Podcasts about Symphony

ReferencesSensors (Basel). 2015 May 5;15(5):10481–10510.Arterioscler Thromb Vasc Biol . 2019 Feb;39(2):294-302.BMC Biochem. 2017 Sep 11;18:13.Open Biol . 2020 Oct;10(10):200128J Clin Invest. 2016 Jun 20;126(7):2419–2421Guerra, DJ. 2026. Unpublished LecturesBeethoven, LV. 1808 Symphony 6 in F Major. Op.68.https://music.youtube.com/watch?v=xWDIwsfgQnE&si=S29yakb1FSO7wnvJBerry, C. 1956. Roll Over Beethoven https://open.spotify.com/track/5ZGQVgXZiqnXNmhV0C49Tf?si=5e90e68b347d41c0

This week, we ease in with terrace warmth and a proper US-garage swing, then roll through soulful house vocals, nineties memories and a few favourites brought nicely up to date. MDA Grooves and JKriv set the tone with Caparica Sunset, Dave Lee gives Our Love that throwback garage feel, and Cafe 432 with Lifford bring the warmth on Symphony. From there, Barbara Tucker and Sounds of Blackness keep the gospel lift high before Evelyn “Champagne” King takes us back with Love Come Down. The second hour opens with Kevin McKay's vocal-house take on All I Do, then Kenny Thomas and Opolopo lead us into a deeper, disco-tinged stretch. Groove Armada's Love's Theme sits right in that sweet spot, Basement Jaxx meet the Isleys on Jus 1 Kiss, and N-You-Up with Mike Dunn and David Penn bring us home with Jack My Body.

Meg, Hal and Symphony discuss episode 211 of Welcome to Night Vale: Howl. They chat about dog sentience, the Deb/Barks Ennui situation-ship and Barks' grippy sock vacation.In the Fanzone Calzone we hear from fans about KMF WTNV characters, blood and a common Barks Ennui mind cannon. Find out more about calzones on our Patreon. www.patreon.com/goodmorningnightvale Follow us on Facebook. Good Morning Night Vale is a production of Night Vale Presents Hosted by Symphony Sanders, Hal Lublin, and Meg Bashwiner Produced by Meg Bashwiner Edited by Felicia Dominguez Mixed by Vincent Cacchione Theme Music by Disparition Learn more about your ad choices. Visit megaphone.fm/adchoices

Orion Miller joins the podcast to talk about his path from growing up in New York City to joining the San Francisco Symphony bass section. Orion studied at the Shepherd School of Music at Rice University with Tim Pitts and spent formative summers at places like Tanglewood, Music Academy of the West, and Aspen Music Festival. We dig into Orion's audition journey, including getting cut from the San Francisco Symphony preliminaries, rethinking how he prepared, and eventually winning the job after a trial week. Orion shares the practice system that changed everything for him, from 25% tempo work and Galamian-style rhythms to mock auditions, detailed listening, score study, and learning to trust the process. We also talk about focus, phone distraction, sustainable preparation, life in the SFS bass section, and his advice to young bassists.  Listen, watch, and read this conversation in ​full audio and HD video on Double Bass HQ​. Photo credit: San Francisco Symphony Thank you to our sponsor! Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Theme music by Eric Hochberg

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Earlier this week I brought back the audio of one of my favorite conversations from the vault. Today, the full video version is here.If you missed the audio episode, here's the short version: in 2018, Mariana Ramirez became the first female Mexican percussionist to ever perform on a Broadway show, subbing Once On This Island. A year later she held the percussion chair on that show's national tour. Then came sub work on Head Over Heels (drumset book) and Ain't Too Proud, plus Off-Broadway runs of Merrily We Roll Along and Fiddler on the Roof in Yiddish.Today she holds the percussion chair at the hit Broadway show SIX.But watch this interview and you'll see the chair is just one piece of a much bigger career.Mariana began her studies at the National Conservatory of Music in Mexico City, where she won the percussion position at the Carlos Chávez Youth Orchestra, then earned her Bachelor of Music at the Mason Gross School of the Arts at Rutgers, picking up the Percussive Arts Society Thomas Siwe Scholarship along the way.She founded Percussion Quartet Excelsis — the first multinational all-female percussion quartet in the U.S. — which Jonathan Haas, head of the NYU Percussion Department, called one of the most innovative and exciting ensembles of this era of chamber music. Excelsis has performed twice on NPR's From the Top, at the Zeltsman Marimba Festival, Tippet Rise in Montana, and the Newport Classical Music Festival, and in 2024 the group received Chamber Music America's highest grant.Her recording credits include Platinum Girls and Song of Solomon on Broadway Records, and a concerto for bandoneon and violin with the Orpheus Chamber Orchestra. She has performed with the National Symphony of Mexico, the first all-women orchestra of Mexico, and premiered new works at Alice Tully Hall. She's appeared on The Late Show with Stephen Colbert and in Mozart in the Jungle. She won the FONCA grant for Mexican artists twice in a row, touring an original percussion-and-dance project across five Mexican cities. She teaches. She's endorsed by Sabian, Pearl, and Innovative Percussion.Traditional Mexican music. Symphony halls. Chamber ensembles. Television. Education. And eight shows a week on Broadway.Nobody builds a career like that by waiting for the phone to ring. Watch the conversation and you'll understand exactly how she did it — starting with a Santana concert in Mexico City when she was 11 years old, watching three percussionists light up a stadium and deciding, right there, what her life was going to be.Watch the full interview above.The audio version is available now on Apple Podcasts and Spotify if you'd rather listen on the go.And coming up next on the podcast: Spencer Inch. Stay tuned — that one's going to be worth the wait.For the complete roadmap to building a career in theater, grab Broadway Bound and Beyond at broadwayboundbook.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

ReferencesFree Radic Biol Med. 2021 Jul; 170: 59–69Biomolecules.2021 Feb; 11(2): 195. Immunol Res. 2020 Feb;68(1):28-38J Biol Chem. 2019 Jun 7;294(23):9213-9224Guerra, DJ. 2026. Unpublished Lectures.Hunter/Garcia.1976. Mission in the Rain. Reflections.https://music.youtube.com/watch?v=-BcsVsCEnMU&si=WdVHhRTSG5IOieW5Schubert, F. 1822. Symphony 8 in B Minor D.759.unfinished.https://music.youtube.com/watch?v=3tisvEpblig&si=vT6dC45z6oNOhk9O

[REBROADCAST FROM May 19, 2026] Comedian, Emmy-nominated writer, NAACP Award Winner and rotating Daily Show host Josh Johnson can now add an HBO comedy special to his list of accomplishments. He joins us to preview his new stand up special, “Symphony,” which is now steaming on HBO. Photo courtesy of the comic Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Bone Symphony—Poetry as Spiritual Practice: A Conversation with Michelle Phương Hồ Daniel and Yulee welcome Michelle Phương Hồ—a Vietnamese American poet based in New Haven and one of Daniel's former students at Fuller — for a conversation about her debut poetry collection, Bone Symphony (releasing October 13th, endorsed by Ocean Vuong). The conversation explores: How the book's title emerged from a single cacophonous poem weaving together her grandfather's experience in postwar Vietnamese reeducation camps, asylum testimony, and questions of public memory—and its resonance with Ezekiel's Valley of Dry Bones Why revision, for Michelle, is a spiritual practice—including the story of a poem addressed to "the enemy" that only became true once she recognized her own desire to win, rather than to love Her unconventional path into poetry: from a college Asian American writing collective, to narrative breaking down into fragments, to a formative writing class with poet Solmaz Sharif Why she believes she's writing to preserve a kind of remembering—drawing on a story about Vietnamese language surviving Chinese colonization through "a critical mass of rememberers" The necessity of leaving gaps in language—and why trying to fully explain grief or wonder can betray the experience itself Her unexpected, dramatic conversion story at a college church service in New Haven, after a season of spiritual searching that included a Buddhist meditation practice Navigating faith within a predominantly white Vineyard community—finding theological resonance in the integration of word and spirit, while wrestling with not fully belonging The poem "After Salvation" and the disorientation of being "rescued"—both as a refugee and as a Christian—without a clear roadmap for what comes next Writing prompts to borrow for your own journaling: Alexander Chee's "What don't you want to know?" and Bhanu Kapil's "Who is responsible for the suffering of your mother?" A reflective, generous conversation about poetry as a spiritual practice—and an invitation to anyone (poet or not) to bring more curiosity and surrender to their own writing and prayer life. Pre-order her book: https://boaeditions.org/book/bone-symphony/ Sign up to receive more updates from the AAC: https://aac.fuller.edu/newsletter/ If you appreciate the work we do at the Asian American Center at Fuller Seminary, please consider supporting us! Your monetary support sustains our vital work and expands Asian American research, leadership development, and pastoral formation for the Church in the year ahead. Donate here: fuller.edu/giveaac.

Derrick Lynch was joined by Clare-born composer Dominic McGonigal.   Originally from Spanish Point and now dividing his time between Clare and London, Dominic is preparing to release two major new albums.   The recordings feature his Cathedral Symphony, a large-scale orchestral work inspired by the architecture and symbolism of a cathedral, alongside a collection of sacred choral music influenced by Gregorian chant.    He's launched a crowdfunding campaign to bring these works to life, and he joins us now to tell us more about the project and his musical journey. Photo (c) Dominic McGonigal

If you've ever looked at the cash sitting in an emergency fund, a business account, or your tax reserves and wished it could earn travel points the way your spending does, this conversation is for you.   For as long as I've been earning points and miles, one piece has been missing. We've gotten very good at earning points on the money we spend, but almost no one has offered a way to earn transferable points on the money we save. That's what made Symphony worth a close look, and I sat down with co-founder James Berry to understand how it works.    Upfront: this isn't a recommendation and it isn't sponsored. I opened an account myself to see it firsthand, I do have an affiliate relationship with Symphony, and my goal is the same as always, to give you enough to decide for yourself.   We get into how the platform actually works, the fixed rate you earn and whether you take it as cash, as points, or a split of both. We also spend real time on the questions worth asking before putting money anywhere new, why it isn't FDIC insured, how the risks weigh against the rewards, and who it fits versus who should stay away. And we close on the bigger question underneath it all, whether saving could become a new way to earn points alongside spending.   Whether you decide it's for you or you'd rather watch from the sidelines for now, the approach is the same, understand it first, then make the call that fits your own goals and risk tolerance.   Earn up to 5,000 bonus points for opening and funding a new Symphony account: join.symphony.io/devon    Get full show notes and transcript: https://pointmetofirstclass.com/earn-points-on-savings-symphony    Eager to learn the secrets of award travel so that you can turn your expenses into unforgettable experiences? Join the Points Made Easy course waitlist here: https://pointmetofirstclass.com/pointsmadeeasy   Some links in these show notes are affiliate links, meaning we may earn a commission at no extra cost to you.  

Mahler Festival Broadcast: Mahler 7 by CSO Association

On today's show, we learn that communities face consequences when it loses local journalism, and researchers have been working to put a dollar amount on what that actually costs taxpayers. We'll also spend time with the music of, and the music inspired by, Mozart's final completed symphony on Sound Perimeter. Plus, another trip to the Pryor Center archives.

Morning Worship: Psalm 148, Pastor Matt Koerber

Symphony of Unity - Live @ Tomorrowland 2026 [FreedomStage] (18-07-2026, Belgium)

Symphony of Unity - Live @ Tomorrowland 2026 [FreedomStage] (25-07-2026, Belgium)

LeBron James has found a new home in Philadelphia. He joins an already stackked 76ers team and Brian H. Waters calls it a weak move. Plus, he discusses ESPN firing Ryan Clark, their best after keeping him off promotional material, John Harbaugh has an awkward team meeting with his New York Giants, a 27-year-old AAU coach gets arrested with his team for stealing from 7 Eleven, whether or not Netflix is a win for the podcast industry and how Sophie Cunningham embraces being a villain. (1:47) Information on 2829 Production(2:00) LeBron James joins the 76ers(8:56) John Harbaugh's awkward New York Giants intro(10:26) Espn Fires Ryan Clark(14:00) AAU Coach and 5 teens arrested for theft at 7-Eleven(17:00)Has Netflix ruined how we consume podcast?(18:36) Sophie Cunningham continues to be a villainFollow @2829production on Instagram and Threads Create some of the best social clips using OPUS Clip. Be sure to click my link belowhttps://www.opus.pro/?via=brianhwaters Purchase a Breaking Through Glass Ceilings T-Shirt: https://bit.ly/BTGCShirts Support this podcast while supporting your favorite sports teams by making your purchases on Fanatics and using this link: https://bit.ly/34rWdXr Save 10% off Rogue Energy Drink https://rogueenergy.com/discount/BrianH?ref=wfGgU8WHQ98SUr Symphony of Balloons https://bit.ly/SYMPOBallonsForm Book with Symphony of Ballons here: https://bit.ly/SYMPOBallonsForm

With over 30 years of experience as a concert pianist and composer, and approximately 4 years of collaboration with the London Philharmonic Orchestra, Maestro Molino has captivated audiences worldwide with his virtuosity and emotionally charged performances. Yet his artistry extends far beyond the concert hall. Today, he is a globally recognized leader in cinematic music composition and the therapeutic science of sound, bridging the worlds of classical music and neuro-acoustic innovation.A pioneer at the forefront of music and health, Maestro Molino has spent over a decade advancing clinical and academic research in music therapy and neuro wellness. As the first in his field to successfully integrate proprietary music with therapeutic sound technology, he stands as a global authority on how music can not only underscore a film but also heal human well-being.As Co-Founder of Athena Music and Wellness Therapy Corp. since 2018, he leads a team developing proprietary compositions for both clinical settings and luxury wellness environments. His work is now being integrated into neuro health systems and immersive wellness experiences worldwide.His bestselling book, "Music Therapy - A Look into the World of Healing Sound" (Dorrance Publishing, 2022), further established him as a thought leader in therapeutic sound and its application across entertainment, healthcare, and wellness industries.https://angelomolino.com/https://www.youtube.com/@AngeloMolinohttps://athenamwt.com/ https://sonoark.com/Your portfolio career is YOURS to design. If you are seeking inspiration, grab the first chapter of my book for FREE at the link below! You are allowed to thrive, and your artistry MATTERS.https://jennetingle.kit.com/c6e4009529Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! 

Listening Inward is a guided journey from the farthest horizon to the hidden center of your own being. Inspired by the Shema ("Hear, O Israel") and Deuteronomy's vision of a God revealed through a voice rather than an image, you'll gradually narrow your attention—from the sounds of the world, to those around you, to your own breath, heartbeat, and inner life. As the circle of awareness grows smaller, you may discover something precious that has been waiting beneath the noise. Echoing Deuteronomy's image of a treasured people (7:6), this meditation invites you to recognize that the deepest treasure is not something you must acquire, but something already entrusted to you. Listen closely. What is most sacred may already be speaking.

Special Guest: Dash Gearheart.

What if we not only encouraged our students to pray, but we got our churches and networks to join in praying for the next generation, especially at the beginning of a new school year? On this episode of Student Ministry Connection, Steve shares about National Network of Youth Ministries' Symphony of Prayer, which involves several prayer movements you can get involved in.      Links referenced in this episode:  Learn more about Symphony of Prayer - https://nnym.org/symphony  Footprints on Campus - https://nnym.org/footprints  Adopt a School - https://everyschool.com  Bless Our Schools Sunday - https://momsinprayer.org  See You at the Pole - https://syatp.com  Steps of Prayer - https://christianeducators.org  Prayer Walk Project - https://claimyourcampus.com  Operation P.R.A.Y. - https://operationpray.com Pray 9:38 - https://everyschool.com/pray/938  Prayer Zone Partners - https://campusmissionary.com/leaders  Top 9 Prayer Challenge - https://9monthmissiontrip.com/prayer  Find your next speaker at The Speaker Hub - https://youthminhub.com/speakerhub  Learn more about Steve's ministry with NNYM - https://nnym.org/stevecullum  Sign up to get Steve's newsletter - https://bit.ly/cullumnewsletter  Support the ministry by giving online - https://bit.ly/cullumsupport  Contact Steve about partnerships, speaking, coaching, or consulting - https://bit.ly/cullumcontact  Follow Student Ministry Connection on Instagram - https://instagram.com/studentministryconnection  Read Steve's blog - https://stevecullum.com  Follow Steve on Twitter - https://twitter.com/stevecullum  Follow Steve on Instagram - https://instagram.com/stevecullum  Follow Steve on Facebook - https://facebook.com/stevecullum    Be sure to join us in prayer for revival every Wednesday at 11am PT, 12pm MT, 1pm CT, 2pm ET.    Looking for student ministry resources? Check out Steve's curated list of books, games, and more at https://www.amazon.com/shop/stevecullum    Note: Some of the links above are affiliate links. By clicking them, Steve may receive commission to support this ministry.    Subscribe on your favorite podcast app. Links to the more popular ones are at https://linktr.ee/studentministryconnection     If you like what you hear, be sure to like, subscribe, share, and comment! Thanks, be sure to get connected, and may God bless your ministry!    

Days before his BBC Proms appearance marking 50 years since the death of Benjamin Britten, cellist Guy Johnston talks candidly about his career, his influences, and his preparation for performance.

If you've been paying attention to points and miles this year and something has felt off, like the ground keeps shifting under the rules you thought you understood, you are not imagining it.   I'm joined again by my good friend and points expert, Kevin Zanes, to make sense of it all. We are hitting pause at the halfway mark of the year to ask what the biggest stories in points, miles, and award travel have really been so far, and more importantly, what those changes tell us about where this whole hobby is headed. This year hasn't just brought the usual devaluations we all expect. It has brought step changes big enough to make both of us reconsider strategies we've relied on for years.   Kevin and I each picked our top three stories and compared notes. We get into the Hyatt award chart overhaul and whether chasing Globalist status still makes sense, the new Qatar restrictions on booking award flights for family and friends, the three new Bilt cards and how they reshuffled where our everyday spend goes, and the way United is now tying its best award space and discounts to holding a co-branded card. I also walk through the Chase change I'm most worried about, a differential transfer ratio to Hyatt that depends on which card you hold, and why I think it could open a floodgate. Listen in as we spend just as much time looking forward as back, on super currencies, newer players like Symphony and Rove, and the rise of the co-branded airline card as a value multiplier.   Whether you've been collecting points for a decade or you just opened your first card, this one is less about the headlines and more about reading the trends underneath them, so you can decide where your own time and attention are actually worth spending for the rest of the year.   Earn up to 5,000 bonus points for opening and funding a new Symphony account here.   Get full show notes and transcript: https://pointmetofirstclass.com/2026-points-miles-mid-year-review    Eager to learn the secrets of award travel so that you can turn your expenses into unforgettable experiences? Join the Points Made Easy course waitlist here: https://pointmetofirstclass.com/pointsmadeeasy   *Some links in these show notes are affiliate links, meaning we may earn a commission at no extra cost to you.  

Your hormones aren't broken — but if nobody's told you about the conductor running the whole show, you'll keep chasing your tail. In this episode, Dr. Tabatha and Ashlee unpack the Symphony Framework: the orchestra (your organs), the conductor (your nervous system), the sheet music (what's shaping your thoughts), and the Composer who wrote it all.●        Why the original Hormone Guide got a full overhaul — and what was missing●        The Symphony Framework: orchestra, conductor, sheet music, and Composer●        Why your internal dialogue can be a bigger stressor than a staph infection●        Why labs come back "normal" while you still feel awful●        Renewing your mind: Paul's 2,000-year-old protocol, backed by science●        The two wolves, the shopping-cart test, and what it means to actually abide | "For my thoughts are not your thoughts, declares the Lord... so are my ways higher than your ways, and my thoughts higher than your thoughts." — Isaiah 55:8-9Grab the brand-new Hormone Guide (completely rebuilt — grab it even if you have the original): https://drtabatha.com/free-hormone-guide/For just five dollars, you get five days with a certified one-on-one coach guiding you through your hormones, your gut, and your faith.Go to ftf.fasttofaith.com/empoweredbyfaithdiyReady to go deeper?The women who hear this episode and feel something shift — they belong in the Fast to Faith Sisterhood. This is where faith, functional medicine, and identity work come together with a community of women who are done managing symptoms and ready to lead from healing.If you feel called to take that even further — to guide other women through this exact transformation — the Fast to Faith Coaching Academy is where that calling becomes a career.Become a certified Fast to Faith™ coach →Weekly live mentorship with Dr. TabathaNot ready for the academy yet? Start here: 5-Day Empowered by Faith Challenge ftf.fasttofaith.com/empoweredbyfaithdiyShop Dr. Tabatha's supplement line: Use code PODCAST for 20% off your first order: shop.fasttofaith.comGet the book: Fast to Faith: A 40-Day Awakening: book.fasttofaith.com/bonus?am_id=fasttofaith5413Fast to Faith is hosted by Dr. Tabatha Barber — OB/GYN, functional medicine physician, and founder of the Fast to Faith Sisterhood and Coaching Academy.

Welcome to Day 2908 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2908 – Wisdom Nuggets – Psalm 144:-9-15 Daily Wisdom Wisdom-Trek Podcast Script - Day 2908 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day 2908 of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. The Title for today's Wisdom-Trek is: The Symphony of Shalom – Reclaiming the Blessing of the Covenant King Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day 2908 of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. On our previous expedition, on Day Two Thousand Nine Hundred Seven, we stood amazed as we explored the first half of Psalm One Hundred Forty-Four, focusing on verses one through eight. We witnessed David, the warrior king, standing directly on the rugged frontiers of cosmic conflict, shouting praises to Yahweh, the majestic Storm Warrior, who trains his hands for war and gives his fingers skill for battle. We listened as David pleaded for the Almighty to bow the heavens, flash His supernatural lightning, and rip open the cosmic veil to rescue him from the "deep waters"—those treacherous, lying foreign enemies who sought to subvert the divine order. Today, we step directly onto the second half of this magnificent mountain pass, diving deeply into Psalm One Hundred Forty-Four, verses nine through fifteen. The spiritual and narrative scenery undergoes a beautiful, breathtaking transformation here. We are moving out of the clashing, smoky din of cosmic warfare, and stepping directly into a quiet, sunlit valley filled with a glorious, harmonious symphony of peace, domestic prosperity, and generational restoration. David understands a profound kingdom truth that every wise trekker must grasp: the ultimate purpose of divine warfare is never just the destruction of the enemy; it is the comprehensive establishment of shalom—the complete, flourishing wholeness of a society living in perfect alignment with the Creator. The first segment is: The New Song of the Vindicate Viceroy Let us open our ears to the first movement of this concluding sequence, as recorded in the New Living Translation, where David groups his logical thoughts together in verse eights, verse nine, and verse ten. I will sing a new song to you, O God! I will play on a ten-stringed lute. For you give victory to kings! You rescued your servant David from the fatal sword. David anchors his future firmly in praise, declaring with joyful anticipation, “I will sing a new song to you, O God! I will play on a ten-stringed lute. For you give victory to kings! You rescued your servant David from the fatal sword.” To fully appreciate the weight of these lines, we must view them through the fascinating lens of the Ancient Israelite divine-council worldview. In the ancient Near East, kingship was not merely a matter of human politics or military strategy. The king of Israel was uniquely designated as the earthly viceroy, the covenant partner, of Yahweh, who sits enthroned above the celestial assembly. While the surrounding pagan nations looked to their localized, rebellious deities for military dominance, David looks directly to the supreme Creator. When he mentions that God “gives victory to kings,” the original Hebrew word for victory is teshuah, which carries the profound meaning of deliverance, salvation, and cosmic rescue. David is acknowledging that no earthly monarch—regardless of how massive his infantry or how brilliant his chariot tactics might be—can secure a true victory outside of the sovereign decree of the heavenly council. Furthermore, when David vows to sing a “new song” while playing upon a ten-stringed lute, he is introducing a powerful prophetic concept. In biblical theology, a new song is never just a fresh melody; it represents a brand-new epoch in human history. It is an anthem of redemption that is sung only after a decisive, miraculous victory has been secured by the arm of the Lord. The ten-stringed lute adds a layer of majestic, symphonic fullness to this praise. David is orchestrating a grand celebration before the heavenly hosts, publicly testifying that it was not his own royal status or human strength that preserved his life, but rather the active, intervening hand of Yahweh, who personally stepped into the fray to snatch His chosen servant away from the edge of the fatal, chaotic sword. The second segment is: The Persistent Refrain: Confronting Systemic Falsehood The narrative takes a fascinating, highly strategic turn in verse eleven, as David repeats a powerful, familiar refrain that links this section directly back to the warfare themes of our previous podcast episode. Save me! Deliver me from the power of my enemies. Their mouths are full of lies; they swear to tell the truth, but they lie instead. David breaks back into an urgent, defensive petition, crying out, “Save me! Deliver me from the power of my enemies. Their mouths are full of lies; they swear to tell the truth, but they lie instead.” You might wonder why David, right after promising to sing a triumphant new song of victory, would suddenly drop right back into a desperate plea for rescue from lying adversaries. This literary structure reveals a profound truth about our daily trek of faith. The victory has been legally decreed in the heavenly courtroom, but the final mopping-up operations are still being actively contested on the earthly battlefield. David is dealing with foreign, hostile entities who do not share his covenant allegiance to the Most High. He describes them as having mouths full of lies, individuals who raise their hands to take solemn, binding oaths of truth, but unleash calculated perjury instead. This persistent focus on deception connects perfectly with the broader theological tapestry of Psalms One Hundred Forty through One Hundred Forty-Three. In the ancient world, truth was the foundational concrete that held cosmic and social order together. When a nation's leaders weaponize systemic lies, gaslighting, and false diplomacy, they are actively mimicking the original, deceptive language of the ancient serpent, attempting to dissolve the boundaries of truth established by God. David recognizes that he cannot build a flourishing, prosperous society if the foundations are continuously being eroded by foreign deception. Therefore, before he can detail the beautiful blessings of peace, he must ask the Sovereign Lord to completely sever the influence of these toxic, deceitful operations from the borders of his land. The third segment is: The Blueprint of Shalom: A Flourishing Next Generation Once the dark, chaotic waters of deception are pushed back by divine justice, the true, exquisite design of kingdom prosperity can burst forth. Let us listen to the magnificent generational blueprint David maps out in verse twelve. May our sons flourish in their youth like well-nurtured plants. May our daughters be like graceful pillars, carved to beautify a palace. David paints a breathtaking portrait of domestic flourishing, praying, “May our sons flourish in their youth like well-nurtured plants. May our daughters be like graceful pillars, carved to beautify a palace.” Notice the deep, highly intentional metaphors David employs to describe the vibrant health of the next generation. He prays that the young sons of the kingdom will grow up like well-nurtured, deeply rooted plants. In a rugged, agricultural society, a well-nurtured plant represents vitality, strength, consistent productivity, and future stability. It implies that these young men are being carefully cultivated in the soil of wisdom, growing up to become sturdy, reliable protectors and providers who will uphold the moral integrity of the covenant community. Simultaneously, David looks upon the young women of the kingdom, praying that the daughters would be like graceful, elegant pillars, exquisitely carved to beautify a majestic palace. This imagery carries immense structural and architectural significance. In the ancient Near East, the corner pillars of a palace or a temple were not merely ornamental; they were massive, load-bearing structures that held the entire weight of the roof together, ensuring the stability of the building. Yet, they were also heavily sculpted with intricate, beautiful artwork. David is declaring that the women of Israel are the dignified, essential pillars of society. They possess a profound combination of unyielding structural strength and elevated, spiritual beauty. They give shape, stability, and cultural elegance to the home and the...

Kanneh-Mason Plays Elgar by CSO Association

Historia escrita por Armando Horror LoquendoFuente de la historia: https://youtu.be/b_9KlEd6uG0?si=U3NZYKogqypqJxA6Edición a cargo de Fanterozen: https://www.instagram.com/fanterozen/¡Bienvenidos a una nueva historia! Y sí, por más raro que sea el título, hoy les narraré algo sobre fútbol jajaEsta historia captó mi atención hace unos meses gracias a comentarios que vi en internet. Estos comentarios aseguraban que era una historia muy buena. Intrigado, decidí darle una oportunidad y... si bien, no me parece una obra maestra, quise compartirla con el mundo por varias razones:-Es una historia original de un autor latinoamericano. Normalmente traigo historias que están en inglés de autores extranjeros y en más de una ocasión me han preguntado que por qué no subo historias en español y/o que ocurran en latinoamérica. Pues bueno, esta es una de ellas (aunque no ocurra en latam).-Al parecer varias personas la tienen en buena estima, así que ¿por qué no?-Y por último: estamos en fechas mundialeras. Por lo que, si en algún momento iba a subir esta historia, lo mejor sería hacerlo justo cuando se está llevando a cabo la copa mundial de fútbolLa historia no es perfecta y tiene varios detalles que podrían ser mejores (tanto en redacción como en la trama), pero vamos a ser respetuosos con el autor y tratar de disfrutar su extraña premisa jajaMuchas gracias a Armando Horror Loquendo por darme permiso de subir su historia. Espero que les guste. Y si quieren más historias originales y/o de fútbol, quizás quieran darse una vuelta por su canal

Fluent Fiction - Spanish: Flamenco Café: A Serendipitous Symphony in Sevilla Find the full episode transcript, vocabulary words, and more:fluentfiction.com/es/episode/2026-07-18-22-34-01-es Story Transcript:Es: El Flamenco Café en Sevilla hirvía de energía en plena Feria de Julio.En: The Flamenco Café in Sevilla buzzed with energy during the Feria de Julio.Es: Colores vivos adornaban las paredes, y el aroma a café intenso llenaba el aire.En: Vivid colors adorned the walls, and the aroma of intense coffee filled the air.Es: Por las ventanas abiertas se colaba una suave brisa de verano, junto con los sonidos lejanos de guitarras flamencas y risas.En: Through the open windows, a gentle summer breeze drifted in, along with distant sounds of flamenco guitars and laughter.Es: Marisol, una pintora en busca de inspiración, entró al café.En: Marisol, a painter in search of inspiration, entered the café.Es: Llevaba un cuaderno de bocetos en la mano y se dirigió a una mesa junto a la ventana.En: She carried a sketchbook in hand and headed to a table by the window.Es: Estaba en Sevilla sola, esperando que el ambiente vibrante la ayudara a salir de su bloqueo creativo.En: She was in Sevilla alone, hoping that the vibrant setting would help her overcome her creative block.Es: Se sentó, observando a la gente, intentando capturar la esencia de la feria con cada trazo en su cuaderno.En: She sat, watching people, attempting to capture the essence of the fair with each stroke in her sketchbook.Es: En el rincón del café, Javier afinaba su guitarra.En: In the corner of the café, Javier was tuning his guitar.Es: Era un guitarrista local, acostumbrado a tocar en cafés y festivales.En: He was a local guitarist, accustomed to playing in cafés and festivals.Es: Aunque soñaba con tocar en escenarios más grandes, las decepciones pasadas lo hacían dudar en abrirse a nuevas oportunidades.En: Although he dreamed of playing on larger stages, past disappointments made him hesitant to embrace new opportunities.Es: Ese día, decidió ofrecer un pequeño concierto improvisado, esperando conectar con el público.En: That day, he decided to offer a small, improvised concert, hoping to connect with the audience.Es: Las primeras notas de la guitarra de Javier llenaron el espacio.En: The first notes of Javier's guitar filled the space.Es: Hablaban de pasión, de tierra y de mar.En: They spoke of passion, of land and sea.Es: Marisol, al escuchar la música, encontró en ella un eco de sus propias emociones.En: Marisol, upon hearing the music, found in it an echo of her own emotions.Es: Inspirada, comenzó a bocetar al guitarrista, capturando en papel el fuego de su interpretación.En: Inspired, she began sketching the guitarist, capturing on paper the fire of his performance.Es: De repente, sus miradas se cruzaron.En: Suddenly, their eyes met.Es: Javier notó los trazos rápidos de Marisol y una chispa de entendimiento silencioso surgió entre ellos.En: Javier noticed Marisol's rapid strokes and a spark of silent understanding arose between them.Es: La música fluyó con más fuerza, y los colores en las páginas de Marisol cobraron vida.En: The music flowed more strongly, and the colors on Marisol's pages came to life.Es: Cuando Javier terminó de tocar, un aplauso cálido recorrió el café.En: When Javier finished playing, warm applause swept through the café.Es: Marisol se acercó con sus dibujos, su rostro iluminado por la emoción.En: Marisol approached with her drawings, her face lit up with emotion.Es: "Tu música es increíble," dijo ella, mostrando sus bocetos.En: "Your music is incredible," she said, showing her sketches.Es: Javier sonrió, sorprendido por la conexión inmediata.En: Javier smiled, surprised by the immediate connection.Es: Juntos, empezaron a hablar de sus sueños y sus luchas.En: Together, they started talking about their dreams and struggles.Es: Javier confesó sus miedos al rechazo, y Marisol compartió sus dudas sobre su dirección artística.En: Javier confessed his fears of rejection, and Marisol shared her doubts about her artistic direction.Es: Fue una conversación sincera y reveladora.En: It was an honest and revealing conversation.Es: Antes de irse, Javier invitó a Marisol a uno de sus próximos conciertos en la feria.En: Before leaving, Javier invited Marisol to one of his upcoming concerts at the fair.Es: Marisol, con un renovado propósito, aceptó encantada.En: Marisol, with renewed purpose, accepted happily.Es: Sabía que esa noche había encontrado no solo inspiración, sino también una nueva perspectiva sobre su arte.En: She knew that night she had found not only inspiration, but also a new perspective on her art.Es: Al despedirse, ambos se sintieron diferentes.En: As they said goodbye, both felt different.Es: Marisol con una visión clara para su nuevo proyecto, y Javier con una confianza renovada en su capacidad para conectar a través de la música.En: Marisol with a clear vision for her new project, and Javier with a renewed confidence in his ability to connect through music.Es: Mientras el sol se ponía sobre Sevilla, el Flamenco Café fue testigo de un encuentro que cambiaría sus caminos para siempre.En: As the sun set over Sevilla, the Flamenco Café witnessed an encounter that would change their paths forever. Vocabulary Words:the aroma: el aromaimprovised: improvisadothe breeze: la brisathe sketchbook: el cuaderno de bocetosto tune: afinarvivid: vivosthe essence: la esenciacreative block: bloqueo creativothe stage: el escenariodisappointment: la decepciónto capture: capturarthe glance: la miradathe understanding: el entendimientothe applause: el aplausoto confess: confesarto overcome: salir dethe proposal: la propuestathe artist: el artistathe connection: la conexiónto embrace: abrazarhesitant: dudosothe emotion: la emociónrenewed confidence: confianza renovadato flow: fluirto illuminate: iluminarto connect: conectarto offer: ofrecerupcoming: próximorevealing: reveladorathe sea: el mar

This week, Phil & David revisit one of their most uplifting and entertaining episodes ever. They welcome Josh Groban -- who David will be interviewing at the Grammy Museum in Los Angeles on July 20th about his latest album "Cinematic" and his upcoming "Stage, Screen & Symphony" tour -- for this funny and fascinating 2025  "Lunch" with the multi-platinum singer, songwriter, actor and arts advocate. Josh joined them at Phil's house in 2025 to tell amazing stories about how he got his first big break singing with Celine Dion at a Grammy rehearsal and about his strong comedic chops that many first discovered when he sang Kanye West's tweets for Jimmy Kimmel. Josh, Phil and David all also discuss their shared love for Stephen Sondheim. To learn more about Josh, his remarkable career and passion for supporting arts education, go to https://www.joshgroban.com. To learn more about building community through food and "Somebody Feed the People," visit the Philanthropy page at philrosenthalworld.com. And you can watch this whole "Lunch" -- and many more --  on YouTube on the Phil Rosenthal World channel. Learn more about your ad choices. Visit megaphone.fm/adchoices

Meg, Hal and Symphony discuss episode 210 of Welcome to Night Vale: Ten Years Later. They chat about The Carlos Haircut Scandal, hometowns and ten years of WTNV. In the Fanzone Calzone we hear from fans about the end of night vale and what Deb was up to ten years ago. Find out more about calzones on our Patreon. www.patreon.com/goodmorningnightvale Follow us on Facebook. Good Morning Night Vale is a production of Night Vale Presents Hosted by Symphony Sanders, Hal Lublin, and Meg Bashwiner Produced by Meg Bashwiner Edited by Felicia Dominguez Mixed by Vincent Cacchione Theme Music by Disparition Learn more about your ad choices. Visit megaphone.fm/adchoices

Dominik Wagner returns to the podcast for a wide-ranging conversation recorded during his visit to San Francisco for the 2026 Golden Gate Bass Camp. A prizewinner for many major solo competitions, Dominik has built an extraordinary career as a soloist, chamber musician, recording artist, and pedagogue, with albums including Giovanni Bottesini - Revolution of Bass, Chapters - A Double Bass Story, and Double Bass Rhapsody. He currently teaches at the University of Music and Performing Arts Vienna, and his work continues to expand what is possible on the double bass. We dig into Dominik's daily "musical hygiene," his thoughts on posture, motion, sound, vibrato, setup, great instruments and bows, and how teaching keeps pushing his own playing forward. Dominik also shares what he looks for in students, how he thinks about auditions and the German-speaking orchestral world, why competitions should reward compelling soloists and creative programming, and how the bass community can keep evolving while honoring tradition. Follow Dominik on Instagram, YouTube, and his website, and experience this episode in full audio and video on Double Bass HQ. Thank you to our sponsor Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Theme music by Eric Hochberg

win Symphony on The Prairie tickets all this week from the Smiley Morning Show!See omnystudio.com/listener for privacy information.

Today's guest is one of my favorite artists, singer, songwriter, fellow "Nashvillain", and French Horn enthusiast Cody Fry, whose unique blend of songwriting and classical music has created a passionate fan base and helped bridge the gap between pop and classical music for millions of people. He's been on a hot streak lately with three Grammy nominations for best arrangement, a busy travel schedule performing with top symphony orchestras all over the country, and most recently the premiere of his "Symphony no.1: The Unlikely Mariner", a 16-minute multimedia work recorded in a 2,000-gallon water tank in front of a 130 ft LED wall. Longtime listeners of the show will know that I've long been an advocate for artists to release their own sheet music, and Cody is one of the best at that. There's so much that we cover in this episode and I think you'll really be blown away by Cody.Garrett's arrangements of Cody's music:GoWhat IfPhotographWant Me BackPictures of Mountains

2024 Ravinia Festival Opening Night - Celebration of Americana by CSO Association

Dr Katy Hamilton picks her top recording of Mendelssohn's 3rd Symphony, the 'Scottish'.

In 2018, Mariana Ramirez walked into the pit at Once On This Island as a sub and made history. She became the first female Mexican percussionist to ever perform on a Broadway show.Nobody handed her that moment. She built it.I first published this conversation in March of 2022, and it remains one of my favorites. Most of you weren't subscribed back then, so I'm bringing it back — the story is too good to leave in the archive.Who is Mariana Ramirez?Mariana is an NYC-based freelance percussionist who began her music studies at the National Conservatory of Mexico in Mexico City before earning her Bachelor of Music in Percussion at Rutgers University.That first Broadway sub gig at Once On This Island opened doors. She went on to sub Head Over Heels and Ain't Too Proud: The Life and Times of the Temptations, then hit the road holding the drums/percussion chair on the Once On This Island national tour. Off-Broadway, her credits include Merrily We Roll Along and Fiddler on the Roof in Yiddish, among many others. Today, she is one of just two female Mexican drummer/percussionists performing on Broadway.But her career stretches far beyond the pit.She has performed across Europe, Asia, and Mexico with Mexican traditional music bands, symphonic ensembles, chamber orchestras, and pop bands. You may have caught her on The Late Show with Stephen Colbert, in the series Mozart in the Jungle, or at the NBC Universal Upfronts at Radio City Music Hall.She also founded Percussion Quartet Excelsis, which Jonathan Haas, head of the NYU Percussion Department, praised as one of the most innovative and exciting percussion ensembles of this era of chamber music. Excelsis has performed twice on NPR's From the Top, at the Percussive Arts Society New York Weekend of Percussion, Brooklyn Bound with Sō Percussion, Zeltsman Marimba Festival, and Tippet Rise Music Festival in Montana. The group is endorsed by Sabian Cymbals.As a symphonic percussionist, she has performed with the National Symphony of Mexico, Orquesta de Minería, the first all-women orchestra of Mexico, Dartmouth Symphony, South Florida Symphony, New England Ensemble, Fairfield Orchestra, and most recently with The Dessoff Choir, premiering works for choir and orchestra at Alice Tully Hall.Traditional Mexican music. Broadway pits. Symphony halls. Chamber ensembles. Television. That range is not an accident — it's the career.In this conversation, we talk about:* The Santana concert in Mexico City that made an 11-year-old girl decide, on the spot, what she wanted to do with her life* Her path from the National Conservatory of Mexico to Rutgers to New York* What it took to break into Broadway subbing — and what it meant to be the first* How versatility across genres and settings keeps a freelance career aliveAnd when you're done with this one, keep an eye on your inbox. Up next on the podcast: Spencer Inch. You won't want to miss that conversation.For the complete roadmap to building a career in theater, grab Broadway Bound and Beyond at broadwayboundbook.com.Broadway Bound and Beyond isn't theory. It's twenty-six years on Broadway broken down into what actually works: how auditions really get decided, how reputation gets built or destroyed, how money works in this business, why versatility keeps you employed, and what it takes to last decades instead of one season. If you want the full career picture, the hardcover is at broadwayboundbook.com.If subbing is specifically your way in, the book gets you the mindset and the etiquette, but the Broadway Sub Playbook goes further. It's the actual system: the four-week prep formula, the show-day routine, how to take notes that stick, how to handle a pit you've never sat in before. It's built for one job — getting you ready for that call when it comes — and it's the resource a lot of working subs wish they'd had before their first one.Grab both at signaturebrandworks.com.Clayton Craddock is the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Don Prell passed away in 2026 at age 97. Born in 1929, Don went on the road with the Frank Ortega Band, played with people like Buddy Rich and Chet Baker, and was in the original Bud Shank Quartet. He played for the San Francisco Symphony for 30 years and, after retirement, formed his own group called the Sea Bop Ensemble, which played at various San Francisco spots, including the legendary Bay View Boat Club. Thank you to our sponsor! Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Theme music by Eric Hochberg

Visit www.joniradio.org for more inspiration and encouragement! --------Thank you for listening! Your support of Joni and Friends helps make this show possible. Joni and Friends envisions a world where every person with a disability finds hope, dignity, and their place in the body of Christ. Become part of the global movement today at www.joniandfriends.org. Find more encouragement on Instagram, TikTok, Facebook, and YouTube.

What to expect at EAA AirVenture Oshkosh 2026 and an interview with the Manager of Onsite Learning at the Smithsonian's National Air & Space Museum. Also, how L3Harris converted the Qatari-gifted 747 into Air Force One, the Cirrus TRAC10, window seat lawsuits, a rule change to allow supersonic flight over the United States, and an update on Boom Supersonic's strategy for its self-developed Symphony engine. Image by Linda and Lily. Guest Dick Knapinski is Director of Communications for the Experimental Aircraft Association (EAA). He has served in that capacity since 2010 and has been with the organization since 1992. Dick serves as the liaison between the media and EAA throughout the year, particularly during EAA AirVenture Oshkosh, the world’s largest fly-in convention. The event runs July 20-26, 2026. Dick Knapinski Boeing Plaza will be packed with aircraft to celebrate the aviation technology theme. Currently planned innovation displays for July 21 include BETA Technologies, Bye Aerospace, Jetson, American Drone, MagniX, Zipline, Embry-Riddle Aeronautical University, Airhart Aeronautics, Merlin Labs, Amazon Delivery, and Starlight Productions. In addition to the displays on Boeing Plaza, Bye Aerospace, Jetson, BETA Technologies, American Drone, and ScaleWings plan to fly during the afternoon air show. Drone delivery company Wing will display the latest developments in its operations at Twilight Flight Fest. Learn more about the AirVenture Airshows and performers, Aircraft Anniversaries & Gatherings, Authors Corner, AviationTech, KidVenture, and the Fly-In Theater. Rare warbird static/flying displays will include the B-29 “Doc,” as well as a rare Consolidated PB4Y and the CAF’s B-24 Liberator on static display at Boeing Plaza. Vicky Benzing will fly her P-51 “Plum Crazy,” and Bernie Vasquez will demo a Republic P-47 Thunderbolt in afternoon shows. The Aviation Gateway Park will spotlight helicopters, advanced vertical lift platforms, and eVTOL aircraft through static displays and interactive exhibits. Before joining EAA, Dick built a broadcasting career in Wisconsin, including stints as Program Director at WNBI Radio, News Director at WMGV Radio, and Station Manager at WLFM-FM/Wisconsin Public Radio. He also spent years as a sportswriter for the Appleton Post-Crescent. Dick holds a private pilot certificate and remains active as a writer and spokesperson for EAA. Aviation News How was the new Air Force One prepared for flight? The two permanent VC-25 replacements were selected in 2015, and the $3.9 billion fixed-price contract was signed in February 2018. Boeing began physical refurbishment work in February 2020 on two 747-8I airframes originally built for the bankrupt Russian carrier Transaero. Boeing has already reported $2.5 billion in losses on the program. The current delivery target for the first jet is between 2027 and 2028, with the second jet to follow later. The ex-Qatari 747-8 “bridge” aircraft was gifted to the U.S. Air Force in May 2025 and entered service on July 1, 2026. L3Harris did the conversion in about 10 months. The quick conversion was accomplished due to several factors: Pre-staged employees operated on a 24/7, three-shift structure. (Boeing has worked a normal single-shift industrial pace, with no incentive to surge, staff once costs started ballooning.) The bridge aircraft came with a luxury interior. (Boeing's jets had incomplete interiors – basically shells.) Missing VC-25 elements. Reports (unconfirmed by the government) include no evidence of defensive countermeasures and a lack of EMP hardening. L3Harris didn’t out-engineer Boeing. They ran a 24/7 surge crew on a plane that already had a finished VIP interior, targeted a much narrower requirement (“executive airlift” vs. full presidential command-post survivability), and the government has not been forthcoming about which hardened-aircraft features (EMP shielding, missile countermeasures, full secure comms suite) were omitted. See also: Trump wants the $400M Qatari-gifted new Air Force One to be the centerpiece of his presidential library. But there's a problem. Cirrus launches TRAC10, a new light aircraft for the flight training market Purpose-designed for flight schools and to be powered by a turbocharged Rotax 916 iSc FADEC engine, the plane has a three-seat interior, a Garmin flight deck, and the Cirrus Airframe Parachute System. Cirrus says they have 100 orders from 13 flight schools. United Airlines must face lawsuit over ‘window seats’ that lack windows Not every “window seat” has a window. Sometimes it has a wall. That's just the way it is. But last August, some passengers filed class actions ⁠against United Airlines and Delta Air Lines, claiming that the carriers failed to properly disclose the lack of a window during the booking process. United claimed that “window seat” described the seat’s location and did not contractually promise that the seat would, in fact, have a window. In San Francisco, U.S. District Judge James Donato rejected the airlines' request to dismiss the suit. New Rule Clears Way for Quiet Supersonic Flights By way of history: The FAA issued 14 CFR § 91.817 in April 1973, prohibiting civil aircraft from flying at speeds exceeding Mach 1 over land in the United States. The ban came as a result of early Air Force and NASA-controlled boom tests over cities, concerns over the Boeing 2707 SST program, and the impending arrival of the Concorde. NASA’s X-59 QueSST is flying specifically to gather community-response data on its “quiet boom” design.  In a Notice of Proposed Rulemaking (Proposed rule: Enabling Supersonic Overland Flight), the FAA is looking to replace the blanket Mach-1 ban with a noise-based standard. Supersonic flight over land would be permitted if the boom signature falls under a certain loudness threshold. The NPRM states, “Manufacturers have demonstrated it is possible to fly supersonic aircraft without sonic booms reaching the surface by using sonic boom abatement techniques, making complete prohibition on civil supersonic flight outside of test areas no longer appropriate and an unnecessary restraint on the growth of the U.S. aviation sector.” The NPRM shifts the regulatory trigger from speed to noise. Right now, § 91.817 just bans anything faster than Mach 1 over land. The proposed rule keeps that structure but adds an exception: an operator may exceed Mach 1 if it can demonstrate that the sonic boom’s overpressure at the surface does not exceed 0.11 pounds per square foot (psf). This NPRM only covers en-route/overland boom noise. A separate rule on takeoff/landing noise is expected later this year, with both rules targeted for finalization by mid-2027. The comment period ends August 17, 2026, at 11:59 PM EDT. Boom Supersonic Q2 2026 Update https://youtu.be/gtf0-bVSbeA?is=GmG8VhICNm4wg7tP The FAA proposal to change from speed regulation to noise regulation is something Boom Supersonic and others have been seeking. In the Boom Supersonic Q2 2026 Update video, Blake Scholl reveals Boom's strategy for the Symphony engine. The company intends to market a variant of the engine for behind-the-meter power generation that AI companies can utilize for power. In large part, the engine OEMs wouldn’t develop an engine for the Overture because the huge development cost couldn’t be covered by the expected engine volume. So when Boom announced it was developing its own engine, the business case was unclear. But by focusing on the ground power generation market, Boom can spread development costs over a greater number of engines. Also, that revenue stream would generate cash flow for the Overture program. National Air and Space Museum Celebrates 50 Years With Opening of Five New Galleries Hillel attended the Smithsonian's National Air & Space Museum media preview of the opening of the five galleries. Last episode, we listened to two recordings from that event. This week Hillel speaks with Mike Hulslander, the museum's Manager of Onsite Learning. Mike has worked in museums and zoos for more than 28 years and has researched, written, presented, and evaluated science programs for school groups, families, and the general public. At the Air and Space Museum, he is responsible for science-focused programs and exhibitions. Mike also manages the Museum's learning centers: How Things Fly and the Design Hangar. Mike is also an adjunct faculty member at the National Center for Earth and Space Science Education. He serves as a science educator on the Student Spaceflight Experiments Program national review panel for experiment selection and has participated in reviews for the past 11 missions aboard the Space Shuttle and the International Space Station. Supersonic demo Lift vs. Angle of Attack Hosts this Episode Max Flight, our Main(e) Man Micah, Rob Mark, David Vanderhoof, Hillel Glazer, and Brian Coleman.

This week on the pod, Seth and Josh welcome Josh Johnson! Josh talks about growing up in Alexandria, Louisiana, his path from working a variety of jobs to becoming one of comedy's most prolific voices, and the moves that took him from Louisiana to Chicago and eventually New York. He also shares stories about family travel, including childhood road trips across the South, annual vacations with his girlfriend, mom, and aunt, and a memorable trip to Hawaii where the ocean literally knocked his family off their feet! Plus, he discusses the success of his HBO Max special Symphony and his upcoming Comedy Band Camp Tour. -------------------------Get your tickets for Family Trips Live!8/12 - Philadelphia: https://tickets.citywinery.com/event/family-trips-with-the-meyers-brothers-il7k6b8/13 - Boston: https://tickets.citywinery.com/event/family-trips-with-the-meyers-brothers-iipsfk ------------------------- Support our sponsors: Quince Make your summer wardrobe easier. Go to https://Quince.com/trips for free shipping on your order and 365-day returns. Now available in Canada, too. IQ Bar Text TRIPS to 64000 to get 20% off all IQBAR products, plus FREE shipping. Message and data rates may apply. ------------------------- Family Trips is produced by Rabbit Grin Productions. Theme song written and performed by Jeff Tweedy. ------------------------- About the Show: Lifelong brothers Seth Meyers and Josh Meyers ask guests to relive childhood memories, unforgettable family trips, and other disasters! New Episodes of Family Trips with the Meyers Brothers are available every Tuesday. ------------------------- Executive Producers: Rob Holysz, Jeph Porter, Natalie Holysz Creative Producer: Sam Skelton Coordinating Producer: Derek Johnson Video Editor: Josh Windisch Mix & Master: Josh Windisch Episode Artwork: Analise Jorgensen Learn more about your ad choices. Visit megaphone.fm/adchoices

Sound of Freedom | Heaven's Symphony | Abundant Life Church | Pastor Sean Thomas

Barenboim Conducts Bruckner 4 by CSO Association

On this episode I kickback with Mr. Chelsea Tipton from the Symphony of Southeast Texas, where we discussed his passion for orchestra, the future the art and how many more seasons he has left in him on being the maestro

Meg, Hal and Symphony discuss episode 209 of Welcome to Night Vale: The Black Coat. They chat about The Distant Prince, time weirdness, and the rise and fall of froyo. In the Fanzone Calzone we hear from fans about Huntokar, Cecil's parents and David Bowie. Find out more about calzones on our Patreon. www.patreon.com/goodmorningnightvale Follow us on Facebook. Good Morning Night Vale is a production of Night Vale Presents Hosted by Symphony Sanders, Hal Lublin, and Meg Bashwiner Produced by Meg Bashwiner Edited by Felicia Dominguez Mixed by Vincent Cacchione Theme Music by Disparition Learn more about your ad choices. Visit megaphone.fm/adchoices

Noa Eve (NoaBass) joins the podcast to celebrate the long-awaited release of *Late Bloomer,* a debut album that blends virtuosic arco playing with the rhythmic grit of bluegrass, old-time, and acoustic music-making. We talk about the "10 years in the making" arc from Jason first hearing Noa play in the Bay Area to recording the album over three intense days in Portland, plus what it takes to bring a bass-forward project to life with a full band. Along the way, Noa shares how touring and real-world gig reps shaped their groove, arranging instincts, and confidence, plus why Edgar tuning and a lighter, more agile sound concept can unlock an entirely different palette on the instrument. We also dig into influences ranging from Edgar Meyer to video game music, how to chase what you're obsessed with (even when it's not the "linear" path), and why making music that reaches beyond "sweaty bass nerds" can be both the hardest and most rewarding goal. Follow Noa on Instagram, find everything at Linktree, and stream Late Bloomer on your platform of choice. Noa would also like to give a big shout out to Lauren Pierce for her support over the years! Thank you to our sponsor! Carnegie Mellon University Double Bass Studio – CMU is dedicated to helping each student achieve their goals as a musician. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson.   Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Theme music by Eric Hochberg

Venezuela's government has promised that aid will reach affected areas- but already criticism of their response is growing. We speak with a professor of politics in Caracas to find out what she thinks of the response.A crucial World Cup match between Egypt and Iran in Seattle later today will unfold against the backdrop of the city's annual Pride celebrations, Homosexuality and any symbols of pride are criminalized in both Iran and Egypt. We take you there to hear what it sounds like.And movie music instead of Bach? Symphony orchestras across the United States - and in Europe - are increasingly offering film score performances. We speak with a conductor at the Pittsburgh Symphony Orchestra on what he thinks about it.(Photo: A view of the donations received from locals in Caracas, Venezuela, June 26, 2026. Credit: REUTERS/Fausto Torrealba)

Welcome, welcome, welcome to the Distraction Pieces Podcast with Scroobius Pip!This week Pip is joined by the awesome actor and now also game designer ABUBAKAR SALIM!What an absolute gem of an episode you have before you right here, as Pip checks in with Abubakar, one of the most power-move making-est actors in the game. You'll likely/surely recognize him from House Of The Dragon (Alyn of Hull), or Raised By Wolves (serving iconic costume realness), but chances are you might have also come into contact with his game 'Tales Of Kenzera' too. Even if none of those ring any bells, Abubakar is someone you'll get along with from jump, and has tales and perspective for days - working with Ridley Scott and what that process taught him, how the House Of The Dragon casting came about (crank call instincts on high alert), and how the inclusion of game design factored into life. A lovely chat with loads to enjoy for wherever you connect in those touchpoints, so enjoy!PIP'S PATREON PAGE if you're of a supporting natureIMDBINSTAGRAMHOUSE OF THE DRAGONRAISED BY WOLVESTALES OF KENZERASPEECH DEVELOPMENT WEBSTOREPIP TWITCH • (music stuff)PIP INSTAGRAMPIP TWITTERPIP PATREONPIP IMDB Hosted on Acast. See acast.com/privacy for more information.

Johnson says he's not shy about sharing his insecurities on stage. "One of the most connected attributes of the human condition ... is just being flawed," he tells Terry Grosss. "We really connect with people on their faults." Johnson's new comedy special is Symphony.   Also, Martin Johnson reviews ELEPHANT, a new album by jazz trumpeter Adam O'Farrill.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy