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Octavia Hill, Hardwicke Rawnsley, and Sir Robert Hunter founded The National Trust on January 12, 1895, with an intention to preserve Britain's natural beauty and historic treasures for the public and future generations. The founders' efforts reflected the late Victorian spirit of social and environmental reform, championed by figures like John Ruskin and William Morris. Rawnsley led early efforts by opposing a Lake District construction project, rallying support to protect its pristine landscapes. This campaign highlighted the growing realization that industrial progress could irreparably harm Britain's natural treasures. Over the decades, the National Trust evolved into the cultural powerhouse it is today, with over 5.5 million members and 65,000 volunteers. Arion, Rebecca and Olly sniff a whiff of benevolent paternalism; consider whether the Trust offered a form of socialism by the back-door; and discover how shockingly long it took before the Trust started shilling its own merch… Further Reading: • '100 years on, Octavia Hill's battles are not won' (The Times, 2012): https://www.thetimes.com/article/eb932ff9-3810-4598-9bdd-e9a17feefa5d • ‘Cream teas and home truths: the National Trust at 125' (Financial Times, 2020): https://www.ft.com/content/24fee86a-3818-4769-929a-41b604010917 • ‘National Trust in the Lake District' (National Trust NW, 2017): https://www.youtube.com/watch?v=G7588bsTQq8 Love the show? Support us! Join
In 1886, Canada's first Prime Minister, Sir John A. Macdonald, finally set out to see the country he had helped stitch together by rail. The Canadian Pacific Railway had just been completed, and a grand cross-country tour was planned, complete with speeches, pomp, and a private rail car.What no one planned for was his wife.Lady Agnes Macdonald was bored.So bored, in fact, that she abandoned the Prime Minister's private car, climbed into the locomotive cab, blasted the whistle at crossings, ignored orders from her husband, and eventually talked her way into riding on the cowcatcher at the very front of the train, from the Rocky Mountains all the way to the Pacific Ocean.Yes. The outside of the train.Sitting on a candle box.At speed.Through mountain descents, landslides, near derailments, forest fires, and even a full-on pig collision in the Fraser Valley.Joined reluctantly by a deeply stressed government superintendent whose job description rapidly shifted to “human seatbelt.”Along the way, Lady Agnes waved to crowds, dared her husband to join her (he did, briefly), and redefined Victorian ideas of decorum, safety, and common sense—while Sir John A. retreated back to the bar car.Based on “Fur and Gold” by John Pearson (Black Press Media) Hosted on Acast. See acast.com/privacy for more information.
Retired Victoria Police Chief Inspector Rob Bailey has seen a lot over the course of his career. Among many other things, he was part of the legendary Victorian armed robbery squad in its heyday, and he was an eyewitness to what remains the most audacious attack ever carried out by the criminal underworld against Australian law enforcement, the bombing of Police Headquarters in Melbourne’s Russell Street. This episode is a re-issue of episode #98 from April 25th, 2019. Join our Facebook Group here. Do you have information regarding any of the cases discussed on this podcast? Please report it on the Crime Stoppers website or by calling 1800 333 000. For Support: Lifeline on 13 11 14 13 YARN on 13 92 76 (24/7 crisis support phone line for Aboriginal and Torres Strait Islander peoples) 1800RESPECT: 1800 737 732 Blue Knot Helpline: 1300 657 380 CREDITS: Host: Meshel Laurie Guest: Rob Bailey GET IN TOUCH: https://www.australiantruecrimethepodcast.com/ Follow the show on Instagram @australiantruecrimepodcast and Facebook Send us a question to have played on the show by recording a voice message here. Email the show at AusTrueCrimePodcast@gmail.com
Rorke's Drift was a battle that Cetshwayo kaMpande did not want, because it took place on the western bank of the Mzinyathi or Buffalo River — inside Natal. The British had been routed at Isandlwana by the main Zulu army, regiments who's names are still venerated by oral historians today, the uKhandempemvu, uNokhenke, uDududu, iMbube, iSanqu, the uMbonambi, iNgobamakhosi. The men of the uThulwana, iNdlondlo, iNluyengwe, uDloko amabitho had headed northwest during the battle to cut off Chelmsford's escape route while the main army went to work evicerating Durnford's men. The commanders of the main army, Ntswingwayo kaMahole and Mavumengwana kaNdlela turned back to oNdini - realising that they had both good and bad news. The good news - Chelmsford's central column had been crushed at Isandlwana, the bad news - it had cost the Zulu main army dearly perhaps as many as 2000 warriors - along with number of his most venerated indunas and isinkhosi. But things were not over in this corner of the British empire, because the reserve amabutho were itching to wash their spears. They had chased Isandlwana fugitives to the Mzinyathi, spearing them and shooting them down, and now the uTHulwana, iNdlondlo, iNdluyengwe and uDloko were going to ignore Cetshwayo's orders and cross the river into Natal. The Zulu king had spelled out his orders and stipulated in no uncertain terms that his men were to stay on the Zululand side of the border. He believed that when it came to negotiate peace, the fact that his men had not crossed the border would be in the Zulu's favour. The Natal settlers and British bureaucrats had instigated this war out of fear of Zulu power. Cetshwayo understood that if he could demonstrate the Zulu Empire posed no real threat to British interests or colonial settlements, he might yet avoid total destruction. He grasped what many generals forget: war is fundamentally a political instrument. By confining all combat to Zulu territory—never crossing into British-held land—he could preserve the moral high ground. When the inevitable negotiations came, this restraint would be his strongest card, proof that the Zulus sought only to defend their sovereignty, not to conquer. It was this reserve force of between 3000 and 4000 men who were to throw a spanner in the works. They were on the move in three separate contingents, with the younger men from the iNdluyengwe in the lead, marching in open order in advance of the others. They pursued the fugitives across Sothondose's Drift, now renamed Fugitive's drift. The other two contingents began a few pre-battle moves, first dividing, then wheeling about, then reforming, an impressive display of commander control.Cetshwayo's aggressive half-brother Prince Dabulamanzi was in command of these reserve units. This was a break from decorum, because Dabulamanzi was not actually a general in Cetshwayo's army appointed by the king, but his royal status meant he dominated proceedings. The other offices of the reserve deferred decision-making to him, despite their disquiet which would grow to alarm later in our story today. Dabulamanzi was another of our interesting characters of South African history. He was notoriously unscrupulous, but quick of mind and flashing of eye, always taking great care in grooming his moustache and pointy beard. Settlers who knew him called him sophisticated, he dressed in fine European clothes, loved a gin and tonic, and was an extremely good shot with a rifle. Had he not been Zulu, you would have called him an excellent example of a well-rounded English rogue of the Victorian era. Prince Dabulamanzi wanted to give the men a victory - they could hardly return home and become the laughing stock of the nation. Zibhebhu's incapacitation provided him with a perfect moment. Later it was spun that this smallish group of reserve amabutho were actually on their way to Pietermarizburg and it was only the plucky Rorke's Drift defenders who stood in their way.
When you picture lace, what comes to mind: an old-fashioned once-white piece of Victorian embellishment? The elegant, possibly itchy decoration on a wedding gown? If you are a needleworker, you might picture an array of bobbins leashed to a cluster of pins and arrayed on a pillow, or a tatting shuttle, or a steel crochet hook. All of these images would be correct—but capture the tiniest slice of the world's laces. As a PhD student, Elena Kanagy-Loux considers lace through the lenses of history, culture, and gender. How have textile artisans around the world developed lace strutures? Who was making lace—and who was wearing it? (For what matter, what is lace, anyway?) Beyond our assumptions about lace are delightful surprises: Wearing lace previously denoted power and wealth rather than femininity. Traditional lace may include a riot of color. Although they look delicate, lace fabrics can be surprisingly durable. Outside her academic pursuits, Elena takes a more hands-on view of lace. Having studied a variety of methods, she fell in love with bobbin lace, which seemed to click in her mind when she sat down at a lacemaking pillow. Like most of our readers, Elena generally creates lace for her own interest and enjoyment, though she has accepted several notable commissions: a collar presented to Justice Ruth Bader Ginsburg by Columbia Law School on the 25th anniversary of her investiture to the Supreme court, and a collar designed for the Threads of Power exhibit (https://www.bgc.bard.edu/exhibitions/exhibitions/118/threads-of-power) at the Bard Graduate Center. In addition to her own work, she teaches extensively, finding an audience of needleworkers eager to learn bobbin lace or improve their skills. She co-founded the Brooklyn Lace Guild, which offers classes as well as a community of lacemakers Elena often hears from non-makers, “Isn't that a dying art?” She replies—in her classes, her needlework, and her wardrobe (which often includes lace in her colorful, contemporary style)—“Lacemaking is a thriving art!” Links Elena Kanagy-Loux's website (https://elenakanagyloux.carbonmade.com/) Find Elena on Instagram (https://www.instagram.com/erenanaomi), YouTube (https://www.youtube.com/@elenakanagy-loux3846), and TikTok (https://www.tiktok.com/@erenanaomi) Thr Brooklyn Lace Guild (https://www.brooklynlaceguild.com/), which Elena co-founded, is hosting its first exhibition, “Little Lace: The Work of Brooklyn Lace Guild,” (https://www.brooklynlaceguild.com/exhibitions) from October 10, 2024, through January 11, 2025. The International Organization of Lace, Inc. (https://main.internationalorganizationoflace.org/) hosts conventions and maintains a list of chapters and events for those interested in learning about lacemaking. This episode is brought to you by: Treenway Silks is where weavers, spinners, knitters and stitchers find the silk they love. Select from the largest variety of silk spinning fibers, silk yarn, and silk threads & ribbons at TreenwaySilks.com (https://www.treenwaysilks.com/). You'll discover a rainbow of colors, thoughtfully hand-dyed in Colorado. Love natural? Treenway's array of wild silks provide choices beyond white. If you love silk, you'll love Treenway Silks, where superior quality and customer service are guaranteed. Learning how to weave but need the right shuttle? Hooked on knitting and in search of a lofty yarn? Yarn Barn of Kansas (https://www.yarnbarn-ks.com/) has been your partner in fiber since 1971. Whether you are around the corner from the Yarn Barn of Kansas, or around the country, they are truly your “local yarn store” with an experienced staff to answer all your fiber questions. Visit yarnbarn-ks.com (https://www.yarnbarn-ks.com/) to shop, learn, and explore.
Ian, Randy and Patrick discuss home projects and address listener emails about attracting young trade workers, the best cordless oscillating multitools and improving the comfort and energy efficiency of an old house in a mixed climate. Tune in to Episode 719 of the Fine Homebuilding Podcast to learn more about: The future role of robots and AI in house building and renovation The utility of oscillating multitools and the best cordless multi-tools The benefits and risks of insulating old houses with spray foam Have a question or topic you want us to talk about on the show? Email us at fhbpodcast@taunton.com. ➡️ Check Out the Full Show Notes: FHB Podcast 719 ➡️ Learn about Fine Homebuilding's All-Access Membership ➡️ Follow Fine Homebuilding on Social Media: Instagram • Facebook • TikTok • Pinterest • YouTube ⭐⭐⭐⭐⭐ If you enjoy the show, please subscribe and rate us on iTunes, Spotify, YouTube Music, or wherever you prefer to listen.
We're putting Disney's Old Key West Resort head-to-head with Disney's Saratoga Springs Resort & Spa to see which laid-back villa resort comes out on top.Both resorts offer spacious accommodations, boat access to Disney Springs, and a slower, more relaxed pace than your typical theme park hotel—but they go about it in very different ways. Old Key West brings Florida Keys charm, oversized villas, and that “this feels like home” energy that longtime DVC fans love. Saratoga Springs counters with elegant Victorian theming, newer-feeling rooms, Treehouse Villas, and one of the best locations for easy Disney Springs access.We break things down round by round, comparing theming and atmosphere, room size and comfort, dining options, transportation and walkability, recreation and amenities, and overall value for your vacation dollars or DVC points. As always, we leave the final decision open during the episode so you can play along at home and decide which resort deserves the crown. Is bigger always better? Does location beat nostalgia? And which one truly delivers the best Disney resort experience?Grab your scorecard, settle in, and let the Resort Wars begin.
A late-night drive turns deeply unsettling at first, then terrifying. You'll also hear chilling teases of ghostly children, a haunted Victorian mansion, an eerie Ouija board experience, and encounters tied to old homes, and objects with a past. Real people telling real stories. It's a new year but still the same great Campfire experience to kick off 2026! JOIN JIM'S SPOOKY STUDIO PLUS CLUB You can get access to Jim's entire back catalog of Campfire and a TON of exclusive content with the Spooky Studio Plus Club. Go to jimharold.com/plus and signup to support the show and get access to our MASSIVE library of content! JIM'S YOUTUBE CHANNEL Be sure to subscribe to Jim's YouTube channel at: https://youtube.com/jimharold MERCH Go to https://jimharold.com/merch to get your Jim Harold T's, sweatshirts, mugs, hats and more! VIRTUAL CAMPFIRE GROUP Join our free community at https://virtualcampfiregroup.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Our friend James Wake returns for a thrilling chapter of wacky larks with the lads! Varney the Vampire is a genuine penny dreadful, read aloud one chapter per week just like the original Victorian audience would do for the authentic 1840s coffeehouse experience. To instantly unlock over a hundred more chapters (literally), check out our Patreon.
Sherlock Holmes dominates the thoughts of the Victorian detective; in her Wolfson History Prize shortlist book, Sarah Lodge brings to life the real women who brought justice to Victorian streets and in the fiction of the time. Can Sarah convince you to buy her book in just 15 minutes?Patreon members get extra time: 15 more minutes in which you get to see behind the scenes and find out how the book was written. You can subscribe here: https://www.patreon.com/cw/15MinuteBookClubBuy the book (UK) https://uk.bookshop.org/shop/15MinuteBookClubBuy the book (US) https://bookshop.org/shop/15MinuteBookClubPatreon members get extra time: 15 more minutes in which you get to see behind the scenes and find out how the book was written. You can subscribe here: https://www.patreon.com/cw/15MinuteBookClubWatch the video version: https://www.youtube.com/@15MinuteBook_ClubBuy the book (UK) https://uk.bookshop.org/shop/15MinuteBookClubBuy the book (US) https://bookshop.org/shop/15MinuteBookClub Hosted on Acast. See acast.com/privacy for more information.
Roller skates, most readily associated with the 1970s, were actually first patented in the US on 6th January, 1863, by New York furniture salesman James Plimpton. Plimpton developed the shoes after being advised by his doctor to take up ice skating, yet finding himself with nowhere to skate in the Spring and Summer months. He guarded his innovation zealously, and created a leasing model for the novelty boots in specially sanctioned roller parks. America's first ‘rinking' craze - dubbed by the press “Rink-O-Mania!” - was born. In this episode, Arion, Rebecca and Olly learn about an earlier skate-maker, who literally ‘crashed the party' in 1760s London; explain why roller-skating found a market in the prudish Victorian dating scene; and recall how the first ‘Roller Derbies' would test their participants to grim exhaustion… Further Reading: • ‘Wonderful Things: Roller Skates, 1880' (Science Museum, 2015): https://blog.sciencemuseum.org.uk/wonderful-things-roller-skates-1880/ • ‘Roller Skating in the 1900s - Hilarious Photos of Humanity on Wheels' (The Vintage News, 2018): https://www.thevintagenews.com/2018/10/03/photos-of-roller-skating-1900s/?edg-c=1 • ‘Charlie Chaplin in “The Rink”' (Mutual Film Corporation, 1916): https://youtube.com/clip/Ugkx9i4KwCz0Sz1pmewu_KA5fA8YdPEmoM4O #1800s #inventions This episode first aired in 2023 Love the show? Support us! Join
One of the dark symbols of the Victorian age is the asylum. It struck fear into the mind but what was the reality of life inside its walls? Maddy Pelling tells Anthony Delaney the story today.Edited by Richard Powers, Produced by Stuart Beckwith, Senior Producer was Freddy Chick.You can now watch After Dark on Youtube! www.youtube.com/@afterdarkhistoryhitSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. All music from Epidemic Sounds.After Dark: Myths, Misdeeds & the Paranormal is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.
In this episode an update, stories of intimate partner violence, and folks you should know about. I wanted to bookend the episode with a story of bravery and power. Please stick around til the end, you will want to know about Chris Bearchell. She rocks. I'd like to thank Feedspot for alerting us to the amazing fact that Panic: queer True Crime is, for the second year, in the top ten most listened to queer true crime podcasts. Thanks to Feedspot and thanks to you for making it happen. Hugs! Fanny & Stella: A Wild, Wild Victorian Ride Ernest Boulton and Frederick Park were "respectable" Victorian gentlemen who found freedom onstage as Fanny and Stella. Their drag performances thrilled audiences across 1860s–70s England—until they brought their show into the streets. Their arrest and scandalous trial exposed the era's hypocrisy and crushed both love and ambition. Fanny, Stella, and their circle lived boldly in a world that punished authenticity, making them pioneers to be celebrated. 2025 Update: Justice for Jimmie 'Jay' Lee in the Ole Miss Murder Case After an 11–1 mistrial and the later discovery of Jimmie "Jay" Lee's body, Timothy Herrington Jr. took a plea deal for Lee's killing. The judge said Mississippi "got it right this time," yet the state still lacks LGBTQ+ protections or hate crime coverage. Both young men had promising futures ended by homophobia—a reminder that being gay isn't deadly, but hate is. Her Short, Brilliant Life Was Cut Short by Violence When Girlalala (LaLa) and her boyfriend, Shanoyd Whyte Jr., fought on November 14, 2025, tragedy struck. Whyte pulled a gun and killed LaLa, leaving the community in shock. Intimate partner violence is alarmingly high in the trans community—but help is available. If you or someone you know is in danger, please seek support. Timothy Smith Murder Trial Update Timothy Smith and Herbert Swilley seemed the picture of happiness in Ocala, Florida—until coworkers found Smith dead in March 2023. He'd been drugged, strangled, and left in a staged scene. Months later, Swilley was charged with first-degree premeditated murder. Warrior Chris Bearchell: "No More Sht" Christine "Chris" Bearchell was a fearless Canadian lesbian activist who helped reshape LGBTQ+ rights. From challenging sexist dress codes in high school to leading protests after Toronto's 1981 bathhouse raids, she fought back against police harassment and public shaming. A founder of the Canadian Lesbian and Gay Archives and key voice in securing Ontario's human rights protections, she also championed sex workers' rights and HIV/AIDS outreach. Bearchell died in 2007 at 53—remembered as a visionary warrior who deserves wider recognition. You deserve to live a life free of violence of any kind. DOMESTIC VIOLENCE INTIMATE PARTNER VIOLENCE National Hotlines and Support National Domestic Violence Hotline Phone: 1-800-799-SAFE (7233) Text: Text "START" to 88788 Live Chat & Information: thehotline.org Services are available 24/7, confidential, and support all individuals regardless of identity or background. Trans Lifeline: A trans-led hotline providing emotional support and crisis intervention for trans people. Call 877-565-8860 or visit translifeline.org. The Network/La Red: A 24-hour confidential hotline for LGBTQ+ people experiencing domestic violence. Call 617-742-4911 (local) or 800-832-1901 (toll-free). If you or someone you know is in danger: Call 9-1-1 immediately. Please subscribe and share this story. These stories deserve our loving attention.
All Bones Considered: Laurel Hill stories #082 for January, 2026 Happy 200th Birthday! Daniel Pabst Daniel Pabst was a prominent 19th-century Philadelphia cabinetmaker known for his exceptional craftsmanship and distinctive designs, blending traditional Victorian styles with emerging artistic movements. His work served affluent clients and reflected evolving furniture styles from Renaissance revival to Modern Gothic. His work done with Frank Furness has been unsurpassed.
Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization shifts in the Hindi film industry in India. The book investigates Bollywood as a media system that has moved away from the glee and gusto of liberalization in the 1990s to an industry contending with the failures and inadequacies of neoliberalism's promises, and the ascendency of the material-affective redressals offered by religious ethnonationalism. The monograph examines 19 Hindi-language films released post-2010 to study contemporary India's precarious public sphere which has been characterized by a pervasive sense of professional-personal insecurity experienced by the vast majority. This is a book about the role of cinema, or cultural texts more generally, in a period marked by incredible insecurity, violence, and the absence of collective political alternatives. Screening Precarity is an intervention in the politics of representation, particularly, of how marginal identities are shaped, scripted, and screened in precarious times. It is also a cultural analysis of how the biggest film industry in the world is embedded in global media networks, and marshals state power and star power, national histories and transnational fantasies, structural impossibilities and individual agency. Megha Anwer is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture. Anupama Arora is a professor of English and Communication, and Women's and Gender Studies, at the University of Massachusetts, Dartmouth. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on https://x.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Weird History: The Unexpected and Untold Chronicles of History
In modern times, hunger is easily solved with a quick food delivery, but in the Victorian era, things were dramatically different. Starvation often blurred the lines between companion and meal. To explore these shocking tales, visit these wild stories. #Victoriancannibalism #starvation #historicalsurvival #Victorianera #weirdhistory See show notes: https://inlet.fm/weird-history/episodes/695aaaf382d1742c8eef2476 Learn more about your ad choices. Visit podcastchoices.com/adchoices
The Well Seasoned Librarian : A conversation about Food, Food Writing and more.
Well Seasoned Librarian Podcast: Season 16 Episode 17Guest: Jammie South (The Banshee's Bakehaus / Jammie Cupcake)Jammie South, known to many as Jammie Cupcake, is the creative force and head baker behind The Banshee's Bakehaus — a gothic-inspired dessert brand based in Orange County, California. Her work blends dark romantic aesthetics with decadent flavors, creating desserts that are as hauntingly beautiful as they are delicious.Balancing whimsy and wickedness, Jammie also brings her sweeter side to life through her Jammie Cupcake brand, which celebrates pastel nostalgia and vintage charm. Beyond baking, she's a performer, event curator, and community advocate, often uniting art, history, and local makers through immersive themed events.From vintage-Victorian pop-ups to burlesque-baking mashups, Jammie's mission is to craft experiences that enchant all the senses — proving that dessert can be both an art form and a story.Instagram: @thebansheesbakehaus @jammiecupcakeCookbook lovers, this one's for you! Get 25% off a subscription to ckbk with code WELLSEASONED — the ultimate digital cookbook library. Access nearly 1,000 full cookbooks from top authors Use on web and mobile app for cooking anytime, anywhere Save favorites, create custom "recipe playlists", search by ingredient and dietary preference Sync with your print cookbook collection via Eat Your BooksPerfect for serious home cooks and cookbook collectors alike.Go to the link https://join.ckbk.com/ckbk?code=WELLSEASONED
Welcome to another episode of Spooky Gay Bullsh!t, our weekly hangout where we break down all of the hot topics from the world of the weird, the scary, and issues that affect the LGBTQIA2+ community!This week, we cover: a man who finds himself in nature's thigh highs, a self-driving car with an extra passenger, a raccoon crashes dinner, Victorian shoes are beaching in Wales, and the sudsy toilet rats of Washington state!See you next Friday for more Spooky Gay Bullsh!t! Join the Secret Society That Doesn't Suck for exclusive weekly mini episodes, livestreams, and a whole lot more! patreon.com/thatsspookyGet into our new apparel store and the rest of our merch! thatsspooky.com/storeCheck out our website for show notes, photos, and more at thatsspooky.comFollow us on Instagram for photos from today's episode and all the memes @thatsspookypodWe're on Twitter! Follow us at @thatsspookypodDon't forget to send your spooky gay B.S. to thatsspookypod@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Full episode available on Patreon Angela Sylvaine, horror author and the internet's favorite Cheerful Goth has stopped by Fear Street to talk about what is going on in the Secret Bedroom in Lea Carson's house. We talk about Benetton sweaters, VHS rental problems, Victorian ghost girls and more
Crystal and Chigg are joined by special guests BW Holland and Noxwieller Burf (Westley) to talk about the historic horror genre. We discuss Victorian-era vampires, Cthulhu, and many other historical settings and inspirations. As always, our panels with BW and Nox are always intriguing and engaging.
Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization shifts in the Hindi film industry in India. The book investigates Bollywood as a media system that has moved away from the glee and gusto of liberalization in the 1990s to an industry contending with the failures and inadequacies of neoliberalism's promises, and the ascendency of the material-affective redressals offered by religious ethnonationalism. The monograph examines 19 Hindi-language films released post-2010 to study contemporary India's precarious public sphere which has been characterized by a pervasive sense of professional-personal insecurity experienced by the vast majority. This is a book about the role of cinema, or cultural texts more generally, in a period marked by incredible insecurity, violence, and the absence of collective political alternatives. Screening Precarity is an intervention in the politics of representation, particularly, of how marginal identities are shaped, scripted, and screened in precarious times. It is also a cultural analysis of how the biggest film industry in the world is embedded in global media networks, and marshals state power and star power, national histories and transnational fantasies, structural impossibilities and individual agency. Megha Anwer is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture. Anupama Arora is a professor of English and Communication, and Women's and Gender Studies, at the University of Massachusetts, Dartmouth. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on https://x.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization shifts in the Hindi film industry in India. The book investigates Bollywood as a media system that has moved away from the glee and gusto of liberalization in the 1990s to an industry contending with the failures and inadequacies of neoliberalism's promises, and the ascendency of the material-affective redressals offered by religious ethnonationalism. The monograph examines 19 Hindi-language films released post-2010 to study contemporary India's precarious public sphere which has been characterized by a pervasive sense of professional-personal insecurity experienced by the vast majority. This is a book about the role of cinema, or cultural texts more generally, in a period marked by incredible insecurity, violence, and the absence of collective political alternatives. Screening Precarity is an intervention in the politics of representation, particularly, of how marginal identities are shaped, scripted, and screened in precarious times. It is also a cultural analysis of how the biggest film industry in the world is embedded in global media networks, and marshals state power and star power, national histories and transnational fantasies, structural impossibilities and individual agency. Megha Anwer is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture. Anupama Arora is a professor of English and Communication, and Women's and Gender Studies, at the University of Massachusetts, Dartmouth. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on https://x.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization shifts in the Hindi film industry in India. The book investigates Bollywood as a media system that has moved away from the glee and gusto of liberalization in the 1990s to an industry contending with the failures and inadequacies of neoliberalism's promises, and the ascendency of the material-affective redressals offered by religious ethnonationalism. The monograph examines 19 Hindi-language films released post-2010 to study contemporary India's precarious public sphere which has been characterized by a pervasive sense of professional-personal insecurity experienced by the vast majority. This is a book about the role of cinema, or cultural texts more generally, in a period marked by incredible insecurity, violence, and the absence of collective political alternatives. Screening Precarity is an intervention in the politics of representation, particularly, of how marginal identities are shaped, scripted, and screened in precarious times. It is also a cultural analysis of how the biggest film industry in the world is embedded in global media networks, and marshals state power and star power, national histories and transnational fantasies, structural impossibilities and individual agency. Megha Anwer is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture. Anupama Arora is a professor of English and Communication, and Women's and Gender Studies, at the University of Massachusetts, Dartmouth. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on https://x.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
How did Julia Margaret Cameron - Virginia Woolf's great aunt - become one of the most influential photography artists of her time? Who were the Anglo-Indian Pattle Sisters who charmed Victorian society in India and London? How did the family create a warm artistic oasis where celebrities like Tennyson and Watts loved spending time? William is joined by art historian Emily Burns to discuss the life of his relative, the pioneering photographer, Julia Margaret Cameron. Join the Empire Club: Unlock the full Empire experience – with bonus episodes, ad-free listening, early access to miniseries and live show tickets, exclusive book discounts, a members-only newsletter, and access to our private Discord chatroom. Sign up directly at empirepoduk.com For more Goalhanger Podcasts, head to www.goalhanger.com. Email: empire@goalhanger.com Instagram: @empirepoduk Blue Sky: @empirepoduk X: @empirepoduk Producer: Anouska Lewis Assistant Producer: Alfie Norris Executive Producer: Dom Johnson Learn more about your ad choices. Visit podcastchoices.com/adchoices
In 1853, a high-profile London dinner party was held inside a life-sized mold of an iguanodon. Research: Cain, Joe. “New Year’s Eve Dinner in the Iguanodon at Crystal Palace 31 December 1853.” https://profjoecain.net/dinner-iguanodon-crystal-palace-dinosaurs/ Cain, Joe. “Top Questions About New Year’s Eve Dinner in Iguanodon at Crystal Palace.” https://profjoecain.net/top-questions-about-new-years-eve-dinner-iguanodon-crystal-palace-mould-sculpture/ Carlson, Laura. “Episode 5: A Victorian Dinosaur Dinner.” The Feast. https://www.thefeastpodcast.org/episode-5-a-victorian-dinosaur-dinner Friends of the Crystal Palace Dinosaurs. “Dinner in the Iguanodon.” 7/21/2013. https://cpdinosaurs.org/blog/post/dinner-in-the-iguanodon Friends of the Crystal Palace Dinosaurs. “How were the Crystal Palace Dinosaurs made?” 5/13/2016. https://cpdinosaurs.org/blog/post/how-were-the-crystal-palace-dinosaurs-made Routledge & Co., publishers. “Routledge's guide to the Crystal Palace and park at Sydenham.” Crystal Palace. 1854. https://archive.org/details/routledgesguidet00grou/ Geological Society of London Blog. “The First Dinosaurs’ Dinner.” 4/15/2021. https://blog.geolsoc.org.uk/2021/04/15/the-first-dinosaurs-dinner/ Hawkins, B. Waterhouse. “On Visual Education, As Applied to Geology.” Journal of the Society of Arts. Vol. II No. 78. 5/19/1854. Illustrated London News. “The Crystal Palace, at Sydenham.” 1/7/1854. https://archive.org/details/sim_illustrated-london-news_1854-01-07_24_662/page/21/mode/1up McCarthy, Steve. “The Crystal Palace Dinosaurs: The Story of the World’s First Prehistoric Sculptures.” The Crystal Palace Foundation. 1994. McCarthy, Steve. "Hawkins, Benjamin Waterhouse (1807–1894), natural history artist and sculptor." Oxford Dictionary of National Biography. October 08, 2009. Oxford University Press. Date of access 5 Dec. 2025, https://www-oxforddnb-com.proxy.bostonathenaeum.org/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-54370 Osterloff, Emily. “The world's first dinosaur park: what the Victorians got right and wrong.” Natural History Museum. https://www.nhm.ac.uk/discover/crystal-palace-dinosaurs.html Owen, Richard. “Geology and inhabitants of the ancient world.” Crystal Palace Company. 1854. https://archive.org/details/geologyinhabitan00owen Peck, Robert McCracken. "The art of bones: British artist Benjamin Waterhouse Hawkins, who sparked dinosaur mania in the nineteenth century, still influences how natural history museums represent prehistoric life today." Natural History, vol. 117, no. 10, Dec. 2008, pp. 24+. Gale Academic OneFile, link.gale.com/apps/doc/A189832561/GPS?u=mlin_n_melpub&sid=bookmark-GPS&xid=f6c80589. Accessed 5 Dec. 2025. Phillips, Samuel. “Guide to the Crystal Palace and Park.” Crystal Palace Library. 1854. https://archive.org/details/guidetocrystalpa00phil_0 Rack, Yannic. “How a Victorian Dinosaur Park Became a Time Capsule of Early Paleontology.” Smithsonian. 8/29/2023. https://www.smithsonianmag.com/travel/how-a-victorian-dinosaur-park-became-a-time-capsule-of-early-paleontology-180982799/ The History Press. “The Victorian dinner inside a dinosaur.” https://thehistorypress.co.uk/article/the-victorian-dinner-inside-a-dinosaur/ Witton, Mark and Ellinor Michel. “Crystal Palace dinosaurs: how we rediscovered five missing sculptures from the famous park.” The Conversation. 5/20/2022. https://theconversation.com/crystal-palace-dinosaurs-how-we-rediscovered-five-missing-sculptures-from-the-famous-park-182573 See omnystudio.com/listener for privacy information.
This week on Hysteria 51, we're taking a scenic drive straight through the Bermuda Triangle of bad decisions—starting in Volusia County, Florida, where a man involved in a crash in a stolen BMW convertible allegedly told deputies he didn't steal anything… because he “teleported” into the car. Yes, teleported. The keys were reportedly left in the vehicle at a park, the BMW vanished, and minutes later it was wrecked—leaving law enforcement to do the world's most exhausted sigh and add “quantum parking” to the incident report.Then we hop across the pond to a seaside mystery that sounds like a Dickens subplot written by a prankster: reports say hundreds of Victorian-era shoes have been washing up on Ogmore beach in south Wales, sparking theories that range from shipwreck history to “the ocean is returning someone's entire wardrobe, one boot at a time.” So if you like your weird news with a side of Florida teleportation claims, stolen car chaos, and creepy beach finds that look like a Victorian ghost got undressed in a tide pool—hit play.Links & Resources
Menners is joined by Victorian sportswriter Jono Baruch to dissect the fallout from a deeply flawed Boxing Day Test that ended in just two days. While England's win is acknowledged as legitimate, the focus quickly turns to the pitch, the loss of spectacle, and the wider consequences for Australian cricket. They examine why the MCG surface failed Test cricket, the financial and broadcast impact of short matches, and whether Australia's push for result wickets has gone too far. The discussion then shifts to the Australian team's looming transition, including hard questions around Marnus Labuschagne's form, Usman Khawaja's future, Cameron Green's role, and whether Travis Head has finally locked down the opening position. (01:05) England's Boxing Day win — legitimate result or hollow victory?(05:55) Bazball, bad pitches, and why this Test changed nothing(10:05) Why the MCG pitch became the real story(19:45) Has Australia gone too far with bowler-friendly wickets?(30:10) Australia's batting concerns: Marnus Labuschagne under pressure(38:40) Khawaja, Green, Head — and what the next Test team might look like Cricket Unfiltered Merchandise is Here! We've launched our official Cricket Unfiltered merch store thanks to a brilliant partnership with Exactamundo, a longtime supporter of the show.
Welcome to our yearly Recap Book Chat Awards for the year 2025.Most whimsical: The Little Prince by Antoine de Saint-Exupéry – Its dreamy, childlike philosophical tale of a young prince traveling planets, full of wonder, imagination, and gentle absurdity, captures pure whimsy more than any other on the list. BFG and Much Ado About Nothing also fit this category.Grittiest: Les Misérables by Victor Hugo – Depicting extreme poverty, injustice, prison brutality, prostitution, child suffering, and revolutionary violence in raw detail, it unflinchingly explores human misery and societal cruelty. Most unique format: The Unselected Journals of Emma M. Lion (Vol. 1 or 2) – Written entirely as witty, personal diary entries from a quirky Victorian-era heroine, this journal style stands out distinctly among traditional narratives, plays, and prose.Best opening line: The Green Ember by S.D. Smith “Heather had invented the game, but Picket made it magic.” Most unpredictable: The Nature of Fragile Things by Susan Meissner – Filled with shocking twists involving deception, bigamy, and survival amid the 1906 San Francisco earthquake, its plot revelations keep readers guessing.Most intense: Where the Lost Wander by Amy Harmon-Family killed in front of her, captured by Indians, yet in love with an Indian man. Most impactful in society: Les Misérables by Victor Hugo – A monumental critique of social injustice that influenced reforms, human rights discourse, and popular culture worldwide through adaptations highlighting redemption and inequality.Most creative: The Fellowship of the Ring by J.R.R. Tolkien – Inventing an entire mythology, languages, maps, and world (Middle-earth) showcases unparalleled imaginative world-building.Best leading lady: Emmalyne Knox from The Quarryman's Bride by Tracie Peterson – Intelligent, resilient, compassionate, dealing with trauma from loss of sisters, home and betrothed. Best leading man: Aragorn from The Fellowship of the Ring by J.R.R Tolkien. Brave warrior, wise strategist, skilled healer, humble leader, stoic strength and empathy. Aragorn demonstrates a balanced masculinity free of pettiness, unjust anger or despair. He epitomizes patience and loyalty beyond today's imagination! Best ending: Ferris by Kate Dicamillo, what a beautiful story of reconciliation and community, Here Be Dragons by Melanie Shankle ends with her teaching her daughter to navigate the dragons (aka mean girls) in life.Changed our lives: Seeing the Unseen by Joe Beam, preparing yourself for Spiritual Warfare along with the bishop in Les Miserables whose kindness changed Jean Valjean's life! Stands the test of time: The Fellowship of the Ring by J.R.R. Tolkien – Decades later, it remains a cultural cornerstone, influencing fantasy and enduring as a beloved classic.Best overall book: The Fellowship of the Ring by J.R.R. Tolkien – Masterful storytelling, rich themes of friendship, heroism, and good vs. evil, combined with enduring influence and depth, make it a standout masterpiece. Happy New Year dear readers!!!
While Chris Bowen says Australia is on track to meet its renewable energy targets, reports are in, and the numbers say the opposite. Plus, Victorian farmers are being hammered on all sides by new intrusive government laws.See omnystudio.com/listener for privacy information.
The Brickhouse Inn in Gettysburg may look like a charming pair of historic homes—but beneath the quiet exterior lies unrest. In this episode, we talk with manager Hannah Hilty about the property's two very different structures: the 1830s Welty House, which witnessed the full force of the Battle of Gettysburg, and the Victorian home built decades later on the same property. The Welty House is still carrying the marks of musket fire on its walls. Families hid in its cellar as soldiers fought just outside, and the land behind it became a temporary resting place for more than 30 Confederate soldiers. Those layers of trauma and emotion seem to echo through the space even now. Inside both homes, unexplained activity continues to surface—bells that ring with no one near them, EVPs responding to questions, phantom footsteps, shifting furniture, and the unmistakable presence of figures tied to the property's past. Some spirits feel young, some sorrowful, and others seem to maintain a watchful authority over the place they once called home. At The Brickhouse Inn, it seems history isn't just remembered—it's more like it refuses to leave. This is Part Two of our conversation. For more information, visit their website at brickhouseinn.com. #TheGraveTalks #BrickhouseInn #WeltyHouse #GettysburgHaunted #CivilWarGhosts #HauntedGettysburg #ParanormalActivity #HauntedHistory #GhostStoriesPodcast #GettysburgSpirits Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:
Why does Samuel Pepys's diary still matter 200 years after it was first published? In her new book, The Strange History of Samuel Pepys's Diary, historian Kate Loveman examines how Pepys's extraordinary consistency as a diarist has made his writing one of the richest records of everyday life in Restoration England. Writing almost daily for nearly a decade, Pepys's diary documents everything from politics and scientific discoveries to theater and fashion. Even in times of crisis, Pepys reveals life's ordinary concerns, from worrying about the source of hair for wigs during the Great Plague to safeguarding a wheel of expensive Parmesan cheese during the Great Fire of London. He also offers a rare glimpse into contemporary theatergoing, recording audience reactions and his own opinions, including Shakespeare. He famously dismissed A Midsummer Night's Dream. In this episode, Loveman explores how Pepys's diary has been edited, published, censored, and rediscovered over centuries, entertaining readers from the Victorian era to the COVID-19 pandemic in the 21st century. Pepys's daily observations show how careful, habitual record-keeping can transform ordinary life into an invaluable historical resource. From the Shakespeare Unlimited podcast. Published December 30, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. We had technical help from Hamish Brown in Stirling, Scotland, and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc. Kate Loveman is Professor of Early Modern Literature and Culture at the University of Leicester and an internationally recognized expert on Pepys and Restoration literature. She is the author of Reading Fictions, 1660–1740: Deception in English Literary and Political Culture; Samuel Pepys and his Books: Reading, Newsgathering, and Sociability, 1660–1703; and The Strange History of Samuel Pepys's Diary; and the editor of The Diary of Samuel Pepys for Everyman.
Folks, on this week's all new ep we hear about someone trying to bring their cat in the HOV lane, why garlic mouthwash is the best for bad breath, how StubHub accidentally promoted the metal band 'Lamb of God' as a church Christmas show, why hundreds of Victorian shoes washed up on a beach, and how a relative of the Dodo was spotted in the rainforestBUY ELI'S NEW STAND UP ALBUM HERE: https://eliyudin.bandcamp.com/album/humble-offeringOR WATCH IT HERE: https://tinyurl.com/2wwdrpjcBecome a patron for weekly bonus eps and more stuff! :www.patreon.com/whatatimepodCheck out our YouTube channel: https://www.youtube.com/c/whatatimetobealiveGet one of our t-shirts, or other merch, using this link! https://whatatimepod.bigcartel.com/whatatimepod.comJoin our Discord chat here:discord.gg/jx7rB7JTheme music by Naughty Professor: https://www.naughtyprofessormusic.com/@pattymo // @kathbarbadoro // @eliyudin// @whatatimepod©2025 What A Time LLC
Brethren, this Short Talk Bulletin Podcast episode was written by MW Bro Conrad Hahn, PES of the MSANA, and is brought to us by Bro Matt Bowers, host of the Scottish Rite Journal Podcast. Rudyard Kipling is one of the giants of modern English literary history. He towered over the closing years of the Victorian era, and lived well into the twentieth century. Enjoy, and do share this and all of these Podcast episodes with your brothers and your Lodge.
This is the first of three episodes in the Diverse Voices Book Review Limited Podcast Series: Secret Lives of Fairy Tales. Created and hosted by fairy-tale scholar and professor Kimberly J. Lau, the first episode features Sarah Hines, a scholar of children's literature and the history of book publishing, with a special focus on Andrew Lang's Colored Fairy Book series and its illustrations. In the interview, they discuss how Andrew Lang's Colored Fairy Book series and its illustrations reflect and reinforce Victorian ideas about race, empire, and cultural ownership, often presenting whiteness as beauty and othering non-European characters. Hines is also co-owner of Eight Cousins Bookstore in Falmouth, Massachusetts. Kimberly J. Lau is a Professor of Literature at University of California, Santa Cruz, and author of Specters of the Marvelous: Race and the Development of the European Fairy Tale.
Today we have the pleasure of sharing an episode from one of our favorite podcasts, the Lit Ladies Podcast. Here is more about their show: We are three writers and moms exploring how to live out our faith in our literary lives. We span the country—from the coasts to the Midwest—and with different stages of life, careers, and favorite genres, we are sure to cover the literary landscape. In every episode, we'll discuss books we love, reading life, and writing craft, using the Bible as our guide for beauty, goodness, and truth. New episodes drop every other Friday! Historical Fiction, War Stories, and What We Sip While We Read This Lit Ladies Podcast crossover with the Historical Bookworm team covers why historical fiction matters, how war settings shape stories, and what everyone is reading right now. Key takeaways Historical fiction makes history personal, which helps you see how everyday people lived. Accuracy matters most when it grounds the characters and the social pressures of the era. War settings work best when the focus stays on human cost, resilience, and the ripple effects on families. Reading older books can mean meeting older blind spots, which calls for discernment instead of reflexive dismissal. Lesser-known conflicts can add fresh perspective, especially when anchored in solid research. Welcome to the crossover Karissa: Hello and welcome to the Lit Ladies Podcast. Today we’re doing a special crossover episode with our friends KyLee Woodley and Darcy Fornier and their historical fiction podcast. We’re so excited to have you here today. Darcy: So excited to be here. We have so much fun hanging out with you guys. KyLee: Thanks for the invite. Glad to be here. Karissa: KyLee Woodley is a podcaster and author of the Outlaw Hearts series, adventure romances set in the American Wild West. Darcy Fornier is a podcaster and author of The Crown and the Axe, and they are both the hosts of the Historical Bookworm podcast, which is in its fifth season. It’s for lovers of inspirational historical fiction, and the show features author interviews, bookish and historical segments, and a wide variety of guests, from Christy Award-winners to high-quality indie authors. Favorite reading beverages Karissa: Before we jump in today, I want to know what is everyone’s favorite reading beverage of choice? Christie: I usually drink water, or else I don’t really drink anything because I’m too busy speed reading. But today for the podcast, since we’re doing it in the morning, I get to drink coffee. Darcy: Usually coffee. If I said anything else, my sisters would say I was lying. But I also enjoy hot chocolate or tea. Anything hot. I’m not going to be drinking lemonade even in the summer. KyLee: The nice thing about being in the South is that the AC is always blasting. So it’s hot cocoa, coffee, soup, any time of the day. My current favorite beverage to go with my reading, which I seldom read, but audiobooks, big on audiobooks these days, is the Iced Pecan Crunch Oat Milk Latte. I don’t usually go to Starbucks. I find their coffee very bitter, but this is a blonde espresso. I get it without the foam. It’s too sweet and it takes up too much in my cup. Karissa: I like to drink herbal tea. That’s my main comfort drink. Why historical fiction Karissa: What draws you to historical fiction? KyLee: For me, I like the nostalgia. I grew up very sheltered. We didn’t have a TV until I was 12. My mom would just drop us off at the library, then go shopping, then pick us up whenever. We always had audiobooks or books on tape. When we did get a TV, it was black and white. We watched a lot of black and white shows. For me, I remember those good times with old classic films and literature. There’s also this idea of, “What was.” Historical and fantasy are best friends because there’s that sense of wonder. But historical is like, this really did happen. This was really true. I like to dig into history and see who someone was, and go back to where they were if that’s possible. I love to research the way people lived and thought, the things they invented, and how resourceful they were. Darcy: Mine is similar. It’s about the people that came before, and how their stories influenced our lives today. You can go to historical sites and almost touch the lives that they had there. We tend to study history as the big overview. This person was king, these wars happened, all this stuff. Historical fiction lets you dive into what it was like for the day-to-day person. Even if you’re writing about a king, you’re asking what motivated him and what it felt like. People are people as long as they’ve lived. Karissa: That’s my favorite part too. How did people actually live, what challenges did they face, and what did they wear? KyLee: I also like when an author challenges what we accept as historical norms. Bring out something different that we wouldn’t expect. Like a female rancher who ran a ranch with hundreds of cowboys. I heard on a podcast that there was an African-American college in Waco in the 1860s. I had never heard of that. I want to learn the things that go against what people believe as a whole. I want to see the people who were counterculture in their time. Christie: Whoever wins writes the history book. There’s so much that was lived and done that you don’t know about because it was shut down, or the history books made it seem nice and clean. Favorite eras and the appeal of time travel Karissa: Christie, do you have a favorite era to read or write about? Christie: I haven’t read much historical in a while. I used to read a lot of Jen Turano because her voice is funny, witty, and sharp. For an era, late 1800s to 1940s. If there’s too much work to live, it pulls me out. I’m modern. I don’t want to learn about churning butter. Darcy: A few modern conveniences is okay. Christie: I would do a castle, like medieval, every now and then. KyLee: That’s what’s fun about time travel or slip time. You get the comparison. Especially time travel, when someone modern comes into the past and you see how they react to everything. Karissa: I just discovered Gabrielle Meyer. It’s sort of time travel. KyLee: In those books, the women exist in two timelines until a certain age. Then they have to choose which timeline they’ll live in. What’s fun is that she explores different eras. You get contrast between two past timelines, like the Civil War and the 1920s. Christie: I’d choose the ’20s, not the war. Karissa: I love the Victorian era and the Regency era. I also love reading classics written in the period. You get the perspective of someone who lived in that era and took so much for granted. Darcy: If you read Jane Austen, she doesn’t explain everything because her readers would understand it. Then you read a Regency novel by a modern author, and they explain everything. It’s cool to do both. Karissa: Darcy and KyLee, do you have favorite time periods? Darcy: Medieval is my favorite to read in and write in. Then the Regency era, then the American West. I probably read mostly Westerns. Some people say cowboys are the truest heirs to medieval knights. There are similarities in how unlawful it could feel. There was law in both places, but it only extended so far. Christie: I watch black and white westerns with my mom. The body count is wild. They’re just shooting people in the street and it’s cool. I would never want to live back then. KyLee: I overanalyze it too. It’s set in the 1800s, but it was made in the ’40s or ’50s. So I’m thinking about their worldview and ideologies, and how that shaped what they presented. Christie: They’re pretty racist. Sometimes I’m like, how is this still on TV? Darcy: Everything we write is a product of our time. It’s just more glaring the further back you go. KyLee: I started Gone with the Wind. It’s too long for my taste. Some language made me pause. Karissa: We never see the sins of our own era. Our descendants will look back and see the sins of today. Darcy: Grace Livingstone Hill wrote in the late 1800s and early 1900s. You see elements of racism and classism, and ideas like bloodline influencing character. Looking through modern eyes, it’s horrible. She’s still one of my favorites because her stories are sweet and encouraging in faith, but you see how even a good person is a product of their time. KyLee: That’s why it’s important to be kind. I’m not going to stop reading her because I can see flaws. Don’t throw the baby out with the bathwater. Karissa: That comes up in English teaching too. How do you teach classics responsibly without canceling them completely? War settings in historical fiction Karissa: I wanted to talk about books set during wars. We see a lot set with the backdrop of World War II. Do you have a favorite war setting to read about, and any favorite books? KyLee: I’ve always been drawn to the Civil War. When I was growing up, there were quite a few Civil War movies and books in the Christian genre. The brother against brother aspect pulls me in. As an adult, I look at the events that led up to it and grimace, hoping history doesn’t repeat itself. More recently, the Franco-Prussian War, partly because some of my ancestors' sisters came over during that time. It only lasted about a year. France declared it, and France lost. Their people suffered. Germany demanded huge remunerations in gold. By today’s standards, I did the math before we started, it was about 84 to 95 billion dollars. (FACT CHECK – In today’s purchasing power, estimates for that 5 billion francs generally range between $80 billion and $100 billion USD.) France had promised not to tax people during the war, but afterward they charged back taxes. There was a civil uprising in Paris, and a week-long massacre called the Bloody Week. That history comes into book one of the Outlaw Heart series. It’s lesser known French history. My people were German, and my characters are French, but I was fascinated by it. You don’t hear about that war as much. Darcy: That’s obscure for Americans because it didn’t affect us directly, so it doesn’t make it into our history books. But it made a huge difference in Europe. KyLee: My dad’s side always wrote Prussia on census records, not Germany. That led me to dig into where Prussia was and how that history unfolded. Writing trauma and war without being gratuitous Karissa: What challenges did you find writing about something so difficult in a way that worked for your story? KyLee: The main character in book one, Lorraine, lived through the Bloody Week. She’s in America now. I looked at where she is as an immigrant and how she tries to settle when there is nothing left for her in France. People were rounded up, imprisoned, and shipped off to New Caledonia, a penal colony near Australia, I believe. No trial. Later, there were pardons, but many people were still imprisoned because they were never tried, and their names were never even taken down. Lorraine is haunted by the past and has post-traumatic stress disorder. She refuses to speak English even though she understands it. She holds tightly to French roots, clothing, and food, and stays close to other French people. Jesse challenges her to put down roots in a country where she feels like an alien. That Bible phrase kept coming up to me, be kind to the immigrant, the alien, the foreigner. Remember when you were in Egypt and you were a stranger in a strange land. For research, I relied on as many documents as I could find, plus academic papers written about the Bloody Week and why it happened. I want to respect history and the people who lived it. Karissa: I love how you included the war because we feel the weight she carries without putting everything on the page in an overly graphic way. Christie: The Bandit’s Redemption is the first in the series. It has such a pretty cover too. Darcy: It’s such a good one. Darcy's pick: World War II Karissa: Darcy, do you have a favorite war setting? Darcy: Probably World War II, because it’s so vast. You have the European theater and the Pacific theater, plus the home front in America and Britain. Every time I pick up a World War II book, it’s like, “I did not know that.” The Civil War is hard for me. I grew up in Georgia, and in some places it feels like it happened this century. It was my country. World War II lets me detach a bit more. I did read one Civil War book by Rosanna M. White that was fabulous, Dreams of Savannah. It handled the loyalty conflict very gracefully. Karissa: What makes a good war book? Christie: Accuracy doesn’t matter much to me because I’m not going to catch mistakes. I want characters and their journeys, battles and close calls, romance, and a happy ending. Darcy: I appreciate historical facts because I want to be grounded in the setting. But if I’m reading fiction, I’m there for story and characters. I want to see what the war is doing to them, to their society, to their family, and how it changes their lives. KyLee: I want it at the character level too. I also like seeing people on both sides. I want everyday heroes, and small choices that mattered. I also love surprising historical technology I didn’t know about. Karissa: Accuracy matters to me, but not at the expense of story. I just want what happens to feel believable for the era. In Regency romances, for example, two people being alone in a room can be a big deal. A kiss behind a barn could ruin lives. Darcy: Historical characters in books sometimes have a modern disregard for societal pressure, which is inaccurate. We all feel societal pressure today too. It’s just different pressures. When classics meet modern retellings Christie: Karissa, you like reading the Brontës because they wrote in that time. Do they have stolen kisses, or is it different because they were writing then? Karissa: If it’s Emily and Wuthering Heights, it’s more dramatic and Gothic. With Jane Eyre, I think it’s more bound by the era. Darcy: If someone did a modern retelling, I think they’d put stolen kisses in. KyLee: It depends on the character and how they were raised. There were orphanages and homes for widows who were pregnant, and women who had gotten pregnant outside marriage. There are records showing pregnancies starting before marriage dates in some places in the 1700s. On the whole, the societal expectation mattered. So you need to look at your character. If she’s proper and ladylike, she probably won’t have modern levels of physical intimacy. Karissa has proofread my stuff and told me, this would never happen. She was right. It pushes you to be creative. Make the little things special too. Karissa: What might seem small to us might be very steamy to someone in the Regency era. Like touching a hand without a glove. Darcy: He’ll be proposing within the week. War book recommendations and lesser-known conflicts Christie: I read The Ice Swan by J'nell Ciesielski. That was during the Russian Revolution in 1917. I remember really liking that one. Darcy: Rosemary Sutcliff does this well in her books about Britain after Rome officially withdrew. It spans generations. The first is The Eagle of the Ninth. It’s technically YA and she wrote in the 1950s or ’60s. Sword at Sunset is an adult book with some adult content. She personalizes the conflict and shows conflicting loyalties, and friendships across cultures. It’s history, not fantasy. Karissa: Between Shades of Gray by Ruta Sepetys. Not to be confused with anything else. It’s YA historical set during World War II, but it focuses on Stalin’s reign and deportations to Siberia. It takes place in Lithuania and the Baltic states, where there were multiple occupations. It’s about a girl whose family is sent to a prison camp. I studied abroad in Lithuania, so that history sticks with me. Ruta Sepetys researches a lot and her books are well done. Kelly mentioned The Women by Kristin Hannah, set during the Vietnam War. Darcy: I had someone tell me she read The Women three times because it was so good. It's on my list. My sister highly recommends Kristin Hannah. She read The Nightingale and said it was worth the pain. Christie: I need happy ones. I can only do one super tearjerker a year. What everyone is currently reading KyLee: I borrowed The Dark of the Moon by Fiona Valpy. I’ve read The Dressmaker’s Gift and The Beekeeper’s Promise by her. They're World War II, like French resistance. Melanie Dobson does this well too, like The Curator’s Daughter, a time slip about a woman married to a Nazi soldier. I like books that feel sobering, like they changed my life. I also borrowed Angel from the East by Barbara A. Curtis. I borrowed The Winter Rose by Melanie Dobson, a World War II story about a lady who helps rescue Jewish children. Darcy: I just finished The Bounty Hunter’s Surrender by KyLee Woodley. I had never read it cover to cover. I helped brainstorm, and apparently the villain is my fault. I enjoyed it so much. I’m also reading a contemporary by Becky Wade, Turn to Me, in her Misty River romance series set in Northeast Georgia. I know exactly what she’s describing. Christie: I’m reading The Couple Next Door by Shari Lapena. Karissa: I'm listening to the audiobook of Long Bright River by Liz Moore. It’s about a police officer in Philadelphia. Her sister struggles with addiction, then goes missing. There are flashbacks and a modern timeline, plus mysterious murders. I can't stop listening. Where to find Historical Bookworm and Lit Ladies KyLee: You can connect with us at HistoricalBookworm.com. You can find me at KyLeeWoodley.com and Darcy at DarcyFornier.com Darcy: I’m most active on Instagram, DarcyFornierWriter Karissa: Thank you for joining us today on our literary journey. If you love the podcast, share it with a friend and rate and review. And don’t forget to follow us on social media at Lit Ladies Pod. Our quote today is from Barbara Tuchman: “Books are the carriers of civilization. Without books, history is silent, literature dumb, science crippled. Thought and speculation are at a standstill.”
The Brickhouse Inn in Gettysburg may look like a charming pair of historic homes—but beneath the quiet exterior lies unrest. In this episode, we talk with manager Hannah Hilty about the property's two very different structures: the 1830s Welty House, which witnessed the full force of the Battle of Gettysburg, and the Victorian home built decades later on the same property. The Welty House is still carrying the marks of musket fire on its walls. Families hid in its cellar as soldiers fought just outside, and the land behind it became a temporary resting place for more than 30 Confederate soldiers. Those layers of trauma and emotion seem to echo through the space even now. Inside both homes, unexplained activity continues to surface—bells that ring with no one near them, EVPs responding to questions, phantom footsteps, shifting furniture, and the unmistakable presence of figures tied to the property's past. Some spirits feel young, some sorrowful, and others seem to maintain a watchful authority over the place they once called home. At The Brickhouse Inn, it seems history isn't just remembered—it's more like it refuses to leave. For more information, visit their website at brickhouseinn.com. #TheGraveTalks #BrickhouseInn #WeltyHouse #GettysburgHaunted #CivilWarGhosts #HauntedGettysburg #ParanormalActivity #HauntedHistory #GhostStoriesPodcast #GettysburgSpirits Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:
Along the Delaware coast stands the Addy Sea, a Victorian inn built by a master plumber... and haunted, some say, by the machinery he left behind. From the violently shaking copper bathtub of Room 1, to phantom organ music drifting from Room 6, to the restless handyman who still appears in Room 11, the Addy Sea is a tangle of salt air, history, and house-born spirits. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
As a very special holiday treat, we are sharing a story from one of our favorite podcasts, Heavyweight. Gregor's parents are pushing 90. Gregor wants to move them our of their big Victorian home. But they refuse. So, he's come up with a bold plan. Incognito Mode, our ad-free, no-rerun, bonus episode feed. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Santa Rossi is visiting us this week with player housing-related delights, like the upcoming Night Elf and Blood Elf house exteriors! But beware, if you're naughty, Joe will tell you the tale of how healing, and especially resto shaman are shaping up on the Midnight beta -- and that's a ghost story that would kill a Victorian child. Liz also has a few dire predictions for transmog future, but this month's trading post fits the theme with a blood elf-styled red and gold theme.Plus, The Indie Awards takes a hardline anti-AI stance, which puts Clair Obscur front and center again, but in a way that would put coal in anyone's stocking.If you have a few minutes, please fill out our survey to tell us what you think about the podcast. This data is collected by our podcast host, Acast, and will be used to help us improve the show as well as attract potential sponsors. Your answers are completely anonymous. We appreciate your help!If you enjoy the show, please support us on Patreon, where you can get these episodes early and ad-free! Hosted on Acast. See acast.com/privacy for more information.
This holiday season, New England Legends trades jingle bells for rattling wheels and ghostly warnings. Join Jeff Belanger and Ray Auger for a chilling Christmas special as they bring the classic Victorian ghost story The Phantom Coach by Amelia Edwards to life as a full audio drama. Actor Michael Legge delivers a haunting performance in this eerie tale of omens, shadows, and a coach that should never be followed—perfect for a dark winter night. Featuring an atmospheric original score by John Judd, this episode captures the timeless tradition of Christmas ghost stories… the way they were meant to be told. Turn down the lights. Turn up the volume. And remember—some holiday travelers are best left unseen. Listen ad-free plus get early access and bonus episodes at: https://www.patreon.com/NewEnglandLegends Follow Jeff Belanger here: https://jeffbelanger.com/ The Phantom Coach: A Holiday Ghost Story - A New England Legends Podcast PLEASE SUPPORT THE ADVERTISERS THAT SUPPORT THIS SHOWRULA - Get the mentalhealthcare that works with you—not against your budget www.Rula.com/P60 True Classic - Step into your new home for the best clothes at True Classic www.TrueClassic.com/P60Raycon Everyday Earbuds - Save up to 30% Off at www.buyraycon.com/truecrimenetworkMint Mobile - To get your new wireless plan for just $15 a month, and get the plan shipped to your door for FREE, go to www.MintMobile.com/P60Cozy Earth - Begin your sleep adventure on the best bedding and sleepwear with Cozy Earth: https://cozyearth.com/ use Promo Code P60 for up to 40% off savings!Love & Lotus Tarot with Winnie Schrader - http://lovelotustarot.com/Visit Minnesota's premiere haunted hotel, The Palmer House - https://www.thepalmerhousehotel.com/ OR Call Now and Book a Room -320-351-9100 Learn more about your ad choices. Visit megaphone.fm/adchoices
Subscribe now for the full episode. Use discount code XMAS2025 to get an annual subscription for $45! Danny welcomes writer Justin Boyd and writer/producer VJ Boyd to the show to talk about The Muppet Christmas Carol. They discuss Charles Dickens as a transitional figure in 19th-century literature, Victorian ghost stories and Christmas, Jim Henson's pre-Disney career and the regional TV ecosystem that produced the Muppets, the film's melancholy as a post-Henson/post–Richard Hunt work, Michael Caine's performance and Jonathan Rosenbaum's critique, anti-capitalist themes vs liberal moral reform, chronos versus kairos in Scrooge's transformation, and why this adaptation endures.
The Christmas Eve ghost story is a fine old tradition associated with Victorian and Edwardian England, one that’s been making a comeback on both sides of the Atlantic. Since 2018, Bone and Sickle has enthusiastically embraced the custom. Our offering for 2025, is “The Other Bed” written by E.F. Benson in 1912 and read for us by Mrs. Karswell. Previous Christmas ghost stories are linked here in our website show notes (2018, 2019, 2020, 2021, 2022 , 2023, and 2024.)
Christian scholar Dr. Tim Larsen joins the show to explain the real origins of the Christmas traditions we hold dear today—from Santa Claus and reindeer to ornaments and the December 25th date itself. He debunks the persistent myth that Christmas is a pagan holiday, explores how centuries of tradition shaped modern celebrations, and helps separate historical fact from popular fiction. And yes—we settle the age-old question: Is Die Hard a Christmas movie? Dr. Timothy Larsen is a Professor of History at Wheaton College in Illinois and the president of the American Society of Church History. His scholarly expertise is the Victorian era, the period that has done so much to shape our Christmas celebrations today, and he is an expert on Christmas. He is the author or editor of over twenty books, including Twelve Classic Christmas Stories: A Feast of Yuletide Tales and The Oxford Handbook of Christmas.
Hi friends! Happy Tuesday!! In the quiet Victorian town of Leongatha, Australia, one woman became the center of a story straight out of a true crime novel. Erin Patterson was known as a quiet, private local…until a single lunch party changed everything. At that table sat family, faith, and a homemade Beef Wellington. By the end of the night, three guests were dead, and Erin's name was all over headlines around the world. Was it a tragic accident involving deadly mushrooms or the perfect recipe…. for murder? Also, let me know who you want me to talk about next time. Hope you have a great rest of your week, make good choices and I'll be seeing you very soon. xo Bailey Sarian ________ FOLLOW ME AROUND Tik Tok: https://bit.ly/3e3jL9v Instagram: http://bit.ly/2nbO4PR Goodreads: https://bit.ly/44P51lp Facebook: http://bit.ly/2mdZtK6 Twitter: http://bit.ly/2yT4BLV Pinterest: http://bit.ly/2mVpXnY Youtube: http://bit.ly/1HGw3Og Snapchat: https://bit.ly/3cC0V9d Discord: https://discord.gg/BaileySarian RECOMMEND A STORY HERE: cases4bailey@gmail.com Business Related Emails: bailey@underscoretalent.com Business Related Mail: Bailey Sarian 4400 W. Riverside Dr., Ste 110-300 Burbank, CA 91505 _________ Thousands of people are already using Rula to get affordable, high-quality therapy that's actually covered by insurance. Visit Rula.com/makeup to get started. After you sign up, you'll be asked how you heard about them — please support my show and let them know I sent you. That's Rula.com/makeup — You deserve mental healthcare that works with you, not against your budget. Life insurance is never cheaper than it is today. Get the right life insurance for YOU, for LESS, and save more than fifty percent at SelectQuote.com/MAKEUP. Save more than fifty percent on term life insurance at SelectQuote.com/MAKEUP TODAY to get started.
Bowery Boys History Live is a live-show series at City Winery hosted by Greg Young featuring a variety of historians and tour guides. The last installment this summer featured author Liz Block and tour guide Keith Taillon. As live performances, they're a bit more loose and irreverent than the regular podcast and sometimes feature references to images being projected on stage.As a special holiday bonus, step into the season with this festive dose of “Hot Victorian” history, naughty-list edition.Join Greg Young of the Bowery Boys Podcast as he hosts this special holiday edition of Bowery Boys History Live!, recorded before a live audience at New York's City Winery on Dec 12, 2025.Featuring an all-star lineup: Carl Raymond of The Gilded Gentleman Podcast, Aaron Radford-Wattley—creator and author of Hot Victorians: Meet Your Dream Man from the Past—and historian and tour guide Kyle Supley — aka the clock whisperer.So pour yourself some eggnog, cozy up by the fire, and enjoy live shenanigans full of holiday history and vintage comedy. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Bowery Boys History Live is a live-show series at City Winery hosted by Greg Young featuring a variety of historians and tour guides. The last installment this summer featured author Liz Block and tour guide Keith Taillon. As live performances, they're a bit more loose and irreverent than the regular podcast and sometimes feature references to images being projected on stage.As a special holiday bonus, step into the season with this festive dose of “Hot Victorian” history, naughty-list edition.Join Greg Young of the Bowery Boys Podcast as he hosts this special holiday edition of Bowery Boys History Live!, recorded before a live audience at New York's City Winery on Dec 12, 2025.Featuring an all-star lineup: Carl Raymond of The Gilded Gentleman Podcast, Aaron Radford-Wattley—creator and author of Hot Victorians: Meet Your Dream Man from the Past—and historian and tour guide Kyle Supley — aka the clock whisperer.So pour yourself some eggnog, cozy up by the fire, and enjoy live shenanigans full of holiday history and vintage comedy. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Step into the shadows of Lilian Place, the oldest—and most haunted—house in Daytona Beach. Built in 1884, this Victorian landmark is more than just a museum—it's a dwelling for the dead. Behind its creaking doors and flickering lights are whispers of tragedy, mystery, and spirits that refuse to move on. Locals speak of Lucy, a woman in white who drifts silently through the halls. Children's laughter echoes when no children are present. Doors open on their own. Lights turn on without reason. And in one bedroom, visitors have reported seeing a man resembling writer Stephen Crane, who once recovered there after a near-fatal shipwreck—perhaps he left more behind than just a story. Is Lilian Place a historic treasure, or a gathering place for the dead? Join us as we uncover the eerie past—and restless present—of Daytona's most infamous haunted home. Today on the Grave Talks, The Ghosts of Lilian Place, a conversation with John Dillard, president of the Heritage Preservation Trust. #LilianPlace #HauntedFlorida #HauntedHouse #TrueGhostStory #ParanormalPodcast #VictorianHaunting #HistoricHauntings #GhostsOfFlorida #HauntedMuseum #UnexplainedPhenomena #RealGhostStoriesOnline Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:
Step into the shadows of Lilian Place, the oldest—and most haunted—house in Daytona Beach. Built in 1884, this Victorian landmark is more than just a museum—it's a dwelling for the dead. Behind its creaking doors and flickering lights are whispers of tragedy, mystery, and spirits that refuse to move on. Locals speak of Lucy, a woman in white who drifts silently through the halls. Children's laughter echoes when no children are present. Doors open on their own. Lights turn on without reason. And in one bedroom, visitors have reported seeing a man resembling writer Stephen Crane, who once recovered there after a near-fatal shipwreck—perhaps he left more behind than just a story. Is Lilian Place a historic treasure, or a gathering place for the dead? Join us as we uncover the eerie past—and restless present—of Daytona's most infamous haunted home. Today on the Grave Talks, The Ghosts of Lilian Place, a conversation with John Dillard, president of the Heritage Preservation Trust. This is Part Two of our conversation. #LilianPlace #HauntedFlorida #HauntedHouse #TrueGhostStory #ParanormalPodcast #VictorianHaunting #HistoricHauntings #GhostsOfFlorida #HauntedMuseum #UnexplainedPhenomena #RealGhostStoriesOnline Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:
APPRENTICESHIP AT HENRY SOTHERAN'S ANTIQUARIAN BOOKSHOP Colleague Oliver Darkshire. Darkshire describes his apprenticeship at Henry Sotheran's, noting the shop's silent atmosphere and his odd interview regarding trombone playing. He details the "higgledy-piggledy" layout where buildings merge and his assignment to a tiny desk, suitable for a "Victorian gentle woman," positioned as the "first line of defense." NUMBER 2 1940 london tube
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