Podcasts about beautiful a philosophy

Jake and Phil talk about the political and social obligations of art. To set the stage they discuss W.E.B. Du Bois' "Criteria for Negro Art" originally delivered as a speech to the 1926 Conference of the NAACP in Chicago. The main event is a consideration of James Baldwin's famous 1949 essay "Everybody's Protest Novel." For the finale, the gents talk about James Thurber's 1931 short story, "The Greatest Man in the World." Other works referenced in this episode: Paul C. Taylor, Black is Beautiful: A Philosophy of Black Aesthetics https://www.wiley.com/en-us/Black+is+Beautiful%3A+A+Philosophy+of+Black+Aesthetics-p-9781405150620 Ta-Nehisi Coates, I'm Not Black, I'm Kanye https://www.theatlantic.com/entertainment/archive/2018/05/im-not-black-im-kanye/559763/ Francois Mauriac's Nobel Prize Speech https://www.nobelprize.org/nobel_prizes/literature/laureates/1952/mauriac-speech.html Edward P. Jones, The Known World https://www.harpercollins.com/9780060557546/the-known-world

Why is it controversial to cast light-skinned actress Zoe Saldana as the lead character in a film about the performer Nina Simone? How should we understand the coexisting desire and revulsion of the black body that traces its roots to Thomas Jefferson’s longstanding relationship with his slave Sally Hemings and extends to contemporary attitudes towards black hair? In Black is Beautiful: A Philosophy of Black Aesthetics (Wiley-Blackwell, 2016), Paul C. Taylor examines primary themes in racialism from the perspective of aesthetic culture. Taylor, Associate Professor of Philosophy and African American Studies and an Associate Dean for Undergraduate Studies and at Penn State University, considers such issues as black invisibility, expressive culture and politics, and the problem of authenticity and cultural appropriation. He also lays the foundation for analytic philosophical tools to be brought more widely to bear on scholarly discussion of issues related to race and racialism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is it controversial to cast light-skinned actress Zoe Saldana as the lead character in a film about the performer Nina Simone? How should we understand the coexisting desire and revulsion of the black body that traces its roots to Thomas Jefferson’s longstanding relationship with his slave Sally Hemings and extends to contemporary attitudes towards black hair? In Black is Beautiful: A Philosophy of Black Aesthetics (Wiley-Blackwell, 2016), Paul C. Taylor examines primary themes in racialism from the perspective of aesthetic culture. Taylor, Associate Professor of Philosophy and African American Studies and an Associate Dean for Undergraduate Studies and at Penn State University, considers such issues as black invisibility, expressive culture and politics, and the problem of authenticity and cultural appropriation. He also lays the foundation for analytic philosophical tools to be brought more widely to bear on scholarly discussion of issues related to race and racialism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is it controversial to cast light-skinned actress Zoe Saldana as the lead character in a film about the performer Nina Simone? How should we understand the coexisting desire and revulsion of the black body that traces its roots to Thomas Jefferson’s longstanding relationship with his slave Sally Hemings and... Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is it controversial to cast light-skinned actress Zoe Saldana as the lead character in a film about the performer Nina Simone? How should we understand the coexisting desire and revulsion of the black body that traces its roots to Thomas Jefferson’s longstanding relationship with his slave Sally Hemings and extends to contemporary attitudes towards black hair? In Black is Beautiful: A Philosophy of Black Aesthetics (Wiley-Blackwell, 2016), Paul C. Taylor examines primary themes in racialism from the perspective of aesthetic culture. Taylor, Associate Professor of Philosophy and African American Studies and an Associate Dean for Undergraduate Studies and at Penn State University, considers such issues as black invisibility, expressive culture and politics, and the problem of authenticity and cultural appropriation. He also lays the foundation for analytic philosophical tools to be brought more widely to bear on scholarly discussion of issues related to race and racialism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is it controversial to cast light-skinned actress Zoe Saldana as the lead character in a film about the performer Nina Simone? How should we understand the coexisting desire and revulsion of the black body that traces its roots to Thomas Jefferson’s longstanding relationship with his slave Sally Hemings and extends to contemporary attitudes towards black hair? In Black is Beautiful: A Philosophy of Black Aesthetics (Wiley-Blackwell, 2016), Paul C. Taylor examines primary themes in racialism from the perspective of aesthetic culture. Taylor, Associate Professor of Philosophy and African American Studies and an Associate Dean for Undergraduate Studies and at Penn State University, considers such issues as black invisibility, expressive culture and politics, and the problem of authenticity and cultural appropriation. He also lays the foundation for analytic philosophical tools to be brought more widely to bear on scholarly discussion of issues related to race and racialism. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why is it controversial to cast light-skinned actress Zoe Saldana as the lead character in a film about the performer Nina Simone? How should we understand the coexisting desire and revulsion of the black body that traces its roots to Thomas Jefferson's longstanding relationship with his slave Sally Hemings and extends to contemporary attitudes towards black hair? In Black is Beautiful: A Philosophy of Black Aesthetics (Wiley-Blackwell, 2016), Paul C. Taylor examines primary themes in racialism from the perspective of aesthetic culture. Taylor, Associate Professor of Philosophy and African American Studies and an Associate Dean for Undergraduate Studies and at Penn State University, considers such issues as black invisibility, expressive culture and politics, and the problem of authenticity and cultural appropriation. He also lays the foundation for analytic philosophical tools to be brought more widely to bear on scholarly discussion of issues related to race and racialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies