Podcasts about Publishing

Today we've got writer and publisher Dennis Mallonee, who moved from CalTech economics to #comics by pitching story ideas to Bill Mantlo and helping develop the Official Handbook of the Marvel Universe with Rick Hoberg. Dennis recounts launching The Champions at a 1985 SDCC panel, first publishing through Eclipse, and then forming his own imprint that evolved into Heroic Publishing. We dig into the complicated licensing history with Hero Games, the disputes over tone and pinup art that led to revoked rights and renamed characters (Marksman → Huntsman, Foxbat → Flying Fox), and the 1988 ruling confirming Marvel had abandoned the Champions trademark. Dennis also touches on publishing 100+ comics, his 2009–2012 Flare newspaper strip, and building a unique #superhero universe.You can follow Dennis and his Heroic exploits on his site, heroicmultiverse.com, on X @heroicpublish, and on his own YouTube interview show, The Heroic Voice.Support the show___________________Check out video versions of this and other episodes on YouTube: youtube.com/dollarbinbandits!If you like this podcast, please rate, review, and subscribe on Apple Podcasts or wherever you found this episode. And if you really like this podcast, become a member of the Dollar Bin Boosters on Patreon: patreon.com/DollarBinBoosters.You can follow us @dollarbinbandits on Facebook, Instagram, and Bluesky, or @DBBandits on X. You can email us at dollarbinbandits@gmail.com.___________________Dollar Bin Bandits is the official podcast of TwoMorrows Publishing. Check out their fine publications at twomorrows.com. ___________________ Thank you to Sam Fonseca for our theme music, Sean McMillan for our graphics, and Pat McGrath for our logo.

FOOD IS FOR EVERYONE—That meal your grandmother always cooked. Or your mother. Or your father, for that matter. The odors that permeated a kitchen or the entire house. The first taste. The idea of comfort food.So much of who we are and what we remember are about food, sure, but also about place, and most definitely about the person doing the cooking.While many food magazines go beyond food to create the context about the recipes they print, writer and editor Kyle Yoshioka felt they lacked the backstories that make food about more than taste or trends or wine accompaniments. And with no experience in the form, he was part of a team in Portland, Oregon that decided to launch Provecho, a magazine all about the backstories, and especially the culture and communities, behind each and every ingredient that goes into each and every lovingly created dish. And without a single recipe.Provecho, then, is not really a food magazine at all, but a cultural review that uses food as a focal point. It's anthropology that tastes good. One that is, in its own way, creating a community all its own.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

Devolver Digital Engineer and holiday hero, Santa, takes a break from his constant coding to talk about developing Twitch Extensions for games. How do they work? What do they do? And how do you make them a part of your game?

This Friday, SAfm's radio anchor Sakina Kamwendo once again spoke to Martin Creamer, publishing editor of Engineering News & Mining Weekly. South Africa’s platinum sector! Industry insiders say the metal’s business has received a massive boost and prices have soared to the heavens; this comes after the launch of new platinum futures trading on the exchange.

This week we are featuring returning guest, Dr. Kemba Marshall to discuss her new book on diversity, equity, and inclusion (DEI) in veterinary medicine. Dr. Marshall shares her motivation, the collaborative writing process with 23 co-authors, and how the book offers practical, actionable steps for veterinary professionals. The conversation highlights the importance of psychological safety, inclusive workplaces, and the vital role DEI plays in fulfilling the veterinary oath and improving patient care and team culture. We are so excited to share this episode with you!Thank you to our podcast partner, the AVMA Career Center. Are you a veterinary professional looking for a position change or even a complete change of scenery? The AVMA Career Center is THE place for all veterinary professionals to find the next step in their career journey. Learn more and explore career resources at https://www.avma.org/careersRemember, we want to hear from you! Please be sure to subscribe to our feed on Apple Podcasts and leave us a rating and review. You can also contact us at MVLpodcast@avma.orgFollow us on social media @AVMAVets #MyVetLife #MVLPodcast

Thinking about pivoting your photography business? Rebranding can feel risky, but it may be the key to unlocking new opportunities. In this episode of The Nerdy Photographer Podcast, I sit down with photographer Justin Haugen, who successfully transitioned from being a wedding photographer to building a thriving commercial photography brand. We discuss: Knowing when to pivot – signs your current niche isn't serving your long-term goals. Rebranding strategies – reshaping your portfolio, website, and marketing to reach new clients. Leveraging past experience – how skills from one genre can build credibility in another. Communicating the shift – managing how clients and peers view your rebrand. Opportunities ahead – the doors that open when you align your work with your vision. If you've ever wondered how to move beyond your current niche—or feared losing momentum by making a change—this episode will give you a roadmap for rebranding your photography business with confidence. Tune in now to hear Justin Haugen's story and practical advice for photographers ready to reinvent their careers. Episode Promos This episode contains promos for: BackBlaze Cloud Data Backup Services - https://www.backblaze.com/cloud-backup/personal#afc32p Style Cloud Website Templates - https://stylecloud.co/ref/380/ Siteground Website Hosting - https://nerdyphotographer.com/recommends/pic-time/ Narrative AI Culling, Editing, and Publishing - https://narrative.so/select?affiliate=casey2746 Support The Nerdy Photographer Want to help The Nerdy Photographer Podcast? Here are a few simple (and mostly free) ways you can do that: Subscribe if you enjoyed the episode! Tell other photographers about the podcast Sign up for the newsletter - https://nerdyphotographer.com/newsletter Subscribe to our YouTube Channel - https://www.youtube.com/@CaseyFatchett Buy a print from the print shop - https://art.caseyfphoto.com Follow on Instagram - https://instagram.com/thenerdyphoto Follow on Threads - https://threads.net/@thenerdyphoto Follow on BlueSky - https://bsky.app/profile/thenerdyphoto.bsky.social Follow in Tiktok - https://tiktok.com/@thenerdyphoto Get some Nerdy Photographer merchandise - https://nerdyphoto.dashery.com If you're feeling extra generous, check out our support page - https://nerdyphotographer.com/support-nerdy-photographer/ About My Guest Justin is a Photographer hailing from Tucson, Arizona by way of Seoul, Korea. Having first picked up a camera in 2004, Justin has experienced several photography careers, but now finds himself in corporate and commercial spaces as he raises his young children with his wife. Justin is a Tamron USA ambassador and sometimes educator. You can see more of Justin's work at his website - https://JustinHaugen.com - or on Instagram https://instagram.com/photowarlock About The Podcast The Nerdy Photographer Podcast is written and produced by Casey Fatchett. Casey is a professional photographer in the New York City / Northern New Jersey with more than 20 years of experience. He just wants to help people and make them laugh. You can view Casey's wedding work at https://fatchett.com or his corporate, event, and portraiture work at https://caseyfatchettphotography.com    If you have any questions or comments about this episode or any other episodes, OR if you would like to ask a photography related question or have ideas for a topic for a future episode, please reach out to us at https://nerdyphotographer.com/contact      

In Episode 31 DDSWTNP get the chance to talk about DeLillo with his friend, colleague, and editor Gerald Howard, whose distinguished career in publishing at Viking Penguin, Norton, and Doubleday spanned nearly 50 years and was marked by his work not only on Libra but important books by David Foster Wallace, Paul Auster, and so many others. We hear Gerry recount first reading the DeLillo of Americana and “Total Loss Weekend” in the 1970s, seeing a book titled “Panasonic” (eventually, White Noise) arrive at Viking Penguin, and having an 800-page manuscript about the JFK assassination later hit his desk. So many great stories mark this episode, including DeLillo's funny “speech” upon receiving the National Book Award for White Noise, his reasons for seeking a new publisher after The Names, the legal reasoning behind the Author's Note at the end of the hardcover Libra, and what Gerry for personal reasons regards as one of the funniest of DeLillo's many funny passages: an editor's remarks to Bill Gray about the literary marketplace in Mao II. Gerry talks as well about Catholicism, DeLillo's massive influence on younger writers, and who, along with DeLillo, comprised his personal “trinity” of greatest authors. And at the end we wish a happy 89th birthday to Don DeLillo! With this interview episode, we also extend the biographical “Lives of DeLillo” series we began with our November 20 releases the past two years. Huge thanks to Gerry for sharing so many remarkable stories, insights, and readings. Be sure to pick up Gerald Howard's new book, The Insider: Malcolm Cowley and the Triumph of American Literature, available this month from Penguin Random House and discussed at the end of this episode. Finally, a note on production: when other technology failed us, we decided to record this interview as a phone call, with obviously a lower sound quality than our listeners are used to. Gerry was wonderfully patient and flexible through it all, and his voice comes through clearly, in a recording that, in its crackles, we'd like to think, captures some spirit of DeLilloan Ludditism.  Image of Mao II woodcut in episode cover art is courtesy of Gerald Howard. List of works mentioned in this episode: A. Scott Berg, Max Perkins: Editor of Genius. New York: Dutton, 1978. Don DeLillo, “Total Loss Weekend,” Sports Illustrated, Nov. 27, 1972. https://web.archive.org/web/20110822080327/http://sportsillustrated.cnn.com/vault/article/magazine/MAG1086811/index.htm Gerald Howard, “Stockholm, Are You Listening? Why Don DeLillo Deserves the Nobel.” Bookforum, April/May 2020. https://www.bookforum.com/print/2701/why-don-delillo-deserves-the-nobel-23926 ---. “The Puck Stopped Here: Revisiting ‘Cleo Birdwell' and her National Hockey League Memoir.” Bookforum, December/January 2008. https://www.bookforum.com/print/1404/revisiting-cleo-birdwell-and-her-national-hockey-league-memoir-1406 ---. “The American Strangeness: An Interview with Don DeLillo.” Hungry Mind Review, 1997. https://web.archive.org/web/19990129081431/www.bookwire.com/hmr/hmrinterviews.article$2563 ---. “I Was Gordon Lish's Editor.” Slate, October 31, 2007. https://slate.com/news-and-politics/2007/10/editing-the-infamous-gordon-lish.html ---. The Insider: Malcolm Cowley and the Triump of American Literature. Penguin Random House, 2025. https://www.penguinrandomhouse.ca/books/561292/the-insider-by-gerald-howard/9780525522058 Listeners interested in Gerald Howard's huge impact on publishing in general might turn to the pages about his achievements in Dan Sinykin's Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature (Columbia UP, 2023) and D.T. Max's Every Love Story is a Ghost Story: A Life of David Foster Wallace (Penguin, 2012). A correction: DeLillo's remark on “around-the-house-and-in-the-yard” fiction is from Robert R. Harris's “A Talk with Don DeLillo,” New York Times Book Review, Oct. 10, 1982.

In this exclusive interview, we sit down with Phoebe Morgan, the rare publishing powerhouse who has seen success on both sides of the desk. As an Executive Fiction Publisher at Simon & Schuster and a Sunday Times bestselling author of psychological thrillers like The Trip and The Doll House, Phoebe offers unparalleled insight into the world of commercial fiction.What You'll Learn:The Editor's Secrets: Phoebe lifts the lid on the opaque world of the Big 5 publishers, revealing exactly what editors look for in a submission and how books truly get acquired, marketed, and turned into bestsellers.The Perfect Hook: Discover the critical element that separates a book club hit from a manuscript that fails to launch. Phoebe breaks down the commercial “hook” and how authors can use it to sell their stories.Mastering Psychological Thrillers: Get an inside look at her writing process, including how she plots (or doesn't plot) her high-stakes suspense novels and balances a demanding full-time job with a prolific writing career.If you're an author serious about navigating the industry, understanding the market, and writing a bestseller, this interview is essential viewing.Buy Pheobe's latest book, The Trip, here.Podcast LinkListen to the full audio episode wherever you get your podcasts:Listen on Spreaker (The Writing Community Chat Show Podcast)Join our brand new community on our Stanstore! After conducting 360 plus interviews, we have compiled digital products to help your writing. Plus, community members get access to our live writing sprints where we write with you, keep you accountable, and give you free access to our 1-on-1 video coaching. There are forum like tabs in our community group where you can post work and receive advice, plus, much more. Join here: https://stan.store/TheWCCS This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thewccs.substack.com/subscribeBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-writing-community-chat-show--5445493/support.

Episode 219: Moroccan Publishing, Cultural Decolonization, and the Book Revolution: The Souffles Experience, 1966-1971 During the 1960s and 1970s, Morocco was a center for the invention of cultural decolonization and a key site in the twentieth-century book revolution. A group of young poets, novelists, critics, painters, and photographers created a cluster of publications, whose centerpiece was the magazine Souffles, and linked their publishing projects to ideas about national cultural decolonization on a global scale. The magazines, paperbacks, chapbooks, and posters they made have loomed large in the landscapes of postcolonial francophone literature and Moroccan modernist art for nearly six decades. The Souffles story also highlights the key roles of print media and cultural institutions for mid-twentieth-century discussions about the end of empire. Important and underexplored primary sources relating to these publishing projects exist in the collections of Moroccan libraries and booksellers. In this episode, Alexander Baert Young, Ph.D. candidate in history at Johns Hopkins University and 2023 AIMS/TALIM fellow, presents research he completed in Morocco during June-July 2023 at the Bibliothèque Nationale du Royaume du Maroc, in the library of the Ecole des Sciences de l'Information, and at used book dealers in Rabat and Tangier. Alexander Baert Young is a historian whose work connects book history, African history, and French history. As a Ph.D. candidate in the history department at Johns Hopkins University, Young is currently researching and writing his dissertation, “Africa's Book Revolution: Print Culture, Decolonization, and Development, 1954-1988,” a multi-site project that will tell the connected stories of African publishers, librarians, bibliographers, cultural development experts, and media theorists across Morocco, Tunisia, Cameroon, Senegal, France, and beyond. His research draws on published paperbacks, little magazines, book fair catalogues, media studies and library science scholarship, and bibliographies, as well as archives of nation-states, international organizations, publishing companies, libraries, and writers. Young's work has received support from the American Institute for Maghrib Studies (including the Tangier American Legation Institute for Moroccan Studies and the Centre d'Etudes Maghrébines à Tunis), the Western Society for French History, and the Bourse Jeanne Marandon of the Société des Professeurs Français et Francophones d'Amérique. During June-July 2023, he conducted research in Morocco as an AIMS/TALIM fellow. To see related slides please visit our website: www.themagribpodcast.com Discover an other podcast by Alexander Baert Young: Episode 175: Tunisian Librarians and the Book History of African Decolonization, 1956-1988 This episode was recorded on July 19, 2023, at the Tangier American Legation Institute for Moroccan Studies (TALIM).  Recorded and edited by: Abdelbaar Mounadi Idrissi, Outreach Director at the Tangier American Legation Institute for Moroccan Studies (TALIM).  

Bekah Brinkmeier is a USA Today bestselling author and ghostwriter of more than 90 novels. She works with AutoCrit as an instructor and author coach, leading Team Plantser in the Novel 90 Writing Challenge. //Draft2Digital is where you start your Indie Author Career//  Looking for your path to self-publishing success? Draft2Digital is the leading ebook publisher and distributor worldwide. We'll convert your manuscript, distribute it online, and support you the whole way—and we won't charge you a dime.  We take a small percentage of the royalties for each sale you make through us, so we only make money when you make money. That's the best kind of business plan.  • Get started now: https://draft2digital.com/• Learn the ins, the outs, and the all-arounds of indie publishing from the industry experts on the D2D Blog: https://Draft2Digital.com/blog  • Promote your books with our Universal Book Links from Books2Read: https://books2read.com  Make sure you bookmark https://D2DLive.com for links to live events, and to catch back episodes of the Self Publishing Insiders Podcast.

In this episode, Becky interviews Julie Trelstad, who is currently the head of U.S. Publishing. They dive into her 30+ years of experience guiding authors and publishers throughout the publishing industry. Julie also outlines her partnership with Streetlib to create powerful new tools and software, including Amlet, which is the world's first ISCC registry designed for the AI era. To learn more, visit amlet.ai.

In this episode of Writes for Women, host Pamela Cook interviews Melbourne-based author Brooke Crawford about her debut novel, 'Better Than The Real Thing.' Brooke shares her journey to becoming a published author, which began after her 40th birthday and was accelerated during the COVID-19 lockdown. They discuss her writing process, the development of her relatable characters, and the support cast that enriches her romcom storyline. Brooke also talks about the significance of the settings in St. Kilda and London, and how these locations are integral to the story. Additionally, she provides insights into her research process and the challenges of balancing serious themes with a romantic-comedy tone. As Brooke prepares for the book's release, she reflects on the editing process and her experience working with HQ Harper Collins. Looking ahead, she offers a glimpse into her next writing project, set in England's Lake District. This episode provides valuable advice for aspiring authors and celebrates the release of a heartfelt and humorous novel. Timestamps 00:00 Introduction and Acknowledgements 00:45 Meet Brooke Crawford 01:36 Brooke's Writing Journey 04:59 The Impact of COVID and Turning 40 06:49 Writing Process and Challenges 14:41 Character Development 21:29 Setting the Scene: St. Kilda and London 23:13 Exploring the Book's Settings 24:21 Weaving Backstories and Balancing Tones 27:10 Research and Expert Consultation 30:04 The Journey to Publication 34:06 Editing and Feedback Process 35:46 Cover Design and Title Change 38:14 Preparing for the Book Launch 41:11 Sneak Peek into the Second Book 42:43 Conclusion and Final Thoughts SHOW NOTES: Writes4Women www.writes4women.com Facebook @writes4women Substack: https://writes4women.substack.com/ Brooke Crawford Website: click here Instagram: click here Pamela Cook www.pamelacook.com.au Facebook: click here Twitter: click here Instagram: click here This episode produced by Pamela Cook for Writes4Women on unceded Dharawal Country. Support the show: https://www.patreon.com/writes4women?fan_landing=trueSee omnystudio.com/listener for privacy information.

Want better visibility with your ideal clients? Publishing in respected outlets showcases your expertise, provides social proof, and opens doors to new audiences. Explore practical steps for choosing publications, pitching editors, and maximizing each placement.

How do you set realistic expectations in publishing? If a book doesn't sell, how do you cope with rejection? Literary agent and author Kate McKean chats about her latest book Write Through It! She also shares tips for honing your writer's intuition, pitching your book, and what queries stand out in the slush pile.Kate McKeanWebsite: https://www.katemckean.com/Social: @kate_mckeanGood Story Company: If you have a story in your head, we're here to help you get it out into the world. We help writers of all skill sets, all genres, and all categories, at all stages of the writing process. Need a hand with brainstorming? Want to find a critique partner? Looking for an editor to help polish up your pitch, your idea, or your entire manuscript? We have all of it and more in our community. If you're ready to take the next step (or the first step) on your writing journey, we're here to help you.Website: https://www.goodstorycompany.comMembership: https://www.goodstorycompany.com/membershipWriting Workshop: https://www.storymastermind.comMary Kole: Former literary agent Mary Kole founded Good Story Company as an educational, editorial, and community resource for writers. She provides consulting and developmental editing services to writers of all categories and genres, working on children's book projects from picture book to young adult, and all kinds of trade market literature, including fantasy, sci-fi, romance, and memoir. She holds an MFA in Creative Writing and has worked at Chronicle Books, the Andrea Brown Literary Agency, and Movable Type Management. She has been blogging at Kidlit.com since 2009. Her book, Writing Irresistible Kidlit, a writing reference guide for middle grade and young adult writers, is available from Writer's Digest Books.Manuscript Submission Blueprint: https://bit.ly/kolesubWriting Irresistible Kidlit: http://bit.ly/kolekidlitIrresistible Query Letters: https://amzn.to/3yg511KWriting Irresistible Picture Books: https://amzn.to/3SrApRUHow to Write a Book Now: https://BookHip.com/ZHXAAKQWriting Interiority: Crafting Irresistible Characters: https://amzn.to/4evsX0BWriting Irresistible First Pages: https://amzn.to/4gxgslqNEW! Show and Tell: https://amzn.to/4kCc4noFollow us on social:YouTube: https://youtube.com/c/goodstoryBluesky: https://bsky.app/profile/goodstory.bsky.socialInstagram: https://instagram.com/goodstorycompanyTikTok: https://www.tiktok.com/@goodstorycoFacebook: https://facebook.com/goodstorycoSubstack: https://goodstoryco.substack.com/

  19 Days and Beyond: How Paul Meese Turned Grief into a Legacy of Kindness | Conversations with a Chiropractor What happens when the person you built your life with is gone in less than three weeks? In this deeply human episode of Conversations with a Chiropractor, Dr. Stephanie Wautier talks with Paul Meese, author of 19 Days: One Man's Journey Through Grief, about the sudden loss of his wife Ruth, the chaos of hospital systems, and what grief actually looks like when you stop trying to be "strong" and start being honest. Paul walks through the 19 days from Ruth's stroke to her passing, the conversations no one wants to have with doctors, and why power of attorney, clear wishes, and real advocacy matter long before crisis hits. He also shares how anger, exhaustion, and loneliness eventually gave way to road trips, counseling, writing, and a choice to keep giving in Ruth's name. From scholarships for women in machining to senior dog rescue and donating airline miles so families can say goodbye in person, Paul shows how grief can grow into something active, grounded, and quietly powerful. If you've lost someone, love someone, or know you'll someday have to step into that advocate role, this conversation will stay with you.

Life is like the ocean. It can be calm or still, and rough or rigid, but in the end, it is always beautiful.”Gerry Lopez We've all been there: Exhausted by one of life's waves, or maybe it's turned into a rip. We struggle to keep afloat. Crippled by the fear of the unknown. Hesitant to dive in.Author of

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I'm pleased to interview one of our Biz Book Pub Hub Partners. Our Hub Partners are experts who support entrepreneurs along their author journey.  What if you had a literary matchmaker, a creative consultant, and a publishing powerhouse all rolled into one? That's exactly what today's guest brings to the table. Known as “The Dear Abby of Publishing” and “The Literary Agent Matchmaker,” she's spent more than 20 years helping writers at every level, whether you're drafting your first chapter, prepping for a publisher pitch, or dreaming of seeing your story on the big screen. She's an award-winning author herself, but she's also the go-to expert behind the scenes, editing manuscripts for publishers, advising literary agents, and helping debut and established authors alike bring their books and platforms to life. Through her company, Your Book Is Your Hook!, she helps authors navigate every path to publishing, build marketing strategies that last beyond launch day, and even explore how to expand their story into film, TV, and theater. From nonfiction to novels, screenplays to children's books, she meets writers where they are—and helps them get where they want to go. She provides writers with the guidance, structure, and industry access to turn creative projects into real-world results. Please join me in welcoming Jennifer Wilkov.  In this episode, we discuss the following:

Say you want to learn more about woodworking, but you're not quite ready to follow a how-to video on YouTube and just want to learn as much as you can about the craft. So, you turn to your local bookstore for the best how-to book on woodworking. Publishing has long been the answer to the "how" question of our hobbies, but writing about what you do for a living is a very different task than doing what you do for a living. In this episode of "Writer's Digest Presents," Michael Woodson chats with interior designer and author Alexandra Gater about the process of writing her how-to book, Own Your Space, where she offers advice for other professionals looking to write their own books, the importance of the outline in nonfiction writing, her literary agent experience, and more.

Roughly 465,000 books were obtained illegally and used to train the generative AI model Claude. After a class action lawsuit, Anthropic has agreed to settle and pay $1.5B to impacted authors. You might be one of them! In this episode of Published, Greenleaf Book Group CEO Tanya Hall explains everything authors and industry pros need to know about the huge copyright lawsuit against AI company Anthropic, and how authors can protect their work in the age of AI.   ——   If you've been following the growing tensions between authors and artificial intelligence companies, you may have heard rumblings about the Bartz v. Anthropic class action lawsuit.  A group of authors including Andrea Bartz, Charles Graeber, and Kirk Wallace Johnson sued Anthropic, claiming the company used their books without permission to train its AI system Claude. They alleged that Anthropic had copied thousands of copyrighted works, many obtained from online piracy sites, to help Claude learn how to write and summarize text. In September 2025, the case reached a proposed $1.5 billion settlement. Anthropic hasn't admitted wrongdoing, but it agreed to the payout to resolve the class action and avoid years of litigation. The settlement will compensate authors whose works were used without being legally purchased or licensed — including roughly 465,000 titles. It also sets a major precedent for how creative work will be valued and licensed in the AI era. (Source: Authors Guild) For any currently published authors, you can visit anthropiccopyrightsettlement.com to learn more about the case's status and whether you are a class member eligible for the settlement. They have a searchable database you can use to look up any books you've released and see if your book's data was scraped. Claims can be submitted any time before March 23, 2026.   ——   Learn more about publishing in Tanya's book, Ideas, Influence, and Income. More about Greenleaf: Website: greenleafbookgroup.com Brochure: greenleafbookgroup.com/brochure Have a book you want to publish? Greenleaf submissions are open! Connect with us on socials! Instagram Facebook Linkedin 

In this episode of The Circle of Hope, I sit down with my long-time friend and colleague, Rahim Saafir, to explore two decades of friendship, growth, and the power of authentic relationships. We reminisce about our journey at the Hyatt Regency DFW, where Rahim began working in security after leaving government work and transitioned into Human Resources—thanks, in part, to his unstoppable drive and the support of key mentors and connectors. Rahim shares how a chance encounter at a Taco Bueno drive-thru opened doors to the hospitality industry and ultimately to a fulfilling career as Director of Human Resources.But this episode isn't just about career moves. It's a heartfelt exploration of what it means to give freely, the challenges of family and friendship, and the importance of making clear, actionable requests for support. Rahim opens up about receiving difficult health news, how he leaned on connections outside of family, and why he believes in paying kindness forward—always “plus one.” If you've ever struggled with how to create genuine bonds or wondered why giving matters, you'll find wisdom, warmth, and practical takeaways in our conversation.Watch This If:You're looking to deepen your relationships and create a circle of genuine connectionsYou want inspiration for overcoming career roadblocks or changing industriesYou struggle with asking for support from friends or familyYou're seeking motivation to help others and “pay it forward”You value transparency and authenticity in both personal and professional circlesEpisode Highlights:[00:01:07] Rahim shares the story of starting at Hyatt in security and the hurdles he faced transitioning into HR[00:04:06] The heart behind Rahim's “gate opener” mentality: why he's committed to lifting others up[00:07:18] From flipping tacos to hospitality: the chance encounter that changed Rahim's career direction[00:13:31] What Rahim looks for when connecting people to opportunities—and how Valerie does the same[00:21:20] Rahim's candid advice to his children (and listeners): how to choose and define true friendships[00:24:22] Navigating tough times: Rahim opens up about his cancer diagnosis and which connections supported him most[00:45:46] Valerie and Rahim discuss the importance of making explicit requests to get your needs metQuotes to Remember:“In order to receive a blessing... you've got to give one, if not more.” —Rahim Saafir“Once you establish a genuine connection with someone, it's there... even if you only talk two or three times a year.” —Rahim Saafir“Be very careful who you have in your circle and call friend... I have a lot of associates, but I have very few friends.” —Rahim Saafir“The easiest way to get that need met is to make a request... not just holding them to an invisible standard or an unspoken expectation.” —Valerie HopeWhat You'll Learn:How a small act of kindness or connection can jumpstart an unexpected career pathThe importance of being “a gate opener”—using your influence to help othersThe value of transparency and clear requests in deepening relationshipsWhy giving to others often leads to personal fulfillment and growthHow to discern genuine relationships and teach others (especially your children) to do the sameTips for maintaining meaningful connections across time and distanceThe difference between asking for help from family vs. mentors or friendsLet's Stay Connected:Guest: Rahim SaafirLinkedIn: http://www.linkedin.com/in/rahimsaafirHost: Valerie HopeWebsite:https://www.valeriehope.comInstagram:https://www.instagram.com/valeriehope/LinkedIn:https://www.linkedin.com/in/valeriehope/Facebook:https://www.facebook.com/ValerieVHopeYoutube:https://www.youtube.com/@ConnecttoJoyProduction Support: Lucy Hope - Podcast Editing, Copy, and Publishing.#CircleOfHope #RelationshipBuilding #PayItForward #AuthenticConnections #CareerGrowth

Debut memoirist Tiffany Graham Charkosky discusses the story behind LIVING PROOF: How Love Defied Genetic Legacy, from the medical journey she embarked on after learning she carried a genetic mutation to the years she spent writing and revising the memoir before landing a book deal. Along the way, she also shares the challenges and joys of writing material that is deeply personal, the physical and emotional implications of genetic testing, finding the right structure for her story, searching for a literary agent, how she grappled with the issue of platform as a memoirist, the trajectory of her publishing journey, why Cleveland is such a great place for writers, and the magic of just showing up.   In this episode: Living Proof: How Love Defied Genetic Legacy Literary Cleveland Cleveland Public Library Query Critiques with Devon Halliday Lynch Syndrome Kenyon College “It's Not as Bad as You Think” by Jane Friedman   Page Count is produced by Ohio Center for the Book at Cleveland Public Library. For full show notes and an edited transcript of this episode, visit the episode page. To get in touch, email ohiocenterforthebook@cpl.org (put “podcast” in the subject line) or follow us on Instagram or Facebook.

Most agency owners feel pressure to stand out in a crowded market.They try ads, funnels, content marathons… yet still struggle to be seen as the clear expert in their niche. But there's one move that instantly boosts your authority, attracts higher-value clients, and makes prospects come to you pre-positioned to buy:

The first collection of essays from the author of the Life and Death of Psychoanalysis, Stay, Illusion! with Simon Critchley and Conversion Disorder, Disorganisation & Sex (Divided Publishing, 2022) is as much about our resistance to sexuality as it is about sex itself. Jamieson Webster continues to excite and disturb, turning to Lacan and the autotheoretical in her exploration of the deep roots of our libidinal ties and the ways in which we keep desire at bay in our efforts to lead tidier, more coherent lives. Part theory, part manifesto and part testimony, Webster calls for us as analysts to reinvent ourselves with our patients, as patients to take part in the poetry of our symptoms, and as institutions to create the conditions for something radical to happen in the transmission of psychoanalysis. While many in theory have turned toward the soma and the exterior, Webster has not given up on psychic interiority, her writing an attempt to avoid the trap of idealizing one while diminishing the other, or getting stuck in the reversal. We can wish for the new while remaining skeptical of the march of progress, and we can speak from the discourse of the patient while remaining connected to the discourse of the analyst. We can take risks even as we face loss, and seek pleasure even though there's no common satisfaction. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The first collection of essays from the author of the Life and Death of Psychoanalysis, Stay, Illusion! with Simon Critchley and Conversion Disorder, Disorganisation & Sex (Divided Publishing, 2022) is as much about our resistance to sexuality as it is about sex itself. Jamieson Webster continues to excite and disturb, turning to Lacan and the autotheoretical in her exploration of the deep roots of our libidinal ties and the ways in which we keep desire at bay in our efforts to lead tidier, more coherent lives. Part theory, part manifesto and part testimony, Webster calls for us as analysts to reinvent ourselves with our patients, as patients to take part in the poetry of our symptoms, and as institutions to create the conditions for something radical to happen in the transmission of psychoanalysis. While many in theory have turned toward the soma and the exterior, Webster has not given up on psychic interiority, her writing an attempt to avoid the trap of idealizing one while diminishing the other, or getting stuck in the reversal. We can wish for the new while remaining skeptical of the march of progress, and we can speak from the discourse of the patient while remaining connected to the discourse of the analyst. We can take risks even as we face loss, and seek pleasure even though there's no common satisfaction. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

In this week's episode, we discuss the advantages of digital content ownership for both readers and writers. This coupon code will get you 50% off the audiobook of Cloak of Ashes, Book #3 in the Cloak Mage series, (as excellently narrated by Hollis McCarthy) at my Payhip store: CLOAK2025 The coupon code is valid through November 24, 2025. So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 277 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November 14th, 2025, and today we are discussing the benefits of owning your own content for both readers and writers. Before we get to our main topic, we will start off with Coupon of the Week and then a progress update on my current writing, publishing, and audiobook projects. First up is Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Cloak of Ashes, Book #3 in the Cloak Mage series (as excellently narrated by Hollis McCarthy), at my Payhip store. That coupon code is CLOAK2025. And as always, the coupon code and the links to my Payhip store will be available in the show notes. This coupon code is valid through November 24th, 2025, so if you need a new audiobook for your Thanksgiving travels this month, we have got you covered. Now for an update on my current writing, publishing, and audiobook projects. I'm pleased to report the rough draft of Blade of Shadows is done. This will be the second book in my Blades of Ruin epic fantasy series. Right now, it is just about exactly as long as Blade of Flames. It may be a little longer or a little shorter depending on how editing goes since there's some stuff I'm going to cut out, but there's also some scenes I'm going to add. I also wrote a short story called Elven Arrow. Newsletter subscribers will get a free ebook copy of Elven Arrow when Blade of Shadows comes out, which will hopefully be before American Thanksgiving at the end of the month. I'm about 23% of the way through the first editing pass, so making good progress there and hope to keep up with the good progress. I am 11,000 words into Wizard-Assassin. That will be my next main project once the Blade of Shadows is published and probably the final book I publish in 2025, because I think the first book I do in 2026 will be Blades of Ruin #3, if all goes well. In audiobook news, the recording for Blade of Flames is done and it's gradually making its way out into the world (as excellently narrated by Brad Wills). I think as of the time of this recording, the only place where it's actually live is Google Play, but hopefully more stores will come online soon, and it would be cool if the Blade of Flames audiobook was available everywhere before Blade of Shadows came out. Hollis McCarthy is still working on Cloak of Embers and we hope to have that to you before the end of the year, if all goes well. So that's where I'm at with current writing, publishing and audiobook projects. 00:02:25 Main Topic: Digital Content Ownership as a Reader and Writer Now let's move on to our own topic, the ownership of digital content as both a reader and a writer. As the digital revolution has gone on and on and put more decades behind it, people are increasingly building very large digital content libraries and it's an increasingly tangled point of law what happens to those digital libraries when for example, their account gets suspended, or for example, someone else dies and wants to leave their Steam library of games to their heirs. We're today going to be focusing on digital content ownership for readers and writers, and we'll start with readers. Although the price of an ebook and print book of many traditionally published books are roughly the same at this point (and sometimes bafflingly, the ebook versions cost more), the rights you have as the owner of the ebook copy are substantially less powerful. In fact, technically speaking, you aren't actually the owner of an ebook purchased from Amazon or other retailers. It's more accurate to say that you purchased a long-term conditional lease. As a side note, I'm talking about this from the perspective of United States Copyright law and ebook/audiobook stores there. The laws and standards in your own country may be different. Also, I am not a lawyer and nothing in this episode should be taken as legal advice. You obtain legal advice by hiring a lawyer licensed to practice in your jurisdiction. But now back to the main argument. In America, there is something known as the First Sale Doctrine. This section of the US Copyright Act allows physical media to be lent out and resold, among other things. For example, someone who purchases a physical book is considered its owner and the publisher can't take it back from them. The physical version of books can be used in libraries or as classroom materials until they literally fall apart, unlike their electronic equivalents, which face complicated licensing agreements that generally offer far less favorable terms of use for a much larger cost (especially for libraries and academic institutions). In the US, electronic content ownership is covered by contract law instead of the First Sale Doctrine. Although each seller has their own licenses and standards, a few things tend to remain consistent across those licenses: the inability to lend or resell the content, the inability to remove DRM from the content, and the right of the seller to alter or even remove the content. Ownership is not a right guaranteed for digital content. There is an American lawsuit currently challenging Amazon Prime Video and its use of words like "purchase" and "buy" for its video content. The lawsuit accuses Amazon of misrepresenting a heavily conditional license as a purchase, giving the average customer the impression that they own the content in perpetuity. Amazon lawyers argue that the average customer understands the difference, but frequent outrages over content being removed from users' libraries suggests otherwise. Here are four reasons owning your ebook content is important. #1: Keeping access to the content if the company closes or gets bought out. One of the early leaders in the US ebook store market way back at the start of the indie revolution was Sony. When their Sony Reader store closed, they gave readers the option to migrate their libraries to Kobo. Books that were not available through Kobo were not able to be transferred, so some purchased content was lost for readers. A more egregious example comes from, as you might expect, Microsoft with the closing of the Microsoft ebook store in 2019. When the store closed, they offered refunds instead of giving readers an opportunity to self-archive or transfer their purchases. Any margin notes taken by readers were lost, and they were given a $25 credit for the inconvenience. Although refunding customers was a good gesture, it's not a guarantee that readers are able to repurchase the ebooks elsewhere or even that the price would be the same when they did. As an aside, I spent a good chunk of time in 2018 trying to figure out how to get into the Microsoft ebook store and then finally gave up because it was too complicated, which in hindsight turned out to be a good decision. Owning your ebooks outright gives them independence from the store that you bought them from. #2: Keeping content from being altered. Ebooks can be altered anytime. Most of the time these changes are harmless, such as updating a cover, fixing a typo, or adding a preview chapter. I do that myself all the time. Every time I get typo corrections, I upload a new version. Yet there is a potential for books to be edited or censored from the original copy that you purchased. Chapters could be removed, scenes altered, or in extreme cases, the entire book could be removed. Owning a hard copy means that you have a version that cannot be changed without your knowledge. #3: The ability to self-archive. Most ebook stores use a form of digital rights management (DRM) that makes it difficult to transfer or permanently store your collection outside of their collection or library. Trying to do so is a violation of the license you purchased from the store, so I won't discuss how to do that. Amazon recently made self-archiving more difficult by discontinuing the feature to download and transfer Kindle books via USB. Finding DRM-free ebook stores is important if you want to organize and store your ebook collection as you see fit. Two examples of stores with DRM-free ebooks are Smashwords and direct [sales] sites like My Payhip store. Other stores like Kobo have a dedicated section devoted to DRM-free ebooks. #4: Keeping your reading habits private. Companies like Amazon track reading data, mostly out of a desire to sell you similar books or ad space. They track what you're reading, the amount of time you spend reading, your reading speed, and the highlights that you make in a book. Now, most of the time this is generally pretty harmless. It's mostly used for…you look on Amazon, you see that the section "customers who enjoyed this book also enjoyed this". Then if you use the Kindle app on your phone a lot, it has a lot of badges and achievements and it tends to be used for that kind of thing. However, there could be sinister undertones to this, especially if you're reading things you would prefer other people not know about. So if this concerns you, if there are some settings that you can adjust, but if you want complete privacy, outright ownership of your ebooks is the way to go. So what is the easiest way to own your own ebooks as a reader? The easiest way and perhaps the safest way to own your content outright is to buy print copies of books. That said, buying direct from authors or finding ebooks that have more favorable license terms is easiest way to own your ebook purchases. One of the reasons that opening a Payhip store was important to me was I gave my readers a chance to outright own purchased copies of my work and self-archive them in the way that they saw fit, if that was important to them. The price is the same on my Payhip store as other ebook or audiobook stores (and sometimes even cheaper if you're using Coupon of the Week). The ebooks and audiobooks there are DRM-free and untethered from specific stores and companies. You have the option to download files in a variety of file formats and store them in a way that makes the most sense to you. Buying direct also gives a greater share of the sale price to the authors, especially in the case of audiobooks. In conclusion, ebooks lag behind print books in terms of ownership rights for purchasers here in the United States (at the time of this recording). That said, you can be an informed consumer by reading terms of use carefully and educating yourself to make sure that you have the most possible access to your purchased content. Now, we've covered that from the reader side, and let's look at it from the side of the content creators, specifically writers. This can also apply to other content creators such as musicians, and we're going to use a very famous example for that, Taylor Swift. The general public learned about the importance of fully owning your content as a creator during the long and very public battle between musician Taylor Swift and the record company that sold her work to a private equity firm associated with someone she personally disliked. She owned the copyrights to the works (along with her various collaborators), but not the masters, the specific recordings of each song. As long as she didn't own her masters, she didn't have control over song choices for her public performances, the label releasing older content against her wishes, or how her music would be licensed out for commercial use. Swift reasserted control by rerecording old albums (a strategy previously used by the musician Prince), which gave her ownership of these new masters and devalued the original masters to the point where she could later afford to buy them outright. Many artists, including Olivia Rodrigo, credit Swift for helping them to negotiate adding the ownership of their masters into their contracts. As predatory as the publishing industry can be, the music industry tends to make them look like rank amateurs in terms of sheer evil. So it is a testament to her popularity and business success that she was able to convince them to do this. The world's most famous pop star taught millions of fans that owning your work is the ultimate goal of a creative. Why is ownership of your work important for writers specifically and not just American pop stars? We'll discuss six reasons why it's important for content creators and specifically writers in this episode. And as a reminder yet again, I'm talking about this from the perspective of United States law. Laws and standards in your own country may be different. Also, I am not a lawyer and nothing in this episode should be taken as legal advice. You obtain proper legal advice by contacting a lawyer licensed to practice in your jurisdiction. So with that in mind, let's get into the topic. What is ownership as a writer? Writers generally keep the copyrights to works they sell to publishers. Writers are essentially selling the right or a license to produce and distribute their book in a certain format, language, and geographic area. Most of the time, geographic area rights are sold separately. For example, rights for the Harry Potter books are owned by Scholastic in the United States and Bloomsbury in the United Kingdom. Sometimes writers will keep the rights in a specific format, like when I signed with Tantor to give them the audio rights to the first five Frostborn books while keeping the rights to my print and ebook formats. What writers lose in the process of selling to publishers is the ability to control how their work is marketed, packaged, and sold. They do not have the freedom to make major decisions such as when a book is released or where it is marketed. Today I am going to share six reasons that retaining ownership is important for writers and what things you generally sacrifice when you sign with a traditional publisher instead of self-publishing or indie publishing. #1: Creative control. It is not standard to have complete control over your book's cover design. Often an artist is able to submit suggestions to the designer, but the publisher has ultimate authority over the book's cover. Sometimes covers end up being wildly inappropriate for the book, but the author has no recourse. The same is usually true with the ability to pick an audiobook narrator or change anything about the narration. At times, writers (especially new ones) are pressured into changes they do not want by editors. The surest way to completely lose all creative control is signed with a book packager like Alloy Entertainment. If you want to hear the story of how L.J. Smith was fired from her own series due to a plot dispute with that publisher, YouTuber Jenny Nicholson covers it in her epic length summary of The Vampire Diaries show. Although a certain paycheck from a book packager is tempting, you'd be wisest not to create any fictional characters or worlds for this type of publisher for that reason. #2: Dead Series Syndrome. If the first book in a series does not sell well, the publisher tends to abandon the series. The next book in the series might be ready for publication, but they're not obligated to publish it if they suspect it will not be profitable. Unfinished series are extremely common in traditional publishing, unfortunately. Writers who are locked into a contract for a series are generally out of luck putting out the books on their own. Even if they put out later books on their own, not having the rights to the first book in the series makes it difficult for a writer to sell and market subsequent books. I had a series (Demonsouled) that I wanted to continue even though the first book was released by my publisher. I was able to get the rights back for it and then was able to self-publish this rest of the series. This was much easier to do 14 years ago than it is now. Modern contracts, especially from larger publishers, are not so generous in letting authors do this. It would be much easier to start as a self-published author and have full control over the trajectory of your series and make sure readers are able to finish it instead of waiting for a contract to elapse or fighting a difficult, hard to win battle to get the rights back. #3: The ability to change. One of the perks of owning your book is the ability to make quick changes that react to data. For example, I was able to retitle the Stealth and Spells series fairly quickly when it became immediately clear upon release that some found the original title confusing. A traditional publisher would likely not have bothered to make the effort unless there was a legal reason for doing so. The ability to change covers, repackaging books in different ways (like omnibus editions), and to make quick changes to the book on the fly (such as fixing typos or continuity errors), is the unique privilege that comes with owning your own work. Publishers are slow to make these types of changes, if they do it at all. #4: Profit. Writers typically only receive an advance (an initial lump sum) when working with a traditional publisher. The complexities of publisher accounting usually ensure that only great successes receive royalties, and often even those that do can take a while to reach that benchmark. Royalties are typically doled out quarterly or semi-annually, for those who make enough to receive them. The earning statements are fairly byzantine. It's hard for the average person to understand them fully to make sure they're being paid exactly what is owed to them. Owning your own work and publishing yourself means that you keep all of the profit after the cut taken by the ebook store and whatever you pay cover designers, editors, and so on. You can see all of the sales as they come in and don't have to wait for those two to four royalty checks each year in order to get paid. It's much easier to make a living as a writer and to feel confident that you can pay others when you have more accurate data on the money coming in. Indie publishing sacrifices the certainty of an advance for a far, far greater share of the profits in the long run. Additionally, agents typically take a 15 to 20% commission on author earnings, and they are an essential part of the process in traditional publishing. It's just about impossible to get foot in the door with traditional publishing without one. Most self-published writers don't bother with an agent, which means they're able to keep that cut of the money and don't have to shape their work around the preferences and whims of an agent. They also spared the stress and hassle of working with an unethical or bad agent (of which they're unfortunately far too many). #5: Professional freedom. The publisher decides when the books are released or if they're released at all. Are you ready to publish a book two months after the first one is released? Too bad. A publisher is not going to put out the next one that quickly. The traditional wisdom of publishing schedules seems wildly out of date in the content-heavy modern world, where algorithms reward recent titles and frequent publishing. Publishing more often also helps fans stay connected to your work, and frankly, it's much easier to make a living as a writer putting out several books a year instead of just one. Additionally, traditionally published writers do not control how a book is marketed. Are you upset that your book is being marketed as a romance when you think it's complex literary fiction? Too bad. It's not your call. In fact, writers may be contractually obligated to post content to their social media pages written or approved in advance by the marketing department at the publisher. You might have to put your name publicly to marketing copy you dislike or disagree with in order to not violate your contract. In a related vein, you might find that if you post heavily on your social media pages about political or controversial topics, you may be reprimanded by the publisher or in some cases, have your contract canceled entirely. Although indie authors aren't immune from social consequences of what they post, no publisher is holding them back from posting what they want just because they're writers and the publisher is scared of what the shareholders might think. #6: The publisher being sold. One of the biggest problems for traditionally published writers is when their publisher is sold to another one. This may mean restructuring that takes away staff they worked with a long time (like a favorite editor being replaced by an inexperienced one). As smaller publishers are eaten up by the larger ones, you might find that your books become an afterthought and you don't have any power to fix that. You might even have to fight to get paid what you're owed in your own contracts, which writers of Star Wars books found out when Disney acquired Lucasfilm. Apparently when Disney bought Lucasfilm, it decided it no longer owed royalties to several writers of Star Wars tie-in novels that Lucasfilm had published and weren't going to pay them until it went public and caused a bit of controversy. Finally, a settlement was reached. This is sort of the shifty behavior that Disney is well known for in certain circles, and it is something you have to watch out for with large publishers and media conglomerates. The easiest way to keep this from happening is, once again, to publish yourself and keep ownership of your work. In conclusion, when traditional publishing was the only way to become a writer, their restrictions and control were something you had to live with because you had no other option. Now that self-publishing is extremely accessible and traditional publishing is shrinking, it's no longer worth making the trade-offs that authors once had to in order to gain readers of their work. Although I never actually listened to a Taylor Swift song all the way through, her career and business ventures are proof that owning your work as a creative is the best way forward. Ownership should be the starting point, not the end goal of anyone who values creative control and fair, transparent payment for their creative work. So that is it for this week. I hope that illuminated the importance of owning your own work, especially if you are a writer or other creative. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Send us a textIn this episode of Performance Delivered, host Marshall Nyman sits down with Cornelius Frey, CEO of Nucleus Links, an AI-driven affiliate operations platform that's redefining the performance publishing landscape. Cornelius shares how his platform helps publishers streamline affiliate link management, optimize revenue, and drive results at scale — all powered by machine learning and smart automation.We dive deep into:How AI is transforming affiliate operations and content monetizationThe challenges performance publishers face — and how technology solves themPractical tips for affiliate teams looking to become more efficientThe future of affiliate marketing in a world of automationWhether you're a publisher, digital marketer, or affiliate leader, this conversation offers actionable insights and a look into where the industry is headed.About Cornelius Frey: Cornelius is the CEO of Nucleus Links, a cutting-edge platform designed to automate and optimize affiliate operations for publishers. With a background in data science and performance marketing, Cornelius is an expert in scaling monetization strategies through technology.Connect with Nucleus Links Website: nucleuslinks.com

Hi everyone! It's an honor to be interviewing the great Glynn Seal. Glynn is a UK-based TTRPG cartographer, layout artist, illustrator, writer, and publishes through MonkeyBlood Design & Publishing. He has won multiple ENnies for his cartography, and is an equally talented writer and artist. Kick back with a drink and join us for a few hours, as we get to know Glynn. Paid members of my channel get a special half hour with Glynn at the end! Join for just 99 cents a month. Link below to JOIN NOW!Here's a link to his flagship book, The Midderlands:https://www.drivethrurpg.com/en/product/245777/the-midderlands-expanded?src=hottest_filtered&affiliate_id=205060Here's the link to his Store:https://monkeyblooddesign.co.uk/store/GO SUBSCRIBE TO HIS YOUTUBE CHANNEL!https://www.youtube.com/c/MonkeyblooddesignCoUkMembership has its benefits! Members now get early access to videos now! Join for as little as 99 cents a month to get to see all the videos as soon as I upload them, often days ahead of everyone else. Channel Members saw this video early. Click Here to Join the Channel as a Member!https://www.youtube.com/channel/UCABv_juND7JHvVbJCjWjhlw/joinHere's my most viewed video of all time. :)https://youtu.be/bWRPXFJ8Bl8You can now listen to me on Spotify, Apple Podcasts, Locals, and Rumble, as well as YouTube. Links are below!Joe's Links:TikTok: https://www.tiktok.com/@analogmancaveDiscord: https://discord.gg/RHxTCq3mzTAnalog Mancave Facebook Group: https://www.facebook.com/groups/1331036104620724Substack: https://analogmancave.substack.com/Spotify: https://open.spotify.com/show/3NYr1znhg7i0aSQoyUcI6o?si=0c71530927984ea1Apple Podcasts: https://podcasts.apple.com/us/podcast/joethelawyers-analog-mancave/id1441356270Facebook: https://www.facebook.com/profile.php?id=100077311317522 Rumble: https://rumble.com/user/joethelawyerTwitter: https://twitter.com/analogmancave Twitch: https://www.twitch.tv/joethelawyerLocals: https://joethelawyersanalogmancave.locals.comEmail: analogmancave@gmail.com Instagram: https://www.instagram.com/analogmancave MeWe: www.mewe.com/i/joed15 Webpage: www.analogmancave.com

Host Peter S. Rose, MD, FAAOS, JAAOS Editor-in-Chief, and panelists Jeffrey S. Fischgrund, MD, FAAOS, JAAOS Research Editor, Gwo-Chin Lee, MD, FAAOS, JAAOS Global Editor-in-Chief, and Hans Koelsch, PhD, AAOS Director, Publishing, discuss the Journal of the American Academy of Orthopaedic Surgeons (JAAOS) and its transition to a fully digital format, starting January 1, 2026 Also discussed: an upcoming editorial in the final print issue (December 15, 2025), a new electronic table of contents feature, and new visual abstract feature to accompany articles The JAAOS Journal Club podcast series is brought to you by the Journal of the American Academy of Orthopaedic Surgeons and the AAOS Resident Assembly.

The first collection of essays from the author of the Life and Death of Psychoanalysis, Stay, Illusion! with Simon Critchley and Conversion Disorder, Disorganisation & Sex (Divided Publishing, 2022) is as much about our resistance to sexuality as it is about sex itself. Jamieson Webster continues to excite and disturb, turning to Lacan and the autotheoretical in her exploration of the deep roots of our libidinal ties and the ways in which we keep desire at bay in our efforts to lead tidier, more coherent lives. Part theory, part manifesto and part testimony, Webster calls for us as analysts to reinvent ourselves with our patients, as patients to take part in the poetry of our symptoms, and as institutions to create the conditions for something radical to happen in the transmission of psychoanalysis. While many in theory have turned toward the soma and the exterior, Webster has not given up on psychic interiority, her writing an attempt to avoid the trap of idealizing one while diminishing the other, or getting stuck in the reversal. We can wish for the new while remaining skeptical of the march of progress, and we can speak from the discourse of the patient while remaining connected to the discourse of the analyst. We can take risks even as we face loss, and seek pleasure even though there's no common satisfaction. Cassandra B. Seltman is a writer, psychoanalyst, and researcher in New York City. cassandraseltman@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textEver wonder how midwifery knowledge makes its way from practice to publication? This episode pulls back the curtain on the world of midwifery publishing with two luminaries who shape how we learn and share our profession's wisdom.We're joined by Dr. Melissa Avery, editor-in-chief of the Journal of Midwifery and Women's Health, and Dr. Julia Philippi, lead author of the foundational text Varney's Midwifery. These publishing powerhouses share their journeys and offer practical advice for midwives at every career stage who want to contribute to our collective knowledge."Your work doesn't do you," Dr. Avery reminds us. "Until we write about it and disseminate it, no one else is really benefiting from it." Both guests demystify the publishing process, from crafting that intimidating first draft to navigating peer review. Their message is refreshingly straightforward: just start writing. Whether you're considering a clinical case study for JMWH or wondering how textbooks like Varney's evolve to reflect contemporary practice, this conversation provides the roadmap you need.We explore the differences between journal articles and textbooks, the value of becoming a peer reviewer, and practical strategies like forming writing teams and protecting your writing time. For students and educators, Dr. Philippi offers fascinating insights into how midwifery texts might evolve to meet changing learning styles, potentially moving beyond the "eight-pound two-ounce textbook" to more interactive formats.Whether you're a student, new graduate, or seasoned midwife, this episode will inspire you to share your unique midwifery knowledge and experiences. Your voice matters—and with the right approach, it can strengthen midwifery care everywhere.#EveryMidwifeHasAStory #AcademicMidwife #GetPublished #MidwivesWhoWrite #TheScholarlyMidwife #TeamworkMakesTheDreamWork @jblearning @midwiferyandwomenshealth @juliaphillippi 

The Writers Advice Podcast is bought to you by Booksprout. Booksprout is my go-to platform to share my stories with readers to engage with reviewers before they are launched with the rest of the world. Head to booksprout to increase your online reviews today!This week on the Writers Advice Podcast I am joined by Author, Eleanor Elliott ThomasOn this episode Eleanor and I talk about:- Writing her first manuscript- Recommended writing courses- Getting a two book publishing deal- Becoming a full time writer- and all of his advice for up and coming writers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BILLIONAIRE ISLAND PAPERBACK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BILLIONAIRE ISLAND KINDLE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Get your copy of the Limited-Edition WRITERS JOURNAL⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠THE WRITING PROMPT CARDS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE WRITERS ADVICE FACEBOOK GROUP⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Become a part of my ARC TEAM HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join us on Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@writersadvicepodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Contact Me:⁠⁠⁠⁠⁠⁠⁠Website: oliviahillier.com⁠⁠⁠⁠⁠⁠⁠Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ @oliviahillierauthor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@oliviahillierauthor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Contact Eleanor: Website: ⁠The Opposite of Success — Eleanor Elliott ThomasInstagram: ⁠⁠⁠⁠@eleanorelliottthomas

Watch the video on YouTube: https://www.youtube.com/watch?v=smYxFdfqToQ"Echoes of the Canyon" is story taken from the book: Inspiring Native American Stories for Kids (2024) by Ahoy Publishing. It chronicles the journey of Whispering Wind, a young girl who finds courage and an appreciation of her heritage as she journeys alone in a forest. This special video adaption includes beautiful images of nature. #nativeamericanheritagemonth #nativeamerican #nativeamericanstories #nativeamericanculture #nativeamericanculture #storytime #storiesforkids #readaloud #readaloudforchildren #stories

Behind the walls of Mule Creek, Folsom, and San Quentin Prisons, fear takes on many forms, and not all of them are human. Former correctional officer Gregory Alan Cain shares true, spine-chilling accounts of unexplained events that occurred during his years working in California's most notorious prisons. From shadowy figures darting around, chattering voices in empty locked cells, to eerie experiences no one could explain, Gregory recounts moments that defy reason that had even the most seasoned officers questioning what they'd witnessed.Tune in for a rare glimpse into prison life after dark with Gregory Alan Cain, where history, tragedy, and the supernatural collide. Moments with Marianne Radio Show airs in the Southern California area on KMET 1490AM & 98.1 FM, an ABC Talk News Radio Affiliate! Listen live at: https://www.kmet1490am.com/Gregory Alan Cain is a retired California Correctional Peace Officer  and United States Navy veteran, with a distinguished 25-year career at Mule Creek, Folsom, and San Quentin State Prisons. In his seventeen years of Navy Reserve service, Greg served aboard the USS Ranger, USS Nimitz, and USS Carl Vinson, earning his Aircrew Wings (AC) as an Aircrewman on the C-130 Hercules. Cain now serves as the Chief Operating Officer of Cain's Legal Support and Cain & Co. Publishing, where he is a #1 International Published Author and continues his work in law as an Officer of the Court. https://gregoryalancain.comFor more show information visit: https://www.mariannepestana.com/

Jess here. Sarina and I discuss audiobook narration this week and explain how narrators get hired, paid, and dish some inside baseball on audiobook production. Transcript Below!Your subscription = good podcast karma. Sign up now to support the Podcast!SPONSORSHIP MESSAGEHey, listeners, did you know that we review first pages sent in by supporters every month on the pod? It's just one more reason you should be supporting Hashtag AmWriting, which is always free for listeners and ad free too. Please note that we will never pitch you the latest in writer supplements or comfy clothes for lap-topping. The good news is we're open for First Page submissions right now. If you've got a work in progress and you'd like to submit the first page for consideration for a Booklabs First Pages episode, just hit the support button in the show notes and you'll get an email telling you all the details. Want to hear a Booklabs episode. Current ones are for supporters only but roll your pod player back to September 2024 and there they'll be.EPISODE TRANSCRIPTIs it recording? Now it's recording—yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.Jess LaheyHey, welcome to the Hashtag AmWriting Podcast. I'm your host, Jess Lahey, and this is the podcast about getting all the words done, writing all the things, writing, short things, long things, proposals, queries, poetry, all the things. But today, Jess and Sarina are bringing you the book nerdery stuff, the best stuff. This is The Publishing Nerd Corner. I love this new segment. I'm super excited about it, but first, my name is Jess Lahey. I am the author of The Gift of Failure and The Addiction Inoculation. You can find my journalism out there various places, including The New York Times. And you can find my newsletter at jesslahey.substack.com.Sarina BowenAnd I'm Sarina Bowen, the author of many contemporary novels. My new one is called Thrown for a Loop, and it drops on November 4, and it also will be published that same day as an audio book.Jess LaheyWhoo so...Sarina BowenAnd that is what...Jess LaheyYeah, we're going to talk about audiobooks today, because Sarina knows so much about this—because she has to, like, hire her own narrator sometimes and stuff like that. All I know is, I narrated my own audiobook, and it was super fun, and I loved it. But we want to talk about all the aspects of how audiobooks work—all of it. There's lots of fun stuff to talk about. Where would you like to start, Sarina?Sarina BowenThat is a good question. So, most of the time, if you are selling your book to a big publisher, audio rights will be included in your contract, and your publisher is therefore responsible for making the audiobook. You might be consulted about the choice of narrators, and that audio will magically appear finished on your publication date. But if you are a self-published author, then the existence or not of your audiobook is completely under your control. Audio has been the shining star of publishing for the last decade in that it is the growth story. I'm not sure how that has worked the last couple of years, but audio was one of the only areas of traditional publishing that demonstrated double-digit growth for much of the last decade. A lot of that has to do with the popularity and availability of streaming as a way that people listen to these books. Obviously, the technology shift made a huge difference, but so did things like cellular networks that work well and buffer easily. So...Jess LaheyCan I add one little, tiny thing? There's been another reason that I think that audio has done so well, and that's the acceptance within the education world—thanks to researchers like, for example, Dan Willingham and other people who study the brain and how we process and learn—that audiobooks are reading. From a processing perspective, from a learning perspective, listening to audiobooks is reading, and anyone who is telling you otherwise is not looking at the science. And so, this has been an incredible way—when you look at kids, for example, neurodivergent kids, dyslexic kids, kids who need another way to take in the information. It used to be that audio was like, “Oh no, that's cheating,” and it is absolutely not cheating. So, I think that acceptance within the education world has been so great. And, you know, yes, it is a small part of the growth, but I do want to put that plug in there.Sarina BowenYeah. So, the way that, traditionally, audiobooks have been made is that a narrator goes into a booth and reads the book after having prepped it a bit in terms of maybe reading the whole book, maybe reading parts of the book, understanding what they're going to bring to the table. If it's fiction, then they'll be looking to see what are the major voices, because audio narrators change their delivery to indicate voices. And one thing that's interesting about the trend where we are in audio right now is that it's very trendy for a nonfiction author to read their own work if they're comfortable with it. That is widely done in nonfiction.Jess LaheyAnd it was one of my favorite parts of my process. And I have to say, nothing affected me more on an emotional level. I cried at the end of narrating both books. I had to pause at the very end—at the last couple, the last paragraph. It was such a moving experience for me to narrate my own book. And I have to say, it wasn't a slam dunk that they were going to let me do that. I, you know, I worked really hard to be able to do that, because for some people, that's just not their bag—it's not something that comes naturally to them. But it was, for me anyway, my favorite part of the process.Sarina BowenYeah, so if you had written a novel, though, we wouldn't be—Jess LaheyNo.Sarina Bowen—having that same conversation.Jess LaheyI'm not an actor. I don't have the chops for that.Sarina BowenWell, a lot of authors of novels don't understand this. It's not that they don't understand how their own book should sound and be delivered—it's that what they don't understand is that the way that novel audio sounds in 2025 is a specific trend in the way that readers want their books delivered. The books are very much acted. It wasn't always this way. There were times when audio really sounded more like somebody just reading—and that's okay. Like, there's lots of room for style in terms of the way that audio fiction works. But right now, the trend in audio fiction is very much a performance. And one way that you can see this—and it continues to expand as a trend—is the trend toward something called duet audio, which means, for example, in romance, if there's a male hero and a female heroine—and the way that most of my books work is that if the chapter is in the POV of a man, then the male narrator reads it. But of course, when he comes to a line of dialogue delivered in the heroine's voice, he softens his tone a bit to indicate that she's speaking, but he reads the whole chapter.Jess LaheyThey're always amazing—that's amazing to me when readers can do that. I mean, Davina Porter is the one that comes to mind—like, in the Outlander books, when she switches whose voice she's reading. She switches whose voice—it's down to the accent—and you don't for a second think, “Oh, that's the same person reading all of this.” And some of the narrators you use, Sarina, in your books—the same thing. My brain absolutely believes that I'm hearing a female voice versus a male voice. It's a really incredible talent.Sarina BowenYeah. In fact, if this is of interest to you, there is a book called Thank You for Listening by Julia Whelan.Jess LaheyIt's so good!Sarina BowenWho is one of the few who's been very successful as both an author and a narrator, and her book is a little bit of inside baseball about narrators. And it's a delight.Jess LaheyIt's fun. It's really fun.Sarina BowenOkay, so what I was just describing, though—where he reads a chapter and then she reads a chapter—we refer to that as dual narration (D-U-A-L). But there's a new trend called duet, whereby in the same book, he would read the chapter, but if there was a line of dialogue from a woman, the female narrator would read that line.Jess LaheyWhich is more similar to me in terms of how it feels with, like, ensemble narration. Like, for example, Lincoln in the Bardo had a full cast of many characters, and every part was someone different, and those actors would chime in with their parts. So, same—similar idea.Sarina BowenWell, sometimes, sometimes a “full cast” audiobook just means that there are lots of very short chapters or segments. But to have every single line of dialogue cut in is really different than just saying a book has a full cast.Jess LaheyThat's true. Actually, that's true.Sarina BowenSo the thing about duet specifically is that the engineering part of it—the post-production—is really expensive because the engineer has to cut together this script, and actually preparing the script is also a lot of work. So it's a pretty big deal to make a duet book. It's more expensive. The cost of making a one-POV narrator book or a dual book is between, let's say, $300 and $600 per finished hour.Jess LaheyWhat do you mean by that, Sarina?Sarina BowenSo, if you look at Audible right now, you can see the lengths of all of my audiobooks down to the minute. So it might say eight hours and thirty minutes. That means the finished length of that book is eight hours and thirty minutes. And the cost of making that book will be 8.5 times some number between $300 and $600. But if I did that book as duet, then it might be $1,000.Jess LaheyOkay, all right.Sarina BowenSo, every audiobook I've ever made cost between, like, three grand and seven grand. And if I were doing duet, then I would be hitting numbers more like $10,000.Jess LaheyAnd make no mistake—there are stars in the audiobook world who, like celebrities in films, can earn more per finished hour for their books. And that demand is really important because they have a vibe. There are fans of particular narrators who will listen to anything that narrator reads.Sarina BowenYeah, like my kids and I used to listen to audio narrated by Meryl Streep, and I'm sure she broke the curve for how much that cost per finished hour. But you should also know that the finished hour is not the same as how long it takes the narrator to do the job. So, if I'm paying a narrator $350 a finished hour, he is spending more time on that book, and his actual pay per hour is lower—like 150 bucks or whatever. It depends on his ratio of how fast he can narrate a book. And also, narrators' voices get tired. They can't narrate forty hours a week—although, actually, some of them probably do—but, you know, it's a hard job. So, if you're thinking, “I'm not going to pay someone $350 an hour to narrate my book,” you should know that it doesn't really work that way, and that really is the price for a reason.Jess LaheyAnd they're fun—just for some fun inside baseball things. Like, for both of my books, narration hours when we worked—our starting time in the morning was pushed up a little bit because no one wants to get an audiobook narrator right after they woke up. Your voice is not primed. Your voice has gunk in it. So, we would start later. You really could only go—you know, with my first book, I think we went until, like, three in the afternoon or something. You have to take a break for lunch, and then after you eat lunch, you get all these weird secretions, and it takes time to get back into it. There's just some weird stuff that I didn't count on—like it was better for me to be hungry (except then my stomach would make noises, which the microphones would pick up) than to stop and eat and have to get back in the groove. Because when you're in the groove, you kind of don't want to stop. There was just so much more to it than I ever anticipated. It was a blast, but it took me almost a whole week. We had scheduled five days for The Gift of Failure—it's like 78,000, 80,000 words, or something like that. We scheduled five full days; we ended up taking four. And I didn't have pickups for that book, but I did have pickups for The Addiction Inoculation. There was a lot more scientific language in that book that we had to do some pickups for. So, yeah, it's—Sarina BowenPickups means edit.Jess LaheyYeah. So, there were a couple days where I came in—and so I actually did The Addiction Inoculation during COVID. I was at a studio here locally in Vermont with my director, the producer of the audio in one ear of my headphones, and my producer from Harper in my other ear, in New York or wherever she was. We were working in a sound booth in Vermont. And, you know, in the evening, that producer would go over the audio and make sure that all of the words were pronounced correctly and everything was good. And then the next day, we would do pickups along with the new work as well.Sarina BowenRight. So, the editing that happens is really down to the word. Like, the engineer will sit there and, you know, go right into that space between the two words that you said and put the new thing in. And when a professional narrator is in the booth, they operate in a way that's called punch and roll, which means that they will stop when they make an error, go back—looking at that visual sine wave of the audio on their screen—find the pause between the words, go right to that spot, and then roll forward by hitting record again and then speaking the word that they meant to say.Jess LaheySome audiobook narrators use a clicker too. It's a way of being able to see on the wave where you, you know, might need to go back and figure something out.Sarina BowenYeah. So, um, there's a lot that goes into this. Humans make a lot of noises that we're trying not to hear. Like, some engineers will go in and dampen the breath sounds.Jess LaheyYeah. Yep.Sarina BowenYou know, they'll go in and take out the “heeeeh.”Jess LaheyActually, I had to change my clothes. My sweater was making too much noise. It turns out when I narrate, I use my arms a lot—so I actually had to learn how to narrate with my arms resting on the armrests but only using my lower arms. So, I look like the robot in Lost in Space with my little—my little—and also, my hair had to be up because my hair made noise too. And you can't wear jewelry, you know, like bracelets and things like that also make noise.Sarina BowenYep. And narrators all have stories like, “I can't eat Indian food before I narrate,” or “When I go in the booth after lunch, I strap pillows around my midsection.” Like all this stuff to make sure that the sound quality works. So, that brings us to a difficult topic in how audiobooks are made, which is that a lot of books are flooding the market with AI voices. And everybody's heard AI voices before—for example, if you've ever been on TikTok and you hear that weird, artificial female voice reading the—I don't even know how to explain it—but that's primarily why I never go on TikTok, because I cannot stand that artificial voice.Jess LaheyI listened to—I listened to an article yesterday with The New York Times that was AI-generated that was better than those awful TikTok voices, but still, you know—still AI.Sarina BowenYeah. So, I am not going to spend our time discussing whether those voices are good or not, but it has really gotten messy. At the beginning of AI narration, some platforms said, “No way, no how. We will never have one.” And then a lot of platforms suddenly allowed for it. So, there's lots of AI narration in the world, and it's causing real havoc, especially among people whose livelihoods are being affected by a drop in audio work. I really believe that the readers of my books care very much about the delivery, and it's hard for me to think that an AI voice could carry the kind of emotion that romance readers are looking for in an audiobook. So, I hope—I hope that audio listeners continue to demand quality, because it's a big deal.Jess LaheyAt least right now, your listeners—you know, they love Teddy Hamilton. Or, you know, there are audiobook narrators who are very specifically—people get excited when they see a particular narrator's voice attached to your work. And I think—and again, in Thank You for Listening, there's that good—she goes into great detail on that whole inside baseball of narrator fans. And like, Teddy Hamilton has fans—has a fan base. And I hope that persists, because I think there's real value in that. I hope there's real value in that, and I hope people continue to value it.Sarina BowenYeah, and I don't think that's going away anytime soon. People really aren't clamoring to see AI Meryl Streep on the screen at the movies—and, you know, paying a movie ticket price for that. And I believe that in narration land, yeah, it's the people coming up that will suffer the most—the newer narrators who don't have a fan base yet and are struggling to get work. So, yeah—anyway, that is one thing. And we could talk about how to get your book done in AI production now, but I think we won't, because...Jess LaheyYeah.Sarina BowenBecause that's, you know, not—you can figure that out yourself if that's interesting to you. But, um, I believe that humans are still the way to go here.Jess LaheyThere was an interesting note. So, when I said that I worked really hard to get the chops to narrate my own audiobook—I mean, I went to go work for Vermont Public Radio. I recorded these commentaries. And these commentaries that my producer taught me how to record—there was a really interesting note she gave me, which is that these commentaries are really short, like just a couple of minutes—less than three minutes. And one of the things she taught me is that when I'm reading these commentaries, if at the end I look up at my producer and smile and make eye contact with my producer that it makes the narrator be even more connected to the listener. And she's absolutely right. You could hear a difference in the commentary when I was making eye contact with my producer, and I find that fascinating and intangible and magic. There is a magic in that that I hope we do not lose with AI.Sarina BowenYes, absolutely—and that is a fantastic place to close this episode.Jess LaheyAbsolutely.Sarina BowenLet's not lose that magic.Jess LaheyIf there are things you would like us to talk about when it comes to the nerdery of publishing—in the Publishing Nerd Corner—if you're a huge fan of publishing nerdery, I also would love to recommend that you go over and follow Jane Friedman immediately, because she is such a great writer about the nerdery stuff in publishing. But we will continue to talk about it. If there are things you would like to know about, please let us know.But until next week, keep your butt in the chair and your head in the game.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output—because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Everything I (Don't) Know About Publishing with superstars Pip Harry and Kate Foster. They chat about the opaque publishing industry and the changes they'd like to see occur in the publishing industry. They discuss writing market versus writing an author wants to write, the importance of creatives having access to data, and balancing creativity with business. An episode not to be missed if you want to know more about publishing.

In this episode, Guy talked with Sheila Vijeyarasa. Sheila discussed the journey of discovering and nurturing her spiritual gifts, transitioning from a corporate career to becoming an author and transformation mentor. She shared key moments from her spiritual awakening, the challenges of embracing her truth, and the profound impact of her book 'Brave.' The conversation covered the importance of courage, intuition, and the constant pursuit of authenticity in one's life. About Sheila: Sheila has mastered the art of blending two diametrically opposite careers: she is a corporate leader as well as a spiritual teacher and mentor, medium and psychic reader. She holds an MBA and has fifteen years' experience in publishing and media preceded by a foundation of eight years' experience in chartered accounting and banking. She was also the CFO of a global publishing company.  Sheila is the founder of Empowering Intuition. Her natural mediumistic and psychic abilities were passed down through multiple generations in her family, and she cultivated those skills at the prestigious Arthur Findlay College. She immersed herself in learning reiki and multiple mindfulness techniques at Esalen with Dr Shauna Shapiro, and studied bhakti yoga and the Vedic teachings of Kripalu Maharaj. She was taught by world-renowned medium James Van Praagh at The Omega Institute and studied executive coaching and NLP with Tad James Co. Key Points Discussed:  (00:00) - Finance Director Turned Psychic Medium — I Hid My Truth Until It Nearly Destroyed Me! (00:45) - Republishing the Podcast: A New Beginning (01:26) - Meet Sheila: A Journey of Transformation (05:12) - Defining Mediumship: Connecting with the Other Side (09:26) - From Finance Director to Spiritual Awakening (12:22) - The Dark Night of Courage: Embracing Spirituality (19:59) - Discovering Mediumship: A New Path (23:27) - Arthur Finlay College: The Hogwarts of Mediumship (25:44) - Starting the Journey: Setting Up a Website (26:26) - First Steps into the Public Eye (27:17) - Embracing Psychic Abilities (29:05) - Developing Intuition and Psychic Skills (34:02) - Writing and Publishing a Book (41:44) - Morning Routines and Personal Insights (44:58) - Final Thoughts and Future Plans How to Contact Sheila Vijeyarasa:www.sheilav.co   About me:My Instagram: www.instagram.com/guyhlawrence/?hl=en Guy's websites:www.guylawrence.com.au www.liveinflow.co''

Watch this episode as a full video interview on YouTubePhoebe Morgan is the Executive Fiction Publisher at Simon & Schuster, with a career spanning major publishing houses including HarperCollins, Orion, Octopus Books, and Hodder & Stoughton. Specialising in crime fiction while also working across general and book club fiction as well as romantasy, she has published numerous Sunday Times, New York Times, and Kindle bestsellers. A passionate champion of new voices, she was shortlisted for Editor of the Year at the British Book Awards (2022) and has received both a Shooting Star Award (in association with The Bookseller) and a Trailblazer Award (with the London Book Fair). She also runs a very informative blog for authors called The Honest Editor, as well as being a successful author in her own right, with five novel published, the latest one being The Trip.We had a great chat with Phoebe, hearing all about how she first moved into publishing and what her day-to-day as an editor for one of the Big 5 publishing houses is really like. We also talk about the role of sales and marketing in publishing houses' decisions on what to acquire, hear about how book auctions work, and get into whether the mid-list is sometimes a neglected part of publishing.Links:Phoebe's websiteFollow Phoebe on InstagramVisit her Honest Editor siteSupport us on Patreon and get great benefits!: https://www.patreon.com/ukpageonePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky Hosted on Acast. See acast.com/privacy for more information.

Peter Taylor discusses his varied background in environmental science, his involvement in advising the UK government on renewable energy, and his skepticism toward the prevailing climate science consensus. He highlights issues within the scientific community, including data manipulation and the dismissal of alternative views on climate cycles and solar influence. Taylor also references his publications and collaboration with other scientists to refute the dominant narratives on climate change.00:00 Introduction and Guest Background01:13 Renewable Energy Challenges in the UK02:20 Questioning Climate Science03:31 Publishing and Public Reception06:47 Collaborations and Research Obstacles11:51 Global Renewable Energy Impact14:04 Analyzing Climate Data26:34 Historical Climate Cycles31:18 Political and Economic Implications33:30 Critique of Net Zero and Carbon Policies34:41 The Role of Al Gore and Carbon Investments35:06 Hydrogen and Solar Energy Perspectives35:21 Psycho-Spiritual Dimensions in Science35:50 Challenges in Scientific Communication37:00 Political Influence on Scientific Research37:50 Ignored Scientific Papers and Criticisms41:50 Gender Issues and Climate Science42:34 Fibonacci Series and Climate Cycles53:14 Future Climate Predictions58:51 Differences in Scientific Communities01:02:59 Final Thoughts and Contact InformationPeter's UK Column appearance: https://x.com/ukcolumn/status/1955986848930553951Peter's 2009 book “Chill: A Reassessment of Global Warming Theory”: https://a.co/d/21flB80Peter's June 2025 book, “Climate, Covid and Conspiracy” https://a.co/d/fKmMykB—Slides, summaries, references, and transcripts of my podcasts: https://tomn.substack.com/p/podcast-summariesMy Linktree: https://linktr.ee/tomanelson1

Ask & It Is Written founder and Write a Book in a Weekend creator Donna Kozik shows coaches and entrepreneurs how to publish fast and profit smart. Top 3 Value Bombs 1. Publishing quickly is possible with the right support system and streamlined processes; it's not about perfection, it's about professionalism. 2. Don't chase Amazon bestseller titles. Instead, use your book as a business card to sell yourself, your expertise, and your services. 3. Writing clarifies your message, but speaking it out loud builds confidence and helps you refine it further. Get Donna's free resource at the website - Book Planner Sponsors HighLevel - The ultimate all-in-one platform for entrepreneurs, marketers, coaches, and agencies. Learn more at HighLevelFire.com.

Want to get your book published and into the hands of readers? This episode is a must-listen! Host Ed Parcaut welcomes publishing expert Terry Whalin to break down the world of traditional, self, and hybrid publishing. Discover insider tips on making your book look professional, avoiding common pitfalls, and building a successful author platform. From industry stories and marketing strategies to the secrets behind bestsellers like "Chicken Soup for the Soul," Terry Whalin shares practical advice for navigating contracts, boosting book sales, and promoting your work—whether you're a first-time author or seasoned writer. Plus, learn why owning your book rights might matter more than you think. Ready to turn your book dreams into reality? Tune in now for actionable steps and resources to launch your publishing journey! **Contact Ed Parcaut:** -

Send Bidemi a Text Message!In this episode, host Bidemi Ologunde spoke with Derek Newton, an academic-integrity journalist, author, contributing writer, communications professional, and the founder of Verify My Writing (VMW). The conversation unpacked how AI-generated content is overwhelming editors, peer reviewers, and publishers—and how provenance-based verification can restore trust. They explore why detectors alone keep failing, practical disclosure norms for scientists and writers, and a playbook to protect credibility in the age of AI. Derek's work has appeared in The Atlantic, Forbes, NBC, USA Today, and many other outlets. Beyond writing, he's a leader in integrity and fraud: he delivered the keynote at the 2025 International Center for Academic Integrity conference and publishes The Cheat Sheet, a newsletter on cheating and authentic work that has released 400 issues and reaches roughly 5,000 subscribers. Support the show

Join The Writers Block for FREE!https://docs.google.com/forms/d/e/1FAIpQLScz-QRp8sbRIw2lPEKxl5Ceo9bnMAvP0PatHnh-b8KZd-UolA/viewform?usp=sf_linkGrab your free downloadable: https://sendfox.com/Strangeincorporated

Dr. Pernessa C. Seele, Founder and CEO of The Balm In Gilead, Inc., a not-for-profit organization, is a phenomenal trailblazer. Dr. Seele is celebrating over 38 years of providing vision and leadership in areas of technical support to strengthen the capacity of faith institutions in the United States and Africa to eradicate health disparities by promoting health education and services within their local communities.Born in the heart of the south, this Lincolnville native always shares a special love for South Carolina. Dr. Seele received her Bachelor of Science degree and Master of Science from Clark Atlanta University in 1976 & 1979, respectively, later receiving her Doctor of Humane Letters from the College of New Rochelle, NY, in 2007.As a pioneer and community activist, Dr. Seele is known for her work in forging public health & faith-based partnerships for engaging individuals in health promotion and disease prevention interventions. Time Magazine 100, who named Dr. Seele One of the Most Influential Persons in the World in 2006; Essence Magazine, in its 35 Anniversary issue, named Dr. P one of the 35 Most Beautiful and Remarkable Women In The World. Clark Atlanta University honored Dr. Seele with the 2008 Pathway of Excellence Award, citing her as one of its most outstanding graduates of all time. In May 2010, Dr. Seele was selected as 21 Leaders of the 21st Century of Women E-News in New York City.Dr. Seele is well known for her extraordinary vision and ability to create national and global partnerships among leaders of various cultures and religious doctrines in the areas of health. As a pioneer and community activist, Dr. Seele is known for her work in forging public health & faith-based partnerships for engaging individuals in health promotion and disease prevention interventions.She has worked with three US presidential administrations on issues of health in the United States and abroad. Dr. Seele was an invited guest of former President and First Lady Laura Bush for the State of the Union Address representing a symbol of President Bush's commitment to fighting HIV/AIDS in the world. In 2010, Dr. Seele was invited to participate in the Fortune TIME CNN Global Forum in Cape Town, South Africa, along with President William “Bill” Clinton and a host of international leaders and Fortune 100 chief executive officers to focus on challenges and solutions in the developing world.October 2017, His Eminence, Timothy Michael Cardinal Dolan, Archbishop of New York, bestowed the Pierre Toussaint Medallion upon Dr. Seele.Publishing her first book Stand Up to Stigma! How to Reject Fear & Shame in 2017. Dr. Seele is an honorary member of Alpha Kappa Alpha Sorority, Inc.

Hannah Jacobson is the founder of Book Award Pro, the industry-trusted platform for getting reviews and awards. The company operates the world's largest database of legitimate book accolades, serving thousands of authors globally. Hannah is the recognized authority on literary accolades and prestigious book recognition. She joins us to talk about book awards and how authors can benefit from them.//Draft2Digital is where you start your Indie Author Career//  Looking for your path to self-publishing success? Draft2Digital is the leading ebook publisher and distributor worldwide. We'll convert your manuscript, distribute it online, and support you the whole way—and we won't charge you a dime.  We take a small percentage of the royalties for each sale you make through us, so we only make money when you make money. That's the best kind of business plan.  • Get started now: https://draft2digital.com/• Learn the ins, the outs, and the all-arounds of indie publishing from the industry experts on the D2D Blog: https://Draft2Digital.com/blog  • Promote your books with our Universal Book Links from Books2Read: https://books2read.com  Make sure you bookmark https://D2DLive.com for links to live events, and to catch back episodes of the Self Publishing Insiders Podcast.

Eric Shanfelt teams up with Jez Walters from What's New in Publishing for a concise, no-nonsense update on the most important stories and developments impacting the future of publishing.In this session we cover:• OpenAI honoring robots.txt, but getting around it using Common Crawl.• Who is actually losing traffic from AI overviews ... and who is actually gaining traffic.• How publishers are making money by licensing their archives.• Nextdoor News accounts and Reddit Pro tools for publishers.• Third party cookies / Privacy Sandbox update and implications publishers.• The email deliverability bar is getting higher.• Looking to sell your media company? Buyers now expect a clear AI strategy.Key links:https://whatsnewinpublishing.substack.com/https://about.nextdoor.com/publishershttps://www.business.reddit.com/blog/reddit-pro-for-publishershttps://collingwood.group/the-collingwood-market-report/Learn more at https://nearviewmedia.com/

Having spent two years in jail, Sayeed and Halawa are relieved when the Court of Appeal make a ruling on their case. As they return home to their children, they hope life might begin to return to normal - but nothing about their lives is now normal. The DPP continues to pursue this case. A second trial takes place, before a third is scheduled - until the moment they've waited so long for, arrives - and everyone finally starts to believe them… If you have any information or knowledge about this story please email us documentaries@rte.ie or investigations@rte.ie or you can give us an anonymous tip via www.rte.ie/firstconvictionCredits: First Conviction is hosted by Ruth Negga. It's written and produced by Tim Desmond and Liam O'Brien working together with the RTÉ Investigates team of reporter Pam Fraher, producer Philip Gallagher, assistant editor Aoife Hegarty and Editor David Doran. Sound design by Ciarán Cullen. Sayeed's words are given voice by Steve Hartland and Halawa's by Esosa Ighodaro. Legal advice from Deirdre Ann Kelly & Eleanor Bleahene. Original music written by Mel Mercier & performed by Karl Nesbitt, Paul O'Donnell, Niwel Tsumbu, Clara Sanabras with the RTÉ Concert Orchestra conducted by Gavin Maloney. Orchestral String Arrangements by Áine Delaney. Music recording engineers, Donncha Moynihan and Ciarán Cullen. Studio voiceover recordings by Ronan Kelly. Readings are by Dawn Bradfield, Razib Chatterjee, Patrick Dunne, Gerry Gill and Louise Lewis. Production assistance from Shauna McGreevy and Nicoline Greer. Audio product support by Nigel Wheatley. Promo Producer, Fiona Savage. Marketing by Christopher Hayes and Maria Buckley. Design and creatives by Michael McKeon, Sean Malone, Scott Bryan, John Kilkenny and Darragh Treacy. Publicity by Laura Fitzgerald. Socials by James Hartigan & Kate Smyth. London recording engineer, Luke Nagy. Additional online editorial content by Anna Joyce. Publishing weekly.See omnystudio.com/listener for privacy information.

The_Mystery_of_a_Hansom_Cab_-_a_publishing_sensation

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Publishing this as I pack for tour lol see you soon!!!!!!!!  CHICAGO (11/9): Book event is sold out, but join us at Consignment Lounge around 7pm for extra books, merch, and hanging out.  MINNEAPOLIS (11/10): Join Tuck and Cassius Adair at Moon Palace Books! RSVP required, sign up here.  NYC (11/11): Join Tuck and LittlePuss Press at Sex Change from Hell! We'll be at Starr Bar from 8-11pm, no RSVP required.  SEATTLE (11/17): Join Tuck and Serena Hommes at Elliott Bay Book Company! RSVP here. PORTLAND (11/19): Join Tuck and Pansy at Kelly's Olympian! Tuck will be in conversation with Pansy frontwoman Vivian McCall, and we'll hear new tunes from Pansy and a few old tunes from Tuck's old band why not. Buy tickets here ($10 — all attendees will receive $5 off book/merch purchases) OAKLAND (11/20): Sold out — join waitlist here. Sex Change and the City is available now in book and pdf form :)