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10 episodes with political art
8 episodes with political art
2 episodes with political art
2 episodes with political art
3 episodes with political art
3 episodes with political art
2 episodes with political art
2 episodes with political art
2 episodes with political art
Send your questions or provocations to Adam or Budi here!Adam and Budi sit down with playwright Future D. Fidel, wherein they discuss the recent escalation of conflict within the Congo. This leads into a conversation about The Political Theatre, and how all theatre is inherently political. This episode was recorded 30/01/2025Support the showIf you enjoyed this week´s podcast, please leave a review on Apple Podcasts. To submit a question: Voice- http://www.speakpipe.com/theatreofothers Email- podcast@theatreofothers.com Show Credits Co-Hosts: Adam Marple & Budi MillerProducer: Jack BurmeisterMusic: (Intro) Jack Burmeister, (Outro) https://www.purple-planet.comAdditional compositions by @jack_burmeister
This week on Writer's Voice we feature three great conversations. Karen Joy Fowler reflects on the relevance of Ursula K. Le Guin's The Dispossessed and its vision of utopia on the occasion of the 50th anniversary re-issue of that classic work of speculative fiction. She wrote the introduction. Listen to our 2012 interview with Ursulla … Continue reading Utopias, Pipelines, and Political Art: Karen Joy Fowler, Charlotte Dennett, and Jules Feiffer →
Art has the power to disrupt the status quo, challenge authority, and ignite social change. Just ask today's guests, whose provocative artworks have sparked conversation in the political realm for decades. In today's episode, we welcome legendary provocateur Robbie Conal and activist artist Karen Fiorito to discuss the transformative power of political art. Robbie, best known for his clever street posters that skewer corrupt politicians, has spent over three decades turning city streets into a canvas for social change. Karen, curator of the annual political exhibition Indivisible 2024, is the fearless creator of controversial billboards. She joins the conversation to share her experience pushing boundaries and challenging authority with bold public art. Together, Robbie and Karen dive into the wild world of street art, the legal and personal risks that come with it, and how humor can serve as the ultimate weapon in activism. For more information, please visit http://notrealart.com/robbie-conal-karen-fiorito
Today, we're diving into the role of political art in American society.
Today, we're diving into the role of political art in American society.
Vinson Cunningham is a staff writer for The New Yorker. His novel, published in March 2024, is Great Expectations. “I think the job is just paying a bunch of attention. If you're a person like me, where thoughts and worries are intruding on your consciousness all the time, it is a great relief to have something to just over-describe and over-pay-attention to—and kind of just give all of your latent, usually anxious attention to this one thing. That, to me, is a great joy.” Show notes: @vcunningham vinson.nyc Cunningham on Longform Cunningham's New Yorker archive 04:00 "'The Suit' at BAM" (Brooklyn Paper • Jan 2013) 04:00 "Label Maker: Edward Buchanan" (Nylon Guys • Mar 2015) 09:00 circlejerk.live 11:00 Jeremy O. Harris' plays 11:00 "How Are Audiences Adapting to the Age of Virtual Theatre?" (New Yorker • Oct 2020) 18:00 "The Season of Russell Westbrook and a New Era in N.B.A. Fandom" (New Yorker • Apr 2017) 25:00 Cunningham's McSweeney's archive 25:00 "The Flies in Kehinde Wiley's Milk" (The Awl • Jun 2015) 25:00 "Can Black Art Ever Escape the Politics of Race?" (New York Times Magazine • Aug 2015) 25:00 "How Chris Jackson is Building a Black Literary Movement" (New York Times Magazine • Feb 2016) 27:00 "Stephon Marbury Has His Own Story to Tell" (New Yorker • Apr 2020) 28:00 "The Playful, Political Art of Sanford Biggers" (New Yorker • Jan 2018) 29:00 WTF with Marc Maron 32:00 "Tracy Morgan Turns the Drama of His Life into Comedy" (New Yorker • May 2019) 36:00 Redd Foxx party albums 38:00 Alexandra Schwartz' New Yorker archive 41:00 Simon Parkin on Longform 41:00 Adrian Chen on Longform 42:00 "The Many Lives of Steven Yeun" (Jay Caspian Kang • New York Times Magazine • Feb 2021) Learn more about your ad choices. Visit podcastchoices.com/adchoices
Welcome to "Grassroots Chronicles," a captivating podcast that delves into the heart of grassroots politics, providing a unique lens through which listeners can explore the dynamic landscape of civic engagement, community activism, and the power of ordinary individuals to effect meaningful change. Hosted by seasoned political enthusiasts and community advocates, "Grassroots Chronicles" serves as a vital platform for those who believe in the transformative potential of grassroots movements. Each episode takes its audience on an insightful journey, uncovering the untold stories of local heroes and unsung leaders who have played pivotal roles in shaping their communities. The podcast kicks off by defining and demystifying grassroots politics, ensuring listeners grasp the fundamental concepts that drive the movement. With clarity and depth, the hosts navigate through the intricate web of community organizing, shedding light on the diverse array of issues that can spark grassroots movements—be it environmental justice, social equality, or economic reform. "Grassroots Chronicles" is not just a passive listening experience; it's an immersive exploration of real-life narratives. Through in-depth interviews, the podcast amplifies the voices of activists, organizers, and community members who have been at the forefront of change. Listeners gain profound insights into the challenges these individuals faced, the triumphs they celebrated, and the lessons learned along the way. The show also delves into the historical context of various grassroots movements, drawing parallels between past and present to underscore the enduring nature of citizen-led initiatives. By weaving together stories from different regions and time periods, "Grassroots Chronicles" highlights the interconnectedness of people's struggles and the enduring spirit of collective action. One of the podcast's standout features is its commitment to providing practical tools and guidance for those eager to embark on their own grassroots journeys. From expert advice on community organizing to discussions about leveraging social media for activism, the show equips its audience with tangible resources to turn inspiration into action. "Grassroots Chronicles" is not confined to any particular political ideology; it transcends partisan lines to focus on the shared values and aspirations that unite grassroots movements worldwide. It fosters a sense of community among its listeners, encouraging them to see beyond differences and recognize the common threads that bind them as agents of change. The podcast's engaging storytelling and thoughtful analysis make it accessible to both seasoned activists and those new to grassroots politics. Its commitment to inclusivity ensures that a diverse range of voices and perspectives are represented, making it a truly representative platform for the grassroots community. In an era where people are yearning for authentic connections and tangible ways to make a difference, "Grassroots Chronicles" stands as a beacon of hope and empowerment. Through its narratives of resilience, perseverance, and community-driven change, the podcast inspires listeners to believe in their capacity to shape the world around them. It's more than just a podcast; it's a call to action, an invitation to join the ranks of those who believe that the power to transform society lies in the hands of the many, not the few. /// The Yard Sign is a weekly political podcast presenting a different perspective on the week's local, state, and national news and politics. In addition to the revolving cast of panelists, The Yard Sign will feature political candidates, subject matter experts, and elected officials. The Yard Sign is The Most Important Irrelevant Political Podcast based out of Florida featuring young professional conservatives discussing the political news of the day. The show airs weekly on Mondays at 7pm. Visit our website: http://theyardsign.com Like The Yard Sign on Facebook: http://facebook.com/theyardsign Follow The Yard Sign on Twitter: http://twitter.com/theyardsign Subscribe: https://www.youtube.com/channel/UCFit1jbe16x5TlfMr0P9y9A #politics #republican #democrat #libertarian #news #florida
In this episode of "The Truth in This Art" podcast, host Rob Lee interviews self-taught painter Esteban Whiteside. They discuss Esteban's journey as an artist, his influences, and his unique approach to merging street art and politics. Esteban shares his experiences with activism through his artwork and offers advice for aspiring artists who want to use their work to make a statement. Tune in for an inspiring conversation at the intersection of arts, culture, and community.
To Sanford Biggers, the past, present, and future are intertwined and all part of one big, long now. Over the past three decades, the Harlem-based artist has woven various threads of place and time—in ways not dissimilar to a hip-hop D.J. or a quilter—to create clever, deeply metaphorical, darkly humorous, and often beautiful work across a vast array of mediums, including painting, sculpture, video, photography, music, and performance. Among his standout works are “Oracle” (2021), a 25-foot-tall cast bronze sculpture that combines a Greco-Roman form with an African mask; his “BAM” series (2015) of gunshot statuettes; and his ongoing “Codex” series of quilts, which have, over his past decade of making them, become an especially potent and ritualistic part of his art-making.On this episode, Biggers talks about the influence that musicians such as Mahalia Jackson, Ray Charles, and Stevie Wonder have had on his art; why he thinks of himself as a “material polyglot”; and why religious and spiritual works like reliquaries, shrines, and “power objects” are the bedrock of his practice.Special thanks to our Season 8 sponsor, Van Cleef & Arpels.Show notes:[00:26] Sanford Biggers[03:55] “Sanford Biggers with Yasi Alipour”[07:14] “The Playful, Political Art of Sanford Biggers”[12:34] Moon Medicin[13:36] Mahalia Jackson[13:39] Ray Charles[13:40] Charles Mingus[13:41] Thelonious Monk[15:32] Stevie Wonder[16:06] Prince[18:00] Dick Gregory[18:01] Richard Pryor[18:02] Redd Foxx[18:47] “BAM” series[27:17] “re:mancipation”[29:05] Skowhegan School of Painting & Sculpture[30:08] John Biggers[31:41] “Codeswitch” at the California African American Museum[33:28] Dr. Leslie King-Hammond[33:30] Maryland Institute College of Art[37:47] University High School[38:23] Morehouse College[38:33] Art Institute of Chicago[47:34] Isamu Noguchi[47:36] Martin Puryear[49:06] “Lotus”[50:31] “Orin”[55:52] “Meet Me on the Equinox”[55:52] “Back to the Stars”
In this episode, independent dance practitioner and writer Ranjana Dave talks to us about the evolution of Indian classical dance, and what it means for dance to be political.‘In Perspective' is The Swaddle's podcast series where academics reveal little-known facts about Indian history, society and culture. Notes: 00:00:47:09- How do we interrogate the relationship between classical dance and contemporary Indian society? Is classical dance a rigid art form, or is there scope for fluidity and evolution of the form with time?00:05:17:06- What notions of gender and gender roles do we see in these narratives, and do dancers question some of these narratives through the way in which they perform them?00:08:50:04- Are contemporary performers of classical dance bringing ideas of queerness and consent into stories they depict, especially canonical ones? 00:10:39:24- Are there common notions of the perfect ‘ideal' body that are espoused across different dance forms? How are contemporary movement artists questioning these notions?00:13:38:15- Do ideas of transgressive desire percolate in classical dance forms? Are there ways in which contemporary movement artists are making those speak to society?00:17:41:18- Does theIndian classical dance community resist these transgressive narratives and interpretations of canonical stories, because of ideas about the purity of form?00:19:33:16- Has there been a history of resistance through dance in India?00:22:28:02- As the internet becomes central to our content consumption, in what ways is dance interacting with the digital medium, and is this resulting in an evolution of the form?
Artist and filmmaker Mariam Ghani joined AR in 2021 to talk about her movie "What We Left Unfinished," which explores Afghanistan's film industry during the Soviet Era. She also discusses "Index of the Disappeared," a long-running project focusing on people who went missing during the U.S.'s War on Terror, and a pre-COVID movie she made about pandemics.See omnystudio.com/listener for privacy information.
An in-depth conversation with award-winning Swedish artist and storyteller Simon Stålenhag. Simon is the creator of narrative art books like Tales From the Loop, Things From the Flood, and The Electric State. We discuss what it's like for a small artist to be courted by the Hollywood machine. We dig into the meaning and messages in dystopia science fiction. And we talk about the negative implications of AI art generators.
This week, Sadie memorializes the stunning Olivia Newton-John who just recently passed away. Although most famous for her starring role in Grease, the Australian actress had a long and pretty successful country music career before settling on the screen for her iconic role opposite Travolta, as well as Xanadu and a slew of other films, and then releasing the MOST popular song of the eighties 'Physical.' We talk all about her long and stunning career, her charity work and philanthropy, her long battle with breast cancer, and all the things that made her such a stunning and talented woman worth remembering.Episodes Like This One: The ______ Girl, Julie Andrews, Women in Country MusicFollow us on Instagram @morethanamuse.podcast
This week, Stauney is talking about one of her personal inspirations, Bea Feitler, a groundbreaking graphic designer from the sixties and seventies who wasn't afraid to embrace the bizarre and unconventional. Feitler was one of the youngest art directors ever when she took her co-director position with her contemporary Ruth Ansel and the two took the major magazine world by storm winning award after award. She would go on to have a flourishing and fulfilling career, constantly pushing the envelope and using her signature neon colors every chance she got and friends continued to describe her as an "unstoppable creative force."Want to check out some of our favorite books? Check out our booklist Follow us on Instagram @morethanamuse.podcast
We made it to 100 Episodes!! We get to be all reflective and reminisce on our favorite people, topics, and more that we covered that have inspired and helped shape us into the women and artists we are. We also talk about female friendships and the difference they make.Want to check out some of our favorite books? Check out our booklist Follow us on Instagram @morethanamuse.podcast
This week, we're spending our time in 18th and 19th century Paris with four great ladies and fundamental artists of Impressionism: Marie Bracquemond, Berthe Morisot, Mary Cassatt, and Eva Gonzalès. All four spent significant amounts of time in the Paris inner circles, with many (if not all) of them related to the most prominent figures in impressionism. They also all overcame family obstacles, gender discrimination, criticism of the movement they believed in, and much more to rise to the top of the impressionist art scene. Although very similar upbringings, these women all created unique and stunning works of art that are the pinnacles of the movement and significant to all of art history.Want to check out some of our favorite books? Check out our booklist Follow us on Instagram @morethanamuse.podcast
We've got ourselves a HOT ONE today! On this episode, I talk about the WorkHuman social recognition ad, the inspiration and meaning behind my latest painting, and stopping myself from registering to an artisan market because of their strict political ideologies!—————————————————————— Listen on Apple Podcast https://podcasts.apple.com/us/podcast/rated-g/id1508082438 Listen on Google Podcast https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubWVzc3kuZm0vYXBpL3Nob3cvNjQwMy9yc3M?sa=X&ved=0CAIQ9sEGahgKEwiA4cH5q5v0AhUAAAAAHQAAAAAQgwI Listen on Spotify https://open.spotify.com/show/18puDf1liUic8rYyZxuYzB Watch on YouTube https://youtu.be/W8sDcmhT9Ss—————————————————————— For more ART OF G TERADO—————————————————————— Follow on Instagram https://www.instagram.com/artofgterado/ Follow on Facebook https://www.facebook.com/ArtofGTerado Art & Merch FOR SALE https://linktr.ee/artofgterado —————————————————————— Thanks for tuning in!
We've got ourselves a HOT ONE today! On this episode, I talk about the WorkHuman social recognition ad, the inspiration and meaning behind my latest painting, and stopping myself from registering to an artisan market because of their strict political ideologies!—————————————————————— Listen on Apple Podcast https://podcasts.apple.com/us/podcast/rated-g/id1508082438 Listen on Google Podcast https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubWVzc3kuZm0vYXBpL3Nob3cvNjQwMy9yc3M?sa=X&ved=0CAIQ9sEGahgKEwiA4cH5q5v0AhUAAAAAHQAAAAAQgwI Listen on Spotify https://open.spotify.com/show/18puDf1liUic8rYyZxuYzB Watch on YouTube https://youtu.be/W8sDcmhT9Ss—————————————————————— For more ART OF G TERADO—————————————————————— Follow on Instagram https://www.instagram.com/artofgterado/ Follow on Facebook https://www.facebook.com/ArtofGTerado Art & Merch FOR SALE https://linktr.ee/artofgterado —————————————————————— Thanks for tuning in!
This week, Sadie introduces us to a Nashville country icon, Minnie Pearl. A significant character of comedic history, Pearl was a fixture at the Grand Ole Opry (and the first solo female member) for more than 50 years and was the first female comedian inducted into the Country Music Hall of Fame. She also starred for a short time on a country television show and even had a short stint in the fried chicken business. Her small childhood town served as inspiration for her stage persona and her frilly dress with a price tag hanging from her floral floppy hat became an instantly recognizable symbol.Episodes to check out after this one: Betty White, Working 9 to 5, Patsy Cline, Women in Country MusicWant to check out some of our favorite books? Check out our booklist Follow us on Instagram @morethanamuse.podcast
You may think you know what Hula is, but you might want to rethink your concept of it. From its origins as a spiritual practice for Hawaiian culture, the Hula has been used by tourism to exploit and promote a "Hula girl" image that is in real life not accurate at all. We talk about the history of this dance as an art form and cultural tradition and discuss the exploration and misperceptions of the "hula girl" that was created by tourism and capitalism. It's everything from mythology to misogyny and how we can be better advocates and tourists in Hawaii.Misperceptions of the Hula Girl by Noah DolimEpisodes to check out after this one: The Political Power of Dance, Margaret Keane, Anna May WongWant to check out some of our favorite books? Check out our booklist Follow us on Instagram @morethanamuse.podcast
This week, Stauney brings us up to speed on Marion Mahony Griffin, one of the first female licensed architects in the whole world, and a major pioneer of the prairie school architectural style. She also carried a lifelong grudge against the famous Frank Lloyd Wright after working with him closely for over 15 years. Not only did he steal some of her drawings without attributing her, but he also disparaged the work of her and her later husband and business partner, and continued to take sole credit for the prairie style despite its many contributors. We discuss her childhood, work with the aforementioned Wright, and her later partnership, marriage and fame with her husband Walter Burley Griffin as they designed the capital and many neighborhoods in Australia.Episodes to check out after this one: Beatrice Ward, Hilma Af Klint Want to check out some of our favorite books? Check out our booklist Follow us on Instagram @morethanamuse.podcast
This week, Stauney talks about Beatrice Wood, otherwise known as the "Mama of Dada" due to her influential role in the early Dada art movement in New York. Although she grew up in a wealthy affluent household, she ran away to become a painter and actress against her family's wishes, mingling with the early avant-garde artists of New York Society before joining the theoreticism movement and landing in Ojai California as a sculptor. She lived 105 years, and every single one of them was filled with absolutely humorous and legendary moments that created such an iconic artist, and would even go on to inspire a character from the major hit film, Titanic.Episodes to check out after this one: Hilma Af KlintWant to check out some of our favorite books? Check out our booklist Follow us on Instagram @morethanamuse.podcast
This week, Sadie introduces us to the only known female artist (and founder) of the British pop art movement - Pauline Boty. Despite being a woman in a man's world, Boty was never afraid to express her femininity, and sexuality and became a true icon of 1970s feminism. Despite early childhood disapproval of her stepping outside the gender norms (painting was a very masculine career), she went on to become a major player in the British art scene and make a lasting impact despite her tragic and early death.Episodes to check out after this one: A Brief History of Western Feminism, Want to check out some of our favorite books? Check out our booklist Follow us on Instagram @morethanamuse.podcast
This week, we are giving an overview of the movement of feminist art and its power for modern protest. We discuss what feminist art is, the beginning of its movement in the 60s and 70s, and then we discuss some different works of art that made major headway in the feminist art movement and how it continues today. Episodes to check out after this one: A Brief History of Western Feminism, Vanessa Bell & Virginia Woolfe, Guerilla Girls, Why Have There Been No Great Women Artists, Artemesia GentileschiWant to check out some of our favorite books? Check out our booklist Follow us on Instagram @morethanamuse.podcast
Source file: https://smea.uw.edu/currents/how-to-be-a-political-influence-as-an-average-citizen/How does an average citizen make an impact on politics? Getting involved can seem daunting, but by following the below steps to engage, and utilizing the many resources out there, you can be on your way to being a political influence. Staying informed, identifying your elected officials, communicating with officials, especially through calls and attending town halls, and writing public comments are all ways to make your voice heard!Support the show
EPISODE DESCRIPTION:What is "artivism", and how can we practice it in our daily lives? In Episode 79, Grace explores the intersection of artmaking and activism, and shares ideas for creating art in service of social justice movements. Raise questions, channel your rage, and inspire action in your art life.SHOW NOTES:Free Joy Powell T-Shirts (t-shirt fundraiser Grace is running)Free Joy Powell (general information)La Petite Mort (ecosexual short film for Earth Day)Artivism Toolkit from Beautiful TroubleWant to write to political prisoners? You can learn their stories and reach out in solidarity here.Documentaries mentioned: Attica (on Showtime) and In the Absence of Light (on HBO)Ava DuVernay's series When They See Us is on NetflixThe Dead Provide a Home For Us Living (zine by Kristian Brevik)The Sun and Her Stars: Salka Viertel and Hitler's Exiles in the Golden Age of Hollywood by Donna RifkindSend Grace your requests for new topics and interview guests: theartlifeshow@gmail.comRELATED EPISODES:Episode 12: How Can Art Change the World?Episode 71: Integrity for Artists (with Rev. Brig Feltus)Episode 37: Anti-Racism in Your Art LifeEpisode 49: Henry Barajas' Art LifeRead more and subscribe to our newsletter at http://theartlife.showSend letters to: The Art Life, c/o Grace Gordon, P.O. Box #1193, Hollywood, CA 90078Email: theartlifeshow@gmail.comSupport The Art Life by buying our recommended books from our Bookshop page: bookshop.org/shop/gracegordonofficialGrace Gordon is on Instagram: @gracegordonofficialThe Art Life is on Twitter & Instagram: @theartlifeshowOur music is ‘The Stream' by Rorie: http://roriemusic.com
On episode 122, we welcome philosophers Constantine Sandis and Gary Browning to discuss the cultural legacy of the iconic singer Bob Dylan, what separated him from other artists of his era, his creative genius in piecing together elements from varied sources (including literature, film, and poetry), his desire to buck the trends for the sake of authenticity, Dylan's political activism (including civil rights and Black Lives Matter), how he continued to remain relevant, and Constantine's and Gary's process of developing the book ‘Dylan at 80'. Constantine Sandis is Professor of Philosophy at the University of Hertfordshire, founding director of Lex Academic, and a Fellow of the Royal Society of Arts, UK. Gary Browning is a Professor of Political Thought at Oxford Brookes University. He is the author of many books, including Why Iris Murdoch Matters (Bloomsbury, 2018) and A History of Modern Political Thought: The Question of Interpretation (OUP, 2016), and is co-editor of The Political Art of Bob Dylan. Constantine Sandis and Gary Browning are coeditors of the new book, “Dylan at 80: It used to go like that, and now it goes like this”. | Constantine Sandis | ► Website | https://www.constantinesandis.com/ ► Twitter | https://twitter.com/csandis ► Instagram | https://www.instagram.com/csandis ► Dylan at 80 Book (Use discount code, CAT21, for a large discount with your purchase) | http://books.imprint.co.uk/book/?gcoi=71157100599460 ► Dylan at 80 Book Link 2 | https://amzn.to/3tu7pvg | Gary Browning | ► Website | https://www.brookes.ac.uk/templates/pages/staff.aspx?uid=p0070230 ► Twitter | https://twitter.com/GaryBrowning15 ► Dylan at 80 Book (Use discount code, CAT21, for a large discount with your purchase) | http://books.imprint.co.uk/book/?gcoi=71157100599460 ► Dylan at 80 Book Link 2 | https://amzn.to/3tu7pvg Where you can find us: | Seize The Moment Podcast | ► Facebook | https://www.facebook.com/SeizeTheMoment ► Twitter | https://twitter.com/seize_podcast ► Instagram | https://www.instagram.com/seizethemoment ► TikTok | https://www.tiktok.com/@seizethemomentpodcast ► Patreon | https://www.patreon.com/user?u=32208666
In this episode, we're joined by Rathbone – an anticapitalist musician, producer, and multimedia artist living in New Orleans. Rathbone writes songs with political lyrics that highlight American war crimes and the evils of imperialism and capitalism. We discuss his music and the process of his evolution into an anarcho-syndicalist.Rathbone describes some of the fundamental values that constitute his anarchist perspective, including the belief that communities should be allowed to govern themselves. Our discussion touches on the difference between legitimate and illegitimate power and the dream of someday achieving a reality without states or borders. Noam Chomsky was a deeply influential figure for Rathbone. Since Rathbone's favorite cocktail is an Old Fashioned, bartender Jesse Torres crafted a play on this classic drink called The Old Chomsky. Recipe below!Stay tuned for future Rathbone releases through Buddyhead Records!Listen to Rathbone's music on Spotify, Soundcloud, Watch Rathbone Videos on YoutubeFollow @rathbone_ on IGCOCKTAIL: OLD CHOMSKY60 ml Whiskey (Especially a good quality American whiskey. Try Uncle Nearest 1856)15 ml Dunkin' Donuts Coffee Concentrate (or coffee liqueur) 8 mlDemerara Syrup (2:1 ratio) (or plain simple syrup. No need for either if using coffee liqueur)8 mlQuinquina (Bonal, Byrrh, or Cocchi Barolo Chinato) (or 4 dashes bitters)Small pinch of salt Combine all ingredients in a mixing glass and stir with ice until drink is properly diluted and chilled—about ten seconds. Strain into a double old-fashioned glass filled with large ice cubes. Express an orange swath over the drink, cut, and garnish.Glassware: Double Old-FashionedGarnish: Orange swathABV: 32%Support the show (https://www.patreon.com/cocktailsandcapitalism)
Elizabeth Catlett (1915-2012) was one of the most prolific and important expressionist artists of the 20th century. Her work was political from its inception and balanced aesthetics with new and daring art styles.History classes can get a bad wrap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should.Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Sundus Hassan, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, and Ale Tejada. Special thanks to Shira Atkins.We are offering free ad space on Wonder Media Network shows to organizations working towards social justice. For more information, please email Jenny at pod@wondermedianetwork.com.Follow Wonder Media Network:WebsiteInstagramTwitter
It's day 7 at COP26 and the end of week 1. Nature is being discussed around the site - Cameron speaks to Catherine Gemmell (Scotland Conservation Officer for the Marine Conservstion Society) and Patricia Zurita (CEO of BirdLife International). Cameron then goes to the big climate rally in Glasgow and meets activists from around the world. Then, Peter Kennard (British Contemporary Artist and Professor of Political Art at the Royal College of Art) comments on art and activism. Tickets for the Green Zone: greenzonetickets.ukcop26.org/home Marine Conservation Society: www.mcsuk.org BirdLife International: htwww.birdlife.org Information about Peter Kennard's exhibitions: sca-net.org/event/code-red-peter-kennard/ Peter Kennard's website: www.peterkennard.com For more information about COP26 Daily, go to: www.thebiglight.com/cop26
I slutningen af september var Kristian von Hornsleth og Uwe Max aktuelle på en omfattende udstilling med international kunst, Political Art, på Ujazdowski Castle – et stort museum for samtidskunst i Polens hovedstad, Warszawa. Her kunne man blandt andet se Uwe Max Jensen råbe »N-ordet« og vifte med et sydstatsflag, hvorefter han blev malet sort af Kristian von Hornsleth og råbte Black lives Matter og derefter genopførte George Floyds pinefulde død på jorden med sit, »I can't breathe!« Den happening blev kaldt racistisk og antisemitisk og fik rimelig hård medfart, men hvad ville den overhovedet? Gæst: Uwe Max Jensen, journalist, politiker og kunstner Vært: Frederik Westergaard
Presented by Nua Collective Artistic Director Eamonn B. Shanahan, Nua Collective artists Katrīna Tračuma and Luke Hickey introduce us to Artivism with particular focus on Veganism, Animal Welfare and Political Art. Credit: Our amazing sting composed and produced by the incredibly creative 1000 Beasts.
The Creativity Conversations podcast is back from its hiatus. The introduction to this episode was recorded in the spring of 2021.Amos P. Kennedy Jr. and Randall K. Burkett sit down in the Rose Library at Emory University for a lively conversation about Kennedy and his work. Kennedy, who left a corporate job more than 20 years ago to pursue his artistic passions full-time, uses an old-fashioned letterpress printer to make colorful chipboard posters with social, political, racial, and inspirational messages. Kennedy also makes beautiful hand-made books. The Rose Library holds a collection of his work. The audio for this conversation comes from a video recording of the event in March 2016. Watch the full video. This conversation is introduced by host/Emory Arts employee Maggie Beker and artist, then Emory Student, and Conversations with Eggs: Virtual Arts Zine editor James Reich. Beker and Reich introduce the podcast and discuss how Reich approaches his own creativity. View Reich's own work: https://jameshastur.com/This program is part of the Rosemary M. Magee Creativity Conversation endowed series.
Celebrate Brooklyn is back, baby! After moving to an exclusively online format last year, Celebrate Brooklyn! is back and the Bandshell in Prospect Park with a full line up of artists ready to blow the roof off of the thing. One of these artists is KAMAUU. KAMAUU's music is packed with electrifying and rambunctious melodies, while at the same time filling his lyrics with versatility and substance. Find out why he and MacKenzie go to talking about Muhammad Ali and Crouching Tiger Hidden Dragon.You can RSVP for KAMAUU's performance on July 31st, plus check out the rest of the Celebrate Brooklyn line up at:bricartsmedia.org See you there!
Please visit the website devoted to Arthur Szyk to learn more.SHOW NOTES:3:00 Ungar's introduction to Szyk10:15 Byron Sherwin's involvement with creating a solo show Justice Illuminated: The Art of Arthur Szyk in Chicago with the Spertus Institute of Jewish Studies 15:25 2000 Library of Congress exhibition, Artist for Freedom21:00 2002 U.S. Holocaust Memorial Museum's exhibition, The Art and Politics of Arthur Szyk23:25 Biography of Szyk by Joseph Ansell entitled Arthur Szyk: Artist, Jew, Pole25:20 Exhibitions in Poland32:45 2008 Deutshes Historiches museum exhibition42:00 2017 New York Historical Society exhibition Soldier In Art50:50 Bergson Group55:50 McCarthyism & Szyk's Thomas Jefferson's Oath: “I have sworn upon the altar of God eternal hostility against every form of tyranny over the mind of man. 1:07:15 2017 Ungar's book Arthur Szyk: Soldier In Art won 2017 National Jewish Book Award1:13:20 Wagner1:22:30 Comparison of Chagall's White Crucifixion, Picasso's Guernica and Szyk's De Profundis1:30:25 Japanese Historian Rinjiro Sodei's book illustrated with Szyk's work, Representing Hirohito in Wartime: The Art of Arthur Szyk1:44:45 Book in progress to list the thirty institutions that hold Szyk's work1:46:35 Ungar's memoir, Reviving An Artist's Fame: My Life With Arthur Szyk1:48:00 Short documentaries about Szyk To view rewards for supporting the podcast, please visit Warfare's Patreon page.© Stephanie Drawdy [2021]
Meet Damon Davis, a post-disciplinary artist from St. Louis. A prolific creator, Davis has a solo show open at Detroit MOCA right now titled Filling in the Cracks. Textured and profound, Cracks is an exploration of grief where Davis has cast concrete busts of himself, broken them open and filled the vacant space with beauty.Mackenzie and Davis talk about grief, masculinity and the role we play in the structures that bind us. Also quartz watches.Check out his work here:heartacheandpaint.com
Hi there! Glitter & Doom is off this week, so while we fish MacKenzie out from the bottom of the Grand Canyon, please enjoy one of our favorite episodes from Season 1. Movement based performance artist, mayfield brooks spoke to us on Jan. 2020 about their love of Marsha P Johnson, their 2020 project Viewing Hours, and "improvising while Black." Today in 2021, mayfield premiered a new piece commissioned by the Abrons Art Center called Whale Fall. As an extension of that piece, an immersive installation will be up from June 12 to June 19th here in Brooklyn at the Center for Performance Research in Williamsburg.You can find more details about how to see it at cprnyc.org
It’s not often you hear the expression, “quilting world flash bang” but that’s exactly how we would describe Michael C Thorpe. An outlier in the quilting world, Thorpe has made a splash in the medium by weaving in his identity as a black man, his dreams about his family and his own manner of painting with fabric and thread. He and MacKenzie talk about the Gees Bend quilters, and how quilting makes beauty out of discarded items. Stick around for an insight into the AIDS quilt with organizer, Ted Kerr. And finally, a very special guest.
Emily Spivack, producer of Worn Stories (a Netflix series based on her book of the same name) has spent years collecting the stories people attach to their clothes. Whether it's the onesie you came home in, to the crushed velvet Mary Janes you wore to your 8th grade graduation – the clothes you put on your back soak up something about you and the moment you wore them. Emily and MacKenzie dive into their favorite stories from the series, their own pre-teen fashion journeys and, somehow, we end up at a prison in Northern Ireland.
Welcome to Glitter & Doom, a show that believes that the hardest times yield the greatest art. Join your host, MacKenzie Fegan, every other Wednesday to explore a new featured artist.
Meet new media artist, Mina Cheon and her North Korean alter ego, Kim Il Soon. While Mina Cheon is busy being a professor at Baltimore's MICA, and laying out 100,000 Chocopies to promote a unified Korea, Kim Il Soon is teaching art history to North Koreans via smuggled USB sticks and SD cards. Wait, you don't know about Chocopie? Christina Chaey from Bon Appetite is also here to tell you all about them. 즐겨!
A "talking circle" is, historically, a way for a community to come together to hash out difficult issues in a respectful fashion. But in Martha Redbone and Aaron Whitby's Talking Circles – a work in progress at the New York Theatre Workshop – it also speaks to the spiral of history where 102 years after a global pandemic and protests over the murders of Black people, who are in the grip of a global pandemic and are protesting the murder of Black people. Have we learned anything? Or are we just talking in circles?"
Vinson Cunningham is a staff writer for The New Yorker.“I think the job is just paying a bunch of attention. If you're a person like me, where thoughts and worries are intruding on your consciousness all the time, it is a great relief to have something to just over-describe and over-pay-attention to—and kind of just give all of your latent, usually anxious attention to this one thing. That, to me, is a great joy.” Thanks to Mailchimp for sponsoring this week's episode. Show notes: @vcunningham vinson.nyc Cunningham on Longform Cunningham's New Yorker archive 04:00 "’The Suit’ at BAM" (Brooklyn Paper • Jan 2013) 04:00 "Label Maker: Edward Buchanan" (Nylon Guys • Mar 2015) 09:00 circlejerk.live 11:00 Jeremy O. Harris’ plays 11:00 "How Are Audiences Adapting to the Age of Virtual Theatre?" (New Yorker • Oct 2020) 18:00 "The Season of Russell Westbrook and a New Era in N.B.A. Fandom" (New Yorker • Apr 2017) 25:00 Cunningham's McSweeney’s archive 25:00 "The Flies in Kehinde Wiley’s Milk" (The Awl • Jun 2015) 25:00 "Can Black Art Ever Escape the Politics of Race?" (New York Times Magazine • Aug 2015) 25:00 "How Chris Jackson is Building a Black Literary Movement" (New York Times Magazine • Feb 2016) 27:00 "Stephon Marbury Has His Own Story to Tell" (New Yorker • Apr 2020) 28:00 "The Playful, Political Art of Sanford Biggers" (New Yorker • Jan 2018) 29:00 WTF with Marc Maron 32:00 "Tracy Morgan Turns the Drama of His Life into Comedy" (New Yorker • May 2019) 36:00 Redd Foxx party albums 38:00 Alexandra Schwartz’ New Yorker archive 41:00 Simon Parkin on Longform 41:00 Adrian Chen on Longform 42:00 "The Many Lives of Steven Yeun" (Jay Caspian Kang • New York Times Magazine • Feb 2021) See omnystudio.com/listener for privacy information.
Joan, a lawyer in NYC, got her undergraduate degree in art history, and here in the talkPOPc tent discusses the political role of art, comparing today's world to the art of the medieval world. Using Bronzino's chapel of Eleonora in the Palazzo Vecchio, Joan refers to the sociology of that world and how art reinforced power relations. Bronzino, who came right after Michelangelo, was like other artists of the time: driven by the politics, literature, philosophy, and religion. Art is just part of a larger system. Joan, who dislikes modern non-representative art but likes graffiti, thinks Medieval art, in her view, "dehumanized" the human form in that it wasn't realistic, but this was precisely their intention: the image was about the after-life, not this life. And the emphasis was on that as a way to keep the serfs and impoverished in line - their attention was kept on the afterlife instead of the political problems of this life. Renaissance, with all its sensuousness and body depiction, was then a repudiation of the church's power dominance of the medieval period.Support the show (https://www.patreon.com/talkpopc)
Is art individual or collaborative? Is it neutral or political? What does it mean to truly be in the world? How does empathy fit into it all? Why is it easier to listen to male than female intuition? These and many more topics we chat about with Kathryn Zazenski, a visual artist and a director of an independent artist space in Warsaw: Stroboskop.LINKSKatie’s website Stroboskop space in Warsaw“Murmurs of the present” an article by Amélie Laurence Fortin and Katie Zazenski“John Armleder: About Nothing: Catalogue Raisonné” by Lionel Bovier, Beatrix Ruf, John Armleder
XVALA Meme Ranch Banksy's Anarchist Street Art And His Communist Rat From The Documentary Saving Banksy. What Do They Mean? The Secret You didn't Know?
Did you know Ivanka Trump was an art collector??? us neither. This week the Art Professionals Podcast about Bulletproof-Brunch-Pods, Ivanka Trump's return to the New York Art Scene, the no malarkey oligarchy etc... lives saved by ART and where the Baltimore Museum of Art's Deaccession Scandal lies now. (What is the Deaccession Scandal? See our previous episode to find out what exactly is the cost of "an endowment for the future")Additionally check out Baltimore Based Musician STOOPBABYMO's new album "Coming to America". It is a good music.[More on [www.artprospodcast.com] • follow us on IG @paid.artists [instagram.com/paid.artists] • donate to our patreon at patreon.com/artprospodcast • email us [artprospodcast@gmail.com]Join our Discord and post your recommendations for episodes, news articles, memes, or any stories if you want its lonely in there rn ----->[Discord]
Special YSGOAT art-themed episode!! In this episode, Joseph interviews Rob about his political artwork from the last four years, which focuses on topics such as Trump, neck beards, climate change, and mass shootings. Good times. This episode is a long one, but the last four years have been pretty long, too. Get your YSGOAT tees, totes, mugs, and more in our store HERE. Check out Rob's Etsy shop to buy his prints, stickers, original artwork, and more HERE. You can also get a wide variety of Rob Israel tees, totes, mugs, and more in his Teepublic store HERE.
1:00 - What is Political Cartooning? 3:11 - Evolution of Political Cartooning to “hackwork.” Political art gets point across better than the editorial format. Paul Conrad & Israel8:00 Marie Antoinette Cartoons from the French RevolutionCheck out the Gallery of Libelles against Marie Antoinette9:36 - Tijuana Bible - 10:00 - What do Simon Bolivar, Gandhi and Sarah Palin have in common? Porn 21:00 - Eli’s Drama with Megan McCain23:00 - What is Diaspora Boy? - Eli mentions the controversies regarding the Diaspora Boy. AB Yehoshua’s views on Diaspora JewsBenjamin Netanyahu’s flirts with Alt-right25:00 - New Yorker Cartoons - Jason explains his role in the New Yorker.36:00 - Jerry SeinfeldIDF Soldier Cosplay38:00 - Hamilton - Jason’s Live Drawing40:10: Hunger and Revolt DrawingsUpton Sinclair’s Donkey Handshake Meme45:17 Original Racist Thanks Giving CartoonEdited Cartoon51:00 - Ben Garrison CartoonsStefan Molyneux is a cultEli Valley’s Book: Diaspora BoyJason Katzenstein’s twitterJason’s new book Get full access to Historic.ly at historicly.substack.com/subscribe
Reporters Valentina Di Liscia and Hakim Bishara join me to discuss the Whitney Museum’s decision to cancel the exhibition Collective Actions: Artist Interventions In a Time of Change, which was scheduled to open on September 17. They both reported on the story this Tuesday, and now offer their own insights into the larger questions raised by this controversy, including how museums should collect, what role should artists have in the acquisition process, and if museums are getting better or worse at dealing with issues of racial and economic equity in their collections.This episode will get you up to speed about the fast-moving story and what it tells us about the Whitney and other contemporary museums today.A special thanks to Tyler James Bellinger for providing his track “Champagne” for this week’s episode. You can visit Apple Music or YouTube, for more information.Subscribe to the Hyperallergic Podcast on Apple Podcasts or anywhere else you listen to podcasts.
On today Podcast: Are Public Streets a Good Spot for Political Art, Government Collecting Data for contact tracing and Torrey reviews the weeks Hot Topics Plus your Calls and Texts Tune in to hear the Show live on WBAL 1090 and the WBAL App from 2-6.
Morehshin Allahyari is an Iranian media artist, activist, educator, and curator uses technology as a philosophical toolset to explore the social, political, and cultural. Her projects are often research heavy and employ new media as a method of documentation and as acts of resistance. In this episode we discuss Allahyari's use of 3D printing to recreate and preserve cultural artifacts destroyed by ISIS, and her exploration and reframing of Middle-Eastern myths and folklore to include female/queer figures.Projects DiscussedMaterial Speculation: ISISShe Who Sees the Unknown-About Morehshin Allahyari-Morehshin Allahyari is an artist, activist, writer, and educator. She was born and raised in Iran and moved to the United States in 2007. Her work deals with the political, social, and cultural contradictions we face every day. She thinks about technology as a philosophical toolset to reflect on objects and as a poetic means to document our personal and collective lives and struggles in the 21st century. Morehshin is the co-author of The 3D Additivist Cookbook in collaboration with writer/artist Daniel Rourke. Morehshin has been part of numerous exhibitions, festivals, and workshops around the world including Venice Biennale di Archittectura, New Museum, The Whitney Museum of American Art, Pompidou Center, Museum of Contemporary Art in Montreal, Tate Modern, Queens Museum, Pori Museum, Powerhouse Museum, Dallas Museum of Art, and Museum für Angewandte Kunst. She has been an artist in residence at BANFF Centre (2013), Carnegie Mellon University’s STUDIO for Creative Inquiry (2015), Autodesk Pier9 Workshop in San Francisco (2015), the Vilém Flusser Residency Program for Artistic Research in association with Transmediale, Berlin (2016), Eyebeam’s one year Research Residency (2016-2017) in NYC, Pioneer Works (2018), and Harvest Works (2018). Her work has been featured in The New York Times, BBC, Huffington Post, Wired, National Public Radio, Parkett Art Magazine, Frieze, Rhizome, Hyperallergic, and Al Jazeera, among others.She is the recipient of The Joan Mitchell Foundation Painters & Sculptors Grant (2019), The Sundance Institute New Frontier International Fellowship, and the leading global thinkers of 2016 award by Foreign Policy magazine. Her 3D Additivist Manifesto video is in the collection of San Francisco Museum of Modern Art, and recently she has been awarded major commissions by The Shed, Rhizome, New Museum, Whitney Museum of American Art, Liverpool Biennale, and FACT.Learn more at http://www.morehshin.com/Follow her Morehshin @morehshin
Washington D.C.-based, Charles Krause, and Clayton Patterson from the Lower East Side have a lengthy discussion about surviving Jonestown, Trump's dangerous narcissism, the upcoming election, the recent protests, political unrest, the Lower East Side, gentrification and much more. Check out Charles Krause's Center for Contemporary Political Art: https://www.politicsartus.org/ Watch the Launch Event for the Center for Contemporary Political Art: https://www.youtube.com/watch?v=CVm4KU42lE8&t=1159s Read an interview with Charles: https://www.upenn.edu/gazette/0113/feature4_1.html To purchase Clayton: Godfather of Lower East Side Documentary: https://www.etsy.com/listing/797248690/clayton-godfather-of-the-lower-east-side?ref=shop_home_active_1 Check out Clayton's Etsy shop: https://www.etsy.com/shop/ClaytonLES?ref=simple-shop-header-name&listing_id=758752848 Clayton's website: http://www.claytonpattersonles.com/ Read more about NO!art: https://patterson.no-art.info/memo-en.html --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/erraticdispatches/message
This episode features brief appearances from playwright, Pamela Enz, and graphic novel author, Julian Voloj, before artist/archivist/chronicler of the Lower East Side, Clayton Patterson, and journalist/founder of the Center for Contemporary Political Art, Charles Krause, have a lengthy one-on-one discussion about the chaos of Trump's America. To purchase Clayton: Godfather of Lower East Side Documentary: https://www.etsy.com/listing/797248690/clayton-godfather-of-the-lower-east-side?ref=shop_home_active_1 Check out Clayton's Etsy shop: https://www.etsy.com/shop/ClaytonLES?ref=simple-shop-header-name&listing_id=758752848 Clayton's website: http://www.claytonpattersonles.com/ Read more about NO!art: https://patterson.no-art.info/memo-en.html Short clip of Pamela Enz interviewing Clayton about the Lower East Side: https://www.youtube.com/watch?v=etGAkkkrGzs&t=30s Read more about Julian Voloj: https://jewishartsalon.org/category/julian-voloj/ Check out Charles Krause's Center for Contemporary Political Art: https://www.politicsartus.org/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/erraticdispatches/message
Carlos Walker discusses his exhibition of 48 race reversal paintings at the Center for Contemporary Political Art in Washington D.C., titled What If? The Prison Drawings of Carlos Walker, which is open to the public until Sunday, July 5. He also mentions artistic, historic and political influences for the paintings and his upcoming projects. In addition, Charles Krause, the Founder of the Center for Contemporary Political Art, is seeking donations to frame more of Carlos's paintings. So, please consider making a contribution at the link below: https://www.politicsartus.org/donate-2/ Check out more info about this exhibition: https://www.politicsartus.org/events/what-if-the-prison-drawings-of-carlos-walker/# Carlos Walker's Instagram account features more of his work: http://www.instagram.com/walkers_gallery2 Here's Carlos' Official Website: http://www.walkersgallery.net --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/erraticdispatches/message
Shad interviews current mayor of Dusty, Mississippi, Darby Rhinehold about a controversial painting in City Hall that disappeared for over a decade in the early 1900’s and now resides back at City Hall. Thanks to Jack Vale for being the voice of Mayor Rhinehold.
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From embellishment and exaggeration to identity, gender and desire: RMIT Gallery’s latest exhibition ‘Pleasure’ (29 November–7 March) presents the work of a diverse group of artists who used the body as a personal, provocative and at times political canvas. In this accompanying podcast, listen to Co-Curator Evelyn Tsitas and Communications Specialist Aeden Ratcliffe talk with artists John Pastoriza-Piñol, Ciara Murphy and Judith Glover about their works.
Peter Drew is a street artist who, paradoxically, doesn’t much like political art. But he designs, prints and puts up striking posters with a decidedly political message. He is speaking to Paul Barclay about what he is trying to achieve.
Artist Mark Henson says he believes that art can have the ability to catalyze positive social and cultural changes. In addition to stimulating our visual cortex, Art has the amazing magical power to evoke profound emotional intensity as well as to provoke intellectual thinking.His aspiration as an artist is to create compelling images of beauty and power that serve to promote our Conscious Evolution as human beings, and to show us how to live in a peaceful world. To this end he presents images exploring themes of Awakening Consciousness, Divine Sexuality, Political Realities and Living in Harmony with Nature. Support the show (https://www.patreon.com/gaiaorion)
We talk to satirical artist Darren Cullen about what led him away from a career in advertising and into a career producing political art. He uses the language of advertising to make work about the empty promises of consumerism and the lies of military recruiters. Join us as we discuss:Military recruitment advertisingThe backlash of criticising the ‘sacred’ military institution Going ‘one step further’ than advertising messagesHis work at the permanent collection in the Victoria & Albert Museum His ‘Action Man: Battlefield Casualties’ video series produced with Veterans for Peace, and voiced by Matt BerryHis support for the campaign to raise the minimum age of military recruitment to 18The insidious power of advertisingThe British military’s sinister toy rangeMilitary links with the film and video game industriesWorking hard to annoy Shell and other oil companiesTrying to stop the DSEI arms fairThe upcoming ‘Art the Arms Fair’ art exhibitionSupport the show (https://www.forceswatch.net/support-our-work)
In this Art Dirt podcast, Brandon Zech and Christina Rees talk about censorship, the pitfalls of didactic messaging, and what not to do when making political art. Thanks to this week’s podcast sponsor, the Rockport Center for the Arts and their exhibition, Angalee DeForest: Illuminated Reflections. For more information on the show, go here: http://bit.ly/2S3S2Xh
Footage from Aretha Franklin's 1972 live album recording finally sees the light of day, we look at Tank Man on the 30th anniversary of the Tiananmen Square Massacre and for Eid we appreciate some viral Muslim memes.
Footage from Aretha Franklin's 1972 live album recording finally sees the light of day, we look at Tank Man on the 30th anniversary of the Tiananmen Square Massacre and for Eid we appreciate some viral Muslim memes.
Footage from Aretha Franklin's 1972 live album recording finally sees the light of day, we look at Tank Man on the 30th anniversary of the Tiananmen Square Massacre and for Eid we appreciate some viral Muslim memes.
The Arts Fuse welcomes a new character to their extended universe. Deanna Marie Costa, Arts Fuse critic and editor, joins Matt and Lucas to discuss a range of topics related to art, politics, and propaganda. First, Deanna introduces herself and talks about what she covers for The Fuse. Then the panelists dive into Blake Maddux's review of Jennifer Ratner-Rosenhagen's The Ideas That Made America. A discussion about the social and social implications of Sleeping Weazel's The Audacity: Women Speak, follows. The performance is a powerful show using real life stories of women who have gone through some truly gut-wrenching situations. Finally, AOC's new optimistic short film published by The Intercept gets put under the microscope. Her vision of a Green New Deal America, and the kind of art that might help make that vision a reality, raises new questions and new possibilities. A Message from the Future with Alexandria Ocasio-Cortez Book review - “The Ideas That Made America” — Not Made in America by Blake Maddux
Gab & Jam Episode 54 Should artists be political? Art in the Age of Trump Video Description It seems that it is almost hip to be political, as an artist. At the same time, there are fans who from upon artists who express their politics openly. Which way is best? In this age of the Trump presidency, is it okay for artists to be political? You tell us. But listen in on this conversation in the meantime. We ask each other the following questions: 1. Are fans right to ask artists to “Shut up and play guitar!”? 2. Should artists be political? 3. Should art be political? 4. Why is this even important? 5. History of the cross section between art and politics 6. Should you risk your career success to take a political stand? 7. Conversely, should you use your political views to bolster your profile? If you’d like show notes and to find out about other former and upcoming topics, be sure to go to http://www.bloomingprejippie.com/subscribe , so that you won’t miss anything. Since we want this to be a discussion between you and us, we would love to hear your take on this topic. Please leave your thoughts in the comments below. 4:55 card for Gab & Jam Episode 45 (https://youtu.be/FvB8G9ATj_A ) 6:30 card for Gab & Jam Episode 10 (https://youtu.be/38Cd2Dp2bJs ) 10:45 card for SXSW Meet Up video (Here’s the link to sign up: http://bit.ly/2C30D6y ) 11:04 card for Gearfest 2018 (https://youtu.be/BieMBgbbMtw ) UPCOMING: • Record Store Day Release “Honey-Dipped Acoustic Set” (check link for stores: http://bit.ly/2WPvXgd ) • Sweetwater Gearfest 2019 Meet Up: http://bit.ly/2C30D6y • London 2019 Meet Up: http://bit.ly/2C30D6y Mentioned/seen in video: • See Eyewear • Apple Watch • Nike sneakers • Necklace (Bruce): http://www.Nashvillepicks.com • Hartke Amp (see unboxing at https://youtu.be/QZaDmme2FMQ ) • Fodera Yin Yang Bass Recorded with: ♣ iPhone 6s: http://amzn.to/2sBXfYJ ♣ MacBook Pro ♣ Final Cut Pro X ♣ Canon T6i: http://amzn.to/2sZZDI6 ♣ Fender Bass: http://amzn.to/2ttPXJF ♣ Alesis Speakers: http://amzn.to/2sZodZG ♣ Logic Pro X: http://amzn.to/2sZuCnW ♣ Canon Powershot G7x Markii Camera: http://bit.ly/2EW6snH MUSIC: “Black Super Hero Theme,” courtesy of PMG Cool & Quirky Custom Music (available through Songtradr at http://bit.ly/2QGRatf ) *There are affiliate links in this listing. If you order through this link, we may receive a percentage of the sale at no cost to you. *This is an unsponsored post. #makersgonnamake #makegreatshit More Ways to stalk B L O O M I N G P R E J I P P I E : ¥ Blog: http://www.bloomingprejippie.com ¥ Facebook: http://www.facebook.com/bloomingprejippie ¥ Twitter: http://www.twitter.com/bloomingprejipp ¥ Instagram: http://www.instagram.com/bloomingprejippie ¥ Pinterest: http://www.pinterest.com/bloomingprejippie ¥ Youtube: https://goo.gl/EzSkVn ¥ Soundcloud (blog): https://soundcloud.com/bloomingprejippie ¥ Soundcloud (music): https://soundcloud.com/prejippie ¥ Funky Happy People (Who Listen to a Variety of Genres of Music) Facebook Group: http://bit.ly/2NMPCs8 ¥ Be the Next D.I.Y. Rock Star Facebook Group: http://bit.ly/2PQ18Ff Please subscribe. Thanks. https://goo.gl/EzSkVn Until next Monday, here’s wishing love, peace, and chicken grease!
This week we are one Joe short as we dive deep into the themes of Jordan Peele’s Us and consider whether political art is best expressed as text or subtext. Films/TV discussed: Crazy ExGF; Gloria Bell; Get Out; Us; Do The Right Thing; Black Panther; Chi-Raq; Fruitvale Station Follow the show @CinemaJoes on Twitter (https://twitter.com/CinemaJoes) and follow our hosts around the web at the places below! Justin Blog - http://thecinemaverick.com/ Letterboxd - https://boxd.it/dW4n Noah Blog - http://francnoir.blogspot.com/ Twitter - https://twitter.com/NoahFranc Alex - Letterboxd - https://boxd.it/8DIN Twitter - https://twitter.com/MediaThinkings --- Support this podcast: https://anchor.fm/CinemaJoes/support
Episode 3 of The Print Cast features an interview with painter Sandow Birk and ceramicist Elyse Pignolet; two artists who collaborate in marriage and in art. We talk about their numerous large scale printmaking projects over the years. Working with Master Printer workshops they execute intaglio, relief and lithographic editions delving into political topics ranging from war, democracy, to the constitution. By appropriating formats, compositions, and production methods from historical artists and printmakers, they manage to create art that is poignant and contemporary while also being timeless. We discuss projects like their woodcut Depravities of War, Imaginary Monuments, and their recent project American Procession. It's a great interview and gives a lot of perspective on the Master Printer and artist relationship from the artist's point of view. They also demonstrate the power of collaboration in art and in a marriage where two creatives are making powerful work for themselves and as a unit. Follow the show on Instagram@theprintcastFollow the artists@sandowbirk@epignolet
Welcome to another episode of Rush Hour: Detours! In this episode, hosts Jason Zhang and Ibukun Babatunde sit down with artist Rebecca Zanolla to discuss Banksy's recent political art statement, along with politics in art as a whole and the creative process. Rush Hour: Detours is a series that explores important and interesting topics/stories that get overlooked by the rush of the modern information cycle. So, if you have something you think needs another look, hit us up individually or @therushhourpod on Twitter! Thank you so much for listening! If you liked this content please subscribe and share this podcast with your friends! And please leave a rating and review on iTunes/Apple Podcasts! Rush Hour is completely produced by us, without any backing from a major media corporation, so we could use all the help we can get to grow this podcast. Once again, thanks!
Episode 90: Today I talk to Robin Strongin at the Center for Contemporary Political Art in Washington DC. I generally try to stay away from politics on the podcast, but I had to learn more about this gallery. They want to represent both sides, but no pro-Trump artists responded to their calls for artwork. They have […] The post Center for Contemporary Political Art appeared first on Let's Talk Art With Brooke.
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For more than 20 years, Christian Viveros-Fauné has been an outspoken voice in the New York City art scene. The prolific critic, curator and former art dealer has had his writing published in Art in America, Newsweek and The New Yorker. In his upcoming book, “Social Forms: A Short History of Political Art” scheduled for release from David Zwirner Books in the fall, Christian examines the role of socially conscious art in this unprecedented moment in American politics. In this episode of “Leonard Lopate at Large,” Christian talks about the book and tells Leonard about the state of political art in 2018.
Jake and Phil talk about the political and social obligations of art. To set the stage they discuss W.E.B. Du Bois' "Criteria for Negro Art" originally delivered as a speech to the 1926 Conference of the NAACP in Chicago. The main event is a consideration of James Baldwin's famous 1949 essay "Everybody's Protest Novel." For the finale, the gents talk about James Thurber's 1931 short story, "The Greatest Man in the World." Other works referenced in this episode: Paul C. Taylor, Black is Beautiful: A Philosophy of Black Aesthetics https://www.wiley.com/en-us/Black+is+Beautiful%3A+A+Philosophy+of+Black+Aesthetics-p-9781405150620 Ta-Nehisi Coates, I'm Not Black, I'm Kanye https://www.theatlantic.com/entertainment/archive/2018/05/im-not-black-im-kanye/559763/ Francois Mauriac's Nobel Prize Speech https://www.nobelprize.org/nobel_prizes/literature/laureates/1952/mauriac-speech.html Edward P. Jones, The Known World https://www.harpercollins.com/9780060557546/the-known-world
Grace Chin makes art that is both political and pretty, useful and ornamental. She makes beautiful wreaths that surround strong personal and political statements like “smash the patriarchy, hope fiercely, nevertheless she persisted, I believe you," and "take care." Grace graduated with a BFA in printmaking from the University of Kansas in 2012. Before starting her career as a full-time artist, she worked for a while at a toy store until she decided that she wanted to pay her rent doing what she loved. Grace went on to do just that. In this interview we talk about her story from making art to studying art to leaving art to making it again, as a full-time gig how to make art when you’re feeling stuck the dance between hope and resistance, fighting and joy using creativity to imagine a better world and using art to change it, and how you never have to compromise who you are to do what you want to do.
Naomi Pitcairn is an artist and activist committed to advancing the urgent social issues of our times. She is passionate about the rights of immigrants, whistleblowers, native americans and other oppressed minorities. Using disruptive art projects and purposeful pranks along with her arts background (including her time as a Times Square billboard painter) she has masterminded over 50 gigantic street art chalks from the Bay area to Baltimore and garnered a fair amount of positive press for her causes over the years. Naomi’s Twitter The post Political Art Diary – Ep 20 with Naomi Pitcairn appeared first on Read Learn Live Podcast.
In Glasstire's new Art Dirt podcast, Christina Rees and Rainey Knudson discuss whether it's too soon for happy art, the new Moody Center at Rice University (and the demise of Rice Art Gallery), and Spring Break plans.
This week, a look at artists — from the left to the right — getting political. Conservative painter Jon McNaughton talks about creating art in the era of the Trump administration. Plus, the Black Panthers' brief foray into the music business. And Philip Roth talks to Kurt about his eerily timely novel "The Plot Against America." Learn more about your ad choices. Visit megaphone.fm/adchoices
Deep in the obscure taverns of histories past, and other times before this, we discover some things are always what they seem to be. Join us. Metaphorically.
Maria Alyokhina, a member of the Russian punk performance group Pussy Riot, talks about the political actions she's been involved in since she and band member Nadia Tolakonikova were released from prison in late December 2013. Only days after they were freed, the two artists announced their founding of Justice Zone, an organization that provides legal support to political prisoners in Russia, and MediaZona, an online publication that spotlight incidents of political injustice in their home country. In 2014, they were awarded the Hannah Arendt Prize for Political Thought. Now in London, Maria is preparing to make her theater debut in Burning Doors, with the independent Belarus Free Theatre company. Listen to our podcast episode with filmmakers of the documentary Pussy Riot: A Punk Prayer to learn more about the arrests and televised trial that followed Pussy Riot's two-minute performance in a Moscow cathedral on February 21, 2012. Read English versions of MediaZona coverage published in Vice and the Guardian. Sound Editor: Guney Ozsan | Episode Sounds: Pussy Riot performance of “Virgin Mary, Redeem Us of Putin, Christ the Savior Cathedral, Moscow
Follow these five steps to create your own political art, and let your work shout a message from the rooftops!
As part of a special series designed for the Letters to the Next President 2.0 project, this Educator Innovator Media Make how-to hangout examined the elements of influential political art, featuring such artists as Banksy and Corita Kent. Participants discussed how students can make their own political art to address injustices that affect their daily lives, initiate discussion, and influence social issues. This hangout was hosted by KQEDArt School. Watch the full hangout at: http://educatorinnovator.org/webinars/l2p-2-0-media-make-make-your-own-political-art/ Learn more about L2P 2.0 at: letters2president.org/
We inaugurate our Epistemic Unruliness series in this episode with a conversation with Kyle DePew and Rachel Brown (not our Rachel!) of the collective political art project known as The Illuminator. James, Kyle, and Rachel discuss the group’s genesis during Occupy Wall Street, their light projection activism around NYC, run-ins with the NYPD, and ways […]
With guest hosts: Suzanne Frazier & Lisa Michot Creating strong, lasting and art with a message is important work. What artists do you respect, emulate or view for inspiration in creating your own strong work. Do you have a message in each of your works or not. And why not. Is your message pure beauty or does the beauty not matter to you if your message comes across. Call in to help us discover new artists, old masters and what strong art means to you. Sponsored by: 88 88ArtLook, 8888ArtLook LisaBellMusic.com Artists: Aliza Lelah, AlizaLela.com Gretchen Archeta, Boulder Arts Resource.com Mary Barron, AdagioArtGlass.com Jackie Buttler, ArtGraze.com Annette Coleman, AnnetteColemanArtist.com Suzanne Frazier, SuzanneFrazier.com Lisa Michot, LisaMichotArt.com
Allyson Mitchell's activist art is meant to prod and provoke, but it draws you in with warmth, sincerity and just a little faux-fur.
In March 2007, GALLERY CRAWL visited a couple of group shows in two of the city's non-commercial spaces including, "Present Tense" at the Chinese Culture Center of San Francisco and "World Factory" at the San Francisco Art Institute.
"Social Insecurity" at Catherine Clark Gallery; Catharine Saiki and Anthony May at Hang Art; and Richard Tuttle at Crown Point Press
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