Podcast appearances and mentions of Cassandra B Seltman

The first collection of essays from the author of the Life and Death of Psychoanalysis, Stay, Illusion! with Simon Critchley and Conversion Disorder, Disorganisation & Sex (Divided Publishing, 2022) is as much about our resistance to sexuality as it is about sex itself. Jamieson Webster continues to excite and disturb, turning to Lacan and the autotheoretical in her exploration of the deep roots of our libidinal ties and the ways in which we keep desire at bay in our efforts to lead tidier, more coherent lives. Part theory, part manifesto and part testimony, Webster calls for us as analysts to reinvent ourselves with our patients, as patients to take part in the poetry of our symptoms, and as institutions to create the conditions for something radical to happen in the transmission of psychoanalysis. While many in theory have turned toward the soma and the exterior, Webster has not given up on psychic interiority, her writing an attempt to avoid the trap of idealizing one while diminishing the other, or getting stuck in the reversal. We can wish for the new while remaining skeptical of the march of progress, and we can speak from the discourse of the patient while remaining connected to the discourse of the analyst. We can take risks even as we face loss, and seek pleasure even though there's no common satisfaction. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The first collection of essays from the author of the Life and Death of Psychoanalysis, Stay, Illusion! with Simon Critchley and Conversion Disorder, Disorganisation & Sex (Divided Publishing, 2022) is as much about our resistance to sexuality as it is about sex itself. Jamieson Webster continues to excite and disturb, turning to Lacan and the autotheoretical in her exploration of the deep roots of our libidinal ties and the ways in which we keep desire at bay in our efforts to lead tidier, more coherent lives. Part theory, part manifesto and part testimony, Webster calls for us as analysts to reinvent ourselves with our patients, as patients to take part in the poetry of our symptoms, and as institutions to create the conditions for something radical to happen in the transmission of psychoanalysis. While many in theory have turned toward the soma and the exterior, Webster has not given up on psychic interiority, her writing an attempt to avoid the trap of idealizing one while diminishing the other, or getting stuck in the reversal. We can wish for the new while remaining skeptical of the march of progress, and we can speak from the discourse of the patient while remaining connected to the discourse of the analyst. We can take risks even as we face loss, and seek pleasure even though there's no common satisfaction. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

The first collection of essays from the author of the Life and Death of Psychoanalysis, Stay, Illusion! with Simon Critchley and Conversion Disorder, Disorganisation & Sex (Divided Publishing, 2022) is as much about our resistance to sexuality as it is about sex itself. Jamieson Webster continues to excite and disturb, turning to Lacan and the autotheoretical in her exploration of the deep roots of our libidinal ties and the ways in which we keep desire at bay in our efforts to lead tidier, more coherent lives. Part theory, part manifesto and part testimony, Webster calls for us as analysts to reinvent ourselves with our patients, as patients to take part in the poetry of our symptoms, and as institutions to create the conditions for something radical to happen in the transmission of psychoanalysis. While many in theory have turned toward the soma and the exterior, Webster has not given up on psychic interiority, her writing an attempt to avoid the trap of idealizing one while diminishing the other, or getting stuck in the reversal. We can wish for the new while remaining skeptical of the march of progress, and we can speak from the discourse of the patient while remaining connected to the discourse of the analyst. We can take risks even as we face loss, and seek pleasure even though there's no common satisfaction. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud's sharpest and most adamant critic, Frederick Crews has been debating Freud's legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud's extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what's so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he's going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud's sharpest and most adamant critic, Frederick Crews has been debating Freud's legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud's extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what's so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he's going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud's sharpest and most adamant critic, Frederick Crews has been debating Freud's legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud's extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what's so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he's going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud's sharpest and most adamant critic, Frederick Crews has been debating Freud's legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud's extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what's so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he's going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud's sharpest and most adamant critic, Frederick Crews has been debating Freud's legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud's extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what's so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he's going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud's sharpest and most adamant critic, Frederick Crews has been debating Freud's legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud's extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what's so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he's going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud's sharpest and most adamant critic, Frederick Crews has been debating Freud's legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud's extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what's so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he's going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud's sharpest and most adamant critic, Frederick Crews has been debating Freud's legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud's extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what's so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he's going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

The first collection of essays from the author of the Life and Death of Psychoanalysis, Stay, Illusion! with Simon Critchley and Conversion Disorder, Disorganisation & Sex (Divided Publishing, 2022) is as much about our resistance to sexuality as it is about sex itself. Jamieson Webster continues to excite and disturb, turning to Lacan and the autotheoretical in her exploration of the deep roots of our libidinal ties and the ways in which we keep desire at bay in our efforts to lead tidier, more coherent lives. Part theory, part manifesto and part testimony, Webster calls for us as analysts to reinvent ourselves with our patients, as patients to take part in the poetry of our symptoms, and as institutions to create the conditions for something radical to happen in the transmission of psychoanalysis. While many in theory have turned toward the soma and the exterior, Webster has not given up on psychic interiority, her writing an attempt to avoid the trap of idealizing one while diminishing the other, or getting stuck in the reversal. We can wish for the new while remaining skeptical of the march of progress, and we can speak from the discourse of the patient while remaining connected to the discourse of the analyst. We can take risks even as we face loss, and seek pleasure even though there's no common satisfaction. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

The first collection of essays from the author of the Life and Death of Psychoanalysis, Stay, Illusion! with Simon Critchley and Conversion Disorder, Disorganisation & Sex (Divided Publishing, 2022) is as much about our resistance to sexuality as it is about sex itself. Jamieson Webster continues to excite and disturb, turning to Lacan and the autotheoretical in her exploration of the deep roots of our libidinal ties and the ways in which we keep desire at bay in our efforts to lead tidier, more coherent lives. Part theory, part manifesto and part testimony, Webster calls for us as analysts to reinvent ourselves with our patients, as patients to take part in the poetry of our symptoms, and as institutions to create the conditions for something radical to happen in the transmission of psychoanalysis. While many in theory have turned toward the soma and the exterior, Webster has not given up on psychic interiority, her writing an attempt to avoid the trap of idealizing one while diminishing the other, or getting stuck in the reversal. We can wish for the new while remaining skeptical of the march of progress, and we can speak from the discourse of the patient while remaining connected to the discourse of the analyst. We can take risks even as we face loss, and seek pleasure even though there's no common satisfaction. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The first collection of essays from the author of the Life and Death of Psychoanalysis, Stay, Illusion! with Simon Critchley and Conversion Disorder, Disorganisation & Sex (Divided Publishing, 2022) is as much about our resistance to sexuality as it is about sex itself. Jamieson Webster continues to excite and disturb, turning to Lacan and the autotheoretical in her exploration of the deep roots of our libidinal ties and the ways in which we keep desire at bay in our efforts to lead tidier, more coherent lives. Part theory, part manifesto and part testimony, Webster calls for us as analysts to reinvent ourselves with our patients, as patients to take part in the poetry of our symptoms, and as institutions to create the conditions for something radical to happen in the transmission of psychoanalysis. While many in theory have turned toward the soma and the exterior, Webster has not given up on psychic interiority, her writing an attempt to avoid the trap of idealizing one while diminishing the other, or getting stuck in the reversal. We can wish for the new while remaining skeptical of the march of progress, and we can speak from the discourse of the patient while remaining connected to the discourse of the analyst. We can take risks even as we face loss, and seek pleasure even though there's no common satisfaction. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

The first collection of essays from the author of the Life and Death of Psychoanalysis, Stay, Illusion! with Simon Critchley and Conversion Disorder, Disorganisation & Sex (Divided Publishing, 2022) is as much about our resistance to sexuality as it is about sex itself. Jamieson Webster continues to excite and disturb, turning to Lacan and the autotheoretical in her exploration of the deep roots of our libidinal ties and the ways in which we keep desire at bay in our efforts to lead tidier, more coherent lives. Part theory, part manifesto and part testimony, Webster calls for us as analysts to reinvent ourselves with our patients, as patients to take part in the poetry of our symptoms, and as institutions to create the conditions for something radical to happen in the transmission of psychoanalysis. While many in theory have turned toward the soma and the exterior, Webster has not given up on psychic interiority, her writing an attempt to avoid the trap of idealizing one while diminishing the other, or getting stuck in the reversal. We can wish for the new while remaining skeptical of the march of progress, and we can speak from the discourse of the patient while remaining connected to the discourse of the analyst. We can take risks even as we face loss, and seek pleasure even though there's no common satisfaction. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Conversations with Lacan: Seven Lectures for Understanding Lacan (Routledge, 2019)brings a unique, non-partisan approach to the work of Jacques Lacan, linking his psychoanalytic theory and ideas to broader debates in philosophy and the social sciences, in a book that shows how it is possible to see the value of Lacanian concepts without necessarily being defined by them. In accessible, conversational language, the book provides a clear-sighted overview of the key ideas within Lacan's work, situating them at the apex of the linguistic turn. It deconstructs the three Lacanian orders – the symbolic, the imaginary, and the real – as well as a range of core Lacanian concepts, including alienation and separation, après-coup, and the Lacanian doctrine of temporality. Arguing that criticism of psychoanalysis for a lack of scientificity should be accepted by the discipline, the book suggests that the work of Lacan can be helpful in re-conceptualizing the role of psychoanalysis in the future. This accessible introduction to the work of Jacques Lacan will be essential reading for anyone coming to Lacan for the first time, as well as clinicians and scholars already familiar with his work. It will appeal to psychoanalysts, psychotherapists, and scholars of philosophy and cultural studies. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

Conversations with Lacan: Seven Lectures for Understanding Lacan (Routledge, 2019)brings a unique, non-partisan approach to the work of Jacques Lacan, linking his psychoanalytic theory and ideas to broader debates in philosophy and the social sciences, in a book that shows how it is possible to see the value of Lacanian concepts without necessarily being defined by them. In accessible, conversational language, the book provides a clear-sighted overview of the key ideas within Lacan’s work, situating them at the apex of the linguistic turn. It deconstructs the three Lacanian orders – the symbolic, the imaginary, and the real – as well as a range of core Lacanian concepts, including alienation and separation, après-coup, and the Lacanian doctrine of temporality. Arguing that criticism of psychoanalysis for a lack of scientificity should be accepted by the discipline, the book suggests that the work of Lacan can be helpful in re-conceptualizing the role of psychoanalysis in the future. This accessible introduction to the work of Jacques Lacan will be essential reading for anyone coming to Lacan for the first time, as well as clinicians and scholars already familiar with his work. It will appeal to psychoanalysts, psychotherapists, and scholars of philosophy and cultural studies. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Conversations with Lacan: Seven Lectures for Understanding Lacan (Routledge, 2019)brings a unique, non-partisan approach to the work of Jacques Lacan, linking his psychoanalytic theory and ideas to broader debates in philosophy and the social sciences, in a book that shows how it is possible to see the value of Lacanian concepts without necessarily being defined by them. In accessible, conversational language, the book provides a clear-sighted overview of the key ideas within Lacan's work, situating them at the apex of the linguistic turn. It deconstructs the three Lacanian orders – the symbolic, the imaginary, and the real – as well as a range of core Lacanian concepts, including alienation and separation, après-coup, and the Lacanian doctrine of temporality. Arguing that criticism of psychoanalysis for a lack of scientificity should be accepted by the discipline, the book suggests that the work of Lacan can be helpful in re-conceptualizing the role of psychoanalysis in the future. This accessible introduction to the work of Jacques Lacan will be essential reading for anyone coming to Lacan for the first time, as well as clinicians and scholars already familiar with his work. It will appeal to psychoanalysts, psychotherapists, and scholars of philosophy and cultural studies. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Conversations with Lacan: Seven Lectures for Understanding Lacan (Routledge, 2019)brings a unique, non-partisan approach to the work of Jacques Lacan, linking his psychoanalytic theory and ideas to broader debates in philosophy and the social sciences, in a book that shows how it is possible to see the value of Lacanian concepts without necessarily being defined by them. In accessible, conversational language, the book provides a clear-sighted overview of the key ideas within Lacan’s work, situating them at the apex of the linguistic turn. It deconstructs the three Lacanian orders – the symbolic, the imaginary, and the real – as well as a range of core Lacanian concepts, including alienation and separation, après-coup, and the Lacanian doctrine of temporality. Arguing that criticism of psychoanalysis for a lack of scientificity should be accepted by the discipline, the book suggests that the work of Lacan can be helpful in re-conceptualizing the role of psychoanalysis in the future. This accessible introduction to the work of Jacques Lacan will be essential reading for anyone coming to Lacan for the first time, as well as clinicians and scholars already familiar with his work. It will appeal to psychoanalysts, psychotherapists, and scholars of philosophy and cultural studies. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Conversations with Lacan: Seven Lectures for Understanding Lacan (Routledge, 2019)brings a unique, non-partisan approach to the work of Jacques Lacan, linking his psychoanalytic theory and ideas to broader debates in philosophy and the social sciences, in a book that shows how it is possible to see the value of Lacanian concepts without necessarily being defined by them. In accessible, conversational language, the book provides a clear-sighted overview of the key ideas within Lacan’s work, situating them at the apex of the linguistic turn. It deconstructs the three Lacanian orders – the symbolic, the imaginary, and the real – as well as a range of core Lacanian concepts, including alienation and separation, après-coup, and the Lacanian doctrine of temporality. Arguing that criticism of psychoanalysis for a lack of scientificity should be accepted by the discipline, the book suggests that the work of Lacan can be helpful in re-conceptualizing the role of psychoanalysis in the future. This accessible introduction to the work of Jacques Lacan will be essential reading for anyone coming to Lacan for the first time, as well as clinicians and scholars already familiar with his work. It will appeal to psychoanalysts, psychotherapists, and scholars of philosophy and cultural studies. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud's sharpest and most adamant critic, Frederick Crews has been debating Freud's legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud's extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what's so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he's going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud’s sharpest and most adamant critic, Frederick Crews has been debating Freud’s legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud’s extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what’s so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he’s going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud’s sharpest and most adamant critic, Frederick Crews has been debating Freud’s legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud’s extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what’s so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he’s going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud’s sharpest and most adamant critic, Frederick Crews has been debating Freud’s legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud’s extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what’s so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he’s going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud’s sharpest and most adamant critic, Frederick Crews has been debating Freud’s legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud’s extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what’s so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he’s going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud's sharpest and most adamant critic, Frederick Crews has been debating Freud's legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud's extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what's so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he's going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud's sharpest and most adamant critic, Frederick Crews has been debating Freud's legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud's extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what's so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he's going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud's sharpest and most adamant critic, Frederick Crews has been debating Freud's legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud's extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what's so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he's going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud's sharpest and most adamant critic, Frederick Crews has been debating Freud's legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud's extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what's so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he's going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud’s sharpest and most adamant critic, Frederick Crews has been debating Freud’s legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud’s extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what’s so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he’s going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The figure of Sigmund Freud has captivated the Western imagination like few others. One hundred and twenty-five years after the publication of Studies on Hysteria, the good doctor from Vienna continues to stir controversy in institutions, academic circles, and nuclear households across the world.  Perhaps Freud’s sharpest and most adamant critic, Frederick Crews has been debating Freud’s legacy for over thirty years. His latest work, Freud: The Making of an Illusion (Picador, 2018) challenges us with an extensive psychological profile of the legend here revealed as scam artist. What some analysts might argue to be a 750 page character assassination, Crews maintains is simply a recitation of facts which leaves readers to draw their own conclusions. One might wonder if the story of facts that is conveyed is not itself a counter myth. Was Freud a megalomaniacal, greedy, cocaine-addled opportunist and psychoanalysis a pseudoscience that has reigned tyrannically over twentieth century thought? Making use of Freud’s extensive letters to Martha Bernays, Crews paints a “damning portrait” (Esquire) of a money hungry, adulterous, and uncaring man.  How can this portrait be reconciled with the radically meaningful and deeply transformative process many of us know psychoanalysis to be? Is the tyranny of rationality preferable to the tyranny of myth? Does the unmaking of the myth of the man undo the gift of his work? In this interview Crews responds to questions of what it means to have an empirical attitude, how we should “test” the process of healing, what’s so tempting about Freud, and what should become of psychoanalysis today. Meticulously researched, the Crews of the Freud wars is back again, and he’s going in for the kill shot. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in NYC. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices