Podcasts about Oxford

In this newscast, I look at the end of year Nipah virus situation in Bangladesh and the latest developments with the University of Oxford's Nipah virus vaccine candidate.

Svante Ingelsson målar äntligen för Wednesday! Hellberg tappar poäng medan Michael Carrick ryktas till Birmingham och John Terry till Oxford. Det är julbonanza i the Championship! Hosted on Acast. See acast.com/privacy for more information.

There are several words-of-year for 2025: Oxford has "rage bait" after last year's "brain rot." Webster has "slop." Dictionary.com has "67," which is a diverse meme. This year has continued the 2024 trend of a planet spinning much faster than has been recorded before, triggering debates about removing a second from the clock, i.e., the negative leap second. 2025 also brought us, as evidenced by the online slop of 67, which results in perpetual rage bait and a variety of increasingly dumber conspiracies. Tonight, Ryan Gable fills in for Clyde Lewis and talks with the founder of Reverse Speech, David Oates. Listen to Ground Zero, M-F, 7-10pm, pacific on groundzeroplus.com.

Sermon from Fr. Dave Nix for Holy Innocents 2025.  Readings come from Apocalypse 14:1-5 and St. Matthew 2:13-18. Music bumper “Lully, Lulla, Lullay” by the Choir of the Queen's College, Oxford.

Hosted by Dr. Jacinta Delhaize, Dr. Tshiamiso Makwela & Dr. Daniel Cunnama. In this "mid-season special" episode, we introduce you to an extraordinary giant radio galaxy nicknamed "Inkathazo", meaning 'trouble' in isiXhosa and isiZulu. We speak with Kathleen Charlton, a Master's student from the University of Cape Town, about the discovery of Inkathazo and her newly published work on the topic.   Kathleen spoke with us from the University of Oxford, where she was working with team members from the 'MIGHTEE' collaboration. She describes her experiences of first attending the AGN Populations Across Continents and Cosmic Time conference in Durham and then her research visit to Oxford. She also explains her research into both hydrogen absorption and giant radio galaxies.   In her newly published paper, Kathleen uses South Africa's MeerKAT telescope to study the strange physics going on in three giant radio galaxies (or GRGs for short). GRGs are behemoth galaxies spewing out plasma jets spanning millions of light-years. She nicknamed one of these 'Inkathazo', which means 'trouble' in the African Xhosa and Zulu languages, because of its "troublesome" properties. It has unusually bent plasma jets and resides at the center of a galaxy cluster. This raises intriguing questions about how these enormous structures form and evolve.   Kathleen describes how she used MeerKAT to create some of the highest-resolution "spectral age maps" of giant radio galaxies ever made. These maps track the age of the plasma across different parts of the GRG, providing clues about the complex plasma physics at work in these extreme galaxies.   We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs.  Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too!  Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations.  Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.

Art-Making as Spiritual Practice: Rituals of Embodied Understanding (Bloomsbury Academic Press, 2025), edited by Professor David Newheiser, is a new collection asks if it's possible to consider art-making as a spiritual practice independent of explicit religious belief or content. Where earlier research has focused on the religious significance of secular artworks, this innovative volume turns its attention to the role of the artist, and to specific examples of art practices, putting them into conversation with ritual practices. By creating a web of connections that emerge across multiple disciplines and practices, a team of scholars and artists shed new light on the way art-making and ritual embody non-discursive forms of understanding. Drawing on the work of scholars who argue that ritual practice is central to religious identities, they use close analysis of specific examples to address philosophical issues about the nature of knowledge and spirituality and the relationship between them. Art-Making as Spiritual Practice is a rich and in-depth examination of the possibility that art has spiritual meanings that are endemic to the practice of art-making itself, establishing a new paradigm that changes the conversation surrounding the spiritual, if not religious, significance of art. Professor David Newheiser is a returning champion on New Books in Secularism—he joined us in 2020 to talk about his book Hope in a Secular Age: Deconstruction, Negative Theology, and the Future of Faith (Cambridge University Press, 2020) and in 2023 he told us about his edited collection, The Varieties of Atheism (University of Chicago Press, 2022). He is Associate Professor of Religion at Florida State University, with research that explores the role of religious traditions in debates over ethics, politics, and culture. He received a PhD in Religion from the University of Chicago and an MPhil in early Christian thought from Oxford. He is also co-editor of the Journal for the Academic Study of Religion. Art-Making as Spiritual Practice: Rituals of Embodied Understanding is an open source publication, available free from Bloomsbury Academic Press, here. … Carrie Lynn Evans is a PhD candidate at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

🎙️ Estimados oyentes y mecenas: Con este episodio entramos en un momento clave del “giro lingüístico”: el descubrimiento de que muchos problemas filosóficos dependen, en gran medida, del sentido y del uso del lenguaje filosófico. Veremos, primero, cuáles fueron los grandes problemas que la tradición analítica quiso despejar —desde la claridad lógica del significado hasta la forma de nuestras afirmaciones sobre el mundo— y cómo eso condujo a una nueva actitud ante la metafísica: ya no como un edificio de tesis grandiosas, sino como un terreno que exige justificación de sentido y criterios de inteligibilidad. A partir de ahí, recogeremos algunos resultados decisivos de esa reflexión: la identificación de pseudo-problemas nacidos de confusiones conceptuales, el replanteamiento de lo que puede considerarse “decible” con sentido y, en consecuencia, una reformulación de la tarea filosófica como aclaración. Finalmente, nos detendremos en Friedrich Waismann, quien insiste en que la filosofía no puede reducirse a pura “terapia”: además de disolver enredos, también debe abrir perspectivas, explorar posibilidades y ganar visión. Cerraremos con la lectura de un fragmento de Mi visión de la filosofía. Gracias por haberme acompañado en esta aventura del sabor a lo largo de 2025 y más allá. Os deseo unas felices fiestas y un mejor año 2026. 📗ÍNDICE 1. LOS GRANDES PROBLEMAS 2. LA NUEVA ACTITUD 3. RESULTADOS. 4. F. WAISMANN. lectura de texto 🎼Música de la época: Concierto en Sol menor op. 67 de Mieczysław Weinberg que fue compuesto en 1959 año del fallecimiento de Waismann. 🎨Imagen: Friedrich Waisman (Viena, 21 de marzo de 1896 - Oxford, 4 de noviembre de 1959), fue un matemático, físico y filósofo austriaco, miembro del Círculo de Viena y uno de los teóricos clave del empirismo lógico. 👍Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!

Robb Kelly, PhD – The Recovery Expert – was born in Manchester, England. He grew up in a family of musicians and developed a deep love for music at an early age. He was performing on stage by the age of nine. During his early twenties, he worked at the prestigious Abbey Road Studios as a session musician in London.Addiction was always close to his heart, as Dr. Kelly was born into a family with a history of alcoholism. He began drinking and using drugs at a young age, but he managed to stay on a path of success, moving to Oxford in the early 1980s to pursue a PhD in Psychology at the esteemed University of Oxford. He continued to drink heavily during his time in Oxford—yet still managed to complete his doctoral studies, earning a PhD in psychology in 1984.Even though he was a heavy drinker, no one would have predicted that he would end up living on the streets of Manchester, homeless and alone. He recalls a night when he had a staggering realization about his own alcoholism. It would later inspire two of his most popular catchphrases: “The Problem is not our Drinking, it is our Thinking” and “Step out of the Disease, and into the Solution.”Dr. Kelly was standing on a street corner one night in Manchester, body trembling from alcohol withdrawal. He stood in front of a liquor store, shaking and desperately waiting for it to open. He knew that as soon as he took that first sip of alcohol, he would feel relief.As soon as the store opened, he rushed inside. The clerk grabbed a bottle of vodka from the shelf and placed it in a brown paper bag before him. As he lifted the bag, his trembling stopped. His body ceased shaking, and his mind found peace. He hadn't even taken the first sip; it was just the promise of alcohol that stopped his shaking and eased his restlessness.Dr Robb Kelly Official Website: https://robbkelly.com/Unlocking Humanity with Ancient Knowledge | Host John Edmonds Kozma Hosted on Acast. See acast.com/privacy for more information.

Art-Making as Spiritual Practice: Rituals of Embodied Understanding (Bloomsbury Academic Press, 2025), edited by Professor David Newheiser, is a new collection asks if it's possible to consider art-making as a spiritual practice independent of explicit religious belief or content. Where earlier research has focused on the religious significance of secular artworks, this innovative volume turns its attention to the role of the artist, and to specific examples of art practices, putting them into conversation with ritual practices. By creating a web of connections that emerge across multiple disciplines and practices, a team of scholars and artists shed new light on the way art-making and ritual embody non-discursive forms of understanding. Drawing on the work of scholars who argue that ritual practice is central to religious identities, they use close analysis of specific examples to address philosophical issues about the nature of knowledge and spirituality and the relationship between them. Art-Making as Spiritual Practice is a rich and in-depth examination of the possibility that art has spiritual meanings that are endemic to the practice of art-making itself, establishing a new paradigm that changes the conversation surrounding the spiritual, if not religious, significance of art. Professor David Newheiser is a returning champion on New Books in Secularism—he joined us in 2020 to talk about his book Hope in a Secular Age: Deconstruction, Negative Theology, and the Future of Faith (Cambridge University Press, 2020) and in 2023 he told us about his edited collection, The Varieties of Atheism (University of Chicago Press, 2022). He is Associate Professor of Religion at Florida State University, with research that explores the role of religious traditions in debates over ethics, politics, and culture. He received a PhD in Religion from the University of Chicago and an MPhil in early Christian thought from Oxford. He is also co-editor of the Journal for the Academic Study of Religion. Art-Making as Spiritual Practice: Rituals of Embodied Understanding is an open source publication, available free from Bloomsbury Academic Press, here. … Carrie Lynn Evans is a PhD candidate at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Art-Making as Spiritual Practice: Rituals of Embodied Understanding (Bloomsbury Academic Press, 2025), edited by Professor David Newheiser, is a new collection asks if it's possible to consider art-making as a spiritual practice independent of explicit religious belief or content. Where earlier research has focused on the religious significance of secular artworks, this innovative volume turns its attention to the role of the artist, and to specific examples of art practices, putting them into conversation with ritual practices. By creating a web of connections that emerge across multiple disciplines and practices, a team of scholars and artists shed new light on the way art-making and ritual embody non-discursive forms of understanding. Drawing on the work of scholars who argue that ritual practice is central to religious identities, they use close analysis of specific examples to address philosophical issues about the nature of knowledge and spirituality and the relationship between them. Art-Making as Spiritual Practice is a rich and in-depth examination of the possibility that art has spiritual meanings that are endemic to the practice of art-making itself, establishing a new paradigm that changes the conversation surrounding the spiritual, if not religious, significance of art. Professor David Newheiser is a returning champion on New Books in Secularism—he joined us in 2020 to talk about his book Hope in a Secular Age: Deconstruction, Negative Theology, and the Future of Faith (Cambridge University Press, 2020) and in 2023 he told us about his edited collection, The Varieties of Atheism (University of Chicago Press, 2022). He is Associate Professor of Religion at Florida State University, with research that explores the role of religious traditions in debates over ethics, politics, and culture. He received a PhD in Religion from the University of Chicago and an MPhil in early Christian thought from Oxford. He is also co-editor of the Journal for the Academic Study of Religion. Art-Making as Spiritual Practice: Rituals of Embodied Understanding is an open source publication, available free from Bloomsbury Academic Press, here. … Carrie Lynn Evans is a PhD candidate at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/spiritual-practice-and-mindfulness

Art-Making as Spiritual Practice: Rituals of Embodied Understanding (Bloomsbury Academic Press, 2025), edited by Professor David Newheiser, is a new collection asks if it's possible to consider art-making as a spiritual practice independent of explicit religious belief or content. Where earlier research has focused on the religious significance of secular artworks, this innovative volume turns its attention to the role of the artist, and to specific examples of art practices, putting them into conversation with ritual practices. By creating a web of connections that emerge across multiple disciplines and practices, a team of scholars and artists shed new light on the way art-making and ritual embody non-discursive forms of understanding. Drawing on the work of scholars who argue that ritual practice is central to religious identities, they use close analysis of specific examples to address philosophical issues about the nature of knowledge and spirituality and the relationship between them. Art-Making as Spiritual Practice is a rich and in-depth examination of the possibility that art has spiritual meanings that are endemic to the practice of art-making itself, establishing a new paradigm that changes the conversation surrounding the spiritual, if not religious, significance of art. Professor David Newheiser is a returning champion on New Books in Secularism—he joined us in 2020 to talk about his book Hope in a Secular Age: Deconstruction, Negative Theology, and the Future of Faith (Cambridge University Press, 2020) and in 2023 he told us about his edited collection, The Varieties of Atheism (University of Chicago Press, 2022). He is Associate Professor of Religion at Florida State University, with research that explores the role of religious traditions in debates over ethics, politics, and culture. He received a PhD in Religion from the University of Chicago and an MPhil in early Christian thought from Oxford. He is also co-editor of the Journal for the Academic Study of Religion. Art-Making as Spiritual Practice: Rituals of Embodied Understanding is an open source publication, available free from Bloomsbury Academic Press, here. … Carrie Lynn Evans is a PhD candidate at Université Laval in Quebec City. carrie-lynn.evans@lit.ulaval.ca @carrielynnland.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/secularism

In this bonus episode of Cunningcast, Tony Robinson is joined by biblical scholars John Barton and Francesca Stavrakopoulou to explore the Dead Sea Scrolls and what they reveal about the origins of the Bible and early Christianity. From their dramatic discovery in the late 1940s and recent AI-led re-dating, to the startling variety of ancient Jewish and Christian texts—including lost gospels and strange infancy stories of Jesus—they uncover a world of belief far more diverse and surprising than the Bible alone suggests. As Francesca says, “these texts show the sheer variety of early Christian belief and stories about Jesus that were in circulation.”Hosted by Sir Tony Robinson | Instagram @sirtonyrobinsonProducer: Melissa FitzGerald | X @melissafitzgWithProfessor John Barton | theology.ox.ac.uk/people/john-bartonJohn is a British Anglican priest and biblical scholar. From 1991 to 2014, he was the Oriel and Laing Professor of the Interpretation of Holy Scripture at the University of Oxford and a Fellow of Oriel College. In addition to his academic career, he has been an ordained and serving priest in the Church of England since 1973. His research interests and extensive publications have been in the areas of the Old Testament prophets, the biblical canon, biblical interpretation, and Old Testament theology. He is the author of numerous books on the Bible, co-editor of The Oxford Bible Commentary and editor of The Cambridge Companion to Biblical Interpretation.A History of the Bible: The Book and Its Faiths was shortlisted for the 2020 Wolfson History Prize and won the 2019 Duff Cooper Prize. It was adapted for radio and broadcast on BBC Radio 4 in December 2020.Professor Francesca Stavrakopoulou | experts.exeter.ac.uk/1365-francesca-stavrakopoulouFrancesca is Professor of Hebrew Bible and Ancient Religion at the University of Exeter. She is an internationally renowned scholar and award-winning author, specialising in material religion, death studies, and the ancient religious cultures in which the Bible emerged. Actively engaged in public scholarship, her media work includes writing and presenting the BBC TV documentary series Bible's Buried Secrets, and narrating the serialisation of her most recent book on BBC Radio 4's Book of the Week. Follow us on our socials:Instagram @cunningcastpod | X @cunningcastpod | YouTube @cunningcast and TikTok @cunningcastLAST IN SERIES. STAY TUNDED FOR SERIES 4 COMING IN '26 Hosted on Acast. See acast.com/privacy for more information.

Capt. Ben Miller from the Lincoln Police Department confirmed that the body of 30-year-old Jerica Hamre was located on a farm situated just north of Oxford.See omnystudio.com/listener for privacy information.

Hecate started as the ruling goddess of the Asian region of Caria, and got taken over by the Greeks as the only one able to operate in every realm of the cosmos. This then gave her special responsibility for travellers, doorways and restless ghosts. That slowly darkened her image, so that she became associated with the night, the moon, and magicians. By the Roman period, she was the goddess of sorcery par excellence, invoked for all sorts of enchantments, good or bad. In the late ancient worlds this also turned her into a saviour figure, enabling humans directly to contact the divine. This lecture traces that colourful journey.This lecture was recorded by Robin May on the 26th of November 2025 at Bernard's Inn Hall, LondonProfessor Hutton is Professor of History at the University of Bristol. He took degrees at Cambridge and then Oxford Universities, and was a fellow of Magdalen College, Oxford. He is now a Fellow of the British Academy, the Royal Historical Society, the Society of Antiquaries and the Learned Society of Wales, and has won awards for teaching and research.He has lectured all over the world, authored twenty books and ninety-six essays, appeared in or presented scores of television and radio programmes, and sits on the editorial boards of six journals concerned with the history of religion and magic.He is currently working on the third volume of his biography of Oliver Cromwell. The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/goddess-hecateGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham College's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-today Website:  https://gresham.ac.ukX: https://x.com/GreshamCollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeBluesky: https://bsky.app/profile/greshamcollege.bsky.social TikTok: https://www.tiktok.com/@greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

In this episode, Dr. Christian Schmahl from Heidelberg University and Mannheim, Germany, answers a listener's question and talks about his experimental research assessing how seeing blood affects heart rate and arousal among both those who engage in nonsuicidal self-injury (NSSI) and those who don't. He also shares insights into the role of self and blood in ritual and nonritual self-injury, including examples from different cultures about how they may interpret blood differently in the context of self-harm and even trance-like states.To learn more about Dr. Schmahl and his work, visit here. To stay up-to-date on next year's ISSS conference in Stockholm, Sweden (Wed-Fri June 24-26, 2026), visit https://www.itriples.org/conferences. Below are a few papers referenced in today's episode:Glenn, C. R., & Klonsky, E. D. (2010). The role of seeing blood in non-suicidal self-injury. Journal of Clinical Psychology, 66(4), 466-473.Naoum, J., Reitz, S., Krause-Utz, A., Kleindienst, N., Willis, F., Kuniss, S., Baumgartner, Ulf, Mancke, F., Treede, R.-D., & Schmahl, C. (2016). The role of seeing blood in non-suicidal self-injury in female patients with borderline personality disorder. Psychiatry Research, 246, 676-682.Stacy, S. E., Pepper, C. M., Clapp, J. D., & Reyna, A. H. (2022). The effects of blood in self-injurious cutting: Positive and negative affect regulation. Journal of Clinical Psychology, 78(5), 926-937.Hornbacher, A., Sax, W., Naoum, J., & Schmahl, C. (2023). The role of self and blood in ritual and nonritual self-injury. In E.E. Lloyd-Richardson, I. Baetens, & J. Whitlock (Eds.), The Oxford handbook of nonsuicidal self-injury (pp. 468-480). Oxford University Press.Follow Dr. Westers on Instagram and Twitter/X (@DocWesters). To join ISSS, visit itriples.org and follow ISSS on Facebook and Twitter/X (@ITripleS).The Psychology of Self-Injury podcast has been rated as one of the "10 Best Self Harm Podcasts" and "20 Best Clinical Psychology Podcasts" by Feedspot  and one of the Top 100 Psychology Podcasts by Goodpods. It has also been featured in Audible's "Best Mental Health Podcasts to Defy Stigma and Begin to Heal."

Join historian Greg Jenner for a fast-paced, funny and family-friendly journey through the life of Owain Glyndŵr: Wales' legendary rebel leader, lawman, hostage-taker and Merlin superfan. This episode of Dead Funny History is packed with sketch comedy making it perfect for Key Stage 2 learners and their grown-ups.Owain Glyndŵr's story is full of twists. Born into a posh Welsh family, he trained as a lawyer in London before returning home to live the good life. But after years of bad neighbour behaviour from Lord Grey de Ruthyn, and being ignored by King Henry IV, Owain snapped. He declared himself Prince of Wales and led a rebellion that shook the English crown.Expect battles, betrayals and a surprising number of hostages. Owain captured his enemies, held them for ransom, and even turned one prisoner into a son-in-law. He built alliances with France, inspired Welsh students to ditch Oxford, and launched a bold new vision for Wales including its own parliament, universities and laws.But Owain wasn't just a warrior, he was a dreamer. Obsessed with Merlin and Welsh mythology, he became a symbol of national pride. Even after disappearing from history, his legend grew. Today, he's remembered as a hero who fought for Welsh independence and inspired generations.Written by Gabby Hutchinson Crouch, Athena Kugblenu and Dr Emma Nagouse Host: Greg Jenner Performers: Mali Ann Rees and John-Luke Roberts Producer: Dr Emma Nagouse Associate Producer: Gabby Hutchinson Crouch Audio Producer: Emma Weatherill Script Consultant: Dr Kathryn Hurlock Production Coordinator: Liz Tuohy Production Manager: Jo Kyle Sound Designer: Peregrine AndrewsA BBC Studios Production

Stephen Mitchell has translated or adapted some of the world's most beautiful and spiritually rich texts, including The Gospel According to Jesus, The Book of Job, Gilgamesh, Tao Te Ching, Bhagavad Gita, The Iliad, The Odyssey, Beowulf, The Selected Poetry of Rainer Maria Rilke, Rilke's Letters to a Young Poet, and The Way of Forgiveness. In his latest book, The First Christmas: A Story of New Beginnings, he brings the Nativity story to life as never before. In this special episode, Jacke talks to Stephen about his translations, his search for spiritual truths, and his work imagining the story of the first Christmas from multiple points of view. PLUS Jacke continues his way up the charts of the Greatest Books of All Time with a look at #4 on the list, The Catcher in the Rye by J.D. Salinger. Note: A version of this episode first ran in December 2021. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. December update: Act soon - there are only two spots left! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a re-release celebrating a decade of love and allyship on A Gay And A NonGay. This week we're throwing it back to May 2020... We've heard about 'expendable' populations before, but last time they meant gay people. 32 million people have died of AIDS related illnesses since the 1980s and in 2018, 770,000 people died worldwide because of the virus. The London Patient: A Cure For HIV? is the first episode in a brand new two-part series - funded by the Wellcome Trust and the British Podcast Awards Fund. Both episodes were recorded in accordance with government social distancing measures. On this episode, we look at the start of the epidemic, chat to AIDS activist Sir Nick Partridge OBE and head to Oxford to meet Professor John Frater who explains the science behind HIV. Trigger warning: Contains upsetting audio. Incredible advances in medicine now mean that if you are HIV+ and on effective treatment, you can't pass it on. Undetectable = Untransmittable. And in March 2019, it was revealed that a second person had been cured of HIV - The London Patient. What does the London Patient's story tell us about a cure for HIV? Plus in the age of Covid19, can the story of HIV and AIDS offer the world any hope? This episode is bought to you with thanks to the ⁠MTV Staying Alive Foundation⁠, the ⁠Terrence Higgins Trust⁠ and the ⁠National AIDS Trust⁠. Follow A Gay & A NonGay TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@gaynongay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@gaynongay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@gaynongay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@gaynongay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gaynongay.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email Us: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠us@gaynongay.com⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this special episode recorded at our A Photographic Life Live 2025 event at Oxford Brookes University Grant speaks with photographic historian Dr Michael Pritchard concerning the importance of creating an organised archive, making money from an archive and how to leave your archive for those who will inherit it. Dr Michael Pritchard Dr Michael Pritchard has a practical knowledge of studio and location photography, darkroom processing and printing, and digital photography.  He joined Christie's, the fine art auction house, as a photography specialist in 1986 and grew auctions of cameras and photographic equipment and associated material, setting many world auction records. He was also an auctioneer, and became a Christie's Director and International Business Director for collectibles across the company. In 2007 he became a consultant for Christie's working on a new cataloguing and property control system. He also undertook a PhD in history of photography between 2007 and 2010. His thesis examined photographic manufacturing and retailing from 1839-1914.  He has taught history of photography at MA level at De Montfort University and catalogued and organised the Kodak Historical Collection at the British Library for public access. Pritchard was recruited to the Royal Photographic Society (RPS) in 2011 as Chief Executive, becoming Director of Programmes from 2018-2023. During his tenure he brought a renewed public profile for the RPS  and oversaw an expansion in its public activities, not least growing its membership to the largest in its history. In 2024 he established his own consultancy. He continues to support the RPS. Pritchard continues to actively research the history of photography and regularly delivers conference papers and publishes across the field. He edits the British Photographic History blog and The PhotoHistorian. His knowledge is regularly sought and he shares his expertise and knowledge of photography and its history with other academics and institutions, students, collectors and the general public.  He gives regular talks and has broadcast on a wide range of photographic subjects. His most recent book is A History of Photography in 50 Cameras (Bloomsbury).  https://mpritchard.squarespace.com Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. © Grant Scott 2025

Criminologist Federico Varese joins Chris to talk John le Carré—David Cornwell—and what his fiction got right about power, corruption, and the criminal underside of the modern Russian state. Varese, a co-curator of Oxford's Tradecraft exhibition at the Bodleian, shares how he first met Cornwell in the early 1990s and later advised him on Our Game and Our Kind of Traitor, drawing directly on his research into Russian organized crime. From there, Varese unpacks the post-Soviet trajectory he traces in Russia in Four Criminals—how “free markets” without a strong rule-of-law state produced predation, oligarchic capture, and ultimately what he calls a “mafia state,” where independent organized crime is squeezed out by a system that fuses political and economic power. The conversation also gets into how Russian security services use criminals for deniable operations abroad and how cybercrime functions as a tolerated ecosystem—until the state needs it—turning hackers into a ready-made tool of hybrid warfare. Subscribe and share to stay ahead in the world of intelligence, global issues, and current affairs. Learn more about Federico and his work: https://federicovarese.com Order Russia in Four Criminals: https://www.politybooks.com/bookdetail?book_slug=russia-in-four-criminals--9781509563609 Visit the Bodleian Libaries' John le Carré: Tradecraft exhibition: https://visit.bodleian.ox.ac.uk/lecarre Please share this episode using these links Audio: https://pod.fo/e/36c963 YouTube: https://youtu.be/VfxAE8trReA Support Secrets and Spies Become a “Friend of the Podcast” on Patreon for £3/$4: https://www.patreon.com/SecretsAndSpies Buy merchandise from our shop: https://www.redbubble.com/shop/ap/60934996 Buy us a coffee: https://buymeacoffee.com/secretsandspies Subscribe to our YouTube page: https://www.youtube.com/channel/UCDVB23lrHr3KFeXq4VU36dg For more information about the podcast, check out our website: https://secretsandspiespodcast.com Connect with us on social media Bluesky: https://bsky.app/profile/secretsandspies.bsky.social Instagram: https://instagram.com/secretsandspies Facebook: https://facebook.com/secretsandspies Spoutible: https://spoutible.com/SecretsAndSpies Follow Chris and Matt on Bluesky: https://bsky.app/profile/chriscarrfilm.bsky.social https://bsky.app/profile/mattfulton.net Secrets and Spies is produced by F & P LTD. Music by Andrew R. Bird Photo by Bodleian Libraries & Federico Varese Secrets and Spies sits at the intersection of intelligence, covert action, real-world espionage, and broader geopolitics in a way that is digestible but serious. Hosted by filmmaker Chris Carr and writer Matt Fulton, each episode examines the very topics that real intelligence officers and analysts consider on a daily basis through the lens of global events and geopolitics, featuring expert insights from former spies, authors, and journalists.

On this week's Tech Nation, Moira speaks with Dr Christopher Summerfield, Professor of Cognitive Science at the University of Oxford and author of "These Strange New Minds … How AI Learned to Talk and What It Means," on how AI is changing our world. Then, Professor Niels Riedemann, Co-Founder & CEO of InflaRx, explains how the body's immune system sometimes turns against itself and what can be done to prevent it.

Lewis gets concussed (again), Morse is aloof, and Shukri wants more Oxford and Mozart, on this episode of Morse Code.

En una nueva edición de Página 13, Iván Valenzuela y Kike Mujica conversaron con los columnistas Paula Escobar y Cristián Valdivieso sobre la primera Navidad del Papa León XIV. Además, se preguntaron qué es el “ragebait”, la palabra del año según el diccionario de Oxford.

John le Carré, born David Cornwell in 1931, was a British novelist renowned for his morally complex spy fiction. Writing under a pen name gave him the freedom to publish while he worked in both MI5 and MI6, but after the breakthrough success of The Spy Who Came in from the Cold, he left the intel community world for good. Le Carré's work spanned the globe, covering terrorism and drug networks, private banking and pharmaceutical exploitation, arms trades and resource plundering- often drawing on the people and places he knew firsthand. Le Carré's vast personal archive is all on display in the new John le Carré: Tradecraft exhibition at the University of Oxford's Bodleian Library. Historian and curator Jessica Douthwaite joins Sasha to talk about the exhibition and what it reveals about his life and work. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zowe Smith worked in the medical coding industry in management, education, and training for over a decade. While working on an EMR implementation program, she caught the attention of recruiters at Oxford and Stanford. Zowe's bachelors degree in science and her university laboratory expertise proved invaluable for investigating Covid-19 testing fraud. Zowe began to have a crisis of conscience as she witnessed the hospital was incentivize to kill patients and then bury Covid-19 vaccine injuries. She finally walked out over the vaccine mandate. Compelled to warn others, she began to document the Covid-19 fraud she witnessed from a unique insider perspective. She is now an whistleblower and author of The Covid Code: My Life in the Thrill Kill Medical Cult.ZOWE SMITHWebsite: https://thrillkillmedicalcult.com/ X: https://x.com/Zowe_TKMCSubstack: https://zowe.substack.com/Rumble: https://rumble.com/user/ThrillKillMedicalCultZoweOdysee: https://odysee.com/@Zowe:fTelegram: https://t.me/thrillkillmedicalcultTHE RIPPLE EFFECT PODCAST:WEBSITE: http://TheRippleEffectPodcast.comWebsite Host & Video Distributor: https://ContentSafe.co/SUPPORT:PATREON: https://www.patreon.com/TheRippleEffectPodcastPayPal: https://www.PayPal.com/paypalme/RvTheory6VENMO: https://venmo.com/code?user_id=3625073915201071418&created=1663262894MERCH: Store: http://www.TheRippleEffectPodcastMerch.comTHEORY 6 MUSIC: https://open.spotify.com/artist/1w91xRlB4b2MJYyXXhJcyFSPONSORS:OPUS A.I. Clip Creator: https://www.opus.pro/?via=RickyVarandasScott Horton Academy: https://scotthortonacademy.com/rippleeffectUniversity of Reason-Autonomy: https://www.universityofreason.com/a/2147825829/ouiRXFoLWATCH:RUMBLE: https://rumble.com/c/therippleeffectpodcastOFFICIAL YOUTUBE: https://www.youtube.com/@TheRippleEffectPodcastOFFICIALYOUTUBE CLIPS CHANNEL: https://www.youtube.com/@RickyVarandasLISTEN:SPOTIFY: https://open.spotify.com/show/4lpFhHI6CqdZKW0QDyOicJiTUNES: http://apple.co/1xjWmlFTHEORY 6 Music:Spotify: https://open.spotify.com/artist/1w91xRlB4b2MJYyXXhJcyFPandora: https://www.pandora.com/artist/theory-6/ARxrlZ2ldhqtP6kTHE UNION OF THE UNWANTED: https://linktr.ee/TheUnionOfTheUnwanted

Happy Holidays from In Bed with the Right!!! Unfortunately, the festive season has gotten away from us and the two remaining episodes on our schedule are absolute monsters (the two-hour final (!) installment of Project 1933, and our episode on the media hubbub around "American Canto"), so to tide you over while we record and edit we thought we'd do a re-release of one of our Patreon magna opera from the Patreon. So this week, feast your ears on Part 1 (today) and Part 2 (Thursday) of our deep dive into the life and times of Andrew Sullivan -- editor, blogger, Iraq War hawk, and noted gender conservative! Our deep dive is -- fair warning -- about 3 hours long. But we felt Sullivan -- who is, as Moira put it, sort of "gender conservatism's Forrest Gump" -- was worth spending time with. He intersects with so many strands and trends, so many institutions and pathologies of the last forty years. Specifically, we're going through his complicated work by focusing on specific texts, by situating them in their moment and explaining their legacy. This first episode covers Sullivan's early years, 1980 - 1996: Oxford, Harvard, The New Republic, The Bell Curve, and Virtually Normal.If you like what you've heard, and you haven't already, consider subscribing to our Patreon at patreon.com/InBedWiththeRight! We have a lot of cool episodes coming up, including the aforementioned one on NuzziGate, RFK Jr., and structures of impunity.

Ryan Dilks and Justin Peach react straight off the back of the news that Oxford have sacked Gary Rowett.Was it the right decision?Who do they go for next?Can they still stay up this season?And what next for Rowett himself?It's the Second Tier.Sign up to our Patreon here for ad-free episodes, bonus content and access to the Discord for $4 a month.You can also join our brand new YouTube Membership here!Watch this episode on YouTube here!Follow us on X, Instagram and email us secondtierpod@gmail.com.**Please rate and review us on Apple, Spotify or wherever you get your pods. It means a lot and makes it easy for other people to find us. Thank you!** Hosted on Acast. See acast.com/privacy for more information.

My guest today on the Online for Authors podcast is Jim Gulledge, author of the book Green Forest, Red Eath, Blue Sea. Jim Gulledge is the author of A Poor Man's Supper. The novella was selected for inclusion in the North Carolina Collection at UNC-Chapel Hill and the W.L. Eury Appalachian Collection at Appalachian State University. Over the course of his academic training, Dr. Gulledge earned an A.B. degree in Christian education from Pfeiffer University, an M.A. in English from Clemson University and a DMin in theological studies from Gordon-Conwell Theological Seminary. His career highlights included participation in the Adult Development Institute at Harvard University, the Fulbright German Administrators Exchange Program and the C.S Lewis Summer Residence program in Oxford, England. A life-long resident of the Carolinas, Jim and his wife, Linda, enjoy visiting with their four children and son-in-law and daily life with their miniature schnauzer, Luka.   In my book review, I stated Green Forest, Red Earth, Blue Sea is a beautiful Southern fiction set of short stories. I fell instantly in love with these stories that take place in the state I call home - North Carolina. Each of the three stories takes place in a different part of the state and follow three connected families. The stories, though they take place during different times and in different places, stay connected through a family heirloom.   Unlike most books I enjoy this one has many varied characters, so there isn't one character to fall in love with. Instead, readers fall in love with place. And Jim did an excellent job helping readers come to love North Carolina, from the green hills of the mountains to the red clay of the piedmont to the sandy shores of the ocean. I also enjoyed discovering how each family connected with one another and how they managed to cover the state in a few generations.   We start in the mountains as trains bring change - meeting two young lovers whose time together is fleeting. Next, we find ourselves saving peaches from a deadly spring freeze. Can this couple eek out a living in the clay? The last story asks us to cheer for an orphan boy and the chance to find buried treasure against the backdrop of a tropical storm. And finally, catch a quick glimpse of a story yet to be told when a boy from the beach glimpses a girl from the mountains - and we feel that it will all start again.   Jim tells a delightful series of stories, and you won't want to miss this book. It would make a great gift for any NC native!   Subscribe to Online for Authors to learn about more great books! https://www.youtube.com/@onlineforauthors?sub_confirmation=1   Join the Novels N Latte Book Club community to discuss this and other books with like-minded readers: https://www.facebook.com/groups/3576519880426290   You can follow Author Jim Gulledge FB: @jim.gulledge.12   Purchase Green Forest, Red Eath, Blue Sea on Amazon: Paperback: https://amzn.to/4oI77Mw Ebook: https://amzn.to/47IXRAE   Teri M Brown, Author and Podcast Host: https://www.terimbrown.com FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1   Want to be a guest on Online for Authors? Send Teri M Brown a message on PodMatch, here: https://www.podmatch.com/member/onlineforauthors   #jimgulledge #greenforestredearthbluesea #southernfiction #shortstories #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview *As an Amazon Associate I earn from qualifying purchases.

Almost every serious discussion about options to constrain the development of advanced AI results in someone raising the question: “But what about China?” The worry behind this question is that slowing down AI research and development in the US and Europe will allow China to race ahead.It's true: the relationship between China and the rest of the world has many complications. That's why we're delighted that our guest in this episode is Kayla Blomquist, the Co-founder and Director of the Oxford China Policy Lab, or OCPL for short. OCPL describes itself as a global community of China and emerging technology researchers at Oxford, who produce policy-relevant research to navigate risks in the US-China relationship and beyond.In parallel with her role at OCPL, Kayla is pursuing a DPhil at the Oxford Internet Institute. She is a recent fellow at the Centre for Governance of AI, and the lead researcher and contributing author to the Oxford China Briefing Book. She holds an MSc from the Oxford Internet Institute and a BA with Honours in International Relations, Public Policy, and Mandarin Chinese from the University of Denver. She also studied at Peking University and is professionally fluent in Mandarin.Kayla previously worked as a diplomat in the U.S. Mission to China, where she specialized in the governance of emerging technologies, human rights, and improving the use of new technology within government services.Selected follow-ups:Kayla Blomquist - Personal siteOxford China Policy LabThe Oxford Internet Institute (OII)Google AI defeats human Go champion (Ke Jie)AI Safety Summit 2023 (Bletchley Park, UK)United Kingdom: Balancing Safety, Security, and Growth - OCPLChina wants to lead the world on AI regulation - report from APEC 2025China's WAICO proposal and the reordering of global AI governanceImpact of AI on cyber threat from now to 2027Options for the future of the global governance of AI - London Futurists WebinarA Tentative Draft of a Treaty - Online appendix to the book If Anyone Builds It, Everyone DiesAn International Agreement to Prevent the Premature Creation of Artificial SuperintelligenceMusic: Spike Protein, by Koi Discovery, available under CC0 1.0 Public Domain DeclarationC-Suite PerspectivesElevate how you lead with insight from today's most influential executives.Listen on: Apple Podcasts Spotify

In this lecture, Tsang examines the strategic goals and direction of travel China's supreme leader, Xi Jinping, has set for the country and its people. He highlights what China's new de facto state ideology Xi Jinping Thought is in order to explain systematically Xi's domestic and global ambitions. In short, what Xi seeks to do is to forge one country, one people, one ideology, one party and one leader' to make China great again or to accomplish the China Dream of national rejuvenation.This lecture was recorded by Professor Steve Tsang on the 27th of November 2025 at Barnard's Inn Hall, London.Steve Tsang is Professor of China Studies and Director of the China Institute, SOAS, London. He is also a Fellow of the Academy of Social Sciences and an Emeritus Fellow of St Antony's College, Oxford. He previously served as the Head of the School of Contemporary Chinese Studies and as Director of the China Policy Institute at the University of Nottingham.  Before that he spent 29 years at Oxford University, where he earned his D.Phil. and worked as a Professorial Fellow, Dean, and Director of the Asian Studies Centre at St Antony's College. He has a broad area of research interest and has published extensively, including five single authored and fourteen collaborative books.  His latest (with Olivia Cheung) is The Political Thought of Xi Jinping (Oxford University Press, 2024).  He is currently completing a new book, ‘China's Global Strategy under Xi Jinping', which will be published by OUP in 2026. The transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/watch-now/china-futureGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/Website:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport the show

The Alabama Crimson Tide beat the Oklahoma Sooners in the first round of the College Football Playoffs Friday night in Norman. Alabama Football fought back from down 17-0 to win 34-24 over Oklahoma Football. Alabama now advances to face the Indiana Hoosiers in the Rose Bowl on New Year's Day. We take an early look at that match-up for the Crimson Tide. Kalen DeBoer gets asked how the team was able to overcome a 17-point deficit Dunaway asks Kalen DeBoer about calling timeout before the pick 6 Ryan Grubb gets asked how they were able to make this comeback - credits SECCG loss and Ty Simpson and Deontae Lawson respond The Ole Miss Rebels smoked the Tulane Green Wave Saturday afternoon in Oxford. Ole Miss Football jumped out to a 17-3 halftime lead and never looked back. The Rebels now advance to face the Georgia Bulldogs in the Sugar Bowl on New Years Night. Pete Golding gets asked about fans chanting his name and about Charlie Weis Jr SUBSCRIBE: @NextRoundLive - / @nextroundlive FOLLOW TNR ON RUMBLE: https://rumble.com/c/c-7759604 FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Sponsor the show: sales@nextroundlive.com #SEC #Alabama #Auburn #secfootball #collegefootball #cfb #cfp #football #sports #alabamafootball #alabamabasketball #auburnbasketball #auburnfootball #rolltide #wareagle #alabamacrimsontide #auburntigers #nfl #sportsnews #footballnews Learn more about your ad choices. Visit megaphone.fm/adchoices

Fox Sports' Joel Klatt talks college football The Alabama Crimson Tide beat the Oklahoma Sooners in the first round of the College Football Playoffs Friday night in Norman. Alabama Football fought back from down 17-0 to win 34-24 over Oklahoma Football. Alabama now advances to face the Indiana Hoosiers in the Rose Bowl on New Year's Day. We take an early look at that match-up for the Crimson Tide. The Alabama Crimson Tide beat the Oklahoma Sooners in the first round of the College Football Playoffs Friday night in Norman. Alabama Football fought back from down 17-0 to win 34-24 over Oklahoma Football. Alabama now advances to face the Indiana Hoosiers in the Rose Bowl on New Year's Day. We take an early look at that match-up for the Crimson Tide. Is Alabama, even being an underdog, still the evil empire? Alabama Head Coach Kalen DeBoer adds to an unreal record versus ranked opponents on the road. The Miami Hurricanes beat The Texas A&M Aggies 10-3 Saturday in College Station. Miami Football intercepted Texas A&M Football to seal the win and advance to face the Ohio State Buckeyes in the Cotton Bowl. The Ole Miss Rebels smoked the Tulane Green Wave Saturday afternoon in Oxford. Ole Miss Football jumped out to a 17-3 halftime lead and never looked back. The Rebels now advance to face the Georgia Bulldogs in the Sugar Bowl on New Years Night. The Auburn Tigers have a new NIL plan, will it help or hurt Auburn Football? Another member of the Auburn quarterback room will hit the Portal when it opens, Ashton Daniels is on his way out of Auburn. In the late game, The Oregon Ducks destroyed James Madison but Oregon Football coach Dan Lanning was not entirely pleased with his team's performance. Oregon advances to face the Texas Tech Red Raiders in the Orange Bowl. PLUS, LT's Trash presented by Bud Light! SUBSCRIBE: @NextRoundLive - / @nextroundlive FOLLOW TNR ON RUMBLE: https://rumble.com/c/c-7759604 FOLLOW TNR ON SPOTIFY: https://open.spotify.com/show/7zlofzLZht7dYxjNcBNpWN FOLLOW TNR ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/the-next-round/id1797862560 WEBSITE: https://nextroundlive.com/ MOBILE APP: https://apps.apple.com/us/app/the-next-round/id1580807480 SHOP THE NEXT ROUND STORE: https://nextround.store/ Like TNR on Facebook: / nextroundlive Follow TNR on Twitter: / nextroundlive Follow TNR on Instagram: / nextroundlive Follow everyone from the show on Twitter: Jim Dunaway: / jimdunaway Ryan Brown: / ryanbrownlive Lance Taylor: / thelancetaylor Scott Forester: / scottforestertv Tyler Johns: /TylerJohnsTNR Sponsor the show: sales@nextroundlive.com #SEC #Alabama #Auburn #secfootball #collegefootball #cfb #cfp #football #sports #alabamafootball #alabamabasketball #auburnbasketball #auburnfootball #rolltide #wareagle #alabamacrimsontide #auburntigers #nfl #sportsnews #footballnews Learn more about your ad choices. Visit megaphone.fm/adchoices

In this holiday-themed episode, a sentimental Jacke takes a look at Charles Dickens, A Christmas Carol (1843), and the creation of Ebeneezer Scrooge. A version of this episode first aired in December 2020. That episode has not been available in our archives for several years. Join Jacke on a trip through literary England! Join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠⁠⁠⁠⁠⁠⁠John Shors Travel⁠⁠⁠⁠⁠⁠⁠⁠⁠ in May 2026! Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Learn more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. December update: Act soon - there are only two spots left! The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠gabrielruizbernal.com⁠⁠⁠⁠⁠⁠⁠⁠. Help support the show at ⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/literature ⁠⁠⁠⁠⁠⁠⁠⁠⁠or ⁠⁠⁠⁠⁠⁠⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠⁠⁠⁠⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Sonia Contera is an Associate Professor of Biological Physics at the University of Oxford Physics Department, and a Research Fellow of Green Templeton College. She is also the author of the recently released book Nano comes to Life. Sonia is a physicist who is interested in biology and the mechanics of biology across different space and time scales. She develops experiments and techniques to understand the physics that allow biological systems to build nano-scale molecules into cells, organs, tissues, and organisms. Projects in Sonia's lab include studying and treating pancreatic tumors, understanding heart arrhythmias, and investigating the physics of plant growth. When she's not doing science, Sonia likes to relax and do nothing. She also enjoys spending time with people she loves, talking to people, cycling, walking, exploring art, and learning new languages. Sonia received her bachelor's degree in physics from the Autonomous University of Madrid. She attended graduate school at Beijing Languages and Culture University and subsequently worked as a researcher at the Czech Academy of Sciences. Sonia was then awarded a Japanese Government Monbushō scholarship to attend Osaka University where she received her PhD in Applied Physics. Next, Sonia was awarded an E.U. Fellowship to Japan at the Institute of Scientific and Industrial Research SANKEN at Osaka University. Prior to coming to Oxford in 2003, she served as a Research Assistant Professor at the Interdisciplinary Nanoscience Centre at the University of Aarhus in Denmark. In 2008, Sonia founded the Oxford Martin Institute of Nanoscience for Medicine at the Oxford Martin School. In our interview, Sonia shares more about her life and science.

(00:00-30:04) Are we the only ones in the building today? Best-of vibe. We just have so much to get to. Jackson heading to The Gator Bowl. 70 degrees on Christmas. Could you land a plane if you had to? We got cows in Missouri. Weaving in shout outs to the new OC. The new Michigan Man. Pigskin, porcine. Doug, what's the lede today? Wilson Contreras to the Sox. Poor Nolan. RIP Wheelhouse. Cardinals embracing stepdad life. Grabbing chunks of flesh.(30:12-55:17) Chairman made the trip to Oxford for the Ole Miss vs. Tulane game. Southern belles. Underwhelming stadium in Oxford. Both Group of 5 teams get rolled in the CFP. Which team of the remaining 8 is least likely to win it all? Good time to get out of the Michigan football program. Bears and Packers with a thriller on Saturday. Iceman. Steelers Lions was great last night. The Flyers announcer may be in some trouble. The porta potty guy. Who's the highest profile contact in Martin's phone? Mt. Rushmore of flat tops. Guest roulette.(55:27-1:05:01) The Bee Gees. Barry Manilow on the Walkman. Players and coaches behaving badly. Ed Cooley of Georgetown hit a kid with a water bottle. DK Metcalf getting physical with a fan.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

John Anderson speaks with James Orr to examine the deeper moral, cultural, and institutional pressures shaping Britain and the wider Western world. Drawing on political philosophy, social analysis, and recent events, Orr challenges the prevailing assumption that economic management and procedural politics can sustain a stable society. He argues that questions of identity, belonging, and shared obligation now sit at the centre of national renewal. This conversation traces the erosion of social trust, the limits of rights-based politics, and the consequences of demographic and cultural fragmentation. It is a measured discussion that reorients political debate toward the moral and cultural foundations required for long-term national stability, rather than short-term policy adjustments. Dr. Orr holds a PhD and MPhil in Philosophy of Religion from the University of Cambridge and a BA in Classics from Oxford. He is a political philosopher, writer, and commentator whose work focuses on conservatism, political theology, identity, and the cultural preconditions of liberal democracy, with particular attention to Britain's institutional and civilisational inheritance.

Surely needing no introduction to Spectator listeners, Michael Gove has been a staple of British politics for almost two decades. As a Christmas treat, he joins Lara Prendergast to talk about his memories of food including: the 'brain food' he grew up on in Aberdeen, his favourite Oxford pubs and the dining culture of 1980s Fleet Street. He also shares his memorable moments from his time in politics from dining with Elizabeth Hurley and Donald Trump's first state visit to his reflections on food policy as a former Education and also Environment Secretary. Plus – what has he made of the Spectator's parties since joining as editor? Produced by Patrick Gibbons. Hosted on Acast. See acast.com/privacy for more information.

Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold. https://media.blubrry.com/amouthfulofair/media.blubrry.com/amouthfulofair/content.blubrry.com/amouthfulofair/87_Dover_Beach_by_Matthew_Arnold.mp3 Poet Matthew Arnold Reading and commentary by Mark McGuinness Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Podcast Transcript This is a magnificent and haunting poem by Matthew Arnold, an eminent Victorian poet. Written and published at the mid-point of the nineteenth century – it was probably written around 1851 and published in 1867 – it is not only a shining example of Victorian poetry at its best, but it also, and not coincidentally, embodies some of the central preoccupations of the Victorian age. The basic scenario is very simple: a man is looking out at the sea at night and thinking deep thoughts. It's something that we've all done, isn't it? The two tend to go hand-in-hand. When you're looking out into the darkness, listening to the sound of the sea, it's hard not to be thinking deep thoughts. If you've been a long time listener to this podcast, it may remind you of another poet who wrote about standing on the shore thinking deep thoughts, looking at the sea, Shakespeare, in his Sonnet 60: Like as the waves make towards the pebbled shore,So do our minutes hasten to their end; Arnold's poem is not a sonnet but a poem in four verse paragraphs. They're not stanzas, because they're not regular, but if you look at the text on the website, you can clearly see it's divided into four sections. The first part is a description of the sea, as seen from Dover Beach, which is on the shore of the narrowest part of the English channel, making it the closest part of England to France: The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; – on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay. And as you can hear, the poem has a pretty regular and conventional rhythm, based on iambic metre, ti TUM, with the second syllable taking the stress in every metrical unit. But what's slightly unusual is that the lines have varying lengths. By the time we get to the third line: Upon the straits; – on the French coast the light There are five beats. There's a bit of variation in the middle of the line, but it's very recognisable as classic iambic pentameter, which has a baseline pattern going ti TUM, ti TUM, ti TUM, ti TUM, ti TUM. But before we get to the pentameter, we get two short lines: The sea is calm tonight.Only three beats; andThe tide is full, the moon lies fair – four beats. We also start to notice the rhymes: ‘tonight' and ‘light'. And we have an absolutely delightful enjambment, where a phrase spills over the end of one line into the next one: On the French coast the light,Gleams and is gone. Isn't that just fantastic? The light flashes out like a little surprise at the start of the line, just as it's a little surprise for the speaker looking out to sea. OK, once he's set the scene, he makes an invitation: Come to the window, sweet is the night-air! So if there's a window, he must be in a room. There's somebody in the room with him, and given that it's night it could well be a bedroom. So this person could be a lover. It's quite likely that this poem was written on Arnold's honeymoon, which would obviously fit this scenario. But anyway, he's inviting this person to come to the window and listen. And what does this person hear? Well, helpfully, the speaker tells us: Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Isn't that just great? The iambic metre is continuing with some more variations, which we needn't go into. And the rhyme is coming more and more to the fore. Just about every line in this section rhymes with another line, but it doesn't have a regular pattern. Some of the rhymes are close together, some are further apart. There's only one line in this paragraph that doesn't rhyme, and that's ‘Listen! You hear the grating roar'. If this kind of shifting rhyme pattern reminds you of something you've heard before, you may be thinking all the way back to Episode 34 where we looked at Coleridge's use of floating rhymes in his magical poem ‘Kubla Khan'. And it's pretty evident that Arnold is also casting a spell, in this case to mimic the rhythm of the waves coming in and going out, as they ‘Begin, and cease, and then again begin,'. And then the wonderful last line of the paragraph, as the waves ‘bring / The eternal note of sadness in'. You know, in the heart of the Victorian Age, when the Romantics were still within living memory, poets were still allowed to do that kind of thing. Try it nowadays of course, and the Poetry Police will be round to kick your front door in at 5am and arrest you. Anyway. The next paragraph is a bit of a jump cut: Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; So Arnold, a classical scholar, is letting us know he knows who Sophocles, the ancient Greek playwright was. And he's establishing a continuity across time of people looking out at the sea and thinking these deep thoughts. At this point, Arnold explicitly links the sea and the thinking:                                     weFind also in the sound a thought,Hearing it by this distant northern sea. And the thought that we hear when we listen to the waves is what Arnold announces in the next verse paragraph, and he announces it with capital letters: The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled. And for a modern reader, I think this is the point of greatest peril for Arnold, where he's most at risk of losing us. We may be okay with ‘the eternal note of sadness', but as soon as he starts giving us the Sea of Faith, we start to brace ourselves. Is this going to turn into a horrible religious allegory, like The Pilgrim's Progress? I mean, it's a short step from the Sea of Faith to the Slough of Despond and the City of Destruction. And it doesn't help that Arnold uses the awkwardly rhyming phrase ‘a bright girdle furled' – that's not going to get past the Poetry Police, is it? But fear not; Arnold doesn't go there. What comes next is, I think, the best bit of the poem. So he says the Sea of Faith ‘was once, too, at the full', and then: But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Well, if you thought the eternal note of sadness was great, this tops it! It's absolutely fantastic. That line, ‘Its melancholy, long, withdrawing roar,' where the ‘it' is faith, the Sea of Faith. And the significance of the line is underlined by the fact that the word ‘roar' is a repetition – remember, that one line in the first section that didn't rhyme? Listen! you hear the grating roar See what Arnold did there? He left that sound hovering at the back of the mind, without a rhyme, until it came back in this section, a subtle but unmistakeable link between the ‘grating roar' of the actual sea at Dover Beach, and the ‘withdrawing roar' of the Sea of Faith: Its melancholy, long, withdrawing roar, Isn't that the most Victorian line ever? It encapsulates the despair that accompanied the crisis of faith in 19th century England. This crisis was triggered by the advance of modern science – including the discoveries of fossils, evidence of mass extinction of previous species, and the theory of evolution, with Darwin's Origin of Species published in 1859, in between the writing and publication of ‘Dover Beach'. Richard Holmes, in his wonderful new biography of the young Tennyson, compares this growing awareness of the nature of life on Earth to the modern anxiety over climate change. For the Victorians, he writes, it created a ‘deep and existential terror'. One thing that makes this passage so effective is that Arnold has already cast the spell in the first verse paragraph, hypnotising us with the rhythm and rhyme, and linking it to the movement of the waves. In the second paragraph, he says, ‘we find also in the sound a thought'. And then in the third paragraph, he tells us the thought. And the thought that he attaches to this movement, which we are by now emotionally invested in, is a thought of such horror and profundity – certainly for his Victorian readers – that the retreat of the sea of faith really does feel devastating. It leaves us gazing down at the naked shingles of the world. The speaker is now imaginatively out of the bedroom and down on the beach. This is very relatable; we've all stood on the beach and watched the waves withdrawing beneath our feet and the shingle being left there. It's an incredibly vivid evocation of a pretty abstract concept. Then, in the fourth and final verse paragraph, comes a bit of a surprise: Ah, love, let us be trueTo one another! Well, I for one was not expecting that! From existential despair to an appeal to his beloved. What a delightful, romantic (with a small ‘r') response to the big-picture, existential catastrophe. And for me, it's another little echo of Shakespeare's Sonnet 60, which opens with a poet contemplating the sea and the passing of time and feeling the temptation to despair, yet also ends with an appeal to the consolation of love: And yet to times in hope my verse shall stand,blockquotePraising thy worth, despite his cruel hand. Turning back to Arnold. He says ‘let us be true / To one another'. And then he links their situation to the existential catastrophe, and says this is precisely why they should be true to each other: for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain; It sounds, on the face of it, a pretty unlikely justification for being true to one another in a romantic sense. But actually, this is a very modern stance towards romantic love. It's like the gleam of light that just flashed across the Channel from France – the idea of you and me against an unfeeling world, of love as redemption, or at least consolation, in a meaningless universe. In a world with ‘neither joy, nor love, nor light,' our love becomes all the more poignant and important. Of course, we could easily object that, regardless of religious faith, the world does have joy and love and light. His very declaration of love is evidence of this. But let's face it, we don't always come to poets for logical consistency, do we? And we don't have to agree with Matthew Arnold to find this passage moving; most of us have felt like this at some time when we've looked at the world in what feels like the cold light of reality. He evokes it so vividly and dramatically that I, for one, am quite prepared to go with him on this. Then we get the final three lines of the poem:We are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. I don't know about you, but I find this a little jarring in the light of what we've just heard. We've had the magnificent description of the sea and its effect on human thought, extending that into the idea of faith receding into illusion, and settling on human love as some kind of consolation for the loss of faith. So why do we need to be transported to a windswept plain where armies are clashing and struggling? It turns out to be another classical reference, to the Greek historian Thucydides' account of the night battle of Epipolae, where the two armies were running around in the dark and some of them ended up fighting their own side in the confusion. I mean, fine, he's a classical scholar. And obviously, it's deeply meaningful to him. But to me, this feels a little bit bolted on. A lot of people love that ending, but to me, it's is not as good as some of the earlier bits, or at least it doesn't quite feel all of a piece with the imagery of the sea. But overall, it is a magnificent poem, and this is a small quibble. Stepping back, I want to have another look at the poem's form, specifically the meter, and even more specifically, the irregularity of the meter, which is quite unusual and actually quite innovative for its time. As I've said, it's in iambic meter, but it's not strictly iambic pentameter. You may recall I did a mini series on the podcast a while ago looking at the evolution of blank verse, unrhymed iambic pentameter, from Christopher Marlowe and Shakespeare's dramatic verse, then Milton's Paradise Lost and finally Wordsworth's Tintern Abbey. ‘Dover Beach' is rhymed, so it's not blank verse, but most of the techniques Arnold uses here are familiar from those other poets, with variations on the basic rhythm, sometimes switching the beats around, and using enjambment and caesura (a break or pause in the middle of the line). But, and – this is quite a big but – not every line has five beats. The lines get longer and shorter in an irregular pattern, apparently according to Arnold's instinct. And this is pretty unusual, certainly for 1851. It's not unique, we could point to bits of Tennyson or Arthur Hugh Clough for metrical experiments in a similar vein, but it's certainly not common practice. And I looked into this, to see what the critics have said about it. And it turns out the scholars are divided. In one camp, the critics say that what Arnold is doing is firmly in the iambic pentameter tradition – it's just one more variation on the pattern. But in the other camp are people who say, ‘No, this is something new; this is freer verse,' and it is anticipating free verse, the non-metrical poetry with no set line lengths that came to be the dominant verse form of the 20th century. Personally, I think you can look back to Wordsworth and see a continuity with his poetic practice. But you could equally look forward, to a link with T. S. Eliot's innovations in ‘The Love Song of J. Alfred Prufrock' and The Waste Land. Eliot is often described as an innovator in free verse, which is true up to a point, but a lot of his writing in that early period isn't strictly free verse; it's a kind of broken up metrical verse, where he often uses an iambic metre with long and short lines, which he varies with great intuitive skill – in a similar manner to Arnold's ‘Dover Beach'. Interestingly, when ‘Dover Beach' was first published, the reviews didn't really talk about the metre, which is ammunition for the people who say, ‘Well, this is just a kind of iambic pentameter'. Personally, I think what we have here is something like the well-known Duck-Rabbit illusion, where you can look at the same drawing and either see a duck or a rabbit, depending how you look at it. So from one angle, ‘Dover Beach' is clearly continuing the iambic pentameter tradition; from another angle, it anticipates the innovations of free verse. We can draw a line from the regular iambic pentameter of Wordsworth (writing at the turn of the 18th and 19th century) to the fractured iambic verse of Eliot at the start of the 20th century. ‘Dover Beach' is pretty well halfway between them, historically and poetically. And I don't think this is just a dry technical development. There is something going on here in terms of the poet's sense of order and disorder, faith and doubt. Wordsworth, in the regular unfolding of his blank verse, conveys his basic trust in an ordered and meaningful universe. Matthew Arnold is writing very explicitly about the breakup of faith, and we can start to see it in the breakup of the ordered iambic pentameter. By the time we get to the existential despair of Eliot's Waste Land, the meter is really falling apart, like the Waste Land Eliot describes. So overall, I think we can appreciate what a finely balanced poem Arnold has written. It's hard to categorise. You read it the first time and think, ‘Oh, right, another conventional Victorian melancholy lament'. But just when we think he's about to go overboard with the Sea of Faith, he surprises us and with that magnificent central passage. And just as he's about to give in to despair, we get that glimmering spark of love lighting up, and we think, ‘Well, maybe this is a romantic poem after all'. And maybe Arnold might look at me over his spectacles and patiently explain that actually, this is why that final metaphor of the clashing armies is exactly right. Friend and foe are running in first one direction, then another, inadvertently killing the people on the wrong side. So the simile gives us that sense of being caught in the cross-currents of a larger sweep of history. With all of that hovering in our mind, let's go over to the window once more and heed his call to listen to the sound of the Victorian sea at Dover Beach. Dover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies fairUpon the straits; on the French coast the lightGleams and is gone; the cliffs of England stand,Glimmering and vast, out in the tranquil bay.Come to the window, sweet is the night-air!Only, from the long line of sprayWhere the sea meets the moon-blanched land,Listen! you hear the grating roarOf pebbles which the waves draw back, and fling,At their return, up the high strand,Begin, and cease, and then again begin,With tremulous cadence slow, and bringThe eternal note of sadness in. Sophocles long agoHeard it on the Aegean, and it broughtInto his mind the turbid ebb and flowOf human misery; weFind also in the sound a thought,Hearing it by this distant northern sea. The Sea of FaithWas once, too, at the full, and round earth's shoreLay like the folds of a bright girdle furled.But now I only hearIts melancholy, long, withdrawing roar,Retreating, to the breathOf the night-wind, down the vast edges drearAnd naked shingles of the world. Ah, love, let us be trueTo one another! for the world, which seemsTo lie before us like a land of dreams,So various, so beautiful, so new,Hath really neither joy, nor love, nor light,Nor certitude, nor peace, nor help for pain;And we are here as on a darkling plainSwept with confused alarms of struggle and flight,Where ignorant armies clash by night. Matthew Arnold Matthew Arnold was a British poet, critic, and public intellectual who was born in 1822 and died in 1888. His father was Thomas Arnold, the famed headmaster of Rugby School. Arnold studied Classics at Oxford and first became known for lyrical, melancholic poems such as ‘Dover Beach', ‘The Scholar-Gipsy', and ‘Thyrsis', that explore the loss of faith in the modern world. Appointed an inspector of schools, he travelled widely and developed strong views on culture, education, and society. His critical essays, especially Culture and Anarchy, shaped debates about the role of culture in public life. Arnold remains a central figure bridging Romanticism and early modern thought. A Mouthful of Air – the podcast This is a transcript of an episode of A Mouthful of Air – a poetry podcast hosted by Mark McGuinness. New episodes are released every other Tuesday. You can hear every episode of the podcast via Apple, Spotify, Google Podcasts or your favourite app. You can have a full transcript of every new episode sent to you via email. The music and soundscapes for the show are created by Javier Weyler. Sound production is by Breaking Waves and visual identity by Irene Hoffman. A Mouthful of Air is produced by The 21st Century Creative, with support from Arts Council England via a National Lottery Project Grant. Listen to the show You can listen and subscribe to A Mouthful of Air on all the main podcast platforms Related Episodes Dover Beach by Matthew Arnold Episode 87 Dover Beach by Matthew Arnold Mark McGuinness reads and discusses ‘Dover Beach' by Matthew Arnold.Poet Matthew ArnoldReading and commentary by Mark McGuinnessDover Beach By Matthew Arnold The sea is calm tonight.The tide is full, the moon lies... Recalling Brigid by Orna Ross Orna Ross reads and discusses ‘Recalling Brigid’ from Poet Town. 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Johannes Zachhuber and Anna Marmodoro, eds., Gregory of Nyssa: On the Hexaemeron: Text, Translation, and Essays (Oxford UP, 2025) This book presents Gregory of Nyssa's On the Six Days of Creation (In Hexaemeron) as a specimen of Early Christian philosophy. It comprises Gregory of Nyssa's text in its Greek original accompanied by a new English translation, and seven accompanying essays by international specialists from diverse backgrounds. Each essay focuses on a section of the text and the arising philosophical issues. The essays complement each other in offering multiple perspectives on how Gregory's text may be approached philosophically and positioned in relation to other, more or less contiguous, philosophical theories, including the early Greeks Anaxagoras and Empedocles, Aristotle, and the Stoics. Rather than presenting a definite and exhaustive state of the art study of Gregory's text, this volume aims to open new pathways for research into In Hexaemeron. New Books in Late Antiquity is presented by Ancient Jew Review Johannes Zachhuber is professor of historical and systematic theology at Oxford. His books include Human Nature in Greogry of Nyssa, The Rise of Christian Theology and the End of Ancient Metaphysics, and Time and the Soul: from Aristotle to Augustine. Anna Marmodoro is Leonard and Elizabeth Eslick Professor of Philosophy at St. Louis University. She's written or edited half a dozen books including Metaphysics: an Introduction; Forms and Structures in Plato's Metaphysics; Aristotle on Perceiving Objects, and most recently she co-edited The Oxford Handbook of Omnipresence. Michael Motia teaches in Classics and Religious Studies at UMass Boston Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Christopher Hill was one of the leading historians of his generation. His work across more than 15 books and dozens of articles fundamentally rewrote the way we understand the English Revolution and the development of the modern British state. While his career brought many of the trappings of establishment respectability – he was both a Fellow of the British Academy and the Master of Balliol College, Oxford - he was also seen as a threat to that very same establishment. Under surveillance by the security services for decades, in the 1980s Hill was publicly accused of having been a Soviet agent during the war. His was a Cold War life, as well as a scholarly one.In this brilliant work of biography Christopher Hill: The Life of a Radical Historian (Verso Books, 2025), Michael Braddick charts Hill's development from his abandonment of the respectable provincial Methodism of his youth, through his embrace of Marxism, his membership and eventual break with the Communist Party, as well as his celebrated intellectual career. While many of his books - not least the thrilling work of historical resurrection, The World Turned Upside Down, and God's Englishman, his classic biography of Oliver Cromwell - are still widely read and admired, his intellectual reputation was damaged by sustained academic criticism in the politically-charged atmosphere of the 1980s.Braddick's judicious biography not only situates Hill's life and work in their historical context but seeks to rescue Hill for a new generation of readers. Mike Braddick is a Senior Research Fellow at All Souls College, Oxford. Lucas Tse is an Examination Fellow at All Souls College, Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Christopher Hill was one of the leading historians of his generation. His work across more than 15 books and dozens of articles fundamentally rewrote the way we understand the English Revolution and the development of the modern British state. While his career brought many of the trappings of establishment respectability – he was both a Fellow of the British Academy and the Master of Balliol College, Oxford - he was also seen as a threat to that very same establishment. Under surveillance by the security services for decades, in the 1980s Hill was publicly accused of having been a Soviet agent during the war. His was a Cold War life, as well as a scholarly one.In this brilliant work of biography Christopher Hill: The Life of a Radical Historian (Verso Books, 2025), Michael Braddick charts Hill's development from his abandonment of the respectable provincial Methodism of his youth, through his embrace of Marxism, his membership and eventual break with the Communist Party, as well as his celebrated intellectual career. While many of his books - not least the thrilling work of historical resurrection, The World Turned Upside Down, and God's Englishman, his classic biography of Oliver Cromwell - are still widely read and admired, his intellectual reputation was damaged by sustained academic criticism in the politically-charged atmosphere of the 1980s.Braddick's judicious biography not only situates Hill's life and work in their historical context but seeks to rescue Hill for a new generation of readers. Mike Braddick is a Senior Research Fellow at All Souls College, Oxford. Lucas Tse is an Examination Fellow at All Souls College, Oxford. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Welcome to Episode 348 of the Total Saints Podcast – your home for all things Southampton Football Club!In the final game before Christmas, Saints were held to a 1–1 draw at St Mary's by league leaders Coventry City — a result that felt both fair and frustrating.Despite playing over 45 minutes against ten men after an early second-half red card, Saints couldn't find a winner. We break down where it went wrong, whether it was a missed opportunity, and what it tells us about this side under Tonda Eckert.We also look ahead to Boxing Day, as Saints travel north to face Oxford United — a struggling side in the bottom three, but one capable of causing problems on their own patch.Martin Starke is joined this week by Steve Grant (SaintsWeb), Glen de la Cour (League One Minus 10), and George Rees-Julian (Daily Echo).COVENTRY CITY REVIEW• Another soft goal conceded from a cross — and familiar defensive issues• Coventry reduced to ten men early in the second half• Nathan Wood scores his first Saints goal to level the game• Over 45 minutes against ten men — why couldn't Saints force a winner?• Tactical questions around shape, substitutions, and attacking intent• Gavin Bazunu going up for a late corner… then playing it short• Post-match flashpoints and Frank Lampard losing his cool• Five unbeaten under Eckert — but the first home game not won since his arrivalLIVE PODCAST ANNOUNCEMENTWe're delighted to announce that Total Saints Podcast will be going live at St Mary's Stadium on Thursday, 22nd January 2026, in partnership with the Saints Foundation.It'll be a live audience, special guests (to be revealed), and a genuinely unique night for Saints fans. Capacity will be limited, with Patreon members getting first access to tickets.More details coming soon — but get the date in the diary.OXFORD UNITED PREVIEW• Boxing Day trip to the Kassam Stadium• Oxford winless in four and sitting in the bottom three• Capable at home despite struggles• Team selection questions ahead of a packed festive schedule• Saints need three points to maintain momentumSUPPORT THE PODCASTPatreon: https://patreon.com/TotalSaintsPodcastMerch: https://shop.totalsaints.co.ukWebsite & Prediction League: https://www.totalsaints.co.ukOur next episode is live on Sunday 28th December at 7pm — Oxford review and Birmingham preview. Hosted on Acast. See acast.com/privacy for more information.

Outkick's Trey Wallace joined the 3 Man Front crew and recapped his trip to Oxford, thoughts on the Alabama-Oklahoma game and how the Tide matches up with the Hoosiers! See omnystudio.com/listener for privacy information.

EPISODE 651 - Mark J Wilson - Full of Beans - A dead professor. A missing student, And a time-traveling detective.Mark is a scientist who works in gene therapy and very foolishly decided he had to write a novel about a time-traveling detective in his spare time.I live in Washington, DC with my wife, Carrie, but I was born and brought up in Reading, England. My favourite place in the world is in the Cotswolds, just down the road from Oxford (where most of Full of Beans is set).I went to college in Canterbury where I studied biochemistry and got a PhD. I have worked in biopharmaceuticals for the last 35 years or so.I'm currently working in gene therapy, helping to develop a much-needed cure for Rett Syndrome.I worked in Nottingham and Cambridge before moving back to Reading (so it can't be all bad, right?). Then I came to America in 2009. It does seem like a drastic move just to get out of Reading again. I lived in North Carolina for 7 years before moving to the DC area.Growing up in Reading gave me a fascination with trains and planes, being as how there wasn't much else there to interest a kid. I loved hanging around at the west end of Platform 5, and when Concorde would fly over. And there was a Model Shop. I loved the Model Shop. And Eames' model train shop.My dad gave me lifelong passions for astronomy, physics, chess, cooking, and model-making. And I love model trains. Over the years, in my spare time, I've also been a watercolor artist and a music producer. I love electronic dance music.Full of Beans is my first published novel and it is dedicated to Carrie and her coffee machine, which would constantly instruct us to “Fill Beans,” whether the hopper was full or empty. Without either of them this book might never have been written. It took over two years to write, on the weekends and holidays, and I learned a lot about writing.I heard they are bringing back Clippy... ‘I see you're writing a novel. Do you need help with that?' I did need help, but instead I have relied on some actually talented hooman-beans for that.The book was an editor's nightmare to work on. We chose British English spellings (like ‘colour') and phrases (such as ‘bugger off') to go with most of the settings and characters. However, we also chose to go with the Chicago Manual of Style for other stuff like punctuation, rather than the Oxford Guide to Style. Sorry Oxford. Please check the CMOS before levelling criticism at the editing; it was a heroic effort. Thanks Kevin and Avery.Feel free, however, to debate the choice to liberally use the Oxford comma. And to jolly-well split some infinitives. And start sentences with conjunctions.If strict British grammar is your passion, rather than a fun read, then hard cheese. It isn't meant to be bloody Shakespeare. I'm sure there'll be a new Booker Prize nominee along any minute now.The artwork was accomplished with help from artlist.io, using its Comic Noir algorithm and many, many attempts, amalgamations, and many hours of editing images to get what I wanted. The book cover was a team effort with Joe and Michelle. https://markjwilson.com/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca

Lance - BIGG Dalitso and James LIVE from Buffalo Wild Wings in Oxford, MS covering the CFP

The Southeastern 16 crew reacts to the first round of the College Football Playoff with thoughts on Ole Miss' lopsided victory over Tulane in Oxford, the Rebels defense shutting down Jake Retzlaff and the Green Wave offense, early thoughts on the rematch against Georgia, and much more. YEARLY CO Use promo code SE16KIT for a free sizing kit! https://yearlyco.com/ ROKFORM Use promo code SEC25 for 25% off! The world's strongest magnetic phone case! https://www.rokform.com/ JOIN OUR MEMBERSHIP Join the "It Just Means More" tier for bonus videos and live streams! Join Link: https://www.youtube.com/channel/UCv1w_TRbiB0yHCEb7r2IrBg/join FOLLOW US ON SOCIAL MEDIA Twitter: https://twitter.com/16Southeastern ADVERTISE WITH SOUTHEASTERN 16 Reach out to caroline.bellcow@gmail.com to find out how your product or service can be seen by over 200,000 unique viewers each month! #sec #collegefootball #reaction Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

SEC Network analyst and Florida Gator legend Chris Doering joins The Next Round for a deep dive into the SEC's path in the College Football Playoff, breaking down the biggest questions, storylines, and pressure points facing the league as the postseason begins. We hit on all the hot-button topics SEC and college football fans are debating right now: • Would Ole Miss fans be angrier at Pete Golding if the Rebels lose their first CFP game — or at Lane Kiffin for leaving Oxford before the playoff even starts? • Is it fair to doubt Texas A&M, and do the Aggies have what it takes to advance against Miami? • Can Alabama's offense finally get right on the road in a hostile environment against Oklahoma in a high-stakes playoff matchup? • Which SEC teams are built to survive — and thrive — in the CFP gauntlet? Chris Doering brings his SEC Network perspective, insider insight, and blunt analysis on how these matchups could unfold and what it means for the league's national title hopes. If you're searching for College Football Playoff analysis, SEC football discussion, Alabama vs Oklahoma preview, Texas A&M vs Miami breakdown, or a primer for Ole Miss' CFP debut against Tulane, this is a must-watch conversation.

Are we in a simulation? On this episode, Neil deGrasse Tyson and comic co-host Chuck Nice take a deep dive into simulation theory, consciousness, and free will with Oxford theorist Nick Bostrom. Is this The Matrix? Originally Aired December 21, 2021.NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here: https://startalkmedia.com/show/cosmic-queries-living-in-a-simulation-with-nick-bostrom/ Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Full Show Notes: BenGreenfieldLife.com/nicknorwitz In this episode with Dr. Nick Norwitz, you’ll get to discover how a Harvard-trained MD/PhD used a simple, eyebrow-raising experiment with Oreos to challenge conventional thinking on cholesterol, metabolism, and the stories told about health. We dive into his now-viral “Oreo experiment,” where adding Oreos to a ketogenic diet dropped his LDL cholesterol faster and more effectively than a high-intensity statin—an unexpected outcome that opens the door to deeper questions about lipid markers, risk factors, and how the body actually processes dietary fats. Nick Norwitz MD PhD is a researcher-educator whose mission is to “Make Metabolic Health Mainstream.” He graduated Valedictorian from Dartmouth College, majoring in Cell Biology and Biochemistry, before completing his PhD in Metabolism at the University of Oxford and his MD at Harvard Medical School. Nick has made a name for himself as a clinical research and metabolic health educator, speaking and writing on topics ranging from brain health, the microbiome, mental health, muscle physiology, mitochondrial function, cholesterol and lipids, and so on. Episode Sponsors: CAROL Bike: The science is clear—CAROL Bike is your ticket to a healthier, more vibrant life. And for a limited time, you can get $100 off yours with the code BEN. Don't wait any longer, join over 25,000 riders and visit carolbike.com/ben today. LVLUP Health: I trust and recommend LVLUP Health for your peptide needs as they third-party test every single batch of their peptides to ensure you’re getting exactly what you pay for and the results you’re after! Head over to lvluphealth.com/BGL and use code BEN15 for a special discount on their game-changing range of products. Muse: Muse S Athena combines clinical-grade EEG and fNIRS technology to train your brain in real time while tracking sleep with 86% expert-level accuracy. Get 15% off at choosemuse.com/BENGREENFIELD or use code BENGREENFIELD at checkout. LeelaQ: Not only do LeelaQ’s products neutralize EMFs, increase ATP production, optimize HRV, and improve blood flow, but they've been third-party proven to do so in placebo-controlled double-blind studies. Visit leelaq.com and use code BEN10 for 10% off. BlockBlueLight: BlockBlueLight BioLights are the only lights extensively tested and recommended by building biologist Brian Hoyer as truly flicker-free, ultra-low EMF, and circadian-friendly, with three modes (day, evening, night) that support natural rhythms and optimize sleep quality. Get 10% off your first order at blockbluelight.com/Ben (discount autoapplied at checkout).See omnystudio.com/listener for privacy information.