Podcasts about symphony no

Inside the Music begins its exploration of the music of Mozart, starting with the composer's earlier works as he matured from being a child prodigy. Join Derek, Artistic Director of Capital Region Classical, as he delves into live CRC performances by the Ensemble Haydn-Berlin, Budapest Strings, and pianist Rafal Blechacz.Symphony No. 28 in C Major, K. 200Allegro spiritosoAndanteMenuetPrestoEnsemble Haydn‐BerlinHansjörg Schellenberger, conductor [10/14/2000 performance]Divertimento in F Major, K. 138AllegroAndantePrestoBudapest Strings [11/13/2002 performance]Piano Sonata in A Minor, K. 310Allegro maestosoAndante cantabile con espressionePrestoRafal Blechacz [4/8/2018 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

This work marks a departure from his previous symphonies, which were linked together by vocal music. But what is this? Is this Mahler working through his mortality and uncertainty, or something else? John Banther and Evan Keely show you what to listen for, how Mahler achieves his unique sound, and what it could all mean. Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Esteban Batallán, the CSO's principal trumpet since 2019, makes his much-anticipated debut as a soloist with the Orchestra in a pair of brilliant, high-flying concertos. Riccardo Muti frames the program with Joseph Haydn's tempestuous Symphony No. 48 and Schubert's Haydn-inspired Tragic Symphony. Learn more: cso.org/performances/24-25/cso-classical/muti-and-esteban-batallan

durée : 00:17:18 - Symphony No. 3 : Per Norgard - Leif Segerstam - La troisième symphonie de Per Nørgård, commandée par l'Orchestre symphonique de la radio danoise (sous la direction de Herbert Blomstedt), a été créée à Copenhague en 1976 et a reçu un large écho.

durée : 00:17:18 - Symphony No. 3 : Per Norgard - Leif Segerstam - La troisième symphonie de Per Nørgård, commandée par l'Orchestre symphonique de la radio danoise (sous la direction de Herbert Blomstedt), a été créée à Copenhague en 1976 et a reçu un large écho.

durée : 00:17:18 - Symphony No. 3 : Per Norgard - Leif Segerstam - La troisième symphonie de Per Nørgård, commandée par l'Orchestre symphonique de la radio danoise (sous la direction de Herbert Blomstedt), a été créée à Copenhague en 1976 et a reçu un large écho.

This podcast introduces two works by Karl Weigl (1881-1949), his Symphony No. 3 and the Symphonic Prelude to a Tragedy. Both were written at the beginning of the 1930s but then suffered from decades of neglect. Weigl drew on the sound world of late Romanticism, never abandoning this aesthetic in favour of more progressive contemporary trends. Happily, his distinctive style can now be savoured in these long-awaited world premiere recordings. Raymond Bisha presents.

 Petar Kodzas was born in what's now Serbia but was, at the time, Yugoslavia.During college, Petar toured and recorded as a lutenist with an early music ensemble; he played over 100 shows at the professional musical theatre, sat in jazz sessions, and performed throughout the former Yugoslavia as a musical ambassador for the international organization Jeunesses Musicales.Petar was also Senior Instructor in Guitar for the Eastman Community Music School from 1997 to 2017, and since then he's been performing mostly on his laptop keyboard in his administrative role as an Associate Dean and Director of the Eastman Community Music School. SONG 1: La Camorra, Movement I: Soledad; Composer: Astor Piazzolla; Performers: Astor Piazzolla with Quinteto Nuevo Tango https://www.youtube.com/watch?v=B-h-TRKJrsESONG 2: Ave Maria, gratia plena…virgo serena; Composer: Josquin des Prez; Performers: The Hilliard Ensemble https://www.youtube.com/watch?v=O16_dwmKpjoSONG 3: Symphony No. 3 Op. 36 (1976) Movement II; Composer: Henryk Górecki; Performers: Zofia KIlanowicz (Soprano) Polish National Radio Symphony Orchestra, Antoni Wit, Conductor https://www.youtube.com/watch?v=NqLXliq-WP0

DescriptionMahler's Motto: Go Big or Go Back to Vienna in 60 Seconds. Take a minute to get the scoop!Fun FactMahler's Symphony No. 8 premiered in 1910 with over 1,000 performers on stage. Though “Symphony of a Thousand” wasn't his title, the name stuck. It was one of the largest-scale choral works ever attempted—and still gives orchestra managers mild panic attacks every time it's programmed.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

Nem élet az élet gonzó nélkül, ezért kevesebb mint egy héttel Cannes után egy újabb nagyszabású podcastsorozatba kezdek, ezúttal a Friss Hús fesztiválról, ahol minden évben a legkirályabb magyar és külföldi kisfilmeket vetítik le, és ami idéntől Oscar-kvalifikáló fesztiválként működik, ami azt jelenti, hogy a magyar versenyprogram két fődíjasa nevezhetővé válik az Oscar-díjra. Ez utóbbiról Bucsi Rékával beszélgetünk, akinek az első animációs kisfilmje, a Symphony No. 42 az Oscar-shortlistig jutott (ő beszámol arról is, hogy milyen érzés az, amikor az embert NEM jelölik Oscarra), a Friss Hús-alapító Libor Anita mesél a szerény kezdetekről és a kisfilmes ősélményéről, a fesztiváligazgató Deák Danival pedig megbeszéljük, hogy miért egyre izgalmasabb ez a rendezvény. Készítette: Varga FerencÖsszekötő zene: Kristóf NorbertJó szórakozást az adáshoz, és ha tetszik, kérlek⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠támogasd a Filmklub podcastot a Patreonon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, egy dollár is nagy segítség! Ha a Patreon túl macerás, támogathatod a podcastot a PayPalon (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferencv1976⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) vagy a Revoluton (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ferenc7drh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) keresztül is. Nagyon köszönöm!

In this episode, Dave and Andrew explore the symphony of John Corigliano they don't know. After appreciating Corigliano's first and third symphonies, what will they think of the second? This piece, a rescoring and revision of Corigliano's String Quartet, is another in a recent stretch of winning works that began in a different form.  If you'd like to learn more about Corigliano, we recommend: This interview with Corigliano by Living the Classical Life Corigliano's composer's note about the Symphony No. 2 Elizabeth Bergman's “Of Rage and Remembrance, Music and Memory: The Work of Mourning in John Corigliano's Symphony No. 1 and Choral Chaconne.” American Music 31, no. 3 (2013): 340–61

Matthew Bannister onHannah Deacon who ran a successful campaign to allow her son – and many others – to be treated with cannabis after he was diagnosed with a rare form of epilepsy. Andrew Norfolk, the journalist who exposed the Rotherham grooming gang scandal.Dame June Clark, the President of the Royal College of Nursing who argued for more education to increase the skills of the nursing profession.Martin Graham the businessman who built his own opera house in the Cotswolds so he could stage Wagner's Ring Cycle. Producer: Ed PrendevilleArchive used: No More Nightingale, BBC, 1991; One O'Clock News, BBC, 03/04/1989; Open Country, BBC Radio 4, 27/06/2019; The Longborough Ring 2024: Wagner – Der Ring des Nibelungen, Longborough Festival Opera, Music Director Anthony Negus, Director Amy Lane; Today, BBC Radio 4, 2013; Utopia: In Search of the Dream, BBC Four, 05/05/2020; Sportsday, BBC News 24, 15/09/2016; BBC Breakfast, BBC, 19/02/2018; This Morning: Should Medical Cannabis Be More Accessible, ITV, Uploaded to YouTube, 29/10/2018; Morning Live, BBC, 07/11/2022; The Today Programme, BBC Radio 4, 19/06/2018; ITV News, ITV, 19/06/2018; Wogan, BBC, 19/01/1990; Raising a Glass to Cheers, BBC Radio 4, 26/07/2012; Cheers, TV Programme, Produced by Charles/Burrows/Charles Productions; Groomed for Sex, BBC Three, 06/12/2011; The Media Show, BBC Radio 4, 27/08/2014; Frontlines of Journalism, BBC Radio 4, 04/07/2023; Symphony No. 39 in E-flat major, KV 543: Adagio. Allegro, Performed by Bruno Walter, BBC Symphony Orchestra, Composed by Wolfgang Amadeus Mozart; Siegfried, Act II Scene 3: Willkommen, Siegfried, Performed by Manfred Jung, Heinz Zednik, Bayreuther Festspielorchester, Conductor Pierre Boulez, Composed by Richard Wagner; Le nozze di Figaro, K.492, Act 3: Ricevete, o padroncina, Performed by Radio-Symphonie-Orchester Berlin, RIAS Kammerchor, Conductor Ferenc Fricsay, Composed by Wolfgang Amadeus Mozart; Das Rheingold, Scene 1: Lugt, Schwestern! Die Weckerin lacht in den Grund, Performed by Norma Sharp, Ilse Gramatzki, Marga Schiml, Hermann Becht, Bayreuther Festspielorchester, Conductor Pierre Boulez, Composed by Richard Wagner

In this week's episode, Jason analyzes the second and third movements of Henryk Górecki's Symphony No. 3, performing a close reading of the music from a broadened, newer perspective of voice.This episode was produced by Katrina Roush along with Team Lead Anna Rose Nelson. Special thanks to peer reviewers Kristen Wallentinsen and Evan Ware. SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

ReferencesCancer Med. 2012 Oct; 1(2): 176–186.Stem Cells. 2007 Feb;25(2):500-10. Cardiovasc Res . 2023 Jan 18;118(17):3272-3287.Nature Metabolism 2019.volume 1, pages 937–946 Townsend. P. 1965 My Generation. Live at Leedshttps://open.spotify.com/track/5hgnQ2F9B2YA9O6m77H5n3?si=ea4ead1bb9df41b3Mozart, WA. 1782. Symphony No. 35 in D major K. 385https://music.youtube.com/playlist?list=OLAK5uy_mBZp2cWYYKri_O_fTSB1H2GIaiIJE3I-k&si=qcP7Z28H8Zk3L6M4

This Day in Legal History: SCOTUS Upholds CFPB Funding StructureOn May 16, 2024, the U.S. Supreme Court delivered a major ruling in Consumer Financial Protection Bureau v. Community Financial Services Association of America, Ltd., upholding the constitutionality of the CFPB's funding structure. In a 7–2 decision, the Court held that the agency's funding—drawn from the Federal Reserve and not subject to annual congressional appropriations—does not violate the Appropriations Clause of the Constitution. Writing for the majority, Chief Justice Roberts emphasized that the Constitution permits flexibility in funding mechanisms so long as they are authorized by law and subject to congressional oversight in some form. The ruling affirmed the CFPB's continued ability to regulate financial institutions and enforce consumer protection laws independent of Congress's annual budget process.The decision marked a significant moment in the Court's treatment of agency independence, particularly at a time of renewed scrutiny of the administrative state. It was widely seen as a victory for supporters of the CFPB, which had faced ongoing legal and political challenges since its creation under the Dodd-Frank Act in the aftermath of the 2008 financial crisis. However, the case also highlighted the growing skepticism among certain justices—and lawmakers—about the breadth of agency power and accountability.Just one year later, the CFPB's future is again uncertain. With a new administration openly hostile to the agency and legislative efforts underway to curtail its authority or restructure its funding, the May 2024 decision is already being treated as legal history. Though the Court upheld the agency's funding, the political battle over the CFPB continues, casting doubt on how long the victory will stand.Intel appeared before the EU General Court to contest a €376 million ($421.4 million) antitrust fine reimposed by the European Commission. The fine stems from the Commission's 2009 decision, which originally imposed a record €1.06 billion penalty for Intel's actions that allegedly excluded rival AMD from the market. Though the General Court overturned the majority of that decision in 2022, it upheld a portion related to so-called “naked restrictions”—payments Intel made to HP, Acer, and Lenovo to delay or halt rival products between 2002 and 2006.Intel's lawyer argued that the violations were narrow and tactical, not part of a broader strategy to shut out competitors from the x86 chip market. He claimed the Commission failed to weigh the limited impact of those actions and imposed a disproportionate and unfair fine. The Commission countered that the fine followed established guidelines and represented only a small fraction of Intel's turnover, asserting that the penalty was appropriate for the seriousness of the conduct.Both sides asked the court to settle the matter by determining the appropriate fine amount. A decision is expected in the coming months.Intel spars with EU regulators over $421.4 million antitrust fine | ReutersA federal appeals court in Washington, D.C., heard arguments in a case that could redefine the U.S. president's authority to remove officials from independent federal agencies. The Trump administration is appealing two lower court decisions that reinstated Democratic officials Cathy Harris to the Merit Systems Protection Board and Gwynne Wilcox to the National Labor Relations Board (NLRB) after President Trump removed them without cause earlier this year. Both boards, which handle labor disputes and federal employee appeals, were left effectively inoperable due to vacancies, with thousands of pending cases.The administration argues that statutory protections limiting removals to “cause” violate the president's constitutional authority to control the executive branch. Trump's legal team claims that these agencies exercise substantial executive power and therefore should not be shielded from presidential oversight. The case may hinge on Humphrey's Executor, a 1935 Supreme Court decision that upheld removal protections for members of independent commissions like the Federal Trade Commission. Conservative judges—including two Trump appointees on the panel—have recently questioned the decision's reach.If the D.C. Circuit sides with Trump, it could pave the way for a broader dismantling of long-standing removal protections across federal agencies. Legal scholars warn that such a move could give the president far-reaching power to reshape regulatory policy by purging officials who don't align with the administration's agenda. The case could ultimately reach the U.S. Supreme Court and lead to a narrowing or overruling of Humphrey's Executor.US court to weigh Trump's powers to fire Democrats from federal agencies | ReutersData obtained through a public records request reveals that recent buyouts at the U.S. Securities and Exchange Commission (SEC) have significantly reduced staffing in key divisions. The legal, investment management, and trading and markets offices experienced workforce cuts ranging from 15% to 19% over just a few weeks. Regional offices in Chicago and Denver also saw nearly 20% reductions. Overall, the SEC's full-time staff has shrunk by 12% since January, with agency chair Paul Atkins recently noting a 15% decrease since October.These losses come amid ongoing hiring freezes and budget restrictions. While Atkins suggested that some roles may be refilled, he did not dismiss the possibility of more cuts. In parallel, more than 20 SEC employees have been reassigned to focus on contract reviews, part of a broader cost-cutting initiative coordinated with the Department of Government Efficiency (DGE), led by Elon Musk. DGE has expanded its presence at SEC headquarters and is reviewing agency operations, particularly IT services, to identify further savings.The SEC declined to comment on the staffing reductions, though a spokesperson confirmed it is working with DGE to improve efficiency. The full implications of these staffing losses for the agency's regulatory functions remain unclear.SEC buyouts hit legal, investment offices hardest, data shows | ReutersMeta Platforms asked a federal judge to dismiss the Federal Trade Commission's antitrust lawsuit, arguing the agency failed to prove that the company holds an illegal monopoly in social media. The case, which centers on Meta's acquisitions of Instagram and WhatsApp, claims these deals were aimed at neutralizing potential rivals and maintaining dominance in the market for apps used to share personal updates. The FTC wants to unwind those acquisitions, made more than a decade ago.Meta contends the FTC's case falls short of demonstrating that WhatsApp and Instagram posed meaningful competitive threats at the time of acquisition. The company pointed to internal evidence suggesting WhatsApp had no ambitions to become a social media platform and that Instagram actually thrived post-acquisition. Meta also argued the FTC has not clearly defined the relevant market, especially given competition from platforms like TikTok, YouTube, Reddit, and X (formerly Twitter), which Meta says all compete for user attention.The company maintains that its products face constant pressure to evolve in response to competitors. If the judge denies Meta's request to end the case now, the trial will continue through June with closing arguments and final briefs expected afterward. A ruling that Meta holds an illegal monopoly would trigger a second trial focused on potential remedies.Meta asks judge to rule that FTC failed to prove its monopoly case | ReutersThis week's closing theme is the second movement of Gustav Mahler's Symphony No. 1, titled “Kräftig bewegt, doch nicht zu schnell. Recht gemächlich”, which translates roughly to “Strongly moving, but not too fast. Quite leisurely.” Composed in the late 1880s and premiered in 1889, Mahler's First Symphony marked his audacious entry into the world of symphonic writing. At once expansive and deeply personal, the work fuses Romantic tradition with the beginnings of Mahler's own, modern voice.The second movement—our focus this week—is a rustic Ländler, an Austrian folk dance form, reimagined with orchestral power and emotional complexity. Mahler, who was born in 1860 in what is now the Czech Republic, grew up surrounded by folk tunes and military marches, and these influences saturate this section of the symphony. It opens with swagger and energy, driven by bold rhythms and a sense of physicality, before softening into a slower trio section that offers brief lyrical repose.Though the movement has a lively surface, its contrasting moods reflect Mahler's signature ability to intertwine the playful and the profound. His orchestration here is vivid but never ornamental—every detail serves a dramatic or emotional purpose. Mahler's symphonies often contemplate mortality, memory, and transcendence, but this movement reminds us that he could also be joyful, ironic, and grounded in the sounds of real life.By the time of his death in 1911, Mahler had transformed the symphony into a vessel for existential expression, bridging the 19th and 20th centuries. This movement from his First hints at all that was to come. As our week closes, we leave you with this music—bold, earthy, and unmistakably Mahler.Without further ado, Gustav Mahler's Symphony No. 1, titled “Kräftig bewegt, doch nicht zu schnell. Recht gemächlich.” This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

On The Afternoon Drive with John Maytham, we turn to music, memory, and majesty as John is joined by a guest from the Cape Town Philharmonic Orchestra to preview the upcoming Winter Symphonies at the City Hall, opening on 12 June 2025. The concert features Brahms’ Violin Concerto and Symphony No. 4 in E minor, performed by celebrated violinist Andrey Baranov, winner of the 2012 Queen Elisabeth Violin Competition, with Thomas Sanderling making his CPO debut as conductor after a remarkable 50-year global career. Presenter John Maytham is an actor and author-turned-talk radio veteran and seasoned journalist. His show serves a round-up of local and international news coupled with the latest in business, sport, traffic and weather. The host’s eclectic interests mean the program often surprises the audience with intriguing book reviews and inspiring interviews profiling artists. A daily highlight is Rapid Fire, just after 5:30pm. CapeTalk fans call in, to stump the presenter with their general knowledge questions. Another firm favourite is the humorous Thursday crossing with award-winning journalist Rebecca Davis, called “Plan B”. Thank you for listening to a podcast from Afternoon Drive with John Maytham Listen live on Primedia+ weekdays from 15:00 and 18:00 (SA Time) to Afternoon Drive with John Maytham broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/BSFy4Cn or find all the catch-up podcasts here https://buff.ly/n8nWt4x Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Joachim Raff - Symphony No. 8: 3rd movementSlovak State Philharmonic Orchestra, KosiceUrs Schneider, conductorMore info about today's track: Marco Polo 8.223362Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

We now pull out the third record from this seven disk box set. A record that features a relatively unknown work AND probably one of the most famous works in music history. Talk about a dichotomy.   This is music from the immortal Ludwig Van Beethoven. His symphonies live on in performances to this very day.   Plus I decided to play three movements from each symphony. I thought this joint needed some classing up.   So, settle in and get ready to hear the man who is said to have set music free in Volume 227: Beethoven's 4th & 5th.   For more information about this album, see the Discogs webpage for it.    Here is the promised Leonard Bernstein video.    Credits and copyrights   Beethoven, René Leibowitz, The Royal Philharmonic Orchestra, The Beecham Choral Society – The Nine Symphonies Of Beethoven Ludwig van Beethoven Label: Reader's Digest – RD 4-6 Format: 7 x Vinyl, LP Box Set Released: 1966 Genre: Classical Style: Romantic, Choral   This is record 3 of a 6 record set. We will hear two movements from the 4th Symphony and three from the 5th.   Symphony No. 4 In B-Flat Major, Op. 60 First Movement - Adagio; Allegro Vivace Second Movement - Adagio Fourth Movement - Allegro Ma Non Troppo   Symphony No. 5 In C Minor, Op. 67 First Movement - Allegro Con Brio Third Movement - Allegro Fourth Movement - Allegro   I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.   #beethoven #beethovensfifth  #musicalmemories #musichistory #vinylcollecting #vinylrecords #fyp

In this week's episode of the Gramophone Classical Music Podcast, Editor Martin Cullingford is joined by the Principal Conductor of the Hallé Orchestra, Kahchun Wong, to talk about the orchestra's relationship with its home city, Manchester, and their new recording of Bruckner's Symphony No 9. 

On the Season 8 finale of Live from the Grand Teton Music Festival, we're excited to share a preview of Mahler's Symphony No. 5 ahead of its future release on Reference Recordings. This episode features:Gustav MahlerSymphony No. 5 in C-sharp minor, Movements 1 and 2Gustav MahlerSymphony No. 5 in C-sharp minor, Movement 3Gail Williams, hornThank you for listening to Season 8 of Live from the GTMF! All episodes are now available to stream wherever you get your podcasts.Live from the Grand Teton Music Festival is hosted by Music Director Sir Donald Runnicles and GTMF General Manager Jeff Counts.The Grand Teton Music Festival, founded in 1962, unites over 250 celebrated orchestral musicians led by Music Director Sir Donald Runnicles in Jackson Hole, Wyoming each summer. Stay connected for the latest Festival updates: Instagram Facebook Email List GTMF Website

This episode of The Other Side of the Bell, featuring women's trumpet trailblazer, founder of the International Women's Brass Conference, and 40-year First Trumpet of the St. Louis Symphony Orchestra, Susan Slaughter, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Susan Slaughter trumpet interview"   About Susan Slaughter:   Born in McCordsville, IN, Susan Slaughter started playing trumpet at the age of 10. Graduating from Indiana University with a coveted performer's certificate, Susan auditioned for and won the Principal Trumpet position in 1967 with the Toledo, Ohio Symphony.   Susan then joined the Saint Louis Symphony Orchestra in l969 and four years later became the first woman ever to be named Principal Trumpet of a major symphony orchestra.   In 1992, Susan founded the International Women's Brass Conference, an organization dedicated to provide opportunities and recognition for women brass musicians. As a fund-raising effort to support the International Women's Brass Conference, Ms. Slaughter organized and produced the very popular Holiday Brass Concerts, which are now in their second decade, and are performed each December in the Cathedral Basilica of Saint Louis. Other cities in the United States are holding their own Holiday Brass Concerts to help support the ever-growing International Women's Brass Conference.   In 1996, Ms. Slaughter founded Monarch Brass, an all women's brass ensemble, which has toured in the United States and Europe to critical acclaim.   Susan appears regularly in area recitals and religious programs, and has been a frequent soloist with the Saint Louis Symphony Orchestra, as well as with several other ensembles throughout the country. Her work is represented on a number of Saint Louis Symphony releases, including the highly acclaimed recordings of Mahler's Symphony No. 2, Prokofiev's Symphony No. 5, Gershwin's Piano Concerto in F, Mussorgsky's Pictures at an Exhibition, Barber's Capricorn Concerto, and most recently, John Adams' Doctor Atomic. Many of these and other recordings have been nominated for or won Grammy Awards. Susan has performed with Wynton Marsalis, Kathleen Battle, Christine Brewer, Doc Severinsen, Al Hirt in duets, amongst others.   She has served on the faculty of the Grand Teton Orchestra Seminar and the National Orchestra Institute, and has been lecture/recitalist at the International Trumpet Guild, while also serving on its board of directors.   Since the 1980's, Susan has performed the National Anthem and “God Bless America” on an annual basis for the St. Louis Cardinals Baseball Club and, at the invitation of the Baseball Commissioner Fay Vincent, performed the National Anthem at Game 3 of the 1991 World Series, played in Atlanta between the Braves and Twins (link).   Some of the awards and recognition Susan has received over the years include nomination by Ladies Home Journal for its annual Woman of the Year award, a special Leadership Award in the Arts from the Young Women's Christian Association, the American Federation of Musicians, Local 2-197 Owen Miller Award for loyalty, dedication and fairness in actions and deeds, and the 2007 Arts and Education Council Award for Excellence in the Arts.   Susan has studied over the years with Herbert Mueller, Bernard Adelstein, Arnold Jacobs, Robert Nagel, Claude Gordon and Laurie Frink, and retired as Principal Trumpet from the Saint Louis Symphony on September 1, 2010.   Podcast listeners! Enter code "podcast" at checkout for 15% off any of our Gard bags! Visit trumpetmouthpiece.com for more info.     Episode Links: Holiday Brass Los Angeles Brass Alliance website https://www.instagram.com/losangelesbrassalliance/  International Women's Brass Conference, May 19-24, Hartford, Connecticut. Register: myiwbc.org Sign up sheet for valve alignments: bobreeves.com/iwbc International Trumpet Guild Conference, May 27-31, University of Utah, Salt Lake City. Sign up sheet for valve alignments: bobreeves.com/itg William Adam Trumpet Festival, June 19-22, Clarksville, Tennessee. williamadamtrumpet.com  Sign up sheet for valve alignments: bobreeves.com/williamadam Greg Wing, Reflections on a Grateful Journey, available on Apple Music   Podcast Credits: “A Room with a View“ - composed and performed by Howie Shear Podcast Host - John Snell Cover Art - Susan Slaughter Audio Engineer - Ted Cragg

Looking for transcripts? Click here!Where did the old episodes go?Follow us on Blue Sky! @hoteldayradioCredits and Attributions:Hotel Daydream is licensed under a ⁠Creative Commons Attribution-ShareAlike 4.0⁠ International License.Music and respective CC licenses:CC-BY-3.0Des pas sur la neige by Debussy, perf. Chiara Bertoglio (edited)Don Perez Freire by Agustin Barrios Mangore, perf. Edson Lopes (edited)Symphony No.3 in A Minor Scottish, Op. 56-II. Vivace non troppo by Felix Mendelssohn, perf. The Czech Philharmonic Orchestra (edited)All sounds were sourced from the Public Domain.

Two groundbreaking composers, Jean Sibelius and Aaron Jay Kernis, feature in today's episode, with music deeply inspired by our natural environment.This episode features:Grand Teton Music Festival OrchestraAaron Jay KernisMusica CelestisSir Donald Runnicles, conductorJean SibeliusSymphony No. 2 in D Major, Op. 43Dalia Stasevska, conductorLive from the Grand Teton Music Festival is hosted by Music Director Sir Donald Runnicles and GTMF General Manager Jeff Counts. Episodes premiere on Wednesdays at 8 PM MT on Wyoming Public Radio and are available the next day wherever you get your podcasts.The Grand Teton Music Festival, founded in 1962, unites over 250 celebrated orchestral musicians led by Music Director Sir Donald Runnicles in Jackson Hole, Wyoming each summer. Stay connected for the latest Festival updates: Instagram Facebook Email List GTMF Website

Few other works in the canon occupy a place like this symphony by Dmitri Shostakovich. John Banther and Evan Keely dive into history as they show you what to listen for, Shostakovich's perilous circumstances, and what clues he could have left for all of us in the music.Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

Donald Macleod explores Danish composer, Carl Nielsen, through his temperaments Carl Nielsen (1865-1931) is probably the most eminent Danish composer. Known mainly for his talent as a symphonist and for his incidental music for 'Aladdin', he also pushed the boundaries of Romantic music, whether in his work on the voice or his exploration of dissonance. Born in the fairy tale-looking island of Fyn, his music is indeed full of characters: Nielsen was fascinated by the multiplicity of human emotions and personalities. To the extent that they frequently were the source of his musical creativity. After all, he was himself a passionate character, something that transpires in his very scores, in which the composer often hides behind the music. This week, inspired by his second and fourth symphonies, Donald Macleod invites you to discover Carl Nielsen's story through the prism of five different aspects of his temperament.Music Featured: Saul og David (Prelude to Act II) Symphony No 2, Op 16, FS29 ‘The Four Temperaments' Fynsk Forar, Op 42 (excerpt) Polka in A major, FS1 Little Suite for strings in A minor, Op 1 (3rd mvt) Aladdin Suite, Op 34 (excerpt) Søvnen, Op 18 String Quartet in D Minor, FS 3d (3rd mvt) Saga-Drøm, Op 39, FS 46 Concerto for Flute and Orchestra, FS 119 (1st mvt) The Heavens darken, vast and silent, FS 106 Dream about ‘Silent Night', FS 34 Farewell, my respectable native town! String Quartet No 1 in G minor, Op 13, FS 4 (excerpt) Humoresque Bagatelles Moderen [The Mother], Op 41 (No 2, Tågen letter “The Fog is Lifting”) String Quartet No 2 in F minor, Op 5 (excerpt) Romance in D major for violin and piano Hymnus amoris [Hymn of Love] for soloists, choir and orchestra, Op 12 (No 4, Old Age) Three Motets (No 3, Benedictus Dominus) 5 Songs, FS 12 (No 4, Irmelin Rose) Piano Suite "The Luciferan", FS 91, Op 45 (excerpt) String Quartet No 3 in E-flat major, FS 23, Op 14 (excerpt) Symphony No 3, Op 27, FS 60 "Sinfonia espansiva" (3rd mvt) Maskarade, FS 39, Act III (excerpt) Symphonic Suite for Piano, Op 8, FS 19 (4th mvt, Finale) Stophic Songs, FS 42, Vol 2, No 1, "Saenk kun dit hoved, du blomst" The Spider's Song Jens Vejmand (arr. Finn Savery) Helios, Op 17, FS 32 Violin Concerto, Op 33, FS 61 (Preludium) Symphony No 6 "Sinfonia semplice", FS 116 (4th mvt, Tema con variazioni) Symphony No 4 "The Inextinguishable", Op 29, FS 76 (4th mvt)Presented by Donald Macleod Produced by Julien Rosa for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Carl Nielsen (1865-1931) https://www.bbc.co.uk/programmes/m0029j16 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Send us a textSimon reports in from Sardegna before Lee and he veer off into talking about what draws us to snake oil. Things covered: Getting the sound right while recording in a 'cathedral', flight delay, the mundanity of owning a place, Nodi networking function in Alghero, bumping back into Italian, experiences that are both concrete and abstract, dealing with uncertainty, meeting a life-coach, snake-oil, "l'aria fritta" (fried air), what draws us to people selling fried air, having one's buttons pushed over and over again, Sardegna drawing in a dreamcatcher vibe, homemade brick oven and making pizze, primal human experiences, cranio-sacral massages, gong showers (sound baths), golden showers, people talking (or not) about their kinks, piss play, more prevalent than us vanillas, lacking imagination (or perhaps theory of mind), Portishead, Beth Gibbons (singing Gorecki Symphony 3), how to be introduced into something we didn't use to like (e.g. yoga for Lee), the things we end up doing and believing, jam cocktail (listener feedback), unattributed quote from last week to George Saunders' commencement speech (in the links below).  --- Related links (and necessary corrections): Beth Gibbons singing Górecki's Symphony No. 3 (not number 5): https://www.youtube.com/watch?v=-YlGYxCSDJUGeorge Saunders' commencement speech at Syracuse: https://genius.com/George-saunders-graduation-speech-at-syracuse-2013-annotated Get in touch with Lee and Simon at info@midlifing.net. ---The Midlifing logo is adapted from an original image by H.L.I.T: https://www.flickr.com/photos/29311691@N05/8571921679 (CC BY 2.0)

This is Episode No. 100 of “Music for a While.” To mark the occasion, Jay presents music associated with that number: 100. So, we can consider this a centennial celebration. Bach, “Darum wir billig loben dich,” from the Cantata BVW 130 Dvořák, Scherzo from Sonatina for Violin and Piano, Op. 100 Bach, “Er ist mein Licht, mein Leben,” from the Cantata BVW 100 Haydn, Presto, from Symphony No. 100 in G major, “Military” Beethoven, “Merkenstein” Prokofiev, Allegro marcato, from Symphony No. 5 Mozart, Serenade No. 1 in D Brahms, Sonata for Violin and Piano No. 2 in A major Schumann, “The Bride of Messina,” Overture in C minor Shostakovich, “Little Stars” from “Spanish Songs” arr. Vaughan Williams, “Old Hundredth Psalm”

Zu Gast bei Roger Schawinski ist der bekannte Wirtschaftshistoriker Tobias Straumann. In dieser Sendung erfahren Sie, wie Straumann die Situation nach dem von US-Präsident Trump verkündeten Zoll-Schock und dem heftigen Börsencrash einschätzt. Songs: Il boît pour oublier sa vie - Les Négresses Vertes, Bongo Bong - Manu Chao, Symphony No. 1 in D Major_III." - Gustav Mahler, My Favourite Things - John Coltrane, Klaviersonate No.17, Op.31 No.2 "Sturm Sonate" 3., Ludwig van Beethoven

We'll look at Beethoven's last great public work--Symphony No. 9 in D Minor, Op. 125, completed in 1824.  

Join Sameer Patel for To the Stars, featuring Anton Webern's Passacaglia for Orchestra, and Johannes Brahms's Symphony No. 3. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 39116]

Join Sameer Patel for To the Stars, featuring Anton Webern's Passacaglia for Orchestra, and Johannes Brahms's Symphony No. 3. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 39116]

Kate Molleson navigates through the personal and professional struggles of Gustav Mahler Gustav Mahler: brilliant, fiery and tyrannical – leader of some the most prestigious musical institutions of his era – fought battles his whole life. He clashed with his colleagues, scrapped with critics and wrestled endlessly with his own desires and ambitions. This week, Kate Molleson navigates us through his many personal and professional struggles, and follows Mahler to the countryside hideaways where he sought (not always successfully) to escape the drama of his everyday life. Here, among the lakes and mountains, Mahler also found space to compose and he poured the whole world into his music in all its ugliness, mundanity and transcendent beauty.Music Featured:Symphony No 3 (excerpts) Symphony No 1 (excerpts) Symphony No 2 (excerpts) by Bernard Haitink Des Knaben Wunderhorn (Lob des hohen Verstandes) Lieder eines fahrenden Gesellen Symphony No 4 (excerpts) Symphony No 5 (excerpts) Symphony No 6 (excerpts) Symphony No 7 (excerpts) Kindertotenlieder (No 3, Wenn dein Mütterlein) Symphony No 8 "Symphony of a Thousand" (excerpts) Das Lied von der Erde (No 2, Der Einsame in Herbst) Symphony No 9 (excerpts) Das Lied von der Erde (No 4, Von der Schonheit) Symphony No 10 (ed. Deryck Cooke (excerpt)Presented by Kate Molleson Produced by Chris Taylor for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Gustav Mahler (1860-1911) https://www.bbc.co.uk/programmes/m00291fhAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

On this episode of One Symphony, Devin Patrick Hughes sat down with Peter Drew, a symphonist and jazz composer, to discuss his diverse life journey and his debut symphony, Reminiscence. Drew, born in Europe and later a refugee in the United States, recounted his early musical awakenings. He was first intrigued by the sound of the harmonica his stepbrother gave him. However, his musical trajectory truly shifted when, around the age of eleven, he heard Toscanini conducting Beethoven's Ninth Symphony on the radio. This experience deeply resonated with him, particularly the Ode to Joy, which became the first tune he learned on the harmonica, despite not being able to read music. Although initially captivated by classical music and Beethoven, Drew's path to becoming a composer was far from traditional. He pursued various careers, including working in film distribution, catering, teaching film studies, and being a social studies teacher. Throughout these experiences, music remained a constant presence in his life; he would often "noodle around" on the clarinet. It wasn't until later in life that he began to seriously study music, taking lessons from clarinet players and exploring jazz. He eventually started arranging music and studying composers like Sibelius. When the conversation turned to his symphony, "Reminiscence," Drew emphasized the amalgamation of his varied musical tastes and life experiences. He described his influences as a "mélange" or "stew" ranging from the American Songbook to Carl Orff, Villa-Lobos, Beethoven, Brahms, Artie Shaw, and even global music like Songs of the Auvergne, Tuvan throat singing, and Raga. He explained that his compositional process often begins with a melody he likes, perhaps played on his clarinet. He then develops this initial phrase, ensuring a natural flow between musical ideas without dissonance, remaining within the realm of Romantic Classical music. Hughes inquired about the technical aspects of translating these diverse elements into a cohesive symphony, including orchestration. Drew admitted that while he can conceive melodies, he needed assistance with the intricate instrumentation for a large symphony orchestra. He collaborated with an orchestrator to achieve the desired sonic textures, ensuring that all the instrumental parts complemented each other. Regarding the upcoming performance and recording of Reminiscence by the Boulder Symphony, Drew expressed his hope that listeners would simply "enjoy yourself" and "have fun". He doesn't expect the audience to be intimately familiar with all his diverse musical influences, but rather to connect with the music on an emotional level in the same way he was first drawn to Beethoven. Drew believes that if the music sounds and feels good, it will be enjoyable to listen to. When asked about his late entry into composing a symphony, Drew, who is approaching 90, reflected that all his life experiences, both musical and non-musical, have informed his writing. He feels that composing, rather than performing, is his true strength and passion, representing an accomplishment after a lifetime of diverse pursuits. He finds satisfaction in creating music that others enjoy listening to and playing. When pressed for a favorite movement, Drew chose the third movement for its energy and the way all the musical elements come together. While acknowledging the profound impact of Beethoven on his early musical life, he noted that Reminiscence incorporates a wider range of influences, creating a unique sonic landscape.   Thank you for joining us on One Symphony. Special thanks to Peter Drew for sharing his music and story. Musical selections from today's episode:   “Hard Driver” from the album And What's More composed and arranged by Peter Drew. “Midnight Sun” from the album And What's More. Composed by Lionel Hampton, Sonny Burke, and Johnny Mercer. Arranged by Peter Drew, featuring Sachal Vasandani. Symphony No. 1 “Reminiscence” II. Pictures at an Album. Composed by Peter Drew and arranged by Douglas Gibson. Performed by the Zagreb Philharmonic Orchestra under the direction of Ivan Josip Skender. Symphony No. 1 “Reminiscence” I. Journey. Composed by Peter Drew and arranged by Douglas Gibson. Performed by the Zagreb Philharmonic Orchestra under the direction of Ivan Josip Skender. “Slow Burn Blues” from the album And What's More composed by Peter Drew and featuring Wendy Gilles.  Symphony No. 1 “Reminiscence” IV. The Return. Composed by Peter Drew and arranged by Douglas Gibson. Performed by the Zagreb Philharmonic Orchestra under the direction of Ivan Josip Skender. Symphony No. 1 “Reminiscence” II. Bach to Back. Composed by Peter Drew and arranged by Douglas Gibson. Performed by the Zagreb Philharmonic Orchestra under the direction of Ivan Josip Skender.   For more information on Peter, see https://www.peterdrewmusic.com You can always find more info at OneSymphony.podbean.com or DevinPatrickHughes.com, including a virtual tip jar if you'd like to support the show. Special thanks to Parma Recordings for making this episode possible. Please feel free to rate, review, or share the podcast! Until next time, thank you for being part of the music.

William Mival joins Andrew to discuss Bruckner's Symphony no.4 in Building a Library.

An appetizing, eclectic program. Charity is represented by a sturdy American song: “If I Can Help Somebody.” Malice is represented by a movement from Walton's Symphony No. 1, marked “Presto con malizia.” Much to listen to and absorb. Shostakovich, “A Spin through Moscow” from “Moscow, Cheryomushko” Fauré, “Clair de lune” Beethoven, “Abscheulicher!,” from “Fidelio” Walton, Symphony No. 1, Scherzo: Presto con malizia Ruby (?), “I'm Against It” Hoiby, “Winter Song” Hoiby, “There came a wind like a bugle” Androzzo, “If I Can Help Somebody” Gubaidulina, “Glorious Percussion”

fWotD Episode 2872: Flight Pattern Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Sunday, 16 March 2025 is Flight Pattern.Flight Pattern is a contemporary ballet choreographed by Crystal Pite, set to the first movement of Henryk Górecki's Symphony No.3. It premiered at the Royal Opera House, London, on 16 March 2017, making Pite the first woman to choreograph for the Royal Ballet's main stage in 18 years. The ballet won the Laurence Olivier Award for Best New Dance Production in 2018.Flight Pattern examines the plight of refugees, drawing inspiration from 20th and 21st-century events, particularly the refugee crisis caused by the Syrian civil war. The ballet starts with 36 dancers performing on stage and transitions to a series of duets and solos originated by the dancers Marcelino Sambé and Kristen McNally. The piece was mostly positively reviewed by critics, with many praising the performance of the two soloists and the choreography of the ensemble. In 2022, Pite expanded the ballet into Light of Passage, with Flight Pattern becoming the first part of the ballet. The narrative is non-linear and the movement uses lines created by the dancers' bodies and formations of queues to create tension on stage.This recording reflects the Wikipedia text as of 00:53 UTC on Sunday, 16 March 2025.For the full current version of the article, see Flight Pattern on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm long-form Danielle.

Un saludo queridos amigos y oyentes. Hoy comenzamos la exposición de Heidegger que nos ocupará varios audios. Recordemos que el Existencialismo es el pensamiento que brota del hombre europeo desprovisto ya de sus grandes ideales tras las crudelísimas guerras mundiales. Ya sólo le queda su propia existencia y la comunión con el "otro". 📗ÍNDICE *. Resúmenes. 0. INTRODUCCIÓN. 1. VIDA DE HEIDEGGER. AQUÍ https://go.ivoox.com/rf/140832026 puedes escuchar una introducción al Existencialismo. 🎼Música de la época: 📀 Tema inicial: Dancing Queen de ABBA, uno de los temas más escuchados en 1976, año del fallecimiento de nuestro filósofo. Sintonía: Symphony No. 3 de Górecki, compuesta en 1976. 🎨Imagen: Martin Heidegger​ (Messkirch -Imperio Alemán-, 26 de septiembre de 1889 - Friburgo -República Federal alemana-, 26 de mayo de 1976) fue un filósofo, ensayista y poeta alemán. Posiblemente el filósofo más importante del siglo XX. 👍Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!

問世間情是何物，直叫人心中善與美長存？ 一段受虐的童年， 一雙聽不見的耳朵， 一具病痛糾纏的身軀， 幾份真摯又純潔的愛而不得， 組合成一顆最乾淨的心， 帶給世界最雋永的旋律。 他是上帝留給人間的奇蹟：貝多芬。 【德國小甘菊╳最天然的純素保養】~2/28

This Day in Legal History: Bell and Gray File PatentsOn February 14, 1876, both Alexander Graham Bell and Elisha Gray filed patent applications for the invention of the telephone, setting off one of the most famous legal battles in U.S. history. Bell's lawyer submitted his paperwork to the U.S. Patent Office just hours before Gray's, leading to a dispute over who truly invented the device. Gray's filing was a "caveat," an intention to patent, while Bell's was a full application, giving him a legal advantage. When the patent was granted to Bell on March 7, 1876, Gray challenged it, arguing that Bell had improperly incorporated elements of Gray's liquid transmitter design.The controversy led to numerous lawsuits, with Gray and others accusing Bell of fraud and claiming he had seen Gray's filing before finalizing his own. Despite these challenges, the courts consistently ruled in Bell's favor, affirming his rights to the telephone patent. This legal victory gave Bell's company, later known as AT&T, control over the rapidly growing telephone industry. The case highlighted issues of patent timing, intellectual property rights, and legal strategy in technological innovation.The Bell-Gray dispute remains a landmark moment in patent law, demonstrating how the slightest timing difference can determine the outcome of major technological advancements. It also underscored the competitive nature of the late 19th-century invention boom, where multiple inventors often worked on similar ideas simultaneously.Democratic attorneys general from 16 states issued guidance defending diversity, equity, inclusion, and accessibility (DEI) programs against recent executive orders from former President Trump. Led by Massachusetts AG Andrea Joy Campbell and Illinois AG Kwame Raoul, they argued that DEI initiatives remain legal under existing anti-discrimination laws, including Title VII of the 1964 Civil Rights Act. The Trump administration's orders call for eliminating DEI efforts from federal agencies and scrutinizing private-sector programs, conflating lawful diversity policies with illegal hiring preferences, the AGs said.Major corporations like Google and Amazon have adjusted or rebranded their DEI initiatives in response to legal uncertainty. The guidance clarifies that policies promoting workplace diversity—such as broad recruitment efforts and impact assessments—are legally distinct from unlawful hiring preferences. Courts have long upheld employers' ability to consider the effects of their policies on different groups to prevent discrimination claims.Meanwhile, Republican AGs, including Missouri's Andrew Bailey, are pushing businesses to abandon DEI programs. Bailey recently sued Starbucks, accusing the company of violating civil rights laws through its DEI initiatives. The conflicting state-level actions highlight the growing legal and political battle over corporate diversity policies.Democratic AGs Defend DEI Against ‘Misleading' Trump DirectivesTwo federal judges will decide whether Elon Musk's government cost-cutting team, the Department of Government Efficiency (DOGE), can access sensitive U.S. government systems. Since his appointment by President Trump last month, Musk has led efforts to eliminate wasteful spending, but critics argue his team lacks legal authority to handle Treasury payment systems and sensitive agency data.Judge Jeannette Vargas in Manhattan will consider a request from Democratic attorneys general to extend a temporary block preventing DOGE from accessing Treasury systems that process trillions in payments. The states argue Musk's team could misuse personal data and disrupt funding for health clinics, preschools, and climate programs.In Washington, Judge John Bates will review a separate request from unions seeking to prevent DOGE from accessing records at the Department of Health and Human Services, the Labor Department, and the Consumer Financial Protection Bureau. Bates previously ruled in favor of the Trump administration but will now reconsider after the unions amended their lawsuit.Democratic AGs have also filed a separate lawsuit claiming Musk's appointment is unconstitutional and seeking to block him from making personnel decisions or canceling contracts. While courts have blocked several of Trump's initiatives, his administration has continued firing government workers and cutting foreign aid, mostly targeting programs opposed by conservatives.Musk's DOGE team: Judges to consider barring it from US government systems | ReutersA federal judge has ordered the Trump administration to restore funding for hundreds of foreign aid contractors affected by a 90-day funding freeze. The ruling temporarily blocks the administration from canceling foreign aid contracts and grants that were in place before Trump took office on January 20.  The decision came in response to a lawsuit filed by two health organizations that rely on U.S. funding for overseas programs. The Trump administration had halted all foreign aid payments, claiming the pause was necessary to review program efficiency and alignment with policy priorities. However, Judge Amir Ali ruled that the government had not provided a rational justification for the sweeping suspension, which disrupted agreements with businesses, nonprofits, and organizations worldwide.  Trump has also ordered federal agencies to prepare for major job cuts, leading to layoffs among government workers without full job protections. His administration has already removed or sidelined hundreds of civil servants and top officials, part of a broader effort to reshape the federal workforce and consolidate power among political allies.Judge orders US to restore funds for foreign aid programs | ReutersA federal judge has ordered the release of Supreme Court advocate Tom Goldstein, three days after he was jailed for allegedly violating pretrial release conditions in a tax fraud case. Goldstein, a prominent appellate lawyer and co-founder of SCOTUSblog, was indicted last month on 22 counts of tax evasion related to his high-stakes poker winnings and alleged misuse of law firm funds to cover debts.Chief U.S. Magistrate Judge Timothy Sullivan ruled that there was insufficient evidence to keep Goldstein incarcerated for allegedly concealing cryptocurrency transactions. However, the judge imposed new restrictions, including monitoring his internet use and prohibiting cryptocurrency transfers.Prosecutors claimed Goldstein secretly moved millions in crypto after his initial release, prompting his second arrest. Goldstein argued the transactions occurred in 2023 and that he did not own the accounts in question. While the judge found Goldstein's evidence created enough doubt to justify his release, he also suggested Goldstein may still have access to hidden funds that could enable him to flee. Goldstein has pleaded not guilty, and his legal team maintains the government's case lacks proof.Supreme Court veteran Goldstein wins release again in tax crimes case | ReutersThis week's closing theme is by Gustav Mahler.Gustav Mahler (1860–1911) was a visionary composer and conductor whose symphonies bridged the late Romantic and early modern eras. Known for his deeply personal and expansive works, Mahler infused his music with themes of life, death, and transcendence. His Symphony No. 2, often called the Resurrection Symphony, is one of his most ambitious compositions, blending massive orchestral forces with choral elements to explore the journey from despair to spiritual renewal.The symphony's fifth and final movement, Im Tempo des Scherzo – Aufersteh'n, is a dramatic culmination of the work's themes. It begins in chaos, with the orchestra depicting the terror of the apocalypse, before gradually moving toward light and resolution. The music builds in intensity until the choir enters softly, singing the text of Friedrich Klopstock's Resurrection Ode, which speaks of rising again after death. Mahler expands on these words, adding his own lines about redemption and eternal life.The movement swells to one of the most powerful climaxes in symphonic history, with soaring brass, thunderous percussion, and a triumphant chorus proclaiming victory over death. The final moments are a breathtaking ascent, as the music dissolves into radiant serenity. This movement is more than just a finale; it is an emotional and philosophical journey, offering a sense of transcendence that has resonated with audiences for over a century.Without further ado, Gustav Mahler's Symphony No. 2, the fifth and final movement – Im Tempo des Scherzo.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Laura Jackson, Reno Phil Music Director and Conductor, talks with Chris Morrison about the Reno Phil's “Bruckner's Romantic Symphony” concerts, the fourth concerts of the orchestra's 2024-25 Classix season, on February 22 and 23, 2025. Also appearing on the podcast are violinist Alexi Kenney and Reno Phil principal French horn John Lenz. The concerts include the Violin Concerto by Igor Stravinsky and the Rondo in C major, K. 373 by Mozart, both featuring Alexi Kenney as soloist, as well as the Symphony No. 4, the "Romantic," by Anton Bruckner.

Gerardo Edelstein, Music Director & Conductor of the Williamsport Symphony Orchestra, speaking about a concert titled, "Marvels of Majesty," on Tuesday, February 11, 2025, at 7:30 pm, at the Community Arts Center, 220 West Fourth Street in Williamsport. Featured works: Piano Concerto in G by Ravel & Symphony No. 7 by Bruckner. For information: www.williamsportsymphony.org/ or CACLive.com/

上周在整理旧物的时候，我翻出七八年前还在某设计媒体工作时候买的一本日本室内设计杂志，我翻到杂志中的某一页，发现有行小字写着：”音乐是流动的家具”，这是我当时记下的笔记。我们总在谈论居家空间的时候，会说到北欧风的沙发或是包豪斯的灯具，却常忘记真正让空气产生密度的，往往是那些看不见的声波轨迹。有时候我们可能没有太察觉，但其实我们早就在用声音来重构空间了，为的就是实现我们对于美好生活的笨拙向往。在本期节目，我们将穿梭八个居家场景——从晨间的唤醒时刻、居家办公的专注时分，到阳台上观看落日和与音乐一同冥想放松。相对应歌曲风格也会涵盖清新的独立流行、lo-fi Hiphop、流行摇滚乐、古典交响乐现场、日式爵士嘻哈等等，希望这些音乐，能成为你在家时候最好的陪伴。

This Day in Legal History: 11th Amendment RatifiedOn February 7, 1795, the 11th Amendment to the U.S. Constitution was ratified, restricting federal judicial power over lawsuits against states. The amendment was a direct response to the Supreme Court's 1793 decision in Chisholm v. Georgia, which held that a private citizen of one state could sue another state in federal court. This ruling alarmed many states, as it threatened their sovereign immunity and exposed them to lawsuits from individuals. In reaction, Congress swiftly proposed the 11th Amendment, which was ratified by North Carolina on this day, completing the necessary approvals. The amendment states that federal courts cannot hear cases against a state brought by citizens of another state or a foreign country. This reinforced the principle of state sovereignty and limited the reach of the federal judiciary. The amendment effectively overturned Chisholm and set a precedent for later expansions of state immunity. Over time, the Supreme Court interpreted the amendment broadly, extending protections to cases brought by a state's own citizens as well. The 11th Amendment remains a cornerstone of federalism, shaping the balance of power between states and the national government.Federal agencies have pulled out of law school recruiting events following President Donald Trump's executive order freezing hiring across the government. More than a dozen agencies withdrew from NYU's public interest career fair, and others skipped a similar event hosted by Georgetown and George Washington University. The freeze, which affects federal legal jobs and prestigious honors programs at agencies like the DOJ and IRS, has left many law students scrambling for alternatives. While some large law firms are looking to hire displaced junior lawyers, there are limited openings, especially for first- and second-year students whose summer jobs were canceled. Firms like Morgan Lewis, Quinn Emanuel, and Elsberg Baker & Maruri are among those actively considering affected candidates. However, with most Big Law summer associate spots already filled, many students may struggle to secure positions. The freeze, which could last up to 90 days, is part of a broader effort to reduce the federal workforce through attrition and “efficiency” measures.Trump Hiring Freeze Has Agencies Ditching Law School RecruitingFor decades, the Justice Department has prided itself on independence, with attorneys expected to uphold the law "without fear or favor," as former Attorney General Merrick Garland emphasized. This principle, strengthened after Watergate, has long guided DOJ lawyers in their duty to serve the nation rather than any single president. However, Attorney General Pam Bondi's new memo marks a stark departure from that tradition, warning DOJ lawyers against refusing to advance legal arguments they disagree with and referring to them as the president's lawyers. The memo threatens disciplinary action, including termination, for attorneys who decline to sign briefs or appear in court due to personal objections. Critics argue that this undermines legal ethics and pressures attorneys to prioritize loyalty to Trump over their professional responsibilities. Historically, DOJ lawyers who found themselves in ethical conflicts could ask to be reassigned or resign, but Bondi's directive appears designed to force them into compliance or out of the department entirely. The memo is particularly concerning as Trump's DOJ aggressively defends controversial executive actions, making it harder for lawyers to voice concerns about weak or legally questionable cases. Legal experts worry that a mass exodus of experienced attorneys could damage the department's credibility, further eroding trust in the rule of law.Bondi Raises Independence Concerns with Attorney Advocacy MemoThe Trump administration is facing a lawsuit from the American Federation of Government Employees and the American Foreign Service Association over its rapid dismantling of the U.S. Agency for International Development (USAID). The suit, filed in federal court, argues that President Trump's foreign aid freeze and subsequent orders to halt USAID projects were unconstitutional and have caused a global humanitarian crisis. Since Trump's executive order on January 20, USAID staff have been laid off or placed on leave, and key aid programs combating malaria, HIV, and global hunger have been suspended. The shutdown, largely overseen by Elon Musk, has left food aid worth $340 million stranded and led to worsening health crises, according to the lawsuit. Critics argue that since Congress created USAID by statute, Trump lacks the legal authority to dismantle it. The lawsuit seeks an emergency court order to restore funding, reopen offices, and prevent further agency cuts.Trump administration sued by government workers over cuts to USAID | ReutersCompanies are rushing to file merger notifications before a new Federal Trade Commission (FTC) rule takes effect after 5 p.m. on Friday, significantly expanding reporting requirements for deals over $126.4 million. The rule, introduced under President Biden and set to take effect under President Trump, is expected to triple the workload for companies seeking regulatory clearance. Businesses are scrambling to file under the old rules to avoid higher compliance costs and navigate a familiar system rather than being among the first to test the new requirements. While attorneys don't see the rush as an attempt to evade scrutiny, some worry that the surge in filings—combined with Trump's push to shrink the federal workforce—could result in inadequate review of certain deals. The private equity industry has strongly opposed the rule, arguing it places unnecessary burdens on firms, and has filed a lawsuit to block it, though no ruling is expected this week. Some lawmakers are considering legislative action, and attorneys are closely watching for any last-minute delays, though chances of a suspension are diminishing.Companies wary of new US rule scramble to file mergers by Friday, lawyers say | ReutersThis week's closing theme is by Gustav Mahler.Gustav Mahler, one of the most influential late-Romantic composers, was known for his expansive symphonies that bridged the worlds of the 19th and 20th centuries. Born in 1860, Mahler's music often grappled with deep philosophical and existential themes, blending moments of beauty, nostalgia, and turmoil. His Symphony No. 4, completed in 1900, is one of his most accessible works, offering a lighter, more lyrical approach compared to his more intense symphonies. On February 7, 1904, Mahler himself conducted a performance of this symphony in Berlin, reinforcing its place in the concert repertoire.The fourth movement, "Das himmlische Leben" (The Heavenly Life), is the symphony's heart and soul, featuring a soprano voice describing a child's vision of heaven. Unlike the grandeur of Mahler's other finales, this movement is delicate and dreamlike, with folk-like melodies and a sense of innocence. The lyrics, drawn from the Des Knaben Wunderhorn (The Boy's Magic Horn) collection, depict a paradise filled with music, dancing, and endless feasting, all with a touch of Mahler's characteristic irony. The orchestration remains light and transparent, with delicate bells and strings giving the music an ethereal quality.As this week's closing theme, "Das himmlische Leben" serves as a gentle farewell, offering a moment of reflection and tranquility. Its serene and almost childlike optimism provides a perfect contrast to the weightier legal discussions, reminding us that even in complex times, beauty and simplicity endure.Without further ado, Gustav Mahler's Symphony No. 4, the fourth movement, “Das himmlische Leben” – enjoy.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Franz Joseph Haydn - Symphony No. 98: MenuetNicolaus Esterhazy Sinfonia Bela Drahos, conductorMore info about today's track: Naxos 8.550780Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Jean Sibelius - Symphony No. 5: FinaleIceland Symphony Orchestra Petri Sakari, conductorMore info about today's track: Naxos 8.554377Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

ACIM Quote: Our function is to work together, because apart from each other we cannot function at all. (ACIM, T-8.VI.8:4) Today's Guest: Tara Hollander joins Tam and Matt to share her inspiring forgiveness story related to her musical career. In this episode, we explore themes of: Letting go of attachment Overcoming guilt Three Inspiring Classical Music Pieces That Tara Recommends: Appalachian Spring by Aaron Copland Franz Schubert's Piano Sonata in B-flat major Gustav Mahler's Symphony No. 3 in D minor Mentioned On This Podcast: The Fibonacci Sequence https://en.wikipedia.org/wiki/Fibonacci_sequence Announcement: ACIM Audio is now on both Android phones and iPhones. This easy-to-use app brings the profound teachings of A Course in Miracles directly to your mobile device, making it easier to immerse yourself in the Course anytime, anywhere. Android here: ⁠⁠https://play.google.com/store/apps/details?id=org.acim.audio⁠⁠ Iphone (iOS) here: ⁠⁠https://apps.apple.com/us/app/a-course-in-miracles-audio/id6443662668⁠⁠ The ACIM Audio App is the whole Course in the palm of your hands Read-Along Mode: Experience synchronized text and audio for enhanced comprehension and focus. Smart Auto Bookmarks: Seamlessly navigate between the Text and the Workbook without ever losing your place. Curated Prayers: Access nearly 200 different prayers from the Course in the Meditate tab. Stay Connected with Us, Join The Miracle Voices Email List: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.miraclevoices.org/email-signup/⁠⁠⁠⁠⁠⁠⁠⁠ Feel Inspired to Make a Love Offering? Visit: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.miraclevoices.org/donate⁠⁠ ⁠⁠⁠⁠⁠⁠ Think your Forgiveness Story Would Inspire Listeners? Submit your forgiveness story here: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.miraclevoices.org/form⁠⁠

Louis Spohr - Symphony No. 9 "The Seasons" - WinterSlovak State Philharmonic Orchestra, Kosice Alfred Walter, conductorMore info about today's track: Naxos 8.555540Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon