Podcasts about Chorus

Green Bay Packaging to make large investment in local Paper Mill; Conway County Christmas Parade is tonight; Casa gets RTP Grant for walking trail; Lake Sylvia Dedication planned for Friday; Point Remove Brewing Company recognized by Congressman Hill; Hill also recognizes Morrilton High School quarterback Maddox Berry; we visit with Anna Walthall with the Conway Women's Chorus.

The Mid-Texas Symphony invites all to enjoy “Merry Melodies” on Sunday, Dec. 15, at 4 p.m., at Jackson Auditorium at Texas Lutheran University in Seguin. Celebrate the season with your favorite Christmas music including selections from the Nutcracker featuring Ballet Texas and holiday movie soundtracks such as “It's a Wonderful Life,” “White Christmas” and “The Polar Express.” Vocalist Yesenia McNett makes her Mid-Texas Symphony debut, and the Seguin Children's Chorus returns. Tickets range from to and are available at mtsymphony.org.Article Link

Holiday Special 2024 - It's the holiday season, dodecadorks! What a wonderful time of year to check in on loved ones you may not have seen in a while. This week, we're doing just that. While Wilhelm & Associates decide what to do about conniving swamp ladies and the loss of some friends, we're jumping back to Pavantis—the world of Campaign 1—to check in on one team of heroes just trying to do some diplomacy while enjoying a beach day. Join us for this actual play D&D adventure inspired by our favorite monster slaying video games of the 90's. We have merch! Check out our shop at 12sidedguys.com/shop and get your very own swag, drip, or whatever the kids call it nowadays. Join the 12 Sided Guys on Discord! https://discord.gg/SJZnpCCx6N Support‌ ‌us‌ ‌at‌ ‌‌patreon.com/12sidedguys‌‌ ‌for‌ ‌extra‌ ‌content‌ ‌including‌ ‌bonus‌ ‌episodes,‌ ‌DM‌ ‌notes,‌ and‌ ‌more!‌ -- Additional‌ ‌sound‌ ‌effects‌ ‌from‌ ‌zapsplat.com and tabletopaudio.com.

In this episode of Perfectly Good Podcast, hosts Jesse Jackson and Sylvan Groth discuss the John Hiatt song 'I'm a Real Man' from his 1985 album 'Warming Up to the Ice Age,' along with special guest Joseph Kaye, host of 'Play That Rock and Roll.' The group dives deep into the song's lyrics, the context in which it was written, and what makes it unique within Hiatt's discography. They also touch upon its reception, numerous cover versions, and how this tune reflects broader trends in music from that era. This thoughtful discussion includes personal anecdotes, historical perspectives, and a debate on the song's quality. Support the show here - buymeacoffee.com/setlustingbruce  00:00 Introduction and Hosts' Banter 02:21 Guest Introduction: Joseph Kaye 04:38 Discussing 'I'm a Real Man' 07:13 John Hiatt's Sobriety and Career Turning Point 08:40 Breaking Down the Lyrics 19:32 Musical Authenticity and Industry Context 29:44 Googling the Cassie Tone 29:58 Analyzing Synthwave and 80s Pop Art 30:15 Junior Record Executive Discussion 30:47 Exploring the Chorus and Lyrics 31:38 The Significance of 2762 33:51 Dan Rather and the President's Son 37:13 Critiquing 80s Synth Music 39:45 Grunge and Genre Tensions 40:07 Final Thoughts on the Song 44:11 Rating the Song 52:20 Podcast and Social Media Plugs 56:04 Concluding Remarks Learn more about your ad choices. Visit megaphone.fm/adchoices

Many thanks to the members of Looney's Fortune—Patty Amelotte, Georgiana Hennessy, and Matt Tonge! PreludeWelcomeCall to WorshipCarol of Advent - (#168) "Come Thou Long Expected Jesus"Lighting of the Candle of HopeCarol of Advent - (#177) "Good Christian Men, Rejoice"Special Music - "Johsefin's Waltz"Carol of Advent - (#169) "O Come, O Come Emmanuel"Special Music - "What Child is This"Sermon—"There's a God-Child on the Horizon" (Isaiah 7:1–17)Offertory - "Come Before Winter"DoxologyCarol of Advent (#318) "Come Thou Fount of Every Blessing"Serving the Sacrament of CommunionBenedictionSinging of the Lord's PrayerPostlude - "Lark in the Morning"Come Thou Long Expected JesusCome, Thou long-expected Jesus,Born to set Thy people free;From our fears and sins release us;Let us find our rest in Thee.Israel's Strength and Consolation,Hope of all the earth Thou art;Dear Desire of every nation,Joy of every longing heart.Born Thy people to deliver,Born a child and yet a King,Born to reign in us forever,Now Thy gracious Kingdom bring.By Thine own eternal SpiritRule in all our hearts alone;By Thine all-sufficient meritRaise us to Thy glorious throne.Good Christian Men, RejoiceGood Christian men, rejoiceWith heart and soul and voice;Give ye heed to what we say:News! news!Jesus Christ is born today!Ox and ass before Him bow,And He is in the manger now.Christ is born today!Christ is born today!Good Christian men, rejoiceWith heart and soul and voice;Now ye hear of endless bliss:Joy! joy!Jesus Christ was born for this!He has opened heaven's door,And man is blessed evermore.Christ was born for this!Christ was born for this!Good Christian men, rejoiceWith hear and soul and voice;Now ye need not fear the grave:Peace! peace!Jesus Christ was born to save!Calls you one and calls you allTo gain His everlasting hall.Christ was born to save!Christ was born to save!O Come, O Come EmmanuelO come, O come, Emmanuel,And ransom captive Israel,That mourns in lonely exile here,Until the Son of God appear.CHORUS:Rejoice! Rejoice! EmmanuelShall come to thee, O Israel!O come, Thou Dayspring, come and cheerOur spirits by Thine advent here;Disperse the gloomy clouds of night,And death's dark shadows put to flight.[CHORUS]O come, Thou Wisdom from on high,And order all things, far and nigh;To us the path of knowledge show,And cause us in her ways to go.[CHORUS]O come, Desire of nations, bindIn one the hearts of all mankind;Bid Thou our sad divisions cease,And be thyself our King of peace.[CHORUS]

On this episode of NCTV17's Spotlight, fill in host Paige Ronchetti is joined by 3 local nonprofits: 1. The Naperville Garden Club 2. Chorus of DuPage 3. Chicago Sinfonietta

Kevin Corbett, executive director of the nonprofit Gay Men's Chorus, pops into the studio to lift spirits, transport us into a holiday mood and talk about their appearances.

"It had to happen. The Grammys have changed their ruling that music can only be made by humans. The Beatles changed their minds but this is no where near the first time The Grammys have had to accept machine and computer generated music. We have a timeline."

GODDAMMIT RYAN REYNOLDS. WHAT DO YOU WANT? CUT TO: [Cofee is being made.] Oops, I Did It Again - Britney Spears [There are no pants involved.] …this is it, isn't it? What. Season 10 This is the movie before season 10 [Cofee is being enjoyed.] I want to go on high concept adventures through space and time. [There are still no pants involved.] What are you, Ryan Reynolds? A TV host? (sipping coffee) Let's just say I put in my time. —and until the seething, burning hate in your eyes returns, this conversation is over. It never left! So that's what strike force 5 does. ⚡️ Well then, this conversation is still over—because I have better shit to do. [Strike Force 4.5] Getting awesome parts in awesome movies for our friends—yes. Strike force 5–no. What do you mean ‘no' We kicked Jimmy out. Which Jimmy? Shouldn't matter. You know which. Shouldn't matter—okay— just— do the bit. What. The BIT, Ugh, alright. We meet again. Multiple actual actors are stuck in the actual world of Sesame Street, which— Admittedly, this is okay. —seems awesome at first, but after awhile… Ok. This [censored] gets deep. Not that bit! The other bit. I can't do that bit right now. What the fuck? Why not? Because, I'm not wearing pants. Did it work. FUCK YOU RYAN REYNOLDS, GODDAMMIT. So, we meet again. GET OUT. If I was a horse, I'd kick you in the face. Shit, if you were a horse, I'd kick you. And I love fucking horses. You love fucking horses?! You know what? I still might. Get over behind me and a little lower to the ground. You don't want that. No, you dont want that; I'm still holding in a fart. For four seasons? Meet me at the four seasons. For what? Because, global warming is a bitch and I want to take ironic memory photos for momentos. WHAT THE FUCK ARE YOU DOING HERE? Same thing you are. (Sips coffee) You smell like baggage and unpaid debt. The Cosmic Avenger takes off his wedding band to prepare to fight; He places it on the table, and it begins to glow and float, growing as it begins to levitate and gravitate towards his opponent, [a mysterious multidimensional alien], who stands undefeated. The ring swells to the size of a large golden halo, sitting itself atop the head of his opponent, and though momentarily caught in the midsts of being in awe, the halo drops over his opponents head and onto their shoulders, tightening into a collar around their neck—beams of light attach to the collar like chained leashes and seven dieties drag his opponent away. The Cosmic Avenger stands in confusion, before asking, …what does that mean? A DRAW! (We'll see.) Ultralight beam>< oops I did it again. But play the video, right? That, and the Rick Roll. (Courtesy of Jesus Christ The Savior, Inc.) SUNNI BLU MorGIE. What! GODDAMMIT SUNNÏ WHAT! This memo says I'm starting opposite Ryan Reynolds in an upcoming action and adventure flick. Yes, that's correct. No, it isn't, Majilla!!! Why isn't it, Sunni? I can't star opposite Ryan Reynolds. Well, why not? CAUSE I'M GAY. Lil bitz So I was listening to Kanye Weat* Yes. I was listening to Kanye West, and he's talking about cheating on Kim, Like, out loud— And I get dumb curious, so I ask Google Google, why are dudes so obsessed with models— I typed that in and hit search, and the whole thing just freezes. Even Google doesn't have a fucking answer for the intrinsic stupidity that is the hardwiring of the modern man. You ever look at like Greek sculptures, or Roman Arcitecture and realize the women aren't fucking twigs? They're not sticks! They're like muscular, and thick, and mad healthy looking. And that's weird to me. That at one point men were wired to be attracted to healthy looking women— But now the ideal for perfection is like 110 lbs and if you're anywhere between 5'1 and 5'11 that's ideal. That's nuts to me. So you're just trying to like, put your dick through the bitch!? Yes. I can actually see my 5 inch penis on the other side of this woman as I penetrate her. Good job, guys. Meet me at Equinox; The Hudson Yards Location- 7:05 Sharp. Alright. EQUINOX FITNESS. HUDSON YARDS. NEW YORK CITY. DAY Not this side, that side. What do you mean. This is the fitness section. You said Equinox… We're going to the hotel. SUNNI BLU You ever been to pound town? Weather's great right now. I ain't going outside now, I got a new strike force, Four door, 5 clowns. Ohhhhhhhh. Shout out to Jimmy O! Don't shout out to Jimmy, no He back to back too many hooooeeess— You know I'm talkin bout his show Go