Podcast appearances and mentions of Nina Simone

Show Notes:In this episode I'll be discussing the life and career of Jazz singer Nina Simone.Other platforms where you can listen to the Podcast:Goodpods:ttps://goodpods.app.link/8GExwJCiPNbPandora:https://www.pandora.com/podcast/in-the-mix-with-leah-b/PC:1000712709I-Heart Radio:https://www.iheart.com/podcast/269-in-the-mix-with-leah-b-62565870?cmp=ios_share&sc=ios_social_share&pr=false&autoplay=trueApple Podcasts:https://podcasts.apple.com/us/podcast/in-the-mix-with-leah-b/id149967In The Mix With Leah B. •Spotify For Podcasters: https://podcasters.spotify.com/pod/show/inthemixxSpotify:https://open.spotify.com/show/1NBzGR7hPphTP2fiPS4KTfThe In the Mix With Leah B. Youtube Channel : https://www.youtube.com/@inthemixwithleahbpodcastIf you want to support the podcast:Buy Me A Coffee :https://www.buymeacoffee.com/inthemixThe Socials:Threads:https://www.threads.net/@inthe_mixwithleahbInstagram:https://www.instagram.com/inthe_mixwithleahbFacebook:https://facebook.com/inthemixwithleab

A look at the enduring legacy of the songs of Rodgers and Hart, interpreted through the decades by Frank Sinatra, Nina Simone, Tony Bennett, the Supremes, Lady Gaga and more. 

Nina Simone born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003) was an American pianist, singer, songwriter, and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, jazz, R&B, and pop. Her piano playing was strongly influenced by baroque and classical music, especially Johann Sebastian Bach,[2][3] and accompanied expressive, jazz-like singing in her contralto voice.February 21, 1933 – April 21, 2003

El 21 de febrero de 1933 nació la cantante, compositora y pianista Nina Simone, conocida como la Sacerdotisa Simone.

Com sua voz inconfundível, ela era uma compositora verdadeira e uma intérprete visceral, além de lutar pelos direitos civis e contra o racismo e a violência doméstica.

Karyna Gomes acaba de lançar o álbum Kantigas di Liberdadi. O novo trabalho discográfico da cantora e compositora da Guiné-Bissau é um testemunho que celebra a liberdade, a história e o amor. Karyna Gomes propõe um resgatar da história que constitui o imaginário colectivo guineense para consolidar o que Amílcar Cabral e companheiros conquistaram. Navegando por ritmos com raízes na música guineense, como o gumbé e a tina, Kantigas di Liberdadi também deixa transparecer o efeito, por exemplo, da rumba, da soul music, da música popular brasileira ou do kompa haitiano. O álbum conta com as participações de Micas Cabral e de Alana Sinkëy e inclui a participação de Dara Haniel, filha de Karina Gomes. Integralmente cantado em kriol da Guiné, Kantigas di Liberdadi foi gravado “live on tape” porque, como diz Karyna Gomes, “a Guiné-Bissau sempre foi de fazer música ao vivo” ... “ e esta é a essência musical dos guineenses”. A RFI falou com a artista na capital portuguesa, Karyna Gomes começa por explicar o que idealizou colocar no novo trabalho e o que este representa na carreira. Karyna Gomes: (Kantigas di Liberdadi) é um trabalho que, para mim, constitui uma grande aventura, na verdade, porque eu sou cantora guineense radicada em Portugal, num universo muito desafiador para artistas que fazem música alternativa, que não fazem música pop, mas que têm uma carreira, graças a Deus, a correr bem, a solo, já há mais de 10 anos. Decidi juntar alguns músicos extraordinários da Guiné-Bissau e de Angola, a minha filha Dara Haniel, de 23 anos, que que também é cantora, e convidar o Micas Cabral e a Alana Sinkëy para se juntarem a mim, num dia, durante 12 horas, e gravar um álbum com 9 faixas. Um álbum que tem a minha essência, um álbum em que eu vou buscar as minhas raízes, mas que também vou-me dar a liberdade de navegar por outros mares, mares esses que fizeram parte da minha vida, da minha formação, falo do Brasil, falo das Antilhas, falo do Congo. Mas também não esquecendo a minha raiz crioula guineense, quando vou resgatar a raiz crioula e a raiz interventiva, quando vou resgatar canções como Titina, que é uma canção que o José Carlos Schwarz escreveu em 1975 e interpretou. Não editou, mas tive acesso à parte de uma bobina gravada num ensaio em Bissau, em que ele canta a música, mas só que a bobina já estava deteriorada e só se conseguiu resgatar a primeira estrofe. Essa primeira estrofe inspirou-me de tal maneira que eu andei 19 anos à procura do resto da canção e só fui conseguir juntá-la em 2024, quando, a convite da Casa da Cultura para o evento Hora di Canta Tchega, que é exactamente um evento de homenagem ao próprio José Carlos, onde eu vou com este quarteto, que depois vou convidar para gravar o disco, descobrir que a canção na verdade é um grande gumbé. Como é que eu vou juntando as peças? Eu vou falando com alguns contemporâneos de José Carlos, nomeadamente Djon Motta, Miguelinho N'Simba, mas quem me vai ajudar mesmo a juntar tudo é o Guto Pires, o cantor guinese Guto Pires, que, gentilmente, cantou para mim o restante da música e eu vou descobrir que na verdade é um grande gumbé. Ou seja, é um resgate daquilo que é nosso, mas também um apelo à história. Porque nós para chegarmos até aqui houve quem deu a sua vida para que nós fôssemos livres e independentes e pudéssemos navegar livremente nesse universo cultural e da música. Portanto, José Carlos é uma pessoa que eu conto sempre homenagear nos meus álbuns. Este não é diferente e foi através dessa visita à história, visita à nossa sonoridade, a passar por caminhos musicais onde já tinha passado, mas que em algum tempo da minha carreira decidi tentar outras sonoridades, mas que também tinha que fazer essa viagem, mas senti a necessidade de voltar às raízes e de resgatar o que é genuíno, o que é orgânico e não electrónico. RFI: O álbum chama-se Kantigas di Liberdadi, porquê este nome quando a independência da Guiné-Bissau já foi conquistada há mais de 50 anos? Karyna Gomes: Porque a descolonização ainda é um processo, um processo contínuo, um processo actual. Porque nós ainda precisamos de descolonizar a nossa mente e porque nós, mesmo nós que somos africanos, que somos guineenses, cabo-verdianos, angolanos, moçambicanos e que já temos uma nacionalidade, que temos um passaporte, um bilhete de identidade, nós ainda temos cárceres mentais de fundamento colonial de onde nós precisamos nos libertar. Eu acredito que através da cultura e através da música, indo resgatar a história, a história que constituiu a nossa nação, o nosso imaginário colectivo, nós vamos conseguir então mobilizar, continuar a mobilizar essa juventude, esse capital jovem, para que nós possamos consolidar o que Amílcar Cabral e seus companheiros, Zé Carlos e seus companheiros conquistaram durante a luta pela independência. E também, esse disco foi gravado exactamente no ano em que os PALOP, digamos assim, quatro países dos PALOP completam 50 anos de independência e a Guiné completa 52 anos de independência. Isto tudo é simbólico, mas também é necessário, porque eu tenho percebido como artista, mas também como uma pensadora de África, que há uma forte tendência, uma forte corrente de branqueamento da nossa história, a querer apagar a nossa história, a querer minimizar o esforço dos combatentes da liberdade da pátria pela nossa independência. Lugares onde se fala muito da democracia, sem as nossas independências, sem a nossa luta pela independência, não chegaríamos a essa meta da democracia. Eu acho que é muito necessário nós, como artistas, meditarmos sobre. Já dizia Nina Simone, que o verdadeiro artista é aquele que pensa e reflecte o seu tempo. Eu acredito. Aliás, Nina Simone é uma das minhas grandes referências na música e no pensamento. Portanto, eu acho que é um exercício sobre quem somos e também um legado que eu gostaria de deixar para as minhas filhas e para a geração delas. Daí ter convidado a minha filha para participar do disco e a Alana Sinkëy, que é filha do nosso saudoso Bidinte da Silva, que é uma grande cantora guineense, que tem uma estrada brilhante pela frente e que está noutra geografia, ela mora em Madrid, mas tem uma carreira internacional, apadrinhada pelo grande Richard Bona, e eu penso que é dessa maneira que nós conseguimos passar o testemunho para que a história da nossa luta não se apague. RFI: Pode dar-nos um exemplo de como, tendo em conta toda a experiência passada de luta da Guiné-Bissau e depois destes 52 anos de independência, como é que foi traduzido isso? Um tema por exemplo. Karyna Gomes: O tema que eu escrevi para o meu pai, chama-se Djonsa, e é como se eu tivesse a desabafar com ele sobre tudo o que aconteceu depois dele ter desaparecido e também como forma de reconhecimento do que ele simbolizou em vida quando. Numa determinada altura da história, houve um recuo significativo daquilo que era o ideal do Amílcar Cabral, e ele ter escolhido o silêncio como forma de resistência … E depois de ele ter partido, estas coisas continuarem como estão. Portanto, é como se através da minha conversa com o meu saudoso pai, vou relatando a história de antes e de agora. Outros temas, Tufulin, que é um tema que fala sobre o espaço de intimidade entre mulheres no trançar o cabelo, que é um lugar de fala privilegiado entre duas mulheres quando estão uma a pentear o cabelo à outra. Estão a contar histórias, histórias íntimas, histórias sobre várias questões sociais. Isto desde os primórdios foi assim e ainda agora, apesar de ter uma tendência de desaparecer, mas continua a existir essa tradição das mulheres estarem em momentos mais íntimos, trançar cabelo à outra para contar histórias. Eu aproveito para dizer que ainda temos muitas histórias para contar. Temos histórias da nossa luta, temos histórias da resistência, temos histórias das Mandjuandadi, que é a irmandade das mulheres, que depois passa a ser de mulheres e homens, em que vai-se resistir contra um sistema colonial e vai-se criar uma nação forte, forjar-se uma nação forte e unida na diversidade. Portanto, o tema No Brinca também é um tema em que vou falar que, apesar da situação em que o país está, nós não podemos esquecer que nós temos que estar juntos, a partilhar, nos divertir, mesmo porque a vida é curta. Mas não esquecendo que, sim, o país não está bem, as coisas não estão bem, mas vamos nos divertir. E tem o tema do Zé Carlos (Schwarz), que fala da história da Titina. Tem vários outros temas. Há só dois temas aqui que não falam directamente dessa questão da nossa realidade sociocultural e política, mas falam daquilo que nós somos. Por exemplo, há temas mais íntimos relativamente às mulheres e há temas mais direccionados às famílias, mas é um tema só. Portanto, acaba tocando outras coisas, mesmo porque liberdade, para mim, também é a liberdade que eu tenho para expressar sobre outros assuntos e não só aquilo que toca a vida pública. RFI: Como mulher atenta a tudo que se passa na Guiné-Bissau, como é que olha para o actual momento político e social que o país atravessa? Karyna Gomes: É sempre com muita tristeza que eu, de longe, vou chorando pela forma como o povo da Guiné-Bissau tem sido ignorado relativamente ao que escolhe nas urnas, mas isso já vem de muitas décadas para cá. O povo da Guiné-Bissau sempre votou, sempre soube escolher os seus governantes, mas, infelizmente, nunca deixam que a sua vontade prevaleça. É sempre com muita tristeza que eu vejo isso. E é claro que as consequências são sempre muito graves, privilegiando um grupo muito exclusivo de pessoas, que, infelizmente, perderam a sensibilidade em relação ao povo. Mas eu sou aquela pessoa que acredito no perdão, há dias estive a falar sobre isso, porque às vezes as pessoas pensam que estão a fazer bem, mas não estão. Eu acredito que o povo guineense deve continuar resiliente, deve continuar resistente, deve continuar persistente em relação aos seus valores, aos valores que fundamentaram a luta pela sua independência, aos valores que Cabral transmitiu, e os seus companheiros, e continuar a lutar, continuar a lutar com dignidade, porque o povo guineense é um povo digno, um povo batalhador, tem dado mostras disto. Oprimido, triste, com medo, mas sempre ali guardando os seus valores. Eu acredito que dias melhores virão, é continuar agarrado aos seus valores. RFI: Voltando a falar do novo disco da Karyna Gomes, nove temas gravados live on tape, tudo num dia, doze horas seguidas. Porquê esta opção? Karyna Gomes: Porque é o que nós somos musicalmente na Guiné-Bissau e isso está-se a perder. A Guiné-Bissau sempre foi de fazer música ao vivo, música orgânica, música que toca a pele das pessoas, porque vai dentro da alma e não tem jeito de não fazer pele de galinha, como eu costumo dizer. Esta é a essência musical dos guineenses. Eu acho que no mundo em que estamos, faz-se necessário também voltar a ouvir aquilo que a Guiné-Bissau cria como música e eu gostaria de deixar um contributo. Deixar aqui alguma coisa também de homenagem aos nossos pioneiros da música guineense e deixar também um legado para a geração mais nova e perceber que há uma outra forma de fazer música na Guiné-Bissau, mesmo estando num mundo, num universo, de novas tecnologias na música. Mas há uma forma de fazer música na Guiné-Bissau que pode impactar o mundo de uma maneira diferente. RFI: Em relação aos espectáculos, já há agenda de concertos? Karyna Gomes: Sim, já há agenda de concertos. Vai começar agora no dia 10 de Abril, terei um concerto em Bissau, no Centro Cultural Português, em que eu vou apresentar exactamente o álbum e a seguir vou trabalhar aqui em alguns cineteatros em Portugal, e também tenho o Brasil para fazer uma digressão com o disco. Já estamos a preparar a agenda para 2026 e 2027. RFI: França faz parte de uma ideia de onde vir a apresentar este trabalho? Karyna Gomes: Com certeza, França é um sonho e já estamos a trabalhar na agenda para França. Se Deus quiser, brevemente teremos respostas. Línk vídeo “Tufulin”: https://www.youtube.com/watch?v=rTYuh5bJFMw

Laut Musikmagazin Rolling Stone zählt der Song zu den 500 besten aller Zeiten, die die Rockgeschichte geprägt haben. Geschrieben wurde er 1956 von Screamin' Jay Hawkins und bis heute wurde der Song vielfach gecovert: von Nina Simone über Annie Lennox bis Bonnie Tyler. Eine ganz besonders gelungene Version stammt von der Soulsängerin Joss Stone und dem Jazz-Rock-Gitarristen Jeff Beck – findet der Mannheimer Popexperte Prof. Udo Dahmen.

On fantasme souvent le cinéma à travers les tapis rouges et les César. Mais derrière les projecteurs, il y a celles et ceux qui accompagnent les carrières. Danielle Gain est l'une des grandes figures de ce métier discret. Agente depuis plus de 50 ans, elle a traversé l'histoire du cinéma français et inspiré le personnage d'Arlette dans la série 'Dix pour cent'. Sur RTL, elle raconte l'envers du décor : la solitude des acteurs, la peur de disparaître, les rapports de force, mais aussi ses rencontres marquantes avec Johnny Hallyday, Isabelle Adjani, Nina Simone ou Émilie Dequenne. Invité également : Thierry Chèze, journaliste cinéma et voix des César, dévoile les coulisses de la cérémonie.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Featuring a new release of the late genius Roy Hardgrove live in 2000; piano wizard Leo Genovese solo in Brooklyn; Charlie Hunter's classy exploration of the American songbook; Brit legends Stereolab live from the BBC; one of one, Nina Simone; and the badness of Black Uhuru.

DON McLEAN MARKS THE 55TH ANNIVERSARY OF “AMERICAN PIE” AS THE SURF BALLROOM ANNOUNCES A 2027 LIFE SIZE BRONZE STATUE HONORING THE ICONIC SINGER SONGWRITERStatue will be installed at the legendary venue where Buddy Holly, Ritchie Valens and J.P. “The Big Bopper” Richardson played their final showCLEAR LAKE, Ia. (February 3, 2026) — Fifty five years after its release, Don McLean's “American Pie” remains one of the most enduring anthems in American music — a sweeping, eight minute epic that captured a nation in transition and immortalized the phrase “the day the music died.” Today, as “American Pie” turns 55 (1971–2026), McLean is celebrating the milestone on tour while also helping propel a new chapter of preservation at the Surf Ballroom & Museum in Clear Lake, Iowa.The Surf Ballroom — the National Historic Landmark where Buddy Holly, Ritchie Valens and J.P. “The Big Bopper” Richardson performed on February 2, 1959 as part of the Winter Dance Party tour — announced that a life size bronze statue honoring McLean will be erected on-site in 2027. The statue will stand as a permanent tribute to the songwriter whose work helped carry the story of that night into global cultural memory, bridging generations of listeners, historians and music fans.The new statue is inspired from an existing life size bronze portrait created by acclaimed sculptor Zenos Frudakis (Philadelphia). Originally completed in 1989, the portrait was featured on the cover of McLean's album ‘Classics'. Frudakis, an acclaimed portrait sculptor and lifelong friend of McLean, is known the world over for his statues of Muhammad Ali, Nina Simone, President Dwight D. Eisenhower, and many more. He is creating an entirely new statue for public display at the Surf, adding a new landmark for visitors to the historic ballroom and its adjacent museum experiences. The announcement comes on February 3 on the heels of the 2026 Winter Dance Party at the Surf — the anniversary of the 1959 plane crash that claimed the lives of Holly, Valens and Richardson — a date forever intertwined with McLean's songwriting.“The Buddy Holly Educational Foundation is thrilled that one of our most iconic ambassadors is being honored with a statue at The Surf Ballroom, the site of Buddy Holly's final performance,” said Rick French, chairman of The Buddy Holly Educational Foundation and a national trustee of the famed Rock and Roll Hall of Fame. “While American Pie was famously inspired by the plane crash that claimed the lives of Buddy, Ritchie Valens and J.P. Richardson on February 3, 1959 , it has stood for more than half a century as an anthem to the cultural shifts of our country and is as relevant today as it has ever been.”The Buddy Holly Educational Foundation (TBHEF) works to extend musical education — including songwriting, production, arranging, orchestration and performance — to new generations regardless of income or learning levels. The Foundation also supports emerging artists through mentoring and songwriting retreats, and its Ambassadors receive a replica of Buddy Holly's own Gibson J 45 to encourage new music in his memory.“To this day Don remains one of Maria Elena Holly's closest friends and she was overjoyed to learn a statue is being cast in his honor,” added Peter Bradley, Jr., vice chairman of The Buddy Holly Educational Foundation, who is working closely with McLean, his management team and Jeff Nichols at the Surf Ballroom to plan a blockbuster unveiling of the statue upon completion.First opened in 1933 (and rebuilt in 1948 after a fire), the Surf Ballroom continues to host concerts and special events year round and welcomes visitors to explore the site's museum offerings. In recent years, the Surf expanded its educational mission with new immersive experiences honoring the artists and cultural moments that shaped early rock 'n' roll — ensuring that the ‘Winter Dance Party' story is preserved not only as history, but as a living, visitable place.DON McLEAN 2026 TOUR DATES (SUBJECT TO CHANGE):Fri, Feb 06 — Lobero Theatre — Santa Barbara, Calif.Sat, Feb 07 — Saban Theatre — Beverly Hills, Calif.Fri, Mar 20 — Seminole Casino Hotel Immokalee — Immokalee, Fla.Sat, Mar 21 — Maxwell C. King Center for the Performing Arts — Melbourne, Fla.Sun, Mar 22 — Savannah Center — The Villages, Fla.Mon, Mar 23 — Nancy and David Bilheimer Capitol Theatre — Clearwater, Fla.Sat, May 16 — Honeywell Center — Wabash, Ind.Fri, May 22 — Edmond Town Hall — Newton, Ct.Thu, May 28 — Riviera Theatre — North Tonawanda, N.Y.Fri, May 29 — Caesars Circus Maximus Theater — Atlantic City, N.J.Sat, Jun 06 — Westgate Las Vegas Resort & Casino — Las Vegas, Nev.Sat, Aug 01 — Murphy Theatre — Wilmington, OhioSat, Aug 22 — Indiana State Fairgrounds & Event Center — Indianapolis, Ind.For tickets and the latest updates, visit DonMcLean.com.Click Here to Subscribe to The Adventures of Pipeman for PERKS, BONUS Content & FREE GIVEWAYS! Pipeman in the Pit is a music, festival, and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour.Pipeman in the Pit features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music. Pipeman in the Pit also features press coverage of events, concerts, & music festivals.Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast?PipemanRadio Podcasts are heard on Pipeman Radio, Talk 4 Media, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcasts, and over 100 other podcast outlets where you listen to Podcasts.The following are the different podcasts to Follow, Listen, Download, Subscribe:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit – Music Interviews & Festivals•Positively Pipeman – Empowerment, Inspiration, Motivation, Self-Help, Business, Spiritual & Health & WellnessClick Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

DON McLEAN MARKS THE 55TH ANNIVERSARY OF “AMERICAN PIE” AS THE SURF BALLROOM ANNOUNCES A 2027 LIFE SIZE BRONZE STATUE HONORING THE ICONIC SINGER SONGWRITERStatue will be installed at the legendary venue where Buddy Holly, Ritchie Valens and J.P. “The Big Bopper” Richardson played their final showCLEAR LAKE, Ia. (February 3, 2026) — Fifty five years after its release, Don McLean's “American Pie” remains one of the most enduring anthems in American music — a sweeping, eight minute epic that captured a nation in transition and immortalized the phrase “the day the music died.” Today, as “American Pie” turns 55 (1971–2026), McLean is celebrating the milestone on tour while also helping propel a new chapter of preservation at the Surf Ballroom & Museum in Clear Lake, Iowa.The Surf Ballroom — the National Historic Landmark where Buddy Holly, Ritchie Valens and J.P. “The Big Bopper” Richardson performed on February 2, 1959 as part of the Winter Dance Party tour — announced that a life size bronze statue honoring McLean will be erected on-site in 2027. The statue will stand as a permanent tribute to the songwriter whose work helped carry the story of that night into global cultural memory, bridging generations of listeners, historians and music fans.The new statue is inspired from an existing life size bronze portrait created by acclaimed sculptor Zenos Frudakis (Philadelphia). Originally completed in 1989, the portrait was featured on the cover of McLean's album ‘Classics'. Frudakis, an acclaimed portrait sculptor and lifelong friend of McLean, is known the world over for his statues of Muhammad Ali, Nina Simone, President Dwight D. Eisenhower, and many more. He is creating an entirely new statue for public display at the Surf, adding a new landmark for visitors to the historic ballroom and its adjacent museum experiences. The announcement comes on February 3 on the heels of the 2026 Winter Dance Party at the Surf — the anniversary of the 1959 plane crash that claimed the lives of Holly, Valens and Richardson — a date forever intertwined with McLean's songwriting.“The Buddy Holly Educational Foundation is thrilled that one of our most iconic ambassadors is being honored with a statue at The Surf Ballroom, the site of Buddy Holly's final performance,” said Rick French, chairman of The Buddy Holly Educational Foundation and a national trustee of the famed Rock and Roll Hall of Fame. “While American Pie was famously inspired by the plane crash that claimed the lives of Buddy, Ritchie Valens and J.P. Richardson on February 3, 1959 , it has stood for more than half a century as an anthem to the cultural shifts of our country and is as relevant today as it has ever been.”The Buddy Holly Educational Foundation (TBHEF) works to extend musical education — including songwriting, production, arranging, orchestration and performance — to new generations regardless of income or learning levels. The Foundation also supports emerging artists through mentoring and songwriting retreats, and its Ambassadors receive a replica of Buddy Holly's own Gibson J 45 to encourage new music in his memory.“To this day Don remains one of Maria Elena Holly's closest friends and she was overjoyed to learn a statue is being cast in his honor,” added Peter Bradley, Jr., vice chairman of The Buddy Holly Educational Foundation, who is working closely with McLean, his management team and Jeff Nichols at the Surf Ballroom to plan a blockbuster unveiling of the statue upon completion.First opened in 1933 (and rebuilt in 1948 after a fire), the Surf Ballroom continues to host concerts and special events year round and welcomes visitors to explore the site's museum offerings. In recent years, the Surf expanded its educational mission with new immersive experiences honoring the artists and cultural moments that shaped early rock 'n' roll — ensuring that the ‘Winter Dance Party' story is preserved not only as history, but as a living, visitable place.DON McLEAN 2026 TOUR DATES (SUBJECT TO CHANGE):Fri, Feb 06 — Lobero Theatre — Santa Barbara, Calif.Sat, Feb 07 — Saban Theatre — Beverly Hills, Calif.Fri, Mar 20 — Seminole Casino Hotel Immokalee — Immokalee, Fla.Sat, Mar 21 — Maxwell C. King Center for the Performing Arts — Melbourne, Fla.Sun, Mar 22 — Savannah Center — The Villages, Fla.Mon, Mar 23 — Nancy and David Bilheimer Capitol Theatre — Clearwater, Fla.Sat, May 16 — Honeywell Center — Wabash, Ind.Fri, May 22 — Edmond Town Hall — Newton, Ct.Thu, May 28 — Riviera Theatre — North Tonawanda, N.Y.Fri, May 29 — Caesars Circus Maximus Theater — Atlantic City, N.J.Sat, Jun 06 — Westgate Las Vegas Resort & Casino — Las Vegas, Nev.Sat, Aug 01 — Murphy Theatre — Wilmington, OhioSat, Aug 22 — Indiana State Fairgrounds & Event Center — Indianapolis, Ind.For tickets and the latest updates, visit DonMcLean.com.Click Here to Subscribe to Pipeman in the Pit for PERKS, BONUS Content & FREE GIVEWAYS!  Pipeman in the Pit is a music, festival, and interview segment of The Adventures of Pipeman Radio Show (#pipemanradio) and from The King of All Festivals while on The Pipeman Radio Tour.Pipeman in the Pit features all kinds of music and interviews with bands & music artists especially in the genres of Heavy Metal, Rock, Hard Rock, Classic Rock, Punk Rock, Goth, Industrial, Alternative, Thrash Metal & Indie Music. Pipeman in the Pit also features press coverage of events, concerts, & music festivals.Pipeman Productions is an artist management company that sponsors the show introducing new local & national talent showcasing new artists & indie artists.Then there is The Pipeman Radio Tour where Pipeman travels the country and world doing press coverage for Major Business Events, Conferences, Conventions, Music Festivals, Concerts, Award Shows, and Red Carpets. One of the top publicists in music has named Pipeman the “King of All Festivals.” So join the Pipeman as he brings “The Pipeman Radio Tour” to life right before your ears and eyes.Would you like to be a sponsor of the show?Would you like to have your business, products, services, merch, programs, books, music or any other professional or artistic endeavors promoted on the show?Would you like interviewed as a professional or music guest on The Adventures of Pipeman, Positively Pipeman and/or Pipeman in the Pit?Would you like to host your own Radio Show, Streaming TV Show, or Podcast?PipemanRadio Podcasts are heard on Pipeman Radio, Talk 4 Media, iHeartRadio, Pandora, Amazon Music, Audible, Spotify, Apple Podcasts, and over 100 other podcast outlets where you listen to Podcasts.The following are the different podcasts to Follow, Listen, Download, Subscribe:•The Adventures of Pipeman•Pipeman Radio•Pipeman in the Pit – Music Interviews & Festivals•Positively Pipeman – Empowerment, Inspiration, Motivation, Self-Help, Business, Spiritual & Health & WellnessBecome a supporter of this podcast: https://www.spreaker.com/podcast/pipeman-in-the-pit--2287932/support.Click Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials &  Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

Ce mercredi, Marjorie Hache propose deux heures de rock et de pop pointue dans Pop-Rock Station. Elle ouvre la soirée avec Arctic Monkeys et un titre inédit issu de la compilation caritative "Help 2" au profit de War Child. Parmi les classiques, elle enchaîne avec Echo & The Bunnymen, Deep Purple, David Bowie, The Dandy Warhols, Nine Inch Nails ou encore Guns N' Roses. Dans l'actualité musicale, elle met en avant Anna Calvi avec "God's Lonely Man" en duo avec Iggy Pop et Kim Gordon avec "Not Today". L'album de la semaine est toujours signé Puscifer avec "Normal Isn't", illustré ce soir par "Self Evident". La reprise met à l'honneur "Lilac Wine", popularisée par Nina Simone et revisitée ici par Jeff Buckley. L'émission salue aussi l'anniversaire de Mike Shinoda avec Linkin Park et rend hommage à Brad Arnold de 3 Doors Down qui vient de nous quitter. Enfin, la séquence Fresh Fresh Fresh présente Zach Bryan, nouvelle figure montante de la country, avec "Plastic Cigarettes". Arctic Monkeys - Opening Night Echo & The Bunnymen - The Killing Moon Linkin Park - Unshatter The Dandy Warhols - Get Off Deep Purple - Hush Luke - La Sentinelle David Bowie - Blue Jean Puscifer - Self Evident The Who - Who Are You The 5.6.7.8'S - Woo Hoo Gary Glitter - Rock & Roll Part 2 Anna Calvi - God's Lonely Man (Feat. Iggy Pop) Jeff Buckley - Lilac Wine The Box Tops - The Letter 3 Doors Down - Kryptonite Brotaly - The Body Depeche Mode - A Question Of Time Nine Inch Nails - Closer Kim Gordon - Not Today Joan Baez - House Of The Rising Sun Guns N' Roses - Yesterdays Zach Bryan - Plastic Cigarettes The Velvet Underground - Sunday Morning Curtis Stigers - This Life The Arrows - Touch Too Much Prince - Let's Go Crazy Sebastien Tellier - La RitournelleHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Programa 329. Dos tenores: Alberto Castro: El Carreras y Ángel Esteve: El plácido en domingo y un barítono: Carlos Esteve, “El marco redondo”, en ausencia justificada del tenor Pavor-Rotti: Ramon Argenté, os invitan a pasar dos entretenidas horas con el orden que a continuación se detalla: ADIVINA LA PELÍCULA. Nina Simone. MISSISSIPPI GODDAM. Johnny y […] The post Los Tres Tenores 11/02/2026 first appeared on Ripollet Ràdio.

Kia ora! We're back from our wee break and are stoked to be making more episodes of Sunday Sanctuary for you this year. Find us on Instagram. We're @sundaysanctuarynz Sacred Texts: Unruly Saint by D. L. Mayfield I Shall Be Released by Nina Simone

#233 Broadcast 233 - Episode 233 - The Crooners - 20260207 - Live Concert Nina Simone 1960 and 1962 by Jim Reeves

I first published this episode two and a half years ago in June 2023, in commemoration of the death of the great Tina Turner. As always when I take on such an iconic figure, I try to give a different perspective on the artist in question than one would normally encounter. For this reason, I chose to frame Tina within the context of the many other female pop artists of color who emigrated to Europe and the UK. I have devoted a lot of time, space, and research to the Black opera singers who came here, but there is an equally fascinating story to be told about the pop singers of many eras and genres, who also chose to make Europe their home. Though this episode focuses primarily on Tina and some of the less-explored material throughout her career, I seek to contextualize her by also discussing the many African American singers, from Joséphine Baker to Donna Summer to Nina Simone to Dee Dee Bridgewater, who either spent formative time in Europe or settled there permanently. Along with the aforementioned favorites, I also focus on lesser-known artists such as Beauty Milton, Vickie Henderson, and Betty Dorsey, including a brief introduction to each of four singers who will be featured in their own episodes during Black History Month: Adelaide Hall (coming on Monday!), Elisabeth Welch, Bertice Reading, and Salena Jones (who just recently celebrated her 82nd birthday). Count on Countermelody (and me!) to always bring you something a little different! Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

We look at Bruce Springsteen's rapid response to deaths at the hands of federal agents in Minnesota — and the long history of other fast-turnaround protest songs, from Woody Guthrie to Nina Simone to Buffalo Springfield to Lil' Baby. Andy Greene joins host Brian Hiatt for the discussion. Learn more about your ad choices. Visit podcastchoices.com/adchoices

'S O U P'Prefab Sprout, David Bowie, Virginia Astley, David Byrne, Nina Simone, Wendy Matthews, Billie Holiday, Camera Obscura, Aztec Camera, Tania Whack

As president of The Recording Academy, which organises the Grammy Awards, Panos A. Panay is grappling with how artificial intelligence and streaming is transforming the music industry, often at the expense of artists. A former agent who worked with the likes of Leonard Cohen and Nina Simone, Panos tells Amol about his love of music and how that led to him becoming one of the most influential figures in the industry. And against the backdrop of record-breaking tours from Beyonce and Taylor Swift, he reflects on why the next generation of artists like Sabrina Carpenter are forging real connections with audiences through live performances. (00:04:16) What is the Recording Academy? (00:05:17) How did he want to change the Academy as president? (00:07:10) Finding his love for music growing up in Cyprus (00:10:39) Panos' career in the music industry (00:17:01) What does an agent look for in an artist in 2000 vs 2026? (00:22:19) Are artists being unfairly paid by music streaming companies? (00:25:55) How do you get a better deal for artists? (00:27:45) The threat of AI to the music industry (00:33:11) Panos' RADICAL ideas (00:37:32) The rise of live music (00:39:20) The popularity of music in different languages (00:45:51) Amol's Reflections GET IN TOUCH * WhatsApp: 0330 123 9480 * Email: radical@bbc.co.uk Episodes of Radical with Amol Rajan are released every Thursday and you can also watch them on BBC iPlayer: https://www.bbc.co.uk/iplayer/episodes/m002f1d0/radical-with-amol-rajan Amol Rajan is a presenter of the Today programme on BBC Radio 4. He is also the host of University Challenge on BBC One. Before that, Amol was media editor at the BBC and editor at The Independent. Radical with Amol Rajan is a Today Podcast. It was made by Lewis Vickers with Anna Budd. Digital production was by Gabriel Purcell-Davis. Technical production was by Dave O'Neill. The editor is Sam Bonham. The executive producer is Owenna Griffiths.

Malagueña, asentada en Madrid, Alba LaMerced visita por vez primera nuestro programa que realizamos en el Estudio Música 4 donde tenemos el piano afinado y listo para escucharla tocar y hablar de música, de sus conciertosDISCO 1 NINA SIMONE Here Comes The SunDISCO 2 ELE Positivity (SUMMER RAIN 2014)DISCO 3 CAROLE KING So Many Ways (THOROUGHBRED- 1976)DISCO 4 MERITXELL NEDDERMANN Ja No Vull (IN THE BACKYARD OF THE CASTLE 2020)DISCO 5 MARIA COMA Tots Els Colors (MAGNOLIA 2011)DISCO 6 ALBA LaMERCED Déjame (ESCA)DISCO 7 ALBA LaMERCED y Joaquín del Mundo TierraDISCO 8 ALBA LaMERCED La BarcaDISCO 9 ALBA LaMERCED Ponte guapaEscuchar audio

Jon Lamoreaux of the Hustle Podcast rejoins us to dissect “Station to Station” from Mr. David Bowie.  Patreon Revisitor Eric Wester also joins.  Happy 50th Album Release Anniversary to “Station to Station!”   Plenty of other discussion including Wilco, Counting Crows “Long December,” Home Depot, the TV will eat your girlfriend, cocaine induced recording, Frank Sinatra and Nina Simone, and…wait…Ben and Jon agree on a top song?Check out The Hustle here:https://thehustle.podbean.com/Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Went back into the stacks to play a few classics, create a certain soundtrack for the time. Needed to come back to prescient voices of Nina, Gil, and others. Don't let these nazi stormtroopers instill fear in your soul, and at the same time, stay safe! Tracklist: Eugene McDaniels, The Middlebrooks Musical Ensemble, Ashton Gardner, Gil Scott-Heron and Brian Jackson, dia prometido, Mandrill, Nina Simone, Lou Bond, Blackalicious

Nina Simone used her piano playing, brilliant songwriting, and one-of-a-kind voice to inspire audiences, challenge injustice, and create music that became the soundtrack of the Civil Rights Era and beyond. From iconic songs to the Rock and Roll Hall of Fame, Nina Simone's voice still echoes in the world. This podcast is a production of Rebel Girls. It's based on the book series Good Night Stories for Rebel Girls. This episode was narrated by DJ Switch Ghana. It was produced and directed by Haley Dapkus, with sound design and mixing by Mumble Media. The story was written by Nicole Haroutunian and edited by Abby Sher and Deborah Goldstein. Fact checking by Lauren Brown West-Rosenthal. Project coordination by Natalie Hara. Our executive producers were Anjelika Temple and Jes Wolfe. Original theme music was composed and performed by Elettra Bargiacchi. A special thanks to the whole Rebel Girls team, who make this podcast possible! Until next time, stay rebel!

Happy Martin Luther King Day! MR's compilation of MLK-related audio returns! Excerpts include: -A previously unheard speech from MLK on reparations, white economic anxiety and guaranteed income -Dr. King's first TV "interview" from the show "The Open Mind – The New Negro" in 1957, hosted by Professor Richard D. Hefner. -"Beyond Vietnam", the speech delivered on April 4, 1967 at Riverside Church in New York City. -MLK's last speech, "Remaining Awake Through a Great Revolution", delivered at the National Cathedral, Washington, D.C., on 31 March 1968. -Walter Cronkite reporting King's assassination in 1968. -Nina Simone performing the song "Why?" live, 3 days following MLK's assassination at the Westbury Music Fair on Long Island in April 1968. 

The Jazz Session No.450 from RaidersBroadcast.com as aired in January 2026, featuring the classic 1967 album “Nina Simone Sings the Blues”. TRACK LISTING: Hibou, Anemone and Bear - Soft Machine; Quadrant 4 - Billy Cobham; I'm Getting Sentimental Over You - Oscar Peterson; Walkin' Home - Oscar Moore Quartet; Blues for Mama - Nina Simone; Day and Night - Nina Simone; In the Dark - Nina Simone; Wonder is the Feeling - Empirical ; Falu - Emma Rawicz; Weeping Willow - a Ragtime Two-Step - Joshua Rifkin; Somewhere Before - Keith Jarrett; Cherry Pies Ought To Be You - Frank Sinatra & Rosemary Clooney; Jeep's Blues - Duke Eillington; Freddy Funkbump - Crossfire; Serbian Blue - George Benson; Whatever I Am (You Made Me) - Nina Simone; Real Real - Nina Simone; My Man's Gone Now - Nina Simone; Lila's Dance - Mahavishnu Orchestra; Sorceress - Return to Forever; One Finger Snap - Herbie Hancock; Marble - Neil Cowley Trio.

Uur 1 1.         Misty – Sarah Vaughan 2.         Alexandrie – Georges Moustaki 3.         De zoete tijd – Lenny & De Wespen feat. Little Kim 4.         Agua de beber – Al Jarreau 5.         Sunrise – Norah Jones 6.         Het zal nooit meer zo zijn – Margriet Eshuijs 7.         99 – Toto 8.         Ans Herz geh'n (Rework) – Max Raabe 9.         Eagle – ABBA 10.       The winner takes it all – Carla Bruni 11.       Let's take care of us – Martyn Joseph 12.       Jam – Toon Hermans 13.       El carretero – Guillermo Portabales 14.       I will wait for you – Dutch Swing College Band   Uur 2 1.         1941 – Harry Nilsson 2.         Let's call the whole thing off – Fred Astaire 3.         Dime – Silvana Estrada 4.         Dis nie hoe ons totsiens moet sê – Koos van der Merwe 5.         Them heavy people – Kate Bush 6.         Hallelujah – Cam 7.         Chaque fois – Wende 8.         De liefde wint – Nol Havens 9.         Can't help falling in love – Elvis Presley 10.       No, baby – Noa 11.       City glow – Jodymoon 12.       De pont naar Noord – Jeroen Kramer 13.       Dein Ding – Annett Louisan 14.       The spirit and the gut – Philip Kroonenberg 15.       Ain't got no, I got life – Nina Simone

Jazz, in particular, has played a central role in this lineage. From John Coltrane's “Alabama,” to Max Roach and Abbey Lincoln's We Insist! Freedom Now Suite, from Nina Simone's “Mississippi Goddamn” to Charles Mingus' “Fables of Faubus,” jazz has always spoken truth to power. That tradition continues today, ascontemporary jazz musicians compose artistic eulogies for Oscar Grant III, Trayvon Martin, Tamir Rice, Sandra Bland, and George Floyd; celebrate the nation's first Black president; and reaffirm that “Black Is Beautiful,” more than 60 years after the phrase became a unifying call within the Black PowerMovement. Jazz also chronicled the life and journey of Dr. King in real time, beginning with his emergence as a young preacher and activist in the early 1950s, and has continued to honor his legacy in the decades since his life was cut short. On thisspecial episode of Milestones, we explore the role jazz played inadvancing King's philosophy and celebrating his extraordinary impact as one of the most consequential leaders in American history with NEA Jazz Master and four-time GRAMMY-winning artist and educator Terri Lyne Carrington, GRAMMY-winning bassist and vocalist Ben Williams, and GRAMMY-nominated pianist and curator Orrin Evans. Together, with host Angélika Beener, they reflect on pieces like Herbie Hancock's 1969 “I Have a Dream,” and more, examining their cultural impact and role in the musical evolution of jazz. Hip-hop historians T.L. Cross and WBGO's own Stevan Smith also join the conversation,shedding new light on “King Holiday,” the 1986 hip-hop and R&B anthem that united an ensemble of rising stars—from New Edition and Run-DMC to Whitney Houston and Stephanie Mills. With the late Dexter Scott King at the helm, Kurtis Blow was tasked with assembling a collective to create an anthem for thenext generation – one that would honor Dr. King's legacy and serve as the soundtrack for the inaugural MLK holiday celebration, 40 years ago. The iconic scholar, author, global thought leader and visionary Dr. Angela Davis joins as a very special guest, offering remarkable insights on this milestone anniversary.  

durée : 00:58:41 - L'Atelier fiction - Ludmilla Dabo, comédienne et chanteuse, nourrie au biberon du blues, du jazz, et de la soul, et qui a reçu en partage un peu de l'âme et des nutriments de Nina Simone. Un portrait chanté où le modèle se confond avec son sujet, et donc portrait chanté de Ludmilla Dabo en Nina Simone. - réalisation : Laurence Courtois

durée : 00:58:41 - L'Atelier fiction - Ludmilla Dabo, comédienne et chanteuse, nourrie au biberon du blues, du jazz, et de la soul, et qui a reçu en partage un peu de l'âme et des nutriments de Nina Simone. Un portrait chanté où le modèle se confond avec son sujet, et donc portrait chanté de Ludmilla Dabo en Nina Simone. - réalisation : Laurence Courtois

Des bouillons, des bouillies de mil au bouye, on a tous le souvenir d'un petit remède qui nous était préparé, enfant souvent, quand on était patraque, un peu malade, préparé avec attention, et soin, par une personne aimante. Du baiser aux boulettes fondantes, petits remèdes d'ici et là, pour se remettre d'aplomb. Était-ce un plat ou une boisson ce remède maison qui vous soignait sur le moment, pansait le blues de saison, le cœur brisé, le gros rhume d'hiver? Des remèdes comme des souvenirs pour tous ceux qui ont eu la chance d'être soigné ainsi, réconforté réconforté, avec plus ou moins de goût d'ailleurs ! Des petits remèdes comme autant d'histoires de famille et du monde à avoir près de vous, à votre chevet ou dans la boite à pharmacie, à transmettre évidemment et partager. Pour vous donner des idées, je vous prescris un livre, qui vous fera voyager et presque envie de tomber malade – légèrement s'entend! – pour être cajolé: Petits remèdes, histoires de famille de Victor Coutard et André Derainne ( aux éditions de l'Epure). Victor Coutard est journaliste, auteur, retrouvez le sur Substack sur sa page How to get lost in France et sur Instagram. André Derainne est illustrateur, et auteur de deux albums graphiques dont Un orage un jour paru chez Keribus. Retrouvez également son travail ici. Pour aller plus loin Bouillons bienfaisants de Jennifer Hart Smith (Editions Hachette Cuisine) Bouillons gourmands de Keda Black (Editions Marabout) Vinaigre de feu de Valérie Zanon Congee, la bouillie de riz a son ashtag sur les réseaux bien sûr  Sans oublier un bon porridge écossais, la bouillie de mil au bouye, et toutes les recettes de votre entourage. Bien être et santé au naturel de Cynthia Ka Editions Leduc Cuisine juive à New York de Annabelle Schachmes Remèdes naturels pour tous les maux du quotidien de Hildegarde de Bingen Extrait du film « Knock » de Guy Lefranc tiré de la pièce de Jules Romain avec Louis Jouvet et Jean Carmet La vache orange de Lucile Butel (Editions Flammarion) Merci à Juliette et Arthur pour les lectures.  Programmation musicale: « How I feel » de Nina Simone, remixé par Wax Tailor

 Emmy Award–winning music journalist Alan Light is the author of numerous books including The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah” (which was adapted into an acclaimed documentary), as well as Let's Go Crazy: Prince and the Making of Purple Rain and biographies of Johnny Cash, Nina Simone, and the Beastie Boys. He was the cowriter of bestselling memoirs by Gregg Allman and Peter Frampton. Alan was a senior writer at Rolling Stone and the editor-in-chief of Vibe and Spin. He contributes frequently to The New York Times, Esquire, and The Wall Street Journal, among many publications, and cohosts the podcast Sound Up! With Mark Goodman and Alan Light.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

What if the very thing that brings you joy also becomes your lifeline during the toughest times? Join us for an inspiring replay episode of the Music Saved Me Podcast as host Lynn Hoffman sits down with the incredibly talented Dylan Cartlidge, a rising star from Redcar, England. Dylan's journey through the foster care system is nothing short of remarkable, and he opens up about how music has served as his sanctuary and a powerful tool for emotional healing through music. Dylan shares poignant stories from his childhood, revealing how he turned to songwriting as a means of communication with his younger brother and a way to articulate his feelings during his most challenging moments. His music is a testament to the healing power of music, embodying the spirit of 'Hope Above Adversity. ' With influences ranging from Kid Cudi to Nina Simone and Run DMC, Dylan's sound is a unique blend that resonates deeply with listeners, providing solace and inspiration to those who may feel unheard. Throughout this heartfelt conversation, Lynn and Dylan explore the emotional connection that music fosters, discussing the contrasting experiences of live performances versus studio recordings. Dylan's enthusiasm for sharing his music with an audience is infectious, and he emphasizes the importance of vulnerability in his art. As they delve into his new single, "New Day," listeners will be captivated by Dylan's positivity and passion, leaving them inspired by his story of resilience. This episode of the Music Saved Me Podcast is not just an interview podcast; it's a celebration of the transformative power of music and its profound impact on mental health and personal stories. Whether you're an independent musician or simply someone who appreciates the magic of music, this episode offers valuable insights into the music industry and the emotional healing that comes from sharing one’s truth through art. Tune in to discover how Dylan Cartlidge's journey exemplifies the intersection of music and resilience, and learn why music truly has the power to save us all. Don't miss this engaging episode filled with stories of musicians who have used music as therapy to overcome adversity and connect with their audiences on a deeper level. Join Lynn Hoffman and Dylan Cartlidge for a conversation that promises to uplift, inspire, and remind us all of the healing potential of music.Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Send us a textlove doves, seal sleuths and puffin punks, welcome back to Barbarian Noetics! i'm back in the saddle after a lengthy hiatus, slingin thoughts, notions, ideas and even some dead reckonings. i start things off by giving an update as to why i'm just happy to be alive. tune in for the tale. next up i share some thoughts around honoring migrants, respecting the undocumented, and how immigrants build nations. finally i speak about the importance of earning respect rather than simply expecting it, especially as a person of privilege. i'm laying off the background music for a while, but the outro is me attempting to sing Baltimore by the great Nina Simone acapella. one love, lr kerkawwwwMalcolm X Scholar: Professor Kehinde AndrewsSupport the showTip me in Solana:Address: 9XPHpqH7GawTGtPgZAzfXFU6oPWTpSua1QXwRYAWVh9y Find me on IG: barbarian_noetics Direct Donate on PayPal @barbarian.noetics@proton.me Cash App@ $BarbarianRavenbuymeacoffee.com/noetics.Spread the word and tell a friend. Remember to set the BNP on Auto Download after you subscribe. I appreciate you all. Section 107 of the Copyright Act of 1976 allows for “fair use” for purposes such as criticism, comment, news reporting, teaching, education and research.

This week, hosts Reggie Worth and Jason Jefferies welcome author and music journalist David Menconi, who discusses his favorite releases of 2025 by North Carolina artists.  Musicians discussed include Flock of Dimes, Wednesday, Chris Stamey, Peter Holsapple, Reuben Vincent, Phil Cook and more.  You can purchase David Menconi's fantastic book Step It Up and Go: The Story of North Carolina Popular Music from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk here.  Happy listening!

 Emmy Award–winning music journalist Alan Light is the author of numerous books including The Holy or the Broken: Leonard Cohen, Jeff Buckley, and the Unlikely Ascent of “Hallelujah” (which was adapted into an acclaimed documentary), as well as Let's Go Crazy: Prince and the Making of Purple Rain and biographies of Johnny Cash, Nina Simone, and the Beastie Boys. He was the cowriter of bestselling memoirs by Gregg Allman and Peter Frampton. Alan was a senior writer at Rolling Stone and the editor-in-chief of Vibe and Spin. He contributes frequently to The New York Times, Esquire, and The Wall Street Journal, among many publications, and cohosts the podcast Sound Up! With Mark Goodman and Alan Light.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Un mapa afectivo musical donde conviven nostalgia, ternura y el pulso perdurable del amor en sus distintas formas.A Sunday Kind Of Love, Etta James, At Last!Somethin’ Stupid, Frank Sinatra, Nancy Sinatra, The World We KnewDream a Little Dream of Me, Doris Day, Paul Weston And His Orchestra, Day By Night (with Paul Weston & His Music From Hollywood)L-O-V-E, Nat King Cole, L-O-V-EEverybody Loves Somebody, Dean Martin, Everybody Loves SomebodyLovefool, The Cardigans, First Band On The Moon Put Your Records On, Corinne Bailey Rae, Corinne Bailey RaeAin’t No Sunshine, Bill Withers, Just As I AmLovely Day, Bill Withers, MenagerieKiss Me, Sixpence None The Richer, Sixpence None The RicherBoth Sides Now, Joni Mitchell, CloudsBig Yellow Taxi, Joni Mitchell, Ladies of the CanyonIn My Life, The Beatles, Rubber Soul Overjoyed, Stevie Wonder, In Square CircleFeeling Good, Nina Simone, I Put A Spell On YouHow Deep Is Your Love, Bee Gees, GreatestEscuchar audio

Featuring the brand new single from CDMX mod-space-groovers Hate Love Trio; a live drop on ECM from guitarist Wolfgang Muthspiel w/legends Scott Colley and Brian Blade; Brooklyn bass master Arthur Kell; Keith Jarrett's seminal classic ‘Live at the Deer Head Inn'; the timeless genius of Dr. John; 2 words: Nina Simone; and the one and only Prince.

Ce 19 novembre, Marjorie Hache propose deux heures riches en pop-rock, classiques et nouveautés. L'émission s'ouvre avec David Bowie et "Fame", suivie de la découverte du jour : les Irlandais de Just Mustard et leur titre "Endless Deathless", extrait de leur troisième disque "We Were Just Here". Marjorie s'attarde ensuite sur la disparition, un 19 novembre, du producteur Terry Melcher avant de diffuser "Kokomo" des Beach Boys. La soirée enchaîne les couleurs musicales avec Smash Mouth, Prophets Of Rage, Alanis Morissette, puis le titre "Neo Paris" de Rise Of The Northstar, issu de leur nouvel album. Les classiques s'installent avec Faith No More, The Velvet Underground, Sweet, Metronomy, Joan Baez ou encore Les Rita Mitsouko avec Sparks. La reprise met en lumière le sample de "Big Yellow Taxi" de Joni Mitchell par Janet Jackson dans "Got 'Til It's Gone". La fin d'émission réunit XTC, Presidents Of The USA, The Wytches récemment passés au Point FMR, avant de conclure avec Stuck In The Sound et Nina Simone. David Bowie - Fame Just Mustard - Endless Deathless The Beach Boys - Kokomo Smash Mouth - I'm A Believer Prophets Of Rage - Legalize Me Lynyrd Skynyrd - Sweet Home Alabama Alanis Morissette - Reasons I Drink Rise Of The Northstar - Neo Paris Faith No More - Epic The Velvet Underground - Sunday Morning Sweet - The Ballroom Blitz Be Your Own Pet - What A Bitch Janet Jackson - Got Til It's Gone Metronomy - The Look Eels - Flyswatter Charb-On - Me And My 44 Joan Baez - Here's To You Les Rita Mitsouko & The Sparks - Singing In The Shower Geese - Cobra The Rolling Stones - Under My Thumb Wolfmother - New Moon Rising Freakslug - Miss June XTC - Making Plans For Nigel Presidents Of The USA - Lump The Wytches - The Thrill Is Gone Stuck In The Sound - Brother Nina Simone - SinnermanHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week on the New Music Business podcast, Ari sits down with Daniel Rowland, a rare combination of audio engineer, producer, tech executive, and educator. The music he's worked on has amassed over 15 billion streams, earning Emmy and Oscar wins, Grammy nominations, and multiple platinum certifications. His credits span an eclectic range of artists and projects, including Nina Simone, Nine Inch Nails, Thundercat, Star Wars, Pixar, and John Wick. Beyond the studio, Daniel serves as VP of Strategy and Partnerships at LANDR Audio and a longtime professor at MTSU, where he champions ethical, AI-driven tools that empower creators.In this episode, Ari and Daniel explore the ever-evolving intersection of music, technology, and creativity. They dive deep into the art and science of mastering for different formats, the rise of AI in music production, and how to maintain authenticity in an increasingly automated world. Daniel also shares his personal journey from musician to educator and innovator, offering invaluable insights for artists navigating the future of sound and creation.https://www.linkedin.com/in/rowlanddanielhttps://www.landr.com/00:00 – Mixing vs. Mastering & the Role of AI in Quality Control02:30 – Introducing Daniel Rowland & His Career Overview06:45 – Daniel's Journey from Musician to Engineer & Educator09:45 – Dolby Atmos & Spatial Audio: Fad or Future?19:00 – What Mastering Really Is (and Isn't)26:00 – The “Curmudgeon” Era of Mastering Engineers29:00 – Loudness, LUFS, and the Streaming Revolution36:45 – The Vinyl Comeback: Problems and Pitfalls47:45 – Automated Mastering & LANDR's Evolution54:00 – The Future of AI and Creativity in MusicEdited and mixed by Ari DavidsMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Sydney Sweeney has been everywhere lately, not just for her acting, but for the way she carries herself under pressure. In this episode, I explore what her chart reveals about that steady, self-assured presence, and what we can all learn from it.Born September 12, 1997, Sydney's Moon sits in Uttara Shada Nakshatra, “the Later Invincible One.” This lunar placement reveals a natural steadiness and quiet strength, the ability to face challenge without reacting. It's that same energy we see in the viral meme: her calm, clear, unbothered response when others might get defensive.Uttara Shada natives are born with integrity and endurance. They work hard, stay loyal to their values, and tend to earn success through consistency rather than hype. Whether in fame or in daily life, this nakshatra teaches us the value of inner composure, the kind that comes from knowing who you are.In this episode, I share:How Uttara Shada energy shows up in Sydney Sweeney's chart.The meaning of the Vishvadevas: the ten deities of this nakshatra.Lessons from other Uttara Shada natives like Abraham Lincoln, Rosa Parks, and Nina Simone.The deeper spiritual lesson of staying calm in the face of criticism.How to embody Uttara Shada energy in your own life, especially when you feel misunderstood or tested.If you have this nakshatra in your Moon, Ascendant, or Atmakaraka, this episode will help you understand your strength and how to live from it.Free Vedic Birth Chart & Training: quietmindastrology.com/freebirthchartInstagram: instagram.com/quietmindastrologyYouTube: quietmindastrology.com/youtubeMentorship Waitlist: quietmindastrology.com/mentorshipYoga Teacher Training Podcast: anchor.fm/yogateachertrainingQuietmind Yoga: quietmind.yogaKeywords: Vedic astrology, Uttara Shada Nakshatra, Sydney Sweeney birth chart, Moon in Uttara Shada, Vedic birth chart reading, Nakshatra meanings, Vedic astrology podcast, Quietmind Astrology, self-awareness through astrology, astrology for personal growth, Sydney Sweeney astrology, Sydney Sweeney zodiac sign, celebrity astrology reading, famous people with Uttara Shada, astrology of celebrities, Sydney Sweeney birth chart analysis, inner strength and composure, staying calm under pressure, spiritual lessons in astrology, emotional intelligence, self-discovery through astrology, Vedic wisdom for modern life, astrology and mindfulness, learn astrology, how to read your Vedic chart, astrology lessons, astrology insights, weekly astrology podcast, understanding your Moon sign, astrology for beginners

On this episode, I'm kicking off Noirvember with Cast a Deadly Spell (1991). This HBO original film combines film noir, horror, fantasy, comedy and the eldritch tales of the Cthulu mythos. In this timeline of 1948 Los Angeles, magic and mythological creatures are common. Phillip Lovecraft is the detective on a case to find a stolen rare book, the Necronomicon. Dames, vampires, demons and Old Ones are in this one. Spoiler free and filled with a whole lot of magic. The artist on my podcast playlist is Nina Simone . Game Over! tee in profile pic by Dethink Tees. https://dethink.bigcartel.com/product/game-over-man-game-over

[REDIFFUSION] Bienvenue dans Les Fabuleux Destins, le podcast pour découvrir des histoires vraies et étonnantes. Cette semaine, vibrez avec notre saison spéciale Légendes de la musique. Six destins hors du commun, entre gloire, tourment et mélodies éternelles. Nina Simone, une vie de lutte et de génie musicale Montreux, 1976. Nina Simone remonte sur scène après deux ans de silence. Le public découvre une artiste instable, brillante, déroutante, entre fulgurances musicales et ruptures de ton. Ce soir-là, sa voix claque, tremble, gronde, tandis que sa douleur affleure. Derrière l'icône, une femme rongée par la maladie, la rage, et un destin brisé. Voici l'histoire de Nina Simone, pianiste prodige, militante incandescente et diva tragique. Ecriture : Mary Lou Oeconomou Production : Bababam  Voix : Florian Bayoux Une production Bababam Originals Learn more about your ad choices. Visit megaphone.fm/adchoices

At Town Hall captures a pivotal moment in Nina Simone's story, when she left behind her dream of being a concert pianist and embraced her identity as an indefinable and remarkable talent.At Town Hall shows off Nina's classical chops, infused with the jazz influences from working in nightclubs and mixed with the folk and gospel sounds of her youth. Adam and Peter pull apart the tracks to highlight each element of her unique musical blend. This may not be one of her most recognizable albums, but it is one of her most interesting. It's made even more fascinating by the fact that Nina met bassist Wilbur Ware and drummer Ben Riley only as they walked on stage! Listen to hear her arranging and composing on the spot.Subscribe to the You'll Read It newsletter for stories that didn't make the pod: https://youllhearit.com/newsletter Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi   

Colm Tóibín took on the task of exploring what makes a good love story. Drawing on the works of Nina Simone, Derek Mahon, Gabriel Garcia Marquez, and more, he suggests that while we may not all have 'one true love', most of us have at least one 'what if?'

durée : 00:05:21 - C'est une chanson - par : Frédéric Pommier - Il vient de faire paraître "Contemplations italiennes" (ed. Robert Lafont-Le Tripode), ouvrage où ses images cohabitent avec un texte de Pierre Michon. Au micro de Frédéric Pommier, le photographe Jean-Luc Bertini évoque "Sinnerman" de Nina Simone, une chanson qu'il ne peut écouter sans pleurer. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Words taken from From the article written by Aaron Gonsher of the NYC Times. My tribute was turning this into a podcast. I've vocalised some of my comments. No credit needed for me here just pulled it together as a tribute show. On Valentine's Day in 1970, David Mancuso hosted a private party called Love Saves the Day in his loft at 647 Broadway in New York, a few blocks north of Houston Street. He was an audio obsessive with a voracious appetite for spiritual sounds and a profound sense of community, and the event was an opportunity to bring together friends in a setting unfettered by commercial demands, or the restrictions of their outside lives. Tracks Chuck Mangione featuring Esther Satterfield, ‘Land of Make Believe' (A&M, 1973) Les Troubadours du Roi Baudouin, ‘Missa Luba' (Philips, 1958) Andwella, ‘Hold On to Your Mind' (Reflection, 1970) Nina Simone, ‘Here Comes the Sun' (RCA/Victor, 1971) War, ‘City, Country, City' (United Artists, 1972) Manu Dibango, ‘Soul Makossa' (Fiesta/Atlantic, 1972) MFSB, ‘Love Is the Message' (Philadelphia International, 1973) Blackbyrds, ‘Walking in Rhythm' (Fantasy, 1975) Ashford & Simpson, ‘Stay Free' (Warner Bros., 1979) Steve Miller Band, ‘Macho City (Long Version)' (Capitol, 1981) Code 718, ‘Equinox (Heavenly Club Mix)' (Strictly Rhythm, 1992) Karma, ‘High Priestess' (Groove Attack Productions, 1995) I hope you enjoy the journey. Dedicated to those that know x

Dominique Urbino propose une spéciale sur le thème «la folie en musiques», qui revient notamment sur les carrières de Kanye West, Lil Nas X, Nina Simone ou encore Diams et Stromae. Dans la séquence des nouveautés, Jahman X-Press, King Serenity, Jyeuhair, Alborosie et Lycinaïs Jean. Et dans la séquence Génération Consciente, Olguine Dépard, présidente de l'association Prom'Vie. Le 25 octobre 2025 à Sarcelles, l'association invite à une soirée placée sous le thème «Un ruban qui nous unit tous» dans le cadre d'Octobre Rose, dédié à la lutte contre le concert. Pour visionner les clips, cliquez sur les titres des chansons :  Jessy Matador - Décalé Gwada King Serenity feat Locko, Sergio Alejandro, Jango Jack - Pom pom pom Jahman X-Press feat Souleymane Faye, Soda Mama & Kine Lam - Arva Jyeuhair - Ah bon Alborosie - Trench Town legend Lycinaïs Jean - Attirée  Nina Simone - Don't let me be misunderstood Stromae - L'enfer Diam's - Si c'était le dernier Rema x Selena Gomez - Calm down Louka Kanza - Plus vivant Retrouvez la playlist officielle de RFI Musique.

Patti LaBelle is touring again! That makes it perfect timing to revisit her moving conversation with Julia from Season 3, which is packed with incredible stories. Today on Wiser Than Me, Julia welcomes 81-year-old singer, actress, and entrepreneur Patti LaBelle. The two discuss Patti’s legendary Grammy Award-winning music career and what the “Godmother of Soul” has cooked for friends like Nina Simone, Elton John, and Prince. Plus, Patti tells Julia why she was convinced she wouldn't live to see 50. Also, Julia asks her mom, Judith, if she can remember any racy song lyrics from her youth. Follow Wiser Than Me on Instagram and TikTok @wiserthanme and on Facebook at facebook.com/wiserthanmepodcast. Keep up with Patti LaBelle @mspattilabelle on Instagram. Find out more about other shows on our network at @lemonadamedia on all social platforms. Joining Lemonada Premium is a great way to support our show and get bonus content. Subscribe today at bit.ly/lemonadapremium. For exclusive discount codes and more information about our sponsors, visit https://lemonadamedia.com/sponsors/. For additional resources, information, and a transcript of the episode, visit lemonadamedia.com.See omnystudio.com/listener for privacy information.

We’ve been doing these shows where we don’t book any guests, where we fill the hour with your calls. And your calls have been interesting and surprising and amusing. This hour, the conversation winds around to Bridgeport’s socialist former mayor, Sneaky Pete and our show on psychics, the possible link between double jointedness and neurodivergence, the state of streaming, Ta-Nehisi Coates’ appearance on The Ezra Klein Show … Anything. (Seemingly) everything. These shows are fun for us, and they seem to be fun for you, too. So we did another one. MUSIC FEATURED (in order): Harry’s Theme (Lite Pullman) – Vulfmon, Harry Whitford Bedlam – Elvis Costello Take Me Dancing – Doja Cat, SZA Three Little Words – Samara Joy Township Medley – Themba Mkhize, SWR Big Band 香港之夜 – Teresa Teng Chilly Winds Don’t Blow (Bolden. Remix) – Nina Simone, Bolden. Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

A documentary film called My Beautiful Stutter follows youngsters at a summer camp specifically for stutterers. It's a place for finding acceptance, support, and confidence for navigating the larger world. And:, “The High Priestess of Soul,” Nina Simone, was one of the most beguiling performers of all time. A beautiful new picture book for children tells her inspiring story. Plus: burritos! Why do those savory stuffed tortillas have a name that literally translates as “little donkey”? Also, gobble hole, live catch, and other pinball jargon, salad days, a take-off puzzle, devious licks, gumshoe, plat, pencil colors, not today, Josephine!, and more. Hear hundreds of free episodes and learn more on the A Way with Words website: https://waywordradio.org. Be a part of the show: call or text 1 (877) 929-9673 toll-free in the United States and Canada; elsewhere in the world, call or text +1 619 800 4443. Send voice notes or messages via WhatsApp 16198004443. Email words@waywordradio.org. Copyright Wayword, Inc., a 501(c)(3) corporation. Learn more about your ad choices. Visit megaphone.fm/adchoices