New Books in Critical Theory

In this episode, host Andrea Talabér (CEU Press) sat down with Lucy Jeffery and Anna Váradi to talk about their edited volume, Replaying Communism: Trauma and Nostalgia in European Cultural Production. The volume explores the lasting impact of the communist era across Central and Eastern Europe, with chapters thematically threaded through by concepts including curation, immersion, interaction, humor, and authenticity. In the podcast we talked about what it means to “replay” communism, about the trauma/nostalgia paradigm in relation to cultural production, and about inter-generational experiences of media depicting the communist period. You can purchase a copy here. You can find out more about the Replaying Communism project here. If you would like to cooperate with Anna and Lucy, or you have a similar project, please contact them via the replayingcommunism@gmail.com email address. The CEU Press Podcast delves into various aspects of the publishing process: from crafting a book proposal, finding a publisher, responding to peer review feedback on the manuscript, to the subsequent distribution, promotion and marketing of academic books. We also talk to series editors and authors, who will share their experiences of getting published and discuss their series or books. Interested in CEU Press's publications? Click here to find out more: https://ceupress.com/ Stay tuned for future episodes and subscribe to our podcast to be the first to be notified. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

A new exploration of our conception of reality, by one of the world's most influential philosophers.How do we understand the world and our place in it? Do our lives consist of a small number of dramatic turning points, or is there nothing but a series of gradual changes from infancy to old age? Are political elections genuinely transformational, or merely arbitrary points along a shifting cultural timeline? And in physics, how can the continuities of general relativity coexist with the discontinuities of quantum theory?In Waves and Stones, Graham Harman shows that this paradoxical interaction – the question of whether reality is made up of sudden jumps, or is laid out along a gentle gradient with no clear divisions between the various things in the world – permeates every area of human life. What's more, this paradox is as old as human thought itself. In exploring how the continuous and discrete relate to each other, he takes us on a kaleidoscopic journey from the philosophers of ancient Greece, through the writings of the great Arab historian Ibn Khaldun, through architectural and evolutionary theory, the compatibility of religion with science, and the wave-particle duality of matter.To explore the relationship between the continuous and the discrete, Harman shows, is to consider the very fabric of reality. With this dazzling new book, he proposes a new way of thinking about this ancient problem, with profound implications for our understanding of ourselves and the bewilderingly complex world in which we live.Adam Bobeck received his PhD in Sociocultural Anthropology from the University of Leipzig. His PhD was entitled “Object-Oriented ʿAzâdâri: Ontology and Ritual Theory”. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

For decades, the field of scholarship that studies the law and practice of international organisations -also known as 'international institutional law'- has been marked by an intellectual quietism. Most of the scholarship tends to focus narrowly on providing 'legal' answers to 'legal' questions. For that reason, perspectives rarely engage with the insights of critical traditions of legal thought (for instance, feminist, postcolonial, or political economy-oriented perspectives) or with interdisciplinary contributions produced outside the field. Ways of Seeing International Organisations: New Perspectives for International Institutional Law (Cambridge UP, 2025) edited by Dr. Negar Mansouri & Dr. Daniel R. Quiroga-Villamarín challenges the narrow gaze of the field by bringing together authors across multiple disciplines to reflect on the need for 'new' perspectives in international institutional law. Highlighting the limits of mainstream approaches, the authors instead interrogate international organisations as pivots in processes of world-making. To achieve this, the volume is organised around four fundamental themes: expertise; structure; performance; and capital. This title is also available as Open Access on Cambridge Core. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Medieval Europe was preoccupied with magic. From the Carolingian Empire to Renaissance Italy and Tudor England, great rulers, religious figures, and scholars sought to harness supernatural power. They tried to summon spirits, predict the future, and even prolong life. Alongside science and religion, magic lay at the very heart of culture. In this beautifully illustrated account The Magic Books: A History of Enchantment in 20 Medieval Manuscripts (Yale UP, 2025), Anne Lawrence-Mathers explores the medieval fascination with magic through twenty extraordinary illuminated manuscripts. These books were highly sought after, commissioned by kings and stored in great libraries. They include an astronomical compendium made for Charlemagne's son; The Sworn Book of Honorius, used by a secret society of trained magicians; and the highly influential Picatrix. This vivid new history shows how attitudes to magic and science changed over the medieval period—and produced great works of art as they did so. Anne Lawrence-Mathers is professor of history at University of Reading. She is the author of Medieval Meteorology and The True History of Merlin the Magician and coauthor of Magic and Medieval Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Despite increasingly hardened visions of racial difference in colonial governance in French Africa after World War I, interracial sexual relationships persisted, resulting in the births of thousands of children. These children, mostly born to African women and European men, sparked significant debate in French society about the status of multiracial people, debates historians have termed 'the métis problem.' Drawing on extensive archival and oral history research in Gabon, Republic of Congo, Senegal, and France, in Multiracial Identities in Colonial French Africa: Race, Childhood, and Citizenship (Cambridge UP, 2023) Dr. Rachel Jean-Baptiste investigates the fluctuating identities of métis. Crucially, she centres claims by métis themselves to access French social and citizenship rights amidst the refusal by fathers to recognize their lineage, and in the context of changing African racial thought and practice. In this original history of race-making, belonging, and rights, Dr. Jean-Baptiste demonstrates the diverse ways in which métis individuals and collectives carved out visions of racial belonging as children and citizens in Africa, Europe, and internationally. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Political thinkers from Plato to John Adams saw revolutions as a grave threat to society and advocated for a constitution that prevented them by balancing social interests and forms of government. The Revolution to Come: A History of an Idea from Thucydides to Lenin (Princeton UP, 2025) traces how evolving conceptions of history ushered in a faith in the power of revolution to create more just and reasonable societies. Taking readers from Greek antiquity to Leninist Russia, Dan Edelstein describes how classical philosophers viewed history as chaotic and directionless, and sought to keep historical change—especially revolutions—at bay. This conception prevailed until the eighteenth century, when Enlightenment thinkers conceived of history as a form of progress and of revolution as its catalyst. These ideas were put to the test during the French Revolution and came to define revolutions well into the twentieth century. Edelstein demonstrates how the coming of the revolution leaves societies divided over its goals, giving rise to new forms of violence in which rivals are targeted as counterrevolutionaries.A panoramic work of intellectual history, The Revolution to Come challenges us to reflect on the aims and consequences of revolution and to balance the value of stability over the hope for change in our own moment of fear and upheaval. Dan Edelstein is the William H. Bonsall Professor of French and (by courtesy) professor of political science and of history at Stanford University. His many books include On the Spirit of Rights and The Terror of Natural Right: Republicanism, the Cult of Nature, and the French Revolution. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Thomas Becket and His World (Reaktion Books, 2025) explores the turbulent life and violent death of Thomas Becket, one of the most controversial figures of the Middle Ages. From a London merchant's son to royal chancellor and archbishop of Canterbury, Becket's murder in Canterbury Cathedral on 29 December 1170 elevated him to England's most celebrated saint. Michael Staunton looks at Becket's complex and contested legacy, drawing from Becket's own words and those of his contemporaries. Based on extensive contemporary medieval sources, this account offers a fresh perspective on Thomas Becket's life and places him within the broader landscape of twelfth-century England and Europe – a time of rapid change, conflict and achievement. Thomas Becket and His World is perfect for anyone wanting to learn more about this pivotal figure in medieval history. Michael Staunton is Professor of Medieval History at University College Dublin. He is an internationally recognized expert on Thomas Becket. His books include The Historians of Angevin England (2017). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

When they gazed at the moon, medieval people around the globe saw an object that was at once powerful and fragile, distant and intimate—and sometimes all this at once. The moon could convey love, beauty, and gentleness; but it could also be about pain, hatred, and violence. In its circularity the moon was associated with fullness and fertility. Yet in its crescent and other shifting forms, the moon could seem broken, even wounded.  In this beautifully illustrated history The Medieval Moon: A History of Haunting and Blessing (Yale UP, 2025), Ayoush Lazikani reveals the many ways medieval people felt and wrote about the moon. Ranging across the world, from China to South America, Korea to Wales, Lazikani explores how different cultures interacted with the moon. From the idea that the Black Death was caused by a lunar eclipse to the wealth of Persian love poetry inspired by the moon's beauty, this is a truly global account of our closest celestial neighbour. Ayoush Lazikani is a lecturer at the University of Oxford. A specialist in medieval literature, she is the author of Cultivating the Heart and Emotion in Christian and Islamic Contemplative Texts, 1100–1250, and an associate editor for the Palgrave Encyclopedia of Medieval Women's Writing in the Global Middle Ages. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What good is aesthetics in a time of ecological crisis? Toward a Premodern Posthumanism: Anarchic Ontologies of Earthly Life in Early Modern France (Northwestern UP, 2025) shows that philosophical aesthetics contains unheeded potentialities for challenging the ontological subjection of nature to the human subject. Drawing on deconstructive, ecological, and biopolitical thought, Chad Córdova uncovers in aesthetics something irreducible to humanist metaphysics: an account of how beings emerge and are interrelated, responsive, and even response-able without reason or why.This anarchic and atelic ontology, recovered from Kant, becomes the guiding thread for a new, premodern trajectory of posthumanism. Charting a path from Aristotle to Heidegger to today's plant-thinking, with new readings of Montaigne, Pascal, Diderot, Rousseau, and others along the way, this capacious study reveals the untimely relevance of pre-1800 practices of writing, science, and art. Enacting a multitemporal mode of reading, Córdova offers a defense and illustration of the importance of returning to early modern texts as a way to rethink nature, art, ethics, and politics in a time when these concepts are in flux and more contentious than ever. Author Chad Córdova is Assistant Professor in the Department of Romance Studies at Cornell University where he is also affiliated faculty in the Department of Environment and Sustainability. In addition to this new book, he is the author of many articles on figures and concepts that appear in this book, such as Montaigne, Kant, and Heidegger—most recently in Essais: Revue interdisciplinaire d'humanités and The Comparitist. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Checkpoint 300, the highly securitized border facility between occupied Bethlehem and Jerusalem, is a central feature of Israeli control of Palestinian land and life. An apparatus of turnstiles, overcrowded corridors, and invasive inspections, the checkpoint regulates the movement of hundreds of thousands of Palestinians, granting access to some while excluding most. Offering a nuanced exploration of space in Checkpoint 300: Colonial Space in Palestine (U Minnesota Press, 2025), Mark Griffiths reveals Checkpoint 300 as a stark symbol of Israeli colonialism that embodies larger systems of control and violence. Griffiths's sensitive and timely work highlights the myriad ways Palestinians are affected by Israel's spatial control—whether they travel through the checkpoint or not—demonstrating how colonial infrastructures of inequity extend far beyond their physical boundaries to shape daily life. Drawing on nearly a decade of fieldwork, Griffiths examines how colonial power infiltrates family dynamics, enforces gendered mobility restrictions, shapes local economies, and extends into the global exchange of capital and security technologies. He also underscores how Palestinians endure and resist under oppressive conditions and how indigenous forms of life and living are sustained, illuminating how colonial space is contested and countered, unmade and remade. Blending meticulous research with vivid human stories to show the lived realities of borders, power, and resistance in the West Bank, Checkpoint 300 portrays the checkpoint as an entry into the ways that colonial space is formed through security infrastructure that is both the product and producer of wider geographies of oppression, complicity, and control. Mark Griffiths is reader in political geography at Newcastle University. He is coeditor of Encountering Palestine: Un/making Spaces of Colonial Violence. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How has central London changed in the last 100 years? In Songs of Seven Dials An Intimate History of 1920s and 1930s London (Manchester UP, 2025), Matt Houlbrook, a Professor of Cultural History at the University of Birmingham, tells the story of a part of London that was the site for major contests over urban development, race, and the future of the city. Centred around a libel trial brought by a local café owner resisting the press' lies about the area. From this, the book explores the wider context of property investment, the circulation of capital, the impact of Empire, and the changing meaning of what is now one of London's most visited and most fashionable areas. The book will appeal to academic and general audiences, showing how the story of Seven Dials is still important to contemporary life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Since October 7, 2023, the world has witnessed a massive American Jewish uprising in support of Palestinian liberation. Through sit-ins in Congress or Grand Central Terminal, through petitions and marches, thousands of Jews have made it known the Israeli state is not acting in their name. This resistance did not come out of nowhere. Citizens of the Whole World: Anti-Zionism and the Cultures of the American Jewish Left (Verso Books, 2025) returns us to its roots in the “red decade” of the 1930s and, from there, traces the history of American Jewish radicals and revolutionaries to the present day.Benjamin Balthaser delves into radical Jewish novels and memoirs, as well as interviews with Jewish revolutionaries, to unearth a buried if nonetheless unbroken continuity between leftist Jewish Americans and the diasporic internation­alism of today.Covering more than just the politics of anti-Zionism, Citizens of the Whole World explores the Jewish revolutionary traditions of Marxist internationalism, Jewish solidarity with Third World struggles, and relations between Jewish and Black radicals during the Civil Rights era.Balthaser's book stages an intervention into current anti-Zionist politics, suggesting activists can learn from past struggles to help form a future politics in a world after Zionism. Benjamin Balthaser's critical and creative work explores the connections among radical U.S. social movements, racial and class formation, internationalism, and culture. He is the author of Anti-Imperialist Modernism: Race and Radical Transnational Culture from the Great Depression to the Cold War (University of Michigan Press, 2016) and Dedication (Partisan Press, 2011). His work has appeared or is forthcoming in journals such as American Quarterly, Historical Materialism, Boston Review, Jacobin, Shofar and elsewhere. He is currently associate professor of multi-ethnic U.S. literature at Indiana University, South Bend, and associate editor of American Quarterly. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Breathing Aesthetics (Duke University Press (2022), Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Henri Lefebvre is a writer who has had many competing claims for ownership, from sociology to philosophy to urban geography, different scholars have attempted to grasp the nature of his thought. These competing attempts have been encouraged by Lefebvre's rejection of systematicity in his thought and his eclectic, discursive writing style. In his book Henri Lefebvre, Metaphilosophy and Modernity (Routledge, 2025) Patrick Gamsby provides a new, interdisciplinary way of viewing Lefebvre's work through the category of ‘metaphilosophy'. This, the term Lefebvre used to categorise his own perspective, emphasises the link between thought and action and therefore encourages us to foreground Lefebvre's critique of alienation. The role of alienation as the ‘blockage of the possible' also leads Gamsby to emphasis the utopian nature of Lefebvre's thought as one directed to what could be. In our conversation we discuss how Gamsby came to this topic through his previous explorations of Lefebvre's sociology of boredom, the importance of happiness for Lefebvre, the problems of technology and why Lefebvre saw great hopes in a new romanticism. We also discuss why we should be wary of packets of sweetener encouraging us to be happy. Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan), along with other texts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Art After Liberalism (Columbia UP, 2022) is an account of creative practice at a moment of converging political and social rifts – a moment that could be described as a crisis of liberalism. The apparent failures of liberal thinking are a starting point for an inquiry into emergent ways of living, acting, and making art in the company of others. What happens when the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development can no longer be counted on to produce a world worth living in? It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, colonization, moral debt, and ecological devastation. Nicholas Gamso speaks to Pierre d'Alancaisez about the ills of liberalism and art's role in deciding on what may come after the impasse. Nicholas Gamso is a writer and academic who works across theory, visual culture, performance, and space/place. He's an editor at Places. Kara Walker, A Subtlety, 2014 Manaf Halbouni, Monument, 2017 Warren Kanders controversy at the Whitney Triple Chaser by Forensic Architecture My conversations with and on Forensic Architecture Wolfgang Tillmans and his anti-Brexit campaign Ren Hang Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Policing is a source of perennial conflict and philosophical disagreement. Current political developments in the United States have only increased the urgency of this topic. Today we welcome philosopher Jake Monaghan to discuss his book, Just Policing (Oxford UP, 2023), which applies interdisciplinary insights to examine the morality of policing. Though the injustices of our world seemingly require some kind of policing, the police are often sources of injustice themselves. But this is not always the result of intentionally or negligently bad policing. Sometimes it is an unavoidable result of the injustices that emerge from interactions with other social systems. This raises an important question of just policing: how should police respond to the injustices built into the system? Just Policing attempts an answer, offering a theory of just policing in non-ideal contexts. Monaghan argues that police discretion is not only unavoidable, but in light of non-ideal circumstances, valuable. This claim conflicts with a widespread but inchoate view of just policing, the legalist view that finds justice in faithful enforcement of the criminal code. But the criminal code leaves policing seriously underdetermined; full enforcement is neither possible nor desirable. Police need an alternative normative framework for evaluating and guiding their exercise of power. Just Policing critiques popular approaches to police abolitionism while defending normative limits on police power. The book offers a defense of police discretion against common objections and evaluates controversial issues in order maintenance, such as the policing of "vice" and homelessness, democratic control over policing, community policing initiatives, police collaborations and alternatives like mental health response teams, and possibilities for structural reform. Jake Monaghan is Assistant Professor of Philosophy at the University of Southern California. He earned his Ph.D. in philosophy at the University of Buffalo. His research is primarily in moral and political philosophy. He is interviewed by Tom McInerney, an international lawyer, scholar, and strategist, who has worked to advance rule of law and development internationally for 25 years. He has taught in the Rule of Law for Development Program at Loyola University Chicago School of Law since 2011. He writes the Rights, Regulation and Rule of Law newsletter on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

An important critic of modern culture, American economist Thorstein Veblen is best known for the concept of “conspicuous consumption,” the ostentatious display of goods in the service of social status. In the field of architectural history, scholars have employed Veblen in support of a wide range of arguments about modern architecture, but never has he attracted a comprehensive and critical treatment from the viewpoint of architectural history. In Barbarian Architecture: Thorstein Veblen's Chicago (MIT Press, 2024), Joanna Merwood-Salisbury corrects this omission by reexamining Veblen's famous book as an original theory of modernity and situating it in a particular place and time—Chicago in the 1890s. Taking an interdisciplinary approach, she explores Veblen's position in relation to debates about industrial reform and aesthetics in Chicago during the period 1890–1906. Bolstered by a strong visual narrative made possible by several of Chicago's historic photographic collections, Barbarian Architecture makes a compelling and original argument for the influence of Veblen's home city on his work and ideas. This interview was conducted by Matthew Wells, Senior Lecturer in Architectural Studies at the University of Manchester. His research explores nineteenth-century architecture, focusing on cultural techniques, technology, and political economy. Wells is the author of Modelling the Metropolis: The Architectural Model in Victorian London (2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Who gets involved in politics? In Capital, Privilege and Political Participation (Liverpool UP, 2025) Joe Greenwood-Hau a Lecturer in the John Smith Centre at the University of Glasgow, examines the dynamics of who participates, who is excluded and the reasons why. Drawing on a broad approach to political participation, the analysis connects levels of social, economic and cultural capital and resources to the question of political engagement. The book also thinks through how people understand both social inequalities and their own sense of self and social positioning, connecting quantitative perspectives to rich qualitative narratives. Connecting politics and sociology, and speaking to one of the most crucial issues in contemporary democracy. The book is available open access here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

After Jews: Essays on Political Theology, Shoah and the End of Man (Anthem Press, 2025) is an attempt to describe and critically interpret the condition of man living in the shadow of the Shoah, in the world "after Jews". Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In 2009, the body of a former president of the Republic of Cyprus, Tassos Papadopoulos, was stolen from his grave. The Time of the Cannibals reconsiders this history and the public discourse on it to reconsider how we think about conspiracy theory, and specifically, what it means to understand conspiracy theories “in context.” The months after Papadopoulos's body was stolen saw intense public speculation in Cyprus, including widespread expressions of sacrilege, along with many false accusations against Cypriots and foreigners positioned as his political antagonists. Davis delves into the public discourse on conspiracy theory in Cyprus that flourished in the aftermath, tracing theories about the grave robbery to theories about the division of Cyprus some thirty-five years earlier, and both to longer histories of imperial and colonial violence. Along the way, Davis explores cross-contextual connections among Cyprus and other locales, in the form of conspiracy theories as well as political theologies regarding the dead bodies of political leaders. Through critical close readings of academic and journalistic approaches to conspiracy theory, Davis shows that conspiracy theory as an analytic object fails to sustain comparative analysis, and defies any general theory of conspiracy theory. What these approaches accomplish instead, she argues, is the perpetuation of ethnocentrism in the guise of contextualization. The Time of the Cannibals: On Conspiracy Theory and Context (Fordham UP, 2024) asks what better kind of contextualization this and any “case” call for, and proposes the concept of conspiracy attunement: a means of grasping the dialogic contexts in which conspiracy theories work recursively as matters of political and cultural significance in the long durée. Elizabeth Anne Davis is Professor of Anthropology at Princeton University. Her research and writing, grounded in the European horizons and the Ottoman history of the Greek-speaking world, focus on the intersections of psyche, body, history, and power. She is also the author of Bad Souls: Madness and Responsibility in Modern Greece (2012, Duke Press) and Artifactual: Forensic and Documentary Knowing (2023, Duke Press). Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, development studies, hope studies, and ecological anthropology. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Harry Watkins was no one special. During a career that spanned four decades, this nineteenth-century actor yearned for fame but merely skirted the edges of it. He performed alongside the brightest stars, wrote scores of plays, and toured the United States and England, but he never became a household name. Inspired by this average performer's life and labor, An Actor's Tale: Theater, Culture, and Everyday Life in the Nineteenth-Century United States (University of Michigan Press, 2025) by Dr. Amy Hughes offers an alternative history of nineteenth-century theater, focusing on the daily rhythms and routines of theatrical life rather than the celebrated people, plays, and exceptional events that tend to dominate histories of US theater and performance. In the process, Dr. Hughes asks uncomfortable questions about the existence, predominance, and erasure of White male mediocrity in US culture, both in the past and present. When historians focus only on performers and plays with artistic “merit,” what communities, perspectives, and cultural trends remain invisible? How did men like Watkins advance themselves professionally, despite their mediocrity? Why did men like Watkins embrace and perpetuate myths like the American Dream, the “self-made man,” and meritocracy, and how have these ideals shaped casting, producing, and celebrity worship in today's US entertainment industry? Ultimately, Dr. Hughes reveals how this actor's tale illuminates the widespread tendency to ignore, deny, and forgive White male mediocrity in US culture, and how a deeper understanding of people like Watkins can transform our understanding of the past—and our understanding of ourselves. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Plastic is ubiquitous. It is in the Arctic, in the depths of the Mariana Trench, and in the high mountaintops of the Pyrenees. It is in the air we breathe and the water we drink. Nanoplastics penetrate our cell walls. Plastic is not just any material—it is emblematic of life in the twentieth and twenty-first centuries. In Plastic Matter (Duke UP, 2022), Heather Davis traces plastic's relations to geology, media, biology, and race to show how matter itself has come to be understood as pliable, disposable, and consumable. The invention and widespread use of plastic, Davis contends, reveals the dominance of the Western orientation to matter and its assumption that matter exists to be endlessly manipulated and controlled by humans. Plastic's materiality and pliability reinforces these expectations of what matter should be and do. Davis charts these relations to matter by mapping the queer multispecies relationships between humans and plastic-eating bacteria and analyzing photography that documents the racialized environmental violence of plastic production. In so doing, Davis provokes readers to reexamine their relationships to matter and life in light of plastic's saturation. Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi'i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Thinking of the French philosopher Jean-Paul Sartre, it is hard to think of him without imagining him in very particular contexts. One will likely imagine him in a Parisian cafe working through a pack of cigarettes and coffee, working on his latest play while waiting for his friend Pierre to arrive. His theories of freedom against the temptations of bad faith are thought to be theories of writers and activists, resisters of occupation. But while this is no doubt a central part of his thinking, it misses another context he was very much interested in: the clinic. While he was not an orthodox Freudian or trained analyst, he was deeply interested in many of the questions that psychoanalysts are also interested in, and this intersection proved to be very productive, generating thousands of pages of lesser known works. This is what Mary Edwards, philosophy lecturer at Cardiff University, has written about in her new book Sartre's Existential Psychoanalysis: Knowing Others (Bloomsbury, 2022). Working through Sartre's output from beginning to end, it first sets the stage with his early claims about the nature of the self and the possibility of knowing a person. From there, it works to his later works, in particular his voluminous yet unfinished biography of Gustave Flaubert, where Edwards finds Sartre developing and applying a very particular method of understanding a person while nonetheless maintaining a respect for their free nature. While Sartre never completed his intended project, Edwards finds his attempt suggestive for rethinking life both in and beyond the clinic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Transcript of the interview Minna Salami is a writer, social critic, and thought leader on feminism, knowledge production, and the aesthetics and structures of power. She formerly served as Programme Chair and Senior Fellow at THE NEW INSTITUTE, where she led the Black Feminism and the Polycrisis programme. Her work sits at the intersection of ideas, culture, and systems thinking, with a commitment to making complex theories accessible through books, essays, public speaking, and creative projects. She is the author of Can Feminism Be African? (Harper Collins, 2025) and Sensuous Knowledge: A Black Feminist Approach for Everyone (Bloomsbury, 2020), which has been translated into multiple languages. Her writing also appears in numerous anthologies and educational publications exploring feminism, African philosophy, media, and cultural criticism. Her work has featured in The Guardian, The Financial Times, The Ideas Letter, Project Syndicate, and The Philosopher, and she has delivered talks at global institutions including TEDx, the Institute of Arts and Ideas, the European Commission, the Oxford and Cambridge Unions, Yale, and Singularity University at NASA. Salami was the creative director of the short film Black Feminism and the Polycrisis, which won the Silver Award for Public Service and Activism at the 2024 Lovie Awards. From 2019 to 2022, she co-directed Activate, an intersectional feminist movement that supported minoritised women in politics and community organising through visibility campaigns, mentoring, and fundraising. The initiative played a key role in shifting narratives and resources toward a more inclusive political landscape in the UK. She has also worked as a Research Associate and Editor at Perspectiva, advised governments on gender equality, developed national school curricula, and curated cultural events at institutions such as the Victoria & Albert Museum in London. Her blog, MsAfropolitan, launched in 2010, has reached over a million readers and remains a platform for exploring feminist and African-centred approaches to contemporary life. Salami is a Full Member of the Club of Rome, a BMW Foundation Responsible Leader, and serves on the advisory boards of the African Feminist Initiative at Penn State University and Public Humanities at Cambridge University Press, as well as the council of the British Royal Institute of Philosophy. Links to References:Apart Together – essay on Leopold Senghor and Aimé Césaire's radical vision for the world Africa's Populist Trap for The Ideas Letter The Niger River and the Dearth of History: Deconstructing the Myths of Mungo Park by Ezenwa E. Olumba Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

John's “Arendt's Refugee Politics” came out in Public Books in early November. He made the case that his favorite political philosopher, Hannah Arendt is an opponent both of identity politics and also of a cosmpolitan universalism that is blind to all the differences (of race, gender, belief) that make us who though not what we are. Going back to one of the first pieces she published in English, a 1943 essay from Menorah called "We Refugees", he reflected on how amazingly Arendt was able to air her unease about militant Zionism at the same time she warned fellow arrivals in America from rushing to disguise their origins. Recall this Book 153 is simply John reading the article aloud. It is an experiment (akin to Books in Dark Times and Recall This Story and Recall This B-Side) in soliloquy. You can consult footnotes and a read a transcript by heading back to the article in its original form here. Reach out and let us know if you think it should be the first of many, or simply a one-off! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Today we will be talking to Yehudah Halper about his new book, Averroes on Pathways to Divine Knowledge (Academic Studies Press, 2025). The twelfth-century Andalusian philosopher Averroes sought to understand the divine in a way independent of religious theology, by turning to the philosophical works of Aristotle and, to a lesser extent, Plato. In doing so, he established standards of scientific inquiry into God that were and remain highly influential on Jewish and Christian thought. Averroes, however, does not provide much in the way of demonstrative knowledge of God, and most of his arguments remain dialectical, rhetorical, or political. This volume explores the various pathways towards attaining divine knowledge that we find in Averroes' commentaries on Aristotle's De Anima, Metaphysics, and Nicomachean Ethics, and on Plato's Republic, along with Averroes' Epistle on Divine Knowledge, Decisive Treatise, and more. Yehuda Halper is Professor in the Department of Jewish Philosophy at Bar Ilan University. He is currently a aisiting professor at University of Chicago Divinity School. His first monograph, Jewish Socratic Questions in an Age without Plato (Brill, 2021) won the Goldstein-Goren Book Award for the best book in Jewish Thought in 2019-2021. He is currently directing the ISF grant (#622/22) "Samuel Ibn Tibbon's Explanation of Foreign Terms and the Foundations of Philosophy in Hebrew." Rabbi Marc Katz is the Senior Rabbi at Temple Ner Tamid. His latest book is Yochanan's Gamble: Judaism's Pragmatic Approach to Life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Today I'm speaking with Hélène Landemore, Professor of Political Science at Yale University, about Democracy and Bullshit, with a special focus on her 2020 book, Open Democracy: Reinventing Popular Rule for the Twenty-First Century (Princeton University Press, 2020). Bullshit is a feature of both democracies and dictatorships alike, but it takes different forms. In democracies, while citizens enjoy the freedom of speech and the right to vote, a range of forces often conspire to limit their real power in favor of competing elites. The political and economic elite's toolkit includes the art of bullshit—the persuasive use of language without regard for truth. Whether meritocratic or populist, elites alike have mastered this form of manipulation, amplified by modern tools of dissemination and authority. To help us understand the challenges that bullshit poses to democratic citizens, I'm pleased to welcome Hélène Landemore. Hélène Landemore is a professor of political science at Yale University. Caleb Zakarin is editor of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Jemma Deer's Radical Animism: Reading for the End of the World (Bloomsbury Academic Press, 2020) invites the reader to take a moment and to ponder on the way of reading. In her book, the author challenges the narcissistic position of the human being: a status that has been established for some time and which has already been challenged before but does not seem to be changing quickly. The Anthropocene reveals the dangers which are connected to the human centrality and power; on the other hand, it requires new ways of engaging with the environment. These new ways are not limited to the gestures of consideration in relation to the profound changes that led to climate change in particular. They ask for a new mode of thinking when the inanimate is part and parcel of the human being. In this regard, Jemma Deer draws attention to reading and writing as ways and modes of engaging with the inanimate and with the environment that serves as a habitat for the acts of reading and writing. The book offers strategies for reading literary texts across cultures and times: the works by Shakespeare, Lewis Carroll, Virginia Woolf reveal new echoes in the context of the Anthropocene. Radical Animism is a gentle invitation to abandon human superiority and to explore the ways that subvert a conventional hierarchy of the human and the non-human. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Anteaesthetics: Black Aesthesis and the Critique of Form (Stanford UP, 2023), Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity. Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation--an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How are influencers changing the arts? In Influencer Creep: How Optimization, Authenticity, and Self-Branding Transform Creative Culture (U California Press, 2025) Sophie Bishop, an Associate Professor in the University of Leeds' School of Media and Communication analyses the lives of artists and influencers to understand the working and living conditions shaping modern culture. The book draws a comparison between the two sets of workers, showing how artists are having to engage with influencer's techniques to be successful in the online economy, and how both groups struggle with the inequalities of the platform economy. Rich with fascinating case studies, alongside a range of theoretical insights that can be applied across many other aspects of the modern world, the book is essential reading for anyone interested in art, culture and contemporary social life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

It is common to define Europe by its democratic, scientific, religious, and cultural traditions. But in What is European? On Overcoming Colonial and Romantic Modes of Thought (Amsterdam UP, 2025), Dag Nikolaus Hasse argues that the search for Europe's essence has taken a troubling turn. He shows that many traditional ideas about Europe are culturally one-sided and historically and geographically distorted, and calls for a decolonisation and deromanticisation of the discourse on Europe. The book promotes an inclusive vision of Europe that reflects its long history of multiethnic cities, offers a cultural home to a wider range of people across the continent, and extends attention and respect to other continents, thus laying a more respectful foundation for shaping the future together.At the same time, Hasse demonstrates that overcoming colonial ways of thinking does not and should not result in anti-Europeanism. Criticising European arrogance may well go hand in hand with feeling culturally at home in other traditions of Europe. For this, it does not matter whether one is a resident of the European continent or not. There is no privileged access to European culture or to the culture of any other continent. Dag Nikolaus Hasse is professor of the history of philosophy at the University of Würzburg. Among his numerous publications, two monographs stand out: Avicenna's De Anima in the Latin West (2000), and Success and Suppression: Arabic Sciences and Philosophy in the Renaissance (2016). In 2016, Hasse was awarded the prestigious Gottfried Wilhelm Leibniz Prize, the highest disctinction for a scientist in Germany. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Neoliberalism and Race (Stanford UP, 2025) Lars Cornelissen argues that the category of race constitutes an organizing principle of neoliberal ideology. Using the methods of intellectual history and drawing on insights from critical race studies, Cornelissen explores the various racial constructs that structure neoliberal ideology, some of which are explicit, while others are more coded. Beginning in the interwar period and running through to recent developments, Neoliberalism and Race shows that racial themes have always pervaded neoliberal thinking. The book's key argument is that neoliberal thought is constitutively racialized—its racial motifs cannot be extracted from neoliberalism without rendering it theoretically and politically incoherent. The book aptly explores a wide variety of racial constructs through the structure of neoliberal ideology, deconstructing the conceptualizations in the works of landmark thinkers such as Ludwig von Mises, Friedrich Hayek, Peter Bauer, Thomas Sowell, Charles Murray, and others from the early twentieth century to the present. In this original—perhaps controversial—critique, Cornelissen asserts that neoliberal thinkers were not just the passive recipients of racial discourse, but also directly impacted it. Lars Cornelissen is a historian of neoliberalism. His writings have been published in History of European Ideas, Constellations, and Modern Intellectual History. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Joseph E. Stiglitz has had a remarkable career. He is a brilliant academic, capped by sharing the Nobel Memorial Prize in Economics and the Nobel Peace Prize, and honorary degrees from Harvard, Cambridge, Oxford and more than fifty other universities, and elected not only to the National Academy of Sciences and the American Academy of Arts and Letters but the Royal Society and the British Academy; a public servant, who served as Chair of President Clinton's Council of Economic Advisors and Chief Economist and Senior Vice President of the World Bank, headed international commissions for the UN and France, and was awarded the French Legion of Honor and Australia's Sydney Peace Prize; a public intellectual whose numerous books on vital topics have been best sellers.What brought him to economics were his concerns about the inequality and discrimination he saw growing up. Wanting to understand what drives it and what can be done about it has been his lifelong passion. This book gathers together and extends to new frontiers this lifelong work, drawing upon the challenges and insights of each of these phases of his career.In a still very widely cited paper written fifty years ago, Stiglitz set forth the fundamental framework for analyzing intergenerational transfer of wealth and advantage, which plays a central role in persistent inequality. That and subsequent work, developed most fully here for the first time, described today's inequality as a result of centrifugal forces increasing inequality and centripetal forces reducing it. In recent decades, the centrifugal forces have strengthened, the centripetal forces weakened. His general theory provides a framework for understanding the marked growth in inequality in recent decades, and for devising policies to reduce it.A central message is that ever-increasing inequality is not inevitable. Inequality is, in a fundamental sense, a choice. Stiglitz explains that inequality does not largely arise from differences in savings rates between capitalists and others, though that may play a role (as Piketty, Marx, and Kaldor suggest); but rather, it originates importantly from the rules of the game, which have weakened the bargaining power of workers as they have increased the market power of corporations. He also explains how monetary authorities have contributed to increasing wealth inequality, and how, unless something is done about it, likely changes in technology such as AI and robotization will make matters worse. He describes policies that can simultaneously reduce inequality and improve economic performance. Joseph E. Stiglitz is an American economist and a professor at Columbia University.  Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

We are not what we think we are. Our self-image as natural individuated subjects is determined behind our backs: historically by political forces, cognitively by the language we use, and neurologically by sub-personal mechanisms, as revealed by scientific and philosophical analyses. Under contemporary capitalism, as the gap between this self-image and reality becomes an ever greater source of social and mental distress, these theoretical insights are potential dynamite. Shifting his explorations from the sonic to the social, amplifying alienation and playing with psychic noise, artist and performer Mattin finally lights the fuse. The noise is here to stay. Alienation is a constitutive part of subjectivity and an enabling condition for exploring social dissonance—the territory upon which we already find ourselves, the condition we inhabit today. Mattin speaks (and sings) to Pierre d'Alancaisez about his performance score Social Dissonance, in which the audience is the instrument and the legacy of the Marxist theory of alienation. Mattin is an artist, musician and theorist working conceptually with noise and improvisation. Through his practice and writing, he explores performative forms of estrangement as a way to deal with structural alienation. Mattin has exhibited and toured worldwide. He has performed in festivals such as Performa and Club Transmediale and lectured in institutions such as Dutch Art Institute, Cal Arts, Bard, and Goldsmiths. Mattin is part of the bands Billy Bao and Regler and has over 100 releases on different labels worldwide. He co-hosts the podcast Social Discipline. Mattin took part in 2017 in documenta14 in Athens and Kassel. Information on the Social Dissonance concert at Documenta 14 A video recording of one of the performances Social Discipline podcast Pierre d'Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

While decolonization liberated territories, it left the root causes of historical injustice unaddressed. Governance change did not address past wrongs and transferred injustice through political and financial architectures. In Calibrating Colonial Crime: Reparations and The Crime of Unjust Enrichment (Bristol University Press/Policy Press, 2024) Dr. Joshua Castellino presents a five-point plan aimed at system redress through reparations that addresses the colonially induced climate crisis through equitable and sustainable means. In highlighting the structural legacy of colonial crimes, Dr. Castellino provides insights into the complexities of contemporary societies, showing how legal frameworks could foster a fairer, more just world. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Where do cops come from and what do they do? How did “modern policing” as we know it today come to be? What about the capitalist state necessitates policing? In this clear and comprehensive account of why and how the police—the linchpin of capitalism—function and exist, organizer and author brian bean presents a clear case for the abolition of policing and capitalism. Their End Is Our Beginning traces the roots and development of policing in global capitalism through colonial rule, racist enslavement, and class oppression, along the way arguing how police power can be challenged and, ultimately, abolished. bean draws from extensive interviews with activists from Mexico to Ireland to Egypt, all of whom share compelling and knowledgeable perspectives on what it takes to—even if temporarily—take down the cops and build a thriving community-organized society, free from the police. The lessons they offer bring nuance to the meaning of “solidarity” and clarity to what “abolition” and “revolution” look like in practice. Featuring illustrations by Chicago-based artist Charlie Aleck, Their End Is Our Beginning is an incendiary book that offers a socialist analysis of policing and the capitalist state, a vital discussion of the contours of abolition at large, and the revolutionary logic needed for liberation. Guest: brian bean is a Chicago-based socialist organizer, writer, and agitator originally from North Carolina. They are one of the founding editors of Rampant magazine. Their work has been published in Truthout, Jacobin, Tempest, Spectre, Red Flag, New Politics, Socialist Worker, International Viewpoint, and more. In addition to Their End Is Our Beginning, brian coedited and contributed to the book Palestine: A Socialist Introduction, also published by Haymarket Books. Host: Michael Stauch (he/him) is an associate professor of history at the University of Toledo and the author of Wildcat of the Streets: Detroit in the Age of Community Policing, published by the University of Pennsylvania Press in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

How do comics cross boarders? In Latin American Comics in the Twenty-First Century: Transgressing the Frame James Scorer, a Professor of Latin American Studies at the University of Manchester, considers the rise of a distinctively Latin American comics culture, capturing the interconnections and differences as comics production have evolved in the region. The book covers a range of genres and comic forms, including physical and digital media, across Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, showing the importance of comics as a way of intervening in social and political struggles, as well as the joy and pleasure that they offer a diverse, and increasingly global readership. Listeners can also learn more about a broader project of studying Comics and race in Latin America as well as the previously published open access collection Comics Beyond the Page in Latin America Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Dr. Rebecca van Laer and her partner purchase a home and move in with their senior cats, Toby and Gus. Their loved ones see this as a step toward an inevitable future-first comes the house, then a dog, then a child. But what if they are just cat people?Moving between memoir, philosophy, and pop culture, Cat (Bloomsbury, 2025) is a playful and tender meditation on cats and their people, part of the Object Lessons series. Van Laer considers cats' role in her personal narrative, where they are mascots of laziness and lawlessness, and in cultural narratives, where they appear as feminine, anarchic, and maladapted, especially in comparison to dogs.From the stereotype of the 'crazy cat lady' to the joy of cat memes to the grief of pet loss, van Laer demonstrates that the cat-person relationship is free of the discipline and dependence required by parenting (and dog-parenting), creating a less hierarchical intimacy that offers a different model for love. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Do competitive elections secure democracy, or might they undermine it by breeding popular disillusionment with liberal norms and procedures? The so-called Italian School of Elitism, comprising Vilfredo Pareto, Gaetano Mosca, and Robert Michels, voiced this very concern. They feared that defining democracy exclusively through representative practices creates unrealistic expectations of what elections can achieve, generating mass demoralization and disillusionment with popular government. The Italian School's concern has gone unheeded, even as their elite theory has been foundational for political science in the United States. Democratic Elitism: The Founding Myth of American Political Science (Harvard UP, 2025) argues that scholars have misinterpreted the Italians as conservative, antidemocratic figures who championed the equation of democracy with representative practices to restrain popular participation in politics. Natasha Piano contends not only that the Italian School's thought has been distorted but also that theorists have ignored its main objective: to contain demagogues and plutocrats who prey on the cynicism of the masses. We ought to view these thinkers not as elite theorists of democracy but as democratic theorists of elitism. The Italian School's original writings do not reject electoral politics; they emphasize the power and promise of democracy beyond the ballot. Elections undoubtedly are an essential component of functioning democracies, but in order to preserve their legitimacy we must understand their true capacities and limitations. It is past time to dispel the delusion that we need only elections to solve political crises, or else mass publics, dissatisfied with the status quo, will fall deeper into the arms of authoritarians who capture and pervert formal democratic institutions to serve their own ends. Natasha Piano is an Assistant Professor of Political Theory in the Department of Political Science at UCLA. She specializes in democratic theory and the history of political thought, focusing on the realist and empirical traditions in political science and Italian political theory Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The dynamic and interconnected ways Afghans and Iranians invented their modern selves through literature. Contrary to the presumption that literary nationalism in the Global South emerged through contact with Europe alone, Reading Across Borders: Afghans, Iranians, and Literary Nationalism (University of Texas Press, 2024) demonstrates how the cultural forms of Iran and Afghanistan as nation-states arose from their shared Persian heritage and cross-cultural exchange in the twentieth century. In this book, Aria Fani charts the individuals, institutions, and conversations that made this exchange possible, detailing the dynamic and interconnected ways Afghans and Iranians invented their modern selves through new ideas about literature. Fani illustrates how voluntary and state-funded associations of readers helped formulate and propagate "literature" as a recognizable notion, adapting and changing Persian concepts to fit this modern idea. Focusing on early twentieth-century periodicals with readers in Afghan and Iranian cities and their diaspora, Fani exposes how nationalism intensified—rather than severed—cultural contact among two Persian-speaking societies amidst the diverging and competing demands of their respective nation-states. This interconnected history was ultimately forgotten, shaping many of the cultural disputes between Iran and Afghanistan today. Aria Fani is an associate professor and director of Persian and Iranian Studies at the University of Washington in Seattle. He serves as the current deputy editor of Iranian Studies and is a co-investigator of the Translation Studies Hub at UW. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What does it take to construct humanity's cultural history and what do these efforts produce in the world? In The Politics of World Heritage (Oxford UP, 2025), Elif Kalaycioglu analyzes UNESCO's flagship regime, which seeks to curate a cultural history of humanity, attached to "outstanding universal value" and tethered to goals of peace and solidarity. Kalaycioglu's analysis tracks that construction across fifty years of the regime and maps it onto three distinct visions: humanity as a rarified transhistorical subject, humanity as a diverse subject, and humanity as a subject that is adequately represented by the community of nation states. In each of these constructions, experts and states take up the cultural and historical resources that circulate within the regime to narrate a humanity into being, and position themselves as its adjudicators, contributors and custodians. Each construction comes with remainders, that is, parts of humanity excluded from this cultural history, and internal hierarchies between those at its center and others that remain on the margins.These hierarchies challenge the aspiration to peace and solidarity. While these aspirations have changed across the three iterations of humanity, across the different forms, the regime's structures and participants have been ill-equipped and hesitant to engage with the underbellies of humanity towards robust visions of peace and solidarity. In contrast to this general tendency, Kalaycioglu excavates from select nomination files nested constructions of humanity that hold onto the globality and unevenness of its political conditions and presents the possibility of robust visions of peace and solidarity, and humanity's different futures. Elif Kalaycioglu is Assistant Professor at the Department of Political Science at The University of Alabama. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba's Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The Concept of Mind in Hindu Tantra (Routledge, 2024) presents an account of the concept of mind in Hindu Tantra through a study of religious and philosophical texts in the medieval period. It will be of interest to researchers in the field of Religious Studies, Asian Religion, Hindu Studies, Indian philosophy and comparative philosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory