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2 episodes with laurie san martin
American composer Laurie San Martin writes music that creates a compelling narrative by exploring the intersection between texture and line. Critics have described her music as exuberant, colorful, forthright, high octane, tumultuous, and intricate. This piece's title, "nights bright days" is borrowed from Shakespeare's Sonnet 43, and reflects its late-night composition. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34687]
American composer Laurie San Martin writes music that creates a compelling narrative by exploring the intersection between texture and line. Critics have described her music as exuberant, colorful, forthright, high octane, tumultuous, and intricate. This piece's title, "nights bright days" is borrowed from Shakespeare's Sonnet 43, and reflects its late-night composition. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34687]
American composer Laurie San Martin writes music that creates a compelling narrative by exploring the intersection between texture and line. Critics have described her music as exuberant, colorful, forthright, high octane, tumultuous, and intricate. This piece's title, "nights bright days" is borrowed from Shakespeare's Sonnet 43, and reflects its late-night composition. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34687]
American composer Laurie San Martin writes music that creates a compelling narrative by exploring the intersection between texture and line. Critics have described her music as exuberant, colorful, forthright, high octane, tumultuous, and intricate. This piece's title, "nights bright days" is borrowed from Shakespeare's Sonnet 43, and reflects its late-night composition. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34687]
After meeting Laurie San Martin, one this country’s most important ebullient composers, we experience the lightness of a classical great — the seldom-heard 8th Symphony of Beethoven — and conclude with Leonard Bernstein’s extraordinary and poignant Symphony No. 3 (Kaddish), with chorus, soprano soloist and narrator. The Bernstein piece, named for the Jewish prayer for the dead, was dedicated to the late President John F. Kennedy and premiered in the days after of his assassination in 1963. It is a reflection simultaneously on the loss of a president and the loss of a generation of European Jews. It is powerful music, but also hopeful. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34005]
After meeting Laurie San Martin, one this country’s most important ebullient composers, we experience the lightness of a classical great — the seldom-heard 8th Symphony of Beethoven — and conclude with Leonard Bernstein’s extraordinary and poignant Symphony No. 3 (Kaddish), with chorus, soprano soloist and narrator. The Bernstein piece, named for the Jewish prayer for the dead, was dedicated to the late President John F. Kennedy and premiered in the days after of his assassination in 1963. It is a reflection simultaneously on the loss of a president and the loss of a generation of European Jews. It is powerful music, but also hopeful. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34005]
Chris Froh on marimba performs Laurie San Martin's Linea Negra for the UC Davis Department of Music.
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