Podcasts about jewish

Now that we've completed the book of Leviticus, we're jumping into the book of Hebrews, a book that emphasizes Jesus' role as a better great high priest and a better Sabbath. While the writer of the book of Hebrews remains unknown, we do know that this writer can quote the Old Testament Scriptures at length and is very polished in his ability to write and to reason. This letter is unique, as it has no greeting and seems to be directed specifically toward Jewish believers. In today's passage, the writer argues that Jesus is greater than angels, greater than Moses, a better rest than the Sabbath day, and a better high priest. Hebrews 1 - 1:13 .  Hebrews 2 - 3:54 .  Hebrews 3 - 8:05 .  Hebrews 4 - 11:03 .  Hebrews 5 - 14:25 .  Psalm 24 - 17:00 .  Psalm 25 - 18:32 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

Sid is joined by immigration attorney and outspoken pro-Israel advocate Abraham Hamra following the backlash Sid received from New York Democrats over comments about Zohran Mamdani. Hamra defends Sid's right to speak out, calls on Mamdani to condemn calls to “globalize the intifada,” and argues that New York's political leadership has failed to confront rising antisemitism. The conversation also touches on free speech, the response from City Hall, and the broader debate over protests and Jewish safety in New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. Editor David Horovitz joins host Amanda Borschel-Dan for today's episode. US President Donald Trump on Tuesday denied that Israel dragged the US into war with Iran, insisting that if anything, the opposite could be true and that he felt Iran was going to attack first. These remarks come as politicians and media influencers on both sides of the US aisle condemn "Israel's war" and point their fingers at the Jewish state. In the first half of the program, we take a deep dive into Iran's greater existential threat to the Mideast -- and the world at large. Which nations appear to start internalizing that the extremist Islamist nation may actually do what it threatens it will? In the second half, we talk about the opportunity afforded at this time for Iranians to rise up and change their regime. It would be, posits Horovitz, more possible to see some form of "total victory" against the terror regime, as opposed to wiping out Hezbollah in Lebanon and Hamas in Gaza. Check out The Times of Israel's ongoing liveblog for more updates. For further reading: Trump says he may have forced Israel’s hand into war with Iranian ‘lunatics’ Isolationist US right-wing commentators decry Iran war; Trump says he doesn’t care US officials say diplomatic path was at dead end when Trump approved Iran strikes Iran and its proxies pose ongoing threat to US after Khamenei killing, US intel warns Hoping to pressure end to war, Iran aims fire at Arab neighbors. It hasn’t worked, yet Israel okays plan to slowly reopen airspace from Wednesday night for repatriation flights Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by Gabriella Jacobs and edited by Ari Schlacht. IMAGE: A boy waves an Iranian flag in front of a police facility struck during the US–Israeli military campaign in Tehran, Iran, March 4, 2026. (AP Photo/Vahid Salemi)See omnystudio.com/listener for privacy information.

What happens when we stop treating the Bible as a sacred object and start paying attention to how we actually use it? In this conversation, theologian David Dault reflects on interpretation, responsibility, and the ethics of reading scripture in a fractured world. In this episode with Evan Rosa, Dault reflects on interpretation, responsibility, and how readers shape the meaning and moral impact of the Bible. Together they discuss the materiality of scripture, translation and betrayal, moral seriousness, scriptural reasoning across traditions, catastrophic love, and the ethical responsibility readers bear for how sacred texts are used. Episode Highlights “To assume that we know what a text is telling us is a matter of hubris.” “The Bible doesn't tell you to do anything. You as a reader decide what to do.” “Violence is always an act of interpretation.” “We never get to a place where everything is clean and everyone benefits.” “We have to take responsibility for the violence we involve ourselves in.” About David Dault David Dault is a theologian, journalist, and media producer whose work explores religion, culture, ethics, and interpretation. He is Executive Producer and host of Things Not Seen: Conversations About Culture and Faith, a nationally distributed public radio program. He teaches in the Institute of Pastoral Studies at Loyola University Chicago. Dault's scholarship focuses on hermeneutics, religion and media, and the ethical implications of how sacred texts are interpreted and used in public life. His book The Accessorized Bible examines the material forms, cultural framing, and interpretive communities that shape how people encounter scripture. He holds degrees in theology and religious studies and frequently writes and lectures on religion, politics, and culture. Helpful Links And Resources The Accessorized Bible, by David Dault https://yalebooks.yale.edu/book/9780300153125/the-accessorized-bible/ Things Not Seen: Conversations About Culture and Faith https://thingsnotseenradio.com David Dault's personal website https://www.daviddault.com/ Show Notes The Accessorized Bible—material culture of scripture, design, marketing niches, and the ways the physical form of the Bible shapes how readers interpret and use it Bible as object, medium, and cultural artifact; Marshall McLuhan and media theory—the form of a book shaping how ideas move between minds Books as technologies of imagination and identity formation; reading as a kind of “magical” transfer of ideas from one mind into another “To assume that we know what a text is telling us is a matter of hubris.” Interpretation requires caution, humility, and the recognition that texts exceed our control Making the familiar strange again; recovering the power of scripture by refusing to domesticate it or assume we fully understand it Franz Rosenzweig on preserving the alienness of sacred texts; debate with Martin Buber on translation and clarity Translation as interpretation—translators inevitably carry values, ideologies, and cultural assumptions into the text Harold Bloom's Anxiety of Influence; interpreters “misread” texts in order to wrestle with their influence and generate new meaning Reading scripture in community; trust, vulnerability, and shared responsibility among interpreters Scriptural reasoning—Jews, Christians, and Muslims reading shared stories (Noah, Abraham, Moses) together without claiming mastery over the text Tikkun olam—Jewish ethical tradition of “repairing the world”; the world is wounded and humans participate in its healing Repentance and Repair—Rabbi Danya Ruttenberg on moral accountability, restitution, and the work of restoring relationships Violence embedded in interpretation; moral action always involves choices about attention, resources, and responsibility The “flashlight” metaphor—moral attention illuminating one suffering person while another need temporarily falls into shadow Jairus's daughter and the woman with the hemorrhage—competing moral urgencies in the Gospels “We never get to a place where everything is clean and everyone benefits.” Moral action always involves tragic limitation and competing responsibilities Levinas and infinite responsibility; the ethical demand arising from the face of the person before us Moral seriousness versus performative irony; resisting discourse driven by trolling, spectacle, and dopamine-driven outrage A Bible Is A Book—dismantling the assumption that sacred texts themselves command moral action Steve Martin's The Jerk and the phone book illustration; a sniper randomly selecting a name and deciding someone should die “The Bible doesn't tell you what to do.” Readers decide what moral actions follow from a text Reader responsibility; refusing the excuse “the Bible told me to,” recognizing moral agency belongs to interpreters Scripture as “accessory to a crime”—sacred texts used as cover for violence, exclusion, or cruelty The Bible as platform—modular text shaped by study notes, editorial commentary, illustrations, and devotional framing Study Bibles, children's Bibles, niche-market editions; publishing strategies shaping the interpretive experience Platform logic—similar to Facebook or Twitter; users curate meaning from a shared medium Proof-texting and selective quotation; constructing entire moral worlds from isolated passages Hannah Arendt on responsibility; loving the world enough to accept responsibility for it James Baldwin leaving Paris after the Little Rock crisis; refusing comfort while others bear injustice “Someone should have been there with her.” Baldwin's recognition that solidarity requires leaving safety and standing beside the vulnerable Catastrophic love—risking institutions, traditions, and comfort for the sake of vulnerable bodies Matthew 25 ethics; encountering Christ among the hungry, imprisoned, and marginalized Moral seriousness as daily practice; imperfect responsibility, persistent solidarity, doing what one can today and beginning again tomorrow #Bible #ChristianBible #BiblicalInterpretation #TheologyPodcast #ChristianEthics #Hermeneutics #Scripture #FaithAndCulture #DavidDault Production Notes This podcast featured David Dault Edited and Produced by Evan Rosa Hosted by Evan Rosa Production Assistance by Noah Senthil A Production of the Yale Center for Faith & Culture at Yale Divinity School https://faith.yale.edu/about Support For the Life of the World podcast by giving to the Yale Center for Faith & Culture: https://faith.yale.edu/give

Jim Carrey & Kelly Osbourne spark concern, Chet Hanks stranded, Megan Rapinoe v. US Men's Hockey Team, Stuttering John bombs in NYC, Eli Zaret joins us, and content creator Think Beautiful joins us to tear apart Meghan Markle. Eli Zaret joins the show to break down the David Montgomery trade to the Houston Texans, the upcoming NFL Draft, Detroit Lions CB Terrion Arnold's trouble, Emmanuel Clase's perfect plan, Eli vs Gambling Part 745, Detroit Tigers Javier Báez's marijuana problem, the Tigers in Spring Training, the tale of Chris Pittaro, USA Hockey controversy, Jewish athletes, another Michigan scandal, Floyd Mayweather Jr. vs. Manny Pacquiao II and more. Iran is taking a pounding by the USA and allies. They haven't given up yet. Some turd decided to shoot up a bar in Austin, Texas in response. Think Beautiful joins us to rip apart Meghan Markle. Follow her on YouTube for all your Markleverse needs. Dan Leach held court at Lady Jane's while Marc got his hair cut. Stuttering John Melendez BOMBED at a Manhattan comedy club on Friday night. Anthony Cumia had an interesting night as well. Beast Games wrapped up another phenomenal season. Influencers are using Nancy Guthrie's house for clout. Bhad Bhabie is still battling cancer. Rolling Stone dove into the recent celebrity GoFundMe's. Chet Hanks is stuck in Colombia. Poor Chet. Why You Look Different? Jim Carrey? Kelly Osbourne? David Caruso? Michael Jackson's estate is being sued for child trafficking. Mark Geragos is a turncoat. The USA Men's Hockey Team is still feeling the heat from laughing at a Donald Trump joke. Megan Rapinoe and Sue Bird are NOT happy about it. Stephen Hawking has been vindicated… but he's still a creep. Bill and Hillary Clinton had to talk about their Jeffrey Epstein ties and were none too pleased. Shia LaBeouf did an interview with Channel 5 and Andrew Callaghan. Mikerophone has a good breakdown of Stefon Diggs latest news. Rashee Rice is not a good person. Receiver? He's pretty good. Merch is still available. Buy it before it's gone. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon)

Stew tears apart the fake pretext for Trump's war on Iran – a blatant Zionist conquest funded by AIPAC and the Rothschild banking cabal headquartered in the crime state of Israel. From bombing Iranian schoolgirls to sacrificing Gen Z soldiers at Mar-a-Lago parties, this isn't America First; it's Israel First, orchestrated by Jewish blackmail operations and satanic elites who rape sovereignty and kids alike. Max Igan drops the bomb: These Jew-controlled pedovore monsters have welded America and Israel into a demonic genocide factory—sniping Red Crescent ambulances, unloading 900+ rounds into helpless medics and survivors, then finishing the job execution-style. Pure Tribe barbarism! This is the Greater Israel blueprint: Mass-murdering Arab kids, bulldozing cities into dust, and erecting swanky resorts plus their filthy Third Temple for ritual child sacrifices atop pyramids of goy bones.

Dr. Michael Rydelnik joins us to discuss the holiday of Purim. What is it, how is it celebrated, and what is its relationship to the rise of Jewish hatred today? We will also discuss what is happening in the Middle East as Israel and the United States join forces to eliminate the nuclear threat posed by Iran.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

Missiles in the sky. Purim on the calendar. As Israel confronts Iran, Noam steps back from the headlines and turns to the Book of Esther, a story of genocide threatened, courage summoned, and history reversed at just the right moment. From ancient Persia to October 7th, Jewish history has followed a pattern: catastrophe, response, rebuilding. This episode is not a news update. It is a reflection on timing, resilience, unity, and what it means to live through history. Do we respond with sackcloth, or with action? For such a time as this.

In the finale of our five-part series on the Jewish people's ancient relationship to the Land of Israel, we move into the modern era, when Israel's deepest challenges emerged not only from its borders but from within its own society. Noam traces the political, social, and moral upheavals that reshaped the country, carrying the story into the tensions of recent decades and the trauma and solidarity of October 7th. Noam reflects on Zionism as an unfinished project; one that calls for renewed purpose, shared responsibility, and the courage to begin again. Note: This episode was created prior to the start of the current conflict with Iran. This episode of Unpacking Israeli History is generously sponsored by Debra and Avi Naider and Jody and Ari Storch. To sponsor an episode or to be in touch, please email noam@unpacked.media. Visit jewishlives.org to explore and buy books from the Jewish Lives book series. Use the discount code JLIFE to get a discount. Check out this episode on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube.⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠This podcast is brought to you by Unpacked, an OpenDor Media brand .------------------- For other podcasts from Unpacked, check out: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jewish History Nerds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Soulful Jewish Living⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Stars of David with Elon Gold ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Wondering Jews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. US bureau chief Jacob Magid joins host Jessica Steinberg for today's episode. As the US tells American citizens to evacuate the Middle East in a warning posted on X, Magid discusses the mixed messaging about the war with Iran from Trump administration officials across a range of statements and press conferences on Monday. US President Donald Trump spoke about the need to rid the Iranian regime of its nuclear capabilities, to destroy its missiles and navy, and then bring about regime change, reports Magid, as well as mentioning possible negotiations with the successors to leader Ali Khamenei, who was killed Saturday in a strike. Trump's stated goals were followed by comments made by Defense Secretary Pete Hegseth, Secretary of State Marco Rubio and Vice President JD Vance, each of whom offered their own takes on the goals of the war, says Magid. During Prime Minister Benjamin Netanyahu's interview with Fox News, the premier laughed off the idea of Washington being dragged into the war, reports Magid, insisting that Trump believed the US needed to strike Iran to address the threat posed by the regime. Check out The Times of Israel's ongoing liveblog for more updates. For further reading: ‘Depart now’: US tells its citizens to urgently leave almost all Mideast countries, including Israel As war widens, Trump says US has yet to launch largest strikes on Iran Rubio cites planned Israeli attack as a key reason US launched strikes against Iran Netanyahu: Iran’s nuclear program would have been ‘immune within months’ absent war Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by Ari Schlacht. Image: President Donald Trump speaks at the Port of Corpus Christi in Corpus Christi, Texas, Friday, Feb. 27, 2026. (AP Photo/Michael Gonzalez)See omnystudio.com/listener for privacy information.

Here's a YouTube description optimized for search, clarity, and engagement, following the content style you've been using for InContext: In the aftermath of the October 7 attacks and the global response that followed, many Christians — especially younger believers — feel confused about Israel, Palestine, Zionism, and anti-Semitism. How should followers of Christ think about these issues biblically rather than politically or culturally? In this episode of InContext, Michael Easley sits down with Dr. Michael Rydelnik, professor emeritus of Jewish Studies at Moody Bible Institute and host of Open Line. As the son of Holocaust survivors and a lifelong scholar of Scripture and Jewish history, Dr. Rydelnik brings both personal insight and biblical clarity to a complicated conversation. Together, they discuss God's covenant promises to Israel, the difference between the people of Israel and the modern state of Israel, the history of replacement theology, and why anti-Semitism continues to resurface in every generation. This conversation helps Christians think carefully, compassionately, and truthfully about Israel in light of Scripture. If you want to understand Israel's role in the Bible and today's world, this episode will help you anchor your thinking in God's Word rather than social media narratives. Chapters 0:00 Introduction and prayer 0:32 Why Christians are confused about Israel today 2:45 Dr. Michael Rydelnik's background and story 3:38 Media influence and biblical misunderstanding 5:03 God's promises to Israel in Scripture 6:00 Replacement theology explained 13:00 The meaning of Israel in the Bible 23:04 What Zionism really means 31:22 When criticism of Israel becomes anti-Semitic 35:43 God's providence in preserving the Jewish people 39:15 Israel's role in future prophecy Key Topics Discussed October 7 and the global response Anti-Semitism in modern culture Replacement theology vs. biblical covenant theology Zionism and Jewish self-determination The Abrahamic covenant and Romans 9–11 God's preservation of the Jewish people Israel in biblical prophecy Links Mentioned: How Should Christians Think About Israel? By Dr. Michael Rydelnik Follow on Instagram and Facebook: https://www.facebook.com/MichaelinContext https://www.instagram.com/dreasley/ For more information on Dr. Michael Easley and Ask Dr. E Visit: https://www.michaelincontext.com

Mazel morons! This week we welcome Dr. Craig Koniver (Josh's wellness wizard- not the Southern Charm star) to break down peptides, GLP-1s, methylene blue, muscle loss myths, and why half the internet is buying research-grade chemicals with “not for human use” on the label. Plus: bungalow discourse, Jewish kiddush engineering, microdosing Judaism, Botox myths, hair loss panic, and why Ben once accidentally did ketamine in a bathroom for 90 minutes. What are ya nuts?!Write in your questions to goodguyspodcast1@gmail.com!Follow us on Instagram and TikTok! Sponsors:Grab Goodwipes for free at Walmart so you can upgrade your restroom routine! Buy any one, two or three pack in Walmart or Walmart.com, text them your receipt, and get reimbursed almost immediately. For more details, head to goodwipes.com/GOODGUYS.Right now, Mizzen & Main is offering our listeners 20% off your first purchase at mizzenandmain.com, promo code goodguys20Please note that this episode may contain paid endorsements and advertisements for products and services. Individuals on the show may have a direct or indirect financial interest in products or services referred to in this episode.Produced by Dear Media.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How do you build a creative life that spans music, writing, film, and spiritual practice? Alicia Jo Rabins talks about weaving multiple creative strands into a sustainable career and why the best advice for any creator might simply be: just make the thing. In the intro, backlist promotion strategy [Written Word Media]; Successful author business [Novel Marketing Podcast]; Alliance of Independent Authors Indie Author Bookstore; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Alicia Jo Rabins is an award-winning writer, musician, performer, as well as a Torah teacher and ritualist. She's the creator of Girls In Trouble, a feminist indie-folk song cycle about biblical women, and the award-winning film, A Kaddish for Bernie Madoff. Her latest book is a memoir, When We Are Born We Forget Everything. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Building a sustainable multi-disciplinary creative career through teaching, performance, grants, and donations Trusting instinct in the early generative stages of creativity and separating generation from editing Adapting and reimagining religious and cultural source material through music, writing, and performance The challenges of transitioning from poetry to long-form prose memoir, including choosing a lens for your story Making an independent film on a shoestring budget without waiting for Hollywood's permission Finding your creative voice and building confidence by leaning into vulnerability and returning to the practice of making You can find Alicia at AliciaJo.com. Transcript of the interview with Alicia Jo Rabins Joanna: Alicia Jo Rabins is an award-winning writer, musician, performer, as well as a Torah teacher and ritualist. She's the creator of Girls In Trouble, a feminist indie-folk song cycle about biblical women, and the award-winning film, A Kaddish for Bernie Madoff. Her latest book is a memoir, When We Are Born We Forget Everything. So welcome to the show, Alicia. Alicia: Thank you so much. I'm delighted to be here. Joanna: There is so much we could talk about. But first up— Tell us a bit more about you and how you've woven so many strands of creativity into your life and career. Alicia: Yes, well, I am a maximalist. What happened in terms of my early life is that I started writing on my own, just extremely young. I'm one of those people who always loved writing, always processed the world and managed my emotions and came to understand myself through writing. So from a very young age, I felt really committed to writing. Then I had the good fortune that my mother saw a talk show about the Suzuki method of learning violin—when you start really young and learn by ear, which is modelled after language learning. It's so much less intellectual and much more instinctual, learning by copying. She was like, that looks like a cool thing. I was three years old at the time and she found out that there was a little local branch of our music conservatory that had a Suzuki violin programme. So when I was three and a half, getting close to four, she took me down and I started playing an extremely tiny violin. Joanna: Oh, cute! Alicia: Yes, and because it was part of this conservatory that was downtown, and we were just starting at the suburban branch where we lived, there was this path that I was able to follow. As I got more and more interested in violin, I could continue basically up through the conservatory level during high school. So I had a really fantastic music education without any pressure, without any expectations or professional goals. I just kept taking these classes and one thing led to another. I grew up being very immersed in both creative writing and music, and I think just having the gift of those two parts of my brain trained and stimulated and delighted so young really changed my brain in some ways. I'll always see the world through this creative lens, which I think I'm also just set up to do personally. Then the last step of my multi-practice career is that in college I got very interested in Jewish spirituality. I'm Jewish, but I didn't grow up very religious. I didn't grow up in a Jewish community really. So I knew some basics, but not a ton. In college I started to study it and also informally learned from other people I met. I ended up going on a pretty intense spiritual quest, going to Jerusalem and immersing myself after college for two years in traditional Jewish study and practice. So that became the third strand of the braid that had already been started with music and writing. Torah study, spiritual study, and teaching became the third, and they all interweave. The last thing I'll say is that because I work in both words and music, and naturally performance because of music, it began to branch a little bit into plays, theatre, and film, just because that's where the intersection of words, performance, and music is. So that's really what brought me into that, as opposed to any specific desire to work in film. It all happened very organically. Joanna: I love this. This is so cool. We are going to circle back to a lot of this, but I have to ask you— What about work for money at any point? How did this turn into more than just hobbies and lifestyle? Alicia: Yes, absolutely. Well, I'm very fortunate that I did not graduate college with loans because my parents were able to pay for college. That was a big privilege that I just want to name, because in the States that's often not the case. So that allowed me to need to support myself, but not also pay loans, which was a real gift. What happened was I went straight from college to that school in Jerusalem, and there I was on loans and scholarship, so I didn't have to worry yet about supporting myself. Then when I came back to the States, I actually found on Craigslist a job teaching remedial Hebrew. It was essentially teaching kids at a Jewish elementary school who either had learning differences or had just entered the school late and needed to be in a different Hebrew class than the other kids in their grade. That was my first experience of really teaching, and I just absolutely fell in love with it. Although in the end, my passion is much more for teaching the text and rituals and the wrestling with the concepts, as opposed to teaching language. So all these years, while doing performance and writing and all these things, I have been teaching Jewish studies. That has essentially supported me, I would say, between 50 and 70 per cent. Then the rest has been paid gigs as a musician, whether as a front person leading a project or as what we call a sideman, playing in someone else's band. Sometimes doing theatre performances, sometimes teaching workshops. That's how I've cobbled it together. I have not had a full-time job all these years and I have supported myself through both earned income and also grants and donations. I've really tried to cultivate a little bit of a donor base, and I took some workshops early on about how to welcome donations. So I definitely try to always welcome that as well. Joanna: That is so interesting that you took a workshop on how to welcome donations. Way back in, I think 2013, I said on this show, I just don't know if I can accept people giving to support the show. Then someone on the podcast challenged me and said, but people want to support creatives. That's when I started Patreon in 2014. It was when The Art of Asking by Amanda Palmer came out and— It was this realisation that people do want to support people. So I love that you said that. Alicia: It's not easy. It's still not easy for me, and I have to grit my teeth every time I even put in my end-of-year newsletter. I just say, just a reminder that part of what makes this possible is your generous donations, and I'm so grateful to you. It's not easy. I think some people enjoy fundraising. I certainly don't instinctively enjoy it, but I have learned to think of it exactly the way that you're saying. I mean, I love donating to support other people's projects. Sometimes it's the highlight of my day. If I'm having a bad day and someone asks for help, either to feed a family or to complete a creative project, I just feel like, okay, at least I can give $36 or $25 and feel like I did something positive in the last hour, even if my project is going terribly and I'm in a fight with my kid or something. So I have to keep in mind that it is actually a privilege to give as well as a privilege to receive. Joanna: Absolutely. So let's get back into your various creative projects. The first thing I wanted to ask you, because you do have so many different formats and forms of your creativity—how do you know when an idea that comes to you should be a song, or something you want to do as a performance, or written, or a film? Tell us a bit about your creative process. Because a lot of your projects are also longer-term. Alicia: Yes. It's funny, I love planning and in some ways I'm an extreme planner. I really drive people in my family bonkers with planning, like family vacations a year in advance. In terms of my creativity, I'm very planful towards goals, but in that early generative state, I am actually pure instinct. I don't think I ever sit down and say, “I have this idea, which genre would it match with?” It's more like I sit on my bed and pick up my guitar, which is where I love to do songwriting, just sitting on my bed cross-legged, and I pick up my guitar and something starts coming out. Then I just work with that kernel. So it's very nebulous at first, very innate, and I just follow that creative spirit. Often I don't even know what a project is, sometimes if it's a larger project, until a year or two in. Once things emerge and take shape, then my planning brain and my strategy brain can jump on it and say, “Okay, we need three more songs to fill out the album, and we need to plan the fundraising and the scheduling.” Then I might take more of an outside-in approach. At the beginning it's just all instinct. Joanna: So if you pick up your guitar, does that mean it always starts in music and then goes into writing? Or is that you only pick up a guitar if it's going to be musical? Alicia: I think I'm responding to what's inside me. It's almost like a need, as opposed to, “I'm going to sit down and work.” I mean, obviously I sit down and work a lot, but I think in that early stage of anything, it's more like my fingers are itching to play something, and so I sit down and pick up my guitar. Sometimes nothing comes out and sometimes the kernel of a song comes out. Or I'm at a café, and I often like to write when I'm feeling a little bit discombobulated, just to go into the complexity of things or use challenging emotions as fuel. I really do use it as a—I don't know if therapeutic is the word, but I think it maybe is. I write often, as I always have, as I said before, to understand what I'm thinking. Like Joan Didion said—to process difficult emotions, to let go of stuck places. So I think I create almost more out of a sense of just what I need in the moment. Sometimes it's just for fun. Sometimes picking up a guitar, I just have a moment so I sit down and mess around. Sometimes it's to help me struggle with something. It doesn't always start in music. That was a random example. I might sit down to write because I have an hour and I think, I haven't written in a while. Or I do have an informal daily writing thing where I'll try to generate one loose draft of something a day, even if it's only ten pages. I mean, sorry, ten words. Joanna: I was going to say! Alicia: No, no. Ten words. I'm sorry. It's often poetry, so it feels like a lot when it's ten words. I'll just sit down with no pressure, no goal, no intention to make anything specific. Just open the floodgates and see what comes out. That's where every single project of mine has started. Joanna: Yes, I do love that. Obviously, I'm a discovery writer and intuitive, same as you. I think very much this idea of, especially when you said you feel discombobulated, that's when you write. I almost feel like I need that. I'm not someone who writes every day. I don't do ten lines or whatever. It's that I'll feel that sense of pressure building up into “this is going to be something.” I will really only write or journal when that spills over into— “I now need to write and figure out what this is.” Alicia: Yes. It's almost a form of hunger. It feels to me similar to when you eat a great meal and then you're good for a while. You're not really thinking of it, and then it builds up, like you said, and then there's a need—at least the first half of creativity. I really separate my generation and my editing. So my generative practice is all openness, no critique, just this maybe therapeutic, maybe curious, wandering and seeing what happens. Then once I have a draft, my incisive editing mind is welcome back in, which has been shut out from that early process. So that's a really different experience. Those early stages of creativity are almost out of need more than obligation. Joanna: Well, just staying with that generative practice. Obviously you've mentioned your study of and practice of Jewish tradition and Jewish spirituality. Steven Pressfield in his books has talked about his prayer to the muse, and I've got on my wall here—I don't talk about this very often, actually — I have a muse picture, a painting of what I think of as a muse spirit in some form. So do you have any spiritual practices around your generative practice and that phase of coming up with ideas? Alicia: I love that question, and I wish I had a beautiful, intentional answer. My answer is no. I think I experience creativity as its own spiritual practice itself. I do love individual prayer and meditation and things like that, but for me those are more to address my specifically spiritual health and happiness and connectedness. I'm just a dive-in kind of person. As a musician, I have friends who have elaborate backstage rituals. I have to do certain things to take care of my voice, but even that, it's mostly vocal rest as opposed to actively doing things. There's a bit of an on/off switch for me. Joanna: That's interesting. Well, I do want to ask you about one of your projects, this collaboration with a high school on a musical performance, I Was a Desert: Songs of the Matriarchs, and also your Girls in Trouble songs about women in the Torah. On your website, I had a look at the school, the high school, and the musical performance. It was extraordinary. I was watching you in the school there and it's just such extraordinary work. It very much inspired me—not to do it myself, but it was just so wonderful. I do urge people to go to your website and just watch a few minutes of it. I'm inspired by elements of religion, Christian and Jewish, but I wondered if you've come up against any issues with adaptation—respecting your heritage but also reinventing it. How has this gone for you. Any advice for people who want to incorporate aspects of religion they love but are worried about responses? Alicia: Well, I have to say, coming from the Jewish tradition, that is a core practice of Judaism—reinterpreting our texts and traditions, wrestling with them, arguing with them, reimagining them. I don't know if you're familiar with Midrash, but just in case some of your listeners aren't sure I'll explain it. There's essentially an ancient form of fanfic called Midrash, which was the ancient rabbis, and we still do it today, taking a biblical story that seems to have some kind of gap or inconsistency or question in it and writing a story to fill that gap or recast the story in an interestingly different light. So we have this whole body of literature over thousands of years that are these alternate or added-on adventures, side quests of the biblical characters. What I'm doing from a Jewish perspective is very much in line with a traditional way of interacting with text. I've certainly never gotten any pushback, especially as I work in progressive Jewish communities. I think if I were in an extremely fundamentalist community, there would be a lot of different issues around gender and things like that. The interpretive process, even in those communities, is part of how we show respect for the text. When I was working with the high school—and I just want to call out the choir director, Ethan Chen, who has an incredible project where he brings in a different artist every two years to work with the choir, and they tend to have a different cultural focus each time. He invited me specifically to integrate my songwriting about biblical women with his amazing high school choir. I was really worried at first because most of them are not Jewish—very few of them, if any. I wanted to respect their spiritual paths and their religious heritages and not impose mine on them. So I spent a lot of time at the beginning saying, this project has religious source material, but essentially it is a creative reinterpretive project. I am not coming to you to bring the religious material to you. I'm coming to take the shared Hebrew Bible myths and then reinterpret those myths through a lens of how they might reflect our own personal struggles, because that's always my approach to these ancient stories. I wanted to really make that clear to the students. It was such a joy to work with them. Joanna: It's such an interesting project. Also, I find with musicians in general this idea of performance. You've written this thing—or this thing specifically with the school—and it doesn't exist again, right? You're not selling CDs of that, I presume. Whereas compared to a book, when we write a book, we can sell it forever. It doesn't exist as a performance generally for an author of a memoir or a novel. It carries on existing. So how does that feel, the performance idea versus the longer-lasting thing? I mean, I guess the video's there, but the performance itself happened. Alicia: I do know what you mean. Absolutely. We did, for that reason, record it professionally. We had the sound person record it and mix it, so it is available to stream. I'm not selling CDs, but it's out there on all the streaming services, if people want to listen. I do also have the scores, so if a choir wanted to sing it. The main point that you're making is so true. I think there's actually something very sacred about live performance—that we're all in the moment together and then the moment is over. I love the artefacts of the writing life. I love writing books. I love buying and reading books and having them around, and there's piles of them everywhere in this room I'm standing in. I feel like being on stage, or even teaching, is a very spiritual practice for me, because it's in some ways the most in-the-moment I ever am. The only thing that matters is what's happening right then in that room. It's fleeting as it goes. I'm working with the energy in the room while we're there. It's different every time because I'm different, the atmosphere is different, the people are different. There's no way to plan it. The kind of micro precision that we all try to bring to our editing—you can't do that. You can practice all you want and you should, but in the moment, who knows? A string breaks or there's loud sound coming from the other room. It is just one of those things. I love being reminded over and over again of the truth that we really don't control what happens. The best that we can do is ride it, surf it, be in it, appreciate it, and then let it go. Joanna: I think maybe I get a glimpse of that when I speak professionally, but I'm far more in control in that situation than I guess you were with—I don't know how many—was it a hundred kids in that choir? It looked pretty big. Alicia: It was amazing. It was 130 kids. Yes. Joanna: 130 kids! I mean, it was magic listening to it. And yes, of course, showing my age there with buying a CD, aren't I? Alicia: Well, I do still sell some CDs of Girls in Trouble on tour, because I have a bunch of them and people still buy them. I'm always so grateful because it was an easier life for touring musicians when we could just bring CDs. Now we have to be very creative about our merch. Joanna: Yes, that's a good point because people are like, “Oh yes, I'll scan your QR code and stream it,” but you might not get the money for that for ages, and it might just be five cents or whatever. Alicia: Streaming is terrible for live musicians. I mean, I don't know if you know the site Bandcamp, but it's essentially self-publishing for musicians. Bandcamp is a great way around that, and a lot of independent musicians use it because that's a place you can upload your music and people can pay $8 for an album. They can stream it on there if they want, or they can download it and have it. But, yes, it's hard out there for touring musicians. Joanna: Yes, for sure. Well, let's come to the book then. Your memoir, When We Are Born We Forget Everything. Tell us about some of the challenges of a book as opposed to these other types of performances. Alicia: Well, I come out of poetry, so that was my first love. That's what I majored in in college. That's what my MFA is in. Poetry is famously short, and I'm not one of those long-form poets. I have been trained for many years to think in terms of a one-page arc, if at all. Arc isn't even really a word that we use in poetry. So to write a full-length prose book was really an incredible education. Writing it basically took ten years from writing to publication, so probably seven years of writing and editing. I felt like there was an MFA-equivalent process in the number of classes I took, books I read, and work that went into it. So that was one of my main joys and challenges, really learning on the job to write long-form prose coming out of poetry. How to keep the engine going, how to think about ending one chapter in a way that leaves you with some torque or momentum so that you want to go into the next chapter. How many characters is too many? Who gets names and who doesn't? Some of these things that are probably pretty basic for fiction writers were all very new to me. That was a big part of my process. Then, of course, poets don't usually have agents. So once it was done, I began to query agents. It was the normal sort of 39 rejections and then one agent who really understood what I was trying to do. She's incredible, and she was able to sell the book. The longevity of just working on something for that long—I have a lot of joy in that longevity—but it does sometimes feel like, is this ever going to happen, or am I on a fool's errand? Joanna: I guess, again, the difference with performance is you have a date for the performance and it's done then. I suppose once you get a contract, then for sure it has to be done. But memoir in particular, you do have to set boundaries, because of course your life continues, doesn't it? So what were the challenges in curating what went into the book? Because many people listening know memoir is very challenging in terms of how personal it can be. Alicia: Yes, and one thing I think is so fascinating about memoir is choosing which lens to put on your story, on your own story. I heard early on that the difference between autobiography and memoir is that autobiography tries to give a really comprehensive view of a life, and memoir is choosing one lens and telling the story of a life through that lens, which is such a beautiful creative concept. I knew early on that I wanted this to be primarily a spiritual memoir, and also somewhat of an artistic memoir, because my creativity and my spirituality are so intertwined. It started off being spiritual, and also about my musical life, and also about my writing life. In the end, I edited out the part about my writing life, because writing about writing was just too navel-gazing. So there's nothing in there about me coming of age as a writer, which used to be in there, but that whole thing got taken out. Now it's spiritual and musical. For me, it really helped to start with those focuses, because I knew there may be things that were hugely important in my life, absolutely foundational, that were not really going to be either mentioned or gone deeply into in the book. For example, my husband teases me a lot about how few pages and words he gets. He's very important in my life, but I actually met him when I was 29, and this book really mainly takes place in the years leading up to that. There's a little bit of winding down in the first few years of my thirties, but this is not a book about my life with him. He is mentioned in it. That story is in there. Having those kinds of limitations around the canvas—there's a quote, I forget if it was Miranda July, but somebody said something like, basically when you put a limitation on your project, that's when it starts to be a work of art. Whatever it is, if you say, “I'm taking this canvas and I'm using these colours,” that's when it really begins, that initial limitation. That was very helpful. Joanna: It's also the beauty of memoir, because of course you can write different memoirs at different times. You can write something about your writing life. You can write something else about your marriage and your family later on. That doesn't all have to be in one book. I think that's actually something I found interesting. And I would also say in my memoir, Pilgrimage, my husband is barely mentioned either. Alicia: Does he tease you too? Joanna: No, I think he's grateful. He is grateful for the privacy. Alicia: That's why I keep saying, you should be grateful! Joanna: Yes. You really should. Like, maybe stop talking now. Alicia: Yes, exactly. I know. Marriage, memoir—those words should strike fear into his heart. Joanna: They definitely should. But let's just come back. When I look at your career— You just seem such an independent creative, and so I wondered why you decided to work with a traditional publisher instead of being an independent. How are you finding it as someone who's not in charge of everything? Alicia: It's a great question. The origin story for this memoir is that I was actually reading poetry at a writing conference called Bread Loaf in the States. This was 16 years ago or something. I was giving a poetry reading and afterwards an agent, not my agent, came up to me and said, you know, you have a voice. You should try writing nonfiction because you could probably sell it. Back to your question about how I support myself, I am always really hustling to make a living. It's not like I have some separate well-paying job and the writing has no pressure on it. So my ears kind of perked up. I thought, wait, getting paid for writing? Because poetry is literally not in the world. It's just not a concept for poets. That's not why we write and it's not a possibility. So a little light turned on in my brain. I thought, wow, that could be a really interesting element to add to my income stream, and it would be flexible and it would be meaningful. For a few years I thought, what nonfiction could I write? And I came up with the idea of writing a book about biblical women from a more scholarly perspective, because I teach that material and I've studied it. I went to speak to another agent and she said, well, you could do that, but if you actually want to sell a book, it's going to have to be more of a trade book. So if you don't want an academic press, which wouldn't pay very much, you would have to have some kind of memoir-like stories in there to just sweeten it so it doesn't feel academic. So then I began writing a little bit of spiritual memoir. I thought, okay, well, I'll write about a few moments. Then once I started writing, I couldn't stop. The floodgates really opened. That's how it ended up being a spiritual memoir with interwoven stories of biblical women. It became a hybrid in that sense. I knew from the beginning that this project—for all my saying earlier that I never plan anything and only work on instinct, I was thinking as I said that, that cannot be true. This time, I actually thought, what if, instead of coming from this pure, heart-focused place of poetry, I began writing with the intention of potentially selling a book? The way my fiction writer friends talked about selling their books. So that was always in my mind. I knew I would continue writing poetry, continue publishing with small presses, continue putting my own music out there independently, but this was a bit of an experiment. What if I try to interface with the publishing world, in part for financial sustainability? And because I had a full draft before I queried, I never felt like anyone was telling me what to write. I can't imagine personally selling a book on proposal, because I do need that full capacity to just swerve, change directions, be responsive to what the project is teaching me. I can't imagine promising that I'll write something, because I never know what I'll write. But writing at least a very solid draft first, I'm always delighted to get notes and make polish and rewrite and make things better. I took care of that freedom in the first seven years of writing and then I interfaced with the agent and publisher. Joanna: I was going to say, given that it's taken you seven to ten years to do this and I can't imagine that you're suddenly a multimillionaire from this book. It probably hasn't fulfilled the hourly rate that perhaps you were thinking of in terms of being paid for your work. I think some people think that everyone's going to end up with the massive book deal that pays for the rest of their life. I guess this book does just fit into the rest of your portfolio career. Alicia: Yes. One of the benefits of these long arcs that I like to work on is, one of them—and probably the primary one—is that the project gets to unfold on its own time. I don't think I could have rushed it if I wanted. The other is that it never really stopped me from doing any of my other work. Joanna: Mm-hmm. Alicia: So it's not like, oh, I gave up months of my life and all I got was this advance or something. It's like, I was living my life and then when I had a little bit of writing time—and I will say, it impacted my poetry. I haven't written as much poetry because I was working on this. So it wasn't like I just added it on top of everything I was already doing, but it was a pleasure to just switch to prose for a while. It was just woven into my life. I appreciated having this side project where no one was waiting for it. There were no deadlines, there was no stress around it, because I always have performances to promote and due dates for all kinds of work. It was just this really lovely arena of slow growth and play. When I wanted a reader, I could do a swap with a writer friend, but no one was ever waiting for it on deadline. So there's actually a lot of pleasure in that. Then I will say, I think I've made more from selling this than my poetry. Probably close to ten times more than I've ever made from any of my poetry. So on a poetry scale, it's certainly not going to pay for my life, but it actually does make a true financial difference in a way that much of my other work is a little more bit by bit by bit. It's actually a different scale. Joanna: Well, that's really good. I'm glad to hear that. I also want to ask you, because you've done so many things, and— I'm fascinated by your independent film, A Kaddish for Bernie Madoff. I have only watched the trailer. You are in it, you wrote it, directed it, and it's also obviously got other people in, and it's fascinating. It's about this particular point in history. I've written quite a lot of screenplay adaptations of my novels, and I've had some various amounts of interest, but the whole film industry to me is just a complete nightmare, far bigger nightmare than the book industry. So I wonder if you could maybe talk about this, because it just seems like you made a film, which is so cool. Alicia: Oh yes, thank you. Joanna: And it won awards, yes, we should say. Alicia: Did we win awards? Yes. It really, for an extremely low-budget indie film, went far further than my team and I could ever have imagined. I will say I never intended to make a film. Like most of the best things in my life, it really happened by accident. When I was living in New York— I lived there for many years—the 2008 financial collapse happened and I happened to have an arts grant that gave a bunch of artists workspace, studio space, in essentially an abandoned building in the financial district. It was an empty floor of a building. The floor had been left by the previous tenant, and there's a nonprofit that takes unused real estate in the financial district and lets artists work in it for a while. So I was on Wall Street, which was very rare for me, but for this year I was working on Wall Street. Even though I was working on poems, the financial collapse happened around me, and I did get inspired by that to create a one-woman show, which was more of a theatre show. That was already a huge leap for me because I had no real theatre experience, but it was experimental and growing out of my poetry practice and my music. It was a musical one-woman show about the financial collapse from a spiritual perspective, apparently. So I performed that. I documented it, and then a friend who lives in Portland, Oregon, where I now live, said, “I'm a theatre producer, I'd like to produce it here.” So then I rewrote it and did a run here in Portland of that show. Essentially, I started to tour it a little bit, but I got tired of it. It was too much work and it never really paid very much, and I thought, this is impacting my life negatively. I just want to do a really good documentation of the show. So I wanted to hire a theatre documentarian to just document the show so that it didn't disappear, like you were saying before about live performance. But one of the people I talked to actually ended up being an artistic filmmaker, as opposed to a documentarian. She watched the archival footage, just a single camera of the show, and said, “I don't think you should do this again and film it with three cameras. I think you should make it into a feature film. And in fact, I think maybe I should direct it, because there's all this music in it and I also direct music videos.” We had this kind of mind meld. Joanna: Mm. Alicia: I never intended to make a film, but she is a visionary director and I had this piece of IP essentially, and all the music and the writing. We adapted it together. We did it here in Portland. We did all the fundraising ourselves. We did not interface with Hollywood really. I think that would be, I just can't imagine. I love Hollywood, but I'm not really connected, and I can't imagine waiting for someone to give us permission or a green light to make this. It was experimental and indie, so we just really did it on the cheap. We had an amazing producer who helped us figure out how to do it with the budget that we had. We worked really hard fundraising, crowdfunding, asking for donations, having parties to raise money, and then we just did it and put it out there. I think my main advice—and I hear this a lot on screenwriting podcasts—is just make the thing. Make something, as opposed to trying to get permission to make something. Because unless you're already in that system, it's going to be really hard to get permission to make it. Once you make something, that leads to something else, which leads to something else. So even if it's a very short thing, or even if it's filmed on your phone, just actually make the thing. That turned out to be the right thing for us. Joanna: Yes, I mean, I feel like that is what underpins us as independent creatives in general. As an independent author, I feel the same way. I'm never asking permission to put a book in the world. No, thank you. Alicia: Exactly. We have a vision and we do it. It's harder in some ways, but that liberation of being able to really fully create our vision without having to compromise it or wait for permission, I think it's such a beautiful thing. Joanna: Well, we're almost out of time, but I do want to ask you about creative confidence. Alicia: Hmm. Joanna: I feel I'm getting a lot of sense about this at the moment, with all the AI stuff that's happening. When you've been creating a long time, like you and I have, we know our voice and we can lean into our voice. We are creatively confident. We'll fail a lot, but we'll just push on and try things and see what happens. Newer creators are struggling with this kind of confidence. How do I know what is my voice? How do I know what I like? How do I lean into this? So give us some thoughts about how to find your voice and how to find that creative confidence if you don't feel you have it. Alicia: I love that. One thing I will say is that I always think whatever is arising is powerful material to create from. So if a lack of confidence is arising, that's a really powerful feeling to directly explore and not just try to ignore. Although sometimes one has to just ignore those feelings. But to actually explore that feeling, because AI can't have that, right? AI can't really feel a crisis of confidence, and humans can. So that's a gift that we have, those kinds of sensitivities. I think to go really deep into whatever is arising, including the sense that we don't have the right to be creating, or we're not good enough, or whatever it is. Then I always do come back to a quote. I think it might have been John Berryman, but I'm forgetting which poet said it. A younger poet said, “How will I ever know if I'm any good?” And this famous poet said something like—I'm paraphrasing—”You'll never know if you're any good. If you have to know, don't write.” That has been really liberating to me, actually. It sounds a little harsh, but it's been really liberating to just let go of a sense of “good enough.” There is no good enough. The great writers never know if they're good enough. Coming back to this idea of just making without permission—the practice of doing the thing is being a writer. Caring and trying to improve our craft, that's the best that we can have. There's never going to be a moment where we're like, yes, I've nailed this. I am truly a hundred per cent a writer and I have found my voice. Everything's always changing anyway. I would say, either go into those feelings or let those feelings be there. Give them a little tea. Tell them, okay, you're welcome to be here, but you don't get to drive the boat. And then return to the practice of making. Joanna: Absolutely. Great. So where can people find you and your books and everything you do online? Alicia: Everything is on my website, which is AliciaJo.com, and also on Instagram at @ohaliciajo. I'd love to say hello to anyone who's interested in similar topics. Joanna: Brilliant. Well, thanks so much for your time, Alicia. That was great. Alicia: Thank you. I love your podcast. I'm so grateful for all that you've given the writing world, Jo.The post Creative Confidence, Portfolio Careers, And Making Without Permission with Alicia Jo Rabins first appeared on The Creative Penn.

Watch every episode ad-free & uncensored on Patreon: https://patreon.com/dannyjones Sam Tripoli is a stand-up comedian and host of the Tin Foil Hat podcast that explores conspiracies, shadow agendas, and alternative theories with humor and intensity. He also co-hosts Cash Daddies, Broken Simulation & World War Debate. SPONSORS https://www.twc.health/danny - Use code DANNY for $30 Off + FREE Shipping. https://shopmando.com - Use code DANNY for 20% off. https://stopboxusa.com/danny - Use code DANNY for 10% off StopBox today. https://hexclad.com/dannyjones - Get 10% off your forever cook wear today. https://whiterabbitenergy.com/?ref=DJP - Use code DJP for 20% off EPISODE LINKS @TinFoilHatOfficial https://x.com/samtripoli https://www.instagram.com/samtripoli https://samtripoli.com FOLLOW DANNY JONES https://www.instagram.com/dannyjones https://twitter.com/jonesdanny OUTLINE 00:00 - There's only 4 conspiracies left 02:54 - Greater Israel Project 05:19 - Games being played with the Epstein files 08:31 - Operation Trust 10:44 - Epstein's bank statements 13:39 - 98% of Epstein files still unreleased 16:45 - Best possible proof Trump is innocent in Epstein scandal 20:26 - Our entire culture is manufactured by intelligence 24:13 - Hyatt Hotels CEO in the Epstein files 26:47 - Why they picked Epstein 30:53 - The Epstein & Hitler connection 35:49 - FaceBook started as a Pentagon program 38:37 - Apollo Global + NBA + LifeTouch = Epstein 41:42 - The Bad Bunny halftime show 45:05 - 4 pillars of a functioning society 48:46 - The reason behind 73 MILLION annual abortions 51:39 - Baal worship through history 58:45 - Israel's population problem 01:00:12 - The "protected classes" theory 01:03:15 - The divide within the Jewish population 01:09:44 - Ghislaine Maxwell's prison body double 01:13:00 - The British Empire is behind everything 01:15:04 - Secret plan to destroy the Constitution 01:19:39 - The movements Peter Thiel is quietly funding 01:20:29 - Clavicular & looksmaxxing 01:25:42 - Child sacrifice in ancient Judaism 01:29:31 - How Dane Cook changed comedy 01:35:30 - Why comedians started podcasting 01:38:28 - The tombstone algorithms 01:39:28 - How democrats are funding their election campaigns 01:42:24 - Sam's dirty comedy 01:45:07 - The poopy pants family 01:47:40 - The French & Russians' role in the Civil War 01:50:27 - Flying ships in the Civil War 01:52:42 - Modern events foretold in the Bible 01:54:19 - Sam's theory behind Jesus & religion 01:56:42 - Epstein's interest in parapsychology 02:01:36 - Worshipping the God of Crap 02:03:11 - The origins of NASA 02:07:04 - Germany lost WW2 - not the Nazis 02:08:49 - Operation Highjump 02:09:16 - The deal "aliens" made with the U.S. Government 02:15:56 - Nuclear weapons may have been a psyop 02:20:06 - Why Pam Bondi won't released all the Epstein files 02:27:09 - The man who predicted 9/11 02:31:13 - The Challenger crew secretly survived 02:36:49 - The psyop behind alien contact 02:39:34 - The FBI's cult coverup 02:47:06 - How Charlie Kirk's death changed everything Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to Day 2808 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2808 – Wisdom Nuggets – Psalm 117:1-2 – Daily Wisdom Wisdom-Trek Podcast Script - Day 2808 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day two thousand eight hundred eight of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. The Title for Today's Wisdom-Trek is: The Shortest Song with the Largest Stage – Calling the Nations Home Today, we are undertaking a fascinating and entirely unique stage of our journey. We are stepping into the absolute center of the Bible to explore Psalm One Hundred Seventeen, covering its entirety—which is just verses one through two, in the New Living Translation. This is a milestone for a couple of reasons. First, Psalm One Hundred Seventeen holds the distinct title of being the shortest chapter in the entire Bible. It consists of only two verses and, in the original Hebrew, a mere seventeen words. Second, it is widely considered the middle chapter of the Protestant Bible. But do not let its brevity fool you. What this psalm lacks in word count, it makes up for in cosmic, earth-shaking theology. In our previous trek through Psalm One Hundred Sixteen, we listened to an intensely personal, intimate testimony. We heard the voice of a single, desperate individual who had been wrapped in the terrifying cords of death. We saw Yahweh, the Most High God, stoop down from heaven to listen to one man's whispered cry for help. It was a beautiful picture of individual salvation, ending with the psalmist paying his vows in the temple courts of Jerusalem. Today, the camera pans out. We move from the microscopic to the macroscopic. The single voice of the rescued individual in Psalm One Hundred Sixteen suddenly turns into a megaphone, broadcasting a summons to the entire planet. Psalm One Hundred Seventeen is still part of the "Egyptian Hallel," the songs sung during the Passover festival. But here, the focus breaks completely out of the borders of Israel. It is a trumpet blast directed at the pagan world. It is a declaration of cosmic warfare, and a radical invitation of grace. So, let us unpack these two massive, monumental verses together. The First Segment is: The Cosmic Summons: Reclaiming the Disinherited. Psalm One Hundred Seventeen: verse one. Praise the Lord, all you nations. Praise him, all you people of the earth. The psalm explodes right out of the gate with a command: "Praise the Lord, all you nations." To modern ears, this sounds like a standard, generic call to worship. But to the Ancient Israelite, singing this in the courts of the temple, this was a jaw-dropping, radical statement. It requires us to look through the lens of the Ancient Israelite Divine Council worldview, as taught by scholars like Dr. Michael S. Heiser. We must go all the way back to Genesis Chapter Eleven and the Tower of Babel. At Babel, humanity rebelled against Yahweh, refusing to spread out and fill the earth. In response, God judged the nations. But He didn't just confuse their languages; He disinherited them. According to Deuteronomy Chapter Thirty-two, verses eight through nine, God divided the nations and placed them under the authority of lesser spiritual beings—the "sons of God," or the divine council. Yahweh then stepped back and started over with one man, Abraham, to create His own special portion: Israel. From that moment on, the "nations" (the goyim) were viewed as foreign territory. They were under the jurisdiction of rebel gods, hostile principalities, and dark spiritual forces. They worshipped idols of wood and stone, which we saw mocked so thoroughly back in Psalm One Hundred Fifteen. So, when the psalmist stands up and shouts, "Praise Yahweh, all you nations!" he is doing something incredibly audacious. He is crossing enemy lines. He is essentially serving an eviction notice to the rebel gods. He is looking at the people of Egypt, Babylon, Philistia, and Assyria, and he is saying, "Your gods have failed you. They are dead. The time of your exile from the Creator is coming to an end. Yahweh is calling you back!" The parallel phrase, "Praise him, all you people of the earth," uses the Hebrew word ummim, which refers to tribes, clans, and people groups. The psalmist leaves no one out. The invitation is universal. God is not content to simply be the local deity of a small strip of land in the Middle East. He is the Maker of Heaven and Earth, and He demands, and invites, the adoration of every human being on the planet. This is why the Apostle Paul quotes this exact verse in Romans Chapter Fifteen, verse eleven. Paul uses Psalm One Hundred Seventeen to prove to the early church that the inclusion of the Gentiles—the non-Jewish people—was not a New Testament "Plan B." It was God's plan all along. The ultimate goal of choosing Israel was to create a beacon of light that would eventually draw all the disinherited nations back into the family of God. The Second Segment is: The Gravity of Grace: Why the Nations Should Sing. Psalm One Hundred Seventeen: verse two. For his unfailing love for us is powerful; the Lord's faithfulness endures forever. Praise the Lord! If verse one is the Command, verse two provides the Reason. Why should the pagan nations, who have spent centuries worshipping other gods, suddenly turn and praise Yahweh? The psalmist gives two reasons, rooted in two of the most important words in the Hebrew Bible: Unfailing Love (Hesed) and Faithfulness (Emet). Let us look closely at the first phrase: "For his unfailing love for us is powerful." Hesed is God's loyal, covenant-keeping, relentless love. But notice the direction of this love. The psalmist says His love for "us" is powerful. "Us" refers to Israel. This raises a fascinating question. Why should the nations praise God for the love He showed to Israel? If you are a Babylonian, why do you care that God loves the Jewish people? The answer lies in the promise given to Abraham in Genesis Chapter Twelve: "I will bless you... and all the families on earth will be blessed through you." Israel was never meant to be a reservoir of God's grace; they were meant to be a river. God's Hesed toward Israel—rescuing them from Egypt, giving them the law, protecting them from enemies, and bearing patiently with their constant rebellion—was the vehicle through which salvation would reach the rest of the world. When the nations look at how Yahweh treated Israel, they see a God who keeps His promises. They see a God who does not annihilate His people when they mess up. And they realize, "If this God is that intensely loyal and loving to Israel, maybe there is hope for us, too. Maybe we can be grafted into that same covenant." Furthermore, the word translated as "powerful" (gabar) is an incredibly muscular word. It means to prevail, to be mighty, or to overwhelm. It is the same word used in the story of Noah's Ark, when the floodwaters "prevailed" over the tops of the highest mountains. The psalmist is saying that God's unfailing love is a flood. It cannot be contained by the borders of Israel. It prevails over human sin. It prevails over the rebellious spiritual principalities of the Divine Council. It overtops the highest mountains of human resistance, and spills out to cover the entire globe. The Third Segment is: The Eternal Echo: Truth That Outlasts Time. The second half of the reason is just as anchoring: "...the Lord's faithfulness endures forever." The word for faithfulness is Emet, which means truth, reliability, and stability. In a world governed by chaotic pagan gods who were unpredictable, petty, and easily angered, the concept of a God whose truth "endures forever" was revolutionary. The gods of the nations rose and fell with their empires. Where is Marduk today? Where is Baal? They are buried in the dust of history, remembered only in museums and archaeological digs. But the faithfulness of Yahweh remains. His truth does not have an expiration date. Because His love is overwhelmingly powerful, and His truth is eternally stable, the nations have a solid rock upon which to stand. They are invited to leave the shifting sands of the world's chaos, and step into the eternal security of the Creator's household. The psalm concludes with the great bookend of the Hallel: "Praise the Lord!" Or, Hallelujah! When Jesus sang this psalm with His disciples on the night of the Last Supper, He knew exactly what He was about to do. He was about to walk to the cross to demonstrate the ultimate, prevailing power of God's Hesed. He was...

Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. Military correspondent Emanuel Fabian joins host Amanda Borschel-Dan for today's episode. Rockets and drones launched from Lebanon set sirens blaring across northern Israel in the early hours of Monday, as the Hezbollah terror group entered the fray to assist its backer, Iran, after the killing of the supreme leader. Fabian describes how this strike from the terror group has allowed the IDF to add Hezbollah heads to an ongoing campaign to decapitate the leadership of Iran. Nine people were killed and more than 40 were injured when a missile destroyed a Beit Shemesh synagogue and caused extensive damage to a public bomb shelter beneath it, as well as surrounding homes. Fabian explains what we know about the failure to down this missile and why the impact was so deadly. Three American soldiers have been killed, and five have been seriously wounded in the ongoing conflict with Iran, the US Central Command said Sunday, announcing the first US casualties in the conflict. We also learn how a strike on a UK base in Cyprus has potentially changed its willingness to aid the effort against Iran. Fabian turns back to 8:10 a.m. on Saturday and explores how the conflict began. Israeli Air Force fighter jets have dropped over 2,000 bombs in strikes against hundreds of Iranian regime targets and military sites since the start of the war with the Islamic Republic on Saturday morning. How does this compare with the June 12-day war? And finally, as Purim is set to begin this evening for most of the Jewish world, are Israelis allowed to gather for the reading of the Book of Esther? Check out The Times of Israel's ongoing liveblog for more updates. For further reading: IDF strikes in Beirut after Hezbollah enters fray and fires rockets, drones at north Four of the 9 victims of Iranian missile strike on Beit Shemesh named by authorities 9 killed as Iranian missile destroys synagogue, smashes bomb shelter in Beit Shemesh ‘Everything is gone’: Deadly Iranian strike on Beit Shemesh leaves residents reeling 3 American soldiers killed, 5 seriously injured in war with Iran — US military Drone hit British military base in Cyprus, local and UK officials say IDF: Over 2,000 bombs dropped on Iran in 30 hours, air supremacy achieved on 1st day Trump says he’s agreed to talk to Iran’s leaders, but estimates operation will take weeks Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by Adina Karpuj. IMAGE: Hezbollah supporters wave their group's flags and an Iranian national flag during a protest in Beirut, Lebanon, February 4, 2026. (AP Photo/Bilal Hussein)See omnystudio.com/listener for privacy information.

Send a textIn this insightful episode of Living the Dream with Curveball, we welcome Saul Cohen, a seasoned accounting and acquisitions advisor dedicated to empowering business owners to transition from operators to investors. Saul shares his passion for entrepreneurship and the pivotal role it plays in fostering community and societal change. He elaborates on his journey from working at PwC to specializing in acquisitions advising, highlighting the importance of understanding business valuations and tax strategies for successful exits. Listeners will gain valuable insights into the mindset shift required for effective leadership, the common mistakes entrepreneurs make when planning their exit, and the significance of early tax planning. Join us as Saul offers practical advice on identifying growth opportunities and achieving true financial freedom, along with a success story that underscores the transformative power of strategic acquisitions. This episode is a must-listen for any entrepreneur looking to enhance their business acumen and navigate the complexities of growth and exit strategies.Want to be a guest on Living the Dream with Curveball? Send Curtis Jackson a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/1628631536976x919760049303001600Support the showmosaic: Exploring Jewish Issuesmosaic is Jewish Federation of Palm Beach County's news magazine show, exploring Jewish...Listen on: Apple Podcasts SpotifySupport the show

In this powerful episode, host Shai Davidai sits down with Patricia Heaton—Emmy-winning actress, writer, producer, and co-founder of the October 7th Coalition. Patricia opens up about her personal journey, faith, and what inspired her to become an outspoken advocate against antisemitism after October 7th. She shares moving stories about her connection to the Jewish community, the importance of Judeo-Christian values, and her efforts to unite Christians and Jews through activism and interfaith events. The conversation touches on the challenges of raising awareness, the impact of recent events on both communities, and Patricia's belief in standing up for peace, freedom, and democracy. Don't miss this heartfelt discussion about courage, faith, and the power of showing up for others.Guest: Actress Patricia HeatonConsider DONATING to help us continue and expand our media efforts. If you cannot at this time, please share this video with someone who might benefit from it. We thank you for your support!https://gofund.me/30c00151c COMING SOON BUY MERCH!SUPPORT SHAI ON PATREON!https://www.patreon.com/shaidavidai/about?utm_source=campaign-search-results

Hashem's Name is not mentioned even once in the Megillah, yet He is involved in every last detail of it. Hashem, who has the past, present, and future revealed before Him at all times, orchestrates events long before they are needed so that His plan can ultimately come to fruition. The fact that the palace of Achashverosh was relocated to a small city called Shushan Habirah was itself a tremendous hidden miracle. That is where Mordechai lived, and that is where the salvation of the Jewish people was destined to unfold. The Vilna Gaon writes that the fact that Vashti decided to make her own party — seemingly for no reason — was only because Hashem was setting the stage for her to be summoned and ultimately removed from her position as queen. Hashem was arranging events years in advance, preparing the path for the moment when salvation would be needed. Haman suggested that Achashverosh grant himself the authority to act independently in any matter that concerned him personally, without consulting his advisors. Haman's intention was clear. He planned to later tell Achashverosh that the Jewish people were not following the king's directives. That would be seen as a personal affront to the king, giving him full power to decree annihilation upon them. But this, too, was the Yad Hashem. For later, when Esther would reveal that Haman sought to harm her, Achashverosh would now possess full independent authority to decree death upon Haman without consulting anyone else. The very mechanism Haman built for destruction became the instrument of his own downfall. The Megillah teaches us how to connect events in our own lives and recognize the Yad Hashem within them. When we step back, it becomes obvious how intimately Hashem is involved in each and every one of our lives. Someone recently sent me a story that was told by Sruli Shain on Stories to Inspire. He heard it firsthand from Shuli Rosenblum, who works at Bagel Hole in Brooklyn. One Friday afternoon, Shuli Rosenblum decided to bring home some leftover chocolate chip muffins from the bagel store for his family. On his way home, he stopped by his parents' house to visit his father, who had injured his leg and was resting with it elevated. He wished his parents Shabbat Shalom and left the muffins there so they could give them to the grandchildren if they came to visit. Mr. Rosenblum had his leg elevated on a special motorized footrest attached to his recliner, controlled by a lever on the side of the chair. Early Shabbat morning, at around 5:00 a.m., he woke up and began learning Chumash while sitting in that chair. He dozed off. His sefer slipped from his hands and struck the lever on the side of the chair, causing the entire chair to reposition forward. Not only could he no longer elevate his leg, he could not sit in the chair properly at all. Since he needed his leg elevated to recover, he went outside to see if anyone was walking by who could help him. He saw a man and tried to explain what had happened. The man responded, "Don't worry. I'm a Shabbos goy. I know exactly what to do." He came inside and fixed the chair. Before the man left, Mr. Rosenblum wanted to give him something in appreciation. He offered him one of the kosher chocolate chip muffins that his son had brought over the day before. The man suddenly turned pale. "I can't believe this," he said. "G-d really watches over His people." He explained that he works as a caretaker. Every Saturday morning, he visits an elderly Jew in his nineties, Mr. Fried. He helps him get ready for shul, gives him something to eat, and then accompanies him there. Usually, Mr. Fried's wife buys him a muffin for breakfast. But that Friday, she arrived at the bakery too late, and they were already closed. The caretaker assumed they would not know the difference and bought a chocolate chip muffin from a non-kosher grocery store. He was on his way to give it to Mr. Fried when he was unexpectedly stopped at 5:30 in the morning and offered a kosher chocolate chip muffin instead. Both men stood there in awe at how perfectly timed their encounter had been. After Shabbat, Mr. Rosenblum called the Fried family to tell them what had happened. They were even more moved. They explained that their father would often tell them that during the Holocaust, there were times he did not eat for days because he refused to eat anything non-kosher. Now, decades later, Hashem protected him once again, ensuring that his lifelong commitment to kashrut remained intact, even though he had no idea what was unfolding behind the scenes. Hashem is involved in every moment of every person's life.

Impulse buying is easy. Mindful spending takes practice. In Part 2 of our six-part series on money, Jewish wisdom helps us pause before we swipe—and turn everyday spending into a moment of awareness. Be in touch at josh@unpacked.media. This episode is sponsored by Jonathan and Kori Kalafer and the Somerset Patriots: The Bridgewater, NJ-based AA Affiliate of the New York Yankees. --------------- This podcast is brought to you by Unpacked, an OpenDor Media Brand.For other podcasts from Unpacked, check out:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Jewish History Nerds⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Stars of David with Elon Gold⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Unpacking Israeli History⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Wondering Jews

In this episode of the Jewish Inspiration Podcast, Rabbi Aryeh Wolbe shares a profound insight on Parshas Tetzaveh, inspired by a D'var Torah from Rabbi Blachman (Jerusalem). The Parsha describes the High Priest's vestments twice mentioning the names of the 12 tribes: once on the Choshen (breastplate) with individual stones over the heart, and again on the Avnei Shoham (shoulder stones of remembrance). Why the duplication? The sages explain it as a model for every Jew, especially the Kohen: the heart must first hold deep love and concern for every fellow Jew (as exemplified by Aharon, the ultimate lover and pursuer of peace – ohev shalom v'rodef shalom), feeling their pain and joy internally. But love alone is insufficient; the shoulders must carry their burdens – sharing grief, challenges, and responsibilities as one's own ("you're my brother, you ain't heavy").Rabbi Wolbe illustrates this with stories: Aharon reconciling disputants through empathy; Reb Chaim Shmulevitz's Yom Kippur teaching that one who hasn't lost sleep over the Jewish people's spiritual/physical plight has no business praying; feeling Hashem's "pain" over estranged children; carrying joy (dancing alone for a distant student's wedding); and practical empathy (e.g., yellow ribbons for hostages as reminders to feel others' pain). He stresses avoiding desensitization in a news-saturated world, pursuing peace without quarrels (a Kohen in conflict couldn't serve), and living beyond oneself – feeling others' burdens while maintaining joy (as the Shechinah rests only in simcha). The episode ends with a discussion on positive communication (e.g., the Still Face experiment, praise boosting performance) and responding to children's needs through listening rather than waiting for tantrums._____________This Podcast Series is Generously Underwritten by Peter & Becky BotvinRecorded at TORCH Centre in the Levin Family Studios (B) to a live audience on February 27, 2026, in Houston, Texas.Released as Podcast on March 2, 2026_____________Listen, Subscribe & Share: Apple Podcasts: https://podcasts.apple.com/us/podcast/jewish-inspiration-podcast-rabbi-aryeh-wolbe/id1476610783Spotify: https://open.spotify.com/show/4r0KfjMzmCNQbiNaZBCSU7) to stay inspired! Share your questions at aw@torchweb.org or visit torchweb.org for more Torah content.  _____________About the Host:Rabbi Aryeh Wolbe, Director of TORCH in Houston, brings decades of Torah scholarship to guide listeners in applying Jewish wisdom to daily life.  To directly send your questions, comments, and feedback, please email: awolbe@torchweb.org_____________Support Our Mission:Our Mission is Connecting Jews & Judaism. Help us spread Judaism globally by sponsoring an episode at torchweb.org.Your support makes a HUGE difference!_____________Listen MoreOther podcasts by Rabbi Aryeh Wolbe: NEW!! Hey Rabbi! Podcast: https://heyrabbi.transistor.fm/episodesPrayer Podcast: https://prayerpodcast.transistor.fm/episodesJewish Inspiration Podcast: https://inspiration.transistor.fm/episodesParsha Review Podcast: https://parsha.transistor.fm/episodesLiving Jewishly Podcast: https://jewishly.transistor.fm/episodesThinking Talmudist Podcast: https://talmud.transistor.fm/episodesUnboxing Judaism Podcast: https://unboxing.transistor.fm/episodesRabbi Aryeh Wolbe Podcast Collection: https://collection.transistor.fm/episodesFor a full listing of podcasts available by TORCH at http://podcast.torchweb.org_____________Keywords:#JewishInspiration, #Parsha, #Tetzaveh, #Choshen, #Shoham, #Aharon, #Shalom, #CarryTheBurden, #KlalYisrael, #PursuePeace, #Empathy, #OneNationOneSoul, #JewishUnity ★ Support this podcast ★

Some of the biggest challenges we face follow us through generations. And when Jackie Goldschneider sat down to write her memoir, she found two of her activist causes dated back multiple generations in her family. Jackie, a writer, lawyer and cast member on Real Housewives of New Jersey, dealt all her life with anorexia that nearly killed her. She traced this unhealthy relationship to food back to her ancestors who survived the holocaust, and she is only now, decades later, unraveling that trauma. Jackie now raises awareness for eating disorder recovery and combats antisemitism using her public platform as a reality television star, author, and podcaster to share her personal story and advocacy.  Today's episode was produced by Tani Levitt and Mijon Zulu. To check out more episodes or to learn more about the show, you can visit our website Allaboutchangepodcast.com. If you like our show, spread the word, tell a friend or family member, or leave us a review on your favorite podcasting app. We really appreciate it. All About Change is produced by the Ruderman Family Foundation. Episode Chapters 0:00 Intro 1:14 Jackie's recent advocacy for Jewish identity and against antisemitism 3:00 The intersection between Jackie's Jewish upbringing and her disordered eating  6:20 The origins of Jackie's eating disorder  10:20 Jackie's three rock bottoms  12:14 How did Jackie start changing her life  16:19 Managing recovery while starring on RHONJ    18:50 Jackie's tricks to maintain her health 21:15 Jackie's tips to people experiencing disordered eating 22:57 Jackie tries to end her family's generational food trauma  24:56 How do other RHONJ cast members respond to Jackie's activism? 26:51 Outro and Goodbye For video episodes, watch on www.youtube.com/@therudermanfamilyfoundation Stay in touch: X: @JayRuderman | @RudermanFdn LinkedIn: Jay Ruderman | Ruderman Family Foundation Instagram: All About Change Podcast | Ruderman Family FoundationTo learn more about the podcast, visit https://allaboutchangepodcast.com/ Jay's brand new book, Find Your Fight, in which Jay teaches the next generation of activists and advocates how to step up and bring about lasting change. You can find Find Your Fight wherever you buy your books, and you can learn more about it at ⁠⁠⁠⁠⁠https://www.walmart.com/ip/Find-Your-Fight-Make-Your-Voice-Heard-for-the-Causes-That-Matter-Most-Hardcover-9781963827071/10817862336⁠⁠

Join Group https://chat.whatsapp.com/DYdfRcOLgCl7ccQI0AbvyN?mode=gi_t The Jewish Truth Bomb 02MAR2026 - PODCAST

This episode originally aired on March 10, 2025 — but is just as relevant today! Hope you enjoy :)--Hi everyone! Welcome back to another episode of The Chai on Life Podcast. I'm Alex Segal and today, I am speaking with Rivka Lerner. Originally from Switzerland, she works as a software developer and coach as well as a kallah teacher, but her love is in teaching and discussing profound ideas with Jews from all walks of life. After teaching with her husband Rabbi Simi Lerner in London for a few years, Rivka came back to Israel long term, and is now an educator in Tel Aviv for the anglo community, as well as in Midreshet Rachel V'Chaya. Above all else, a mother to her awesome four boys.I love this episode so much. We are really going deep into Purim. While Jews have never really had it “easy” this is a particularly tough time for the Jewish people everywhere and it feels a bit strange to be focused on joy when there is so much devastation around us. We talk about that. We speak about what happiness really means, how you can redefine it for yourself and how you can truly feel it this Purim.We also speak really practically about what Purim can look like for you. Is it super overwhelming? Do you not really like it as much as you feel like you “should”? Do you feel like you're missing out on that joy? We speak about ways you can access it and how you can transform your preparation and day even in just a few conversations that can be really life-changing.We talk about the megillah, parts of the megillah you may not have noticed before and intentions about the megillah that can change your experience while listening to it.At the end we speak about the comparison between Purim and Yom Kippur, or Yom HaKipppurim and what it really means that Yom Kippur is a day “like” Purim. There is so much depth in this episode, it is so rich with meaning and wisdom and profound takeaways and I am so excited for you to hear it and G-d willing for it to enrich your holiday this year in new ways.If there is someone you want to see on The Chai on Life Podcast, email me at ⁠alex@chaionlifemag.com⁠ or send me a DM @chaionlifemag. Thanks again, see you next week!

This week of learning is sponsored by Zachary Schreiber in honor of Tova Bashevkin, because behind every great man is an even greater woman.In this special Purim episode of the 18Forty Podcast, David Bashevkin speaks about the late, great comedian Garry Shalndling in honor of his 10th yahrzeit, which is this Purim.In this episode we discuss:What does pop culture tell us about the Torah of our time?What can Garry Shalndling teach us about Purim?What does it mean to see divinity and significance within one another? Tune in for a conversation about how we find joy and inspiration in this impossible life. References:It's Garry Shandling's ShowThe Larry Sanders ShowThe Office30 RockThe Zen Diaries of Garry Shandling“It's Garry Shandling's Shpiel” by David Bashevkin “Garry Shandling's Knockout First Appearance | Carson Tonight Show”Iron Man 2Captain America: The Winter SoldierBook of EstherFor more 18Forty:NEWSLETTER: 18forty.org/joinCALL: (212) 582-1840EMAIL: info@18forty.orgWEBSITE: 18forty.orgIG: @18fortyX: @18_fortyWhatsApp: join hereBecome a supporter of this podcast: https://www.spreaker.com/podcast/18forty-podcast--4344730/support.

Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. Diplomatic correspondent Lazar Berman joins host Amanda Borschel-Dan for today's episode. Iran’s Supreme Leader Ayatollah Ali Khamenei, 86, was killed Saturday in a joint US-Israeli strike on his Tehran compound at the outset of a long-planned military operation against the Islamic Republic. Berman weighs in on how, after Khamenei's almost 37 years in power, the regime may choose a new leader -- or whether the people could rise up and create a new paradigm. We speak about the widespread nature of Iran's retaliatory strikes, including on many of its neighboring Arab states. As opposed to the June 2025 12-day war, Iran seems bent on punishing US allies in the region. We hear how these nations, including Jordan, the United Arab Emirates, Bahrain and Saudi Arabia, are responding so far. International opinion on the US-Israel "preemptive strike" is mixed. Berman explores how nations are walking a fine diplomatic line in their public support -- or condemnation -- of the new war. Check out The Times of Israel's ongoing liveblog for more updates. For further reading: Khamenei set Iran’s direction for decades. Now the public he suppressed has hope After Khamenei killed, Iran set for largely opaque supreme succession End of an era as Iran confirms Khamenei is dead; Trump: Justice for Iranians and beyond Woman killed, dozens injured as Iranian missile strikes Tel Aviv residential block Strait of Hormuz: Key oil route in middle of Iran crisis Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. Gabriella Jacobs produced this episode and Ari Schlacht edited. IMAGE: Government supporters mourn during a gathering after state TV officially announced the death of Iranian Supreme Leader Ayatollah Ali Khamenei, shown in the poster, in Tehran, Iran, March 1, 2026. (AP Photo/Vahid Salemi)See omnystudio.com/listener for privacy information.

Join Rabbi Joey Rosenfeld as he guides us through the world and major works of Kabbalah, Hasidic masters, and Jewish philosophy, shedding light on the inner life of the soul. To learn more, visit InwardTorah.org

What if the most important meal you'll ever eat isn't about satisfying physical hunger but remembering spiritual salvation? Three thousand years ago in Egypt, Jewish families smeared lamb's blood on their doorposts so God's angel of death would “pass over” their homes. One thousand years later, Jesus transformed that ancient Passover meal into something far more personal. He established the Lord's Supper. In it, He showed that He was the ultimate Passover Lamb and His blood would cover the sins of all who believe. Because of His death and His shed blood, a holy God can pass over your sins. This isn't a funeral; it's a celebration of the One who is alive. Every time you take this meal, God invites you to remember and appreciate what happened, examine what's happening, and anticipate what's coming.

How was the bombing of Iran by the United States and Israel so easily predictable? How did The Secret Teachings radio show lay out the roadmap back in 2024, if not based solely on the second Trump administration's cabinet picks and allegiance to Israel? This episode combines two 2024 episodes into one singular source:Master Race to Armageddon: It takes two to Tengu (11/21/24) (4hr Special)Hexagram Handlers (11/22/24)*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.

This wasn't just another Shabbat. This was the kind of Shabbat that reminds you history isn't something we read, it's something we walk into.At Chabad NDG in Montreal, a Persian-themed Shabbat table became something deeper: a meeting point between ancient Persia and modern Iran. Between the story of Haman and the voices of real Iranian activists fighting for freedom today. Between fear… and courage.Then came the moment no one planned.Walking to synagogue the next morning, before even hearing the news, the streets began to speak. Neighbors stopped, embraced, thanked. By the afternoon, the entire area around Chabad NDG filled with music, celebration, life. And suddenly, an ancient custom, making noise for Haman felt different.Because this isn't just about a villain from 2,500 years ago.From medieval children smashing stones with his name, to the teachings of the Rebbe, to a Midrash where noise literally drives away darkness—this episode explores a powerful idea:Sometimes holiness isn't quiet. Sometimes, the most spiritual thing you can do… is make noise. Not noise of chaos. Noise of clarity. Noise that says: Didan Natzach. We are still here.Key TakeawaysHaman is not just a character, he's a pattern. Every generation meets its version of Amalek. The question isn't if, it's how we respond.Noise can be holy. From ancient Jewish customs to Midrashic stories, making noise isn't childish, it's spiritual resistance. It's the soul refusing to be silent in the face of darkness.Joy is not denial, it's defiance. The celebrations outside weren't ignoring reality. They were transforming it. That's the deepest Purim energy: turning fear into song.The street became a synagogue. When neighbors hug you, when music fills the air, when gratitude replaces tension, you realize holiness doesn't only live inside walls.Children understand something we forget. They bang, they stomp, they erase Haman without overthinking it. There's a purity in that. A clarity adults sometimes lose.“Didan Natzach” is not just a phrase, it's a posture. It means: we don't wait for darkness to pass. We confront it. Together. Loudly. Joyfully.Available now:Paperback: https://www.amazon.com/Forgiveness-Experiment-What-Would-Your/dp/1069217638Kindle: https://www.amazon.com/dp/B0FR2QNJL6Audiobook: https://bit.ly/4tPFZhVSupport the showGot your own question for Rabbi Bernath? He can be reached at rabbi@jewishndg.com or http://www.theloverabbi.comSingle? You can make a profile on www.JMontreal.com and Rabbi Bernath will help you find that special someone.Donate and support Rabbi Bernath's work http://www.jewishndg.com/donateFollow Rabbi Bernath's YouTube Channel https://www.youtube.com/user/ybernathAccess Rabbi Bernath's Articles on Relationships https://medium.com/@loverabbi

In this explosive Chicks on the Right interview, Jewish activist and PragerU host Shabbos Kestenbaum breaks down the controversy surrounding Carrie Prejean Boller (Candace Owens' close ally) at President Trump's White House Religious Liberties Commission. Kestenbaum, who testified on American religious discrimination, reveals how Boller derailed an antisemitism hearing by fixating on Israel, wearing a Palestine pin, and coordinating via text with a Palestinian activist—leading to her removal from the commission.He exposes "Israel Derangement Syndrome" in figures like Tucker Carlson, who obsesses over Gaza while ignoring U.S. domestic issues, and critiques how grifters profit from anti-Jewish narratives targeting young conservatives. Kestenbaum discusses rising antisemitism on campuses, the importance of prosecuting real crimes (not speech), his altruistic kidney donation to a stranger, potential future congressional run, and why true conservatism rejects conspiracy theories.Plus, heartfelt moments on faith, Poland as America's ally in Europe, and why religious liberty must focus on American lives—not foreign conflicts.Subscribe and stay tuned for new episodes every weekday!Follow us here for more daily clips, updates, and commentary:YoutubeFacebookInstagramTikTokXLocalsMore InfoWebsite

This episode of the Meaningful People Podcast features Dovi Neuburger, a popular comedian and influencer who grew up as the son of a prominent rabbi and built his brand by poking at the frum world from the inside. In this conversation, he opens up about guilt over influencing younger followers, using religious culture as comedy material, and whether Jewish "inspiration" today is actually inspiration or just kosher entertainment. He challenges institutions, questions tuition, takes aim at the over-correction of emotional Judaism, and doesn't shy away from uncomfortable debates about shidduchim, schools, and community politics    It's funny, sharp, and at times confrontational. From Rabbi's son stereotypes to anti-Semitism content, from Thank You Hashem culture to whether kids should ever be thrown out of yeshiva, this episode doesn't tiptoe around anything. This episode was made possible thanks to our sponsors: ► PZ Deals   Download the app and never pay full price again!   https://app.pz.deals/install/mpp    _________________   ► Colel Chabad Pushka App   The easiest way to give Tzedaka   https://pushkapp.cc/meaningful   _________________   ► Batya Kitchen   150+ Gluten-Free, Non-Gebrokts Recipes, Make-Ahead Tips, Holiday Guides, and Everything You Need for a Calm, Beautiful Pesach. Order now on Amazon.   https://amzn.to/4a1S1x7   _________________   ► Ness Vacation Homes   EDEN GARDENS' LARGEST LUXURY HOME COLLECTION  Handpicked, high-end homes available exclusively through Ness. OPTIONAL PROGRAM-LEVEL PESACH EXPERIENCE  Upgrade your stay with a complete A–Z Pesach setup, including kitchen preparation, catered meals, and fully arranged details by Glatt Gourmet.   https://nessvacationhomes.com/   _________________   ►Rothenberg Law Firm   Personal Injury Law Firm For 50+ years! Reach out Today for Free Case Evaluation   https://shorturl.at/JFKHH   _________________   ► Town Appliance   Visit the website or message them on WhatsApp   https://www.townappliance.com https://bit.ly/Townappliance_whatsapp   

One of the most influential rabbinical and chassidic leaders of central Poland in the 19th century, Rav Avraham of Chechenov (1784-1875) served as a rabbi of Chechenov for 55 years, while also playing an important role in the development of the chassidic movement in Poland. His descendants founded the prominent Strikov dynasty, among others, and served in crucial roles during challenging times facing Polish Jewry. Subscribe to Jewish History Soundbites Podcast on: PodBean: https://jsoundbites.podbean.com/ or your favorite podcast platform Follow us on LinkedIn, Twitter or Instagram at @Jsoundbites For sponsorship opportunities about your favorite topics of Jewish history or feedback contact Yehuda at: yehuda@yehudageberer.com

Welcome to The Times of Israel's Daily Briefing, your 20-minute audio update on what's happening in Israel, the Middle East and the Jewish world. Military correspondent Emanuel Fabian joins host Amanda Borschel-Dan for today's episode. Israel and the US launched a major joint strike on Iran on Saturday, with waves of attacks on sites across the Islamic Republic. US and Israeli officials confirmed that this coordinated strike has been months in the making. Fabian updates us that strikes targeted Supreme Leader Ali Khamenei and President Masoud Pezeshkian, alongside other top regime and military commanders. We hear what we currently know about the strikes' results, even as Iran has retaliated with some 40 ballistic missiles so far. Schools have been canceled for the near future and medical centers around Israel have switched to emergency mode, moving critical patients and operations to underground complexes or protected spaces. Finally, Borschel-Dan asks Fabian what he knows about a projected timeline for the war, based on what he is hearing from the IDF. Check out The Times of Israel's ongoing liveblog for more updates. For further reading: US and Israel launch major joint assault on Iran; Trump indicates goal is to topple regime Full text of Trump’s declaration of ‘major combat operations’ against Iran Subscribe to The Times of Israel Daily Briefing on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts. This episode was produced by Adina Karpuj. IMAGE: Smoke rises on the skyline after an explosion in Tehran, Iran, February 28, 2026.(AP Photo)See omnystudio.com/listener for privacy information.

Inspiration for the Nation is the weekly Jewish podcast from Living Lchaim, hosted by Yaakov Langer.TRIGGER WARNING: This episode deals with extreme situations, traumas, abuse and more.It also discusses how Josh finds himself and connection to Hashem.Josh Rosenberg was raised in a Jewish Orthodox Chasidic world. He was immersed in its melodies, traditions, and unspoken expectations. Years of struggle, heartbreak, identity crisis, and spiritual searching led to a painful but transformative journey. Josh "went off the derech", was homeless and started modeling. He was lost in every sense of the word. Ultimately, he returned to Israel and rediscovered his connection to the Orthodox world. This is the story of teshuva.Re-Orthodoxed Book: https://a.co/d/0ak8nLRJ✬ SPONSORS OF THE EPISODE ✬► The Dream Raffle: Win a $1.2 Million Apartment in JerusalemHelp beautiful causes and also walk away with keys to a gorgeous - fully furnished - apartment in Jerusalem (if you win!)Use PROMO code: INSPIRE for $10 OFF + DOUBLE Tickets→ http://bit.ly/4nUg7gV► Wheels To Lease: #1 Car Company For over 35 years, Wheels To Lease has offered stress-free car buying with upfront pricing, no hidden fees, and door-to-door delivery. → CALL/TEXT: 718-871-8715 → EMAIL: inspire@wheelstolease.com → WEB: https://bit.ly/41lnzYU → WHATSAPP: https://wa.link/0w46ce ► BitBean: Smart Custom Software Built for YouYaakov here. Just make the call. They can help you.Reach Out Here→ https://bitbean.link/MeEBlY► Zahler: The Go To Supplement PlaceYaakov's wife said "I love Zahler. They are the best".Take 15% OFF any Zahler product with code: INSPIRE→ https://bit.ly/3M3CtPI► The Next Big Jewish Neighborhood!Tucson, Arizona is becoming a warm and welcoming home for growing Jewish families. I even have cousins there with my last name, Langer, and after visiting them in 2020, the city left a real impression on me. The sunlight, the mountains, and the calm of the streets have a quiet beauty that feels a bit like Israel.The community is expanding with a new Kollel, a new eiruv, kosher establishments on the way, and an affordable cost of living. Winters are gorgeous and families are moving in because Tucson offers space, warmth, and real growth. There is also a moving bonus for those ready to join.→ Rabbi contact: 786-702-0649→ More info: MyJewishTucson.com→ Email: visit@tucsontc.org_____________________________________✬ IN MEMORY OF ✬ This episode is in memory of: • Miram Sarah bas Yaakov Moshe • Shimon Dovid ben Yaakov Shloima #iftn Lchaim. 

Romans 11:18-22 — Why is pride so dangerous? What about pride undermines the gospel and leads people into self-deception and deceit? In this sermon on Romans 11:18–22 titled “Pride,” Dr. Martyn Lloyd-Jones preaches on the need to learn God's word so as to fight against pride. Pride undermines the gospel because it makes people focus on themselves and their own works, justifying themselves. According to Dr. Lloyd-Jones, the great sin of many of the Jewish people who wanted to return to the law was the sin of pride. They sought to find salvation in their own identity and works but this is wholly opposed to the message of Jesus. Jesus Christ tells that one must forsake any chance of saving themselves. He tells that no works can makes one right before God. Pride makes the person look at what they do for their worth; Jesus makes them look to Him to find worth. Paul warns the church of his day about the danger of falling away from the gospel and looking to works to justify oneself. This is still a temptation for many Christians and for this reason, believers must always flee from self-righteousness and look to Jesus Christ and what He has done as Jesus alone saves. To support this ministry financially, visit: https://www.oneplace.com/donate/603/29?v=20251111

Rabbi Pinchas Allouche, head Rabbi at Congregation Beth Tefillah in Scottsdale, and the host of the Rabbi Allouche podcast, joins Seth for the full hour to talk about this week's Torah portion, known as Tetzaveh. They delve into the paradoxical command to "blot out the memory of Amalek" and its connection to the concept of humility. The conversation touches on the importance of remembering evil, the role of memory in shaping our identity, and the power of storytelling in preserving hope and faith. Rabbi Allouche shares insights from Jewish tradition and philosophy, drawing parallels between the story of Esther and current events, highlighting the significance of perseverance and the impact of our choices on our legacy.See omnystudio.com/listener for privacy information.

In this expanded edition to a groundbreaking work, now in paperback, Lincoln and the Jews: A History (NYU Press, 2025), Jonathan D. Sarna and Benjamin Shapell reveal how Abraham Lincoln's unprecedentedly inclusive relationship with American Jews broadened him as president, and, as a result, broadened America. A conversation with Professor Jonathan D. Sarna. Co-authored with collector and scholar Benjamin Shapell, the book began as a lush coffee-table volume built around Shapell's remarkable Civil War–era collection: letters, photographs, and documents that reveal Lincoln's Jewish connections in real time. It has since been reissued in paperback by NYU Press, making it far easier to teach, carry, and assign. The shift mirrors the project's purpose: from a beautiful artifact to a working tool for rethinking Lincoln's world. Sarna stresses that Lincoln didn't “know Jews” in the abstract; he knew particular Jews who mattered. Abraham Jonas, an early ally, saw Lincoln as presidential material and encouraged the Republican Party to build a coalition of “outsiders,” explicitly including Jews. Lincoln also developed ties with German-speaking Jewish “48ers,” refugees of the failed 1848 revolutions who brought democratic ideals and anti-slavery commitments. Even in Illinois, Lincoln's visits to Jewish clothing stores signaled a new kind of everyday encounter between Americans and Jewish merchants. The book opens with a table of concentric circles of relationships between Lincoln and the Jews. Equally important is Lincoln's religious formation. Raised in a Protestant culture steeped in the Hebrew Bible and divine providence, he drew heavily on biblical language. His letters and speeches are studded with scriptural echoes, reflecting a worldview in which Jews remain central to God's historical drama rather than a superseded people. This helps explain his “live and let live” stance toward religious difference at a time when some ministers were moving toward more exclusionary theologies. Our conversation touched on Lincoln's reference to Haman from the Book of Esther in a letter to Joshua Speed. In an age of deep biblical literacy, Haman was a recognizable symbol of evil, later applied by some Jews to Grant after General Orders No. 11. Sarna also recounted the visit of a self-proclaimed prophet named Monk, who asked Lincoln to endorse a plan to “free the Jews” worldwide. Lincoln's witty, biblically informed response (from the book of Joel) both acknowledged Jewish suffering abroad and rejected the idea of a special “Jewish problem” in the United States. We also explored how 19th-century debates over the Mortara affair in Italy—where a secretly baptized Jewish child was taken from his parents by papal authorities—intersected with American slavery. President Buchanan's refusal to condemn Rome, Sarna noted, reflected fears that criticizing Church-sanctioned child removal could invite scrutiny of the United States' own separation of enslaved families. Lincoln and the Jews ultimately invites us to place Jews back into the center of the American story. Lincoln's friendships, his Hebrew Bible–shaped imagination, and his commitment to equality created a landscape in which Jews were not an abstract “question,” but neighbors and citizens. To understand Lincoln fully, Sarna suggests, we must see the Jews who walked beside him—and to understand American Jewish history, we must see how deeply it is entwined with Lincoln's moral and political world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this expanded edition to a groundbreaking work, now in paperback, Lincoln and the Jews: A History (NYU Press, 2025), Jonathan D. Sarna and Benjamin Shapell reveal how Abraham Lincoln's unprecedentedly inclusive relationship with American Jews broadened him as president, and, as a result, broadened America. A conversation with Professor Jonathan D. Sarna. Co-authored with collector and scholar Benjamin Shapell, the book began as a lush coffee-table volume built around Shapell's remarkable Civil War–era collection: letters, photographs, and documents that reveal Lincoln's Jewish connections in real time. It has since been reissued in paperback by NYU Press, making it far easier to teach, carry, and assign. The shift mirrors the project's purpose: from a beautiful artifact to a working tool for rethinking Lincoln's world. Sarna stresses that Lincoln didn't “know Jews” in the abstract; he knew particular Jews who mattered. Abraham Jonas, an early ally, saw Lincoln as presidential material and encouraged the Republican Party to build a coalition of “outsiders,” explicitly including Jews. Lincoln also developed ties with German-speaking Jewish “48ers,” refugees of the failed 1848 revolutions who brought democratic ideals and anti-slavery commitments. Even in Illinois, Lincoln's visits to Jewish clothing stores signaled a new kind of everyday encounter between Americans and Jewish merchants. The book opens with a table of concentric circles of relationships between Lincoln and the Jews. Equally important is Lincoln's religious formation. Raised in a Protestant culture steeped in the Hebrew Bible and divine providence, he drew heavily on biblical language. His letters and speeches are studded with scriptural echoes, reflecting a worldview in which Jews remain central to God's historical drama rather than a superseded people. This helps explain his “live and let live” stance toward religious difference at a time when some ministers were moving toward more exclusionary theologies. Our conversation touched on Lincoln's reference to Haman from the Book of Esther in a letter to Joshua Speed. In an age of deep biblical literacy, Haman was a recognizable symbol of evil, later applied by some Jews to Grant after General Orders No. 11. Sarna also recounted the visit of a self-proclaimed prophet named Monk, who asked Lincoln to endorse a plan to “free the Jews” worldwide. Lincoln's witty, biblically informed response (from the book of Joel) both acknowledged Jewish suffering abroad and rejected the idea of a special “Jewish problem” in the United States. We also explored how 19th-century debates over the Mortara affair in Italy—where a secretly baptized Jewish child was taken from his parents by papal authorities—intersected with American slavery. President Buchanan's refusal to condemn Rome, Sarna noted, reflected fears that criticizing Church-sanctioned child removal could invite scrutiny of the United States' own separation of enslaved families. Lincoln and the Jews ultimately invites us to place Jews back into the center of the American story. Lincoln's friendships, his Hebrew Bible–shaped imagination, and his commitment to equality created a landscape in which Jews were not an abstract “question,” but neighbors and citizens. To understand Lincoln fully, Sarna suggests, we must see the Jews who walked beside him—and to understand American Jewish history, we must see how deeply it is entwined with Lincoln's moral and political world. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

The sisters are THRILLED to build with their dear friend, Morgan Bassichis. Morgan is a comedian, musician, Anti-Zionist activist and writer who has been called “a tall child or, well, a big bird” by The Nation and “fiercely hilarious” by The New Yorker. Their show, Can I Be Frank? just won an Obie!The trio discuss finding the funny in the sad and tragic, the life of a Jewish artist fighting for Palestine, being brought up in the cult of 'it's complicated', the clarity of doing what we can to disentangle Judaism and Zionism, tapping into compassion, how haters can't make good art, shared power vs. siloed power and the precipice of something big happening in OUR lifetime.---⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TRANSCRIPT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠---⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT OUR SHOW⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow---HTS ESSENTIALS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SUPPORT Our Show on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Endoftheworldshow⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PEEP us on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/endoftheworldpc/⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠

February 27, 1943. During the darkest days of World War Two, more than a thousand Jews are released from Nazi detention after their non-Jewish wives and family-members stage a protest on the streets of Berlin. This episode originally aired in 2025. Support the show! Join Into History for ad-free listening and more. History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.

Stew breaks down Florida HB 945 — the bill creating a full Statewide Counterintelligence and Counterterrorism Unit inside FDLE. This is COINTELPRO + MKUltra + Unit 8200 + Noahide enforcement rolled into one, tested on Palestinians first, now being rolled out on Americans.

On today's pages, Menachot 47 and 48, the rabbis outline the "opening and closing" sacrifices that defined a day in the Temple. Yet, the Passover offering purposefully breaks this cycle, signaling that the Jewish story is built on moments that transcend the ordinary. Rabbi David Bashevkin shares how this unique ritual timing teaches us that our identity isn't just about following brackets—it's about the courage to step out of bounds and embrace the miraculous. How can a change in schedule reveal the core of who we are? Listen and find out.

This week, Judaism Unbound is thrilled to feature the 3rd episode of Door to Door: A Pilgrimage Across Generations -- another podcast in Judaism Unbound's family of podcasts! ------------------------- Head to JudaismUnbound.com/classes to check out our up upcoming courses in the UnYeshiva! This time around we are offering courses on an Intro to Judaism (Judaism Inbound), the book of Genesis, the Magic & Medicine of Psalms, Jews and Revolution, and a Jewish embrace of Fatness! -------------------------- Door to Door is a deeply personal, five-part podcast series tracing one Jewish family's multigenerational pilgrimage from a once-lost home in Wachenbuchen, Germany, to the present-day echoes of inherited memory, trauma, and resilience. Told through archival recordings, family reflections, and emotional returns to ancestral ground, this podcast chronicles the survival of Simon—a Holocaust survivor taken to Buchenwald Concentration Camp during Kristallnacht—and the generations that followed him. It's a story shaped by suffering, but defined by rebuilding, remembrance, and an enduring commitment to legacy. Door to Door invites listeners to witness what it means to reclaim identity from the wreckage—and to carry forward the names, the stories, and the truths nearly erased. If you've ever felt the weight of inherited memory, or the pull to understand where you come from — subscribe to Door to Door wherever you get your podcasts. Let this be part of your story, too. We'd love to hear from you, so you can email us at miriam@judaismunbound.com or find us at: www.judaismunbound.com/door-to-door

Welcome to The Times of Israel's Lazar Focus. Each Friday, join host diplomatic correspondent Lazar Berman for a deep dive into what's behind the news that spins the globe. There is a religious community in Israel dedicated to spreading peace throughout the country and beyond. Days after October 7, this community opened its doors for hundreds of Israelis from diverse backgrounds, stressing the importance of maintaining peaceful dialogue between ethnic and religious groups. That community is Muslim. The Ahmadiyya number only around 2,000 in Israel, but are part of a global community of some 20 million. In today's Lazar Focus, Imam Imad Al Masri, a Jordanian cleric living in Haifa, explains the origins of his sect and makes an impassioned case for the Ahmadiyya vision for spreading peace around the world. As he marks the Muslim holy month of Ramadan, he discusses the community's outreach in Palestinian areas, including in the Gaza Strip under Hamas rule and during the recent war there. Al Masri recounts the reaction of the Ahmadiyya community to the October 7, 2023, attacks and how they dealt with initial suspicions from their Jewish neighbors. As Israel maintains a shaky ceasefire in Gaza and prepares for a possible war with Iran, the Ahmadiyya present an unwavering call for peace that many find refreshing and uplifting. Lazar Focus can be found on all podcast platforms. This episode was produced by Gabriella Jacobs and video edited by Ari Schlacht.See omnystudio.com/listener for privacy information.

You're not crazy. You're anxious.This week on Almost Adulting, Violet sits down with Mel Robbins to unpack high-functioning anxiety in love — why women attach fast, date potential, ignore red flags, and stay in relationships where they can't ask for what they need. Mel breaks down the 5 Second Rule, how to stop spiraling, time blindness, and the worst thing you can do when anxiety hits.They talk separation anxiety, loving someone who's wrong for you, being right vs. being connected, and the obvious signs he just doesn't like you.If you're successful but secretly overthinking everything in dating — this one will hit.Thanks for supporting our sponsors:Shopify: Sign up for your one-dollar-per-month trial today at Shopify.com/adulting.Nutrafol: For a limited time, Nutrafol is offering our listeners $10 off your first month's subscription and freeshipping when you visit Nutrafol.com and enter promo code ADULTING.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.