Podcasts about Museum

Send a textJoin Jared and Ed as they talk with Emma, the founding curator of the People's Museum for Prince, a "counter museum" that solicits pieces--visual art, music, essays, and more--from the fans to celebrate the life and legacy of Prince. She talks to the fellas about this project came together, how people can submit, hopes for the future of the project and, of course, her top five albums and songs. This is a great discussion. Hope you'll join us for this one! Check out the museum here !Support the showA deeper dive into Prince than you probably wanted

Octagon Hall Museum is a historic, eight-sided mansion in Franklin, Kentucky, built in 1847 by Andrew Jackson Caldwell. It is the only octagon-shaped house in Kentucky, and is known for its Civil War history, rare architecture, and reputation as one of the most haunted places in the South!!!https://hauntedus.com/kentucky/octagon-hall-museum/https://www.bumpinthenight.net/octoganhttps://www.wbko.com/2023/09/30/hometown-hauntings-haunting-octagon-hall/https://search.brave.com/search?q=octogon+houses+aroumd+the+country&source=ios&summary=1&conversation=08c12f86ac23baf8042a4b0059b91612252ahttps://search.brave.com/search?q=octogan+hall&summary=1&conversation=08c12264451a27474988a8bef6fd087d602dhttps://m.youtube.com/watch?v=X6zuG_Gcqzo

Arlene Okun, founder of the Sock Monkey Museum, joins Wendy Snyder, in for Lisa Dent, to discuss the history of sock monkeys and the interactive museum in Long Grove. Arlene also shares her sock monkey story and previews some of the events for National Sock Monkey Day on March 7th.

Take a peek inside a museum where Leonardo da Vinci's ideas take shape. Dave Moore gets a preview of the new Leonardo da Vinci Museum of North America with tour guide Craig Eliot. This entire exhibit is made possible by the Artisans of Florence. They bring da Vinci's original sketches to life.Their team of historians, engineers, and master craftsmen had spent decades translating da Vinci's notebooks into fully functional machines that remain true to the original scale, mechanics, and materials. However they also incorporate 21st century technology like virtual reality, holograms and artificial intelligence. Work on the museum was still going on at the time of this recording. So you'll hear some construction and other noises in the background.  Dave speaks to a handful of people doing work along the way. They include: Bonnie Waugh, artist Joe Arrigo, Founder & Executive Director  Tom Rizzo, Artisans of Florence Paulo Gori, Artisans of Florence Joel Carpenter, artist doing Last Supper Some of the exhibits include: Flight & ImaginationMachines & RoboticsWater & PowerThe Human Body as Machine These exhibits also appear in major museums across Europe — and in North America, it can be experienced only here in Pueblo.The plan is for the museum to open May 2026. Tap here to see collage of photos. 

WBZ's Jordan Rich talks with Matt Robinson of matts-meals.com about great fun with food at the Burnt Food Museum. Get all the news you need by listening to WBZ - Boston's News Radio! We're here for you, 24/7. See omnystudio.com/listener for privacy information.

Explore the inspiring history of The Dawes Arboretum, a remarkable living museum of trees founded in 1929 by husband-and-wife conservationists Beeman Dawes and Bertie Dawes. In this episode of Big Blend Radio's Nature Connection Podcast, historian Leslie Wagner shares how the Dawes family transformed farmland into one of America's most beloved arboretums. Hear how their early experiments in tree planting and reforestation—including planting 50,000 trees by 1929—helped shape a lasting conservation legacy. In celebration of Women's History Month, the conversation also highlights the contributions of Bertie Dawes, whose passion for gardening, landscape beauty, and documentation helped shape the arboretum's early character and lasting horticultural legacy. From environmental education and youth engagement to bird habitat preservation and seasonal beauty, discover how The Dawes Arboretum continues to inspire conservation, community connection, and a deeper appreciation for the importance of trees.

Support the show. Become a Patron: www.patreon.com/highscore510    ----more---- We discuss:  1) Ninjas Needing Attention: Soulja Boy has a new PHONE CAR? {15:08} 2) NEWS: Bill Duke gets a star on the Hollywood Walk of Fame {18:34} 3) NEWS: Pope calls for Priests to NOT use ChatGPT {19:59} 4) NEWS: Lion King song lyrics are deep! {22:30} 5) NEWS: Jannathan Majors is BACK! Doing a movie produced by, Ben Shapiro? {24:30} 6) NEWS: California Children's Museum being called racist! {31:02} 7) NEWS: RFK Jr. has a solution for families struggling to afford groceries {33:26} 8) SPORTS: Kodak Black give a inspirational speech to a youth football team {42:50} 9) NBA: How do we fix the NBA and its "tanking" problem? {46:31} 10) Cutty Corner Shoutouts {58:51}   *Patreon Page: www.patreon.com/highscore510 *Email: (HighScore510.Fans@gmail.com)   *MUSIC BY: Taj Easton (https://www.tajeaston.com)   *SPONSORS: 1) New Parkway Theatre, Oakland: https://www.thenewparkway.com 2) Til Infinity Clothing

An exploration of the historic Ryman Auditorium and the Country Music Hall of Fame and Museum in downtown Nashville, Tennessee.

Season six of the Ali & Callie Artcast kicks off with Britt Thurman, Executive Director of the Museum of North Idaho. Britt joins us to share how the museum's first year in its new home at the base of Tubbs Hill has gone, along with a look at upcoming exhibits, community events, and what's ahead for the future of the museum. We also talk about the important role the museum plays in preserving and sharing the rich history of our region—through engaging exhibits, educational programs, and partnerships that help tell the stories shaping life in North Idaho. To learn more about the museum or become a member, visit museumni.org.

Episode description: Santiago “Jimmy” Mellado, President and CEO of Compassion International, joins host Matthias Walther for a conversation about calling, identity, and the global church. Together, they trace how a childhood spent across developing nations, an Olympic journey, and a Harvard education shaped his lifelong mission. In this episode of “Unscrolled,” we explore the spiritual roots of poverty, the church's biblical mandate to care for the vulnerable, and the simple question that reshaped Compassion's work: What are you going to do with what you've seen? Get ready to discover how faith, formation, and global responsibility converge in one leader's remarkable story.   Guest bio: Santiago “Jimmy” Mellado is the President and CEO of Compassion International.  Show Notes:  Compassion.com Compassion Leadership - Santiago "Jimmy" Mellado  Stay up to date with Museum of the Bible on social media:  Instagram: @museumofBible  X: @museumofBible  Facebook: museumofBible  LinkedIn: museumofBible  YouTube: @museumoftheBible 

We sit down with MONAH Executive Director Jazlyn Sanderson to explore how a museum in Bentonville threads 24,000 years of Indigenous history into the present through art, archaeology, and living partnerships that honor descendant communities. The journey centers on the Spiro Mounds, a Mississippian cultural powerhouse in present-day Oklahoma. Jazlyn guides us through the material evidence: shell dippers etched with regalia, woodpecker effigy axes, and a sacred warrior pipe that arrived through a careful collaboration with the University of Arkansas and the Caddo Nation. Jazlyn describes the scale-- 574 federally recognized tribes in the U.S. We also share how MONAH meets learners of all ages with field trips, reimagined audio guides, family tours, and a monthly newsletter that spotlights artifacts and contemporary Indigenous creators. If you're curious about Indigenous history, archaeology, and more, visit http://monah.orgA New American Town is here to help you plan your trip to Bentonville, Arkansas. From guides, events, and restaurant highlights. Find all this and more at visitbentonville.com and subscribe to our newsletter. Follow us on Facebook, Instagram, TikTok, X, and LinkedIn. You can listen to this podcast on Apple Podcasts, Overcast, Spotify, CastBox, Podcast Casts, Google Podcasts, iHeartRadio, and Podcast Addict.

On the March 6 episode of Friday LIVE, we are back at the Mill Coffee and Tea in Lincoln's Haymarket. Host Genevieve Randall will have lively conversations with: Two of the leading actors from the ensemble bringing The Music Man to the Lied Center for the Arts (1:30), Artist Cindy Weil about her "Only Wool" exhibition at Kearney's Museum of Nebraska Art (10:03), Fremont's Pathfinder Chorus about an upcoming show (23:52), artists Stacy Larson and Lauren Krusso who's work is being shown at the LUX Arts Center (31:39), the executive director for the Carnegie Arts Center, Kyren Gibson, about their newest exhibition (39:08), and with Lincoln's Symphony Orchestra's conductor Ed Polochick, as well as harpist and featured soloist Julie Smith (46:02). You will also hear poetry by Nebraska's State Poet, Jewel Rogers (19:43).

Send a textThis special podcast episode is a recording of a talk given by Dr Bruce Tocher at Hereford Welsh Club on 5th March 2026.  The subject was Operation Freshman, the first glider borne raid of the Second World War, which  the Vemork Norsk Hydro hydrogen electrolysis plant in Telemark, Norway.   Bruce, who has studied the operation in great detail, explained the reasoning behind the raid, the selection and training of the men involved and the events of 19th November 1942 and the aftermath.Introducing the talk, museum curator Col Andy Taylor drew attention to Sapper Thomas William Faulkner, son of Charles Henry and Florence Faulkner, of Hereford, who served with 9th Field Company (Airborne) Royal Engineers and took part in the operation.  His father, uncle and grandfather had all served with the Herefordshire Regiment; his grandfather being the oldest casualty of the Regiment at Gallipoli.Bruce outlined how the Halifax bombers and gliders managed to reach the Norwegian coast, but neither was able to reach their objective. The first pair suffered from navigational difficulties and severe weather, which resulted in the tow rope snapping and the first glider crash-landing, with its Halifax tug aircraft returning to base. Three airborne troops were killed and the survivors were captured shortly after the crash. The second pair fared even worse, with both the aircraft and glider crashing into a mountain after the aircraft flew low in search of the first glider. Both members of the glider crew were killed instantly, while one soldier passenger died soon afterwards from his injuries. Those who survived the crashes were captured by German forces and killed as a result of Wehrmacht's Commando Order, which stated that any Allied personnel captured while involved in commando operations were to be killed immediately. At the end of the war, the Wehrmacht personnel involved were tried, sentenced to death and executed for their part in the murders. A number of descendants and family members of Operation Freshman were present to hear this poignant and superbly researched talk, which was mounted in aid of Museum funds.Support the showIf you like what you hear, don't forget to like and subscribe to help us reach a wider audience. Visit our website - Herefordshire Light Infantry Museum; follow us on Facebook Herefordshire Regimental Museum | Facebook or visit our Youtube channel Herefordshire Regimental Museum - YouTube.Support the Museum? Become a Patreon supporter or a Become a FriendTheme Tune - The Lincolnshire Poacher, performed by the outstanding Haverhill Silver Band. This podcast generously supported by the Army Museums Ogilby Trust.

On the March 6 episode of Friday LIVE, we are back at the Mill Coffee and Tea in Lincoln's Haymarket. Host Genevieve Randall will have lively conversations with: Two of the leading actors from the ensemble bringing The Music Man to the Lied Center for the Arts (1:30), Artist Cindy Weil about her "Only Wool" exhibition at Kearney's Museum of Nebraska Art (10:03), Fremont's Pathfinder Chorus about an upcoming show (23:52), artists Stacy Larson and Lauren Krusso who's work is being shown at the LUX Arts Center (31:39), the executive director for the Carnegie Arts Center, Kyren Gibson, about their newest exhibition (39:08), and with Lincoln's Symphony Orchestra's conductor Ed Polochick, as well as harpist and featured soloist Julie Smith (46:02). You will also hear poetry by Nebraska's State Poet, Jewel Rogers (19:43).

Heidi Sabertooth, a NYC-based singer, multi-instrumentalist, DJ, producer and co-founder of Synth Library NYC, talks about electronic music and the library which is dedicated to giving “equal access to the means of production,” giving access to a wide array of synthesizers and creating a diverse community around it.    Photo: TR-808 Musical instrument Museum, Phoenix, AZ (Bryan Pocius from New York, USA, CC BY 2.0, via Wikimedia Commons)

The Daily Quiz - Geography Today's Questions: Question 1: Burma was the former name of which country? Question 2: What is the capital city of Bangladesh? Question 3: What is the capital city of Togo? Question 4: Which U.S. state has the largest sub-national economy in the world? Question 5: Which of these colors would you find on the flag of Indonesia? Question 6: What is the largest desert in India? Question 7: In which country is the city of San Salvador? Question 8: Which US state is home to Willis Tower, McDonald's Museum and Abe Lincoln's Tomb? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Experience the Stations of the Cross in a whole new way!  @bostoncollege 's McMullen Museum's latest exhibit, Collaborating in Conflict: The Yeats Family and the Public Arts, includes the Stations of the Cross embroidered by Lily Yeats.   Hear from Fr. Gregory Kalscheur, S.J., Dean of the Morrissey College of Arts and Sciences; Professor of Law, and Nancy Netzer, Professor, Art History; Inaugural Robert L. and Judith T. Winston Director, McMullen Museum of Art, about the story of how these unique Stations made their way to Boston College's McMullen Museum as well as their significance in Irish history. Pray these Stations of the Cross with our digital booklet: https://isu.pub/VaS9eAR   Learn more about the C21 Center and our resources: Website: https://www.bc.edu/bc-web/centers/church21.html Instagram: https://www.instagram.com/c21center/ Facebook: https://www.facebook.com/C21Center/ Twitter: https://twitter.com/C21Center LinkedIn: https://www.linkedin.com/company/104167883 Questions? Email church21@bc.edu. 

