Podcasts about symphony no

Alice Farnham surveys recordings of Mahler's Symphony no.5 and makes a top recommendation

Welcome to our final episode in our Reformation Symphony series, of course with the grand movement IV. Be sure to like and share with a friend! Music: https://imslp.org/wiki/Symphony_No.5%2C_Op.107_(Mendelssohn%2C_Felix) https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode

Kate Molleson explores the life and music of Florence Price, joined by pianist and scholar Samantha Ege. From her childhood in Little Rock, where family, education and the realities of racial segregation shaped her early ambitions, Price's story unfolds through persistence, reinvention and growing recognition. Moving through her years of study and early career, we hear how she drew on African American musical traditions while navigating the social and political pressures around her. In Chicago, she found a vibrant artistic community and new opportunities, leading to orchestral success and national visibility. In her later years, recognition remained uneven, and her music continued to evolve in the face of resistance and neglect, with works still coming to light long after her death.Music featured includes: Negro Folksongs in Counterpoint: No. 4 Shortnin' Bread Violin Concerto No. 2 Symphony No. 4 in D minor (extract) Scenes in Tin Can Alley: Children at Play Fantasie Nègre No. 1 in E minor Fantasie Nègre No. 2 in G minor String Quartet No. 2 in A minor – Finale Concert Overture No. 2 Adoration Fantasie No. 2 in F sharp minor A Day in the Life of a Washerwoman Fantasie No. 1 in G minor The Goblin and the Mosquito Songs to the Dark Virgin Ethiopia's Shadow in America (extracts) Symphony No. 1 in E minor (extract) Symphony No. 1 in E minor – Juba Dance Piano Concerto in One Movement (extract) Sympathy My Soul's Been Anchored in the Lord The Oak Resignation Violin Concerto No. 1 in D major – Allegro The Mississippi River (extracts) Fantasie Nègre No. 3 in F minorPresented by Kate Molleson Produced by Ellie Ajao for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Florence Price (1887-1953) https://www.bbc.co.uk/programmes/m002vw41.And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

It's Part 3, time for the heavy third movement of Mendelssohn's iconic Reformation Symphony. We hope you're enjoying this series as we're in the home stretch! Be sure to like, and share with a friend! Music: https://imslp.org/wiki/Symphony_No.5%2C_Op.107_(Mendelssohn%2C_Felix) https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode

We'll talk about Beethoven's Symphony in C Minor, Op. 67, composed in 1807.

We'll look at Beethoven's last great public work, the Symphony No. 9 in D Minor, Op. 125, completed in 1824.

We'll focus on Beethoven's Symphony No. 8 in F Major, Op. 93.

We'll focus on Beethoven's Symphony No. 7 in A Major, Op. 92, completed in 1812.

We'll talk about Beethoven's great “Pastoral” Symphony No. 6 in F Major, Op. 68.

We'll look at Beethoven's Symphony No. 4 in B-flat Major, Op. 60.        

We'll look at Beethoven's great “Eroica” Symphony, No. 3 in E-flat Major, Op. 55.

We'll talk about Beethoven's Symphony No. 2 in D Major, Op. 36.

We'll look at Symphony No. 1, Op. 21.

SynopsisAs far as anniversary gifts go, the one Dutch conductor Willem Mengelberg received in 1920 was pretty spectacular. To celebrate his 25th year as Music Director of the Concertgebouw Orchestra in Amsterdam, they staged a special month-long festival in honor of one of Mengelberg's favorite composers — Gustav Mahler, the Austrian composer of monumental symphonies, who had, in fact, conducted the Concertgebouw several times before his untimely death at 50 in 1911.Mahler was the conductor Mengelberg admired most, and Mengelberg and his orchestra were ardent champions of Mahler's symphonies, too: their 1920 festival performed all nine of them over the course of two weeks that May. Mahler's widow Alma was in attendance, as were his younger Austrian contemporaries Arnold Schoenberg and Anton Webern, Danish composer Carl Nielsen and a young British conductor and Mahler fan named Adrian Boult, who reported on the festival for a British newspaper back home.In 1995, the Concertgebouw staged another Mahler Festival on the 75th anniversary of the 1920 one, this time inviting the Berlin Philharmonic and the Vienna Philharmonic to participate. A hundredth-anniversary festival was planned for May 2020, but the COVID pandemic forced that Mahler cycle to be postponed until May 2025. Good things come to all who wait.Music Played in Today's ProgramGustav Mahler (1860-1911): Symphony No. 1 (Titan); Royal Concertgebouw Orchestra; Riccardo Chailly, conductor; London/Decca 448813

The state Senate will vote Monday on a package of gun violence protection bills. It includes a ban on assault weapons and restrictions on ghost guns. More from supporters and opponents of the legislation that's been a central debate this session.It was decision day for many high school seniors this weekend, as they chose where they will be headed in the fall for college. Thousands of those students could get free tuition at Minnesota schools thanks to the North Star Promise program. A check in on the program ahead.And the Wild and the Wolves are starting the second round of their playoffs. It's the first time in Minnesota history that's happened. Our Minnesota Music Minute was a performance of Gustav Mahler's “ Symphony No. 5” by the Fargo-Moorhead Symphony.

Donald Macleod explores the life and music of Camille Saint‑Saëns, a composer whose career was shaped as much by personality and circumstance as by precocious talent. Raised in Paris by strong‑minded women who recognised his gifts early, Saint‑Saëns grew into a formidable pianist and an alert observer of the musical world around him. He moved easily through the city's salons, where reputations were made, ideas exchanged, and music absorbed as a social force as much as an art. Alongside influential relationships, including a lasting creative bond with Gabriel Fauré, Saint‑Saëns was drawn into a life increasingly shaped by travel.Music featured includes: Danse macabre, Op. 40 Calme des nuits (Deux Chœurs, Op. 68 No. 1) Violin Sonata No. 1 in D minor, Op. 75 Oratorio de Noël, Op. 12 (Movements 1–4) Symphony No. 1 in E flat major, Op. 2 Tarantelle in A minor, Op. 6 Piano Quintet in A minor, Op. 14 Violin Concerto No. 1 in A major, Op. 20 Piano Concerto No. 2 in G minor, Op. 22 Le timbre d'argent (extract) Marche héroïque, Op. 34 La jeunesse d'Hercule, Op. 50 A Voice by the Cedar Tree Romance in C major, Op. 48 Romance, Op. 36 Le Déluge: Prelude Samson et Dalila: “Mon cœur s'ouvre à ta voix” Requiem, Op. 54 (extracts) Suite algérienne, Op. 60: Prélude Étienne Marcel: Ballet Music (extracts) Cello Concerto No. 1, Op. 33 Le carnaval des animaux Oboe Sonata in D major, Op. 166Presented by Donald Macleod Produced by Ellie Ajao for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Camille Saint-Saëns (1835-1921) https://www.bbc.co.uk/programmes/m002v8nk.And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z.

It's time for the cute little movement II from Mendelssohn's Reformation Symphony! We hope you're enjoying following along with us on this symphonic series. Be sure to like and share with a friend! Music: https://imslp.org/wiki/Symphony_No.5%2C_Op.107_(Mendelssohn%2C_Felix) https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode

Yshani Perinpanayagam chooses her favourite recording of Shostakovich's Symphony no.9.

Why is Beethoven's Symphony No. 5 one of the most recognizable pieces of music ever written?In this episode of The Classical Music Minute, we explore the famous four-note opening that begins the symphony—often described as da-da-da-DAAA. This simple rhythmic motif becomes the driving force behind the entire first movement, demonstrating Beethoven's extraordinary ability to develop a small musical idea into a powerful orchestral statement.Premiered in 1808, the symphony also captures a dramatic emotional journey. It begins in the dark and tense key of C minor but eventually arrives in a bright and triumphant C major finale.The work's unforgettable opening and powerful sense of momentum have made Beethoven's Fifth Symphony one of the most famous pieces in classical music history.In just sixty seconds, discover why four simple notes helped create one of music's greatest masterpieces.Fun FactDuring World War II, the famous four-note rhythm of Beethoven's Fifth Symphony was associated with the letter “V” for Victory because the rhythm matched the Morse code for the letter V (•••—). Allied radio broadcasts often used the motif as a musical symbol of victory.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Join me on Substack

It's Spring and time for a new symphonic analysis here on the CoffeeHouse! Join us as we start our look into Mendelsson's iconic 5th Symphony. Be sure to like and share with a friend! Music: https://imslp.org/wiki/Symphony_No.5%2C_Op.107_(Mendelssohn%2C_Felix) https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode

Mozart's Symphony No. 41 in C Major, the “Jupiter,” was his last, a symphony he never heard, composed in the summer of 1788, three years before his death, along with two other symphonies, a piano sonata, other chamber works, by a 32-year-old genius deeply in debt, having lost the favor of his noble patrons, caring for his ailing wife, Constanze — it's heartbreaking to hear the tenderness of the dances in the third movement, the inventiveness of the finale.The audience adored the Shostakovich. They gave it a standing ovation and brought the maestro back for five bows and he gave bows to the brass, the English horn, the violas, the tympani, the cymbals, the strings, the winds, the harps. Shostakovich wrote it in honor of the Bolshevik Revolution of 1917 but during intermission Jenny had shown me videos she'd taken of New Yorkers sliding Cedar Hill in Central Park, sliding on plastic saucers, pieces of cardboard, baking trays, roasting pans, skis, going off a jump and flying in the air and landing in a cloud of snow. Tyranny is brutal and blind to the goodness and delight of life that Mozart found even in his summer of distress. We have a democracy here, my friend. The vintage of the grapes of wrath has been trampled out. The king cannot lie repeatedly and nakedly and demand to be believed. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit garrisonkeillor.substack.com/subscribe

SynopsisOn today's date in 1938, radio listeners across North America tuned to the NBC network to hear the first American performance of the Symphony No. 5 by 32-year-old Soviet composer Dmitri Shostakovich. The work premiered in Moscow the previous year to great acclaim, and many American conductors and orchestras were competing to give its first performance here, but it was Artur Rodzinski and the NBC Symphony who were chosen — for two very good reasons.First, he had traveled to Moscow in 1934 to meet Shostakovich and a kind of mutual admiration bond was formed. Second, NBC was willing to pay the outrageously high premium demanded by the Soviet government for the American premiere. Now, $5000 might not seem like a lot to us now, but in 1938 that was the equivalent of well over $100,000 in today's money — and NBC was willing and able to pony up that much to promote their recently-formed NBC Symphony Orchestra and its coast-to-coast radio broadcasts.Rodzinski's wife Halina recalled that upon receiving the new score after all the fuss and expense, her husband was at first not impressed, but during rehearsals fell in love with what would become Shostakovich's most-performed symphony.Music Played in Today's ProgramDmitri Shostakovich (1906-1975): Symphony No. 5; Cleveland Orchestra; Artur Rodzinski, conductor; Sony 19439928772

Time to celebrate! 2026 is the 250th Anniversary of the United States of America. We go back to the Bicentennial, 1976, and look at the songs from the charts back then. This was quite a year for variety, with Thin Lizzy and Walter Murphy representing two extremes. Music Attribution / Credits “The Boys Are Back in Town” – Thin Lizzy Written by Phil Lynott © 1976 “Let Your Love Flow” – The Bellamy Brothers Written by Larry E. Williams © 1976 Figs. D Music, Inc. “A Fifth of Beethoven” – Walter Murphy Adapted from Ludwig van Beethoven's Symphony No. 5 © 1976 (Original classical composition is in the public domain) “When Forever Has Gone” – Demis Roussos Written by Barry Mason and Stelios Vlavianos © 1976 No copyright infringement intended. All rights belong to their respective owners.

March is Women's History Month, and in this special episode of Busy Kids Love Music, we explore a powerful and important question: If women have been composing for centuries…why were so many of their names forgotten? Instead of focusing on just one composer, this episode looks at the bigger historical picture — uncovering the social, cultural, and publishing barriers that kept many brilliant women composers from being widely remembered. You'll hear excerpts from stunning works and discover why these composers deserve a permanent place in music history. Featured Composers & Works Fanny Mendelssohn (1805–1847) Piano Trio in D Minor, Op. 11 – I. Allegro molto vivace Clara Schumann (1819–1896) Piano Concerto in A Minor, Op. 7 Florence Price (1887–1953) Symphony No. 1 in E Minor  Amy Beach (1867–1944) Romance, Op. 23 In This Episode, You'll Learn: Why women composers were often discouraged from writing large-scale orchestral works How publishing, performance, and teaching influence which music survives Why genre bias shaped the way music history was written How modern musicians are rediscovering and performing long-overlooked works Why listening itself can be an act of honoring history Listener Challenge This week, choose a female composer you don't know well. Listen to: One of the podcast episodes linked below OR A piece of her music  A free printable listening guide is available here to help you go deeper. Previous podcast episodes on female composers to check out and use with your Listening Challenge printable: Episode 15: Fanny Mendelssohn | Busy Kids Do Piano Episode 42: Clara Schumann | Busy Kids Do Piano Episode 66: The Life and Music of Florence Price | Busy Kids Do Piano Episode 92: Lili Boulanger | Busy Kids Do Piano Episode 116: Nina Simone | Busy Kids Do Piano Episode 118: Fanny Crosby | Busy Kids Do Piano Episode 160: The Life of Imogen Holst | Busy Kids Do Piano Episode 171: Margaret Bonds | Busy Kids Do Piano Thanks for listening to Busy Kids Love Music! See you next time as we continue discovering the stories — and the sounds — behind classical music.

主播｜小伙子 嘉宾｜二宝杨毅永乐十二年（1414年），郑和的船队从榜葛剌国带回一只高大奇异的动物，颇像神话中的麒麟。明成祖朱棣命画师把“麒麟”画下来，同时让翰林院修撰沈度写一篇《瑞应麒麟颂》，画和颂文合在一起就成了著名的《瑞应麒麟图》，明代真迹如今藏在台北故宫。清代康熙年间，画家陈璋又临摹了一版，现藏于国博。而这幅画上的奇珍异兽，就是长颈鹿。长颈鹿会不会叫？真的是摔倒就会死吗？说它只吃金合欢树叶不喝水是不是真的？二宝哥杨毅从这几个话题开始聊起，高大威猛的长颈鹿也有天敌，它们有五个犄角，而且都是双眼皮！这让单眼皮的小伙子羡慕不已。听完节目之后，相信你也能轻易说出长颈鹿的不同种，满满的知识控制不住地往外溢。长颈鹿明朝时候就从海上丝绸之路来到中国，中国的明青花瓷现如今在肯尼亚也有不少遗存，文化就是这样绵绵不绝地相互交流，愿世界和平。｜songlist｜Symphony No.3 in D minor - 3. Comodo, Scherzando, Ohne Hast/ 日谈看世界旅行团，正在招募中/01 清明假期 ·「斯里兰卡」漫游团2026年3月30日至4月6日（当地时间8天7晚）日谈人气嘉宾、自然博物讲师二宝杨毅老师率队，日谈主播李叔随行，还有最后两个余位，不要错过！每位斯里兰卡团的团员都可以得到由allbirds赞助的、既舒适又轻便的Tree Runner天丝鞋一双 。（链接：https://mp.weixin.qq.com/s?__biz=MzIyNTU3MTEwNw==&mid=2247550846&idx=2&sn=dc3e444080c50b7183e4125cf9a09cf1&scene=21#wechat_redirect）02 五一假期 ·「穿越马达加斯加」生命孤岛奇幻之旅2026年4月27日-5月4日（当地时间8天7晚）自然博物讲师二宝杨毅老师带队讲解，黑肉老师随行。西行至穆龙达瓦探访猴面包树大道与奇灵地秘境，东进昂达西贝雨林追寻狐猴与变色龙的踪迹，完成一场贯穿马达加斯加的自然与文明探索。余位所剩不多，抓紧报名。（链接：https://mp.weixin.qq.com/s__biz=MzIyNTU3MTEwNw==&mid=2247550846&idx=3&sn=3b113481c99541a4cd4dba09eb86ad88&scene=21#wechat_redirect）03 国庆假期 · 非洲肯尼亚野性之旅2026.9.30-10.8（当地时间9天8晚）今年十一的肯尼亚之旅如约而至，同样由日谈人气嘉宾二宝杨毅全程带队，带领大家深入野生动物天堂，亲身感受东非大地的磅礴与神奇，共赴这场震撼人心的生命之约！（链接：https://mp.weixin.qq.com/s/1cSjbnsKt0y2SugkeicKYw）【收听平台】小宇宙｜喜马拉雅｜苹果播客｜网易云音乐｜荔枝｜蜻蜓FM｜QQ音乐｜酷我音乐｜酷狗音乐｜微博音频｜虎扑｜三联中读｜听听FM｜知乎｜豆瓣｜虎嗅｜猫耳FM｜Spotify｜YouTube｜关注我们｜日谈公园，曾获小宇宙年度热门播客、喜马拉雅品牌青睐播客、Apple播客年度最佳播客、网易云音乐年度语言播客、荔枝APP年度品质播客等多项殊荣，并发起“日光派对”播客MCN，提供播客经济相关服务。这些年，我们曾获得过以下这些荣誉，感谢各个平台一直以来的厚爱与支持。点击日谈公园品牌官网（链接：https://www.ritanbbpark.com/），了解更多微信公众号：日谈公园微博：@日谈公园小红书：日谈公园即刻：日谈李小日B站：日谈公园｜商务合作｜欢迎发送邮件至bbpark@ritanbbpark.com

There are worse things to be the worst at than opera! Join us this week to learn all about Florence Foster Jenkin's amazing vocal career! Be sure to like and share with a friend!  Music: https://imslp.org/wiki/Symphony_No.5%2C_Op.64_(Tchaikovsky%2C_Pyotr) https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode https://en.wikipedia.org/wiki/File:Florence_Foster_Jenkins_H%C3%B6lle_Rache.ogg

"When I play music, I see images. When I make images, I often hear music." "Wonder is not a property of childhood but a function of attention.” -- Gavin Libotte In this episode, Antonio and Ward mark their 250th show by talking with Australian photographer Gavin Libotte, whose path back into photography took a long detour through graphic design, music, teaching, and family life before street photography pulled him in for good. Gavin talks about losing his camera gear when he was young, rediscovering image-making through the iPhone and Hipstamatic, and then finding a deeper creative groove through daily shooting, books, zines, and long-term projects. What comes through most is how photography, for him, is tied to rhythm, intuition, and being fully present in the moment, with music and visual composition feeding each other in a very personal way.  The conversation also gets into the way Gavin works: his graphic sense of color and design, his experiments with off-camera flash, his water photography, and the making of his book Symphony Number Five. Along the way, Antonio and Ward respond to the emotional pull of Gavin's pictures, especially one Sydney Opera House image that sends the discussion into ideas about wonder, timing, and why certain photographs hit so deeply. It ends up being one of those episodes that is partly about technique, partly about books and process, and partly about what photography can do for a person when it becomes a way of staying awake to the world. Gavin Libotte - Website, Instagram. Purchase his book "Symphony No 5" here. Subscribe to our Substack Newsletter Help out the show by buying us a coffee! Support the show by purchasing Antonio's Zines. Send us a voice message, comment or question.   Show Links: Antonio M. Rosario's Website, Vero, Instagram, Bluesky, and Facebook page Ward Rosin's Website, Vero, Bluesky, Instagram and Facebook page.   Subscribe to us on: Apple Podcasts Spotify Amazon Music iHeart Radio Deezer Podcast Addict

What’s a sentence that invites the universe to call your bluff? “I could do that!” Meet three people who said it, and then had to live it. Christopher Lamar runs Lunar Embassy, a company that sells deeds to plots on the Moon and other celestial bodies. Logan Goodspeed learns what happens when you casually claim you could run a marathon “with 24 hours’ notice,” and your spouse takes that seriously. And Mandle Cheung, a tech CEO and devoted music lover, writes a huge check to fund a Mahler concert, so he can conduct the Toronto Symphony Orchestra himself. Suggested episodes: What Happens When You Act Like You Belong GOOD GOURD! A show about pumpkins! TOPS: A woman summits Everest, a man considers a body transplant, and world-record hat-wearing GUESTS: Christopher Lamar: CEO of Lunar Embassy, a company that sells deeds to plots on the Moon and other celestial bodies. The business was founded by his father, Dennis Hope, in 1980 Logan Goodspeed: A 32-year-old software engineer from California who ran the Rock ’n’ Roll San Diego Marathon with about 24 hours’ notice and no formal training Mandle Cheung: A 78-year-old technology CEO and amateur conductor who founded Mandle Philharmonic in 2018. In June 2025, he personally funded a one-night performance of Mahler’s Symphony No. 2 (“Resurrection”) and conducted the Toronto Symphony Orchestra Jessica Severin de Martinez, Meg Fitzgerald, and Robyn Doyon-Aitken contributed to this show, with help from Coco Cooley. Support the show: https://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Bassoonist Amy Harman and concert pianist Nicholas McCarthy are the studio guests of Jeffrey Boakye and Anna Phoebe as they add five more tracks. Kicking off with an internationally famous track written in Ostend in Belgium, they end up in a gravel pit via a ticking clock or two.Producer Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Sexual Healing by Marvin Gaye Clocks by Coldplay The Clock (the 2nd mvt) from Symphony No 101 in D Major by Haydn Precipitato (the 3rd mvt) from Piano Sonata No 7 in B Flat Major by Prokofiev Gravel Pit by Wu-Tang ClanOther music in this episode:Etudes: Op 8 No 12 in D-Flat Minor by Scriabin, played by Nicholas McCarthy Piano Concerto for the Left Hand in D-Major by Ravel, played by Nicholas McCarthy On the Road Again (Live) by Willie Nelson Who'll Buy My Memories by Willie Nelson Impulse by Hans Zimmer Lux Aeterna by Clint Mansell Nautilus by Anna Meredith It's a Man's Man's Man's World by James Brown Da Mystery of Chessboxin by Wu-Tang Clan

In this week's edition of the Gramophone Podcast Editor Martin Cullingford was joined by conductor Sir Mark Elder and composer Huw Watkins to talk about the Hallé's new recording of Watkins's orchestral music, featuring his Symphony No 2, Concerto for Orchestra and Fanfare, all written specially for the Manchester ensemble. This podcast is in association with REMA/Early Music Day 

Laura Jackson, Reno Phil music director and conductor, speaks with Chris Morrison about the fifth concerts of the Reno Phil's 2025-26 Classix season, "Mendelssohn Violin Concerto," on March 21 and 22, 2026. The concerts feature Robin's Eye View by Autumn Maria Reed, the Violin Concerto in E minor, Op. 64 by Felix Mendelssohn, with violin soloist Nathan Amaral, and the Symphony No. 1 in C minor, Op. 68 by Johannes Brahms.

This week, Kate Molleson traces the development of Jean Sibelius's symphonies. Set against Finland's changing political climate and Sibelius's own, turbulent personal circumstances, the podcast explores what shaped each symphony's character – from the nationalism surrounding Nos. 1 and 2, to the renewed sense of form in the Third, the more inward Fourth, and the reworked Fifth. The week concludes with the distinctive Sixth and the single‑movement Seventh, composed during a period of uncertainty both for Finland and Sibelius himself.Music featured includes: Symphony No 2 in D, Op 43 Song of my Heart, Op 18 No 6 Symphony No 1 in E minor, Op 39 The Diamond on the March Snow, Op 36 No 6 Sunrise, Op 37 No 1 Kyllikki, Op 41 No 3 Symphony No 3 in C, Op 52 The Captive Queen, Op 48 Erloschen String Quartet in D minor, Op 56 ‘Voces Intimae' Des Abends, Op 58 No 5 Symphony No 4 in A minor, Op 63 Spring's Spell, Op 61 No 8 Romance, Op 78 No 2 The Oceanides, Op 73 The Echo Nymph, Op 72 No 4 Symphony No 5 in E flat, Op 82 Jokamies, Op 83 Autrefois, Op 96b Symphony No 6 in D minor, Op 104 Danses Champêtres, Op 106 No 1 Symphony No 7 in C, Op 105Presented by Kate Molleson Produced by Luke Whitlock for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Jean Sibelius (1865-1957) https://www.bbc.co.uk/programmes/m002rr2jAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Political commentator Chuck Todd discusses the latest national political headlines and how Republicans are walking a tight-rope between Trump and the party's anti-interventionists. Olga Cherevko is  head of communications for the United Nations Office for the Coordination of Humanitarian Affairs. She joins us again via zoom to discuss how the US-Israel war on Iran is impacting Palestinians.Former secretary of public safety Andrea Cabral on why the Minneapolis prosecutors office is launching an investigation into top border patrol officials.The Culture Show host Jared Bowen joins us briefly to discuss why composer Philip Glass chose to withdraw his Symphony No. 15: Lincoln from the Kennedy Center.And for this week's Am I the A-hole: rims-up or rims-down for storing coffee mugs? 

Our third installment of calming songs includes Max Richter's tribute to the Universal Declaration of Human Rights, ambient sounds from Ryuichi Sakamoto, Brazilian jazz from Wayne Shorter and more.Note: This episode originally ran in April, 2025Artists and songs featured on this episode:(00:00) Intro(02:20) The Choir: “You Don't Have To Smile,” from ‘Translucent'(05:58) Orbital Patterns: “Can't Tell If I'm Awake,” from ‘Extended Impostor Syndrome'(10:11) Ryuichi Sakamoto & Alvo Noto: “Logic Moon,” From ‘Insen'(15:46) Lea Bertucci: “Vapours,” From ‘Of Shadow And Substance'(20:25) Hayden Pedigo: “Long Pond Lily,” From ‘I'll Be Waving As You Drive Away'(25:57) Max Richter: “All Human Beings,” from ‘Voices'(31:17) Wayne Shorter: “Tarde,” From ‘Native Dancer'(36:15) Mabe Fratti: “El Sol Sigue Ahí,” From ‘Pies Sobre La Tierra'(41:08) Ida: “Don't Get Sad,” from ‘Will You Find Me?'(46:10) David Zinman, Dawn Upshaw & London Sinfonietta:  “Lento,” from Henryk Górecki's ‘Symphony No. 3, Op. 36 - Symphony Of Sorrowful Songs'Support the show with a review on Apple, Spotify, or wherever you listen to podcasts. And tell a friend!Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.orgTo manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Or should we say how did we get Carnegie Hall? Tune in for all the history of the Hall in this week's episode! Be sure to like, and share with a friend. Music: https://imslp.org/wiki/Symphony_No.5%2C_Op.64_(Tchaikovsky%2C_Pyotr) https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode

SynopsisToday, some “off-the-cuff” remarks about the role of shirt cuffs in music history.Starched, button-on, detachable cuffs for men's shirts were very popular from the early 19th through the early 20th centuries, and could serve as a sort of white linen Post-It note if a melody suddenly popped into the head of a composer. Like Dvořák, say, out for a walk along the Turkey River in Spillville, Iowa — he could scribble the tune down on his shirt cuff, assuming he carried a pencil, that is, since writing it in ink before the era of ballpoint pens would not be very practical and certainly not be very popular with whoever did the composer's laundry!Years after Carl Nielsen's Symphony No. 3 had its premiere — on today's date in 1912 — the Danish composer still recalled the moment when a theme in its third movement came to him. “I was standing on the back of a tram. And [the theme] came with such urgency that I had to quickly jot it down, partly on a scrap of paper I had in my pocket, and partly on one of my shirt cuffs,” Nielsen said. Music Played in Today's ProgramCarl Nielsen (1865-1931): Symphony No. 3 (Sinfonia Espansiva); New York Philharmonic; Alan Gilbert, conductor; Dacapo 220623

Homenaje al guitarrista recientemente fallecido Ralph Towner con novedades de guitarristas como Julian Lage, Brad Shepik, Mary Halvorson, John Hart, Zacc Harris, Joel Harrison, Wolfgang Musthspiel, Kurt Rosenwinkel, Olivier Jambois, Rubén Reinaldo y el nuevo proyecto de Carlos Vidal y Nacho Margelí, Músicas Confusas.Temas que suenan en el programa:01 01 1990 Oregon - Treffpunkt Jazz, Ludwigsburg 14 Silence Of A Candle - Ralph Towner Paul McCandless Trilok Gurtu Glen Moore (4' 30'')02 2024 Julian Lage - Scenes from Above 02 Red Elm - John Medeski Jorge Roeder Kenny Wollesen (4' 38'')03 2023 Believers - Hard Believer 03 In the Weeds - Brad Shepik Sam Minaie John Hadfield (4' 23'')04 2022 Illegal Crowns - Unclosing 09 Soul of the Grey - Taylor Ho Bynum Mary Halvorson Benoît Delbecq Tomas Fujiwara (5' 12'')05 2024 John Hart - Love Is 06 Pee Wee - Kirk Knuffke Carlos DeRosa (4' 08'')06 2024 Atlantis Quartet - Live at Berlin 03 Bucket List - Brandon Wozniak Zacc Harris Chris Bates Pete Hennig (5' 44'')07 2025 Joel Harrison - Guitar Talk vol II 12 Song For Carla Bley - Wolfgang Musthspiel (4' 41'')08 2026 Carlos Vidal & Nacho Margelí Músicas Confusas - Lawns (Carla Bley) (5' 19'')09 2025 Kurt Rosenwinkel - The Brahms Project 10 Symphony No. 4 III. Allegro giocoso - Jean-Paul Brodbeck Lukas Traxel Jorge Rossy (3' 49'')10 2021 Olivier Jambois - Eclosio 05 El cebo - Gregory Sallet Sax Jim Black (4' 55'')11 2025 Rubén Reinaldo - Fusión olívica 04 Tres Islas Cíes - Antonio López Gustavo Hernán David Faílde (4' 55'')

The term "classical music" includes a wide variety of music and artists. This hour we take a look at what that category really means. We celebrate the form and help you figure out how to start listening to the genre. Plus, how video game music is bringing new listeners to classical music and live orchestras. GUESTS: Matthew Aucoin: American composer, conductor, writer, pianist, and a 2018 MacArthur Fellow. He is author of “The Impossible Art: Adventures in Opera” and is co-founder of the American Modern Opera Company. His opera “Euridyce” was produced by the Metropolitan Opera in 2021, making him the youngest composer in nearly a century to have an opera produced by The Met Arianna Warsaw-Fan Rauch: Author of “Declassified: A Low-Key Guide to the High-Strung World of Classical Music”. She is also a violinist who has performed in venues around the world Carolyn Kuan: Music Director of the Hartford Symphony Orchestra. In 2025, she led the acclaimed world premiere of Huang Ruo’s "The Monkey King" at San Francisco Opera. Her recording of Huang Ruo’s "An American Soldier" with the American Composers Orchestra received a 2026 Grammy nomination J. Aaron Hardwick: An internationally active professional conductor, professor of music at Wake Forest University, and Director of the Wake Forest University Symphony Orchestra, recognized for his work in classical and contemporary repertoire and innovative orchestral programming, including video game music MUSIC FEATURED (in order): Symphony No. 5 I. Trauermarsch – Gustav Mahler, Claudio Abbado, Berlin Philharmonic 21 Hungarian Dances No. 5 – Johannes Brahms, Claudio Abbado, Berlin Philharmonic Revolucion Diamantina Act IV: Speaking the unspeakable – Gabriela Ortiz, Gustavo Dudamel, LA Phil Don’t Look Down I. Hammerspace – Christopher Cerrone, Sandbox Percussion Symphony No. 41 “Jupiter” IV. Molto Allegro – W.A. Mozart, Seiji Ozawa, Mito Chamber Orchestra String Quartet No. 8 II. Allegro molto – Dmitri Shostakovich, Dover Quartet 6 Bagatelles for Wind Quintet III. Allegro grazioso – Gyorgy Ligeti, Claudio Abbado, Chamber Orchestra of Europe Overture to A Midsummer Night’s Dream – Felix Mendelssohn, Seiji Ozawa, Boston Symphony Orchestra An American Soldier Act II Scene 1: Hey Danny – Huang Ruo, Carolyn Kuan, American Composers' Orchestra Hi – Caroline Shaw CUT FOR TIME The Monkey King Act II Scene 3 – Huang Ruo, Carolyn Kuan, San Francisco Opera Tears of the Kingdom Main Theme – Manaka Kataoka Temple of Time Theme Montage – The Legend of Zelda NES (1986) Style – Loeder Music Ocarina of Time (1998) – Koji Kondo Breath of the Wild (2017) – Yasuaki Iwata Planetrise – Inon Zur (Starfield) Lumiere – Lorien Testard (Clair Obscur: Expedition 33) CUT FOR TIME Atsu’s Theme – Toma Otowa (Ghost of Yōtei) CUT FOR TIME The Perfect Wave – Austin Wintory Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Capitalism as an economic system has been around in various forms for over a thousand years and according to our featured guest this week, it keeps evolving. Join us for a lively and challenging discussion between Ralph and Harvard history professor, Sven Beckert, as they discuss his book “Capitalism: A Global History.”Sven Beckert is the Laird Bell Professor of History at Harvard University. He has written widely on the economic, social, and political history of capitalism. His book Empire of Cotton won the Bancroft Prize and was a finalist for the Pulitzer Prize. His latest book is Capitalism: A Global History.Capitalism has existed within a whole range of political systems of organizing political power. And this includes authoritarian regimes; this includes fascist regimes; and this includes also liberal democratic regimes such as Great Britain and the United States. And you see this kind of tension emerging today within the United States in which there is a kind of concern, I think, among some capital-owning elites about liberal democracy. They see that as being limiting to some of their business interests.Sven BeckertIn a way, the book tries to not make us to be just powerless cogs in a machine and not powerless cogs in the unfolding of history. But the book very much emphasizes that the particular shape that capitalism has taken at any particular moment in time has a lot to do also with questions of the state. It has a lot to do with questions of political power. It has a lot to do with questions of social contestation. And sometimes capitalism has been reshaped drastically by the actions of people with very little power. And I show that in particular when I look at the end of the slave-based plantation economy in the Americas, which is very much driven by the collective mobilization of some of the poorest and most exploited people on planet Earth—namely the enslaved workers who grow all that sugar and all that cotton or that tobacco in the 16th, 17th, 18th, and 19th centuries.Sven BeckertI think markets and market activities have existed in all human societies. That is not particular to capitalism. And the few efforts in world history in which people have tried to get rid of the market in its entirety have been pretty much economic disasters. So there is a place for the market. There has been a place for the market in all human societies. But in capitalism, the market takes on an importance that it didn't take on in other forms of economic life… I think it is so important to think about this, because, as I said earlier, capitalism is not natural. It's not the only form of economic life on planet Earth. Indeed, it's the opposite. It's a revolutionary departure from older forms of the organization of economic life.Sven BeckertTrump seems really concerned about impeachment because it's beyond his control. And he sees if (with inflation) the economy starts going down more, unemployment up, prices up, all these campaign promises bogus, polls going down—he fears impeachment. And I've yet to hear him say if he was impeached and removed from office, he wouldn't leave the White House—while he's defied all other federal laws, constitutional provisions, and foreign treaties.Ralph NaderNews 1/30/26* Following the murders of U.S. citizens Alex Pretti and Renée Good by ICE agents in Minneapolis – along with the shooting of Julio Sosa-Celis, the abduction of 5-year-old Liam Ramos along with his father, and the arrest of an estimated 3,000 people – the Minnesota AFL-CIO called a General Strike for workers to demand ICE leave the state. This one-day general strike, staged during temperatures of -20°F, drew as many as 100,000 workers into the streets, according to Labor Notes. Participating unions included the SEIU, AFT, and the CWA, along with UNITE HERE Local 17, OPEIU Local 12, IATSE Local 13, and AFSCME Council 5, among many others. Minneapolis has been the site of major labor actions before, perhaps most famously the 1934 General Strike, and it remains a relatively union-dense hub today. It was also the locus of the 2020 George Floyd protests, which many see as a reason why the Trump administration has been so hostile towards the locals.* With the spiraling situation in Minnesota, the Trump administration has finally moved to deescalate somewhat. Per POLITICO, “DHS Secretary Kristi Noem, has…been sidelined,” and border czar Tom Homan has been dispatched to the state to take over operations there. Moreover, the Atlantic reports “Gregory Bovino has been removed from his role as Border Patrol ‘commander at large' and will return to his former job in El Centro, California, where he is expected to retire soon.” While hardly an adequate response to the crisis, these moves do show that Trump sees how badly his lieutenants have bungled their mission. It remains to be seen whether this will mark the end of the high-lawlessness period of ICE activity or if the agency will simply shift its primary theater of operation.* For Minnesota Republicans meanwhile, the situation is nothing short of catastrophic. While the party's fortunes had looked promising just weeks ago, some, like Republican attorney Chris Madel, now say “National Republicans have made it nearly impossible for a Republican to win a statewide election in Minnesota.” Madel had been a candidate for the GOP gubernatorial nomination, but dropped out abruptly this week, citing national Republicans' “stated retribution on the citizens of our state,” per the Star Tribune. While the election is still 10 months away – “a lifetime in politics,” as one person quoted in the story puts it – it is hard to imagine Minnesotans forgetting about the murders of Renée Good and Alex Pretti and delivering a statewide victory for Republicans for the first time since 2006.* Speaking of dropping out, the New York Times reports Eleanor Holmes Norton, the 18-term incumbent delegate representing Washington, D.C. in Congress, has filed a termination notice for her re-election campaign. Norton, a civil rights activist and law professor, was elected D.C. delegate in 1991 and earned a reputation as D.C.'s “warrior on the Hill.” Today, she is the oldest person serving in the House at 88 years old. Norton has shown signs of cognitive decline but insisted she would seek reelection and even after her campaign filed this termination paperwork Norton did not make a public statement for days, raising questions about how aware she even was of this decision – a disgraceful end to a towering career. If any silver lining is to be found, one hopes this will serve as a cautionary tale for other members of Congress not to cling to their seats to the bitter end.* In more congressional news, Axios reports, “Nearly half of the Democrats on the House Oversight Committee broke with their party's leadership in stunning fashion…by voting to hold former President Bill Clinton in contempt of Congress,” for his refusal to testify in the committee's probe related to Jeffrey Epstein. While House Minority Leader Hakeem Jeffries whipped votes against the motion, Ranking Member Robert Garcia gave committee members permission to “vote their conscience.” With the defections, the vote to hold former President Clinton in contempt was a lopsided 34-8. Nine Democrats voted yes, eight no, and two present. On a separate vote to hold Hillary Clinton in contempt, far fewer Democrats broke ranks. In that vote, Democrats Rashida Tlaib, Summer Lee and Melanie Stansbury voted yes, Dave Min voted present, and the rest voted no. The contempt measure will now move to the House floor and Jeffries must decide whether or not to formally whip votes against the measure there. If it passes a full house vote, the Clintons could be held in jail on contempt charges until they agree to testify, as Steve Bannon and Peter Navarro were during the January 6th investigation.* In more news out of D.C., legendary modern classical composer Philip Glass has pulled the world premiere of his Lincoln Symphony from the Kennedy Center in protest of the venue's takeover by Trump and his cronies. In a statement, Glass wrote “After thoughtful consideration , I have decided to withdraw my Symphony No. 15” because the symphony is “a portrait of Abraham Lincoln, and the values of the Kennedy Center [and its current leadership] today are in direct conflict with the message of the Symphony.” Just days after this embarrassing fiasco, Kevin Couch, the Center's new head of artistic programming, abruptly resigned without explanation, per the Hill.* Meanwhile, in Alaska, the Anchorage Daily News reports the Alaskan Independence Party – the state's third largest political party founded in the 1970s to push for Alaskan independence from the United States – has voted to dissolve itself. Ballot Access News reports that the party leaders felt that there is “little support” for Alaskan independence today and “the public doesn't even understand the party's original purpose.” Still, the party stands as one of the most successful minor parties of the twentieth century, electing Walter Hickel Governor in 1999 and electing a state legislator in 1992. It almost elected another candidate Tyler Ivanoff, in 2022; he won 48.73% of the vote. The state of Alaska will now give the roughly 19,000 members of the AIP the chance to re-register with another party, per Alaska Public Media.* In more positive independent political news, the Chicago Tribune reports Southwest Side Alderman Byron Sigcho-Lopez has launched an independent bid for Illinois' 4th Congressional District seat. Sigcho-Lopez, a DSA member and progressive firebrand in Chicago, is campaigning to “end tax breaks for the ultra-wealthy and dramatically expand social services in housing and health care,” in Congress and is “aligned with working-class labor unions and street protesters pushing back against Trump.” This seat is currently held by stalwart progressive Jesús “Chuy” García, but he pulled an unsavory bait and switch, announcing he would “not seek reelection just hours before the party primary filing deadline, leaving no time for other hopefuls to get in the race for the suddenly vacant seat as his chief of staff, Patty Garcia, became the only candidate in the Democratic primary.” This has forced other candidates like Sigcho-Lopez to launch independent campaigns. To get on the ballot, he must collect at least 10,816 petition signatures between February 25th and May 26th.* In more state and local news, NPR reports that as the federal government withdraws from international institutions like the World Health Organizations, states are stepping into the breach. California, for example, has joined the WHO's Global Outbreak Alert & Response Network, or GOARN, and other states like Illinois are poised to follow suit. States like California and Illinois, being sub-national entities, can not join the WHO as a full member, but are eligible to participate in WHO subgroups like GOARN. In a statement, California Governor Gavin Newsom said “The Trump administration's withdrawal from WHO is a reckless decision that will hurt all Californians and Americans…California will not bear witness to the chaos this decision will bring.”* Finally, Axios is out with a major story on the Catholic Church emerging as a “bulwark of resistance,” to Trump's authoritarianism. This piece cites Archbishop Paul Coakley, president of the U.S. Conference of Catholic Bishops, condemning the ICE killings as “examples of the violence that represent failures in our society to respect the dignity of every human life.” This piece adds that “the three highest-ranking heads of U.S. archdioceses also recently issued a plea for ‘moral foreign policy'” in response to the lawless American military action abroad, namely in Venezuela, Cuba and Iran. Most strikingly, Archbishop Timothy P. Broglio, the Catholic archbishop for the military's archdiocese, is quoted saying it would be “morally acceptable” for troops to disobey orders that violate their conscience. A related question of troops disobeying illegal orders has been much discussed lately, with Trump suggesting members of Congress who reminded troops of their obligation to do so should be hanged for treason. Notably, Pew data suggests 43% of Catholics in the U.S. were born outside the country or had at least one parent born outside the U.S. Reverend Tom Reese, a Jesuit priest and analyst, said the people being targeted by Trump's immigration crackdown are “the people in the pews.”This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

Alan Hovhaness: Unveiling One of the Great Composers of the 20th Century "He has been composing music since he was four years old and at the age of eight found it necessary to defend his original style against the criticisms of his piano teacher. Since then after study in the New England Conservatory; the winning of two Guggenheim grants; and recognition through a National Institute of Arts and Letters award, the critics and the public are mostly on his side. Downes of the New York Times pronounced him "one of the most individual and exotically expressive American composers of the rising generation." In his own words he was led to quote "search for an idiom more worthy of the wonderful tradition I had discovered." For boldness and delicacy of imagination, for originality and individuality without eccentricity, for a great number of compositions each fresh and distinctive, for fusing old melody with modern technique and spirit, in short, for making music to lift the hearts of men as only music can, Bates College wishes to confer upon Alan Hovhaness, the honorary degree of Doctor of Music." Thus reads the declaration read by Charles F. Phillips, the president of Bates College on June 7, 1959. Today it is my honor to present William Holst, Alan Hovhaness' stepson, who served as co-author and curator of the book, Alan Hovhaness: Unveiling One of the Great Composers of the 20th Century. Symphony No. 63, "Loon Lake", Op. 411 was performed by the Royal Scottish National Orchestra, directed by Stewart Robertson, and recorded in 2007 at Henry Wood Hall, in Glasgow, Scotland. "Macedonian Mountain Dance" featuring pianist Sahan Arzruni courtesy otherminds.org Hovhaness: Sonata for Harp & Guitar, Op. 374 "Spirit of Trees" - V. Andante appassionato https://youtu.be/CpaP5Et798A?si=24HqR-pdmKbItb_t Special thanks to Maestro Gerard Schwarz, Artistic and Music Director of the Palm Beach Symphony, Charles Amirkhanian, Executive & Artistic Director, and Liam Herb, Production Director for otherminds.org. Our fact checker was Steve Freides. Our theme music was played by ULULATION! Mister Radio is available wherever you get your podcasts, including iTunes and Spotify. Subscribe to our podcast and leave us a review, and don't forget to tune in for another episode of Mister Radio!

This week, New Combinations host and Associate Artistic Director Wendy Whelan is joined by Resident Choreographer Justin Peck to discuss his upcoming world premiere. As Peck describes, the work takes inspiration from the score, the first movement of Beethoven's Symphony No. 3—the Eroica or "Heroic" Symphony—and celebrates the six "superheroes" of the cast. Choreographing to Beethoven presents unique challenges, but as Peck explains, this is part of why he chose the piece, along with the joy playing it brings to the NYCB Orchestra. (24:05)   Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co

Midori is a visionary artist, activist and educator who explores and builds connections between music and the human experience. In the four decades since her debut with the New York Philharmonic at age 11, she has performed with many of the world's most prestigious orchestras and has collaborated with world-renowned musicians including Leonard Bernstein, Yo-Yo Ma, and many others.She is in Albany to perform the Beethoven Violin Concerto with the Albany Symphony Orchestra with guest conductor André Raphel. Plus, you'll experience Shostakovich's gripping, intense Symphony No. 10 – and the concert opens with a work by Pulitzer Prize-winning composer Jennifer Higdon. Midori will be on stage tomorrow night - Saturday, January 17th @ 7:30PM at the Palace Theatre with André Raphel conducting.

Roman Kramařík, JSK Law Firm Navigation, judgment, and re-imagining arbitration through maps. In this episode of Tales of the Tribunal, Chris Campbell is joined by Dr. Roman Kramarik — arbitrator, partner in Prague, aviation pioneer, and the founder of Arbitration Atlas. Roman reflects on building an independent practice outside Big Law, the value of technical literacy for lawyers, and how his experience as a pilot informs decision-making, leadership, and arbitral judgment. The conversation also dives deep into Arbitration Atlas, a new project mapping procedural and legal differences across jurisdictions in a way the arbitration community has never seen before. A thoughtful, wide-ranging discussion on ethics, perspective, and why arbitration needs better tools — not just more rules.

Franz Berwald - Symphony No. 2 “Sinfonie Capricieuse”: 1st movementHelsingborg Symphony Orchestra Okko Kamu, conductorMore info about today's track: Naxos 8.553051Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Hugo Alfven - Symphony No. 2: 1st movementIreland National Symphony Orchestra Niklas Willen, conductorMore info about today's track: Naxos 8.555072Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Wilhelm Stenhammar - Symphony No. 2: 1st movementRoyal Scottish National OrchestraPetter Sundkvist, conductorMore info about today's track: Naxos 8.553888Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Johan Svendsen - Symphony No. 1: 1st movementBournemouth Symphony Orchestra Bjarte Engeset, conductorMore info about today's track: Naxos 8.553898Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

It's iFanboy 20/25 -- 20 years of podcasting and 25 years of iFanboy! Jamokes tried to concentrate. And at times, there was concentration. There were also many alleys and tributaries best not taken, but taken they were. So wrap a ribbon on your luxury car, and enjoy all the parts, both on target and off. Note: Time codes are estimates due to dynamic ad insertion by the distributor. Running Time: 01:19:26 Pick of the Week:00:01:38 - Supergirl #7 Comics:00:12:29 - Transformers #2600:17:56 - 1776 #100:25:00 - Marvel/DC Thor/Shazam! Infinity Comic #100:30:48 - Hellboy and the B.P.R.D.: The Ghost Ships of Labrador #100:34:25 - Strange Tales #200:42:45 - Fantastic Four #731 (5)00:46:13 - Redcoat #15 Patron Pick:00:49:32 - American Caper #1 Patron Thanks:00:57:34 - Matt Mendoz Listener Mail:01:01:28 - Deezer I. wonders if Matteo Scalera has finally stopped it, and who else needs to cut it out.01:07:10 - Philip R. asks the tough question. What's worse: Rats or Rebar? Brought To You By: iFanboy Patrons – Become one today for as little as $3/month! Or join for a full year and get a discount! You can also make a one time donation of any amount! iFanboy T-Shirts and Merch – Show your iFanboy pride with a t-shirt or other great merchandise on Threadless! We've got TWENTY THREE designs! Music:“Weird Fishes & Symphony No. 25 in G Minor"Rodrigo y Gabriela Learn more about your ad choices. Visit megaphone.fm/adchoices