Podcast appearances and mentions of Nina Simone

Episode 22In this podcast, professional astrologers Chani Nicholas, Thea Anderson, and Eliza Robertson look to the sky to make sense of what's happening here on Earth.This special episode is entirely dedicated to Pallas Athena — the asteroid and warrior goddess known for her strategic genius. We start by unpacking her many myths, including the famous story of her birth from Zeus' head, her role in the beheading of Medusa, and her origins in ancient Libya. Then we get into the astro of it all. We break down how Pallas Athena became one of the four asteroid goddesses, and how the archetypal warrior queen manifests in your birth chart. And finally, we look at the charts of major icons with prominent Pallas placements — like Amelia Earhart, Nina Simone, Issa Rae, and Britney Spears — and dig into the ways they each used intelligence, independence, and innovation to their advantage. Ready to enter your strategy era? Pull up your chart in the CHANI app (yes, your Pallas Athena readings have arrived), and welcome Pallas Athena into the chat.Content warning: sexual assault, domestic violenceTimestamps:(00:00) - Welcome to Down to Astro episode 22(00:50) - An introduction to Pallas Athena(11:16) - Mythological origins and evolution of Pallas Athena(23:46) - Pallas Athena's role in Greek tragedy(25:00) - The complexities of Pallas Athena's relationship with the patriarchy(27:16) - Athena and the betrayal of Medusa(36:31) - Pallas Athena and the archetype of the virgin goddess(39:12) - Pallas Athena's astrological significance(41:06) - The astronomy of the asteroid Pallas Athena(45:39) - Amelia Earhart: aviation and Athena on the ascendant(54:15) - Audre Lorde: “poetry is my primary weapon”(01:00:28) - Nina Simone: child prodigy and musical genius(01:13:09) - Diana Ross: international icon and innovato(01:15:17) - Issa Rae: “Insecure” and strategizing in communit(01:21:38) - Miley Cyrus: Pallas vs. Billy Ray Cyrus(01:24:01) - Britney Spears: a legal battle for freedom(01:27:24) - Tina Turner: superstar, sensation, survivor(01:34:12) - Lucy Lawless: TV's warrior princess(01:43:02) - How to work with Pallas Athena in the CHANI appThis episode was recorded on 7/30/2025.For more astrological insights, download the CHANI app or follow CHANI on Instagram, TikTok, and Bluesky.The song “Midas,” featured in the podcast, was created by NISHA and is available wherever you listen to music.This episode also mentioned the following creative works:“Asteroid Goddesses: The Mythology, Psychology, and Astrology of the Re-Emerging Feminine” by Demetra George and Douglas Bloch“Circe” by Madeline Miller“Flowers” by Miley Cyrus“Hit Me Baby One More Time” by Britney Spears“Insecure” (2016-2021) TV series created by Issa Rae“Metamorphoses” by Ovid“The Mis-Adventures of Awkward Black Girl” (2011-2013) Web series created by Issa Rae“Mississippi Goddam” by Nina Simone“The Oresteia” by Aeschylus“What's Love Got To Do With It?” (1993) Film directed by Brian GibsonP.S. The transcript for this episode is available here.

If you are one of the people feeling that things are not going to be all right, this one's for you. Coda #46 comes from Bill McKibben, veteran climate change activist and founder of multiple campaigns and organisations – check out Strength&Solidarity Ep. 57.  He told us how hard it can be to stay optimistic, when the odds against success seem high.  The Beatles' Here Comes the Sun is one of his go-to tracks for regaining his footing, so perhaps it's no surprise that he is currently organising people to “rise up” for Sun Day, a day of action “for a sun-powered planet” next month, 21 September, We've started releasing the Coda as a separate show, not just part of the main Strength&Solidarity podcast. You will find both of them in our feed here, or on our Substack page, with transcripts, and related links. If you subscribe at https://substack.com/@strengthsolidarity, you will receive the “host's note” accompanying each show.  Contact us at pod@strengthandsolidarity.orgQuick LinksBio: Bill McKibben: https://billmckibben.com/Sun Day:  Day of action, 21 September 2025   :https://www.sunday.earth/Wikipedia:  The Beatle's Abbey Road: https://en.wikipedia.org/wiki/Abbey_RoadWikipediaL  Nina Simone's O-o-h Child: https://en.wikipedia.org/wiki/O-o-h_Child

Mo is a Palestinian artist, author, digital creator, and father. He has been tireless in educating all of us on what is and has been happening in Palestine for 76+ years. Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!Mo Hamzeh's Instagram accounts keep getting banned :/Laura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon

Grab your sour-patch straws, stop sour punching your straw, and join us as we slip into the impeccably tailored, morally dubious world of The Man from U.N.C.L.E., where Henry Cavill smirks his way through the Cold War and Armie Hammer glowers in various shades of “angry Russian.” We talk about the opening Berlin chase, the world's suavest tablecloth yank, and why Guy Ritchie clearly decided style was more important than historical accuracy—or sometimes, basic physics. Also, everyone is ridiculously good-looking, and yes, we noticed. Repeatedly. Somewhere between the CIA, the KGB, and whatever Hugh Grant is doing in this movie, there's a plot about nuclear warheads, a fake engagement, and a fashion show that doubles as spycraft. We pick apart the “unlikely partners” dynamic, try to decide if Gaby is the actual MVP, and get distracted by the soundtrack every time Roberta Flack or Nina Simone shows up. (Seriously, this might be the most our Spotify queues have been influenced by a rewatch.) Naturally, we wander into side quests: our rankings of cinematic buddy duos, a brief tangent about how many spy movies would be ruined if the characters had iPhones, and Elise's theory that Cavill's Solo is basically James Bond on a heavy sedative. Somewhere in there we debate who in the group could actually pull off a 1960s double-breasted suit. Spoiler: not all of us. By the end, we're in Istanbul, the team's assembled, and we're low-key mad this stylish mess never got a sequel. If you're into slick visuals, flirty banter, and the occasional implausible stunt involving vintage cars, you might want to give this one another spin—preferably with a drink in hand and your sharpest spy outfit on standby. https://www.imdb.com/title/tt1638355

De Stokely Carmichael, figure des luttes noires du XXème siècle, on connaît surtout le combat aux États-Unis, comme dirigeant des Black Panther. On sait moins qu'en 1968, Carmichael a rejoint la Guinée avec son épouse, la chanteuse sud-africaine Miriam Makeba. Il est alors devenu un proche collaborateur du président ghanéen en exil Kwame Nkrumah et s'est engagé aux côtés de la révolution guinéenne. Bokar Ture, fils de Stokely Carmichael, a accordé un entretien à RFI : il raconte les années africaines de la vie de son père. RFI : Votre père a été un acteur important des luttes noires du XXème siècle. Aux États-Unis, où il a été l'un des responsables des Black Panther… mais aussi dans son parcours transatlantique puisqu'il vient s'installer en 1968 en Guinée. Parlez-nous d'abord de lui. D'où vient-il ? Comment est née cette conscience militante noire ?  Bokar Ture : Kwame Ture est né Stokely Carmichael à Trinidad et Tobago, connu aussi en français comme Trinité-et-Tobago, en 1941. Il immigre plus tard aux États-Unis pour retrouver sa mère -donc ma grand-mère- qui y était déjà installée quelques années plus tôt. Elle avait pu avoir sa nationalité américaine parce qu'elle était née à Panama. Comment a commencé cette conscience ? Déjà, il avait un penchant politique très tôt. Il y a une de ses tantes qui racontait une anecdote : quand il était jeune, il la poussait à aller voter pour un syndicaliste à l'île de Trinidad. Et au lycée, aux États-Unis, il fréquentait déjà des groupes gauchistes. Un de ses amis de classe était le fils du président du Parti communiste américain dans les années 1952. Et donc, très tôt, il a pu découvrir les discours marxistes. Et bien sûr, il vivait au sud du Bronx, à côté de Harlem. Et la 125e rue de Harlem est une rue reconnue pour des discours politiques de tout genre, de différents groupes.  Il a été l'un de ceux qui ont travaillé l'idée de Black Power. Il a même coécrit, en 1967 avec Charles Hamilton, un ouvrage qui le théorise, intitulé Black Power, the politics of Liberation in America.  Effectivement, le concept de Black Power existait avant. Il y avait un livre qui s'appelait Black Power par Richard Wright, qui a été écrit pendant les années 1950 et qui était un ouvrage dédié à Kwame Nkrumah. Mais personne n'a rendu l'idée de Black Power aussi populaire que Kwame Ture - Stokely Carmichael à l'époque. Notamment durant une marche contre la peur au sud des États-Unis, aux côtés de Martin Luther King, où il disait, plus ou moins : « On est fatigué de mendier notre liberté, comme on l'a fait ces dernières années dans les droits civiques. Maintenant, ce qu'on va faire, c'est de demander le Black Power », le pouvoir noir, qui était un appel à une autodétermination en termes de structures politiques et économiques pour les personnes noires descendantes d'africains aux États-Unis.  En 1968, votre père épouse une première femme, la chanteuse sud-africaine Miriam Makeba. Au-delà de la relation amoureuse qui s'est nouée entre eux, cette union reflète-t-elle aussi une pensée de votre père, de plus en plus tournée vers l'Afrique et vers le panafricanisme à cette époque ?  Ce n'est pas un tournant, c'est une continuité. Kwame Ture a toujours été Africain dans l'âme. Il vient d'un milieu où l'Afrique est centrale dans l'identité noire. Bien avant qu'il ne se marie avec Miriam Makeba. On le voit dans des photos au début des années 1960 avec ses camarades où il est en tenue africaine. Il se sentait toujours africain. Pour lui, être noir et africain, il ne voyait pas de distinction et toute sa vie était ainsi. Quand il a marié Tantie Miriam, comme je l'appelle, c'était juste une continuité. Après aussi, ma mère, Marlyatou Barry, qui était aussi une Guinéenne. C'était juste une continuité de sa façon de vivre.  Comment se fait concrètement la connexion entre votre père et le premier responsable guinéen, Ahmed Sékou Touré ? Stokely Carmichael, à l'époque, faisait une tournée mondiale et il a rencontré Shirley Graham Du Bois, qui était la veuve de W.E.B Du Bois, qui est aussi une légende de l'histoire de la lutte antiraciste et du développement du panafricanisme. Elle a invité Stokely Carmichael à venir en Guinée pour une conférence du Parti démocratique de Guinée pour rencontrer Kwame Nkrumah et Sékou Touré. Quand il est venu, il a rencontré les deux présidents. Il avait déjà beaucoup entendu parler de Kwame Nkrumah, parce que mon grand-père a travaillé dans un bateau un moment. Il est parti au Ghana et quand il est revenu à New York, il expliquait que c'était la première fois qu'il avait vu une nation noire, indépendante, avec sa propre armée, un président, etc. et il expliquait ceci à un jeune Stokely Carmichael. Cela a vraiment marqué sa pensée. Quelques années plus tard, ils se voient face à face avec Kwame Nkrumah. Après la conférence, en quittant la Guinée, il part dire au revoir à Sékou Touré, qui lui dit : « Écoute, mon fils. Ici, c'est chez toi, tu peux revenir quand tu veux. C'est ta maison. »  Il part voir Kwame Nkrumah qui lui dit « Écoute, moi, je cherche un secrétaire politique, donc si ça t'intéresse, tu es toujours le bienvenu. » Un an et demi plus tard, deux ans pratiquement, il était de retour avec sa nouvelle épouse, Miriam Makeba.  Qu'est ce qui fait qu'il vient s'installer à Conakry à cette époque ?  Pour lui, c'était le coin le plus révolutionnaire en Afrique. Lumumba a été assassiné très tôt donc il n'y avait plus le Congo. Après, il y a eu le coup d'État contre Kwame Nkrumah en 1966. Modibo Keïta en 1968. Quand lui est arrivé, le seul autre pays, c'était la Tanzanie, mais qui était beaucoup moins radicale. Donc il a choisi la Guinée. C'était le pays qui s'alignait le plus avec sa pensée du pouvoir noir à l'échelle mondiale.  Il est aussi menacé aux États-Unis. C'est aussi pour cela qu'il quitte les États-Unis ? De toute façon, mon père était prêt à se martyriser. Il a vu Malcolm X tué, il a vu Martin Luther King tué et les agences voulaient sa tête. Il a échappé à pas mal d'attentats. Mais ce n'était pas la raison centrale. Déjà, il y avait l'invitation. Ensuite, il ne voyait pas les États-Unis comme le centre de cette lutte à laquelle il a dédié sa vie. Il voyait l'Afrique comme étant une partie essentielle. Pour lui, en venant en Guinée, il rejoignait l'Afrique, il rejoignait la révolution africaine qui pouvait donner la dignité à tout le peuple noir à travers le monde.  Diriez-vous qu'il y a un vrai projet politique international derrière cette volonté de s'installer en Guinée ?  Il a toujours eu ce projet. Quand il parlait de Black Power, déjà, dans le livre dont vous avez parlé, il parlait aussi des colonies en Afrique. Dans Black Power, lui et Charles Hamilton faisaient le parallèle entre la situation que vivaient les Afro-Américains aux États-Unis et la situation que vivaient les Africains en Afrique et aux Caraïbes aussi. Il faisait ce parallèle. Dans sa tête, c'était quelque chose qui était un combat international dès le début.  Quelles sont les idées sur lesquelles votre père, Stokely Carmichael – Kwame Ture, une fois qu'il change de nom – et Ahmed Sékou Touré se retrouvaient ?  On parle de personnes qui avaient la même vision d'une Afrique unie, une Afrique libre où il n'y a pas d'inégalités. Ils étaient tous deux penchés vers des idées socialistes. Ils étaient totalement alignés idéologiquement. Sékou Touré était un de ses mentors, une de ces personnes qui l'ont formé dans cette idéologie.  Ils se retrouvent dans l'idée, qui est défendue par Ahmed Sékou Touré à l'époque, d'authenticité africaine ? À 100 %. Et il s'intègre à 100 %. Je peux vous dire que moi, par exemple, j'ai très peu de souvenirs de mon père en habit occidental. Il s'habillait en tenue africaine, cousue en Afrique. Il s'est enraciné dans la population africaine. Ce qui était quand même unique parce que tout le monde était tourné vers une façon de vivre occidentale. Et lui non, il voulait se réapproprier son héritage culturel.  Et la volonté de promouvoir les cultures africaines, de leur donner leur vraie place ? C'est exactement cela, revaloriser la culture africaine, la culture noire, se réapproprier celle-ci. Et ne pas avoir de complexes vis-à-vis des cultures européennes, dominantes et autres.  Depuis le début de cet entretien, on joue avec deux noms pour parler de votre père, Stokely Carmichael, Kwame Ture. À un moment donné de sa vie, il décide de passer du nom de Stokely Carmichael à celui de Kwame Ture. C'est une démarche qui dit aussi beaucoup de choses sur le lien qu'il a avec Kwame Nkrumah et Ahmed Sékou Touré.  Effectivement. Il y avait un précédent aux États-Unis. Il y avait pas mal d'Afro-Américains, notamment dans son milieu révolutionnaire, qui changeaient de nom. Notamment Malcolm X, Mohamed Ali. Bien sûr, le nom est inspiré de Kwame Nkrumah et de Sékou Touré. L'anecdote, c'est qu'il était en Tanzanie lors d'un entretien radio. Après l'entretien, apparemment, un vieil homme venu à pied d'un village lointain est venu le voir et lui a dit : « Écoute mon fils, j'ai vraiment aimé ton entretien. Mais il y a une chose : ton nom sonne un peu bizarre, un peu féminin, il faut le changer ». Il a alors pris le nom de Kwame Nkrumah et de Sékou Touré. Lorsqu'il venait l'annoncer à Sékou Touré et lui dire : « J'ai pris le prénom de Kwame », Sékou Touré lui a répondu : « C'est bien, parce qu'à chaque fois que nous avons des débats, tu prends toujours son parti. » Il lui a répondu : « Mais j'ai pris le nom Touré comme nom de famille. ». Ce qui était approprié, car c'étaient ses deux mentors. À lire aussiKwame Ture, le destin hors du commun d'un Black Panther parti s'installer en Guinée [1/2] Comment est-ce que vous décririez les liens qu'il entretenait avec Kwame Nkrumah et Ahmed Sékou Touré ? En Kwame Nkrumah, il voyait un symbole de cette lutte. Il était prêt à le suivre. Il a mené quelques opérations au Ghana pour essayer de voir s'il pouvait réinstaurer Kwame Nkrumah au pouvoir. Il était très proche de lui. Et Sékou Touré était comme un père pour lui. En 1970, votre père vit l'un des moments charnières de l'histoire de la Première République guinéenne, à savoir l'attaque contre Conakry du 22 novembre 1970. Savez-vous comment il a vécu ces journées ?  Je sais qu'il était un participant dans l'action de repousser les troupes portugaises. Il était armé ce jour et a dû utiliser son arme. Selon ce que j'ai appris, il était un des premiers à alerter les autorités, y compris le président, du fait qu'il y avait une attaque qui venait. Ca tirait sur sa case, donc il devait quitter sa maison. Lui et Miriam Makeba ont dû se réfugier quelque part d'autre où il l'a laissée et lui est ressorti pour aider à défendre la ville.  Cette opération conjointe de militaires portugais et de rebelles guinéens a conduit à la plus grande vague d'arrestations en Guinée de toute la Première République. La vie du pays va être rythmée pendant de longs mois par des confessions publiques de personnes présentées comme les complices d'un « complot impérialiste » aux ramifications tentaculaires. Comment est-ce que votre père se positionnait par rapport à cette thèse du complot permanent contre la Guinée ? Et plus généralement, quel regard portait-il sur l'État policier qu'était aussi devenu la Guinée de cette époque ?  C'est quelque chose de très complexe et malheureusement, la Guinée ne s'est toujours pas réconciliée avec ce passé et les positions sont assez ancrées. Maintenant, si on parle de Kwame Ture précisément, pour lui, c'était un régime panafricaniste, le seul régime panafricaniste radical. Et malgré toutes ses erreurs, c'était celui qui pouvait tenir jusqu'au bout cette conviction qu'il avait lui-même. Il était totalement d'accord avec le fait qu'il fallait conserver ce régime pour qu'il ne bascule pas dans un régime néocolonialiste.  À tout prix ? À tout prix.  En 1974, il y a un autre évènement important pour l'Afrique et plus généralement pour le monde noir, c'est le combat en Afrique, à Kinshasa, entre Mohamed Ali et George Foreman. Dans un livre de mémoires, votre père indique qu'il a été invité par Mohamed Ali lui-même à venir à Kinshasa pour le combat. Est-ce que vous savez ce que représentait cet affrontement pour votre père ?  Mohamed Ali était son ami. Il y avait ce symbole de Mohamed Ali qui représentait l'Africain fier et George Foreman qui était un peu l'opposé de cela. Mais après, il a rencontré George Foreman et il disait que George Foreman l'avait séduit avec son charme, l'a embrassé et tout. Je pense qu'au-delà du symbolique, mon père était beaucoup plus intéressé par ce qui se passait au Congo démocratique, c'est-à-dire le Zaïre à l'époque, et le fait que c'était sous le régime de Mobutu Sese Seko, auquel il était farouchement opposé par ce qu'il représentait en termes de corruption et d'alignement avec les puissances coloniales. Qui sont de manière générale les acteurs politiques qui fréquentaient le salon de votre père dans ces années 1970 et au début des années 1980, pendant la Première République en Guinée ? On parle d'un melting pot qui ne dit pas son nom. Que ce soit des artistes - Miriam Makeba et Nina Simone, qui était une de ses amies très proches - ou des activistes de partout dans le monde. Qui venaient à Conakry et qui venaient le rencontrer ? Qui venaient à Conakry ou qui y vivaient. Parce que vous savez qu'à une époque, Conakry était un centre du monde noir où on conciliait l'art, les mouvements de libération, etc. Il y avait un grand nombre de personnes qui y vivaient, comme Amilcar Cabral, comme Kwame Nkrumahn, avant même il y avait Félix-Roland Moumié du Cameroun, pour ce qui est de la politique. Concernant les arts et la littérature, il y avait Ousmane Sembène qui y vivait, il y avait Maryse Condé qui y vivait. C'était vraiment un centre… et il se retrouve chez lui avec toutes ces personnes, plus ou moins de différentes sphères. Moi, je peux raconter avoir vu des activistes exilés sud-africains, Tsietsi Mashinini, qui a commencé la révolte estudiantine de Soweto, qui était parmi d'autres exilés sud-africains. Il y avait beaucoup d'Afro-Américains, bien sûr, des Black Panthers exilés. Il y avait la diplomatie guinéenne, des diplomates de pays gauchistes et souverainistes, il y avait tout un monde. Mais aussi, il faut savoir que Kwame Ture était vraiment penché vers la masse, la masse populaire. Donc autour de tout ça, on voit un chef villageois qui est assis ou on voit la personne déshéritée du quartier qui est là, assise, qui peut recevoir un repas. Parce que notre maison était comme un centre communautaire pour la jeunesse du quartier. Il amenait tous les enfants du quartier à la plage chaque dimanche. Puis se retrouvait peut-être un mardi à saluer un chef d'État. Puis avait une conférence avec un groupe communautaire. Moi, j'ai vu tout cela dans cette maison. C'était quelque chose de magique. Il recevait où, justement ? Dans son salon, dans son bureau ? Y avait-il un rituel autour de la réception de ses amis politiques ? Déjà, il avait une véranda où il était assis… parce que c'était un bibliophile. Il lisait beaucoup, il écrivait beaucoup. Il ne lisait pas pour le plaisir, mais il lisait pour ses conférences. Après, il y a des gens qui venaient pour le rencontrer. Je sais qu'il y a eu Charles Taylor qui était venu de nulle part pour le rencontrer. C'était vraiment un melting pot.    À cette époque, votre père continue aussi ses voyages et ses tournées, il n'est pas tout le temps à Conakry ? Il était très organisé. Sur toutes ses photos, il écrivait les dates et les lieux. On se demande comment il pouvait parcourir toutes ces distances en si peu de temps. Un jour, on le voit au Connecticut. Le lendemain, on le voit à Paris, banni, chassé. En Angleterre, peut-être, d'où il est banni et chassé. Parce que c'était très compliqué pour lui d'avoir accès a beaucoup de pays. Après, on le voit en Californie... Il était partout. Sékou Touré disparaît en 1984. Mais votre père continue, lui, son engagement pour ses idées au sein du Parti démocratique de Guinée. Qu'est-ce qui a marqué ces années de militantisme politique sous Lansana Conté ? Le contexte a vraiment changé !  Et c'est là que l'on voit vraiment les convictions de l'homme. Parce que, du jour au lendemain, tout a changé. Il a été arrêté par le régime de Lansana Conté. Donc, il a perdu les privilèges qu'il avait, bien sûr, où il connaissait le président et était sous sa tutelle. Mais malgré cela, il a décidé de rester en Guinée. La moitié de sa vie guinéenne, quinze ans, s'est passée ainsi. Il a décidé malgré tout de rester en Guinée, d'être actif dans la vie politique guinéenne et la vie sociale de la Guinée.  … Et de rester fidèle à ses convictions.  Exactement. Vous êtes à l'époque enfant. Quel souvenir est-ce que vous gardez de ces années, de votre maison à Conakry, de ceux qui y passaient ? Quelle était l'ambiance ? Vous disiez tout à l'heure que tout le quartier se retrouvait chez vous…  C'est cela. Mon père était d'une gentillesse rare, d'un altruisme qu'on ne retrouve pas très souvent. Donc effectivement, c'était pour moi quelque chose de très formateur. Comment quelqu'un peut traiter un chef d'État avec le même respect qu'il traite la personne la plus déshéritée du quartier. Et toutes ces personnes pouvaient se retrouver chez lui, devant lui, avec le même respect, ou peut-être même le déshérité avec un peu plus d'amour.  Vous appelez régulièrement les Guinéens à se souvenir de votre père, Stokely Carmichael / Kwame Ture. Avez-vous le sentiment que son histoire a été oubliée en Guinée ?  Je parle de manière générale. Il y a une politique de mémoire en Guinée qui doit être améliorée. Stokely Carmichael est un pont unique entre l'Afrique et l'Amérique. On parle d'un personnage qui a passé la moitié de sa vie en Guinée. À ce stade, l'État guinéen n'a pas fait une seule initiative pour se réapproprier de l'héritage de cette personnalité.  Donc il y a un vrai chantier ? Il y a un chantier.  Une dernière question plus personnelle. Quel père a été Stokely Carmichael ? Quelle image retenez-vous de lui ?  Un père adorable, d'une gentillesse rarissime, qui m'a beaucoup appris, que j'ai profondément aimé. Quelqu'un qui était attaché à tout ce qui est beau dans le monde, à commencer par les enfants. ►A lire pour aller plus loin : BERTHO Elara, Un couple panafricain, Editions Rot-Bo-Krik, 2025 À (ré)écouterElara Bertho: «Replacer Conakry au centre des imaginaires, c'était un peu l'idée de cet ouvrage»

On this new episode of THE POLITICRAT daily podcast Omar Moore plays audio of numerous key messages, including from Vice President Kamala Harris, Nina Simone and LBJ. Also: A racist city named Boston.Recorded August 7, 2025.SUBSCRIBE: https://youtube.com/@thepoliticratpodSUBSCRIBE: https://mooreo.substack.comSUBSCRIBE: https://politicrat.substack.comFull interview - VP Kamala Harris and Stephen Colbert (July 31):https://youtu.be/BD8Nf09z_38?si=lFilywVY4BG7F-QGRECOMMENDED READSOmar's latest article on Substack (subscribe!) "A Few Of The Restaurants In San Francisco Where Black People Can Expect Hostility And Racism" (August 6, 2025)https://mooreo.substack.com/p/a-partial-list-of-san-francisco-restaurants?r=275tyrTHE POLITICRAT SUMMER 2025 BOOK READING LIST: https://substack.com/@politicrat/note/c-133449058?r=judrw&utm_medium=ios&utm_source=notes-share-actionPatronize Lanny Smith's Actively Black apparel business: https://activelyblack.comPatronize Melanin Haircarehttps://melaninhaircare.comPatronize Black-owned businesses on Roland Martin's Black Star Network: https://shopblackstarnetwork.comBlack-owned media matters: (Watch Roland Martin Unfiltered daily M-F 6-8pm Eastern)https://youtube.com/rolandsmartin Download the Black Star Network appIf you would like to contribute financially to The Politicrat: please send money via Zelle to omooresf@gmail.comSocial media:https://fanbase.app/popcornreel(Invest in Fanbase now! https://startengine.com/fanbase)https://spoutible.com/popcornreelhttps://popcornreel.bsky.socialAnd spill.com (@popcornreel)

Solonje is lovingly known as the Weed Auntie, leading the fight for cannabis equity by putting community first. Solonje is a Brooklyn-based humanist, pleasure activist, and entrepreneur committed to carving out intentional space for marginalized voices in the world of weed.    Raised by Caribbean immigrants in the suburbs of Newton, Massachusetts, Solonje learned from an early age how to turn the things that made her stand out into a super power. After spending her early career in event production and DEI consulting, she brought her unique skill set to the emerging cannabis industry to transform its glaring equity obstacles into inclusive opportunities.   One of Solonje's latest creations is her hemp jumpsuit, which you can find here.   Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation.    Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!   Solonje Instagram Laura Instagram Laura Website Laura YouTube Leah Instagram Leah Substack Leah YouTube Cha Patreon   차 logo designed by grimeninja

Solonje is lovingly known as the Weed Auntie, leading the fight for cannabis equity by putting community first. Solonje is a Brooklyn-based humanist, pleasure activist, and entrepreneur committed to carving out intentional space for marginalized voices in the world of weed. Raised by Caribbean immigrants in the suburbs of Newton, Massachusetts, Solonje learned from an early age how to turn the things that made her stand out into a super power. After spending her early career in event production and DEI consulting, she brought her unique skill set to the emerging cannabis industry to transform its glaring equity obstacles into inclusive opportunities.One of Solonje's latest creations is her hemp jumpsuit, which you can find here.Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!Solonje InstagramLaura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon차 logo designed by grimeninja

Sammy Kim (they/them) is a multifaceted individual: a queer artist, writer, healer, sex worker, community organizer, caregiver, and friend. From a young age, Sammy took on a caregiving role when their mother was diagnosed with Parkinson's, moving in with relatives as her condition progressed. Seeing their mother struggle with her health, Sammy naturally came into a role of caregiving, grounding themselves in gratitude while extending empathy towards their family. By their pre-teen years, Sammy knew they were queer but felt compelled to hide it due to their Christian upbringing, even trying to "ungay" themselves to avoid eternal damnation. Operating out of fear, Sammy didn't come out to their parents until their mother approached them about it, by which time they had been living openly for three years. Although their mother struggled to accept this part of Sammy, she affirmed her love, signaling a need for more time to understand.Through sex work, what began as a caregiving role to provide for men seeking to feel wanted eventually evolved into a way for Sammy to heal from their early childhood trauma of sexual abuse. Their work became a way for them to deeply question their relationship to the sexualization tied to their identities. As Sammy continues to unravel the many intersections of their experiences, they choose with intention to feel alive in the present, living in the joy that stems from simply being themselves without distraction.Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!Sammy Kim InstagramLaura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon차 logo designed by grimeninja

A federal appeals court upholds a ruling that blocks ICE from broad immigration stops in LA, raising questions about what this means for immigrant communities and enforcement moving forward. President Trump’s attempt to end birthright citizenship is not faring well in court. This time, the Supreme Court may not save him. COVID ticked up in parts of California and is expected to peak in the LA area in late August. Should you get boosted now? Jeff Buckley’s vocals drew comparisons to Nina Simone and Led Zeppelin’s Robert Plant. He died at age 30, but his fan base is still strong today. He’s the subject of Amy Berg’s new documentary.

China MosesNascida em Los Angeles, Califórnia, China Moses é filha da cantora de jazz Dee Dee Bridgewater e do diretor Gilbert Moses. Ela lançou seu primeiro single, "Time" (1996), aos 18 anos. Seguindo com três álbuns: China (1997),On Tourne en Rond (2000)  Good Lovin (2004). De outubro de 2011 a dezembro de 2012, apresentou o programa diário Made in China da Jazz Radio. Para administrar suas atividades como artista, China lançou sua própria produtora, a Made In China Productions, em 2008. Moses e o pianista francês Raphaël Lemonnier criaram um show chamado Gardenias for Dinah, uma homenagem ao ídolo mútuo Dinah Washington, que também foi a inspiração para o álbum This One's for Dinah, lançado em 2009 pela Blue Note. Após sua turnê mundial, que incluiu Europa, Índia, Líbano, Canadá e Japão, o próximo trabalho de Moses e Lemonnier foi uma homenagem às grandes cantoras de blues e jazz que inspiraram ou os influenciaram. Entre elas, estão Dinah Washington Mamie Smith, Lil Green, Além de estrelas como: Nina Simone, Etta James, Janis Joplin,Donna Summer,Bessie Smith,Helen Humes,Aretha Franklin, Billie Holiday.  Moses disse:"Nossas apresentações no palco são organizadas como um espetáculo. Adoro contar histórias, me vejo como um contador de histórias do jazz e gosto de garantir que as pessoas sorriam entre as músicasEm 2012 lança mais uma bolacha: Crazy Blues Em 2013, tornou-se consultora musical da fornecedora francesa de eletricidade ERDF. Também apresentou o documentário Soul Power como parte da série de verão "Summer of Soul". Além de sua participação no álbum So in Love 2010, Blue Note, de André Manoukian, Moses apresentou um novo show no outono de 2013, com canções como " Don't Let Me Be Misunderstood ", " Lullaby of Birdland " e " I've GotYou Under My Skin ". Além disso, ela se apresenta no Cafe Society Swing, um show escrito e produzido por Alex Webb que revive os bons tempos da lendária boate nova-iorquina dos anos 1940. Lá " Strange Fruit " foi cantada pela primeira vez por Billie Holiday . Moses coapresentou e cantou no primeiro Dia Internacional do Jazz da UNESCO, em Paris, França, em 2012, e se apresentou inúmeras vezes para a UNESCO dos EUA.Ela iniciou um documentário sobre o primeiro e o segundo Dia Internacional do Jazz em Paris.  Em diversas ocasiões, Moses dividiu o palco com sua mãe, Dee Dee Bridgewater, e foi acompanhada por orquestras como a Deutsches Filmorchester Babelsberg e a conhecidaWDR Big Band que recomendo. Em 2017, Moses lançou pela gravadora MPS o álbum Nightintales , escrito em cinco dias com o multi-instrumentista negro britânico Anthony Marshall.A dupla gravou o álbum em Londres, no estúdio analógico Snap Studios. O álbum contou com Luke Smith nopiano, Neville Malcolm no baixo e Jerome Brownna bateria, três dos principais músicos negros britânicos da cena soul-jazz do Reino Unido.Sempre foi acompanhada na carreira por excelentes músicos, escolhidos com muito critério, prestem atenção na playlist. Se apresentou com Archie Shepp, Pee Wee Ellis, Theo Croker, John Beasley,Nils Landgren, John Patitucci, Magnus Lindgren, Jamie Cullum,Terence Blanchard, Terri Lyne Carrington, Aloe Blacc, Lakecia Benjamin e Ian Shaw, dividindo o palco com lendas como: Roy Hargrove,George Benson, Metropole Orkest Big Band, Inúmeras filarmônicas, incluindo Bogotá, Trier, Dresden, Potsdam, Bilbao, Paris e Szczecin, WDR Big Band,HR Big Band, Metropole Orkest Big Band e a New Orleans Jazz Orchestra.  Esteve no Brasil em 2017, onde passou pelo Bourbon Street, Sesc, Piracicaba, Jundiaí e em Bauru. DISCOGRAFIA: 1997: China 2000: On Tourne en Rond 2004: Good Lovin 2009: This One's for Dinah 2012: Crazy Blues 2016: Watherver2017: Nightintales 2021: &The Vibe Tribe

00:00 Начинаем и булькаем!02:28 Что такое джаз?07:30 Джаз — это импрессионизм в музыке?10:14 Рождение джаза и Первая мировая война16:40 Вторая мировая война и джаз как музыка сопротивления23:01 1960-е: Холодная война, Вьетнам, борьба чернокожих32:33 Джон Колтрейн, Хиросима и Нагасаки39:30 Любимая группа Заговоры43:30 Джаз и хип-хоп50:02 Что может не нравиться в джазе?52:45 Джаз и Палестина54:30 Джаз (или фьюжн?) и война в Украине59:20 Виленская снова про Radiohead «Первый отдел» в соцсетях:⁠поддержать⁠ «Первый отдел»⁠телеграм⁠⁠инстаграм⁠⁠твиттер⁠⁠ютубАнна Виленская в соцсетях:инстаграмютуб

Sammy Kim (they/them) is a multifaceted individual: a queer artist, writer, healer, sex worker, community organizer, caregiver, and friend. From a young age, Sammy took on a caregiving role when their mother was diagnosed with Parkinson's, moving in with relatives as her condition progressed. Seeing their mother struggle with her health, Sammy naturally came into a role of caregiving, grounding themselves in gratitude while extending empathy towards their family. By their pre-teen years, Sammy knew they were queer but felt compelled to hide it due to their Christian upbringing, even trying to "ungay" themselves to avoid eternal damnation. Operating out of fear, Sammy didn't come out to their parents until their mother approached them about it, by which time they had been living openly for three years. Although their mother struggled to accept this part of Sammy, she affirmed her love, signaling a need for more time to understand.   Through sex work, what began as a caregiving role to provide for men seeking to feel wanted eventually evolved into a way for Sammy to heal from their early childhood trauma of sexual abuse. Their work became a way for them to deeply question their relationship to the sexualization tied to their identities. As Sammy continues to unravel the many intersections of their experiences, they choose with intention to feel alive in the present, living in the joy that stems from simply being themselves without distraction.   Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation.  Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!   Sammy Kim Instagram Laura Instagram Laura Website Laura YouTube Leah Instagram Leah Substack Leah YouTube Cha Patreon

Personne ne s'est plaint de ma dernière description qui était une copie éhontée de celle de Maxime. De deux choses l'une : soit vous vous en foutez, soit j'écris (ou je copie) dans le vide parce que vous ne lisez pas. Je ne vous jette pas la pierre, je ne lis pas les descriptions de podcast non plus. Cela dit, je mets tout de même le nom des groupes mentionnés en fin d'épisode : Slomosa, Skeleton Key et Erik Sanko.La playlist globale et classée sur Youtube (sans les 10 reprises du jour, enfin les 5)La playlist globale et classée sur Spotify (sans les 10 reprises du jour, enfin les 5 zavez compris)La playlist multi-plateformes et classée sur Spotify (sans les 10 reprises du jour, LES 5 j'ai dit)Nouveau : l'annuaire Super Cover Battle (tous les groupes et artistes évoqués depuis le premier épisode, + de 800 noms !).Pour nous envoyer vos listes de 3 reprises (parues officiellement et dispo en stream) :recoversionpodcast@gmail.comecoutecapodcast@gmail.comTipeee : http://tipeee.com/ecoute-ca Discord :  https://discord.com/invite/wgxkGN3grG Instagram : @ecoutecapodcast Bluesky : https://bsky.app/profile/ecoutecapodcast.bsky.socialX/Twitter : @ecoute_ca Facebook : ecoutecapodcastPodmust : https://podmust.com/podcast/ecoute-ca/  Itunes : https://itunes.apple.com/fr/podcast/%C3%A9coute-%C3%A7a/id1307143363?l=en              Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

  Acclaimed director Amy Berg (“West of Memphis,” “Janis: Little Girl Blue”) set her sights on making a documentary about the beloved singer/songwriter Jeff Buckley some 15 years ago. Now, with her finely crafted new documentary, “It's Never Over, Jeff Buckley,” Amy delivers a fresh take on Buckley's remarkable music and a thoughtful look at his life and loves.   Amy joins Ken on “Top Docs” to discuss Jeff Buckley's meteoric rise as a dynamic musical force in the ‘90s, whose sensitive and introspective lyrics ran counter to the grunge and metal scenes ascendant at the time. Jeff's influences, from Nina Simone to Led Zeppelin and Soundgarden, were surprisingly diverse. His voice —  a powerful and haunting instrument in its own right — was unmatched. One listen of his soul-piercing version of Leonard Cohen's “Hallelujah” is all the proof you need of that. At the heart of the film is Jeff's complicated relationship with his dear mother, Mary, who granted Amy access to an incredible array of personal archival material, and with two of his girlfriends, who, collectively, provide insight into this complex young man. He took the music world by storm but had to battle his own demons… and left us all too soon.   “It's Never Over, Jeff Buckley” is in release by Magnolia Films and opens in theaters nationwide on August 8th.   Follow: @amy_berg on Instagram @topdocspod on Instagram and X    “Top Docs” is now on YouTube!   Hidden Gem: “The Cruise”   The Presenting Sponsor of "Top Docs" is Netflix.

Vanguardistas have more fun—so if you don't already subscribe to the podcast, join the Vanguard today via Apple Podcasts or extratakes.com for non-fruit-related devices. In return you'll get a whole extra Take 2 alongside Take 1 every week, with bonus reviews, more viewing recommendations from the Good Doctors and whole bonus episodes just for you. And if you're already a Vanguardista, we salute you.  Could we have found the film of the year already? ‘Bring Her Back' looks like it's got a fighting chance. Mark reviews this brilliantly unsettling new horror from The Philippou brothers, who last freaked us all out with ‘Talk To Me' in 2022. We've got the Good Doctor's verdict on ‘Fantastic Four: First Steps' too—plus the box office top 10 and all your top-quality correspondence.   Our guest this week is the fascinating Justin Kurzel. You know him as director of 2015's ‘Macbeth' with Michael Fassbender, 2021's ‘Nitram', and last year's Nazi-hunting thriller ‘The Order'--and now of his first TV project, ‘The Narrow Road To The Deep North', which hits British screens this week. He chats to Mark and Simon all about the visceral new series, which follows a group of Australian prisoners of war working on the Burma railway in the 1940s, and stars Jacob Elordi and Ciarán Hinds. Plus there's a bit of chat about Nina Simone's chewing gum, and a little teaser for his next project with the guardian of this strange and sticky piece of music ephemera, Warren Ellis.    Timecodes (for Vanguardistas listening ad-free):  Bring Her Back Review: 08:36  BO10: 15:50  Justin Kurzel Interview: 21:55  The Narrow Road to the Deep North Review: 38:20  The Fantastic Four: First Steps Review: 51:16    You can contact the show by emailing correspondence@kermodeandmayo.com or you can find us on social media, @KermodeandMayo  Please take our survey and help shape the future of our show: https://www.kermodeandmayo.com/survey   EXCLUSIVE NordVPN Deal ➼ https://nordvpn.com/take Try it risk-free now with a 30-day money-back guarantee!  A Sony Music Entertainment production.      Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us @sonypodcasts    To advertise on this show contact: podcastadsales@sonymusic.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

The musician joins us to talk about her latest album, Slang Spirituals.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Bianca is an award-winning sociologist, speaker, and author of Unassimilable. She is completing her PhD at Rice University, where she researches the intersections of race, religion, and politics. She is published in top academic journals and has been featured in major media outlets.    Over the last decade, Bianca has served Asian American community organizations and taught Asian American Studies. Through her work in academia and the community, Bianca is committed to the praxis of solidarity and collective liberation.    Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation.  Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!   Bianca Website Bianca Instagram Laura Instagram Laura Website Laura YouTube Leah Instagram Leah Substack Leah YouTube Cha Patreon   차 logo designed by grimeninja

Bianca is an award-winning sociologist, speaker, and author of Unassimilable. She is completing her PhD at Rice University, where she researches the intersections of race, religion, and politics. She is published in top academic journals and has been featured in major media outlets. Over the last decade, Bianca has served Asian American community organizations and taught Asian American Studies. Through her work in academia and the community, Bianca is committed to the praxis of solidarity and collective liberation.Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!⁠Bianca Website⁠⁠Bianca Instagram⁠Laura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon차 logo designed by grimeninja

Singer Lisa Simone is the only person in the world who can call Nina Simone 'mommy'. Lisa was the beneficiary of Nina's incredible talent and her affection, but she was also at the mercy of her mother's erratic moods. Lisa is the only child of the legendary singer, songwriter, and civil rights activist Nina Simone.As a little girl, Lisa loved trying on her mum's stage costumes and singing with her at the piano at home.But after her parents divorced, Nina's moods became erratic, and Lisa was often the target of her mother's violent outbursts.Lisa escaped back to New York, then into the United States Air Force, and then onto Broadway, finally launching her own musical career.It was only after she had her own daughter that Lisa found a way to reconnect with her mother on her own terms.Further informationLisa is on tour in Australia at the moment with her show, A Daughter's Tribute to Nina SimoneShe is performing at the QPAC in Brisbane on Wednesday 23 July and at Adelaide's Her Majesty's Theatre on Saturday 26 July.Find out more about the Conversations Live National Tour on the ABC website.This episode of Conversations was produced by Meggie Morris, executive producer is Nicola Harrison.It explores family dynamics, jazz music, motherhood, therapy, songwriting, mental health, mental illness, bipolar, performance, Dublin Jazz Festival, mother daughter relationships, epic origin stories, the military, the US military, veterans, musical theatre.

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 5:“Babel” (Alejandro González Iñárritu, 2006)“13 Assassins” (Takashi Miike, 2010)“Seven Samurai” (Akira Kurosawa, 1954)“The Long Good Friday” (John Mackenzie, 1980)“F1” (Joseph Kosinski, 2025)Audio quotation in GATEWAY CINEMA, Episode 5:“Toilet Flush Sound Effect - High Quality Flushing” by Sound Effect Doggo, https://www.youtube.com/watch?v=BhsVpvM2ZrM“The Twilight Zone Theme” (1959) by Marius Constant, https://www.youtube.com/watch?v=BhsVpvM2ZrM“Perfect Days” (Wim Wenders, 2023), including “Perfect Day (Piano Komorebi Version)” (2024) by Patrick Watson, “Pale Blue Eyes” (1969) by The Velvet Underground, “Feeling Good” (1965) by Nina Simone, “House of the Rising Sun (Japanese Version)” (2023) by Sayuri Ishikawa, and “Perfect Day” (1972) by Lou Reed, https://www.youtube.com/playlist?list=PLhC3YPiBwS9Vc9nbBG1Dl6y4AfZPD23lm“Bill & Ted's Excellent Adventure” (Stephen Herek, 1989)

Non seulement Louise Forestier accepte le mot vieille, elle l'embrasse avec joie. À 82 ans, la légendaire chanteuse offre ses réflexions sur le vieillissement et sur les bénéfices de la psychothérapie, en plus de revenir sur certains moments marquants de sa carrière, dont ses rencontres avec Tom Waits et Nina Simone.

Fred is a Yonkers, NY raised three-time New York Times and USA Today bestselling author. His books include a poetry collection, We Alive, Beloved and his most recent title, a YA novel, This Thing of Ours.Fred's writing and philanthropic work go hand-in-hand and he has been recognized by many organizations including Forbes 30 Under 30, Comic-Con, and The Root100 and has worked with fortune 500 companies and presidential candidates on their DEI efforts. Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation.Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!Fred InstagramFred WebsiteFred SubstackLaura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon차 logo designed by grimeninja

Kalaya'an Mendoza is a Queer, Hard of Hearing, Filipino American human rights defender, street medic, and community safety and mutual protection trainer. He is an award-winning facilitator of holistic safety and security, as well as a recognized expert in disaster preparedness. They currently reside on occupied Lenape land. Kalaya'an serves as the Director of US Programs at Nonviolent Peaceforce, and is the co-founder of Across Frontlines, an organization that works with frontline human rights defenders.They have inspired, trained, and mobilized thousands of activists in the US and abroad to advance human rights using nonviolent direct action.Kalaya'an has worked his entire decades long career to help people use the resources they have to build the power they need to make the change they want to see in the world.Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!Kalaya'an InstagramLaura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTubeCha Patreon차 logo designed by ⁠grimeninja⁠

Kalaya'an Mendoza is a Queer, Hard of Hearing, Filipino American human rights defender, street medic, and community safety and mutual protection trainer. He is an award-winning facilitator of holistic safety and security, as well as a recognized expert in disaster preparedness. He currently resides on occupied Lenape land. Kalaya'an serves as the Director of US Programs at Nonviolent Peaceforce, and is the co-founder of Across Frontlines, an organization that works with frontline human rights defenders. He has inspired, trained, and mobilized thousands of activists in the US and abroad to advance human rights using nonviolent direct action. Kalaya'an has worked his entire decades long career to help people use the resources they have to build the power they need to make the change they want to see in the world.   Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation.  Please consider becoming a paid subscriber so we can continue creating this work together. For a one-time donation, you can Venmo Laura. For monthly support, you can join our Patreon. Thank you!   Kalaya'an Mendoza Instagram Laura Instagram Laura Website Laura YouTube Leah Instagram Leah Substack Leah YouTube Cha Patreon

Fred is a Yonker, NY raised three-time New York Times and USA Today bestselling author. His books include a poetry collection, We Alive, Beloved and his most recent title, a YA novel, This Thing of Ours.   Fred's writing and philanthropic work go hand-in-hand and he has been recognized by many organizations including Forbes 30 Under 30, Comic-Con, and The Root100 and has worked with fortune 500 companies and presidential candidates on their DEI efforts.    Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation.    Fred Instagram Fred Website Fred Substack Laura Instagram Laura Website Laura YouTube Leah Instagram Leah Substack Leah YouTube   차 logo designed by grimeninja

"I want some sugar in my bowl." - Stine vraagt journalist Joyce Roodnat een levenswijsheid van zangeres Nina Simone te delen. 

Take Me Home. The MCU once took a worthless IP and through the power of Robert Downey Jr. made Iron Man the biggest superhero on the planet. Can they do the same with its even more worthless spinoff?? Red & Ivan put on Nina Simone singing “Sinnerman” and contemplate Disney+'s Ironheart. Also, check out Red & Maggie Tokuda-Hall's podcast, Failure to Adapt, available on Spotify, Apple Podcasts, or via RSS As always: Support Ivan & Red! → patreon.com/boarsgoreswords Follow us on twitter → @boarsgoreswords Find us on facebook → facebook.com/BoarsGoreSwords

Eamon McLaughlin is a Grammy Nominated British born fiddle player. He's a member of the Grand Ole Opry house band. He specializes in Country, Bluegrass and Americana music. He tours with EmmyLou Harris and Rodney Crowell. And he's backed many artists including Vince Gill, Nina Simone and the Oak Ridge Boys.My featured song is “My Love” from the album Bobby M and the Paisley Parade. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH EAMON:www.opry.com/artists/eamon-mcloughlin_______________________ROBERT'S RECENT SINGLES:“THE CUT OF THE KNIFE” is Robert's latest single. An homage to jazz legend Dave Brubeck and his hit “Take Five”. It features Guest Artist Kerry Marx, Musical Director of The Grand Ole Opry band, on guitar solo. Called “Elegant”, “Beautiful” and “A Wonder”! CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

"I'll tell you what freedom is to me: no fear." - Stine deelt een levenswijsheid van pianist, jazz-zangeres en activist Nina Simone. 

This episode of Across The Margin : The Podcast features an interview with Seattle-based multi-instrumentalist singer, songwriter, and soul innovator Brittany Davis. Originally from Kansas City, Brittany began playing piano and organ at a young age. After relocating to Seattle about a decade ago, their exceptional songwriting caught the attention of Stone Gossard of Pearl Jam, leading to a deal with his label, Loosegroove Records, and the birth of two outstanding albums. Blind since birth, Brittany describes themself as a “vessel of sound,” experiencing music in spirit and colors. To Brittany, everything is an instrument — every sound, object, and moment holds musical potential. Their work spans genres, blending elements of soul, R&B, rock, and hip-hop. Her latest album, a stunner entitled Black Thunder, is the focus of this episode. Black Thunder is a profound, fully improvised, fully realized collection that recalls artists like Nina Simone and Roberta Flack in its immersive, incantatory spirit. Produced by Josh Evans, it features Davis on keys and vocals, Evan Flory-Barnes on bass, and D'Vonne Lewis on drums. The trio — who barely knew each other prior to recording together — improvised Black Thunder in a surge of interactive creativity across two days in the studio. The short window in which to work did away with overthinking and brought each musician's A-game. Steeped in Black and Afrocentric cultural influences, this is Davis's most poignant and cathartic work to date. Hosted on Acast. See acast.com/privacy for more information.

Soul from Kokoroko and Annahstasia. A previously unreleased but officially commissioned remix of A Tribe Called Quest by The Creators & Mark Pritchard feat Pino Palladino. A track in tribute to Lalo Schifrin (Rest In Peace). A new track from corto.alto on Ninja Tune. Rap from Westside Gunn & Doechii, BexBlu & Paul Stephan & t.o. Broken Beat from Sticky Dub, a classic from DKD remixed by Matica, NameBrandSound feat Reek0. A great track from the Somewehre Soul compilation. 3iO cover Born Slippy Jazz style. A tune from Macka B from the 1989 asking Who Are The Terrorists? which is about the situation in South Africa back then. A classic from Nina Simone. Drum and Bass from Rezilient & Sydney Bryce. Plus plenty more music treats.

In this episode of QAV, Cameron and Tony kick off the new financial year with tributes to Lalo Schiffrin and Bill Moyers before diving into end-of-year portfolio roundups. They compare the dummy portfolio's 19.87% gain against the STW's 13.61%, dissect U.S. portfolio returns versus the S&P 500, and unpack Tony's concentrated seven-stock strategy. Listener Trent shares his 21% return confession, there's a debate on ditching the Altman Z-score in favour of the Piotroski F-score. They then explore commodity dynamics and deep-dive into GR Engineering Services (GNG) as their Pulled Pork pick, before wrapping up with culture picks—from Nick Cage flops to Nina Simone grooves. 

Ivan Rubenstein-Gillis! Singer! Songwriter! Producer! Dear old friend! Delight! I've known Ivan for decades and I've always loved his music AND talking to him, so having him on my podcast to talk about his music AND MORE was perfect. Under the band name 500 Suns, he's got a new album "Hungry Man" coming out in July 2025! Stay tuned for that, and also stay tuned at the end of this podcast episode for a sneak peek of some music from that project! We have a great chat and you can have a great listen! PS This is only the first HALF of our chat. For the second half, subscribe via Apple Podcasts or merely click on over here to Patreon! Also, here's more about Ivan in Ivan's website's own words: "Ivan Rubenstein-Gillis is a singer, songwriter, producer and multi-instrumentalist based out of New York. With deep roots in folk, rock, jazz, world music and modern poetics, Ivan brings a rare sense of craft, intellectual provocation and emotional expression to his work.​ Ivan grew up in a creative family and from an early age was exposed to great music, books and visual art from all around the world. He played piano as a kid and began putting lyrics and chord patterns together around the age of 10 ... Bought his first guitar in high school and later added mandolin, banjo, harmonica, bass and other instruments to the mix. Over the course of his eclectic career, Ivan has written hundreds of songs and instrumental pieces, produced and recorded albums across various genres, composed for dance and theater and performed with great musicians in many styles.​ The primary focus of Ivan's creative life has been his songwriting. To date, he has recorded 11 albums of original material as a solo artist, collaborating with extraordinary rhythm sections, instrumentalists and singers along the way. His songs have won grants and awards, have been performed by numerous artists and choirs, have been featured in a number of movies, documentaries and PSAs, and have become part of the American musical landscape for his many admirers.​​ Two of his songs were featured in a worldwide viral video produced for the United Nations Environmental Program regarding the evils of single-use plastics. Outside of his own material, Ivan enjoyed a very successful collaboration with legendary trombonist Roswell Rudd over the last decade of his life. Ivan played with Rudd's dynamic MaliCool band in 2007 and produced Feeling Good (a tribute to Nina Simone) - the lead track off of Rudd's 2011 album The Incredible Honk.  In 2013-2014, Ivan produced Trombone For Lovers, an epic collection of American standards which included the house band of John Medeski, Aaron Comess and Richard Hammond, plus guest appearances from Bob Dorough, Faye Victor, Gary Lucas, Michael Doucet, Steven Bernstein, The NYC Labor Choir and other luminaries. TFL received a four star review in Downbeat and generated raves around the world. Roswell performed with Ivan and his band on numerous occasions and guested on several of Ivan's albums, including in the guise of a braying elephant on dogz and katz, a choice cut from Ivan's 2016 album The Lion. Ivan and Roswell continued to work together on new compositions and arrangements right up until Roswell died in December of 2017.​ Ivan produced and played multiple instruments on "Songs From Home" - a well-received  'pandemic EP' with fellow Rudd collaborator (and wonderful singer ) Heather Masse, featuring some of their favorite classics, reimagined for quarantine. Ivan's latest project - 500 Suns - is a collaboration with the great rhythm section of Craig Santiago and Scott Petito - an uplifting soulful band based out of the Hudson Valley featuring Shawn Dawn, Kendra McKinley and Leslie Ritter on vocals. ​Ivan's deep love for many different types of music has allowed him to play around the margins of numerous genres, and has led to longstanding musical relationships with Meyer Horn (drums), Adam Small (bass), Craig Santiago (drums), Scott Petito (bass), Aaron Comess (drums), Richard Hammond (bass), Heather Masse (voice), Cat Martino (voice), Leah Siegel (voice), Lexy Casano (cabaret artist), Clarence Ferrari (flame throwing fiddler), Arne Wendt (organist), Rod Sherwood (producer), David Grausman (piano) and David Brahinsky (NJ-based folksinger), among many others. Ivan has also worked extensively as a music educator, concert producer and "musical activist" - utilizing his talent and experience in the service of providing musical opportunities to underserved populations. Ivan has played at countless benefit concerts, fundraisers and community events and always appreciates the opportunity to play music in the service of a worthy cause.  Along with the music, Ivan writes satire, short stories, poems and the occasional expository essay. He also likes to draw funny sketches." Thanks and love, all!

Janea Brown is a liberation marketing strategist currently founding Earthlings Undone, a collective connecting frontline movements with content creators through proven systems. After building a successful influencer career (193K Instagram, 195K YouTube) working with brands like IKEA, Nike, Target, Janae walked away from her $400K annual income to investigate alternatives to oppressive systems. Having navigated 22+ jobs across seven industries, Janea now focuses on making anti-capitalist and decolonial solutions more discoverable through coordinates campaigns and resource sharing. Currently in its foundational phase, Earthlings Undone is conducting research and fundraising to amplify grassroots movements by providing educators with ready-made campaigns while connecting systems-weary audiences to existing alternatives. As a fellow earthling exploring the art of breaking free from harmful systems, Janea shares capacity-aware pathways to transformation through her platforms. Her work aims to bridge digital organizing with becoming useless to systems of harm, supporting the collective journey toward becoming better ancestors for all beings and the planet.Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Janae InstagramEarthlings Undone InstagramLaura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTube

Bienvenue dans Les Fabuleux Destins, le podcast qui vous fait découvrir des histoires vraies et étonnantes. Cette semaine, à l'occasion de la Fête de la musique, partez à la découverte de quatre récits parfois méconnus de figures emblématiques de la musique : Nina Simone, Fela Kuti, Ray Charles ou encore Marvin Gaye. Plongez dans une saison consacrée aux légendes de la musique africaine et afro-américaine, et plus particulièrement à leur part d'ombre. L'afrobeat comme arme politique  Le 18 février 1977, l'armée nigériane attaque Kalakuta, la république autoproclamée de Fela Kuti. Ce jour-là, sa mère est violemment jetée par la fenêtre, et plus rien ne sera comme avant. Artiste de génie, agitateur politique, chef de communauté, Fela Kuti a fait de l'afrobeat une arme. Mais derrière la légende, il y a aussi l'homme, ses contradictions, son emprise. Ce destin est celui d'un roi : flamboyant, dangereux, inoubliable. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire cambridge analytica⁠⁠ ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire Médiator⁠⁠ ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire des Pentagones Papers⁠⁠ ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire McLibel ou le procès McDonald's⁠⁠ Un podcast Bababam Originals Ecriture : Mary Lou Oeconomou Production : Bababam  Voix : Florian Bayoux  Learn more about your ad choices. Visit megaphone.fm/adchoices

Bienvenue dans Les Fabuleux Destins, le podcast qui vous fait découvrir des histoires vraies et étonnantes. Cette semaine, à l'occasion de la Fête de la musique, partez à la découverte de quatre récits parfois méconnus de figures emblématiques de la musique : Nina Simone, Fela Kuti, Ray Charles ou encore Marvin Gaye. Plongez dans une saison consacrée aux légendes de la musique africaine et afro-américaine, et plus particulièrement à leur part d'ombre. Une vie de lutte et de génie musicale  Montreux, 1976. Nina Simone remonte sur scène après deux ans de silence. Le public découvre une artiste instable, brillante, déroutante, entre fulgurances musicales et ruptures de ton. Ce soir-là, sa voix claque, tremble, gronde, tandis que sa douleur affleure. Derrière l'icône, une femme rongée par la maladie, la rage, et un destin brisé. Voici l'histoire de Nina Simone, pianiste prodige, militante incandescente et diva tragique. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire cambridge analytica⁠⁠ ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire Médiator⁠⁠ ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire des Pentagones Papers⁠⁠ ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire McLibel ou le procès McDonald's⁠⁠ Un podcast Bababam Originals Ecriture : Mary Lou Oeconomou Production : Bababam  Voix : Florian Bayoux Learn more about your ad choices. Visit megaphone.fm/adchoices

In this crossover episode with Rakeem Shabazz of Wise the Dome TV, Cold War Cinema co-host Anthony Ballas discusses the recent documentary Soundtrack to a Coup d'État (dir. Johan Grimonprez 2024). The documentary explores the weaponization of jazz music during the Cold War, the contradictions of using Black art to mask American imperialism, and the legacy of artists like Louis Armstrong, Max Roach, and Nina Simone. Ballas breaks down how the film links Cold War coups and cultural propaganda to present-day resource extraction in the Congo, and why the documentary's archival style is itself a radical political act. Ballas also discusses his recent piece on the film (co-authored with Gerald Horne), "Antidote to Soft Power: Johan Grimonprez's Soundtrack to a Coup d'État" for Scalawag Magazine.  Please subscribe to the podcast, and don't forget to leave a review! Also, make sure you check out and subscribe to Wise the Dome TV. _____________________ Logo by Jason Christian  Theme music by DYAD (Charles Ballas and Jeremy Averitt).  Please drop us a line anytime at coldwarcinemapod@gmail.com. Happy listening!

Bienvenue dans Les Fabuleux Destins, le podcast qui vous fait découvrir des histoires vraies et étonnantes. Cette semaine, à l'occasion de la Fête de la musique, partez à la découverte de quatre récits parfois méconnus de figures emblématiques de la musique : Nina Simone, Fela Kuti, Ray Charles ou encore Marvin Gaye. Plongez dans une saison consacrée aux légendes de la musique africaine et afro-américaine, et plus particulièrement à leur part d'ombre. Le destin tragique du prince de la soul  Marvin Gaye est paranoïaque, enfermé chez lui, hanté par ses démons et les drogues. Le 1er avril 1984, une dispute éclate avec son père. Quelques minutes plus tard, ce dernier revient armé et lui tire dessus à bout portant. Marvin s'effondre. Il meurt la veille de ses 45 ans. Derrière cette fin tragique, le parcours bouleversant d'un génie de la soul, entre foi, violences familiales, engagement politique et chute intime. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire cambridge analytica⁠⁠ ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire Médiator⁠⁠ ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire des Pentagones Papers⁠⁠ ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire McLibel ou le procès McDonald's⁠⁠ Un podcast Bababam Originals Ecriture : Mary Lou Oeconomou Production : Bababam  Voix : Florian Bayoux  Learn more about your ad choices. Visit megaphone.fm/adchoices

Janea Brown is a liberation marketing strategist currently founding Earthlings Undone, a collective connecting frontline movements with content creators through proven systems. After building a successful influencer career (193K Instagram, 195K YouTube) working with brands like IKEA, Nike, and Target, Janea walked away from her $400K annual income to investigate alternatives to oppressive systems. Having navigated 22+ jobs across seven industries, Janea now focuses on making anti-capitalist and decolonial solutions more discoverable through coordinated campaigns and resource sharing. Currently in its foundational phase, Earthlings Undone is conducting research and fundraising to amplify grassroots movements by providing liberation educators with ready-made campaigns while connecting system-weary audiences to existing alternatives. As a fellow earthling exploring the art of breaking free from harmful systems, Janea shares capacity-aware pathways to transformation through her platforms. Her work aims to bridge digital organizing with becoming useless to systems of harm, supporting the collective journey toward becoming better ancestors for all beings and the planet. Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation.  Janea Instagram Earthlings Undone Instagram Laura Instagram Laura Website Laura YouTube Leah Instagram Leah Substack Leah YouTube

Bienvenue dans Les Fabuleux Destins, le podcast qui vous fait découvrir des histoires vraies et étonnantes. Cette semaine, à l'occasion de la Fête de la musique, partez à la découverte de quatre récits parfois méconnus de figures emblématiques de la musique : Nina Simone, Fela Kuti, Ray Charles ou encore Marvin Gaye. Plongez dans une saison consacrée aux légendes de la musique africaine et afro-américaine, et plus particulièrement à leur part d'ombre. Le génie du blues  Un soir de 1965, Ray Charles est retrouvé gisant dans sa salle de bain, victime d'un accident lié à sa dépendance à l'héroïne. Derrière l'image du « Genius » adulé, se cache un homme rongé par les traumatismes d'enfance, la ségrégation et l'addiction. De la perte de la vue à la mort de son frère, Ray traverse les épreuves en s'accrochant à la musique. Malgré ses combats personnels, il deviendra une légende, symbole de lutte et d'excellence artistique. Cet épisode explore la face sombre et lumineuse d'un destin hors du commun. Pour découvrir d'autres récits passionnants, cliquez ci-dessous : ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire cambridge analytica⁠⁠ ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire Médiator⁠⁠ ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire des Pentagones Papers⁠⁠ ⁠⁠[INEDIT] Les plus grands scandales d'Etats : l'affaire McLibel ou le procès McDonald's⁠⁠ Un podcast Bababam Originals Ecriture : Mary Lou Oeconomou Production : Bababam  Voix : Florian Bayoux  Learn more about your ad choices. Visit megaphone.fm/adchoices

Bienvenue dans Les Fabuleux Destins, le podcast qui vous fait découvrir des histoires vraies et étonnantes. Cette semaine, à l'occasion de la Fête de la musique, partez à la découverte de quatre récits parfois méconnus de figures emblématiques de la musique : Nina Simone, Fela Kuti, Ray Charles ou encore Marvin Gaye. Plongez dans une saison consacrée aux légendes de la musique africaine et afro-américaine, et plus particulièrement à leur part d'ombre. Rejoignez-nous pour explorer ces récits captivants, où chaque détail vous tiendra en haleine. Et tout au long de la semaine comme toujours, (ré)écoutez nos meilleurs fabuleux destins et nos meilleurs épisodes de La Traque, le podcast qui vous plonge dans les plus grandes cavales criminelles de l'histoire.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Scholar and poet Shonda Buchanan grew up in Kalamazoo with a deep love for Nina Simone. Her new book, The Lost Songs of Nina Simone, captures the singer's spirit in a unique blend of poetry, memoir, and historical reflection. Looking for more conversations from Stateside? Right this way. If you like what you hear on the pod, consider supporting our work. Music in this episode by Blue Dot Sessions.See omnystudio.com/listener for privacy information.

Cassandra is our Restie Bestie! She is a neurodivergent Vietnamese-Chinese daughter of refugees. As a somatic healing facilitator and liberatory rest educator, Cassandra guides tired and trauma-impacted organizations, communities, and individuals to rest.    Cassandra's mission is to uplift rest as a necessary modality for collective healing and social change. Her holistic approach examines the cultural erasure of rest, integrates the spiritual as well as scientific pillars of rest, and helps people discover what their bodies need to feel safe enough to slow down. Cassandra is committed to building a world where love and liberation are the dominant culture.   Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation.    Cassandra Instagram Cassandra Website Laura Instagram Laura Website Laura YouTube Leah Instagram Leah Substack Leah YouTube   차 logo designed by grimeninja

Cassandra is our Restie Bestie! She is a neurodivergent Vietnamese-Chinese daughter of refugees. As a somatic healing facilitator and liberatory rest educator, Cassandra guides tired and trauma-impacted organizations, communities, and individuals to rest. Cassandra's mission is to uplift rest as a necessary modality for collective healing and social change. Her holistic approach examines the cultural erasure of rest, integrates the spiritual as well as scientific pillars of rest, and helps people discover what their bodies need to feel safe enough to slow down. Cassandra is committed to building a world where love and liberation are the dominant cultureWelcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Cassandra InstagramCassandra WebsiteLaura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTube차 logo designed by grimeninja

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2017 conversation with Jimmy Webb. ABOUT JIMMY WEBBJimmy Webb emerged as a superstar songwriter and arranger in 1967 when two of his songs – The 5th Dimension's “Up, Up and Away” and Glen Campbell's “By the Time I Get to Phoenix” - were among the five nominees for the Grammy's Song of the Year award. He went on to write a string of major hits for Campbell, including “Wichita Lineman,” “Galveston,” "Where's the Playground Susie,” “Honey Come Back,” and many others. Additionally, he penned “MacArthur Park,” which was a hit for a diverse range of artists, including Richard Harris, Waylon Jennings, Tony Bennett, Andy Williams, and Donna Summer; “The Worst That Could Happen,” which was a Top 5 hit for The Brooklyn Bridge; “Didn't We,” which was recorded by Thelma Houston, Frank Sinatra, Diana Ross, and Barbra Streisand; “All I Know,” which became a Top 10 hit for Art Garfunkel; “The Moon's a Harsh Mistress,” which has been recorded by Joe Cocker, Judy Collins, Linda Ronstadt, and Josh Groban; and “If These Walls Could Speak,” which was recorded by Glen Campbell, Amy Grant, Nanci Griffith, and Shawn Colvin. Others who've covered material from the Jimmy Webb songbook include Diana Ross, Dusty Springfield, Nina Simone, The Four Tops, Roberta Flack, The Temptations, The Association, Tom Jones, Dionne Warwick, Cass Elliot, Harry Nilsson, Nancy Wilson, Cher, Bob Dylan, The Everly Brothers, Nick Cave, John Denver, Kenny Rogers, Sheena Easton, David Crosby, Rosemary Clooney, Michael Feinstein, R.E.M., Aimee Mann, America, Aretha Franklin, Isaac Hayes, Peggy Lee, Bette Midler, James Taylor, Carrie Underwood, Dwight Yoakam, and The Highwaymen (consisting of Johnny Cash, Willie Nelson, Waylon Jennings, and Kris Kristofferson), who took Jimmy's song “Highwayman” to #1, earning him a Grammy for Country Song of the Year. As an artist, he has released more than a dozen albums. One of the most celebrated songwriters on the planet, Jimmy is the only individual to win Grammy awards for music, lyrics, and orchestration. He was inducted into the Songwriters Hall of Fame, the Nashville Songwriters Hall of Fame, and the Great American Songbook Hall of Fame. Additionally, he has received ASCAP's Lifetime Achievement Award, the Influential Songwriter Award from the National Music Publishers Association, and the Academy of Country Music's prestigious Poets Award. In 2015 he was named among Rolling Stone magazine's 100 Greatest Songwriters of All Time. Jimmy's memoir, The Cake and the Rain, details his formative years and early career through 1973. It's available now from St. Martin's Press. 

Suzy is a Palestinian-Californian fashion designer whose parents instilled in her a strong Palestinian identity. She has been drawn to traditional Palestinian clothing and textiles since her youth. After studying Fashion and Textile design at the Academy of Art University in San Francisco, Suzy designed a modern interpretation of the traditional Palestinian thobe which was showcased at the UN headquarters in NY.   Suzy uses Tatreez to bring about awareness and to share the beauty of Palestine. Her latest collection - Freedom Fighter - is a political and humanitarian expression, implementing indigenous fabrics and innovative textile design to pay homage to the past with eyes to the future, hand-embroidered by Palestinian women refugees.    In our conversation, Suzy shares learnings from and stories about her friend and mentor Wafa Ghnaim (@tatreezandtea), who is a dress historian, writer, and educator.    Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation.    Suzy Website Suzy Instagram Laura Instagram Laura Website Laura YouTube Leah Instagram Leah Substack Leah YouTube

Suzy is a Palestinian-Californian fashion designer whose parents instilled in her a strong Palestinian identity. She has been drawn to traditional Palestinian clothing and textiles since her youth. After studying Fashion and Textile design at the Academy of Art University in San Francisco, Suzy designed a modern interpretation of the traditional Palestinian thobe which was showcased at the UN headquarters in NY.Suzy uses Tatreez to bring about awareness and to share the beauty of Palestine. Her latest collection - Freedom Fighter - is a political and humanitarian expression, implementing indigenous fabrics and innovative textile design to pay homage to the past with eyes to the future, hand-embroidered by Palestinian women refugees. In our conversation, Suzy shares learnings from and stories about her friend and mentor Wafa Ghnaim (@tatreezandtea), who is a dress historian, writer, and educator. Welcome to 차 with Laura and Leah! Cha is a podcast and video series featuring conversations with our friends over tea. We are two diasporic Korean women who were inspired by Nina Simone's quote, “An artist's duty is to reflect the times.” Cha is our offering to the collective and we hope our conversations inspire you to start having meaningful dialogues and reflections with your own communities. So make sure to brew a pot of cha and join our conversations about art, spirituality, culture, and liberation. Suzy WebsiteSuzy InstagramLaura InstagramLaura WebsiteLaura YouTubeLeah InstagramLeah SubstackLeah YouTube

Natalia Lafourcade inaugura la temporada 2025 de El Sonido: Cancioneros, el podcast sobre música latinoamericana e iberoamericana de KEXP. La multipremiada cantautora veracruzana nos deleita con una selección íntima de cinco canciones que la formaron y que, sin querer, definieron el tono de Cancionera, su duodécimo álbum de estudio, lanzado en 2025. Desde Nina Simone hasta Chavela Vargas, pasando por Agustín Lara y Lorenzo Barcelata, Natalia repasa las piezas que dieron forma a su nuevo disco, al que define como un alter ego, un manifiesto sonoro y una declaración de identidad. En este episodio, escuchamos los vínculos emocionales y musicales que alimentaron su nuevo universo creativo. Cancionero curado por Natalia Lafourcade:• “Ne Me Quitte Pas” – Nina Simone• “Vereda Tropical” – Toña La Negra• “El Coconito” – Lorenzo Barcelata• “Verde Luna” – Chavela Vargas• “Cancionera” – Natalia Lafourcade Una producción original de KEXP en español.Más info en kexp.org/el-sonido Natalia Lafourcade opens the 2025 season of El Sonido: Cancioneros, KEXP’s podcast about Latin American and Ibero-American music. The acclaimed Veracruz-born singer-songwriter shares a deeply personal selection of five songs that shaped her and—perhaps unintentionally—defined the tone of Cancionera, her twelfth studio album released in 2025. From Nina Simone to Chavela Vargas, passing through Agustín Lara and Lorenzo Barcelata, Natalia reflects on the music that shaped her latest work, which she describes as an alter ego, a sonic manifesto, and a declaration of identity. In this episode, we listen to the emotional and musical connections behind her new creative universe. Songbook curated by Natalia Lafourcade:• “Ne Me Quitte Pas” – Nina Simone• “Vereda Tropical” – Toña La Negra• “El Coconito” – Lorenzo Barcelata• “Verde Luna” – Chavela Vargas• “Cancionera” – Natalia Lafourcade An original Spanish-language production by KEXP.More info at kexp.org/el-sonidoSupport the show: http://kexp.org/elsonidoSee omnystudio.com/listener for privacy information.

This week, we sit down with Michael Alago—legendary A&R executive, photographer, and subject of the critically acclaimed documentary Who the Fuck Is That Guy?! The Fabulous Journey of Michael Alago. Michael joins us to share the wild, inspiring story of his life in music—from signing Metallica and White Zombie to working with Nina Simone and becoming a celebrated photographer. He reflects on being openly gay in the heavy metal scene, his struggles with addiction, and finding peace through sobriety and creativity. With stories that span decades, this is a powerful conversation about music, resilience, and living authentically.⁠https://www.instagram.com/michaelanthonyalago⁠⁠https://linktr.ee/michaelmachine⁠⁠https://www.michaelalago.co⁠******************************************Hungry for more?Check us out at ⁠https://isbreakfast.com⁠******************************************