Temple of Science

When Museum opened in 1860, a new secular approach to science was on the rise. In the final episode of Temple of Science we see how ‘natural theology' responded to the challenges of Charles Darwin's theories of evolution and natural selection.

The Museum was founded on the principle that art should be used to teach science and to inspire generations of scientists. In episode 4 of Temple of Science we see how this was put into practice in some of the building's less familiar spaces.

The central court of the Museum was described by one founder as ‘the sanctuary of the Temple of Science'. In this episode we see how every detail of this unique space was carefully planned and crafted to form a comprehensive model of natural science.

In episode 2 of Temple of Science, we take a closer look at the decoration on the outside of the Museum building, which captures the vitality of nature, presented in Victorian Oxford as the study of God's creation. From the outset, Oxford University Museum wanted to teach the principles of natural history through art as well as science. In this episode we take a close look at the museum's façade. The carvings round the windows, incorporating designs by John Ruskin and carved by the brilliant Irish stonemason and sculptor James O'Shea, revel in the vitality of nature, while the decorations round the main entrance remind us that, for the scientists in Victorian Oxford, natural history was the study of God's creation.

In the first episode of Temple of Science we find out how the Museum came to be, involving not only scientists but artists, architects and designers in one of the most original creative collaborations of the Victorian age. Launched in 1847, the campaign to found and build a new museum dedicated to teaching science at Oxford University took over a decade to come to fruition. When the museum finally opened in 1860, it combined cutting-edge science with inspiring art.