Podcast appearances and mentions of Nina Simone

Patti LaBelle is touring again! That makes it perfect timing to revisit her moving conversation with Julia from Season 3, which is packed with incredible stories. Today on Wiser Than Me, Julia welcomes 81-year-old singer, actress, and entrepreneur Patti LaBelle. The two discuss Patti’s legendary Grammy Award-winning music career and what the “Godmother of Soul” has cooked for friends like Nina Simone, Elton John, and Prince. Plus, Patti tells Julia why she was convinced she wouldn't live to see 50. Also, Julia asks her mom, Judith, if she can remember any racy song lyrics from her youth. Follow Wiser Than Me on Instagram and TikTok @wiserthanme and on Facebook at facebook.com/wiserthanmepodcast. Keep up with Patti LaBelle @mspattilabelle on Instagram. Find out more about other shows on our network at @lemonadamedia on all social platforms. Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today at bit.ly/lemonadapremium. For exclusive discount codes and more information about our sponsors, visit https://lemonadamedia.com/sponsors/. For additional resources, information, and a transcript of the episode, visit lemonadamedia.com.See omnystudio.com/listener for privacy information.

At the age of 16, Lorde went #1 across the world. She was catapulted from the suburbs of Auckland to the Grammy's stage, winning Song of the Year. 12 years and four albums later, she's continued to defy expectations as a pop artist and is one of the most gifted songwriters of our time. This is an extended edit of a Take 5 that was filmed for the TV series, but this podcast is an extended edit - capturing even more stories, insight, and sounds. It's an incredible conversation with one of the most thoughtful people I've met. Lorde has been going through a massive period of change. A chrysalis, taking new form. So I worked up a Take 5 theme to draw that out. And from Lucinda Williams to Westerman to something very close to home, hearing her speak about the craft of song is a rare treat.Lorde's song choices:Lucinda Williams – 'Fruits of My Labor'Bronski Beat – 'Smalltown Boy'Nina Simone – 'Suzanne'Westerman – 'Confirmation'Charli xcx & Lorde – 'Girl, so confusing featuring lorde'00:00 Introduction and Podcast Overview00:49 Lorde's Early Influences and First Song Choice02:04 Lucinda Williams' Impact on Lorde09:30 Lorde's Childhood and Musical Beginnings12:56 The Mystery of Songwriting14:02 Second Song Choice: Small Town Boy24:10 Reflecting on Teenage Years and Womanhood28:22 Lorde's Relationship with Her Parents30:18 Third Song Choice: Suzanne30:27 Nina Simone's Transformative Cover of 'Suzanne'31:16 Leonard Cohen's Inspiration and Poetic Imagery32:12 Nina Simone's Unique Interpretation35:39 Exploring Gender and Identity in Music36:36 The Impact of Personal Transformation39:48 The Creative Process Behind 'Virgin'46:20 The Emotional Journey of 'Girl So Confusing'50:06 Reflections on Vulnerability and Friendship55:22 Concluding Thoughts and Future PlansWatch Take 5 on ABC iview:https://iview.abc.net.au/show/take-5-with-zan-rowe

Journaliste, Kareen Guiock Thuram est connue pour être un visage de lʹinfo sur M6 depuis des années, et pour être mariée à l'ancien footballeur Lilian Thuram. Mais elle est également chanteuse : Son 1er album " Nina ", sorti en 2023, est un hommage à Nina Simone, dont elle sʹapproprie quelques-une des chansons célèbres à sa façon. Une voix à découvrir en concert demain mercredi 1er octobre à 20h30 en ouverture du festival JazzContreBand, à lʹEMA (École des Musiques Actuelles). Infos sur : Jazzcontreband.com Kareen Guiock Thuram est lʹinvitée dʹAnne Laure Gannac.

We’ve been doing these shows where we don’t book any guests, where we fill the hour with your calls. And your calls have been interesting and surprising and amusing. This hour, the conversation winds around to Bridgeport’s socialist former mayor, Sneaky Pete and our show on psychics, the possible link between double jointedness and neurodivergence, the state of streaming, Ta-Nehisi Coates’ appearance on The Ezra Klein Show … Anything. (Seemingly) everything. These shows are fun for us, and they seem to be fun for you, too. So we did another one. MUSIC FEATURED (in order): Harry’s Theme (Lite Pullman) – Vulfmon, Harry Whitford Bedlam – Elvis Costello Take Me Dancing – Doja Cat, SZA Three Little Words – Samara Joy Township Medley – Themba Mkhize, SWR Big Band 香港之夜 – Teresa Teng Chilly Winds Don’t Blow (Bolden. Remix) – Nina Simone, Bolden. Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Cantautrice, produttrice, conduttrice e... Ambasciatrice di Pace. Benvenuta nel "mondo di Manuel" a Nina Zilli. In chiusura di puntata ascoltiamo un brano di una delle band protagoniste della rassegna Carne Fresca: "Buddha" degli Xylema.Playlist:Faith No More - "Just a Man"Nina Simone - "Ain't Got No (I Got Life)"Xylema - "Buddha"

Nesta segunda parte da conversa do podcast “A Beleza das Pequenas Coisas”, a atriz, cantora e preparadora vocal Joana Manuel reflete sobre os novos fascismos que “voltaram a estar na berra”, e o que os alimenta e mais tem falhado no caminho da democracia. Depois aponta possíveis saídas da zona de raiva e desesperança e revela o que tem feito desde que entrou num certo desencanto partidário. Como se continua a luta? Joana responde e partilha ainda as músicas que a acompanham e trauteia Nina Simone, Fiona Apple e Fausto. Boas escutas!See omnystudio.com/listener for privacy information.

Pourquoi le début de l'automne est-il blindé de maxi fêtes dans le judaïsme ? Qu'est-ce que Roch Hachana ? Quel est le lien entre Roch Hachana et Yom Kippour ? Quelles sont les traditions liées à ces fêtes et d'où viennent-elles ? Voilà nos grandes questions et notre parcours au cœur de la tradition juive et du livre du Lévitique...Et on y répond avec Francis Cabrel, Sasso, Flip, Nina Simone et un peu de klezmer pour se mettre dans l'ambiance. Shana Tova ! Bonne écoute !!Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Love is the Message is back! After last series' mammoth 18-month excavation of the year 1977 we're switching things up a bit. While we'll continue to chart our rough way through the history explored in our work to date, for the moment we're going to focus on a few smaller, more bite-size topics, starting with the 2024 film Soundtrack to a Coup D'Etat. A natural partner piece to our beloved Summer of Soul, Johan Grimonprez's documentary tracks in vivid and exhilarating style the Cold War episode that led American musicians Abbey Lincoln and Max Roach to crash the UN Security Council in protest against the murder of Congolese leader Patrice Lumumba. On this show Tim and Jeremy discuss mid-Twentieth Century decolonialism, resistance and the activities of black jazz activists in America. We hear the history of the colonisation of Congo by Belgium, introduce Lumumba as a unique historical figure, and spend some time reflecting on how these imperial legacies resonate today. On the music front, we hear listen to Roach behind the kit, cue up a series of Congolese rhumbas and boleros, and close with seminal civil rights singer Nina Simone. Elsewhere in the episode we stop by Malcom X, Khrushchev, and Joseph Conrad. The horror, the horror…Edited by Matt Huxley.Tracklist:Max Roach - Freedom Day Ata Ndele - Adou Elenga Joseph Kabasele - Independence Cha-Cha O.K. Jazz - Pas Un Pas Sans… Nina Simone - Wild is the WindBooks:Joseph Conrad - Heart of Darkness

durée : 00:59:57 - Banzzaï du jeudi 25 septembre 2025 : L'apprentissage - rediffusion - par : Nathalie Piolé -

"House of the Rising Sun" repris par Clarence Ashley, Nina Simone, Bob Dylan, The Animals, Johnny Hallyday, Sinead O'Connor, Shaka Ponk et Joan BaezHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Les classiques du jour : - The Offspring - Self Esteem - Lynyrd Skynyrd - Sweet Home Alabama - Dr Feelgood - Milk and Alcohol Les nouveautés du jour : - Twenty One Pilots - City Walls - Limp Bizkit - Making Love To Morgan Wallen Journal de la musique : - Pink Floyd va sortir "Wish You Were Here 50", un coffret deluxe avec mixage Atmos, lives et photos rares - Coachella 2026 : Sabrina Carpenter, Justin Bieber, Karol G à l'affiche - Robbie Williams décale "BRITPOP" à février 2026 La cover : "House of the Rising Sun" repris par Clarence Ashley, Nina Simone, Bob Dylan, The Animals, Johnny Hallyday, Sinead O'Connor, Shaka Ponk et Joan Baez Le live du jour : Deep Purple - Hush (Live at Hook End Manor, Berkshire, 1988) Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This hour explores the life and legacy of singer, songwriter, pianist, and activist Nina Simone, followed by a look back at other women of the Civil Rights Movement such as Rosa Parks and singer-activist Fannie Lou Hamer. 

Baltimore, Téhéran, Buenos Aires, Khartoum, aux quatre coins du monde, des communautés sont frappées de plein fouet par les violences d'État… jusqu'au jour où elles réagissent. D'abord en s'indignant, puis en bravant tous les interdits pour faire connaître la réalité des faits, les propager et les dénoncer. Des femmes et des hommes qui se retrouvent dans la rue à défier le pouvoir, à brandir les photos de leurs enfants disparus, à chanter et à danser, pour l'égalité des droits et pour la liberté ! Mais pourquoi certaines morts soulèvent-elles des foules ? Qu'est-ce que nos émotions, de l'indignation à la colère, font à la politique ? En quoi les affections qui nous lient jouent dans nos réactions et nos actions ? Du mouvement Black Lives Matter aux États-Unis au soulèvement Femme, Vie, Liberté en Iran, en passant par la révolution au Soudan, notre invitée anthropologue Chowra Makaremi questionne nos résistances affectives. De l'intime au politique, elle livre un essai magistral aux éditions La découverte. Son titre ? « Résistances affectives. Les politiques de l'attachement face aux politiques de la cruauté ». Merci à l'Ina et à RFI pour les nombreuses archives diffusées dans cette émission. Pour découvrir le livre de Chowra Makaremi.  Les sites des mouvements de référence mentionnés dans l'émission : Black Lives Matter Colectivo Lastesis Abuelas de Plaza de Mayo Ni Una Menos.   Programmation musicale : Baltimore, de Nina Simone.   Pour aller plus loin : - Iran : Femme, Vie, Liberté» - Alaa Salah, icône de la révolution au Soudan: «il ne faut jamais se taire sur ses droits» - À Gaza, où se réfugier? Les civils entre attente et crainte d'un nouveau déplacement.

Blasian March Founder Rohan Zhou-Lee is an award-winning dancer, writer, speaker, curator, and community organizer. In 2024, they co-curated the Critical Connections exhibit with the Pace University Art Gallery and the George Stephanopoulos photo collection of the Civil Rights Era. In 2023, they became the first mixed race Black Asian admitted to the Open City Fellowship for Journalism at the Asian American Writers' Workshop. They are also a recipient of the 2024 PEN American US Writers' Aid Initiative, 2023 FIYAH Rest Grant, 2023 New Yorkers for Culture and The Arts, 2022 Bandung Resident, they have written for Newsweek, Hyperallergic, Truthout, and more. They have performed poetry and dance as a reflection of their activism in the United States and the 2022 Unite Festival in Zürich, Switzerland. Spotlight features include CNN, NBC Chicago, USA Today, WNYC, AJ+, and more. Zhou-Lee has spoken at Harvard University, New York University, Yale University, Oberlin College, The University of Tokyo, the 2022 Unite and Enough Festivals in Zürich, Switzerland, and more.As a performing artist, major credits include:  Julius Eastman's Joy Boy on trumpet (ChamberQUEER, 2021,) and for dance: Lovecraft Country (HBO, 2018) François & The Rebels (Public Theatre, 2023,) Over Here! (Triad Theatre, Off-Broadway debut, 2019) West Side Story (New Bedford Theatre Festival, 2018) and Bluebird from Sleeping Beauty (Victoria Ballet Theatre, 2019.)Zhou-Lee holds a Bachelor of the Arts in Ethnomusicology from Northwestern University. Pronouns: They | Siya | 祂 | Elle, gender identity: Firebird.Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Links Cha with Laura and Leah https://open.spotify.com/show/1z194Dm1oJ1U9GzqvJ0dT9?si=b3effad8f6484e57Firebird's Instagramhttps://www.instagram.com/diaryofafirebird/Firebird's Websitehttps://www.diaryofafirebird.com/Laura Instagramhttps://www.instagram.com/iamlaurachung/Laura Websitehttps://www.laurakchung.com/Laura YouTubehttps://www.youtube.com/@LaurakchungLeah Instagramhttps://www.instagram.com/leahsoojinkim/Leah Substackhttps://leahkim.substack.com/Leah YouTubehttps://www.youtube.com/@leahsoojinkim⁩  Links Support us on Cha's Patreon https://rb.gy/g6vtbmVenmo: http://bitly.ws/iXCSPaypal: http://bitly.ws/iXCb

Sarinya is the founder of Angry Asian Womxn - an organization centering safety, wellness, and community for women/femmes/gender expansive folks affected by anti-Asian ra cism and/or Isl amophobia. She was also the first ever Asian woman firefighter in the FDNY. Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!Cha with Laura and Leah PodcastSarinya LinksLaura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon차 logo designed by grimeninja

Blasian March Founder Rohan Zhou-Lee is an award-winning dancer, writer, speaker, curator, and community organizer. In 2024, they co-curated the Critical Connections exhibit with the Pace University Art Gallery and the George Stephanopoulos photo collection of the Civil Rights Era. In 2023, they became the first mixed race Black Asian admitted to the Open City Fellowship for Journalism at the Asian American Writers' Workshop. They are also a recipient of the 2024 PEN American US Writers' Aid Initiative, 2023 FIYAH Rest Grant, 2023 New Yorkers for Culture and The Arts, 2022 Bandung Resident, they have written for Newsweek, Hyperallergic, Truthout, and more. They have performed poetry and dance as a reflection of their activism in the United States and the 2022 Unite Festival in Zürich, Switzerland. Spotlight features include CNN, NBC Chicago, USA Today, WNYC, AJ+, and more. Zhou-Lee has spoken at Harvard University, New York University, Yale University, Oberlin College, The University of Tokyo, the 2022 Unite and Enough Festivals in Zürich, Switzerland, and more.As a performing artist, major credits include:  Julius Eastman's Joy Boy on trumpet (ChamberQUEER, 2021,) and for dance: Lovecraft Country (HBO, 2018) François & The Rebels (Public Theatre, 2023,) Over Here! (Triad Theatre, Off-Broadway debut, 2019) West Side Story (New Bedford Theatre Festival, 2018) and Bluebird from Sleeping Beauty (Victoria Ballet Theatre, 2019.)Zhou-Lee holds a Bachelor of the Arts in Ethnomusicology from Northwestern University. Pronouns: They | Siya | 祂 | Elle, gender identity: Firebird.Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Links Cha with Laura and Leah https://open.spotify.com/show/1z194Dm1oJ1U9GzqvJ0dT9?si=b3effad8f6484e57Firebird's Instagramhttps://www.instagram.com/diaryofafirebird/Firebird's Websitehttps://www.diaryofafirebird.com/Laura Instagramhttps://www.instagram.com/iamlaurachung/Laura Websitehttps://www.laurakchung.com/Laura YouTubehttps://www.youtube.com/@LaurakchungLeah Instagramhttps://www.instagram.com/leahsoojinkim/Leah Substackhttps://leahkim.substack.com/Leah YouTubehttps://www.youtube.com/@leahsoojinkim⁩  Links Support us on Cha's Patreon https://rb.gy/g6vtbmVenmo: http://bitly.ws/iXCSPaypal: http://bitly.ws/iXCb차 logo designed by grimeninja

Join Kris McPeak and co-host Annie Pruitt in this episode of the Top Five Podcast as they dive into the letter 'E' in their A to Z song series. This week, they discuss songs that evoke a range of emotions including happiness, sadness, jealousy, and loneliness. Featuring tracks from artists like Avril Lavigne, Kelly Pickler, Jimmy Eat World, Nina Simone, Travis Tritt, and many more, Kris and Annie share personal anecdotes and explain why these songs made it to their top five lists. Don't miss their interesting picks and delightful banter about music's powerful role in capturing our feelings.   Tune back in later for THE PLAYLIST    00:00 Introduction and Greetings 00:32 Exploring Songs About Emotions 01:31 Jealousy: Avril Lavigne's 'Girlfriend' 02:42 Sadness: Kelly Pickler's 'I Wonder' 04:09 Depression: Jimmy Eat World's 'The Middle' 05:38 Happiness: Nina Simone and Travis Tritt 07:18 Heartbreak: REM's 'Everybody Hurts' 10:16 Loneliness: Cowboy Junkies' 'I'm So Lonesome I Could Cry' 11:58 Feeling Groovy: Simon and Garfunkel 13:02 Empathy and Courage: Coldplay and Sara Bareilles 15:26 Indecisiveness: Scissor Sisters' 'I Can't Decide' 16:39 Anxiety: Pat Benatar's 'Get Nervous' 18:13 Recap and Conclusion

Show NotesBackstage Bay Area welcomes Montreal-based, award-winning singer-songwriter Dominique Fils-Aimé. In this episode, Dominique shares her creative journey, the healing power of music, and the inspiration behind her latest works, including her new single "Keep On Shining" and her first live album, Live at the Montreal International Jazz Festival.Host Steve Roby and Dominique discuss:Her unique approach to jazz and improvisationThe influence of artists like Nina Simone, Billie Holiday, and Lauryn HillThe meditative process of songwriting and the importance of freedom in musicThe story behind "Keep On Shining" and its collaboration with Jaron MarshallInsights from recording a live album and the magic of performing for an audienceThe meaning behind her album Our Roots Run Deep and its connection to nature and communityWhat to expect at her upcoming shows at SFJAZZ's Joe Henderson Lab, including her dynamic band and the improvisational spirit of her performancesUpcoming Shows:Dominique Fils-Aimé performs at SFJAZZ's Joe Henderson Lab, September 18th & 19th, with two shows nightly at 7:00 PM and 8:30 PM.

What happens when you stop running the rat race and start chasing peace? In this episode of The Highlight Real, we're chopping it up with Jelani Taylor—a Flint, Michigan native, artist, and creative —about his brand-new album "The Rat Race," his journey through music, and breaking free from the cycle of exhaustion. From reflecting on Nina Simone's timeless wisdom to unveiling the raw, soul-baring inspiration behind tracks like "Galaxy Lane," Jelani talks love, music, and life with refreshing honesty. We also dive into his journey through the Ivy League grind at Cornell University, balancing dreams of the NFL with creative expression, and building a life alongside his fiancée - who also doubled as an executive producer on his new album! You'll hear how their partnership fuels his artistry and why he's fearless about blending love and ambition. Whether you're on the fence about taking that next leap or just need some perspective on making life work for YOU, this episode's got gems for days. Press play for all things music, love, and the hustle to find balance in today's world. Don't miss out—this conversation might just change how you see your own race. Tune in!Follow Us:- The Highlight Real: ⁠https://www.instagram.com/thehighlightreal__/⁠- Jelani: https://www.instagram.com/je.lani2/- Jhariah: ⁠https://www.instagram.com/jhariahw/#thehighlightreal #podcast #explore #jelanitaylor #theratraceCHAPTERS:00:00 - Intro00:51 - Jelani's Album “The Rat Race” 01:50 - How Excited is Jelani for His Album ?05:22 - What Are We Running Towards 09:51 - What is The Rat Race 15:05 - Why "Jelani"?19:53 - College and Football 24:41 - Black Boy 2020 26:34 - Finding Purpose in Another Dream 27:58 - The Full Spectrum of Hip-Hop 32:15 - How I Make My Life Happen 34:24 - Making Soul Food 37:27 - Changes Between "Life's a Bar" and "The Rat Race"40:02 - The 27 Club 41:40 - Jelani's Relationship with Tyshaia 48:00 - Penwood Productions 50:15 - What Do You Want People to Take Away from The Rat Race?52:30 - Final Thoughts

EP12 -In this captivating episode of Let's Talk: Passion & Purpose, host Nicole Thomas welcomes the award-winning author, educator, and speaker Shonda Buchanan. A Kalamazoo, Michigan native, Shonda shares her journey as a writer, her passion for storytelling, and her work as an advocate for cultural history and mixed-race identity. Dive into her inspiring career and gain insights into her powerful works, including her memoir Black Indian and her forthcoming poetry collection, The Lost Songs of Nina Simone.

Sarinya is the founder of Angry Asian Womxn - an organization centering safety, wellness, and community for women/femmes/gender expansive folks affected by anti-Asian ra cism and/or Isl amophobia. She was also the first ever Asian woman firefighter in the FDNY. Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!Cha with Laura and Leah Podcast⁠⁠Sarinya Links⁠⁠Laura Instagram⁠Laura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon

We would LOVE to hear what you think. Please drop a line.Emerging onto the scene with a bold, authentic voice, she uses music to inspire change, delivering thought-provoking lyrics that empower and resonate across generations.Her recent journey into music was unexpected but deeply personal. She picked up the guitar to bond with her foster son, igniting a passion that quickly evolved. By February 2024, she was performing her first gig as an acoustic artist, and by December, she released her debut single, "THE FREEDOM TRAIN."A powerful anthem inspired by global events, THE FREEDOM TRAIN fuses timeless reggae influences with a contemporary edge. Fueled by a passion for social justice and an unshakable belief in music's power to transform, DANNYELLA invites listeners to reflect and engage in creating a more harmonious future.With THE FREEDOM TRAIN, she embarks on a journey that is only just beginning.Influences: Bob Marley, Black Uhuru, Nina Simone, Lennon, Tina Turner, Ren, Lauren Hills, Stevie WonderSupport the show

A documentary film called My Beautiful Stutter follows youngsters at a summer camp specifically for stutterers. It's a place for finding acceptance, support, and confidence for navigating the larger world. And:, “The High Priestess of Soul,” Nina Simone, was one of the most beguiling performers of all time. A beautiful new picture book for children tells her inspiring story. Plus: burritos! Why do those savory stuffed tortillas have a name that literally translates as “little donkey”? Also, gobble hole, live catch, and other pinball jargon, salad days, a take-off puzzle, devious licks, gumshoe, plat, pencil colors, not today, Josephine!, and more. Hear hundreds of free episodes and learn more on the A Way with Words website: https://waywordradio.org. Be a part of the show: call or text 1 (877) 929-9673 toll-free in the United States and Canada; elsewhere in the world, call or text +1 619 800 4443. Send voice notes or messages via WhatsApp 16198004443. Email words@waywordradio.org. Copyright Wayword, Inc., a 501(c)(3) corporation. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:59:39 - Croquer la pomme - par : Nathalie Piolé -

Yeldā is a Brooklyn-based artist, author, and activist, known for women's rights and mental health advocacy. She is bilingual and multi-disciplinary. Her work focuses on identity, safety, and community. Yeldā is a celebrated voice of the Afghan diaspora, sharing stories of her culture and upbringing.Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!Laura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha PatreonYeldā InstagramYeldā WebsiteLaura Instagram

Yeldā is a Brooklyn-based artist, author, and activist, known for women's rights and mental health advocacy. She is bilingual and multi-disciplinary. Her work focuses on identity, safety, and community. Yeldā is a celebrated voice of the Afghan diaspora, sharing stories of her culture and upbringing.Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!⁠Yeldā Instagram⁠⁠Yeldā Website⁠Laura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon차 logo designed by grimeninja

Our music this go round is provided by these wonderful artists: Thelonious Monk, Richie Havens, Nina Simone, Branford Marsalis & Terence Blanchard. Commercial Free, Small Batch Radio Crafted in the West Mountains of Northeastern Pennsylvania... Heard All Over The World.Tell Your Friends and Neighbors

Mo is a Palestinian artist, author, digital creator, and father. He has been tireless in educating all of us on what is and has been happening in Palestine for 76+ years. Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!Mo Hamzeh's Instagram accounts keep getting banned :/Laura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon차 logo designed by grimeninja

Episode 22In this podcast, professional astrologers Chani Nicholas, Thea Anderson, and Eliza Robertson look to the sky to make sense of what's happening here on Earth.This special episode is entirely dedicated to Pallas Athena — the asteroid and warrior goddess known for her strategic genius. We start by unpacking her many myths, including the famous story of her birth from Zeus' head, her role in the beheading of Medusa, and her origins in ancient Libya. Then we get into the astro of it all. We break down how Pallas Athena became one of the four asteroid goddesses, and how the archetypal warrior queen manifests in your birth chart. And finally, we look at the charts of major icons with prominent Pallas placements — like Amelia Earhart, Nina Simone, Issa Rae, and Britney Spears — and dig into the ways they each used intelligence, independence, and innovation to their advantage. Ready to enter your strategy era? Pull up your chart in the CHANI app (yes, your Pallas Athena readings have arrived), and welcome Pallas Athena into the chat.Content warning: sexual assault, domestic violenceTimestamps:(00:00) - Welcome to Down to Astro episode 22(00:50) - An introduction to Pallas Athena(11:16) - Mythological origins and evolution of Pallas Athena(23:46) - Pallas Athena's role in Greek tragedy(25:00) - The complexities of Pallas Athena's relationship with the patriarchy(27:16) - Athena and the betrayal of Medusa(36:31) - Pallas Athena and the archetype of the virgin goddess(39:12) - Pallas Athena's astrological significance(41:06) - The astronomy of the asteroid Pallas Athena(45:39) - Amelia Earhart: aviation and Athena on the ascendant(54:15) - Audre Lorde: “poetry is my primary weapon”(01:00:28) - Nina Simone: child prodigy and musical genius(01:13:09) - Diana Ross: international icon and innovato(01:15:17) - Issa Rae: “Insecure” and strategizing in communit(01:21:38) - Miley Cyrus: Pallas vs. Billy Ray Cyrus(01:24:01) - Britney Spears: a legal battle for freedom(01:27:24) - Tina Turner: superstar, sensation, survivor(01:34:12) - Lucy Lawless: TV's warrior princess(01:43:02) - How to work with Pallas Athena in the CHANI appThis episode was recorded on 7/30/2025.For more astrological insights, download the CHANI app or follow CHANI on Instagram, TikTok, and Bluesky.The song “Midas,” featured in the podcast, was created by NISHA and is available wherever you listen to music.This episode also mentioned the following creative works:“Asteroid Goddesses: The Mythology, Psychology, and Astrology of the Re-Emerging Feminine” by Demetra George and Douglas Bloch“Circe” by Madeline Miller“Flowers” by Miley Cyrus“Hit Me Baby One More Time” by Britney Spears“Insecure” (2016-2021) TV series created by Issa Rae“Metamorphoses” by Ovid“The Mis-Adventures of Awkward Black Girl” (2011-2013) Web series created by Issa Rae“Mississippi Goddam” by Nina Simone“The Oresteia” by Aeschylus“What's Love Got To Do With It?” (1993) Film directed by Brian GibsonP.S. The transcript for this episode is available here.

If you are one of the people feeling that things are not going to be all right, this one's for you. Coda #46 comes from Bill McKibben, veteran climate change activist and founder of multiple campaigns and organisations – check out Strength&Solidarity Ep. 57.  He told us how hard it can be to stay optimistic, when the odds against success seem high.  The Beatles' Here Comes the Sun is one of his go-to tracks for regaining his footing, so perhaps it's no surprise that he is currently organising people to “rise up” for Sun Day, a day of action “for a sun-powered planet” next month, 21 September, We've started releasing the Coda as a separate show, not just part of the main Strength&Solidarity podcast. You will find both of them in our feed here, or on our Substack page, with transcripts, and related links. If you subscribe at https://substack.com/@strengthsolidarity, you will receive the “host's note” accompanying each show.  Contact us at pod@strengthandsolidarity.orgQuick LinksBio: Bill McKibben: https://billmckibben.com/Sun Day:  Day of action, 21 September 2025   :https://www.sunday.earth/Wikipedia:  The Beatle's Abbey Road: https://en.wikipedia.org/wiki/Abbey_RoadWikipediaL  Nina Simone's O-o-h Child: https://en.wikipedia.org/wiki/O-o-h_Child

Mo is a Palestinian artist, author, digital creator, and father. He has been tireless in educating all of us on what is and has been happening in Palestine for 76+ years. Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!Mo Hamzeh's Instagram accounts keep getting banned :/Laura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon

durée : 00:59:42 - On s'en occupe - par : Nathalie Piolé -

Grab your sour-patch straws, stop sour punching your straw, and join us as we slip into the impeccably tailored, morally dubious world of The Man from U.N.C.L.E., where Henry Cavill smirks his way through the Cold War and Armie Hammer glowers in various shades of “angry Russian.” We talk about the opening Berlin chase, the world's suavest tablecloth yank, and why Guy Ritchie clearly decided style was more important than historical accuracy—or sometimes, basic physics. Also, everyone is ridiculously good-looking, and yes, we noticed. Repeatedly. Somewhere between the CIA, the KGB, and whatever Hugh Grant is doing in this movie, there's a plot about nuclear warheads, a fake engagement, and a fashion show that doubles as spycraft. We pick apart the “unlikely partners” dynamic, try to decide if Gaby is the actual MVP, and get distracted by the soundtrack every time Roberta Flack or Nina Simone shows up. (Seriously, this might be the most our Spotify queues have been influenced by a rewatch.) Naturally, we wander into side quests: our rankings of cinematic buddy duos, a brief tangent about how many spy movies would be ruined if the characters had iPhones, and Elise's theory that Cavill's Solo is basically James Bond on a heavy sedative. Somewhere in there we debate who in the group could actually pull off a 1960s double-breasted suit. Spoiler: not all of us. By the end, we're in Istanbul, the team's assembled, and we're low-key mad this stylish mess never got a sequel. If you're into slick visuals, flirty banter, and the occasional implausible stunt involving vintage cars, you might want to give this one another spin—preferably with a drink in hand and your sharpest spy outfit on standby. https://www.imdb.com/title/tt1638355

De Stokely Carmichael, figure des luttes noires du XXème siècle, on connaît surtout le combat aux États-Unis, comme dirigeant des Black Panther. On sait moins qu'en 1968, Carmichael a rejoint la Guinée avec son épouse, la chanteuse sud-africaine Miriam Makeba. Il est alors devenu un proche collaborateur du président ghanéen en exil Kwame Nkrumah et s'est engagé aux côtés de la révolution guinéenne. Bokar Ture, fils de Stokely Carmichael, a accordé un entretien à RFI : il raconte les années africaines de la vie de son père. RFI : Votre père a été un acteur important des luttes noires du XXème siècle. Aux États-Unis, où il a été l'un des responsables des Black Panther… mais aussi dans son parcours transatlantique puisqu'il vient s'installer en 1968 en Guinée. Parlez-nous d'abord de lui. D'où vient-il ? Comment est née cette conscience militante noire ?  Bokar Ture : Kwame Ture est né Stokely Carmichael à Trinidad et Tobago, connu aussi en français comme Trinité-et-Tobago, en 1941. Il immigre plus tard aux États-Unis pour retrouver sa mère -donc ma grand-mère- qui y était déjà installée quelques années plus tôt. Elle avait pu avoir sa nationalité américaine parce qu'elle était née à Panama. Comment a commencé cette conscience ? Déjà, il avait un penchant politique très tôt. Il y a une de ses tantes qui racontait une anecdote : quand il était jeune, il la poussait à aller voter pour un syndicaliste à l'île de Trinidad. Et au lycée, aux États-Unis, il fréquentait déjà des groupes gauchistes. Un de ses amis de classe était le fils du président du Parti communiste américain dans les années 1952. Et donc, très tôt, il a pu découvrir les discours marxistes. Et bien sûr, il vivait au sud du Bronx, à côté de Harlem. Et la 125e rue de Harlem est une rue reconnue pour des discours politiques de tout genre, de différents groupes.  Il a été l'un de ceux qui ont travaillé l'idée de Black Power. Il a même coécrit, en 1967 avec Charles Hamilton, un ouvrage qui le théorise, intitulé Black Power, the politics of Liberation in America.  Effectivement, le concept de Black Power existait avant. Il y avait un livre qui s'appelait Black Power par Richard Wright, qui a été écrit pendant les années 1950 et qui était un ouvrage dédié à Kwame Nkrumah. Mais personne n'a rendu l'idée de Black Power aussi populaire que Kwame Ture - Stokely Carmichael à l'époque. Notamment durant une marche contre la peur au sud des États-Unis, aux côtés de Martin Luther King, où il disait, plus ou moins : « On est fatigué de mendier notre liberté, comme on l'a fait ces dernières années dans les droits civiques. Maintenant, ce qu'on va faire, c'est de demander le Black Power », le pouvoir noir, qui était un appel à une autodétermination en termes de structures politiques et économiques pour les personnes noires descendantes d'africains aux États-Unis.  En 1968, votre père épouse une première femme, la chanteuse sud-africaine Miriam Makeba. Au-delà de la relation amoureuse qui s'est nouée entre eux, cette union reflète-t-elle aussi une pensée de votre père, de plus en plus tournée vers l'Afrique et vers le panafricanisme à cette époque ?  Ce n'est pas un tournant, c'est une continuité. Kwame Ture a toujours été Africain dans l'âme. Il vient d'un milieu où l'Afrique est centrale dans l'identité noire. Bien avant qu'il ne se marie avec Miriam Makeba. On le voit dans des photos au début des années 1960 avec ses camarades où il est en tenue africaine. Il se sentait toujours africain. Pour lui, être noir et africain, il ne voyait pas de distinction et toute sa vie était ainsi. Quand il a marié Tantie Miriam, comme je l'appelle, c'était juste une continuité. Après aussi, ma mère, Marlyatou Barry, qui était aussi une Guinéenne. C'était juste une continuité de sa façon de vivre.  Comment se fait concrètement la connexion entre votre père et le premier responsable guinéen, Ahmed Sékou Touré ? Stokely Carmichael, à l'époque, faisait une tournée mondiale et il a rencontré Shirley Graham Du Bois, qui était la veuve de W.E.B Du Bois, qui est aussi une légende de l'histoire de la lutte antiraciste et du développement du panafricanisme. Elle a invité Stokely Carmichael à venir en Guinée pour une conférence du Parti démocratique de Guinée pour rencontrer Kwame Nkrumah et Sékou Touré. Quand il est venu, il a rencontré les deux présidents. Il avait déjà beaucoup entendu parler de Kwame Nkrumah, parce que mon grand-père a travaillé dans un bateau un moment. Il est parti au Ghana et quand il est revenu à New York, il expliquait que c'était la première fois qu'il avait vu une nation noire, indépendante, avec sa propre armée, un président, etc. et il expliquait ceci à un jeune Stokely Carmichael. Cela a vraiment marqué sa pensée. Quelques années plus tard, ils se voient face à face avec Kwame Nkrumah. Après la conférence, en quittant la Guinée, il part dire au revoir à Sékou Touré, qui lui dit : « Écoute, mon fils. Ici, c'est chez toi, tu peux revenir quand tu veux. C'est ta maison. »  Il part voir Kwame Nkrumah qui lui dit « Écoute, moi, je cherche un secrétaire politique, donc si ça t'intéresse, tu es toujours le bienvenu. » Un an et demi plus tard, deux ans pratiquement, il était de retour avec sa nouvelle épouse, Miriam Makeba.  Qu'est ce qui fait qu'il vient s'installer à Conakry à cette époque ?  Pour lui, c'était le coin le plus révolutionnaire en Afrique. Lumumba a été assassiné très tôt donc il n'y avait plus le Congo. Après, il y a eu le coup d'État contre Kwame Nkrumah en 1966. Modibo Keïta en 1968. Quand lui est arrivé, le seul autre pays, c'était la Tanzanie, mais qui était beaucoup moins radicale. Donc il a choisi la Guinée. C'était le pays qui s'alignait le plus avec sa pensée du pouvoir noir à l'échelle mondiale.  Il est aussi menacé aux États-Unis. C'est aussi pour cela qu'il quitte les États-Unis ? De toute façon, mon père était prêt à se martyriser. Il a vu Malcolm X tué, il a vu Martin Luther King tué et les agences voulaient sa tête. Il a échappé à pas mal d'attentats. Mais ce n'était pas la raison centrale. Déjà, il y avait l'invitation. Ensuite, il ne voyait pas les États-Unis comme le centre de cette lutte à laquelle il a dédié sa vie. Il voyait l'Afrique comme étant une partie essentielle. Pour lui, en venant en Guinée, il rejoignait l'Afrique, il rejoignait la révolution africaine qui pouvait donner la dignité à tout le peuple noir à travers le monde.  Diriez-vous qu'il y a un vrai projet politique international derrière cette volonté de s'installer en Guinée ?  Il a toujours eu ce projet. Quand il parlait de Black Power, déjà, dans le livre dont vous avez parlé, il parlait aussi des colonies en Afrique. Dans Black Power, lui et Charles Hamilton faisaient le parallèle entre la situation que vivaient les Afro-Américains aux États-Unis et la situation que vivaient les Africains en Afrique et aux Caraïbes aussi. Il faisait ce parallèle. Dans sa tête, c'était quelque chose qui était un combat international dès le début.  Quelles sont les idées sur lesquelles votre père, Stokely Carmichael – Kwame Ture, une fois qu'il change de nom – et Ahmed Sékou Touré se retrouvaient ?  On parle de personnes qui avaient la même vision d'une Afrique unie, une Afrique libre où il n'y a pas d'inégalités. Ils étaient tous deux penchés vers des idées socialistes. Ils étaient totalement alignés idéologiquement. Sékou Touré était un de ses mentors, une de ces personnes qui l'ont formé dans cette idéologie.  Ils se retrouvent dans l'idée, qui est défendue par Ahmed Sékou Touré à l'époque, d'authenticité africaine ? À 100 %. Et il s'intègre à 100 %. Je peux vous dire que moi, par exemple, j'ai très peu de souvenirs de mon père en habit occidental. Il s'habillait en tenue africaine, cousue en Afrique. Il s'est enraciné dans la population africaine. Ce qui était quand même unique parce que tout le monde était tourné vers une façon de vivre occidentale. Et lui non, il voulait se réapproprier son héritage culturel.  Et la volonté de promouvoir les cultures africaines, de leur donner leur vraie place ? C'est exactement cela, revaloriser la culture africaine, la culture noire, se réapproprier celle-ci. Et ne pas avoir de complexes vis-à-vis des cultures européennes, dominantes et autres.  Depuis le début de cet entretien, on joue avec deux noms pour parler de votre père, Stokely Carmichael, Kwame Ture. À un moment donné de sa vie, il décide de passer du nom de Stokely Carmichael à celui de Kwame Ture. C'est une démarche qui dit aussi beaucoup de choses sur le lien qu'il a avec Kwame Nkrumah et Ahmed Sékou Touré.  Effectivement. Il y avait un précédent aux États-Unis. Il y avait pas mal d'Afro-Américains, notamment dans son milieu révolutionnaire, qui changeaient de nom. Notamment Malcolm X, Mohamed Ali. Bien sûr, le nom est inspiré de Kwame Nkrumah et de Sékou Touré. L'anecdote, c'est qu'il était en Tanzanie lors d'un entretien radio. Après l'entretien, apparemment, un vieil homme venu à pied d'un village lointain est venu le voir et lui a dit : « Écoute mon fils, j'ai vraiment aimé ton entretien. Mais il y a une chose : ton nom sonne un peu bizarre, un peu féminin, il faut le changer ». Il a alors pris le nom de Kwame Nkrumah et de Sékou Touré. Lorsqu'il venait l'annoncer à Sékou Touré et lui dire : « J'ai pris le prénom de Kwame », Sékou Touré lui a répondu : « C'est bien, parce qu'à chaque fois que nous avons des débats, tu prends toujours son parti. » Il lui a répondu : « Mais j'ai pris le nom Touré comme nom de famille. ». Ce qui était approprié, car c'étaient ses deux mentors. À lire aussiKwame Ture, le destin hors du commun d'un Black Panther parti s'installer en Guinée [1/2] Comment est-ce que vous décririez les liens qu'il entretenait avec Kwame Nkrumah et Ahmed Sékou Touré ? En Kwame Nkrumah, il voyait un symbole de cette lutte. Il était prêt à le suivre. Il a mené quelques opérations au Ghana pour essayer de voir s'il pouvait réinstaurer Kwame Nkrumah au pouvoir. Il était très proche de lui. Et Sékou Touré était comme un père pour lui. En 1970, votre père vit l'un des moments charnières de l'histoire de la Première République guinéenne, à savoir l'attaque contre Conakry du 22 novembre 1970. Savez-vous comment il a vécu ces journées ?  Je sais qu'il était un participant dans l'action de repousser les troupes portugaises. Il était armé ce jour et a dû utiliser son arme. Selon ce que j'ai appris, il était un des premiers à alerter les autorités, y compris le président, du fait qu'il y avait une attaque qui venait. Ca tirait sur sa case, donc il devait quitter sa maison. Lui et Miriam Makeba ont dû se réfugier quelque part d'autre où il l'a laissée et lui est ressorti pour aider à défendre la ville.  Cette opération conjointe de militaires portugais et de rebelles guinéens a conduit à la plus grande vague d'arrestations en Guinée de toute la Première République. La vie du pays va être rythmée pendant de longs mois par des confessions publiques de personnes présentées comme les complices d'un « complot impérialiste » aux ramifications tentaculaires. Comment est-ce que votre père se positionnait par rapport à cette thèse du complot permanent contre la Guinée ? Et plus généralement, quel regard portait-il sur l'État policier qu'était aussi devenu la Guinée de cette époque ?  C'est quelque chose de très complexe et malheureusement, la Guinée ne s'est toujours pas réconciliée avec ce passé et les positions sont assez ancrées. Maintenant, si on parle de Kwame Ture précisément, pour lui, c'était un régime panafricaniste, le seul régime panafricaniste radical. Et malgré toutes ses erreurs, c'était celui qui pouvait tenir jusqu'au bout cette conviction qu'il avait lui-même. Il était totalement d'accord avec le fait qu'il fallait conserver ce régime pour qu'il ne bascule pas dans un régime néocolonialiste.  À tout prix ? À tout prix.  En 1974, il y a un autre évènement important pour l'Afrique et plus généralement pour le monde noir, c'est le combat en Afrique, à Kinshasa, entre Mohamed Ali et George Foreman. Dans un livre de mémoires, votre père indique qu'il a été invité par Mohamed Ali lui-même à venir à Kinshasa pour le combat. Est-ce que vous savez ce que représentait cet affrontement pour votre père ?  Mohamed Ali était son ami. Il y avait ce symbole de Mohamed Ali qui représentait l'Africain fier et George Foreman qui était un peu l'opposé de cela. Mais après, il a rencontré George Foreman et il disait que George Foreman l'avait séduit avec son charme, l'a embrassé et tout. Je pense qu'au-delà du symbolique, mon père était beaucoup plus intéressé par ce qui se passait au Congo démocratique, c'est-à-dire le Zaïre à l'époque, et le fait que c'était sous le régime de Mobutu Sese Seko, auquel il était farouchement opposé par ce qu'il représentait en termes de corruption et d'alignement avec les puissances coloniales. Qui sont de manière générale les acteurs politiques qui fréquentaient le salon de votre père dans ces années 1970 et au début des années 1980, pendant la Première République en Guinée ? On parle d'un melting pot qui ne dit pas son nom. Que ce soit des artistes - Miriam Makeba et Nina Simone, qui était une de ses amies très proches - ou des activistes de partout dans le monde. Qui venaient à Conakry et qui venaient le rencontrer ? Qui venaient à Conakry ou qui y vivaient. Parce que vous savez qu'à une époque, Conakry était un centre du monde noir où on conciliait l'art, les mouvements de libération, etc. Il y avait un grand nombre de personnes qui y vivaient, comme Amilcar Cabral, comme Kwame Nkrumahn, avant même il y avait Félix-Roland Moumié du Cameroun, pour ce qui est de la politique. Concernant les arts et la littérature, il y avait Ousmane Sembène qui y vivait, il y avait Maryse Condé qui y vivait. C'était vraiment un centre… et il se retrouve chez lui avec toutes ces personnes, plus ou moins de différentes sphères. Moi, je peux raconter avoir vu des activistes exilés sud-africains, Tsietsi Mashinini, qui a commencé la révolte estudiantine de Soweto, qui était parmi d'autres exilés sud-africains. Il y avait beaucoup d'Afro-Américains, bien sûr, des Black Panthers exilés. Il y avait la diplomatie guinéenne, des diplomates de pays gauchistes et souverainistes, il y avait tout un monde. Mais aussi, il faut savoir que Kwame Ture était vraiment penché vers la masse, la masse populaire. Donc autour de tout ça, on voit un chef villageois qui est assis ou on voit la personne déshéritée du quartier qui est là, assise, qui peut recevoir un repas. Parce que notre maison était comme un centre communautaire pour la jeunesse du quartier. Il amenait tous les enfants du quartier à la plage chaque dimanche. Puis se retrouvait peut-être un mardi à saluer un chef d'État. Puis avait une conférence avec un groupe communautaire. Moi, j'ai vu tout cela dans cette maison. C'était quelque chose de magique. Il recevait où, justement ? Dans son salon, dans son bureau ? Y avait-il un rituel autour de la réception de ses amis politiques ? Déjà, il avait une véranda où il était assis… parce que c'était un bibliophile. Il lisait beaucoup, il écrivait beaucoup. Il ne lisait pas pour le plaisir, mais il lisait pour ses conférences. Après, il y a des gens qui venaient pour le rencontrer. Je sais qu'il y a eu Charles Taylor qui était venu de nulle part pour le rencontrer. C'était vraiment un melting pot.    À cette époque, votre père continue aussi ses voyages et ses tournées, il n'est pas tout le temps à Conakry ? Il était très organisé. Sur toutes ses photos, il écrivait les dates et les lieux. On se demande comment il pouvait parcourir toutes ces distances en si peu de temps. Un jour, on le voit au Connecticut. Le lendemain, on le voit à Paris, banni, chassé. En Angleterre, peut-être, d'où il est banni et chassé. Parce que c'était très compliqué pour lui d'avoir accès a beaucoup de pays. Après, on le voit en Californie... Il était partout. Sékou Touré disparaît en 1984. Mais votre père continue, lui, son engagement pour ses idées au sein du Parti démocratique de Guinée. Qu'est-ce qui a marqué ces années de militantisme politique sous Lansana Conté ? Le contexte a vraiment changé !  Et c'est là que l'on voit vraiment les convictions de l'homme. Parce que, du jour au lendemain, tout a changé. Il a été arrêté par le régime de Lansana Conté. Donc, il a perdu les privilèges qu'il avait, bien sûr, où il connaissait le président et était sous sa tutelle. Mais malgré cela, il a décidé de rester en Guinée. La moitié de sa vie guinéenne, quinze ans, s'est passée ainsi. Il a décidé malgré tout de rester en Guinée, d'être actif dans la vie politique guinéenne et la vie sociale de la Guinée.  … Et de rester fidèle à ses convictions.  Exactement. Vous êtes à l'époque enfant. Quel souvenir est-ce que vous gardez de ces années, de votre maison à Conakry, de ceux qui y passaient ? Quelle était l'ambiance ? Vous disiez tout à l'heure que tout le quartier se retrouvait chez vous…  C'est cela. Mon père était d'une gentillesse rare, d'un altruisme qu'on ne retrouve pas très souvent. Donc effectivement, c'était pour moi quelque chose de très formateur. Comment quelqu'un peut traiter un chef d'État avec le même respect qu'il traite la personne la plus déshéritée du quartier. Et toutes ces personnes pouvaient se retrouver chez lui, devant lui, avec le même respect, ou peut-être même le déshérité avec un peu plus d'amour.  Vous appelez régulièrement les Guinéens à se souvenir de votre père, Stokely Carmichael / Kwame Ture. Avez-vous le sentiment que son histoire a été oubliée en Guinée ?  Je parle de manière générale. Il y a une politique de mémoire en Guinée qui doit être améliorée. Stokely Carmichael est un pont unique entre l'Afrique et l'Amérique. On parle d'un personnage qui a passé la moitié de sa vie en Guinée. À ce stade, l'État guinéen n'a pas fait une seule initiative pour se réapproprier de l'héritage de cette personnalité.  Donc il y a un vrai chantier ? Il y a un chantier.  Une dernière question plus personnelle. Quel père a été Stokely Carmichael ? Quelle image retenez-vous de lui ?  Un père adorable, d'une gentillesse rarissime, qui m'a beaucoup appris, que j'ai profondément aimé. Quelqu'un qui était attaché à tout ce qui est beau dans le monde, à commencer par les enfants. ►A lire pour aller plus loin : BERTHO Elara, Un couple panafricain, Editions Rot-Bo-Krik, 2025 À (ré)écouterElara Bertho: «Replacer Conakry au centre des imaginaires, c'était un peu l'idée de cet ouvrage»

On this new episode of THE POLITICRAT daily podcast Omar Moore plays audio of numerous key messages, including from Vice President Kamala Harris, Nina Simone and LBJ. Also: A racist city named Boston.Recorded August 7, 2025.SUBSCRIBE: https://youtube.com/@thepoliticratpodSUBSCRIBE: https://mooreo.substack.comSUBSCRIBE: https://politicrat.substack.comFull interview - VP Kamala Harris and Stephen Colbert (July 31):https://youtu.be/BD8Nf09z_38?si=lFilywVY4BG7F-QGRECOMMENDED READSOmar's latest article on Substack (subscribe!) "A Few Of The Restaurants In San Francisco Where Black People Can Expect Hostility And Racism" (August 6, 2025)https://mooreo.substack.com/p/a-partial-list-of-san-francisco-restaurants?r=275tyrTHE POLITICRAT SUMMER 2025 BOOK READING LIST: https://substack.com/@politicrat/note/c-133449058?r=judrw&utm_medium=ios&utm_source=notes-share-actionPatronize Lanny Smith's Actively Black apparel business: https://activelyblack.comPatronize Melanin Haircarehttps://melaninhaircare.comPatronize Black-owned businesses on Roland Martin's Black Star Network: https://shopblackstarnetwork.comBlack-owned media matters: (Watch Roland Martin Unfiltered daily M-F 6-8pm Eastern)https://youtube.com/rolandsmartin Download the Black Star Network appIf you would like to contribute financially to The Politicrat: please send money via Zelle to omooresf@gmail.comSocial media:https://fanbase.app/popcornreel(Invest in Fanbase now! https://startengine.com/fanbase)https://spoutible.com/popcornreelhttps://popcornreel.bsky.socialAnd spill.com (@popcornreel)

Solonje is lovingly known as the Weed Auntie, leading the fight for cannabis equity by putting community first. Solonje is a Brooklyn-based humanist, pleasure activist, and entrepreneur committed to carving out intentional space for marginalized voices in the world of weed.    Raised by Caribbean immigrants in the suburbs of Newton, Massachusetts, Solonje learned from an early age how to turn the things that made her stand out into a super power. After spending her early career in event production and DEI consulting, she brought her unique skill set to the emerging cannabis industry to transform its glaring equity obstacles into inclusive opportunities.   One of Solonje's latest creations is her hemp jumpsuit, which you can find here.   Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation.    Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!   Solonje Instagram Laura Instagram Laura Website Laura YouTube Leah Instagram Leah Substack Leah YouTube Cha Patreon   차 logo designed by grimeninja

Solonje is lovingly known as the Weed Auntie, leading the fight for cannabis equity by putting community first. Solonje is a Brooklyn-based humanist, pleasure activist, and entrepreneur committed to carving out intentional space for marginalized voices in the world of weed. Raised by Caribbean immigrants in the suburbs of Newton, Massachusetts, Solonje learned from an early age how to turn the things that made her stand out into a super power. After spending her early career in event production and DEI consulting, she brought her unique skill set to the emerging cannabis industry to transform its glaring equity obstacles into inclusive opportunities.One of Solonje's latest creations is her hemp jumpsuit, which you can find here.Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!Solonje InstagramLaura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon차 logo designed by grimeninja

Sammy Kim (they/them) is a multifaceted individual: a queer artist, writer, healer, sex worker, community organizer, caregiver, and friend. From a young age, Sammy took on a caregiving role when their mother was diagnosed with Parkinson's, moving in with relatives as her condition progressed. Seeing their mother struggle with her health, Sammy naturally came into a role of caregiving, grounding themselves in gratitude while extending empathy towards their family. By their pre-teen years, Sammy knew they were queer but felt compelled to hide it due to their Christian upbringing, even trying to "ungay" themselves to avoid eternal damnation. Operating out of fear, Sammy didn't come out to their parents until their mother approached them about it, by which time they had been living openly for three years. Although their mother struggled to accept this part of Sammy, she affirmed her love, signaling a need for more time to understand.Through sex work, what began as a caregiving role to provide for men seeking to feel wanted eventually evolved into a way for Sammy to heal from their early childhood trauma of sexual abuse. Their work became a way for them to deeply question their relationship to the sexualization tied to their identities. As Sammy continues to unravel the many intersections of their experiences, they choose with intention to feel alive in the present, living in the joy that stems from simply being themselves without distraction.Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!Sammy Kim InstagramLaura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon차 logo designed by grimeninja

A federal appeals court upholds a ruling that blocks ICE from broad immigration stops in LA, raising questions about what this means for immigrant communities and enforcement moving forward. President Trump’s attempt to end birthright citizenship is not faring well in court. This time, the Supreme Court may not save him. COVID ticked up in parts of California and is expected to peak in the LA area in late August. Should you get boosted now? Jeff Buckley’s vocals drew comparisons to Nina Simone and Led Zeppelin’s Robert Plant. He died at age 30, but his fan base is still strong today. He’s the subject of Amy Berg’s new documentary.

Sammy Kim (they/them) is a multifaceted individual: a queer artist, writer, healer, sex worker, community organizer, caregiver, and friend. From a young age, Sammy took on a caregiving role when their mother was diagnosed with Parkinson's, moving in with relatives as her condition progressed. Seeing their mother struggle with her health, Sammy naturally came into a role of caregiving, grounding themselves in gratitude while extending empathy towards their family. By their pre-teen years, Sammy knew they were queer but felt compelled to hide it due to their Christian upbringing, even trying to "ungay" themselves to avoid eternal damnation. Operating out of fear, Sammy didn't come out to their parents until their mother approached them about it, by which time they had been living openly for three years. Although their mother struggled to accept this part of Sammy, she affirmed her love, signaling a need for more time to understand.   Through sex work, what began as a caregiving role to provide for men seeking to feel wanted eventually evolved into a way for Sammy to heal from their early childhood trauma of sexual abuse. Their work became a way for them to deeply question their relationship to the sexualization tied to their identities. As Sammy continues to unravel the many intersections of their experiences, they choose with intention to feel alive in the present, living in the joy that stems from simply being themselves without distraction.   Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation.  Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!   Sammy Kim Instagram Laura Instagram Laura Website Laura YouTube Leah Instagram Leah Substack Leah YouTube Cha Patreon

  Acclaimed director Amy Berg (“West of Memphis,” “Janis: Little Girl Blue”) set her sights on making a documentary about the beloved singer/songwriter Jeff Buckley some 15 years ago. Now, with her finely crafted new documentary, “It's Never Over, Jeff Buckley,” Amy delivers a fresh take on Buckley's remarkable music and a thoughtful look at his life and loves.   Amy joins Ken on “Top Docs” to discuss Jeff Buckley's meteoric rise as a dynamic musical force in the ‘90s, whose sensitive and introspective lyrics ran counter to the grunge and metal scenes ascendant at the time. Jeff's influences, from Nina Simone to Led Zeppelin and Soundgarden, were surprisingly diverse. His voice —  a powerful and haunting instrument in its own right — was unmatched. One listen of his soul-piercing version of Leonard Cohen's “Hallelujah” is all the proof you need of that. At the heart of the film is Jeff's complicated relationship with his dear mother, Mary, who granted Amy access to an incredible array of personal archival material, and with two of his girlfriends, who, collectively, provide insight into this complex young man. He took the music world by storm but had to battle his own demons… and left us all too soon.   “It's Never Over, Jeff Buckley” is in release by Magnolia Films and opens in theaters nationwide on August 8th.   Follow: @amy_berg on Instagram @topdocspod on Instagram and X    “Top Docs” is now on YouTube!   Hidden Gem: “The Cruise”   The Presenting Sponsor of "Top Docs" is Netflix.

Vanguardistas have more fun—so if you don't already subscribe to the podcast, join the Vanguard today via Apple Podcasts or extratakes.com for non-fruit-related devices. In return you'll get a whole extra Take 2 alongside Take 1 every week, with bonus reviews, more viewing recommendations from the Good Doctors and whole bonus episodes just for you. And if you're already a Vanguardista, we salute you.  Could we have found the film of the year already? ‘Bring Her Back' looks like it's got a fighting chance. Mark reviews this brilliantly unsettling new horror from The Philippou brothers, who last freaked us all out with ‘Talk To Me' in 2022. We've got the Good Doctor's verdict on ‘Fantastic Four: First Steps' too—plus the box office top 10 and all your top-quality correspondence.   Our guest this week is the fascinating Justin Kurzel. You know him as director of 2015's ‘Macbeth' with Michael Fassbender, 2021's ‘Nitram', and last year's Nazi-hunting thriller ‘The Order'--and now of his first TV project, ‘The Narrow Road To The Deep North', which hits British screens this week. He chats to Mark and Simon all about the visceral new series, which follows a group of Australian prisoners of war working on the Burma railway in the 1940s, and stars Jacob Elordi and Ciarán Hinds. Plus there's a bit of chat about Nina Simone's chewing gum, and a little teaser for his next project with the guardian of this strange and sticky piece of music ephemera, Warren Ellis.    Timecodes (for Vanguardistas listening ad-free):  Bring Her Back Review: 08:36  BO10: 15:50  Justin Kurzel Interview: 21:55  The Narrow Road to the Deep North Review: 38:20  The Fantastic Four: First Steps Review: 51:16    You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee!  A Sony Music Entertainment production.      Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts    To advertise on this show contact: podcastadsales@sonymusic.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The musician joins us to talk about her latest album, Slang Spirituals.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Bianca is an award-winning sociologist, speaker, and author of Unassimilable. She is completing her PhD at Rice University, where she researches the intersections of race, religion, and politics. She is published in top academic journals and has been featured in major media outlets.    Over the last decade, Bianca has served Asian American community organizations and taught Asian American Studies. Through her work in academia and the community, Bianca is committed to the praxis of solidarity and collective liberation.    Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation.  Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!   Bianca Website Bianca Instagram Laura Instagram Laura Website Laura YouTube Leah Instagram Leah Substack Leah YouTube Cha Patreon   차 logo designed by grimeninja

Bianca is an award-winning sociologist, speaker, and author of Unassimilable. She is completing her PhD at Rice University, where she researches the intersections of race, religion, and politics. She is published in top academic journals and has been featured in major media outlets. Over the last decade, Bianca has served Asian American community organizations and taught Asian American Studies. Through her work in academia and the community, Bianca is committed to the praxis of solidarity and collective liberation.Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!⁠Bianca Website⁠⁠Bianca Instagram⁠Laura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon차 logo designed by grimeninja

Singer Lisa Simone is the only person in the world who can call Nina Simone 'mommy'. Lisa was the beneficiary of Nina's incredible talent and her affection, but she was also at the mercy of her mother's erratic moods. Lisa is the only child of the legendary singer, songwriter, and civil rights activist Nina Simone.As a little girl, Lisa loved trying on her mum's stage costumes and singing with her at the piano at home.But after her parents divorced, Nina's moods became erratic, and Lisa was often the target of her mother's violent outbursts.Lisa escaped back to New York, then into the United States Air Force, and then onto Broadway, finally launching her own musical career.It was only after she had her own daughter that Lisa found a way to reconnect with her mother on her own terms.Further informationLisa is on tour in Australia at the moment with her show, A Daughter's Tribute to Nina SimoneShe is performing at the QPAC in Brisbane on Wednesday 23 July and at Adelaide's Her Majesty's Theatre on Saturday 26 July.Find out more about the Conversations Live National Tour on the ABC website.This episode of Conversations was produced by Meggie Morris, executive producer is Nicola Harrison.It explores family dynamics, jazz music, motherhood, therapy, songwriting, mental health, mental illness, bipolar, performance, Dublin Jazz Festival, mother daughter relationships, epic origin stories, the military, the US military, veterans, musical theatre.

Fred is a Yonkers, NY raised three-time New York Times and USA Today bestselling author. His books include a poetry collection, We Alive, Beloved and his most recent title, a YA novel, This Thing of Ours.Fred's writing and philanthropic work go hand-in-hand and he has been recognized by many organizations including Forbes 30 Under 30, Comic-Con, and The Root100 and has worked with fortune 500 companies and presidential candidates on their DEI efforts. Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation.Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!Fred InstagramFred WebsiteFred SubstackLaura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon차 logo designed by grimeninja

Kalaya'an Mendoza is a Queer, Hard of Hearing, Filipino American human rights defender, street medic, and community safety and mutual protection trainer. He is an award-winning facilitator of holistic safety and security, as well as a recognized expert in disaster preparedness. They currently reside on occupied Lenape land. Kalaya'an serves as the Director of US Programs at Nonviolent Peaceforce, and is the co-founder of Across Frontlines, an organization that works with frontline human rights defenders.They have inspired, trained, and mobilized thousands of activists in the US and abroad to advance human rights using nonviolent direct action.Kalaya'an has worked his entire decades long career to help people use the resources they have to build the power they need to make the change they want to see in the world.Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!Kalaya'an InstagramLaura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon차 logo designed by ⁠grimeninja⁠

Kalaya'an Mendoza is a Queer, Hard of Hearing, Filipino American human rights defender, street medic, and community safety and mutual protection trainer. He is an award-winning facilitator of holistic safety and security, as well as a recognized expert in disaster preparedness. He currently resides on occupied Lenape land. Kalaya'an serves as the Director of US Programs at Nonviolent Peaceforce, and is the co-founder of Across Frontlines, an organization that works with frontline human rights defenders. He has inspired, trained, and mobilized thousands of activists in the US and abroad to advance human rights using nonviolent direct action. Kalaya'an has worked his entire decades long career to help people use the resources they have to build the power they need to make the change they want to see in the world.   Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation.  Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!   Kalaya'an Mendoza Instagram Laura Instagram Laura Website Laura YouTube Leah Instagram Leah Substack Leah YouTube Cha Patreon

Take Me Home. The MCU once took a worthless IP and through the power of Robert Downey Jr. made Iron Man the biggest superhero on the planet. Can they do the same with its even more worthless spinoff?? Red & Ivan put on Nina Simone singing “Sinnerman” and contemplate Disney+'s Ironheart. Also, check out Red & Maggie Tokuda-Hall's podcast, Failure to Adapt, available on Spotify, Apple Podcasts, or via RSS As always: Support Ivan & Red! → patreon.com/boarsgoreswords Follow us on twitter → @boarsgoreswords Find us on facebook → facebook.com/BoarsGoreSwords