Austrian neurologist and founder of psychoanalysis
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Tonight's reading comes The History of Psychoanalytic Movement. Written by Sigmund Freud and published in 1917, this book presents the views of Sigmund Freud. Often controversial, Freud is widely considered the founder of psychoanalysis. My name is Teddy and I aim to help people everywhere get a good night's rest. Sleep is so important and my mission is to help you get the rest you need. The podcast is designed to play in the background while you slowly fall asleep.For those new to the podcast, it started from my own struggles with sleep. I wanted to create a resource for others facing similar challenges, and I'm so grateful for the amazing community we've built together.
In this class series, Rabbi Shmuly will explore the Torah of the mind. We will explore how Jewish thought intersects with modern psychological studies and theories by examining thinkers like Freud, Piaget, Maslow, Frankl, and so many others over 50 interactive sessions. Looking at consciousness, moral reasoning, ego, love, learning, and evil, how can we better understand why humans act as they do? Considering our relationships, traumas, memories, conflicts, and self-esteem, how can reflecting on the deep complexity of our minds help us live more meaningful lives? Further, how might Jewish ethics and Jewish philosophy help us ask not just “how do we live” but “how might we live?” Join us for a deep dive into the collective, individual, and Jewish mind.Attend these classes live over Zoom by becoming a member for just $18 monthly: https://www.valleybeitmidrash.org/become-a-member.------------------Stay Connected with Valley Beit Midrash:• Website: https://www.valleybeitmidrash.org• Facebook: https://www.facebook.com/ValleyBeitMidrash ★ Support this podcast ★
This one's going to rock your world. In episode 132 of Overthink, Ellie and David dig into the earth for the third part of their four-part series on the elements. They discuss everything from earthworms and carbon dating to the “solidity” of the earth. They look to Foucault, Freud, and Husserl for insights about how the earth can act as a metaphor for the mind and for the past. They also wonder: Is the earth inert matter or a living being? And why do so many creation myths present humans as “made” of earth/clay/mud? So, what is it that we actually mean when we talk about earth as an element? In the bonus, your hosts talk think through Heidegger's notion of ground and horizon, and the Western association of land with earth.Works Discussed: Michel Foucault, The Archeology of KnowledgeMartin Heidegger, “ The Origin of the Work of Art”Edmund Husserl, Crisis of the European SciencesDavid Macauley, Elemental Philosophy: Earth, Air, Fire, and Water as Environmental Ideas Thomas Nail, Theory of the EarthJames Lovelock, Gaia hypothesisDorian Sagan and Lynn Margulis, “God, Gaia, and Biophilia”Support the showPatreon | patreon.com/overthinkpodcast Website | overthinkpodcast.comInstagram & Twitter | @overthink_podEmail | dearoverthink@gmail.comYouTube | Overthink podcast
Does your website feel like a warm welcome? If not, this episode is a must-listen. Because branding isn't just about fonts, colors, or messaging–it's about how your clients feel when they land on your digital doorstep. This is a special episode where I sat down with Shay Wheat on her podcast, Creating Powerful Impact. We talked about why the most effective brands start from the inside out. The SOULiD Framework If your brand looks the part but doesn't feel like you, that disconnect shows up everywhere–in your copy, your visuals, and your confidence. That's exactly why we created the SOULiD framework. It helps uncover your convictions, personality, and purpose, so your website becomes an extension of your most essential self. In this episode, I break down how the process works and why it becomes the foundation for a brand that grows with you. What Hospitality Has to Do With Branding What do restaurants and websites have in common? More than you might think. I grew up in the hospitality industry, and that mindset shapes everything we do at brandiD. When your clients feel seen, supported, and genuinely cared for, they stick around–and they tell others. In this episode, I talk about how to infuse that same high-touch, high-trust experience you'd expect from a high-end restaurant into your brand, no matter your industry. Enjoy this episode… Soundbytes 3:37 - 3:49 “So the name brandiD: the ID is an identity, but it also stands for ID, like the ID ego and super ego, and it is the part of our personality, according to Freud, that we are born with.” 3:52 - 4:24 “The SOULiD framework is what we do with the majority of our clients…We want to help them, but also need our work to stand out from the many, many millions of other websites that land online. We want to get to the core, the essence, or the soul of that person and make sure it's embedded throughout. Aesthetically, in the copy, in the positioning, the differentiators lie there.” 9:19 - 9:29 “We have to all be so dialed into the people we work with and understand their hopes, their fears, their dreams, when they're feeling vulnerable, when they're feeling overwhelmed.” Quotes “With every client, it's like you also have another case study to see if your framework is still applicable.” “Websites, just like clothing, just like hairstyles, they have trends.” “One thing that sets us apart as a web agency is the service that we provide to our clients. It's one thing that people consistently comment on.” “The way you make clients feel, especially in today's competitive market, can help you be around as a company for the long term.” “You are your biggest differentiator.” Links mentioned in this episode: Connect with brandiD Easy Tips to Adjust your website: https://buildmybrandid.com/website-tweaks/ Personality Quiz: https://content.leadquizzes.com/lp/jqgbMsr00g Ready to elevate your digital presence with a powerful brand or website? Contact us here: https://thebrandid.com/contact-form/ From Our Guest Host Website: https://graceandeaseproductions.com/ Connect with Shay Wheat on LinkedIn: https://www.linkedin.com/in/shaywheat/
Biografia, opere e pensiero pedagogico di Alexander Neill, pedagogista inglese e autore - tra gli altri - di Summerhill, Un'esperienza educativa rivoluzionaria, Il fanciullo difficile...
Fleet footfall, jump, hang, glide. Physics is your plaything, Bond. A full-lipped quip in a red dress. A lithe, lip-biting woman who craves your death, pulling you down into the rocks below. Always pulling. As you escape. "Oh, please James, spare me the Freud. I might as well ask you if all the vodka martinis ever silenced the screams of all the men you've killed... or if you find forgiveness in the arms of all those willing women, for all the dead ones you failed to protect."
En este episodio veremos las diferentes miradas sobre el misterio del amor.
Piše Marija Švajncer, bereta Aleksander Golja in Maja Moll. Ana Pepelnik je pesmi v zbirki z naslovom V drevo napisala skoraj brez ločil in z malo začetnico, zato se je pri branju treba še posebej zbrati. Raba vejice ima v slovenščini velik pomen, tako da tu in tam na prvi pogled ni čisto jasno, ali koga nagovarja ali pa je beseda samo običajen del povedi. Poraja se tudi vprašanje, ali je pisanje Ane Pepelnik v resnici poezija, morda poezija v prozi, ali pa je kratko malo proza z liričnimi odtenki. Trditev, da ni ločil, je treba nekoliko omiliti. Avtorica nekajkrat postavi nekatera od njih, na primer vprašaj in klicaj, navaja kratice, besede v ležečem tisku, številke in znak za množenje ali neznanko v matematiki, odstotek ali kaj podobnega, vstavi pokončni črti in med njima pusti prazen prostor, v katerega lahko dodajamo besede ali verze, kolikor se nam zahoče, in soustvarjamo. Besedi pesem in srce prečrta. Najbrž ima za to tehten razlog, saj imata v poeziji poseben pomen, srce, ki se pojavi v njej, pa je že nekoliko zastarelo. Tako kot storijo mnogi slovenski pesniki in pesnice, so tudi v pesmih Ane Pepelnik dodane angleške besede. Pa saj to ni nič novega, dopolnjevanje slovenščine z angleškimi izrazi in drugimi v tujih jezikih tudi v preteklosti ni bilo nič nenavadnega, razlika pa je vendarle v tem, da takrat še nismo bili dvojezični in se angleščina še ni tako polaščala slovenščine, kot se to dogaja v zadnjem času. Žal pa je čedalje manj ljudi, ki so na to pozorni in jih to tudi moti, saj sami dovolj cenijo izrazno moč lastnega jezika in jim je tako dopolnjevanje odveč. Avtorica kaže formalno svobodo že na naslovnici knjige: na njej je namreč navedeno Pepelnik Ana, ne pa Ana Pepelnik, kot zahteva slovenski pravopis, če že ne gre za navajanje po abecednem redu. To zamenjavo bi bilo mogoče razumeti, kot da se ima za pepelnik, v katerega kadilci odlagajo ogorke, pač nekaj, kar je že dogorelo in je treba zavreči, toda najbrž ni čisto tako, saj sta priimek in ime napisana z velikima začetnicama, skoraj vse besede v knjigi, kot smo že omenili, pa z malo. Pesnica tu in tam zaide v pogovorni jezik, krajša besede in uporablja namenilniško obliko. Vseeno je treba poudariti, da je poezija Ane Pepelnik subtilna in globoko izpovedna. Svoja nežna čustva namenja bodisi ženski bodisi moškemu, razbolela je in samotna, zaželi si, da bi zasijala svetloba. »plus I mislim da gre za izhod da je tema globoko topla globoko svetla da greš v svetlobo postaneš svetloba si svetloba da se lahko začne ponavljanje da smo nadaljevanje« Do sebe je neprizanesljiva in priznava, da njeno življenje poteka v molu. Večkrat pomisli na minevanje in odhod. Smrt tistih, ki so ji nekaj pomenili, je tukaj ali pa se ji kot slutnja nenehno približuje. Pesnica pomisli na možnost reinkarnacije in pred seboj ugleda naravne pojave in velike živali, lahko pa bi se utelesila tudi v bolj neznatni: »čeprav je monika rekla če si predstavljam da bom samozavesten jež nekaj drugega samo ne človek ker človek pozablja ker človek onesnažuje ker človek ne spoštuje ker človek ljubi čeprav ne zares ne dovolj ker človek I uh« Pesmi govorijo o ranljivosti in nemoči, toda ni brez pomena, da se pesnica daje in razkriva kot dobra oseba, nežna, dobronamerna in vredna zaupanja. Freud je pisal o klientu, ki je imel občutek, da gori, tudi njej se dozdeva nekaj podobnega. Tesno ji je pri srcu, kaj kmalu se je polasti strah. Prav dobro ve, česa se je treba bati: svet se ji vsiljuje v vsej svoji bizarnosti, težavne trenutke ujame v pesmi. Vanje vstopajo različni ljudje in kmalu postane čudno temno; smrt je tista, ki povzroči temino. Svet pesnici pravzaprav nikoli ni bil všeč, ker se v njem, tako meni, še nikoli ni nič zares spremenilo in zares zgodilo, razen nekaj revolucij in večnih vojn. Verzi o štirih prvinah so slikoviti in odeti v bogato metaforiko, poglavitno pa je pristno občutenje razmerja med pesnico in vsem tistim, kar je zunaj nje. Po svoji poti stopa s posebno rahločutnostjo. Morda bi ji bilo pri tem pomikanju lažje, če ne bi imela v posesti toliko vednosti. Tako pa pestuje spoznanja, spomine na srečanja ter različne izkušnje, lepe in manj lepe. Razbolelo pomisli, da ljudem ni mar zanjo: »vem, da me folk ne mara preveč«. Toda za vztrajanje je dovolj razlogov. Preveva jo dragocen občutek, da so ji na voljo drevesa. Če hoče, jih lahko vzame s seboj, »ker vsako drevo / tega ne morem zanikat / je vračanje / v pesem«. Pesnica išče tudi povezanost med človekom in besedo, kajti beseda lahko postane pesem in zada bolečine, pravzaprav je pravšnja za pesem z drevesom. Avtorica išče izhod in pot do prenehanja, v njej se poraja tudi odpor. Včasih se ji primeri, da ne ve, ali ponavljanje enih in istih opravil pomeni obup ali pa morda odločitev za preživetje. Ne da bi navedla ime filozofa, je iz verzov mogoče razbrati, da ima v mislih Heraklita in njegovo spoznanje, da vse teče in da v isto reko ni mogoče stopiti dvakrat. Primeri se ji, da se znajde v ontološki praznini in ta zanjo pomeni, da se odreka absolutni določenosti sveta. Ana Pepelnik piše elegije in psalme, včasih pa se ji zazdi, da je njeno pesnjenje podobno pisanju poslovilnega pisma. Dahne, da sploh ne živi zares, temveč samo čaka, da vse skupaj mine. Človek je pač v prostoru, ki ga zavzema, ne da bi pri tem podvomil, da na koncu ostane sam. Z leti ničesar več ni ali pa je občasno samo tisto, kar človeka dvigne nad oblake. Pravi, da skuša napisati nekaj lepega. Ne nazadnje ji to vsekakor uspeva. Prisluhnili ji bomo in ji verjeli, da je vsako drevo zares vračanje v pesem.
This week Coop and Taylor discuss Jean Laplanche's The Temptation of Biology: Freud's Theories of Sexuality. Topics include seduction, leaning-on (Anlehnung), Oedipus, polymorphous perversity, desiring production, instinct, drives and much more. Support us on Patreon: https://www.patreon.com/muhh Twitter: @unconscioushh
====================================================SUSCRIBETEhttps://www.youtube.com/channel/UCNpffyr-7_zP1x1lS89ByaQ?sub_confirmation=1====================================================DEVOCIÓN MATUTINA PARA ADULTOS 2025“CON JESÚS HOY”Narrado por: Exyomara AvilaDesde: Bogotá, ColombiaUna cortesía de DR'Ministries y Canaan Seventh-Day Adventist Church ===================|| www.drministries.org ||===================16 de JunioPacificadores«Bienaventurados los pacificadores, porque serán llamados hijos de Dios» (Mat. 5: 9).En el Sermón del Monte Jesús se presenta como el gran apóstol de la no violencia, es decir, de su plan divino para que aprendamos a convivir felices y libres en un mundo en paz:
Since 1900 or so, anyone trying to engage with Sophocles' play Oedipus Rex has had Sigmund Freud breathing over their shoulders. This episode looks at how Freud, inspired by (and slightly obsessed with) Sophocles' play, concocted a theory that began as a stage of child development but soon expanded to become a universal explanation for all of culture, religion, and art.CONTENT NOTE: This episode contains discussions of sex and sexuality from very early in the runtime (and more than one Hall and Oates reference). Please consider people around you — or your own tolerance for topics like incest and sexual assault — before listening.Want to read a transcript of this episode, or see the reference list? Click here. Don't forget to like, share, and subscribe! Hosted on Acast. See acast.com/privacy for more information.
Abby and Patrick welcome journalist and anthropologist Brian Goldstone to discuss his new book, There is No Place for Us: Working and Homeless in America. A devastating and essential read, There is No Place for Us tells the stories of five Atlanta families as they join the ranks of an ever-growing class of Americans: the unhoused. Against the grain of common misconceptions about homelessness, the trajectory of these families reflects no errors or blameworthy mistakes on their part, nor still does their situation represent any kind of exception to the rule. In fact, as Brian explains, their stories expose how a variety of institutions – from housing markets to credit monitoring to policing and more – work together to actively push millions of Americans into homelessness, to trap them there, and to exploit their vulnerabilities at every turn. Moreover, as Brian, Abby, and Patrick explore, this reality is mystified by mainstream narratives, prevailing ideologies, and broader anxieties about precarity and homelessness. Unpacking questions of policy, history, and contemporary media coverage, the three discuss how misguided narratives about individual choice, moral desert, mental health, and more subvert recognition of what should be a basic right and policy priority (IE, access to housing), and confront what it would mean to cut through these and other fantasies.Brian Goldstone, There Is No Place for Us: Working and Homeless in America: https://www.penguinrandomhouse.com/books/645871/there-is-no-place-for-us-by-brian-goldstone/https://www.briangoldstone.net/Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music
Neste episódio do Diálogos do Inconsciente, José Antonio propõe uma escuta psicanalítica de Bentinho, o narrador de Dom Casmurro, de Machado de Assis. A clássica dúvida — Capitu traiu? — dá lugar a uma pergunta mais profunda: e se o maior traído foi o próprio Bentinho... por ele mesmo? Com base na psicanálise de Freud e Lacan, analisamos temas como desejo, projeção, culpa e narcisismo, revelando como o amor pode esconder angústias mais primitivas e como o sofrimento, às vezes, se transforma em identidade. A literatura, aqui, se transforma em espelho. E a psicanálise, em ferramenta para ler não só os personagens... mas também a nós mesmos. Se você gosta de mergulhos profundos entre literatura, inconsciente e existência, este episódio é pra você.
In 1966, President Lyndon B. Johnson declared that the third Sunday in June would henceforth be celebrated as Father's Day. It was a symbolic gesture aimed at strengthening paternal bonds, as well as a tacit rejection of the policies recommended by Daniel Patrick Moynihan, who had just left Johnson's administration in disgrace after his controversial report on Black family life and poverty was leaked. “As we know it,” Scholar contributor Augustine Sedgewick writes in his new book, “Father's Day is an unintended consequence of the fractious American politics of race, gender, and class.” Sedgewick's book, Fatherhood: A History of Love and Power, is the story of how such politics ensnarled parental care, and of the men who expanded the domain of fathers across generations of crisis and change, from Aristotle and Henry VIII to Freud and Bob Dylan. Go beyond the episode:Augustine Sedgewick's Fatherhood: A History of Love and PowerThe far right's signature style is less about dad pants and more about fatherhood: read Sedgewick's essay “Ku Klux Khaki”“Thoreau's Pencils,” Sedgwick explores the abolitionist's relationship with his family—and his family business's ties to slaveryFor more on the Moynihan Report and political interventions on parenting, read Melinda Cooper's Family ValuesTune in every (other) week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek and sponsored by the Phi Beta Kappa Society.Subscribe: iTunes/Apple • Amazon • Google • Acast • Pandora • RSS FeedHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Hosted on Acast. See acast.com/privacy for more information.
In the first of a three-part series on Richard Rorty's Contingency, Irony, and Solidarity (1989), Let Us Think About It delves into the concept of contingency. Host Ryder Richards guides listeners through Rorty's radical argument that language, selfhood, and liberal communities are not grounded in universal truths but are crafted through historical chance, like tools in a dynamic toolkit. Drawing on Chapter 1, Ryder explores how language, far from mirroring reality, builds truths through evolving vocabularies, with examples like the French Revolution and Donald Davidson's “passing theories.” Chapter 2 reveals the self as a contingent construction, sculpted through redescriptions, as seen in Freud and Proust. Chapter 3 examines liberal societies as experimental creations, sustained by imaginative solidarity rather than fixed foundations, referencing Isaiah Berlin and Judith Shklar. While admiring Rorty's vivid metaphors and provocative ideas, Ryder critiques his potentially reductive view, questioning whether freedom alone can ensure moral progress. Packed with direct quotes and punchy insights, this episode sets the stage for upcoming discussions on irony and solidarity. Tune in to rethink how we create our world with the tools of language!
Neste podcast: Clóvis de Barros fala sobre como a tragédia de Sófocles se relaciona com a psicanálise de Freud.
Arrancamos la sexta temporada con el título "Amamos como nos amaron", que se vincula estrechamente con la teoría del apego y la repetición de patrones afectivos en la vida adulta. Desde el Psicoanálisis, se entiende que las primeras experiencias de amor, especialmente aquellas vividas en la infancia con figuras primarias, moldean nuestra manera de vincularnos. Freud ya planteaba que el sujeto tiende a repetir, de manera inconsciente, ciertos esquemas relacionales que marcaron su desarrollo temprano. Desde una mirada más Lacaniana, el amor también está atravesado por el deseo y la falta. No solo repetimos lo que nos dieron, sino que buscamos, muchas veces de manera inconsciente, aquello que sentimos como incompleto. Así, el amor se convierte en un intento de resolver lo que quedó pendiente en nuestra historia afectiva.
Tomorrow Is The Problem returns! This season, we're exploring the uncanny. Popularized by Freud in 1919, “the uncanny” describes a strange and anxious feeling, when something is familiar and yet alien at the same time. This season, join Dr. Donna Honarpisheh as she speaks to scholars and artists to explore how the uncanny manifests in the works of artists like Tony Oursler, Lorraine O'Grady, Adam Putnam, U5, and more.Tomorrow is the Problem is brought to you by the Knight Foundation Art + Research Center and is produced in partnership with FRQNCY Media.
La chronique cinéma d'Anne-Marie Baron "Freud, la dernière confession" (2025) Drame
Rose Boyt tells Gyles about her unconventional childhood, and about her experiences of being parented by - and painted by - her father Lucian Freud, the celebrated modern artist. This is an extraordinary story: even Gyles is bowled over by the twists and turns of Rose's childhood. Rose's parents were Lucian Freud and the artist Susie Boyt, with whom Freud had three other children. He also had many other children with other women - 14 children in all - and was never a conventional husband or father to any of them. But he was brilliant - dazzlingly entertaining, talented, intelligent and inspiring - and Rose experienced this at first hand when she was painted by him for a nude portrait which is the starting point for her book, Naked Portrait. Rose also spent a year living on a cargo ship in the Baltic, DJ'd with Neneh Cherry, and was briefly engaged to Andy Warhol. This is a fascinating interview about Rose, about Lucian Freud, about the artistic life, and about alternative ways of living and looking at the world.Rose Boyt's book, Naked Portrait is out in paperback, published by Picador. It is highly recommended.This episode was recorded at the JW Marriott Grosvenor House in London. Hosted on Acast. See acast.com/privacy for more information.
What is happiness? Why is it so hard to achieve? What is “civilization” and how did it develop? Legendary psychologist Sigmund Freud seeks to answer these questions in his book “Civilization and Its Discontents.” Freud traces the development of human culture all the way from the beginning, all from the psychoanalytic perspective. While modern psychology often keeps Freud at arm's length, there may be some important wisdom to learn from his application of psychoanalytic theories to human development. This is part one in a series on Sigmund Freud's “Civilization and Its Discontents.” It takes a look at Freud's famous analogy of the human mind to the city of Rome, discusses the problem of happiness and why so few are happy in the modern world, and also goes over some psychoanalytic theory and Freud's belief in the id, ego, and superego. -Consider Supporting the Podcast!- Leave a rating or review on apple podcasts or spotify! Support the podcast on Patreon: https://www.patreon.com/reflectinghistory Check out my podcast series on Aftersun, Piranesi, Arcane, The Dark Knight Trilogy, and Nazi Germany and the Battle for the Human Heart here: https://www.reflectinghistory.com/bonuscontent Try my podcast series "Nazi Germany and the Battle for the Human Heart"-- What led to the rise of Nazi Germany? The answer may surprise you…Why do 'good' people support evil leaders? What allure does fascism hold that enables it to garner popular support? To what extent are ordinary people responsible for the development of authoritarian evil? This 13 part podcast series explores these massive questions and more through the lens of Nazi Germany and the ordinary people who collaborated or resisted as the Third Reich expanded. You'll not only learn about the horrifying, surprising, and powerful ways in which the Nazis seized and maintained power, but also fundamental lessons about what fascism is-how to spot it and why it spreads. Through exploring the past, I hope to unlock lessons that everyone can apply to the present day. Check it out on my Patreon page at: https://www.patreon.com/reflectinghistory. Try my podcast series "Piranesi: Exploring the Infinite Halls of a Literary Masterpiece"-- This podcast series is a deep analysis of Susanna Clark's literary masterpiece "Piranesi." Whether you are someone who is reading the novel for academic purposes, or you simply want to enjoy an incredible story for it's own sake, this podcast series goes chapter by chapter into the plot, characters, and themes of the book...“The Beauty of the House is immeasurable; it's kindness infinite.” Piranesi lives in an infinite house, with no long-term memory and only a loose sense of identity. As the secrets of the House deepen and the mystery of his life becomes more sinister, Piranesi must discover who he is and how this brings him closer to the “Great and Secret Knowledge” that the House contains. Touching on themes of memory, identity, mental health, knowledge, reason, experience, meaning, reflection, ideals, and more…Piranesi will be remembered as one of the great books of the 21st century. Hope you enjoy the series as much as I enjoyed making it. Check it out at https://www.patreon.com/reflectinghistory. Subscribe to my newsletter! A free, low stress, monthly-quarterly email offering historical perspective on modern day issues, behind the scenes content on my latest podcast episodes, and historical lessons/takeaways from the world of history, psychology, and philosophy: https://www.reflectinghistory.com/newsletter.
durée : 00:24:56 - Les Nuits de France Culture - par : Philippe Garbit - Pourquoi la psychanalyste Lou Andreas-Salomé fascine-t-elle autant ? Les raisons sont nombreuses : sa grande curiosité intellectuelle, ses relations avec Rilke, Nietzsche et Freud, son métier de psychanalyste, ses livres. Dans cette émission de 1983, c'est son rapport avec Freud qui est analysé. - réalisation : Virginie Mourthé - invités : Marie Moscovici; Jacques Nobécourt
In this class series, Rabbi Shmuly will explore the Torah of the mind. We will explore how Jewish thought intersects with modern psychological studies and theories by examining thinkers like Freud, Piaget, Maslow, Frankl, and so many others over 50 interactive sessions. Looking at consciousness, moral reasoning, ego, love, learning, and evil, how can we better understand why humans act as they do? Considering our relationships, traumas, memories, conflicts, and self-esteem, how can reflecting on the deep complexity of our minds help us live more meaningful lives? Further, how might Jewish ethics and Jewish philosophy help us ask not just “how do we live” but “how might we live?” Join us for a deep dive into the collective, individual, and Jewish mind.Attend these classes live over Zoom by becoming a member for just $18 monthly: https://www.valleybeitmidrash.org/become-a-member.------------------Stay Connected with Valley Beit Midrash:• Website: https://www.valleybeitmidrash.org• Facebook: https://www.facebook.com/ValleyBeitMidrash ★ Support this podcast ★
Precisamos analisar a inteligência artificial criticamente. Diante de todas as promessas anunciadas por empresários, bilionários e investidores, o que é realmente verdade e o que é mito? Estamos mesmo no caminho para simular no computador a mente humana? E qual o interesse social por trás do enorme financiamento de tais projetos?- Vote aqui no Prêmio iBest 2025: https://premioibest.vote/439506136- Nossa chave PIX: filosofiavermelha@gmail.com- Curso "Filosofia para a vida: refletir para viver melhor": https://www.udemy.com/course/filosofia-para-a-vida-refletir-para-viver-melhor/?couponCode=0BF9AD87F6321F963106- Curso "Introdução à filosofia: dos pré-socráticos a Sartre": https://www.udemy.com/course/introducao-a-filosofia-dos-pre-socraticos-a-sartre/?couponCode=E6A2D613C2C692FC61E1- Curso "Crítica da religião: Feuerbach, Nietzsche e Freud": https://www.udemy.com/course/critica-da-religiao-feuerbach-nietzsche-e-freud/?couponCode=F7387D25C021AD9A221B- Curso "A filosofia de Karl Marx - uma introdução": https://www.udemy.com/course/a-filosofia-de-karl-marx-uma-introducao/?couponCode=1E5FDEDE175F82163C68- Inscreva-se gratuitamente em nossa newsletter: https://filosofiavermelha.org/index.php/newsletter/- Apoia.se: seja um de nossos apoiadores e mantenha este trabalho no ar: https://apoia.se/filosofiavermelha- Nossa chave PIX: filosofiavermelha@gmail.com- Adquira meu livro: https://www.almarevolucionaria.com/product-page/pr%C3%A9-venda-duvidar-de-tudo-ensaios-sobre-filosofia-e-psican%C3%A1lise- Meu site: https://www.filosofiaepsicanalise.org- Clube de leitura: https://www.youtube.com/watch?v=WWEjNgKjqqINeste episódio veremos como Karl Marx e seu conceito de mais-valia pode nos ajudar a compreender o papel da inteligência artificial no atual estágio do capitalismo. Antes disso, apresentaremos algumas reflexões críticas do cientista da computação Erik J. Larson, autor da obra O mito da inteligência artificial.
The Taproot Therapy Podcast - https://www.GetTherapyBirmingham.com
From genius discovery to UFO battles: The man who found trauma in the body Wilhelm Reich made one of psychology's greatest discoveries: The body remembers what the mind forgets. Trauma doesn't just live in thoughts and memories - it's held in muscle tension, breathing patterns, and physical armor that protects us from unbearable feelings. Then he went completely insane. This episode follows Reich's journey from Freud's most promising student to a paranoid exile shooting orgone energy at alien spacecraft. But here's the twist: His early insights about somatic trauma were revolutionary. They laid the foundation for every body-based therapy that actually works. https://gettherapybirmingham.com/the-weird-history-of-psychotherapy-part-3-wilhelm-reich/ https://gettherapybirmingham.com/what-are-wilhelm-reichs-character-styles/ https://gettherapybirmingham.com/wilhelm-reichs-analysis-of-fascism-enduring-wisdom-and-controversial-reception/ https://gettherapybirmingham.com/the-curious-case-of-wilhelm-reich/ https://gettherapybirmingham.com/john-c-lilly-when-dolphins-drugs-and-the-deep-end-of-consciousness-collided-in-the-psychedelic-70s/ You'll learn about: Character armor: how the body holds emotional pain The knife incident that got him expelled from psychoanalysis Orgone energy, cloudbusters, and weather control experiments Einstein's basement test that debunked Reich's cosmic theories The FBI raid that destroyed his life's work How his somatic discoveries live on in modern trauma therapy Discover the untold story of how trauma therapy evolved from Freudian analysis to revolutionary body-based healing approaches that preceded "The Body Keeps the Score" by decades. This evidence-based deep dive explores the pioneering work of Wilhelm Reich, Carl Jung, and Fritz Perls who discovered that trauma lives in the body long before modern neuroscience proved them right. Learn why your physical symptoms might be stored emotional memories and how the therapeutic revolution of the 1960s changed psychology forever. What You'll Learn: Why Reich was expelled from psychoanalytic institutes for discovering "character armor" How Jung's archetypal psychology laid groundwork for modern therapy approaches The real story behind Fritz Perls and the birth of Gestalt therapy Why America abandoned somatic approaches for cognitive behavioral therapy How trauma gets trapped in muscles, creating chronic tension and pain The scientific evidence behind body-based trauma treatment Perfect for: Mental health professionals, trauma survivors, psychology students, anyone interested in the history of psychotherapy, and those seeking alternatives to traditional talk therapy. Evidence-Based Content: Drawing from peer-reviewed research, historical documents, and the foundational texts of somatic psychology, this episode traces the scientific evolution from Freudian psychoanalysis through modern neuroscience-backed trauma therapy. Keywords: trauma therapy, somatic therapy, body keeps the score, Wilhelm Reich, Carl Jung, Fritz Perls, PTSD treatment, psychology history, mind-body connection, character armor, nervous system healing, experiential therapy, depth psychology Hosted by experts in trauma-informed care with clinical experience in EMDR, brainspotting, somatic experiencing, and Jungian analysis. Resources: Visit gettherapybirmingham.com for articles on somatic trauma mapping, Jungian therapy, and evidence-based body-centered healing approaches. Discover the untold story of how trauma therapy evolved from Freudian analysis to revolutionary body-based healing approaches that preceded "The Body Keeps the Score" by decades. This evidence-based deep dive explores the pioneering work of Wilhelm Reich, Carl Jung, and Fritz Perls who discovered that trauma lives in the body long before modern neuroscience proved them right. Learn why your physical symptoms might be stored emotional memories and how the therapeutic revolution of the 1960s changed psychology forever. What You'll Learn: Why Reich was expelled from psychoanalytic institutes for discovering "character armor" How Jung's archetypal psychology laid groundwork for modern therapy approaches The real story behind Fritz Perls and the birth of Gestalt therapy Why America abandoned somatic approaches for cognitive behavioral therapy How trauma gets trapped in muscles, creating chronic tension and pain The scientific evidence behind body-based trauma treatment Perfect for: Mental health professionals, trauma survivors, psychology students, anyone interested in the history of psychotherapy, and those seeking alternatives to traditional talk therapy. Evidence-Based Content: Drawing from peer-reviewed research, historical documents, and the foundational texts of somatic psychology, this episode traces the scientific evolution from Freudian psychoanalysis through modern neuroscience-backed trauma therapy. Keywords: trauma therapy, somatic therapy, body keeps the score, Wilhelm Reich, Carl Jung, Fritz Perls, PTSD treatment, psychology history, mind-body connection, character armor, nervous system healing, experiential therapy, depth psychology Hosted by experts in trauma-informed care with clinical experience in EMDR, brainspotting, somatic experiencing, and Jungian analysis. Resources: Visit gettherapybirmingham.com for articles on somatic trauma mapping, Jungian therapy, and evidence-based body-centered healing approaches.
Subscribe to get access to the full episode, the episode reading list, and all premium episodes! www.patreon.com/OrdinaryUnhappinessAbby and Patrick are joined by one of their favorite writers, Sarah Miller, to talk about her new essay in n+1. Entitled “Pirates of the Ayahuasca,” it's a first-person narrative, at once understated and devastating, hilarious and cutting, that sees Sarah, struggling with depression and grief, travel from wildfire-ravaged Northern California to the Peruvian Amazon for two weeks of psychedelic treatment under a prominent indigenous shaman. Sarah relates and reflects on her experience, her relationship with the shaman and his other clients, the business model of the “ayahuasca center,” and much more. Along the way, Sarah, Abby, and Patrick unpack broader narratives about therapy, ritual, and healing; the ways we metabolize feelings of guilt, sadness, and desires for change; the unavoidable context of capitalism, global inequality, and climate catastrophe; our expectations for psychedelics, our fantasies of transformative experiences, and what we can learn from plants. Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music
Participants: John Steppling, Hiroyuki Hamada, and Dennis Riches. Topics covered: Palestine, US backtracks on General Langley's hostile rhetoric about Burkina Faso, US plays dumb while Ukraine provokes Russia toward nuclear war, Lindsay Graham grandstanding on another trip to Ukraine, Sartre's theory of “bad faith,” Freud vs. evolutionary psychology on the unconscious and self-deception. Kenyans fight against an imposed carbon capture scheme, Hollywood's turn toward fascist narratives. Music track: “Diddie Wa Diddie” by Blind Blake (public domain).
Chaque samedi, dans CLAP !, Laurie Cholewa donne la parole aux critiques, qui commentent les sorties de la semaine.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
Lejos del racionalismo moderno, el símbolo abre una experiencia transformadora del ser. El arte verdadero no representa: revela.
Jeffrey Madoff is, as you will discover, quite a fascinating and engaging person. Jeff is quite the creative entrepreneur as this episode's title says. But he really is so much more. He tells us that he came by his entrepreneurial spirit and mindset honestly. His parents were both entrepreneurs and passed their attitude onto him and his older sister. Even Jeffrey's children have their own businesses. There is, however, so much more to Jeffrey Madoff. He has written a book and is working on another one. He also has created a play based on the life of Lloyd Price. Who is Lloyd Price? Listen and find out. Clue, the name of the play is “Personality”. Jeff's next book, “Casting Not Hiring”, with Dan Sullivan, is about the transformational power of theater and how you can build a company based on the principles of theater. It will be published by Hay House and available in November of this year. My conversation with Jeff is a far ranging as you can imagine. We talk about everything from the meaning of Creativity to Imposture's Syndrome. I always tell my guests that Unstoppable Mindset is not a podcast to interview people, but instead I want to have real conversations. I really got my wish with Jeff Madoff. I hope you like listening to this episode as much as I liked being involved in it. About the Guest: Jeffrey Madoff's career straddles the creative and business side of the arts. He has been a successful entrepreneur in fashion design and film, and as an author, playwright, producer, and adjunct professor at Parsons School of Design. He created and taught a course for sixteen years called “Creative Careers Making A Living With Your Ideas”, which led to a bestselling book of the same name . Madoff has been a keynote speaker at Princeton, Wharton, NYU and Yale where he curated and moderated a series of panels entitled "Reframing The Arts As Entrepreneurship”. His play “Personality” was a critical and audience success in it's commercial runs at People's Light Theater in Pennsylvania and in Chicago and currently waiting for a theater on The West End in London. Madoff's next book, “Casting Not Hiring”, with Dan Sullivan, is about the transformational power of theater and how you can build a company based on the principles of theater. It will be published by Hay House and available in November of this year. Ways to connect Jeffrey: company website: www.madoffproductions.com LinkedIn: https://www.linkedin.com/in/b-jeffrey-madoff-5baa8074/ www.acreativecareer.com Instagram: @acreativecareer About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Well, hi everyone. Welcome to another episode of unstoppable mindset. We're glad to have you on board with us, wherever you happen to be. Hope the day is going well for you. Our guest today is Jeffrey Madoff, who is an a very creative kind of person. He has done a number of things in the entrepreneurial world. He has dealt with a lot of things regarding the creative side of the arts. He's written plays. He taught a course for 16 years, and he'll tell us about that. He's been a speaker in a variety of places. And I'm not going to go into all of that, because I think it'll be more fun if Jeffrey does it. So welcome to unstoppable mindset. We are really glad you're here and looking forward to having an hour of fun. And you know, as I mentioned to you once before, the only rule on the podcast is we both have to have fun, or it's not worth doing, right? So here Jeffrey Madoff ** 02:13 we are. Well, thanks for having me on. Michael, well, we're really glad Michael Hingson ** 02:17 you're here. Why don't we start as I love to do tell us kind of about the early Jeffrey growing up, and you know how you got where you are, a little bit or whatever. Jeffrey Madoff ** 02:28 Well, I was born in Akron, Ohio, which at that time was the rubber capital of the world. Ah, so that might explain some of my bounce and resilience. There Michael Hingson ** 02:40 you go. I was in Sandusky, Ohio last weekend, nice and cold, or last week, Jeffrey Madoff ** 02:44 yeah, I remember you were, you were going to be heading there. And, you know, Ohio, Akron, which is in northern Ohio, was a great place to grow up and then leave, you know, so my my childhood. I have many, many friends from my childhood, some who still live there. So it's actually I always enjoy going back, which doesn't happen all that often anymore, you know, because certain chapters in one's life close, like you know, when my when my parents died, there wasn't as much reason to go back, and because the friends that I had there preferred to come to New York rather than me go to Akron. But, you know, Akron was a great place to live, and I'm very fortunate. I think what makes a great place a great place is the people you meet, the experiences you have. Mm, hmm, and I met a lot of really good people, and I was very close with my parents, who were entrepreneurs. My mom and dad both were so I come by that aspect of my life very honestly, because they modeled the behavior. And I have an older sister, and she's also an entrepreneur, so I think that's part of the genetic code of our family is doing that. And actually, both of my kids have their own business, and my wife was entrepreneurial. So some of those things just carry forward, because it's kind of what, you know, what did your parents do? My parents were independent retailers, and so they started by working in other stores, and then gradually, both of them, who were also very independent people, you know, started, started their own store, and then when they got married, they opened one together, and it was Women's and Children's retail clothing. And so I learned, I learned a lot from my folks, mainly from the. Behavior that I saw growing up. I don't think you can really lecture kids and teach them anything, yeah, but you can be a very powerful teacher through example, both bad and good. Fortunately, my parents were good examples. I think Michael Hingson ** 05:14 that kids really are a whole lot more perceptive than than people think sometimes, and you're absolutely right, lecturing them and telling them things, especially when you go off and do something different than you tell them to do, never works. They're going to see right through it. Jeffrey Madoff ** 05:31 That's right. That's right. And you know, my kids are very bright, and there was never anything we couldn't talk about. And I had that same thing with my parents, you know, particularly my dad. But I had the same thing with both my parents. There was just this kind of understanding that community, open communication is the best communication and dealing with things as they came up was the best way to deal with things. And so it was, it was, it was really good, because my kids are the same way. You know, there was always discussions and questioning. And to this day, and I have twins, I have a boy and girl that are 31 years old and very I'm very proud of them and the people that they have become, and are still becoming, Michael Hingson ** 06:31 well and still becoming is really the operative part of that. I think we all should constantly be learning, and we should, should never decide we've learned all there is to learn, because that won't happen. There's always something new, Jeffrey Madoff ** 06:44 and that's really what's fun. I think that you know for creativity and life at large, that constant curiosity and learning is fuel that keeps things moving forward, and can kindle the flame that lights up into inspiration, whether you're writing a book or a song or whatever it is, whatever expression one may have, I think that's where it originates. Is curiosity. You're trying to answer a question or solve a problem or something. Yeah, Michael Hingson ** 07:20 and sometimes you're not, and it's just a matter of doing. And it doesn't always have to be some agenda somewhere, but it's good to just be able to continue to grow. And all too often, we get so locked into agendas that we don't look at the rest of the world around us. Jeffrey Madoff ** 07:41 I Well, I would say the the agenda in and of itself, staying curious, I guess an overarching part of my agenda, but it's not to try to get something from somebody else, right, other than knowledge, right? And so I guess I do have an agenda in that. That's what I find interesting. Michael Hingson ** 08:02 I can accept that that makes sense. Jeffrey Madoff ** 08:06 Well, maybe one of the few things I say that does so thank you. Michael Hingson ** 08:10 I wasn't even thinking of that as an agenda, but just a way of life. But I hear what you're saying. It makes sense. Oh, there are Jeffrey Madoff ** 08:17 people that I've certainly met you may have, and your listeners may have, also that there always is some kind of, I wouldn't call it agenda, a transactional aspect to what they're doing. And that transactional aspect one could call an agenda, which isn't about mutual interest, it's more what I can get and or what I can sell you, or what I can convince you of, or whatever. And I to me, it's the the process is what's so interesting, the process of questioning, the process of learning, the process of expressing, all of those things I think are very powerful, yeah, Michael Hingson ** 09:03 yeah, I hear what you're saying. So for you, you were an Akron did you go to college there? Or what did you do after high school? So Jeffrey Madoff ** 09:11 after high school, I went to the University of Wisconsin, ah, Madison, which is a fantastic place. That's right, badgers, that's right. And, and what really cinched the deal was when I went to visit the school. I mean, it was so different when I was a kid, because, you know, nowadays, the kids that my kids grew up with, you know, the parents would visit 18 schools, and they would, you know, they would, they would file for admission to 15 schools. And I did one in my parents. I said to them, can I take the car? I want to go check out the University. I was actually looking at Northwestern and the University of Wisconsin. And. And I was in Evanston, where Northwestern is located. I didn't see any kids around, and, you know, I had my parents car, and I finally saw a group of kids, and I said, where is everybody? I said, Well, it's exam week. Everybody's in studying. Oh, I rolled up the window, and without getting out of the car, continued on to Madison. And when I got to Madison, I was meeting somebody behind the Student Union. And my favorite band at that time, which was the Paul Butterfield blues band, was giving a free concert. So I went behind the Student Union, and it's a beautiful, idyllic place, lakes and sailboats and just really gorgeous. And my favorite band is giving a free concert. So decision made, I'm going University of Wisconsin, and it was a great place. Michael Hingson ** 10:51 I remember when I was looking at colleges. We got several letters. Got I wanted to major in physics. I was always science oriented. Got a letter from Dartmouth saying you ought to consider applying, and got some other letters. We looked at some catalogs, and I don't even remember how the subject came up, but we discovered this University California campus, University California at Irvine, and it was a new campus, and that attracted me, because although physically, it was very large, there were only a few buildings on it. The total population of undergraduates was 2700 students, not that way today, but it was back when I went there, and that attracted me. So we reached out to the chair of the physics department, whose name we got out of the catalog, and asked Dr Ford if we could come and meet with him and see if he thought it would be a good fit. And it was over the summer between my junior and senior year, and we went down, and we chatted with him for about an hour, and he he talked a little physics to me and asked a few questions, and I answered them, and he said, you know, you would do great here. You should apply. And I did, and I was accepted, and that was it, and I've never regretted that. And I actually went all the way through and got my master's degree staying at UC Irvine, because it was a great campus. There were some professors who weren't overly teaching oriented, because they were so you research oriented, but mostly the teachers were pretty good, and we had a lot of fun, and there were a lot of good other activities, like I worked with the campus radio station and so on. So I hear what you're saying, and it's the things that attract you to a campus. Those count. Oh, Jeffrey Madoff ** 12:35 yeah. I mean, because what can you really do on a visit? You know, it's like kicking the tires of a car, right? You know? Does it feel right? Is there something that I mean, sometimes you get lucky and sometimes you do meet a faculty member or someone that you really connect with, and that causes you to really like the place, but you don't really know until you're kind of there, right? And Madison ended up being a wonderful choice. I loved it. I had a double major in philosophy and psychology. You know, my my reasoning being, what two things do I find really interesting that there is no path to making a good income from Oh, philosophy and psychology. That works Michael Hingson ** 13:22 well you possibly can from psychology, but philosophy, not hardly Jeffrey Madoff ** 13:26 No, no. But, you know, the thing that was so great about it, going back to the term we used earlier, curiosity in the fuel, what I loved about both, you know, philosophy and psychology used to be cross listed. They were this under the same heading. It was in 1932 when the Encyclopedia Britannica approached Sigmund Freud to write a separate entry for psychology, and that was the first time the two disciplines, philosophy and psychology, were split apart, and Freud wrote that entry, and forever since, it became its own discipline, but the questions that one asks, or the questions that are posed in Both philosophy and psychology, I still, to this day, find fascinating. And, you know, thinking about thinking and how you think about things, I always find very, very interesting. Michael Hingson ** 14:33 Yeah, and the whole, the whole process, how do you get from here to there? How do you deal with anything that comes up, whether it's a challenge or just fulfilling the life choices that you make and so on. And philosophy and psychology, in a sense, I think, really are significantly different, but they're both very much thinking oriented. Jeffrey Madoff ** 14:57 Oh, absolutely, it. And you know, philosophy means study of life, right? What psychology is, yeah, so I understand why they were bonded, and now, you know, understand why they also separated. Yeah, Michael Hingson ** 15:15 I'll have to go look up what Freud said. I have never read that, but I will go find it. I'm curious. Yeah, Jeffrey Madoff ** 15:23 it's it's so interesting. It's so interesting to me, because whether you believe in Freud or not, you if you are knowledgeable at all, the impact that he had on the world to this day is staggeringly significant. Yeah, because nobody was at posing those questions before, yeah, Michael Hingson ** 15:46 yeah. And there's, there's no doubt that that he has had a major contribution to a lot of things regarding life, and you're right, whether you buy into the view that he had of a lot of things isn't, isn't really the issue, but it still is that he had a lot of relevant and interesting things to say, and he helps people think that's right, that's right. Well, so what did you do? So you had a double major? Did you go on and do any advanced degree work? No, Jeffrey Madoff ** 16:17 you know it was interesting because I had thought about it because I liked philosophy so much. And I approached this professor who was very noted, Ivan Saul, who was one of the world Hegelian scholars, and I approached him to be my advisor. And he said, Why do you want me to be your advisor? And I said, because you're one of the most published and respected authors on that subject. And if I'm going to have an advisor, I might as well go for the person that might help me the most and mean the most if I apply to graduate schools. So I did in that case certainly had an agenda. Yeah, and, and he said, you know, Jeff, I just got back from the world Hegelian conference in Munich, and I found it very depressing as and he just paused, and I said, why'd you find it depressing? And he said, Well, there's only one or two other people in the world that I can speak to about Hegel. And I said, Well, maybe you want to choose a different topic so you can make more friends. That depressing. That doesn't sound like it's a mix, you know, good fit for life, right? But so I didn't continue to graduate studies. I took graduate courses. I started graduate courses the second semester of my sophomore year. But I thought, I don't know. I don't want to, I don't want to gain this knowledge that the only thing I can do is pass it on to others. It's kind of like breathing stale air or leaving the windows shut. I wanted to be in a world where there was an idea exchange, which I thought would be a lot more interesting. Yeah. And so there was a brief period where I thought I would get a doctorate and do that, and I love teaching, but I never wanted to. That's not what I wanted to pursue for those reasons. Michael Hingson ** 18:35 So what did you end up doing then, once you got Jeffrey Madoff ** 18:37 out of college? Well, there was a must have done something I did. And there's a little boutique, and in Madison that I did the buying for. And it was this very hip little clothing store. And Madison, because it was a big campus, you know, in the major rock bands would tour, they would come into the store because we had unusual things that I would find in New York, you know, when I was doing the buying for it, and I get a phone call from a friend of mine, a kid that I grew up with, and he was a year older, he had graduated school a year before me, and he said, Can you think of a gig that would earn more than bank interest? You know, I've saved up this money. Can you think of anything? And I said, Well, I see what we design. I mean, I see what we sell, and I could always draw. So I felt like I could design. I said, I'll start a clothing company. And Michael, I had not a clue in terms of what I was committing myself to. I was very naive, but not stupid. You know, was ignorant, but not stupid. And different. The difference between being ignorant and being stupid is ignorant. You can. Learn stupids forever, yeah, and that started me on this learning lesson, an entrepreneurial learning lesson, and there was, you know, quite formative for me. And the company was doubling in size every four months, every three months, and it was getting pretty big pretty quick. And you know, I was flying by the seat of my pants. I didn't really know what I was doing, but what I discovered is I had, you know, saleable taste. And I mean, when I was working in this store, I got some of the sewers who did the alterations to make some of my drawings, and I cut apart a shirt that I liked the way it fit, so I could see what the pieces are, and kind of figure out how this all worked. So but when I would go to a store and I would see fabric on the bolt, meaning it hadn't been made into anything, I was so naive. I thought that was wholesale, you know, which it wasn't and but I learned quickly, because it was like you learn quickly, or you go off the edge of a cliff, you go out of business. So it taught me a lot of things. And you know the title of your podcast, the unstoppable, that's part of what you learn in business. If you're going to survive, you've gotta be resilient enough to get up, because you're going to get knocked down. You have to persevere, because there are people that are going to that you're competing with, and there are things that are things that are going to happen that are going to make you want to give up, but that perseverance, that resilience, I think probably creativity, is third. I think it's a close call between perseverance and resilience, because those are really important criteria for a personality profile to have if you're going to succeed in business as an entrepreneur. Michael Hingson ** 22:05 You know, Einstein once said, or at least he's credited with saying, that the definition of insanity is doing the same thing over and over again and expecting different results, right and and the reality is that good, resilient. People will look at things that didn't go right, and if they really look at them, they'll go, I didn't fail. Yeah, maybe I didn't go right. I may have made a mistake, or something wasn't quite right. What do I do to fix it so that the next time, we won't have the same problem? And I think that's so important. I wrote my book last year, live like a guide dog, true stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith. And it's all about learning to control fear, but it's also all about learning from dogs. I've had eight guide dogs, and my wife had a service dog, and it's all about learning from dogs and seeing why they live in an environment where we are and they feed off of us, if you will. But at the same time, what they don't do is fear like we do. They're open to trust, and we tend not to be because we worry about so many things, rather than just looking at the world and just dealing with our part of it. So it is, it is interesting to to hear you talk about resilience. I think you're absolutely right that resilience is extremely important. Perseverance is important, and they do go together, but you you have to analyze what it is that makes you resilient, or what it is that you need to do to keep being resilient. Jeffrey Madoff ** 23:48 Well, you're right. And one of the questions that you alluded to the course that I taught for 16 years at Parsons School of Design, which was my course, was called creative careers, making a living with your ideas. And I would ask the students, how many of you are afraid of failing? And probably more than three quarters of the class, their hands went up, and I said to them, you know, if that fear stops you, you'll never do anything interesting, because creativity, true creativity, by necessity, takes you up to and beyond the boundaries. And so it's not going to be always embraced. And you know, failure, I think everyone has to define it for themselves. But I think failure, to me, is and you hear that, you know, failure is a great way to learn. I mean, it's a way. To learn, but it's never not painful, you know, and it, but it is a way to learn if you're paying attention and if you are open to that notion, which I am and was, because, you know, that kind of risk is a necessary part of creativity, going where you hadn't gone before, to try to find solutions that you hadn't done before, and seeing what works. And of course, there's going to be things that don't, but it's only failure if you stop doing what is important to you. Yeah, Michael Hingson ** 25:39 well, I think you're absolutely right. And one of the things that I used to do and still do, but it started when I was working as program director of our radio station at UC Irvine, was I wanted people to hear what they sounded like on the radio, because I always listened to what I said, and I know it helped me, but getting the other radio personalities to listen to themselves was was well, like herding cats, it just wasn't doable. And what we finally did is we set up, I and the engineer of the radio station, set up a recorder in a locked cabinet, and whenever the board went on in the main studio, the microphone went on, it recorded. So we didn't need to worry about the music. All we wanted was what the people said, and then we would give people the cassettes. And one of the things that I started saying then, and I said it until, like about a year ago, was, you know, you're your own worst critic, if you can learn to grow from it, or if you can learn to see what's a problem and go on, then that's great. What I learned over the last year and thought about is I'm really not my own worst critic. I'm my own best teacher, because I'm the only one who can really teach me anything, and it's better to shape it in a positive way. So I am my own best teacher. And so I think you're right. If you really want to talk about the concept of failure, failure is when you won't get back up. Failure is when you won't do anything to learn and grow from whatever happens to you, even the good stuff. Could I have done it better? Those are all very important things to do. Jeffrey Madoff ** 27:19 No, I agree. So why did you think it was important for them to hear their voice? Michael Hingson ** 27:25 Because I wanted them to hear what everyone else heard. I wanted them to hear what they sounded like to their listeners. And the reality is, when we got them to do that, it was, I say it was incredible, but it wasn't a surprise to me how much better they got. And some of those people ended up going into radio broadcasting, going into other kinds of things, but they really learned to hear what everyone else heard. And they they learned how to talk better. They learn what they really needed to improve upon, or they learn what wasn't sounding very good to everyone else, and they changed their habits. Jeffrey Madoff ** 28:13 Interesting, interesting. So, so part of that also helps them establish a certain on air identity. I would imagine finding their own voice, so to speak, right, Michael Hingson ** 28:30 or finding a better voice than they than they had, and certainly a better voice than they thought they had. Well, they thought they had a good voice, and they realized maybe it could be better. And the ones who learned, and most of them really did learn from it, came out the better for it. Jeffrey Madoff ** 28:49 So let me ask you a personal question. You have been sightless since birth? Is that correct? Michael Hingson ** 28:56 Yeah, I've been blind since birth. And Jeffrey Madoff ** 28:59 so on a certain level, I was trying to think about this the other night, and how can I phrase this? On a certain level, you don't know what you look like, Michael Hingson ** 29:15 and from the standpoint of how you look at it, yeah, yeah. Jeffrey Madoff ** 29:19 And so, so two, that's two questions. One is so many of us for good and bad, our identity has to do with visual first, how do you assess that new person? Michael Hingson ** 29:39 I don't look at it from a visual standpoint as such. I look at it from all the other senses that I have and use, but I also listen to the person and see how we interact and react to. Each other, and from that, I can draw pretty good conclusions about what an individual is like, so that I can decide if that's a a lovely person, male or female, because I'm using lovely in the sense of it's the kind of person I want to know or not, and so I don't obviously look at it from a visual standpoint. And although I know Helen Keller did it some, I'm not into feeling faces. When I was in college, I tried to convince girls that they should let me teach them Braille, but they had no interest in me showing them Braille, so we didn't do that. I actually a friend of mine and I once went to a girls dorm, and we put up a sign. Wanted young female assistant to aid in scientific Braille research, but that didn't go anywhere either. So we didn't do it. But so Braille pickup. Oh, Braille pickup. On the other hand, I had my guide dog who was in in my current guide dog is just the same chick magnet right from the get go, but, but the the reality is that visual is, I think there's a lot to be said for beauty is only skin deep in a lot of ways. And I think that it's important that we go far beyond just what one person looks like. People ask me all the time, well, if you could see again, would you? Or if you could see, would you? And my response is, I don't need to. I think there's value in it. It is a sense. I think it would be a great adventure, but I'm not going to spend my life worrying about that. Blindness isn't what defines me, and what defines me is how I behave, how I am, how I learn and grow, and what I do to be a part of society and and hopefully help society. I think that's more important. Jeffrey Madoff ** 31:53 You know, I agree with you, and it's it's also having been blind since birth. It's not like you had a you had an aspect that you lost for some reason, right? Michael Hingson ** 32:04 But I know some people who became blind later in life, who attended centers where they could learn about what it was like to be blind and learn to be a blind person and and really adapted to that philosophy and continue to do what they did even before they lost their their eyesight, and were just as successful as they ever were, because it wasn't so much about having eyesight, although that is a challenge when you lose it, but it was more important to learn that you could find alternatives to do the same things that you did before. So Jeffrey Madoff ** 32:41 if you ever have read Marvel Comics, and you know Daredevil has a heightened sense of a vision, or you know that certain things turn into a different advantage, is there that kind of in real life, compensatory heightened awareness of other senses. Michael Hingson ** 33:08 And the answer is not directly. The answer is, if you choose to heighten those senses and learn to use them, then they can be a help. It's like SEAL Team Six, or Rangers, or whatever, they learn how to observe. And for them, observing goes far beyond just using their eyesight to be able to spot things, although they they certainly use that, but they have heightened all of their other senses because they've trained them and they've taught themselves how to use those senses. It's not an automatic process by any definition at all. It's not automatic. You have to learn to do it. There are some blind people who have, have learned to do that, and there are a number that have not. People have said, well, you know, could any blind person get out of the World Trade Center, and like you did, and my response is, it depends on the individual, not necessarily, because there's so many factors that go into it. If you are so afraid when something like the World Trade Center events happen that you become blinded by fear, then you're going to have a much harder time getting out than if you let fear be a guide and use it to heighten the senses that you have during the time that you need that to occur. And that's one of the things that live like a guide dog is all about, is teaching people to learn to control fear, so that in reality, they find they're much more effective, because when something happens, they don't expect they adopt and adapt to having a mindset that says, I can get through this, and fear is going to help. Jeffrey Madoff ** 34:53 That's fascinating. So one I could go on in this direction, I'll ask you, one, one other. Question is, how would you describe your dreams? Michael Hingson ** 35:08 Probably the same way you would, except for me, dreaming is primarily in audio and other interactions and not using eyesight. But at the same time, I understand what eyesight is about, because I've thought about it a lot, and I appreciate that the process is not something that I have, but I understand it, and I can talk about light and eyesight all day. I can I when I was when it was discovered that I was blind for the first several years, I did have some light perception. I never as such, really even could see shadows, but I had some light perception. But if I were to be asked, How would you describe what it's like to see light? I'm not sure how I would do that. It's like asking you tell me what it's like to see put it into words so that it makes me feel what you feel when you see. And it's not the excitement of seeing, but it's the sensation. How do you describe that sensation? Or how do you describe the sensation of hearing their their senses? But I've yet to really encounter someone who can put those into words that will draw you in. And I say that from the standpoint of having done literally hundreds or 1000s of speeches telling my story about being in the World Trade Center, and what I tell people today is we have a whole generation of people who have never experienced or had no memory of the World Trade Center, and we have another generation that saw it mainly from TV and pictures. So they their, their view of it was extremely small. And my job, when I speak is to literally bring them in the building and describe what is occurring to me in such a way that they're with me as we're going down the stairs. And I've learned how to do that, but describing to someone what it's like to see or to hear, I haven't found words that can truly do that yet. Oh, Jeffrey Madoff ** 37:15 fascinating. Thank you. Michael Hingson ** 37:20 Well, tell me about creativity. I mean, you do a lot of of things, obviously, with with creativity. So what is creativity? Jeffrey Madoff ** 37:29 I think that creativity is the compelling need to express, and that can manifest in many, many, many different ways. You have that, you know, just it was fascinating here you talk about you, describing what happened in Twin Towers, you know. And so, I think, you know, you had a compelling need to process what was a historic and extraordinary event through that unique perception that you have, and taking the person, as you said, along with you on that journey, you know, down the stairs and out of the Building. I think it was what 78 stories or something, right? And so I think that creativity, in terms of a trait, is that it's a personality trait that has a compelling need to express in some way. And I think that there is no such thing as the lightning bolt that hits and all of a sudden you come up with the idea for the great novel, The great painting, the great dance, the great piece of music. We are taking in influences all the time and percolating those influences, and they may come out, in my case, hopefully they've come out in the play that I wrote, personality and because if it doesn't relate to anybody else, and you're only talking to yourself, that's you know, not, not. The goal, right? The play is to have an audience. The goal of your book is to have readers. And by the way, did your book come out in Braille? Michael Hingson ** 39:31 Um, yeah, it, it is available in Braille. It's a bit. Actually, all three of my books are available in with their on demand. They can be produced in braille, and they're also available in audio formats as well. Great. Jeffrey Madoff ** 39:43 That's great. So, yeah, I think that person, I think that creativity is it is a fascinating topic, because I think that when you're a kid, oftentimes you're told more often not. To do certain things than to do certain things. And I think that you know, when you're creative and you put your ideas out there at a very young age, you can learn shame. You know, people don't like what you do, or make fun of what you do, or they may like it, and it may be great, but if there's, you know, you're opened up to that risk of other people's judgment. And I think that people start retreating from that at a very young age. Could because of parents, could because of teachers, could because of their peer group, but they learn maybe in terms of what they think is emotional survival, although would never be articulated that way, at putting their stuff out there, they can be judged, and they don't like being judged, and that's a very uncomfortable place to be. So I think creativity is both an expression and a process. Michael Hingson ** 40:59 Well, I'll and I think, I think you're right, and I think that it is, it is unfortunate all too often, as you said, how children are told don't do this or just do that, but don't do this, and no, very few people take the next logical step, which is to really help the child understand why they said that it isn't just don't. It should be. Why not? One of my favorite stories is about a student in school once and was taking a philosophy class. You'll probably have heard this, but he and his classmates went in for the final exam, and the instructor wrote one word on the board, which was why? And then everybody started to write. And they were writing furiously this. This student sat there for a couple of minutes, wrote something on a paper, took it up, handed it in, and left. And when the grades came out, he was the only one who got an A. And the reason is, is because what he put on his paper was, why not, you know, and, and that's very, very valid question to ask. But the reality is, if we really would do more to help people understand, we would be so much better off. But rather than just telling somebody what to do, it's important to understand why? Jeffrey Madoff ** 42:22 Yeah, I remember when I was in I used to draw all the time, and my parents would bring home craft paper from the store that was used to wrap packets. And so they would bring me home big sheets I could do whatever I wanted on it, you know, and I would draw. And in school I would draw. And when art period happened once or twice a week, and the teacher would come in with her cart and I was drawing, that was when this was in, like, the middle 50s, and Davy Crockett was really a big deal, and I was drawing quite an intricate picture of the battle at the Alamo. And the teacher came over to me and said she wanted us to do crayon resist, which is, you know, they the watercolors won't go over the the crayon part because of the wax and the crayon. And so you would get a different thing that never looked good, no matter who did it, right? And so the teacher said to me, what are you doing? And I said, Well, I'm drawing. It's and she said, Why are you drawing? I said, Well, it's art class, isn't it? She said, No, I told you what to do. And I said, Yeah, but I wanted to do this. And she said, Well, you do what I tell you, where you sit there with your hands folded, and I sat there with my hands folded. You know I wasn't going to be cowed by her. And I've thought back on that story so often, because so often you get shut down. And when you get shut down in a strong way, and you're a kid, you don't want to tread on that land again. Yeah, you're afraid, Michael Hingson ** 44:20 yeah. Yeah. And maybe there was a good reason that she wanted you to do what she wanted, but she should have taken the time to explain that right, right now, of course, my question is, since you did that drawing with the Alamo and so on, I'm presuming that Davy Crockett looked like Fess Parker, right? Just checking, Jeffrey Madoff ** 44:42 yeah, yep, yeah. And my parents even got me a coon Michael Hingson ** 44:47 skin hat. There you go, Daniel Boone and David Crockett and Jeffrey Madoff ** 44:51 Davy Crockett and so there were two out there. Mine was actually a full coon skin cap with the tail. And other kids had it where the top of it was vinyl, and it had the Disney logo and a picture of Fess Parker. And I said, Now I don't want something, you know, and you are correct, you are correct. It was based on fess Barker. I think Michael Hingson ** 45:17 I have, I had a coons kid cap, and I think I still do somewhere. I'm not quite sure where it is, but it was a real coonskin cap with a cake with a tail. Jeffrey Madoff ** 45:26 And does your tail snap off? Um, no, yeah, mine. Mine did the worst thing about the coonskin cap, which I thought was pretty cool initially, when it rained, it was, you know, like you had some wet animal on your Well, yes, yeah, as you did, she did, yeah, animal on your head, right? Wasn't the most aromatic of the hub. No, Michael Hingson ** 45:54 no, it's but Huh, you got to live with it. That's right. So what is the key to having great creative collaborations? I love collaborating when I wrote my original book, Thunder dog, and then running with Roselle, and then finally, live like a guide dog. I love the idea of collaborating, and I think it made all three of the books better than if it had just been me, or if I had just let someone else do it, because we're bringing two personalities into it and making the process meld our ideas together to create a stronger process. Jeffrey Madoff ** 46:34 I completely agree with you, and collaboration, for instance, in my play personality, the director Sheldon apps is a fantastic collaborator, and as a result, has helped me to be a better writer, because he would issue other challenges, like, you know, what if we looked at it this way instead of that way? What if you gave that power, that that character, the power in that scene, rather than the Lloyd character? And I loved those kinds of challenges. And the key to a good collaboration is pretty simple, but it doesn't happen often enough. Number one is listening. You aren't going to have a good collaboration if you don't listen. If you just want to interrupt and shut the other person down and get your opinion out there and not listen, that's not going to be good. That's not going to bode well. And it's being open. So people need to know that they're heard. You can do that a number of ways. You can sort of repeat part of what they said, just so I want to understand. So you were saying that the Alamo situation, did you have Davy Crockett up there swinging the rifle, you know? So the collaboration, listening, respect for opinions that aren't yours. And you know, don't try to just defeat everything out of hand, because it's not your idea. And trust developing a trust with your collaborators, so that you have a clearly defined mission from the get go, to make whatever it is better, not just the expression of one person's will over another. And I think if you share that mission, share that goal, that the other person has earned your trust and vice versa, that you listen and acknowledge, then I think you can have great collaboration. And I've had a number of great collaborators. I think I'm a good collaborator because I sort of instinctively knew those things, and then working with Sheldon over these last few years made it even more so. And so that's what I think makes a really great collaboration. Michael Hingson ** 49:03 So tell me about the play personality. What's it about? Or what can you tell us about it without giving the whole thing away? Jeffrey Madoff ** 49:10 So have you ever heard of Lloyd Price? Michael Hingson ** 49:14 The name is familiar. So that's Jeffrey Madoff ** 49:16 the answer that I usually get is, I'm not really sure. Yeah, it's kind of familiar. And I said, Well, you don't, probably don't know his name, but I'll bet you know his music. And I then apologize in advance for my singing, you know, cause you've got walk, personality, talk, personality, smile, oh yeah, yeah. I love that song, you know. Yeah. Do you know that song once I did that, yes, yeah. So Lloyd was black. He grew up in Kenner, Louisiana. It was he was in a place where blacks were expected to know their place. And. And if it was raining and a white man passed, you'd have to step into a mud puddle to let them pass, rather than just working by each other. And he was it was a tough situation. This is back in the late 1930s and what Lloyd knew is that he wanted to get out of Kenner, and music could be his ticket. And the first thing that the Lloyd character says in the play is there's a big dance opening number, and first thing that his character says is, my mama wasn't a whore. My dad didn't leave us. I didn't learn how to sing in church, and I never did drugs. I want to get that out of the way up front. And I wanted to just blow up all the tropes, because that's who Lloyd was, yeah, and he didn't drink, he didn't learn how to sing in church. And, you know, there's sort of this baked in narrative, you know, then then drug abuse, and you then have redeemed yourself. Well, he wasn't like that. He was entrepreneurial. He was the first. He was the it was really interesting at the time of his first record, 1952 when he recorded Lottie, Miss Claudia, which has been covered by Elvis and the Beatles and Bruce Springsteen and on and on. There's like 370 covers of it. If you wanted to buy a record by a black artist, you had to go to a black owned record store. His records couldn't get on a jukebox if it was owned by a white person. But what happened was that was the first song by a teenager that sold over a million copies. And nobody was prejudiced against green, which is money. And so Lloyd's career took off, and it The story tells about the the trajectory of his career, the obstacles he had to overcome, the triumphs that he experienced, and he was an amazing guy. I had been hired to direct, produce and direct a short documentary about Lloyd, which I did, and part of the research was interviewing him, and we became very good friends. And when I didn't know anything about him, but I knew I liked his music, and when I learned more about him, I said, Lloyd, you've got an amazing story. Your story needs to be told. And I wrote the first few scenes. He loved what I wrote. And he said, Jeff, I want you to do this. And I said, thank you. I want to do it, but there's one other thing you need to know. And he said, What's that? And I said, You're the vessel. You're the messenger, but your story is bigger than you are. And he said, Jeff, I've been waiting for years for somebody to say that to me, rather than just blowing more smoke up my ass. Yeah. And that started our our collaboration together and the story. And it was a great relationship. Lloyd died in May of 21 and we had become very close, and the fact that he trusted me to tell his story is of huge significance to me. And the fact that we have gotten such great response, we've had two commercial runs. We're moving the show to London, is is is really exciting. And the fact that Lloyd, as a result of his talent and creativity, shattered that wall that was called Race music in race records, once everybody understood on the other side that they could profit from it. So there's a lot of story in there that's got a lot of meat, and his great music Michael Hingson ** 54:04 that's so cool and and so is it? Is it performing now anywhere, or is it? No, we're Jeffrey Madoff ** 54:12 in between. We're looking actually, I have a meeting this this week. Today is February 11. I have a meeting on I think it's Friday 14th, with my management in London, because we're trying to get a theater there. We did there in October, and got great response, and now we're looking to find a theater there. Michael Hingson ** 54:37 So what are the chance we're going to see it on Broadway? Jeffrey Madoff ** 54:41 I hope a very good chance Broadway is a very at this point in Broadway's history. It's it's almost prohibitively expensive to produce on Broadway, the West End has the same cache and. Yeah, because, you know, you think of there's that obscure British writer who wrote plays called William Shakespeare. You may have heard of Michael Hingson ** 55:07 him, yeah, heard of the guy somewhere, like, like, I've heard of Lloyd Price, yeah, that's Jeffrey Madoff ** 55:15 it. And so I think that Broadway is certainly on the radar. The first step for us, the first the big step before Broadway is the West End in London. Yeah, Michael Hingson ** 55:30 that's a great place to go. It is. Jeffrey Madoff ** 55:32 I love it, and I speak the language, so it's good. Well, there you Michael Hingson ** 55:35 are. That helps. Yes, well, you're a very creative kind of individual by any standard. Do you ever get involved with or have you ever faced the whole concept of imposter syndrome? Jeffrey Madoff ** 55:48 Interesting, you mentioned that the answer is no, and I'll tell you why it's no. And you know, I do a fair amount of speaking engagements and that sort of thing, and that comes up particularly with women, by the way, imposter syndrome, and my point of view on it is, you know, we're not imposters. If you're not trying to con somebody and lying about what you do, you're a work in progress, and you're moving towards whatever it is that your goals are. So when my play became a produced commercial piece of theater and I was notarized as a playwright, why was that same person the day before that performance happened? And so I think that rather than looking at it as imposter, I look at it as a part of the process, and a part of the process is gaining that credibility, and you have to give yourself permission to keep moving forward. And I think it's very powerful that if you declare yourself and define yourself rather than letting people define you. So I think that that imposter syndrome comes from that fear, and to me, instead of fear, just realize you're involved in the process and so you are, whatever that process is. And again, it's different if somebody's trying to con you and lie to you, but in terms of the creativity, and whether you call yourself a painter or a musician or a playwright or whatever, if you're working towards doing that, that's what you do. And nobody starts off full blown as a hit, so to speak. Yeah, Michael Hingson ** 57:44 well, I think you're absolutely right, and I think that it's all about not trying to con someone. And when you are doing what you do, and other people are involved, they also deserve credit, and people like you probably have no problem with making sure that others who deserve credit get the credit. Oh, absolutely, yeah, I'm the same way. I am absolutely of the opinion that it goes back to collaboration. When we're collaborating, I'm I'm very happy to talk about the fact that although I started the whole concept of live like a guide dog, carry Wyatt Kent and I worked on it together, and the two of us work on it together. It's both our books. So each of us can call it our book, but it is a collaborative effort, and I think that's so important to be able to do, Jeffrey Madoff ** 58:30 oh, absolutely, absolutely, you know, the stuff that I was telling you about Sheldon, the director, you know, and that he has helped me to become a better writer, you know, and and when, as as obviously, you have experienced too, when you have a fruitful collaboration, it's fabulous, because you're both working together to create the best possible result, as opposed to self aggrandizement, right? Michael Hingson ** 59:03 Yeah, it is. It is for the things that I do. It's not about me and I and I say it all the time when I'm talking to people who I'd like to have hire me to be a speaker. It's not about me, it's about their event. And I believe I can add value, and here's why I think I can add value, but it's not about me, it's about you and your event, right? And it's so important if, if you were to give some advice to somebody starting out, or who wants to be creative, or more creative and so on, what kind of advice would you give them? Jeffrey Madoff ** 59:38 I would say it's more life advice, which is, don't be afraid of creative risk, because the only thing that you have that nobody else has is who you are. So how you express who you are in the most unique way of who you are? So that is going to be what defines your work. And so I think that it's really important to also realize that things are hard and always take more time than you think they should, and that's just part of the process. So it's not easy. There's all these things out there in social media now that are bull that how people talk about the growth of their business and all of this stuff, there's no recipe for success. There are best practices, but there's no recipes for it. So however you achieve that, and however you achieve making your work better and gaining the attention of others, just understand it's a lot of hard work. It's going to take longer than you thought, and it's can be incredibly satisfying when you hit certain milestones, and don't forget to celebrate those milestones, because that's what's going to give you the strength to keep going forward. Michael Hingson ** 1:01:07 Absolutely, it is really about celebrating the milestones and celebrating every success you have along the way, because the successes will build to a bigger success. That's right, which is so cool. Well, this has been a lot of fun. We've been doing this for an hour. Can you believe it? That's been great. It has been and I really appreciate you being here, and I I want to thank all of you who are listening, but please tell your friends to get into this episode as well. And we really value your comments, so please feel free to write me. I would love to know what you thought about today. I'm easy to reach. It's Michael M, I C H, A, E, L, H i at accessibe, A, C, C, E, S, S i b, e.com, or you can always go to our podcast page, which is Michael hingson, M, I C H, A, E, L, H i N, G, s o n.com/podcast, where you can listen to or access all the of our podcasts, but they're also available, as most likely you've discovered, wherever you can find podcasts, so you can get them on Apple and all those places and wherever you're listening. We do hope you'll give us a five star review. We really value your reviews, and Jeff has really given us a lot of great insights today, and I hope that you all value that as well. So we really would appreciate a five star rating wherever you're listening to us, and that you'll come back and hear some more episodes with us. If you know of anyone who ought to be a guest, Jeff, you as well. Love You to refer people to me. I'm always looking for more people to have on because I do believe that everyone in the world is unstoppable if you learn how to accept that and move forward. And that gets back to our whole discussion earlier about failure or whatever, you can be unstoppable. That doesn't mean you're not going to have challenges along the way, but that's okay. So we hope that if you do know people who ought to be on the podcast, or if you want to be on the podcast and you've been listening, step up won't hurt you. But again, Jeff, I want to thank you for being here. This has been a lot of fun, and we really appreciate your time. Thank Jeffrey Madoff ** 1:03:16 you, Michael, for having you on. It was fun. You **Michael Hingson ** 1:03:23 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.
What happens when the analytic setting—built on confidentiality and silence—meets the institutional demands of psychoanalytic training? Can the frame of supervision truly preserve the integrity of the analytic pact, or does it inevitably put it at risk? In this episode, Ellen Sparer explores a central paradox in psychoanalytic formation: the tension between the confidentiality of analytic work and the structural requirements of supervision. Drawing from her experience at the Paris Psychoanalytic Institute, she asks whether supervision risks undermining the very foundation of the analytic situation—what Freud, in An Outline of Psychoanalysis, described as a pact in which “the patient's sick ego promises us the most complete candour…” while “we, on the other hand, assure him of the strictest discretion.” Through reflections on André Green, José Bleger, and Freud's concept of disavowal, Sparer examines what she calls a “noisy contradiction”—a situation in which the analyst-in-formation becomes both observer and observed, and where the silence essential to the analytic space is disturbed by institutional structure. She invites us to consider the Institute's role as a symbolic third—present, structuring, yet potentially unsettling—and to ask whether we can live with this paradox without disavowing its presence. Rather than resolving the contradiction, this episode engages with it directly, as Ellen Sparer offers a nuanced and courageous inquiry into a space of ethical tension, institutional inheritance, and potential transformation at the core of analytic formation. Ellen Sparer is a training analyst at the Paris Psychoanalytic Society and former Director of the Paris Institute of Psychoanalysis, a role she held until March 2025. She has served as co-chair of the Applicant Societies Committee of the IPA, where she contributed to the evaluation of emerging psychoanalytic groups seeking IPA recognition. She is also an Associate Editor of the International Journal of Psychoanalysis, where she's part of the Education Section, and a scientific advisor for the Jahrbuch of Psychoanalysis. From 2009 to 2019, she was on the editorial board of the Revue Française de Psychanalyse. Most recently, she was elected to the IPA Board as a European representative. Her scientific work and publications focus on the unconscious ego, supervision, training, the frame, and ethics. She has also written on countertransference phenomena, including the function of the analyst's dream in the treatment process. This Podcast Series, published by the International Psychoanalytical Association, is part of the activities of the IPA Communication Committee and is produced by the IPA Podcast Editorial Team. Co-Editors: Gaetano Pellegrini and Nicolle Zapien. Editing and Post-Production: Massimiliano Guerrieri.
Ce mercredi 4 juin 2025 sort le film "Freud, la dernière confession", avec Anthony Hopkins dans le rôle du père de la psychanalyse. L'occasion pour Florian Gazan de vous expliquer pourquoi Freud aurait eu son mot à dire dans le débat sur la fin de vie... Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
The Taproot Therapy Podcast - https://www.GetTherapyBirmingham.com
The mystic who mapped the soul while America decided it was too scary https://gettherapybirmingham.com/the-weird-history-of-psychotherapy-part-2-jungs-and-the-bottom-of-consciousness/ While Freud was projecting his trauma onto patients, Carl Jung made a radical discovery: There's a layer of mind beneath the personal unconscious that we all share. The collective unconscious. A realm of archetypes, myths, and healing wisdom that every culture discovers independently. But Jung's profound insights came at a cost. His confrontation with the unconscious nearly drove him mad. For years, he dialogued with inner figures, painted visions, and mapped territories of psyche that science still can't explain. He emerged with the most complete understanding of human consciousness ever developed. The trial of Carl JHung Assesing his legacy Carl Jung's Work with the OSS Carl Jung's Shadow the Tension of the Oppposites Development of Carl Jung's Theories A Short Intro to Jungian Psych What does Mysticism have to do with therapy How did Freud and Jungs Parent Effect Their Psychology Archetypes in Relationships What is Emotion The Trial of Carl Jung's Legacy Carl Jung's Work with The CIA How Psychotherapy Lost Its Way Ritual and Animism Tensions in Modern Therapy Schizophrenia Trauma and the Double Bind Jung and the New Age Science and Mysticism Therapy, Mysticism and Spirituality? The Left and Right Hand Path in Myth The Shadow The Golden Shadow The Symbolism of the Bollingen Stone What Can the Origins of Religion Teach us about Psychology The Major Influences on Carl Jung Animals in Dreams The Unconscious as a Game How to Understand Carl Jung How to Use Jungian Psychology for Screenwriting and Writing Fiction How the Shadow Shows up in Dreams How to read The Red Book The Dreamtime Using Jung to Combat Addiction Healing the Modern Soul Jungian Exercises from Greek Myth Jungian Shadow Work Meditation The Shadow in Relationships Free Shadow Work Group Exercise Post Post-Moderninsm and Post Secular Sacred Mysticism and Epilepsy The Origins and History of Consciousness Archetypes Jung's Empirical Phenomenological Method
There have been periods throughout history when cultural aficionados of the time proclaimed that painting was dead! Yet, the artform has risen over and over again. What is it about painting that makes it so timeless and gives it the ability to continuously evolve? Why, after centuries, can we still be awestruck by the right combination of brushstokes? Art critic Martin Gayford has interviewed many artists over his lifetime about their craft. His books explore painting through a multitude of eras and even gives a personal account of what it's like to sit for a painting in Man with a Blue Scarf: On Sitting for a Portrait by Lucian Freud. His latest book, How Painting Happens (and why it matters), compiles wisdom from numerous artists past and present. Martin and Greg discuss the challenges of writing about a non-linguistic medium like painting, the unique, often physical process of painting, and insights Martin has gleaned from his conversations with contemporary artists, including what makes a painting a great one.*unSILOed Podcast is produced by University FM.*Episode Quotes:The silent intensity of painting16:13: You don't have to talk or put things in words to think. There is such a thing as physical thinking, and painting is probably a very good example of that. That was one of the points that struck me when I was posing for Lucian Freud, which I—was a very long, drawn-out process. As you can imagine, it took about 18 months to produce two paintings. And Lucian was very slow, but it wasn't that he was painting all the time very slowly. Most of the time in a sitting, he'd spend thinking, looking. And then, after quite a while, and mixing up the paints and contemplating the situation—looking at me, looking at the painting—then he'd dart forward and put a stroke on, quite fast actually. But probably 95% of the time, he wasn't doing that. He was considering the situation.Why we still need painting in a world of screens42:43: It's arguable that, therefore, paintings, sculptures, unique works of art are what we need now. 'Cause they're the opposite of phones and screens and endless deluge of imagery and distraction, which the modern world offers us. A painting is—if it's good enough—it's something you can just look at for the rest of your life, and if it's really good enough, it'll carry on being rewarding.Painting as a language without words02:02: Painting or visual art isn't exactly a language. It's certainly not a verbal language, but it's a means of communication. And as such, it doesn't necessarily neatly translate into words.How artists reshape art history to suit themselves39:37: Although artists—practicing artists, rather—may have tremendous insights, and the insights of a kind which nobody else has access to, they're going to see art history and the art, the work of all other artists, from the point of view of their own art. And they'll be utterly out of sympathy, therefore, with quite large sections of the art of the past and of the present. To an extent, that's true with critics. They'll have certain idioms, certain styles, certain media they like more than others. But a critic can be a little bit less prejudiced. Oh, I'd like to think critics can be a bit more open-minded about what they're looking at. An artist will pretty well instinctively refashion the whole of art history so that it leads up to what they're doing today in their studio. But we don't all have to do that.Show Links:Recommended Resources:Lucian FreudPatrick HeronWillem de KooningClement GreenbergTracey EminJames TurrellDamien HirstPierre BonnardBridget RileyPeter Paul RubensRobert RauschenbergGary HumeGuest Profile:Professional WebsiteHis Work:How Painting Happens (and why it matters) Man with a Blue Scarf: On Sitting for a Portrait by Lucian FreudModernists and Mavericks: Bacon, Freud, Hockney and the London PaintersShaping the World: Sculpture from Prehistory to NowVenice: City of Pictures A History of Pictures: From the Cave to the Computer ScreenThe Pursuit of Art: Travels, Encounters and Revelations
The Taproot Therapy Podcast - https://www.GetTherapyBirmingham.com
The cocaine addict who convinced the world children want to sleep with their parents Vienna, 1866. Ten-year-old Sigmund Freud watches antisemitic thugs knock his father's hat into the mud. Jakob Freud picks it up, head down, and walks on. This moment of paternal humiliation would shape the entire field of psychology. But this episode reveals the shocking truth textbooks won't tell you: Freud was high on cocaine for 10-15 years while developing psychoanalysis. His "revolutionary" theories weren't insights into universal human nature - they were the projections of a traumatized man who never dealt with his own demons. What if the "father of modern psychology" was actually a trauma victim who never healed - and passed his wounds to millions of patients? https://gettherapybirmingham.com/the-wounded-healer-how-freuds-trauma-shaped-modern-psychology/ This groundbreaking episode exposes how Sigmund Freud's unprocessed childhood trauma corrupted the foundations of psychotherapy. From cocaine addiction to patient manipulation, discover the dark patterns that still plague therapy today.
Exploraremos una figura que, más allá del mito y la religión, se convierte en símbolo profundo de la humanidad misma: Adán. No como personaje cronológico o figura primitiva, sino como espejo del alma, del espíritu, de la caída… y de la posibilidad de redención.
Ressentimento e compaixão estão entre os temas mais importantes - e polêmicos - da filosofia de Friedrich Nietzsche. - Vote aqui no Prêmio iBest 2025: https://premioibest.vote/439506136- Curso "Filosofia para a vida: refletir para viver melhor":https://www.udemy.com/course/filosofia-para-a-vida-refletir-para-viver-melhor/?referralCode=6CDFA48E95FA57FDAB33- Curso "Introdução à filosofia: dos pré-socráticos a Sartre": https://www.udemy.com/course/introducao-a-filosofia-dos-pre-socraticos-a-sartre/?referralCode=51CAB762A412100AFD38- Curso "Crítica da religião: Feuerbach, Nietzsche e Freud"https://www.udemy.com/course/critica-da-religiao-feuerbach-nietzsche-e-freud/?referralCode=139FBBD947CDE50E51B5- Curso "A filosofia de Karl Marx - uma introdução": https://www.udemy.com/course/a-filosofia-de-karl-marx-uma-introducao/?referralCode=D0A85790C60A2D047A37- Inscreva-se gratuitamente em nossa newsletter: https://filosofiavermelha.org/index.php/newsletter/- Apoia.se: seja um de nossos apoiadores e mantenha este trabalho no ar: https://apoia.se/filosofiavermelha- Nossa chave PIX: filosofiavermelha@gmail.com- Adquira meu livro: https://www.almarevolucionaria.com/product-page/pr%C3%A9-venda-duvidar-de-tudo-ensaios-sobre-filosofia-e-psican%C3%A1lise- Meu site: https://www.filosofiaepsicanalise.org- Clube de leitura: https://www.youtube.com/watch?v=WWEjNgKjqqINeste episódio veremos inicialmente como o filósofo alemão identifica o ressentimento na origem da moral do escravo, tomando parte também na criação de valores. Na sequência falaremos sobre a crítica de Nietzsche à compaixão e explicaremos por que o filósofo alemão rejeita esta prática – considerada na civilização ocidental como uma das mais altas virtudes humanas. Vamos mostrar que Nietzsche não é o primeiro filósofo a se posicionar criticamente diante da compaixão e mostraremos suas razões para tal.
Published in 1899, The Interpretation of Dreams is one of Sigmund Freud's most significant works and, by extension, one of the most significant works in psychoanalysis, psychology, and the Western conception of the mind. In it, Freud begins with a collection of questions: what are dreams? What can we learn from them? In trying to answer, he ends up describing a structure of energetic flows between the conscious, preconscious and unconscious portions of the psyche.Turns out, there's more to Freud than penises, cocaine and wanting to have sex with your mum.VERY IMPORTANT INFORMATIONJack has published a novel called Tower!Amazon: https://www.amazon.com/Tower-Jack-BC-ebook/dp/B0CM5P9N9M/ref=monarch_sidesheetThe first nine chapters of Tower are available for free here: jackbc.substack.comOur Patreon: www.patreon.com/TheBookClubfromHellJack's Substack: jackbc.substack.comLevi's website: www.levioutloud.comwww.thebookclubfromhell.comJoin our Discord (the best place to interact with us): discord.gg/ZMtDJ9HscrWatch us on YouTube: https://www.youtube.com/channel/UC0n7r1ZTpsUw5exoYxb4aKA/featuredX: @bookclubhell666Jack on X: @supersquat1Levi on X: @optimismlevi
As the influential Freuds Group turns 40, its founder and chairman Matthew Freud gives a rare interview on his life and career as a public relations guru.
No primeiro V.S.I - Vortex Special Investigation, @katbarcelos e @odeiopepe buscam evidenciar a profundidade velada do hit Resenha do Arrocha e traçam paralelos entre este e as obras de pensadores como Freud e Bauman. O Aniversário é da Alura mas o presente é todo de vocês. Corre e aproveita as condições especiais de aniver usando o nosso link: https://www.alura.com.br/vortex ou CUPOM: VORTEX Host: Katiucha Barcelos. Instagram: @katbarcelos | Twitter/X: @katiucha Co-Host: Pedro Pinheiro. Instagram: @odeiopepe | Twitter/X: @OdeioPePe Nossas redes sociais: Instagram: @feedvortex Bluesky: @feedvortex.bsky.socia Twitter: @feedvortex Tiktok: @feedvortex Reddit: r/feedvortex Grupo paralelo não-oficial do Vortex no telegram: https://t.me/+BHlkG92BfPU5Zjdh Esse grupo é dos ouvintes, para os ouvintes e pelos ouvintes. Não temos qualquer afiliação oficial ou responsabilidade por QUALQUER COISA falada neste grupo Link do post do episódio nas redes sociais: Instagram: https://www.instagram.com/p/DJ9V3VCNjyv/?igsh=bWxqNXA4NnE2ZzNq Twitter: https://x.com/feedvortex/status/1925552683806580991 Links comentados no episódio: Playlist de Maio do Vorteco Amor Liquido Teile e Zaga: a origem === Produção: Thyara Castro, Bruno Azevedo e Aparecido Santos Edição: Joel Suke Ilustração da capa: Brann Sousa
112 MinutesPG-13Josh Neal is a former psychology professor and author of the books "American Extremist" and "Understanding Conspiracy Theroies Vol. 1"Josh joins Pete to read and comment on Laurent Guyenot's essay, "Freud, Sexual Abuse, and B'nai B'rith"The ArticleIntolerant InterpretationsJosh's SubstackJosh's YouTubeAmerican ExtremistUnderstanding Conspiracy Theroies Vol. 1Pete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.
Celý rozhovor přístupný s VIP předplatným! + 44 VIP dílů https://creators.spotify.com/pod/show/brainweare/subscribeJaká je hranice mezi tím, co víme, a tím, co si myslíme, že víme?Jaký je vztah mezi mozkem a myslí? A proč je to největší milosrdenství, že si neuvědomujeme většinu vlastní mysli?V této epizodě jdeme hluboko – a zároveň odlehčeně – do fascinujícího světa vědomí, subjektivní zkušenosti a filozofie mysli.Hostem je Marek Hlavík – filozof, neurovědec, autor a trochu i kung-fu cestovatel. Bavíme se o:milosrdenství nevědomí podle Lovecraftahranicích subjektivní zkušenostimoderních i klasických teoriích myslirozdílu mezi fyzikalismem, dualismem a idealismemmyšlenkových experimentech, které otřásly způsobem, jak přemýšlíme o soběa proč být „zombí filozof“ není tak daleko od pravdyEpizoda, která tě pobaví, rozšíří tvé myšlení – a možná tě donutí se na chvíli začít ptát, „co je realita“.Kdo je Marek Havlík: Autor knihy Černá Bouře. Výzkumník Národního ústavu duševního zdraví, Centra pokročilých studií mozku a vědomí. V současné době se podílí na řešení projektu OPJAK s názvem s Akronymem COREmind, kde zastává pozici vedoucího jednoho z výzkumných závěrů.Parťáci Epizody:Parťáci dnešního dílu Macromo.com a https://www.uplife.cz/brain-we-are/Macromo DNA a krevní testy! Jdi na Macromo.com/bwa "Macromo je super způsob, jak mít veškeré informace o vašem zdraví na jednom místě a sledovat dlouhodobé trendy, které navíc dostanete i s interpretací." - Vojta z Brain We AreMinutáž:02:50 Marek Havlík jako spisovatel: Thriller “Černá bouře”07:23 Platonova jeskyně: Interpretace a nechuť k překračování reality08:54 Hranice subjektivní zkušenosti a její sdílení11:41 Ztráta iluzí: Evoluce, Freud, samota subjektivity13:16 Vědomí jako řízená halucinace (Anil Seth) a evoluční perspektiva19:05 Prof. Jiří Horáček a empirická věda21:46 Vznik knihy “Černá bouře” a zážitky z Hongkongu26:04 Dualismus: Dvě substance (hmotná a myslící)28:39 Paralelismus jako řešení v dualismu31:23 Monismus: Jedna substance32:17 Fyzikalismus: Reduktivní, nereduktivní, eliminativní34:44 Nereduktivní fyzikalismus: Vědomí jako emergentní vlastnost36:06 Eliminativní materialismus: Vědomí neexistuje37:55 Těžký problém vědomí (Chalmers) a qualia41:53 Panpsychismus42:45 Myšlenkové experimenty ve filozofii mysli46:09 Nagelův netopýr: Jaký je to být…? A hranice poznání52:24 Hard problem of consciousness: Proč vzniká subjektivní zkušenost?56:10 Může mozek pochopit sám sebe? Metafora divadelního jeviště01:00:38 Renesance humanitních věd v informační době01:05:01 Attention Schema Theory01:07:15 Blindsight: Vidění bez vědomého zrakového vjemu01:10:04 Unilaterální neglect (Marshall Halligan)01:13:06 Split-Brain (Gazzaniga, Sperry, Bogen) a levý interpret01:21:39 Zkušenost s binokulární rivalitou: (Ne)kontrola nad obsahy vědomí01:22:32 Determinismus mozku a svobodná vůle01:25:43 Konec neplacené částiVIP OBSAHUJE:01:26:53 Nejistota a frustrace v moderní době, informační přetížení01:30:44 Jak čelit informačnímu přetížení a nejistotě? Sociální opora a challengeování názorů01:33:50 Konspirační teorie jako zjednodušené kauzální modely01:44:38 Metafora "memetické infekce" a řezných ran do mysli01:46:08 Inokulační teorie: Očkování proti dezinformacím01:49:48 Osobní "paradigm shift" Marka Havlíkaa: Narození dcery01:52:45 Funkce small talku: Synchronizace před hlubší konverzací
Subscribe to get access to the full episode, the episode reading list, and all premium episodes! www.patreon.com/OrdinaryUnhappinessIn the second half of our their hundred-episode Mailbag spectacular, Abby, Patrick, and Dan field some overdetermined questions best kept snug behind the Patreon paywall. Among other things, the three take on what thinking psychoanalytically suggests about our relationships to technology, from the pleasing familiarity of effective User Interface design and frictionless movement in video games to the ways anxieties about the existence other human minds appears to be driving ever more people to prefer the projections and grandiose claims of interactions with so-called “artificial intelligence.” They then turn to another space where the questions of friction, the possibility of pain, the promise of growth, and the role of transference loom large: the classroom. In particular, they explore the ethical and interpersonal stakes of teaching psychoanalysis, and teaching in general, with an eye toward questions of repetition, narcissism, Trauma Studies as a discipline, traumatic experiences of learning, what is or isn't “outside the classroom,” the balance between taking things personally and meeting students where they are, and whether and how pedagogy and learning alike resemble therapy in all its possibilities and pains. Plus: turtles tortoises, a round of Fuck Marry Kill (yes), Wolfenstein, and more.Have you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847 A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media: Linktree: https://linktr.ee/OrdinaryUnhappiness Twitter: @UnhappinessPod Instagram: @OrdinaryUnhappiness Patreon: patreon.com/OrdinaryUnhappiness Theme song: Formal Chicken - Gnossienne No. 1 https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxO Provided by Fruits Music
Das Sams ist eine der legendärsten und wichtigsten deutschen Kinderbuchfiguren. Mittlerweile ist der Kosmos rund um den kleinen, frechen Mensch-Schwein-Frosch-Hybriden auf ganze 12 Teile angeschwollen. Wir schauen uns heute mal an, wie genial die Buchreihe die Idee mit den Wunschpunkten durchspielt und was wir aus den Eskapaden des Sams für unser Leben lernen können - und was das alles mit Nietzsche und Freud zu tun hat. - - - zu Gast: Sarah M. Kempen Kinder- und Jugendbuchautorin https://www.sarahmkempen.de/ https://www.instagram.com/sarahmkempen/ https://www.tiktok.com/@sarahmkempen Ihre Bücher gibt's hier: https://shop.autorenwelt.de/search?q=&p=0&fR%5Bnamed_tags.onix_contrib%5D%5B0%5D=Sarah%20M.%20Kempen&type=product&is_v=1 - - - LINKTREE Alle wichtigen Links zu uns findet ihr hier: https://bit.ly/kussponsored - - - PODCAST KAPITEL (00:07:56) Kommt ein Alien (00:18:14) Handlung des ersten Buchs (00:57:27) Verfilmungen (01:04:57) Das Samsverse in aller Fürze (01:28:28) Stigma des Kinderbuchs? (01:43:31) Das Sams und Nietzsches Übermensch (02:11:31) Das Sams und das Freudsche Es (02:30:16) Hörerfeedback & Co. - - - Kack & Sachgeschichten - Der Podcast mit Klugschiss: https://www.kackundsachgeschichten.de/ Bleib auf dem Laufenden mit dem Kacki WhatsApp Kanal: https://bit.ly/kuswhatsapp
Part XXII - Sigmund Freud, continued - Join us for a reading and conversation about the 12 men who had the greatest influence on the way we think. Written in 1958, this work stands the test of time. There is no theory, conspiracy or otherwise, just the simple facts about these men, their thoughts and their influence--draw your own conclusions! Check out the book here: https://a.co/d/1qRii01 Support me on substack for ad-free content, bonus material, personal chatting and more! https://substack.com/@monicaperezshow Become a PREMIUM SUBSCRIBER on Apple Podcasts for AD FREE episodes! all for the cost of one newspaper a month--i read the news so you dont have to! Support: True Hemp Science https://truehempscience.com/ PROMO CODE: MONICA Find, Follow, Subscribe & Rate on your favorite podcasting platform AND for video and social & more... Website: https://monicaperezshow.com/ Rumble: https://rumble.com/user/monicaperezshow Youtube: https://www.youtube.com/c/MonicaPerez Twitter/X: @monicaperezshow Instagram: @monicaperezshow Learn more about your ad choices. Visit megaphone.fm/adchoices
Part XXII - Sigmund Freud, continued - Join us for a reading and conversation about the 12 men who had the greatest influence on the way we think. Written in 1958, this work stands the test of time. There is no theory, conspiracy or otherwise, just the simple facts about these men, their thoughts and their influence--draw your own conclusions! Check out the book here: https://a.co/d/1qRii01 Support me on substack for ad-free content, bonus material, personal chatting and more! https://substack.com/@monicaperezshow Become a PREMIUM SUBSCRIBER on Apple Podcasts for AD FREE episodes! all for the cost of one newspaper a month--i read the news so you dont have to! Support: True Hemp Science https://truehempscience.com/ PROMO CODE: MONICA Find, Follow, Subscribe & Rate on your favorite podcasting platform AND for video and social & more... Website: https://monicaperezshow.com/ Rumble: https://rumble.com/user/monicaperezshow Youtube: https://www.youtube.com/c/MonicaPerez Twitter/X: @monicaperezshow Instagram: @monicaperezshow Learn more about your ad choices. Visit megaphone.fm/adchoices
Abby, Patrick, and Dan mark one hundred episodes of Ordinary Unhappiness! They start by looking back on the show's run so far, and what they've gotten from engaging with psychoanalysis as a living body of knowledge, as a corpus of classic texts, as a way of seeing the world, and more. They then turn to the episode's primary focus: a mailbag chock full of questions, fantasies, and desires from Ordinary Unhappiness listeners who have made the show possible. These include questions about therapeutic modalities fast and slow, the history of psychoanalytic theories about autism, the place of queerness in contemporary psychoanalysis, and more. But the three biggest topics Ordinary Unhappiness listeners want to learn more about are about drugs (especially psychedelics), the relationship between psychoanalysis and Marxism, and the work of Jacques Lacan. In classic Ordinary Unhappiness style, all this leads the hosts to recommend a ton of reading suggestions, admit to the things about which they do not know (but want to learn), and to promise a follow-up episode for Patreon supporters, where Abby, Patrick, and Dan will tackle those questions and topics that were a little too spicy – or let's say “overdetermined” – for a public episode. Enjoy – and thanks for listening!For the reading list, please visit our Patreon page. It's too long to include here!patreon.com/OrdinaryUnhappinessHave you noticed that Freud is back? Got questions about psychoanalysis? Or maybe you've traversed the fantasy and lived to tell the tale? Leave us a voicemail! (646) 450-0847A podcast about psychoanalysis, politics, pop culture, and the ways we suffer now. New episodes on Saturdays. Follow us on social media:Linktree: https://linktr.ee/OrdinaryUnhappinessTwitter: @UnhappinessPodInstagram: @OrdinaryUnhappinessPatreon: patreon.com/OrdinaryUnhappinessTheme song:Formal Chicken - Gnossienne No. 1https://open.spotify.com/album/2MIIYnbyLqriV3vrpUTxxOProvided by Fruits Music
Part XXI - Sigmund Freud - Join us for a reading and conversation about the 12 men who had the greatest influence on the way we think. Written in 1958, this work stands the test of time. There is no theory, conspiracy or otherwise, just the simple facts about these men, their thoughts and their influence--draw your own conclusions! Check out the book here: https://a.co/d/1qRii01 Support me on substack for ad-free content, bonus material, personal chatting and more! https://substack.com/@monicaperezshow Become a PREMIUM SUBSCRIBER on Apple Podcasts for AD FREE episodes! all for the cost of one newspaper a month--i read the news so you dont have to! Support: True Hemp Science https://truehempscience.com/ PROMO CODE: MONICA Find, Follow, Subscribe & Rate on your favorite podcasting platform AND for video and social & more... https://rumble.com/user/monicaperezshow https://www.youtube.com/c/MonicaPerez Twitter/X: @monicaperezshow Instagram: @monicaperezshow For full shownotes visit: https://monicaperezshow.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices
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