New Books in Literary Studies

How do comics cross boarders? In Latin American Comics in the Twenty-First Century: Transgressing the Frame James Scorer, a Professor of Latin American Studies at the University of Manchester, considers the rise of a distinctively Latin American comics culture, capturing the interconnections and differences as comics production have evolved in the region. The book covers a range of genres and comic forms, including physical and digital media, across Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, showing the importance of comics as a way of intervening in social and political struggles, as well as the joy and pleasure that they offer a diverse, and increasingly global readership. Listeners can also learn more about a broader project of studying Comics and race in Latin America as well as the previously published open access collection Comics Beyond the Page in Latin America Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The Brontës and the Fairy Tale (Ohio UP, 2024) by Dr. Jessica Campbell is the first comprehensive study devoted to the role of fairy tales and folklore in the work of Charlotte, Emily, Anne, and Branwell Brontë. It intervenes in debates on genre, literary realism, the history of the fairy tale, and the position of women in the Victorian period. Building on recent scholarship emphasizing the dynamic relationship between the fairy tale and other genres in the nineteenth century, the book resituates the Brontës' engagement with fairy tales in the context of twenty-first-century assumptions that the stories primarily evoke childhood and happy endings. Dr. Campbell argues instead that fairy tales and folklore function across the Brontës' works as plot and character models, commentaries on gender, and signifiers of national identity.Scholars have long characterized the fairy tale as a form with tremendous power to influence cultures and individuals. The late twentieth century saw important critical work revealing the sinister aspects of that power, particularly its negative effects on female readers. But such an approach can inadvertently reduce the history of the fairy tale to a linear development from the “traditional” tale (pure, straight, patriarchal, and didactic) to the “postmodern” tale (playful, sophisticated, feminist, and radical). Dr. Campbell joins other contemporary scholars in arguing that the fairy tale has always been a remarkably elastic form, allowing writers and storytellers of all types to reshape it according to their purposes.The Brontës are most famous today for Jane Eyre and Wuthering Heights, haunting novels that clearly repurpose fairy tales and folklore. Dr. Campbell's book, however, reveals similar repurposing throughout the entire Brontë oeuvre. The Brontës and the Fairy Tale is recursive: in demonstrating the ubiquity and multiplicity of uses of fairy tales in the works of the Brontës, Campbell enhances not only our understanding of the Brontës' works but also the status of fairy tales in the Victorian period. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The dynamic and interconnected ways Afghans and Iranians invented their modern selves through literature. Contrary to the presumption that literary nationalism in the Global South emerged through contact with Europe alone, Reading Across Borders: Afghans, Iranians, and Literary Nationalism (University of Texas Press, 2024) demonstrates how the cultural forms of Iran and Afghanistan as nation-states arose from their shared Persian heritage and cross-cultural exchange in the twentieth century. In this book, Aria Fani charts the individuals, institutions, and conversations that made this exchange possible, detailing the dynamic and interconnected ways Afghans and Iranians invented their modern selves through new ideas about literature. Fani illustrates how voluntary and state-funded associations of readers helped formulate and propagate "literature" as a recognizable notion, adapting and changing Persian concepts to fit this modern idea. Focusing on early twentieth-century periodicals with readers in Afghan and Iranian cities and their diaspora, Fani exposes how nationalism intensified—rather than severed—cultural contact among two Persian-speaking societies amidst the diverging and competing demands of their respective nation-states. This interconnected history was ultimately forgotten, shaping many of the cultural disputes between Iran and Afghanistan today. Aria Fani is an associate professor and director of Persian and Iranian Studies at the University of Washington in Seattle. He serves as the current deputy editor of Iranian Studies and is a co-investigator of the Translation Studies Hub at UW. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Belfast, good fences can make for bad neighbors. David Cunningham ( Wash U. sociologist, author of There's Something Happening Here and Klansville, U.S.A and frequent RTB visitor) joins John to speak about the Troubles and their aftermath with the brilliant Northern Irish novelist/essayist/memoirist Glenn Patterson. His fiction includes The International (1999) and Where Are We Now? but the conversation's main focus is his two collections of short non-fiction, Lapsed Protestant (2006) and Here's Me Here (2016). Glenn has lifetime of insights about the boundary markers and easy to miss shibboleths that define life in divided places--and in divided times. In Belfast, everyone learns to use words without being marked out: how do you avoid uttering "the one word that gets you killed"? But Troubles that go cold also have a way of heating up again, if we forget, as Glenn puts it, that you can choose who you are. China Mieville's brilliant novel The City and the City is, says Glenn, an allegory for places like Belfast itself, where you have to learn to “unsee” residents of "the other city" even in shared areas. That kind of unseeing, in fiction and in real life, leads to distorted mental maps. Glenn sees the so-called “softening” of the peace walls as among the most pernicious occurrences of the last 40 years, since softening coupled with notion that you simply belong to one of two "communities" is what makes real traffic, real conversation, harder to achieve. He and David agree that all over the world, in ways the echo Belfast although it is rarely spelled out, all sorts of invisible architectural extensions of the security and segregation apparatus hover unobtrusively. Glenn also riffs on the names people dream up for what might lie beyond a Belfast wall's other side, spinning off writer Colin Carberry's proposal: Narnia. Mentioned in the Episode “Love poetry: the RUC and Me” was Glenn's first nonfiction piece back inthe late 1980s. Robert McLiam Wilson: Glenn's friend and fellow Troubles novelist, whose work includes Ripley Bogle (1989). Eoin Macnamie's work includes Resurrection Man (1994). “The C-word” (2014) Glenn's wonderful essay on the trouble that starts when the word "community" gets subdivided into "communities." Padraic Fiacc, sometimes called ”the Poet oft he Troubles” finally has a blue historical marker. That makes Glenn ask why are there are so many "blue plaques" for combatants, so few for non-combatants? The interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman, Glenn compares Civil Rights in Northern Ireland in the 1960s with the US Civil Rights movement and with Paris 1968; the 70's bombing campaigns lines up with the actions of the Red Army Faction in Germany. Recallable Books Glennn says his inspiration to write on partition comes from reading Salman Rushdie's Shame and Midnight's Children. He also praises John Dos Passos USA trilogy. David interested in the long tail of a conflict and aingles out Glenn Patterson's own novel, The Northern Bank Job as well as Eoin McNamee The Bureau. Inspired by Glenn's account of how resident learn to see and unsee portions of Belfast, John praises Kevin Lynch's 1960 The Image of the City. Read the episode here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

With implications for the history of religion and art alike, an exploration of the lasting influence of Christian liturgy across a range of media. Light on Darkness: The Untold Story of the Liturgy (Reaktion Books, 2025) offers a captivating journey through the history of religious rituals in Western Europe, showcasing the profound impact of Christian liturgy on art, literature, music, and architecture. Through ten evocative stories, it explores medieval rituals and their cultural influence up to the present day, providing fresh insights into the enduring legacy of the liturgy as an expression of human emotion and religious experience. Accessible to all, this guide provides translations and explanations to uncover the hidden treasures of ancient rites and their lasting significance, appealing to those seeking a deeper understanding of Western liturgical traditions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Killing the Dead: Vampire Epidemics from Mesopotamia to the New World (Princeton UP, 2025) by Professor John Blair provides the first in-depth, global account of one of the world's most widespread yet misunderstood forms of mass hysteria—the vampire epidemic. In a spellbinding narrative, Dr. Blair takes readers from ancient Mesopotamia to present-day Haiti to explore a macabre frontier of life and death where corpses are believed to wander or do harm from the grave, and where the vampire is a physical expression of society's inexplicable terrors and anxieties.In 1732, the British public opened their morning papers to read of lurid happenings in eastern Europe. Serbian villagers had dug up several corpses and had found them to be undecayed and bloated with blood. Recognizing the marks of vampirism, they mutilated and burned them. Centuries earlier, the English themselves engaged in the same behavior. In fact, vampire epidemics have flared up throughout history—in ancient Assyria, China, and Rome, medieval and early modern Europe, and the Americas. Blair blends the latest findings in archaeology, anthropology, and psychology with vampire lore from literature and popular culture to show how these episodes occur at traumatic moments in societies that upend all sense of security, and how the European vampire is just one species in a larger family of predatory supernatural entities that includes the female flying demons of Southeast Asia and the lustful yoginīs of India.Richly illustrated, Killing the Dead provocatively argues that corpse-killing, far from being pathological or unhealthy, served as a therapeutic and largely harmless outlet for fear, hatred, and paranoia that would otherwise result in violence against marginalized groups and individuals. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Archivum (Pavillion Poetry at Liverpool UP, 2025) by Dr. Theresa Muñoz is a book – wise, funny and inventive by turn – that explores what it means to look at artefacts in an archive, and how these objects resonate with events in our lives. Imagined as a walk across Edinburgh, landmarks such as the Balmoral clock, National Library of Scotland, Meadows, Canongate Kirkyard and Water of Leith provide a meditative backdrop to the poems. The archives - in particular the archive of the writer Muriel Spark – are used to create a space to come to terms with the complexities of a life and how we in turn tell stories about ourselves: the depths of our familial relationships, relationship breakdowns and the death of a parent. What's found in the archive's boxes -- including recipes, telegrams, letters -- stirs and amplifies feelings of belonging, disorientation, triumph and grief. With a focus on women writers and interracial relationships, the book explores objects belonging to significant figures in the poet's imaginary: along with Spark, the actor Maggie Smith, poet Elizabeth Bishop, the 19th century slave owner's daughter Eliza Junor and psychotherapist Marie Battle Singer. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Which parts of life are serious, and which are a game? In Critical Games: On Play and Seriousness in Academia, Literature and Life (Manchester UP, 2025) Tim Beasley-Murray, an Associate Professor of European Thought and Culture and Vice-Dean (Innovation and Enterprise) for the Faculty of Arts and Humanities at University College London, offers a series of reflections on literature, culture, universities and society as both playful and serious. The book combines close reading of key figures in contemporary literature such as Emmanuel Carrère, set alongside playful and serious reflections on literary criticism, media, and academic careers and practice. A fascinating and eclectic text, the book is essential reading for literature and culture scholars, as well as for anyone seeking a defence of contemporary arts and humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Epic poetry, notably the Iliad and the Odyssey, stands as one of the most enduring legacies of ancient Greece. Although the impact of these epics on Western civilization is widely recognized, their origins remain the subject of heated debate. Were they composed in a single era or over the course of centuries? Were they crafted by one or by many poets? Do they reflect historical reality? These and other important questions are answered in this book. Michael Cosmopoulos, in The World of Homer: Archaeology, Social Memory, and the Emergence of Epic Greek Poetry (Cambridge UP, 2025), reconstructs the world of the Homeric poems and explores the interplay between poetry, social memory, and material culture. By integrating key insights from archaeology, philology, anthropology, and oral tradition, he offers a nuanced perspective of the emergence and early development of Greek epic. His wide-canvas approach enables readers to appreciate the complexity of the Homeric world and gain a deeper understanding of the intricate factors that shaped these magnificent poems. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Kathryn Robson's Beyond the Happy Ending: Imagining Happiness in Contemporary French Women's Writing and Film (Liverpool UP, 2025), happiness (and the question of how to define, measure and facilitate it) has become a key theme in political, economic and social discourses in recent decades in France and elsewhere, yet research on happiness in French culture and film has been limited. Given that happiness is clearly gendered, this book looks critically at the ways in which contemporary French women's writing and film give voice to and critique conceptions of happiness. Analysing French and francophone women's writing (including Nina Bouraoui, Hélène Cixous, Annie Ernaux, Camille Laurens, Leïla Slimani, Delphine de Vigan) and film (including Claire Denis, Céline Sciamma and Agnès Varda), I focus on five main areas: images of happiness in consumer and Internet culture; happiness and intimacy in the family and the home; queering happiness; migrated happiness, and happiness and ageing. Whilst the 'happiness turn' is problematic, the desire for happiness, however fraught, matters and I show how representations of happiness in contemporary French women's writing and film offer alternative conceptions of happiness that enable us to rethink happiness in more critical, diverse and inclusive terms. Author Dr. Kathryn Robson is a reader in French at Newcastle University and the author in 2019 of I Suffer Therefore I Am: Engaging with Empathy in Contemporary French Women's Writing and in 2004 Writing Wounds: The Inscription of Trauma in Post-1968 French Women's Life-writing. Host Gina Stamm is Associate Professor of French at The University of Alabama. Their research is concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Offering a fresh comparative lens, The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions (U Alberta Press, 2025) demonstrates how postcolonial writers have transformed the Bildungsroman from an eighteenth-century European genre meant to express local concerns around childhood development into one of the most cosmopolitan literary mediums for communicating overlapping concerns about global modernity. If literature is the crucial site where people find the language to convey their social experiences, this book reveals how the Bildungsroman now functions in the global world of letters to capture and bear witness to young people's varied interactions and responses to both local and global forces enveloping and shaping their lives. Chapters explore identity, sexuality, human rights, the climate crisis, neoliberal globalization, and a host of other issues in work from a wide range of postcolonial locations across Asia, Europe, Africa, the Americas, Australia, and New Zealand. Forging productive scholarly engagements between narratology and genre theory, the volume documents the aesthetic and thematic shifts that have accompanied the Bildungsroman in the past two centuries, particularly in the context of anticolonial, liberationist, and self-determination struggles from the mid-twentieth century onwards in the global south. With a very diverse array of essays from multiple continents, The Postcolonial Bildungsroman makes a crucial intervention to the existing scholarship on this influential genre and a unique contribution to the study of world literature. Contributors: David Babcock, Sarah Brouillette, Gregory Byala, Deena Dinat, Prathim-Maya Dora-Laskey, José-Santiago Fernández-Vázquez, Ericka A. Hoagland, Elizabeth Jackson, Feroza Jussawala, Andrew David King, Aruna Krishnamurthy, Simone Puleo, Peter Ribic, Arnab Dutta Roy, Craig Smith, Antonette Talaue-Arogo, Paul Ugor, Julieann, Veronica Ulin, Rachel Ann Walsh, Maria Su Wang, Bethany Williamson, Helena Wu, Julia Wurr. Arnab Dutta Roy is an Assistant Professor of English at Florida Gulf Coast University. His research lies at the intersection of postcolonialism, human rights theory, and modern South Asian literature, and his work has appeared or is forthcoming in journals such as Journal of Global Postcolonial Studies, South Asian Review, Comparatist, Genre, New Literary History, and others. He is the co-editor of two books on the postcolonial Bildungsroman: The Postcolonial Bildungsroman: Narratives of Youth, Representational Politics, and Aesthetic Reinventions (University of Alberta Press, 2025) and The Postcolonial Bildungsroman and the Character of Place (forthcoming with University of Nebraska Press, January 2026). In addition, he has co-edited a special issue of the Journal of World Literature titled Constructing the Other: Narrative Empathy and the Ethics of Border-Crossing in World Literature. He is currently working on a monograph titled Universalisms in South Asian Literature that draws on interdisciplinary work in postcolonial theory and human rights to analyze literary responses to colonialism from South Asia. At FGCU, he teaches both graduate and undergraduate courses on world literature and postcolonial theory. Gargi Binju is a PhD scholar at the University of Tuebingen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Since her death, Sylvia Plath (1932–1963) has become an endless source of fascination for a wide audience ranging from readers of The Bell Jar, her semiautobiographical novel, to her groundbreaking poetry as exemplified by Ariel. Beyond her writing, however, interest in Plath has also been fueled in part by the tragic nature of her death. As a result, a steady stream of biographies of Plath have appeared over the last fifty-five years that mainly focus on her death or contain projections of an array of points of view about the writer. Until now, little sustained attention has been paid to the influences on Plath's life and work. What movies did she watch? Which books did she read? How did media shape her worldview? In this meticulously researched biography The Making of Sylvia Plath (UP Mississippi, 2024), Carl Rollyson explores the intricate web of literature, cinema, spirituality, psychology, and popular culture that profoundly influenced Plath's life and writing. At the heart of this biography is a compelling exploration of William Sheldon's seminal work, Psychology and the Promethean Will, which Plath devoured in her quest for self-discovery and understanding. Through Plath's intense study of this work, readers gain unprecedented access to Plath's innermost thoughts, her therapeutic treatments, and the overarching worldview that fueled her creative genius.Through Sheldon as well as Plath's other influences, Rollyson offers a captivating survey of the symbiotic relationship between an artist and the world around her and offers readers new insights into the enigmatic mind of one of the most important writers of the twentieth century.   Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

What does contemporary China's diverse and exciting fiction tell us about its culture, and the relationship between art and politics? The Subplot: What China Is Reading and Why It Matters (Columbia Global Reports, 2022) by Megan Walsh takes us on a lively journey through a literary landscape like you've never seen before: a vast migrant-worker poetry movement, homoerotic romances by “rotten girls,” swaggering literary popstars, millionaire e-writers churning out the longest-ever novels, underground comics, the surreal works of Yu Hua, Yan Lianke, and Nobel-laureate Mo Yan, and what is widely hailed as a golden-age of sci-fi. Chinese online fiction is now the largest publishing platform in the world. Fueled by her passionate engagement with the arts and ideas of China's people, Walsh, a brilliant young critic, shows us why it's important to finally pay attention to Chinese fiction—an exuberant drama that illustrates the complex relationship between art and politics, one that is increasingly shaping the West as well. Turns out, writers write neither what their government nor foreign readers want or expect, as they work on a different wavelength to keep alive ideas and events that are censored by the propaganda machine. The Subplot vividly captures the way in which literature offers an alternative—perhaps truer—way to understanding the contradictions that make up China itself. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today I talked to Elliott Rabin about his book The Biblical Hero: Portraits in Nobility and Fallibility (Jewish Publication Society, 2020). Approaching the Bible in an original way—comparing biblical heroes to heroes in world literature—Rabin addresses a core biblical question: What is the Bible telling us about what it means to be a hero? Focusing on the lives of six major biblical characters—Moses, Samson, David, Esther, Abraham, and Jacob—Rabin examines their resemblance to hero types found in (and perhaps drawn from) other literatures and analyzes why the Bible depicts its heroes less gloriously than do the texts of other cultures. Matthew Miller is a graduate of Yeshivat Yesodei HaTorah. He studied Jewish Studies and Linguistics at McGill for his BA and completed an MA in Hebrew Linguistics at Queen Mary University of London. He works with Jewish organizations in media and content distribution, such as TheHabura.com and RabbiEfremGoldberg.org. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In the first major biography of Baldwin in more than a decade, James Baldwin: Living in Fire (Pluto Press, 2019), Bill V. Mullen celebrates the personal and political life of the great African-American writer who changed the face of Western politics and culture. As a lifelong anti-imperialist, black queer advocate, and feminist, Baldwin (1924-1987) was a passionate chronicler of the rise of the Civil Rights Movement, the U.S. war against Vietnam, Palestinian liberation struggle, and the rise of LGBTQ rights. Mullen explores how Baldwin's life and work channel the long history of African-American freedom struggles, and explains how Baldwin both predicted and has become a symbol of the global Black Lives Matter movement. Bill V. Mullen is Professor of English and American Studies at Purdue University. His specializations are American Literature and Studies, African American Studies, Cultural Studies, Working-Class Studies, Critical Race Theory and Marxist Theory. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Masculinity and Identity in Irish Literature: Heroes, Lads, and Fathers (Routledge, 2024) addresses Irish identity in Irish literature, especially masculinity in some of its forms through an interdisciplinary methodology. The study of language performance through literary analysis and corpus studies will enable readers to approach literary texts from both quantitative and qualitative perspectives, to take advantage of the texts' full potential as well as examining these same texts through the perspective of gender identity. This will be carried out through a specialised corpus composed of 18 novels written by twentieth- and twenty-first-century male Irish authors. Thus, the language and behaviour patterns of contemporary Irish masculinity can be found as part of these male characters' performance of identity. This book is primarily aimed at undergraduate and graduate students who wish to introduce themselves in the study of gender and identity in an Irish context as well as researchers looking for interdisciplinary methodologies of study. What is more, it can present researchers with varied options of analysis that corpus studies have not yet touched upon so thoroughly such as masculinity and Irish literature. As a monograph meant to show analysts new fields of study in Irish literature, this book will sell to academic libraries and can be used in MA courses. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In this episode Pat speaks with Dr Evie Kendal. Dr Evie Kendal is a bioethicist and public health scientist whose work focuses on emerging technologies. They discuss nostalgia TV, ectogenesis, and the uses and misuses of science fiction. A transcript of this episode will be available on the Concept : Art website here. Concept : Art is produced on muwinina Country, lutruwita Tasmania. Always was, always will be Aboriginal land. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In “[M]y ‘case' to work up': William Carlos Williams's Paterson” (William Carlos Williams Review, Volume 41, Number 2, 2024), Walter Scott Peterson argues that as a physician-poet Dr. Williams approaches his poetic material very much as he approaches his patients, and that the form of Paterson in particular is intentionally and actually reminiscent of the various forms taken by the medical case narrative, or “work-up.” This episode concerns the poet and physician William Carlos Williams, whose mother, Raquel Hélène Rose Hoheb Williams, was born and raised in Mayagüez, Puerto Rico. This conversation is part of the STEM to STEAM initiative, sponsored by the Teagle Foundation, that links medicine, science, technology and engineering to the sensibilities honed in the humanities—rethinking ways to blend and combine studies in literature, poetry, history, philosophy, and the arts as more central dimensions of technical preparation. The discussion explores the profound connection between medical humanities and poetry, highlighting how their combination enriches our understanding of patient care, fosters empathy, and humanizes the medical experience. Medical humanities is an interdisciplinary field combining arts, literature, philosophy and cultural approaches to the human condition—considering each of these as insights into the emotional and ethical dimensions of healthcare. Poetry can serve as a powerful tool for expressing the complex feelings and narratives that often go unspoken in clinical settings. Blending poetry and the science of healthcare reminds us that medicine is not just a science but also an art, emphasizing compassion, understanding, and the shared human experience at the heart of healing. In this episode are: Walter Scott Peterson is a retired ophthalmologist and William Carlos Williams scholar; he is the author of the first book-length study of William Carlos Williams's epic poem Paterson, titled An Approach to Paterson (Yale, 1967). Vamsi Koneru is a Professor in the Department of Psychiatry in the University of Connecticut School of Medicine. Jeffrey Herlihy-Mera, Professor of Humanities at the University of Puerto Rico-Mayagüez. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien's warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture. In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur's round table and in Shakespeare's A Midsummer Night's Dream, in the terrible era of the witch trials, in magic's peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why is it so difficult to account for the role of identity in literary studies? Why do both writers and scholars of Indian English literature express resistance to India and Indianness? What does this reveal about how non-Western literatures are read, taught, and understood? Drawing on years of experiences in classrooms and on U.S. university campuses, Ragini Tharoor Srinivasan explores how writers, critics, teachers, and students of Indian English literatures negotiate and resist the categories through which the field is defined: ethnic, postcolonial, and Anglophone.Overdetermined: How Indian English Literature Becomes Ethnic, Postcolonial, and Anglophone (Columbia UP, 2025) considers major contemporary authors who disavow identity even as their works and public personas respond in varied ways to the imperatives of being “Indian.” Chapters examine Bharati Mukherjee's rejection of “ethnic” Americanness; Chetan Bhagat's “bad English”; Amit Chaudhuri's autofictional literary project; and Jhumpa Lahiri's decision to write in Italian, interspersed with meditations on the iconicity of the theorists Gayatri Chakravorty Spivak, Homi Bhabha, and Edward Said. Through an innovative method of accented reading and sharing stories and syllabi from her teaching, Srinivasan relates the burdens of representation faced by ethnic and postcolonial writers to the institutional and disciplinary pressures that affect the scholars who study their works. Engaging and self-reflexive, Overdetermined offers new insight into the dynamics that shape contemporary Indian English literature, the politics of identity in literary studies, and the complexities of teaching minoritized literatures in the West. Ragini Tharoor Srinivasan is assistant professor of English at Rice University. Her books include the essays What is We? (2025) and the coedited Thinking with an Accent: Toward a New Object, Method, and Practice (2023), and her public writing has appeared in numerous venues. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1907, eight years before she published her first novel, a twenty-five-year-old Virginia Woolf drafted three interconnected comic stories chronicling the adventures of a giantess named Violet—a teasing tribute to Woolf's friend Mary Violet Dickinson. But it was only in 2022 that Woolf scholar Urmila Seshagiri discovered a final, revised typescript of the stories. The typescript revealed that Woolf had finished this mock-biography, making it her first fully realized literary experiment and a work that anticipates her later masterpieces. Published here for the first time in its final form, The Life of Violet blends fantasy, fairy tale, and satire as it transports readers into a magical world where the heroine triumphs over sea-monsters as well as stifling social traditions.In these irresistible and riotously plotted stories, Violet, who has powers “as marvelous as her height,” gleefully flouts aristocratic proprieties, finds joy in building “a cottage of one's own,” and travels to Japan to help create a radical new social order. Amid flights of fancy such as a snowfall of sugared almonds and bathtubs made of painted ostrich eggs, The Life of Violet upends the marriage plot, rejects the Victorian belief that women must choose between virtue and ambition, and celebrates women's friendships and laughter.A major literary discovery that heralds Woolf's ambitions to revolutionize fiction and sheds new light on her great themes, The Life of Violet: Three Early Stories (Princeton UP, 2025) is first and foremost a delight to read. This volume features a preface, afterword, notes, and photographs that provide rich historical, literary, and biographical context. Urmila Seshagiri is Distinguished Professor of Humanities and Professor of English at the University of Tennessee, Knoxville. She is the author of Race and the Modernist Imagination, the editor of the Oxford World's Classics edition of Virginia Woolf's Jacob's Room, and a contributor to the Los Angeles Review of Books. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Ways of Knowing: Oral Histories on the Worlds Words Create (Litwin Books, 2025) sits at the heart of the library project, shaping how materials are described and organized and how they can be retrieved. The field has long understood that normative systems like Dewey Decimal and Library of Congress do this inadequately and worse, deploying language and categories that are rooted in white supremacy, patriarchy, and U.S. imperialism. In Ways of Knowing, Emily Drabinski and Amanda Belantara present unique and timely oral histories of alternative thesauri created in response to the inadequacies and biases embedded within widely adopted standards in libraries. The oral histories tell the stories behind the thesauri through the narratives of the people who created them, revealing aspects of thesauri work that ordinarily are overlooked or uncovered. The set of oral histories included in the volume document the Chicano Thesaurus, A Women's Thesaurus, and Homosaurus. Drabinski and Belantara recorded hour-long oral histories with two representatives from each project, documenting the origins of each thesaurus, the political and social context from which they emerged, and the processes involved in their development and implementation. Introductory essays provide a context for each thesaurus in the history of information and activism in libraries. The book and accompanying digital files constitute the first primary source of its kind and a unique contribution to the history of metadata work in libraries. Capturing these stories through sound recording offers new ways of understanding the field of critical cataloging and classification as we hear the joy, frustration, urgency, and seriousness of critical metadata work. Find the Ways of Knowing project online at https://waysofknowing.org/. This interview also makes reference to Sorting Things Out: Classification and Its Consequences by Geoffrey C. Bowker and Susan Leigh Star, available open access from MIT Press. Amanda mentioned her online exhibit about the Chicano Studies Library, available at https://bibliopolitica.org/. Amanda Belantara is Assistant Curator at New York University Libraries. Emily Drabinski is Associate Professor and librarian at the City University of New York. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba's Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

When does comedy become more than a laugh? Ben Mangrum of MIT joins RtB to discuss his new book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford UP, 2025), which in some ways is organized around “the intriguing idea that human knowledge work is our definitive feature and yet the machines we are ourselves made are going to replace us at it.” Comedy has provided a toolbox (Charles Tilly calls them "collective repertoires") for responding to the looming obsolescence of knowledge workers.John's interest in Menippean satire within science fiction leads him to ask about about the sliding meanings of comedy and its pachinko machine capacity; he loves the way Ben uses the word and concept of doubling,; Ben explains how the computer may either queer (in an antisocial way) or get assimilated into romantic heteronormative pairings. John asks about Donna Haraway's 1985 A Cyborg Manifesto and teh way it denaturalizes gender roles and the way new technological affordances (from the Acheulean axe that Malafouris discusses to the Apple watch) redefine human roles. Ben delves into the minstrelsy pre-history of the photo-robots going as far back as the late 19th century. They unpack the distinctively American Leo Marxian optimism of The Machine in the Garden (1964) that spreads back as far as the proto-robots like The Steam Man of the Prairies(1868) and good old Tik-Tok in the Wizard of Oz novels. John asks about double-edged nature of Ben's claim that comic “genericity provides forms for making a computationally mediated social world seem more habitable, even as it also provides Is for criticizing and objecting to that world." First you get description says Ben--and then sometimes critique. John asks about the iterability of the new: how much of what seems new actually New New (in the sense of that great 1999 Michael Lewis book, The New New Thing)? Mentioned in the episode: The Desk Set a play William Marchand and a movie starring Katherine Hepburn. How might a computer be incorporated into the sociability of a couple? Her (Spike Jonze,, 2013) computer meets human makes the rom-com into a coupling machine. WarGames (1983( ends with Matthew Broderick and Ally Sheedy (not Ione Skye—silly John!) paired. But also with Broderick and the formerly deadly computer settling down to “how about a nice game of chess”? Black Mirror as the 2020's version of the same dark satire as the 1950's Twilight Zone. John asks about Stanislaw Lem's Cyberiad, and the comic coupling of Kirk and Spock and the death-as-computer comedy of Douglas Adam's Hitchhiker's Guide to the Galaxy (1979). Leo Marx, The Machine in the Garden (1964). Dave Eggers: the joke structure as critique in The Circle and The Every. John Saybrook wrote in the New Yorker about an eye-opening conversation with Bill Gates in 1994. Istvan Csicsery-Ronay's Seven Beauties of Science Fiction on the “fictionalization of everyday life" Recallable Books: Elif Batuman The Idiot (2017) Richard Powers, Plowing the Dark (2000) Sally Rooney, Conversations with Friends (2017) Listen and Read here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Step into the unsettling world of E.T.A. Hoffmann with translator Peter Wortsman to explore “The Sandman”—a tale that haunted Freud enough to spark his famous psychoanalytic analysis of “The Uncanny,” examining familiar things that unsettle and disturb us for no clear reason. What makes this bizarre story so deeply disturbing, even today? And how does Hoffmann's genius, in all of his writing, continue to shape the way we think about the unfamiliar, and the blurry line between human and machine? Our guest for this show is New York-born Peter Wortsman, a renowned translator of Kafka, Kleist, Musil and others, playwright, and author, whose travel memoir Ghost Dance in Berlin won the Independent Publishers Book Award. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Speranza: Poems by Jane Wilde (Liverpool UP, 2025) by Dr. Eibhear Walshe and Dr. Eleanor Fitzsimons is the first contemporary edition of the poetry of Jane Wilde, née Elgee, who also wrote as Speranza. Speranza was, in her time, renowned worldwide, with essays, poetry and translated work published in Ireland, England, America and beyond. She was a key figure in the nationalist Young Ireland movement of the 1840s, and her poetry records the hardship experienced by the Irish people - famine and migration in particular. She was also an early advocate for women's rights, who campaigned for the admission of women to higher education. This edition, which contains several previously unpublished poems, will make the poetry of this emblematic figure in nineteenth-century Irish writing accessible to a contemporary audience for the first time. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The structural and symbolic purposes of ruins in literary texts have a long history, yet few scholars explore their importance within J. R. R. Tolkien's legendarium. From the ruins of Erebor and the relics of Gondolin appearing in The Hobbit to the various images of Amon Sûl, Moria, and Osgiliath in The Lord of the Rings, Tolkien constructs a distinct mood-one that captures characters' awareness of the glories of the past and a desire to emulate them. The scholars who do engage Tolkien's relics and ruins tend to limit the scope to Tolkien's debt to the Middle Ages. While such scholarship begins important conversations, the full story of Tolkien's relics and ruins is left untold. Tolkien's Medievalism in Ruins: The Function of Relics and Ruins in Middle-earth (Bloomsbury, 2025) takes corrective action and expands this historical and critical literary scope. This collection seeks to promote a more comprehensive approach to Tolkien's legendarium. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The difficulty of Jacques Lacan's thought is notorious. The Cambridge Introduction to Jacques Lacan cuts through this difficulty to provide a clear, jargon-free approach to understanding it. The book describes Lacan's life, the context from which he emerged, and the reception of his theory. Readers will come away with an understanding of concepts such as jouissance, the objet a, and the big Other. The book frames Lacan's thought in the history of philosophy and explains it through jokes, films, and popular culture. In this light, Lacan becomes a thinker of philosophical importance in his own right, on a par with Jean-Paul Sartre and Simone de Beauvoir. Lacan's great contribution is the introduction of the unconscious into subjectivity, which results in a challenge to both the psychoanalytic establishment and to philosophers. The Cambridge Introduction to Jacques Lacan provides readers with a way of understanding the nature of Lacan's contribution. Todd McGowan teaches theory and film at the University of Vermont. He is the author of Embracing Alienation, The Racist Fantasy, Emancipation After Hegel, Capitalism and Desire, and Only a Joke Can Save Us, among other books. He is also the cohost of the Why Theory podcast with Ryan Engley. Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California and Associate Professor at California Institute of Integral Studies. She can be reached at contact@helenavissing.com. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period (Routledge, 2023). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

By Touch Alone: Blindness and Reading in Nineteenth-Century Culture (U Michigan Press, 2025) by Dr. Vanessa Warne demonstrates how reading by touch not only changed the lives of nineteenth-century blind people, but also challenged longstanding perceptions about blindness and reading. Over the course of the nineteenth century, thousands of blind people learned how to read by touch. Using fiction, essays, letters, and speeches authored by blind readers, By Touch Alone traces the ways in which literacy changed blind people's experiences of education, leisure, spirituality, and social engagement. Analyzing records of activism and innovation as well as frustration, this study documents the development of an inkless book culture shaped by blind readers' preferences and needs. While By Touch Alone features the writing and ideas of an understudied community of nineteenth-century blind authors, innovators, and activists, it also engages the work of sighted authors such as George Eliot and Rudyard Kipling to explore the culture-wide effects of reading by touch. The emergence of a new category of readers who did not rely on sight to read prompted sighted people to reimagine blindness and adopt more progressive attitudes toward blind people. In our own era, one characterized by the increasing digitization of our reading lives, Vanessa Warne's exploration positions scholars and blind readers to navigate present-day developments and shape the future of their reading lives. A carefully contextualized study of how reading by touch shaped Victorian culture, By Touch Alone adds new chapters to the history of disability and reading. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcast Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Plato is a key figure from the beginnings of Western philosophy, yet the impact of his lived experience on his thought has rarely been explored. Born during a war that would lead to Athens' decline, Plato lived in turbulent times. In Plato: A Civic Life (Reaktion, 2025), Carol Atack explores how Plato's life in Athens influenced his thought, how he developed the Socratic dialogue into a powerful philosophical tool, and how he used the institutions of Athenian society to create a compelling imaginative world. Accessibly written, this book shows how Plato made Athens the place where diverse ideas were integrated into a new way of approaching the big questions about our lives, then and now. Carol Atack teaches classical Greek and ancient philosophy at the University of Cambridge. She is the author and coauthor of two books, most recently Anachronism and Antiquity. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

How is it possible to be a subject when faced with oppression? The revolutionary thought and work of French novelist and lesbian thinker Monique Wittig are today in dialogue with feminist and LGBTQIA+ analyses and politics. Her materialist theorization of lesbianism subfuses contemporary feminism and queer political and social movements. By proposing a detailed analysis of heterosexuality as a total political regime, Wittig as a theorist, writer, and activist opens up the possibility of a world beyond the categories of sex and gender, founded on a new definition of the human. This book acts as a roadmap to help us reach such a horizon. Sara Garbagnoli and her co-author Natacha Chetcuti-Osorovitz situate Wittig within array of feminist movements of the 20th century and explain why her theories are so pertinent in today's political landscape. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's You Say, I Say: Staying Alive with Literature, Language, and Friendship (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2014, an article in the Brown alumni journal rekindled their connection. It sparked an exchange of emails that gradually blossomed into this book-an extended dialogue between two old friends on poetry, life, the passage of time, and the power of the written word. In You Say, I Say, Waxler and Beckman trade observations, opinions, questions, and arguments about the ways in which literature transforms, challenges, disturbs, and inspires us. Spurred by lifetimes largely dedicated to "deep reading," they debate the meaning and value of works ranging from Dante's Inferno and Shakespeare's King Lear to Tolstoy's Death of Ivan Ilych; the poems of Wordsworth, Blake, Coleridge, and Keats; and the works of T.S. Eliot, Kafka, Beckett and Joyce. They often uncover new and surprising facets of classic works in the glare of post-modern experience. And they even exchange a couple of new poems-their own work-triggering reflections on the creative process and its many unexpected twists. Along the way, Waxler and Beckman delve into questions that have haunted generations of readers and critics. And they reveal, directly and indirectly, how encounters with literature have shaped their intellects and their lives.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Namibia's colonial history casts a long shadow over the country's present. Contemporary authors and artists confront the legacies of German and South African colonial rule and engage creatively with the persistent remnants of the past. In their works, the archive remains both an invaluable and fraught resource for accessing obscured histories.  In Troubling Archives: History and Memory in Namibian Literature and Art (Transcript, 2025) Julia Rensing examines how writers and artists from Namibia and South Africa navigate archival silences, omissions, and power structures to renegotiate historical narratives and address intergenerational trauma. Their creative practices challenge conventional understandings of archives and forms of commemoration, highlighting the diverse experiences that shape Namibian society and memory cultures. This book is available open access. Download a free PDF from the publisher's website. Some of the artists and artworks discussed in this book and interview include: Ulla Dentlinger's Where are you from? ‘Playing White' under Apartheid Tshiwa Trudie Amulungu's Taming My Elephant Vitjitua Ndjiharine, including the installations Ikono Wall/Mirrored Reality and s We Shall Not Be Moved Nicola Brandt, including The Crushing Actuality of the Past and the video installation Indifference  André Brink's novel The Other Side of Silence Julia Rensing is a postdoctoral researcher at the Centre for African Studies at the University of Basel, Switzerland. Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba's Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon's life and craft. Within the book's pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody's Coming of Age in Mississippi, Welty's One Writer's Beginnings, Jesmyn Ward's Men We Reaped, and Natasha Trethewey's Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon's humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Textual Life: Islam, Africa, and the Fate of the Humanities (Columbia University Press, 2025), is a groundbreaking book that recasts the role of knowledge in the making of a colonial and postcolonial nation. It makes a case for a new literary and intellectual-historical approach to Islam in Africa. The Senegalese Muslim scholar Shaykh Musa Kamara (1864–1945) wrote History of the Blacks, a monumental history of West Africa, in a time when colonial discourses asserted that Africans lacked both writing and history. He sought to publish a bilingual Arabic and French edition of the book by working with humanists in colonial institutions, but the project was ultimately undermined by the disregard of the French state. Textual Life considers Kamara's story as a parable about the fate of the humanities amid epistemic and technological change. Wendell H. Marsh argues that Kamara's scholarship reflected what he calls the textual attitude, an orientation to the world mediated by reading. Colonial humanists shared this attitude even while upholding racial and religious hierarchies, and they took an interest in African texts and traditions. The bureaucrats and technocrats who succeeded them, however, disdained such dialogue—for reasons that bear a striking resemblance to the algorithmic antihumanism that is ascendant today. Drawing on Kamara's body of work, colonial archival documents, and postcolonial knowledge production within Senegal, Textual Life offers a decolonial vision of the humanities. By engaging with African and Muslim intellectual resources, Marsh shows how thinkers like Kamara who were subjected to colonialism can help us find a future after empire. Wendell Marsh is Associate Professor of African Literature and Philosophy at Mohammed VI Polytechnic University. Madina Thiam is Fannie Gaston-Johansson Assistant Professor of History and Africana Studies at Johns Hopkins University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The #metoo movement has forced many fans to consider what they should do when they learn that a beloved artist has acted immorally. One natural thought is that fans ought to give up the artworks of immoral artists, but according to Mary Beth Willard, it's hard to find good reasons to do so. In Why It's OK to Enjoy the Work of Immoral Artists (Routledge, 2021), she contends that because most boycotts of artists won't succeed, there's no ethical reason to do so most of the time. She then argues that canceling artists is ethically risky because it encourages moral grandstanding. In this interview, Allison Leigh talks to Mary Beth Willard about the differences between enjoyment and engagement when it comes to immoral artists, as well as whether we should enjoy artworks that have immoral outlooks and behaviors embedded in them. Their conversation ranges from the problems associated with collective versus individual actions, the positive effects that giving up the work of immoral artists may have for shifting cultural norms, and the distinction between public and private enjoyment. Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Since the beginning of the twentieth century, modern Chinese intellectuals, reformers, revolutionaries, leftist journalists, and idealistic youth often crossed the increasing gap between the city and the countryside, which made the act of "going to the countryside" a distinctively modern experience and a continuous practice in China. Such a spatial crossing eventually culminated in the socialist state program of "down to the villages" movements during the 1960s and 1970s. What then was the special significance of "going to the countryside" before that era? Yu Zhang explores the cultural representations and practices of this practice between 1915 and 1965, focusing on individual homecoming, rural reconstruction, revolutionary journeys, the revolutionary "going down to the people" as well as going to the frontiers and rural hometowns for socialist construction. As part of the larger discourses of enlightenment, revolution, and socialist industrialization, the act of going to the countryside entailed new ways of looking at the world and ordinary people, brought about new experiences of space and time, initiated new means of human communication and interaction, and generated new forms of cultural production. Going to the Countryside: The Rural in the Modern Chinese Cultural Imagination, 1915–1965 (U of Michigan Press, 2020) argues that this new body of cultural productions did not merely turn the rural into a constantly changing representational space; most importantly, the rural has been constructed as a distinct modern experiential and aesthetic realm characterized by revolutionary changes in human conceptions and sentiments. Through her close examinations of the practice, Yu Zhang shows a fundamental epistemic shift in modern China and ultimately how it creates a new aesthetic, social, and political landscape. Jing Li teaches Chinese language and modern Chinese literature and film. Her research focuses on rural China and independent cinema. She is developing a public humanities project on Chinese rural cinema, and serves as guest editor for the Chinese Independent Film Archive (CIFA). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Bradley Gorski, a literary and culture scholar, examines the breakneck commercialization of Russian book publishing and of Russian literature more broadly – in the wake of the collapse of the Soviet Union. In the early 1990s, thousands of new publishers emerged, up from a mere two hundred at the Soviet Union's end. The notion of the “bestseller” quickly came to dominate the new market, fueling he rise of immensely popular genres such as detective novels, including its zhenskii variety (detective novels written by women and featuring female sleuths. Gorski artfully weaves together the evolution of the book market - from the chaos of the early post-Communist years to the near-monopoly in the 2000s - with literary analysis of some of the most prominent post-Soviet authors. At early stages, post-Soviet literature often reflected a degree of optimism about the Western ideal of personal liberty and embraced what sociologist Boris Dubin called a Russian version of the “American success story”. In recent years, however, the Russian literary market has taken a distinctly illiberal turn, exemplified by the writer Zakhar Prilepin, a bestselling author turned jingoistic patriot who fought in the Donbas region of Ukraine and inspired many of his admirers to join the front.  Cultural Capitalism: Literature and the Market after Socialism (Northern Illinois University Press, 2025) Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Do you know the legends of the giants who ruled England before the first human kings? What about the demon dog Black Shuck who terrorized sixteenth-century Norfolk? Or the many times the Devil has tried to get his way before being outwitted by everyday people? England's historic counties are overflowing with folklore, and this collection of 39 stories from the hit podcast Three Ravens reimagines dozens of classic tales in surprising, spooky, and often hilarious ways. Filled with tales of ghosts, mermaids, half-forgotten heroes, bloody legends and more, The Three Ravens Folk Tales: New tellings of half-forgotten stories from England's 39 Historic Counties (The History Press, 2025) by Eleanor Conlon and Martin Vaux spans centuries, styles, tones and narrators, making it perfect for bedtimes, reading by torchlight, or curling up on the sofa to enjoy with a mug of something hot. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

RtB loves the present-day shadows cast by neglected books, which can suddenly loom up out of the backlit past. So, you won't be shocked to know that John has also been editing a Public Books column called B-Side Books. In it, around 50 writers (Ursula Le Guin was one) have made the case for un-forgetting a beloved book. Now, there is a book that collects 40 of these columns. Find it as your local bookstore, or Columbia University Press, or Bookshop, (or even Amazon). Like our podcast, B-Side Books focuses on those moments when books topple off their shelves, open up, and start bellowing at you. The one that enthralled Merve Emre (Wesleyan professor and author ofsuch terrific works as The Personality Brokers) was a novella by the luminous midcentury Italian pessimist, Natalia Ginzburg. And if you think you know precisely why a mid-century Italian writer would have a dark and bitter view of the world (already thinking of the Nazi shadows in work by Italo Calvino, Primo Levi and Giorgio Bassani) Ginzburg's The Dry Heart will have you thinking again. Merve Emre, Ginzburg fan and B-Side author Merve started her piece, and we started this 2023 conversation, by asking that age-old question: “When should a woman kill her husband?” Mentioned in This Episode J. W. Goethe, Sorrows of Young Werther (1774) Michael Warner, “Uncritical Reading” Natalia Ginzburg. The Little Virtues (personal essays that do not stage an excessive evacuation of the self, but instead triangulate between reader, writer and object of concern…) Elena Ferrante, The Neapolitan Novels Fleur Jaeggy, Sweet Days of Discipline and These Possible Lives Rachel Ingals Mrs. Caliban (1982) Read transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Graphic Refuge: Visuality and Mobility in Refugee Comics (Wilfred Laurier University Press, 2025) by Dr. Dominic Davies & Dr. Candida Rifkind is the first in-depth study of comics about refugees, asylum seekers, migrants, and detainees by artists from the Global North and South. Co-written by two leading scholars of nonfiction comics, the book explores graphic narratives about a range of refugee experiences, from war, displacement, and perilous sea crossings to detention camps, resettlement schemes, and second-generation diasporas. Through close readings of work by diverse artists including Joe Sacco, Sarah Glidden, Don Brown, Olivier Kugler, Jasper Rietman, Hamid Sulaiman, Leila Abdelrazzaq, Thi Bui, and Matt Huynh, Graphic Refuge shows how comics challenge dominant representations of the displaced to bring a radical politics of refugee agency and refusal into view. Beyond simply affirming the “humanity” of the refugee, these comics demand that we apprehend the historical construction of categories such as “citizen” and “refugee” through systems of empire, settler colonialism, and racial capitalism. The comics medium allows readers not only to visualize the lives of refugees but also refocuses the lens on citizen non-refugees—“we who can sleep under warm cover at night”, as Vinh Nguyen writes in his foreword—and interrogates their perceptions, aspirations, and beliefs. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Taking recent spectacular progress in AI fully into account, Mark Seligman's AI and Ada: Artificial Translation and Creation of Literature (Anthem Press, 2025) explores prospects for artificial literary translation and composition, with frequent reference to the hyperconscious literary art of Vladimir Nabokov. The exploration balances reader-friendly explanation (“What are transformers?”) and original insights (“What is intelligence? What is language?”) with personal and playful notes, and culminates in an assortment of striking demos The book's Preface places the current AI explosion in the context of other technological cataclysms and recounts the author's personal (and not always deadly serious) AI journey. Chapter One (“Extracting the Essence”) assesses the potential of machine translation of literature, exploiting Nabokov's hyperconscious literary art as a reference point. Chapter Two (“Toward an Artificial Nabokov”) goes on to speculate on possibilities for actual artificial creation of literature. Chapter Three (“Large Literary Models? Intelligence and Language in the LLM Era”) explains recent spectacular progress in Generative Artificial Intelligence (GenAI), as exemplified by Large Language Models like ChatGPT. On the way, the chapter ventures to tackle perennial questions (“What is intelligence?” “What is language?”) and culminates in an assortment of striking demos. In this episode, Ibrahim Fawzy sat with Mark Seligman to talk about how the current AI revolution fits into the long arc of cultural and technological shifts, Seligman's framing of the “Great Transition” between Humanity 1.0 and 2.0, Nabokov's style as a lens for thinking about artificial creativity, the possibilities and limits of machine translation and literary artistry, and the philosophical stakes of whether AI-generated works can ever truly be considered art.Ibrahim Fawzy is an Egyptian literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Slow motion is everywhere in contemporary film and media, but it wasn't always so ubiquitous. How did slow motion ascend to the dubious honor of becoming our culture's least "special" effect? And what does slow motion — a trick secured paradoxically through the camera's ever-racing speeds of capture — tell us about the temporalities and trajectories of modernity?  Mark Goble, Professor of English at the University of California, Berkeley, takes up these questions in his latest book Downtime: The Twentieth Century in Slow Motion (Columbia UP, 2025), out now from Columbia University Press. In this conversation with Alix Beeston, Mark shares from his fascinating account of slow motion across film, art, and literature in the twentieth- and twenty-first centuries. For Mark, slow motion is a key index of a period of capitalist, ecological, political, and cultural crisis that we're still enduring — but that we hope will one day, however slowly, come to an end.  Tracking bodies and things as they move fast and slow at once also prompts new reflections on the value of the time that academic labor takes, the nature of its uneven rhythms and contingencies, and why dad jokes, witty asides, and extended bits on the impotence of Clyde in the classic 1968 film Bonnie and Clyde might turn out to be essential to scholarly writing.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies