Podcasts about symphony no

There are so many great apocryphal stories in the long history of classical music, from the reason Tchaikovsky wrote his Sixth Symphony to what famous composers supposedly said on their deathbeds, to my favorite story: how Joseph Haydn's Symphony No. 96, The Miracle, got its name. Apparently, during the premiere of the symphony, a chandelier fell, but miraculously didn't hit anyone. Hence, The Miracle Symphony. The chandelier did, in fact, fall, but we now know it happened during the premiere of Haydn's Symphony No. 102, which has no nickname. Coincidentally, or perhaps not so coincidentally, the 96th Symphony is performed far more often than the 102nd, likely because of its nickname, even though it's the nickname of the wrong symphony. The Barber Violin Concerto has a great and true story behind it. But before certain information was revealed in 2010, the story everyone knew was quite different. The original version goes like this: Barber had completed the first two movements of his Violin Concerto and sent them to the soloist scheduled to premiere the work, Iso Briselli. Briselli didn't like the concerto, claiming it wasn't virtuosic enough, and asked Barber to write something more difficult. Barber, perhaps with an evil laugh, obliged and returned with the third movement. When Briselli received it, he realized he couldn't play it because of its extreme difficulty and ultimately withdrew from the premiere, which instead went to violinist Albert Spalding. It's a perfect “Icarus flying too close to the sun” kind of classical music story, but as it turns out, it isn't the full story. In 2010, letters were released between Barber, Briselli, and the real instigator in this little operetta, Briselli's violin teacher, Albert Meiff. I'll get into the whole story later, but it's a good one, even if it's not quite as cinematic as the legend. More important than the dispute over its last movement is the remarkable beauty and creativity of this masterful 20th-century concerto. Barber's Violin Concerto is one of my favorite pieces to play and to conduct, and it has charmed audiences ever since its premiere. It features Americana music of a kind only Copland could equal, as well as a heartbreaking oboe solo that might be one of the greatest moments in the history of American classical music. And then there's that pesky third movement, a challenge to every violinist (and orchestra) and a movement that remains controversial for many reasons.

1 / 4 MDJ Script/ Top Stories for October 8th Publish Date: October 8th Commercial: From the BG Ad Group Studio, Welcome to the Marietta Daily Journal Podcast. Today is Wednesday, October 8th and Happy Birthday to R.L. Stine I’m Keith Ippolito and here are the stories Cobb is talking about, presented by Times Journal 1. Man falsely accused of Walmart kidnapping reportedly seeking $25 million in damages 2. Atlanta tenor Timothy Miller launches St. Catherine’s community concert series on Oct. 19 3. Roger Hines publishes debut book All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe! BREAK: INGLES 7 STORY 1: Man falsely accused of Walmart kidnapping reportedly seeking $25 million in damages Mahendra Patel just wanted to help. That’s what he thought he was doing back in March at a Walmart in Acworth—helping a woman he assumed was disabled, struggling to manage two kids in a motorized cart. Instead, he was accused of trying to kidnap her child. What followed was a nightmare: Patel was arrested, denied bond, and spent 46 days in jail. He lost 17 pounds, endured threats from inmates, and was denied his medication. All for what? A misunderstanding. Surveillance footage later cleared his name, showing Patel calmly shopping, finding Tylenol, and leaving the store. Now, he’s suing Acworth for $25 million. STORY 2: Atlanta tenor Timothy Miller launches St. Catherine’s community concert series on Oct. 19 Mark your calendars: local tenor Timothy Miller will take the stage at St. Catherine’s Episcopal Church in Marietta on Oct. 19 at 3 p.m. as part of The Friends of Music concert series. You’ve probably heard Miller’s powerful voice before—maybe during the seventh-inning stretch at a Braves game, belting out “God Bless America.” But his talent goes far beyond that. From Verdi’s Aida to Gershwin’s Porgy and Bess, and even Beethoven’s Symphony No. 9, Miller’s resume is as impressive as it is diverse. The concert is free (yes, free!), with donations welcome. No tickets needed—just show up early for a good seat. STORY 3: Roger Hines publishes debut book 2 / 4 Roger Hines has released his first book, The Hard and the Beautiful: Life in a Family of Seventeen Children, and it’s as heartfelt as the title suggests. In this memoir, Hines—child number 16 of 17—paints a vivid picture of growing up in rural Mississippi. Life was tough: tenant farms, cotton fields, and the weight of poverty. But it was also rich, thanks to faith, laughter, and the unshakable love of his parents, Walter and Levie Hines. “Poverty doesn’t have to be a dead end,” Hines says. “We were poor, but we were rich in all the ways that matter.” The book is available now on Amazon and at local retailers. We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info. We’ll be right back. Break: INGLES 7 STORY 4: Police: Intoxicated man made false bomb threat at Johnnie MacCracken’s James E. Lusk, 29, of Marietta, allegedly called in a fake bomb threat to Johnnie MacCracken’s Celtic Firehouse Pub late on Sept. 26—because, according to police, he was drunk and angry. Not exactly a great combo. The arrest warrant also claims Lusk grabbed a woman by the arm during the incident, leaving her in pain. He was arrested three days later and charged with simple battery, false public alarm, and filing a false crime report. Lusk spent a few hours in the Cobb County jail before being released on Sept. 30 on a $10,000 bond. STORY 5: Home Depot hosts Kidde’s Cause for Alarm Home Safety Event On Oct. 4, Kidde teamed up with The Home Depot and iHeartMedia to host a lively fire safety event at The Home Depot on Roswell Road in Marietta. Part of Kidde’s Cause For Alarm campaign, the day was all about raising awareness for fire and carbon monoxide safety—and making homes safer, one alarm at a time. The event kicked off with a Donation Drive-Thru “parade,” complete with fire trucks, gear, and local firefighters from Sandy Springs. Families enjoyed music, food, giveaways, and even met Homer, The Home Depot mascot. The goal? Donate up to $1 million in alarms. Break: 3 / 4 STORY 6: Liberty joins the lineup: Cobb County’s newest K-9 embarks on duty Meet Liberty, the newest (and furriest) member of the Cobb County Sheriff’s K-9 Unit. She’s an 11-month-old bloodhound with a nose for tracking—whether it’s missing people or suspects. But don’t let her serious skills fool you; she’s still a puppy at heart, with a love for stuffed animals (or, honestly, anything she can shred). Liberty is partnered with Deputy Barry Bales, a 17-year veteran who previously worked with K-9 Shax, now retired. “Liberty’s tracking abilities will be a huge asset,” said Sheriff Craig Owens. Expect to see her out and about soon—sniffing, serving, and stealing hearts. STORY 7: Marietta Square gets a seasonal makeover The Marietta Square’s looking a little creepier (and a lot more creative) this October, thanks to the 22nd annual Scarecrows on the Square competition. Local businesses, schools, nonprofits, and just plain crafty Marietta folks have all joined in, decking out scarecrows with everything from humor to heart. Judging happens this week, with winners—Best in Show and category champs—announced at HarvestFest on Oct. 18. HarvestFest kicks off at 9 a.m. in Glover Park, featuring arts and crafts, a pie-eating contest, costumes, and kid-friendly fun. We’ll have closing comments after this. Break: INGLES 7 Signoff- Thanks again for hanging out with us on today’s Marietta Daily Journal Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.mdjonline.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: ● www.ingles-markets.comSee omnystudio.com/listener for privacy information.

This Day in Legal History: O.J. “Not Guilty”On October 3, 1995, a Los Angeles jury returned one of the most controversial and widely watched criminal verdicts in American history: O.J. Simpson was found not guilty of the murders of his ex-wife, Nicole Brown Simpson, and her friend Ron Goldman. The trial, which lasted more than eight months, captivated the nation with its blend of celebrity, race, police misconduct, and media spectacle. The prosecution presented DNA evidence linking Simpson to the crime scene, while the defense, led by Johnnie Cochran, argued that Simpson was framed by a racist LAPD, particularly Detective Mark Fuhrman.Cochran's now-famous line — “If it doesn't fit, you must acquit” — referred to a moment when Simpson tried on gloves allegedly worn during the murders, and they appeared not to fit. The defense used that moment to cast further doubt on the prosecution's case. The jury deliberated for less than four hours before acquitting Simpson, prompting strong reactions across racial and social lines.The case exposed deep divisions in American society, particularly around race and policing. It also helped usher in the era of the 24-hour news cycle and reality-style courtroom coverage, with networks like CNN and Court TV devoting extensive airtime to the trial. The not-guilty verdict did not end Simpson's legal troubles: in 1997, a civil jury found him liable for wrongful death and ordered him to pay $33.5 million in damages.Apple confirmed it has removed the ICEBlock app and similar tools from its App Store following pressure from the Trump administration and Attorney General Pam Bondi. ICEBlock allowed users to report and track the locations of ICE officers through crowdsourced data. Bondi stated the app endangered law enforcement officers and crossed a line by facilitating potential violence.The Department of Justice supported the move, citing safety concerns. This action followed an exposé by right-wing influencer Laura Loomer, who outed the creator of a similar app, Red Dot, and accused the platforms of enabling violence against ICE agents. Loomer also claimed that a recent deadly shooting at a Dallas ICE facility involved the use of such tracking apps.Apple defended its decision, stating it aims to keep the App Store a “safe and trusted” space, and that ICEBlock violated policies by potentially enabling harm to law enforcement. The app's developer, Joshua Aaron, criticized the removal, comparing it to how apps like Apple Maps crowdsource speed trap locations. He argued that his app was protected by the First Amendment and that Apple's action was a concession to authoritarian demands.Tech Giant Apple Bows to MAGA Demands and Removes ICE Tracking AppsOpenAI filed a motion in federal court to dismiss a trade secret lawsuit brought by Elon Musk's AI startup, xAI. The lawsuit, filed in San Francisco, accuses OpenAI of deliberately poaching xAI employees to gain access to confidential information about Grok, xAI's chatbot, which the company claims surpasses ChatGPT in performance.OpenAI rejected the allegations, calling them baseless and part of Musk's “ongoing harassment” campaign against the company. In its filing, OpenAI argued that employees are free to leave xAI and work wherever they choose, and that it is within its rights to hire them. The company suggested xAI's legal actions are designed to cover up its internal struggles and inability to retain talent.This case is one of several legal battles unfolding between Musk and OpenAI. Musk has also filed a separate suit accusing OpenAI of abandoning its original nonprofit mission. In turn, OpenAI has countersued Musk for harassment. Meanwhile, xAI has sued Apple, claiming it colluded with OpenAI to suppress competition—an accusation both companies deny and are also seeking to dismiss.OpenAI's legal response characterized xAI's complaint as a distraction from its own failings and a tactic to slow down competitors in the heated race for dominance in the AI industry.OpenAI asks court to dismiss trade-secret lawsuit from Musk's xAI | ReutersU.S. District Judge Michael Simon recused himself from a case challenging President Donald Trump's decision to deploy Oregon's National Guard to Portland. The Trump administration had raised concerns over public comments made by Simon's wife, Representative Suzanne Bonamici, criticizing the deployment as a “gross abuse of power.” To avoid any appearance of bias, Judge Simon opted to step aside, stating the case should remain focused on its core constitutional and legal questions.The lawsuit, filed by Oregon Attorney General Dan Rayfield, seeks to block Trump's use of state National Guard troops, arguing it is illegal and driven by political motives. The complaint alleges Trump is exaggerating protest threats to justify federal overreach and seize control of state forces. The case has been reassigned to Judge Karin Immergut, a Trump appointee.Bonamici, whose district includes much of Portland, made her critical remarks during a press conference with Oregon Governor Tina Kotek. The Department of Justice cited her comments in its request for Simon's recusal, arguing they could undermine public confidence in judicial impartiality.A hearing is scheduled for Friday on Oregon's request for a temporary restraining order. Similar legal challenges are underway in California and Washington, D.C., where federal troop deployments have also faced pushback. A California judge previously ruled Trump's actions unlawful, but that decision is currently on hold pending appeal. The D.C. case remains unresolved.Judge recuses himself from Oregon National Guard case | ReutersThis week's closing theme is by Ludwig van Beethoven, a composer of some note.This week, we close with Franz Liszt's transcription (S. 464) of the first movement—Allegro con brio—from Beethoven's Symphony No. 1 in C major, Op. 21. Originally premiered in 1800, this symphony marked Beethoven's formal debut in the genre, and even in its first movement, we hear the young composer testing the boundaries of the Classical form inherited from Haydn and Mozart. The opening chords start in the “wrong” key—a bold harmonic gesture that signaled Beethoven's intent to shake things up, even as he worked within a familiar structure.Liszt, the great 19th-century virtuoso and composer, took on the monumental task of transcribing all nine of Beethoven's symphonies for solo piano. The transcription of the First Symphony, catalogued as S. 464, is part of that sweeping project. These arrangements were not simply meant to showcase Liszt's pianistic brilliance (though they certainly do); they were a way to bring Beethoven's orchestral works into the drawing rooms and salons of Europe—before widespread orchestral performance or recording technology.In Liszt's hands, the Allegro con brio becomes a brilliant piano showpiece, retaining the symphony's rhythmic drive, thematic clarity, and structural ingenuity. He translates orchestral texture into ten fingers with remarkable fidelity, using tremolos, arpeggios, and dramatic dynamic shifts to recreate the energy of strings, winds, and brass. The transcription is virtuosic but never flashy for its own sake—it's an homage from one revolutionary to another.Beethoven's First Symphony bridges the Classical and Romantic eras, and Liszt's solo piano version builds a new bridge, connecting orchestral grandeur to the intimacy of a single performer. It's a reminder of both composers' commitment to pushing musical expression forward. As you listen, you may forget it's just one person at a piano—Liszt makes the entire orchestra sing.We leave you this week not only with Beethoven's bold opening statement to the symphonic world, but with Liszt's brilliant act of translation—a distillation of power, wit, and elegance, all under a single keyboard.Without further ado, Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21 – the first movement. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Beethoven pushed the symphonic form in a new direction with this heroic work that sounds larger than the sum of its parts. John Banther and Evan Keely show you what to listen for, how it pushed boundaries in 19th-century music, the famous Napoleon dedication, and more!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

This week on The Sound Kitchen, you'll hear the answer to the question about exoplanets.  There's “The Listener's Corner” with Paul Myers,  the new quiz and bonus questions, and a lovely musical dessert to finish it all off, so click the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all! Facebook: Be sure to send your photos for the RFI English Listeners Forum banner to thesoundkitchen@rfi.fr More tech news: Did you know we have a YouTube channel? Just go to YouTube and write RFI English in the search bar, and there we are! Be sure to subscribe to see all our videos. Would you like to learn French? RFI is here to help you! Our website “Le Français facile avec rfi” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard. Go to our website and get started! At the top of the page, click on “Test level”, and you'll be counseled on the best-suited activities for your level according to your score. Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service, told me: “Bathe your ears in the sound of the language, and eventually, you'll get it”. She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it! Be sure you check out our wonderful podcasts! In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more. There's Spotlight on France, Spotlight on Africa, the International Report, and of course, The Sound Kitchen. We also have an award-winning bilingual series - an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service.  Please keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show.   Teachers take note!  I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below.  Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload! This week's quiz: On 19 July, I asked you a question about RFI English journalist Dhananjay Khadilkar's video and article about the study of exoplanets, or extrasolar planets, which are planets outside of our solar system. As you read in Dhananjay's article “Swiss exoplanet pioneer reflects on Earth's place in the cosmos”, Didier Queloz, along with Michel Mayor, discovered the first exoplanet orbiting a solar-type star in 1995, which ushered in, as Dhananjay wrote, a new era in astronomy and planetary science. The two scientists won the 2019 Nobel Prize in Physics for their work. Dhananjay met with Didier Queloz, who told him, and I quote: “Looking for exoplanets is essentially looking for us.” What did Professor Queloz mean by that? You were to send in the answer to this question: According to Queloz, what is the essential reason for studying other planets? The answer is, to quote Dhananjay Khadilkar's article: “In essence, by studying other planetary systems, scientists are holding up a mirror to our own. Are the conditions that led to Earth's habitability common or exceedingly rare? Is our solar system an outlier, or just one example among countless others?” In addition to the quiz question, there was the bonus question: “Is it up to the State, the government, to decide what is fair, or what is just?” Do you have a bonus question idea? Send it to us! The winners are: RFI Listeners Club member Dipita Chakrabarty from New Delhi, India. Dipita is also the winner of this week's bonus quiz. Congratulations, Dipita, on your double win. Also on the list of lucky winners is RFI Listeners Club member Pradip Basak from Kerala, India, and RFI English listeners Debashis Gope from West Bengal, India; Liton Rahaman Khan from Naogaon, Bangladesh, and Rashidul Bin Somor, the General Secretary of the Source of Knowledge Club, also in Naogaon. Congratulations winners! Here's the music you heard on this week's program: The allegro di molto from the Symphony No 38 in C Major (the “Echo” symphony) by Franz Joseph Haydn, performed by the Austro-Hungarian Haydn Orchestra conducted by Adam Fischer; “Space Ambient” produced by Space Relax; “The Flight of the Bumblebee” by Nikolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “Young at Heart” by Johnny Richards and Carolyn Leigh, sung by Connie Francis. Do you have a music request? Send it to thesoundkitchen@rfi.fr This week's question ... you must listen to the show to participate. After you've listened to the show, re-read Paul Myers' article “Dembélé and Bonmati win Ballon d'Or as PSG take team and coach prizes”, which will help you with the answer. You have until 20 October to enter this week's quiz; the winners will be announced on the 25 October podcast. When you enter, be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France Click here to find out how you can win a special Sound Kitchen prize. Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club. 

SynopsisIn all, Polish composer Krzysztof Penderecki completed eight symphonies, and in 2013, to celebrate his 80th birthday, there appeared a box set of recordings billed as his “complete symphonies,” all conducted by their composer. But while that “complete” set included Symphonies Nos. 1-5 and 7&8, it was missing No. 6. The reason? Although Penderecki had begun work on his sixth symphony years earlier, it remained unfinished when the set was issued.Fast forward to today's date in 2017 for the out-of-sequence premiere of Penderecki's Symphony No. 6, given in China by the Guangzhou Symphony Orchestra. The venue was apt, since the symphony was subtitled Chinese Poems, and included settings for baritone and orchestra of eight ancient Chinese poems — with a Chinese instrument, the erhu, providing solo interludes.Curiously, Penderecki chose to set German translations of the Chinese poems, translations published back in 1907 in the same collection Gustav Mahler had sourced for his unnumbered song-symphony Das Lied von der Erde, the Song of the Earth. And it's probably no coincidence that Penderecki's Symphony No. 6 sounds very much like he was trying to channel both the spirit and sound world of Mahler's early 20th century song-symphony into own his 21st-century one.Music Played in Today's ProgramKrzysztof Penderecki (1933-2020): Symphony No. 6 (Chinese Poems); Stephan Genz, baritone; Polish Chamber Philharmonic Orchestra Sopot; Wojciech Rajski, conductor; Accord ACD-270

In the second half of a special two part conversation, conductor Devin Patrick Hughes speaks with broadcaster and author John Suchet in Part 2 of a special two-part One Symphony series on Beethoven, based on Suchet's new book In Search of Beethoven: A Personal Journey. This episode explores Beethoven's life in Vienna — his patrons, performance venues, and independence as a composer. We also dive into his personal struggles, including his court battle for custody of his nephew Karl and his gradual onset of deafness, described as the “worst fate for a musician.” Through it all, Beethoven's music speaks of resilience and triumph. Suchet reminds us: “If I can overcome what I had, the worst fate that can befall a musician, you too can overcome.” Featured Music Includes: Wolfgang Amadeus Mozart Piano Concerto No 22 in E-flat Major, K. 482 I. Allegro. Performed by the English Chamber Orchestra featuring Murray Perahia on piano. Ludwig van Beethoven composed the rest of the featured music in this episode. Cello Sonata No 3 in A, Op. 69 II. Scherzo (Allego Molto). Performed by Mstislav Rostropovich on cello and Sviatoslav Richter on piano. Symphony No 3 Eroica in E-flat Major, Op. 55. I. Allegro con brio. Performed live by the Swedish Radio Symphony Orchestra conducted by Sergiu Celibidache.  Muzik zu einem Ritterballet (Music for a ballet of Knights), WoO 3. Jagdlied (Hunting Song), 6. Trinklied (Drinking Song), 4. Romanze (Romance). Performed by the Staatskapelle Berlin, conducted by Günther Herbig.  Symphony No 5. I. Allegro con brio. Performed by the Weiner Philharmoniker conducted by Carlos Kleiber.  Sonata No. 29 in B-flat Major, Op. 106 Hammerklavier. IV. Largo allegro resoluto. Performed live by Tatiana Nikolayeva.  Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo Performed by the Berliner Philharmoniker conducted by Herbert von Karajan.  Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Piano Sonata No. 26 in E-flat Major Op. 81a “Les Adiuex” I. Das Lebewohl, Adagio-Allegro. Performed by Tatiana Nikolayeva.  Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 “Moonlight:” III. Presto agitato. Performed by Emil Gilels.  Piano Sonata No. 17 in D minor, Op. 31 No 2. “Tempest”: III. Allegretto. Performed by Alfred Brendel.  Piano Sonata No. 28 in A Major, Op. 101. I. Etwas lebhaft, und mit der innigsten Empfindung. Performed by Emil Gilels.  

In this episode, we discuss recordings of “Campra: Requiem & Miserere” (Pentatone) by Les Arts Florissants / William Christie, “Nielsen: Clarinet Concerto, Helios & Symphony No. 5” (Chandos) by Alessandro Carbonare & Bergen Philharmonic Orchestra / Edward Gardner, “Pärt: And I Heard a Voice…” (ECM) by Ene Salumäe & Vox Clamantis / Jaan-Eik Tulve, “Synergy” (SteepleChase) by Paul Bollenback & Boris Kozlov, “Meet Me” (Irma Records) by Giovanni Perin, and “It's About Time” (Hollistic MusicWorks) by Jason Forsythe.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 228 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Campra: Requiem & Miserere” (Pentatone) Les Arts Florissants / William Christie https://open.spotify.com/album/0yFLY0ciVMUEODsfRGnGRp https://music.apple.com/us/album/campra-requiem-miserere/1823930052 https://music.amazon.com/albums/B0FG8FM712   “Nielsen: Clarinet Concerto, Helios & Symphony No. 5” (Chandos) Alessandro Carbonare, Bergen Philharmonic Orchestra / Edward Gardner https://open.spotify.com/album/7t7vZu630E0i1stsV0Py1M https://music.apple.com/us/album/nielsen-clarinet-concerto-helios-symphony-no-5/1832681518 https://music.amazon.com/albums/B0FJJDXMKF   “Pärt: And I Heard a Voice…” (ECM) Ene Salumäe, Vox Clamantis / Jaan-Eik Tulve https://open.spotify.com/album/339sCdFl3YBtB63YJV3yfJ https://music.apple.com/us/album/pärt-and-i-heard-a-voice/1826061393 https://music.amazon.com/albums/B0FHBDRY29   “Synergy” (SteepleChase)  Paul Bollenback, Boris Kozlov https://open.spotify.com/album/59j2rbwlkeEgvAwKTVZz9o No Apple Music https://music.amazon.com/albums/B0FL5GF4F1   “Meet Me” (Irma Records)  Giovanni Perin https://open.spotify.com/album/1VxqZylbY5htleA7a4JO1u https://music.apple.com/us/album/meet-me-feat-giulio-scaramella-alessio-zoratto-luca/1830456387 https://music.amazon.com/albums/B0FKTJ7T8K   “It's About Time” (Hollistic MusicWorks)  Jason Forsythe https://open.spotify.com/album/4O4z4oyEtRUetnIrE2y9Ek https://music.apple.com/us/album/its-about-time/1827830665 https://music.amazon.com/albums/B0FJ7NH2LJ    

This Day in Legal History: Lord Haw-Haw SentencedOn September 19, 1945, William Joyce—infamously known as “Lord Haw-Haw”—was sentenced to death by a British court for high treason. Joyce had gained notoriety during World War II for broadcasting Nazi propaganda over German radio to British audiences, aiming to demoralize Allied troops and civilians. Born in Brooklyn, New York, and raised in the UK and Ireland, Joyce later became a naturalized German citizen and an enthusiastic supporter of Hitler. His broadcasts, delivered in a nasal, sneering voice, opened with the phrase “Germany calling,” and earned him the derisive nickname "Lord Haw-Haw" from British listeners.After the war, Joyce was captured by British forces in Germany and brought back to the UK to stand trial. Despite his German citizenship, the court ruled that he had committed treason because he had held a British passport when he began working for the Nazis. His legal defense argued that he owed no allegiance to Britain at the time of the broadcasts, but the court held that possession of the passport created a duty of allegiance. The case raised significant questions about the limits of national loyalty and the reach of British treason laws.On January 6, 1946, Joyce was executed by hanging at Wandsworth Prison, becoming one of the last people to be executed for treason in the UK. The trial and execution were controversial, with some legal scholars and public commentators questioning the soundness of the court's interpretation of allegiance. Nevertheless, the sentence was seen by many at the time as a necessary response to one of the most prominent domestic collaborators of the war.The National Institute for Occupational Safety and Health (NIOSH), long considered a cost-effective and critical pillar of U.S. workplace safety, has been effectively dismantled under the Trump administration's 2025 restructuring efforts. The agency, a division of the CDC responsible for certifying N95 masks, studying firefighter deaths, and leading occupational health research, saw roughly 90% of its 1,000 staff receive layoff notices on April 1. This move paralyzed core programs, from black lung screenings to PPE certifications, halting NIOSH's role as both a public safeguard and a quiet corporate consultant. The sudden cuts sparked chaos: lab animals were euthanized, crucial research was frozen, and businesses warned of safety gaps and market instability.Many affected workers have since resigned or are stuck on administrative leave, while others remain in limbo as lawsuits challenge the legality of the terminations. Despite statements from HHS Secretary Robert F. Kennedy Jr. claiming essential functions remain intact, internal confusion and partial walk-backs—like budget proposals still seeking to slash 80% of NIOSH funding—suggest deeper dismantling intentions. Business leaders, labor unions, and safety advocates have united in rare bipartisan pushback, warning of long-term risks to both worker health and industrial standards.The agency's downfall is part of a broader campaign to weaken the federal workforce, spearheaded by Project 2025 architects and executed with sweeping firings, anti-DEI mandates, and deep budget cuts across agencies. Former government scientists describe the collapse of safety infrastructure as a slow, invisible crisis—where the full damage may not emerge for years. With morale shattered and talent fleeing, the future of U.S. workplace safety research is in jeopardy.Trump Team Derailed Corporate America's Most Valuable ConsultantTwo major elements of President Donald Trump's economic agenda—his global tariffs and his attempt to remove Federal Reserve Governor Lisa Cook—are now in the hands of the U.S. Supreme Court, raising pivotal questions about the scope of presidential power. The court has agreed to hear a challenge to Trump's use of the International Emergency Economic Powers Act (IEEPA) to impose sweeping tariffs, a law traditionally used to sanction hostile foreign actors, not manage trade. Arguments are set for November 5. Separately, Trump is seeking to fire Cook, claiming misconduct; however, critics argue this is a pretext for targeting her policy views and that doing so violates the 1913 law establishing the Fed's independence.Legal scholars warn that siding with Trump in either case could dramatically expand executive authority. Trump has already tested legal boundaries across immigration, diversity, and civil service policy. While lower courts have often blocked his initiatives, the Supreme Court—now with a 6-3 conservative majority including three Trump appointees—has frequently sided with him. The Cook case raises unprecedented constitutional questions, as no president has ever removed a Fed governor.Meanwhile, Trump's tariff actions have destabilized global trade relations and spurred economic uncertainty, though his allies argue they are central to his economic strategy. A decision favoring Trump in both cases could weaken institutional checks on executive power and erode the principle of independent monetary policy.Key parts of Trump's economic agenda now in Supreme Court's hands | ReutersIn Washington, D.C., immigrant neighborhoods like Mount Pleasant, Petworth, and Columbia Heights are pushing back against a surge in Immigration and Customs Enforcement (ICE) arrests under President Donald Trump's intensified immigration enforcement campaign. Local residents have begun organizing in real-time—using chat groups and in-person protests—to disrupt ICE detentions, including a recent case where bystanders successfully pressured officers to release a Guatemalan man. These actions reflect growing distrust and fear within largely Latino communities, where residents report increased racial profiling and aggressive policing.The Trump administration's recent declaration of a “crime emergency” in D.C., coupled with the federalization of local police and a heightened ICE presence, has heightened tensions, especially in areas with deep immigrant roots. Community members and advocacy groups say people are being targeted based on appearance or location, not criminal history. Businesses that once bustled with immigrant patrons are seeing sharp declines in foot traffic, as many residents now avoid public spaces out of fear.Federal officials defend the enforcement as targeting serious offenders, but critics point out that many arrests involve individuals without criminal records. A Supreme Court ruling this month has further enabled ICE to continue race- or location-based arrests. Meanwhile, residents like Yessica Gonzalez and Nelvin Rodriguez say the climate of fear is unlike anything they've previously experienced. The increased enforcement has not only disrupted lives but also strained local economies and community trust.Washington's immigrant neighborhoods push back against ICE arrests | ReutersThe U.S. Senate has confirmed John Squires, a veteran intellectual property attorney and former Goldman Sachs executive, as the new head of the U.S. Patent and Trademark Office (USPTO) under President Donald Trump. Squires takes over at a critical time, as the agency grapples with global competition from China and emerging legal challenges surrounding artificial intelligence in the patent process. His appointment follows a broad push by Senate Republicans to confirm a slate of Trump nominees despite Democratic opposition.Squires brings a deep background in both corporate and legal arenas, having worked on IP and tech issues at firms like Honeywell and most recently at Dilworth Paxson, where he focused on AI, blockchain, and cybersecurity. He has also taught at the University of Pennsylvania. His predecessor, Kathi Vidal, led the USPTO during the Biden administration and returned to private practice following Trump's 2024 election victory.The USPTO plays a vital role in the American innovation ecosystem, handling patent and trademark applications and advising the government on intellectual property policy. The agency's Patent Trial and Appeal Board frequently mediates high-stakes disputes over patent validity, especially in the tech sector. Squires steps into the role amid heightened political scrutiny, including a controversial Commerce Department order to review patents held by Harvard University as part of a broader White House campaign linked to campus antisemitism concerns.US Senate confirms Trump's pick to run US Patent and Trademark Office | ReutersThis week's closing theme is by Gustav Mahler.This week's closing theme comes from one of the most enigmatic works in the orchestral repertoire: Mahler's Symphony No. 7, specifically its haunting first movement, Langsam – Allegro risoluto, ma non troppo. Composed between 1904 and 1905 and premiered on September 19, 1908, this symphony marks a fascinating midpoint in Mahler's artistic evolution—bridging the lush Romanticism of his earlier works with the more fractured, modernist terrain of his later symphonies.The first movement opens with a dark, slow introduction featuring the eerie voice of the tenor horn, an instrument rarely heard in symphonic writing. Its strange, searching call sets a tone of unease, as if the music is emerging from shadow. What follows is a restless march full of contrasts—grim fanfares, lyrical episodes, and bursts of uneasy energy—all presented with Mahler's characteristic sense of orchestral color and irony.Unlike the more spiritual or pastoral moods of Mahler's other symphonies, the Seventh is often described as "problematic," even "nightmarish"—a label Mahler himself rejected. He referred to the symphony as a progression “from night into day,” and this opening movement represents the beginning of that journey: turbulent, disoriented, and shot through with moments of beauty and menace.Mahler's orchestration here is dense and highly detailed, often requiring massive forces and unconventional instruments. Yet beneath its complexity lies a deep emotional current—one that shifts rapidly from the grotesque to the sublime. The movement ends not with resolution but with a kind of defiant uncertainty, a theme Mahler would continue to explore in his final works.As our closing theme this week, Langsam – Allegro reminds us that the path through darkness is rarely straightforward—and that art, like life, often resists tidy interpretation.Without further ado, Gustav Mahler's Langsam – Allegro risoluto, ma non troppo– enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Alexander Glazunov - Symphony No. 9Moscow Symphony Orchestra Alexander Anissimov, conductorMore info about today's track: Naxos 8.554253Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Franz Schubert - Symphony No. 9 “Great”: 3rd movementBudapest Failoni Chamber OrchestraMichael Halasz, conductorMore info about today's track: Naxos 8.572939Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Donald Macleod explores Robert Schumann's years in Dusseldorf – the city where he would spend the final years of his life. Despite often being portrayed as a creative disaster, during this period, Schumann was greatly inspired by the city and by the countryside which surrounded it, and would write some of his greatest music.Music featured: Marchenbilder, Op 113 (1st mvt, Nicht schnell) Symphony No 3 in E-flat major ‘Rhenish' Op 97 5 Lieder, Op 40 (No 4, Der Spielmann) Geistervariationen in E-flat major for piano, WoO 24 Violin Concerto in D minor, WoO 23 (2nd & 3rd mvts) Konzertstück for 4 Horns and Orchestra, Op 86 (1st mvt) Lieder und Gesange aus Wilhelm Meister, Op 98a Scenes from Goethe's Faust, Part 3 (excerpt) The Bride of Messina Overture Kinderszenen, Op 15 (No 7 Träumerei) Genovera Overture Op 81 Sechs Gesange, Op 107 (No 6 Abendlied) Adventlied (excerpt) Mass in C minor, Op 147 (Gloria) Symphony No 4 in D minor, Op 120 (1st mvt) Manfred Overture, Op 115 Cello Concerto in A minor, Op 129 Violin Sonata No 1 in A minor, Op 105 (2nd mvt) Der Rose Pilgerfahrt, Op 112 Marchenerzahlungen, Op132 (No 3) Fantasy for Violin and Orchestra in C major, Op 131 Introduction and Concert Allegro, Op 134 Blumenstuck in D-flat Major, Op 19 Wenn mein Stundlein vorhanden istPresented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Robert Schumann (1810-1856) https://www.bbc.co.uk/programmes/m002hwtc And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Saxophonist and Radio 3 broadcaster Jess Gillam and pianist Keelan Carew are Jeffrey Boakye and Anna Phoebe's studio guests as they add the next five tracks, taking us from an east London housing estate to Heaven, via a certain celebrated Norwegian hall of a Mountain King.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Ill Manors by Plan B The Coronation scene from Boris Godunov by Modest Mussorgsky King by Years & Years In the Hall of the Mountain King by Edvard Grieg Heaven by Emeli SandéOther music in this episode:Ain't Nobody Here But Us Chickens by Louis Jordan & His Tympany Five Hùg air a' Bhonaid Mhòir (Celebrate the Big Bonnet) by Julie Fowlis Alles Neu by Peter Fox Fourth movement of the Symphony No 7 (The 'Leningrad' Symphony) by Dmitry Shostakovich In the Hall of the Mountain King by The Who In the Hall of the Mountain King by ELO Sonic the Hedgehog Theme Inspector Gadget Theme

On the next Tuesday Concert from the Sarasota Music Festival, violinist Elena Urioste performs Korngold's sweeping Violin Concerto with the Festival Orchestra, led by Jeffrey Kahane. Then, a radiant and emotionally charged performance of Schumann's Symphony No. 2 rounds out the program.

Merlin Bird IDDeja Blue is not new. Founded 1996.Alpine Cowboys BaseballRangra Theatre, Alpine, TXBohuslav Martinů's Symphony No. 5Good Postage North CarolinaMidori Traveler's Notebook PassportCavallini & Co.Inprint HoustonParis ExpressHow to Make Money in New York City Selling Pizza

On this week's episode, Derek explores Mozart's late masterworks, the Clarinet Quintet and Symphony No. 40. He delves into live CRC performances by clarinetist Todd Palmer and friends and the Camerata Ireland.Clarinet Quintet in A Major, K. 581LarghettoMenuettoAllegretto con VariazioniTodd Palmer, clarinet; Catherine Cho & Ruggero Allifranchini, violins; Daniel Panner, viola; Alexis Pia Gerlach, cello [2/25/2001 performance]Symphony No. 40 in G Minor, K. 550Molto allegroAndanteMenuettoFinale: Allegro assaiCamerata IrelandBarry Douglas, conductor [10/27/2001 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

With three weeks remaining of this year's BBC Proms, Jeffrey Boakye and Anna Phoebe present a Proms-themed edition. Studio guests are the celebrated trumpeter Alison Balsom, who'll be performing in this year's Last Night of the Proms, and bassoonist, Radio 3 and Proms presenter Linton Stephens. Expect music from the Proms and beyond as we head from a live, scaled-back Springsteen anthem to the Outer Hebrides, via Mendelssohn, Shostakovich and Andrew Lloyd Webber. Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Born in the USA (live) by Bruce Springsteen 2nd movement of the Symphony No 10 in E Minor by Dmitri Shostakovich Superstar from Jesus Christ Superstar by Andrew Lloyd Webber & Tim Rice Andante: 2nd movement of the Violin Concerto in E minor by Felix Mendelssohn Hùg air a' Bhonaid Mhòir (Celebrate the Big Bonnet) by Julie Fowlis Other music in this episode:A Night on the Bare Mountain by Modest Mussorgsky Trumpet Concerto in E flat major by Johann Nepomuk Hummel The Lovecats by The Cure Born in the USA by Bruce Springsteen I Don't Know How to Love Him by Andrew Lloyd Webber & Tim Rice, sung by Yvonne Elliman Touch the Sky (from the film Brave) by Julie FowlisYou can listen to every Prom and unmissable moments from across the season on BBC Sounds. Just search ‘Proms'.

Does the world still need classical music? What about orchestras? In this gorgeous talk and performance, violinist Joshua Bell and the Chamber Orchestra of America play selections of classical music masterpieces — from Mozart's Symphony No. 25 to Schubert's Unfinished Symphony and more — sharing why this art form remains a singularly unifying force.For a chance to give your own TED Talk, fill out the Idea Search Application: ted.com/ideasearch.Interested in learning more about upcoming TED events? Follow these links:TEDNext: ted.com/futureyouTEDSports: ted.com/sportsTEDAI Vienna: ted.com/ai-viennaTEDAI San Francisco: ted.com/ai-sf Hosted on Acast. See acast.com/privacy for more information.

Wherein Eric and John put on their big boy panties and finally discuss arguably the most important proto-metal band of all time: Led Zeppelin!Click on the links below for all the music listening/video breaks in this episode:(Optional) Listening Break #1: "Communication Breakdown" from Led Zeppelin I (1969)- https://www.youtube.com/watch?v=2atkj_KWLl0or "Heartbreaker" from Led Zeppelin II (1969)- https://www.youtube.com/watch?v=e5O4073zCKAListening Break #2: "Immigrant Song" from Led Zeppelin III (1970)- https://www.youtube.com/watch?v=P3Y8OWkiUtsListening break #3: "In the Evening" from In Through the Out Door (1979)- https://www.youtube.com/watch?v=bJSJavz1AOMPlease do consider joining us at our Patreon page! Not only will you gain access to exclusive content, but you'll also get that sense of pure joy that can only come from supporting the world's wackiest, most insightful heavy metal podcast. Link below:⁠⁠⁠⁠⁠⁠ http://patreon.com/HeavyMetal101⁠⁠⁠⁠⁠⁠Visit us at: ⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/heavymetal101podcast⁠⁠⁠⁠⁠⁠⁠ ⁠(you can leave us a voicemail if you're so inclined!)Contact us at: ⁠⁠⁠⁠⁠⁠⁠⁠heavymetal101podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠Social media:⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/HeavyMetal101Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/heavy_101⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@heavymetal101podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/heavymetal101podcast/⁠⁠⁠⁠⁠⁠New episodes of Heavy Metal 101 are always released monthly on the 3rd Monday of each month!Underscore credits:New Horizon - Classic Rock - Royalty Free Music by Danya VodovozVodovoz Music ProductionsForest of the Elves | Celtic Music | Royalty Free Music Jonathan SegevROCK AROUND THE BLOCK ! (Royalty Free vintage music) no copyright - 50's ROCK N ROLL themurderjunkies24Uptown Nights (60's garage blues) Copyright Free Music© NADA - Copyright Free MusicFrog in the Well California Consolidated Drum BandLed Zeppelin - Communication breakdown 8-bit OmnigradLed Zeppelin - Whole lotta love 8-bit OmnigradW. A. Mozart, Symphony No.38 in D major | Copyright Free Music | No Copyright Music | Audio LibraryNational Anthem of Wales (No Copyright)Burhan ErdemirImmigrant Song (2020 Remaster) [8 Bit Tribute to Led Zeppelin] - 8 Bit UniverseVetur Frosti - Celtic Music by Alexander Nakarada - Royalty Free Music //Alexander NakaradaLed Zeppelin When The Levee Breaks Audio 8 Bit Remix Cover Version Ashes To8BitPaddy on the Handcar/Ed Kellogg's March California Consolidated Drum BandLed Zeppelin -The Ocean (8 bit) DAWG BALLSLed Zeppelin - Kashmir (8 bit) Chiptune Planet8-bit: Led Zeppelin - Wanton Song 8bitRockA Tragedy | Sad Ambient Music | D&D Fantasy Background Music | RPG Music (No Copyright) Death By Die8-bit: Led Zeppelin - Achilles Last Stand 8bitsbrothersEerie & Scary Ambient (Royalty Free Music) - "CURSE" by Mehul Sharma

This week we are covering David Lynch's musical, Industrial Symphony No. 1: The Dream of the Broken Hearted. It was only performed once and it is as David Lynch a musical as it could possibly be. mannersandmadness.com

Donald Macleod explores Dmitri Shostakovich's life during the years of World War II, a period indelibly linked to his most famous work – the ‘Leningrad' symphony - which became an international symbol of resistance against the Nazis when it was performed by an orchestra suffering from the effects of starvation during the siege of the city.Music Featured:Funeral march in Memory of Victims of the Revolution Piano Concerto No 2 in F Major, Op 102 (2nd mvt, Andante) Lady Macbeth of Mtsensk District (Act IV, Vstaváy! Po mestám! Zívo!) Symphony No 5 in D minor, Op 47 (4th mvt, Allegro non troppo) Piano Quintet in G minor, Op 57 (1st mvt, Prelude – Lento) Symphony no 7, Op.60 “Leningrad” (2nd mvt, Moderato) King Lear (excerpt) The tale of the priest and his servant Balda, Op 36 (Finale) Symphony No 1 in F minor, Op 10 (2nd mvt, Allegro) Rothschild's violin (excerpt) Piano Sonata No 1, Op 12 Symphony No 7 in C Major, Op 60 “Leningrad” (1st mvt, Allegretto) Counterplan, Op 33 (Song of the Counterplan) The Golden Age Suite, Op 22a (2nd mvt, Adagio) Preludes, Op 34 (Nos 9-13) Romances on English poets, Op 62 Sonata No 2 in D minor, Op 61 (3rd mvt, Moderato) Moscow-Chryomushki, Op 105 (1st mvt, A Spin through Moscow) Zoya Suite, Op 64a (1st mvt, Song about Zoya) Cello Concerto No 1 in E flat major, Op 107 (2nd mvt, Moderato) Symphony No 8, Op 65 (4th mvt, Largo) Piano Trio No 2 in E minor, Op 67 (4th mvt, Allegretto) Four Pushkin Romances (No 1, Rebirth) String Quartet No 2 in A major, Op 68 (3rd mvt, Valse Allegro) Symphony No 9 in E-flat major, Op 70 (5th mvt, Allegretto) Violin Concerto No 1 in A minor, Op 99 (1st mvt, Nocturne) From Jewish Poetry (No 8, Winter) Symphony No 13 (1st mvt, Babi Yar. Adagio)Presented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Dmitry Shostakovich (1906-1975) https://www.bbc.co.uk/programmes/m002gdl6And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Russian composer Dmitri Shostakovich was one of the greatest musicians of the 20th century. But in 1936, Joseph Stalin attended a performance of Shostakovich's opera, Lady Macbeth of Mtsensk. The Soviet leader was unimpressed and left early. Days later, the state newspaper Pravda published a scathing review titled 'Muddle instead of music', castigating the music as bourgeois. Shostakovich was blacklisted from public life, and feared for his safety during Stalin's ongoing purges. The traditional style of his comeback Symphony No 5 in 1937 was a hit with the authorities, and Shostakovich's reputation was restored. But his true intentions are hugely debated – some experts argue the Fifth Symphony was a cleverly veiled act of dissent. Fifty years on from the composer's death, his son Maxim Shostakovich unfolds the mystery with Ben Henderson.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Dmitri Shostakovich and his son Maxim Shostakovich. Credit: Express/Getty Images)

Tom Sutcliffe speaks to Sean Hayes, best known for his role as Jack in Will and Grace. Now he's playing pianist Oscar Levant in Broadway hit Good Night Oscar, which has just opened at the Barbican in London.Dmitri Shostakovich wrote his Symphony No 5 under massive pressure, having been denounced by Stalin the year before during the great purge of 1936. The success of Symphony No 5 saved his career, and now it's being performed from memory by the Aurora Orchestra for the BBC Proms. Nicholas Collon, Conductor of the Aurora Orchestra and Professor Marina Frolovo-Walker discuss.K-Pop Demon Hunters has just become the most successful animation ever on Netflix, and the show's music, by a fictional band, has made it to number one in charts both sides of the Atlantic. The BBC's Julie Yoonnyung Lee tells us about the surprising trend of 2025.Two playwrights on the Edinburgh fringe are putting white supremacy under the spotlight: Priyanka Shetty's #Charlottesville, and Gabriel Jason Dean's play Rift. Both draw on the personal experiences of their writers. Priyanka and Gabriel join us on the line from Edinburgh.

Donald Macleod explores Tchaikovsky's life away from home. He spent significant parts of his peak years travelling or staying with friends, and a remarkable amount of his music was composed whilst staying with friends, on holiday or concert tours, or sometimes as a fugitive on the run. This evolved into a full decade of rootless wandering, which is peculiar given his frequent homesickness for Russia.Music Featured: Overture in C Minor Symphony No 1 in G Minor, Op 13, "Winter Daydreams" Cherevichki, Op 4 Symphony No 2 in C Minor, Op 17, "Little Russian" Piano Concerto No 1 in B-Flat Minor, Op 23 Eugene Onegin, Act III Scene 2, Onegin! Ya togda molozhe Swan Lake, Avt IV (excerpt) Symphony No 4 in F Minor, Op 36 Suite No 1 in D Major, Op 43 6 Romances, Op 38, No 6, Pimpinella (arr. E. Firsova) The Maid of Orleans, Op 4, Act I, Aria: Da, chas nastal - Ja, es ist Zeit … Lebt wohl, ihr Berge Capriccio Italien, Op 45 Mazeppa: Act II, Scene 2, O, Mariya, Mariya! (Mazepa) Vesper Service, Op 52 Les saisons (The Seasons), Op 37a Fantaisie de Concert in G Major, Op 56 Piano Trio in A Minor, Op 50 Suite No 4 in G Major "Mozartiana" Op 61 Manfred Symphony, Op 5 Symphony No 5 in E Minor, Op 64 The Queen of Spades (Pique Dame), Op 68: Act I Scene1 (excerpt) String Sextet in D, Souvenir de Florence, Op 70 The Nutcracker, Op 71: Act II Tableau 3: Dance of the Sugar-Plum Fairy Symphony No 6 in B Minor, "Pathétique" Op 74Presented by Donald Macleod Produced by Iain Chambers for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Pyotr Il'yich Tchaikovsky (1840-1893) https://www.bbc.co.uk/programmes/m002ftltAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

KURT ROSENWINKEL “THE BRAHMS PROJECT” ca 2025 Intermezzo, Op. 118, No. 2; Rhapsody, Op. 79, No. 1; Wiegenlied; Intermezzo, Op. 116, No. 6; Symphony No. 3—IIIKurt Rosenwinkel (g) Jean-Paul Brodback (p) Lukas Traxel (b) Jorge Rossy (dr) SAMARA JOY “PORTRAIT” Englewood Cliffs, NJ, February, 2024You stepped out of a dream, Reincarnation of a lovebird, Day by daySamara Joy (vcl) acc by Jason Charos (tp,flhrn) Donavan Austin (tb) David Mason (as,fl) Kendric McAllister (ts) Connor Rohrer (p) Felix Moseholm (b) Evan Sherman (d) JAMES MOODY “80 YEARS YOUNG” The Blue Note, New York, March 26, 2005Moody's mood for love, Birks' worksJon Faddis, Randy Brecker (tp) Slide Hampton (tb) Paquito D'Rivera (as,cl) James Moody (saxos,fl) David Hazeltine, Cedar Walton (p) Todd Coolman (b) Adam Nussbaum (dr) Continue reading Puro Jazz 24 de julio, 2025 at PuroJazz.

What Can We Learn from INTERWAR Tanks to Build the Perfect Space Vehicle?Nicholas Moran (The Chieftain) returns to Cold Star Project for an in-depth analysis of interwar tank doctrine development and its applications to modern space defense.Episode Focus: How seven major nations approached mechanized warfare challenges between 1918-1939, examining their strategic constraints, doctrinal solutions, and ultimate battlefield outcomes.Key Discussion Points: Comparative analysis of French, German, Soviet, British, American, Italian, and Japanese tank development philosophiesResource limitations and industrial capacity impacts on doctrineTactical innovation versus established military thinkingPractical applications for contemporary "space tank" or patrol vehicle conceptsTarget Insights: Defense professionals will recognize familiar strategic dilemmas in resource allocation, technological integration, and operational planning. History enthusiasts get detailed examination of lesser-known doctrinal decisions that shaped WWII outcomes.Why This Matters: The same fundamental questions that plagued interwar military planners—mobility versus protection, standardization versus specialization, offensive versus defensive priorities—are now central to space-based defense planning.The Cold Star Project - Season 4, Episode 23Hosted, Directed, and Produced by Jason Kanigan“The real conversations behind the new space economy, defense tech, and policy—straight from the insiders building it.”Google Sheet: "Interwar Tank Doctrine Comparison Table Developed from Nicholas Moran's Analysis"https://coldstarproject.com/morantableThe Chieftain YouTube Channel:    / @thechieftainshatch   Previous interview:    • Nicholas Moran - Tank Research with The Ch...  --Music: W. A. Mozart, Symphony No.38 in D majorAttribution: A Far Cry Music (YouTube Audio Library), no attribution required--Remuneration Disclaimer: We were not remunerated in any way by the guest or their organization if any for this discussion. This show is for educational/commentary and entertainment purposes only and is not meant to be what is termed "professional advice".The Cold Star Project is sponsored in partnership by Cold Star Technologies and the Operational Excellence Society. Jason Kanigan is a member of the board of advisors of the OpEx Society.Cold Star Technologies website: https://www.coldstartech.comOperational Excellence Society website: https://www.opexsociety.orgAbout Jason Kanigan: https://jasonkanigan.com

Im «Best-of Doppelpunkt» präsentiert Radio 1-Chef Roger Schawinski Auszüge aus Gesprächen mit drei interessanten Persönlichkeiten, welche im ersten Halbjahr 2025 bei ihm zu Gast waren. Dieses Mal mit Arthur Rutishauser, Chefredaktor der Sonntagszeitung, Röbi Koller, der bekannte Happy Day-Moderator und der Wirtschaftshistoriker Tobias Straumann. Songs: Money For Nothing - Dire Straits, In The Blood - John Mayer, Symphony No.1 in D Major III - Gustav Mahler

Charles-Marie Widor - Organ Symphony No. 5: ToccataRobert Delcamp, organMore info about today's track: Naxos 8.578179Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

On this week's episode, Dave challenges us to identify bands from their pre-fame names. The Polka Tulk Blues Band, Wicked Lester and The Sex Maggots are but a few of the delights he has in store for us!Neil talks us through the IKEA Effect and how a raunchy study proves it to be true! Enjoy, yiz “Cans of Piss”... that's such a well-known band. Seriously!To listen to Dave on the radio check outhttps://www.todayfm.com/shows/dave-moore-1499732 To see Neil on his current tour check outhttps://www.neildelamere.com/britain-achilles-neil-tour-datesPresented and Produced by Neil Delamere and Dave MooreEdited by Nicky RyanMusic by Dave MooreArtwork by Ray McDonnellDvořák Symphony No. 9 in E minor via musopen.org/music/4942-symphony-no-9-in-e-minor-from-the-new-world-op-95/ Hosted on Acast. See acast.com/privacy for more information.

Stephen Grootes chats with Bongani Tembe, Chief Executive and Artistic Director of the Mzansi National Philharmonic Orchestra, about the groundbreaking concert film featuring Beethoven's Symphony No. 9, reimagined with a distinctly South African voice, blending world-class musicianship with local soul and featuring Zulu lyrics alongside Grammy-winning artist Wouter Kellerman. GUEST: Bongani Tembe, Chief Executive and Artistic Director of the Mzansi National Philharmonic The Money Show is a podcast hosted by well-known journalist and radio presenter, Stephen Grootes. He explores the latest economic trends, business developments, investment opportunities, and personal finance strategies. Each episode features engaging conversations with top newsmakers, industry experts, financial advisors, entrepreneurs, and politicians, offering you thought-provoking insights to navigate the ever-changing financial landscape. Thank you for listening to a podcast from The Money Show Listen live Primedia+ weekdays from 18:00 and 20:00 (SA Time) to The Money Show with Stephen Grootes broadcast on 702 https://buff.ly/gk3y0Kj and CapeTalk https://buff.ly/NnFM3Nk For more from the show, go to https://buff.ly/7QpH0jY or find all the catch-up podcasts here https://buff.ly/PlhvUVe Subscribe to The Money Show Daily Newsletter and the Weekly Business Wrap here https://buff.ly/v5mfetc The Money Show is brought to you by Absa Follow us on social media 702 on Facebook: https://www.facebook.com/TalkRadio702702 on TikTok: https://www.tiktok.com/@talkradio702702 on Instagram: https://www.instagram.com/talkradio702/702 on X: https://x.com/CapeTalk702 on YouTube: https://www.youtube.com/@radio702 CapeTalk on Facebook: https://www.facebook.com/CapeTalkCapeTalk on TikTok: https://www.tiktok.com/@capetalkCapeTalk on Instagram: https://www.instagram.com/CapeTalk on X: https://x.com/Radio702CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

Welcome to a special concert edition of Inwood Art Works On Air Live N' Local featuring the Inwood Chamber Players performing a chamber concert of selections from European Masters: Claudio Monteverdi, Claude Debussy, Giuseppe Verdi, and many more arranged and conducted by Inwood resident, Gilbert Dejean. It was recorded live on June 22, 2025 at Good Shepherd Auditorium. Program:Claudio Monteverdi - Cantata DominoClaude Debussy - Marche EcossaireGiuseppe Verdi - Three Excerpts from Aida·      Celeste Aida·      Patri Mia·      MarchGabriel Faure - PavaneJohannes Brahms - Excerpts from Serenade No. 1·      Movement I - Allegro molto·      Movement VI - AllegroJoseph Haydn - Excerpt from Symphony No. 99·      Movement IV - VivaceJacques Offenbach - La Belle Helene Overture Musicians: Helen Campo - Flute 1, Kaoru Hinata - Flute 2 and Piccolo, Kathy Halvorson - Oboe 1, Setsuko Otake - Oboe 2, David Gould - Clarinet 1, Meryl Abt - Clarinet 2, RJ Kelly - Horn 1, Nancy Billmann - Horn 2, Sarah Boxmeyer - Horn 3, Sara Cyrus - Horn 4, Patti Wang - Bassoon 1, Yuki Higashi - Bassoon 2, Jeffrey Levine - Double Bass 

Irish Conductor and Musician, David Brophy will conduct National Symphony Orchestra Ireland at the National Concert Hall in a compelling programme pairing Shaun Davey's The Brendan Voyage with Dvořák's Symphony No. 9, 'From the New World'. David joined Ivan to chat about his career and upcoming shows.

Kate Kennedy picks her favourite recording of Vaughan Williams's Symphony No.5.

Fresh off a tour with his band mssv (Mike Baggetta, Mike Watt & Stephen Hodges), guitarist/songwriter Mike Baggetta brings us a record he received as a gift when he was in High School that changed the course of his musical life moving forward: the mindblowing 1996 release by guitarist, composer, and producer David Torn, 'What Means Solid, Traveller?' Songs discussed in this episode: Network Of Sparks: The Delicate Code - David Torn; What It Feels Like For A Girl - Madonna; OK To Change - mssv; Willie The Pimp - Frank Zappa; Spartan, Before It Hit - David Torn; The Stars (Are Out Tonight) - David Bowie; Chemical Wire - fIREHOSE; Suyafhu Skin...Snapping the Hollow Reed, Spell Breaks With The Weather, What Means Solid Traveller - David Torn; Runnin' With The Devil - Van Halen; Are You Looking Up - Mk.gee; Such Little Mirrors, Tiny Burns A Bridge - David Torn; The Wagon - Dinosaur Jr; Gidya Hana - David Torn; Sita Ram - Alice Coltrane; Each Prince To His Kingdom Must Labor To Go, Particle Bugs @ Purulia Station, In The Sand Of This Day (I Will Not Be Free), In The Sand Of This Day ('til You Are Free), Elsewhere Now Than Waving - David Torn; Symphony No. 3 - Henryk Gorecki; On And On - mssv

Charles Ives - Symphony No. 3 “The Camp Meeting”: Children's DayNorthern SinfoniaJames Sinclair, conductorMore info about today's track: Naxos 8.559087Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Henry Hadley - Symphony No. 4 "North, East, South, and West": SouthUkraine National Radio Symphony Orchestra John McLaughlin Williams, conductorMore info about today's track: Naxos 8.559064Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Wir springen in dieser Folge zum Beginn des 19. Jahrhunderts, wo in Wien Ludwig van Beethoven gerade an seiner 3. Symphonie arbeitet: ein Werk, das die Musikwelt revolutionieren wird, was zu jenem Zeitpunkt aber noch niemand weiß. Wir sprechen darüber, wie dieses Werk zustande kam und was die Erziehung des kleinen Ludwig, die Französische Revolution und seine Gesundheit damit zu tun haben. // Erwähnte Folgen - GAG460: Lorenzo Da Ponte oder Wie ein Librettist entsteht – https://gadg.fm/460 - GAG443: J.S. Bach oder Wie sich ein Komponist den Lebensunterhalt verdient – https://gadg.fm/443 - GAG217: Wie Joseph Haydn den Kopf verlor – https://gadg.fm/217 - GAG433: Der Schinderhannes – https://gadg.fm/433 // Literatur - „ANNO, Theaterzettel Theater an der Wien, 1805-04-07, Seite 2“. Zugegriffen 26. Juni 2025. https://anno.onb.ac.at/cgi-content/anno?aid=taw&datum=18050407&seite=2&zoom=33&query=%22beethoven%22&ref=anno-search. - Christine Eichel. Der Empfindsame Titan: Ludwig van Beethoven Im Spiegel Seiner Wichtigsten Werke. Karl Blessing Verlag, 2019. - Hans-Joachim Hinrichsen. Ludwig van Beethoven: Musik Für Eine Neue Zeit. Bärenreiter-Verlag, 2019. - Martin Geck. Beethoven. Haus, 2003. - Oscar Sonneck. Beethoven: Impressions by His Contemporaries. Rare Treasure Editions, 2021. - Swafford, Jan. Beethoven: Anguish and Triumph. Houghton Mifflin Harcourt, 2014. Die verwendeten Aufnahmen der 3. Symphonie sind hier zu finden: https://imslp.org/wiki/Symphony_No.3,_Op.55_(Beethoven,_Ludwig_van)#IMSLP246970 Das Episodenbild zeigt den 26-jährigen Ludwig van Beethoven in einer Gravur von Johann Josef Neidl nach Steinhauser. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

George Chadwick - Symphony No. 2: 1st movementUkraine National Radio Symphony Orchestra Theodore Kuchar, conductorMore info about today's track: Naxos 8.559213Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

John Knowles Paine: Symphony No. 1: 2nd movementUlster Orchestra JoAnn Falletta, conductorMore info about today's track: Naxos 8.559747Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Antonín Dvořák - Symphony No. 9 “From the New World”: LargoSlovak Radio Symphony OrchestraOndrej Lenard, conductorMore info about today's track: Naxos 8.556604Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Felix Mendelssohn - Symphony No. 4 "Italian": 1st movementSlovak Philharmonic OrchestraAnthony Bramall, conductorMore info about today's track: Naxos 8.550055Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Inside the Music begins its exploration of the music of Mozart, starting with the composer's earlier works as he matured from being a child prodigy. Join Derek, Artistic Director of Capital Region Classical, as he delves into live CRC performances by the Ensemble Haydn-Berlin, Budapest Strings, and pianist Rafal Blechacz.Symphony No. 28 in C Major, K. 200Allegro spiritosoAndanteMenuetPrestoEnsemble Haydn‐BerlinHansjörg Schellenberger, conductor [10/14/2000 performance]Divertimento in F Major, K. 138AllegroAndantePrestoBudapest Strings [11/13/2002 performance]Piano Sonata in A Minor, K. 310Allegro maestosoAndante cantabile con espressionePrestoRafal Blechacz [4/8/2018 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

This work marks a departure from his previous symphonies, which were linked together by vocal music. But what is this? Is this Mahler working through his mortality and uncertainty, or something else? John Banther and Evan Keely show you what to listen for, how Mahler achieves his unique sound, and what it could all mean. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Esteban Batallán, the CSO's principal trumpet since 2019, makes his much-anticipated debut as a soloist with the Orchestra in a pair of brilliant, high-flying concertos. Riccardo Muti frames the program with Joseph Haydn's tempestuous Symphony No. 48 and Schubert's Haydn-inspired Tragic Symphony. Learn more: cso.org/performances/24-25/cso-classical/muti-and-esteban-batallan

This podcast introduces two works by Karl Weigl (1881-1949), his Symphony No. 3 and the Symphonic Prelude to a Tragedy. Both were written at the beginning of the 1930s but then suffered from decades of neglect. Weigl drew on the sound world of late Romanticism, never abandoning this aesthetic in favour of more progressive contemporary trends. Happily, his distinctive style can now be savoured in these long-awaited world premiere recordings. Raymond Bisha presents.

 Petar Kodzas was born in what's now Serbia but was, at the time, Yugoslavia.During college, Petar toured and recorded as a lutenist with an early music ensemble; he played over 100 shows at the professional musical theatre, sat in jazz sessions, and performed throughout the former Yugoslavia as a musical ambassador for the international organization Jeunesses Musicales.Petar was also Senior Instructor in Guitar for the Eastman Community Music School from 1997 to 2017, and since then he's been performing mostly on his laptop keyboard in his administrative role as an Associate Dean and Director of the Eastman Community Music School. SONG 1: La Camorra, Movement I: Soledad; Composer: Astor Piazzolla; Performers: Astor Piazzolla with Quinteto Nuevo Tango https://www.youtube.com/watch?v=B-h-TRKJrsESONG 2: Ave Maria, gratia plena…virgo serena; Composer: Josquin des Prez; Performers: The Hilliard Ensemble https://www.youtube.com/watch?v=O16_dwmKpjoSONG 3: Symphony No. 3 Op. 36 (1976) Movement II; Composer: Henryk Górecki; Performers: Zofia KIlanowicz (Soprano) Polish National Radio Symphony Orchestra, Antoni Wit, Conductor https://www.youtube.com/watch?v=NqLXliq-WP0

In this episode, Dave and Andrew explore the symphony of John Corigliano they don't know. After appreciating Corigliano's first and third symphonies, what will they think of the second? This piece, a rescoring and revision of Corigliano's String Quartet, is another in a recent stretch of winning works that began in a different form.  If you'd like to learn more about Corigliano, we recommend: This interview with Corigliano by Living the Classical Life Corigliano's composer's note about the Symphony No. 2 Elizabeth Bergman's “Of Rage and Remembrance, Music and Memory: The Work of Mourning in John Corigliano's Symphony No. 1 and Choral Chaconne.” American Music 31, no. 3 (2013): 340–61

In this week's episode, Jason analyzes the second and third movements of Henryk Górecki's Symphony No. 3, performing a close reading of the music from a broadened, newer perspective of voice.This episode was produced by Katrina Roush along with Team Lead Anna Rose Nelson. Special thanks to peer reviewers Kristen Wallentinsen and Evan Ware. SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

Joachim Raff - Symphony No. 8: 3rd movementSlovak State Philharmonic Orchestra, KosiceUrs Schneider, conductorMore info about today's track: Marco Polo 8.223362Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This episode of The Other Side of the Bell, featuring women's trumpet trailblazer, founder of the International Women's Brass Conference, and 40-year First Trumpet of the St. Louis Symphony Orchestra, Susan Slaughter, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Susan Slaughter trumpet interview"   About Susan Slaughter:   Born in McCordsville, IN, Susan Slaughter started playing trumpet at the age of 10. Graduating from Indiana University with a coveted performer's certificate, Susan auditioned for and won the Principal Trumpet position in 1967 with the Toledo, Ohio Symphony.   Susan then joined the Saint Louis Symphony Orchestra in l969 and four years later became the first woman ever to be named Principal Trumpet of a major symphony orchestra.   In 1992, Susan founded the International Women's Brass Conference, an organization dedicated to provide opportunities and recognition for women brass musicians. As a fund-raising effort to support the International Women's Brass Conference, Ms. Slaughter organized and produced the very popular Holiday Brass Concerts, which are now in their second decade, and are performed each December in the Cathedral Basilica of Saint Louis. Other cities in the United States are holding their own Holiday Brass Concerts to help support the ever-growing International Women's Brass Conference.   In 1996, Ms. Slaughter founded Monarch Brass, an all women's brass ensemble, which has toured in the United States and Europe to critical acclaim.   Susan appears regularly in area recitals and religious programs, and has been a frequent soloist with the Saint Louis Symphony Orchestra, as well as with several other ensembles throughout the country. Her work is represented on a number of Saint Louis Symphony releases, including the highly acclaimed recordings of Mahler's Symphony No. 2, Prokofiev's Symphony No. 5, Gershwin's Piano Concerto in F, Mussorgsky's Pictures at an Exhibition, Barber's Capricorn Concerto, and most recently, John Adams' Doctor Atomic. Many of these and other recordings have been nominated for or won Grammy Awards. Susan has performed with Wynton Marsalis, Kathleen Battle, Christine Brewer, Doc Severinsen, Al Hirt in duets, amongst others.   She has served on the faculty of the Grand Teton Orchestra Seminar and the National Orchestra Institute, and has been lecture/recitalist at the International Trumpet Guild, while also serving on its board of directors.   Since the 1980's, Susan has performed the National Anthem and “God Bless America” on an annual basis for the St. Louis Cardinals Baseball Club and, at the invitation of the Baseball Commissioner Fay Vincent, performed the National Anthem at Game 3 of the 1991 World Series, played in Atlanta between the Braves and Twins (link).   Some of the awards and recognition Susan has received over the years include nomination by Ladies Home Journal for its annual Woman of the Year award, a special Leadership Award in the Arts from the Young Women's Christian Association, the American Federation of Musicians, Local 2-197 Owen Miller Award for loyalty, dedication and fairness in actions and deeds, and the 2007 Arts and Education Council Award for Excellence in the Arts.   Susan has studied over the years with Herbert Mueller, Bernard Adelstein, Arnold Jacobs, Robert Nagel, Claude Gordon and Laurie Frink, and retired as Principal Trumpet from the Saint Louis Symphony on September 1, 2010.   Podcast listeners! Enter code "podcast" at checkout for 15% off any of our Gard bags! Visit trumpetmouthpiece.com for more info.     Episode Links: Holiday Brass Los Angeles Brass Alliance website https://www.instagram.com/losangelesbrassalliance/  International Women's Brass Conference, May 19-24, Hartford, Connecticut. Register: myiwbc.org Sign up sheet for valve alignments: bobreeves.com/iwbc International Trumpet Guild Conference, May 27-31, University of Utah, Salt Lake City. Sign up sheet for valve alignments: bobreeves.com/itg William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. williamadamtrumpet.com  Sign up sheet for valve alignments: bobreeves.com/williamadam Greg Wing, Reflections on a Grateful Journey, available on Apple Music   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art - Susan Slaughter Audio Engineer - Ted Cragg