Podcasts about Museum

3. The Golden Age of Alexandria: Innovation, Wealth, and WisdomUnder Ptolemy II and III, Egypt became fabulously wealthy through advanced agricultural engineering and gold mining in the Eastern Desert. They reclaimed land in the Fayum through irrigation, turning grain into a vital international currency. This prosperity funded monumental projects like the Pharos Lighthouse, a symbol of Alexandria's maritime dominance. The city became the Mediterranean's intellectual center with the creation of the Museum and the Great Library. Zenodotus, the first head librarian, pioneered the science of bibliography, organizing over 400,000 scrolls by subject and author to manage the ancient world's greatest repository of knowledge. (3)MINOAN

3. The Golden Age of Alexandria: Innovation, Wealth, and WisdomUnder Ptolemy II and III, Egypt became fabulously wealthy through advanced agricultural engineering and gold mining in the Eastern Desert. They reclaimed land in the Fayum through irrigation, turning grain into a vital international currency. This prosperity funded monumental projects like the Pharos Lighthouse, a symbol of Alexandria's maritime dominance. The city became the Mediterranean's intellectual center with the creation of the Museum and the Great Library. Zenodotus, the first head librarian, pioneered the science of bibliography, organizing over 400,000 scrolls by subject and author to manage the ancient world's greatest repository of knowledge. (3)MINOAN

Listen to the rest with a 7 day free trial at our Patreon!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sabrina Piper and Damien Speranza join Zac Amico and discuss Rebel Wilson's leaked audio of her team trying to assassinate the character of her co-producer, why Zac hats the Cats movie, janitors trying to get rid of a giant rat at a college, the best exotic pets, The Mütter Museum exhibits, where Natalia Grace is now, Candace Cameron Burke's experience at a "demonic" sex party, Sabrina's cousin's collaring ceremony and so much more! Air Date: 03/16/26Support our sponsors!SmallBatchCigar.com - Use promo code: GAS10 for 10% off plus 5% bonus points!YoKratom.com - Check out Yo Kratom (the home of the $60 kilo) for all your kratom needs!BodyBrainCoffee.com - Use promo code: ZOO15 to get 15% off!Zac Amico's Morning Zoo plug music can be found here: https://www.youtube.com/watch?v=oMgQJEcVToY&list=PLzjkiYUjXuevVG0fTOX4GCTzbU0ooHQ-O&ab_channel=BulbyTo advertise your product or service on GaS Digital podcasts please go to TheADSide.com and click on "Advertisers" for more information!Submit your artwork via postal mail to:GaS Digital Networkc/o Zac's Morning Zoo151 1st Ave, #311New York, NY 10003You can sign up at GaSDigital.com with promo code: ZOO for a discount of $1.50 on your subscription and access to every Zac Amico's Morning Zoo show ever recorded! On top of that you'll also have the same access to ALL the shows that GaS Digital Network has to offer!Follow the whole show on social media!Sabrina PiperTwitter: https://twitter.com/funnygirlwtitsInstagram: https://instagram.com/funnygirlwithtitsDamien SperanzaWebsite: https://DamienSperanza.comInstagram: https://instagram.com/DamiensComedyZac AmicoTwitter: https://twitter.com/ZASpookShowInstagram: https://instagram.com/zacisnotfunnyDates: https://punchup.live/ZacAmicoSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Vor uns liegt der Fjord, hinter uns eine Weltmetropole mit Herz - Oslo ist einmalig. Seine Nähe zur riesigen Natur Norwegens, seine phantastische Restaurant- und Bar-Szene, seine coolen Parks und schönen Viertel, sein phantastisches Opernhaus und das Museum zu einem der wichtigsten Maler überhaupt: Edward Munch ("Der Schrei"). Ein Tag? Ein Wochenende? Ein ganzes Jahr? Alles können wir uns in dieser Stadt vorstellen. Die Wege sind kurz, alles ist zu Fuß machbar, und wenn es schneller gehen muss, gibt es ein perfektes Nahverkehrssystem. Hinzu kommt eine wirklich einmalige Kulinarik. Zwischen Street Food und Fine Dining bietet Oslo das Beste vom besten - inklusive nordischem Einfluss, regionaler Küche und ganz viel Charakter. Von Menschen, die eine Idee von Stadt Leben, die etwas in uns hinterlassen hat. Nur Oslo kann so sein. Kommt mit!–Unsere Werbepartner findet ihr hier.Kommt zu unserer LIVE-Show:11.4.2026 Mannheim (SWR Podcastfestival)Tickets gibt es HIER.Jetzt den exklusiven Newsletter abonnieren unter reisenreisen.infoMehr Reisen Reisen gibt es bei Instagram –Opernhaus OsloDas ikonische Opernhaus direkt am Wasser wirkt wie eine begehbare Landschaft aus weißem Stein. Man läuft über das Dach, schaut auf den Fjord und bekommt sofort ein Gefühl für die besondere Verbindung von Architektur und Natur in dieser Stadt.https://www.instagram.com/operaen_https://maps.google.com/?q=Oslo+Opera+HouseAker BryggeDas ehemalige Werftgelände ist heute eine lebendige Promenade mit Restaurants, Cafés und Blick aufs Wasser. Besonders abends entsteht hier eine entspannte Stimmung zwischen Stadtleben und Fjord.https://maps.google.com/?q=Aker+Brygge+OsloMunch MuseumEin modernes Museum direkt am Wasser, das sich ganz dem Werk von Edvard Munch widmet. Der Bau selbst ist schon ein Statement, innen verbindet sich Kunst mit einer besonderen Ruhe.https://www.instagram.com/munchmuseum/https://maps.google.com/?q=MUNCH+Museum+OsloVigeland ParkEin weitläufiger Park mit beeindruckenden Skulpturen, die menschliche Emotionen und Beziehungen darstellen. Ein Ort, an dem man sich treiben lassen kann und immer wieder neue Details entdeckt.https://maps.google.com/?q=Vigeland+Park+OsloBarcode ViertelModerne Architektur direkt am Wasser, geprägt von schmalen, unterschiedlich hohen Gebäuden. Ein spannender Kontrast zur ruhigen Natur rund um Oslo und ein Symbol für die Entwicklung der Stadt.https://maps.google.com/?q=Barcode+Oslo Hosted on Acast. See acast.com/privacy for more information.

(Mar 19, 2026) New York State needs more power. Some developers want to build battery storage sites in the Adirondacks, but they're facing pushback. Plus, today's North Country at Work story is about a common profession - sales - and a salesman in Schroon Lake who's selling something pretty uncommon — medical devices for mice and rats. And, local kiddos have a new space to play and learn about the North Country. The Children's Museum in Potsdam recently added a whole new floor. We check out the new interactive activities about daily Amish life, Akwesasne Mohawk music, and community theater. 

IUDs are under the umbrella of long-acting, reversible contraceptives, and they’re the oldest one of these in use today. Research: Baldauf, P et al. “A Report on the Hysteroscopic Removal of a Gräfenberg Ring After Almost Fifty Years in Utero.” Geburtshilfe und Frauenheilkunde vol. 74,11 (2014): 1023-1025. doi:10.1055/s-0034-1383130. https://pmc.ncbi.nlm.nih.gov/articles/PMC4245252/ Case Western Reserve University. “Intrauterine device (IUD).” https://artsci.case.edu/dittrick/online-exhibits/history-of-birth-control/contraception-in-america-1950-present-day/intrauterine-device-iud/ Cooper, James Fryer. “Technique of contraception: the principles and practice of anti-conceptional methods.” Day-Nichols Inc., Publishers. 1928, 1930. https://archive.org/details/techniqueofcontr0000jame/ Corbett, Megan and Brandy Bautista. “A History: The IUD.” Reproductive Health Access Project. 3/20/2024. https://www.reproductiveaccess.org/2024/03/a-history-the-iud/ Curtis, Kathryn M. et al. “U.S. Selected Practice Recommendations for Contraceptive Use, 2024.” Centers for Disease Control. 8/8/2024. https://www.cdc.gov/mmwr/volumes/73/rr/rr7303a1.htm Dickinson, Robert L. et al. “Contraception: A Medical Review of the Situation.” American Journal of Obstetrics and Gynecology 1924-11: Vol 8 Iss 5. https://archive.org/details/in.ernet.dli.2015.50850/page/n585/ Edwards, Baylee A., "Ernst Gräfenberg (1881–1957)". Embryo Project Encyclopedia ( 2022-11-17 ). ISSN: 1940-5030 https://hdl.handle.net/10776/13358 Fallas, Rebecca and Helen King. “IUD or not IUD? Did the Hippocratics invent the first intrauterine device?. Mistaking Histories. 7/18/2017. https://mistakinghistories.uk/2017/07/18/iud-or-not-iud-did-the-hippocratics-invent-the-first-intrauterine-device/ Fotinos, Diane J. “Gold Stemmed Pessaries: A Shadow of the Past.” UT Health. 9/11/2019. https://library.uthscsa.edu/2017/09/gold-stemmed-pessaries-a-shadow-of-the-past/ Goldstuck, Norman D. “Reducing Barriers to the use of the Intrauterine Contraceptive Device as a Long Acting Reversible Contraceptive.” African Journal of Reproductive Health / La Revue Africaine de la Santé Reproductive, December 2014, Vol. 18, No. 4 (December 2014). Via JSTOR. https://www.jstor.org/stable/24362040 Goodhue PA. The Dalkon Shield debate. Conn Med. 1983 Mar;47(3):138-41. PMID: 6851548. Haubacher, David. “The Checkered Past and Bright Future of Intrauterine Contraception in the United States.” Perspectives on Sexual and Reproductive Health , Mar. - Apr., 2002. Via JSTOR. https://www.jstor.org/stable/3030213 Homei, Aya. “Why did the Japanese Government take so long to approve the intrauterine contraceptive device?.” Reproductive biomedicine & society online vol. 6 45-54. 16 Oct. 2018, doi:10.1016/j.rbms.2018.09.002 Hubacher, David. “The Checkered History and Bright Future of Intrauterine Contraception In the United States.” Perspectives on Sexual and Reproductive Health. Vol. 34, Issue 2. https://www.guttmacher.org/journals/psrh/2002/03/checkered-history-and-bright-future-intrauterine-contraception-united-states Hutchings, Jane E. et al. “The IUD After 20 Years: A Review of Worldwide Experience.” International Family Planning Perspectives, Vol. 11, No. 3 (Sep., 1985). https://www.jstor.org/stable/2947998 Jones, R. W., et al. “Clinical Experience With The Dalkon Shield Intrauterine Device.” The British Medical Journal, vol. 3, no. 5872, 1973, pp. 143–45. JSTOR, http://www.jstor.org/stable/25420726. Accessed 5 Mar. 2026. Klapperich, Catherine M. “From the Dalkon Shield to Britney Spears’ IUD: Why Diverse Teams Need to Be Involved in Contraceptive Design.” The Brink. Boston University. 7/1/2021. https://www.bu.edu/articles/2021/from-the-dalkon-shield-to-britney-spears-iud-why-diverse-teams-need-to-be-involved-in-contraceptive-design/ Lopes-Garcia, E. A., Carmona, E. V., Monteiro, I., & Bahamondes, L. (2023). Assessment of pain and ease of intrauterine device placement according to type of device, parity, and mode of delivery. The European Journal of Contraception & Reproductive Health Care, 28(3), 163–167. https://doi.org/10.1080/13625187.2023.2189500 Margulies, Lazar. “History of Intrauterine Devices.” Bull. N. Y. Acad. Med. Vol. 51, No. 5, May 1975. Museum of Contraception and Abortion. “Tenrei Ota (1900-1985).” https://muvs.org/en/topics/pioneers/tenrei-ota-1900-1985-en/ Oppenheimer, W.. “Prevention of pregnancy by the graefenberg ring method.” American Journal of Obstetrics & Gynecology, Volume 78, Issue 2, 446 – 454. https://www.ajog.org/article/0002-9378(59)90203-0/abstract Peipert, Jeffrey F. “Lippes loop and the first IUDs: lessons from a bygone era.” American Journal of Obstetrics & Gynecology, Volume 219, Issue 2, 127 – 128. https://www.ajog.org/article/S0002-9378(18)30488-5/fulltext Peipert, Jeffrey F. “Lippes loop and the first IUDs: lessons from a bygone era.” American Journal of Obstetrics & Gynecology, Volume 219, Issue 2, 127 – 128 . https://www.ajog.org/article/S0002-9378(18)30488-5/fulltext Thiery, M. “Pioneers of the intrauterine device.” The European Journal of Contraception and Reproductive Health Care. Volume 2, Number 1, March 1997. The Parthenon Publishing Group International Publishers. Thomsen, Russel J. “An Atlas of Intrauterine Contraception.” Hemisphere Publishing Company. 1982. Tietze, Christopher and Sarah Lewit. “Intra-Uterine Contraceptive Devices: Proceedings of the Conference, April 30-May 1, 1962, New York City.” Exerpta Medica Foundation. Willingham, Emily. “A ‘Simple’ Piece of Plastic.” American Scientist. May-June 2012. https://www.americanscientist.org/article/a-simple-piece-of-plastic World Health Organization. “Selected practice recommendations for contraceptive use.” Fourth Edition. https://iris.who.int/server/api/core/bitstreams/582c8182-f4b1-406b-b5e7-d81c1870df93/content See omnystudio.com/listener for privacy information.

The Archeological Museum in Naples, Italy, contains one of the world's most important collections of ancient Greco-Roman art and artifacts. The collection includes the "Farnese Bull" - the largest ancient sculpture ever recovered, the "Farnese Hercules," the "Farnese Atlas," and the spectacular "Alexander Mosaic" from Pompeii which depicts an episode of the legendary Battle of Issus between Alexander the Great and Daris III. The museum is also home to an extraordinary collection of ancient engraved gems, jewels, and cameos. 

A Conversation with Lacey Schütz | Beyond Walls What does it really take to lead an institution that lives up to its own values? In this episode, we sit down with Lacey Schütz — a cultural leader with over fifteen years of experience at institutions including the Museum of the City of New York and Shaker Museum — now based in Saudi Arabia, where she's been observing a cultural ecosystem being built from the ground up. Lacey speaks candidly about the hidden costs of scarcity culture in mission-driven organizations, why burnout is a systems failure rather than a personal one, and what humane leadership actually looks like in practice. She reflects on the tension between institutional values and institutional behavior, the quiet power of micro-interactions, and what museums need to let go of to become genuine parts of their communities. From a little girl in the Bronx declaring her love of art to drone shows drawing millions of Saudi families into public space, Lacey reminds us that access to culture changes lives — at every scale. This is a conversation about leadership, institutional change, and what it means to do meaningful work in an uncertain world.

P.T. Barnum realized very quickly that entertainment is currency and was one of the first to use outdoor mass media. Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not-so-secret techniques that took famous businesses from Mom-and-Pop to major brands. Steven Semple is a marketing consultant, story collector and storyteller. I’m Steven’s sidekick and business partner, Dave Young. Before we get into today’s episode, a word from our sponsor, which is, well, it’s us, but we’re highlighting ads we’ve written and produced for our clients. So here’s one of those. [Tommy Cool A/C & Plumbing Ad] Dave Young: Welcome back to the Empire Builders Podcast, Dave Young here and alongside Steven Semple. And if you were going to tell what Steven’s role is in this and what my role is in this, if we were going to use a theme that revolved around today’s topic, it would be Steven is the ringmaster in center ring. Stephen Semple: That’s where you’re going? Okay. Dave Young: And I’m like the chief clown driving the clown car because that’s where I’d rather be. We’re going to talk about Ringling Brothers, Barnum and Bailey. Are we just talking about P.T. Barnum? Stephen Semple: We’re going to talk about P.T. Barnum because that’s really the origin of all of this is. Dave Young: P.T. Barnum. Stephen Semple: Yeah. Dave Young: I mean, what a guy. And I’ve never read a biography or anything, but what I know is, I’m guessing that he maybe invented the three-ring circus, but it’s the kind of thing where, man, to me, what he invented was just constant distraction. Stephen Semple: Yeah. Dave Young: Right? Like you go to a three-ring circus, it’s just going to be you’re going to be constantly distracted because you can’t see everything that happens in a three-ring circus. Stephen Semple: It’s true. Dave Young: And so there’s so many examples. We can talk about those. I’ll let you get going because I would just talk about all this stuff. Stephen Semple: Well, here’s the interesting thing. There’s a lot of historians who believe that his was the first use of mass outdoor advertising in America. Dave Young: Okay. That, I believe. Stephen Semple: Right? Dave Young: Sure. Stephen Semple: That he really invented the use of that as a medium. Couple of interesting things he went through. So his full name is Phineas Taylor Barnum, and he was born in Bethel, Connecticut in 1810. And he wasn’t born wealthy or talented or connected, but he kind of knew that attention was a form of currency. And it’s kind of interesting when we think about the world today with social media and things along that lines, attention is a form of currency. Dave Young: Oh, absolutely. Yeah. Stephen Semple: And by the age of 12, he was selling snacks, lottery tickets, anything he could do to make a buck. And he was quoted as saying, “I’m a showman by profession and all the gilding shall make nothing else of me,” right? Like he just basically saw those things. So his first commercial breakthrough, and it was also pretty controversial, was promoting Joice Heth, a Black woman, that he marketed as George Washington’s 161-year-old nurse. Dave Young: Okay. Stephen Semple: Guess what? It was not true. Dave Young: Well, so what year was this? When was this? Stephen Semple: 1835. Dave Young: Good grief. 1835. Stephen Semple: Yeah. Dave Young: Okay. Stephen Semple: Yeah. But, but he was this relentless promoter who believed if there’s no story, there’s no audience. So the next thing he did was what he called the American Museum, and this started in 1841, ran from 1841 to 1865. And basically in 1841, he bought Scudder’s American Museum, and he renamed it Barnum’s American Museum in New York. And basically, again, this is considered one of the very first modern mass entertainment facilities, and here’s what he did. He exhibited things of science, oddity, theater, stunts. There was new attractions weekly, so people had to come back. And there was live performances like the General Tom Thumb, magicians, and the first use of mass outdoor advertising, went all around New York City putting up billboards, pasting billboards up all over the city. And on peak days, it’s reported that on peak days, he drew 15,000 people into a single building without electricity, AC, or cars to transport them around. 15,000 people. Dave Young: Boy. That’s amazing. Yeah. Stephen Semple: And Barnum would talk about people don’t want facts. People want astonishment. So for 25 years, this museum was really the epicenter in America for entertainment until it burned down in 1865. And he lost everything when it burned down. He built a second one. Five years later, it burned down, right? But Barnum realized he was going to reinvent himself again, this time as a public speaker, giving lectures. He did lectures on success and temperance of business. He wrote the book, The Art of Money-Getting. Dave Young: Okay. Yeah. Stephen Semple: In 1871, his biggest, final act was at age 61… So think about this. This is the 19th century, age 61, our age, he decides he’s going to launch the circus, P.T. Barnum’s Grand Traveling Museum, Menagerie, Caravan and Hippodrome. Dave Young: There’s nothing easy about that. Stephen Semple: Right. And this later merged with James Bailey’s to become Barnum and Bailey’s Greatest Show on Earth. Now, here’s the interesting thing that they did. So yeah, it was this massive traveling menagerie. They had to have trains custom-built to move elephants and equipment, and they had the world’s biggest circus tent and performers from all around the world. But the part that’s also really interesting is they had a team of people, who would travel into the towns ahead of them, and they would put up billboards, posters, promote the crap out of it, carnival barkers, all that other thing, and to the degree where even the setting up of the tents became a spectacle. Because, of course, they would use the elephants to raise the tent, and people would gather so they would hear so much about it. People would gather the day that it was coming into town to watch the tents and everything be put up. And he recognized that was part of the show. Dave Young: Yeah. Oh, yeah. Stephen Semple: Part of the show was long before they got there, and then they’re arriving, and then there’s the show, the buildup of all that energy and excitement to the show. And this was the other part I love about. So he would talk about you must capture the attention before you can persuade. So we talk about his Wizard of Ads partners. What is Roy Williams, founder of the Wizard of Ads, say? “Entertainment is the currency used to buy the time and the attention of a busy and distracted consumer.” P.T. Barnum, “You must capture attention before you persuade.” Dave Young: Stay tuned. We’re going to wrap up this story and tell you how to apply this lesson to your business right after this. [Using Stories To Sell] Dave Young: Let’s pick up our story where we left off and, trust me, you haven’t missed a thing. Stephen Semple: P.T. Barnum, “You must capture attention before you persuade.” Dave Young: Mm-hmm. Yup. Stephen Semple: “People remember stories, not features,” he would talk about that, and, “Curiosity is the strongest human emotion,” right? Dave Young: I love it. Yeah. Stephen Semple: These were the things that he talked about. But again, there would be this buildup before he arrived into town. And what’s really interesting, this idea, I did a variation of this idea when I was in university. So when I was in university, I had a business with two business partners. We ran a mobile DJ business, did really super well. We did all the maritime provinces. We did over a million dollars a year in sales doing this. But what do you do in the summertime? Dave Young: What do you do in the summertime? Stephen Semple: Because what we were doing is we were doing, like we weren’t doing weddings, we were doing high school and university dances, so there was nothing for us to do. But what we discovered was, I’m Canadian, what we discovered was every little town in Canada has a hockey arena that’s not being used in the summertime. Dave Young: There you go. So you put on a dance. Stephen Semple: Right. So we would rent the arena for next to nothing. We would put on a dance, and we would charge a gate. So how do we promote it? We had a team of people going into the town a couple of weeks before we showed up with the show, putting up billboards, posters, and talking to people in a town about this show, exactly what P.T. Barnum did, an advanced troop to build excitement for the show that’s coming to town. Dave Young: Yeah. I love it. Stephen Semple: Yeah. It works so well that we actually ended up doing a joint marketing thing after a few years with Pepsi. Dave Young: Very cool. Very cool. Stephen Semple: But it’s that idea, create excitement, create all this stuff, advance in town, and tensions required. Stories are powerful. Curiosity is the most powerful thing. Attention is a currency. Dave Young: Yeah, absolutely true. And when we started the episode, I said, “Oh, he invented the three-ring…” I don’t think he invented it. He knew. I think when I hear the story that he didn’t start Ringling Brothers Barnum and Bailey till he was 61- Stephen Semple: Isn’t that crazy? Dave Young: … he’s just applying all the things he knew. Stephen Semple: Yes. Dave Young: Right? He knew. And I mean, I’ve even heard Roy talk about this. When you talk about going, sending an advanced team to say, “You’re going to be amazed. It’s going to be great. It’s going to be wonderful. You won’t believe your eyes,” you can take that back to… One example is John the Baptist going ahead of Jesus saying, “He’s the Son of God. He’s going to be amazing,” right? But I think you could probably go back even farther. I doubt that there was a Roman circus or gladiator event that didn’t have somebody- Stephen Semple: Oh, God. Hawk it. Dave Young: …screaming about it for weeks ahead. Stephen Semple: I’m sure. I’m sure. That’s a great observation. Dave Young: And then about the same time as this, one of my fellow Nebraskans, Buffalo Bill Cody, was putting together his Wild West Show. And it was actually P.T. Barnum that gave him the advice of taking it to Europe. Stephen Semple: Oh, is that right? Dave Young: Because a taste of the Old West will astonish Europeans. Stephen Semple: That’s really interesting. Dave Young: Right? They’ve read about it. They’ve heard about it, but now you bring these cowboys and rough riders and… Stephen Semple: But what’s really interesting about that is that speaks to his comment, about Barnum’s comment about curiosity being the most powerful emotion. Because taking a show about the Wild West at that time to Europe, of course, people are going to be curious. What’s a cowboy really look like? Dave Young: Yeah. Well, if you do that in Western Nebraska, it’s like, “Okay. Well, so it’s just a bunch of the local town folk got together and are putting on a little rodeo. We’ve seen that.” But people in Europe haven’t. Stephen Semple: And it’s funny, is it Culver’s? Culver’s. That was one of the ones- Dave Young: The hamburger place? Stephen Semple: No, not the- Dave Young: No. Stephen Semple: I’m drawing a brain on the restaurant, but it was one that did the barbecue. And remember he started- Dave Young: Huh. Stephen Semple: … in Minnesota, rather than starting a barbecue place in Texas. And part of it is it would be different and whatnot, but I also wonder if there would’ve been a little bit of curiosity in Minnesota. “Boy, I wonder what really good barbecue tastes like.” Dave Young: Sure. Stephen Semple: Right? Anyway, it’s just interesting that that parallels. But my favorite, my favorite quote of P.T. Barnum’s, and again, who knows whether this is really what he said, but it was one of the ones I came across, and I really liked it. “Without promotion, something terrible happens. Nothing.” Dave Young: Oh, wow. Yeah, nothing. Stephen Semple: Just love that. “Without promotion-“ Dave Young: Ain’t that the truth? Stephen Semple: “… something terrible happens. Nothing.” Dave Young: Mm-hmm. He’s exactly right. Stephen Semple: It’s pretty cool what he did and where his innovation was. And then again, this whole idea of creating interest and excitement ahead of the event. Dave Young: Yeah. Well, I’m glad to hear this story. Thank you for bringing the P.T. Barnum story to the Empire Builders. And that circus went on for a long time. I think it only recently closed down in the last 10, 15 years, something like that. Stephen Semple: What’s really too bad about it is one of the reasons why it was shut down was kind of a lot of things with the animals, and they just didn’t seem to be able to modernize it. So you know how we often talk about look around the world? Right in front of their noses, at the time they were shutting down, right in front of their noses was a methodology that would work, and it was Cirque du Soleil. Cirque du Soleil is just a modernized circus. Dave Young: Yeah. There’s no circus animals, but there’s- Stephen Semple: There’s performers. Dave Young: … performers and a story, a storyline weaved into the whole thing. Stephen Semple: Huge storyline. Huge storyline. And, in fact, when you go to a Cirque du Soleil, the show starts before the show starts. Dave Young: Yeah, yeah. Well, and I would say that another example of that in the constant distraction, constant entertainment is if you follow Banana Ball, Jesse Cole has built this phenomenon that, I’ve been to one and, again, the entertainment starts before the game. You can actually wander around and meet players and get… They have like a parade that they come in. It’s crazy, right? It’s like a circus parade. Stephen Semple: Fun. Dave Young: But it’s constant distraction, and it’s like a circus with a baseball game in the middle of it. Stephen Semple: Nice. Yeah. Dave Young: So lots of lessons to be learned from studying P.T. Barnum. Stephen Semple: And the folks that were running P.T. Barnum at the end, if they had just had their eyes open, they could’ve seen how to do the pivot and how to make it work. Dave Young: Yeah, just- Stephen Semple: And look, and people love nostalgia right now. It could’ve been huge. Dave Young: Well, and Cirque du Soleil has taken their show on the road. Stephen Semple: They do. Dave Young: They did. Stephen Semple: They absolutely do. Dave Young: Yeah. They bring tents to cities all over. Stephen Semple: Yep. They sure do, and I love going to them. Dave Young: So, well, thank you again, Steven, for bringing us P.T. Barnum. Stephen Semple: All right. Awesome. Thanks, David. Dave Young: Thanks for listening to the podcast. Please share us. Subscribe on your favorite podcast app, and leave us a big  fat, juicy five-star rating and review at Apple Podcasts. And if you’d like to schedule your own ninety minute Empire Building session, you can do it at empirebuildingprogram.com.

Helena Horská: “If you don't feel safe, you won't do business”, Kutná Hora chocolatiers travel to London to collect ‘chocolate Oscars' medals, Strahov Library: Baroque gem ranked among the most beautiful in the world, Suitcase of journalist Milena Jesenská discovered after decades acquired by Prague museum

The artifact has been stolen and random objects in the museum are coming to life and killing the party guests! Oh, and did I mention we're about to fight a T-Rex skeleton?! What the hell are you doing still reading the description? Hit play!⁠Sign up for Talltale Tavern Bonus Action for additional content and to help support the show!⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow the podcast's socials!Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠@talltale_tavern_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠@TalltaleTavernPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠@TalltaleTavernPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Plus, join our⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠discord!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you to our players! Clay as Amuun Etka the Elf Order of Scribes WizardDayne as Kaelen, Apostle of the Clouds the Aarakocra Warror of the Mystic Arts MonkKyle as Duratan Blackfang the Orc Oath of Devotion PaladinScott as Marklay Pinglepopper the Halfling Clockwork SorcererTalltale Tavern Theme Song by Tyler AdelspergerTalltale Tavern Artwork by Tal

We're going to fail, but that's ok. Learn more about your ad choices. Visit megaphone.fm/adchoices

Zweckentfremdung des "Sondervermögens" durch die Bundesregierung laut Wirtschaftsforschungsinstituten, Neuer Schufa-Score soll Bonitätsbewertung leichter nachvollziehbar machen, Israel tötet laut eigenen Angaben iranischen Sicherheitschef, US-Präsident Trump kritisiert mangelnde Bereitschaft zur Absicherung der Straße von Hormus durch NATO-Staaten, US-Präsident Trump spricht von "freundlicher Übernahme" von Kuba, Havarierter russischer Tanker treibt im Mittelmeer, Mindestens 400 Tote bei pakistanischem Angriff auf Afghanistan, Europäischer Gerichtshof stärkt Rechte von Angestellen der katholischen Kirche und ihrer Einrichtungen, Ausstellung zeigt Werke zu Felsen von Étretat im Frankfurter Städel Museum, Das Wetter

Zweckentfremdung des "Sondervermögens" durch die Bundesregierung laut Wirtschaftsforschungsinstituten, Neuer Schufa-Score soll Bonitätsbewertung leichter nachvollziehbar machen, Israel tötet laut eigenen Angaben iranischen Sicherheitschef, US-Präsident Trump kritisiert mangelnde Bereitschaft zur Absicherung der Straße von Hormus durch NATO-Staaten, US-Präsident Trump spricht von "freundlicher Übernahme" von Kuba, Havarierter russischer Tanker treibt im Mittelmeer, Mindestens 400 Tote bei pakistanischem Angriff auf Afghanistan, Europäischer Gerichtshof stärkt Rechte von Angestellen der katholischen Kirche und ihrer Einrichtungen, Ausstellung zeigt Werke zu Felsen von Étretat im Frankfurter Städel Museum, Das Wetter

The Guilty Feminist 474. Waterstone's Book Club Presented by Deborah Frances-White with special guests Max Olesker and Jess Robinson Recorded 23 February 2026 at Waterstone's Piccadilly. Released 16 March. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Max Olesker https://www.instagram.com/maxolesker https://lnk.to/MakingTheCut https://maxolesker.com More about Jess Robinson https://www.instagram.com/jessrobinsonofficial https://jessrobinson.lnk.to/lifeisrosibook https://www.jessrobinson.co.uk For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT More Big Speeches workshops now available https://guiltyfeminist.com/big-speeches/ Come to a live show Endometriosis Special. 31 March Bloomsbury Theatre. https://www.bloomsburytheatre.com/event/2026/03/guilty-feminist-live Road to Gilead at the Museum of Comedy. https://www.museumofcomedy.com/the-guilty-feminist/ Guilty Feminist x The Nerve. https://www.leicestersquaretheatre.com/show/guilty-feminist-x-the-nerve-road-to-gilead/ Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of the AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Architect Mariam Issoufou has always been very ambivalent about museums: "Who decided that the only way to look at art is inside this intimidating, grand building, full of looted objects? For me, they are where history goes to die". So she was sceptical about accepting the job of designing a new museum in the city of Tambacounda, Senegal. Will she succeed in creating a museum that breaks the mould?With thanks to Mariam Issoufou and her team, Bassem and Wassim Shaaban, Professor Harriet Harriss PhD, Professor Lesley Lokko OBE, the Josef and Anni Albers Foundation, and Nicholas Fox Weber

This episode was recorded live at e-flux on February 10, 2026, celebrating the launch of e-flux Index #8. The recording features Piper Marshall reading from her remembrance of Dara Birnbaum. Dara Birnbaum (1946–2025) was a pioneering American video and installation artist whose various critiques and transformations of the moving image have inspired artists internationally. An architect and painter by training, Birnbaum entered the nascent field of video art in the mid-to-late 1970s challenging the gendered biases of the period and television's ever-growing presence within the American household. Her work primarily addresses ideological and aesthetic features of mass media, involving the re-manipulation of television's idiomatic grammar and enacting a complex and critical engagement with the medium's representation of political events and the public's reception of history. Piper Marshall is an art historian, curator, and critic whose practice combines rigorous research with exhibition-making. She leads innovative, interdisciplinary work on modern and contemporary art, with a focus on art and technology. She has served on curatorial teams for Joan Jonas: Good Night Good Morning (2024) and Signals: How Video Transformed the World (2023) at the Museum of Modern Art, New York. Additional exhibitions and collaborations include: Media and Mind Control (2025); Growing Sideways: Artists Performing Childhood (2024); Laurie Simmons: Clothes Make the Man (2018); Nina Chanel Abney: Safe House (2017); Judith Barry: Imagination Dead Imagine (2017); Silke Otto Knapp: Monotones (2017); Fia Backstrom: Woe Men Keep Going (2017); Sinister Feminism (2017); Judith Bernstein: Voyeur (2015); Ericka Beckman: You The Better (2015). She has written and lectured widely, contributing numerous essays and articles on the work of Joan Jonas, Dara Birnbaum, Eric N. Mack, Ed Atkins, and Carolyn Lazard. She has taught at Columbia and Wesleyan Universities. From 2014–2018, she served as an independent curator at Mary Boone Gallery. From 2007–2013, she was a curator at Swiss Institute / Contemporary Art New York. Marshall earned her PhD in the history of art and architecture from Columbia University and her BA from Barnard College. Index #8 explores the fragmentary complexity of the current moment through pointing out eleven emergent themes drawn from texts commissioned by e-flux throughout the spring of 2025. These indications for reading refuse the xenophobic illogic of the us/them, friend/enemy strategies of categorizing, and instead seek to index multiple temporalities and positions simultaneously—in a non-linear way. They bring together exhibition and film reviews, in-depth theoretical and historical essays on contemporary art, architecture, and design, interviews with artists, theorists, and filmmakers, journeys into the archive of film history, and shorter missives on sociopolitics and contemporary culture. The printed edition of the Index is available to purchase online and from select art and design bookstores, as well as museums, throughout Canada, East Asia, Europe, North America, and the United Kingdom. The publication is distributed by Antenne Books (Europe and the UK), Les presses du réel (Europe), Asterism Books (USA), Art Metropole (Canada), The Book Society (East Asia), and Buchhandlung Walther König (Germany, Austria, Switzerland). Annual subscriptions, covering four issues, are available at both institutional and individual rates here.

As a part of America's 250th Anniversary Celebration, a national exhibit that is crisscrossing the country will be coming to Middletown's historic Wayside Inn on March 27th and 28th.  Barry's guest to share the exciting news is the Mayor of Middletown, VA, Charles Harbaugh IV  www.freedom250.org          Facebook:  Town of Middletown, VA

In this episode of Conversations with Christians Engaged: Bible Revival for America 250, Bunni Pounds is joined by Dr. Carlos Campo, CEO and President of the Museum of the Bible, for a powerful conversation on Scripture, freedom, and America's spiritual future.Dr. Campo shares his personal story, his family's connection to Cuba and the meaning of liberty in America, and how God led him from a distinguished career in higher education into leadership at one of the most significant Bible-centered institutions in the world.Together, Bunni and Dr. Campo discuss the extraordinary mission of the Museum of the Bible, the importance of the Dead Sea Scrolls, the enduring impact of Scripture on the American story, and why this is such a critical moment for a fresh Bible revival in our nation.This conversation will stir your love for the Word of God and inspire you to engage in this historic moment as America approaches its 250th anniversary.In this episode: The story behind the Museum of the Bible and its mission Why the Dead Sea Scrolls matter so deeply for believers today How the Bible shaped America's founding and future Why Dr. Campo believes we are living in a biblical renaissance The significance of proclaiming Scripture aloud in Washington, D.C. The importance of faith, freedom, and civic engagement for this generationAmerica Reads the Bible is happening April 18–25 at the Museum of the Bible in Washington, D.C. Join believers from across the country as we publicly read the Bible and believe together for national renewal.Learn more:America Reads the Bible: https://AmericaReadsTheBible.comChristians Engaged: https://christiansengaged.orgMuseum of the Bible: https://museumofthebible.org

Amanda talks with Stephanie Buckwalter of Adapted Home Education about homeschooling students with special needs and how a developmental approach can help families navigate learning challenges. Stephanie shares from more than 25 years of homeschooling experience with children who have a wide range of learning profiles, including gifted students, typical learners, and a daughter with significant special needs. They discuss how focusing on development rather than curriculum can help parents better understand their child's learning patterns and create meaningful progress, even when learning feels slow or unpredictable. Stephanie also previews several of the workshops she will present at Thrive!, including sessions on developmental learning, supporting students with significant learning delays, practical strategies that influence learning outcomes, and planning for life after high school for students who may need long-term support. Later in the episode, Amanda and Melanie continue the Real World Readiness series by discussing the importance of teaching children how to write a signature. Melanie explains why learning cursive can benefit young learners, including improved letter recognition, reading and spelling support, and faster, more fluid writing.News and Upcoming EventsIngram Planetarium and Museum of Coastal Carolinas field trip  Durham Bulls Education Day  https://nche.com/2026-durham-bulls/ NCHE annual chess tournament NCHE scholarship applications

Nick starts the show by reminding everyone about the event happening this Sunday at the Museum of Broadcast Communications. It's Oscar Day with Nick Digilio, hosted by Rick Kogan, with Oscar talk, a book signing, and plenty more. If you want to go, tickets are up now at museum.tv. Film critic Steve Prokopy joins Nick next while Erik Childress is off traveling to the SXSW Film & TV Festival. Nick and Steve dig into a batch of new releases including Project Hail Mary starring Ryan Gosling, the horror film “Undertone,” the documentary “Andre Is an Idiot,” and the romantic drama “Reminders of Him.” There are a few surprises, a few disappointments, and plenty to argue about. Esmeralda Leon jumps in later and the conversation turns to Friday the 13th. There are three of them in 2026, which feels like a lot. That leads to a chat about bad luck, superstitions, and a ridiculous quiz Nick gives Esma about folklore and strange beliefs from around the world. It goes about as well as you'd expect. [Ep 437]

Susan Stinsmuehlen-Amend is an artist for whom ideas have always been more important than media, and possibly more integral to her work. It's interesting then that her art has been consistently viewed through the lens of glass. In the creation of her early X series to more recent Calendar Notations, she has pioneered techniques such as non-traditional, unfired painting on glass, mixing glass with other media, and presenting painted, decorated glass on the wall in reflected light. Throughout her career, the artist distilled her own life experiences in the creation of progressive and experimental work.  While studying Fine Arts at the University of Texas, Austin, in 1973, Stinsmuehlen-Amend was serendipitously introduced to glass and went on to become partner with Rodney Smith and designer of Renaissance Glass, an architectural glass studio. Beyond teaching and employing 14 artists, she built a creative hub that included studio space, glass supplies, a hot glass studio, education and exhibitions. Understanding the cutting edge in the field, Stinsmuehlen-Amend invited luminaries in the Studio Glass movement such as Dale Chihuly, Paul Marioni, William Morris, and Narcissus Quagliata, among others, to lecture and teach in the early 1980s. The studio became the center for contemporary glass in Texas from 1973 to 1987. While balancing single motherhood, donating time to the arts, and running her business, she became the Glass Art Society's first woman president (1984 – '86).  Concurrent with designing stained glass commissions, Stinsmuehlen-Amend was determined to make the craft form a means for personal expression. Through experimentation and rebellion and influenced by the local punk scene, her radical fashion designer best friend, Pattern & Decoration and Neo-Expressionism in art, as well as innovations in the world of craft, her work became unrestrained, kinetic, glittery, and jarring—defiantly not "tasteful" or functional. Combining mixed media with glass was a new idea at the time. For Stinsmuehlen-Amend, the shifting qualities of glass itself—its capacity to reveal, obscure, reflect, and distort—became integral to how meaning unfolds. Rooted in stained glass's narrative tradition, her story emerged through her everyday stream of consciousness rooted in the surreal logic of dreams.  In 1987, Stinsmuehlen-Amend relocated to Los Angeles, where she became a full-time artist; solo exhibitions and dynamic public art commissions followed. She was the lead artist on the Hollywood Demonstration Project in Hollywood, completing a precast concrete crosswalk with inlaid glass and bronze and an adjunct wrought iron public space. In 1994, she completed leaded glass for the AT&T corporate headquarters and The Jewish Museum, both in in New York City. Throughout these decades, she maintained her commitment to teaching, returning to Pilchuck Glass School repeatedly (1980 to 2019) and serving as a visiting artist at RISD, RIT, Tyler School of Art, California College of the Arts, and numerous other institutions. Stinsmuehlen-Amend's work is included in major collections including the Los Angeles County Museum of Art, Detroit Institute of the Arts, Oakland Museum of California, Corning Museum of Glass, Tacoma Museum of Glass, and Museum of Art and Design. She has received two National Endowment for the Arts Fellowships, two Pilchuck Hauberg Fellowships, and the 2007 Brychtová Libenský Award. The artist served 14 years on Pilchuck's Board of Directors and is a Trustee Emeritus of The American Craft Council and an Honorary Life Member of the Glass Art Society. She was recently awarded by the American Craft Council with the biennial College of Fellows honor for contributions to the craft ecosystem. Opening on May 16, 2026, at the Corning Museum of Glass, Tough Stuff: Women in the American Glass Studio will feature Stinsmuehlen-Amend's work. This new exhibition celebrates the female artists who revolutionized American Studio glass. The artist states: "Many artists found my loose and inclusive approach to working with glass inspirational because I was continually violating preconceived notions about craft and glass specifically."  

In EVN Report's news roundup for the week of March 13: the director of the Armenian Genocide Museum resigns following the prime minister's request; Armenia's Investigative Committee says the secret services of an unnamed country are pressuring Armenian citizens there to support certain parties running in the elections in Armenia; Pashinyan says Armenia is ready to provide a road connecting Azerbaijan's western regions and Nakhichevan along the Kornidzor–Goris–Yeghegnadzor–Yeraskh route.

In the 44th Patreon bonus podcast, you join John, Rich, Tom, and I back on a summer's night in 2014. We joined forces with a local team of paranormal investigators to explore one of the most notorious sites in the Scottish borders. So, what did we uncover within those cold stone walls? Would we truly encounter the restless spirits said to haunt this former prison? The audio captured that night has remained locked away for over a decade—unheard by anyone… until now. So join me as we ask, just how haunted is Jedburgh Castle Jail and Museum? Get access to the full episode at ⁠⁠⁠⁠https://www.patreon.com/howhauntedpod.⁠⁠⁠⁠ If you don't wish to subscribe to Patreon, but would still like to hear this episode, all Patreon exclusive episodes are available to be purchased individually for a one off fee of £4.99. Check out the Patreon link to find out more. Find out more about the pod at ⁠⁠⁠www.how-haunted.com⁠⁠⁠ and you can email Rob at rob@how-haunted.com Music in this episode includes: "Darren Curtis - Demented Nightmare" " HORROR PIANO MUSIC " composed and produced by "Vivek Abhishek" Learn more about your ad choices. Visit megaphone.fm/adchoices

Join Erik and Tage this week as they answer 100 questions from listeners. Support the podcast by going to https://www.thehubcrawl.com/support. 1: Janelle A: Is there a ride that you ALWAYS like to have as your last ride of the trip? 2: Ryan P: You get to move into one animated Disney character's house. Whose house is it? 3: The one and only Marie: If Episode 100 included a “Previously On The Hub Crawl” montage, what moment has to be in it and why is it Erik's locker room story? 4: Marie: What Disney announcement did you initially hate, but has now grown on you? 5: Marie: What merchandise item have you purchased because of the show? 6: Marie: What episode should be required listening for new listeners? 7: Ryan P: Corn dog or Churro 8: Ryan G-H: What has been your favorite part about doing this show? 9: Ryan GH: Cancel, Host, Guest (FMK): DL Weekly, TSR, EarzUp 10: Robert A. S. Jr.: What is the best joke you heard on the jungle cruise? Not the back side of water one. 11: Erik C: Which land at any domestic Disney park plays the best background music? 12: Erik C.: Which attraction are you most puzzled by or still trying to figure out the storyline? 13: Erin C: One popular snack is gone forever…what is it? 14: Not a host of Spokes: Who is your favorite Spokes host? 15: Erin C: Which character do you have the most photos with at the parks? 16: Erin C: You have unlimited, free access to a single snack at the parks, what is it? 17: Olivia S: You can bring back one ride at DL or WDW but you have to demolish a current ride. What are you bring back and what are you demolishing? 18: Erin C: Would you rather share a meal with Walt Disney, Roy Disney, or Lillian Disney? 19: Olivia S: What is your all time favorite snack in a Disney Park 20: Olivia S: What is your all time fave meal at a Disney park 21: Erin C: What is still on your Disney bucket list? 22: Olivia S: All time fave drink in a Disney park 23: Olivia S: What is your favorite Disney pod besides ones that you host? 24: Olivia S: You are getting a new dog or cat and naming them after a Disney character. What are you naming them? 25: Olivia S: You can build a duplicate of one attraction to your town. What attraction are you building? 26: Olivia S: What's your favorite piece of merch that own (ie something you can wear) 27: James B: Which land would be the hardest for you to say goodbye to? 28: James B: What new holiday would you like to see get an overlay and on which attraction? 29: James B: Which street entertainment group is the most likely to get you to stop? 30: James B: What has been your best character meet and greet experience? 31: James B: What's your go-to souvenir every time you visit the parks? 32: James B: What shuttered attraction would you wish to bring back? 33: James B: Where would you work in the park? 34: James B: Where is the best hot dog in the park? 35: James B: Where do you put yourself to watch the Fireworks? 36: James B: Are you a rope drop person or a close down the park person? 37: James B: You have time for one attraction and are in New Oreleans Square. If wait times are the same, are you riding Pirates or Haunted Mansion? 38: Andy M: How would you retheme the Disneyland Peter Pan queue to make it more interactive and plus up the storytelling? 39: Andy M: What ride would benefit the most from an on-ride photo op? 40: Andy M: What lesser-known/niche character would you love to see more of in the park as a meet n' greet? 41: Andy M: Assuming the rumors come true about a Haunted Mansion restaurant coming to the WDW Magic Kingdom, what would you want to see inside that would make it live up to our insane (unfair?) expectations? 42: Andy M: What is your favorite/most-treasured item you've bought while at a Disney resort/park and what is the dumbest thing you've willingly wasted money on at a resort/park? 43: Jeff V: Disneyland or DCA? 44: Robert A. S. Jr.: Why is Canada the best land in Epcot? 45: Robert A. S. Jr.: Why do you love the muppets and who is the best muppet? 46: Robert A. S. Jr.: You have a vip to take you on one ride and eat 1 thing in the park and then you go home. What do you eat and ride? 47: Stephanie S: if you could interview anyone working at the Walt Disney company today; who would it be and what 3 questions would you ask them first? 48: Trebor R: You have to add a stop to any monorail in any Disney park. What park and what stop are you adding? 49: Kris S: What's your favorite overlay at the parks? 50: Kris S: Favorite Haunted Mansion ghost? 51: Conor S: Favorite festival or foodie guide? 52: Marie: What is something you have done on a Disney vacation that you would likely never do again? 53: Marie: 70 years in, what's your pick for the most overhyped part of Disneyland—and what's the most underrated gem people still don't appreciate? 54: Marie: If you could have any Disney character as a BFF, who would you choose? 55: Ryan GH: Who is a particularly memorable guest you've had on the show? 56: Ryan GH: What type of questions do you enjoy answering the most? 57: Ryan GH: If you could have 2 characters from any Disney property as guests on this show, who would it be? 58: Kris S: Best specialty churro you've ever had? 59: Marie: What question asked on the show revealed way too much about someone? 60: Kris S: Favorite Disney song of all time? 61: Ryan P: You can only ride one attraction for the rest of time at your favorite park. What is it? 62: Marie: What guest behavior causes you irrational rage every time? 63: Ryan P: You can time travel. Which decade would you like to visit your favorite park in? 64: Kate A: What Disney parks snack should have an entire festival at either Epcot or DCA dedicated to it? 65: Ryan P: What fairy tale that has not yet been adapted into a Disney animated feature should be their next project 66: Ryan P: Josh has already had to step down, you're suddenly named CEO. What are the first three things you do to improve the company? 67: Kate A: What WDW Resort hotel would you like to magically transport to Disneyland Resort? 68: Ryan P: One attraction all the audio animatronics and set pieces are suddenly real every night after floating (à la Night at the Museum). To which attraction would you like to see this happen? 69: Kate A: If you had to wear one Disney Parks cast member costume every day for a year, which would you choose? 70: Jude A: What character would you like to see on the stern of a future Disney Cruise Line ship? 71: Kate A: Which Disney villain would you least like to run into in a dark alley? 72: Marie: You went to Garner Holt's workshop and built an animatronic to install at a Disney Park. What is its name? What does it do? And where are you putting it? 73: Kate A: Which Disney villain probably had a valid point? 74: Kate A: What Disney song could you most accurately sing on command? 75: Bryan: What feature do you feel is missing from the Disneyland/WDW mobile apps? 76: Bryan: Disneyland semi-recently started selling the Monte Cristo sandwich at Royal Street Veranda. What sit-down meal do you wish Disney would offer as a quick service option? 77: Bryan: With Josh D'Amaro ascending to CEO, predict the next head of Disney Parks & Experiences. 78: Ryan GH: If you could host a podcast in the general orbit of The Hub Crawl (i.e. the host(s) have been on THC) that you don't currently host, which show would it be? 79: Conor S: What food is lacking at the parks? 80: Conor S: If you could bring back one attraction from extinction what would it be? 81: Shannon W: Is classic Disney better than modern Disney? 82: Shannon W: If you had to preform one Disney song karaoke-style, which would you choose? 83: Shannon W: What was your very first Disney movie, and how did it make you feel? 84: Shannon W: Which character would make the best real life best friend? 85: Kris S: Favorite pavilion at EPCOT? 86: Ryan P: If you could ride one attraction with one character what attraction and character would it be? 87: Ryan P: You can walk around the inside of any attraction you want. Which attraction do you choose? 88: Ryan P: What character do you think is under represented in the parks? 89: Timothy Q M: Does anyone else see pink elephants when they drink the “special” water? 90: Ryan P: You have to live in the world of the last Disney animated film you watched for one year. How's your life going to be? 91: Ryan P: What would you do to market ‘original' ideas for films better, or how would you get fans to purchase tickets to these films? Fans keep saying no more sequels, but when an original idea film comes out, box office numbers are poor. 92: Shannon W: Which Disney movie do you think gets better as you get older? 93: Ryan P: what is your best memory or thing you like best about doing this podcast? 94: Shannon W: If you could live inside a Disney movie, which one would you choose? 95: Shannon W: What's the most powerful Disney song ever? 96: Shannon W: Which movie has the strongest overall soundtrack? 97: Shannon W: If two Disney characters from different movies met, who would be best friends? 98: Erin C: Dole whip or Churro? 99: Erin C: Rope drop or close the park? 100: Erin C: What kind of merch would you like to see sold on Main Street in Disneyland that's not already sold there.

Join Erik and Tage this week as they answer 100 questions from listeners. Support the podcast by going to https://www.thehubcrawl.com/support. 1: Janelle A: Is there a ride that you ALWAYS like to have as your last ride of the trip? 2: Ryan P: You get to move into one animated Disney character's house. Whose house is it? 3: The one and only Marie: If Episode 100 included a “Previously On The Hub Crawl” montage, what moment has to be in it and why is it Erik's locker room story? 4: Marie: What Disney announcement did you initially hate, but has now grown on you? 5: Marie: What merchandise item have you purchased because of the show? 6: Marie: What episode should be required listening for new listeners? 7: Ryan P: Corn dog or Churro 8: Ryan G-H: What has been your favorite part about doing this show? 9: Ryan GH: Cancel, Host, Guest (FMK): DL Weekly, TSR, EarzUp 10: Robert A. S. Jr.: What is the best joke you heard on the jungle cruise? Not the back side of water one. 11: Erik C: Which land at any domestic Disney park plays the best background music? 12: Erik C.: Which attraction are you most puzzled by or still trying to figure out the storyline? 13: Erin C: One popular snack is gone forever…what is it? 14: Not a host of Spokes: Who is your favorite Spokes host? 15: Erin C: Which character do you have the most photos with at the parks? 16: Erin C: You have unlimited, free access to a single snack at the parks, what is it? 17: Olivia S: You can bring back one ride at DL or WDW but you have to demolish a current ride. What are you bring back and what are you demolishing? 18: Erin C: Would you rather share a meal with Walt Disney, Roy Disney, or Lillian Disney? 19: Olivia S: What is your all time favorite snack in a Disney Park 20: Olivia S: What is your all time fave meal at a Disney park 21: Erin C: What is still on your Disney bucket list? 22: Olivia S: All time fave drink in a Disney park 23: Olivia S: What is your favorite Disney pod besides ones that you host? 24: Olivia S: You are getting a new dog or cat and naming them after a Disney character. What are you naming them? 25: Olivia S: You can build a duplicate of one attraction to your town. What attraction are you building? 26: Olivia S: What's your favorite piece of merch that own (ie something you can wear) 27: James B: Which land would be the hardest for you to say goodbye to? 28: James B: What new holiday would you like to see get an overlay and on which attraction? 29: James B: Which street entertainment group is the most likely to get you to stop? 30: James B: What has been your best character meet and greet experience? 31: James B: What's your go-to souvenir every time you visit the parks? 32: James B: What shuttered attraction would you wish to bring back? 33: James B: Where would you work in the park? 34: James B: Where is the best hot dog in the park? 35: James B: Where do you put yourself to watch the Fireworks? 36: James B: Are you a rope drop person or a close down the park person? 37: James B: You have time for one attraction and are in New Oreleans Square. If wait times are the same, are you riding Pirates or Haunted Mansion? 38: Andy M: How would you retheme the Disneyland Peter Pan queue to make it more interactive and plus up the storytelling? 39: Andy M: What ride would benefit the most from an on-ride photo op? 40: Andy M: What lesser-known/niche character would you love to see more of in the park as a meet n' greet? 41: Andy M: Assuming the rumors come true about a Haunted Mansion restaurant coming to the WDW Magic Kingdom, what would you want to see inside that would make it live up to our insane (unfair?) expectations? 42: Andy M: What is your favorite/most-treasured item you've bought while at a Disney resort/park and what is the dumbest thing you've willingly wasted money on at a resort/park? 43: Jeff V: Disneyland or DCA? 44: Robert A. S. Jr.: Why is Canada the best land in Epcot? 45: Robert A. S. Jr.: Why do you love the muppets and who is the best muppet? 46: Robert A. S. Jr.: You have a vip to take you on one ride and eat 1 thing in the park and then you go home. What do you eat and ride? 47: Stephanie S: if you could interview anyone working at the Walt Disney company today; who would it be and what 3 questions would you ask them first? 48: Trebor R: You have to add a stop to any monorail in any Disney park. What park and what stop are you adding? 49: Kris S: What's your favorite overlay at the parks? 50: Kris S: Favorite Haunted Mansion ghost? 51: Conor S: Favorite festival or foodie guide? 52: Marie: What is something you have done on a Disney vacation that you would likely never do again? 53: Marie: 70 years in, what's your pick for the most overhyped part of Disneyland—and what's the most underrated gem people still don't appreciate? 54: Marie: If you could have any Disney character as a BFF, who would you choose? 55: Ryan GH: Who is a particularly memorable guest you've had on the show? 56: Ryan GH: What type of questions do you enjoy answering the most? 57: Ryan GH: If you could have 2 characters from any Disney property as guests on this show, who would it be? 58: Kris S: Best specialty churro you've ever had? 59: Marie: What question asked on the show revealed way too much about someone? 60: Kris S: Favorite Disney song of all time? 61: Ryan P: You can only ride one attraction for the rest of time at your favorite park. What is it? 62: Marie: What guest behavior causes you irrational rage every time? 63: Ryan P: You can time travel. Which decade would you like to visit your favorite park in? 64: Kate A: What Disney parks snack should have an entire festival at either Epcot or DCA dedicated to it? 65: Ryan P: What fairy tale that has not yet been adapted into a Disney animated feature should be their next project 66: Ryan P: Josh has already had to step down, you're suddenly named CEO. What are the first three things you do to improve the company? 67: Kate A: What WDW Resort hotel would you like to magically transport to Disneyland Resort? 68: Ryan P: One attraction all the audio animatronics and set pieces are suddenly real every night after floating (à la Night at the Museum). To which attraction would you like to see this happen? 69: Kate A: If you had to wear one Disney Parks cast member costume every day for a year, which would you choose? 70: Jude A: What character would you like to see on the stern of a future Disney Cruise Line ship? 71: Kate A: Which Disney villain would you least like to run into in a dark alley? 72: Marie: You went to Garner Holt's workshop and built an animatronic to install at a Disney Park. What is its name? What does it do? And where are you putting it? 73: Kate A: Which Disney villain probably had a valid point? 74: Kate A: What Disney song could you most accurately sing on command? 75: Bryan: What feature do you feel is missing from the Disneyland/WDW mobile apps? 76: Bryan: Disneyland semi-recently started selling the Monte Cristo sandwich at Royal Street Veranda. What sit-down meal do you wish Disney would offer as a quick service option? 77: Bryan: With Josh D'Amaro ascending to CEO, predict the next head of Disney Parks & Experiences. 78: Ryan GH: If you could host a podcast in the general orbit of The Hub Crawl (i.e. the host(s) have been on THC) that you don't currently host, which show would it be? 79: Conor S: What food is lacking at the parks? 80: Conor S: If you could bring back one attraction from extinction what would it be? 81: Shannon W: Is classic Disney better than modern Disney? 82: Shannon W: If you had to preform one Disney song karaoke-style, which would you choose? 83: Shannon W: What was your very first Disney movie, and how did it make you feel? 84: Shannon W: Which character would make the best real life best friend? 85: Kris S: Favorite pavilion at EPCOT? 86: Ryan P: If you could ride one attraction with one character what attraction and character would it be? 87: Ryan P: You can walk around the inside of any attraction you want. Which attraction do you choose? 88: Ryan P: What character do you think is under represented in the parks? 89: Timothy Q M: Does anyone else see pink elephants when they drink the “special” water? 90: Ryan P: You have to live in the world of the last Disney animated film you watched for one year. How's your life going to be? 91: Ryan P: What would you do to market ‘original' ideas for films better, or how would you get fans to purchase tickets to these films? Fans keep saying no more sequels, but when an original idea film comes out, box office numbers are poor. 92: Shannon W: Which Disney movie do you think gets better as you get older? 93: Ryan P: what is your best memory or thing you like best about doing this podcast? 94: Shannon W: If you could live inside a Disney movie, which one would you choose? 95: Shannon W: What's the most powerful Disney song ever? 96: Shannon W: Which movie has the strongest overall soundtrack? 97: Shannon W: If two Disney characters from different movies met, who would be best friends? 98: Erin C: Dole whip or Churro? 99: Erin C: Rope drop or close the park? 100: Erin C: What kind of merch would you like to see sold on Main Street in Disneyland that's not already sold there.

3月13日OAのゲストは、イモムシ画家の桃山鈴子さんです。 繊細で色彩感に富むイモムシの姿を細密に描写する 日本初の「イモムシ画家」として 作品集『わたしはイモムシ』などを出版。 さらに最新刊として、幼い頃からの様々な生きもの飼育の思い出を描いた エッセイ集『飼い主もも』を出版したばかりの桃山さん。 なぜイモムシ画家になったのか？ そもそもイモムシには、どんな魅力があるのか？ バラカンさんも興味津々のトークが展開します。 イモムシ画家 - 桃山鈴子公式ウェブサイト https://suzukomomoyama.com 『飼い主もも』 https://www.raichosha.co.jp/book/1644 ＜オンエア楽曲＞ Jefferson Airplane『White Rabbit』

In Episode #93 of The Hometown Bluegrass Show, Tim Batts and Josh Williams sit down with Grammy-winning bluegrass powerhouse Dan Tyminski just moments before he takes the stage at the Bluegrass Music Hall of Fame & Museum in Owensboro, Kentucky.Best known for his unmistakable voice with Alison Krauss & Union Station and for singing the iconic version of Man of Constant Sorrow from the film O Brother, Where Art Thou?, Dan reflects on his journey through bluegrass, the evolution of his solo career, and the music that continues to inspire him.From classic bluegrass roots to modern collaborations and new music, this episode offers a candid conversation with one of the most respected voices in acoustic music.

We Remember 3/13/26: We remember Paki Wieland. The War in Iran w/ Smith Professors Naveed Mansoori & Brent Durbin. Josh Silver: the politics of the War. Edo Mor: the Valley's music scene. “Mean Girls” at NHS. ArtBeat w/ Donnabelle Casis & Michael Tillyer of NE Visionary Artists Museum: “Headspace Two.

Episode No. 749 features curator Mari Carmen Ramírez and Isabelle Frances McGuire. Ramírez is the curator of "Frida: The Making of an Icon" at the Museum of Fine Arts, Houston. The exhibition reveals how Frida Kahlo went from virtually unknown to mainstream audiences at the time of her death in 1954 to becoming famed as both an artist and as a kind of celebrity icon. Among the factors it identifies are North American geopolitics, the role of culture in the promotion of nationhood, tourism, and international trade, and more. "Frida" features more than 30 works by Kahlo and 120 more by five generations of artists she inspired. It is on view at the MFAH through May 17. A fascinating catalogue was published by the MFAH in association with Yale University Press. Amazon and Bookshop offer it for about $60. McGuire is included in the 2026 biennial exhibition at the Whitney Museum of American Art, New York. The show was curated by Marcela Guerrero and Drew Sawyer with Beatriz Cifuentes and Carina Martinez. It's on view through August 23. This segment was taped when McGuire was included in the Museum of Contemporary Art Chicago's "Descending the Staircase" exhibition in 2024. McGuire is a Chicago-based artist whose work considers the body and how our understanding of it can be filtered by video games, film, animatronics, and other technologies. The 2024 MCA Chicago exhibition marked her first inclusion in a museum exhibition; since then McGuire has shown at Artist's Space, New York, and at the Renaissance Society, Chicago. For images see Episode No. 648. Instagram: Isabelle Frances McGuire, Tyler Green.

Today on AirSpace: the scandal of the century! Matt and Emily are joined by friend of the show and Museum curator Bob van der Linden to learn all the twists and turns of the Air Mail Crisis of 1934.The controversy centered on one question: who should fly the mail? Conflicts between brand-new commercial airlines, Congress, and the Roosevelt administration reached a boiling point that led to lucrative contracts being cancelled and the disastrous involvement of the Army Air Corps. In the aftermath, new regulation shaped commercial flight and the Postal Service for generations. This story is a political drama, a postal drama, AND an aviation drama. What more can you ask for?Thanks to our guest in this episode:Dr. Bob van der Linden, Curator for Commercial Aviation, National Air and Space MuseumFind the transcript for this episode and more information at s.si.edu/airspaces11e8.To learn even more about the Air Mail Crisis, check out the Museum's website.Subscribe to our monthly newsletter at s.si.edu/airspacenewsletter.AirSpace is made possible with the generous support of Lockheed Martin.

In this episode, conceptual artist Ahmet Öğüt travels by train through Ottoman Turkey, the former Yugoslavia and Western Balkans, to the London Underground today, navigating histories and contemporary expressions of solidarity via the 2025 programme, Revolutionary Roads. Destination: Comradeship.Revolutionary Roads. Destination: Comradeship was organised by the Moderna galerija in Ljubljana, the Museum of African Art in Belgrade, and the Museum of Contemporary Art of Montenegro in Podgorica in August 2025.Ahmet Öğüt: Saved by the Whale's Tail, Saved by Art is at Stratford Station in London until December 2026, commissioned by Art on the Underground and New Contemporaries.Museum Yet to Be is at the Museum of Contemporary Art of Montenegro in Pogdorica until 15 March 2026.Translated into Socialism was at the Moderna galerija in Ljubljana until 8 February 2026.The East Remains Possible is at the Museum of Contemporary Art in Skopje (MoCA – Skopje) until March 29, 2026.For more from Art on the Underground, listen to contemporary artist Barby Asante on her collective choral performance, Declaration of Independence (2023), at Stratford Station in London: pod.link/1533637675/episode/aa2803b68933ab974ca584cf6a18479cAnd on migrations between Turkey and France, hear Nil Yalter, awardee of the Golden Lion for Lifetime Achievement at the Venice Biennale in 2024, at Ab-Anbar Galleryduring London Gallery Weekend 2023, with Exile is a Hard Job (1974-Now): pod.link/1533637675/episode/36b8c7d8d613b78262e54e38ac62e70fPRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936And Instagram: instagram.com/empirelinespodcastSupport EMPIRE LINES on Patreon: patreon.com/empirelines

TODAY on the GWA Podcast: the renowned art historian and writer, Nicholas Fox Weber discussing ANNI ALBERS! A graduate of Columbia College and Yale University, who received his PhD at the University of Groningen, Weber is a prolific and esteemed author of over a dozen books – including The Bauhaus Group, Le Cor­busier, Balthus A Biography, Patron Saints, The Art of Babar, and many more – as well as being the founder of a non-profit organisation that supports arts, education and medical care in Senegal… But! The reason why we are speaking to him today is because, for nearly 50 years, he has devoted himself to the lives and works of the pioneering 20th century German-born artists – who lived in the US for much of their adult life – Josef and Anni Albers. As the Executive Director of their foundation, Weber has written extensively on them, bringing their work to the fore, and championing and preserving their legacy. While Josef Albers is a trailblazing artist whose theories on colour, and teaching methods, have shaped much of contemporary art, it is the brilliant Anni Albers who we will be discussing today. Born in 1899, and a student of the Bauhaus and a teacher at Black Mountain College, Albers is known for spellbinding weavings that span large-scale practical wall-coverings to smaller thread-based works that she infused with geometric, rhythmic patterning and electric colouring. The first artist working in textile to be honoured with a major solo exhibition at the Museum of Modern Art, and a celebrated writer known for her books – On Designing / On Weaving – Albers, it is fair to say brought the medium into the modernist world, while also deeply rooting it in ancient textile traditions from around the world. I am delighted to be speaking to Weber ahead of the publication of his extraordinary new book, Anni Albers: A Life, out this April, that charts the life of this artist who he was lucky enough to call a close friend, and who we are lucky to now witness in a new way thanks to the extensive personal stories he has gathered from the many times they would meet, whereby he would rush to write down everything she said verbatim, so we could one day have this extraordinary record. HIS BOOK: https://www.waterstones.com/book/anni-albers/nicholas-fox-weber//9780300269376?sv1=affiliate&sv_campaign_id=626889&awc=3787_1773140986_d2d13306eaf5d21d4b7bc0e74ed2dd43&utm_source=626889&utm_medium=affiliate&utm_campaign=adstrong -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Music by Ben Wetherfield

Sometimes referred to as "the Uffizi of southern Italy," the Capodimonte Museum in Naples, Italy, houses one of the world's most important collections of Italian Renaissance painting. It includes masterpieces such as the "Crucifixion" by Masaccio, Titian's "Danaë" and  "Portrait of Pope Paul III," Caravaggio's "Flagellation," and Artemisia Gentileschi's "Judith and Holofernes," just to name a few.  

Send a textSend a textJB leads all 5 of us as we talk about the upcoming 2026 Edition of the 48 in 48 Global Group Build and fundraiser to benefit Models for Heroes the weekend of March 20, 2026. We also do a Modelfiesta Wrap Up, talk about our visits to The Model Box in Boerne, Texas and Lionheart Hobby in Kyle, Texas, and finally a summary of a GREAT model show - Winterblitz - located at the Museum of the American GI in College Station. JB also leads us in two discussion points - lessons learned when moving across different genres, and also why are Vintage kits so popular? All of the hosts have strong opinions on this one, and that end of things, one side prevails - either the practicality or new, better kits, or the nostalgia and romance of vintage kits. Tune in to see which side came out on top! Remember to check out our YouTube page and our new regular video content at the Plastic Posse Podcast YouTube Page: https://www.youtube.com/channel/UCP7O9C8b-rQx8JvxFKfG-Kw If you would like to become a Posse Outrider, and make a recurring monthly donation of $ 1 and up, visit us at www.patreon.com/plasticpossepodcast .Plastic Posse Podcast on Facebook: https://www.facebook.com/PlasticPossePlastic Posse Group on Facebook: https://www.facebook.com/groups/302255047706269Plastic Posse Podcast MERCH! : https://plastic-posse-podcast.creator-spring.com/Plastic Posse Podcast on YouTube:https://www.youtube.com/channel/UCP7O9C8b-rQx8JvxFKfG-KwOrion Paintworks (TJ): https://www.facebook.com/orionpaintworksJB-Closet Modeler (JB): https://www.facebook.com/closetmodelerThree Tens' Modelworks (Jensen): https://www.facebook.com/ThreeTensModelWorksRocky Mountain Expo: https://rockymtnhobbyexpo.com/SPONSORS:Tankraft: https://tankraft.com/AK Interactive: https://ak-interactive.com/Tamiya USA: https://www.tamiyausa.com/Micro World Games: https://mwg-hobbies.com/Bases By Bill: https://basesbybill.com/?srsltid=AfmBOoojwgAlnXwsJcB_SlYzeclVt9ZuIX3Fd18Ig9k5f4vyIYmihobbSupport the showSupport the show

Emily Dustman is an antidisciplinarian; intertwining science, art, and innovative teaching practices.  In this episode, she talks about the importance of field work, awareness of the entire ecosystem, respecting the history, doing things differently, and collaboration through creation.About the GuestEmily A. Dustman is an antidisciplinarian whose practice blurs and expands the boundaries between art and science. She is the founder and creative director of E-Squared Magazine, an award-winning international print publication archived at Stanford that draws from diverse fields of inquiry to spark creative thought, experimentation, and cultural transformation.Dustman's work intertwines scientific research, visual art, and innovative pedagogy. She has been published in peer-reviewed journals for her research on species of conservation concern, and her academic journey includes leading science courses and STEAM curriculum development across universities. After completing a Natural Science Illustration program at the Rhode Island School of Design and painting the Turtles of Rhode Island through research at Harvard's Museum of Comparative Zoology, she has championed the use of art to communicate complex scientific ideas. Currently pursuing doctoral research focused on integrating art into science education, Emily teaches biology, environmental science, and sci-art workshops while creating work that invites curiosity, dialogue, and transformative understanding.LinkedIn: https://www.linkedin.com/in/emilydustman/Website: http://www.emilydustman.com/Magazine: https://www.esquaredmagazine.com/To learn more, visit:linkedin.com/in/jason-Shupp-18b4619bListen to more episodes on Mission Matters:https://missionmatters.com/author/Jason-Shupp/

Nick kicks things off by talking about Oscar Day with Nick Digilio at the Museum of Broadcast Communications happening Sunday, March 15 from noon to 2:30. The event celebrates the Oscars and Nick's book, with Rick Kogan hosting the afternoon. If you want to be there, tickets are available now at museum.tv. Comedian and podcast host Lauren LoGiudice stops by next to talk about the upcoming Misfit Variety Show at The Annoyance Theatre. After that, TV critic Dan Fienberg from The Hollywood Reporter checks in for his regular TV rundown. They get into the HBO series “DTF St. Louis,” “Rooster” starring Steve Carell, and the new Guy Ritchie series “Young Sherlock” featuring Colin Firth and Joseph Fiennes. They also talk about the latest SNL episodes and the new season of Top Chef. Esmeralda Leon closes things out with some Oscar chatter, complaints about Daylight Saving Time, and a few more traditions that probably should have disappeared years ago. It's a full show with movies, TV, comedy, and the usual amount of chaos. [Ep 436]

A man recently released from ICE custody in Adelanto has died. How L.A. plans to keep fans safe from the heat during the World Cup. This weekend you can "drop in" to a new exhibit on L.A.'s skateboard culture. Plus, more from Evening Edition. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

Are there ancient "stargates" in Iran? As geopolitical tensions rise, so do the outrageous claims of hidden portals and supernatural weapons. On this episode of The Secret Teachings, host Ryan Gable deconstructs the latest viral misinformation spreading across the internet.We examine why we haven't seen "evidence" of these portals in conflict zones like Iraq or Venezuela until it serves a specific clickbait narrative. From the myth of the Iran Stargate to the hijacking of legitimate archaeological efforts labeled as "Project Resurrection," we peel back the layers of how sleazy digital exploitation uses death and chaos for social media engagement.Is there a government project aiming to bring an ancient god back to life, or is a real project to preserve antiquities being weaponized by "conspiracy" influencers? Let's be clear: the burden of proof lies on those making the claims. Tonight, we demand the evidence and expose the logic—or lack thereof—behind the modern mythology of the "Stargate" era.*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.

New York City offers nearly unlimited activities, restaurants, and unique landmarks to explore. Wasting your time on overhyped or overpriced attractions can eat away at your valuable time in the city.In this article, we're gonna help you avoid wasted time and money by calling out five overrated NYC attractions you can keep OFF your itinerary.Plus, we'll provide alternatives to each of these common tourist traps.1- Serendipity 3The crowds are hectic, the ambiance is overstimulating, and none of the food or desserts we tried were very good.Instead, go to Caffè Panna or Grace Street.2- Statue of Liberty/Ellis IslandWe've covered this in full detail previously, but this experience is too long, too crowded, and too much waiting in line to be worth your time. Instead, take the free Staten Island Ferry or simply view the Statue of Liberty from Lower Manhattan.3- The Charging Bull in FiDi The crowds around this statue overstate what you'll actually get out of the experience. While passing by is great, we wouldn't go out of our way to view this statue. Instead, go to the 9/11 Memorial Pools.4- Central Park ZooThe Central Park Zoo is actually quite small, with not very many animals. If you want a zoo experience, go to the Bronx Zoo. It has 265 acres and SO many exhibitions.5- Museum of Ice Cream/Color/IllusionsIf social media didn't exist, neither would these "museums". Instead of spending the $30 or so for one of these money grabs, go to any of the iconic museums like the MoMA, The MET, or the Museum of Natural History.You'll Have to Check It Out - Swift Hibernian LoungeProbably the coziest Irish pub you'll find, with an unbelievable pour of Guinness. We also loved the communal table in the back section! Check out Swift here.Want even more NYC insights? Sign up for our 100% free newsletter to access:Dozens of Google Maps lists arranged by cuisine and location50+ page NYC Navigation Guide covering getting to & from airports, taking the subway & moreWeekly insights on top spots, upcoming events, and must-know NYC tipsGet started here: ⁠⁠⁠⁠⁠⁠https://rebrand.ly/nyc-navigation-guide

Episode Summary Host Janet Michael visits Winchester Little Theatre to preview their upcoming production "Decision Height," opening March 13th. This powerful play tells the overlooked story of the Women Airforce Service Pilots (WASPs) of World War II—courageous women who left everything to fly military planes and free up male pilots for combat. Director Theresa Apple and cast members share insights into bringing these real historical figures to life during Women's History Month, discussing their research process, military training exercises, and the bonds they've formed as an all-female ensemble. Guests: Tim Bambera (Publicity Director), Theresa Apple (Director), Ella Drury, Lyla Samet, Shelby Brown, Ash James (Cast Members) Production Details & Ticket Information Show dates: March 13-28, 2025 Ticket prices: Adults $25, Seniors $23, Students $18 IMPORTANT: Only purchase tickets from winchesterlittletheatre.org Warning about third-party ticket resellers The Story Behind Decision Height Who were the WASPs? 25,000 applied, only 1,100 accepted 38 killed during service 40 years to receive military recognition Director Theresa Apple on the Production Research at the National WASP Museum in Sweetwater, Texas Authentic set design with replica WWII cockpits Drill sergeant training on audition day Teaching young actors about 1940s women's comportment Meet the Cast: Ella Drury (Alice Hawkins) Playing a maternal figure in the group First all-female cast experience Watching documentaries and video interviews with real WASPs The pressure and honor of portraying real historical figures Lyla Samet (Carol Henderson) Playing the youngest, most energetic character How she and Ella met at the theater doing "Alice in Wonderland" Carol's backstory: Oklahoma farm girl whose mother left First main stage audition experience Shelby Brown (Mildred Simmons) Creating a distinctive voice for her character Coming from a military family and being a history buff Knowledge of the British Spitfires (precursor to WASPs) Building character depth beyond the script Ash James (Edith "Eddie" Harknell) Playing a tomboy character who grew up with all men Personal connection: grew up with brothers, played sports The rarity of non-feminine female roles Emotional reflection on female service members' discrimination Cast Bonding & Ensemble Building Deliberately spending time together outside rehearsals Mirroring the real WASPs' journey from strangers to family How relationships evolve throughout the show The importance of authentic connections on stage Special Events & Upcoming Productions March 15th: Special talkback with author Patricia O'Connell Pearson ("Fly Girls: The Daring American Women Pilots Who Helped Win WWII") April 3rd: Illusionist Ryan Schaffer (family-friendly, 50/50 door split) May 15-30: "Calendar Girls" (auditions March 22-23) WLT Kids 2026: "Three Musketeers" (June 20-27) & "James and the Giant Peach Jr." (July 18-25) Resources & Links Winchester Little Theatre: Website: winchesterlittletheatre.org Phone: 540-662-3331 Box Office Hours: Mondays & Wednesdays, 4-6 PM Facebook: https://www.facebook.com/winlit Instagram: https://www.instagram.com/winchesterlittletheatre Production Information: "Decision Height" runs March 13-28, 2025 93% sold out as of recording Opening night sold out Join waiting list for sold-out shows by calling the box office About the WASPs The Women Airforce Service Pilots (WASPs) served from 1942-1944, flying every type of military aircraft to free male pilots for combat duty. Despite their service: They were not recognized as military until 1977 (President Jimmy Carter) Full military benefits not granted until 2009 (President Barack Obama) Congressional Medal of Honor awarded in 2010 Museum located in Sweetwater, Texas at the original Avenger Field training site

Johnny Mac shares five good news stories: Vancouver opened a pop-up Museum of Personal Failure at Kingsgate Mall, created by Evan after a breakup, featuring donated objects with written explanations such as a wall of rejection letters, failed relationship notes, broken car parts, and unfinished songs. A missing parakeet named Snow was caught after landing on a kindergartener's head at St. No's Catholic School and was reunited with her family. In San Diego, Cassie received a library copy of The Incredible Journey 46 years late with an unsigned apology note, and she plans to keep it on her shelf. Harold (91) and Francis (90) renewed vows on their 70th anniversary after eloping in the 1950s. Oscar Mayer's six Wienermobiles return for the Weenie 500 on May 22 at Indianapolis Motor Speedway.John also hosts Daily Comedy NewsUnlock an ad-free podcast experience with Caloroga Shark Media!  For Apple users, hit the banner which says Uninterrupted Listening on your Apple podcasts app. Subscribe now for exclusive shows like 'Palace Intrigue,' and get bonus content from Deep Crown (our exclusive Palace Insider!) Or get 'Daily Comedy News,' and '5 Good News Stories' with no commercials! Plans start at $4.99 per month, or save 20% with a yearly plan at $49.99. Join today and help support the show!Get more info from Caloroga Shark Media and if you have any comments, suggestions, or just want to get in touch our email is info@caloroga.com

The Guilty Feminist 473. Fascism Presented by Deborah Frances-White and Desiree Burch with special guest Professor Roger Griffin Recorded 20 February 2026 at the Museum of Comedy. Released 9 March. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have Donate to reproductive freedom, support MSI Reproductive Choices and visit msichoices.org More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Desiree Burch https://www.instagram.com/destheray https://www.desireeburch.com More about Roger Griffin https://www.brookes.ac.uk/profiles/staff/roger-griffin https://www.amazon.co.uk/Nature-Fascism-Roger-Griffin/dp/1138174084 For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT Come to a live show 31 March Bloomsbury Theatre. https://www.bloomsburytheatre.com/event/2026/03/guilty-feminist-live 30 April, Guilty Feminist x The Nerve. https://www.leicestersquaretheatre.com/show/guilty-feminist-x-the-nerve-road-to-gilead 10 April, 17 April, 14 May, 22 May Museum of Comedy. https://www.museumofcomedy.com/the-guilty-feminist Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of the AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Guilty Feminist 473. Fascism Presented by Deborah Frances-White and Desiree Burch with special guest Professor Roger Griffin Recorded 20 February 2026 at the Museum of Comedy. Released 9 March. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Desiree Burch https://www.instagram.com/destheray https://www.desireeburch.com More about Roger Griffin https://www.brookes.ac.uk/profiles/staff/roger-griffin https://www.amazon.co.uk/Nature-Fascism-Roger-Griffin/dp/1138174084 For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT Come to a live show 31 March Bloomsbury Theatre. https://www.bloomsburytheatre.com/event/2026/03/guilty-feminist-live 30 April, Guilty Feminist x The Nerve. https://www.leicestersquaretheatre.com/show/guilty-feminist-x-the-nerve-road-to-gilead 10 April, 17 April, 14 May, 22 May Museum of Comedy. https://www.museumofcomedy.com/the-guilty-feminist Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of the AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Gangland Wire, I sit down with retired FBI agent Geoff Kelly, a specialist in art theft investigations who inherited one of the most notorious unsolved cases in American history—the 1990 robbery at the Isabella Stewart Gardner Museum. He recently wrote a book about this theft titled 13 Perfect Fugitives: The True Story of Mob, Murder, and the World’s Largest Art Heist. Kelly's law enforcement career began as a New York City transit police officer before transitioning to the FBI. Like many agents, he initially sought violent crime work. Instead, he was assigned to economic crimes before eventually transferring to a violent crime squad. It was there that he encountered the Gardner case—a cold case largely untouched by senior agents at the time. The robbery itself remains extraordinary: two men posing as police officers gained entry to the museum and stole 13 works of art, including masterpieces by Rembrandt. More than three decades later, none of the works have been recovered. Inside the Gardner Heist Geoff explains how art theft is often misunderstood. Popular culture portrays refined, sophisticated criminals orchestrating elaborate capers. The reality, he says, is usually more opportunistic and frequently violent. Art theft often intersects with organized crime, drug trafficking, and even homicide. Massachusetts has a documented history of art-related crimes, and several individuals connected to the Gardner investigation met violent ends. The criminal underworld surrounding stolen art is less about wealthy collectors hiding paintings in private vaults and more about leverage—using artwork as collateral in criminal negotiations. The FBI's Art Crime Evolution Following the 2003 looting of Iraq's National Museum during the Baghdad invasion, the FBI formalized its Art Crime Team. Kelly discusses how intelligence gathering, informants, and international cooperation became central tools in recovering stolen artifacts. He emphasizes that solving art crimes often depends less on forensic breakthroughs and more on human intelligence. Informants remain essential, especially in cases where organized crime overlaps with high-value theft. Kelly also discusses his upcoming book, 13 Perfect Fugitives, which explores the intersections of mobsters, murder, and the illicit art market. Organized Crime and the Reality of Stolen Art Drawing on my own experience working organized crime in Kansas City, I found clear parallels between traditional mob rackets and art theft networks. The same structures—intimidation, secrecy, and violence—apply. Once a painting disappears into criminal circulation, it becomes a liability as much as an asset. Kelly challenges the myth that thieves profit easily from masterpieces. High-profile works are difficult to sell. The black-market art world is volatile and dangerous. In many cases, the artwork becomes bargaining collateral rather than a cash windfall. A Case Still Waiting for Closure More than 30 years later, the Gardner Museum still displays empty frames where the paintings once hung. Kelly remains committed to the idea that public awareness may eventually generate new leads.  The Gardner heist stands as both a cultural tragedy and a criminal mystery—one that continues to intersect with organized crime, violence, and international intrigue. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, you guys, Gary Jenkins back here in studio Gangland Wire. Y’all know me. I’m a retired Kansas City Police Intelligence Unit detective and now podcaster and documentary filmmaker. I have in the studio today… Jeff Kelly, he’s a now-retired FBI agent. He was an expert in recovering stolen artifacts and art pieces. He was involved. He wasn’t involved in the original theft of the Boston art theft, the Isabella Stewart Gardner Museum, but he ended up inheriting that case. So welcome, Jeff. Hi. Thanks, Gary. Nice to be here. And guys, I need to mention this right off the bat. Jeff has a book, 13 Perfect Fugitives, The True Story of the Mob, Murder, and the World’s Largest Art Heist. Be out on Amazon. I’ll have links down below in the show notes if you want to get that book. I think it would be pretty interesting. I was telling Jeff, I just interviewed Joe Ford, the million-dollar detective, the guy that goes after classic cars, and I read that book. I love these kind of caper kind of books and caper crimes. Those are the ones I like the best is the caper crimes. And Jeff is an expert at working caper crimes. And that’s what these are, capers. So Jeff, how did you get into this? Now you came on the FBI. You were a policeman before, I believe. So tell the guys a little bit about yourself and your FBI career. Yeah, I started out with the Metropolitan Transportation Authority Police in New York City. It was a transit cop. I did that for three years. And then I got into the FBI in October of 95. [1:30] And my goal was always, I wanted to work violent crime. That’s what drew me to law enforcement in the first place, working bank robberies and kidnappings and fugitives. I had to do my five years on working economic crime, telemarketing fraud. It was interesting, but not all that exciting. And finally in 2000, I got my transfer to the violent crime squad. And I loved working it. And I did it for my entire career from then on, right up until my retirement in 2024. But back then, art theft was considered a major theft violation, [2:01] and it was worked by the Violent Crime Squad. And so in 2002… My supervisor dumped this old moribund cold case in my lap. It was the Isabella Stewart Gardner Museum heist. [2:15] Nobody wanted it on the squad, so they figured, let’s give it to the new guy. I was ecstatic to get it because I’d heard about it. I went to school in Boston. I went to Boston University and graduated the year before it happened, but I knew about it. [2:28] That’s how I started working this case, this particular case, and then the following year during the U.S., there was a, the U.S. And coalition forces invaded Baghdad in Iraq. And during a 36-hour period, more than 15,000 objects of very, very important cultural history were looted from the National Museum of Iraq. And it’s really one of the most important museums in the world in terms of our shared history. Kind of the cradle of civilization over there in the Tigers and Euphrates River. Yeah, and that was the time when the FBI kind of belatedly realized that there was no art crime team to investigate this. And of course, FBI agents have been working art theft like any other property crime since the beginning of the FBI’s existence, but there was no codified team. So they did a canvas for the team in 2004 and I applied for it because at this point I’d been working the Gardner case for a couple of years and really was fascinated by it and made the team. And so then over the next 20 years, we continued to expand the team both in size and in scope and in our intelligence base and knowledge base. And when I left the Bureau in 2024, it was and still is a tremendous team with a lot of very dedicated and professional agents and professional support. [3:51] Now, guys, if you don’t know about the Isabella Stewart Gardner case, there was a Netflix documentary on it a few years ago. It was an art museum in Boston. [4:01] Two guys showed up. They had Boston police uniforms on, and they got in. They basically, it was an armed robbery, and they took control of the museum. The guards were in there late at night and took these really valuable paintings out. I believe you told me earlier they were Remington paintings. We’ll get into that. And it was a violent crime. It was an armed robbery of paintings, and you told me about other armed robberies of paintings. I think you got into some other armed robberies of paintings. You always think of, as you mentioned before, the Thomas Crown Affair character that goes out and does these sophisticated art thefts. That’s not always true, is it? It’s never that way, but it doesn’t matter. Don’t let the facts get in the way of a good story. Everybody wants to believe that art thefts are pulled off by the Thomas Crown Affairs and these gentlemen thieves repel in through skylights and do all that fancy stuff, put it in their underground lair. That’s just not the way it works. But if you look to art theft. [4:55] Massachusetts really is a cradle of art theft in this country, and it’s very unique. The first armed robbery of a museum occurred in Boston in 1972. It was committed by a guy named Al Monday, who was a prolific art thief. And they stole four pieces from the Worcester Art Museum in central Massachusetts with a gun. They ended up shooting the guard. And one of the pieces that they stole was a Rembrandt called St. Bartholomew. [5:26] And in keeping with the milieu of true art thieves, the paintings were stored on a pig farm just over the state line in Rhode Island. And when this Connecticut safecracker by the name of Chucky Carlo, who was looking at some serious time in prison for some of the crimes that he committed, when he found out that Al Monday had these paintings, he just simply kidnapped Al Monday and stuck a gun in his ribs and said he would kill him if he didn’t give him the paintings. which is no honor among thieves. And Al turned over the paintings, Chucky returned them, and he got a very significant break on his pending jail sentence. Right here in 1972, Boston thieves see Rembrandt as a valuable get-out-of-jail-free card. [6:09] And then if we jump forward three years to 1975, there was a very skilled art thief, really a master thief by the name of Miles Conner. I interviewed Miles for my book. It was very gracious of him to sit down with me for it. And he had robbed or committed a burglary of the Woolworth estate up in Maine, the family, the five and dime family magnets. And he got caught for it because he tried to sell those paintings to an undercover FBI agent. And so he was looking at 12 years in prison for it. And he was out on bail. And he reached out to a family friend who was a state trooper. And he asked him, how can I get away with this one? How can I get out of this? Because he was in serious trouble. The trooper’s response was meant to be hyperbolic. The trooper said, Miles, it’s going to take you a Rembrandt to get out of this one. [6:57] And so Miles said, okay, I’ll go get a Rembrandt. And he got a crew together and they did a daylight smash and grab at the Museum of Fine Arts in Boston, just across the street from the Gardner. And they stole Rembrandt, the girl in a gold-trimmed cloak. [7:12] And he was able to return that painting. Instead of doing 12 years, he did 28 months. And he even managed to, he told me he even managed to get the $10,000 reward in the process. So you have this atmosphere in Massachusetts that Rembrandts are a valuable commodity, right? They can help you out in a jam. And so I think it’s no coincidence that in 1990, when the Gardner Museum heist came down, the Gardner Museum had this array of motion sensors all throughout the museum. It would alert to wherever you went, every gallery, hallway, whatever. [7:49] And we know from these motion sensors that after, as you said, the two guys went in disguised as cops and bluffed their way into the museum, they made a beeline for the Dutch room, which is the room of all things Rembrandt. They stole three Rembrandts. They stole a fourth piece called Landscape with an Obelisk, which was actually by Govard Flink, but it had been misattributed to Rembrandt until the mid 80s. And then they took a large Rembrandt oil-on-panel off the wall and it was recovered the next morning leaning against a piece of furniture. We believe they just overlooked it in the dark. So out of the 13 pieces taken, three were Rembrandt, a fourth was misattributed to Rembrandt, and there was going to be a 14th piece taken, which was also Rembrandt. It definitely falls into that theory that this was going to be a hold-on to these pieces for a while and see if you can use them for a break. [8:48] Interesting. Now, back in the 70s, for example, when somebody would work in an art robbery like that or an art theft, you got your tried and true ways of working a crime. You got to have sources, you got to have witnesses, and hopefully you can get a crime like this. You can get a source that says, hey, this guy, we had a guy in Kansas City that he was a fence for these kinds of guys. He had an antique auction and he took all this stuff and got it somewhere else. So at the time, just use your regular police methods. And what changed over the years as you’ve done this? Yeah, certainly we’ve become much more sophisticated with the techniques that we use. But at the end of the day, it’s always still going to be intelligence. But I found from working my entire career in violent crime, virtually my whole career in violent crime, the sources are crucial. Having a good informant can make and break a case. And working art theft investigations, you’re certainly going to have the same types of fences of informants, fences for stolen property and what they’re hearing about what organized crime guys are doing and what drug guys are doing. But it also opened up a whole new avenue of sources for me as working in art investigations, because now you’ve got pawn shops and gallery owners and auction houses, and they’re in a position to know when not only when stolen artwork is coming in, but also fakes and forgeries. We spoke about this, that. [10:16] Somebody comes in with one valuable piece that would be very difficult for somebody in his or her position to come across one piece like this, let alone a dozen of them. That really points to probably a fake. And so that’s really the key to solving these things is just having a good intelligence base who’s going to let us know about when something comes up that’s either stolen or it’s been forged. [10:43] Brings up a question. In my mind, did you ever work a gallery owner or a gallery [10:48] that then would filter in, knowingly filter in some fakes every once in a while? They couldn’t do it 100% of the time, but you could certainly make some extra money by filtering fakes out of it because many people would get it and they’d never know. Nobody would ever know. Listen, it is a really difficult thing when you’re working these types of crimes because unlike bank robber, you go into a bank and you stick them up with a gun and take them on. It’s not up to the government to be able to prove at trial that you knew that the bank was insured by the FDIC. You went in and you robbed it, you committed the offense. When you’re talking about interstate transportation of stolen property or possession of stolen property, there are what’s called specific intent crimes, meaning you have to prove the element of knowledge. You have to be able to prove that the person knew that that item was stolen. Not that it said it was stolen. and you had to show that they knew it. And that’s a really high hurdle to overcome. And typically what we do to try and prove that specific intent is we’re going to go through. [11:53] Recorded statements made to a source or to an undercover or emails or texts or something that we can show that this person knew that item was stolen. And so we would see that a lot in auction houses and galleries. There’s a lot of willful blindness where a lot of gallery owners and auction houses, they’re going to look the other way because it’s too lucrative to pass up. And in fact, in 2015, the art crime team, once we received information that ISIL or ISIS was using looted cultural property from Syria and Iraq as a form, a viable form of terrorism financing. And we put auction houses and gallery owners on notice in 2015, and we basically told them that if you’re selling objects of cultural patrimony or cultural heritage with a dubious provenance, like a wink and a nod, you may be unwittingly or wittingly funding terrorism. While we never charged anybody with it, hopefully it was an eye-opener that when you’re getting into this world, it’s not a victimless crime. There are very real victims involved. [13:07] And that’s one of the things that really is interesting about working our crime investigations. And I used to get ribbed by my friends who were not on the art crime team about [13:18] where like the wine and cheese squad were raised and everything. But our subjects are far from it. We’re dealing with organized crime, gangs, terrorists. This is no joke. These are serious individuals and the stakes are high. And in the Gardner case, three or four people that we believe were involved in the heist were murdered a year after the Gardner case crime occurred. Yeah, I was just going to go back to that a little bit, as we said before, a little bit like the Lufthansa case. All of a sudden, everybody that was involved in the theft. Started dropping like flies. So tell the guys about that. That is really interesting. [14:00] Yeah. So the two individuals that we believe went into the museum dressed as cops, just a week shy of the one-year anniversary, one of the guys was found dead in his apartment of an acute overdose of cocaine, intravenous. And his family admitted that he used Coke, but they said he was terrified of needles. He was scared of needles. So it really looked to be like a hotshot, an intentional overdose of cocaine. Two weeks later, the other guy who we believe went into the museum with him, his wife reported him missing. And a couple of weeks later, his bullet riddled body was recovered in the trunk of his car out by Logan Airport in East Boston. There was another member of that crew. These were all part of the same crew. This Carmelo Merlino, who was a Boston mobster, had an auto shop down in the Dorchester section of Boston. Another member of his crew, a guy named Bobby, six weeks after the heist, he brought in, he visited a jeweler in the downtown crossing jewelry district in Boston. He came in with this object and he unwrapped it. It was an eagle. [15:03] It was the finial from the Napoleonic flag that was stolen in the Gardner heist. And he asked the jeweler, how much is this thing worth? And the jeweler looked at it and he said, it’s worth nothing. Because he immediately recognized it as one of the people that had been stolen six weeks earlier from the Gardner heist. And then a few months later, Bobby was stabbed to death and nearly decapitated on the front porch of his house. And the responding police saw that his house had been broken into and ransacked like his killers had been looking for something. There was a fourth guy, Jimmy, who bragged to his girlfriend a few months after the heist that he had a couple of pieces from the Gardner Museum hidden in his attic. [15:47] And in February of 1990, 11 months after the heist, he was executed on his front porch in what the local police called a mob hit. So, yeah, these are the types of crimes that have a tendency to have a chilling effect on anybody who harbors any aspirations to come forward with information. Yeah, and we talked earlier a little bit about, like, the crime itself, and the statute of limitations is up on that, what you said, and the crime itself, but how we talked a little bit and explained to them about how this could be part of a RICO case. And you’ve got the murders and you’ve got the actual theft and whatever they did with the paintings, then maybe you could get over after a Bob boss as a Rico case. Tell the guys a little bit about doing that. Yeah. [16:32] I’ve heard it so many times in more than two decades that I worked the case and people would say, geez, why don’t people come forward? They’re just paintings. There are so many times they’re just paintings. They’re like, yeah, they are, but there’s two things about that. Number one, there’s some dead bodies on these paintings, three or four, and that there’s no statute of limitations for murder. And so if you implicate yourself in the theft or you implicate yourself in possessing or transporting these paintings at any time, the fear is that you’re then implicating yourself in a homicide. And the other aspect of this, which I think has a chilling effect, is the fact that transportation of stolen property is one of the predicate acts for RICO, racketeering influence corrupt organization case. And RICO is basically, Gary, is basically an entire organization is corrupt. Yeah. There’s no legitimate purpose. It’s what we think about the mob and the [17:27] FBI has taken down the mob in the past. So if you implicate yourself in stolen property and you’re part of organized crime, that’s one of the predicate acts for a RICO. And that’s basically life sentences. And so one of my goals in the years and years that I worked in this case was to try and convince people that you could come forward with information and the U S attorney’s offices, whether it’s up in Boston or new Haven or Philadelphia. [17:58] Would be willing to figure out a way to get the paintings back with immunity from prosecution for a RICO case. Look, that’s a high hurdle. That’s a high hurdle to convince somebody that if you come forward, you’re not going to get charged and you’re eligible for millions of dollars in reward. That’s a tough bill to swallow, but it’s the truth. I’m retired from the FBI now. I can tell you that it was, it’s a, it was, and still is a bona fide offer. And that’s one of the goals that I’ve always tried to impress on anyone is the opportunity to become a millionaire without going to jail. There you go, Jeff. Can you, now you’re not with the Bureau anymore. Can you go out, if you could go out and find them and bring them in, could you collect that reward? I would certainly hope so. [18:48] I can’t tell you how many of my friends thought that I had some of these paintings stashed in my basement. Waiting for retirement to go turn them in the next day. I think half the guys I worked with were expecting to see me pull into the parking lot of the FBI. [19:01] Big package, but no. But yeah, I suppose I could. By this point, I can tell you the amount of my very being that I put into this case over two days. Yeah. I just would love to see these paintings go back just because they need to be back at the museum. That’s where they belong. Now, these crimes, they seem, You said there’s a lot of murders attached to this. They seem a little boring. Did you have any exciting moments trying to pop anybody or do any surveillances? I know we did a big surveillance of a bunch of junkies that were going around stealing from small museums around the Midwest. And we follow them here in Kansas City. And they would have been pretty exciting had we had a confrontation with them. Did you have any exciting moments in this? It actually was a fascinating case. And for the first, there’s the really boring aspects of this job and tedious aspects. And I would say that in my, two decades working this case, I probably did, I don’t know, 50, 60, 70 consent searches, searching in attics and basements and crawling through crawl spaces and just getting sweaty and covered in cobwebs. But the break in the case for me came in 2009 when one of the guys who was part of Merlino’s crew who was deceased, his niece came forward to me and told me that the paintings. Some of them had been hidden up in this guy’s hide at his house up in Maine. I went up to Maine with Anthony Amore, who’s the director of security for the Gardner Museum. We worked on this case together for years. [20:29] And then we found that hide. And then we interviewed, right from there, we went and interviewed Guarenti. That’s the guy, Bobby Guarenti. We interviewed his widow and she broke down and admitted that he once showed her the paintings and she gave them to a guy down in Connecticut. And we identified that guy and we interviewed him. My name is Bobby Gentile. He’s a made member of the Philly Mob. He got straightened out with his crew back in the late 90s. [20:54] And he refused to cooperate. And then that’s where we really just started getting, using a lot of ingenuity to try and break it. And an agent down in the New Haven office, a guy by the name of Jamie Lawton, he joined our team and we started working this case. And he had a source who knew Gentile, Bobby Gentile, and the source started buying drugs from Gentile. Ah, there we go. We ended up arresting Gentile and we did a search warrant at his house. And it was crazy. Like we recovered, I want to say seven handguns, loaded handguns lying all over the place. He had a pump action shotgun hanging by the front door. He had high explosives. We had to evacuate the house and call him the bomb squad. But the interesting thing was he had the March 19th, 1990 edition of the Boston Herald with headlines about the Gardner heist and tucked inside that newspaper was a handwritten list of all the stolen items. With what looked like their black market values. This is in the house of a guy who swore up and down that he’d never heard of the Gardner Museum. And we were able to figure out who wrote the list. It was written by none other than Al Monday, who’s the guy that did the first armed robbery of a museum, of a Rembrandt. And we interviewed him and he told us that he wrote that list for Bobby Gentile and his buddy up in Maine, Bobby Garanti, because they had a buyer for the paintings and they wanted to know what they were worth. [22:24] So yeah, and then Gentile took 30 months. [22:28] He wouldn’t cooperate. And while he was incarcerated, we turned two of his closest friends to becoming sources. And so when he got out of prison in February or April of 2014, they started talking to him and talked about the gardener and they said they might know somebody who’d want to buy him. That’s how we then introduced an undercover agent. Gentile was introduced to Tony, this undercover FBI agent. Over six months, they had long talks about selling the paintings. Unfortunately, before Gentile would sell the paintings, he wanted to do a drug deal first, which we couldn’t allow to happen. We can’t let drugs walk on the street. So we had to take it down. And although we’d seized all these guns from Gentile back in 2012, he told the sources the FBI didn’t get all of his guns. Because of that disturbing comment, one of the sources asked Gentile if he could buy a gun for him. And Gentile sold him a loaded 38. So we arrested him again. And he still refused to cooperate. I don’t respect what he did for a living or a lot of the things that he did, but you do have to respect his adherence to his values. However, misguided they may have been, he took the code of omerta, the code of silence to heart, and he took it to his grave. He died, I think, in 2021 after going to prison a second time. [23:50] While we never got any paintings back, it was a tremendous ride, and I’m confident they will come back. It’s just going to be a question of when. Yeah, that kind of brings up the question that you hear people speculate. Did you ever run across this? Is there actually any rich old guys or an Arab sheik or somebody that buys stuff like this and then really keeps it and never shows it to anybody? Does that unicorn really exist? everybody wants that to be true i know virtually it’s not yeah there’s there’s never been a case of some wealthy what we call the doctor no theory some some reclusive billionaire with his underground lair filled with all the illicit stolen treasures of the world yeah that’s it’s never happened yeah i guess you never say never but but no look the majority statistically about three-quarters of everyone that collects art in this country does it for, and I assume it’s probably worldwide, does it for the investment potential. There’s a lot of money to be made in collecting art. It rarely, if ever, drops in value. So that’s why people collect art. If there’s somebody who has a particular piece that they want so badly that they’re going to commission its theft, it’s more the stuff of Hollywood. It could happen, but we’ve never seen that happen yet. Interesting. [25:14] We did have one case here where we had a medical doctor and he had it on the wall of his house. And it was, I believe it was a Western artist named Remington that these junkies stole out of Omaha. But it was such a minor piece that he could show it to anybody and they wouldn’t. They would say, oh, that’s cool. You got a Remington. [25:30] There’s plenty of those around. And he could afford a real deal Remington anyhow. So it wasn’t that big a deal. And that’s really what it comes down to is that art, high-end art does get stolen. It gets stolen quite often. The art market is about $60 billion, and the FBI, we estimated about $6 to $8 billion of that is illicit, whether it’s theft or fakes and forgeries. It’s a tremendous market, but it’s mostly second and third tier items. [26:02] Really valuable, well-known pieces. They do get stolen, but that’s the easy part. The easy part is stealing it. The hard part is monetizing it. That’s why you very rarely see recidivism among art thieves, high-end art thieves, because you do it once, and now you’re stuck with the thing. It’s easier to steal something else. You got to go out and boost fur coats and stuff to make a living. Exactly. Do a jewelry store robbery down there and make a living. And that’s exactly the point. That’s why you’re seeing a sea change in terms of art thefts, museum thefts. The Louvre was a great example of that. Dresden green vault robbery where 100 million euros in gems were stolen back in 2019 yeah. [26:45] Gems and jewelry, it can be broken down. It’s going to greatly diminish their value, but you can recut a gem. You can melt down the setting. You can monetize it for a greatly diminished value, but at least you can monetize it. You can’t cut up a Rembrandt into smaller pieces. [27:02] It’s only valuable as a whole complete piece. Yeah. I’m just thinking about that. We got a couple of guys, Jerry Scalise and Art Rachel in Chicago, flew to London, robbed a really valuable piece, the Lady Churchill’s diamond or something, I don’t remember, but really valuable piece and mailed it to somebody on their way to the airport and then got caught when they got back to Chicago and brought back to London and did 14 years in England and they never gave up that piece and nobody could, it never appeared anywhere, but it was just cut up and they didn’t make hardly any money off of it. Yeah. Look, there’s a, there’s much more profitable ways to. Yeah. To make an illicit living than stealing high-end artwork, but it does still get stolen. And that’s one of the cruel ironies when you’re talking about art theft is if somebody has a $20,000 piece of jewelry or a very expensive watch, they’re most likely going to lock it up in a safe in their bedroom or something. But you have a $10 million piece of artwork, you probably got it on the mantle. You’ve got it over the fireplace or in the front foyer of your house and probably doesn’t have a passive alarm system protecting it or security screws to keep it from being taken off the wall because people want to show it off. Yeah. It’s way too enticing. [28:24] Really? So, yes, you need to keep the word out there and keep this in people’s minds. And I’m sure the museum tries to do this in some ways in order, hopefully, that maybe somebody will say, oh. Yeah. [28:38] I think I saw that somewhere in this news program or on this podcast. [28:42] I’ll put some pictures on the podcast when I end up editing this. No, please do, Kerry. And that’s the thing. That’s the basis for the title of my book is it really is a fugitive investigation. And that’s how I work this case is fugitives and perfect fugitives because they’re not like their human counterparts. They’re not going to get tripped up on the silly things that we need to do as human beings, getting a driver’s license or whatnot. Yeah. [29:09] And so that’s how I worked the case. The FBI was really, I was always impressed with the FBI’s support that they gave me on this investigation. We did billboard campaigns and social media and a lot of things to get these images out there to the public, hoping it might resonate with somebody. And that’s really my goal for this book. I felt it should be written. I felt it’s an important case. Certainly, it’s something that I wanted to write about. It’s something that’s very important to me. [29:42] But it’s yet another attempt to apprehend these fugitives. And I’m hopeful that somebody, it might resonate with somebody. Somebody’s going to see something. And there’s so much disinformation and misinformation that’s out there in the media about this case. People are endlessly, all these armchair detectives, and I don’t say it in a deprecating way. Good for them. Work as hard as you can. But if you want to work this case from your armchair, great. but you should be going off accurate information because there’s a lot of bad information that’s out there on the internet. And if you want to help out, if you want to collect that $10 million reward, great, but you should be going off the most accurate factual information that’s available. Yeah. And you probably ought to go down to the deep seamy underbelly of Philadelphia or Boston or somewhere and get involved with a mob and then work your way up and make different cocaine deals and everything. And eventually you might be trusted enough that some might say, oh yeah, I’ve got those in this basement. I would suggest there’s better hobbies. [30:47] That could be hazardous to your health. I wouldn’t recommend it. Yes, it could. All right. Jeffrey Kelly, the book is 13 Perfect Tuesdays. Those are the paintings that were stolen that you’ll see on the podcast on the YouTube channel. The true story of the mob, murder, and the world’s largest art heist. Jeffrey, thanks so much for coming on to tell us about this. Thanks, Gary. Thanks for having me.

“C” is for Columbia Museum of Art. The Columbia Museum of Art was established in 1950 as an art, history, and science museum and included the Gibbs planetarium.

Send a textJoin Jared and Ed as they talk with Emma, the founding curator of the People's Museum for Prince, a "counter museum" that solicits pieces--visual art, music, essays, and more--from the fans to celebrate the life and legacy of Prince. She talks to the fellas about this project came together, how people can submit, hopes for the future of the project and, of course, her top five albums and songs. This is a great discussion. Hope you'll join us for this one! Check out the museum here !Support the showA deeper dive into Prince than you probably wanted

Heidi Sabertooth, a NYC-based singer, multi-instrumentalist, DJ, producer and co-founder of Synth Library NYC, talks about electronic music and the library which is dedicated to giving “equal access to the means of production,” giving access to a wide array of synthesizers and creating a diverse community around it.    Photo: TR-808 Musical instrument Museum, Phoenix, AZ (Bryan Pocius from New York, USA, CC BY 2.0, via Wikimedia Commons)