Podcasts about Dubois

“If we don't remember what 1926 taught us, we'll miss what 2026 is calling us to do.”In this electric Detroit Is Different episode, Gary Anderson—Artistic Director of Plowshares Theatre Company—pulls us deep into the crossroads of past and future Black liberation through the lens of Black theater. Anderson reminds us that W.E.B. Du Bois' 1926 call for theaters “by us, for us, about us, and near us” still hits with urgency today as America heads toward its 250-year anniversary. Through stories ranging from the rebirth of the KKK to Black women losing jobs in record numbers, he argues that the same pressures that shaped our ancestors' creative resistance are re-emerging—and theater remains one of our sharpest tools for truth-telling, healing, and institution-building. Anderson shares why Plowshares' 36-year legacy matters, how Black theater has always whispered the messages our people needed, and why 2026 will launch work like Roberto Clemente: A Diamond Within to unite Black Detroit across generations. From FUBU to Killmonger, from collard greens to cultural survival, this conversation is a masterclass in how Black Detroit remembers, creates, and fights forward. If you care about legacy Black culture—its roots and its next chapter—you need this episode. Detroit is Different is a podcast hosted by Khary Frazier covering people adding to the culture of an American Classic city. Visit www.detroitisdifferent.com to hear, see and experience more of what makes Detroit different. Follow, like, share, and subscribe to the Podcast on iTunes, Google Play, and Sticher. Comment, suggest and connect with the podcast by emailing info@detroitisdifferent.com

Historian Elizabeth Hinton explores W.E.B. Du Bois's 1935 magnum opus Black Reconstruction. We also hear from Eric Foner, Chad Williams, Sue Mobley, and Kendra Field. The AHR chose not to review Black Reconstruction when it was first published. A review by Hinton appears in the December 2022 issue.

Madame Zhang Hui et Monsieur Lu Te, un couple de Chinois installés à Paris. 31 ans tous les deux quand ils sont entrés dans la chronique criminelle. Dans leur sillage, un morbide jeu de piste, des morceaux de corps disséminés sous des arbres et dans des poubelles. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Madame Zhang Hui et Monsieur Lu Te, un couple de Chinois installés à Paris. 31 ans tous les deux quand ils sont entrés dans la chronique criminelle. Dans leur sillage, un morbide jeu de piste, des morceaux de corps disséminés sous des arbres et dans des poubelles. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invité : François Dubois, directeur de Pro Senectute Arc jurassien. Manifestation: 20ème anniversaire de Pro Senectute Arc Jurassien en 2025. Dicodeurs et dicodeuses: Marie Riley, Kaya Güner, Julie Conti, Sandrine Viglino, Daniel Rausis, Olivier Magarotto (claviers).

Madame Zhang Hui et Monsieur Lu Te, un couple de Chinois installés à Paris. 31 ans tous les deux quand ils sont entrés dans la chronique criminelle. Dans leur sillage, un morbide jeu de piste, des morceaux de corps disséminés sous des arbres et dans des poubelles. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invité : François Dubois, directeur de Pro Senectute Arc jurassien. Manifestation: 20ème anniversaire de Pro Senectute Arc Jurassien en 2025. Dicodeurs et dicodeuses: Marie Riley, Thierry Romanens, Lucas Thorens, Sandrine Viglino, Daniel Rausis, Olivier Magarotto (claviers). Réalisation: Sofia Muller.

durée : 00:54:18 - Julien Dubois, maire de Dax, président de l'Union des Villes Taurines: tauromachie et politique Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Vincent Dubois, qui incarne Maria, vieille fermière roublarde et acariâtre du duo comique Les Bodin's, était l'invité de Room Service ce vendredi 28 novembre à 9h20. Les Bodin's fêtent leurs 30 ans et donnent les ultimes représentations du spectacle « Grandeur Nature », au Zénith de Dijon ce soir et demain soir à 20h et dimanche à 15h. Ils joueront à guichets fermés. Le duo formé en 1994, surnommé "les Daft Punk de l'humour" prépare une émission télé dont le tournage débute la semaine prochaine et un nouveau spectacle.

EL TERCER OJO con Eduardo Favier Dubois y Oscar Cesaretti 26-11-2025

It's a good ole' Friday night on The Mike & Tony Show, which means two things:We start with normal topics like pickleball……and somehow end up talking about creatures that explode toxic butt-juice at their enemies.

Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois's abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025) Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University. Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois's abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025) Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University. Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois's abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025) Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University. Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois's abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025) Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University. Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois's abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025) Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University. Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois's abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025) Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University. Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois's abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025) Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University. Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation.

Support Us: Donation Page – LibriVox Free AudiobooksThe Book of American Negro Poetry is one of the earliest and most essential anthologies of African-American verse ever brought to print. Edited by writer and diplomat James Weldon Johnson, this collection was published with the hope of bringing to the public a greater awareness of the art and literature created by Black writers. This is the first edition of this long-republished anthology and collects seminal works by Paul Dunbar, W.E.B. Du Bois, Claude McKay, Leslie Hill, James Corrothers, and many more. - Summary by ChuckWGenre(s): AnthologiesLanguage: EnglishKeyword(s): black literature (2), african-american literature (1), african-american author (1)Support Us: ⁠Donation Page – LibriVox Free Audiobooks⁠

Un jeu virtuel dans lequel l'un des personnages, devenu gênant doit disparaitre. Des scénarios fantaisistes qu'on élabore et qui finissent par prendre forme. Jusqu'à ce qu'un lycéen de 17 ans, Kévin Chavatte, s'effondre au printemps 2018 dans un bois de Mourmelon-le-Grand, dans la Marne. Frappé de 34 coups de couteau dont 33 ont pu être mortels. Deux de ses camarades, sont vite apparus dans le décor: un garçon et une fille. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

EL TERCER OJO con Eduardo Favier Dubois y Oscar Cesaretti 19-11-2025

Send us a textAmanda DuBois was once told she was nothing more than a doctor's wife who should stop dabbling at the law. Instead of shrinking, she built one of Washington's longest standing women owned law firms, created a workplace that supports and mentors women, founded a nonprofit that has helped change more than twenty five state laws, and became an award winning author who writes about injustice in the legal system.In this episode, Amanda talks with Aggie and Cristy about confidence, self doubt, trauma informed leadership, and how she turned rejection into a thirty year career of purpose and impact. She shares the early challenges of entering a male dominated profession, why she chose to start her own firm, how visualization shaped her success, and the work she is doing today to support formerly incarcerated women and mothers.This conversation is powerful, honest, and encouraging for any woman who has ever been underestimated or told she could not do something.Show NotesIn this episode you will hear: • How a negative comment pushed Amanda to start her own law firm • What it was like to practice law in a male dominated industry in the 1990s • Why her nursing background influenced her trauma informed approach • How she built a mentorship model that supports young women attorneys • The story behind Civil Survival and how it has changed laws for justice impacted people • How she began writing legal thrillers and why she uses fiction to highlight real problems faced by women in prison • Her perspective on confidence, courage, and the limits women place on themselves • Why women need to support each other in business and funding • The advice she would give to any woman considering a career change or new ventureKey quotes: • “Be brave. Hold the vision. Believe in yourself.” • “Your craft is your product. Become excellent at it.” • “Empathy and transparency are strengths in leadership.”Resources: • DuBois Levias Law Group: www.duboislaw.net • Civil Survival: www.civilsurvival.org • Camille Delaney Mystery Series by Amanda DuBois • Amanda's YouTube channel The Ripple Haven: https://www.youtube.com/@AmandaDuBois206Guest Contact InformationAmanda DuBois Founder and Managing Partner, DuBois Levias Law Group Author, Camille Delaney Mystery SeriesLinkedIn: https://www.linkedin.com/in/amanda-dubois-2b46071 Instagram: https://www.instagram.com/amandadubois206 TikTok: https://www.tiktok.com/@amandadub--- Subscribe and ReviewIf you loved this episode, drop us a review, share it with a badass woman in your life, and subscribe to Badass Women in Business wherever you get your podcasts. Stay badass. Stay bold. Build it your way. Keep up with more content from Aggie and Cristy here: Facebook: Empowered Women Leaders Instagram: @badass_women_in_business LinkedIn: ProveHer - Badass Women in Business Website: Badasswomeninbusinesspodcast.com Athena: athenaac.com

Content Warning: This episode includes discussion of suicide and mental health issues. Barry Du Bois had been a successful builder who had retired young and was sailing around the world, when he was tapped to join the TV world, becoming a beloved face on our TV screens thanks to the hugely popular TV series The Living Room. But behind the beaming smile that greeted audiences was a lifetime of trauma and pain, including his public cancer battle. In this candid conversation, Barry recounts how he almost let his deteriorating mental health get the better of him, until a well-timed phone call from a mate saved his life. He also details his struggle to start a family with wife Leonie, and why he fired one of the doctors treating his cancer. SUPPORT For immediate support in a crisis, contact Lifeline on 13 11 14 More resources are available from Beyond Blue As this episode demonstrates - a conversation can change a life. Ask R U OK? any day. LINKS More on Well Traveller Follow Barry on Instagram Follow R U OK? on Instagram Follow Ant on Instagram, X, and Facebook Learn more about Ant on his website antmiddleton.com Follow Nova Podcasts on Instagram for videos from the podcast and behind the scenes content – @novapodcastsofficial. CREDITS Host: Ant MiddletonEditor: Adrian WaltonExecutive Producer: Damien Haffenden Managing Producer: Ricardo Bardon Nova Entertainment acknowledges the traditional custodians of the land on which we recorded this podcast, the Gadigal People of the Eora Nation. We pay our respect to Elders past and present.See omnystudio.com/listener for privacy information.

As a great man once said it's been a long time i shouldn't have left you. But that doesn't mean we've vanished completlyYes listeners after an extended period of dead air and changes Audible Autism is here with a very special 2 parterIn this first half you will hear Odai tell the story of a giant of 20th century history W.E.B. Dubois his journey, his life his difficulties and complications but also how it relates to the 2nd more personal episode.Listeners it feels good to be back

Don't miss Eubank Jr vs Benn 2, November 15th, only on DAZN. Click here to buy the PPV and get a 7-day free trial: https://www.dazn.com/ifltv Big John Fisher gives his honest take on the upcoming Chris Eubank Jr vs Conor Benn 2 showdown — and he's backing Conor this time!

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In this episode I look at Page duBois' examination of polytheism in theory and practice in her book A Million and One Gods. I focus on the Greek Gods Artemis and Dionysus, and the political implications of polytheism.

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Arise Africa, Roar China: Black and Chinese Citizens of the World in the Twentieth Century (University of North Carolina Press, 2021) explores the close relationships between three of the most famous twentieth-century African Americans, W. E. B. Du Bois, Paul Robeson, and Langston Hughes, and their little-known Chinese allies during World War II and the Cold War--journalist, musician, and Christian activist Liu Liangmo, and Sino-Caribbean dancer-choreographer Sylvia Si-lan Chen. Charting a new path in the study of Sino-American relations, Gao Yunxiang foregrounds African Americans, combining the study of Black internationalism and the experiences of Chinese Americans with a transpacific narrative and an understanding of the global remaking of China's modern popular culture and politics. Gao reveals earlier and more widespread interactions between Chinese and African American leftists than accounts of the familiar alliance between the Black radicals and the Maoist Chinese would have us believe. The book's multilingual approach draws from massive yet rarely used archival streams in China and in Chinatowns and elsewhere in the United States. These materials allow Gao to retell the well-known stories of Du Bois, Robeson, and Hughes alongside the sagas of Liu and Chen in a work that will transform and redefine Afro-Asia studies. Hettie V. Williams Ph.D., is an Associate Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history.

Justin Vincett of USDA Range Sheep Production Efficiency Research Unit (U.S. Sheep Experiment Station), Dubois, IDTopics discussed:Why does the U.S. Sheep Experiment Station exist?Managing working dogs during downtimeSelecting and equipping employees with working dogsOne-upmanship with stockdogsAssigning dogs to the right people for the right placesBreeds vs. performance, and the Idaho ShagLocal and regional working dog communitiesPutting dogs in the work environments that suit themUSDA's RSPER/USSES website: ⁠https://www.ars.usda.gov/pacific-west-area/dubois-id/range-sheep-production-efficiency-research/Farm Dog is presented by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Goats On The Go®⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and hosted by its founder, Aaron Steele. Questions, comments, or topic suggestions? Let us know  at  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FarmDogPodcast.com⁠⁠⁠⁠⁠⁠⁠⁠, and buy some branded merch while you're there to support us!⁠⁠⁠Get the audio book, Goats for Good: Making Goats Profitable for Your Farm, Your Community, and the World at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GoatsForGood.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Creative Commons Music by Jason Shaw on Audionautix.com

Aujourd'hui, Flora Ghebali, entrepreneure dans la transition écologique, Mourad Boudjellal, éditeur de BD, et Patrick Sébastien, chanteur, imitateur et animateur à la personnalité singulière, débattent de l'actualité autour d'Alain Marschall et Olivier Truchot.

Les noms de famille n'ont pas toujours existé. Pendant des siècles, dans la plupart des sociétés, on se contentait d'un seul prénom. Mais quand les populations ont commencé à croître, il est devenu difficile de distinguer tous les “Jean” ou “Pierre” d'un même village. C'est alors qu'ont commencé à apparaître, dès le Moyen Âge, les noms de famille, d'abord en Europe, pour préciser l'identité d'une personne. Et la plupart de ces noms viennent de quatre grandes origines : le métier, le lieu, la filiation et une caractéristique physique ou morale.1. Les noms issus du métierC'est l'une des sources les plus courantes. On désignait les gens par ce qu'ils faisaient : Jean le Boulanger, Pierre le Charpentier, Jacques le Berger. Avec le temps, ces surnoms sont devenus des noms de famille transmis à leurs enfants. En France, on retrouve par exemple Boulanger, Marchand, Charpentier, ou Berger. En anglais, cela a donné Smith (forgeron), Baker (boulanger) ou Taylor (tailleur).2. Les noms liés à un lieuD'autres personnes étaient identifiées par leur origine géographique. On disait Marie de Lyon ou Guillaume du Bois. Ces mentions sont devenues des noms de famille : Delacroix, Dupont, Dubois, Deschamps. En Italie, on trouve Da Vinci (“de Vinci”, le village natal de Léonard). Ces noms reflètent souvent l'endroit où vivait l'ancêtre — un pont, un champ, une rivière — et servent encore aujourd'hui de témoins de l'histoire locale.3. Les noms patronymiquesCertains noms viennent directement du prénom du père. En France, cela a donné Martin, Henry, ou Laurent. Mais dans d'autres langues, on l'exprime plus clairement : en anglais, Johnson signifie “fils de John”, Anderson “fils d'Andrew”. En Russie, Ivanov veut dire “fils d'Ivan”, et en Islande, ce système est encore vivant : le fils d'un homme nommé Olaf s'appellera Olafsson, et sa fille Olafsdóttir.4. Les noms descriptifs ou surnomsEnfin, beaucoup de noms de famille venaient d'un trait physique ou de caractère. Petit, Legrand, Lenoir, Leblanc, Fort, ou Lemoine décrivaient une particularité, parfois flatteuse, parfois moqueuse. En Allemagne, Klein signifie “petit”, et en Espagne, Delgado veut dire “mince”.Peu à peu, ces surnoms se sont transmis d'une génération à l'autre, devenant héréditaires à partir du XIVᵉ siècle environ. Ainsi, les noms de famille sont de véritables fossiles linguistiques : ils racontent l'origine, le métier ou le caractère de nos ancêtres, et forment une mémoire vivante de notre histoire collective. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dans le sud-ouest du pays, au cœur du bassin du Congo. Une région verdoyante, considérée comme le deuxième plus grand massif forestier tropical au monde, véritable poumon vert du continent africain. Cette forêt joue un rôle essentiel : elle régule le climat, abrite une biodiversité exceptionnelle, et fait vivre des millions de personnes. Mais aujourd'hui, cet écosystème unique est en danger. Exploitation forestière, agriculture extensive, braconnage. Faute d'activités génératrices de revenus, de nombreuses communautés se tournent vers l'exploitation intensive de la forêt. Résultat : la déforestation s'accélère, le climat se dérègle, les saisons changent, et les produits de cueillette disparaissent peu à peu À lire aussiRDC : au coeur de la déforestation

'WE DID NOT MAKE PARKER FIGHT WARDLEY' - FRANK WARREN HITS BACK! / USYK-WARDLEY, AJ, DUBOIS, BUATSI Learn more about your ad choices. Visit megaphone.fm/adchoices

Forming a partnership as an independent consultant can feel difficult and even risky. You're used to autonomy. You've created your own unique way of running your business. And, you also feel lonely at times.Bringing someone else into your process? That can feel like a threat to your freedom, your income, or your control.But what if the right partnership expanded your possibilities instead of limiting them?In this episode, I sit down with two of my past coaching clients, Abbie DuBois and Scott Allen, who have built a mutually beneficial joint offering.They share how they met through this podcast (I am so honored to be part of their story) and how they organically grew from one conversation to a fully functional collaboration, without sacrificing their individual practices.We unpack how they brainstormed, pressure-tested their idea, went to market, and ultimately signed joint clients. You'll hear how they use divide-and-conquer tactics for business development, how they structure contracts and compensation, and how they manage capacity between solo work and joint projects.They don't hold anything back.If you've ever considered working with another consultant or dismissed the idea entirely, this episode will challenge your assumptions.What you will learn in this episode:[05:12] How an organic connection led to a formal partnership and why they never forced the outcome[08:44] Why complementary skills are the key to building a synergistic joint offer[13:22] How they used surveys and iterative testing to identify a viable niche (value-based care)[17:40] Their client acquisition approach and why they focused on building reps together first[23:55] How they structure contracts, fees, and incentives in a way that preserves autonomy and ownership[30:41] What's next: retainer models, advisory boards, and leveraging AI for scalabilityTune in to Episode 242 to hear the behind-the-scenes of a successful partnership model that preserves independence and accelerates growth.Mentioned Resources1) Full Show Notes: https://shownotes.melisaliberman.com/episode-242/2)  Find Abbie DuBois: https://www.linkedin.com/in/abbie-dubois 3)  Find Scott Allen: https://www.linkedin.com/in/scott-allen-b06b6b5/  4) Melisa's Free Resources, Books, Planners & Journals: https://linktr.ee/melisaliberman5) Related Podcast Episodes: Episode 172 - Filling Your Pipeline, Landing Ideal Consulting Clients, and Turning Away Work with Abbie DuBois Want help achieving your consulting business goals? Melisa can help. Click here for more on coaching tailored to you as an independent consulting business owner.

durée : 00:58:23 - Le Cours de l'histoire - par : Xavier Mauduit, Maïwenn Guiziou - À Naples, les croyances et superstitions font partie de l'identité de la ville. Face aux éruptions volcaniques et aux séismes, la population napolitaine a recours à des figures protectrices. Du culte de saint Janvier à l'adoration de Diego Maradona, balade dans les rues de la cité parthénopéenne. - réalisation : Cassandre Puel - invités : Brice Gruet Maître de conférences en géographie à l'Institut National Supérieur du professorat et de l'éducation de l'Université Paris-Est Créteil; Florian Villain-Carapella Enseignant à l'université Sorbonne Nouvelle

durée : 00:58:53 - Le Cours de l'histoire - par : Xavier Mauduit, Maïwenn Guiziou - Avec la Constitution civile du clergé, les révolutionnaires se confrontent à des croyances jugées superstitieuses et luttent contre des pratiques contraires à la raison. Cette même opposition caractérise Napoléon, un superstitieux qui se veut pourtant l'incarnation des Lumières. - réalisation : Cassandre Puel - invités : Paul Chopelin Professeur d'histoire moderne à l'université Jean Moulin Lyon 3; Marie-Paule Raffaelli Docteure en littérature comparée

What if the most powerful lesson your students learn isn't in your curriculum—but in your character?In this reflective and deeply human episode, Jocelynn explores what W.E.B. Du Bois called the “double consciousness”—and how that internal tension shapes what we model as educators. Students aren't just learning from our words; they're watching our pauses, our reactions, our silence, and our joy.This is an episode about mirror work—the quiet, ongoing practice of modeling courage, joy, humility, and humanity. It's not about perfection. It's about presence.From classroom culture to leadership choices, Jocelynn weaves in powerful quotes from Baldwin, Freire, and Octavia Butler, plus a call to revisit our earliest memories of power, apology, and grace. This episode will stay with you.Key Themes:What students learn from teacher behaviorThe emotional power of modeling courage, joy, and imperfectionThe “unspoken curriculum” in every classroomReflection as liberationThe AnchorED for Achievement framework in practiceReflective Prompts:Reflection – What do students learn about justice by watching me?Community – How am I shaping the unspoken climate of my classroom or school?Norms – What behaviors or mindsets have I normalized—intentionally or not?Empowerment – When have I modeled what it looks like to speak up?Agency – How do I invite student feedback on how I show up?If you're ready to begin or deepen your mirror work, Jocelynn offers coaching and workshops designed to support reflection, recalibration, and intentional modeling.Learn more at https://customteachingsolutions.com

'TYSON FURY TOLD ME BEFORE PARKER'S DEFEAT....' - SPENCER BROWN / CALLS OUT DUBOIS FOR AGIT KABAYEL Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:58:25 - Le Cours de l'histoire - par : Xavier Mauduit, Maïwenn Guiziou - Être superstitieux, ça porte malheur ! L'humoriste Alphonse Allais ne croyait pas si bien dire. Aux 17ᵉ et 18ᵉ siècles, la figure du superstitieux désigne tour à tour l'étranger, l'idiot, le craintif, l'ignorant ou le peuple. Comment ce mot polysémique devient-il un moyen d'envisager le monde ? - réalisation : Cassandre Puel - invités : Philippe Martin Professeur d'histoire à l'université Lumière Lyon 2

durée : 00:58:32 - Le Cours de l'histoire - par : Xavier Mauduit, Maïwenn Guiziou - Au Moyen Âge, le mauvais œil fait l'objet d'un important débat scientifique dans le monde savant. Théologiens et médecins pensent que des individus peuvent détruire leur voisin d'un simple regard. Du collier de corail aux recueils de charmes, comment se protéger du mauvais œil ? - réalisation : Cassandre Puel - invités : Béatrice Delaurenti Historienne, directrice d'études à l'EHESS

A powerful conversation on democracy, media, and talking across political lines.. The Daily Whatever Show's Dana Dubois & Lawrence Winner hosts Egberto Willies for a talk on empathy and activism.Subscribe to our Newsletter:https://politicsdoneright.com/newsletterPurchase our Books: As I See It: https://amzn.to/3XpvW5o How To Make AmericaUtopia: https://amzn.to/3VKVFnG It's Worth It: https://amzn.to/3VFByXP Lose Weight And BeFit Now: https://amzn.to/3xiQK3K Tribulations of anAfro-Latino Caribbean man: https://amzn.to/4c09rbE

American intellectuals always seem to believe they are living through the end times. From the fascist poet Ezra Pound in the 1930s to the historian of fascism Timothy Snyder today, they flee America in despair. In Seekers and Partisans,, Boston University historian David Mayers tells the story of these exiled thinkers between 1935 and 1941 — what he calls “the crisis years.” But crisis… what crisis? Compared to Germany, Russia, or even Western Europe, America's troubles were relatively modest. So is history repeating itself nearly a century later? Are today's “Trumpagies” — intellectuals disillusioned with Trump's America — the second coming of Ezra Pound and his fellow seekers and partisans of the interwar years?1. History doesn't repeat — but it rhymes.Mayers argues that the wave of “Trumpagies” today — intellectuals leaving America out of despair — echoes but doesn't duplicate the 1930s exodus. Americans have long fled home in search of moral or political clarity abroad, though their motives shift with each crisis.2. The 1930s “crisis years” were more imagined than real.While Mayers' book Seekers and Partisans frames 1935–1941 as “the crisis years,” he notes that America's troubles then were mild compared to the totalitarian catastrophes of Europe. The panic, he suggests, often existed more in the minds of intellectuals than in the republic itself.3. Idealism and delusion often go hand in hand.Figures like Ezra Pound, W.E.B. Du Bois, and Anna Louise Strong reveal how moral passion can curdle into political blindness — from fascist sympathies to uncritical faith in communism or empire. Smart people, Mayers observes, can “get things dreadfully wrong.”4. The duty isn't to flee — it's to stay.Asked what lessons apply to Trump-era exiles, Mayers insists the responsible act is not flight but persistence: to “stay here and salvage the situation.” The illusion, he says, is that “things are all that brilliant elsewhere.”5. The American Dream includes its disillusionments.From the 1930s “seekers and partisans” to today's disenchanted academics, the impulse to escape America reveals as much about its promise as its failures. The intellectual's panic, Mayers suggests, is part of America's enduring struggle to understand itself.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

In this bonus edition of Behind the Mic, host Jo Reed speaks with actor Courtney B. Vance. His shelves are lined with awards—two Emmys, a Tony, a Critics Choice Award, and several NAACP Image Awards. Vance is also a dedicated audiobook listener and occasional narrator, nominated for a Grammy for his performance of Neil deGrasse Tyson's and Avis Lang's ACCESSORY TO WAR. Vance's latest project is a monumental one—narrating historian David Levering Lewis's two-volume Pulitzer Prize-winning biography of W.E.B. Du Bois, available as an audiobook for the first time. But it's a recording that might never have happened if Courtney B. Vance hadn't picked up the phone and called the author. Read our review of W.E.B. DU BOIS 1868-1919: Biography of a Race:   Courtney B. Vance photo by Matthew Jordan Smith Discover thousands of audiobook reviews and more at AudioFile's website   Support for our podcast comes from Dreamscape, the publisher of The Intruder by bestselling author Freida McFadden. The Intruder is a deadly tale of survival that explores how far one girl will go to save herself. — on-sale 10/7. Learn more about your ad choices. Visit megaphone.fm/adchoices

For many decades, practitioners and scholars of foreign policy used to refer to “the West,” but today, for the most part, they don't. What happened to the idea of “the West”? Michael Kimmage, a professor of history at Catholic University, wrote The Abandonment of the West: The History of an Idea in American Foreign Policy to trace the rise and decline of this concept from the late nineteenth century through the present day. In this podcast discussion, Kimmage discusses the idea of the West — as a geopolitical and cultural concept rather than a geographic place. He analyzes how it developed intellectually, with the widespread adoption of neoclassical architecture and Western Civilization curricula in American universities, and geopolitically as the U.S. rose to global leadership after World War II and during the Cold War. Kimmage also addresses critiques of the West (and its legacy of racism and imperialism) as advanced by critics like W. E. B. Du Bois and Edward Said. He argues that concept of “the West,” despite its flaws, still matters, and explains why he's concerned about the tendency to erase or discard the Western tradition entirely rather than engaging with it critically.   Michael Kimmage further relates his experience of serving as director of the Kennan Institute, a program at the Woodrow Wilson International Center for Scholars, which was liquidated in January 2025 by Elon Musk's Department of Government Efficiency (or DOGE), and the consequences of the government cutting itself off from international exchange and expertise in the development of U.S. foreign policy. He also expresses his belief that institutionalists — the people who believe in the value of institutions and operate in them — have to do a better job of explaining and justifying what they do: “If the population feels that these institutions are elitist and out of touch and misguided and unnecessary, then it doesn't matter how much somebody like me values them, it's not going to work.”

'IM DISAPPOINTED BUT...' -DON CHARLES HONEST ON DUBOIS SPLIT, CHISORA-WHYTE, PARKER-WARDLEY, ULDEDAJ Learn more about your ad choices. Visit megaphone.fm/adchoices

Olivier Dubois, journaliste français, spécialiste du Sahel.