Podcasts about Publishing

How many posts are too many? Is once a week enough, or do you need to show up every day? With so many “rules” and numbers being thrown around, it's easy to feel lost in the noise. So what's the real answer if you want your content to actually make an impact?In this Q&A Wednesday episode, Omar tackles Tom's question head‑on. He digs into real data from big personalities and reveals exactly how much content you should be publishing to stand out. You'll get a behind the scenes look at what successful creators are doing, plus practical steps you can apply no matter where you are starting. Whether you are brand new or ready to level up, this lesson lays out a clear roadmap for meaningful content growth.Stop guessing. The play button is right at the top of this page - press it now to get the full breakdown. This training could be the shift that helps you ramp up your content and finally get noticed.MBA2744 Am I Publishing Enough Content On Social Media? How Much Is Good Enough?Recommended episode to explore:MBA2731 Why People Turn Against You When You Start To SucceedTo submit your questions, visit 100mba.net/q.Watch the episodes on YouTube: https://lm.fm/GgRPPHiSUBSCRIBEYouTube | Apple Podcast | Spotify | Podcast Feed Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What happens when you stop waiting to feel ready… and just move? In this special episode of Do the Thing, Stacey Lauren interviews someone who helped shape the movement from the very beginning, her daughter, Avery Crumrine. Avery designed the original DARE images used around the world, edited the first 100 podcast episodes, and now she's stepping into her own voice with her new book, Intention Into Action. Avery went from an idea in her Notes app to a printed proof in her hands. This episode explores: Writing a book before you feel qualified Speaking before you feel ready How to handle rejection  Moving through the Comfort Circles in real time Following through on your intentions If you've ever said, “I want to…” but haven't taken the first step, this conversation is your nudge. Learn more about Avery and her book at: averycrumrine.com 00:00 – The birthplace of the Billion Dollar Impact Marketplace06:45 – Writing Intention Into Action14:20 – Speaking before feeling ready24:10 – Moving from “Find Your Voice” to “Share Your Voice”40:30 – Coaching Stacey live: Publishing her book by July

Episode: Big Truth Podcast — with Cary Brobeck (Owner/Editor-in-Chief, Choppers Magazine + Founder/Organizer, Chopper Fest) Core promise: A behind-the-scenes look at how chopper culture actually gets preserved and pushed forward—through print, shows, relationships, and a lot of unglamorous work. Cary Brobeck breaks down the real day-to-day reality of running an iconic print magazine in an internet era while still working a full-time construction/QC job, plus what it took to take over Chopper Fest and scale it to 10,000+ attendees. The conversation hits chopper culture's punk/DIY roots, the market's price swings, the importance of showing up in the industry, and a major mission: preserving David Mann artwork and artifacts via the David Mann Legacy Foundation.   Key topics & highlights ·       Chopper Fest: how Cary took over a 20-year legacy event (originally tied to David Mann) and doubled attendance year-over-year. ·       The grind nobody sees: why "owning a magazine" doesn't mean you're not still clocking in at a day job. ·       Why choppers (not just motorcycles): the punk/skate/custom-culture pipeline—loud, dangerous, DIY, and personal. ·       Market talk: vintage bike pricing swings (knuckles, pans, shovels), and why things feel like they're "breathing" again. ·       Publishing origin story: Dice → early projects → working with Easy Riders / Wrench → the path to Choppers Magazine. ·       Choppers Magazine name revival: how "Choppers Mag" (Ed Roth era) became available—and why Cary got the Roth family blessing first. ·       Preserving motorcycle art: the plan to collect and protect David Mann originals + artifacts so they don't disappear into attics, estates, and trash piles. ·       Harley sponsorship reality: how Cary views working with a corporation while staying rooted in the culture—plus why relationships matter. ·       What's next: more shows, possible "town takeovers," and future special issues (including an all-women riders edition idea).   For More Info: ·       Choppers Magazine (IG): @choppersmagazine ·       Chopper Fest (IG): @chopperfest   If you enjoyed this episode, follow/subscribe to the Big Truth Podcast, leave a 5-star review, and share this one with a builder, a rider, or anyone who cares about preserving culture—not just consuming it. This episode is about keeping real culture alive — the Back Channel is how we do the same for this show. Independent. Direct-to-listener. No gatekeepers. Join here → http://www.patreon.com/bigtruth    Follow us on IG: @bigtruth TikTok: @bigtruthpodcast YouTube: @thebigtruthpodcast   For feedback, questions, sponsorship info contact: bigtruthpodcast@gmail.com For more info: http://www.bigtruthpodcast.com To support the show: http://www.patreon.com/bigtruth    The Big Truth Podcast is proudly sponsored by: - Choppahead Kustom Cycles (IG: @choppahead / www.choppahead.com) - Tattoo Flash Collective – www.tattooflashcollective.com – use promo code: BIGTRUTH for 10% off your order - Omerta (IG: @omertamia / www.omertamia.com) - use code: BIGTRUTH at checkout for 20% off your order! - Heavy (IG: @heavyclothing / www.heavy.bigcartel.com)

In this episode of LaidOPEN, I'm joined by Gabrielle Felder, author of The Five Blessings of Ifá. We talk about returning to spiritual lineage, writing about Ifá as a living oral tradition, and what it meant for Gabrielle to publish this work after being raised Baptist. She shares how being on ancestral land in the American South changed her relationship to history and belonging. We explore Oshun and Obatala, gender expansiveness in Yoruba cosmology, burnout and joyful militancy, and how to remain spiritually grounded in times of cultural instability. LaidOPEN offers intimate conversations at the intersection of sexuality, spirituality, and relational healing. If you're longing for depth, warmth, and nuance, follow the show and share this episode with someone who might need it. Show Notes: 00:00 – Welcome & Introduction 02:42 – Writing Process 04:18 – Family, Faith & Secrecy 08:06 – Parents at the Book Event 09:24 – Publishing as Coming Out 12:26 – Writing About Ifá 14:11 – Southern Ancestry 18:12 – Embodying the Land 22:30 – Entering Ifá 24:43 – Mississippi River & Oshun 27:22 – Orishas & Creativity 28:03 – Beyond the Love Goddess Trope 29:00 – Yoruba Language & Gender 31:22 – Orishas & Gender Fluidity 34:18 – Micro-Acts of Freedom 35:31 – Burnout & Joy 47:17 – Collapse & Rebuilding 52:22 – Spiritual Hygiene 55:34 – Closing

Want to journal more, but don't know where to start? A new journal from the team behind The Moth helps tell your life story through 150 different prompts. Christina Norman, chief creative officer of The Moth, discusses the new book, My Life in Stories: A Guided Journal from The Moth. Photo By Carlos Avila Gonzalez/The San Francisco Chronicle via Getty Images

Christopher Richmann teaches religion and is assistant director for teaching and learning with the Academy for Teaching and Learning at Baylor University. An ordained ELCA pastor, Christopher serves St. John Lutheran Church in Gatesville, TX. He joins Kelsi to discuss his new book with 1517 Publishing, Stretched: A Study Guide for Lent and the Entire Christian Life.Lent often conjures images of self-denial and fasting, leaving many Christians confused about its true significance. Kelsi and Christopher delve into the historical and biblical roots of Lent, shedding light on its importance for the everyday Christian. Show Notes: 1517's Faith and Reason ConferenceSupport 15171517 PodcastsThe 1517 Podcast Network on Apple Podcasts1517 on YouTubeKelsi KlembaraFollow Kelsi on InstagramFollow Kelsi on TwitterKelsi's SubstackSubscribe to the Show:Apple PodcastsSpotifyYoutubeMore from Christopher: Order StretchedRead Christopher's Articles at 1517

Streetwise: Saving Ourselves from Big Car (Columbia Business School Publishing, 2025) exposes how “Big Car”―the complex of companies in the automobile, oil, insurance, media, and concrete industries that promote and entrench car dependence―has pursued profit at the expense of the common good. David Obst explores how Big Car gained almost immeasurable influence over our lives, weighing the benefits and the costs of reliance on private automobiles. He details how industry covered up the harms of lead additives, fought against seatbelts, and continues to fund climate-change denialism. Obst considers the future of mobility, surveying how cities―from Taipei to Tempe, Copenhagen to Chicago―are experimenting with forms of transportation that offer alternatives to the dominance of cars. This is a provocative and comprehensive book. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Join us for a webinar examining the Third Circuit’s ongoing review of a decision holding that publishing ASTM standards—which are funded by licenses to use the standards—is a noninfringing fair use under US copyright law. This session will present arguments from both sides, analyzing the tension between a private entity’s right to protect its investments in developing copyrighted technical standards, and the public’s right to access the laws which incorporate those standards. With the Third Circuit poised to issue a decision in ASTM v. UpCodes soon, this webinar aims to provide informative insight on the regulatory and intellectual property policies that will soon be implicated. Featuring: Prof. Emily Bremer, Professor of Law, University of Notre Dame Law SchoolProf. Zvi Rosen, Associate Professor, UNH Franklin Pierce School of Law(Moderator) Hon. Stephen Vaden, Deputy Secretary of Agriculture, U.S. Department of Agriculture

Simon and Rachel speak to Jacques Testard, the founder and publisher of Fitzcarraldo Editions, an independent house based in London that, since its establishment in 2014, has won four Nobel Prizes for literature. Jacques's Nobel winners are Svetlana Alexievich (2015), Olga Tokarczuk (2018), Annie Ernaux (2022) and Jon Fosse (2023). Prior to setting up Fitzcarraldo, Jacques co-founded The White Review, a literary magazine launched in 2011. He's also published work by Claire-Louise Bennett, Jon Lee Anderson and Fernanda Melchor. We spoke to Jacques about setting up Fitzcarraldo and releasing its first book in 2014, its extraordinary success with literary prizes, including the Nobel, and the economics of running a small publishing house.In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes.  Join us on April 21st as we interview Michael Morpurgo at the Lantern Theatre in Bristol. You can get your tickets here.  We've made another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We've added 40 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New York Times, the Washington Post and the BBC. The whole compendium now runs to a whopping 160 pages. For Patreons who contribute $10/month we're now also releasing bonus mini-episodes. Thanks to our sponsor, Scrivener, the first ten new signs-ups at $10/month will receive a lifelong license to Scrivener worth £55/$59.99 (seven are left). This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a monthly call with Simon and Rachel. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Streetwise: Saving Ourselves from Big Car (Columbia Business School Publishing, 2025) exposes how “Big Car”―the complex of companies in the automobile, oil, insurance, media, and concrete industries that promote and entrench car dependence―has pursued profit at the expense of the common good. David Obst explores how Big Car gained almost immeasurable influence over our lives, weighing the benefits and the costs of reliance on private automobiles. He details how industry covered up the harms of lead additives, fought against seatbelts, and continues to fund climate-change denialism. Obst considers the future of mobility, surveying how cities―from Taipei to Tempe, Copenhagen to Chicago―are experimenting with forms of transportation that offer alternatives to the dominance of cars. This is a provocative and comprehensive book. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

In this episode, we're diving into the "hellscape" (as we like to call it) of Google's AI Overviews and the rise of zero-click searches. While Google is celebrating record search revenue, publishers are seeing traffic drops of up to 38% as AI "sucks up" content and keeps readers from ever hitting your site.We break down a real-world case study of The Fisherman, a niche publisher that successfully pivoted by tightening their walls and leaning into their true superpowers: Content and Audience

If you long for deep, joyful connection in new places or just want permission to bring your whole self to every friendship and opportunity, this episode is for you.In this soul-nourishing episode, I sit down with my vibrant friend Alice Tenjiwe Kabwe to unpack our unlikely friendship, sparked at a Nonviolent Communication retreat in Nairobi. From braids and belly laughs to creating space for vulnerability, we dive into the magic that happens when you lead with curiosity, courage, and authentic self-awareness, anywhere in the world! Together, we explore how to embrace your superpowers, stop overgiving, and choose connection with intention.Watch This If:Are seeking to build authentic connections (even in unfamiliar places)Want to harness your “helper” or “systems-thinker” superpowers without feeling drainedAre navigating the multicultural, immigrant, or third-culture experienceCrave more joy, playfulness, and lightness in your relationshipsNeed a permission slip to own your worth, celebrate your gifts, and set mindful boundaries Episode Highlights (with Timestamps):00:00 Welcome & My First Impressions of Alice 02:33 A Friendship Sparked by Sisterhood (and Locs!) 07:31 Finding Lightness & Joy—Even When Conversations Get Deep 15:54 Cultural Translation: How Alice Opened My World in Kenya 17:53 Why We're Compelled to Help—and How to Choose Wisely 26:37 Childhood Roots & Middle Child “Superpowers” 31:44 Turning Your Service Into a Choice (Not a Compulsion) 39:41 Letting Go of Needing Validation 48:57 Building Community With Intention as an Expat & Professional 54:56 Making Room for What You Want—And Actually Receiving It 59:44 Parenting, Possibility & Watching Others Grow 1:05:03 Trusting Your Path, Letting Go of Pressure 1:11:59 Recap, Gratefulness, and Lasting ConnectionWhat You'll Learn:How to spot (and sustain) relationships that spark joy, growth, and belongingA fresh approach to using your “helping” gifts intentionally, rather than compulsivelyWays to honor your story—cultural, professional, and familial—when building your circles of influenceSimple practices to become more self-aware and tuned into your own needsWhy reframing your “superpower” is the key to thriving—and not burning out—in service to othersContact Information: Guest: Alice KabweInstagram: https://www.instagram.com/alicekabwe/LinkedIn: https://www.linkedin.com/in/alicetenjiwekabwe/ Host: Valerie HopeWebsite: https://www.valeriehope.comInstagram: https://www.instagram.com/valeriehope/LinkedIn: https://www.linkedin.com/in/valeriehope/Facebook: https://www.facebook.com/ValerieVHopeYouTube: https://www.youtube.com/@ConnecttoJoyProduction Support: Lucy Hope - Podcast Editing, Copy, and Publishing. #CircleOfHopePodcast #MeaningfulConnections #FriendshipAcrossCultures #ServiceLeadership #PersonalGrowth #CulturalAmbassador

Streetwise: Saving Ourselves from Big Car (Columbia Business School Publishing, 2025) exposes how “Big Car”―the complex of companies in the automobile, oil, insurance, media, and concrete industries that promote and entrench car dependence―has pursued profit at the expense of the common good. David Obst explores how Big Car gained almost immeasurable influence over our lives, weighing the benefits and the costs of reliance on private automobiles. He details how industry covered up the harms of lead additives, fought against seatbelts, and continues to fund climate-change denialism. Obst considers the future of mobility, surveying how cities―from Taipei to Tempe, Copenhagen to Chicago―are experimenting with forms of transportation that offer alternatives to the dominance of cars. This is a provocative and comprehensive book. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Streetwise: Saving Ourselves from Big Car (Columbia Business School Publishing, 2025) exposes how “Big Car”―the complex of companies in the automobile, oil, insurance, media, and concrete industries that promote and entrench car dependence―has pursued profit at the expense of the common good. David Obst explores how Big Car gained almost immeasurable influence over our lives, weighing the benefits and the costs of reliance on private automobiles. He details how industry covered up the harms of lead additives, fought against seatbelts, and continues to fund climate-change denialism. Obst considers the future of mobility, surveying how cities―from Taipei to Tempe, Copenhagen to Chicago―are experimenting with forms of transportation that offer alternatives to the dominance of cars. This is a provocative and comprehensive book. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott Pearson. It takes more than just an author to produce a book. In fact, there's a whole team of people that bring any given book to fruition. It's no different in tie-in fiction like Star Trek. We don't often branch out to talk to anyone but the authors of the new books, and that's an oversight we intend to remedy.In this episode of Literary Treks, hosts Casey Pettitt and Jonathan Koan talk with editor Scott Pearson, who recently took on a more hands-on role after the passing of beloved editor, Margaret Clarke. They discuss Scott's work as both an author and an editor, what the editing process looks like, the enjoyable challenge of producing a Star Trek book while a show is still running and much, much more!In the news segment, we talk about Robb Pearlman's new book of fairy tales from the final frontier. Find out more about Scott at scott-pearson.com NewsNew Book from Robb Pearlman (4:01)Feature: Scott PearsonLifelong Rabid Star Trek Fan (7:02)Never Wanted to Be an Editor (10:01)An Author and an Editor (12:47)A Hands-On Position (13:59)There the Entire Time (15:29)A High Bar (19:56)Publishing is a Crazy Business (22:13)I Would Like More Books (25:46)New Authors (27:00)I Don't Want to Get in Trouble (28:39)An Enjoyable Challenge (29:28)Required Reading (33:26)Editing Different Genres (41:01)Character Motivation (44:02)Check the Quote (47:31)I Have Ideas (51:50)Scott, the Writer (55:20)Closing (1:00:58) HostsJonathan Koan and Casey Pettitt GuestScott PearsonProductionMatthew Rushing (Editor and Producer) C Bryan Jones (Executive Producer) Greg Rozier (Associate Producer) Casey Pettitt (Associate Producer)

Publishing your book is a moment worth celebrating—but what happens next is what truly determines your book's impact. The most successful authors aren't the ones with the loudest voices or biggest followings—they're the ones who build relationships, create systems, and stay focused on the long game. A strong book launch isn't about short-term buzz. It's about building a bridge between your book and your business. When you treat your book as a strategic asset, every review, podcast interview, and event becomes a stepping stone toward greater visibility and revenue. That's the lens I bring as a book launch strategist. I help authors design launches that feel authentic, achievable, and aligned—using launch teams, soft launch strategy, and virtual events to generate reviews, referrals, and results. If you're ready to turn your book into your best business development tool, let's talk. Schedule a complimentary 30-minute book launch brainstorming session at www.BookLaunchBrainstorm.com. Now let's dive into our author panel... Jennifer Ledet wrote “Live and Lead by Choice, Not by Chance: Flourish at Any Age, Stage, and Season of Life,” a practical and inspiring guide that helps leaders step out of autopilot and intentionally design a life and career aligned with their values, purpose, and vision for what's next. Susan Fitzell wrote “Neurodiversity in the Workplace: Maximizing Success through Inclusive Dynamic Workplace Design™,” a forward-thinking resource that equips leaders and organizations to create inclusive environments where neurodivergent employees can thrive and contribute at their highest level. Chris Fenning wrote “Effective Meetings: Great Results. Less Pain. Every Time.,” a concise, no-nonsense playbook that helps leaders reclaim their calendars, run better meetings, and drive clear outcomes without wasting time or energy. Please join me in welcoming Chris, Jennifer, and Susan. In this episode, we discuss the following:

Scott Pearson. It takes more than just an author to produce a book. In fact, there's a whole team of people that bring any given book to fruition. It's no different in tie-in fiction like Star Trek. We don't often branch out to talk to anyone but the authors of the new books, and that's an oversight we intend to remedy. In this episode of Literary Treks, hosts Casey Pettitt and Jonathan Koan talk with editor Scott Pearson, who recently took on a more hands-on role after the passing of beloved editor, Margaret Clarke. They discuss Scott's work as both an author and an editor, what the editing process looks like, the enjoyable challenge of producing a Star Trek book while a show is still running and much, much more! In the news segment, we talk about Robb Pearlman's new book of fairy tales from the final frontier. Find out more about Scott at scott-pearson.com News New Book from Robb Pearlman (4:01) Feature: Scott Pearson Lifelong Rabid Star Trek Fan (7:02) Never Wanted to Be an Editor (10:01) An Author and an Editor (12:47) A Hands-On Position (13:59) There the Entire Time (15:29) A High Bar (19:56) Publishing is a Crazy Business (22:13) I Would Like More Books (25:46) New Authors (27:00) I Don't Want to Get in Trouble (28:39) An Enjoyable Challenge (29:28) Required Reading (33:26) Editing Different Genres (41:01) Character Motivation (44:02) Check the Quote (47:31) I Have Ideas (51:50) Scott, the Writer (55:20) Closing (1:00:58) Hosts Jonathan Koan and Casey Pettitt Guest Scott Pearson Production Matthew Rushing (Editor and Producer) C Bryan Jones (Executive Producer) Greg Rozier (Associate Producer) Casey Pettitt (Associate Producer)

The cosy crime genre has exploded in recent years, with older protagonists featuring heavily (they tend to have more time on their hands for solving mysteries, you see). But what happens when your older protagonist has a murderous past? That’s the hilarious set up for British actor, comedian and author Fergus Craig’s new ‘cracked cosy’ whodunnit I’m Not the Only Murderer in my Retirement Home. In this episode, Fergus talks about how he started writing crime books, the joys and challenges of bringing his latest novel to life, its international bidding war, and why he decided to walk from the UK to New Zealand. 00:00 Welcome03:59 Writing tip: Keep track of your stories07:29 WIN!: On the Edge by Kate Horan09:47 Word of the week: ‘Infuscate’12:05 Writer in residence: Fergus Craig13:00 Fergus explains I’m Not the Only Murderer in my Retirement Home15:30 The attraction of cosy crime16:55 Getting a book deal via social media17:54 The appeal of a whodunnit plot22:42 The writing process: Planning vs. improvisation24:27 Challenges and joys of writing the book26:04 Differences between writing for TV and books28:02 Fergus’s daily writing routine29:49 Publishing journey and success32:59 Advice on writing comedy35:32 Promoting the book and social media success39:20 Extra tips about writing40:46 Final thoughts Read the show notes Connect with Valerie and listeners in the podcast community on Facebook Visit WritersCentre.com.au | ValerieKhoo.comSee omnystudio.com/listener for privacy information.

Publishing just under the wire before the next episode...Matt Cuti and LittleWolfBird wax longer and a bit more poetic about "Seven", the fourth episode of A Knight of the Seven Kingdoms. They dive into Dunk's status as a knight, Daeron and his Dragon Dreams, and Baelor, before no-so-briefly breakdown the Trial of Seven and Westerosi trials for the privilege in general. Stay tuned for after the credits for a brief spoiler conversation.Send a textSupport the showRecording, editing, and mixing by ⁠⁠⁠⁠⁠⁠⁠⁠⁠LittleWolfBird⁠⁠⁠⁠⁠⁠⁠⁠⁠. The Silent Sisters Podcast: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠Tumblr⁠⁠⁠⁠⁠⁠⁠⁠⁠ | ⁠⁠⁠⁠⁠⁠⁠⁠⁠BSky⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Music by Mattstagraham⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Profile Art by Mondongo⁠⁠⁠⁠⁠⁠⁠⁠⁠ Credit to George R. R. Martin, A Song of Ice and Fire, Fire & Blood, and related works, and HBO's Game of Thrones, House of the Dragon, and A Knight of the Seven Kingdoms. The Silent Sisters Podcast is an gen A.I.-free podcast. Generative A.I. is a destructive and harmful tool and as such, this show does not knowingly use any version of it. No aspects of this episode may be used, altered, duplicated, redistributed, or published elsewhere without direct and written permission.

Watch as a full video on YouTubeThis week, we're unpacking the controversy surrounding Emerald Fennell's "Wuthering Heights" adaptation. From historically inaccurate corsets to Margot Robbie's "raunchy" take on Cathy, we debate how far a retelling can stray before it loses the source material entirely.Plus, we look at how one writer used AI to publish 200 novels in a single year, allegedly earning six figures. But is she a writer? And after a century of dominance, are paperbacks shuffling toward extinction?00:00 Intro01:25 200 'Books' A Year - The AI Romance Gold Rush?12:48 Pulp Fiction No More - The Death of Paperbacks?23.35 Raunchy Brontë - Straying Too Far From the Source?37:38 - Off Script: Stranger Than Fiction43:15 Final Chapter - Best RomComsLinks:Can AI Chatbots Write Romance? NY Times ArticleThe Death of the Mass Market Paperback?How Different Is Emerald Fennell's “Wuthering Heights” Compared to Emily Brontë's Book?Adventures in Publishing-land is brought to you by STET Podcasts - the one stop shop for all your writing podcast needs, featuring Page One - The Writer's Podcast, The Conversation with Nadine Matheson and more!Follow us on BlueskyFollow us on Instagram Hosted on Acast. See acast.com/privacy for more information.

Watch as a full video on YouTubeThis week, we're unpacking the controversy surrounding Emerald Fennell's "Wuthering Heights" adaptation. From historically inaccurate corsets to Margot Robbie's "raunchy" take on Cathy, we debate how far a retelling can stray before it loses the source material entirely.Plus, we look at how one writer used AI to publish 200 novels in a single year, allegedly earning six figures. But is she a writer? And after a century of dominance, are paperbacks shuffling toward extinction?00:00 Intro01:25 200 'Books' A Year - The AI Romance Gold Rush?12:48 Pulp Fiction No More - The Death of Paperbacks?23.35 Raunchy Brontë - Straying Too Far From the Source?37:38 Off Script: Stranger Than Fiction43:15 Final Chapter - Best RomComsLinks:Can AI Chatbots Write Romance? NY Times ArticleThe Death of the Mass Market Paperback?How Different Is Emerald Fennell's “Wuthering Heights” Compared to Emily Brontë's Book?Adventures in Publishing-land is brought to you by STET Podcasts - the one stop shop for all your writing podcast needs, featuring Page One - The Writer's Podcast, The Conversation with Nadine Matheson and more!Follow us on BlueskyFollow us on Instagram—--------------Support the podcast - Buy me a cup of coffee ☕️.Buy books by my guests Bookshop.orgFollow MeBluesky | Substack | Instagram | Facebook | Threads Hosted on Acast. See acast.com/privacy for more information.

In Multidomain Operations: The Pursuit of Battlefield Dominance in the 21st Century (Howgate Publishing Limited, 2026), Amos Fox and Franz-Stefan Gady challenge one of modern war's most influential doctrines: MDO. Is it the right framework for 21st-century conflict—or a concept rushed into service without sufficient grounding? Through the lenses of origin, field application, academic critique, and international perspectives, the authors examine MDO's theoretical and practical shortcomings. They argue that MDO is a solution in search of a problem—strategically narrow, tactically vague, and ill-suited for America's allies. This book calls for a doctrinal reset: one that addresses precision strike overreach, rising attrition warfare, and the enduring need for land forces. With rigorous policy and PME recommendations, Fox and Gady offer a vital roadmap for rethinking military doctrine. Essential reading for defense leaders, scholars, and warfighters alike, this book reshapes how we must think about future battlefields.Dr. Amos C. Fox is a Professor of Practice at Arizona State University's Future Security Initiative. Amos also works as a lecturer in the School of Politics and International Relations at the University of Houston where he teaches strategy and international relations, and hosts the Revolution in Military Affairs podcast, which focuses on war, strategy, international affairs, and the impact of technology on warfare. His latest book is Conflict Realism. Amos is a retired US Army Lieutenant Colonel. He is also Managing Editor of Small Wars Journal.Franz-Stefan Gady has advised US and European militaries on structural reform and the future of high-intensity warfare. An adjunct senior fellow with the Center for a New American Security, Washington, DC, he has conducted field research in Afghanistan, Iraq and Ukraine. His latest books are The Return of War and How the US Would Fight China: The Risks of Pursuing a Rapid Victory. Stephen Satkiewicz is an independent scholar with research areas spanning Civilizational Sciences, Social Complexity, Big History, Historical Sociology, Military History, War Studies, International Relations, Geopolitics, and Russian and East European history. He served as the editor of the International Society for the Comparative Study of Civilizations (ISCSC) newsletter from 2016 to 2018 and is currently the Book Review Editor for Comparative Civilizations Review. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Multidomain Operations: The Pursuit of Battlefield Dominance in the 21st Century (Howgate Publishing Limited, 2026), Amos Fox and Franz-Stefan Gady challenge one of modern war's most influential doctrines: MDO. Is it the right framework for 21st-century conflict—or a concept rushed into service without sufficient grounding? Through the lenses of origin, field application, academic critique, and international perspectives, the authors examine MDO's theoretical and practical shortcomings. They argue that MDO is a solution in search of a problem—strategically narrow, tactically vague, and ill-suited for America's allies. This book calls for a doctrinal reset: one that addresses precision strike overreach, rising attrition warfare, and the enduring need for land forces. With rigorous policy and PME recommendations, Fox and Gady offer a vital roadmap for rethinking military doctrine. Essential reading for defense leaders, scholars, and warfighters alike, this book reshapes how we must think about future battlefields.Dr. Amos C. Fox is a Professor of Practice at Arizona State University's Future Security Initiative. Amos also works as a lecturer in the School of Politics and International Relations at the University of Houston where he teaches strategy and international relations, and hosts the Revolution in Military Affairs podcast, which focuses on war, strategy, international affairs, and the impact of technology on warfare. His latest book is Conflict Realism. Amos is a retired US Army Lieutenant Colonel. He is also Managing Editor of Small Wars Journal.Franz-Stefan Gady has advised US and European militaries on structural reform and the future of high-intensity warfare. An adjunct senior fellow with the Center for a New American Security, Washington, DC, he has conducted field research in Afghanistan, Iraq and Ukraine. His latest books are The Return of War and How the US Would Fight China: The Risks of Pursuing a Rapid Victory. Stephen Satkiewicz is an independent scholar with research areas spanning Civilizational Sciences, Social Complexity, Big History, Historical Sociology, Military History, War Studies, International Relations, Geopolitics, and Russian and East European history. He served as the editor of the International Society for the Comparative Study of Civilizations (ISCSC) newsletter from 2016 to 2018 and is currently the Book Review Editor for Comparative Civilizations Review. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

In Multidomain Operations: The Pursuit of Battlefield Dominance in the 21st Century (Howgate Publishing Limited, 2026), Amos Fox and Franz-Stefan Gady challenge one of modern war's most influential doctrines: MDO. Is it the right framework for 21st-century conflict—or a concept rushed into service without sufficient grounding? Through the lenses of origin, field application, academic critique, and international perspectives, the authors examine MDO's theoretical and practical shortcomings. They argue that MDO is a solution in search of a problem—strategically narrow, tactically vague, and ill-suited for America's allies. This book calls for a doctrinal reset: one that addresses precision strike overreach, rising attrition warfare, and the enduring need for land forces. With rigorous policy and PME recommendations, Fox and Gady offer a vital roadmap for rethinking military doctrine. Essential reading for defense leaders, scholars, and warfighters alike, this book reshapes how we must think about future battlefields.Dr. Amos C. Fox is a Professor of Practice at Arizona State University's Future Security Initiative. Amos also works as a lecturer in the School of Politics and International Relations at the University of Houston where he teaches strategy and international relations, and hosts the Revolution in Military Affairs podcast, which focuses on war, strategy, international affairs, and the impact of technology on warfare. His latest book is Conflict Realism. Amos is a retired US Army Lieutenant Colonel. He is also Managing Editor of Small Wars Journal.Franz-Stefan Gady has advised US and European militaries on structural reform and the future of high-intensity warfare. An adjunct senior fellow with the Center for a New American Security, Washington, DC, he has conducted field research in Afghanistan, Iraq and Ukraine. His latest books are The Return of War and How the US Would Fight China: The Risks of Pursuing a Rapid Victory. Stephen Satkiewicz is an independent scholar with research areas spanning Civilizational Sciences, Social Complexity, Big History, Historical Sociology, Military History, War Studies, International Relations, Geopolitics, and Russian and East European history. He served as the editor of the International Society for the Comparative Study of Civilizations (ISCSC) newsletter from 2016 to 2018 and is currently the Book Review Editor for Comparative Civilizations Review. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

In Multidomain Operations: The Pursuit of Battlefield Dominance in the 21st Century (Howgate Publishing Limited, 2026), Amos Fox and Franz-Stefan Gady challenge one of modern war's most influential doctrines: MDO. Is it the right framework for 21st-century conflict—or a concept rushed into service without sufficient grounding? Through the lenses of origin, field application, academic critique, and international perspectives, the authors examine MDO's theoretical and practical shortcomings. They argue that MDO is a solution in search of a problem—strategically narrow, tactically vague, and ill-suited for America's allies. This book calls for a doctrinal reset: one that addresses precision strike overreach, rising attrition warfare, and the enduring need for land forces. With rigorous policy and PME recommendations, Fox and Gady offer a vital roadmap for rethinking military doctrine. Essential reading for defense leaders, scholars, and warfighters alike, this book reshapes how we must think about future battlefields.Dr. Amos C. Fox is a Professor of Practice at Arizona State University's Future Security Initiative. Amos also works as a lecturer in the School of Politics and International Relations at the University of Houston where he teaches strategy and international relations, and hosts the Revolution in Military Affairs podcast, which focuses on war, strategy, international affairs, and the impact of technology on warfare. His latest book is Conflict Realism. Amos is a retired US Army Lieutenant Colonel. He is also Managing Editor of Small Wars Journal.Franz-Stefan Gady has advised US and European militaries on structural reform and the future of high-intensity warfare. An adjunct senior fellow with the Center for a New American Security, Washington, DC, he has conducted field research in Afghanistan, Iraq and Ukraine. His latest books are The Return of War and How the US Would Fight China: The Risks of Pursuing a Rapid Victory. Stephen Satkiewicz is an independent scholar with research areas spanning Civilizational Sciences, Social Complexity, Big History, Historical Sociology, Military History, War Studies, International Relations, Geopolitics, and Russian and East European history. He served as the editor of the International Society for the Comparative Study of Civilizations (ISCSC) newsletter from 2016 to 2018 and is currently the Book Review Editor for Comparative Civilizations Review. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

The new hit Netflix series, "Heated Rivalry," was adapted from romance novels about a secret relationship between two hockey players. With Valentine's Day around the corner and love in the air, Leah Koch, owner of the romance bookshop "The Ripped Bodice" talks about the impact of Heated Rivalry on popular culture and what other titles she recommends in the romance genre.Stock image via proxyminder/Getty

JM and Jared talk nonsense for about an hour. Hopefully in a pleasing, second screen kind of way :D

As one of the top endocrinologists in Victoria Dr Nellie Torkamani is spearheading transformation for many women with mid life challenges ranging from menopause obesity to diabetes. Having worked with her on my own personal health journey she has paved the way during midlife for me with clear guidance patience and support.

Feeling the nudge to write a book—but the questions, distractions, and doubts keep pushing it further down the list?In today's encouraging and clarifying conversation, I'm joined by Dalene Bickel, founder of Lasting Legacies Publishing, host of the Ink and Impact podcast, and a trusted guide for Christian authors navigating both calling and craft.We talk about:Why every business owner should consider writing a book—and the authority and longevity it createsHow to evaluate self-publishing vs. traditional publishing through a stewardship lensThe real distractions that keep women from writing—external pressure and internal fearDalene reminds us that writing a book is not a quick project, but a 12–18 month journey—which is exactly why knowing your why matters. When you don't write the book God placed on your heart, you miss opportunities to serve and bless others. But when you do, clarity deepens, trust grows, and your message becomes a lasting legacy that continues working long after you do.If you've been wondering whether your story matters—or which publishing path fits your book, brand, and bottom line—this conversation will help you move forward with wisdom and confidence that you can feel to your core.

Feb. 13, 2026, is Two-Brain's 10th anniversary—a full decade of solving every problem in the gym business.In this special episode of “Run a Profitable Gym,” Two-Brain founder Chris Cooper tells the complete story of how Two-Brain Business became the biggest mentorship practice in the fitness industry.The journey started long before 2016. In 2005, Chris opened his first gym, and by 2008, he was broke, running two struggling locations and looking for part-time jobs in the newspaper. He couldn't find a single example of someone making a real living as a gym owner.Then he found a mentor outside the fitness industry and started translating business lessons into gym-specific tactics. He published his first blog post on June 9, 2009, as a “love letter to future Chris”—sharing exactly what worked and what didn't.By 2012, gym owners were flying him to Fort Lauderdale to speak. He self-published his first book, “Two-Brain Business,” which went on to sell 26,000 copies, becoming the bestselling fitness business book of all time.On Feb. 13, 2016, Chris officially launched Two-Brain Business with 52 gym owners who believed in the vision: make a difference, make a profit and make it home for dinner.Today, Two-Brain works with thousands of gyms worldwide, publishes the industry's largest data set every year and runs the biggest gym business summit in the world.Tune in to hear the full origin story—and find out what's ahead.Join Coop at the 10th annual Two-Brain Summit, June 6-7, 2026, in Chicago; get your tickets with the link below.LinksTwo-Brain Summit TicketsGym Owners UnitedBook a Call1:05 - 2005-2015: Prehistory1:12 - Opening a gym6:28 - Hiring a mentor18:09 - Publishing book No. 120:24 - Becoming a mentor28:32 - 2016-2018: Early days29:23 - The first Two-Brain Summit35:57 - Building the “State of the Industry” report39:43 - 2019-2021: Growth & lockdowns43:39 - Certifying professional mentors44:41 - 2022-2025: Additions and refinements49:18 - 2026: 10th anniversary49:33 - Leaving the CEO role53:11 - The 10th annual Two-Brain Summit

Be sure to visit https://dwtbpodcast.com for more information and add your name to start receiving their newsletter. If you'd like to support this show, rate, subscribe and leave a review on your podcast app.Books/Resources Mentioned:Stig Severinsen, deep sea swimmerDefy, by Dr. Sunita SahHigh Agency Human, by Vickie LanthierConnect with AJ & Mike:AJ Harper, website Write A Must-Read  Free resourcesAJ's Socials:FacebookLinkedInMike Michalowicz, websiteAll books Mike's Socials: IGFBLinkedIn 

Bestselling authors William Bernhardt (The Superman Wars) and Lara Bernhardt discuss the latest news from the book world, offer writing tips, and interview Mark McCraw, acclaimed author of twelve children's books.0:00 Opening ThoughtsThere's still time to file a claim in the Anthorpic lawsuit.3:48 News1) Substack is Coming to Television2) "Autofiction" takes off in Scandinavia14:00 Craft CornerJD Caine, co-author of the Manifest Destiny series, explains how to scare your readers.17:58 Interview with Mark McCraw33:57 Parting WordsFINAL CALL for the WriterCon Cruise, March 7-15, Eastern Caribbena itinerary leaving from Ft. Lauderdale. Over twenty hours of writing instruction specifically tailored to the needs of the particpants. You'll have opporunities to interact, make friends, and meet individually with all the writers plus a top literary agent. Seas the Day!Until next time, keep writing, and remember: You cannot fail, if you refuse to quit.William Bernhardt www.williambernhardt.comwww.writercon.com

It's official! Draft2Digital and Bookshop.org have announced our partnership to bring indie ebooks to Bookshop.org! Join us as we talk to Bookshop.org. CEO Andy Hunter and D2D CEO Kris Austin about this exciting new partnership. //Draft2Digital is where you start your Indie Author Career//  Looking for your path to self-publishing success? Draft2Digital is the leading ebook publisher and distributor worldwide. We'll convert your manuscript, distribute it online, and support you the whole way—and we won't charge you a dime.  We take a small percentage of the royalties for each sale you make through us, so we only make money when you make money. That's the best kind of business plan.  • Get started now: https://draft2digital.com/• Learn the ins, the outs, and the all-arounds of indie publishing from the industry experts on the D2D Blog: https://Draft2Digital.com/blog  • Promote your books with our Universal Book Links from Books2Read: https://books2read.com  Make sure you bookmark https://D2DLive.com for links to live events, and to catch back episodes of the Self Publishing Insiders Podcast.

In 1996, Microcosm started a small closet poorly insulated house. It wasn't intended to be a job or an organization, or even a business. Thirty years later, this has turned out to be one Microcosm's strengths. We've always intended to solve a very real problem, no matter how unrealistic the set of circumstances and challenges.This week on the podcast, hang out with Joe and Elly as they take you through Microcosm's origins, how we got here, and what lessons they'll be taking into the next 30 years.************Thank you for catching the People's Guide to Publishing vlogcast!  We post new episodes every Thursday about publishing, authors, and the book industry. You can also listen via your preferred podcast app, or by visiting linktree.com/microcosmGet the book: https://microcosmpublishing.com/catalog/books/3663Get the workbook: https://microcosmpublishing.com/catalog/zines/10031More from Microcosm: http://microcosmpublishing.comMore by Joe Biel: http://joebiel.netMore by Elly Blue: http://takingthelane.comSubscribe to our monthly email newsletter: http://eepurl.com/gIXT6vFind us on social media:Facebook: http://facebook.com/microcosmpublishingBlueSky: https://bsky.app/profile/microcosm.bsky.socialInstagram: http://instagram.com/microcosm_pub************

Dr. Carol Johnston—Arizona State University nutrition professor and registered dietitian known online as “The Vinegar Lady”—joins Rob to break down what decades of research actually say about vinegar, blood glucose, and metabolic health. Johnston explains how her work began with an obscure 1988 rat study and led to a landmark 2004 Diabetes Care paper showing vinegar could blunt post-meal blood glucose spikes in people without diabetes, those with pre-diabetes, and those with type 2 diabetes. They dig into why vinegar still gets treated like “fringe” advice despite strong replication across countries—and why the mechanism overlaps with a major target of metformin. The conversation gets highly practical: why liquid vinegar matters (pills don't), how timing at the start of a meal changes outcomes, and the two core mechanisms—reduced starch digestion plus increased glucose uptake into muscle via GLUT4, similar to the effect of post-meal walking. Johnston also connects vinegar to the gut microbiome and acetate's growing role in brain and energy metabolism, sharing her own routine (on vegetables) and emerging findings on cognitive/depression measures supported by metabolomics. You'll also hear real-world implementations like homemade vinaigrettes (flip the ratio to 2:1 vinegar to oil), mustard as a stealth vinegar vehicle, and even “pickle sickles,” plus safety notes around dilution, enamel, and gastroparesis risk. Chapters: 00:01 Intro: “The Vinegar Lady” + why vinegar is on the table for diabetes 01:35 Johnston's background + why she studies simple, sustainable nutrition strategies 03:03 The 1988 rat study discovery → the first human trials with bagels + vinegar 04:32 Publishing in Diabetes Care (2004) + replication across the world 05:53 Why clinicians resist vinegar (“we have drugs for this”) + metformin overlap 10:28 Acetic acid, fermentation, and the gut microbiome connection (why it matters) 14:04 The two key mechanisms: starch digestion interference + faster muscle glucose uptake 22:46 Practical + safety: pills don't work, dilution, enamel/aspiration risk, timing with meals 25:53 Johnston's personal protocol + brain/cognition/depression angle + metabolomics support 46:47 Athletic applications: pickle juice, “pickle sickles,” mustard hack + where research goes next

Click Here to ask your book writing and publishing questions!It's critical to understand the dynamics of book distribution, the advantages of ebooks, and strategies for increasing sales, especially as an indie author. So in this conversation, I discuss recent updates in the self-publishing world, focusing on distribution platforms for authors, particularly the new option for ebook distribution through Bookshop.org. The conversation also touches on the challenges indie authors face in getting their books into physical bookstores and how I suggest indie authors best utilize various distribution platforms for maximum effectiveness.RESOURCES MENTIONEDVideo: How to Update Your Fonts if KDP Rejects Your ManuscriptEpisode 98: Going Wide Vs. Amazon Exclusivity (KDP Select) Getting Your Self-Published Book Into Bookstores Author Email Toolkit: 30+ Templates for Building Buzz, Selling More Books, and Growing Your Reader ListREADY TO FINALLY BE IN THAT "CAN'T STOP WRITING" FLOW?Grab the free nonfiction or memoir kickstart that's helped hundreds of authors get out of their heads and into the flow: 

The epic and challenging novel Infinite Jest by David Foster Wallace turns 30 this month. It's a novel that has become a kind of statement piece. Finishing it earns the reader bragging rights, and inspires much discussion-- but what does it mean 30 years later? Author Hermione Hoby discusses her piece in The New Yorker, "'Infinite Jest' Has Turned Thirty. Have We Forgotten How to Read It?"

In this week's High Value Publishing session, Eric Shanfelt and Jez Walters break down the biggest digital media issues publishers should pay attention to right now, and what to do about them.They cover a major Google Discover update, why transparency matters more than ever, and how AI is reshaping on-site engagement and search behavior.Topics covered:What the Feb 2026 Google Discover update targetsWhy “show your sources” is becoming a ranking and trust advantageHow spammy content is impacting Discover qualityWhy paid subscribers should get an ad-free experienceWhat Taboola's “Deeper Dive” means for conversational, on-site searchWhy publishers need a real video strategy (not just articles on social)Links and resources:Next Gen News: https://www.next-gen-news.com/Google Discover documentation: https://developers.google.com/search/docs/appearance/google-discoverGoogle Search Console: https://search.google.com/search-consoleCollaboration for publishers (James Breiner): https://jamesbreiner.substack.com/p/youre-not-alone-find-a-partner-andDigiday on AI rewriting publisher sites: https://digiday.com/media/bold-call-ai-will-rewrite-publishers-websites-in-2026/Marfeel community thread on Discover shift: https://community.marfeel.com/t/google-discover-s-shift-to-ai-youtube-and-x-what-publishers-are-losing/131424Simon Owens on subscriber experience: https://simonowens.substack.com/i/187043016/why-does-business-insider-hate-its-subscribers-so-muchTaboola Deeper Dive: https://discover.taboola.com/deeperdive-ai/Direqt: https://www.direqt.ai/A Media Operator on the data + subscription + events model: https://www.amediaoperator.com/analysis/data-subscription-events-the-media-model-driving-ma/Learn more at https://nearviewmedia.com/

Goldylocks Productions presents The Transformational Soul with Ruth SoltmanWith Divine Love and Guidance from her Angels and Guides, Ruth Soltman has written and self-published books to spiritually guide you through yourjourney. Metamorphosis A Journey of the Soul is her journey to connect with her truth. She offers practical tools to help you connect with the Truth of Who YouAre. In The ABCs of Unconditional Love, The ABCs of Forgiveness and The ABCs of Self-Healing, she guides you as you delve deeper into discovering yourTRUTH. Ruth has an empathic understanding and deep compassion for the human condition and it is reflected in her writing. She gives you practical tools towork through your issues so that you can live your BEST LIFE.Ruth has remembered her purpose of service to others in this lifetime...to help them heal their past issues so they can live an Authentic Life. She does thisthrough her writing, speaking, energy work, and readings, helping them to connect with the Truth of Who They Are. In addition to writing, Ruth is a ReikiMaster Teacher, Angelic Reiki Practitioner, Spiritual Intuitive, Oracle Card Reader, Spiritual Advisor/Life Coach and host of The Transformational Soul onGoldylocks Productions. Ruth goes where Spirit guides her and is currently living in the Houston area.http://www.ruthsoltman.comhttps://www.facebook.com/thetransformationalsoulhttp://www.ruthsoltman.com/spirit-within-us-blog Ruth's Oracle Card Decks: https://www.makeplayingcards.com/sell/angelworks-Publishing 365 Days of Gratitude Facebook Group: https://www.facebook.com/groups/571824651377425/?ref=shareRuth's Venmo: https://account.venmo.com/u/ruth-soltman Goldylocks Productions: http://www.goldylocksproductions.com Receive links and updates for our Shows, Special Events and Sales! Subscribe to The Goldylocks Zone Blog: https://www.whitesagewoman.me Join us on Telegram: https://t.me/+YSquH-U8Vib501QU Hosted on Acast. See acast.com/privacy for more information.

If you're looking to break through surface-level conversations and nurture bonds that truly matter in business or in life this episode is for you.In this heartfelt episode of Circle of Hope, I sit down with the extraordinary Tildet Varon entrepreneur, coach, and author to explore how we can turn everyday encounters into meaningful human connections. We talk about our own journey from chance acquaintances at a nonviolent communication course in Nairobi to deeply supportive friends and open up about the simple practices and courageous conversations that help anyone at work, at home, anywhere find real belonging. Watch This If:You want to foster deeper, more authentic connections at work or in your personal lifeYou're a leader, HR professional, or team manager seeking practical tools for empathetic leadershipYou've ever wondered how open conversation and vulnerability build trustYou're part of a family business (or any organization) craving less friction and more collaborationYou want to learn how mindfulness and meditation can help you stay present and transform conflict into growthEpisode Highlights (with Timestamps):02:27 – How our friendship began in Nairobi06:00 – The power of sharing vulnerable experiences (including menopause)10:35 – What makes us feel safe to open up14:54 – Bringing these skills into professional settings18:03 – Why triggers derail communication & what to do about it22:11 – The role of meditation and mindfulness31:45 – Practical tools for connecting in tough environments36:58 – When family (and organizations) avoid going deep and how to break through47:08 – Shifting company culture, one conversation at a time53:31 – Generational divides: how younger and older leaders speak different “connection languages”1:00:58 – Profits, people, and Tildet's new book1:03:40 – Final wisdom: “You Matter” the foundation of all thriving relationships What You'll Learn:How to invite open, trusting, and vulnerable conversations anywhereThe science of triggers: why you shut down (and how to pause with compassion)Real-life tools for bringing empathy and presence to business, teams, or familyWhy mindfulness and meditation are secret weapons for deep listeningSteps to building a “culture of safety” in even the toughest work environments Resources: Book: The Thriving Family Business: Celebrating Peace at the Table and Profits to the Balance Sheet by Tildet Varon (https://www.tildet.com/book)Masterclass: https://www.tildet.com/masterclassContact Information: Guest: Tildet VaronWebsite: https://www.tildet.com/Instagram: https://www.instagram.com/innermasteryspecialist LinkedIn: https://www.linkedin.com/in/tildetvaronFacebook: https://www.facebook.com/InnerMasterySpecialistYouTube: https://www.youtube.com/@growingwithtruthstressmast5873Host: Valerie HopeWebsite: https://www.valeriehope.comInstagram: https://www.instagram.com/valeriehope/LinkedIn: https://www.linkedin.com/in/valeriehope/Facebook: https://www.facebook.com/ValerieVHopeYouTube: https://www.youtube.com/@ConnecttoJoyProduction Support: Lucy Hope - Podcast Editing, Copy, and Publishing. #ConnectToJoyPodcasts #CircleOfHopePodcast #EmpatheticLeadership #WorkplaceCulture #AuthenticConnection #MindfulnessForLeaders #FamilyBusiness

How do you juggle multiple book projects, a university teaching role, Kickstarter campaigns, and rock albums—all without burning out? What does it take to build a writing career that spans decades, through industry upheavals and personal setbacks? Kevin J. Anderson shares hard-won lessons from his 40+ year career writing over 190 books. In the intro, Draft2Digital partners with Bookshop.org for ebooks; Spotify announces PageMatch and print partnership with Bookshop.org; Eleven Audiobooks; Indie author non-fiction books Kickstarter; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Kevin J. Anderson is the multi-award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the director of publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor and rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Managing multiple projects at different stages to maximise productivity without burning out Building financial buffers and multiple income streams for a sustainable long-term career Adapting when life disrupts your creative process, from illness to injury Lessons learned from transitioning between traditional publishing, indie, and Kickstarter Why realistic expectations and continuously reinventing yourself are essential for longevity The hands-on publishing master's program at Western Colorado University You can find Kevin at WordFire.com and buy his books direct at WordFireShop.com. Transcript of Interview with Kevin J. Anderson Jo: Kevin J. Anderson is the multi award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the Director of Publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor, a rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. Welcome back to the show, Kevin. Kevin: Well, thanks, Joanna. I always love being on the show. Jo: And we're probably on like 200 books and like 50 million copies in print. I mean, how hard is it to keep up with all that? Kevin: Well, it was one of those where we actually did have to do a list because my wife was like, we really should know the exact number. And I said, well, who can keep track because that one went out of print and that's an omnibus. So does it count as something else? Well, she counted them. But that was a while ago and I didn't keep track, so… Jo: Right. Kevin: I'm busy and I like to write. That's how I've had a long-term career. It's because I don't hate what I'm doing. I've got the best job in the world. I love it. Jo: So that is where I wanted to start. You've been on the show multiple times. People can go back and have a listen to some of the other things we've talked about. I did want to talk to you today about managing multiple priorities. You are a director of publishing at Western Colorado University. I am currently doing a full-time master's degree as well as writing a novel, doing this podcast, my Patreon, all the admin of running a business, and I feel like I'm busy. Then I look at what you do and I'm like, this is crazy. People listening are also busy. We're all busy, right. But I feel like it can't just be writing and one job—you do so much. So how do you manage your time, juggle priorities, your calendar, and all that? Kevin: I do it brilliantly. Is that the answer you want? I do it brilliantly. It is all different things. If I were just working on one project at a time, like, okay, I'm going to start a new novel today and I've got nothing else on my plate. Well, that would take me however long to do the research and the plot. I'm a full-on plotter outliner, so it would take me all the while to do—say it's a medieval fantasy set during the Crusades. Well, then I'd have to spend months reading about the Crusades and researching them and maybe doing some travel. Then get to the point where I know the characters enough that I can outline the book and then I start writing the book, and then I start editing the book, which is a part that I hate. I love doing the writing, I hate doing the editing. Then you edit a whole bunch. To me, there are parts of that that are like going to the dentist—I don't like it—and other parts of it are fun. So by having numerous different projects at different stages, all of which require different skill sets or different levels of intensity— I can be constantly switching from one thing to another and basically be working at a hundred percent capacity on everything all the time. And I love doing this. So I'll be maybe writing a presentation, which is what I was doing before we got on this call this morning, because I'm giving a new keynote presentation at Superstars, which is in a couple of weeks. That's another thing that was on our list—I helped run Superstars. I founded that 15 years ago and it's been going on. So I'll be giving that talk. Then we just started classes for my publishing grad students last week. So I'm running those classes, which meant I had to write all of the classes before they started, and I did that. I've got a Kickstarter that will launch in about a month. I'm getting the cover art for that new book and I've got to write up the Kickstarter campaign. And I have to write the book. I like to have the book at least drafted before I run a Kickstarter for it. So I'm working on that. A Kickstarter pre-launch page should be up a month before the Kickstarter launches, and the Kickstarter has to launch in early March, so that means early February I have to get the pre-launch page up. So there's all these dominoes. One thing has to go before the next thing can go. During the semester break between fall semester—we had about a month off—I had a book for Blackstone Publishing and Weird Tales Presents that I had to write, and I had plotted it and I thought if I don't get this written during the break, I'm going to get distracted and I won't finish it. So I just buckled down and I wrote the 80,000-word book during the month of break. This is like Little House on the Prairie with dinosaurs. It's an Amish community that wants to go to simpler times. So they go back to the Pleistocene era where they're setting up farms and the brontosaurus gets into the cornfield all the time. Jo: That sounds like a lot of fun. Kevin: That's fun. So with the grad students that I have every week, we do all kinds of lectures. Just to reassure people, I am not at all an academic. I could not stand my English classes where you had to write papers analysing this and that. My grad program is all hands-on, pragmatic. You actually learn how to be a publisher when you go through it. You learn how to design covers, you learn how to lay things out, you learn how to edit, you learn how to do fonts. One of the things that I do among the lectures every week or every other week, I just give them something that I call the real world updates. Like, okay, this is the stuff that I, Kevin, am working on in my real world career because the academic career isn't like the real world. So I just go listing about, oh, I designed these covers this week, and I wrote the draft of this dinosaur homestead book, and then I did two comic scripts, and then I had to edit two comic scripts. We just released my third rock album that's based on my fantasy trilogy. And I have to write a keynote speech for Superstars. And I was on Joanna Penn's podcast. And here's what I'm doing. Sometimes it's a little scary because I read it and I go, holy crap, I did a lot of stuff this week. Jo: So I manage everything on Google Calendar. Do you have systems for managing all this? Because you also have external publishers, you have actual dates when things actually have to happen. Do you manage that yourself or does Rebecca, your wife and business partner, do that? How do you manage your calendar? Kevin: Well, Rebecca does most of the business stuff, like right now we have to do a bunch of taxes stuff because it's the new year and things. She does that and I do the social interaction and the creating and the writing and stuff. My assistant Marie Whittaker, she's a big project management person and she's got all these apps on how to do project managing and all these sorts of things. She tried to teach me how to use these apps, but it takes so much time and organisation to fill the damn things out. So it's all in my head. I just sort of know what I have to do. I just put it together and work on it and just sort of know this thing happens next and this thing happens next. I guess one of the ways is when I was in college, I put myself through the university by being a waiter and a bartender. As a waiter and a bartender, you have to juggle a million different things at once. This guy wants a beer and that lady wants a martini, and that person needs to pay, and this person's dinner is up on the hot shelf so you've got to deliver it before it gets cold. It's like I learned how to do millions of things and keep them all organised, and that's the way it worked. And I've kept that as a skill all the way through and it has done me good, I think. Jo: I think that there is a difference between people's brains, right? So I'm pretty chaotic in terms of my creative process. I'm not a plotter like you. I'm pretty chaotic, basically. But I come across— Kevin: I've met you. Yes. Jo: I know. But I'm also extremely organised and I plan everything. That's part of, I think, being an introvert and part of dealing with the anxiety of the world is having a plan or a schedule. So I think the first thing to say to people listening is they don't have to be like you, and they don't have to be like me. It's kind of a personal thing. I guess one thing that goes beyond both of us is, earlier you said you basically work at a hundred percent capacity. So let's say there's somebody listening and they're like, well, I'm at a hundred percent capacity too, and it might be kids, it might be a day job, as well as writing and all that. And then something happens, right? You mentioned the real world. I seem to remember that you broke your leg or something. Kevin: Yes. Jo: And the world comes crashing down through all your plans, whether they're written or in your head. So how do you deal with a buffer of something happening, or you're sick, or Rebecca's sick, or the cat needs to go to the vet? Real life—how do you deal with that? Kevin: Well, that really does cause problems. We had, in fact, just recently—so I'm always working at, well, let's be realistic, like 95% of Kevin capacity. Well, my wife, who does some of the stuff here around the house and she does the business things, she just went through 15 days of the worst crippling migraine string that she's had in 30 years. So she was curled up in a foetal position on the bed for 15 days and she couldn't do any of her normal things. I mean, even unloading the dishwasher and stuff like that. So if I'm at 95% capacity and suddenly I have to pick up an extra 50%, that causes real problems. So I drink lots of coffee, and I get less sleep, and you try to bring in some help. I mean, we have Rebecca's assistant and the assistant has a 20-year-old daughter who came in to help us do some of the dishes and laundry and housework stuff. You mentioned before, it was a year ago. I always go out hiking and mountain climbing and that's where I write. I dictate. I have a digital recorder that I go off of, and that's how I'm so productive. I go out, I walk in the forest and I come home with 5,000 words done in a couple of hours, and I always do that. That's how I write. Well, I was out on a mountain and I fell off the mountain and I broke my ankle and had to limp a mile back to my car. So that sort of put a damper on me hiking. I had a book that I had to write and I couldn't go walking while I was dictating it. It has been a very long time since I had to sit at a keyboard and create chapters that way. Jo: Mm-hmm. Kevin: And my brain doesn't really work like that. It works in an audio—I speak this stuff instead. So I ended up training myself because I had a big boot on my foot. I would sit on the back porch and I would look out at the mountains here in Colorado and I would put my foot up on another chair and I'd sit in the lawn chair and I'd kind of close my eyes and I would dictate my chapters that way. It was not as effective, but it was plan B. So that's how I got it done. I did want to mention something. When I'm telling the students this every week—this is what I did and here's the million different things—one of the students just yesterday made a comment that she summarised what I'm doing and it kind of crystallised things for me. She said that to get so much done requires, and I'm quoting now, “a balance of planning, sprinting, and being flexible, while also making incremental forward progress to keep everything moving together.” So there's short-term projects like fires and emergencies that have to be done. You've got to keep moving forward on the novel, which is a long-term project, but that short story is due in a week. So I've got to spend some time doing that one. Like I said, this Kickstarter's coming up, so I have to put in the order for the cover art, because the cover art needs to be done so I can put it on the pre-launch page for the Kickstarter. It is a balance of the long-term projects and the short-term projects. And I'm a workaholic, I guess, and you are too. Jo: Yes. Kevin: You totally are. Yes. Jo: I get that you're a workaholic, but as you said before, you enjoy it too. So you enjoy doing all these things. It's just sometimes life just gets in the way, as you said. One of the other things that I think is interesting—so sometimes physical stuff gets in the way, but in your many decades now of the successful author business, there's also the business side. You've had massive success with some of your books, and I'm sure that some of them have just kind of shrivelled into nothing. There have been good years and bad years. So how do we, as people who want a long-term career, think about making sure we have a buffer in the business for bad years and then making the most of good years? Kevin: Well, that's one thing—to realise that if you're having a great year, you might not always have a great year. That's kind of like the rockstar mentality—I've got a big hit now, so I'm always going to have a big hit. So I buy mansions and jets, and then of course the next album flops. So when you do have a good year, you plan for the long term. You set money aside. You build up plan B and you do other things. I have long been a big advocate for making sure that you have multiple income streams. You don't just write romantic epic fantasies and that's all you do. That might be what makes your money now, but the reading taste could change next year. They might want something entirely different. So while one thing is really riding high, make sure that you're planting a bunch of other stuff, because that might be the thing that goes really, really well the next year. I made my big stuff back in the early nineties—that was when I started writing for Star Wars and X-Files, and that's when I had my New York Times bestselling run. I had 11 New York Times bestsellers in one year, and I was selling like millions of copies. Now, to be honest, when you have a Star Wars bestseller, George Lucas keeps almost all of that. You don't keep that much of it. But little bits add up when you're selling millions of copies. So it opened a lot of doors for me. So I kept writing my own books and I built up my own fans who liked the Star Wars books and they read some of my other things. If you were a bestselling trad author, you could keep writing the same kind of book and they would keep throwing big advances at you. It was great. And then that whole world changed and they stopped paying those big advances, and paperback, mass market paperback books just kind of went away. A lot of people probably remember that there was a time for almost every movie that came out, every big movie that came out, you could go into the store and buy a paperback book of it—whether it was an Avengers movie or a Star Trek movie or whatever, there was a paperback book. I did a bunch of those and that was really good work. They would pay me like $15,000 to take the script and turn it into a book, and it was done in three weeks. They don't do that anymore. I remember I was on a panel at some point, like, what would you tell your younger self? What advice would you give your younger self? I remember when I was in the nineties, I was turning down all kinds of stuff because I had too many book projects and I was never going to quit writing. I was a bestselling author, so I had it made. Well, never, ever assume you have it made because the world changes under you. They might not like what you're doing or publishing goes in a completely different direction. So I always try to keep my radar up and look at new things coming up. I still write some novels for trad publishers. This dinosaur homestead one is for Blackstone and Weird Tales. They're a trad publisher. I still publish all kinds of stuff as an indie for WordFire Press. I'm reissuing a bunch of my trad books that I got the rights back and now they're getting brand new life as I run Kickstarters. One of my favourite series is “Dan Shamble, Zombie P.I.” It's like the Addams Family meets The Naked Gun. It's very funny. It's a private detective who solves crimes with monsters and mummies and werewolves and things. I sold the first one to a trad publisher, and actually, they bought three. I said, okay, these are fast, they're fun, they're like 65,000 words. You laugh all the way through it, and you want the next one right away. So let's get these out like every six months, which is like lightning speed for trad publishing. They just didn't think that was a good idea. They brought them out a year and a half apart. It was impossible to build up momentum that way. They wanted to drop the series after the third book, and I just begged them—please give it one more chance. So they bought one more book for half as much money and they brought it out again a year and a half later. And also, it was a trad paperback at $15. And the ebook was—Joanna, can you guess what their ebook was priced at? Jo: $15. Kevin: $15. And they said, gee, your ebook sales are disappointing. I said, well, no, duh. I mean, I am jumping around—I'm going like, but you should have brought these out six months apart. You should have had the ebook, like the first one at $4. Jo: But you're still working with traditional publishers, Kevin? Kevin: I'm still working with them on some, and I'm a hybrid. There are some projects that I feel are better served as trad books, like the big Dune books and stuff. I want those all over the place and they can cash in on the movie momentum and stuff. But I got the rights back to the Dan Shamble stuff. The fans kept wanting me to do more, and so I published a couple of story collections and they did fine. But I was making way more money writing Dune books and things. Then they wanted a new novel. So I went, oh, okay. I did a new novel, which I just published at WordFire. But again, it did okay, but it wasn't great. I thought, well, I better just focus on writing these big ticket things. But I really liked writing Dan Shamble. Somebody suggested, well, if the fans want it so much, why don't you run a Kickstarter? I had never run a Kickstarter before, and I kind of had this wrong attitude. I thought Kickstarters were for, “I'm a starving author, please give me money.” And that's not it at all. It's like, hey, if you're a fan, why don't you join the VIP club and you get the books faster than anybody else? So I ran a Kickstarter for my first Dan Shamble book, and it made three times what the trad publisher was paying me. And I went, oh, I kind of like this model. So I have since done like four other Dan Shamble novels through Kickstarters, made way more money that way. And we just sold—we can't give any details yet—but we have just sold it. It will be a TV show. There's a European studio that is developing it as a TV show, and I'm writing the pilot and I will be the executive producer. Jo: Fantastic. Kevin: So I kept that zombie detective alive because I loved it so much. Jo: And it's going to be all over the place years later, I guess. Just in terms of—given I've been in this now, I guess 2008 really was when I got into indie—and over the time I've been doing this, I've seen people rise and then disappear. A lot of people have disappeared. There are reasons, burnout or maybe they were just done. Kevin: Yes. Jo: But in terms of the people that you've seen, the characteristics, I guess, of people who don't make it versus people who do make it for years. And we are not saying that everyone should be a writer for decades at all. Some people do just have maybe one or two books. What do you think are the characteristics of those people who do make it long-term? Kevin: Well, I think it's realistic expectations. Like, again, this was trad, but my first book I sold for $4,000, and I thought, well, that's just $4,000, but we're going to sell book club rights, and we're goingn to sell foreign rights, and it's going to be optioned for movies. And the $4,000 will be like, that's just the start. I was planning out all this extra money coming from it, and it didn't even earn its $4,000 advance back and nothing else happened with it. Well, it has since, because I've since reissued it myself, pushed it and I made more money that way. But it's a slow burn. You build your career. You start building your fan base and then your next one will sell maybe better than the first one did. Then you keep writing it, and then you make connections, and then you get more readers and you learn how to expand your stuff better. You've got to prepare for the long haul. I would suggest that if you publish your very first book on KU, don't quit your day job the next day. Not everybody can or should be a full-time writer. We here in America need to have something that pays our health insurance. That is one of the big reasons why I am running this graduate program at Western Colorado University—because as a university professor, I get wonderful healthcare. I'm teaching something that I love, and I'm frankly doing a very good job at it because our graduates—something like 60% of them are now working as writers or publishers or working in the publishing world. So that's another thing. I guess what I do when I'm working on it is I kind of always say yes to the stuff that's coming in. If an opportunity comes—hey, would you like a graphic novel on this?—and I go, yes, I'd love to do that. Could you write a short story for this anthology? Sure, I'd love to do that. I always say yes, and I get overloaded sometimes. But I learned my lesson. It was quite a few years ago where I was really busy. I had all kinds of book deadlines and I was turning down books that they were offering me. Again, this was trad—book contracts that had big advances on them. And anthology editors were asking me. I was really busy and everybody was nagging me—Kevin, you work too hard. And my wife Rebecca was saying, Kevin, you work too hard. So I thought, I had it made. I had all these bestsellers, everything was going on. So I thought, alright, I've got a lot of books under contract. I'll just take a sabbatical. I'll say no for a year. I'll just catch up. I'll finish all these things that I've got. I'll just take a breather and finish things. So for that year, anybody who asked me—hey, do you want to do this book project?—well, I'd love to, but I'm just saying no. And would you do this short story for an anthology? Well, I'd love to, but not right now. Thanks. And I just kind of put them off. So I had a year where I could catch up and catch my breath and finish the stuff. And after that, I went, okay, I am back in the game again. Let's start taking these book offers. And nothing. Just crickets. And I went, well, okay. Well, you were always asking before—where are all these book deals that you kept offering me? Oh, we gave them to somebody else. Jo: This is really difficult though, because on the one hand—well, first of all, it's difficult because I wanted to take a bit of a break. So I'm doing this full-time master's and you are also teaching people in a master's program, right. So I have had to say no to a lot of things in order to do this course. And I imagine the people on your course would have to do the same thing. There's a lot of rewards, but they're different rewards and it kind of represents almost a midlife pivot for many of us. So how do we balance that then—the stepping away with what might lead us into something new? I mean, obviously this is a big deal. I presume most of the people on your course, they're older like me. People have to give stuff up to do this kind of thing. So how do we manage saying yes and saying no? Kevin: Well, I hate to say this, but you just have to drink more coffee and work harder for that time. Yes, you can say no to some things. My thing was I kind of shut the door and I just said, I'm just going to take a break and I'm going to relax. I could have pushed my capacity and taken some things so that I wasn't completely off the game board. One of the things I talk about is to avoid burnout. If you want a long-term career, and if you're working at 120% of your capacity, then you're going to burn out. I actually want to mention something. Johnny B. Truant just has a new book out called The Artisan Author. I think you've had him on the show, have you? Jo: Yes, absolutely. Kevin: He says a whole bunch of the stuff in there that I've been saying for a long time. He's analysing these rapid release authors that are a book every three weeks. And they're writing every three weeks, every four weeks, and that's their business model. I'm just like, you can't do that for any length of time. I mean, I'm a prolific writer. I can't write that fast. That's a recipe for burnout, I think. I love everything that I'm doing, and even with this graduate program that I'm teaching, I love teaching it. I mean, I'm talking about subjects that I love, because I love publishing. I love writing. I love cover design. I love marketing. I love setting up your newsletters. I mean, this isn't like taking an engineering course for me. This is something that I really, really love doing. And quite honestly, it comes across with the students. They're all fired up too because they see how much I love doing it and they love doing it. One of the projects that they do—we get a grant from Draft2Digital every year for $5,000 so that we do an anthology, an original anthology that we pay professional rates for. So they put out their call for submissions. This year it was Into the Deep Dark Woods. And we commissioned a couple stories for it, but otherwise it was open to submissions. And because we're paying professional rates, they get a lot of submissions. I have 12 students in the program right now. They got 998 stories in that they had to read. Jo: Wow. Kevin: They were broken up into teams so they could go through it, but that's just overwhelming. They had to read, whatever that turns out to be, 50 stories a week that come in. Then they write the rejections, and then they argue over which ones they're going to accept, and then they send the contracts, and then they edit them. And they really love it. I guess that's the most important thing about a career—you've got to have an attitude that you love what you're doing. If you don't love this, please find a more stable career, because this is not something you would recommend for the faint of heart. Jo: Yes, indeed. I guess one of the other considerations, even if we love it, the industry can shift. Obviously you mentioned the nineties there—things were very different in the nineties in many, many ways. Especially, let's say, pre-internet times, and when trad pub was really the only way forward. But you mentioned the rapid release, the sort of book every month. Let's say we are now entering a time where AI is bringing positives and negatives in the same way that the internet brought positives and negatives. We're not going to talk about using it, but what is definitely happening is a change. Industry-wise—for example, people can do a book a day if they want to generate books. That is now possible. There are translations, you know. Our KDP dashboard in America, you have a button now to translate everything into Spanish if you want. You can do another button that makes it an audiobook. So we are definitely entering a time of challenge, but if you look back over your career, there have been many times of challenge. So is this time different? Or do you face the same challenges every time things shift? Kevin: It's always different. I've always had to take a breath and step back and then reinvent myself and come back as something else. One of the things with a long-term career is you can't have a long-term career being the hot new thing. You can start out that way—like, this is the brand new author and he gets a big boost as the best first novel or something like that—but that doesn't work for 20 years. I mean, you've got to do something else. If you're the sexy young actress, well, you don't have a 50-year career as the sexy young actress. One of the ones I'm loving right now is Linda Hamilton, who was the sexy young actress in Terminator, and then a little more mature in the TV show Beauty and the Beast, where she was this huge star. Then she's just come back now. I think she's in her mid-fifties. She's in Stranger Things and she was in Resident Alien and she's now this tough military lady who's getting parts all over the place. She's reinvented herself. So I like to say that for my career, I've crashed and burned and resurrected myself. You might as well call me the Doctor because I've just come back in so many different ways. You can't teach an old dog new tricks, but— If you want to stay around, no matter how old of a dog you are, you've got to learn new tricks. And you've got to keep learning, and you've got to keep trying new things. I started doing indie publishing probably around the time you did—2009, something like that. I was in one of these great positions where I was a trad author and I had a dozen books that I wrote that were all out of print. I got the rights back to them because back then they let books go out of print and they gave the rights back without a fight. So I suddenly found myself with like 12 titles that I could just put up. I went, oh, okay, let's try this. I was kind of blown away that that first novel that they paid me $4,000 for that never even earned it back—well, I just put it up on Kindle and within one year I made more than $4,000. I went, I like this, I've got to figure this out. That's how I launched WordFire Press. Then I learned how to do everything. I mean, back in those days, you could do a pretty clunky job and people would still buy it. Then I learned how to do it better. Jo: That time is gone. Kevin: Yes. I learned how to do it better, and then I learned how to market it. Then I learned how to do print on demand books. Then I learned how to do box sets and different kinds of marketing. I dove headfirst into my newsletter to build my fan base because I had all the Star Wars stuff and X-Files stuff and later it was the Dune stuff. I had this huge fan base, but I wanted that fan base to read the Kevin Anderson books, the Dan Shamble books and everything. The only way to get that is if you give them a personal touch to say, hey buddy, if you liked that one, try this one. And the way to do that is you have to have access to them. So I started doing social media stuff before most people were doing social media stuff. I killed it on MySpace. I can tell you that. I had a newsletter that we literally printed on paper and we stuck mailing labels on. It went out to 1,200 people that we put in the mailbox. Jo: Now you're doing that again with Kickstarter, I guess. But I guess for people listening, what are you learning now? How are you reinventing yourself now in this new phase we are entering? Kevin: Well, I guess the new thing that I'm doing now is expanding my Kickstarters into more. So last year, the biggest Kickstarter that I've ever had, I ran last year. It was this epic fantasy trilogy that I had trad published and I got the rights back. They had only published it in trade paperback. So, yes, I reissued the books in nice new hardcovers, but I also upped the game to do these fancy bespoke editions with leather embossed covers and end papers and tipped in ribbons and slip cases and all kinds of stuff and building that. I did three rock albums as companions to it, and just building that kind of fan base that will support that. Then I started a Patreon last year, which isn't as big as yours. I wish my Patreon would get bigger, but I'm pushing it and I'm still working on that. So it's trying new things. Because if I had really devoted myself and continued to keep my MySpace page up to date, I would be wasting my time. You have to figure out new things. Part of me is disappointed because I really liked in the nineties where they just kept throwing book contracts at me with big advances. And I wrote the book and sent it in and they did all the work. But that went away and I didn't want to go away. So I had to learn how to do it different. After a good extended career, one of the things you do is you pay it forward. I mentor a lot of writers and that evolved into me creating this master's program in publishing. I can gush about it because to my knowledge, it is the only master's degree that really focuses on indie publishing and new model publishing instead of just teaching you how to get a job as an assistant editor in Manhattan for one of the Big Five publishers. Jo: It's certainly a lot more practical than my master's in death. Kevin: Well, that's an acquired taste, I think. When they hired me to do this—and as I said earlier, I'm not an academic—and I said if I'm going to teach this, it's a one year program. They get done with it in one year. It's all online except for one week in person in the summer. They're going to learn how to do things. They're not going to get esoteric, analysing this poem for something. When they graduate from this program, they walk out with this anthology that they edited, that their name is on. The other project that they do is they reissue a really fancy, fine edition of some classic work, whether it's H.G. Wells or Jules Verne or something. They choose a book that they want to bring back and they do it all from start to finish. They come out of it—rather than just theoretical learning—they know how to do things. Surprise, I've been around in the business a long time, so I know everybody who works in the business. So the heads of publishing houses and the head of Draft2Digital or Audible—and we've got Blackstone Audio coming on in a couple weeks. We've got the head of Kickstarter coming on as guest speakers. I have all kinds of guest speakers. Joanna, I think you're coming on— Jo: I'm coming on as well, I think. Kevin: You're coming on as a guest speaker. It's just like they really get plugged in. I'm in my seventh cohort now and I just love doing it. The students love it and we've got a pretty high success rate. So there's your plug. We are open for applications now. It starts in July. And my own website is WordFire.com, and there's a section on there on the graduate program if anybody wants to take a look at it. Again, not everybody needs to have a master's degree to be an indie publisher, but there is something to be said for having all of this stuff put into an organised fashion so that you learn how to do all the things. It also gives you a resource and a support system so that they come out of it knowing a whole lot of people. Jo: Brilliant. Well, thanks so much for your time, Kevin. That was great. Kevin: Thanks. It's a great show. The post Managing Multiple Projects And The Art of the Long-Term Author Career with Kevin J. Anderson first appeared on The Creative Penn.

The Wests Tigers are warmed up and ready to go for season 2026, and the Wests Tigers Podcast will be along for the ride. Ahead of the first Wests Tigers trial of the new season, this Saturday against the Roosters in Newcastle, we thought we'd see what our fellow fans are thinking about a range of Wests Tigers topics.Publishing a fan survey around ten days ago, we received over 200 responses, and we thank everyone who took the time to answer the questions posed. On this edition of the Wests Tigers Podcast, the fan survey takes centre stage, with the results put under the microscope, including issues such as Wests Tigers ownership, the new 2026 Wests Tigers jersey, positional weaknesses in the 2026 team, and more.Joining Joel, Nick, and Declan for this deep dive into the data is a new member of the team, Josh Burnell. Also on the agenda of episode 442 of the Wests Tigers Podcast is an opinion put forward by a member of the Wests Tigers Podcast Forum, Enumerator. They believe that, with the Wests Tigers having the bye in round one of the 2026 NRL season, Wests Tigers should use this weekend's first trial to get some game time into the legs of our higher-calibre players. Is this a good idea? We chat about that on the pod, but you can also join the discussion today on our forum.A quick-fire round of Buy, Sell or Hold also features. Some of the topics include the chances of the "Train and Trial"-contracted Patrick Herbert getting NRL game time with Wests Tigers this season. Where the Alex's play (Twal and Seyfarth) in round two also comes up for discussion, along with the prospects of a young Wests Tigers player who might have to hit first grade sooner than we might have thought.With the off-season pretty much officially over, and a whole season stretching ahead, we can't wait to share the 2026 season with you on the Wests Tigers Podcast. Become a supporter of this podcast: https://www.spreaker.com/podcast/wests-tigers-podcast--6660380/support.

Travis is joined by fractional CFO Pam Jordan, who helps entrepreneurs understand their numbers and build profitable, sustainable businesses. Pam brings a data-driven lens to the Travis Makes Money podcast P&L, breaking down exactly how the show generated $450,000 in 2025 and what that really means after costs and profit margins.​ On this episode we talk about: How the Travis Makes Money podcast generated $450,000 in 2025 and the three revenue streams behind it (ads, coaching, concierge growth services).​ Why ad and sponsorship income made up 70% of revenue and how aggressive publishing (up to 2–3 episodes per day) drove those results.​ The role of podcast coaching as a 14% revenue stream and how Travis helps entrepreneurs launch and grow shows that drive business.​ Concierge growth services (16% of revenue) and how getting booked on other podcasts can lead to clients, book deals, and big opportunities.​ The true cost structure of the podcast (30% direct production costs, 20% advertising) and why a 35% net operating income makes this a healthy media business.​ Top 3 Takeaways You can build a real, profitable income directly from a podcast, but it typically takes years, consistent content, and a strategic approach to revenue (not just downloads).​ Publishing more frequently—paired with dynamic ad insertion—can dramatically increase total monthly impressions and sponsorship revenue, often faster than trying to grow downloads per episode.​ Podcasting is more than ad dollars; it's a business development engine that creates content, sharpens communication skills, builds relationships, and can lead to coaching, services, and other high-margin offers.​ Notable Quotes "For 2025, Travis Makes Money podcast brought in $450,000, and 70% of that was ads and sponsorship income."​ "It proved a really big thing to me, which is that it is possible to turn the podcast itself into a full-time income."​ "It's not what you make that matters, it's what you keep."​ Connect with Pam Jordan: LinkedIn: https://www.linkedin.com/in/pamjordan/​ Facebook: https://www.facebook.com/PamjordanCFO/​ Instagram: https://www.instagram.com/pamjordancfo​ Other: Website – https://pamjordan.com​ Travis Makes Money is made possible by High Level – the All-In-One Sales & Marketing Platform built for agencies, by an agency. Capture leads, nurture them, and close more deals—all from one powerful platform. Get an extended free trial at gohighlevel.com/travis. Learn more about your ad choices. Visit megaphone.fm/adchoices

email chris@drchrisloomdphd.com with "Podcast freebie" to book a coveted FREE guest spot on the show. To book a PREMIUM spot on the Podcast: ⁠⁠⁠⁠https://www.drchrisloomdphd.com/_paylink/AZpgR_7f⁠⁠⁠⁠Book a 1-on-1 coaching call: ⁠⁠⁠⁠https://www.drchrisloomdphd.com/booking-calendar/introductory-session⁠⁠⁠⁠ Become a member of our Podcast community: ⁠⁠⁠⁠https://www.drchrisloomdphd.com/membership⁠⁠⁠⁠Subscribe to our email list: ⁠⁠⁠⁠⁠https://financial-freedom-podcast-with-dr-loo.kit.com/⁠⁠⁠⁠⁠Click here to join PodMatch (the "AirBNB" of Podcasting): ⁠⁠⁠⁠https://www.joinpodmatch.com/drchrisloomdphd⁠⁠⁠⁠Click here to purchase my books on Amazon: ⁠⁠⁠⁠https://amzn.to/2PaQn4p⁠⁠⁠⁠Click here to purchase my audiobooks, visit: ⁠⁠⁠⁠https://www.audible.com/author/Christopher-H-Loo-MD-PhD/B07WFKBG1F⁠⁠⁠⁠To help support the show:CashApp- ⁠⁠⁠⁠https://cash.app/$drchrisloomdphd⁠⁠⁠⁠Venmo- ⁠⁠⁠⁠https://account.venmo.com/u/Chris-Loo-4⁠⁠⁠⁠Buy Me a Coffee- ⁠⁠⁠⁠https://www.buymeacoffee.com/chrisJx⁠⁠⁠⁠Disclaimer: Not advice. Educational purposes only. Not an endorsement for or against. Results not vetted. Views of the guests do not represent those of the host or show.  

-The company started a pilot program last year to allow developers to create dedicated AI note writers.  X's Keith Coleman told Engadget that AI writers are “prolific” and that one has contributed more than 1,000 notes that were rated as helpful by other contributors. -Vibes was introduced as a feature in the Meta AI app in September 2025. Similar to OpenAI's Sora app, Vibes lets users prompt Meta AI to create TikTok-style vertical videos. -The US Central Intelligence Agency is ending one of its popular services, The World Factbook. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Be sure to visit https://dwtbpodcast.com for more information and add your name to start receiving their newsletter. If you'd like to support this show, rate, subscribe and leave a review on your podcast app.Books/Resources Mentioned:Stig Severinsen, deep sea swimmerDefy, by Dr. Sunita SahHigh Agency Human, by Vickie LanthierConnect with AJ & Mike:AJ Harper, website Write A Must-Read  Free resourcesAJ's Socials:FacebookLinkedInMike Michalowicz, websiteAll books Mike's Socials: IGFBLinkedIn 

Work with me (done-for-you growth): ⁠⁠⁠⁠⁠⁠⁠⁠⁠Apply to the Grow The Show Accelerator⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch the FREE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Grow The Show Masterclass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to learn Kevin's four steps to growing a thriving podcast business! Publishing every week used to be enough to grow a podcast. It isn't anymore. Listen to Kev Michael break down why the consistency rule no longer works and why publishing less could actually help your show grow. If you've been sticking to a publishing schedule with no growth, this episode will help you understand the kind of consistency that earns reach and trains the algorithm to find your people. MORE FROM KEVIN: Got feedback on this episode? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Submit it here.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Take the FREE ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠12 Days of Podcast Growth Email Course⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get 12 days of podcast growth lessons in your inbox! Connect with Kevin on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to Grow The Show on Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ This episode was produced by Podcast Boutique ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.podcastboutique.com⁠⁠⁠⁠

Brenda Williams was a Chief Diversity Officer at New York Public Radio for 29 years before retiring last February. In her next chapter, Brenda has written a children's book, Worthy and Wonderful: A Celebration of Girls Who Matter, inspired by her granddaughters, Kaehla, Demi, Dala, and Dior. Brenda Williams returns to WNYC to talk about her book. 

Geoffrey Roberts describes Stalin organizing his library, prioritizing Lenin and Trotsky, while Bolsheviks seize control of publishing to reshape human consciousness through controlled reading and ideological indoctrination.1917 MOSCIW

Delanie Fischer chats with Yousuf Ahmed, founder and CEO of B-SIDES, about upcycling, sustainability, and building an ethical CPG brand—from origin story to sourcing, manufacturing, and growth. Yousuf also shares the routines and mindset practices that keep him grounded through the highs and lows of entrepreneurship, offering practical takeaways for anyone building a conscious business or looking for inspiration to upcycle in daily life. Episode Highlights:  Inside the Evening Ritual That Keeps Yousuf Grounded Where You Start Isn't Likely Where You'll End Up 2 Mindsets Every Entrepreneur Can Use as Needed Releasing Perfectionism for the Sake of the Mission Inside Scoop: Production in the U.S. vs. Canada ____ A quick 5-star rating means a ton! ⁠https://podcasts.apple.com/us/podcast/self-helpless/id1251196416⁠ Get a bunch of free Self-Helpless goodies: ⁠https://www.selfhelplesspodcast.com/⁠ Ad-free episodes (audio & video) now on Patreon: https://www.patreon.com/selfhelpless⁠ Your Host, Delanie Fischer:⁠ https://www.delaniefischer.com⁠ ____ Related Episodes: We Need Your Art! For Health, Community, and More with Amie McNee: https://www.delaniefischer.com/selfhelplesspodcast/episode/25b6ee3e/we-need-your-art-for-health-community-and-more-with-amie-mcnee Q&A: Publishing, Podcasting, and Creative Entrepreneurship with Literary Agent Lindsey Smith and Podcaster Delanie Fischer: https://www.delaniefischer.com/selfhelplesspodcast/episode/23bfb9d7/qanda-publishing-podcasting-and-creative-entrepreneurship-with-literary-agent-lindsey-smith-and-podcaster-delanie-fischer The Shocking Ingredients in Menstrual Products: Toxic Truths, Safe Alternatives, and the Future of Period Care with Arielle Loupos: https://www.delaniefischer.com/selfhelplesspodcast/episode/2bd21fe3/the-shocking-ingredients-in-menstrual-products-toxic-truths-safe-alternatives-and-the-future-of-period-care-with-arielle-loupos Learn more about your ad choices. Visit megaphone.fm/adchoices