Catching up with the Bonner County Historical Society and Museum about upcoming events and new exhibits at the museum, with Hannah Combs, Executive Director (and co-host of KRFY's Community Character Hour). Plus a check-in with folks from the Festival at Sandpoint. The post March 5, 2026: Local History, plus Festival At Sandpoint appeared first on KRFY Radio.

Send me a message. I would love to know where you are listening to me from!!Hello again Racing Ears, I had the honor and privelidge of finally being able to visit the Indianapolis Motor Speedway Museum.  I want to thank my wife Monica, our son Ian, our adopted son Andrew, Bud Moeller, Jason Vansickle, and Jeff Oldham for making this visit possible.  I was on a family trip and this has been on my bucket list for my entire life.  God willing, I hope to be able to visit again to see the Indianapolis 500 in person.  Thank you so much for listening!I was listening to the audiobook “Tales of the Indianapolis 500” by Jack Arute and Jenna Fryer     Porsche 935 Number 70 owned by Charles Nearburg warming up in the paddock before a session at the Porsche Rennsport Reunion 7 at Laguna Seca Raceway. Footage of The Corkscrew at Laguna Seca during the 2015 Rolex Monterey Motorsports Reunion. Support the showhttps://www.fiverr.com/s/paAkwE

Send a textIt is a full house this episode we have all been out visiting railways across the UK. Alasdair  goes  to East Kent Railway – a Colonel Stephens Line ..if you are not familiar with that name...he was an engineer who built and managed his own empire of branch lines up and down the UK around the early part of the last century. Alasdair chats to Chris Jackson from the Colonel Stephens Society to set the scene before setting off to KentSharon has been considering her favourite railway books as we mark World Book Day in the week we publish.Young reporter George Woodward visits the Peak Rail at half term and Paddy Range has been out on a diesel hunt,  this time to the Severn Valley Railway and producer Laura Raymond popped along to chat to volunteers at Llangollen Railway on the first day of their season and a meets a very special volunteer who will soon be having tea with the King!Links Below to the Railways and organisations in this episode.Colonel Stephens SocietyThe Colonel Stephens Railway Museum - Kent & East Sussex RailwayEast Kent Railway TrustWorld Book DayLlangollen RailwayBetteshanger Country ParkPeak RailSevern Valley Railway#SharonGregory #Paddyrange #Alasdair Stewart #Laura Raymond #WorldBookDayThis podcast is produced by Laura Raymond and presented by Alasdair Stewart and Sharon Gregory. Our 'Making Tracks' music is with kind permission of composer and musician Richard Durrant. It is a unique piece inspired by the rhythm of the historic rolling stock on the Ffestiniog Railway on the scenic journey from Harbour Station to Tan y Blwch. You can listen and download the full 'Tan y Bwlch' Ukulele Quartet here: Thank you to voice artist David King - for the Railway Ride outs voice over. Ukulele Quartet No. 1 "Tan y Bwlch" Ukulele Quartet No. 1 "Tan y Bwlch" Richard Durrant · Single · 2019 · 3 songs.

In this episode of #RulethGalaxy Joe hosts a one-on-one conversation with his Uncle Matt. This is a #Mulinaro only episode! We discuss our #StarWars fandom Our background of growing up together being Star Wars fans. Matt's Star Wars Museum in his home. His many adventures as a collector, all the places he has gone and people he has met. We even discuss the current Star Wars #Kenner #Hasbro #Mulinaro #RuletheGalaxy #StarWars

Prepare yourself for the gala event of the year! An ancient artifact of the lost city of Shandular has been unearthed and citizens from all over Waterdeep are gathering to catch a glimpse. This once in a lifetime unveiling at precisely midnight promises to dazzle them all, but will they find that perhaps some ancient history is left forgotten? Step right in to the Waterdeep Museum of Natural History & Antiquities and find out for yourself. Sign up for Talltale Tavern Bonus Action for additional content and to help support the show!⁠⁠⁠⁠⁠⁠⁠⁠Follow the podcast's socials!Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠@talltale_tavern_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠@TalltaleTavernPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠@TalltaleTavernPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Plus, join our⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠discord!⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you to our players! Clay as Amuun Etka the Elf Order of Scribes WizardDayne as Kaelen, Apostle of the Clouds the Aarakocra Warror of the Mystic Arts MonkKyle as Duratan Blackfang the Orc Oath of Devotion PaladinScott as Marklay Pinglepopper the Halfling Clockwork SorcererTalltale Tavern Theme Song by Tyler AdelspergerTalltale Tavern Artwork by Tal

What if your school building wasn't just a place where learning happens, but one of the most powerful teachers in the room? In this episode, Mark Barga sits down with Anne Fullenkamp, Senior Director of Creative Experiences at the Children's Museum of Pittsburgh, to explore how thoughtfully designed spaces can spark curiosity, boost confidence, and expand what students believe is possible. From hallways that invite discovery to classrooms that adapt to every learner, Anne reveals how architecture can quietly shape mindsets, behaviors, and futures. Drawing from her accidental journey from practicing architect to museum exhibit designer—where she's spent nearly two decades living alongside her own designs—Anne shares how truly student-centered environments are built through empathy, collaboration, and treating schools like the laboratories they can be. Takeaways: Buildings as learning tools: Design schools that actively participate in learning, not just house it—every wall, hallway, and corner can tell a story Start with "what if": Center design charrettes on how spaces will look and feel, not just how many seats you need Remove barriers to curiosity: Create environments where teachers can respond in the moment without calling facilities for a work order Make movement matter: Balance gross motor and fine motor experiences throughout the day—even the hallways can serve learning Design for adaptability: Treat schools like museums—plan for environments to evolve with changing pedagogy and technology over 50+ years Budget smarter, not bigger: You don't need massive investments to start—make small bets, experiment with a corner or underused classroom first When learners thrive, communities flourish: This is the heart of radically student-centered design About Anne Fullenkamp: Anne Fullenkamp, Associate AIA, LEED AP, Senior Director of Creative Experiences, Children's Museum of Pittsburgh With more than 25 years of experience in the museum design and architectural fields, Anne is responsible for design and execution of museum experiences at the Children's Museum of Pittsburgh. In her role as Senior Director of Creative Experiences, she oversees the Museum's permanent exhibits and collections, artist residencies, traveling exhibit program, design consulting and other business development programs, leading complex design teams consisting of artists, scientists and researchers.  Since joining the Museum of Pittsburgh in 2006, Anne has served as lead designer, contributing to the on-going development of the Museum's Play with Real Stuff design philosophy for informal learning environments that advocates for authenticity in all museum experiences.  In addition, she is leading the Museum's universal design initiative, working with cultural organizations in Pittsburgh to advise on best practices for update the physical amenities to help make the city a hub for accessibility in the arts. As part of this work, she was part of the team to coordinate the implementation of Universal Design practices on the Museum campus, that resulted in MuseumLab, a major capital project on campus, receiving isUD certification from the University at Buffalo, School of Architecture and Planning's Center for Inclusive Design and Environmental Access (IDEA Center). Anne is the point person for ongoing research with the IDEA Center in the application of universal design principles on our campus.  Likewise, she has received training from in the IDEA Center in the practice of universal design and continues to pursue continuing education opportunities in the discipline.  In recent years, Anne's work in inclusive design practices has expanded to include her design consulting work with K-12 schools. As part of the Museum's vision to transform education, Anne serves as an experience consultant for school districts, teachers and architects to help maximize the informal learning opportunities within the formal school environment, focusing specifically on the convergence of social-emotional learning and STEAM curriculum with overall health and wellbeing of the school community.   Learn More About Kay-Twelve: Website: https://kay-twelve.com/ LinkedIn: https://www.linkedin.com/company/kay-twelve-com/ Instagram: https://www.instagram.com/kay_twelve/ Episode 305 of the Better Learning Podcast Kevin Stoller is the host of the Better Learning Podcast and Co-Founder of Kay-Twelve, a national leader for educational furniture. Learn more about creating better learning environments at www.Kay-Twelve.com. For more information on our partners: Association for Learning Environments (A4LE) - https://www.a4le.org/ Education Leaders' Organization - https://www.ed-leaders.org/ Second Class Foundation - https://secondclassfoundation.org/ EDmarket - https://www.edmarket.org/ Catapult @ Penn GSE - https://catapult.gse.upenn.edu/ Want to be a Guest Speaker? Request on our website

Ein Streichelzoo mit KI-Tieren – In einem deutschen Museum können Kinder jetzt einen Streichelzoo mit KI-Tieren besuchen. Forscherinnen und Forscher wollen damit herausfinden, wie gut kleine Kinder den Unterschied zu echten Tieren erkennen können.

Wisconsin chef Elena Terry is known for sharing the importance of Indigenous foods. Her new restaurant, Tall Grass, is set to open at the Madison Museum of Contemporary Art.

A new study, Women in the Workplace 2025, reports a troubling reversal: stalled early advancement, declining company commitment, and a new ambition gap as fewer women aspire to promotion than men for the first time in a decade. In a fast growing Central Ohio economy, this Columbus Metropolitan Club forum asks: are women being left behind just as opportunity expands? New research from McKinsey & Company and LeanIn.org shows that only 80% of women now aspire to promotion, compared with 86% of men—a reversal of long-standing trends. Yet the data tells a more hopeful story as well: when women receive the same sponsorship, support, and clarity about advancement as their male peers, the ambition gap disappears entirely. The problem, it turns out, may not be women's ambition—but workplaces that make ambition harder to sustain. Leaders from business and the nonprofit sector discuss what is driving the ambition gap, why it disappears when women receive equal sponsorship and support, and what leaders can do to build workplaces where women can advance. Featuring: Michelle Bryant, Partner, McKinsey and Company Dr. Pamela Gregory, Owner and CFO, National Center for Urban Solutions Kelley Griesmer, President and CEO, The Women's Fund of Central Ohio Lillian Morales Laster, Executive Director, Empowering Latinas Leadership Academy The host is Margaret D Finley, President, Central Ohio Belonging Consortium. This forum was made possible by the Mary Lazarus Legacy in Civic Engagement Fund and was sponsored by Advanced Drainage Systems, Event Marketing Strategies, and The New Directions Career Center. The presenting sponsor of the CMC livestream was The Center for Human Kindness at the Columbus Foundation. CMC's livestream partner was The Columbus Dispatch. If you'd like to keep exploring this week's forum topic, our friends at The Columbus Metropolitan Library recommend reading This Isn't Working: How Working Women Can Overcome Stress, Guilt, and Overload to Find True Success by Meghan French Dunbar (2025). This forum was recorded before a live audience at The National Veterans Memorial and Museum in Columbus Ohio on March 4, 2026.

Summary While the Great Hunger in Ireland remains one of the most documented tragedies of the nineteenth century, the story of what happened across the Irish Sea in the Scottish Highlands is often overlooked or romanticised. In this episode, we strip away the Hollywood imagery of baronial halls and tartan myths to look at the real experience of the Highland Potato Famine of 1846. We explore the “Geographic Trap” of the Highland Boundary Fault, the Coastal Squeeze of the Clearances, and the legal engineering of the 1845 Poor Law that left the starving with no right to relief. Using the latest research from Sir Tom Devine and Michael Lynch, we investigate the Empathy Gap between the absentee Landlords and the crofters clinging to the soil in the Western Isles. As the “Year of Railway Mania” gripped the England and the Lowlands of Scotland, a biological rot was creeping north. This is a story of how a system that prioritised economic efficiency over human survival turned a bad harvest into a national catastrophe. Listen & Follow Apple Podcasts: https://tinyurl.com/APPLEAgeofVictoriaPodcast Spotify: https://tinyurl.com/SPOTIFYAgeofVictoriaPodcast Website: http://www.ageofvictoriapodcast.com/ Support the Show The Age of Victoria podcast is 100% independent and listener-supported. To help us add more books to the research library and keep the show free for everyone, please consider becoming a patron. Support on Patreon: https://www.patreon.com/user?u=19744898&fan_landing=true In this episode, we discuss: The Geographic Trap: How the verticality and isolation of the Highlands created a “Social Silence.” The Lumper Dependency: Why the potato became the biological linchpin of the Highland economy. The Vanishing Middle: The removal of the Tacksman and the death of paternalistic kinship. The Empathy Gap: The psychological distance between the “Managerial Class” and the poor. The 1845 Poor Law: How the Scottish legal system was engineered to exclude the able-bodied from help. The Arrival of the Rot: The “sickly sweet” smell of 1846 and the biological collapse of the North. Main Sources Core Historical Texts Devine, T. M. To the Ends of the Earth: Scotland’s Global Diaspora, 1750-2010. Allen Lane, 2011. Lynch, Michael. Scotland: A New History. Century, 1991. Lynch, Michael (Ed). The Oxford Companion to Scottish History. Oxford University Press. Gray, Malcolm. ‘The Highland Potato Famine of the 1840's', The Economic History Review, Vol. 7, No. 3 (1955). Crisis, Ideology, and Class Dynamics Gray, Peter. ‘National Humiliation and the Great Hunger: Fast and Famine in 1847', Irish Historical Studies, Vol. 32, No. 126 (2000). Howell, David W. ‘The Land Question in nineteenth-century Wales, Ireland and Scotland', The Agricultural History Review, Vol. 61, No. 1 (2013). Porter, James. ‘The Folklore of Northern Scotland: Five Discourses on Cultural Representation', Folklore, Vol. 109 (1998). Stroh, Silke. ‘Racist Reversals: Appropriating Racial Typology in Late Nineteenth-Century Pro-Gaelic Discourse', Gaelic Scotland in the Colonial Imagination (2017). The Psychology of Wealth and the “Empathy Gap” Loewenstein, George. ‘Hot-cold empathy gaps and self-control', Challenges to Happiness: Perspective from Economics and Psychology (2005). Miller, Lisa. ‘The Money-Empathy Gap', New York Magazine (July 2012). Primary Sources & Institutional Records Hansard Parliamentary Debates. HC Deb 01 February 1847 vol 89 cc603-12. ‘Distress in Scotland'. The Scotsman. ‘Editorial on the Highland Famine', 14 November 1846. Museum of Scottish Railways. A Short History of Britain’s Railways. Knox. Social Structure and Land Tenure in Scotland, 1840-1940. The post EP067 HIGHLANDS & HARDSHIP appeared first on AGE OF VICTORIA PODCAST.

It was so inspiring to have this conversation with the multi-talented singer-songwriter and pianist Vienna Teng . In this episode we're featuring the band Few of a Kind's new album, a beautiful collaboration with Vienna, Brandon Ridenour, Ben Russell, Yousif Sheronick, and Andrew Gutauskas. Vienna takes us inside their creative process with excerpts from each track. She also reflects on what truly makes a great song, how her identity evolved with parenthood, and how she has connected with audiences through her climate action workshops. Vienna also shared insights into two other brilliant recent projects, her unique album We've Got You and “The Riversitter” after Dave Eggers' “The Museum of Rain”.You'll hear the charming story of how she actually found her stage name, some highlights including opening for Joan Baez, performing on the Late Show with David Letterman and especially what it felt like to return to touring and recording after a ten-year hiatus after working in environmental sustainability. Full Show Notes for all the links: Vienna Teng's albums, website, Songwriter podcast, linked episodes with Gabriel Kahane, Jean Rohe, Ida Gillner, Fern Lindzon and Diane Nalini and my Newsletter, Merch store and how you can buy me a coffee to support this series!photo: Sherwin Lainez(00:00) Intro(02:21) Stage name story, David Letterman and early fame, working at Cisco(07:09) Few of a Kind band, with clip track 1 “Transcontinental 1:30 AM”(11:49) life of a singer, Ben Russel with clip of track 4 Two Steps From the Blues(18:31) creative process Few of a Kind, Octavian studios(20:52) environmental sustainability, decision to go back to university(28:07) Few of a Kind, clip of track 2 Alone, Brandon Ridenour(31:32) crafting a life in music with social impact(34:12) other linked episodes and ways to support this series(35:02) what makes a great song, Asian American identity Alex Wong(42:31) climate action workshops connected to concerts(47:20) We've Got You with clips, how Comfort and Spark fit together(54:33) writing “The River Sitter” after David Eggers “The Museum of Rain”(01:00:36) Few of a Kind, with clip of track 3 Five's Alive, Andrew Gutauskis, Yousif Sheronick(01:07:40) touring, opening for Joan Baez(01:12:03) coming back after 10 year hiatus

The Dalnavert Museum PT 2 Ghost Investigation  Episode 229Once upon a time....it was June 2025....a hot June Friday Night and Jas and Sher were invited to go on a Public Ghost Investigation The Winnipeg Paranormal Group at The Dalnavert Museum, to see what goes bump in the night. This is part 2 and hopefully we will have Part 3 available for you. We apologize for the wait as we like to give the audio a good listen to, to see if we can detect anything parculiar, I mean, We've recorded spirits in our recordings before at the Dalnavert Musuem and we were hoping to go back and make amends to Gertie - the Matriacal Spirit that watches over the house. We are just assuming, that is. Enjoy this week's new episode!Music by Ruesche-Sounds https://www.youtube.com/channel/USqXOFollow us on Facebook, Instagram, Tiktok & ReddittIf you have a local paranormal story of Winnipeg or in Manitoba, please email us at giivinguptheghostpodcast.@gmail.com - or if you just want to say 'Hi'!!!

"Ich dachte, der Rembrandt malt aktuell gar nicht mehr." Von Henning Bornemann.

Schmitz, Andre www.deutschlandfunkkultur.de, Fazit

What toys do you still have from the 80s? A museum wants them. HR 4 full 2426 Tue, 03 Mar 2026 19:01:11 +0000 Ubbsd4ACUBHgPvMGmbHPk8bYtP2FMwqJ news MIDDAY with JAYME & WIER news What toys do you still have from the 80s? A museum wants them. HR 4 From local news & politics, to what's trending, sports & personal stories...MIDDAY with JAYME & WIER will get you through the middle of your day! © 2025 Audacy, Inc. News False https://player.amperwavep

From Tony, to Paulie, to Junior, the characters of The Sopranos are television legend. But just as iconic are the sets of the show. A new exhibit at the Museum of the Moving Image gathers the archives of Sopranos creator David Chase, as well as sketches and designs behind some of the show's principal sets, including Dr. Melfi's office, the Soprano home, the Bada Bing strip club, and Satriale's Pork Store. Barbara Miller, museum deputy director for curatorial affairs, discusses the exhibit, 'Stories and Set Designs for The Sopranos,' on view through May 31. Photograph by Courtesy of HBO

#251: Manish Vora is the Founder and the CEO of the Museum of Ice Cream, an immersive “experium” built to bring people together through play, joy and creativity. In 2016 he launched the first pop-up in New York City, which quickly grew into a global phenomenon with multiple permanent locations across the United States and Singapore, known for its colorful interactive exhibits and multi-sensory experiences that blend art and ice cream culture. Before this venture, he transitioned from a successful career in investment banking and executive leadership, including serving as CEO of the experience-tech venue Lightbox and co-founding the contemporary art platform GREY AREA into building innovative, experience-driven spaces that prioritize connection and human engagement. A graduate of Yale University, Vora also co-leads Figure8, the parent company of Museum of Ice Cream, helping guide its strategic growth, partnerships and continued expansion in the experiential space. For more on Manish you can find him & the Museum of Ice Cream on social, as well ascwww.museumoficecream.com or check out any of their locations in NYC, Boston, Chicago, Miami, Las Vegas, Los Angeles, Singapore, and other future locations. Enjoy the show!

“B” is for Bragg, Laura (1881-1978). Museum administrator, educator.

In this episode of Casual Chats, Arun and Patricia discuss about the 1993 animated film We're Back: A Dinosaur's Story based on the 1987 book by the same name by Hudson Talbott. Four dinosaurs consisting of a Tyrannosaurus Rex named Rex, a Pterodactyl named Elsa, a Triceratops named Woog, and an Apatosaurus named Dweeb were fed a cereal called Brain Grain by Captain Neweyes and his alien companion Vorb to make them smart. They're tasked on heading to New York City around the Middle Future to meet up with Dr. Bleeb, the main curator of The Museum of Natural History. The dinosaurs meet up with a boy named Louie who ran away to join the circus and a girl named Cecilia who is alone due to her parents not being around. When Louie and Cecelia reaches the circus, they later learned that it's run by Captain Neweyes' brother Professor Screweyes whose main goal is to scare people. When the film premiered in theaters, it made $9.3 million dollars out of a $20 million dollar budget with mixed to negative reviews. Patricia covered this film during her lookback of the Amblimation trilogy while Arun hasn't seen the film since he was a kid. What did they think of the film?

AP correspondent Julie Walker reports experts in the Netherlands confirm a painting by Rembrandt years after it was dismissed.

Reproductive health is back in federal court. Louisiana lawyers are trying to persuade a federal judge to issue a preliminary injunction against an FDA rule that allows abortion medication to be prescribed through telemedicine and sent through the mail. This is just the latest step in the anti-abortion campaign working to make abortion pills more difficult to access. Mother Jones reporter Nina Martin joins us with the latest. An LSU professor has developed a new method to track synthetic opioids through wastewater. He developed the system alongside an undergraduate and a graduate student. Bikram Subedi, assistant professor of environmental sciences at LSU, tells us more about this process. The Bayou Teche Museum in New Iberia has opened a new exhibit celebrating the life and career of Louisiana's first and only female governor, Kathleen Blanco. Blanco, a democrat, was Louisiana's 54th governor and served from 2004 to 2008.  She led the state through the devastation caused by two hurricanes less than a month apart — Hurricanes Katrina and Rita.Museum curator Misty Pride tells us more about Blanco's career and what viewers can find inside. —Today's episode of Louisiana Considered was hosted by Karen Henderson. Our managing producer is Alana Schreiber. We receive production and technical support from Garrett Pittman, Adam Vos and our assistant producer, Aubry Procell. You can listen to Louisiana Considered Monday through Friday at noon and 7 p.m. It's available on Spotify, the NPR App and wherever you get your podcasts. Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to.Louisiana Considered is made possible with support from our listeners. Thank you!

This is a monthly free release of our weekly Patreon show The Talltale Tavern Triple Threat D20 Talkshow. Consider supporting the release of regular actual play content by signing up for our patreon! https://www.patreon.com/cw/TalltaleTavernIf you're not interested that's fine too. Regular actual play adventures will always be posted in this free feed, and in fact there is one coming this week!We're talking favorite horror, favorite vehicles, and favorite species this week on the triple threat. Plus a Seussical magical museum tour in honor of our new adventure kicking off this week, Midnight at the Museum!

John 3:1-17Now there was a Pharisee named Nicodemus, a leader of the Jews, who came to Jesus by night and said to him, “Rabbi, we know that you are a teacher who has come from God because no one can do the signs that you do apart from the presence of God.” Jesus answered him, “Very truly I tell you, no one can enter the Kingdom of God without being born from above.” Nicodemus said, “How can one be born after having grown old? Can one enter a second time into the mother's womb and be born?”Jesus answered him, “Very truly I tell you, no one can see the Kingdom of God without being born of water and Spirit. What is born of the flesh is flesh and what is born of the Spirit is Spirit. Do not be astonished that I've said to you, ‘You must be born from above.' The wind blows where it chooses and you hear the sound of it, but you do not know where it comes from or where it goes. So it with everyone who is born of the Spirit.” Nicodemus said to him, “How can these things be?”Jesus answered him, “Are you a teacher of Israel and yet you do not understand these things? Very truly I tell you, we speak about what we know and we testify to what we have seen and yet, you do not receive our testimony. If we speak to you about earthly things and you do not believe, how can you believe when we tell you about heavenly things?“No one has ascended to heaven except the one who descended from heaven, the son of Man. And just as Moses lifted up a serpent in the wilderness, so must the Son of Man be lifted up so that everyone who believes in him may have eternal life.“For God so loved the world that he gave his only son so that everyone who believes in him may not perish, but may have eternal life. Indeed, God did not send the Son into the world to condemn the world, but in order that the world might be saved through him.” I heard about the shoes long before stepping foot into the Holocaust Exhibition yesterday in Cincinnati with the group of Cross of Gracers who made the trip there. Not only had I heard about the shoes, but I'd seen something similar at the Holocaust Museum in Washington, D.C. several years ago. In Cincinnati there were pictures and a couple of stories about individual shoes from murdered Jews. D.C.'s museum hosts an exhibit of actual shoes, though, piled several feet deep – hundreds of them – men's shoes, women's shoes, the tiny shoes of children – stacked, like bodies you might say, as a grisly reminder – not just of the number of lives destroyed by the Holocaust, but the very simple, profound, fairly universal symbol of humanity that was lost in those years.What's also sobering to realize is that there are museums and memorials around the world with equally large and disturbing piles of shoes of their own. Which makes sad, terrifying sense of course. More than six million murdered Jews leave behind plenty of shoes to go around. (And let us not forget the queer folk, the Roma people, those with disabilities, and thousands of others who were also murdered as part of Hitler's Holocaust and Final Solution.)Anyway, and of course, we also saw, yesterday, plenty of pictures, video footage, and so many living, personal testimonies about the horrors of that regime, and of those days, and of that sinful stain on humanity's history. And they are difficult to see – sad, shameful, and scary – but necessary, to look at, in my opinion; as people of faith, as responsible citizens, as human beings on the planet, as children of God.And, for so many reasons, I thought of these things when I thought about this morning's Gospel.See, when Jesus reminds Nicodemus about that time in Israel's history when “Moses lifted up the serpent in the wilderness,” he's recalling that strange story from the book of Numbers when God's people had lost faith and had been disobedient and doubtful of God, so that poisonous serpents showed up to bite them as punishment, so the story goes. When they realized the error of their ways and asked for help, Moses – at God's direction – put a bronze serpent on a pole, and set it up so that God's people could look at the serpent – like some sort of sacred, spiritual anti-venom – and be healed from the poisonous of those snakes that had plagued them. They were called to look back; to face their fear; to stare their struggle, their sadness, their sin – the source of their pain and punishment – in the eye – in order to be healed of it.And isn't that, a lot of the time, the very last thing we are inclined to do – get close to and look at the source of our struggle and sinfulness, I mean? Isn't it hard and scary, sometimes, to look our fear, our shame, our guilt, and our greatest threat in the eye? Aren't we pretty good at – if not inherently wired for – avoiding so many of the difficult, scary, broken parts of our lives and of our history, rather than face them, admit them, let alone engage and get close to them and expect good things to come of it?And it's no wonder, really. Our world is an unforgiving, judgmental, punishment- seeking, vengeance-hungry, score-keeping, death-dealing kind of place to live in. Admitting mistakes is bad for approval ratings – just ask a politician. Failure is to be avoided at all costs – just ask a student or a young athlete in your life. Admitting sin and seeking forgiveness feels like weakness – just look in the mirror.But this is what I hear Jesus ask of us in this morning's Gospel. “Just as Moses lifted up the serpent in the wilderness, so must the Son of Man be lifted up” … on a pole… on a tree… on a cross for all the world to see, so that we might look at him, so that we might look to him for deliverance from that which we fear threatens us most – our greatest mistakes, our deepest guilt, our darkest shame, our unfathomable brokenness, our Sin – with a capital S – heaped upon God, in Jesus, and left to die on a cross.And that's the power – and the practical, holy importance – of museums and memorials that point to and remind us of our history, and that force us to look it straight in the eye, even when, especially when, it's terrible and terrifying – like any Holocaust exhibit, like the Lynching Memorial in Montgomery, Alabama, like the Vietnam Wall, the 9/11 Museum, the Stonewall National Monument in Greenwich Village, New York.These are hard, holy reminders of humanity's capacity for inhumanity. But there is also warning and hope and potential for transformation when we dare to confront, study, learn from, and be changed by what we've done.- I don't know how anyone could spend 5 minutes in that Cincinnati exhibit and deny the atrocities of Hitler's regime – but there are too many who still pretend it didn't happen or that it wasn't as bad as it was, and who refuse to believe what their eyes could see if they'd just look.- After learning that some of the Nazi's first sinister steps toward “Making Germany Great” included very deliberately “Germanizing” the names of towns, villages, and streets, I'll think even harder every time I hear or see someone refer to “The Gulf of America” on a map.- And when I hear about innocent US Citizens being unfairly, unjustly detained, imprisoned, and deported, I'll remember the way that happened to innocent Japanese Americans once before, too, while we were simultaneously, ironically, fighting to liberate Jews from similar tyranny in the same damn war.We need all the reminders and reality checks we can get, people. Because, as Maya Angelou used to say, something with which I believe Jesus would agree: “When you know better, you do better.”That's why yesterday – and all of this – is more than a history lesson for me. It's an exercise of faith because these Lenten days are all about doing this work – looking back, acknowledging, admitting, confessing, repenting of our sins – working to change and be changed because of them – and extending mercy, grace and love to the world of God's children as a result.Because “God so loved the world that he gave his only Son, so that everyone who believes in him might have eternal life.” And because “God did not send the Son into the world to condemn the world, but in order that the world might be saved through him.”It's hard to look at what hurts, horrifies and threatens to kill us – at what has killed too many of us – and trust that, in doing so, we can be saved. But that's Jesus' invitation today, nonetheless… “to look and live” like those Israelites were commanded to do, way back when. To look at the Sin that has bitten us and that bites us, still. To see, repent for, and change all the ways we manage to break the heart of God; not avert our eyes, not run from, not pretend or deny the fullness of our Sin – and to not be fooled into believing God can't redeem it, either.And that's why we look to the cross … so that we might stop hiding from the sins that hang there – all the things done, left undone, and yet to be done – so that we might look full in the face at our greatest shame and our deepest fears and into the threat of our own brokenness – into the face, even, of death – and to see God's promised salvation in spite of it all.Because when we see the whole of our SIN crucified and killed … then forgiven and raised to new life … it can't bite, burden, or betray us any longer. And when we receive and accept the fullness of this grace, we can learn to walk in the shoes of our neighbor and live transformed lives in return – asking for forgiveness, extending mercy, and loving one another – wholly – the way we have already been loved, by God, in Jesus Christ, our Lord. Amen

Looking down from the pedestrian bridge in a forest in Pennsylvania, we find Kinzua Bridge (or at least what was left of the bridge after a tornado struck it). Next, we travel to the “Birthplace of the United States” to walk through Elfreth's Alley and Independence Hall. Lastly, we visit the Liberty Bell Center and the Museum of the American Revolution.

Cole Imperi on grief, thanatology, shadow loss, and non-clinical tools in support of those experiencing loss and grief.What's the episode about?In this episode, hear Cole Imperi on grief, thanatology, shadow loss, and non-clinical tools in support of those experiencing loss and grief.Who is Cole?Cole Imperi is a thanatologist, award-winning author, and researcher whose work focuses on the use of non-clinical tools in support of those experiencing loss and grief. Cole is the Founder of the School of American Thanatology, which has students in more than 30 countries, where she both teaches andconducts research under the school's ThanaLab. Through her development of Shadowloss Theory and her pioneering work with the field of Thanabotany, Cole's work seeks to bridge the gaps left by the decline in non-clinical, community-led bereavement support. As a leading expert in the field of thanatology, Cole hasgiven multiple TEDx Talks on Shadowloss and resiliency, appeared on the Netflix series The Future of…, and served as an expert for WNYC's Radiolab, The Atlantic, The New York Times, Ologies, MoMA, and more.Cole's is the author of A Guide to Grief, for teens and tweens, and a book about grief for adults called Grief is the Way Home being published by Penguin in 2027. Cole has diverse experience from working in and aroundloss and grief since 2008 where she worked as a chaplain-thanatologist in one of America's 25 largest jails, mortuary college professor, crematory operator, hospice volunteer, grief support group leader for children as young as 3 to adults, death companion, served on the board of a green burial startup, and as Board President of a historic cemetery and arboretum. She traveled the US and Canada for 5 years training funeral directors and embalmers, and co-founded a deathcare startup. She currently consults on bereavement programming for organizations, and publishes the popular column Grief or Madness. Cole was the recipient of the Curtis Gates Lloyd Fellowship through the Lloyd Library and Museum, is a California MasterGardener, and a California Master Food Preserver. She works as a horticulturalist one morning a week specifically for a Hummingbird Garden, which gives her a break from life behind a computer screen. She is based in Los Angeles.The Book Promo: Decolonising Death StudiesYou can find the book promoted in the introduction here.How do I cite the episode in my research and reading lists?To cite this episode, you can use the following citation: Imperi, C. (2026) Interview on The Death Studies Podcast hosted by Michael-Fox, B. and Visser, R. Published 1 March 2026. Available at: www.thedeathstudiespodcast.com, DOI: 10.6084/m9.figshare.31440127  What next?Check out more episodes or find out more about the hosts! Gota question? Get in touch.

Food insecurity is an ongoing problem, especially with recent changes to SNAP benefits and the economy. Mark Wainwright founded It Takes a Village to Feed One Child in 2017 to provide meals to families in need. They've since partnered with many local organizations to expand on the types of holistic enrichment they can offer, from education to financial literacy. Racquel Williams talks with Mark and Dr. Corinne Green, Executive Director of one of their partner organizations, Mighty Writers. Then, on Shara in the City, Shara Dae Howard returns to The Colored Girls Museum as they celebrate 10 years of honoring Black history and culture in their own unique, theatrical way.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In this episode of Ethnocynology, David talks about his recent trip to Mexico. Initially, David went to Oaxaca to experience the local culture and take pictures of dogs, and he also spent a lot of time touring mezcal facilities and archaeological sites. After Oaxaca, David then took a bus to Mexico City, where he gave a talk about his upcoming book at UNAM, the largest university in Latin America. As well, David details how incredible the Museum of Anthropology is and takes you on a tour of the museum through his words, describing what he saw and how large and grand the collections and displays are. Links: davidianhowe.com Davidianhowe.com/store ArchPodNet APN Website: https://www.archpodnet.com APN on Facebook: https://www.facebook.com/archpodnet APN on Twitter: https://www.twitter.com/archpodnet APN on Instagram: https://www.instagram.com/archpodnet APN Shop Affiliates Motion Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On the program this week friend of the show and frequent contributor, George Thomas from Air Support BMW with some fun details of his visit to the BMW Museum in Munich, Germany. Check out our new service partner, Barrington Motor Works: https://www.barringtonmotorworks.com/ Join the BMW MOA for FREE! Use this code-- airheads247--in the link below: bmwmoaf.givingfuel.com/memberforces Enter to win a R100GS: bmwmoaf.givingfuel.com/comp-vintage-26 Other Moto BMW MOA Podcasts www.bmwmoa.org/page/digitalcontent Visit our website for additional content and the 247 Store: airhead247.com Drop us line: airheads247@hotmail.com Support our Sponsors and Friends: Boxer 2 Valve / William Plam www.boxer2valve.com/

Episode No. 747 of The Modern Art Notes Podcast features artist Bethany Collins and curator Edouard Kopp. Collins is included in "Monuments," at the Museum of Contemporary Art, Los Angeles. The exhibition juxtaposes decommissioned Lost Cause monuments with commissioned artworks that address the histories the Lost Cause aimed to whitewash. Collins' contribution to the project is Love is dangerous (2024-25), a sculptural installation that remakes the base of the Stonewall Jackson monument that was installed in Charlottesville, Virginia. The exhibition, which is on view through May 3, was curated by Hamza Walker, Kara Walker, and Bennett Simpson with Hannah Burstein and Paula Kroll. The museum says that a catalogue is forthcoming. On March 5 the Museum of Contemporary Art Denver opens "Bethany Collins: The Deluge," a presentation of Collins works that each address -- and navigate -- an existential storm. Across several media, Collins addresses major literary works such as Herman Melville's Moby Dick, and Sophocles' Antigone -- and the US songbook too. The exhibition was curated by Leilani Lynch and is on view through July 5. Among the many museums presenting solo exhibitions of Collins' work are the Seattle Art Museum, the Peabody Essex Museum, Salem, Mass., the Contemporary Art Museum Saint Louis, the Van Every and Smith Galleries at Davidson College, the Birmingham Museum of Art, and the Jule Collins Smith Museum of Fine Art at Auburn University. Edouard Kopp is the curator of "Wall Drawing Series: Gladys Nilsson" at the Menil Drawing Institute, Houston. The site-specific exhibition features an enormous Nilsson drawing that features fantastical, hybrid beings surrounding one monumental figure engaged in the act of drawing. It's on view through August 9. Nilsson's work has been the subject of dozens of exhibitions, including a 1973 solo exhibition at the Whitney Museum of American Art. Her work is in the collection of museums such as the Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Art Institute of Chicago. Instagram: Bethany Collins, Tyler Green.

In episode 2012, Jack and Miles are joined by comedian and producer of the monthly Facial Recognition Comedy show, Pallavi Gunalan to discuss… Punch the Monkey, FedEx Is Suing The U.S. Government, Dean Cain And Kevin Sorbo Are In The “Using Child Labor To Rip-Off Disney” Phase Of Their Careers and more! Punch the Monkey FedEx Is Suing The U.S. Government Companies line up for refunds after U.S. Supreme Court strikes down Trump's tariffs How to Avoid a Huge Customs Bill on a Cheap Online Order You paid for tariffs — but you won’t get a slice of tariff refunds FedEx sues US government for tariff refund after Supreme Court ruling Night at the Museum of the Bible About Museum of the Bible Inside the sprawling, controversial $500m Museum of the Bible How forgers fooled the Bible museum with fake Dead Sea Scroll fragments LISTEN: Life by Brandon NembhardSee omnystudio.com/listener for privacy information.

Comedian Bita Joudaki returns to talk eggs, halftime shows, and the Museum of Failures. Follow us: Instagram, Facebook, Bluesky. Join our Discord.

The Guilty Feminist 471. The History of Queerphobia Presented by Deborah Frances-White and Abigoliah Schamaun with special guest Dr Harry Tanner Recorded 13 February 2026 at the Museum of Comedy in London. Released 23 February 2026. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Abigoliah Schamaun https://www.instagram.com/abigoliah https://abigoliah.com https://www.youtube.com/watch?v=rp1GBgUIMG4 https://linktr.ee/ndm_book https://podfollow.com/all-british-comedy-explained More about Dr Harry Tanner https://www.instagram.com https://harryjamestanner.com For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT Come to a live show Waterstone's Book Club, 23 February. https://www.waterstones.com/events/the-guilty-feminist-x-waterstones-book-club-jess-robinson-and-max-olesker/london-piccadilly Zack Polanski and Juno Dawson at The Union Chapel, 5 March. https://www.gigantic.com/the-guilty-feminist-tickets/london-union-chapel/2026-03-05-18-30 31 March Bloomsbury Theatre. https://www.bloomsburytheatre.com/event/2026/03/guilty-feminist-live Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of the AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Guilty Feminist 471. The History of Queerphobia Presented by Deborah Frances-White and Abigoliah Schamaun with special guest Dr Harry Tanner Recorded 13 February 2026 at the Museum of Comedy in London. Released 23 February 2026. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Abigoliah Schamaun https://www.instagram.com/abigoliah https://abigoliah.com https://www.youtube.com/watch?v=rp1GBgUIMG4 https://linktr.ee/ndm_book https://podfollow.com/all-british-comedy-explained More about Dr Harry Tanner https://www.instagram.com https://harryjamestanner.com For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT Come to a live show Waterstone's Book Club, 23 February. https://www.waterstones.com/events/the-guilty-feminist-x-waterstones-book-club-jess-robinson-and-max-olesker/london-piccadilly Zack Polanski and Juno Dawson at The Union Chapel, 5 March. https://www.gigantic.com/the-guilty-feminist-tickets/london-union-chapel/2026-03-05-18-30 31 March Bloomsbury Theatre. https://www.bloomsburytheatre.com/event/2026/03/guilty-feminist-live Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of the AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit megaphone.fm/adchoices