Podcasts about Museum

In Episode #93 of The Hometown Bluegrass Show, Tim Batts and Josh Williams sit down with Grammy-winning bluegrass powerhouse Dan Tyminski just moments before he takes the stage at the Bluegrass Music Hall of Fame & Museum in Owensboro, Kentucky.Best known for his unmistakable voice with Alison Krauss & Union Station and for singing the iconic version of Man of Constant Sorrow from the film O Brother, Where Art Thou?, Dan reflects on his journey through bluegrass, the evolution of his solo career, and the music that continues to inspire him.From classic bluegrass roots to modern collaborations and new music, this episode offers a candid conversation with one of the most respected voices in acoustic music.

After driving by it dozens of time, we finally checked out the Rody Chocolate Museum & Boutique in Castillonnes. What a great experience. Move over Willie Wonka. Also in this Chapter, you'll find out just how much the Brits love their dogs.

In EVN Report's news roundup for the week of March 13: the director of the Armenian Genocide Museum resigns following the prime minister's request; Armenia's Investigative Committee says the secret services of an unnamed country are pressuring Armenian citizens there to support certain parties running in the elections in Armenia; Pashinyan says Armenia is ready to provide a road connecting Azerbaijan's western regions and Nakhichevan along the Kornidzor–Goris–Yeghegnadzor–Yeraskh route. The post Pashinyan Requests the Resignation of the Director of the Genocide Museum appeared first on EVN Report.

In this episode, conceptual artist Ahmet Öğüt travels by train through Ottoman Turkey, the former Yugoslavia and Western Balkans, to the London Underground today, navigating histories and contemporary expressions of solidarity via the 2025 programme, Revolutionary Roads. Destination: Comradeship.Revolutionary Roads. Destination: Comradeship was organised by the Moderna galerija in Ljubljana, the Museum of African Art in Belgrade, and the Museum of Contemporary Art of Montenegro in Podgorica in August 2025.Ahmet Öğüt: Saved by the Whale's Tail, Saved by Art is at Stratford Station in London until December 2026, commissioned by Art on the Underground and New Contemporaries.Museum Yet to Be is at the Museum of Contemporary Art of Montenegro in Pogdorica until 15 March 2026.Translated into Socialism was at the Moderna galerija in Ljubljana until 8 February 2026.The East Remains Possible is at the Museum of Contemporary Art in Skopje (MoCA – Skopje) until March 29, 2026.For more from Art on the Underground, listen to contemporary artist Barby Asante on her collective choral performance, Declaration of Independence (2023), at Stratford Station in London: pod.link/1533637675/episode/aa2803b68933ab974ca584cf6a18479cAnd on migrations between Turkey and France, hear Nil Yalter, awardee of the Golden Lion for Lifetime Achievement at the Venice Biennale in 2024, at Ab-Anbar Galleryduring London Gallery Weekend 2023, with Exile is a Hard Job (1974-Now): pod.link/1533637675/episode/36b8c7d8d613b78262e54e38ac62e70fPRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Twitter: twitter.com/jelsofron/status/1306563558063271936And Instagram: instagram.com/empirelinespodcastSupport EMPIRE LINES on Patreon: patreon.com/empirelines

"Paris, Texas", "Der Himmel über Berlin" oder "Buena Vista Social Club" - mit diesen Filmen ist Wim Wenders bekannt geworden. Kurz nach seinem 80. Geburtstag widmet das Deutsche Filmmuseum dem Regisseur jetzt eine Retrospektive und eine große Ausstellung. Die Alte Oper zeigt die Rolle der Musik in seinem filmischen Schaffen. Zu beiden Veranstaltungen kommt Wim Wenders nach Frankfurt - und lässt sich feiern. (Foto: imago)

Sometimes referred to as "the Uffizi of southern Italy," the Capodimonte Museum in Naples, Italy, houses one of the world's most important collections of Italian Renaissance painting. It includes masterpieces such as the "Crucifixion" by Masaccio, Titian's "Danaë" and  "Portrait of Pope Paul III," Caravaggio's "Flagellation," and Artemisia Gentileschi's "Judith and Holofernes," just to name a few.  

A man recently released from ICE custody in Adelanto has died. How L.A. plans to keep fans safe from the heat during the World Cup. This weekend you can "drop in" to a new exhibit on L.A.'s skateboard culture. Plus, more from Evening Edition. Support The L.A. Report by donating at LAist.com/join and by visiting https://laist.comSupport the show: https://laist.com

New York City offers nearly unlimited activities, restaurants, and unique landmarks to explore. Wasting your time on overhyped or overpriced attractions can eat away at your valuable time in the city.In this article, we're gonna help you avoid wasted time and money by calling out five overrated NYC attractions you can keep OFF your itinerary.Plus, we'll provide alternatives to each of these common tourist traps.1- Serendipity 3The crowds are hectic, the ambiance is overstimulating, and none of the food or desserts we tried were very good.Instead, go to Caffè Panna or Grace Street.2- Statue of Liberty/Ellis IslandWe've covered this in full detail previously, but this experience is too long, too crowded, and too much waiting in line to be worth your time. Instead, take the free Staten Island Ferry or simply view the Statue of Liberty from Lower Manhattan.3- The Charging Bull in FiDi The crowds around this statue overstate what you'll actually get out of the experience. While passing by is great, we wouldn't go out of our way to view this statue. Instead, go to the 9/11 Memorial Pools.4- Central Park ZooThe Central Park Zoo is actually quite small, with not very many animals. If you want a zoo experience, go to the Bronx Zoo. It has 265 acres and SO many exhibitions.5- Museum of Ice Cream/Color/IllusionsIf social media didn't exist, neither would these "museums". Instead of spending the $30 or so for one of these money grabs, go to any of the iconic museums like the MoMA, The MET, or the Museum of Natural History.You'll Have to Check It Out - Swift Hibernian LoungeProbably the coziest Irish pub you'll find, with an unbelievable pour of Guinness. We also loved the communal table in the back section! Check out Swift here.Want even more NYC insights? Sign up for our 100% free newsletter to access:Dozens of Google Maps lists arranged by cuisine and location50+ page NYC Navigation Guide covering getting to & from airports, taking the subway & moreWeekly insights on top spots, upcoming events, and must-know NYC tipsGet started here: ⁠⁠⁠⁠⁠⁠https://rebrand.ly/nyc-navigation-guide

The Guilty Feminist 473. Fascism Presented by Deborah Frances-White and Desiree Burch with special guest Professor Roger Griffin Recorded 20 February 2026 at the Museum of Comedy. Released 9 March. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have Donate to reproductive freedom, support MSI Reproductive Choices and visit msichoices.org More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Desiree Burch https://www.instagram.com/destheray https://www.desireeburch.com More about Roger Griffin https://www.brookes.ac.uk/profiles/staff/roger-griffin https://www.amazon.co.uk/Nature-Fascism-Roger-Griffin/dp/1138174084 For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT Come to a live show 31 March Bloomsbury Theatre. https://www.bloomsburytheatre.com/event/2026/03/guilty-feminist-live 30 April, Guilty Feminist x The Nerve. https://www.leicestersquaretheatre.com/show/guilty-feminist-x-the-nerve-road-to-gilead 10 April, 17 April, 14 May, 22 May Museum of Comedy. https://www.museumofcomedy.com/the-guilty-feminist Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of the AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Guilty Feminist 473. Fascism Presented by Deborah Frances-White and Desiree Burch with special guest Professor Roger Griffin Recorded 20 February 2026 at the Museum of Comedy. Released 9 March. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Desiree Burch https://www.instagram.com/destheray https://www.desireeburch.com More about Roger Griffin https://www.brookes.ac.uk/profiles/staff/roger-griffin https://www.amazon.co.uk/Nature-Fascism-Roger-Griffin/dp/1138174084 For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT Come to a live show 31 March Bloomsbury Theatre. https://www.bloomsburytheatre.com/event/2026/03/guilty-feminist-live 30 April, Guilty Feminist x The Nerve. https://www.leicestersquaretheatre.com/show/guilty-feminist-x-the-nerve-road-to-gilead 10 April, 17 April, 14 May, 22 May Museum of Comedy. https://www.museumofcomedy.com/the-guilty-feminist Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of the AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Gangland Wire, I sit down with retired FBI agent Geoff Kelly, a specialist in art theft investigations who inherited one of the most notorious unsolved cases in American history—the 1990 robbery at the Isabella Stewart Gardner Museum. He recently wrote a book about this theft titled 13 Perfect Fugitives: The True Story of Mob, Murder, and the World’s Largest Art Heist. Kelly's law enforcement career began as a New York City transit police officer before transitioning to the FBI. Like many agents, he initially sought violent crime work. Instead, he was assigned to economic crimes before eventually transferring to a violent crime squad. It was there that he encountered the Gardner case—a cold case largely untouched by senior agents at the time. The robbery itself remains extraordinary: two men posing as police officers gained entry to the museum and stole 13 works of art, including masterpieces by Rembrandt. More than three decades later, none of the works have been recovered. Inside the Gardner Heist Geoff explains how art theft is often misunderstood. Popular culture portrays refined, sophisticated criminals orchestrating elaborate capers. The reality, he says, is usually more opportunistic and frequently violent. Art theft often intersects with organized crime, drug trafficking, and even homicide. Massachusetts has a documented history of art-related crimes, and several individuals connected to the Gardner investigation met violent ends. The criminal underworld surrounding stolen art is less about wealthy collectors hiding paintings in private vaults and more about leverage—using artwork as collateral in criminal negotiations. The FBI's Art Crime Evolution Following the 2003 looting of Iraq's National Museum during the Baghdad invasion, the FBI formalized its Art Crime Team. Kelly discusses how intelligence gathering, informants, and international cooperation became central tools in recovering stolen artifacts. He emphasizes that solving art crimes often depends less on forensic breakthroughs and more on human intelligence. Informants remain essential, especially in cases where organized crime overlaps with high-value theft. Kelly also discusses his upcoming book, 13 Perfect Fugitives, which explores the intersections of mobsters, murder, and the illicit art market. Organized Crime and the Reality of Stolen Art Drawing on my own experience working organized crime in Kansas City, I found clear parallels between traditional mob rackets and art theft networks. The same structures—intimidation, secrecy, and violence—apply. Once a painting disappears into criminal circulation, it becomes a liability as much as an asset. Kelly challenges the myth that thieves profit easily from masterpieces. High-profile works are difficult to sell. The black-market art world is volatile and dangerous. In many cases, the artwork becomes bargaining collateral rather than a cash windfall. A Case Still Waiting for Closure More than 30 years later, the Gardner Museum still displays empty frames where the paintings once hung. Kelly remains committed to the idea that public awareness may eventually generate new leads.  The Gardner heist stands as both a cultural tragedy and a criminal mystery—one that continues to intersect with organized crime, violence, and international intrigue. Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Hey, you guys, Gary Jenkins back here in studio Gangland Wire. Y’all know me. I’m a retired Kansas City Police Intelligence Unit detective and now podcaster and documentary filmmaker. I have in the studio today… Jeff Kelly, he’s a now-retired FBI agent. He was an expert in recovering stolen artifacts and art pieces. He was involved. He wasn’t involved in the original theft of the Boston art theft, the Isabella Stewart Gardner Museum, but he ended up inheriting that case. So welcome, Jeff. Hi. Thanks, Gary. Nice to be here. And guys, I need to mention this right off the bat. Jeff has a book, 13 Perfect Fugitives, The True Story of the Mob, Murder, and the World’s Largest Art Heist. Be out on Amazon. I’ll have links down below in the show notes if you want to get that book. I think it would be pretty interesting. I was telling Jeff, I just interviewed Joe Ford, the million-dollar detective, the guy that goes after classic cars, and I read that book. I love these kind of caper kind of books and caper crimes. Those are the ones I like the best is the caper crimes. And Jeff is an expert at working caper crimes. And that’s what these are, capers. So Jeff, how did you get into this? Now you came on the FBI. You were a policeman before, I believe. So tell the guys a little bit about yourself and your FBI career. Yeah, I started out with the Metropolitan Transportation Authority Police in New York City. It was a transit cop. I did that for three years. And then I got into the FBI in October of 95. [1:30] And my goal was always, I wanted to work violent crime. That’s what drew me to law enforcement in the first place, working bank robberies and kidnappings and fugitives. I had to do my five years on working economic crime, telemarketing fraud. It was interesting, but not all that exciting. And finally in 2000, I got my transfer to the violent crime squad. And I loved working it. And I did it for my entire career from then on, right up until my retirement in 2024. But back then, art theft was considered a major theft violation, [2:01] and it was worked by the Violent Crime Squad. And so in 2002… My supervisor dumped this old moribund cold case in my lap. It was the Isabella Stewart Gardner Museum heist. [2:15] Nobody wanted it on the squad, so they figured, let’s give it to the new guy. I was ecstatic to get it because I’d heard about it. I went to school in Boston. I went to Boston University and graduated the year before it happened, but I knew about it. [2:28] That’s how I started working this case, this particular case, and then the following year during the U.S., there was a, the U.S. And coalition forces invaded Baghdad in Iraq. And during a 36-hour period, more than 15,000 objects of very, very important cultural history were looted from the National Museum of Iraq. And it’s really one of the most important museums in the world in terms of our shared history. Kind of the cradle of civilization over there in the Tigers and Euphrates River. Yeah, and that was the time when the FBI kind of belatedly realized that there was no art crime team to investigate this. And of course, FBI agents have been working art theft like any other property crime since the beginning of the FBI’s existence, but there was no codified team. So they did a canvas for the team in 2004 and I applied for it because at this point I’d been working the Gardner case for a couple of years and really was fascinated by it and made the team. And so then over the next 20 years, we continued to expand the team both in size and in scope and in our intelligence base and knowledge base. And when I left the Bureau in 2024, it was and still is a tremendous team with a lot of very dedicated and professional agents and professional support. [3:51] Now, guys, if you don’t know about the Isabella Stewart Gardner case, there was a Netflix documentary on it a few years ago. It was an art museum in Boston. [4:01] Two guys showed up. They had Boston police uniforms on, and they got in. They basically, it was an armed robbery, and they took control of the museum. The guards were in there late at night and took these really valuable paintings out. I believe you told me earlier they were Remington paintings. We’ll get into that. And it was a violent crime. It was an armed robbery of paintings, and you told me about other armed robberies of paintings. I think you got into some other armed robberies of paintings. You always think of, as you mentioned before, the Thomas Crown Affair character that goes out and does these sophisticated art thefts. That’s not always true, is it? It’s never that way, but it doesn’t matter. Don’t let the facts get in the way of a good story. Everybody wants to believe that art thefts are pulled off by the Thomas Crown Affairs and these gentlemen thieves repel in through skylights and do all that fancy stuff, put it in their underground lair. That’s just not the way it works. But if you look to art theft. [4:55] Massachusetts really is a cradle of art theft in this country, and it’s very unique. The first armed robbery of a museum occurred in Boston in 1972. It was committed by a guy named Al Monday, who was a prolific art thief. And they stole four pieces from the Worcester Art Museum in central Massachusetts with a gun. They ended up shooting the guard. And one of the pieces that they stole was a Rembrandt called St. Bartholomew. [5:26] And in keeping with the milieu of true art thieves, the paintings were stored on a pig farm just over the state line in Rhode Island. And when this Connecticut safecracker by the name of Chucky Carlo, who was looking at some serious time in prison for some of the crimes that he committed, when he found out that Al Monday had these paintings, he just simply kidnapped Al Monday and stuck a gun in his ribs and said he would kill him if he didn’t give him the paintings. which is no honor among thieves. And Al turned over the paintings, Chucky returned them, and he got a very significant break on his pending jail sentence. Right here in 1972, Boston thieves see Rembrandt as a valuable get-out-of-jail-free card. [6:09] And then if we jump forward three years to 1975, there was a very skilled art thief, really a master thief by the name of Miles Conner. I interviewed Miles for my book. It was very gracious of him to sit down with me for it. And he had robbed or committed a burglary of the Woolworth estate up in Maine, the family, the five and dime family magnets. And he got caught for it because he tried to sell those paintings to an undercover FBI agent. And so he was looking at 12 years in prison for it. And he was out on bail. And he reached out to a family friend who was a state trooper. And he asked him, how can I get away with this one? How can I get out of this? Because he was in serious trouble. The trooper’s response was meant to be hyperbolic. The trooper said, Miles, it’s going to take you a Rembrandt to get out of this one. [6:57] And so Miles said, okay, I’ll go get a Rembrandt. And he got a crew together and they did a daylight smash and grab at the Museum of Fine Arts in Boston, just across the street from the Gardner. And they stole Rembrandt, the girl in a gold-trimmed cloak. [7:12] And he was able to return that painting. Instead of doing 12 years, he did 28 months. And he even managed to, he told me he even managed to get the $10,000 reward in the process. So you have this atmosphere in Massachusetts that Rembrandts are a valuable commodity, right? They can help you out in a jam. And so I think it’s no coincidence that in 1990, when the Gardner Museum heist came down, the Gardner Museum had this array of motion sensors all throughout the museum. It would alert to wherever you went, every gallery, hallway, whatever. [7:49] And we know from these motion sensors that after, as you said, the two guys went in disguised as cops and bluffed their way into the museum, they made a beeline for the Dutch room, which is the room of all things Rembrandt. They stole three Rembrandts. They stole a fourth piece called Landscape with an Obelisk, which was actually by Govard Flink, but it had been misattributed to Rembrandt until the mid 80s. And then they took a large Rembrandt oil-on-panel off the wall and it was recovered the next morning leaning against a piece of furniture. We believe they just overlooked it in the dark. So out of the 13 pieces taken, three were Rembrandt, a fourth was misattributed to Rembrandt, and there was going to be a 14th piece taken, which was also Rembrandt. It definitely falls into that theory that this was going to be a hold-on to these pieces for a while and see if you can use them for a break. [8:48] Interesting. Now, back in the 70s, for example, when somebody would work in an art robbery like that or an art theft, you got your tried and true ways of working a crime. You got to have sources, you got to have witnesses, and hopefully you can get a crime like this. You can get a source that says, hey, this guy, we had a guy in Kansas City that he was a fence for these kinds of guys. He had an antique auction and he took all this stuff and got it somewhere else. So at the time, just use your regular police methods. And what changed over the years as you’ve done this? Yeah, certainly we’ve become much more sophisticated with the techniques that we use. But at the end of the day, it’s always still going to be intelligence. But I found from working my entire career in violent crime, virtually my whole career in violent crime, the sources are crucial. Having a good informant can make and break a case. And working art theft investigations, you’re certainly going to have the same types of fences of informants, fences for stolen property and what they’re hearing about what organized crime guys are doing and what drug guys are doing. But it also opened up a whole new avenue of sources for me as working in art investigations, because now you’ve got pawn shops and gallery owners and auction houses, and they’re in a position to know when not only when stolen artwork is coming in, but also fakes and forgeries. We spoke about this, that. [10:16] Somebody comes in with one valuable piece that would be very difficult for somebody in his or her position to come across one piece like this, let alone a dozen of them. That really points to probably a fake. And so that’s really the key to solving these things is just having a good intelligence base who’s going to let us know about when something comes up that’s either stolen or it’s been forged. [10:43] Brings up a question. In my mind, did you ever work a gallery owner or a gallery [10:48] that then would filter in, knowingly filter in some fakes every once in a while? They couldn’t do it 100% of the time, but you could certainly make some extra money by filtering fakes out of it because many people would get it and they’d never know. Nobody would ever know. Listen, it is a really difficult thing when you’re working these types of crimes because unlike bank robber, you go into a bank and you stick them up with a gun and take them on. It’s not up to the government to be able to prove at trial that you knew that the bank was insured by the FDIC. You went in and you robbed it, you committed the offense. When you’re talking about interstate transportation of stolen property or possession of stolen property, there are what’s called specific intent crimes, meaning you have to prove the element of knowledge. You have to be able to prove that the person knew that that item was stolen. Not that it said it was stolen. and you had to show that they knew it. And that’s a really high hurdle to overcome. And typically what we do to try and prove that specific intent is we’re going to go through. [11:53] Recorded statements made to a source or to an undercover or emails or texts or something that we can show that this person knew that item was stolen. And so we would see that a lot in auction houses and galleries. There’s a lot of willful blindness where a lot of gallery owners and auction houses, they’re going to look the other way because it’s too lucrative to pass up. And in fact, in 2015, the art crime team, once we received information that ISIL or ISIS was using looted cultural property from Syria and Iraq as a form, a viable form of terrorism financing. And we put auction houses and gallery owners on notice in 2015, and we basically told them that if you’re selling objects of cultural patrimony or cultural heritage with a dubious provenance, like a wink and a nod, you may be unwittingly or wittingly funding terrorism. While we never charged anybody with it, hopefully it was an eye-opener that when you’re getting into this world, it’s not a victimless crime. There are very real victims involved. [13:07] And that’s one of the things that really is interesting about working our crime investigations. And I used to get ribbed by my friends who were not on the art crime team about [13:18] where like the wine and cheese squad were raised and everything. But our subjects are far from it. We’re dealing with organized crime, gangs, terrorists. This is no joke. These are serious individuals and the stakes are high. And in the Gardner case, three or four people that we believe were involved in the heist were murdered a year after the Gardner case crime occurred. Yeah, I was just going to go back to that a little bit, as we said before, a little bit like the Lufthansa case. All of a sudden, everybody that was involved in the theft. Started dropping like flies. So tell the guys about that. That is really interesting. [14:00] Yeah. So the two individuals that we believe went into the museum dressed as cops, just a week shy of the one-year anniversary, one of the guys was found dead in his apartment of an acute overdose of cocaine, intravenous. And his family admitted that he used Coke, but they said he was terrified of needles. He was scared of needles. So it really looked to be like a hotshot, an intentional overdose of cocaine. Two weeks later, the other guy who we believe went into the museum with him, his wife reported him missing. And a couple of weeks later, his bullet riddled body was recovered in the trunk of his car out by Logan Airport in East Boston. There was another member of that crew. These were all part of the same crew. This Carmelo Merlino, who was a Boston mobster, had an auto shop down in the Dorchester section of Boston. Another member of his crew, a guy named Bobby, six weeks after the heist, he brought in, he visited a jeweler in the downtown crossing jewelry district in Boston. He came in with this object and he unwrapped it. It was an eagle. [15:03] It was the finial from the Napoleonic flag that was stolen in the Gardner heist. And he asked the jeweler, how much is this thing worth? And the jeweler looked at it and he said, it’s worth nothing. Because he immediately recognized it as one of the people that had been stolen six weeks earlier from the Gardner heist. And then a few months later, Bobby was stabbed to death and nearly decapitated on the front porch of his house. And the responding police saw that his house had been broken into and ransacked like his killers had been looking for something. There was a fourth guy, Jimmy, who bragged to his girlfriend a few months after the heist that he had a couple of pieces from the Gardner Museum hidden in his attic. [15:47] And in February of 1990, 11 months after the heist, he was executed on his front porch in what the local police called a mob hit. So, yeah, these are the types of crimes that have a tendency to have a chilling effect on anybody who harbors any aspirations to come forward with information. Yeah, and we talked earlier a little bit about, like, the crime itself, and the statute of limitations is up on that, what you said, and the crime itself, but how we talked a little bit and explained to them about how this could be part of a RICO case. And you’ve got the murders and you’ve got the actual theft and whatever they did with the paintings, then maybe you could get over after a Bob boss as a Rico case. Tell the guys a little bit about doing that. Yeah. [16:32] I’ve heard it so many times in more than two decades that I worked the case and people would say, geez, why don’t people come forward? They’re just paintings. There are so many times they’re just paintings. They’re like, yeah, they are, but there’s two things about that. Number one, there’s some dead bodies on these paintings, three or four, and that there’s no statute of limitations for murder. And so if you implicate yourself in the theft or you implicate yourself in possessing or transporting these paintings at any time, the fear is that you’re then implicating yourself in a homicide. And the other aspect of this, which I think has a chilling effect, is the fact that transportation of stolen property is one of the predicate acts for RICO, racketeering influence corrupt organization case. And RICO is basically, Gary, is basically an entire organization is corrupt. Yeah. There’s no legitimate purpose. It’s what we think about the mob and the [17:27] FBI has taken down the mob in the past. So if you implicate yourself in stolen property and you’re part of organized crime, that’s one of the predicate acts for a RICO. And that’s basically life sentences. And so one of my goals in the years and years that I worked in this case was to try and convince people that you could come forward with information and the U S attorney’s offices, whether it’s up in Boston or new Haven or Philadelphia. [17:58] Would be willing to figure out a way to get the paintings back with immunity from prosecution for a RICO case. Look, that’s a high hurdle. That’s a high hurdle to convince somebody that if you come forward, you’re not going to get charged and you’re eligible for millions of dollars in reward. That’s a tough bill to swallow, but it’s the truth. I’m retired from the FBI now. I can tell you that it was, it’s a, it was, and still is a bona fide offer. And that’s one of the goals that I’ve always tried to impress on anyone is the opportunity to become a millionaire without going to jail. There you go, Jeff. Can you, now you’re not with the Bureau anymore. Can you go out, if you could go out and find them and bring them in, could you collect that reward? I would certainly hope so. [18:48] I can’t tell you how many of my friends thought that I had some of these paintings stashed in my basement. Waiting for retirement to go turn them in the next day. I think half the guys I worked with were expecting to see me pull into the parking lot of the FBI. [19:01] Big package, but no. But yeah, I suppose I could. By this point, I can tell you the amount of my very being that I put into this case over two days. Yeah. I just would love to see these paintings go back just because they need to be back at the museum. That’s where they belong. Now, these crimes, they seem, You said there’s a lot of murders attached to this. They seem a little boring. Did you have any exciting moments trying to pop anybody or do any surveillances? I know we did a big surveillance of a bunch of junkies that were going around stealing from small museums around the Midwest. And we follow them here in Kansas City. And they would have been pretty exciting had we had a confrontation with them. Did you have any exciting moments in this? It actually was a fascinating case. And for the first, there’s the really boring aspects of this job and tedious aspects. And I would say that in my, two decades working this case, I probably did, I don’t know, 50, 60, 70 consent searches, searching in attics and basements and crawling through crawl spaces and just getting sweaty and covered in cobwebs. But the break in the case for me came in 2009 when one of the guys who was part of Merlino’s crew who was deceased, his niece came forward to me and told me that the paintings. Some of them had been hidden up in this guy’s hide at his house up in Maine. I went up to Maine with Anthony Amore, who’s the director of security for the Gardner Museum. We worked on this case together for years. [20:29] And then we found that hide. And then we interviewed, right from there, we went and interviewed Guarenti. That’s the guy, Bobby Guarenti. We interviewed his widow and she broke down and admitted that he once showed her the paintings and she gave them to a guy down in Connecticut. And we identified that guy and we interviewed him. My name is Bobby Gentile. He’s a made member of the Philly Mob. He got straightened out with his crew back in the late 90s. [20:54] And he refused to cooperate. And then that’s where we really just started getting, using a lot of ingenuity to try and break it. And an agent down in the New Haven office, a guy by the name of Jamie Lawton, he joined our team and we started working this case. And he had a source who knew Gentile, Bobby Gentile, and the source started buying drugs from Gentile. Ah, there we go. We ended up arresting Gentile and we did a search warrant at his house. And it was crazy. Like we recovered, I want to say seven handguns, loaded handguns lying all over the place. He had a pump action shotgun hanging by the front door. He had high explosives. We had to evacuate the house and call him the bomb squad. But the interesting thing was he had the March 19th, 1990 edition of the Boston Herald with headlines about the Gardner heist and tucked inside that newspaper was a handwritten list of all the stolen items. With what looked like their black market values. This is in the house of a guy who swore up and down that he’d never heard of the Gardner Museum. And we were able to figure out who wrote the list. It was written by none other than Al Monday, who’s the guy that did the first armed robbery of a museum, of a Rembrandt. And we interviewed him and he told us that he wrote that list for Bobby Gentile and his buddy up in Maine, Bobby Garanti, because they had a buyer for the paintings and they wanted to know what they were worth. [22:24] So yeah, and then Gentile took 30 months. [22:28] He wouldn’t cooperate. And while he was incarcerated, we turned two of his closest friends to becoming sources. And so when he got out of prison in February or April of 2014, they started talking to him and talked about the gardener and they said they might know somebody who’d want to buy him. That’s how we then introduced an undercover agent. Gentile was introduced to Tony, this undercover FBI agent. Over six months, they had long talks about selling the paintings. Unfortunately, before Gentile would sell the paintings, he wanted to do a drug deal first, which we couldn’t allow to happen. We can’t let drugs walk on the street. So we had to take it down. And although we’d seized all these guns from Gentile back in 2012, he told the sources the FBI didn’t get all of his guns. Because of that disturbing comment, one of the sources asked Gentile if he could buy a gun for him. And Gentile sold him a loaded 38. So we arrested him again. And he still refused to cooperate. I don’t respect what he did for a living or a lot of the things that he did, but you do have to respect his adherence to his values. However, misguided they may have been, he took the code of omerta, the code of silence to heart, and he took it to his grave. He died, I think, in 2021 after going to prison a second time. [23:50] While we never got any paintings back, it was a tremendous ride, and I’m confident they will come back. It’s just going to be a question of when. Yeah, that kind of brings up the question that you hear people speculate. Did you ever run across this? Is there actually any rich old guys or an Arab sheik or somebody that buys stuff like this and then really keeps it and never shows it to anybody? Does that unicorn really exist? everybody wants that to be true i know virtually it’s not yeah there’s there’s never been a case of some wealthy what we call the doctor no theory some some reclusive billionaire with his underground lair filled with all the illicit stolen treasures of the world yeah that’s it’s never happened yeah i guess you never say never but but no look the majority statistically about three-quarters of everyone that collects art in this country does it for, and I assume it’s probably worldwide, does it for the investment potential. There’s a lot of money to be made in collecting art. It rarely, if ever, drops in value. So that’s why people collect art. If there’s somebody who has a particular piece that they want so badly that they’re going to commission its theft, it’s more the stuff of Hollywood. It could happen, but we’ve never seen that happen yet. Interesting. [25:14] We did have one case here where we had a medical doctor and he had it on the wall of his house. And it was, I believe it was a Western artist named Remington that these junkies stole out of Omaha. But it was such a minor piece that he could show it to anybody and they wouldn’t. They would say, oh, that’s cool. You got a Remington. [25:30] There’s plenty of those around. And he could afford a real deal Remington anyhow. So it wasn’t that big a deal. And that’s really what it comes down to is that art, high-end art does get stolen. It gets stolen quite often. The art market is about $60 billion, and the FBI, we estimated about $6 to $8 billion of that is illicit, whether it’s theft or fakes and forgeries. It’s a tremendous market, but it’s mostly second and third tier items. [26:02] Really valuable, well-known pieces. They do get stolen, but that’s the easy part. The easy part is stealing it. The hard part is monetizing it. That’s why you very rarely see recidivism among art thieves, high-end art thieves, because you do it once, and now you’re stuck with the thing. It’s easier to steal something else. You got to go out and boost fur coats and stuff to make a living. Exactly. Do a jewelry store robbery down there and make a living. And that’s exactly the point. That’s why you’re seeing a sea change in terms of art thefts, museum thefts. The Louvre was a great example of that. Dresden green vault robbery where 100 million euros in gems were stolen back in 2019 yeah. [26:45] Gems and jewelry, it can be broken down. It’s going to greatly diminish their value, but you can recut a gem. You can melt down the setting. You can monetize it for a greatly diminished value, but at least you can monetize it. You can’t cut up a Rembrandt into smaller pieces. [27:02] It’s only valuable as a whole complete piece. Yeah. I’m just thinking about that. We got a couple of guys, Jerry Scalise and Art Rachel in Chicago, flew to London, robbed a really valuable piece, the Lady Churchill’s diamond or something, I don’t remember, but really valuable piece and mailed it to somebody on their way to the airport and then got caught when they got back to Chicago and brought back to London and did 14 years in England and they never gave up that piece and nobody could, it never appeared anywhere, but it was just cut up and they didn’t make hardly any money off of it. Yeah. Look, there’s a, there’s much more profitable ways to. Yeah. To make an illicit living than stealing high-end artwork, but it does still get stolen. And that’s one of the cruel ironies when you’re talking about art theft is if somebody has a $20,000 piece of jewelry or a very expensive watch, they’re most likely going to lock it up in a safe in their bedroom or something. But you have a $10 million piece of artwork, you probably got it on the mantle. You’ve got it over the fireplace or in the front foyer of your house and probably doesn’t have a passive alarm system protecting it or security screws to keep it from being taken off the wall because people want to show it off. Yeah. It’s way too enticing. [28:24] Really? So, yes, you need to keep the word out there and keep this in people’s minds. And I’m sure the museum tries to do this in some ways in order, hopefully, that maybe somebody will say, oh. Yeah. [28:38] I think I saw that somewhere in this news program or on this podcast. [28:42] I’ll put some pictures on the podcast when I end up editing this. No, please do, Kerry. And that’s the thing. That’s the basis for the title of my book is it really is a fugitive investigation. And that’s how I work this case is fugitives and perfect fugitives because they’re not like their human counterparts. They’re not going to get tripped up on the silly things that we need to do as human beings, getting a driver’s license or whatnot. Yeah. [29:09] And so that’s how I worked the case. The FBI was really, I was always impressed with the FBI’s support that they gave me on this investigation. We did billboard campaigns and social media and a lot of things to get these images out there to the public, hoping it might resonate with somebody. And that’s really my goal for this book. I felt it should be written. I felt it’s an important case. Certainly, it’s something that I wanted to write about. It’s something that’s very important to me. [29:42] But it’s yet another attempt to apprehend these fugitives. And I’m hopeful that somebody, it might resonate with somebody. Somebody’s going to see something. And there’s so much disinformation and misinformation that’s out there in the media about this case. People are endlessly, all these armchair detectives, and I don’t say it in a deprecating way. Good for them. Work as hard as you can. But if you want to work this case from your armchair, great. but you should be going off accurate information because there’s a lot of bad information that’s out there on the internet. And if you want to help out, if you want to collect that $10 million reward, great, but you should be going off the most accurate factual information that’s available. Yeah. And you probably ought to go down to the deep seamy underbelly of Philadelphia or Boston or somewhere and get involved with a mob and then work your way up and make different cocaine deals and everything. And eventually you might be trusted enough that some might say, oh yeah, I’ve got those in this basement. I would suggest there’s better hobbies. [30:47] That could be hazardous to your health. I wouldn’t recommend it. Yes, it could. All right. Jeffrey Kelly, the book is 13 Perfect Tuesdays. Those are the paintings that were stolen that you’ll see on the podcast on the YouTube channel. The true story of the mob, murder, and the world’s largest art heist. Jeffrey, thanks so much for coming on to tell us about this. Thanks, Gary. Thanks for having me.

“C” is for Columbia Museum of Art. The Columbia Museum of Art was established in 1950 as an art, history, and science museum and included the Gibbs planetarium.

Amanda and Melanie talk with Briggs Greenwood about the value of real-life homeschool support groups and why in-person relationships remain so important for families navigating a digital world. Briggs shares from more than two decades of homeschooling experience and previews her upcoming Thrive! workshop, Leading an Analog Support Group in a Digital World. They also answer common questions that new homeschoolers often ask online, including the difference between the North Carolina Division of Non-Public Education (NCDNPE) and NCHE, and whether homeschool families are required to join a co-op. Amanda and Melanie explain how homeschooling works in North Carolina and encourage parents that they are capable of leading their children's education. In addition, the episode highlights Thrive! Conference workshops for parents of neurodivergent and struggling learners and shares encouragement for families seeking connection, support, and confidence in their homeschool journey.News and Upcoming EventsThrive! Conference workshop schedule and registration   Museum of the Coastal Carolinas and Ingram Planetarium field tripDurham Bulls Education Day field trip NCHE scholarshipsWest Virginia homeschool legislation discussion

Send a textJoin Jared and Ed as they talk with Emma, the founding curator of the People's Museum for Prince, a "counter museum" that solicits pieces--visual art, music, essays, and more--from the fans to celebrate the life and legacy of Prince. She talks to the fellas about this project came together, how people can submit, hopes for the future of the project and, of course, her top five albums and songs. This is a great discussion. Hope you'll join us for this one! Check out the museum here !Support the showA deeper dive into Prince than you probably wanted

Kelli & Bob visit the Idaho Potato Museum in Blackfoot, Idaho, the Photo Antiquities Museum of Photographic History in Pittsburgh, Pennsylvania, and more.

Kelli & Bob visit the Idaho Potato Museum in Blackfoot, Idaho.

Octagon Hall Museum is a historic, eight-sided mansion in Franklin, Kentucky, built in 1847 by Andrew Jackson Caldwell. It is the only octagon-shaped house in Kentucky, and is known for its Civil War history, rare architecture, and reputation as one of the most haunted places in the South!!!https://hauntedus.com/kentucky/octagon-hall-museum/https://www.bumpinthenight.net/octoganhttps://www.wbko.com/2023/09/30/hometown-hauntings-haunting-octagon-hall/https://search.brave.com/search?q=octogon+houses+aroumd+the+country&source=ios&summary=1&conversation=08c12f86ac23baf8042a4b0059b91612252ahttps://search.brave.com/search?q=octogan+hall&summary=1&conversation=08c12264451a27474988a8bef6fd087d602dhttps://m.youtube.com/watch?v=X6zuG_Gcqzo

Follow us on Facebook and Instagram or download our app to stay connected! Saturdays with Sandra www.1011thepulse.com ios App Android App Advertise with Us Savoy Automobile Museum Chapters:00:00 Introduction and Banter00:05 Tom Chenall on the Savoy Museum’s Mission02:26 The Story Behind the Museum’s Name04:51 Honoring Founder John Osher’s Legacy07:18 Upcoming Exhibits: Award-Winning Cars and Woodies11:57 Future Themes: NASCAR, Jeeps, and Hot Rods15:00 Closing Thoughts and Visitor InformationSee omnystudio.com/listener for privacy information.

Buddhist sutras tell of a distant future, where the teachings of the Buddha we know have been entirely forgotten. This future city, ruled by a benevolent, wise king, is a utopia, where people want for nothing and live for over 80,000 years. But even this paradise is still in need of a teaching, that nothing lasts forever.This is the world of the future Buddha Maitreya, also known as Metteyya, the Buddha of loving kindness. Exploring Buddhist texts like the Descending Birth of Maitreya Sutra, the Lion's Roar of Maitreya Sutra, and the Gandavyuha Sutra, we find timeless wisdom, a warning against false prophets, and a dramatic vision of the infinite potential of loving kindness.Mythos & Logos are two ancient words that can be roughly translated as “Story & Meaning.”Support the channel by subscribing, liking, and commenting to join the conversation!Patreon: https://www.patreon.com/c/mythosandlogos00:00 Introduction00:10 Bodhisattva Maitreya, Indian Museum, Kolkata00:26 Gameplay from Cyberpunk 2077 by CD Projekt Red01:08 Leaves from a Gandavyuha Manuscript, Asia Society, New York, Rockefeller Collection01:28 The Future Age01:39 Buddhas of the Three Generation by Ding Guanpeng02:11 Buddha Teaching the Ramaga Sutra 佛說羅摩伽經 by Shengjian 聖堅02:34 Leaves from a Gandavyuha Manuscript, Asia Society, New York, Rockefeller Collection03:20 Minimundus Klagenfurt, Borobudur Tempel Magelang, Detail, Schubbay, Creative Commons03:43 Mucailnda Protects the Buddha from the Rain, at Wat Olak Madu, Kedah, Photo Dharma from Sadao, Thailand, Creative Commons03:56 Universal Monarch, Phanigiri, Telangana, Anandajoti Bhikkhu, Creative Commons04:22 Clothed statues of the Buddha in the ruined Khmer Hindu temple of Wat Phou, Champasak, Laos, Basile Morin, Creative Commons04:43 Maitreya, Art Gallery of New South Wales, Sydney05:26 Miniature Votive Stupa, Cleveland Museum of Art05:38 The Buddha Amitabha with the Eight Great Bodhisattvas, The Asian Museum, San Francisco06:08 The Lion's Roar06:46 Maitreya Buddha Triad, Gyeongju Art Museum07:22 Hungry Ghosts Scroll, Kyoto National Museum08:30 Maitreya's Tower08:52 The Mong Xuanzang, Tokyo National Museum09:06 The Eighteen Arhats Traversing the Sea, The Museum of Chinese Art and Ethnography, Parma09:50 The Transmission of the Teachings of the Gelugpa Sect, The Asian Art Museum, San Francisco10:00 Seven Leaves from a Manuscript of the Gandavyuha Sutra, Cleveland Museum of Art10:16 View of Borobudur, Indonesia, Anandajoti Bhikkhu, Creative Commons10:24 Maitreya, Museum of Oriental Art, Torino10:41 Maitreya Makes a Gift of a Throne, Borobudur, Anandajoti Bhikkhu, Photo Dharma from Sadao, Thailand, Creative Commons10:52 Maitreya Makes a Gift of a Woman, Borobudur, Anandajoti Bhikkhu, Photo Dharma from Sadao, Thailand, Creative Commons10:58 Stone Buddhas of Yonghwasa Temple, Cheongju, Cheongju Early Printing Museum11:11 Sudhana's Pilgrimage to Fifty Five Spiritual Teachers as Described in the Flower Garland Sutra, Nara National Museum11:19 Conclusion: Nothing Lasts Forever. Loving Kindness Now.12:12 Vietnamese Zen Buddhist Monk Thich Nhat Hanh at a retreat in The Doon School, Dehradun, India, HumfCauseway, Creative Commons12:19 Deer Park Monastery, Purple Lantana by Meditation Hall, Anissa Wood, Creative Commons12:25 Thích Nhất Hạnh, Day of Mindfulness, October 199314:17 OutroAll works of art are public domain unless stated otherwise. Ambiment- The Ambient by Kevin MacLeod is licensed under a Creative Commons Attribution License.

Arlene Okun, founder of the Sock Monkey Museum, joins Wendy Snyder, in for Lisa Dent, to discuss the history of sock monkeys and the interactive museum in Long Grove. Arlene also shares her sock monkey story and previews some of the events for National Sock Monkey Day on March 7th.

Take a peek inside a museum where Leonardo da Vinci's ideas take shape. Dave Moore gets a preview of the new Leonardo da Vinci Museum of North America with tour guide Craig Eliot. This entire exhibit is made possible by the Artisans of Florence. They bring da Vinci's original sketches to life.Their team of historians, engineers, and master craftsmen had spent decades translating da Vinci's notebooks into fully functional machines that remain true to the original scale, mechanics, and materials. However they also incorporate 21st century technology like virtual reality, holograms and artificial intelligence. Work on the museum was still going on at the time of this recording. So you'll hear some construction and other noises in the background.  Dave speaks to a handful of people doing work along the way. They include: Bonnie Waugh, artist Joe Arrigo, Founder & Executive Director  Tom Rizzo, Artisans of Florence Paulo Gori, Artisans of Florence Joel Carpenter, artist doing Last Supper Some of the exhibits include: Flight & ImaginationMachines & RoboticsWater & PowerThe Human Body as Machine These exhibits also appear in major museums across Europe — and in North America, it can be experienced only here in Pueblo.The plan is for the museum to open May 2026. Tap here to see collage of photos. 

Support the show. Become a Patron: www.patreon.com/highscore510    ----more---- We discuss:  1) Ninjas Needing Attention: Soulja Boy has a new PHONE CAR? {15:08} 2) NEWS: Bill Duke gets a star on the Hollywood Walk of Fame {18:34} 3) NEWS: Pope calls for Priests to NOT use ChatGPT {19:59} 4) NEWS: Lion King song lyrics are deep! {22:30} 5) NEWS: Jannathan Majors is BACK! Doing a movie produced by, Ben Shapiro? {24:30} 6) NEWS: California Children's Museum being called racist! {31:02} 7) NEWS: RFK Jr. has a solution for families struggling to afford groceries {33:26} 8) SPORTS: Kodak Black give a inspirational speech to a youth football team {42:50} 9) NBA: How do we fix the NBA and its "tanking" problem? {46:31} 10) Cutty Corner Shoutouts {58:51}   *Patreon Page: www.patreon.com/highscore510 *Email: (HighScore510.Fans@gmail.com)   *MUSIC BY: Taj Easton (https://www.tajeaston.com)   *SPONSORS: 1) New Parkway Theatre, Oakland: https://www.thenewparkway.com 2) Til Infinity Clothing

An exploration of the historic Ryman Auditorium and the Country Music Hall of Fame and Museum in downtown Nashville, Tennessee.

This Friday on Weekly Spooky, we're bringing back one of the biggest and most exhaustive episodes of Terrifying & True we've ever produced.In this special episode we take a long, hard look at the couple who became the most famous names in American paranormal investigation. From Amityville and Annabelle to the cases that helped inspire The Conjuring, this episode explores how the Warrens built their legend — and why that legend remains so controversial.We follow their rise from local investigators to national figures in the world of hauntings, possessions, and demonology, then dig into the doubts, criticism, and conflicting accounts that have followed them for decades. It's a deep dive into belief, fear, fame, folklore, and the uneasy space where the paranormal collides with performance.Because this is a Best of 2025 re-air, it's the perfect chance to catch an episode that listeners may have missed the first time around — especially if you're fascinated by haunted history, real-life paranormal cases, or the truth behind some of horror's most famous stories.Inside this episode:• The rise of Ed and Lorraine Warren• The real stories connected to Amityville, Annabelle, and The Conjuring• Their occult museum and public image• The skeptics, critics, and controversies surrounding their work• Why their legacy still shapes paranormal culture today

What happens when students who have been overlooked finally get a stage?In this episode, Matt sits down with Bill Moran and Claudia Crane of Iconoclast Artists, a Houston nonprofit using poetry and creative writing to help students process trauma, discover their voice, and build community.Over the last decade, Iconoclast Artists has worked with thousands of students across Houston and Galveston, many facing poverty, food insecurity, and instability. Through writing workshops, mentorship, and public performances, the organization helps students turn their experiences into art—and in the process become published authors.Bill shares how poetry can become a tool for agency, describing writing as a way to “throw a blanket over the ghost”—giving shape to experiences that once felt overwhelming. Claudia explains how the organization has grown from a small experiment into a program that has served more than 8,500 students and families, produced hundreds of published young writers, and now celebrates its 10-year anniversary.We also talk about the powerful “They Say” student showcase, where young writers perform their work inside the Museum of Fine Arts in Houston, surrounded by world-class art while their voices take center stage.This conversation explores art, hope, education, and what happens when young people realize that what they have to say truly matters.

On Friday's show: We learn about some potential strong winds and even flooding in Greater Houston this weekend with the help of Justin Ballard, meteorologist for the Houston Chronicle.Also this hour: We talk about movies dealing with time travel. That's the theme of Moonlight Movies, a series of outdoor film screenings this month put on by the Museum of Fine Arts, Houston.Then, we break down The Good, The Bad, and The Ugly of the week.And we preview this year's Theater District Open House, where performing arts organizations open their doors for visitors to learn about what they do and to preview their coming seasons.

Season six of the Ali & Callie Artcast kicks off with Britt Thurman, Executive Director of the Museum of North Idaho. Britt joins us to share how the museum's first year in its new home at the base of Tubbs Hill has gone, along with a look at upcoming exhibits, community events, and what's ahead for the future of the museum. We also talk about the important role the museum plays in preserving and sharing the rich history of our region—through engaging exhibits, educational programs, and partnerships that help tell the stories shaping life in North Idaho. To learn more about the museum or become a member, visit museumni.org.

Pundit: Coalition “will clash more often” now Babiš has immunity, Prague museum acquires suitcase of journalist Milena Jesenská, Vít Hořejš and Bonnie Stein on their indie movie co-starring 200-year-old Czech marionettes

Episode description: Santiago “Jimmy” Mellado, President and CEO of Compassion International, joins host Matthias Walther for a conversation about calling, identity, and the global church. Together, they trace how a childhood spent across developing nations, an Olympic journey, and a Harvard education shaped his lifelong mission. In this episode of “Unscrolled,” we explore the spiritual roots of poverty, the church's biblical mandate to care for the vulnerable, and the simple question that reshaped Compassion's work: What are you going to do with what you've seen? Get ready to discover how faith, formation, and global responsibility converge in one leader's remarkable story.   Guest bio: Santiago “Jimmy” Mellado is the President and CEO of Compassion International.  Show Notes:  Compassion.com Compassion Leadership - Santiago "Jimmy" Mellado  Stay up to date with Museum of the Bible on social media:  Instagram: @museumofBible  X: @museumofBible  Facebook: museumofBible  LinkedIn: museumofBible  YouTube: @museumoftheBible 

This week we look at the most offensive Reality TV shows, Peta and the Ground Hog, Theres drunk-and then theres "Florida Drunk." and a visit to the Museum of Failure...

We sit down with MONAH Executive Director Jazlyn Sanderson to explore how a museum in Bentonville threads 24,000 years of Indigenous history into the present through art, archaeology, and living partnerships that honor descendant communities. The journey centers on the Spiro Mounds, a Mississippian cultural powerhouse in present-day Oklahoma. Jazlyn guides us through the material evidence: shell dippers etched with regalia, woodpecker effigy axes, and a sacred warrior pipe that arrived through a careful collaboration with the University of Arkansas and the Caddo Nation. Jazlyn describes the scale-- 574 federally recognized tribes in the U.S. We also share how MONAH meets learners of all ages with field trips, reimagined audio guides, family tours, and a monthly newsletter that spotlights artifacts and contemporary Indigenous creators. If you're curious about Indigenous history, archaeology, and more, visit http://monah.orgA New American Town is here to help you plan your trip to Bentonville, Arkansas. From guides, events, and restaurant highlights. Find all this and more at visitbentonville.com and subscribe to our newsletter. Follow us on Facebook, Instagram, TikTok, X, and LinkedIn. You can listen to this podcast on Apple Podcasts, Overcast, Spotify, CastBox, Podcast Casts, Google Podcasts, iHeartRadio, and Podcast Addict.

American artist Elizabeth Catlett spent much of her career as an expatriate. While beloved by artists for her captivating portrayals of Black women, she was also marginalized by academia and for a time, even her own government.Now, the works of this compelling, politically-aware artist are on display at the Biggs Museum of American Art in Dover.In this edition of Arts Playlist, Delaware Public Media's Martin Matheny is joined by the Biggs's Curator of American Art, Laura Fravel to learn more.

On the March 6 episode of Friday LIVE, we are back at the Mill Coffee and Tea in Lincoln's Haymarket. Host Genevieve Randall will have lively conversations with: Two of the leading actors from the ensemble bringing The Music Man to the Lied Center for the Arts (1:30), Artist Cindy Weil about her "Only Wool" exhibition at Kearney's Museum of Nebraska Art (10:03), Fremont's Pathfinder Chorus about an upcoming show (23:52), artists Stacy Larson and Lauren Krusso who's work is being shown at the LUX Arts Center (31:39), the executive director for the Carnegie Arts Center, Kyren Gibson, about their newest exhibition (39:08), and with Lincoln's Symphony Orchestra's conductor Ed Polochick, as well as harpist and featured soloist Julie Smith (46:02). You will also hear poetry by Nebraska's State Poet, Jewel Rogers (19:43).

Learn more at TheCityLife.org

Heidi Sabertooth, a NYC-based singer, multi-instrumentalist, DJ, producer and co-founder of Synth Library NYC, talks about electronic music and the library which is dedicated to giving “equal access to the means of production,” giving access to a wide array of synthesizers and creating a diverse community around it.    Photo: TR-808 Musical instrument Museum, Phoenix, AZ (Bryan Pocius from New York, USA, CC BY 2.0, via Wikimedia Commons)

3-5-2026: Wake Up Missouri with Randy Tobler, Stephanie Bell, John Marsh, and Producer Drake

The Daily Quiz - Geography Today's Questions: Question 1: Burma was the former name of which country? Question 2: What is the capital city of Bangladesh? Question 3: What is the capital city of Togo? Question 4: Which U.S. state has the largest sub-national economy in the world? Question 5: Which of these colors would you find on the flag of Indonesia? Question 6: What is the largest desert in India? Question 7: In which country is the city of San Salvador? Question 8: Which US state is home to Willis Tower, McDonald's Museum and Abe Lincoln's Tomb? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

Die AR-parlementslid, George Kambala het in die Nasionale Vergadering 'n versoek gerig om die ou staatshuis in 'n museum te verander wat die land se stigterspresident, Sam Nujoma, herdenk. Kosmos 94.1 Nuus het met Kambala gepraat, veral rakende die land se prioriteite. Volgens hom moet Namibiërs hulle tradisies vier en nooit hulle helde vergeet nie.

Custodian finds explosives at WW1 museum HR 1 full 2505 Thu, 05 Mar 2026 16:51:29 +0000 qYvm2Lc4MC67TpZUXJ4s7UcGxbI5gc11 news MIDDAY with JAYME & WIER news Custodian finds explosives at WW1 museum HR 1 From local news & politics, to what's trending, sports & personal stories...MIDDAY with JAYME & WIER will get you through the middle of your day! © 2025 Audacy, Inc. News False https://player.amperwavepodcasting.com?feed-lin

In this episode of #RulethGalaxy Joe hosts a one-on-one conversation with his Uncle Matt. This is a #Mulinaro only episode! We discuss our #StarWars fandom Our background of growing up together being Star Wars fans. Matt's Star Wars Museum in his home. His many adventures as a collector, all the places he has gone and people he has met. We even discuss the current Star Wars #Kenner #Hasbro #Mulinaro #RuletheGalaxy #StarWars

Prepare yourself for the gala event of the year! An ancient artifact of the lost city of Shandular has been unearthed and citizens from all over Waterdeep are gathering to catch a glimpse. This once in a lifetime unveiling at precisely midnight promises to dazzle them all, but will they find that perhaps some ancient history is left forgotten? Step right in to the Waterdeep Museum of Natural History & Antiquities and find out for yourself. Sign up for Talltale Tavern Bonus Action for additional content and to help support the show!⁠⁠⁠⁠⁠⁠⁠⁠Follow the podcast's socials!Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠@talltale_tavern_podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠@TalltaleTavernPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠@TalltaleTavernPodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Plus, join our⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠discord!⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you to our players! Clay as Amuun Etka the Elf Order of Scribes WizardDayne as Kaelen, Apostle of the Clouds the Aarakocra Warror of the Mystic Arts MonkKyle as Duratan Blackfang the Orc Oath of Devotion PaladinScott as Marklay Pinglepopper the Halfling Clockwork SorcererTalltale Tavern Theme Song by Tyler AdelspergerTalltale Tavern Artwork by Tal

What if your school building wasn't just a place where learning happens, but one of the most powerful teachers in the room? In this episode, Mark Barga sits down with Anne Fullenkamp, Senior Director of Creative Experiences at the Children's Museum of Pittsburgh, to explore how thoughtfully designed spaces can spark curiosity, boost confidence, and expand what students believe is possible. From hallways that invite discovery to classrooms that adapt to every learner, Anne reveals how architecture can quietly shape mindsets, behaviors, and futures. Drawing from her accidental journey from practicing architect to museum exhibit designer—where she's spent nearly two decades living alongside her own designs—Anne shares how truly student-centered environments are built through empathy, collaboration, and treating schools like the laboratories they can be. Takeaways: Buildings as learning tools: Design schools that actively participate in learning, not just house it—every wall, hallway, and corner can tell a story Start with "what if": Center design charrettes on how spaces will look and feel, not just how many seats you need Remove barriers to curiosity: Create environments where teachers can respond in the moment without calling facilities for a work order Make movement matter: Balance gross motor and fine motor experiences throughout the day—even the hallways can serve learning Design for adaptability: Treat schools like museums—plan for environments to evolve with changing pedagogy and technology over 50+ years Budget smarter, not bigger: You don't need massive investments to start—make small bets, experiment with a corner or underused classroom first When learners thrive, communities flourish: This is the heart of radically student-centered design About Anne Fullenkamp: Anne Fullenkamp, Associate AIA, LEED AP, Senior Director of Creative Experiences, Children's Museum of Pittsburgh With more than 25 years of experience in the museum design and architectural fields, Anne is responsible for design and execution of museum experiences at the Children's Museum of Pittsburgh. In her role as Senior Director of Creative Experiences, she oversees the Museum's permanent exhibits and collections, artist residencies, traveling exhibit program, design consulting and other business development programs, leading complex design teams consisting of artists, scientists and researchers.  Since joining the Museum of Pittsburgh in 2006, Anne has served as lead designer, contributing to the on-going development of the Museum's Play with Real Stuff design philosophy for informal learning environments that advocates for authenticity in all museum experiences.  In addition, she is leading the Museum's universal design initiative, working with cultural organizations in Pittsburgh to advise on best practices for update the physical amenities to help make the city a hub for accessibility in the arts. As part of this work, she was part of the team to coordinate the implementation of Universal Design practices on the Museum campus, that resulted in MuseumLab, a major capital project on campus, receiving isUD certification from the University at Buffalo, School of Architecture and Planning's Center for Inclusive Design and Environmental Access (IDEA Center). Anne is the point person for ongoing research with the IDEA Center in the application of universal design principles on our campus.  Likewise, she has received training from in the IDEA Center in the practice of universal design and continues to pursue continuing education opportunities in the discipline.  In recent years, Anne's work in inclusive design practices has expanded to include her design consulting work with K-12 schools. As part of the Museum's vision to transform education, Anne serves as an experience consultant for school districts, teachers and architects to help maximize the informal learning opportunities within the formal school environment, focusing specifically on the convergence of social-emotional learning and STEAM curriculum with overall health and wellbeing of the school community.   Learn More About Kay-Twelve: Website: https://kay-twelve.com/ LinkedIn: https://www.linkedin.com/company/kay-twelve-com/ Instagram: https://www.instagram.com/kay_twelve/ Episode 305 of the Better Learning Podcast Kevin Stoller is the host of the Better Learning Podcast and Co-Founder of Kay-Twelve, a national leader for educational furniture. Learn more about creating better learning environments at www.Kay-Twelve.com. For more information on our partners: Association for Learning Environments (A4LE) - https://www.a4le.org/ Education Leaders' Organization - https://www.ed-leaders.org/ Second Class Foundation - https://secondclassfoundation.org/ EDmarket - https://www.edmarket.org/ Catapult @ Penn GSE - https://catapult.gse.upenn.edu/ Want to be a Guest Speaker? Request on our website

Ein Streichelzoo mit KI-Tieren – In einem deutschen Museum können Kinder jetzt einen Streichelzoo mit KI-Tieren besuchen. Forscherinnen und Forscher wollen damit herausfinden, wie gut kleine Kinder den Unterschied zu echten Tieren erkennen können.

Summary While the Great Hunger in Ireland remains one of the most documented tragedies of the nineteenth century, the story of what happened across the Irish Sea in the Scottish Highlands is often overlooked or romanticised. In this episode, we strip away the Hollywood imagery of baronial halls and tartan myths to look at the real experience of the Highland Potato Famine of 1846. We explore the “Geographic Trap” of the Highland Boundary Fault, the Coastal Squeeze of the Clearances, and the legal engineering of the 1845 Poor Law that left the starving with no right to relief. Using the latest research from Sir Tom Devine and Michael Lynch, we investigate the Empathy Gap between the absentee Landlords and the crofters clinging to the soil in the Western Isles. As the “Year of Railway Mania” gripped the England and the Lowlands of Scotland, a biological rot was creeping north. This is a story of how a system that prioritised economic efficiency over human survival turned a bad harvest into a national catastrophe. Listen & Follow Apple Podcasts: https://tinyurl.com/APPLEAgeofVictoriaPodcast Spotify: https://tinyurl.com/SPOTIFYAgeofVictoriaPodcast Website: http://www.ageofvictoriapodcast.com/ Support the Show The Age of Victoria podcast is 100% independent and listener-supported. To help us add more books to the research library and keep the show free for everyone, please consider becoming a patron. Support on Patreon: https://www.patreon.com/user?u=19744898&fan_landing=true In this episode, we discuss: The Geographic Trap: How the verticality and isolation of the Highlands created a “Social Silence.” The Lumper Dependency: Why the potato became the biological linchpin of the Highland economy. The Vanishing Middle: The removal of the Tacksman and the death of paternalistic kinship. The Empathy Gap: The psychological distance between the “Managerial Class” and the poor. The 1845 Poor Law: How the Scottish legal system was engineered to exclude the able-bodied from help. The Arrival of the Rot: The “sickly sweet” smell of 1846 and the biological collapse of the North. Main Sources Core Historical Texts Devine, T. M. To the Ends of the Earth: Scotland’s Global Diaspora, 1750-2010. Allen Lane, 2011. Lynch, Michael. Scotland: A New History. Century, 1991. Lynch, Michael (Ed). The Oxford Companion to Scottish History. Oxford University Press. Gray, Malcolm. ‘The Highland Potato Famine of the 1840's', The Economic History Review, Vol. 7, No. 3 (1955). Crisis, Ideology, and Class Dynamics Gray, Peter. ‘National Humiliation and the Great Hunger: Fast and Famine in 1847', Irish Historical Studies, Vol. 32, No. 126 (2000). Howell, David W. ‘The Land Question in nineteenth-century Wales, Ireland and Scotland', The Agricultural History Review, Vol. 61, No. 1 (2013). Porter, James. ‘The Folklore of Northern Scotland: Five Discourses on Cultural Representation', Folklore, Vol. 109 (1998). Stroh, Silke. ‘Racist Reversals: Appropriating Racial Typology in Late Nineteenth-Century Pro-Gaelic Discourse', Gaelic Scotland in the Colonial Imagination (2017). The Psychology of Wealth and the “Empathy Gap” Loewenstein, George. ‘Hot-cold empathy gaps and self-control', Challenges to Happiness: Perspective from Economics and Psychology (2005). Miller, Lisa. ‘The Money-Empathy Gap', New York Magazine (July 2012). Primary Sources & Institutional Records Hansard Parliamentary Debates. HC Deb 01 February 1847 vol 89 cc603-12. ‘Distress in Scotland'. The Scotsman. ‘Editorial on the Highland Famine', 14 November 1846. Museum of Scottish Railways. A Short History of Britain’s Railways. Knox. Social Structure and Land Tenure in Scotland, 1840-1940. The post EP067 HIGHLANDS & HARDSHIP appeared first on AGE OF VICTORIA PODCAST.

From Tony, to Paulie, to Junior, the characters of The Sopranos are television legend. But just as iconic are the sets of the show. A new exhibit at the Museum of the Moving Image gathers the archives of Sopranos creator David Chase, as well as sketches and designs behind some of the show's principal sets, including Dr. Melfi's office, the Soprano home, the Bada Bing strip club, and Satriale's Pork Store. Barbara Miller, museum deputy director for curatorial affairs, discusses the exhibit, 'Stories and Set Designs for The Sopranos,' on view through May 31. Photograph by Courtesy of HBO

#251: Manish Vora is the Founder and the CEO of the Museum of Ice Cream, an immersive “experium” built to bring people together through play, joy and creativity. In 2016 he launched the first pop-up in New York City, which quickly grew into a global phenomenon with multiple permanent locations across the United States and Singapore, known for its colorful interactive exhibits and multi-sensory experiences that blend art and ice cream culture. Before this venture, he transitioned from a successful career in investment banking and executive leadership, including serving as CEO of the experience-tech venue Lightbox and co-founding the contemporary art platform GREY AREA into building innovative, experience-driven spaces that prioritize connection and human engagement. A graduate of Yale University, Vora also co-leads Figure8, the parent company of Museum of Ice Cream, helping guide its strategic growth, partnerships and continued expansion in the experiential space. For more on Manish you can find him & the Museum of Ice Cream on social, as well ascwww.museumoficecream.com or check out any of their locations in NYC, Boston, Chicago, Miami, Las Vegas, Los Angeles, Singapore, and other future locations. Enjoy the show!

“B” is for Bragg, Laura (1881-1978). Museum administrator, educator.

In episode 2012, Jack and Miles are joined by comedian and producer of the monthly Facial Recognition Comedy show, Pallavi Gunalan to discuss… Punch the Monkey, FedEx Is Suing The U.S. Government, Dean Cain And Kevin Sorbo Are In The “Using Child Labor To Rip-Off Disney” Phase Of Their Careers and more! Punch the Monkey FedEx Is Suing The U.S. Government Companies line up for refunds after U.S. Supreme Court strikes down Trump's tariffs How to Avoid a Huge Customs Bill on a Cheap Online Order You paid for tariffs — but you won’t get a slice of tariff refunds FedEx sues US government for tariff refund after Supreme Court ruling Night at the Museum of the Bible About Museum of the Bible Inside the sprawling, controversial $500m Museum of the Bible How forgers fooled the Bible museum with fake Dead Sea Scroll fragments LISTEN: Life by Brandon NembhardSee omnystudio.com/listener for privacy information.

Comedian Bita Joudaki returns to talk eggs, halftime shows, and the Museum of Failures. Follow us: Instagram, Facebook, Bluesky. Join our Discord.