Podcasts about symphony no

The term "classical music" includes a wide variety of music and artists. This hour we take a look at what that category really means. We celebrate the form and help you figure out how to start listening to the genre. Plus, how video game music is bringing new listeners to classical music and live orchestras. GUESTS: Matthew Aucoin: American composer, conductor, writer, pianist, and a 2018 MacArthur Fellow. He is author of “The Impossible Art: Adventures in Opera” and is co-founder of the American Modern Opera Company. His opera “Euridyce” was produced by the Metropolitan Opera in 2021, making him the youngest composer in nearly a century to have an opera produced by The Met Arianna Warsaw-Fan Rauch: Author of “Declassified: A Low-Key Guide to the High-Strung World of Classical Music”. She is also a violinist who has performed in venues around the world Carolyn Kuan: Music Director of the Hartford Symphony Orchestra. In 2025, she led the acclaimed world premiere of Huang Ruo’s "The Monkey King" at San Francisco Opera. Her recording of Huang Ruo’s "An American Soldier" with the American Composers Orchestra received a 2026 Grammy nomination J. Aaron Hardwick: An internationally active professional conductor, professor of music at Wake Forest University, and Director of the Wake Forest University Symphony Orchestra, recognized for his work in classical and contemporary repertoire and innovative orchestral programming, including video game music MUSIC FEATURED (in order): Symphony No. 5 I. Trauermarsch – Gustav Mahler, Claudio Abbado, Berlin Philharmonic 21 Hungarian Dances No. 5 – Johannes Brahms, Claudio Abbado, Berlin Philharmonic Revolucion Diamantina Act IV: Speaking the unspeakable – Gabriela Ortiz, Gustavo Dudamel, LA Phil Don’t Look Down I. Hammerspace – Christopher Cerrone, Sandbox Percussion Symphony No. 41 “Jupiter” IV. Molto Allegro – W.A. Mozart, Seiji Ozawa, Mito Chamber Orchestra String Quartet No. 8 II. Allegro molto – Dmitri Shostakovich, Dover Quartet 6 Bagatelles for Wind Quintet III. Allegro grazioso – Gyorgy Ligeti, Claudio Abbado, Chamber Orchestra of Europe Overture to A Midsummer Night’s Dream – Felix Mendelssohn, Seiji Ozawa, Boston Symphony Orchestra An American Soldier Act II Scene 1: Hey Danny – Huang Ruo, Carolyn Kuan, American Composers' Orchestra Hi – Caroline Shaw CUT FOR TIME The Monkey King Act II Scene 3 – Huang Ruo, Carolyn Kuan, San Francisco Opera Tears of the Kingdom Main Theme – Manaka Kataoka Temple of Time Theme Montage – The Legend of Zelda NES (1986) Style – Loeder Music Ocarina of Time (1998) – Koji Kondo Breath of the Wild (2017) – Yasuaki Iwata Planetrise – Inon Zur (Starfield) Lumiere – Lorien Testard (Clair Obscur: Expedition 33) CUT FOR TIME Atsu’s Theme – Toma Otowa (Ghost of Yōtei) CUT FOR TIME The Perfect Wave – Austin Wintory Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Capitalism as an economic system has been around in various forms for over a thousand years and according to our featured guest this week, it keeps evolving. Join us for a lively and challenging discussion between Ralph and Harvard history professor, Sven Beckert, as they discuss his book “Capitalism: A Global History.”Sven Beckert is the Laird Bell Professor of History at Harvard University. He has written widely on the economic, social, and political history of capitalism. His book Empire of Cotton won the Bancroft Prize and was a finalist for the Pulitzer Prize. His latest book is Capitalism: A Global History.Capitalism has existed within a whole range of political systems of organizing political power. And this includes authoritarian regimes; this includes fascist regimes; and this includes also liberal democratic regimes such as Great Britain and the United States. And you see this kind of tension emerging today within the United States in which there is a kind of concern, I think, among some capital-owning elites about liberal democracy. They see that as being limiting to some of their business interests.Sven BeckertIn a way, the book tries to not make us to be just powerless cogs in a machine and not powerless cogs in the unfolding of history. But the book very much emphasizes that the particular shape that capitalism has taken at any particular moment in time has a lot to do also with questions of the state. It has a lot to do with questions of political power. It has a lot to do with questions of social contestation. And sometimes capitalism has been reshaped drastically by the actions of people with very little power. And I show that in particular when I look at the end of the slave-based plantation economy in the Americas, which is very much driven by the collective mobilization of some of the poorest and most exploited people on planet Earth—namely the enslaved workers who grow all that sugar and all that cotton or that tobacco in the 16th, 17th, 18th, and 19th centuries.Sven BeckertI think markets and market activities have existed in all human societies. That is not particular to capitalism. And the few efforts in world history in which people have tried to get rid of the market in its entirety have been pretty much economic disasters. So there is a place for the market. There has been a place for the market in all human societies. But in capitalism, the market takes on an importance that it didn't take on in other forms of economic life… I think it is so important to think about this, because, as I said earlier, capitalism is not natural. It's not the only form of economic life on planet Earth. Indeed, it's the opposite. It's a revolutionary departure from older forms of the organization of economic life.Sven BeckertTrump seems really concerned about impeachment because it's beyond his control. And he sees if (with inflation) the economy starts going down more, unemployment up, prices up, all these campaign promises bogus, polls going down—he fears impeachment. And I've yet to hear him say if he was impeached and removed from office, he wouldn't leave the White House—while he's defied all other federal laws, constitutional provisions, and foreign treaties.Ralph NaderNews 1/30/26* Following the murders of U.S. citizens Alex Pretti and Renée Good by ICE agents in Minneapolis – along with the shooting of Julio Sosa-Celis, the abduction of 5-year-old Liam Ramos along with his father, and the arrest of an estimated 3,000 people – the Minnesota AFL-CIO called a General Strike for workers to demand ICE leave the state. This one-day general strike, staged during temperatures of -20°F, drew as many as 100,000 workers into the streets, according to Labor Notes. Participating unions included the SEIU, AFT, and the CWA, along with UNITE HERE Local 17, OPEIU Local 12, IATSE Local 13, and AFSCME Council 5, among many others. Minneapolis has been the site of major labor actions before, perhaps most famously the 1934 General Strike, and it remains a relatively union-dense hub today. It was also the locus of the 2020 George Floyd protests, which many see as a reason why the Trump administration has been so hostile towards the locals.* With the spiraling situation in Minnesota, the Trump administration has finally moved to deescalate somewhat. Per POLITICO, “DHS Secretary Kristi Noem, has…been sidelined,” and border czar Tom Homan has been dispatched to the state to take over operations there. Moreover, the Atlantic reports “Gregory Bovino has been removed from his role as Border Patrol ‘commander at large' and will return to his former job in El Centro, California, where he is expected to retire soon.” While hardly an adequate response to the crisis, these moves do show that Trump sees how badly his lieutenants have bungled their mission. It remains to be seen whether this will mark the end of the high-lawlessness period of ICE activity or if the agency will simply shift its primary theater of operation.* For Minnesota Republicans meanwhile, the situation is nothing short of catastrophic. While the party's fortunes had looked promising just weeks ago, some, like Republican attorney Chris Madel, now say “National Republicans have made it nearly impossible for a Republican to win a statewide election in Minnesota.” Madel had been a candidate for the GOP gubernatorial nomination, but dropped out abruptly this week, citing national Republicans' “stated retribution on the citizens of our state,” per the Star Tribune. While the election is still 10 months away – “a lifetime in politics,” as one person quoted in the story puts it – it is hard to imagine Minnesotans forgetting about the murders of Renée Good and Alex Pretti and delivering a statewide victory for Republicans for the first time since 2006.* Speaking of dropping out, the New York Times reports Eleanor Holmes Norton, the 18-term incumbent delegate representing Washington, D.C. in Congress, has filed a termination notice for her re-election campaign. Norton, a civil rights activist and law professor, was elected D.C. delegate in 1991 and earned a reputation as D.C.'s “warrior on the Hill.” Today, she is the oldest person serving in the House at 88 years old. Norton has shown signs of cognitive decline but insisted she would seek reelection and even after her campaign filed this termination paperwork Norton did not make a public statement for days, raising questions about how aware she even was of this decision – a disgraceful end to a towering career. If any silver lining is to be found, one hopes this will serve as a cautionary tale for other members of Congress not to cling to their seats to the bitter end.* In more congressional news, Axios reports, “Nearly half of the Democrats on the House Oversight Committee broke with their party's leadership in stunning fashion…by voting to hold former President Bill Clinton in contempt of Congress,” for his refusal to testify in the committee's probe related to Jeffrey Epstein. While House Minority Leader Hakeem Jeffries whipped votes against the motion, Ranking Member Robert Garcia gave committee members permission to “vote their conscience.” With the defections, the vote to hold former President Clinton in contempt was a lopsided 34-8. Nine Democrats voted yes, eight no, and two present. On a separate vote to hold Hillary Clinton in contempt, far fewer Democrats broke ranks. In that vote, Democrats Rashida Tlaib, Summer Lee and Melanie Stansbury voted yes, Dave Min voted present, and the rest voted no. The contempt measure will now move to the House floor and Jeffries must decide whether or not to formally whip votes against the measure there. If it passes a full house vote, the Clintons could be held in jail on contempt charges until they agree to testify, as Steve Bannon and Peter Navarro were during the January 6th investigation.* In more news out of D.C., legendary modern classical composer Philip Glass has pulled the world premiere of his Lincoln Symphony from the Kennedy Center in protest of the venue's takeover by Trump and his cronies. In a statement, Glass wrote “After thoughtful consideration , I have decided to withdraw my Symphony No. 15” because the symphony is “a portrait of Abraham Lincoln, and the values of the Kennedy Center [and its current leadership] today are in direct conflict with the message of the Symphony.” Just days after this embarrassing fiasco, Kevin Couch, the Center's new head of artistic programming, abruptly resigned without explanation, per the Hill.* Meanwhile, in Alaska, the Anchorage Daily News reports the Alaskan Independence Party – the state's third largest political party founded in the 1970s to push for Alaskan independence from the United States – has voted to dissolve itself. Ballot Access News reports that the party leaders felt that there is “little support” for Alaskan independence today and “the public doesn't even understand the party's original purpose.” Still, the party stands as one of the most successful minor parties of the twentieth century, electing Walter Hickel Governor in 1999 and electing a state legislator in 1992. It almost elected another candidate Tyler Ivanoff, in 2022; he won 48.73% of the vote. The state of Alaska will now give the roughly 19,000 members of the AIP the chance to re-register with another party, per Alaska Public Media.* In more positive independent political news, the Chicago Tribune reports Southwest Side Alderman Byron Sigcho-Lopez has launched an independent bid for Illinois' 4th Congressional District seat. Sigcho-Lopez, a DSA member and progressive firebrand in Chicago, is campaigning to “end tax breaks for the ultra-wealthy and dramatically expand social services in housing and health care,” in Congress and is “aligned with working-class labor unions and street protesters pushing back against Trump.” This seat is currently held by stalwart progressive Jesús “Chuy” García, but he pulled an unsavory bait and switch, announcing he would “not seek reelection just hours before the party primary filing deadline, leaving no time for other hopefuls to get in the race for the suddenly vacant seat as his chief of staff, Patty Garcia, became the only candidate in the Democratic primary.” This has forced other candidates like Sigcho-Lopez to launch independent campaigns. To get on the ballot, he must collect at least 10,816 petition signatures between February 25th and May 26th.* In more state and local news, NPR reports that as the federal government withdraws from international institutions like the World Health Organizations, states are stepping into the breach. California, for example, has joined the WHO's Global Outbreak Alert & Response Network, or GOARN, and other states like Illinois are poised to follow suit. States like California and Illinois, being sub-national entities, can not join the WHO as a full member, but are eligible to participate in WHO subgroups like GOARN. In a statement, California Governor Gavin Newsom said “The Trump administration's withdrawal from WHO is a reckless decision that will hurt all Californians and Americans…California will not bear witness to the chaos this decision will bring.”* Finally, Axios is out with a major story on the Catholic Church emerging as a “bulwark of resistance,” to Trump's authoritarianism. This piece cites Archbishop Paul Coakley, president of the U.S. Conference of Catholic Bishops, condemning the ICE killings as “examples of the violence that represent failures in our society to respect the dignity of every human life.” This piece adds that “the three highest-ranking heads of U.S. archdioceses also recently issued a plea for ‘moral foreign policy'” in response to the lawless American military action abroad, namely in Venezuela, Cuba and Iran. Most strikingly, Archbishop Timothy P. Broglio, the Catholic archbishop for the military's archdiocese, is quoted saying it would be “morally acceptable” for troops to disobey orders that violate their conscience. A related question of troops disobeying illegal orders has been much discussed lately, with Trump suggesting members of Congress who reminded troops of their obligation to do so should be hanged for treason. Notably, Pew data suggests 43% of Catholics in the U.S. were born outside the country or had at least one parent born outside the U.S. Reverend Tom Reese, a Jesuit priest and analyst, said the people being targeted by Trump's immigration crackdown are “the people in the pews.”This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

Alan Hovhaness: Unveiling One of the Great Composers of the 20th Century "He has been composing music since he was four years old and at the age of eight found it necessary to defend his original style against the criticisms of his piano teacher. Since then after study in the New England Conservatory; the winning of two Guggenheim grants; and recognition through a National Institute of Arts and Letters award, the critics and the public are mostly on his side. Downes of the New York Times pronounced him "one of the most individual and exotically expressive American composers of the rising generation." In his own words he was led to quote "search for an idiom more worthy of the wonderful tradition I had discovered." For boldness and delicacy of imagination, for originality and individuality without eccentricity, for a great number of compositions each fresh and distinctive, for fusing old melody with modern technique and spirit, in short, for making music to lift the hearts of men as only music can, Bates College wishes to confer upon Alan Hovhaness, the honorary degree of Doctor of Music." Thus reads the declaration read by Charles F. Phillips, the president of Bates College on June 7, 1959. Today it is my honor to present William Holst, Alan Hovhaness' stepson, who served as co-author and curator of the book, Alan Hovhaness: Unveiling One of the Great Composers of the 20th Century. Symphony No. 63, "Loon Lake", Op. 411 was performed by the Royal Scottish National Orchestra, directed by Stewart Robertson, and recorded in 2007 at Henry Wood Hall, in Glasgow, Scotland. "Macedonian Mountain Dance" featuring pianist Sahan Arzruni courtesy otherminds.org Hovhaness: Sonata for Harp & Guitar, Op. 374 "Spirit of Trees" - V. Andante appassionato https://youtu.be/CpaP5Et798A?si=24HqR-pdmKbItb_t Special thanks to Maestro Gerard Schwarz, Artistic and Music Director of the Palm Beach Symphony, Charles Amirkhanian, Executive & Artistic Director, and Liam Herb, Production Director for otherminds.org. Our fact checker was Steve Freides. Our theme music was played by ULULATION! Mister Radio is available wherever you get your podcasts, including iTunes and Spotify. Subscribe to our podcast and leave us a review, and don't forget to tune in for another episode of Mister Radio!

This week, New Combinations host and Associate Artistic Director Wendy Whelan is joined by Resident Choreographer Justin Peck to discuss his upcoming world premiere. As Peck describes, the work takes inspiration from the score, the first movement of Beethoven's Symphony No. 3—the Eroica or "Heroic" Symphony—and celebrates the six "superheroes" of the cast. Choreographing to Beethoven presents unique challenges, but as Peck explains, this is part of why he chose the piece, along with the joy playing it brings to the NYCB Orchestra. (24:05)   Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co

Midori is a visionary artist, activist and educator who explores and builds connections between music and the human experience. In the four decades since her debut with the New York Philharmonic at age 11, she has performed with many of the world's most prestigious orchestras and has collaborated with world-renowned musicians including Leonard Bernstein, Yo-Yo Ma, and many others.She is in Albany to perform the Beethoven Violin Concerto with the Albany Symphony Orchestra with guest conductor André Raphel. Plus, you'll experience Shostakovich's gripping, intense Symphony No. 10 – and the concert opens with a work by Pulitzer Prize-winning composer Jennifer Higdon. Midori will be on stage tomorrow night - Saturday, January 17th @ 7:30PM at the Palace Theatre with André Raphel conducting.

This Day in Legal History: 18th Amendment to the US ConstitutionOn January 16, 1919, the 18th Amendment to the United States Constitution was ratified, marking a pivotal moment in American legal history by establishing the prohibition of alcoholic beverages. The amendment prohibited “the manufacture, sale, or transportation of intoxicating liquors” for consumption in the United States and its territories. It was the culmination of decades of temperance activism, led by organizations such as the Women's Christian Temperance Union and the Anti-Saloon League, which argued that alcohol was responsible for societal problems including crime, poverty, and domestic violence.The amendment passed Congress in December 1917, but ratification by the states was required for it to take effect. That threshold was reached on January 16, 1919, when Nebraska became the 36th state to ratify it. One year later, on January 17, 1920, the Volstead Act—the federal statute enforcing the amendment—went into effect, ushering in the Prohibition era.However, the law led to unintended consequences. Rather than curbing alcohol consumption, it fueled the rise of organized crime, as bootleggers and speakeasies flourished across the country. Enforcement proved difficult and inconsistent, and public support for prohibition waned through the 1920s.Ultimately, the 21st Amendment repealed the 18th Amendment on December 5, 1933, making it the only constitutional amendment ever to be entirely repealed. The legacy of the 18th Amendment remains significant as a historical experiment in moral legislation and the limits of constitutional power.A federal judge in Virginia will soon decide whether Dominion Energy can resume construction on its $11.2 billion Coastal Virginia Offshore Wind project, which was halted by the Trump administration last month. The Interior Department paused five offshore wind projects on December 22, citing classified concerns about radar interference and national security. Dominion is now challenging that pause in court, arguing that it violated procedural and due process laws and is causing the company significant financial harm—around $5 million in daily losses. Dominion has already invested nearly $9 billion in the project, which began construction in 2023 and is planned to power 600,000 homes.Similar legal challenges from other developers, including Orsted and Equinor, have already succeeded in federal courts in Washington, allowing their Northeast offshore wind projects to proceed. Those decisions raise the stakes for Dominion's case, which could influence the broader offshore wind industry amid continued hostility from the Trump administration toward the sector. Trump has long criticized wind energy as costly and inefficient. While the outcomes of these lawsuits may let projects move forward, industry uncertainty remains due to ongoing legal battles and political opposition.US judge to weigh Dominion request to restart Virginia offshore wind project stopped by Trump | ReutersA federal judge in Boston, William Young, said he will issue an order to protect non-citizen academics involved in a lawsuit challenging the Trump administration's deportation of pro-Palestinian student activists. The upcoming order would block the government from altering the immigration status of the scholars who are parties to the case, absent court approval. Young emphasized that any such action would be presumed retaliatory and would require the administration to prove it had a legitimate basis.The lawsuit stems from Trump's executive orders in early 2025 directing agencies to crack down on antisemitism, which led to arrests and visa cancellations for several students, including Columbia graduate Mahmoud Khalil and Tufts student Rumeysa Ozturk. These moves targeted those expressing pro-Palestinian or anti-Israel views on campus. Young previously ruled that these actions violated the First Amendment by chilling free speech rights of non-citizen academics.In his comments, Young described Trump as “authoritarian” and sharply criticized what he called the administration's “fearful approach to freedom.” He limited his forthcoming order to members of academic groups like the AAUP and Middle East Studies Association, rejecting a broader nationwide block as too expansive. Meanwhile, the administration, which plans to appeal Young's earlier ruling, accused the judge of political bias.US judge to shield scholars who challenged deporting of pro-Palestinian campus activists | ReutersA federal judge in California has dismissed a lawsuit filed by the U.S. Justice Department seeking access to the state's full, unredacted voter registration list. Judge David Carter ruled that the department's claims were not strong enough under existing civil rights and voting laws, and that turning over detailed voter data—such as names, birth dates, driver's license numbers, and parts of Social Security numbers—would violate privacy protections.Carter emphasized that centralizing such sensitive information at the federal level could intimidate voters and suppress turnout by making people fear misuse of their personal data. The lawsuit, filed in September by the Trump administration, targeted California and other Democrat-led states for allegedly failing to properly maintain voter rolls, citing federal law as justification for demanding the data.California Secretary of State Shirley Weber welcomed the decision, stating her commitment to defending voting rights and opposing the administration's actions. The DOJ had reportedly been in discussions with the Department of Homeland Security to use voter data in criminal and immigration probes. Critics argue the push was driven by baseless claims from Trump and his allies that non-citizens are voting in large numbers.US judge dismisses Justice Department lawsuit seeking California voter details | ReutersWhy can't people harmed by ICE just sue the agents themselves?U.S. Immigration and Customs Enforcement (ICE) is a federal agency under the Department of Homeland Security, created in 2003. It enforces immigration laws and investigates criminal activities involving border control, customs, and immigration. ICE derives its authority from various federal statutes, including the Immigration and Nationality Act, and its agents operate with broad discretion during enforcement actions.Suing ICE agents or the agency itself is legally difficult. Individuals cannot usually sue federal agents directly because of sovereign immunity, a legal doctrine that protects the government and its employees from lawsuits unless explicitly allowed by law. One such exception is the Federal Tort Claims Act (FTCA) of 1946, which permits lawsuits against the federal government when its employees cause injury or damage while acting within the scope of their employment. Under the FTCA, victims can bring wrongful death or negligence claims, as Renee Good's family is now considering.However, FTCA claims are limited. Plaintiffs cannot seek punitive damages or a jury trial, and compensation is capped based on state law where the incident occurred. The government is also shielded from liability for discretionary decisions made by its employees—meaning if the ICE agent used judgment during the incident and it's deemed reasonable, the claim can be dismissed. In Good's case, the government will likely argue self-defense.Suing ICE agents personally is even harder. The Bivens v. Six Unknown Named Agents case in 1971 created a narrow legal path for suing federal officials for constitutional violations, but courts have since restricted its use. In 2022, the Supreme Court ruled that Bivens does not apply to border agents conducting immigration enforcement, further insulating ICE officers from personal liability.Criminal prosecution of federal agents is also rare. State prosecutors may bring charges, but only if they can prove the agent acted clearly outside the scope of their duties and in an objectively unlawful way—a high bar that is seldom met.This week's closing theme is by Ludwig van Beethoven. Beethoven, one of the most influential composers in Western music history, revolutionized the classical tradition with works that bridged the Classical and Romantic eras.This week's theme is Franz Liszt's transcription of Beethoven's Symphony No. 5 in C minor, Op. 67 — specifically, the first movement, Allegro con brio, catalogued as S.464/5. As one of the most iconic works in classical music, Beethoven's Fifth needs little introduction, but hearing it through Liszt's fingers offers a fresh perspective on its brilliance. In this solo piano version, Liszt doesn't simply condense Beethoven's orchestral power—he reimagines it, capturing the storm, structure, and spirit of the original with astonishing fidelity and virtuosity.The movement begins with the unforgettable four-note “fate” motif, its rhythmic insistence rendered on the piano with punch and precision. From there, Liszt unfolds Beethoven's dramatic argument, demanding the pianist conjure the textures of a full orchestra with nothing but ten fingers and a well-calibrated pedal. Every surging crescendo, sudden silence, and harmonic twist remains intact, though filtered through Liszt's Romantic sensibility and pianistic imagination.It's a piece that asks as much of the performer as it does of the listener—requiring clarity, power, and emotional depth. As a transcription, it's both a tribute and a transformation, placing Beethoven's revolutionary energy in the hands of a single interpreter. We chose this movement not just for its fame, but for how it exemplifies two musical giants in dialogue—Beethoven, the architect of modern symphonic form, and Liszt, the artist who made the orchestra speak through the piano.Without further ado, Beethoven's Symphony No. 5 in C minor, Op. 67 — the first movement, Allegro con brio. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Nicholas Hersh, the guest conductor for the Reno Phil's concerts "Elgar Cello Concerto" on January 24 and 25, 2026, speaks with Chris Morrison about his life and career, and the featured music. The concerts will feature the Overture by Grazyna Bacewicz, the Cello Concerto by Sir Edward Elgar, with Davidson Fellow Zlatomir Fung as cello soloist, and the Symphony No. 7 by Ludwig van Beethoven.

Roman Kramařík, JSK Law Firm Navigation, judgment, and re-imagining arbitration through maps. In this episode of Tales of the Tribunal, Chris Campbell is joined by Dr. Roman Kramarik — arbitrator, partner in Prague, aviation pioneer, and the founder of Arbitration Atlas. Roman reflects on building an independent practice outside Big Law, the value of technical literacy for lawyers, and how his experience as a pilot informs decision-making, leadership, and arbitral judgment. The conversation also dives deep into Arbitration Atlas, a new project mapping procedural and legal differences across jurisdictions in a way the arbitration community has never seen before. A thoughtful, wide-ranging discussion on ethics, perspective, and why arbitration needs better tools — not just more rules.

🎙️ Estimados oyentes y mecenas: En el episodio de hoy nos adentramos en el Círculo de Viena, uno de los focos decisivos del siglo XX para entender por qué la filosofía del lenguaje y la filosofía de la ciencia cambiaron de rumbo. Veremos sus orígenes y desarrollo: el grupo se formó en Viena y se consolidó en los años 20 y 30 en torno a reuniones periódicas bajo el liderazgo nominal de Moritz Schlick, con una intensa actividad pública (manifiesto de 1929, revista Erkenntnis, congresos y proyectos internacionales). A partir de ahí, presentaremos sus precedentes y rasgos distintivos: el impulso de la “concepción científica del mundo” y la renovación del empirismo apoyada en avances de las ciencias físicas y formales, con una fuerte inspiración en el logicismo de Frege y Russell y en el giro hacia el análisis del lenguaje como tarea filosófica. El núcleo ideológico lo articula su criterio de significación (verificacionismo): una afirmación es cognitivamente significativa en la medida en que sea, de algún modo, empíricamente contrastable, lo que conduce a una crítica radical de la metafísica como “pseudo-problemas”. También veremos su uso de la lógica simbólica para aclarar teorías científicas y su rechazo de verdades “sintéticas a priori” (en especial, contra la herencia kantiana). Finalmente, cerraremos con su ambicioso programa de “unidad de la ciencia”: el ideal de un lenguaje común e integración inter-científica, visible en sus congresos y en la International Encyclopedia of Unified Science. 📗ÍNDICE 1. ORÍGENES Y DESARROLLO. 2. PRECEDENTES Y CARACTERÍSTICAS. 3. NÚCLEO IDEOLÓGICO. 🎼Música de la época: Symphony No. 5, Op. 50 de Nielsen estrenada en 1922. 🎨Imagen: Representación del círculo de Viena. 👍Pulsen un Me Gusta y colaboren a partir de 2,99 €/mes si se lo pueden permitir para asegurar la permanencia del programa ¡Muchas gracias a todos!

Franz Berwald - Symphony No. 2 “Sinfonie Capricieuse”: 1st movementHelsingborg Symphony Orchestra Okko Kamu, conductorMore info about today's track: Naxos 8.553051Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Hugo Alfven - Symphony No. 2: 1st movementIreland National Symphony Orchestra Niklas Willen, conductorMore info about today's track: Naxos 8.555072Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Wilhelm Stenhammar - Symphony No. 2: 1st movementRoyal Scottish National OrchestraPetter Sundkvist, conductorMore info about today's track: Naxos 8.553888Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Johan Svendsen - Symphony No. 1: 1st movementBournemouth Symphony Orchestra Bjarte Engeset, conductorMore info about today's track: Naxos 8.553898Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

What were our joyfully cool cosmic things of 2025? To find out, Dr. Charles Liu and co-host Allen Liu welcome three members of The LIUniverse production team: Jon Barnes, our Editor and self-proclaimed “#1 LIUniverse Fan,” Stacey Severn, our Social Media Manager/Community Director, and physics student Eleanor Adams, the show's first intern. Unlike nearly every episode so far, this time, rather than limit ourselves to one joyfully cool cosmic thing, the team is going to each share their individual joyfully cool cosmic things of 2025. Chuck's saving his for later, so instead, we're just going to jump right into everyone's favorite “cosmic thing of the year”, starting with our co-host, Allen Liu. Allen picks the Vera C. Rubin Observatory and the Legacy Survey of Space and Time (LSST). Allen and Chuck, who is also on the Rubin's Science Advisory Committee and has been involved in the development of the Observatory for over a quarter century, discuss how truly amazing the images are in terms of detail and resolution. Allen shares that he's most excited to see images of transients like asteroids and gravitational lensing, since the Rubin will be taking images of the same areas twice with a gap of one week. Chuck talks about the citizen science aspect of the Rubin and encourages each of you in our audience to try and discover something on your own. We hear about some of Allen's published papers, including one on using VR for scientific research. The group talks about VR (including Beat Saber) and Jon shares his experience using VR technology to record his senior project at the Harold Ramis Film School at Second City, and the difficulty he had with the audio. For Eleanor, this year's cool cosmic thing was highly personal: her studies in modern physics this year, learning more than ever about what we don't know, like the gap between classical and quantum physics! As she puts it, “the matter-antimatter asymmetry…broke my mind.” She also shares a little inspiration from Cal Sagan's Cosmos. Stacey's cosmically cool thing of the year is relatively current: Comet C/2025 K1 ATLAS, which recently broke into 3 parts. The team compares this with the breakup of all breakups: Comet Shoemaker-Levy 9, which broke up in 1994 on its way to a collision with Jupiter. Jon's joyfully cool cosmic year end thingamabob is about the new science fiction show Pluribus created by Vince Gilligan (Breaking Bad, Better Call Saul), and he's got a question for Chuck. How long would it take a signal like the one in Pluribus to travel from a star 600 light years away, like Betelgeuse or Antares? Without dropping any spoilers, the team ponders why an alien race would have reached out to Earth based on what they might have seen around the time of Charlemagne, and whether being subsumed in a hive mind would be good or bad. This is a bittersweet episode, though, because we officially bid farewell to the show's long time editor, Jon Barnes, who is moving on to a gig as a full-time content creator for a meal prep company that will involve lots of Jon cooking and filming himself while he does. Finally, it's time to wrap up the episode with Chuck's Picture of the Year, which is related to the Vera C. Rubin Observatory, but not in a way you might expect. It's a photo of Vera Rubin when she was 10 years old. As Chuck puts it, “Who would have known that 25 years later, she would change our understanding of the cosmos itself?” Happy New Year from The LIUniverse crew! If you'd like to know more about what Jon's up to post-LIUniverse, you can check out his TikTok @iheartjonbarnes. We hope you enjoy this episode of The LIUniverse, and, if you do, please support us on Patreon. Credits for Images and Music Used in this Episode: Galaxies imaged by the Vera Rubin Observatory. – Credit: NSF–DOE Vera C. Rubin Observatory Artist illustration of gravitational lensing. – Credit: Public Domain Comet C/2025 K1 ATLAS. – Credit: Creative Commons / Dimitrios Katevainis Comet Shoemaker-Levy 9. – Credit: NASA, ESA, and H. Weaver and E. Smith (STScI) Impacts on Jupiter from the broken-up comet Shoemaker-Levy 9. – Credit: Hubble Space Telescope Comet Team and NASA Image collage of Betelgeuse in the constellation Orion. – Credit: ESO, P.Kervella, Digitized Sky Survey 2 and A. Fujii Image of astronomer Vera Rubin, age 10. – Credit: Vera Rubin family, used with permission Music Used In This Episode: Goin' Home, derived from Dvorak's Symphony No. 9, performed by the United States Air Force Band. – Credit: Public Domain. #LIUniverse #AstronomyPodcast #CometC2025K1ATLAS #CometShoemakerLevy9 #VeraRubin

The New Yorker magazine called Joyce DiDonato “perhaps the most potent female singer of her generation.”  Joyce has towered at the top of the industry as a performer, a producer, and a fierce advocate for the arts. With a repertoire spanning over four centuries, a varied and highly acclaimed discography, and industry-leading projects, her artistry has defined what it is to be a singer in the 21st century.Joyce enjoys a musical partnership with Yannick Nézet-Séguin and the Philadelphia Orchestra and, of course, the Metropolitan Opera. Joyce's distinctively varied 2025-26 season commenced with season-opening concerts for the Minnesota Orchestra and Montreal's Orchestre Métropolitain, as well as the re-opening Powell Hall with the St. Louis Symphony Orchestra in a Kevin Puts's World Premiere, House of Tomorrow. She only recently made her Lincoln Center Theater stage debut as The Mother in Amahl and the Night Visitors, and is about to star in the Met's production of Innocence by Kaija Saariaho.Concert appearances include Mahler's Symphony No. 2 with Nézet-Séguin and The Philadelphia Orchestra, and Mahler's Symphony No. 3 with Nézet-Séguin and the Berlin Philharmoniker. Joyce also joins the Metropolitan Opera Orchestra for her second European tour with Yannick and this orchestra following a performance of Mahler's Symphony No. 4 at Carnegie Hall.She is also, quite plainly, a genuine delight.  

Jonathan Cross picks his top recording of Tchaikovsky's Symphony No.1 'Winter Daydreams'

In dieser Folge sprechen Peter und Christian über den Weihnachtstrubel, die ersten Höreindrücke der schweizer Manufaktur "Strauss" und einige Vorführungen, u.a. mit dCS Bartok und Rossini. Zum Abschluss kommt die Sprache noch auf einer berliner Schwergewicht der Branche: Burmester! Die Songs: Christian: Nils Landgren - Eternal Beauty Peter: Copland: Fanfare for the Common Man, Appalachian Spring & Symphony No. 3 Hier findet ihr die Playlisten zu unserem Podcast. Immer aktualisiert - einmal auf Qobuz und einmal auf Tidal: Qobuz: https://open.qobuz.com/playlist/13181317 Tidal: https://tidal.com/browse/playlist/794fc949-7d62-44d4-9c8c-3ede893e3a02

Felix Mendelssohn - Symphony No. 4 in A Major, Op. 90, MWV N16 “Italian”: I. Allegro vivaceSlovak Philharmonic OrchestraAnthony BramallMore info about today's track: Naxos 9.00715Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Franz Schubert - Symphony No. 9 “Great”: 3rd movementBudapest Failoni Chamber OrchestraMichael Halasz, conductorMore info about today's track: Naxos 8.572939Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Gravelly announcer voice: This holiday season! A dynasty comes to an end in this final Sonic gamebook. A giant, Robotnik-shaped cloud descends on Mobius, screwing up the weather from zone to zone. Can Sonic overcome the egg-stained megalomaniac, and maybe also break his curse of immortality along the way? The book read in this episode is Sonic the Hedgehog Adventure Gamebook 6: Stormin' Sonic by Marc Gascoigne and Jonathan Green. • • • Patreon: patreon.com/improvtabletop Twitter / Instagram / Facebook / TikTok: @ImprovTabletop Email: ImprovTabletop@gmail.com Donations: ko-fi.com/improvtabletop • • • Audio Credits Improv Tabletop's theme song is “Melodic Marauder”, written by Scott Villanueva, and performed by Scott Villanueva and Ned Wilcock. “Movement IV. Allegro con fuoco” from Antonin Dvorak's Symphony No. 9 in E minor, "From the New World", Op. 95, B. 178, is in the public domain. This recording used courtesy of Musopen. The following music was used for this media project: Music: Sunday Dub by Kevin MacLeod Free download: https://filmmusic.io/song/4435-sunday-dub License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://incompetech.com

This week we talk about grades, and specifically the Chronicle of Higher Education (https://www.chronicle.com/article/we-need-to-talk-about-harvards-grade-inflation-report) article about grade inflation at Harvard. Things that bring us joy this week: David Maslanka (https://davidmaslanka.com)'s Symphony No. 4 (https://davidmaslanka.com/works/symphony-no-4-2/?) Long Island Compromise (https://www.goodreads.com/book/show/55777544-long-island-compromise) by Taffy Brodesser-Akner Intro/Outro Music: Notice of Eviction by Legally Blind (https://freemusicarchive.org/music/Legally_Blind)

It's iFanboy 20/25 -- 20 years of podcasting and 25 years of iFanboy! Jamokes tried to concentrate. And at times, there was concentration. There were also many alleys and tributaries best not taken, but taken they were. So wrap a ribbon on your luxury car, and enjoy all the parts, both on target and off. Note: Time codes are estimates due to dynamic ad insertion by the distributor. Running Time: 01:19:26 Pick of the Week:00:01:38 - Supergirl #7 Comics:00:12:29 - Transformers #2600:17:56 - 1776 #100:25:00 - Marvel/DC Thor/Shazam! Infinity Comic #100:30:48 - Hellboy and the B.P.R.D.: The Ghost Ships of Labrador #100:34:25 - Strange Tales #200:42:45 - Fantastic Four #731 (5)00:46:13 - Redcoat #15 Patron Pick:00:49:32 - American Caper #1 Patron Thanks:00:57:34 - Matt Mendoz Listener Mail:01:01:28 - Deezer I. wonders if Matteo Scalera has finally stopped it, and who else needs to cut it out.01:07:10 - Philip R. asks the tough question. What's worse: Rats or Rebar? Brought To You By: iFanboy Patrons – Become one today for as little as $3/month! Or join for a full year and get a discount! You can also make a one time donation of any amount! iFanboy T-Shirts and Merch – Show your iFanboy pride with a t-shirt or other great merchandise on Threadless! We've got TWENTY THREE designs! Music:“Weird Fishes & Symphony No. 25 in G Minor"Rodrigo y Gabriela Learn more about your ad choices. Visit megaphone.fm/adchoices

Donald Macleod explores the life and work of Elfrida Andrée, a Swedish composer and organist who fought for women's rights in classical music. Featuring guests Anastasia Belina and Jonas Lundblad. Music Featured: Fritiof Suite Summer memories from Bjurslätt Piano Sonata in A, Op 3 An angel walks through the room Symphony No 1 Romance No 2 Serenade String Quartet in A major Chorale with variations in D minor Piano Quintet in E minor Andante quasi recitativo Swedish Mass No 1 Symphony No 2 Four Piano Pieces Symphony No 2 Piano Trio in G minor Organ Symphony No 1 in B minor Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Elfrida Andrée (1841-1929): https://www.bbc.co.uk/programmes/m002lnpf And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

This Day in Legal History: Pennsylvania Coal Co. v. MahonOn this day in legal history, November 14, 1922, the Supreme Court heard arguments in Pennsylvania Coal Co. v. Mahon, a foundational case in American property law. At issue was a Pennsylvania statute—the Kohler Act—that prohibited coal mining beneath certain structures to prevent surface subsidence. The Pennsylvania Coal Company had previously sold the surface rights to a parcel of land but retained the right to mine the coal beneath. When the state blocked their ability to do so, the company sued, arguing that the law had effectively stripped them of valuable property rights without compensation. The case reached the Supreme Court, where Justice Oliver Wendell Holmes Jr. delivered the majority opinion.In his decision, Holmes introduced the now-famous principle that “while property may be regulated to a certain extent, if regulation goes too far it will be recognized as a taking.” This line marked the birth of the regulatory takings doctrine, which holds that government actions short of full appropriation can still require just compensation under the Fifth Amendment. Holmes emphasized that the economic impact of a regulation on the property owner must be weighed, not just the public interest it serves. In this case, the regulation was deemed too burdensome to be considered a mere exercise of police power.The Court sided with the coal company, holding that the Kohler Act, as applied, amounted to an unconstitutional taking. The dissent, penned by Justice Brandeis, warned against undermining states' ability to protect public welfare. Despite being a 5–4 decision, Mahon has had lasting influence on land use, zoning, and environmental regulation. It reframed the boundaries between public regulation and private rights, signaling that not all public-interest laws are immune from constitutional scrutiny. Today, Mahon remains a cornerstone case for litigants challenging regulations that significantly diminish property value.A Texas judge is set to hear arguments on Attorney General Ken Paxton's request to block Kenvue from issuing a $398 million dividend and from marketing Tylenol as safe during pregnancy. Paxton sued Kenvue in October, accusing the company of hiding risks linked to prenatal Tylenol use, including autism and ADHD—a claim not supported by the broader medical community. The lawsuit follows public comments by Donald Trump and Robert F. Kennedy Jr. promoting the same unproven theory. Kenvue and Johnson & Johnson, which previously owned Tylenol, maintain the drug's safety and argue the state has no authority to interfere in federal drug regulation or corporate dividends.The companies also say the dividend will not impair Kenvue's solvency and warn that Paxton's effort could undermine both the First Amendment and the credibility of Texas courts. Paxton, however, argues that the public interest justifies intervention, citing potential future liabilities from Tylenol and talc-related lawsuits. He contends that misleading commercial speech can be regulated, and that the dividend should be halted to preserve cash in the face of those risks. The case could have broader implications, particularly for Kimberly-Clark's $40 billion acquisition of Kenvue, announced shortly after the lawsuit. Kenvue has vowed to appeal any injunction.Judge to weigh if Texas AG can block Kenvue dividend over Tylenol claims | ReutersSierra Leone has reached a tentative settlement with U.S. law firm Jenner & Block to resolve a dispute over $8.1 million in unpaid legal fees. The law firm sued the West African nation in 2022, claiming it was still owed money for representing Sierra Leone in a high-stakes case against Gerald International Ltd., which had sought $1.8 billion in damages over an iron ore export ban. Jenner argued the legal work was more extensive than initially expected and said it had only been paid $3.6 million by the end of 2021.Sierra Leone pushed back, disputing the existence of a valid contract and asserting that no further payments were owed. The country also tried to claim sovereign immunity, but a federal judge rejected those arguments in January, allowing the lawsuit to proceed. U.S. Magistrate Judge G. Michael Harvey announced the settlement in principle last week, although specific terms were not disclosed. Neither party has commented publicly on the resolution.Sierra Leone, law firm Jenner & Block reach settlement over $8 million legal tab | ReutersMcDermott Will & Emery has become the first major U.S. law firm to publicly confirm that it is considering private equity investment, signaling a potential shift in how Big Law might operate. The firm's chairman acknowledged preliminary talks with outside investors, a move that stunned the legal industry, where non-lawyer ownership has long been resisted due to ethical and regulatory restrictions. McDermott is reportedly exploring a structure that would separate its legal services from administrative operations by creating a managed service organization (MSO) owned by outside investors, allowing the firm to raise capital without violating professional conduct rules.This model has gained traction among smaller firms, but McDermott's adoption could legitimize the MSO approach for large firms. Proponents argue it would free lawyers to focus on client work while upgrading support systems through external funding. Critics caution that it involves relinquishing control of critical firm functions and raises concerns about maintaining ethical standards, particularly regarding fee-sharing with non-lawyers. While still early, industry experts say other firms are beginning to explore similar paths to stay competitive, especially in jurisdictions like Arizona that allow non-lawyer ownership.McDermott's Outside Investor Talks Augur Big Law TransformationThe Trump administration has filed suit against California over its recently approved congressional redistricting maps, which were adopted through a ballot initiative known as Proposition 50. The measure, passed by voters last week, allows temporary use of new district lines that could give Democrats up to five additional U.S. House seats. The Justice Department joined a lawsuit initially filed by the California Republican Party and several voters, alleging that the redistricting plan was racially motivated and unconstitutional.U.S. Attorney General Pam Bondi called the maps a “brazen power grab,” accusing California of using race to unlawfully boost Hispanic voting power. California Governor Gavin Newsom dismissed the lawsuit, framing it as retaliation for California's resistance to Trump's broader political agenda. Newsom also argued that the new maps are a necessary corrective to Republican-led gerrymandering efforts, like those in Texas, where civil rights groups have sued over alleged dilution of minority voting power.The lawsuit claims California's map violates the U.S. Constitution by improperly using race in the redistricting process. The outcome could impact the balance of power in the House and add fuel to ongoing legal battles over partisan and racial gerrymandering nationwide.Trump administration sues California over new redistricting maps | ReutersThis week's closing theme is by Ludwig van Beethoven, a composer of some note.This week's closing theme is the first movement of Ludwig van Beethoven's Symphony No. 8 in F Major, Op. 93 – I. Allegro vivace e con brio, a work that balances classical clarity with Beethoven's unmistakable wit and rhythmic drive. Composed in 1812 during a period of personal turmoil, the Eighth is often described as a cheerful outlier among his symphonies, compact and effervescent despite being written amid deteriorating health and emotional strain. It was premiered in 1814, but it was a revival performance on November 14, 1814, in Vienna that helped solidify its reputation and gave the public a second opportunity to appreciate its lightness and humor in contrast to the more dramatic works surrounding it.Unlike the grand scale of the Seventh or Ninth, the Eighth is shorter and more classical in form, often drawing comparisons to Haydn in its wit and economy. Yet Beethoven infuses it with his unique voice—syncopations, dynamic extremes, and abrupt harmonic shifts abound, particularly in the first movement. The Allegro vivace e con brio opens with a bold, playful theme, tossing melodic fragments between the orchestra with cheerful assertiveness. It's less stormy than many of Beethoven's first movements, but no less commanding.Critics at the time were puzzled by the symphony's restraint and humor, expecting more overt heroism from Beethoven. But modern listeners often recognize the Eighth as a masterwork of compression and invention. The first movement in particular plays with rhythmic momentum, frequently disrupting expectations just as they form. There's a confidence in its restraint, a knowing smile behind the forceful accents and offbeat rhythms. It's music that's both technically impressive and viscerally enjoyable, which is perhaps why Beethoven held it in especially high regard.As we close out the week, we leave you with that November 14 revival spirit—a reminder that even a “little Symphony” can land with enduring force.Without further ado, Ludwig van Beethoven's Symphony No. 8 in F Major, Op. 93 – I. Allegro vivace e con brio, enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

When Andrew Ahn's family rented “The Wedding Banquet” in the early 1990s, they didn't realize it was a queer film. They also had no idea that 30 years later, Andrew would write and direct his own version of the film. For many years, Andrew felt his queer and Korean American identities were in conflict. But reconciling those parts of himself has helped Andrew become one of the freshest filmmakers working today – directing the Emmy-nominated “Fire Island” and several episodes of “Bridgerton.” In this episode, Andrew talks about coming out to his family through his art, the song that still gets him to rush the dance floor at a gay club, and the music that guided his journey towards wholeness. Here are his songs. Simon & Garfunkel, “Bridge Over Troubled Water” Yeah Yeah Yeahs, “Maps” Cascada, “Everytime We Touch” Aimee Mann, “Ray” Camille Saint-Saëns, “Symphony No. 3 (“Organ Symphony”)” Frank Ocean, “Self Control” Hikaru Utada, “Hanataba Wo Kimini”

This week, Donald Macleod explores the life and music of the often overlooked younger Haydn brother, Michael. From his early years in Vienna to his long tenure in Salzburg, Michael Haydn's career was shaped by family ties, shifting patronage, and ecclesiastical politics. His relationship with the Mozart family ranged from friendly collaboration to bitter rivalry, and his music—both sacred and secular—reflected the changing demands of the church and court. As he aged, Michael faced new opportunities and challenges, including a long-awaited reunion with his brother Joseph and a prestigious job offer that stirred unexpected doubts.Requiem in C minor pro defuncto Archiepiscopo Sigismund, MH 155 Symphony No 32 in D Major, P 23 Missa Sancti Aloysii, MH 257 Concerto for Harpsichord and Viola in C major, MH 41 Missa Sanctae Crucis, MH 56 Symphony in B flat major, MH 82 Trumpet Concerto in C major, MH 60 Die Hochzeit auf der Alm Notturno in F major, MH 185 Missa Sancti Hieronymi Symphony No 24 in A major, P 15 Tenuisti manum, MH 695 Missa Quadragesimalis, MH 552 Divertimento in C major, P 98 Ninfe inbelli Missa Sancta Theresiae Der Obersulzer Wein, MH 697 Abendlied, MH 784 Trinklied im Freien, MH 790 Flute Concerto in D Major MH 81 Divertimento in C, MH 600 Missa sub titulo Sancti Leopoldi, MH 837 Endimione: Vado per un momento Presented by Donald Macleod. Produced by Chris Taylor for BBC Audio Wales & West. For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Michael Haydn https://www.bbc.co.uk/programmes/m002lcjr. And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z.

Laura Jackson, Reno Phil music director and conductor, speaks with Chris Morrison about the second concerts of the Reno Phil's 2025-26 Classix season, "John Williams and Sibelius," on November 8 and 9, 2025. The concerts include Transcend by Zhou Tian, Escapades by John Williams (with soloists Timothy McAllister, alto saxophone, and Tennison Watts, vibraphone), and two pieces by Jean Sibelius, Finlandia and the Symphony No. 2.

William Mival with his personal choice of the best recording of Brahms' Symphony no.4.

与视频播客「限时虚构」主理人龍韻闲聊节目的第二部分。根据孟获习惯的，也是当代文艺生活的主流三种媒体形式「书影音」，包雪龙、龍韻和孟获分别推荐了三本图书，三部影视或动画作品，三个音乐作品。但显然，我们的条件和边界都没有事先沟通，聊天也蔓延到了很多之前未曾想到的领域。不过，这大概就是闲聊之要义吧。欢迎去Bilibili 关注《限时虚构》，你也可以在「小宇宙」等平台关注声音版的《限时虚构》《文学远征》，以及鹤无粮老师的公众号《塔中之塔》。如果你喜欢这类节目，请在留言区和我们互动。也别忘了给「声波飞行员」在「爱发电」平台上打赏，增加我们继续飞行下去的动力，谢谢。时间轴： 0:00:03 BGM#1. Wiener Philharmoniker, Karl Böhm - Symphony No.9 In D Minor Op.125 - Choral3. Adagio molto e cantabile 0:02:18 规则介绍；「限时虚构」E06 - 私人电影大赏：这些年我们看过的好电影；「限时虚构」E04 - 私人图书大赏：这十年我们看过的好书（和烂书）； 0:03:04 第一本书：《金魅殺人魔術》by 新日嵯峨子 0:06:25 第二本书：《星之继承者》系列三部曲（1/2/3） by 詹姆斯·P·霍根，仇春卉译； 0:07:58 第三本书：《你的谜题由我作答 2》 by 纸城境介； 0:10:31 第四本书：《象之首》 by 白井智之； 0:11:38 关于《三体》系列与刘慈欣； 0:16:57 第五本书：《要命还是要灵魂》 by Anne Fadiman，汤丽明 / 刘建台 / 杨佳蓉 译； 0:19:45 第六本书：《月光狂想曲》 by 迈克尔·夏邦，孙璐译； 0:20:55 第七本书：《犹太警察工会》 by 迈克尔·夏邦，陈震译； 00:22:04 第八本书：《阴影线：一部自白》 by 约瑟夫·康拉德，徐成译； 00:23:36 第九至十二本书：《木心全集》《鲁迅全集》《托尔斯泰全集》《尼采全集》； 00:24:25 《文学回忆录 1989-1994》 木心 讲述 / 陈丹青 笔录； 00:25:46 托尔斯泰《战争与和平》与《伊凡·伊里奇致死》； 00:26:11 鲁迅的《故事新编》； 00:26:38 尼采的《朝霞》；「现代人读尼采是一个长骨头的过程」； 00:28:36 「不要羞于去推荐经典」 00:29:21 第一部影视作品：笑之大学 笑の大学 (2004)； 00:31:52 第二部影视作品：12个温柔的日本人 12人の優しい日本人 (1991)； 00:33:17 第三部影视作品：「古畑任三郎」系列 1995-2006； 00:35:45 关于编剧三谷幸喜； 00:36:47 第四部影视作品：百年酒馆 Horace and Pete (2016)；关于Louis C.K. 的一个同性恋笑话； 00:38:16 第五部影视作品：四月三周两天 4 luni, 3 săptămâni și 2 zile (2007)；另一个现代的美国版本：从不，很少，有时，总是 Never Rarely Sometimes Always (2020)； 00:41:27 第六部影视作品（那个关于小孩儿的）：四百击 Les quatre cents coups (1959)；关于男主让-皮埃尔·利奥德 Jean-Pierre Léaud 和他主演，Aki Kaurismäki 导演的电影：我聘请了职业杀手 I Hired a Contract Killer (1990)； 00:43:14 第七部影视作品：奥丽芙·基特里奇 Olive Kitteridge (2014)； 00:43:57 关于公认最伟大的TV 连续剧：火线 The Wire；关于略萨（Mario Vargas Llosa）的一点讨论； 00:47:55 第八部影视作品：五至七时的克莱奥 Cléo de 5 à 7 (1962)； 00:50:50 第九部影视作品：阿拉伯的劳伦斯 Lawrence of Arabia (1962)； 00:53:32 关于影像的奇迹：疯狂的麦克斯4：狂暴之路 Mad Max: Fury Road (2015)；头号玩家 Ready Player One (2018)； 00:54:45 第十部影视作品：昨日欢愉 Old Joy (2006)； 00:58:14 BGM#2. 周杰伦 - 反方向的钟 伴奏版（去鼓轨） 01:00:32 第一个音乐作品：周杰伦 - 十一月的萧邦； 01:01:23 第二个音乐作品：陈奕迅 DUO 演唱会 2010； 01:01:45 第三个音乐作品：贝多芬《D小调第九交响曲》Op.125； 01:02:28 关于周杰伦；阿张RayZhang 的视频：「从夯到拉！锐评周杰伦的所有专辑！上」「腥风血雨！从夯到拉！锐评周杰伦的所有专辑！下」； 01:05:00 第四个音乐作品：Girl Dead Monster - Keep The Beats! 01:06:22 第五个音乐作品：Sia - This Is Acting 01:07:08 第六个音乐作品：珂拉琪 Collage - MEmento·MORI；YouTuber 视频「珂拉琪〈萬千花蕊慈母悲哀〉外表看似跳躍，結構卻過於常人的歌詞｜聽歌職業病」by 朱宥勳使出人生攻擊! 01:08:11 BGM#3. 珂拉琪 Collage - 萬千花蕊慈母悲哀 01:12:05 关于张雨生《口是心非》、重轻的音乐常识类播客节目；关于保留自己的感受力； 01:16:01 第七个音乐作品：野孩子：二十周年专场音乐会 2015；一部电影：抓壮丁 (1963)； 01:20:24 第八个音乐作品：野外合作社 - 台风； 01:22:08 BGM#3. 野外合作社 - 复活 01:28:01 关于《台风》之中被删掉的三首歌：上帝的意志、八十九、复活； 01:28:57 3+1位音乐人；什么是「可以重复欣赏的艺术」； 01:34:17 第九个音乐作品：陈建年 - 海洋； 01:36:40 魏德圣《賽德克·巴萊》（太陽旗、彩虹橋）；杨德昌《一一》《牯嶺街少年殺人事件》与侯孝贤《悲情城市》；其他的华语电影创作者； 01:42:40 BGM#4. Sia - Unstoppable 01:43:14 结束语；记得去关注「限时虚构」与「文学远征」。参与录音： 龍韻 @「限时虚构」 包雪龙 / 孟获 @「声波飞行员」

There are so many great apocryphal stories in the long history of classical music, from the reason Tchaikovsky wrote his Sixth Symphony to what famous composers supposedly said on their deathbeds, to my favorite story: how Joseph Haydn's Symphony No. 96, The Miracle, got its name. Apparently, during the premiere of the symphony, a chandelier fell, but miraculously didn't hit anyone. Hence, The Miracle Symphony. The chandelier did, in fact, fall, but we now know it happened during the premiere of Haydn's Symphony No. 102, which has no nickname. Coincidentally, or perhaps not so coincidentally, the 96th Symphony is performed far more often than the 102nd, likely because of its nickname, even though it's the nickname of the wrong symphony. The Barber Violin Concerto has a great and true story behind it. But before certain information was revealed in 2010, the story everyone knew was quite different. The original version goes like this: Barber had completed the first two movements of his Violin Concerto and sent them to the soloist scheduled to premiere the work, Iso Briselli. Briselli didn't like the concerto, claiming it wasn't virtuosic enough, and asked Barber to write something more difficult. Barber, perhaps with an evil laugh, obliged and returned with the third movement. When Briselli received it, he realized he couldn't play it because of its extreme difficulty and ultimately withdrew from the premiere, which instead went to violinist Albert Spalding. It's a perfect “Icarus flying too close to the sun” kind of classical music story, but as it turns out, it isn't the full story. In 2010, letters were released between Barber, Briselli, and the real instigator in this little operetta, Briselli's violin teacher, Albert Meiff. I'll get into the whole story later, but it's a good one, even if it's not quite as cinematic as the legend. More important than the dispute over its last movement is the remarkable beauty and creativity of this masterful 20th-century concerto. Barber's Violin Concerto is one of my favorite pieces to play and to conduct, and it has charmed audiences ever since its premiere. It features Americana music of a kind only Copland could equal, as well as a heartbreaking oboe solo that might be one of the greatest moments in the history of American classical music. And then there's that pesky third movement, a challenge to every violinist (and orchestra) and a movement that remains controversial for many reasons.

1 / 4 MDJ Script/ Top Stories for October 8th Publish Date: October 8th Commercial: From the BG Ad Group Studio, Welcome to the Marietta Daily Journal Podcast. Today is Wednesday, October 8th and Happy Birthday to R.L. Stine I’m Keith Ippolito and here are the stories Cobb is talking about, presented by Times Journal 1. Man falsely accused of Walmart kidnapping reportedly seeking $25 million in damages 2. Atlanta tenor Timothy Miller launches St. Catherine’s community concert series on Oct. 19 3. Roger Hines publishes debut book All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe! BREAK: INGLES 7 STORY 1: Man falsely accused of Walmart kidnapping reportedly seeking $25 million in damages Mahendra Patel just wanted to help. That’s what he thought he was doing back in March at a Walmart in Acworth—helping a woman he assumed was disabled, struggling to manage two kids in a motorized cart. Instead, he was accused of trying to kidnap her child. What followed was a nightmare: Patel was arrested, denied bond, and spent 46 days in jail. He lost 17 pounds, endured threats from inmates, and was denied his medication. All for what? A misunderstanding. Surveillance footage later cleared his name, showing Patel calmly shopping, finding Tylenol, and leaving the store. Now, he’s suing Acworth for $25 million. STORY 2: Atlanta tenor Timothy Miller launches St. Catherine’s community concert series on Oct. 19 Mark your calendars: local tenor Timothy Miller will take the stage at St. Catherine’s Episcopal Church in Marietta on Oct. 19 at 3 p.m. as part of The Friends of Music concert series. You’ve probably heard Miller’s powerful voice before—maybe during the seventh-inning stretch at a Braves game, belting out “God Bless America.” But his talent goes far beyond that. From Verdi’s Aida to Gershwin’s Porgy and Bess, and even Beethoven’s Symphony No. 9, Miller’s resume is as impressive as it is diverse. The concert is free (yes, free!), with donations welcome. No tickets needed—just show up early for a good seat. STORY 3: Roger Hines publishes debut book 2 / 4 Roger Hines has released his first book, The Hard and the Beautiful: Life in a Family of Seventeen Children, and it’s as heartfelt as the title suggests. In this memoir, Hines—child number 16 of 17—paints a vivid picture of growing up in rural Mississippi. Life was tough: tenant farms, cotton fields, and the weight of poverty. But it was also rich, thanks to faith, laughter, and the unshakable love of his parents, Walter and Levie Hines. “Poverty doesn’t have to be a dead end,” Hines says. “We were poor, but we were rich in all the ways that matter.” The book is available now on Amazon and at local retailers. We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info. We’ll be right back. Break: INGLES 7 STORY 4: Police: Intoxicated man made false bomb threat at Johnnie MacCracken’s James E. Lusk, 29, of Marietta, allegedly called in a fake bomb threat to Johnnie MacCracken’s Celtic Firehouse Pub late on Sept. 26—because, according to police, he was drunk and angry. Not exactly a great combo. The arrest warrant also claims Lusk grabbed a woman by the arm during the incident, leaving her in pain. He was arrested three days later and charged with simple battery, false public alarm, and filing a false crime report. Lusk spent a few hours in the Cobb County jail before being released on Sept. 30 on a $10,000 bond. STORY 5: Home Depot hosts Kidde’s Cause for Alarm Home Safety Event On Oct. 4, Kidde teamed up with The Home Depot and iHeartMedia to host a lively fire safety event at The Home Depot on Roswell Road in Marietta. Part of Kidde’s Cause For Alarm campaign, the day was all about raising awareness for fire and carbon monoxide safety—and making homes safer, one alarm at a time. The event kicked off with a Donation Drive-Thru “parade,” complete with fire trucks, gear, and local firefighters from Sandy Springs. Families enjoyed music, food, giveaways, and even met Homer, The Home Depot mascot. The goal? Donate up to $1 million in alarms. Break: 3 / 4 STORY 6: Liberty joins the lineup: Cobb County’s newest K-9 embarks on duty Meet Liberty, the newest (and furriest) member of the Cobb County Sheriff’s K-9 Unit. She’s an 11-month-old bloodhound with a nose for tracking—whether it’s missing people or suspects. But don’t let her serious skills fool you; she’s still a puppy at heart, with a love for stuffed animals (or, honestly, anything she can shred). Liberty is partnered with Deputy Barry Bales, a 17-year veteran who previously worked with K-9 Shax, now retired. “Liberty’s tracking abilities will be a huge asset,” said Sheriff Craig Owens. Expect to see her out and about soon—sniffing, serving, and stealing hearts. STORY 7: Marietta Square gets a seasonal makeover The Marietta Square’s looking a little creepier (and a lot more creative) this October, thanks to the 22nd annual Scarecrows on the Square competition. Local businesses, schools, nonprofits, and just plain crafty Marietta folks have all joined in, decking out scarecrows with everything from humor to heart. Judging happens this week, with winners—Best in Show and category champs—announced at HarvestFest on Oct. 18. HarvestFest kicks off at 9 a.m. in Glover Park, featuring arts and crafts, a pie-eating contest, costumes, and kid-friendly fun. We’ll have closing comments after this. Break: INGLES 7 Signoff- Thanks again for hanging out with us on today’s Marietta Daily Journal Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.mdjonline.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: ● www.ingles-markets.comSee omnystudio.com/listener for privacy information.

This Day in Legal History: O.J. “Not Guilty”On October 3, 1995, a Los Angeles jury returned one of the most controversial and widely watched criminal verdicts in American history: O.J. Simpson was found not guilty of the murders of his ex-wife, Nicole Brown Simpson, and her friend Ron Goldman. The trial, which lasted more than eight months, captivated the nation with its blend of celebrity, race, police misconduct, and media spectacle. The prosecution presented DNA evidence linking Simpson to the crime scene, while the defense, led by Johnnie Cochran, argued that Simpson was framed by a racist LAPD, particularly Detective Mark Fuhrman.Cochran's now-famous line — “If it doesn't fit, you must acquit” — referred to a moment when Simpson tried on gloves allegedly worn during the murders, and they appeared not to fit. The defense used that moment to cast further doubt on the prosecution's case. The jury deliberated for less than four hours before acquitting Simpson, prompting strong reactions across racial and social lines.The case exposed deep divisions in American society, particularly around race and policing. It also helped usher in the era of the 24-hour news cycle and reality-style courtroom coverage, with networks like CNN and Court TV devoting extensive airtime to the trial. The not-guilty verdict did not end Simpson's legal troubles: in 1997, a civil jury found him liable for wrongful death and ordered him to pay $33.5 million in damages.Apple confirmed it has removed the ICEBlock app and similar tools from its App Store following pressure from the Trump administration and Attorney General Pam Bondi. ICEBlock allowed users to report and track the locations of ICE officers through crowdsourced data. Bondi stated the app endangered law enforcement officers and crossed a line by facilitating potential violence.The Department of Justice supported the move, citing safety concerns. This action followed an exposé by right-wing influencer Laura Loomer, who outed the creator of a similar app, Red Dot, and accused the platforms of enabling violence against ICE agents. Loomer also claimed that a recent deadly shooting at a Dallas ICE facility involved the use of such tracking apps.Apple defended its decision, stating it aims to keep the App Store a “safe and trusted” space, and that ICEBlock violated policies by potentially enabling harm to law enforcement. The app's developer, Joshua Aaron, criticized the removal, comparing it to how apps like Apple Maps crowdsource speed trap locations. He argued that his app was protected by the First Amendment and that Apple's action was a concession to authoritarian demands.Tech Giant Apple Bows to MAGA Demands and Removes ICE Tracking AppsOpenAI filed a motion in federal court to dismiss a trade secret lawsuit brought by Elon Musk's AI startup, xAI. The lawsuit, filed in San Francisco, accuses OpenAI of deliberately poaching xAI employees to gain access to confidential information about Grok, xAI's chatbot, which the company claims surpasses ChatGPT in performance.OpenAI rejected the allegations, calling them baseless and part of Musk's “ongoing harassment” campaign against the company. In its filing, OpenAI argued that employees are free to leave xAI and work wherever they choose, and that it is within its rights to hire them. The company suggested xAI's legal actions are designed to cover up its internal struggles and inability to retain talent.This case is one of several legal battles unfolding between Musk and OpenAI. Musk has also filed a separate suit accusing OpenAI of abandoning its original nonprofit mission. In turn, OpenAI has countersued Musk for harassment. Meanwhile, xAI has sued Apple, claiming it colluded with OpenAI to suppress competition—an accusation both companies deny and are also seeking to dismiss.OpenAI's legal response characterized xAI's complaint as a distraction from its own failings and a tactic to slow down competitors in the heated race for dominance in the AI industry.OpenAI asks court to dismiss trade-secret lawsuit from Musk's xAI | ReutersU.S. District Judge Michael Simon recused himself from a case challenging President Donald Trump's decision to deploy Oregon's National Guard to Portland. The Trump administration had raised concerns over public comments made by Simon's wife, Representative Suzanne Bonamici, criticizing the deployment as a “gross abuse of power.” To avoid any appearance of bias, Judge Simon opted to step aside, stating the case should remain focused on its core constitutional and legal questions.The lawsuit, filed by Oregon Attorney General Dan Rayfield, seeks to block Trump's use of state National Guard troops, arguing it is illegal and driven by political motives. The complaint alleges Trump is exaggerating protest threats to justify federal overreach and seize control of state forces. The case has been reassigned to Judge Karin Immergut, a Trump appointee.Bonamici, whose district includes much of Portland, made her critical remarks during a press conference with Oregon Governor Tina Kotek. The Department of Justice cited her comments in its request for Simon's recusal, arguing they could undermine public confidence in judicial impartiality.A hearing is scheduled for Friday on Oregon's request for a temporary restraining order. Similar legal challenges are underway in California and Washington, D.C., where federal troop deployments have also faced pushback. A California judge previously ruled Trump's actions unlawful, but that decision is currently on hold pending appeal. The D.C. case remains unresolved.Judge recuses himself from Oregon National Guard case | ReutersThis week's closing theme is by Ludwig van Beethoven, a composer of some note.This week, we close with Franz Liszt's transcription (S. 464) of the first movement—Allegro con brio—from Beethoven's Symphony No. 1 in C major, Op. 21. Originally premiered in 1800, this symphony marked Beethoven's formal debut in the genre, and even in its first movement, we hear the young composer testing the boundaries of the Classical form inherited from Haydn and Mozart. The opening chords start in the “wrong” key—a bold harmonic gesture that signaled Beethoven's intent to shake things up, even as he worked within a familiar structure.Liszt, the great 19th-century virtuoso and composer, took on the monumental task of transcribing all nine of Beethoven's symphonies for solo piano. The transcription of the First Symphony, catalogued as S. 464, is part of that sweeping project. These arrangements were not simply meant to showcase Liszt's pianistic brilliance (though they certainly do); they were a way to bring Beethoven's orchestral works into the drawing rooms and salons of Europe—before widespread orchestral performance or recording technology.In Liszt's hands, the Allegro con brio becomes a brilliant piano showpiece, retaining the symphony's rhythmic drive, thematic clarity, and structural ingenuity. He translates orchestral texture into ten fingers with remarkable fidelity, using tremolos, arpeggios, and dramatic dynamic shifts to recreate the energy of strings, winds, and brass. The transcription is virtuosic but never flashy for its own sake—it's an homage from one revolutionary to another.Beethoven's First Symphony bridges the Classical and Romantic eras, and Liszt's solo piano version builds a new bridge, connecting orchestral grandeur to the intimacy of a single performer. It's a reminder of both composers' commitment to pushing musical expression forward. As you listen, you may forget it's just one person at a piano—Liszt makes the entire orchestra sing.We leave you this week not only with Beethoven's bold opening statement to the symphonic world, but with Liszt's brilliant act of translation—a distillation of power, wit, and elegance, all under a single keyboard.Without further ado, Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21 – the first movement. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Beethoven pushed the symphonic form in a new direction with this heroic work that sounds larger than the sum of its parts. John Banther and Evan Keely show you what to listen for, how it pushed boundaries in 19th-century music, the famous Napoleon dedication, and more!Support Classical Breakdown: https://weta.org/donatefmSee omnystudio.com/listener for privacy information.

SynopsisIn all, Polish composer Krzysztof Penderecki completed eight symphonies, and in 2013, to celebrate his 80th birthday, there appeared a box set of recordings billed as his “complete symphonies,” all conducted by their composer. But while that “complete” set included Symphonies Nos. 1-5 and 7&8, it was missing No. 6. The reason? Although Penderecki had begun work on his sixth symphony years earlier, it remained unfinished when the set was issued.Fast forward to today's date in 2017 for the out-of-sequence premiere of Penderecki's Symphony No. 6, given in China by the Guangzhou Symphony Orchestra. The venue was apt, since the symphony was subtitled Chinese Poems, and included settings for baritone and orchestra of eight ancient Chinese poems — with a Chinese instrument, the erhu, providing solo interludes.Curiously, Penderecki chose to set German translations of the Chinese poems, translations published back in 1907 in the same collection Gustav Mahler had sourced for his unnumbered song-symphony Das Lied von der Erde, the Song of the Earth. And it's probably no coincidence that Penderecki's Symphony No. 6 sounds very much like he was trying to channel both the spirit and sound world of Mahler's early 20th century song-symphony into own his 21st-century one.Music Played in Today's ProgramKrzysztof Penderecki (1933-2020): Symphony No. 6 (Chinese Poems); Stephan Genz, baritone; Polish Chamber Philharmonic Orchestra Sopot; Wojciech Rajski, conductor; Accord ACD-270

In the second half of a special two part conversation, conductor Devin Patrick Hughes speaks with broadcaster and author John Suchet in Part 2 of a special two-part One Symphony series on Beethoven, based on Suchet's new book In Search of Beethoven: A Personal Journey. This episode explores Beethoven's life in Vienna — his patrons, performance venues, and independence as a composer. We also dive into his personal struggles, including his court battle for custody of his nephew Karl and his gradual onset of deafness, described as the “worst fate for a musician.” Through it all, Beethoven's music speaks of resilience and triumph. Suchet reminds us: “If I can overcome what I had, the worst fate that can befall a musician, you too can overcome.” Featured Music Includes: Wolfgang Amadeus Mozart Piano Concerto No 22 in E-flat Major, K. 482 I. Allegro. Performed by the English Chamber Orchestra featuring Murray Perahia on piano. Ludwig van Beethoven composed the rest of the featured music in this episode. Cello Sonata No 3 in A, Op. 69 II. Scherzo (Allego Molto). Performed by Mstislav Rostropovich on cello and Sviatoslav Richter on piano. Symphony No 3 Eroica in E-flat Major, Op. 55. I. Allegro con brio. Performed live by the Swedish Radio Symphony Orchestra conducted by Sergiu Celibidache.  Muzik zu einem Ritterballet (Music for a ballet of Knights), WoO 3. Jagdlied (Hunting Song), 6. Trinklied (Drinking Song), 4. Romanze (Romance). Performed by the Staatskapelle Berlin, conducted by Günther Herbig.  Symphony No 5. I. Allegro con brio. Performed by the Weiner Philharmoniker conducted by Carlos Kleiber.  Sonata No. 29 in B-flat Major, Op. 106 Hammerklavier. IV. Largo allegro resoluto. Performed live by Tatiana Nikolayeva.  Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo Performed by the Berliner Philharmoniker conducted by Herbert von Karajan.  Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Piano Sonata No. 26 in E-flat Major Op. 81a “Les Adiuex” I. Das Lebewohl, Adagio-Allegro. Performed by Tatiana Nikolayeva.  Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 “Moonlight:” III. Presto agitato. Performed by Emil Gilels.  Piano Sonata No. 17 in D minor, Op. 31 No 2. “Tempest”: III. Allegretto. Performed by Alfred Brendel.  Piano Sonata No. 28 in A Major, Op. 101. I. Etwas lebhaft, und mit der innigsten Empfindung. Performed by Emil Gilels.  

This Day in Legal History: Lord Haw-Haw SentencedOn September 19, 1945, William Joyce—infamously known as “Lord Haw-Haw”—was sentenced to death by a British court for high treason. Joyce had gained notoriety during World War II for broadcasting Nazi propaganda over German radio to British audiences, aiming to demoralize Allied troops and civilians. Born in Brooklyn, New York, and raised in the UK and Ireland, Joyce later became a naturalized German citizen and an enthusiastic supporter of Hitler. His broadcasts, delivered in a nasal, sneering voice, opened with the phrase “Germany calling,” and earned him the derisive nickname "Lord Haw-Haw" from British listeners.After the war, Joyce was captured by British forces in Germany and brought back to the UK to stand trial. Despite his German citizenship, the court ruled that he had committed treason because he had held a British passport when he began working for the Nazis. His legal defense argued that he owed no allegiance to Britain at the time of the broadcasts, but the court held that possession of the passport created a duty of allegiance. The case raised significant questions about the limits of national loyalty and the reach of British treason laws.On January 6, 1946, Joyce was executed by hanging at Wandsworth Prison, becoming one of the last people to be executed for treason in the UK. The trial and execution were controversial, with some legal scholars and public commentators questioning the soundness of the court's interpretation of allegiance. Nevertheless, the sentence was seen by many at the time as a necessary response to one of the most prominent domestic collaborators of the war.The National Institute for Occupational Safety and Health (NIOSH), long considered a cost-effective and critical pillar of U.S. workplace safety, has been effectively dismantled under the Trump administration's 2025 restructuring efforts. The agency, a division of the CDC responsible for certifying N95 masks, studying firefighter deaths, and leading occupational health research, saw roughly 90% of its 1,000 staff receive layoff notices on April 1. This move paralyzed core programs, from black lung screenings to PPE certifications, halting NIOSH's role as both a public safeguard and a quiet corporate consultant. The sudden cuts sparked chaos: lab animals were euthanized, crucial research was frozen, and businesses warned of safety gaps and market instability.Many affected workers have since resigned or are stuck on administrative leave, while others remain in limbo as lawsuits challenge the legality of the terminations. Despite statements from HHS Secretary Robert F. Kennedy Jr. claiming essential functions remain intact, internal confusion and partial walk-backs—like budget proposals still seeking to slash 80% of NIOSH funding—suggest deeper dismantling intentions. Business leaders, labor unions, and safety advocates have united in rare bipartisan pushback, warning of long-term risks to both worker health and industrial standards.The agency's downfall is part of a broader campaign to weaken the federal workforce, spearheaded by Project 2025 architects and executed with sweeping firings, anti-DEI mandates, and deep budget cuts across agencies. Former government scientists describe the collapse of safety infrastructure as a slow, invisible crisis—where the full damage may not emerge for years. With morale shattered and talent fleeing, the future of U.S. workplace safety research is in jeopardy.Trump Team Derailed Corporate America's Most Valuable ConsultantTwo major elements of President Donald Trump's economic agenda—his global tariffs and his attempt to remove Federal Reserve Governor Lisa Cook—are now in the hands of the U.S. Supreme Court, raising pivotal questions about the scope of presidential power. The court has agreed to hear a challenge to Trump's use of the International Emergency Economic Powers Act (IEEPA) to impose sweeping tariffs, a law traditionally used to sanction hostile foreign actors, not manage trade. Arguments are set for November 5. Separately, Trump is seeking to fire Cook, claiming misconduct; however, critics argue this is a pretext for targeting her policy views and that doing so violates the 1913 law establishing the Fed's independence.Legal scholars warn that siding with Trump in either case could dramatically expand executive authority. Trump has already tested legal boundaries across immigration, diversity, and civil service policy. While lower courts have often blocked his initiatives, the Supreme Court—now with a 6-3 conservative majority including three Trump appointees—has frequently sided with him. The Cook case raises unprecedented constitutional questions, as no president has ever removed a Fed governor.Meanwhile, Trump's tariff actions have destabilized global trade relations and spurred economic uncertainty, though his allies argue they are central to his economic strategy. A decision favoring Trump in both cases could weaken institutional checks on executive power and erode the principle of independent monetary policy.Key parts of Trump's economic agenda now in Supreme Court's hands | ReutersIn Washington, D.C., immigrant neighborhoods like Mount Pleasant, Petworth, and Columbia Heights are pushing back against a surge in Immigration and Customs Enforcement (ICE) arrests under President Donald Trump's intensified immigration enforcement campaign. Local residents have begun organizing in real-time—using chat groups and in-person protests—to disrupt ICE detentions, including a recent case where bystanders successfully pressured officers to release a Guatemalan man. These actions reflect growing distrust and fear within largely Latino communities, where residents report increased racial profiling and aggressive policing.The Trump administration's recent declaration of a “crime emergency” in D.C., coupled with the federalization of local police and a heightened ICE presence, has heightened tensions, especially in areas with deep immigrant roots. Community members and advocacy groups say people are being targeted based on appearance or location, not criminal history. Businesses that once bustled with immigrant patrons are seeing sharp declines in foot traffic, as many residents now avoid public spaces out of fear.Federal officials defend the enforcement as targeting serious offenders, but critics point out that many arrests involve individuals without criminal records. A Supreme Court ruling this month has further enabled ICE to continue race- or location-based arrests. Meanwhile, residents like Yessica Gonzalez and Nelvin Rodriguez say the climate of fear is unlike anything they've previously experienced. The increased enforcement has not only disrupted lives but also strained local economies and community trust.Washington's immigrant neighborhoods push back against ICE arrests | ReutersThe U.S. Senate has confirmed John Squires, a veteran intellectual property attorney and former Goldman Sachs executive, as the new head of the U.S. Patent and Trademark Office (USPTO) under President Donald Trump. Squires takes over at a critical time, as the agency grapples with global competition from China and emerging legal challenges surrounding artificial intelligence in the patent process. His appointment follows a broad push by Senate Republicans to confirm a slate of Trump nominees despite Democratic opposition.Squires brings a deep background in both corporate and legal arenas, having worked on IP and tech issues at firms like Honeywell and most recently at Dilworth Paxson, where he focused on AI, blockchain, and cybersecurity. He has also taught at the University of Pennsylvania. His predecessor, Kathi Vidal, led the USPTO during the Biden administration and returned to private practice following Trump's 2024 election victory.The USPTO plays a vital role in the American innovation ecosystem, handling patent and trademark applications and advising the government on intellectual property policy. The agency's Patent Trial and Appeal Board frequently mediates high-stakes disputes over patent validity, especially in the tech sector. Squires steps into the role amid heightened political scrutiny, including a controversial Commerce Department order to review patents held by Harvard University as part of a broader White House campaign linked to campus antisemitism concerns.US Senate confirms Trump's pick to run US Patent and Trademark Office | ReutersThis week's closing theme is by Gustav Mahler.This week's closing theme comes from one of the most enigmatic works in the orchestral repertoire: Mahler's Symphony No. 7, specifically its haunting first movement, Langsam – Allegro risoluto, ma non troppo. Composed between 1904 and 1905 and premiered on September 19, 1908, this symphony marks a fascinating midpoint in Mahler's artistic evolution—bridging the lush Romanticism of his earlier works with the more fractured, modernist terrain of his later symphonies.The first movement opens with a dark, slow introduction featuring the eerie voice of the tenor horn, an instrument rarely heard in symphonic writing. Its strange, searching call sets a tone of unease, as if the music is emerging from shadow. What follows is a restless march full of contrasts—grim fanfares, lyrical episodes, and bursts of uneasy energy—all presented with Mahler's characteristic sense of orchestral color and irony.Unlike the more spiritual or pastoral moods of Mahler's other symphonies, the Seventh is often described as "problematic," even "nightmarish"—a label Mahler himself rejected. He referred to the symphony as a progression “from night into day,” and this opening movement represents the beginning of that journey: turbulent, disoriented, and shot through with moments of beauty and menace.Mahler's orchestration here is dense and highly detailed, often requiring massive forces and unconventional instruments. Yet beneath its complexity lies a deep emotional current—one that shifts rapidly from the grotesque to the sublime. The movement ends not with resolution but with a kind of defiant uncertainty, a theme Mahler would continue to explore in his final works.As our closing theme this week, Langsam – Allegro reminds us that the path through darkness is rarely straightforward—and that art, like life, often resists tidy interpretation.Without further ado, Gustav Mahler's Langsam – Allegro risoluto, ma non troppo– enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Alexander Glazunov - Symphony No. 9Moscow Symphony Orchestra Alexander Anissimov, conductorMore info about today's track: Naxos 8.554253Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Franz Schubert - Symphony No. 9 “Great”: 3rd movementBudapest Failoni Chamber OrchestraMichael Halasz, conductorMore info about today's track: Naxos 8.572939Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Donald Macleod explores Robert Schumann's years in Dusseldorf – the city where he would spend the final years of his life. Despite often being portrayed as a creative disaster, during this period, Schumann was greatly inspired by the city and by the countryside which surrounded it, and would write some of his greatest music.Music featured: Marchenbilder, Op 113 (1st mvt, Nicht schnell) Symphony No 3 in E-flat major ‘Rhenish' Op 97 5 Lieder, Op 40 (No 4, Der Spielmann) Geistervariationen in E-flat major for piano, WoO 24 Violin Concerto in D minor, WoO 23 (2nd & 3rd mvts) Konzertstück for 4 Horns and Orchestra, Op 86 (1st mvt) Lieder und Gesange aus Wilhelm Meister, Op 98a Scenes from Goethe's Faust, Part 3 (excerpt) The Bride of Messina Overture Kinderszenen, Op 15 (No 7 Träumerei) Genovera Overture Op 81 Sechs Gesange, Op 107 (No 6 Abendlied) Adventlied (excerpt) Mass in C minor, Op 147 (Gloria) Symphony No 4 in D minor, Op 120 (1st mvt) Manfred Overture, Op 115 Cello Concerto in A minor, Op 129 Violin Sonata No 1 in A minor, Op 105 (2nd mvt) Der Rose Pilgerfahrt, Op 112 Marchenerzahlungen, Op132 (No 3) Fantasy for Violin and Orchestra in C major, Op 131 Introduction and Concert Allegro, Op 134 Blumenstuck in D-flat Major, Op 19 Wenn mein Stundlein vorhanden istPresented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Robert Schumann (1810-1856) https://www.bbc.co.uk/programmes/m002hwtc And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Saxophonist and Radio 3 broadcaster Jess Gillam and pianist Keelan Carew are Jeffrey Boakye and Anna Phoebe's studio guests as they add the next five tracks, taking us from an east London housing estate to Heaven, via a certain celebrated Norwegian hall of a Mountain King.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Ill Manors by Plan B The Coronation scene from Boris Godunov by Modest Mussorgsky King by Years & Years In the Hall of the Mountain King by Edvard Grieg Heaven by Emeli SandéOther music in this episode:Ain't Nobody Here But Us Chickens by Louis Jordan & His Tympany Five Hùg air a' Bhonaid Mhòir (Celebrate the Big Bonnet) by Julie Fowlis Alles Neu by Peter Fox Fourth movement of the Symphony No 7 (The 'Leningrad' Symphony) by Dmitry Shostakovich In the Hall of the Mountain King by The Who In the Hall of the Mountain King by ELO Sonic the Hedgehog Theme Inspector Gadget Theme

Merlin Bird IDDeja Blue is not new. Founded 1996.Alpine Cowboys BaseballRangra Theatre, Alpine, TXBohuslav Martinů's Symphony No. 5Good Postage North CarolinaMidori Traveler's Notebook PassportCavallini & Co.Inprint HoustonParis ExpressHow to Make Money in New York City Selling Pizza

With three weeks remaining of this year's BBC Proms, Jeffrey Boakye and Anna Phoebe present a Proms-themed edition. Studio guests are the celebrated trumpeter Alison Balsom, who'll be performing in this year's Last Night of the Proms, and bassoonist, Radio 3 and Proms presenter Linton Stephens. Expect music from the Proms and beyond as we head from a live, scaled-back Springsteen anthem to the Outer Hebrides, via Mendelssohn, Shostakovich and Andrew Lloyd Webber. Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Born in the USA (live) by Bruce Springsteen 2nd movement of the Symphony No 10 in E Minor by Dmitri Shostakovich Superstar from Jesus Christ Superstar by Andrew Lloyd Webber & Tim Rice Andante: 2nd movement of the Violin Concerto in E minor by Felix Mendelssohn Hùg air a' Bhonaid Mhòir (Celebrate the Big Bonnet) by Julie Fowlis Other music in this episode:A Night on the Bare Mountain by Modest Mussorgsky Trumpet Concerto in E flat major by Johann Nepomuk Hummel The Lovecats by The Cure Born in the USA by Bruce Springsteen I Don't Know How to Love Him by Andrew Lloyd Webber & Tim Rice, sung by Yvonne Elliman Touch the Sky (from the film Brave) by Julie FowlisYou can listen to every Prom and unmissable moments from across the season on BBC Sounds. Just search ‘Proms'.

Does the world still need classical music? What about orchestras? In this gorgeous talk and performance, violinist Joshua Bell and the Chamber Orchestra of America play selections of classical music masterpieces — from Mozart's Symphony No. 25 to Schubert's Unfinished Symphony and more — sharing why this art form remains a singularly unifying force.For a chance to give your own TED Talk, fill out the Idea Search Application: ted.com/ideasearch.Interested in learning more about upcoming TED events? Follow these links:TEDNext: ted.com/futureyouTEDSports: ted.com/sportsTEDAI Vienna: ted.com/ai-viennaTEDAI San Francisco: ted.com/ai-sf Hosted on Acast. See acast.com/privacy for more information.

Wherein Eric and John put on their big boy panties and finally discuss arguably the most important proto-metal band of all time: Led Zeppelin!Click on the links below for all the music listening/video breaks in this episode:(Optional) Listening Break #1: "Communication Breakdown" from Led Zeppelin I (1969)- https://www.youtube.com/watch?v=2atkj_KWLl0or "Heartbreaker" from Led Zeppelin II (1969)- https://www.youtube.com/watch?v=e5O4073zCKAListening Break #2: "Immigrant Song" from Led Zeppelin III (1970)- https://www.youtube.com/watch?v=P3Y8OWkiUtsListening break #3: "In the Evening" from In Through the Out Door (1979)- https://www.youtube.com/watch?v=bJSJavz1AOMPlease do consider joining us at our Patreon page! Not only will you gain access to exclusive content, but you'll also get that sense of pure joy that can only come from supporting the world's wackiest, most insightful heavy metal podcast. Link below:⁠⁠⁠⁠⁠⁠ http://patreon.com/HeavyMetal101⁠⁠⁠⁠⁠⁠Visit us at: ⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/heavymetal101podcast⁠⁠⁠⁠⁠⁠⁠ ⁠(you can leave us a voicemail if you're so inclined!)Contact us at: ⁠⁠⁠⁠⁠⁠⁠⁠heavymetal101podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠Social media:⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/HeavyMetal101Podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/heavy_101⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@heavymetal101podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/heavymetal101podcast/⁠⁠⁠⁠⁠⁠New episodes of Heavy Metal 101 are always released monthly on the 3rd Monday of each month!Underscore credits:New Horizon - Classic Rock - Royalty Free Music by Danya VodovozVodovoz Music ProductionsForest of the Elves | Celtic Music | Royalty Free Music Jonathan SegevROCK AROUND THE BLOCK ! (Royalty Free vintage music) no copyright - 50's ROCK N ROLL themurderjunkies24Uptown Nights (60's garage blues) Copyright Free Music© NADA - Copyright Free MusicFrog in the Well California Consolidated Drum BandLed Zeppelin - Communication breakdown 8-bit OmnigradLed Zeppelin - Whole lotta love 8-bit OmnigradW. A. Mozart, Symphony No.38 in D major | Copyright Free Music | No Copyright Music | Audio LibraryNational Anthem of Wales (No Copyright)Burhan ErdemirImmigrant Song (2020 Remaster) [8 Bit Tribute to Led Zeppelin] - 8 Bit UniverseVetur Frosti - Celtic Music by Alexander Nakarada - Royalty Free Music //Alexander NakaradaLed Zeppelin When The Levee Breaks Audio 8 Bit Remix Cover Version Ashes To8BitPaddy on the Handcar/Ed Kellogg's March California Consolidated Drum BandLed Zeppelin -The Ocean (8 bit) DAWG BALLSLed Zeppelin - Kashmir (8 bit) Chiptune Planet8-bit: Led Zeppelin - Wanton Song 8bitRockA Tragedy | Sad Ambient Music | D&D Fantasy Background Music | RPG Music (No Copyright) Death By Die8-bit: Led Zeppelin - Achilles Last Stand 8bitsbrothersEerie & Scary Ambient (Royalty Free Music) - "CURSE" by Mehul Sharma

This week we are covering David Lynch's musical, Industrial Symphony No. 1: The Dream of the Broken Hearted. It was only performed once and it is as David Lynch a musical as it could possibly be. mannersandmadness.com

Russian composer Dmitri Shostakovich was one of the greatest musicians of the 20th century. But in 1936, Joseph Stalin attended a performance of Shostakovich's opera, Lady Macbeth of Mtsensk. The Soviet leader was unimpressed and left early. Days later, the state newspaper Pravda published a scathing review titled 'Muddle instead of music', castigating the music as bourgeois. Shostakovich was blacklisted from public life, and feared for his safety during Stalin's ongoing purges. The traditional style of his comeback Symphony No 5 in 1937 was a hit with the authorities, and Shostakovich's reputation was restored. But his true intentions are hugely debated – some experts argue the Fifth Symphony was a cleverly veiled act of dissent. Fifty years on from the composer's death, his son Maxim Shostakovich unfolds the mystery with Ben Henderson.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Dmitri Shostakovich and his son Maxim Shostakovich. Credit: Express/Getty Images)

Charles-Marie Widor - Organ Symphony No. 5: ToccataRobert Delcamp, organMore info about today's track: Naxos 8.578179Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Wir springen in dieser Folge zum Beginn des 19. Jahrhunderts, wo in Wien Ludwig van Beethoven gerade an seiner 3. Symphonie arbeitet: ein Werk, das die Musikwelt revolutionieren wird, was zu jenem Zeitpunkt aber noch niemand weiß. Wir sprechen darüber, wie dieses Werk zustande kam und was die Erziehung des kleinen Ludwig, die Französische Revolution und seine Gesundheit damit zu tun haben. // Erwähnte Folgen - GAG460: Lorenzo Da Ponte oder Wie ein Librettist entsteht – https://gadg.fm/460 - GAG443: J.S. Bach oder Wie sich ein Komponist den Lebensunterhalt verdient – https://gadg.fm/443 - GAG217: Wie Joseph Haydn den Kopf verlor – https://gadg.fm/217 - GAG433: Der Schinderhannes – https://gadg.fm/433 // Literatur - „ANNO, Theaterzettel Theater an der Wien, 1805-04-07, Seite 2“. Zugegriffen 26. Juni 2025. https://anno.onb.ac.at/cgi-content/anno?aid=taw&datum=18050407&seite=2&zoom=33&query=%22beethoven%22&ref=anno-search. - Christine Eichel. Der Empfindsame Titan: Ludwig van Beethoven Im Spiegel Seiner Wichtigsten Werke. Karl Blessing Verlag, 2019. - Hans-Joachim Hinrichsen. Ludwig van Beethoven: Musik Für Eine Neue Zeit. Bärenreiter-Verlag, 2019. - Martin Geck. Beethoven. Haus, 2003. - Oscar Sonneck. Beethoven: Impressions by His Contemporaries. Rare Treasure Editions, 2021. - Swafford, Jan. Beethoven: Anguish and Triumph. Houghton Mifflin Harcourt, 2014. Die verwendeten Aufnahmen der 3. Symphonie sind hier zu finden: https://imslp.org/wiki/Symphony_No.3,_Op.55_(Beethoven,_Ludwig_van)#IMSLP246970 Das Episodenbild zeigt den 26-jährigen Ludwig van Beethoven in einer Gravur von Johann Josef Neidl nach Steinhauser. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer Becher, T-Shirts oder Hoodies erwerben will: Die gibt's unter https://geschichte.shop Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio