Cuentos de la Casa de la Bruja? Estoy abriendo la puerta a autores emergentes que quieran compartir relatos originales dentro del tono del programa: historias de terror y ciencia ficción con atmósferas inquietantes, elementos fantásticos, oscuros o insólitos, y una cuidada calidad literaria. ¿QUÉ TIPO DE RELATOS BUSCO? • Relatos de terror y ciencia ficción • Con una extensión de entre 3.000 y 4.000 palabras • Con una narrativa sólida, buen uso del lenguaje y que se presten a ser narrados en voz • Textos originales e inéditos (o que al menos no estén vinculados a compromisos editoriales) ¿CÓMO PARTICIPAR? Puedes enviar tu relato en formato Word o PDF a info@locucioneshablandoclaro.com con el asunto: Relato para el podcast. Acompáñalo, si quieres, de una pequeña nota biográfica para que pueda presentarte adecuadamente. IMPORTANTE: La recepción de un relato no garantiza su publicación. La selección dependerá de criterios narrativos, temáticos y de estilo, siempre con el objetivo de mantener la atmósfera y el nivel que caracterizan al podcast. ¡No se trata de emitir juicios definitivos sobre ningún autor o texto! Yo no soy crítico literario, ni pretendo serlo. Se trata de encontrar aquellos textos que mejor encajen con el universo del programa. Si tu relato es elegido me pondré en contacto contigo. En caso contrario agradeceré igual tu confianza y el gesto de compartir tu trabajo. Gracias por hacer crecer esta casa con tu obra. ¡Espero leerte! Juan Carlos “Corman” Albarracín

Show notes  As always there are spoilers ahead! You can follow the podcast on social media on Threads, Instagram and Bluesky. If you would like to be a patron of the podcast and feel like nobility funding the podcasting arts, I would like to encourage such sentiments! You can join Patreon and for £3 or $3 a month you can get ad free version of the show. https://www.patreon.com/everyscififilm If you are interested in the plot of the film you can read an overview on the wikipedia page here.  In 1953 writer Ray Bradbury released his magnum opus Fahrenheit 451. It quickly became a widely acclaimed cautionary tale about the dangers of censorship, authoritarianism and the effects of mass media on human ideas and connection.  One of the most prominent science fiction books it is easy to understand why François Truffaut, one of the French New Wave's most prominent directors, became utterly focused on making the story into a film.  The process had its challenges with producers, funding and a casting changes causing delays. The film was finally wrapped up and released in 1966 to both positive and negative reviews. It is an interesting watch if not a gripping one and my two expert guests unravel the ins and outs of how it came to be.  Ian Scott is a Professor of American Film and History at The University of Manchester. He has written extensively about politics and film in Hollywood including the book American Politics in Hollywood Film. Phil Nichols is a visiting lecturer at the University of Wolverhampton and a researcher with a special interest in Ray Bradbury. He is Senior Consultant to the Ray Bradbury Centre at Indiana University and editor of The New Ray Bradbury Review. He is also the man behind the Bradbury 100 podcast and the Science Fiction 101 podcas Chapters 00:00 Introduction 01:32 Fahrenheit 451: a sci-fi heavyweight 04:36 Truffaut and the book 11:03 Suburban scifi in the mid century 13:33 Politics of the story 15:07 Truffaut's perspective 20:01 Julie Christie's double role 26:50 Searching for Montag 34:29 Burning with her books 39:12 Bernard Herrmann's score 40:40 The 2018 remake 49:56 Bradbury's stage play 51:37 Recommendations     Recommendations: Never Let Me Go (2010) The Wild Child (1970)   NEXT EPISODE! Next episode we will be discussing Fantastic Voyage from 1966! The film is annoyingly a little tricky to find online but can be rented easily on mainstream platforms in some countries. You can check the Just Watch website to see where it is available in your region.          

Visita la web de J.F. Rhodehouse en www.jfrhodehouse.com Los Cuentos de la Casa de la Bruja es un podcast semanal de audio-relatos de misterio, ciencia ficción y terror. Cada viernes, a las 10 de la noche, traemos un nuevo programa. Alternamos entre episodios gratuitos para todos nuestros oyentes y episodios exclusivos para nuestros fans. ¡Si te gusta nuestro contenido suscríbete! Y si te encanta considera hacerte fan desde el botón azul APOYAR y accede a todo el contenido exclusivo. Tu aporte es de mucha ayuda para el mantenimiento de este podcast. ¡Gracias por ello! Mi nombre es Juan Carlos. Dirijo este podcast y también soy locutor y narrador de audiolibros, con estudio propio. Si crees que mi voz encajaría con tu proyecto o negocio contacta conmigo y hablamos. :) Contacto profesional: info@locucioneshablandoclaro.com www.locucioneshablandoclaro.com También estoy en X y en Bluesky: @VengadorT Y en Instagram: juancarlos_locutor Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

When a lonely backwoods Louisiana man buys a strange pale thing floating in a jar from a carnival sideshow and brings it home to his shabby living room, the neighbors begin gathering night after night to stare at it — and every one of them sees something different in the glass.EPISODE BLOG PAGE: https://weirddarkness.com/TheJarLISTEN ON PODCAST APPS: Look for this podcast on YouTube Music, Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other apps. Get the full list of options here: https://weirddarkness.com/wdapps*No AI Voices Are Used In The Narration Of This Podcast*WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: July 18, 2024

Do you ever read the pods you cast?   The Becks begin their "Books We Probably Didn't Understand In High School" season with Ray Bradbury's Fahrenheit 451 and its adaptations by Francois Truffaut and HBO. In this episode, they break down the themes of this classic novel, analyze why the 2018 film didn't work too good, and a hefty criticism of AI. Check it out!   ko-fi.com/soonmajorpod   linktr.ee/soonmajorpod   Next Episode Homework: Animal Farm (1954) 

My month of personal favorites continues with two for the price of one - my favorite Suspense episodes adapted from the stories of Ray Bradbury, one of my favorite writers. He's best known for his science fiction stories, but the tales here are (mostly) down to earth tales of thrills and chills. Dana Andrews is a cop hunting a killer in "The Crowd" (originally aired on CBS on September 21, 1950); a children's game may hide a sinister secret in "Zero Hour" (originally aired on CBS on April 5, 1955); Jeanette Nolan takes the long way home in "The Whole Town's Sleeping" (originally aired on CBS on June 14, 1955); and a crew of astronauts makes their final voyage in "Kaleidoscope" (originally aired on CBS on July 12, 1955).

Ray Bradbury - Dimension X || (026) And the Moon be still as Bright || September 29, 1950 ||Adapted from "The Martian Chronicles." The script was used subsequently on "X Minus One" on September 1, 1955. The "X Minus One" progam was rebroadcast on "Monitor" during December, 1973.: : : : :You can donate to show your support for my podcast and the time I put into creating and posting every week. Donations are through my duane.media PayPal account:https://www.paypal.com/donate/?hosted_button_id=MSL7S8FKCSL94My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLES.Subscribing is free and you'll receive new post notifications. Thank you for your support.https://otr.duane.media | Instagram @duane.otr#scifiradio #oldtimeradio #otr #radiotheater #radioclassics #bbcradio #raybradbury #twilightzone #horror #oldtimeradioclassics #classicradio #horrorclassics #xminusone #sciencefiction #duaneotr:::: :

Send us a text or a voicemailIn 1930s Chicago, Frankenstein asks Dr. Euphronius to help create companions. They give life to a murdered group of former radio hosts, sparking arguments, occasional offensive remarks, and minor self growth. On Episode 717 of Trick or Treat Radio our feature film discussion is The Bride! from director Maggie Gyllenhaal! We also talk about the immense responsibility of remaking a horror classic, which shot on video horror is coming to streaming apps, and we react to trailers for Evil Dead Burn and Clayface. So grab your favorite Ronnie Reed film, get ready to hit the road for a monstrous adventure, and strap on for the world's most dangerous podcast!Stuff we talk about: Curry Barker, Texas Chainsaw Massacre, Obsession, insulting lifelong fans, Milk and Serial, wearing cheaters, The Legend of Sleepy Hollow, She, The Vanishing Shadow, Rattlers, A Touch of Evil, animal horror, Carnage, The Dark Half, Through the Woods, Jamie King, Mother's Day, Black Summer, Sin City, John Hannah, Blood Sweat and Terrors, The Mummy Returns, Circle of Fear, Twilight Zone, Poltergeist the Legacy, Ray Bradbury, Ian Wilson, Immortal or Immoral, William Shakespeare, Theater of Blood, Unmasked Part 25, Milo and Otis, Benicio del Toro, Sensei Sergio, Brian Paulin, Cryptic Plasm, Fawesome App, The Greasy Strangler, shot on video horror, New England Patreons, Tobe Hooper, Chris Rock, Saw: Spiral, David Gordon Green, Todd Sheets, Zombie Bloodbath, smuggling scratch tickets, Darren Lyn Bousman, Cannibal, Werner Herzog, The Mummy, Lee Cronin, Evil Dead Burn, The Last Stop in Yuma County, The Ventriloquist, Adams Family, The Glorious Dead, The Bride!, Mary Shelley, Maggie Gyllenhaal, Jessie Buckley, Christian Bale, Peter Sarsgaard, Penelope Cruz, Jake Gyllenhaal, Annette Bening, Natural Born Killers, Oliver Stone, Creature Commandos, Bonnie and Clyde, time traveling trains, “Timeless” Toni Storm, AEW, Hollywood starlets, Signal to Noise, Fever Ray, Vikings, True Detective, LongerLegs, Julia Ducournau, Alpha, Sorcerer, William Friedkin, To Live and Die in LA, Mark Kermode, Transformers: The Movie in 4K, you got a great ascot, Fawesome County Blues, The TikTok Chainsaw Massacre, Immoral Kombat, and Werner Herzog's Rock and Wrestling Connection.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

As Jacke and Emma get ready for the History of Literature Podcast Tour, they're revisiting some past interviews with special guests. In this episode, Jacke talks to Will Tosh, Director of Research at Shakespeare's Globe Theatre, about his book Straight Acting: The Hidden Queer Lives of William Shakespeare. PLUS the story of how the young Ray Bradbury was inspired by a carnival worker. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ed Burns and Sir Ben Kingsley travel to the past on a time safari in A Sound of Thunder—a Ray Bradbury adaptation that might have the worst CGI in film history. LIVE from Largo in Los Angeles, Paul, Jason, and June discuss all the ludicrous time travel logic, how everyone in this world should be losing their minds, the incredible energy Sir Ben Kingsley brings to his scenes, and the reason why this movie was released with unfinished special effects. Watch out for those thorns everyone! (Ep. #292 Originally Released 05/05/2022) • Go to hdtgm.com for tour dates, merch, FAQs, and more• Have a Last Looks correction or omission? Call 619-PAULASK to leave us a voicemail!• Submit your Last Looks theme song to us here• Join the HDTGM conversation on Discord: discord.gg/hdtgm• Buy merch at howdidthisgetmade.dashery.com/• Order Paul's book about his childhood: Joyful Recollections of Trauma• Shop our new hat collection at podswag.com• Paul's Discord: discord.gg/paulscheer• Paul's YouTube page: youtube.com/paulscheer• Follow Paul on Letterboxd: letterboxd.com/paulscheer• Subscribe to Enter The Dark Web w/ Paul & Rob Huebel: youtube.com/@enterthedarkweb• Listen to Unspooled with Paul & Amy Nicholson: unspooledpodcast.com• Listen to The Deep Dive with June & Jessica St. Clair: thedeepdiveacademy.com/podcast• Instagram: @hdtgm, @paulscheer, & @junediane• Twitter: @hdtgm, @paulscheer, & msjunediane • Jason is not on social media• Episode transcripts available at how-did-this-get-made.simplecast.com/episodesGet access to all the podcasts you love, music channels and radio shows with the SiriusXM App! Get 3 months free using the link: siriusxm.com/hdtgm Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! paypal.me/LibroTobias ko-fi.com/asier24969 En esta ocasión os traigo un relato corto del escritor estadounidense Ray Bradbury tiutlado “La máquina voladora”. Fue publicado originalmente en la antología Las doradas manzanas del sol (1953) y volvió a aparecer en Twice Twenty-two (1966) y S is for Space (1966). Canciones: • “Dragon Dance” (Música tradicional china) • “New Year of the Dragon” (Música tradicional china) Narración: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

When her mailman husband delivered a package of forbidden books to the woman up the street, Elmira Brown finally had proof of what she'd suspected all along — and she wasn't about to let a witch win another election.If you have a story you'd like to contribute to the series, you can visit https://submissions.soundconceptmedia.com/You can support the show by becoming a paid subscriber on Substack: https://auditoryanthology.substack.comBy becoming a paid subscriber you can listen to every episode completely ad-free!Curator: Keith Conrad linktr.ee/keithrconradNarrator: Darren Marlar https://darrenmarlar.com/Other shows hosted by Darren:Weird Darkness: https://weirddarkness.com/Paranormality Magazine: https://weirddarkness.tiny.us/paranormalitymagMicro Terrors: Scary Stories for Kids: https://weirddarkness.tiny.us/microterrorsRetro Radio – Old Time Radio In The Dark: https://weirddarkness.tiny.us/retroradioChurch of the Undead: https://weirddarkness.tiny.us/churchoftheundead Hosted on Acast. See acast.com/privacy for more information.

Ya está aquí el capítulo 285 de "Audiolibros y Relatos" y regresa El Crítico Cítrico, el spin-off más afilado del programa. En esta ocasión, Xavi y el incombustible Emilio Dollar Baby se adentran en el universo de Ray Bradbury para analizar uno de sus relatos más icónicos… con crítica, humor y alguna que otra dentellada. Presentado por Xavi Villanueva y Emilio Dollar Baby. Síguenos en Patreon: https://www.patreon.com/AudiolibrosyRelatos !Nuevo episodio! Ya puedes disfrutar de EL CRÍTICO CÍTRICO: Ray Bradbury en ABISMOfm.

Drama on a SundayFirst, a look at the events of the day.Then, Suspense,  originally broadcast April 5, 1951, 75 years ago,  Murder in G-Flat starring Jack Benny.  The first of four appearances that Jack Benny made on Suspense.  A meek piano tuner's bag of tools is switched in the subway with a bag containing $25,000.Followed by Suspense,  originally broadcast April 5, 1955, 71 years ago, Zero Hour, narrated by John Dehner.  The classic Ray Bradbury tale about Drill and the game of Invasion. Then, Screen Guild Theater, originally broadcast April 5, 1943, 83 years ago, Journey for Margaret starring Robert Young, Anita Louise, and  Margaret O'Brien.   A melodrama about two orphans during the London Blitz.   Robert Young and Margaret O'Brien reprise their roles from the 1942 motion picture, with Anita Louise taking the role of Laraine Day. Followed by Night Watch reported by Donn Reed, originally broadcast April 5, 1954, 72 years ago.   The police department in action...real adventures. No actors, no script. An actual evening in a police car. Burglaries, murders, etc. make interesting listening. The first show of the series. The first call is a burglary in progress on Hazleton Street.  Innovative technology using portable tape recorders…the size of a suitcase.  Finally, Claudia, originally broadcast April 5, 1948, 78 years ago, Hiring a Maid.  Claudia interviews a maid. Kathryn Bard and Paul Crabtree star.   Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

We're back with Joe O'Sullivan from Minden Mill, and the book "Something Wicked This Way Comes" by Ray Bradbury.  In this oopsisode, Joe poses a very interesting question about our story, one that could be a very pertinant one for many other works of literature and art.  Will this story survive the Digital Age?  Come and take a listen as we go deep on the philosophy as well as our bottle of Minden Mill American Single Malt.

When a space-pirate's telepathic terrors prove to be camera-shy, a cynical photographer and a brawny patrolman must turn the villain's own illusions into a one-man army to survive sixty minutes of oxygen.If you have a story you'd like to contribute to the series, you can visit https://submissions.soundconceptmedia.com/You can support the show by becoming a paid subscriber on Substack: https://auditoryanthology.substack.comBy becoming a paid subscriber you can listen to every episode completely ad-free!Curator: Keith Conrad linktr.ee/keithrconradNarrator: Darren Marlar https://darrenmarlar.com/Other shows hosted by Darren:Weird Darkness: https://weirddarkness.com/Paranormality Magazine: https://weirddarkness.tiny.us/paranormalitymagMicro Terrors: Scary Stories for Kids: https://weirddarkness.tiny.us/microterrorsRetro Radio – Old Time Radio In The Dark: https://weirddarkness.tiny.us/retroradioChurch of the Undead: https://weirddarkness.tiny.us/churchoftheundead Hosted on Acast. See acast.com/privacy for more information.

TRIGGER WARNING: This episode covers content around violence, murder, death, suicide, psychological and physical trauma, and self harm. Please be advised.   Welcome back to another episode of Did You Read The Book? ! Join me and my guest, Daniel Palmer, as we break down (both academically and mentally) a politically charged story to talk through radical regimes, societal alienation, and the age old question of "Why eel?" in Fahrenheit 451 by Ray Bradbury.   Our Recommendations Andor created by Tony Gilroy American Horror Story: Season 7 - Cult created by Brad Falchuk, Ryan Murphy, & Halley Feiffer Salem's Lot by Stephen King Doom Patrol developed by Jeremy Carver   Find Me Online If you like Did You Read The Book?, don't be shy and share with your family, friends, neighbors, and anyone else you see fit! You can also follow me on Bluesky, Threads, Facebook, Google Podcasts, Amazon Music, iTunes, Tune In/Alexa, Spotify, and Pandora!   About The Show Music composed and produced by Abek Cover art created by Jared Stokes Banner art and background design by IndigoLink Podcast production by Erin Palmer

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! ¿La Hipótesis Extraterrestre es la única o hay otras explicaciones? ¿Qué es exactamente lo que estudia la Ovnilogía? ¿Vienen del Futuro, del pasado o de otra dimensión? ¿Por qué no aterrizan frente a la Casa Blanca? Una constante histórica. Un cuento de Ray Bradbury. Sección "El Vuelo del Moscardón": Sectas en Paraná. Luces, ovnis, humanoides y arañas gigantescas en cercanías de la Caverna de las Brujas, provincia de Mendoza, Argentina. ¿Por qué se la llama así? Dos anécdotas reveladoras. Aclaración: Este episodio se elaboró a partir de diferentes grabaciones de Gustavo Fernández en su programa de radio AM, en LT14 Radio General Urquiza de Paraná (Entre Ríos, Argentina), en algún momento entre agosto de 1988 y junio de 1994. Hemos quitado la música original por cuestiones de derechos de autor. No contiene publicidad. Relacionados: Más texto, audio y video sobre los temas del Misterio en nuestro portal: https://alfilodelarealidad.com/ Utiliza el buscador o busca por categorías y etiquetas. Plataforma de cursos: https://miscursosvirtuales.net * * * Programa de Afiliados * * * iVoox comparte con AFR un pequeño porcentaje si usas uno de estos enlaces: * Disfruta de la experiencia iVoox sin publicidad, con toda la potencia de volumen, sincronización de dispositivos y listas inteligentes ilimitadas: Premium anual https://www.ivoox.vip/premium?affiliate-code=68e3ae6b7ef213805d8afeeea434a491 Premium mensual https://www.ivoox.vip/premium?affiliate-code=7b7cf4c4707a5032e0c9cd0040e23919 * La mejor selección de podcasts en exclusiva con iVoox Plus Más de 50.000 episodios exclusivos y nuevos contenidos cada día. ¡Suscríbete y apoya a tus podcasters favoritos! Plus https://www.ivoox.vip/plus?affiliate-code=258b8436556f5fabae31df4e91558f48 Más sobre el mundo del Misterio en alfilodelarealidad.com Escucha este episodio completo y accede a todo el contenido exclusivo de Al Filo de la Realidad. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/3844

Ray Bradbury - Dimension X || (008) To the Future | May 27, 1950A couple from the future escapes back to 1950 to avoid the horrors of war in their time. The "searchers" are sent to bring them back. : : : : :You can donate to show your support for my podcast and the time I put into creating and posting every week. Donations are through my duane.media PayPal account:https://www.paypal.com/donate/?hosted_button_id=MSL7S8FKCSL94My other podcast channels include: MYSTERY x SUSPENSE -- DRAMA X THEATER -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLES.Subscribing is free and you'll receive new post notifications. Thank you for your support.https://otr.duane.media | Instagram @duane.otr#scifiradio #oldtimeradio #otr #radiotheater #radioclassics #bbcradio #raybradbury #twilightzone #horror #oldtimeradioclassics #classicradio #horrorclassics #xminusone #sciencefiction #duaneotr:::: :

Four stories from the golden age of science fiction — and none of them end where you think they will. A morgue ship drifting through the wreckage of a space war pulls in something extraordinary. A telethink researcher in the Florida Keys gets a warning from the stars — too late. A beer truck driver spends a sleepless weekend with something he accidentally created in his kitchen sink. And on a planet designed to be paradise, a man locked in a back room finishes building something with his hands. Four writers. Four worlds. Four moments when science fiction and horror become the same thing.*No AI Voices Are Used In The Narration Of This Podcast*IN THIS EPISODE: A crashed alien lifeboat brings a deadly predator to a remote Florida key, where a stubborn hermit and a stranded scientist face a creature that even the galaxy's most advanced civilizations fear. It's “Rough Beast” by Roger Dee. *** Winston Marks brings us the story “The Water Eater”. When a weekend cleaning experiment goes strangely right, a curious beer truck driver discovers he's made something that might not want to stay in the soap bucket. *** Colonists achieve their dream of a perfect world without work or worry, - but is it truly the paradise they had hoped for? James McKimmey brings us the tale “Planet of Dreams.” *** A classic from Ray Bradbury entitled “Lazarus Come Forth” where a morgue ship operator searching for his son's body among the war dead discovers a perfectly preserved scientist from three centuries ago — and the terrible secret he carries. *** It's an anthology of science fiction tonight – all stories I narrated for the Auditory Anthology podcast where you can hear them fully produced with music and sound effects if you want the full experience. Just visit https://www.AuditoryAnthology.comto start listening.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:02:11.821 = Lazarus Come Forth00:32:39.228 = Rough Beast ***00:58:22.806 = The Water Eater ***01:24:29.147 = Planet of Dreams ***01:42:00.860 = Show Close*** = Begins immediately after inserted ad breakHELPFUL LINKS & RESOURCES…https://WeirdDarkness.com/ALBUMS = Songs and Videos by our Weird Darkness punk band, #DarkWeirdnesshttps://WeirdDarkness.com/STORE = Tees, Mugs, Socks, Hoodies, Totes, Hats, Kidswear & Morehttps://WeirdDarkness.com/HOPE = Hope For Depression or Thoughts of Self-Harmhttps://WeirdDarkness.com/NEWSLETTER = In-Depth Articles, Memes, Weird DarkNEWS, Videos & Morehttps://WeirdDarkness.com/AUDIOBOOKS = FREE Audiobooks Narrated By Darren Marlar EPISODE BLOG PAGE (includes sources): https://weirddarkness.com/4ForgottenSciFiHorrorTalesSOURCES and RESOURCES:“Lazarus Come Forth” by Ray Bradbury, originally published in Planet Stories, Winter 1944“The Water Eater” by Winston Marks, originally published in Galaxy Science Fiction, June 1953“Rough Beast” by Roger Dee, originally published in Analog Science Fiction Magazine, March 1962“Planet of Dreams” by James McKimmey, Jr., originally published in If Worlds of Science Fiction, September 1953(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)"I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.Originally aired: March 29, 2026ABOUT WEIRD DARKNESS: #WeirdDarkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all things strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold cases, conspiracy theories, and more. Weird Darkness has been named one of the “20 Best Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a blend of “Coast to Coast AM”, “The Twilight Zone”, “Unsolved Mysteries”, and “In Search Of”.DISCLAIMER: Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.

Capítulo 283 en el que te hago una promo del segundo episodio de la primera colección exclusiva para mecenas: Maestros de la ciencia ficción. Diez capítulos dedicados a diez autores imprescindibles del género. Hoy te traigo al segundo autor de esta colección. Seguro que lo conoces: el incomparable Ray Bradbury. Narrado por Xavi Villanueva. Síguenos en Patreon: https://www.patreon.com/AudiolibrosyRelatos !Nuevo episodio! Ya puedes disfrutar de PROMO El ruido de un trueno. RAY BRADBURY (Patreon) en ABISMOfm.

On this very special episode, we are joined by Joseph O'Sullivan, Master Distiller at Minden Mill Distilling.  Joe sits down with us to talk about estate distilling, Minden Mill, and perhaps most importantly, our book to review.  It turns out Joe loves reading, and one of his very favorite books is "Something Wicked This Way Comes" by Ray Bradbury. Our tasting will be, of course, Minden Mill.  Learn more HERE WE HAVE MERCH. You can check it out HERE. Let us know what you think, and what you might want to see offered!

This week, we're doing something a little different on Ron's Amazing Stories. Ron heads back into the archives, dusting off some classic segments from past episodes and bringing them together for a special throwback edition of the show. If you've been listening for a while, you'll recognize a few familiar favorites—but there are also a few surprises waiting along the way. From vintage science fiction readings to classic radio mysteries and a thought-provoking tale from Ray Bradbury, this episode is a fun mix of old and new… with just a bit of tampering. So sit back, relax, and enjoy a journey through the golden age of storytelling—Ron style. In This Episode As Read By - A return to a fan-favorite segment inspired by Librivox, featuring "Gib Takes a Space Test" from a 1957 science fiction collection—where imagination leads the way and the future is anyone's guess. Five Minute Mystery - A classic 1940s mini-mystery, complete with Ron's signature humorous interruptions and a sponsor you probably weren't expecting. Main Feature – X Minus One: "The Veldt" - A chilling adaptation of a Ray Bradbury story about a fully automated nursery where imagination—and technology—may go too far. Story Thoughts - A look at Bradbury's themes of technology, parenting, and whether our modern conveniences are helping us… or quietly taking control. A Moment in Time - A nostalgic radio clip from the past, with insight into why it mattered then—and why it still does today. Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at audibletrial.com/ronsamazingstories. Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod (incompetech.com) and is Licensed under Creative Commons: By Attribution 3.0. Other pieces are in the public domain. You can find great free music at FreePd.com which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from Apple Podcasts, stream it on Stitcher Radio or on the mobile version of Spotify. Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on AMFM247.COM. Check your local listing or find the station closest to you at this link. Social Links: Main Podcast Site by LibSynThe Blog Site by WordPressFacebook LinkTwitter Link Contact Links: EmailStory Submissions Contact Ron

What happens when you stop following the script—and start listening to something deeper? In this episode of The No BS Spiritual Book Club, Sandie Sedgbeer speaks with filmmaker and author Bill Bennett about the books, experiences, and inner guidance that shaped both his life and his work. From early influences like Ray Bradbury—who sparked his imagination—to a life-changing walk on the Camino de Santiago, Bill shares how curiosity, questioning, and intuition led him toward a deeper understanding of himself and the world around him. At the center of it all is a simple but powerful truth:

“The Pedestrian” by Ray Bradbury | In a future where everyone stays indoors and stares at screens, one man's simple evening walk is enough to get him arrested. | #RetroRadio #WeirdDarkness | EP0610CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “The Adventure of the Speckled Band” (June 28, 1977) ***WD00:46:35.629 = Theater Five, “Body Without Crime” (November 04, 1964)01:05:47.446 = CBC Theater 1030, “The Pedestrian” (1968-1971) ***WD01:31:31.156 = Tales From The Tomb, “The Girl of His Dreams” (1960s)01:35:05.037 = 2000 Plus, “When Worlds Met” (May 03, 1950) ***WD02:04:07.178 = The Unexpected, “The Tulip Garden” (March 02, 1948)02:18:54.089 = Unsolved Mysteries, “Mystery of the Zombie” (1936) ***WD02:33:24.475 = The Weird Circle, “Mysterious Bride” (July 06, 1943)03:00:53.414 = The Whistler, “The Christmas Bonus” (December 25, 1944)03:30:19.709 = Witch's Tale, “Puzzle” (September 07, 1934)03:54:56.612 = X Minus 1, “The Map Makers” (September 26, 1956)04:23:37.913 = Zero Hour, “Escape To Nowhere” (May 07, 1974)04:41:57.015 = ABC Mystery Time, “My Adventure in Norfolk” (1957) ***WD (LQ)05:05:57.538 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0610

In this episode of the Epic Realms Podcast, we sit down with author Justin Rose to talk about the journey of becoming a writer. Justin shares what it was like growing up homeschooled and how that experience compares with traditional public school education. He explains how those early experiences shaped his creativity and influenced his path toward writing. The conversation also explores lessons from college and the advice he received during that time that helped guide his early writing career. Justin reflects on the evolution of his storytelling, including the challenges he faced and the lessons he learned along the way. A major theme in the discussion is the role emotion plays in his stories. Justin talks about how emotional authenticity drives his characters and why fantasy and science fiction allow him to explore those themes in powerful ways. We also discuss the authors who inspired him, including legendary science fiction writer Ray Bradbury, and how those influences helped shape his creative voice. If you enjoy conversations about writing, storytelling, and the creative process, this episode offers insight and inspiration for readers and aspiring writers alike. Kickstarter Link - https://www.kickstarter.com/projects/justinrose/magic-and-majesty-a-midwest-fantasy-sampler Justin Rose Amazon Page - https://amzn.to/4s9h47D

"What's Trickier? Writing The Stories, Or Getting Out To Meet The Public?" In this week's installment, hosts Alex and Chris are joined once again by acclaimed writers Tom Sniegoski and Jeannine Acheson for Part 2 of their deep-dive into conquering creative challenges and empowering aspiring authors. This episode is packed with heartfelt stories, candid reflections, and practical advice straight from the trenches of the writing world. From memorable convention encounters—like Alex co-host's full-circle moment with Ray Bradbury—to behind-the-scenes confessions about fan interactions, podcast experiences (both brilliant and bizarre), and the personal struggles of finding hope and motivation in difficult times, the conversation is as honest as it is uplifting. Together, the group explores how creative voices evolve, what it takes to push through creative slumps, and why telling your own damn story matters—not just for you, but for readers and listeners you may never meet. Whether you're stuck on your first draft, wrestling with self-doubt, or searching for new ways to stay inspired and connected, this episode is filled with encouragement, laughter, and the reminder that you're never alone on your creative journey.Have any questions, comments, or suggestions?Then, please leave them in the Comments Section. Or ...Write: TTDSOnAir@gmail.comAnd follow us on ...⁠⁠⁠⁠⁠⁠@Tell The Damn Story⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠www.TellTheDamnStory.comwww.Facebook.com/Tell The Damn Story⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.com/ Tell The Damn Story⁠⁠⁠⁠⁠⁠⁠⁠Stories change lives. They always have. Your support keeps them alive for future generations. Help us by supporting TTDS → ⁠Buy Me A Coffee⁠⁠⁠⁠!⁠⁠⁠⁠⁠

Welcome to The Other Side of Midnight with Lionel, where constitutional law meets late-night talk radio chaos. Lionel attempts to school the masses on what the U.S. Constitution actually says about due process, privacy, and abortion, explaining why it isn't a magical jar of "spaghetti sauce" that holds everything you want it to. However, the legal lecture quickly derails as wild callers hijack the show to debate Civil War states' rights, Pizzagate, Ray Bradbury, chaotic entropy, and Nest camera surveillance. Stick around as Lionel breaks down Fourth and Fifth Amendment technicalities before teeing up a mind-bending finale on Einstein, quantum mechanics, and the sheer philosophy of time. It's educational, highly entertaining, and beautifully unhinged. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Ron's Amazing Stories, we head back to the golden age of radio science fiction — when Mars wasn't just a planet… it was a possibility. The 1950s were fascinated with the Red Planet. From invasion fears to philosophical first contact, Martians were everywhere. Tonight, we present two outstanding radio dramas that explore humanity's encounter with Mars in very different ways. One throws a parade. The other hires a detective. Both ask timeless questions about who we are when faced with the unknown. In This Episode "The Parade" – Dimension X (8/25/1950) Based on a story by Ray Bradbury, an advertising agency is hired to organize a grand parade for visitors from Mars. It's thoughtful, eerie, and builds toward a quiet twist that lingers long after the final line. "The Embassy" – X Minus One (7/28/1955) A private detective is tasked with locating the Martian embassy on Earth. A noir-tinged science fiction tale that trades ray guns for moral dilemmas and asks deeper questions about identity and belonging. These two classics showcase the brilliance of golden age radio storytelling. No flashy effects. No over-the-top spectacle. Just strong writing, sharp performances, and ideas that still resonate decades later. The 1950s may be remembered as the era of Martian invasion, but beneath the flying saucers were stories about fear, curiosity, and what it truly means to be human. So sit back, dim the lights, and listen closely. You never know who might be knocking. Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at audibletrial.com/ronsamazingstories. Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod (incompetech.com) and is Licensed under Creative Commons: By Attribution 3.0. Other pieces are in the public domain. You can find great free music at FreePd.com which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from Apple Podcasts, stream it on Stitcher Radio or on the mobile version of Spotify. Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on AMFM247.COM. Check your local listing or find the station closest to you at this link. Social Links: Main Podcast Site by LibSynThe Blog Site by WordPressFacebook LinkTwitter Link Contact Links: EmailStory Submissions Contact Ron

This episode was originally released on 5/1/2021. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes. ____________ In Breaking Walls episode 115, we focus on one of the last experimental programs on the air, The CBS Radio Workshop, and the man at its Hollywood helm, William Froug. We'll listen to episodes, hear interviews with men and women known and unknown, and find out why this show was so critically acclaimed in its day. —————————— Highlights: • Who is Bill Froug and what does he do? • What do Norman Corwin, Orson Welles, Ray Bradbury, Burgess Meredith, and Bernard Hermann have in common? • Network radio in 1936 • Network radio in 1956 • The CBS Radio Workshop is revived • Season Of Disbelief & Hail And Farewell • A Report on ESP • Subways Are For Sleeping • Winding down the Workshop • Looking ahead to Monitor —————————— The WallBreakers: thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: patreon.com/TheWallBreakers —————————— The reading material used in today's episode was: On the Air - By John Dunning As well as articles from: Broadcasting Magazine The New York Daily News —————————— On the interview front: • Lilian Buyeff, Don Diamond, John Dehner, Lawrence Dobkin, Bill Froug, Jack Johnstone, Byron Kane, Elliott Lewis, and Peggy Webber were with SPERDVAC. For more information, go to SPERDVAC.com. • Norman Corwin, Virginia Gregg, Carlton E. Morse, Alan Reed, and Russell Thorson spoke with Chuck Schaden. Hear their full chats at SpeakingOfRadio.com. • Bill Robson spoke with Dick Bertel and Ed Corcoran for WTIC's The Golden Age of Radio. Hear this full interview at Goldenage-WTIC.org. • William Paley spoke while receiving a citation in November of 1958. • Ray Bradbury was interviewed by Jerry Haendiges in October of 1976. —————————— Selected music featured in today's episode was: • Don't Fence Me In — By Bing Crosby and The Andrews Sisters • February Sea — By George Winston • Heartbreak Hotel — By Elvis Presley • Seance on a West Afternoon — By John Barry

Comparing and contrasting Disney's “Something Wicked This Way Comes” with the novel by Ray Bradbury.  This podcast contains certain copyrighted works that were not specifically authorized to be used by the copyright holder(s), but which we believe in good faith are protected by federal law and the fair use doctrine (Section 107 of the Copyright Act). If […] The post CSO 21b – Something Wicked This Way Comes Part 2 first appeared on Cinema Story Origins Podcast.

Comparing and contrasting Disney's “Something Wicked This Way Comes” with the novel by Ray Bradbury.  This podcast contains certain copyrighted works that were not specifically authorized to be used by the copyright holder(s), but which we believe in good faith are protected by federal law and the fair use doctrine (Section 107 of the Copyright Act). If […] The post CSO 21a – Something Wicked This Way Comes Part 1 first appeared on Cinema Story Origins Podcast.

Episode 1010-Jason Interviews  James Aquilone - WEIRD TALES – A Graphic Novel of Bizarre & Unusual StoriesThe Prestige Format Graphic Novel from Monstrous Will Adapt Seminal Stories by Ray Bradbury, Robert E. Howard, H.P. Lovecraft, and C.L. Moore — And Also Includes Original Tales Back It: https://www.kickstarter.com/projects/manbomb/weird-tales-graphic-novel?tab=prelaunch-storyTheme Songs by Drew: Weird Tales & Printed in the DarkLinks: https://beacons.ai/comicsfunprofit Listen: https://comcsforfunandprofit.podomatic.com/Like & Subscribe on Youtube www.youtube.com/@comicsforfunandprofit5331Patreon https://www.patreon.com/comicsfunprofitMerch https://comicsfunprofit.threadless.comDonate Here https://bit.ly/36s7YeLAll the C4FaP links you could ever need  https://beacons.ai/comicsfunprofit Listen To the Episode Here: https://comcsforfunandprofit.podomatic.com/

A lone explorer confronts a force that fractures identity, memory, and destiny itself. In a place where time refuses to behave, survival depends on facing what you were, what you are, and what you may yet become. Time Trap by Frank Belknap Long. That's next on The Lost Sci-Fi Podcast.Discovered another 5 star rating and review today on Audible from Laura Van Wormer. “Scott Miller's narration of old science fiction short stories is just wonderful. Of course, so is the material! Everyone from Ray Bradbury to HG Wells to Lovecraft to Asimov to Jack London and on and on... But there are also the one-timer sci-fi short-story writers that are relatively unknown and Miller provides a little background on them all. Extremely well done. Bravo, Scott Miller!”Thank you for that awesome review Laura. We don't care where you listen, we're just glad you're here and if you want to give give us a 5 star review, if you think we deserve it, we would appreciate it.This is a different kind of time travel story. Frank Belknap Long, a master of weird fiction, explores what happens when time itself turns predatory. Let's do a little time traveling of our own, to the Winter 1948 issue of Planet Stories magazine and discover this eerie tale on page 109, Time Trap by Frank Belknap Long…Next on The Lost Sci-Fi Podcast, Across unimaginable scales of time and space, a young explorer risks everything to prove that intelligence can bloom in the most unlikely conditions. When his search for reason turns into an accusation of harm, the fate of two civilizations hangs on what it truly means to be rational.Buy Me a Coffee - https://lostscifi.com/coffeeNewsletter - https://lostscifi.com/free/Rise - http://Lostscifi.com/riseX - http://Lostscifi.com/xInstagram - https://www.instagram.com/lostscifiguyFacebook - https://lostscifi.com/facebookYouTube - https://lostscifi.com/youtube❤️ ❤️ Thanks to Our Listeners Who Bought Us a Coffee$200 Someone$100 Tony from the Future$75 James Van Maanenberg$50 MizzBassie, Anonymous Listener$25 Someone, Eaten by a Grue, Jeff Lussenden, Fred Sieber, Anne, Craig Hamilton, Dave Wiseman, Bromite Thrip, Marwin de Haan, Future Space Engineer, Fressie, Kevin Eckert, Stephen Kagan, James Van Maanenberg, Irma Stolfo, Josh Jennings, Leber8tr, Conrad Chaffee, Anonymous Listener$15 Every Month Someone$15 SueTheLibrarian, Joannie West, Amy Özkan, Someone, Carolyn Guthleben, Patrick McLendon, Curious Jon, Buz C., Fressie, Anonymous Listener$10 Anonymous Listener$5 Every Month Eaten by a Grue$5 TLD, David, Denis Kalinin, Timothy Buckley, Andre'a, Martin Brown, Ron McFarlan, Tif Love, Chrystene, Richard Hoffman, Anonymous Listenerhttps://lostscifi.com/podcast/time-trap-by-frank-belknap-long/Please participate in our podcast survey https://podcastsurvey.typeform.com/to/gNLcxQlk Hosted on Acast. See acast.com/privacy for more information.

“EXORCISM” by Ray Bradbury | When her mailman husband delivered a package of forbidden books to the woman up the street, Elmira Brown finally had proof of what she'd suspected all along — and she wasn't about to let a witch win another election.IN THIS EPISODE: The name Ray Bradbury immediately brings to mind such fictional tales – classics, many of them… some of which I've narrated here in the podcast such as “The Jar”, “Skeleton”, and “The Small Assassin.” But as good as Bradbury was at writing about the paranormal, he could also write comedy – and in tonight's story he combines the two. “Exorcism” is a fun short tale about a nosy housewife who suspects an older woman in town is studying to become a witch… and decides to confront the old lady to voice her disapproval. SOURCES AND REFERENCES FROM THE EPISODE…“Exorcism” by Ray Bradbury, from the book “The Stories of Ray Bradbury” from Rosetta Books:https://amzn.to/49nrJTGWeird Darkness theme by Alibi Music Library. = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: December 05, 2024CUSTOM LANDING PAGE: https://weirddarkness.com/ExorcismRayBradburyABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness #RayBradbury #Exorcism #WitchStory #HorrorComedy #ClassicFiction #Witchcraft #ParanormalFiction #VintageHorror #ShortStory