Podcasts about Architecture

In this episode of the Passive House Podcast Mary James and Jay Fox chat with Sarah Lewis, Research and Policy Director at the Passive House Trust. They explore Scotland's groundbreaking push toward mandatory Passive House standards for new buildings.  Sarah dives into the motivations behind the proposed legislation, lessons from Germany and Brussels, and the vital role of embodied carbon. She also explores the practical implications—from fuel poverty and ventilation standards to supply chain readiness and the challenge of scaling EnerPHit retrofits. With clarity and passion, Sarah unpacks how policy can drive meaningful change in the built environment.https://www.passivhaustrust.org.uk/

Intellectuels, chefs d'entreprises, artistes, hommes et femmes politiques... Frédéric Taddeï reçoit des personnalités de tous les horizons pour éclairer différemment et prendre du recul sur l'actualité de la semaine écoulée le samedi. Même recette le dimanche pour anticiper la semaine à venir. Un rendez-vous emblématique pour mieux comprendre l'air du temps et la complexité de notre monde.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Today's Topics: 1) Gospel - John 16:29-33 - The disciples said to Jesus, "Now You are talking plainly, and not in any figure of speech. Now we realize that You know everything and that You do not need to have anyone question You. Because of this we believe that You came from God." Jesus answered them, "Do you believe now? Behold, the hour is coming and has arrived when each of you will be scattered to his own home and you will leave Me alone. But I am not alone, because the Father is with Me. I have told you this so that you might have peace in Me. In the world you will have trouble, but take courage, I have conquered the world." Memorial of Saints Marcellinus and Peter, Martyrs Saints Marcellinus and Peter, pray for us! Bishop Sheen quote of the day 2) The architect who fought modernism, and inspired a Sacred Architecture revival: One does not necessarily expect to hear the language of warfare coming from the mouth of Duncan Stroik while discussing sacred architecture. Bespectacled and bow-tied, the renowned church architect cuts the figure of the Yale-educated professor... https://www.ncregister.com/features/architect-duncan-stroik-profile 3, 4) Public sin requires public reparation, part 2 https://onepeterfive.com/public-sin-demands-public-reparation/

Have you ever considered how hotels can incorporate adaptive design elements to proactively meet their guests' needs? Listen to this In Case You Missed It (ICYMI) article read mini-episode in which we revisit an article titled, "Adaptive Furnishings and Fixtures Deliver Fully Inclusive Hotels," written by Evelyn Long and published on the i+s website on April 8, 2025. You'll learn: Why inclusive design is becoming a business imperative How to enhance accessibility in common areas How to go beyond ADA in creating thoughtful guestroom features Why proactive and empathetic hospitality is so important How to future proof through inclusive design principles

An architecture career that has included stops in three countries brought Nima Balasubramanian to AISC, where she's helping create a crucial resource for educating architects about structural steel.

628. Anniversary episode.  It's the 13th anniversary for the Anthology, and the 12th for the Podcast. Ed Branley visits again to discuss our accomplishments and his over the past year. Here are some new additions to our Anthology over recent months: The Axman. Letter to the Times Picayune from a serial killer who was never caught. James Fenimore Cooper. The Prairie. A novel set in the Louisiana Purchase during the territorial days.Dabney. The Industrial Canal. Dorothy Day. Newspaper articles and The Eleventh Virgin. David Ervin. A Frozen Solution. He tells the story of how he created the drive-thru daiquiri stand in Lafayette.  Louise Hicks. “Women and the Code Napoléon.” Huey P. Long. Share Our Wealth pamphlet. H. P. Lovecraft. The Call of Cthulhu. A tale of chilling horror beginning in a Louisiana swamp. Keith Plessy et al. “Grant of Posthumous Clemency to Homer Plessy.”  Emma Southworth. India: The Pearl of Pearl River. A novel set in the antebellum South. Keep coming back for further updates! And thanks for your support. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 221 years. Order your copy today! This week in Louisiana history. May 31, 1964. Last run of Canal Street Streetcar This week in New Orleans history. Tom Benson buys the Saints  May 31, 1985. This week in Louisiana. June 7, 2025 75th Annual Louisiana Peach Festival Railroad Park Ruston, LA 71270 (318) 255-2031 Website     Come discover the homegrown flavors, art, music, and culture of Ruston, LA at the 74th Annual Louisiana Peach Festival featuring 12+ hours of live music, a juried arts market, food vendors, kids' activities, and more peachy fun in the heart of charming Downtown Ruston.     The Louisiana Peach Festival is a long-standing Ruston tradition dating back to 1951. The festival was created by area peach farmers as a way to promote their industry and the delicious peaches they produced throughout Louisiana and surrounding states. Over the years, the Peach Festival has attracted hundreds of thousands of visitors to Lincoln Parish and pumped millions back into the local economy. The festival has seen many changes over its 70 years, but through it all, the event has continued to be a source of excitement and pride in the community. In 2021, the  Ruston Lincoln Convention and Visitors Bureau and Downtown Ruston took over coordination of the event with the goal of continuing the event's legacy as a celebration of Ruston's local talent and delicious peaches. Postcards from Louisiana. Phillip Manuel sings with Michael Pellera Trio play at Snug Harbor on Frenchmen St. in New Orleans  Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Situé sur les hauteurs de Cuzco, le site de Sacsayhuaman est un chef dʹœuvre de lʹarchitecture inca ! Cette construction possède des murs très impressionnants composés de gigantesques blocs de pierre qui pèsent plusieurs dizaines de tonnes et qui sont parfaitement assemblés sans mortier. Pour parler de cet édifice, Johanne Dussez reçoit David Barreiro, archéologue, spécialiste de lʹEmpire inca, chercheur associé au centre de recherches de lʹAmérique préhispanique de Sorbonne université et enseignant chercheur en histoire à lʹUniversité dʹArras. Sujets traités : Sacsayhuaman, Pérou, Cuzco,chef dʹœuvre, architecture, inca, édifice Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this On Location episode during OWASP AppSec Global 2025 in Barcelona, Sarah-Jane Madden brings a unique lens to application security, shaped by her journey from developer to security leader and CSO. Speaking at OWASP AppSec Global, she tackles one of today's most pressing concerns: how AI is reshaping software engineering—and how we must respond without compromising core values like quality and security.Madden emphasizes that AI is only the latest in a series of major disruptions, comparing it to shifts like remote work triggered by COVID. Her message is clear: organizations must prepare for continuous change, not just chase the current trend. That means prioritizing adaptability and ensuring critical practices like application security are not sacrificed in the rush to speed up delivery.She makes the case for a layered, iterative approach to development—rejecting the outdated linear mindset. Developers, she argues, should leverage AI as an accelerator, not a replacement. Think of AI as your digital intern: handling the drudgery, automating boilerplate code, and even applying internal security standards to code before it reaches human hands. This frees developers to focus on creative problem-solving and thoughtful architecture.However, Madden cautions against blind enthusiasm. While experimentation is healthy, organizations must be discerning about outcomes. Speed is meaningless without quality, and quality includes security. She calls on developers to advocate for high standards and reminds business leaders not to fall for the allure of shortcut statistics or flashy claims that promise results without skilled labor. Her analogy of microwave dinners vs. proper cuisine illustrates the risk of prioritizing convenience over substance—especially in complex problem-solving environments.For line-of-business leaders, Madden urges realistic expectations. AI can enhance productivity, but it doesn't eliminate the need for thoughtful development. Ultimately, customers will notice if quality drops, and reputational damage is hard to undo.In closing, Madden celebrates OWASP as more than an organization—it's a source of support, camaraderie, and genuine community for those working to build secure, reliable systems. Her message? Embrace change, use tools wisely, protect your standards, and never forget the human side of engineering.GUEST: Sarah-Jane Madden | Global Director of Cyber Defense at Fortive | https://www.linkedin.com/in/sarahjanemadden/HOST: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast | https://www.seanmartin.comSPONSORSManicode Security: https://itspm.ag/manicode-security-7q8iRESOURCESLearn more and catch more stories from OWASP AppSec Global 2025 Barcelona coverage: https://www.itspmagazine.com/owasp-global-appsec-barcelona-2025-application-security-event-coverage-in-catalunya-spainCatch all of our event coverage: https://www.itspmagazine.com/technology-and-cybersecurity-conference-coverageWant to tell your Brand Story Briefing as part of our event coverage? Learn More

This house is not a home...In this episode of Susto, Ayden shared the woeful history of La Casa de los Tubos (The House of Tubes), a unique architectural project in Monterrey, Mexico, that turned tragic.Want to hear your story on Susto? Fill out the Letters From the Beyond form or visit SustoPodcast.com to be shared on the show!Become a Patron here!

This week, Jeremi and Zachary are speaking with Professor Bryan D. Jones to explore the history and evolution of southern politics. They delve into the persistent divisions and conflicts within southern politics over the last century and a half, and analyze how these dynamics shape contemporary issues of democracy, race, justice, and power. Zachary opens with his poem titled "At Mr. Evers' Home". Bryan D. Jones holds the  J. J. "Jake" Pickle Regents Chair in Congressional Studies, and he is a professor in the Department of Government at the University of Texas at Austin. Prof. Jones' books include: Reconceiving Decision-Making in Democratic Politics (1994), Politics and the Architecture of Choice (2001), and most recently, The Southern Fault Line: How Race, Class, and Region Shaped One Family's History (2025).

In this episode of SPACES, we examine the significant policy changes affecting the Architecture, Engineering, and Construction (AEC) industry under Trump's second administration. It highlights the chaos and uncertainty surrounding these changes, particularly in relation to sustainability, energy efficiency, and environmental regulations. The episode outlines the top ten legislative impacts on the industry, emphasizing the rollback of efficiency standards, the repeal of emission waivers, and the implications of various executive orders. As mentioned in the show:SPACES "Going Green" Limited SeriesDOE Suspends Energy Efficiency Mandates on Key Home AppliancesH.J.Res.42Reform of the Nuclear Regulatory CommissionThis Is What The House-Passed Trump Tax Bill Means For Tesla Stock And EVsThe GOP says states' rights matter — unless it's CaliforniaEPA announces dozens of environmental regulations it plans to targetUnleashing American EnergyPROTECTING AMERICAN ENERGY FROM STATE OVERREACHPUTTING AMERICA FIRST IN INTERNATIONAL ENVIRONMENTAL AGREEMENTSDECLARING A NATIONAL ENERGY EMERGENCYUnleashing American EnergyMicroplastics Found in Human Brains: An Alarming Link to DementiaIf you enjoy our content, you can check out similar content from our fellow creators at Gābl Media. Spaces Podcast Spaces Podcast website Spaces Podcast // Gābl Media All rights reserved

In this eye-opening episode of Better Buildings for Humans, host Joe Menchefski is joined by Ann Sussman and Kelsey Bradley from the Human Architecture and Planning Institute (HAPI.org) to explore the fascinating intersection of architecture, biology, and human emotion. Ann and Kelsey reveal how our brains are hardwired to respond to certain visual cues—like faces, fractals, and even the color red—and how this understanding can revolutionize the way we design buildings and cities. From eye-tracking software that predicts where people look first, to how blank facades might make us feel uneasy, this episode unveils the science behind why some spaces feel better than others. Tune in to discover how embracing our biological instincts can lead to more humane, joyful, and walkable environments.More About Ann Sussman and Kelsey BradleyAnn Sussman, RA, an architect, researcher, and teacher is passionate about understanding how buildings impact us. She serves as president of the Human Architecture + Planning Institute, (theHapi.org), a nonprofit devoted to improving the design of the built environment through education and research. Her book Cognitive Architecture, Designing for How We Respond to the Built Environment (Routledge, 2015, 2021) won the 2016 Place Research Award from the Environmental Design Research Association (EDRA). She is co-editor of the forthcoming Handbook of Neuroscience and the Built Environment, (Routledge, 2025) due out this summer. Ann has taught a course on the human perception of architecture, Buildings, Biology + the Brain, at the BAC since 2018. Kelsey Bradley has been working in the nonprofit space since she founded Design Cause Inc. in 2016. Her work led to the successful completion of 10 new primary and secondary school classrooms across multiple communities in Cameroon and Malawi. Kelsey is now focused on how the built environment impacts mental health at an individual and community scale and is excited to further her interests through the work of The Human Architecture and Planning Institute. Kelsey holds a Bachelor of Architecture from Thomas Jefferson University and will be entering a graduate program in urban planning in the fall of 2025.CONTACT:https://www.linkedin.com/in/pgw/?originalSubdomain=caannsussman.com (http://annsussman.com/) https://geneticsofdesign.com/2025/05/20/eye-tracking-buildings-in-lisbon-boston-take-part-in-a-quick-pilot-study/theHapi.org.Where To Find Us:https://bbfhpod.advancedglazings.com/www.advancedglazings.com (http://www.advancedglazings.com/)https://www.linkedin.com/company/better-buildings-for-humans-podcastwww.linkedin.com/in/advanced-glazings-ltd-848b4625https://twitter.com/bbfhpodhttps://twitter.com/Solera_Daylighthttps://www.instagram.com/bbfhpod/https://www.instagram.com/advancedglazingsltd (https://www.instagram.com/advancedglazingsltd/)https://www.facebook.com/AdvancedGlazingsltd

Kevin Wolfe is an award-winning architect, landscape designer, and journalist, highly respected for his skill in renovating old houses, particularly those from the early 20th century in the New York City region. He possesses a unique talent for uncovering and restoring the "heart and soul" of historic homes, even those that have suffered from years of poor renovations. His expertise lies in seamlessly blending restoration, renovation, and additions, allowing him to capture the unique essence of each property while simultaneously updating it for comfortable modern family living, with the kitchen often becoming the central hub.Beyond his design work, Kevin is an expert in navigating the rigorous Landmarks Preservation Commission review process in New York City for historically designated buildings. His impressive track record includes a 100% approval rate on first submissions for all projects since establishing his firm in 1998. He actively shares his knowledge and passion for historic preservation by teaching in the Master of Science program in Historic Preservation at the Pratt Institute in Brooklyn, where his "man on the street" classes are particularly popular. He's also a prominent advocate for historic preservation in New York City, serving on several prestigious boards and committees, and successfully leading efforts to designate the Douglaston Historic District and the Douglaston Hill Historic District in Queens.Kevin's professional background is extensive, having been trained as both an architect and a landscape architect and practicing since 1988. He has worked with esteemed firms in New York City such as Rafael Vinoly Architects and Kohn Pedersen & Fox Interior Architects. Additionally, he is a prolific writer, contributing articles on architecture, interior design, landscape design, and historic preservation to various publications including Garden Design and Metropolis. He has also contributed to several books and authored This Salubrious Spot—100 Years at Douglas Manor. Currently, he is penning House Stories, a book about his own garden and architectural design work. His academic achievements include a Master of Architecture from Columbia University, a Master of Arts from Clark University, a Bachelor of Landscape Architecture from The City College of New York, and a Bachelor of Arts from Holy Cross College. Hosted on Acast. See acast.com/privacy for more information.

What makes a house a home? South African architect and TED Fellow Wandile Mthiyane joins John Maytham to explore the emotional and spiritual dimensions of architecture. “A home is not where you live. It is where you are remembered.” Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Twenty-twenty-five will definitely go down as a chaotic year. But listen, I am not going to complain because it's not productive. Productivity, very difficult to achieve in any field without the freedom of creativity. Creativity is suppressed when worry and doubt are present. I read an article in Psychology Today recently called, How Anxiety Harms Creativity (And What to Do About It). You can find a link in the show notes. The article draws a correlation between anxiety and creativity that outlines why and how fear, exhaustion and doubt can hinder creativity. And how creative types can struggle from this. As a creative who speaks to other creatives, and for you, as a creative listening, we are in the same headspace, think about that for a minute. Designer Resources Pacific Sales Kitchen and Home. Where excellence meets expertise. Design Hardware - A stunning and vast collection of jewelry for the home!  - Where service meets excellence TimberTech - Real wood beauty without the upkeep We are all alone, together in the pursuit of meaning, creative expression, love and satisfaction. If you are in constant state of chaos and worry, how can you do your best work. We can't. Think about Convo By Design as a respite from the external chaos and a place to reconnect with others who are likeminded and in pursuit of the same things you are. And in that effort, today, you are going to hear from Dan D'Agostino, founder and principle architect at Plan Architecture. Dan and I talk about creative freedom and we go into the work they are producing at Plan Architecture. We go into it and one of the things I find so interesting about Dan and his firm is that the work is complex and covers multiple styles and influences. From traditional to modern and much in between.  In addition to external factors complicating the creative process, often, creative types will become fixated on signature style and often, it's not intentional. It just happens. Creative flexibility is a gift and one you will hear Dan and I explore along with a number of other topics. All in an effort to inspire you, spur creative thought and get you out of your head for a little while. So, let's get to it. Right after this. Thank you, Dan. Enjoyed this immensely. Thank you to my incredible partner sponsors, TimberTech, Pacific Sales, and Design Hardware. Amazing companies and great friends to the trade so please give them an opportunity for your next project. Thank you for listening, subscribing to the show and sharing with your colleagues. If not already subscribing, please consider that so you receive every new episode automatically to your podcast feed.  Please keep those emails coming convo by design at outlook dot com and follow the conversation on Instagram, @ConvoXDesign with an “X”. Until next week, thank you for sharing this time together, until the next episode, be well, stay focused and now that it has arrived in earnest, try to rise above the chaos. - CXD

In this episode of the Passive House Podcast, Matthew Cutler-Welsh talks with Sharon Robinson of Smart Living Spaces. Sharon shares her journey from standard design work to advocating for high-performance, affordable housing. She talks about how rethinking client communication, redefining “standard plans,” and focusing on building science fundamentals like heat recovery, passive design, and smart construction systems can shift the industry.https://www.smartlivingspaces.nz/Reimagine Buildings '25 https://passivehouseaccelerator.com/events/reimagine-buildings-25Thank you for listening to the Passive House Podcast! To learn more about Passive House and to stay abreast of our latest programming, visit passivehouseaccelerator.com. And please join us at one of our Passive House Accelerator LIVE! zoom gatherings on Wednesdays.

South Korean artist Do Ho Suh discusses his ongoing fabric-architecture series and the laborious process of producing these structures. Plus: a recap of Romanian Design Week. See omnystudio.com/listener for privacy information.

Narrator: Thomas Jones

264. Simple Ideas for Incorporating Art with Children and Teens with Courtney Sanford   Colossians 3:23 NLT "Work willingly at whatever you do, as though you were working for the Lord rather than for people."   **Transcription Below**   Questions and Topics We Discuss: Can you give us an overview of the seven major forms of art and give an example of ways our children can engage with each? What are the best art supplies to have on hand? As our children grow, why is this helpful in the teen years to have a healthy way to express ourselves and our ideas?   Courtney Sanford is a dedicated wife, and mother who triumphantly homeschooled her three children. With one pursuing a career in orthodontics, another just finishing a master's degree while working in higher education, and the youngest studying computer science at Regent University, Courtney's commitment to their education has yielded remarkable success.   Passionate about nurturing creativity and self-expression, she guides students through captivating art classes, exploring the intersection of imagination and skill. With her background as a graphic designer and experience in studio art, Courtney embarked on a new adventure as an art teacher.    As a multitasking mom, author, artist, teacher, and adventurer, Courtney embodies the spirit of embracing life's opportunities and fostering a love for learning and artistic expression.   Beyond her love for education, Courtney has an insatiable wanderlust. She finds joy in traversing the globe, hosting art retreats, and volunteering at Spiritual Twist Productions: both painting sets, and serving on the board of directors. When time permits, Courtney indulges in spring snow skiing, hiking in exotic locations, and leisurely walks with her dog, Zoey.   Delightful Art Co. was born out of a time when life gave Courtney a handful of lemons, and she creatively transformed those lemons into refreshing lemonade. The Covid shutdown rather forcefully prompted a major shift from in-person art classes to online classes.    Courtney's Website   Thank You to Our Sponsor: WinShape Marriage   Other Episodes Mentioned: 202 Simple Ways to Connect with Our Kids And Enjoy Breaks with Beth Rosenbleeth (Days with Grey) 223 Journey and Learnings as Former Second Lady of the United States with Karen Pence   Continue the conversation with us on Facebook, Instagram or our website.   Gospel Scripture: (all NIV)   Romans 3:23 “for all have sinned and fall short of the glory of God,”   Romans 3:24 “and are justified freely by his grace through the redemption that came by Christ Jesus.”   Romans 3:25 (a) “God presented him as a sacrifice of atonement, through faith in his blood.”    Hebrews 9:22 (b) “without the shedding of blood there is no forgiveness.”    Romans 5:8 “But God demonstrates his own love for us in this: While we were still sinners, Christ died for us.”    Romans 5:11 “Not only is this so, but we also rejoice in God through our Lord Jesus Christ, through whom we have now received reconciliation.”    John 3:16 “For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life.”   Romans 10:9 “That if you confess with your mouth, “Jesus is Lord,” and believe in your heart that God raised him from the dead, you will be saved.”    Luke 15:10 says “In the same way, I tell you, there is rejoicing in the presence of the angels of God over one sinner who repents.”   Romans 8:1 “Therefore, there is now no condemnation for those who are in Christ Jesus”   Ephesians 1:13–14 “And you also were included in Christ when you heard the word of truth, the gospel of your salvation. Having believed, you were marked in him with a seal, the promised Holy Spirit, who is a deposit guaranteeing our inheritance until the redemption of those who are God's possession- to the praise of his glory.”   Ephesians 1:15–23 “For this reason, ever since I heard about your faith in the Lord Jesus and your love for all the saints, I have not stopped giving thanks for you, remembering you in my prayers. I keep asking that the God of our Lord Jesus Christ, the glorious Father, may give you the spirit of wisdom and revelation, so that you may know him better. I pray also that the eyes of your heart may be enlightened in order that you may know the hope to which he has called you, the riches of his glorious inheritance in the saints, and his incomparably great power for us who believe. That power is like the working of his mighty strength, which he exerted in Christ when he raised him from the dead and seated him at his right hand in the heavenly realms, far above all rule and authority, power and dominion, and every title that can be given, not only in the present age but also in the one to come. And God placed all things under his feet and appointed him to be head over everything for the church, which is his body, the fullness of him who fills everything in every way.”   Ephesians 2:8–10 “For it is by grace you have been saved, through faith – and this not from yourselves, it is the gift of God – not by works, so that no one can boast. For we are God‘s workmanship, created in Christ Jesus to do good works, which God prepared in advance for us to do.“   Ephesians 2:13 “But now in Christ Jesus you who once were far away have been brought near through the blood of Christ.“   Philippians 1:6 “being confident of this, that he who began a good work in you will carry it on to completion until the day of Christ Jesus.”   *Transcription*    Music: (0:00 – 0:09)   Laura Dugger: (0:10 - 1:36) Welcome to The Savvy Sauce, where we have practical chats for intentional living. I'm your host, Laura Dugger, and I'm so glad you're here.   I am thrilled to introduce you to our sponsor, WinShape Marriage.   Their weekend retreats will strengthen your marriage, and you will enjoy this gorgeous setting, delicious food, and quality time with your spouse. To find out more, visit them online at winshapemarriage.org. That's W-I-N-S-H-A-P-E marriage.org. Thanks for your sponsorship.   Courtney Sanford is my guest today, and she's an amazing artist and teacher and author, and I'm just so excited to share this conversation. If you're like me and you're ready for summer and your rhythm changes with your kids, she's going to share some super practical tips for incorporating art and beauty into our homes.   And I think that you're going to conclude this conversation by knowing where to begin and understanding why it matters. Here's our chat.    Welcome to The Savvy Sauce, Courtney.   Courtney Sanford: Thanks for having me.    Laura Dugger: I'm so excited to hear more about your story, so will you share what has led you into the work that you get to do today?   Courtney Sanford: (1:37 - 4:20) I sure do like to share that story. I didn't start off as a homeschooler. I didn't imagine that that would be where my life went, but I was always a creative person.   I was a graphic designer, and I worked in the Performing Arts Center, and I got to do lots of fun design for shows. Then along came kids. I actually enjoyed dropping them off at school and going to Target, and I was okay with that.   We didn't do public school because the school near me didn't look safe, and we had lived near Columbine High School and thought it was just a beautiful, beautiful school. And when we left Colorado, we thought, oh, isn't it sad that our kids won't go to school there? And then just about a month later, the whole Columbine shooting happened, and so we were kind of traumatized by all of that.   And then when I saw the school that my precious five-year-old would go to, it didn't look safe, and so we sent them to a private school. So here we are spending a lot of money, having high expectations, and the kids were doing all worksheets all the time, and they started to dread going to school, and they didn't love learning, and the excitement of learning just kind of drained out of them. And so we looked into other options and decided that homeschooling would be the way to go, and I found the classical model and just loved the way that sounded, and we tried it, and it worked, and the little lights just came back on in their eyes, and they started to love learning again.   And I just found my people, and I just learned everything I could about homeschooling, and I just poured myself into it wholeheartedly as unto the Lord. And had a great time, and I just loved my time with my kids, and I felt like it was successful, and I encouraged other people to do it, but I wasn't really sure that it worked until they got into college and they turned out to be successful, thriving humans, and we're really proud of them. One will be a doctor in about a month.   He's about to graduate. He has a wife and a little girl, and then my second one has her MBA, and she works for a Christian college where she leads trips, and she's getting ready to take a group to Paris and London, and so she kind of ministers to students through that, and then my youngest is still in school staying to be a software developer. So now I can confidently say it was worth all the energy that I put into it.   It was hard work, probably the hardest thing I've ever done, but so worth it.   Laura Dugger: (4:21 - 4:40) That's incredible, and I love hearing the success story where your children are now, but you really also inspired them with beauty and art in their learning and growing up time, and I'm curious, are there any personal lessons that the Lord has taught you through art?   Courtney Sanford: (4:41 - 6:32) Oh, goodness. Yeah, I think my desire was to make learning interactive because I saw what they were doing in the private school, which was sit in a chair all day and do your worksheets, and it was just worksheet after worksheet after worksheet and then a quiz, and then you get graded, and so I was thinking if I'm going to pull them out, I've got to do better than that, and so that was my standard, and I was going to beat that standard every day, and so I pulled in art because that's what I knew, so if we were learning about an animal, we would draw the animal. If we were learning about a continent, we would draw the continent until we could draw it from memory, and I really learned with them. I did not have a great elementary education or even high school education, so I would learn this stuff, and then I would think of creative ways to get them involved with it, so a lot of times it was drawing.   It could be painting. It could be making things out of clay. We used to make things out of Rice Krispie Treats, and then they could take it to their co-op group.   Well, it was a classical conversations group, but they do presentations, and so we made a Mayan temple out of Rice Krispie Treats, and we would make volcanoes, and then they could take it to their friends and share it with them and tell them about it, so anything I could do that would get us out of the chair using our hands and using our senses and think, you know, how can I incorporate all five senses, and that just made learning so much more fun for them and for me, and so a lot of it was art. Some of it was science.   Anytime I could incorporate a sense of play into what they were learning, I could see that they would learn so much more.   Laura Dugger: (6:32 - 6:55) I love that, trying to incorporate all five senses, especially. That gets some ideas coming, but can you even back it up, and because you're an artist, will you give us an overview of the seven major forms of art, and can you give us examples as parents for ways that we can engage our children with each of those?   Courtney Sanford: (6:56 - 10:58) Oh, sure. Let me think. All right, so drawing, of course, you can draw what you see, so when I teach students to draw, I do a progression, so we'll draw from line art, and you can find line art anywhere.   It might be in a children's book, so using the library was key for me, so I'd get a laundry basket, and I would go to the library with an index card of what we'd be studying, and I would grab all kinds of books related to that, so when you come home, you get out a kid's book. If you see a good line drawing, say you're studying a lizard, if you see a good line drawing, draw from that. They could even trace it to start with, so you draw from the line drawing, then once they get really confident with that, you go to drawing from photos, and then you go to drawing from real life, so maybe you have a fish tank.   Maybe there's a fish in the fish tank, and you could draw from that or draw things in your yard, so that is how I break down drawing for them, and it could be years. You could draw from line art for years before you go to drawing from photos, and then to drawing from real life, and drawing's great for learning to memorize things. For painting, painting's just fun, and so I like to go to the kitchen table every afternoon and paint what you see, so you start off with the younger kids.   You could start with color and markers and fill in the areas, and then you can teach them how to shade using painting. Sculpture is also fun with kids. I like air-dry clay, and I like Sculpey clay.   I like to get a one-pound block of Sculpey clay and teach them the basic forms, like roll out a snake, do your hands together. Those of you who are listening, you can't see my hands, but I am making a sphere with imaginary clay. These are really good for developing their fine motor skills, too.   We also make the letters out of roll-out snakes and form your letters. That will really help if they're reversing letters. It takes a while to build the whole alphabet, so maybe you do three or four letters a day.   You work on it a couple times a week. It might take a month to make the whole alphabet, but that can be one goal, to get them working in three dimensions. We usually do additive sculpture, like adding on, and you can use found objects to make sculptures.   One time, my son took apart a pen. I rearranged the pieces into a human shape, and it was lovely. Getting them thinking in three dimensions is related to sculpture.   Carving, I don't like to do until they're old enough to be safe with a knife, but once they are, especially the boys love to go outside in the yard and get a log. They spend a lot of time carving spoons. Just a simple shape they can hold in their mind and then carve it is a good activity.   It keeps their little hands busy, too, if you want to read aloud to them and you don't mind a little mess in the house, they can carve. You can also carve out of a bar of soap as well. For that, that's a subtractive sculpture technique.   Let's see. That's the three main ones, drawing, painting, sculpture. I know film is one.   Film, I don't really incorporate much into my homeschool, except we will occasionally watch a movie about history. That has gotten me into trouble a few times because some of those movies that I think are going to be historic turn out to have racy scenes in them, and I'll have to jump up and get in front of the TV or cough really loud. But there are some good films that you can watch together as a family.   That's about as far as I went with film.   Laura Dugger: (10:59 - 11:19) I would, if you don't mind me interrupting there, too. I feel like that's one that our girls have actually begun to develop on their own, where our eldest daughter once wanted a video camera, so she got the old-school video camera. They're making their own movies, and I've seen that as a form of creative, artistic play.   Courtney Sanford: (11:20 - 11:49) Oh, that's fabulous. Yes, so when my kids were little, we didn't even have phones or video cameras on the phones, so that wasn't an option. When we first started homeschooling, our TV died, and so we did not even have a TV for years.   We just decided not to replace it, which forced us into audiobooks and reading aloud and then just playing outside instead and reading books. So that was a blessing.   Laura Dugger: (11:49 - 12:03) I love that because that's one of the other forms. That was new to me, that literature is an art form. Sorry, I sidetracked you because we still have literature, architecture, theater, and music.   Courtney Sanford: (12:04 - 14:20) Yeah, I think the best thing that we did for our kids, of course, I love teaching them to write using Andrew Pudewa's method with IEW. It's kind of imitative writing, so you learn to imitate good writers. But also, my husband read aloud to the kids every single night.   That was his time with him. He gave me a break, and he would read for hours. He loved it.   The kids loved it. And he would choose classics or funny things, you know, science fiction. Probably not the books that I would choose.   I would choose classics and things related to what we were studying, but he chose what he wanted to read. So I would read aloud in the afternoons, and we would do audiobooks like Story of the World and all the Jim Weiss readings. And then he would read aloud at night.   And just whatever he wanted to choose, he would read aloud. And I think hearing good language produces good speakers and good writers. So he gets about 50 percent of the credit for the success of the kids, I think, for just reading aloud every night.   It was such a great thing to do for the kids. And then the last one, architecture. I do incorporate architecture when I'm teaching about a culture.   So, if we're doing art history or history, we'll look at the buildings. So, of course, you do that with ancient Egypt. You look at the pyramids.   When you're talking Old Testament times, you look at the tents. And then as I go through art history with the high schoolers, I'll point out more and more like neoclassical, of course, comes from the ancient Greeks, but it's come to symbolize power and authority. And that's why we see it in government buildings.   So, my degree is graphic design, but it was in the School of Architecture. So, I had a lot of history of architecture and I appreciate it. And so I'm always pointing that out to my kids.   And I do that in my class, in my art history class. I always incorporate the architecture just as a part of understanding a culture.   Laura Dugger: (14:21 - 14:29) I love that. And was there anything specific that you did with your kids for encouraging music or also theater?   Courtney Sanford: (14:30 - 15:29) Oh, yeah. One thing I wish I had done more of was kinder music. I don't know why we didn't do that much kinder music, but now I'm learning more about it.   I wish I had done more of that. And I did put them in piano lessons. One wanted to do violin.   So, they had a few years of learning the basics of music, and then they really got into theater. We have a great Christian youth theater nearby. And so that was a really good experience.   In their Christian youth theater, they would sing praise and worship songs before and during and after a play. They would be praying for the audience and singing worship songs in addition to the singing on the stage. And that whole experience was really good for them.   Even my quietest kid got a big role in a play one time, and he had to memorize a lot of lines and sing in front of people. It's just such a great experience for them.   Laura Dugger: (15:30 - 15:57) I would think so. Even if they don't choose something that we would consider a very artistic career, I can see why all of this is still beneficial. That leads me to another question for you.   Regardless of the way that all of us parents listening are choosing to educate our children, why is it still beneficial for all of us to incorporate art into our homes and into our parenting?   Courtney Sanford: (15:58 - 21:59) That's a great question. So, the first line of the Bible says God created. So, the first thing we learn about God is that he was creative.   He created everything. And then just a few lines later, it says then he created man in his own image. So that tells me that we were created to be creative, to create.   Now, he doesn't let us create stuff out of nothing like him, which is probably for our own good. That would be a mess. But we can create things out of what he created.   And there is a study done by George Land. And there's a video on YouTube of George Land giving a talk about this creativity study that he did. And he created a test for NASA to help them find creative engineers when they were trying to get to the moon.   And they used it to study creativity in children. And they tested five-year-olds. So, they found a group of 1,600 five-year-olds who were in school.   And when they tested them at five years old, 98% of them tested as creative geniuses. So, their plan was to go every five years and test them again just to see what was going on. So, they went back after five years.   The kids are now 10. And it dropped down to like 27%. They went back another five years when the kids were 15, and it was down to about 17%.   And then they were so depressed, they stopped testing them because they could see they began as very creative. So, we're created creative. And a lot of moms will say, yes, I can see that in my children.   But something happens. And this was all in school. Something happened during school that taught them to not be creative.   So, the school teaches the kids to be obedient, to sit still, and to get the same outcome from every kid. Right? There's an expected answer on every test.   And you're to try to get the answer that the teacher wants. That's not creative. So, the first thing to do to preserve their creativity is don't send them to school.   That's the safest bet. And then when you do homeschool them, which I think is the best environment for them, don't do what they do in school. To bring them home and to go to all this trouble just to do the same thing that they're doing in school is not worth the trouble.   So, you've got to not do what they're doing in school. And so, for me, that meant don't do worksheets, make the content interactive. So, I did rely on curriculum, but I didn't rely on the curriculum to be the teacher.   So, I get the content from the curriculum, and then I make it interactive using artistic, creative skills so that they can be creative. And I don't teach it out of them. So, if you have young kids, that's good news.   They're already creative. You just have to don't teach it out of them. If your kids are older and maybe they've been in school, then you might have to like undo some of that training and set up some experiences where you ask them or even like in my classes, I'll set up a challenge.   And I expect everyone's to be different because everybody's going to do it a little bit more creatively in their way. And so, at the end of class, instead of like calling out the answers to see if everybody got the same thing, they're holding up what they did and telling me what they were thinking. And everybody's is different.   And then I really praise the ones who did something different. Maybe they changed the colors. Maybe they put glasses on Mona Lisa.   You know, maybe they gave her a cat to hold. So, I reward thinking outside the box. Now to to pour in beauty, and I think I might have heard this from Charlotte Mason, beauty in, beauty out.   So, you've got to load them with beauty. Now, I think that we were naturally drawn to beauty and people will argue with me about this. They'll say, well, beauty is in the eye of the beholder.   But I betcha I could find something that's beautiful and do a survey. And I betcha I could get 100% of people to say, yes, that's beautiful. And I could find something else, maybe a Hindu goddess sculpture.   And I could find something that 100% people would say that is not beautiful. And so, I think that ingrained in some of us because we're created by God, I think we have a sense of appreciating beauty. I do think that it gets taught out of a lot of people.   So, with my kids, I show them a lot of beauty. And this can be as simple as get a coffee table book from the secondhand bookstore on art and put it on your coffee table. Get books from the library and have lots of beautiful things to look at.   And so, when I now when I was teaching my own kids, this is kind of a fly by the seat of my pants. Make it up as I go. Now that they've left home and I can think about it, I'm putting together books that are a little bit more thoughtful.   So, in my books, you will see I've chosen a piece of art that is beautiful and I will pair it with the lesson. And then I'll give you an art activity. So, for example, in Into the Woods, you'll see I've chosen a beautiful piece of art and I paired it with a poem, which is another piece of beauty.   Yes. And then I'll give you an art lesson so that they can get creative with it as well. So, it is this hard to pull it together.   So that's why I'm making books to help parents. So, you have something beautiful and something to do with it. And so, that's how I pour in beauty to give a beauty in beauty out.   Laura Dugger: (21:59 - 22:36) I love that so much. And just even holding this resource, it is so beautiful. There's so much to it.   When it arrived, our daughters were delighted to go through it and to dive in and get to learn. But I'm just thinking many listeners are fellow homeschool parents and also many are not. But I don't want them to be discouraged because I'm even thinking of your courses or if they do intentional art in the evenings or on weekends or summer break and winter break.   There are still ways for all of us to incorporate this.   Courtney Sanford: (22:36 - 24:28) Yes, for sure. Yeah. Even so, my mom, I was public school.   And of course, the word hadn't been invented back then, but my mom appreciates art and poetry and she would always have art books on the coffee table. And I would just stop and, you know, in my free time, flip through the pages. And those images stuck with me my whole life.   She had one that had a Monet on the cover of the Field of Red Poppies. And that was just ingrained in my mind as a piece of beauty. So just something as simple as putting it out on your coffee table.   She also took us to museums whenever we traveled. And she didn't make a big lesson out of it, but I was exposed to beautiful buildings. You know, most museums are in beautiful buildings.   You see the beautiful architecture. And I was exposed to a lot of art that way. So, that was that totally goes with which with summer vacations and your vacations to, you know, make an effort to see a gallery or an art museum when you're traveling.   That makes a big difference. It'll make an impression on them. And of course, the books you could do in the summer.   We have summer classes and we have an art retreat that might not line up with school because it's in May. But the books you could for sure add on. Hopefully someday we'll have evening classes so that you could go to school.   We've got some this coming year that will start at four o'clock. So, hopefully some kids can go to school and come home and join an art class. So, we're working on getting it out as we as I get teachers willing to.   Most of my teachers are homeschool moms, too. And by the end of the day, they're tired. So, I've got a few.   I've got a young lady who's just graduating and she's going to do some late afternoon ones for us next year. So pretty excited about that.   Laura Dugger: (24:28 - 25:04) I love that. And then even thinking of the beauty and beauty out stepping outdoors. There's so much beauty in God's creation and so much change depending on where you live throughout the seasons.   But I love how you also brought up the library, because anytime I'm trying to learn something new, that's my first go to is put books on hold at the library. And so, if we're wanting to know what to add to our library cart just to get us started into this, can you share books that you recommend, both yours and others that you think would be good additions?   Courtney Sanford: (25:05 - 26:19) Oh, that's a good question. Yes, there are. I love to think about the biographies of artists.   And if so, if you're studying ancient history, you could look up a biography on Giotto. And they're still tell the stories in such a nice, kid friendly way. Like there's the story of Giotto.   He was actually watching the sheep. And while he was out in the fields, he would draw on the sides of rocks like big rocks. But you get another rock and you would draw on the sides of rocks.   And another artist was walking through one day and he saw these drawings on the rocks. He was like, wow, you're really talented. Come with me.   I'll make you an apprentice. And those stories are just they're fun to read together and hear those kinds of stories. And of course, the Usborne books of art are beautiful and they often have projects for the kids to do.   I can't think of any specific ones, but I do love a short paperback on the particular artists. And so, I kind of line those up along with the period in history that we're studying.   Laura Dugger: (26:20 - 26:32) That's great. And even you're making me think of picture book biographies on artists. We've always enjoyed those as well.   Obviously, the illustrations are fantastic, too, but the storylines are so interesting.   Courtney Sanford: (26:33 - 27:23) Yes. So, I just grab whatever they have. I had a big laundry basket.   And and I know card and I just grab whatever I could find and sometimes let the kids choose. And sometimes I would choose. If you're going with geography, you can find beautiful photos of the different areas.   See the landscapes or the sunsets. And that can through photography. And you can really get to know a place through beautiful photographs.   I like that part, too. And then that might inspire a pastel drawing of a landscape. Maybe it's a beautiful sunset you could recreate with pastels.   So, photography books are really inspirational, too.   Laura Dugger: (27:23 - 28:10) It's a great idea. And circling back, you had mentioned Andrew Pudewa earlier in our conversation. And I remember learning from him that with writing, the worst way we can teach our children is to say just free write, just write something down or here's a prompt to finish this sentence because better writing comes through imitating.   And so, you've even mentioned tracing is a great way to start. That's not cheating in art if you're not stealing credit from them. But if you're just practicing and tracing, this is a way to imitate.   And so, I'm wondering, do you have any other cautions for ways that may be the wrong way to introduce our kids to art?   Courtney Sanford: (28:11 - 30:50) I agree that. Yeah, you can get writer's block. What I find funny is that some people are so afraid to imitate artists.   But if I were teaching piano, I would teach your kid how to play something by Bach in which he would learn what Bach did. And nobody would say I'm stealing from Bach. You know, and you learn to play Beethoven by playing Beethoven and you you learn to reproduce those pieces of music.   I do the same thing in art. We look at what the masters did and we'll copy it in order to learn what they knew. And that way we build.   We're like standing on the shoulders of giants. So, we don't want every kid to have to start with inventing the wheel themselves. We'd never get very far.   We want to learn what the masters knew and then build on that. So, I do a lot of imitation. And then as the students ready, I let them know you are free to change this or to experiment with it.   So just last week we were drawing and painting red poppies and learning about Georgia O'Keeffe. And so, I said we can do an imitation of her poppy. And I'll show you step by step how to reproduce her poppy.   And in doing that, we're going to cause us to look more closely at it and study her blends. Like she would blend from yellow to orange to red in every petal. And we can study that technique.   And then as we do it and we practice it, we look more closely at hers and it kind of becomes a part of us. And then we'll find another flower and we'll use that same technique on a flower that we choose. Or maybe it's a flower we make up and we take that technique and we can apply it.   And it's a much better way to learn than trying to learn it yourself without looking at what the masters did. So, I think that I think I pulled a lot of that from Andrew Pudewa. The idea of I'm going to assist you until you say I got this.   I can do it from here. So, I do assist until they get it. And then I always say whenever you're ready, as soon as you're ready, change it and make it your own or do your own thing.   And because turning them loose too soon can break their confidence. So, you want to build them up until they can confidently experiment on their own.   Laura Dugger: (30:51 - 32:34) Let's take a quick break to hear a message from our sponsor. I'm so excited to share today's sponsor, WinShape Marriage, with you. WinShape Marriage is a fantastic ministry that helps couples prepare, strengthen, and if needed, even save their marriage.   WinShape Marriage is grounded on the belief that the strongest marriages are the ones that are nurtured, even if it seems like things are going smoothly. That way they'll be stronger if they do hit a bump along their marital journey. Through their weekend retreats, WinShape Marriage invites couples to enjoy time away to simply focus on each other.   These weekend retreats are hosted within the beautiful refuge of WinShape Retreat, perched in the mountains of Rome, Georgia, which is just a short drive from Atlanta, Birmingham, and Chattanooga. While you and your spouse are there, you'll be well-fed, well-nurtured, and well-cared for. During your time away in this beautiful place, you and your spouse will learn from expert speakers and explore topics related to intimacy, overcoming challenges, improving communication, and so much more.   I've stayed on site at WinShape before, and I can attest to their generosity, food, and content. You will be so grateful you went. To find an experience that's right for you and your spouse, head to their website, WinShapeMarriage.org.  That's W-I-N-S-H-A-P-E Marriage.org. Thanks for your sponsorship.    Well, and as parents, once we're past the resistance to maybe invest some of our time or our money or allow the mess into our home, but if we push past through that and we're ready to get started, I'd love to go over some practical tips.   So, Courtney, first, just what are some great art supplies to have on hand?   Courtney Sanford: (32:36 - 37:13) A number two pencil and some Crayola markers you probably already have. Those are great tools. I like to have my kids work in an art journal, and you can get these real inexpensive at Michael's.   It'll say on the cover, mixed media art Journal, and they come in different sizes. I kind of like the big ones, and that will allow you to use paint, pencil, and marker or anything you want. If it says sketchbook, it's not going to hold up to paint very well.   So that's why I get the mixed media paper. So, I start with the art journal, and then I like to make that journal be their book on a subject. So right now, I'm doing ancient history with some kids, and so they are making their own book about ancient history.   So, every week we'll do a drawing or a painting or watercolor on a lesson in ancient history. And so, each piece is not a masterpiece to hang on the wall. Each piece is a part of the story in their book.   That takes all the pressure off. So, they don't see this as, I don't know if this is going to be good enough to hang on the wall. That's not even a question.   It's a part of the story in your book. They can also take some notes. They can show their grandparents and review the topic by presenting it to their grandparents and showing off their book.   And then you can collect their books and put them on a shelf. It's not all over the house making you crazy. And then you can see from year to year how their skills have improved.   So, I kind of like every year I like pick a topic to be the subject of our art journal. So, I call it arts integrated learning. So, I'm pairing an academic subject with art for that year.   So, it could be poetry. It could be history. It could be science.   Whatever you pick. That's what you'll add to your art journal with.   Pencils. I like blending tools too. There are some people call them stompies.   For those of you who are watching. Here's one. It's just rolled up newspaper, but you can buy these at Michael's.   They're really cheap. But it takes a drawing to the next level. You can just blend things out and shade things really lovely.   Mark Kistler does some videos and teaches you how to. He'll go shade, shade, shade. And so that's a good way to start.   And it really elevates a drawing and it gives them a lot of confidence. And then of course the good eraser. The book drawing with children is a really good one for our parents to read and then teach from in that book.   They suggest you have them draw with markers so that they don't spend an hour erasing. If you have someone who's a perfectionist, they will make one mark and spend 20 minutes erasing it. And so, if you go right to drawing with markers, that's gonna teach them to make a good mark first and then keep going and not spend half an hour erasing.   When I get to age nine or 10, I like to use acrylic paints, but I only buy four colors of paint and then I make them mix all the other colors. So, we use yellow, magenta, blue, and white. Those are like the colors in your printer.   Cyan, magenta, and yellow are the ones in your printer. And those colors can make all the other colors. Now your printer has black, but I don't give kids black.   Instead of black, they could make purple or brown or dark color. So, you know, you teach them how to mix the colors that they want. They'll learn to mix it because they want green or they want purple, or they want brown.   And then they develop a sense of color theory, and you don't even have to teach it. They'll figure it out because they want those colors. If they find, if, if you don't feel confident in that, you can buy craft colors of the specific colors, especially brown.   That's a hard one to mix. But I do like the coverage of acrylic paints. I like watercolors too.   That's a little bit easier to get into. You just take it slow and practice a lot. So that's really all you need.   It's pretty simple.   Laura Dugger: (37:14 - 37:27) Well, and I'm wondering too, even with the acrylic paint at that age, once they're older, that one, I'm assuming can stain. So are there any tips that you have for containing the mess?   Courtney Sanford: (37:28 - 38:32) Yes, I get, and they're a little bit hard to find. So go to Amazon and find a, a tablecloth that is plastic on one side and felt on the other side. I forget what you call it, but there'll be like picnic tables, tablecloths.   And the plastic ones are going to drive you crazy because they're too thin. So, if it's flannel backed, it's a little bit thicker. So I get a white one at the beginning of the year.   And that comes out anytime we do clay or paint, and it goes over the kitchen table and I don't worry about cleaning it. You just let it dry, fold it up. And I put mine in the China cabinet right there by the table.   And then anytime we do something messy, that tablecloth comes out and, and then just fold the mess back up in it. And it works, it works really great to, and then you might, if you're, if you're a neat freak, maybe plan on buying one at the beginning of every school year so that you get clean slates. And then the paint that gets onto the tablecloth is actually lovely and it'll be pretty next time you get it out.   Laura Dugger: (38:33 - 39:11) Oh, I love that. That's a genius tip. I appreciate that for coming indoors because in the summer, I guess we could take it outside depending on where we live.   But then what about any hacks for finding the time to do this? And I guess I'm thinking back to a previous episode with Beth Rosenbleeth. She's the one who started Days with Grey and she would talk about different art prompts that she would set out for her children in the morning for a variety of ages.   But were there any things that kind of required minimal time from you, but had maximum return for your kids?   Courtney Sanford: (39:11 - 41:06) Yeah, that's a good point. I had, I wouldn't say I had a strict schedule, but I had a pattern to my days. And the time after lunch was a good time to do messy things in the kitchen because we were in the kitchen anyway.   And as I could clean up lunch and start dinner, I could be in the kitchen with them and they could be creative at the kitchen table with minimum involvement from me. One of my best afternoons was we had the microscopes out to do something specific and I left it out as I was cooking chili. And as I cut up each ingredient, I would cut a thin slice for them to look at under the microscope.   And so they were looking at a bell pepper and a red pepper and celery and tomato. And they were so, they so enjoyed that and I was able to cook dinner at the same time, which was fabulous. And that turned, it was probably like a 15-minute science lesson into like four hours of discovering things under the microscope.   So that element of play and you can do that with your art supplies too. Like I'll demonstrate a technique and then leave it out. I'll turn my attention to cooking dinner while they see what else they can do with it.   And, um, you know, I'll give them a few tips. Like, um, if you mix these three colors together, you're going to make brown and then turn your back and let them discover it for themselves. So, um, I'm a big crock pot person.   And so after lunch would be the time I need to clean up lunch and put something in the crock pot. So that would be a good time for me to get them started on art or science and, um, and then turn my back and let them have that, um, that discovery time without me hovering or telling them what to do or something.   Laura Dugger: (41:06 - 41:22) Oh, that's a great rhythm. I love these ideas. And then I kind of want to go in chunks of age.   So, thinking of little kids, how would you define the difference between a piece of art and a craft?   Courtney Sanford: (41:23 - 43:41) Yeah, a craft is going to be something where the focus is on following directions and that's important. They need to learn how to follow directions. And so we would do, especially around the holidays, I might do a craft and we all follow directions.   Um, a piece of art is going to be where they're, they all come out different. They're allowed to play and express themselves. Um, for me personally, if I'm doing a craft when I'm done, I think, oh, I could make 50 of these and sell them.   If it's an art, when I'm done with a piece of art, like one of these paintings behind me, when I'm done with that, I'm thinking I could never do that again. That took so much out of me. I'm exhausted.   A little piece of my soul is in that that's art. That's the difference. Um, so I don't sell my paintings because there's a little piece of my soul in, um, my husband makes fun of me for that.   He's like, you could just sell your paintings. They're like, what? They're, they're like my babies.   I can't, I can't part with them. It took so much out of me to create them. Um, but a craft, yeah, I'll just give away things that are, that I just followed directions for, um, in terms of kids, younger kids will enjoy crafts, but getting to high school, they recognize it as slave labor and they don't want to do that.   They are in what the classical education people call the, the, um, poetic stage, you know, they want to express themselves and they want to be unique. I think this is why they get tattoos. The tattoo is a way of saying this is who I am.   This is what it means to me. I'm unique. Um, so I think if we don't teach them to express themselves in art, they're going to get tattoos.   So that might encourage moms to, to give them the skills so that they can express themselves. You know, they need to be able to write poetry or write songs or paint a painting or do a drawing. There's that need inside of us to do that that God put in us.   And if they don't have an outlet, then they're going to find something like tattoos or something that we don't want them to be doing. Yeah. I mean, some of my kids are tattooed.   It's not bad.   Laura Dugger: (43:42 - 44:25) Well, and you've kind of answered a follow-up question I had because we talked about little kids, but I'm thinking of teens. So going back, my background is in marriage and family therapy, and we would encourage everyone that journaling is a free form of therapy. But I think of art as the same way.   And there's even studies that show when you're engaged in something artistic, the critical side of your brain goes offline. So you can't think negative thoughts while you're creating something new, but with teens, there's that added benefit of getting to express themselves. So is there anything else with art that you see as basically free therapy for adolescents?   Courtney Sanford: (44:26 - 46:54) Oh, sure. I do see it a lot. I experienced it because I started my business because of the shutdown and because I was teaching in person and then I had to switch to online teaching.   And so, the group that I had moved online and I figured out how to do it and got a little bit better at it. And then that summer I offered a class for adults. These were directors and I was in classical conversations at the time.   And so a whole bunch of teachers are expected to teach Western cultural history without a lot of background. And so some of the moms asked me if I would do my art class for them. And so I had about a group of like 50 adults and we would get on for an hour and a half every day.   And this was at the height of the shutdown when turning on the news, just stresses you out. Going to the grocery store was stressful because people were in masks or they weren't in masks or, you know, we didn't know anything. It was such a stressful time, but that hour and a half that we had together, we, our focus was on discovering a piece of art.   So, we were looking at beautiful things and then we were creating something and that changed our focus from what was going on in the world. And we would just relax, and we'd enjoy it. Having the live class kept our focus on it.   And when I don't have a live class in front of me, I'll be like, oh, I should put the laundry in or I should start dinner and I get distracted. But with that, you know, with other people on zoom, it keeps me focused. And so, we'd have this wonderful hour and a half vacation from the world.   And after it was over, I would just have this sense of peace. And then I'd come down and be like, oh yeah, that's still going on. And it was, it was so good for our mental health.   And, and I get, I hear moms tell me that the hour and a half once a week they spend with me doing art has been such a blessing. Like one student lost her father a year ago and this is helping her. She said she's finally coming out of her depression and she's finding a way to express herself and find beauty again.   And it's, it's been transformative for some students. So, it is a blessing. And I didn't, I didn't read that somewhere.   That's just from my experience. So, I'm a big believer in that.   Laura Dugger: (46:54 - 47:51) I can see why I think you're bringing up two points. I don't want to miss both with art therapy and then also art in community. So art and community first, I think for all of us at any age, what can we do as this is airing probably when everybody's getting out for summertime, how can we gather others alongside of us for whether it's our kids or us as peers to get to engage in these activities together.   And so, I want to follow up with you on that, but also before I lose my thought, I also want to link back to Karen Pence's episode. She had started art therapy for veterans, I believe, and just incredible. The healing that is possible through this.   So, do you have any thoughts Courtney on ways that we can this summer gather together community at different ages and do something artistic?   Courtney Sanford: (47:51 - 52:15) That is a good question. So, we have, I have found the online classes are the easiest for people to get to. And it's I get people ask if we can do it in person, but honestly it's hard to get people out or they're busy.   They're doing things in summer. So, we do offer a class online in the summer that's live. We have recorded classes that you could do alone or get a few people together and, do them together.   I have some sampler packs too. So, some of them are just three lessons. You could get some friends together and find, maybe you could find three, three times during the summer to do.   I have like a Vango sampler pack and a couple of short ones that you could just pay for the video and do with your friends or maybe a mother daughter event. Maybe you do the self-paced class with your daughter. And I've had some seniors, like seniors in high school, do a mother daughter class together and just say, this is such a good time for us to spend a little bit of time together, a little bonus time before they go off to college.   During the school year, we have, I have a watercolor artist friends. She lives near me and she's a professional watercolor artist and she does the class called Bible journaling. And that is a beautiful combination of a devotion and a watercolor time together.   Those are hour and a half classes too. And they meet once a week. And we sometimes we'll have grandmas, we'll have high school students, we'll have mother daughter pairs do it together.   And they actually have a little prayer time, a little study of scripture. And then then Kate teaches them step-by-step how to do a beautiful watercolor and incorporate some hand lettering in it. So that's just a beautiful fun time together.   So I highly recommend her class during the school year. If, if a mom could get away, or if you have a high school daughter to do it together, that is a great experience. And then I have a short version of art history that you could do with friends or your high school daughter.   It's called paint your way through marvelous to behold, which is just 12 lessons that goes through. And that's a variety of drawing and painting. If you wanted to do something like that.   So, lots of things, or you can check out the books. And if you feel confident following step-by-step instructions in a book, you could use the book or a combination of videos and books. If you're feeling kind of like you could lead a art group, you could get the cell page video, watch the video and then do, you know, exactly what I said, do that live with a group.   And if you have any art experience doing that, you could get, probably get, I would like invite all the homeschool moms in your co-op group to get together. And I do some, sometimes I'll go to do a mom's group, do a watercolor or I love to do the milkmaid with moms because the milkmaid is this beautiful painting from the Dutch masters of a woman cooking. She's just pouring milk.   I think she's making bread pudding and it's just so beautiful. It's like, what I think I look like homeschooling. I'm wearing like a long gold gown and those suns coming in and everything's perfect.   I'm like, this is the ideal. This is what I think homeschooling is going to look like. And then I kind of use that painting as a launch pad for painting Delft tiles from the period.   And so sometimes I'll, I'll do that with some homeschool moms because I like to encourage homeschool moms. I know it's hard. And I had some mentors when I was homeschooling that I really appreciated.   So, I'm always happy to, to be the support and be able to say it's worth it. Keep going. I know you're driving a crappy car, but it will be worth it.   And so, the sacrifices you make now totally pay off. And you know, before I know it, my son is going to be homeschooling his daughter. She's seven months now, but it's going to fly by, you know, she'll be four before you know it.   And I'll be teaching her how to paint. I suppose.   Laura Dugger: (52:16 - 53:13) When was the first time you listened to an episode of The Savvy Sauce? How did you hear about our podcast? Did a friend share it with you?   Will you be willing to be that friend now and text five other friends or post on your socials, anything about The Savvy Sauce that you love? If you share your favorite episodes, that is how we continue to expand our reach and get the good news of Jesus Christ in more ears across the world. So, we need your help.   Another way to help us grow is to leave a five-star review on Apple podcasts. Each of these suggestions will cost you less than a minute, but it will be a great benefit to us. Thank you so much for being willing to be generous with your time and share. We appreciate you.    I don't want to miss what website to direct everyone to. If they want to sign up for one of these classes, where's the best place to follow up?   Courtney Sanford: (53:14 - 54:27) Go to delightfulartco.com and on that page, you'll see live classes, self-paced classes, summer retreats. I've done adult retreats before. I'd be open to doing it again if people want to.   So, I have, I would call it private retreats. So, if you want to get a group of women together, maybe somebody has a beach house, I'll come and do the art. It could be a one day, two day, or three-day event.   So that's an option. And we have self-paced classes. So, lots of things to look at.   I have a lot of sample classes on the website too. If you want to drop in and see what they're like. I think there's a how to paint Monet's water lilies is on the site.   You can watch that and see what it's like. Some people are afraid to try an online art class, but we all loved Bob Ross, and we watched him. So, if you can imagine saying, Bob, stop, could you do that again?   That's what my classes are like, and I'll be happy to stop and show you again. And then you can hold up your work at the end and I can give you some feedback. So, I'm like the new Bob Ross.   Laura Dugger: (54:27 - 54:46) There you go. That's wonderful. Thank you for sharing that.   And Courtney, I just have a couple more questions for you. If let's turn it back to parenting. If we want to get started today and we just want next step to get started.   What is an art prompt that we can still try today?   Courtney Sanford: (54:47 - 57:26) I would look at what you're, what, what are you teaching your kids? So, if you're teaching them, maybe you have a library book on the coffee table that you're studying biology. Pull out one thing from that and draw what you see and reproduce that.   Just one drawing a week. And before you know it, you'll have a whole biology book. So, I like to instead of saying parents, you have to add on another course.   You have to add art to everything else you're doing. Slide it into what you're already doing and it will enhance what they remember about that. And it's not like a whole other subject.   So just use art as a tool to help them remember what you want them to learn anyway. So, anything you want them to teach, if you have a photo or a drawing, have them trace it or draw it. I actually another good way to start is if you have little kids and Bible story time, let them draw what you're reading about.   My son loved to do stick figures. So, I have the whole Bible told in stick figures from when I'm from my youngest kid. And it is fabulous, especially like Sodom and Gomorrah.   And, you know, there's a lot of violent stuff. Boys love that stuff. So, he illustrated a lot of the Old Testament because I read it every morning, and he would just draw what he heard me.   I think I was using the Children's Illustrated Bible. So, he had some things to look at. That's another great way to get started.   Just let them look at the story and draw in their own art journal. So, there's so many fun ways you can use it in every subject. I had a mom tell me she read me an email.   She said, my daughter is just blooming in your classes. I wish every subject could be taught with an art journal and a paint palette. And I replied, we're working on it.   We're we've got we've got Latin and art, science and art, literature and art. There's just so many ways to find inspiration and what you're already studying and find the beauty in that subject. So, in our site, our art and biology course, students do a beautiful watercolor of the DNA strand.   And they draw the cell in watercolor. And it's just beautiful. And it helps them remember it and practices their art skills.   So, it's like a two for one. Think of it as a two for one. Take art and put it in another subject.   Laura Dugger: (57:26 - 57:46) I love win wins. That sounds amazing. And Courtney, I just have one final question for you today.   We are called The Savvy Sauce because savvy is synonymous with practical knowledge or insight. And so is my final question for you today. What is your savvy sauce?   Courtney Sanford: (57:47 - 58:15) The beauty, in beauty out, has been kind of my savvy sauce and also as unto the Lord. So, whatever I do, I do as unto the Lord. If I'm homeschooling, I'm teaching biology.   I'm going to do as unto the Lord. I'm not going to hand out a worksheet. I'm going to make it.   I'm going to make it a great experience. So, I would have to say whatever you do, do it wholeheartedly as unto the Lord and not for men.   Laura Dugger: (58:16 - 58:36) What a great place to end. Courtney, you are so inspiring. You've given us great ideas and kind of confidence to get to put this into practice.   Even if we're not artists like you, we're all created in God's image and therefore can be creative. So, thank you for your time and wisdom today. Thank you so much for being my guest.   Courtney Sanford: (58:37 - 58:40) You are sure welcome. I had a great time. It's good to talk to you.   Laura Dugger: (58:41 - 1:02:25) You as well. One more thing before you go. Have you heard the term gospel before?   It simply means good news. And I want to share the best news with you. But it starts with the bad news.   Every single one of us were born sinners, but Christ desires to rescue us from our sin, which is something we cannot do for ourselves. This means there is absolutely no chance we can make it to heaven on our own. So, for you and for me, it means we deserve death, and we can never pay back the sacrifice we owe to be saved.   We need a savior. But God loved us so much, he made a way for his only son to willingly die in our place as the perfect substitute. This gives us hope of life forever in right relationship with him.   That is good news. Jesus lived the perfect life we could never live and died in our place for our sin. This was God's plan to make a way to reconcile with us so that God can look at us and see Jesus.   We can be covered and justified through the work Jesus finished if we choose to receive what He has done for us. Romans 10:9 says, “That if you confess with your mouth Jesus is Lord and believe in your heart that God raised him from the dead, you will be saved.” So, would you pray with me now?   Heavenly Father, thank you for sending Jesus to take our place. I pray someone today right now is touched and chooses to turn their life over to you. Will you clearly guide them and help them take their next step in faith to declare you as Lord of their life?   We trust you to work and change lives now for eternity. In Jesus' name we pray. Amen.   If you prayed that prayer, you are declaring him for me, so me for him. You get the opportunity to live your life for him. And at this podcast, we're called The Savvy Sauce for a reason.   We want to give you practical tools to implement the knowledge you have learned. So, you ready to get started? First, tell someone.   Say it out loud. Get a Bible. The first day I made this decision, my parents took me to Barnes & Noble and let me choose my own Bible.   I selected the Quest NIV Bible, and I love it. You can start by reading the book of John. Also, get connected locally, which just means tell someone who's a part of a church in your community that you made a decision to follow Christ.   I'm assuming they will be thrilled to talk with you about further steps, such as going to church and getting connected to other believers to encourage you. We want to celebrate with you too, so feel free to leave a comment for us here if you did make a decision to follow Christ. We also have show notes included where you can read scripture that describes this process.   And finally, be encouraged. Luke 15:10 says, “In the same way I tell you, there is rejoicing in the presence of the angels of God over one sinner who repents.” The heavens are praising with you for your decision today.   And if you've already received this good news, I pray you have someone to share it with. You are loved and I look forward to meeting you here next time.

From watches to undersea lodges to 21st century architecture, we'll step outside the box a bit today to talk exquisite timepieces with  Ben Rousseau, underwater house pioneer Ian Koblick, and architect John Jennifer Marx.  

Today we are replaying an episode with Yiselle Santos Rivera. Yiselle is Director of Justice, Equity, Diversity, & Inclusion at HKS and is also a former AIA|DC Chapter President, co-founder of LA IDEA, and WIELD event founder. She is a natural community builder and has been heavily involved with JEDI initiatives both on a local and national scale for which she has been recognized with numerous awards.We talk about: - Crafting her career path in terms of employers and project types to better align with her interest to design spaces that heal- How Yiselle created communities around her interests and identities and how her leadership elevated others but also opened doors for her- The specifics of her role as JEDI director: how she splits time, her current initiatives, JEDI focused client work, bridging difficult conversations with clients and colleagues, and her tips for those interested in starting a JEDI movement at their own companies- The circular benefits of mentorship and Yiselle's Hogwarts house!More Episodes you Might Enjoy:038: Olivia Asuncion: Architect, Ramp Enthusiast, and Accessibility Advocate022: Gabriella Bermea: Advocate and Arquitecta018: Alexandra Chaves: Women in Architecture and Storytelling with 'Profiles'(Bonus 002) Set Design with Dominique Dawson008: Evelyn Lee: Tech, Transformation, and Disruption within Architecture(Bonus 006): Q&A with Architecture Graduates - Sofia Daly029: Patricia Ramallo: Behind the Scenes at NCARB

In this edition of I Hear Design, host Robert Nieminen delivers a wide-angle view of the current architecture, design, and construction landscape in 2025. Drawing from recent reports and economic indicators—including the AIA Billings Index, Sherwin-Williams' Construction Insights survey, and research from firms like Gensler, Perkins&Will, and Corgan—this episode unpacks the forces reshaping the built environment. We explore the lingering impact of economic uncertainty, new tariffs, and supply chain delays, as well as emerging opportunities in wellness real estate, experience-driven placemaking, and carbon transparency. Plus, you'll learn how new tools like mass timber carbon calculators and healthier materials lists are helping design teams make smarter, more sustainable choices. Topics Covered: What's driving delays and cautious investment in construction and architecture How wellness and experiential design are commanding premium value Why carbon benchmarking and healthier material standards are becoming essential The Gen Z effect on urban design and multifamily development Whether you're navigating tough market conditions or planning your next project with performance and impact in mind, this episode is packed with insights to help you lead with purpose and resilience. Show Notes: Associated Builders & Contractors Monthly Construction Economic Survey Shows Tariff Impacts Emerge AIA Architecture Billings Downward Trajectory Continues Sherwin-Williams Finds 9 in 10 Construction Pros Face Costly Delays Corgan Unveils CO2e Emissions Calculator for Mass Timber The Rise of the Experiential Economy | US – Cushman & Wakefield Uncovering Growth: Wellness Real Estate Across the Market – Gensler Perkins&Will Releases Advanced Guidance on Material Health and Embodied Carbon

627. We interview Kelly Jackson, founder of the Cane River Film Festival. Natchitoches has a long and intimate history with American cinema. The Cane River film festival represents the latest chapter in that history. We are as diverse as the community that we represent. Our mission is to showcase, nurture, and support the emerging creative student and independent filmmakers stories about and or filmed in Louisiana. We want to share their films with an audience, seek opportunities for distribution and celebrate their achievement in telling their story that they want to tell. The Cane River film festival is not just a film festival — it's an experience. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 221 years. Order your copy today! This week in Louisiana history. May 24, 1963. Birthday of great Shreveport basket player Joe Dumars the Former NBA guard and 6-time All-Star who helped the Detroit Pistons win back-to-back NBA Championships in 1989 and 1990. This week in New Orleans history. On May 24, 2013, City Putt, a 36-hole mini golf complex with two courses opened in City Park.  The Louisiana Course highlights cultural themes and cities from around the state. The New Orleans Course showcases streets and iconic themes from around the city, with signs detailing the city's historic sites at each hole. This week in Louisiana. El Camino Real de los Tejas National Historic Trail TX, LA Trail sites are located across 2,580 miles and 5 states (in the U.S.) and thousands of miles in Mexico. The trail runs from the city of Lafayette to the town of Natchitoches. The trail travels west from there into Texas. It splits into two trails while in the state of Louisiana, and joins again at the border with Texas. Website The Trail is administered by the NPS office located at: National Trails Office Regions 6, 7, & 8 El Camino Real de los Tejas National Historic Trail 1100 Old Santa Fe Trail Santa Fe, NM 87505      During the Spanish colonial period in North America, numerous “royal roads” — or caminos reales — tied far-flung regions of the empire to Mexico City. One particular collection of indigenous trails and trade routes became known as El Camino Real de los Tejas, the primary overland route for the Spanish colonization of what is today Texas and northwestern Louisiana. The trail's name is derived not only from its geographic extent but also from some of its original users. Spaniards referred to a prominent group of Caddo Indians as the Tejas, a word derived from the Caddo term for ‘friend' or ‘ally.' Thus, the Spanish province of Tejas, the Mexican state of Coahuila y Tejas, and the historic trail traversing them owe their name to the Caddo language. Postcards from Louisiana. Albany Navarre. Building Blocks for Financial Literacy (ages 6-18). Louisiana Book Festival. Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

The Death of Apprenticeship: Architecture's Urgent Culture ShiftIn this episode of the EntreArchitect Podcast, Carina Mills, Senior Talent Director at RDC and President of AIA California, dives into the urgent culture shift reshaping architecture. She shares her personal journey from technical architect to leadership, emphasizing the fading model of traditional apprenticeship and the critical need for more inclusive, equitable, and supportive work environments. Carina explores how mentorship is evolving to meet the expectations of emerging architects and stresses the importance of open communication and balanced work culture to sustain the profession's future. She also highlights the diversity of firm experiences that have shaped her approach to leadership and practice improvement. This episode offers valuable insights into transforming architectural culture to better support and retain talent while fostering innovation and inclusivity.This week at EntreArchitect Podcast, The Death of Apprenticeship: Architecture's Urgent Culture Shift with Carina Mills.Learn more about Carina and her work at RDC, and connect with her on LinkedIn.Please Visit Our Platform SponsorsArcatemy is Arcat's Continuing Education Program. Listen to Arcat's Detailed podcast and earn HSW credits. As a trusted provider, Arcat ensures you earn AIA CE credits while advancing your expertise and career in architecture. Learn more at Arcat.com/continuing-education.Visit our Platform Sponsors today and thank them for supporting YOU... The EntreArchitect Community of small firm architects.

Décoration, design, création, savoir-faire, ces mots vous parlent ? Alors vous êtes au bon endroit ! Aujourd'hui on va plonger dans un sujet aussi flou que fascinant, mais dont tout le monde parle : l'IA.L'Intelligence Artificielle remplace petit à petit certaines capacités humaines comme comprendre, apprendre, raisonner, créer. Vous l'utilisez peut-être déjà dans vos vies pro ou perso, mais qu'est-ce que l'IA change - et va changer - dans le monde de l'architecture et du design, c'est la grande question.Je n'ai clairement aucune réponse, je dois bien vous avouer que c'est un sujet que je ne maitrise pas du tout et qui m'attire autant qu'il m'effraie ! Mais j'imagine qu'il y a énormément de personnes comme moi donc j'avais envie de creuser et d'y consacrer un épisode pour décortiquer toutes les notions autour de l'IA. L'idée n'est ni de vulgariser, ni d'aller trop loin mais d'explorer le sujet avec Nathalie Rozencwajg, une architecte visionnaire, fondatrice de NAME Architecture, passionnée des enjeux liés à l'IA dans la création. Elle a d'ailleurs crée un podcast sur le sujet « Designing Futures ».Ensemble on parle deCe qu'est l'IA (déjà la base !) et comment elle fonctionneA quel point l'IA nourrit son travailEt comment elle l'utiliseCe que l'IA apporte au monde de l'architecture et du designLa différence entre une IA qui assiste et une IA qui conçoitDes exemples de projets et d'outilsDe la dimension humaine dans ce cadre techDe métiers en danger... ou en devenirDe créativité et de stéréotypesDes opportunités et des forcesDes limites et des dangersD'éthique, de responsabilité et de propriété intellectuelleD'avenir, etc.Alors si vous vous posez des questions sur le sujet, je vous dis à tout de suite !Si ce podcast vous plait n'hésitez pas 

A giant, glassy building in Chicago has upgraded it's windows to make them safer for birds flying on by. Read more about the glass and the birds here  ★ Support this podcast on Patreon ★

As we continue our Universal Architecture series, I want to reiterate a fundamental truth we explored last week—that we are triune beings composed of mind, body, and spirit. This isn't just a spiritual concept; it's reflected in the very fabric of our biology, through our nervous system and fascia. Unfortunately, a great deal of fear and confusion has clouded this understanding, distorting deeper metaphysical truths into a doctrine of fear, creating barriers between us and the Divine.Christianity, as it's widely practiced today, is more accurately Pauline theology than it is the teachings of Yeshua. This speaks volumes about the power of mental conditioning and institutional brainwashing. People are discouraged from listening to their intuition and are instead expected to submit to an external system—one that often uses fear to enforce obedience.When fear dominates, when judgment feels like virtue, when shame masquerades as holiness — those are signs we've strayed from coherence. But the path back is always available. We don't have to perform spiritual gymnastics to be worthy of the breath. We just have to return to the truth already singing inside us. That is our sovereignty. That is our healing. And that is how we reclaim the kingdom within.Join me today as we dive deep into the vibrational frequencies that we have misunderstood to be demons, and how we can realign ourselves with the spirit to regain our spiritual sovereignty. I know you're going to love it! In this episode:[00:38] Welcome back to The Fully Nourished Podcast![02:33] The battle between institutional Christianity and the sovereignty of our own minds. [07:14] Vibrational frequencies as depicted by Jesus in Matthew 12:31-32.[12:30] What is the blasphemy of the spirit? [16:03] When we sever ourselves from the spirit, how does that affect us physically? [21:09] Where does the concept of Good vs. Evil come from, and what is it truly?[24:13] Who is Satan, and what is evil?[27:45] What is the root of demonic powers and entities? [32:07] How did Jesus cast out demons? [33:36] How does trauma and nervous system dysregulation impact the ability of unclean spirits to influence our minds?[35:33] My two favorite miracles of Jesus.[38:32] Naming your trauma is the first step to reclaiming your spiritual sovereignty.Links and Resources:Get more info on Philosophia Society Here:https://www.jessicaashwellness.com/philosophia-societySubmit a Question for our Next Q&A:https://airtable.com/appoicByQy3UFoSXs/shrXwD7wQFJQr68NnSign Up for Sunday Tea Here: https://jessica-ash-wellness.ck.page/04f86a550fDiscount Codes from Our Sponsors:Subluna:https://shopsubluna.com?sca_ref=6575731.SiVwQ6X9YX*Code JESSICAASH for 10% offIG: @shopsubluna*This is an affiliate link. We may receive a commission if you make a purchase after clicking on one of these links.Connect with Jessica:Have Sunday tea with me! Sign-up for my Sunday newsletter where I share what's on my brain from the nutritional to spiritual: https://www.jessicaashwellness.com/email-subscribe. Join the Fully Nourished community! Follow me @jessicaashwellness on Instagram: https://www.instagram.com/jessicaashwellness/

How can architects redefine experience through storytelling and space?This week on Practice Disrupted, Evelyn Lee talks with Kate Aoki, architect, educator, and founding partner of Golden Egg Creative, to explore how designers can blend architecture, storytelling, and community to create immersive, intentional experiences. With a career path that's taken her through fine arts, museum design, architecture firms, and now entrepreneurship, Kate shares what it means to craft spaces not just for use, but for memory, meaning, and delight.Kate opens up about her nonlinear journey, starting with a degree in textile design, before eventually returning to her lifelong goal of becoming an architect. Along the way, she worked in galleries, lived abroad, and built a foundation in public and nonprofit spaces. Her deep love for fine art and interpretive design led her back to the Dallas Museum of Art as Head of Exhibition Design, fulfilling a long-held dream. But after four years, she realized the bureaucracy of nonprofit work wasn't a long-term fit. What came next was a leap into co-founding Golden Egg, a firm focused on designing transformative experiences rooted in cultural storytelling and visitor connection.Evelyn and Kate discuss what it takes to launch a niche practice, how to build authentic partnerships with architects and civic institutions, and why experience design is growing in relevance across sectors. Whether developing mobile exhibits for aerospace education or reimagining museum installations, Kate brings a holistic and thoughtful approach to every detail, from lighting and circulation to the words on the wall.“This felt like putting on a pair of shoes that fit perfectly. It's the kind of work I've always been meant to do - blending fine art, architecture, and storytelling into experiences that connect people to something larger than themselves.” – Kate AokiThe episode concludes with reflections on growth, creative courage, and how designers can prototype career pivots by following their curiosity and leaning into interdisciplinary collaboration.Guest:Kate Aoki, AIA, NOMA, is an architect and founding partner at Golden Egg Creative, a design firm specializing in exhibition and experience design. With a background in fine arts, architecture, and interpretive planning, Kate's work bridges storytelling, culture, and space. She previously served as Head of Exhibition Design at the Dallas Museum of Art and has over a decade of experience working across firms and institutions. Her practice centers on community engagement, accessible design, and building memorable experiences for public audiences.Is This Episode for You?This episode is for you if: ✅ You're a designer interested in museum, exhibition, or experience design ✅ You're navigating a nonlinear or interdisciplinary career path ✅ You want to integrate storytelling and interpretation into your design work ✅ You're thinking about starting a small practice aligned with your valuesWhat have you done to take action lately? Share your reflections with us on social and join the conversation.

In this episode of The New CISO, host Steve Moore speaks with Ben, Director of Group Security and Architecture at Bilfinger, about the role of self-awareness, confidence, and communication in effective cybersecurity leadership.Ben shares his unconventional path to becoming a CISO, how he applies the “done is better than perfect” philosophy, and why embracing vulnerability, curiosity, and creativity is key to building strong teams. From baking sourdough to producing his own podcast, Ben highlights how personal passions can shape professional growth.Key Topics Covered:Why done is better than perfect can be a strength—not a flaw—in cybersecurityThe surprising connection between baking sourdough and fostering security cultureHow Ben's podcast, Infosec Theater, educates non-technical audiences using humor and storytellingThe creative interview question he uses to gauge mindset: “If cybersecurity were an animal, what would it be?”Why hiring for attitude and resilience beats hiring for experience aloneHow podcasting sharpened his ability to listen, simplify, and leadBen also emphasizes the importance of recognizing your own strengths and surrounding yourself with people who balance them out. His perspective offers actionable takeaways for CISOs and security professionals seeking to grow into thoughtful, human-centered leaders.

This week, we are revisiting a conversation between Lightspeed partner Michael Mignano and Arvind Jain, the founder and CEO of Glean about the evolution of AI-assisted enterprise search.Arvind shares what insights helped to start Glean's journey in 2019, how the company leveraged transformer-based models early on, and how Glean developed the market for this product. They also talk about competition, the technical aspects of integrating Glean across SaaS platforms, and the monumental impact of ChatGPT on the industry. Episode Chapters(00:00) Introduction (01:15) Why Arvind Created Glean to Solve Enterprise Search Problems(03:50) Technical Foundations: Building Glean with Transformers(09:04) Product Market Fit and Early Challenges(12:16) The Impact of ChatGPT and Market Evolution(13:42) Glean's Architecture and Model Integration(17:58) The Future of AI in Enterprises(27:52) Leadership, Competition, and Company Culture(35:48) Reflections and Lessons from Rubrik to Glean(41:15) Lightning Round and Closing RemarksStay in touch:www.lsvp.comX: https://twitter.com/lightspeedvpLinkedIn: https://www.linkedin.com/company/lightspeed-venture-partners/Instagram: https://www.instagram.com/lightspeedventurepartners/Subscribe on your favorite podcast app: generativenow.coEmail: generativenow@lsvp.comThe content here does not constitute tax, legal, business or investment advice or an offer to provide such advice, should not be construed as advocating the purchase or sale of any security or investment or a recommendation of any company, and is not an offer, or solicitation of an offer, for the purchase or sale of any security or investment product. For more details please see lsvp.com/legal.

Dan's  first of two tales covers the lore and supposed paranormal encounters associated with Dublin, Ireland's St. Michan's Church and the dead bodies that reside in the crypts beneath it.  Then, we'll venture over Lake Pleasant, New York, and learn about some rumored murders associated with one of the town's founding fathers and the hauntings associated with those deaths. Lynze offers us three different tales this week. Her first is sad and sweet, a tale of a life taken to soon but possibly still here. Then, how strange would it be if strangers outside of your apartment could see a ghost in your home but you couldn't? Lastly, does watching horror flicks at home make you, your family and your personal space more susceptible to spirits moving in with you? What a crazy idea! Scared To Death Merch:Celebrate 300 episodes of Scared to Death with the killer new '300 Rituals' collection. A fun Midsommer inspired design, featuring a ceremonial ritual site adorned with flowers and bones, marking 300 horror packed episodes of your favorite spoopy podcast. Design available in a tee, mug, and collectable spring tote bag.  Also available now is the Redcap tee featuring the Scottish gnome from episode 289. A really cool 70s illustration style of a darkly curious little guy peeking over the letters STDP LIVE EXPERIENCES If you'd like to see us perform live this year, visit badmagicproductions.com for our annual summer camp or crimewaveatsea.com/scared for a spoopy cruise this fall! Thank you for continuing to send in your stories, Creeps and Peepers!Please keep doing so!!Send them to mystory@scaredtodeathpodcast.comSend everything else to info@scaredtodeathpodcast.comWant to be a Patron? Get episodes AD-FREE, listen and watch before they are released to anyone else, bonus episodes, a 20% merch discount, additional content, and more! Learn more by visiting: https://www.patreon.com/scaredtodeathpodcast.Please rate, review, and subscribe anywhere you listen.Thank you for listening!Follow the show on social media: @scaredtodeathpodcast on Facebook and IG and TTWebsite: https://www.badmagicproductions.com/Facebook: https://www.facebook.com/scaredtodeathpodcastInstagram: https://bit.ly/2miPLf5Mailing Address:Scared to Deathc/o Timesuck PodcastPO Box 3891Coeur d'Alene, ID 83816Opening Sumerian protection spell (adapted):"Whether thou art a ghost that hath come from the earth, or a phantom of night that hath no home… or one that lieth dead in the desert… or a ghost unburied… or a demon or a ghoul… Whatever thou be until thou art removed… thou shalt find here no water to drink… Thou shalt not stretch forth thy hand to our own… Into our house enter thou not. Through our fence, breakthrough thou not… we are protected though we may be frightened. Our life you may not steal, though we may feel SCARED TO DEATH."

Live from the Denver Botanic Gardens at the inaugural Alan Golin GaSS lecture series presented by the Denver Architecture Foundation...Ron Radziner partner of Marmol-Radziner joins Adam Wagoner in this engaging episode of the ARCHITECT-ING to discuss the evolution of architecture, firm dynamics, and urban activism. Ron shares some of his early career challenges, his exploration of prefab architecture, and the intersection of innovative design and community impact. Plus Ron opens up about his cultural activism through the Heavy Trash project, and the influence of figures like Alan Golin Gas and Clyfford Still.Watch this episode on YouTube & please subscribe!Listen on Apple Podcasts | Spotify | Amazon Music | Pandora or wherever you get podcasts!Check out Adam's architecture firm, High Low Buffalo!This podcast is powered by The Plug Podcast Agency See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rosa Whiteley is a designer, writer and researcher, who trained as an architect at Manchester School of Architecture and the Royal College of Art. Subsequently, she has worked within Cooking Sections, the Turner Prize nominated design and art collective, as a project manager and lead researcher and, since 2021, she has been the director of Material Research for CLIMAVORE CIC, which is a long-term, site-responsive project, exploring how to eat as humans change climates.As part of her practice, she has been working on the islands of Skye and Raasay in the Inner Hebrides of Scotland, to develop building materials from waste seashells. In this episode she discusses: how CLIMAVORE promotes alternative ways of eating and living; issues around salmon fishing; the creation of a ‘multi-species intertidal table' (and what exactly that might be); encouraging local restaurants to stop serving salmon and use bivalves instead; how that created a surfeit of shells; using the shells to create lime mortar and making tiles; worries around the circular economy; training as an architect but not wanting to build; and the politics of air and atmospheres.Support the show

With over 1 billion users worldwide and 67 million company profiles listed, LinkedIn remains an important platform for marketing, recruiting, and brand building. In Episode 70 of The Shortlist, Wendy Simmons is joined by Middle of Sixers Melissa Richey and Grace Takehara to discuss strategies for using LinkedIn on both individual and company levels—from keeping up with industry happenings, and sharing thought leadership, to selection committee research, and team recruiting. They also dive into lesser-used LinkedIn tools, like creating a QR code for quick connections, using the name pronunciation feature, featuring posts for visibility, and personalizing your URL. Whether you're newer to LinkedIn or looking to maximize social media ROI, this episode is full of practical tips to help you maximize your presence on the platform.CPSM CEU Credits: 0.5 | Domain: 5

In this week's episode of then & now, we present a recording of a recent panel discussion focusing on L.A. wildfires past, present, and future. This program is part of the “Why History Matters” series presented by the UCLA Meyer and Renee Luskin Department of History—a series dedicated to the belief that historical knowledge is an indispensable, and often missing, ingredient in public debate.”Why History Matters: L.A. Wildfires Past, Present, and Future,” brought experts together to explore how historical and indigenous perspectives can reshape our understanding of wildfires, especially in light of the devastating Los Angeles County fires in January 2025. The discussion, anchored in the Fowler Museum at UCLA's “Fire Kinship: Southern California Native Ecology and Art” exhibition, interrogates prevailing narratives that frame fire solely as a destructive force, instead foregrounding indigenous epistemologies that recognize fire as a vital ecological process and a generational resource. Professors Hitoshi Abe, Gerald Clarke, Jr., and Char Miller distinguish three primary drivers of contemporary wildfire crises: climate change, fire suppression policies, and patterns of urban expansion into fire-prone landscapes. To more effectively mitigate and adapt to the escalating risks posed by wildfires, these panelists discuss ways to integrate traditional ecological knowledge with contemporary land management and urban policy.Moderator:Stephen Aron is the Calvin and Marilyn Gross Director and President of the Autry Museum of the American West. A specialist in the history of frontiers, borderlands, and the American West, Dr. Aron holds degrees from Amherst College (B.A.) and the University of California, Berkeley (M.A., Ph.D.).Panelists:Hitoshi Abe is a Professor in the Department of Architecture and Urban Design at the University of California, Los Angeles. Professor Abe is currently the director of Paul I. and Hisako Terasaki Center for Japanese Studies and holds the Terasaki Chair for contemporary Japanese study. In 2017, he established xLAB, an international think tank initiative that examines architecture's elastic boundaries and considers new possibilities through interdisciplinary collaboration in the study of the future built environment.Gerald Clarke Jr. is a Professor in the Department of Ethnic Studies and Special Advisor to the Chancellor on Native American Relations at the University of California, Riverside. He is an enrolled member of the Cahuilla Band of Indians and lives on the Cahuilla Indian Reservation. Gerald oversees the Clarke family cattle ranch and remains heavily involved in Cahuilla culture. Char Miller is the W.M. Keck Professor of Environmental Analysis and History at Pomona College. His teaching and research reflect his fascination with all things environmental. Classes on U.S. environmental history, water in the U.S. West, and public lands management, like those on urbanization and the interplay between the natural and built landscapes, have deeply informed his writing.

In this conversation, John Harcar interviews Larisa Kocsis about her journey from architecture to home staging, emphasizing the importance of staging as a marketing tool in real estate. Larisa shares her background, the challenges she faced in starting her business, and how she built her client base through networking. She discusses the influence of her architectural training on her staging work, the impact of virtual staging on the industry, and her approach to designing spaces for different demographics. The conversation concludes with insights on selling staged furniture and the importance of creativity in her work. Professional Real Estate Investors - How we can help you: Investor Fuel Mastermind:  Learn more about the Investor Fuel Mastermind, including 100% deal financing, massive discounts from vendors and sponsors you're already using, our world class community of over 150 members, and SO much more here: http://www.investorfuel.com/apply   Investor Machine Marketing Partnership:  Are you looking for consistent, high quality lead generation? Investor Machine is America's #1 lead generation service professional investors. Investor Machine provides true ‘white glove' support to help you build the perfect marketing plan, then we'll execute it for you…talking and working together on an ongoing basis to help you hit YOUR goals! Learn more here: http://www.investormachine.com   Coaching with Mike Hambright:  Interested in 1 on 1 coaching with Mike Hambright? Mike coaches entrepreneurs looking to level up, build coaching or service based businesses (Mike runs multiple 7 and 8 figure a year businesses), building a coaching program and more. Learn more here: https://investorfuel.com/coachingwithmike   Attend a Vacation/Mastermind Retreat with Mike Hambright: Interested in joining a “mini-mastermind” with Mike and his private clients on an upcoming “Retreat”, either at locations like Cabo San Lucas, Napa, Park City ski trip, Yellowstone, or even at Mike's East Texas “Big H Ranch”? Learn more here: http://www.investorfuel.com/retreat   Property Insurance: Join the largest and most investor friendly property insurance provider in 2 minutes. Free to join, and insure all your flips and rentals within minutes! There is NO easier insurance provider on the planet (turn insurance on or off in 1 minute without talking to anyone!), and there's no 15-30% agent mark up through this platform!  Register here: https://myinvestorinsurance.com/   New Real Estate Investors - How we can work together: Investor Fuel Club (Coaching and Deal Partner Community): Looking to kickstart your real estate investing career? Join our one of a kind Coaching Community, Investor Fuel Club, where you'll get trained by some of the best real estate investors in America, and partner with them on deals! You don't need $ for deals…we'll partner with you and hold your hand along the way! Learn More here: http://www.investorfuel.com/club   —--------------------

In this episode of the Passive House Podcast Architect Nat Madson and structural engineer Lauren Piepho of HGA join us to talk about Barry Mills Hall and the John and Lile Gibbons Center for Arctic Studies—Bowdoin College's first mass timber buildings and the first of their kind in Maine. They share the story behind the design and construction, from early ideas sparked by the college's pine-filled campus and carbon neutrality goals, to navigating mass timber systems, embodied carbon, and the buildings' architectural dialogue with campus history.Barry Mills Hall and the John and Lile Gibbons Center for Arctic Studies: https://hga.com/projects/bowdoin-college-barry-mills-hall-and-center-for-arctic-studies/Bowdoin College's case study of the project: https://www.bowdoin.edu/news/2020/pdf/furthering-mass-timber-construction---hga---consigli---bowdoin-college-22.pdfThank you for listening to the Passive House Podcast! To learn more about Passive House and to stay abreast of our latest programming, visit passivehouseaccelerator.com. And please join us at one of our Passive House Accelerator LIVE! zoom gatherings on Wednesdays.

The Unfrozen crew hit the 19th Venice Architecture Biennale with all the furious energy our 100th episode deserved. A rollicking roundup of robots, pans, picks, porches and pavilions, with special guest interviews: Michele Champagne, Kate Wagner, Marisa Moran Jahn, Bekim Ramku, Rafi Segal, Jeanne Gang, and Mark Cavagnero. And finally, while Rome picked a pontiff, we had our own mini-conclave in Venice and humbly offered up our picks for the 20th Biennale curator. Join us for this extra special centenary episode.--Intro/Outro: “Bounder of Adventure,” by The Cooper Vane--Discussed:-      Olly Wainwright: Can robots make the perfect Aperol spritz? – Venice Architecture Biennale 2025 review | Architecture | The Guardian-         Rowan Moore: Venice Architecture Biennale review: ‘a hot mess of pretension' | The Observer-         The New York Architecture Review crew: Nicolas, Chloe and Sammy-         International Exhibition in the Arsenaleo  Robots, hemp, bio-concrete, 8-point font with AI-assisted summarieso  Kate Crawford and Vladan Joier's megascale text: Calculating Empireso   Bjarke Ingels Group's entry: Ancient Future, with Bhutanese carvers paced by an ABB roboto  Christopher Hawthorne's Speaker's Cornero  Shades of Rem Koolhaas' 2014 Fundamentals edition-         Kate Wagner's review:o  Dated techno-optimismo  Cannibalism of architecture by art and exhibition design-         National Pavilions:o  Austria: “Agency for Better Living”o  Canada: “Picoplanktonics” by The Living Room Collectiveo  Denmark: “Build of Site”o  Estonia: “Let Me Warm You”o  Romania: “Human Scale”o  Saudi Arabia: “The Um Slaim School: An Architecture of Connection”o  Slovenia: “Master Builders”o  South Korea: “Little Toad, Little Toad”, but mainly this cato  Spain: “Internalities: Architectures for Territorial Equilibrium”o  UAE: “Pressure Cooker”o  USA: “Porch: An Architecture of Generosity”§  Curators: ·        Peter MacKeith, Fay Jones School of Architecture, University of Arkansas·        Rod Bigelow, Executive Director, Crystal Bridges Museum of Art·        Marlon Blackwell, Marlon Blackwell Architects·        Susan Chin, Design Connects·        Stephen Burks, Man Made§  Shades of the timber-themed 2021 exhibit, but with a twist§  Interview with Mark Cavagnero, Mark Cavagnero Associates, on participation in Porch and his work updating the original 1969 design of the Oakland Museum of California by Kevin Roche and Dan Kiley o  Uzbekistan: A Matter of Radiance-         Interview with collaborators on Art-Tek Tulltorja, conversion of former brick works into a tech hub and community center, Pristina, Kosovo:o  Rafi Segal, Associate Professor, Architecture & Urbanism, MITo  Marisa Moran Jahn, Director, Integrated Design,Parsons School of Designo  Bekim Ramku, OUD+ Architectso  Nol Binakaj, OUD+ Architects-         Interview with Jeanne Gang, amidst a Bio-Blitz powered by the iNaturalist app and featuring a “disco ball for bees”-         Unfrozen's nominations for 2027 Biennale curator:o  Carolyn Whitzman, Senior Housing Researcher, Schoolof Cities, University of Toronto and author of Home Truths: Fixing Canada's Housing Crisiso  Diane Longboat, Senior Manager, StrategicInitiatives, Center for Addiction and Mental Health, Toronto§  See: Sweat lodge at the Centero  Patrick Bellew, Chief Sustainability Officer, Surbana Jurong (Atelier Ten)§  Gardens by the Bay cooling system,powered by incinerated tree trimming wasteo  Peter Barber, Peter Barber Architectso  Eyal Weizman, Forensic Architecture-         Stafford Beer: “The purpose of the system is what it does.”

Send us a textHousing is more than just shelter—it's a reflection of our values, policies, and priorities. In this episode, we dive into the intersection of racial justice, climate change, and housing equity. From discriminatory housing practices to the growing threat of climate displacement, we unpack how systemic challenges are shaping where and how people live today. In today's episode, we're excited to have guest Pete Harrison from the Regional Plan Association.Pete Harrison joined Regional Plan Association in February 2022 as the DesegregateCT Director, leading a statewide program to enact equitable and sustainable land use policies in Connecticut. In 2024 he became RPA's director of Connecticut programs. Pete previously served for a year as Senior Policy Fellow for DesegregateCT crafting the 80-member coalition's policy briefs, communications strategy, and local organizing campaigns and helped pass the first statewide zoning reform bill in over 30 years.Prior to joining DesegregateCT, Pete worked on the intersection of housing, climate, and land use policy as a research scholar for the Buell Center of Architecture at Columbia University. He co-authored a portion of the textbook Green Reconstruction: A Curricular Toolkit for the Built Environment laying out a framework for graduate-level planning, architecture, and preservation programs to center equity and sustainability in their practices. Before that he was the senior national housing advisor for the progressive think tank, Data for Progress, where he co-authored briefs and articles on federal housing and land use policy including the Homes for All report. He also advised on the presidential campaigns of Vice President Kamala Harris, Senators Bernie Sanders and Elizabeth Warren, and former HUD Secretary Julian Castro.Biography from RPAhttps://rpa.org/about/staff/pete-harrison

In this episode, Paul Galloway explores the three-in-one architecture of bank account management (BAM). He explains how visibility, account structure, and bank services come together to reduce risk, improve cash positioning, and support fraud prevention. How can an optimized BAM framework strengthen liquidity and enhance security? Find out in this practical treasury discussion.

From poolside at Modernism Week 2025, we'll talk with Colin Flavin, Halsey Smith, and Tim Techler on the architecture of Walter Gropius in Massachusetts and William Krisel in Palm Springs. Back in the studio, San Diego's top Modernist realtor and ardent preservationist Keith York has a new book on Craig Ellwood -- and Alexandra Bregman hunts for a Philip Johnson house. UPDATE: A previous version of this episode gave the incorrect location for Tim Techler's practice. He is based in Newton MA. 

Bryn Young is an architect, educator, and creator dedicated to helping aspiring architects succeed in their architectural licensing journey. She founded the ABC Club and Mind Over ARE, which both provide practical resources and guidance for Architect Registration Examination (ARE) candidates. Bryn also shares insights on architecture, studying, and balancing life through her YouTube channel and podcast.We talk about:- Bryn's determination to complete her Master of Architecture thesis despite a due date in the middle of the academic year. We talk about how openly communicating with her professors helped her successfully complete her work with a newborn in tow.- Failing the AREs and the huge impact that sharing her story online had on Bryn's career. - Bryn's experience launching a design firm, pivoting after licensure, and eventually stepping back from client work to focus on education, impact, and creative freedom.- Her emphasis on mindset, balance, and self-awareness in lieu of memorization when preparing for the AREs and how these strategies have evolved into a business providing guidance and support to other future architects.____Thank you to our sponsors:⁠⁠⁠⁠⁠⁠⁠⁠Arcol⁠⁠⁠⁠⁠⁠⁠⁠ is a collaborative building design tool built for modern teams. Arcol streamlines your design process by keeping your model, data and presentations in sync enabling your team to work together seamlessly.- Website:⁠⁠⁠⁠⁠⁠⁠⁠ Arcol.io⁠⁠⁠⁠⁠⁠⁠⁠- LinkedIn: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.linkedin.com/company/arcol-tech⁠⁠⁠⁠⁠⁠⁠⁠- Twitter/ X:⁠⁠⁠⁠⁠⁠⁠⁠ https://x.com/ArcolTech⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Layer⁠⁠⁠⁠⁠⁠⁠ is the workflow platform for buildings, empowering teams to capture field data & photos, connect it to their drawings & models, and create beautiful deliverables & reports.Use Layer to build your own workflow to generate Room Data Sheets from Revit, manage your CA processes such as RFIs or Punch lists, conduct field surveys and much more. The best thing is, it's all connected directly to Revit so you'll never have to copy and paste data between windows again.- Website:⁠⁠⁠⁠⁠⁠⁠ https://layer.team/architectette⁠⁠⁠⁠⁠⁠⁠____Links:https://dci.byoungdesign.com/https://www.youtube.com/channel/UC7_im9VVO5ZP628YIqSpaEwhttps://www.instagram.com/byoungdesign/____Connect with Architectette:- Website: ⁠⁠⁠⁠⁠⁠⁠ www.architectette.com⁠⁠⁠⁠⁠⁠⁠ (Learn more)- Instagram:⁠⁠⁠⁠⁠⁠⁠ @architectette⁠⁠⁠⁠⁠⁠⁠ (See more)- Newsletter:⁠⁠⁠⁠⁠⁠⁠ www.architectette.com/newsletter⁠⁠⁠⁠⁠⁠⁠ (Behind the Scenes Content)- LinkedIn:⁠⁠⁠⁠⁠⁠⁠ The Architectette Podcast⁠⁠⁠⁠⁠⁠⁠ Page and/or⁠⁠⁠⁠⁠⁠⁠ Caitlin Brady⁠⁠⁠⁠⁠⁠⁠Support Architectette:- Leave us a rating and review!-⁠⁠⁠⁠⁠⁠⁠ Patreon⁠⁠⁠⁠⁠⁠⁠Music by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ AlexGrohl⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pixabay⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Showpiece City: How Architecture Made Dubai (Stanford UP, 2020) by Todd Reisz is a critical historical account of Dubai's transformation into a global urban spectacle. Reisz examines how architecture, master planning, and international expertise contributed to the construction of Dubai's modern image, focusing particularly on the period between the 1950s and 1970s. Rather than narrating Dubai's development as a spontaneous miracle of oil wealth, Reisz reveals it as a meticulously crafted project, shaped by deliberate strategies to project modernity, power, and cosmopolitanism. Throughout the book, Reisz uses a wide range of archival materials, planning documents, interviews, and visual sources to trace how architecture and city-making became tools of governance and spectacle. He brings attention to the invisible labor—both technical and physical—that undergirded Dubai's rise. Yet, the workers, planners, and advisors often remain shadowy figures behind the gleaming facades they helped erect. One of the key figures Reisz highlights is British architect John Harris, whose firm was commissioned in the 1960s to create Dubai's first master plan. Harris's work embodied the desire to modernize without entirely erasing local culture. Yet, as Reisz notes, the imported modernist language of architecture often clashed with, or simply overrode, traditional urban forms. Dubai's early building boom was thus a hybrid project: shaped by Western notions of progress and functionality, but executed in a Gulf context where colonial histories and local aspirations intertwined. Importantly, Showpiece City challenges narratives that paint Dubai as either a rootless fantasy or a neoliberal dystopia. Reisz treats Dubai's history seriously, demonstrating that its urban form is the result of pragmatic decisions, diplomatic negotiations, and speculative gambles rather than mere vanity. He also critiques the romanticization of "traditional" Arab cities by showing that Gulf urbanism has long been dynamic, experimental, and globally connected. Showpiece City presents Dubai's urbanization not as an inevitable product of oil wealth or as a superficial extravagance, but as a complex, calculated project of image-making and infrastructural ambition. Reisz's work contributes to Middle Eastern urban studies by insisting that cities like Dubai deserve nuanced, historically grounded analysis rather than simplistic dismissals or celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

626. Part 2 of our interview with Gabrielle Perry. Gabrielle Angelique Perry, MPH, B.S. is a public health specialist. She's also the founder and executive director of The Thurman Perry Foundation, an award-winning Louisiana-based nonprofit operating nationally with a mission of aiding women and girls impacted by incarceration. Ms. Perry's organization has awarded tens of thousands of dollars in scholarships to currently incarcerated women, formerly incarcerated women, and the daughters of both demographics via her educational program, The Perry Second Chances Scholarship, which is reflective of her experiences as a woman impacted by incarceration who sought to achieve her own education. Now available: Liberty in Louisiana: A Comedy. The oldest play about Louisiana, author James Workman wrote it as a celebration of the Louisiana Purchase. Now it is back in print for the first time in 221 years. Order your copy today! This week in Louisiana history. May 17, 1954. Brown v Board of Education, called 'Black Monday' by supporters of segregation. The Supreme Court decision forcing La. to desegregate schools. This week in New Orleans history. On May 17, 1946, the Southern Baptist Convention revised the institutes' charter to enable it to become a seminary, and the name was changed to New Orleans Baptist Theological Seminary. Missions and evangelism have remained the core focus of the seminary.  The Seminary started as the Baptist Bible Institute and relocated to a more spaciouse campus during the 1950s to the current location in Gentilly after purchasing a 75-acre pecan orchard and transformed it into what is now a bustling campus over 100 buildings, including academic buildings, faculty and staff housing, and student housing. 306 Beach Ln, Cypremort Point, LA 70538 This week in Louisiana. Cypremort Point State Park 306 Beach Lane Cypremort Point, LA 70538 337-867-4510 1-888-867-4510 cypremort@crt.la.gov Website Site is open daily 7 a.m. - 10 p.m. Admission/Entrance Fees $3 per person Free for seniors (62 & older) Free for children (3 & under)     Between Grand Isle and Cameron, Cypremort Point is one of the very few locations near the Gulf of Mexico that can be reached by car. A half-mile stretch of a man-made beach provides a delightful area for relaxing, picnicking and enjoying the water. It also affords an opportunity for fishing, crabbing, water skiing, windsurfing and, of course, sailing.     A boat launch just outside the park's entrance is only a few miles from the Gulf of Mexico, and fishermen can venture out to fish in the Gulf or Vermilion Bay. Catches of flounder and redfish are not uncommon in the area. For those interested in fishing from the shore, a 100-foot fishing area is located on both the north and south side of the park. The area includes a fish-cleaning station, kayak launch, built-in rod holders and lighting.  Cabin guests also have access to adjacent boat docks and a fish cleaning station.     In addition to excellent sailing and swimming facilities, the 185-acre park also holds a special attraction for nature enthusiasts. Located in the heart of a Louisiana marsh, a boardwalk with outdoor classroom allowing visitors to get an up close view of the abundant wildlife. The quiet observer may happen upon nutria, muskrat, alligator or a number of bird species native to the state. Deer, black bear, rabbits, opossum and red fox also make their home in this area, so stay aware of your surroundings and you may discover more of the natural charm of Cypremort Point. Postcards from Louisiana. Phillip Manuel sings with Michael Pellera Trio play at Snug Harbor on Frenchmen St. in New Orleans  Listen on Apple Podcasts. Listen on audible. Listen on Spotify. Listen on TuneIn. Listen on iHeartRadio. The Louisiana Anthology Home Page. Like us on Facebook. 

Narrator: Thomas Jones

The team from Antiques Roadshow Detours stops by to share a historical fact that they just can't seem to get right. This is one for the architecture and urban design enthusiasts. You can find all episodes of Antiques Roadshow Detours wherever you listen. 

As our centennial series continues, Michael Kimmelman, architecture critic for The New York Times and the author of The Intimate City: Walking New York (Penguin Press, 2022), talks about the major changes to the NYC skyline across the past century.

This was a fun discussion! Back in the tangent cube at last, we cover some of the highlights of our long trip through Egypt and Turkey, from Cappadocia and Derenkuyu to Gobekli Tepe and Karahan Tepe, the Pyramids and the Osirieon, ancient tools and lost vaults of knowledge. We talk about the mythology connected with the structures, and focus a lot of time on the Osiris Myth. Thank you all for your patience as we travel, and your continued support! We are going to Peru in October of 2025!! Sign up now and join us, Ben from UnchartedX, and Yousef Aywan from the Khemet School on an epic journey through the highlands of Peru: https://unchartedx.com/2025peru2/ Join us, Ben from UnchartedX, Adam Young, and Karoly Poka for an afternoon at The Metropolitan Museum of Art in New York where we will peruse their collection of Ancient Egyptian artifacts, then we will move to the Explorer's Club for dinner and presentations from us and Ben! https://eveningattheexplorersclub.eventbrite.com/   Join our Patreon, support the show, get extra content and early access! https://www.patreon.com/brothersoftheserpent Support the show with a paypal donation: https://paypal.me/snakebros   Chapters 00:00 Welcome Back and Reflections on the Journey 02:53 Exploring Cappadocia's Underground Cities 05:42 The Role of Special Permissions in Archaeology 08:51 Airflow and Structural Integrity of Ancient Tunnels 11:39 Connections to Ancient Myths and Stories 14:45 The Evolution of Gobekli Tepe's Structures 22:02 Symbolism of the Lion's Gate and Sphinxes 26:52 Samson, Gilgamesh, and the Cycle of Civilizations 33:35 The Significance of Hair and Statues in Ancient Egypt 45:36 Exploring Ancient Symbolism and Mythology 47:06 The Osiris Myth: Variations and Interpretations 49:40 Experiencing the Osirian: Personal Reflections 51:32 Architectural Insights: The Construction Techniques of Ancient Egypt 54:38 Theories on Ancient Tools and Techniques 57:41 The Connection Between the Temple and the Osirieon 01:00:21 Excavation Insights: The History of the Osirieon 01:02:56 The Alignment and Purpose of Ancient Structures 01:06:26 The Osiris Myth: A Foundation of Civilization 01:25:06 The Evolution of Myths and Civilizations 01:27:15 The Eye of Horus and Lunar Symbolism 01:29:26 The Sabians: Pilgrims of Knowledge 01:31:46 Hermeticism and Ancient Astronomers 01:35:08 Exploring Gobekli Tepe and Its Mysteries 01:39:02 Lithics and Their Connection to Ancient Cultures 01:42:57 Contrasting Technologies: Lithics vs. Megaliths 01:48:22 The Evolution of Craftsmanship in Ancient Civilizations 02:01:17 Midden Accumulation and Cultural Practices 02:05:48 Future Discoveries in Neolithic Archaeology