stream Tonight though. No thanks. Ben and Jerry's tonight doe. AHEM. Gazuntite. Listen— Ryan Reynolds is the devil. I knew it. You knew that already? Yeah. Great, so is he through with Jimmy Fallon then? Uh, I guess. That's great, I gotta go rehearse these lines. Okay? Oh and Jimmy. Yes. Find some pants. MEANWHILE. DAVID LETTERMAN MWAHAHAHAHAHAHAHA HUAHAHAHAHAHAHAHHA! That's more like it. Okay, but following up on before. THE COMIC AGENGER does not need an evil laugh. Hey, Jimmy. Mwahaha.. Damn. Okay. Look, I just found out that dude's evil laugh is actually just…his regular laugh. How do you mean? Have you ever heard Jimmy Fallon laugh? Play the clip. [JIMMY FALLON's actual laugh is terryfying and meniacal. ] You're a menace. You lost me. Whatever dog, I'll have all of you I'll ever need with AI. CUT TO: [Squirts soy sauce into Jimmy Fallon's squinty ass eyes.] AGGGHHHH. MY EYES. Quit friggin squinting. I'm not squinting! These are just my eyes! I hope you die. So. You're officially a literary genius. What are you going to do with that? I don't know? Die? Hahaha, she's Jewish! The entirety of the world of LEGENDS and enter the multiverse becomes a backdrop for Jimmy Kimmel's Latest Late Late Show Is that what it's called? I don't…give a fuck. He acts throughout the season as a literal comic relief, almost always only arriving as disaster and despair have stricken, and at the absolutely worst possible moment— AGH—MY EYES! Your squinty eyes. *also squints* AH WHAT THE [CENSORED] WHY ARE YOU STILL CENSORED?! Didn't they fire you from NBC? I'M CENSORED IN ANYTHING THAT MIGHT BE LATER SYNDICATED— [FUCK] (but censored) Is that what you're squinting at?! ITS IN MY CONTRACT, I AM NOT SQUINTING THESE ARE MY ACTUAL EYES. Fuck you, Jimmy. If I thought you had balls, I'd kick you in them right now. [EXPLITIVE] YOUR FACE. What are you, Chinese? THIS IS VERY OFFENSIVE. Hush, Yao Ming. YOURE JUST MAKING IT WORSE. Do you want any soy sauce in your noodles? This is classic ritual torture. You hush, too Billie— I need you to coconut oil the cornbread. Cornbread with noodles?! I didn't hear any complaints when I went over today's menu earlier while you two were at karaoke, almost getting along just fine. CUT TO: FLASHBACK, EARLIER I'm making noodles with cornbread, any suggestions. PSYCHO KILLER! FAH-FAH-FAH-FAH-FAH-FAH You're off pitch. I HAVE PERFECT PITCH. FA-FA You're flat. Eat a dick. Ugh. Yo, G, what's for lunch? [standing in the doorway awkwardly with a spatula] Oh, I get it— G stands for Flashback within a flashback: Tha God. I'm not calling you that. Why not? That's what you've been calling me for decades— now that I'm in a person, it makes any difference? Yeah, that person. Something's different. You don't say. It's my eyes. Something's — different. Oh, it's nothing— just the very slightest more blue. Blue, did you say? RYAN REYNOLDS (As Archer) You'll mark the hour at which it begins, With this, A solemn sustained and prolonged note Which cherishes your argument, That all art must come undone, Foraged in truth, And bound by light With sanctity. CHORUS Here here! Greetings, dear Chorus, Or have you named your honored hut—? The gathering of all bound by the Gods Who are astounded at our haste making! CHORUS To tide! To tide and fare not my good; Fare not my brethren, come cut to fire; In aught to honor thy shallow grazing, And there, the art had sunk, Though weeping cottons in the Weat, For fortune, to arch, ire. For certain, and for gathered have you waiting— Crisp air and our attire, to call tonight, The very moon to whom the stars melt, Though pacing off and appearing as none but small like, Off in the thunderous wonders of us, Beyond earth, Another path which light, And art must honor. Hear you, And faring great to those requested our service, Bone marrow, and silk wi‘d blood Forsaken, as all have heard by now, Enchantments and forced sermons, And with wit does honor I, Gasping for staging, Present but here not yet, The after wish of heart, you I does followeth, Daring to know thy name, As Kingdom come, And yet, You are not— Still dark the womb of haven't made, And saying, ‘Are I not of my father and mother, Or neither?' To honor once at dusk, my own coming as one And at dawn, my own night in the wake in death of days, Sure to end for not I wake, as fair health does hold My farewells and yonder says, Oh how I, And are you— The game at hand. And now, our honor. SEAN EVANS (As Tallymaede) —Bur first, we feast. [The chorus cheers with great elation.] Who the fuck ordered Greek Theatre cold opens? Jesus Christ, party of 1. I don't know. ‍♀️ I was fasting. I meant— ahem— Party of three. LEGENDS {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

GODDAMMIT RYAN REYNOLDS. WHAT DO YOU WANT? CUT TO: [Cofee is being made.] Oops, I Did It Again - Britney Spears [There are no pants involved.] …this is it, isn't it? What. Season 10 This is the movie before season 10 [Cofee is being enjoyed.] I want to go on high concept adventures through space and time. [There are still no pants involved.] What are you, Ryan Reynolds? A TV host? (sipping coffee) Let's just say I put in my time. —and until the seething, burning hate in your eyes returns, this conversation is over. It never left! So that's what strike force 5 does. ⚡️ Well then, this conversation is still over—because I have better shit to do. [Strike Force 4.5] Getting awesome parts in awesome movies for our friends—yes. Strike force 5–no. What do you mean ‘no' We kicked Jimmy out. Which Jimmy? Shouldn't matter. You know which. Shouldn't matter—okay— just— do the bit. What. The BIT, Ugh, alright. We meet again. Multiple actual actors are stuck in the actual world of Sesame Street, which— Admittedly, this is okay. —seems awesome at first, but after awhile… Ok. This [censored] gets deep. Not that bit! The other bit. I can't do that bit right now. What the fuck? Why not? Because, I'm not wearing pants. Did it work. FUCK YOU RYAN REYNOLDS, GODDAMMIT. So, we meet again. GET OUT. If I was a horse, I'd kick you in the face. Shit, if you were a horse, I'd kick you. And I love fucking horses. You love fucking horses?! You know what? I still might. Get over behind me and a little lower to the ground. You don't want that. No, you dont want that; I'm still holding in a fart. For four seasons? Meet me at the four seasons. For what? Because, global warming is a bitch and I want to take ironic memory photos for momentos. WHAT THE FUCK ARE YOU DOING HERE? Same thing you are. (Sips coffee) You smell like baggage and unpaid debt. The Cosmic Avenger takes off his wedding band to prepare to fight; He places it on the table, and it begins to glow and float, growing as it begins to levitate and gravitate towards his opponent, [a mysterious multidimensional alien], who stands undefeated. The ring swells to the size of a large golden halo, sitting itself atop the head of his opponent, and though momentarily caught in the midsts of being in awe, the halo drops over his opponents head and onto their shoulders, tightening into a collar around their neck—beams of light attach to the collar like chained leashes and seven dieties drag his opponent away. The Cosmic Avenger stands in confusion, before asking, …what does that mean? A DRAW! (We'll see.) Ultralight beam>< oops I did it again. But play the video, right? That, and the Rick Roll. (Courtesy of Jesus Christ The Savior, Inc.) SUNNI BLU MorGIE. What! GODDAMMIT SUNNÏ WHAT! This memo says I'm starting opposite Ryan Reynolds in an upcoming action and adventure flick. Yes, that's correct. No, it isn't, Majilla!!! Why isn't it, Sunni? I can't star opposite Ryan Reynolds. Well, why not? CAUSE I'M GAY. Lil bitz So I was listening to Kanye Weat* Yes. I was listening to Kanye West, and he's talking about cheating on Kim, Like, out loud— And I get dumb curious, so I ask Google Google, why are dudes so obsessed with models— I typed that in and hit search, and the whole thing just freezes. Even Google doesn't have a fucking answer for the intrinsic stupidity that is the hardwiring of the modern man. You ever look at like Greek sculptures, or Roman Arcitecture and realize the women aren't fucking twigs? They're not sticks! They're like muscular, and thick, and mad healthy looking. And that's weird to me. That at one point men were wired to be attracted to healthy looking women— But now the ideal for perfection is like 110 lbs and if you're anywhere between 5'1 and 5'11 that's ideal. That's nuts to me. So you're just trying to like, put your dick through the bitch!? Yes. I can actually see my 5 inch penis on the other side of this woman as I penetrate her. Good job, guys. Meet me at Equinox; The Hudson Yards Location- 7:05 Sharp. Alright. EQUINOX FITNESS. HUDSON YARDS. NEW YORK CITY. DAY Not this side, that side. What do you mean. This is the fitness section. You said Equinox… We're going to the hotel. SUNNI BLU You ever been to pound town? Weather's great right now. I ain't going outside now, I got a new strike force, Four door, 5 clowns. Ohhhhhhhh. Shout out to Jimmy O! Don't shout out to Jimmy, no He back to back too many hooooeeess— You know I'm talkin bout his show Go stream Tonight though. No thanks. Ben and Jerry's tonight doe. AHEM. Gazuntite. Listen— Ryan Reynolds is the devil. I knew it. You knew that already? Yeah. Great, so is he through with Jimmy Fallon then? Uh, I guess. That's great, I gotta go rehearse these lines. Okay? Oh and Jimmy. Yes. Find some pants. MEANWHILE. DAVID LETTERMAN MWAHAHAHAHAHAHAHA HUAHAHAHAHAHAHAHHA! That's more like it. Okay, but following up on before. THE COMIC AGENGER does not need an evil laugh. Hey, Jimmy. Mwahaha.. Damn. Okay. Look, I just found out that dude's evil laugh is actually just…his regular laugh. How do you mean? Have you ever heard Jimmy Fallon laugh? Play the clip. [JIMMY FALLON's actual laugh is terryfying and meniacal. ] You're a menace. You lost me. Whatever dog, I'll have all of you I'll ever need with AI. CUT TO: [Squirts soy sauce into Jimmy Fallon's squinty ass eyes.] AGGGHHHH. MY EYES. Quit friggin squinting. I'm not squinting! These are just my eyes! I hope you die. So. You're officially a literary genius. What are you going to do with that? I don't know? Die? Hahaha, she's Jewish! The entirety of the world of LEGENDS and enter the multiverse becomes a backdrop for Jimmy Kimmel's Latest Late Late Show Is that what it's called? I don't…give a fuck. He acts throughout the season as a literal comic relief, almost always only arriving as disaster and despair have stricken, and at the absolutely worst possible moment— AGH—MY EYES! Your squinty eyes. *also squints* AH WHAT THE [CENSORED] WHY ARE YOU STILL CENSORED?! Didn't they fire you from NBC? I'M CENSORED IN ANYTHING THAT MIGHT BE LATER SYNDICATED— [FUCK] (but censored) Is that what you're squinting at?! ITS IN MY CONTRACT, I AM NOT SQUINTING THESE ARE MY ACTUAL EYES. Fuck you, Jimmy. If I thought you had balls, I'd kick you in them right now. [EXPLITIVE] YOUR FACE. What are you, Chinese? THIS IS VERY OFFENSIVE. Hush, Yao Ming. YOURE JUST MAKING IT WORSE. Do you want any soy sauce in your noodles? This is classic ritual torture. You hush, too Billie— I need you to coconut oil the cornbread. Cornbread with noodles?! I didn't hear any complaints when I went over today's menu earlier while you two were at karaoke, almost getting along just fine. CUT TO: FLASHBACK, EARLIER I'm making noodles with cornbread, any suggestions. PSYCHO KILLER! FAH-FAH-FAH-FAH-FAH-FAH You're off pitch. I HAVE PERFECT PITCH. FA-FA You're flat. Eat a dick. Ugh. Yo, G, what's for lunch? [standing in the doorway awkwardly with a spatula] Oh, I get it— G stands for Flashback within a flashback: Tha God. I'm not calling you that. Why not? That's what you've been calling me for decades— now that I'm in a person, it makes any difference? Yeah, that person. Something's different. You don't say. It's my eyes. Something's — different. Oh, it's nothing— just the very slightest more blue. Blue, did you say? RYAN REYNOLDS (As Archer) You'll mark the hour at which it begins, With this, A solemn sustained and prolonged note Which cherishes your argument, That all art must come undone, Foraged in truth, And bound by light With sanctity. CHORUS Here here! Greetings, dear Chorus, Or have you named your honored hut—? The gathering of all bound by the Gods Who are astounded at our haste making! CHORUS To tide! To tide and fare not my good; Fare not my brethren, come cut to fire; In aught to honor thy shallow grazing, And there, the art had sunk, Though weeping cottons in the Weat, For fortune, to arch, ire. For certain, and for gathered have you waiting— Crisp air and our attire, to call tonight, The very moon to whom the stars melt, Though pacing off and appearing as none but small like, Off in the thunderous wonders of us, Beyond earth, Another path which light, And art must honor. Hear you, And faring great to those requested our service, Bone marrow, and silk wi‘d blood Forsaken, as all have heard by now, Enchantments and forced sermons, And with wit does honor I, Gasping for staging, Present but here not yet, The after wish of heart, you I does followeth, Daring to know thy name, As Kingdom come, And yet, You are not— Still dark the womb of haven't made, And saying, ‘Are I not of my father and mother, Or neither?' To honor once at dusk, my own coming as one And at dawn, my own night in the wake in death of days, Sure to end for not I wake, as fair health does hold My farewells and yonder says, Oh how I, And are you— The game at hand. And now, our honor. SEAN EVANS (As Tallymaede) —Bur first, we feast. [The chorus cheers with great elation.] Who the fuck ordered Greek Theatre cold opens? Jesus Christ, party of 1. I don't know. ‍♀️ I was fasting. I meant— ahem— Party of three. LEGENDS {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

GODDAMMIT RYAN REYNOLDS. WHAT DO YOU WANT? CUT TO: [Cofee is being made.] Oops, I Did It Again - Britney Spears [There are no pants involved.] …this is it, isn't it? What. Season 10 This is the movie before season 10 [Cofee is being enjoyed.] I want to go on high concept adventures through space and time. [There are still no pants involved.] What are you, Ryan Reynolds? A TV host? (sipping coffee) Let's just say I put in my time. —and until the seething, burning hate in your eyes returns, this conversation is over. It never left! So that's what strike force 5 does. ⚡️ Well then, this conversation is still over—because I have better shit to do. [Strike Force 4.5] Getting awesome parts in awesome movies for our friends—yes. Strike force 5–no. What do you mean ‘no' We kicked Jimmy out. Which Jimmy? Shouldn't matter. You know which. Shouldn't matter—okay— just— do the bit. What. The BIT, Ugh, alright. We meet again. Multiple actual actors are stuck in the actual world of Sesame Street, which— Admittedly, this is okay. —seems awesome at first, but after awhile… Ok. This [censored] gets deep. Not that bit! The other bit. I can't do that bit right now. What the fuck? Why not? Because, I'm not wearing pants. Did it work. FUCK YOU RYAN REYNOLDS, GODDAMMIT. So, we meet again. GET OUT. If I was a horse, I'd kick you in the face. Shit, if you were a horse, I'd kick you. And I love fucking horses. You love fucking horses?! You know what? I still might. Get over behind me and a little lower to the ground. You don't want that. No, you dont want that; I'm still holding in a fart. For four seasons? Meet me at the four seasons. For what? Because, global warming is a bitch and I want to take ironic memory photos for momentos. WHAT THE FUCK ARE YOU DOING HERE? Same thing you are. (Sips coffee) You smell like baggage and unpaid debt. The Cosmic Avenger takes off his wedding band to prepare to fight; He places it on the table, and it begins to glow and float, growing as it begins to levitate and gravitate towards his opponent, [a mysterious multidimensional alien], who stands undefeated. The ring swells to the size of a large golden halo, sitting itself atop the head of his opponent, and though momentarily caught in the midsts of being in awe, the halo drops over his opponents head and onto their shoulders, tightening into a collar around their neck—beams of light attach to the collar like chained leashes and seven dieties drag his opponent away. The Cosmic Avenger stands in confusion, before asking, …what does that mean? A DRAW! (We'll see.) Ultralight beam>< oops I did it again. But play the video, right? That, and the Rick Roll. (Courtesy of Jesus Christ The Savior, Inc.) SUNNI BLU MorGIE. What! GODDAMMIT SUNNÏ WHAT! This memo says I'm starting opposite Ryan Reynolds in an upcoming action and adventure flick. Yes, that's correct. No, it isn't, Majilla!!! Why isn't it, Sunni? I can't star opposite Ryan Reynolds. Well, why not? CAUSE I'M GAY. Lil bitz So I was listening to Kanye Weat* Yes. I was listening to Kanye West, and he's talking about cheating on Kim, Like, out loud— And I get dumb curious, so I ask Google Google, why are dudes so obsessed with models— I typed that in and hit search, and the whole thing just freezes. Even Google doesn't have a fucking answer for the intrinsic stupidity that is the hardwiring of the modern man. You ever look at like Greek sculptures, or Roman Arcitecture and realize the women aren't fucking twigs? They're not sticks! They're like muscular, and thick, and mad healthy looking. And that's weird to me. That at one point men were wired to be attracted to healthy looking women— But now the ideal for perfection is like 110 lbs and if you're anywhere between 5'1 and 5'11 that's ideal. That's nuts to me. So you're just trying to like, put your dick through the bitch!? Yes. I can actually see my 5 inch penis on the other side of this woman as I penetrate her. Good job, guys. Meet me at Equinox; The Hudson Yards Location- 7:05 Sharp. Alright. EQUINOX FITNESS. HUDSON YARDS. NEW YORK CITY. DAY Not this side, that side. What do you mean. This is the fitness section. You said Equinox… We're going to the hotel. SUNNI BLU You ever been to pound town? Weather's great right now. I ain't going outside now, I got a new strike force, Four door, 5 clowns. Ohhhhhhhh. Shout out to Jimmy O! Don't shout out to Jimmy, no He back to back too many hooooeeess— You know I'm talkin bout his show Go stream Tonight though. No thanks. Ben and Jerry's tonight doe. AHEM. Gazuntite. Listen— Ryan Reynolds is the devil. I knew it. You knew that already? Yeah. Great, so is he through with Jimmy Fallon then? Uh, I guess. That's great, I gotta go rehearse these lines. Okay? Oh and Jimmy. Yes. Find some pants. MEANWHILE. DAVID LETTERMAN MWAHAHAHAHAHAHAHA HUAHAHAHAHAHAHAHHA! That's more like it. Okay, but following up on before. THE COMIC AGENGER does not need an evil laugh. Hey, Jimmy. Mwahaha.. Damn. Okay. Look, I just found out that dude's evil laugh is actually just…his regular laugh. How do you mean? Have you ever heard Jimmy Fallon laugh? Play the clip. [JIMMY FALLON's actual laugh is terryfying and meniacal. ] You're a menace. You lost me. Whatever dog, I'll have all of you I'll ever need with AI. CUT TO: [Squirts soy sauce into Jimmy Fallon's squinty ass eyes.] AGGGHHHH. MY EYES. Quit friggin squinting. I'm not squinting! These are just my eyes! I hope you die. So. You're officially a literary genius. What are you going to do with that? I don't know? Die? Hahaha, she's Jewish! The entirety of the world of LEGENDS and enter the multiverse becomes a backdrop for Jimmy Kimmel's Latest Late Late Show Is that what it's called? I don't…give a fuck. He acts throughout the season as a literal comic relief, almost always only arriving as disaster and despair have stricken, and at the absolutely worst possible moment— AGH—MY EYES! Your squinty eyes. *also squints* AH WHAT THE [CENSORED] WHY ARE YOU STILL CENSORED?! Didn't they fire you from NBC? I'M CENSORED IN ANYTHING THAT MIGHT BE LATER SYNDICATED— [FUCK] (but censored) Is that what you're squinting at?! ITS IN MY CONTRACT, I AM NOT SQUINTING THESE ARE MY ACTUAL EYES. Fuck you, Jimmy. If I thought you had balls, I'd kick you in them right now. [EXPLITIVE] YOUR FACE. What are you, Chinese? THIS IS VERY OFFENSIVE. Hush, Yao Ming. YOURE JUST MAKING IT WORSE. Do you want any soy sauce in your noodles? This is classic ritual torture. You hush, too Billie— I need you to coconut oil the cornbread. Cornbread with noodles?! I didn't hear any complaints when I went over today's menu earlier while you two were at karaoke, almost getting along just fine. CUT TO: FLASHBACK, EARLIER I'm making noodles with cornbread, any suggestions. PSYCHO KILLER! FAH-FAH-FAH-FAH-FAH-FAH You're off pitch. I HAVE PERFECT PITCH. FA-FA You're flat. Eat a dick. Ugh. Yo, G, what's for lunch? [standing in the doorway awkwardly with a spatula] Oh, I get it— G stands for Flashback within a flashback: Tha God. I'm not calling you that. Why not? That's what you've been calling me for decades— now that I'm in a person, it makes any difference? Yeah, that person. Something's different. You don't say. It's my eyes. Something's — different. Oh, it's nothing— just the very slightest more blue. Blue, did you say? RYAN REYNOLDS (As Archer) You'll mark the hour at which it begins, With this, A solemn sustained and prolonged note Which cherishes your argument, That all art must come undone, Foraged in truth, And bound by light With sanctity. CHORUS Here here! Greetings, dear Chorus, Or have you named your honored hut—? The gathering of all bound by the Gods Who are astounded at our haste making! CHORUS To tide! To tide and fare not my good; Fare not my brethren, come cut to fire; In aught to honor thy shallow grazing, And there, the art had sunk, Though weeping cottons in the Weat, For fortune, to arch, ire. For certain, and for gathered have you waiting— Crisp air and our attire, to call tonight, The very moon to whom the stars melt, Though pacing off and appearing as none but small like, Off in the thunderous wonders of us, Beyond earth, Another path which light, And art must honor. Hear you, And faring great to those requested our service, Bone marrow, and silk wi‘d blood Forsaken, as all have heard by now, Enchantments and forced sermons, And with wit does honor I, Gasping for staging, Present but here not yet, The after wish of heart, you I does followeth, Daring to know thy name, As Kingdom come, And yet, You are not— Still dark the womb of haven't made, And saying, ‘Are I not of my father and mother, Or neither?' To honor once at dusk, my own coming as one And at dawn, my own night in the wake in death of days, Sure to end for not I wake, as fair health does hold My farewells and yonder says, Oh how I, And are you— The game at hand. And now, our honor. SEAN EVANS (As Tallymaede) —Bur first, we feast. [The chorus cheers with great elation.] Who the fuck ordered Greek Theatre cold opens? Jesus Christ, party of 1. I don't know. ‍♀️ I was fasting. I meant— ahem— Party of three. LEGENDS {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2024 ALL RIGHTS RESERVED. ©

Amid defeat, oppression, and captivity, a prophetic chorus of hope was uttered from the darkness. The message to the hurting and broken is this: a hero is coming!Today's Bible verse is Isaiah 9:6, from the King James Version.Download the Pray.com app for more Christian content including, Daily Prayers, Inspirational Testimonies, and Bedtime Bible Stories.Pray.com is the digital destination for faith. With over 5,000 daily prayers, meditations, bedtime stories, and cinematic stories inspired by the Bible, the Pray.com app has everything you need to keep your focus on the Lord. Make Prayer a priority and download the #1 App for Prayer and Sleep today in the Apple app store or Google Play store.See omnystudio.com/listener for privacy information.

Play along at home with the lyrics: [Paul Young] It's Christmas time There's no need to be afraid At Christmas time We let in light and we banish shade [Boy George] And in our world of plenty We can spread a smile of joy Throw your arms around the world At Christmas time [George Michael & Simon LeBon (Duran Duran)] But say a prayer Pray for the other ones At Christmas time it's hard But when you're having fun [Simon LeBon, & Sting] There's a world outside your window And it's a world of dread and fear [Sting, & Simon LeBon] Where the only water flowing Is the bitter sting of tears [Bono, & Sting] And the Christmas bells that ring there Are the clanging chimes of doom [Bono] Well, tonight thank God it's them Instead of you [Boy George & Others] And there won't be snow in Africa this Christmas time The greatest gift they'll get this year is life (Oooh) Where nothing ever grows, no rain or rivers flow Do they know it's Christmas time at all? [Marilyn & Glenn Gregory] Here's to you [Paul Young] Raise a glass for everyone [Marilyn & Glenn Gregory] Here's to them [Paul Young] Underneath that burning sun [Paul Young, Marilyn & Glenn Gregory] Do they know it's Christmas time at all? [Chorus: All] Feed the world Let them know it's Christmas time again [Chorus repeat forever, fade out] Jump to section: (00:10) Christmas introduction but no waffling like you get on some podcasts. You know the ones. (01:30) Song title, writers' details etc (03:21) Christmas jokes - Band Aid edition (11:22) To the lyrics (new jingle!). Disclaimers and excuses for what's to come (14:18) Band Aid, Band Aid 20, Band Aid 30, Band Aid 40, and the orphaned Band Aid II (15:46) Getting into the lyrics proper. Christian nations and English perspectives or lack thereof (17:22) Christmas fears, dubious phobias and spiking statistics (28:49) Plenty (31:37) Thoughts and prayers and othering (33:58) 80s pop riches and guilt (35:40) dread, fear, and the sting of tears (39:50) Christmas bells (40:49) It's them or us? Empathy flow-chart. Famine and civil war (44:43) Ebola (46:12) Snow in Africa. Ebola rap! (52:07) Africa has no jungles, rain, or rivers, or maybe it has the largest ones (53:16) Do they know? Can they Know? The music video. Reflections. (57:33) Theories From The Internet. Lots of arguing people. AI gets it wrong (01:00:54) Notable Trivia. Queen & apartheid, Halloween parody, Russell Brand, cover versions, Ray Hadley (01:04:55) Misheard Lyrics. (01:09:00) Farewells and ⁠⁠⁠give us money⁠⁠⁠ Would you like to appear (well, vocally) on the show? Do you have a pop song or ear-worm from the SMOOTH FM genre that's infested your mind and needs to be investigated? Visit this page ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://speakpipe.com/lyrics⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to record us your own voicemail hot-take on your specific smooth song of suckiness. You could be on a future episode! (you can always email sound files or text your thoughts to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠poidadavis@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ if that's easier). Cheers! Find us on Twitter, Facebook, Instagram etc @LyricsPodast ... and we're on all your favourite podcasting platforms. Sound clips are included for educational reference, criticism, satire and parody in fair use. Clips remain the property of the respective rights holder and no endorsement is implied. All information and opinion is performed and expressed in-character and does not reflect reality or genuine commentary on any persons (living or dead), bands or other organisations, or their works, and is not recommended listening for anyone, anywhere.

Chapters(00:00) Intro & What's On Our Plates!(17:51) Taylor Updates: Holiday Merch, Grammy Nominations(47:56) Only The Young: Folklore Of The Song(54:57) Verse 1: Popular Vote, Hope For The Future(57:13) Chorus 1: A Red TV Similarity, Social Activism(01:00:15) Verse 2: School Shootings(01:06:33) Bridge: Millenials Rise Up, Anti-Boomer Bridge(01:09:28) Chorus - Outro: Children's Choir, Unfinished Ending(01:21:00) Our Favorite Lyrics & Rating(01:23:14) This Song As A Recipe(01:25:31) What's Next & Signing Off!Links ReferencedEnglish TeacherBrian Jordan AlvarezPlease make sure to subscribe and leave a review. If you'd like to reach out to send in a question or comment, please do so via any of these platforms:email blankplatepod@gmail.comleave a voicemail at (717) 382-831YouTubeInstagramTikTokYou can also follow Sara and Laura individually:• Laura: Instagram and Tiktok• Sara: InstagramListen to our previous podcast: Passports & Pizza

In this episode of Chorus in the Chaos, Jack, Grayson, and Blake dive deep into the Second Commandment, exploring the significance of worshiping God in spirit and truth. They tackle challenging questions about the use of images in worship, discuss the theological implications of idolatry, and explain why God's glory cannot be captured through human representation. Drawing insights from scripture, historical theology, and their personal journeys, the hosts aim to clarify how Christians can faithfully obey this command in a culture saturated with visual representations of Christ.   Key Topics Covered: The biblical basis of the Second Commandment  Why God prohibits the creation of His image for worship. The theological beauty of the incarnation and its implications for images of Christ. Historical and contemporary views on idolatry in worship practices. Practical advice for navigating cultural depictions of Jesus.    For a limited time, The Chorus in the Chaos listeners get 10% off their purchase at Reformation Heritage Books! Use the coupon code: "CHORUS". While there, don't forget to check out the new Puritan Treasures For Today!   The Chorus in the Chaos Info: Website & Blog: www.chorusinthechaos.com Facebook: https://www.facebook.com/chorusinthec... Instagram: https://www.instagram.com/chorus_in_the_chaos/ Twitter: https://twitter.com/Chorusnthechaos Intro/Outro Music (by our good friend Nick Illes): https://open.spotify.com/artist/7tnsQ... Email: chorusinthechaos@email.com      

How did NZ become so successful in fibre uptake, outpacing both Australia and the UK, despite geographical challenges? Plus what does this mean for the NZ's connected future? Mark Aue CEO of Chorus speaks about skyrocketing data usage, the future of connected homes and  how the country is tackling digital exclusion. This quick bite is from our previous episode 'How Chorus built our $5.5B world-class fibre network' For more or to watch on YouTube—check out http://linktr.ee/sharedlunch Shared Lunch is brought to you by Sharesies Limited (NZ) in New Zealand and Sharesies Australia Limited (ABN 94 648 811 830; AFSL 529893) (collectively referred to as ‘Sharesies').  Appearance on Shared Lunch is not an endorsement by Sharesies of the views of the presenters, guests, or the entities they represent. Their views are their own. Shared Lunch is not personal financial advice and provides general information only.  Past performance is not an indication of future performance. We recommend talking to a licensed financial adviser. You should review relevant product disclosure documents before deciding to invest. Investing involves risk. You might lose the money you start with. Content is current at the time.  See omnystudio.com/listener for privacy information.

This is a special musical presentation of Leaning on the Everlasting Arms with the Chancel Choir at Faith Lutheran Church in Okemos, Michigan.

Welcome to the Christmas series! Amid defeat, oppression, and captivity, a prophetic chorus of hope was uttered from the darkness. The message to the hurting and broken is this: a hero is coming!  Sign up for special devotionals at StoriesoftheMessiah.com. As we dive deeply into iconic Bible heroes' enthralling narratives, we find more than just stories of faith and miracles. We discover a recurrent theme, a spiritual undertone that connects each tale to the grandeur of the Gospel. They're not just standalone legends; they're threads in a divine tapestry, weaving a story that foreshadows Jesus Christ, the ultimate hero, the promised Messiah who brings light to the darkest corners of history. For more Bible stories download the Pray.com app.  To learn more about Rabbi Schneider visit https://discoveringthejewishjesus.com/ See omnystudio.com/listener for privacy information.

Loki chats with Grammy-nominated flutist, vocalist, and composer, Nathalie Joachim about Afromodernism, building community as an artist, and more. Loki responds to imagery that suggests that it's time for Black women to watch it all burn.NOLA Chamber FestLyrica BaroqueNathalie JoachimNathalie Joachim - Kouti yo (Live from Juilliard)Aware by Nathalie Joachim; Rachel Mellis, flute"I Can't Stop Thinking" by LokiConga Drum Accompaniment ★ Support this podcast ★

"This is one of the oddest topics we have done in a while. There are Guinness World Records in music. They are easy to find. However many of them are disputed as someone now believes he or she owns the record. It is fascinating."

Contemporary artist Pamela Phatsimo Sunstrum, and curator Diego Chocano, slip between places and times, reconstructing the landscape of Botswana in the centre of the city of London, through their filmic installation, It Will End in Tears (2024). Pamela Phatsimo Sunstrum's practice spans landscapes and media, encompassing painting, installation, and animation. Their drawings take the form of narrative landscapes, that seem simultaneously futuristic and ancient, playing with conventions of linear time. Referencing Octavia Butler's Parable of the Sower, and Pan's Labyrinth, a film by Guillermo del Toro, they often draw from literature, theatre, and sci-fi films - particularly in their slippery representations of people and places. Born in Botswana, and having worked in the US, Canada, South Africa, and the Netherlands, Pamela describes how her work has been shaped by these different contexts. They detail their transformative residency with tutor Arturo Lindsay in the rainforest in Panama, a Central American and Caribbean country on the coast, and how this inspired their representations of volcanic, subterranean, and cosmological environments. Seeing the landscape as ‘another character' in their their works, Pamela challenges the binary of landscape and figurative painting, and Western/European art historical conventions. Though It Will End in Tears is Pamela's first major UK solo exhibition, it is not their first in the city of London; we discuss their relationship with spaces across the capital, and its colonial histories. Curator Diego Chocano highlights how Pamela has both challenged and embraced conventions of Western/European art history, in their artistic and educational practices. We discuss the artist's academic approach, and ‘research' approach to art, which has inspired interdisciplinary collaborations including in the field of science, with theoretical physicist Dr. James Sylvester Gates. He details the artist's interest in performance and artifice, drawing on film noir, wooden theatre sets, and the figure of the femme fatale for this body of work. We discuss how Pamela's self-constructed alter ego, Asme, enables the artist more freedom of creative expression, and the ability to resist categorisation by identity, biography, or subjectivity. ⁠Pamela Phatsimo Sunstrum: It Will End in Tears⁠ runs at the Barbican in London until 5 January 2025. Find out more about Leo Robinson, and Édouard Glissant's ideas of ‘trembling', at the London Mithraeum Bloomberg SPACE: instagram.com/p/DAtbDyUIHzl/?next=%2F&img_index=3 Hear Barbican curator Florence Ostende on Carrie Mae Weems' series, From Here I Saw What Happened and I Cried (1995–1996): pod.link/1533637675/episode/b4e1a077367a0636c47dee51bcbbd3da And curator Alice Wilke on Carrie Mae Weems' Africa Series (1993), at the Kunstmuseum Basel: pod.link/1533637675/episode/d63af25b239253878ec68180cd8e5880 For more from the Curve, hear Barbican curator Eleanor Nairne on Julianknxx's Chorus in Rememory of Flight (2023), on EMPIRE LINES: pod.link/1533637675/episode/1792f53fa27b8e2ece289b53dd62b2b7 And find out more about ancient Adinkra symbology and geometric structures in the episode about El Anatsui's Scottish Mission Book Depot Keta (2024) at Talbot Rice Gallery in Edinburgh: pod.link/1533637675/episode/2e464e75c847d9d19cfa4dc46ea33338 PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: ⁠instagram.com/empirelinespodcast⁠ And Twitter: ⁠twitter.com/jelsofron/status/1306563558063271936⁠ Support EMPIRE LINES on Patreon: ⁠patreon.com/empirelines