Podcasts about Marimba

This is 22 Hours: A Second Look, where we revisit our original season with host Megan Cloherty. In this episode, we share more of Megan's interview with Abbigail Savopoulos, including memories of her mom and dad, and whose decision it was to send her to boarding school—a decision that may have saved her life. She also talks about the moments after learning her childhood home was on fire, and why she says her life became a whirlwind.New episodes drop every Tuesday.Original Episode-The Savopoulos house was held in evidence for weeks as crime scene investigators looked for clues. In the end, five pieces of forensic evidence linked Daron Wint to the killings, including a sliver of his DNA on the crust of a pizza that had been delivered to the house while he held the family captive. But was the forensic evidence a slam dunk? This episode is written and produced by reporters Megan Cloherty and Jack Moore. Julia Ziegler is the content adviser.All music featured in "22 Hours: An American Nightmare" is licensed through Creative Commons and/or by permission of the artist. We're grateful to all the artists whose music has helped us tell this story. “Haters Hate” by Ramone Messam, used with permission of the artist; “Procession” by Puddle of Infinity, available in the YouTube Audio Library; “Rhythmic Pulse,” “Marimba on the Loose” and “Closing My Eyes for a Moment” by Daniel Birch, and “Weirder” by Drake Stafford, all licensed under Creative Commons by Attribution 4.0 International.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Esta série de programas especiais será um espaço para dialogarmos sobre o mercado de trabalho existente para o/a profissional de cenografia em várias regiões brasileiras. Sophia Ázara habita o universo da invencionice, encantada por materiais que sobram, trabalha com a criação de atmosferas que unem subjetividade e imaginação. É Arquiteta, Cenógrafa, Diretora de Arte, Fotógrafa, Marceneira, Coordenadora do cineclube e escola de cinema Cine Pagu e sócia na produtora Engenhoca Filmes. Atua no universo do audiovisual desde 2015, em 2018 iniciou em trabalhos como assistente de arte em longa metragem, clipe musical e curta metragem. Em 2019 fez sua primeira direção de arte no filme “A Incrível Aventura das Sonhadoras Crianças Contra Lixeira Furada e Capitão Sujeira”, pelo qual ganhou o prêmio de Melhor Direção de Arte pelo Juri Oficial do Festival Sercine 2021. Além dos trabalhos no audiovisual, também cria e executa projetos expográficos para exposições de artes visuais.Daniele Geammal é cenógrafa, figurinista e professora da Escola Técnica Estadual de Teatro Martins Penna. Entre seus projetos mais recentes estão: “Cabaré do Gláucio”, onde foi responsável pelos figurinos de uma série de cabarés no Teatro Gláucio Gil; cenário de “Temperos de Frida”, da Quinti Companhia; direção de arte de “Constituição: o ovo ou a galinha?”; cenários e figurinos dos projetos “Louise/ os Ursos”, da Pandorga Cia de Teatro, com direção de Cleiton Echeveste, e “Comédia Social”, da Multifoco Cia de Teatro, sob a direção de Ricardo Rocha. Em 2020 tornou-se mestra em Ensino das Artes Cênicas na UNIRIO, com uma pesquisa sobre as visualidades da cena na formação de intérpretes. Em 2021 iniciou doutorado no programa de Artes da Cena na UFRJ, dando continuidade à pesquisa sobre formação. SÉRGIO MARIMBA é artista plástico, cenógrafo. Artista múltiplo, autodidata, iniciou sua carreira em 1982 no carnaval, desenvolvendo estruturas e esculturas em metal para alegorias e fantasias para as escolas de samba no Rio de Janeiro. Paralelo ao carnaval, criou inúmeras cenografias para televisão, cinema, shows e eventos. Especialmente nas artes-cênicas trabalhou com renomados diretores em mais de 200 produções de espetáculos de teatro, música e dança, tendo recebido e sido indicado a vários prêmios de relevância nacional como Mambembe, Rio Dança e APTR. Também assina a cenografia/direção de arte do trabalho de importantes artistas como os músicos Pedro Luís, Anna Ratto, Roberta Sá, Marcelo D2 e Nando Reis.Nas artes plásticas, Marimba desenvolve suas criações - colagens, assemblages, esculturas e objetos poéticos - tendo como conceito a memória do objeto e o tempo da matéria.Natália Lana é cenógrafa com mais de 25 anos de intensa atuação na área teatral, criou cenários para diversos musicais e atua em outras áreas da cenografia, como em shows, eventos, audiovisual, carnaval e, até mesmo, em circo. Com trabalhos constantes com renomados diretores da atualidade, recebeu os prêmios Brasil Musical, Botequim Cultural, É Sobre Musicais, Destaque Imprensa Digital, CENYM e CBTI, além de 21 indicações nos últimos quatro anos. Autora de A EVOLUÇÃO DO ESPAÇO CÊNICO e MANUAL BÁSICO DE CENOGRAFIA TEATRAL, livro este que é referência no ensino da cenografia, lecionou durante dois anos na UFRJ e ministra diversas oficinas livres, além de ter criado, junto com a cenógrafa Marieta Spada, o canal no YouTube CENOGRAVANDO, com conteúdos diversos na área da cenografia.Beto de Almeida é cenotécnico e já trabalhou no Teatro Municipal Carlos Gomes, Espaço Cultural Sergio Porto, Teatro Tablado, Teatro Delfin e espaço CCBB Rio. Foi responsável pelo projeto de adequação do espaço Cine Teatro Clube Piraquê e do palco Biblioteca Rio de Janeiro. Acompanhou como cenotécnico os shows de Maria Bethânia e Vanessa da Mata. Participou da construção de carro alegórico da Beija Flor e de diversos eventos corporativos, festivais de música, dança e teatro além de musicais.

A look back at the week’s news with Andrew Mueller. This week, Candace Owens speaks out again. Plus: mice might have eaten the contents of Iraq’s national treasury. And: the new marimba world record.See omnystudio.com/listener for privacy information.

Washington State University Professor of Percussion, Assistant Professor of Music, Marching Band Drumline Director, and recording artist Christopher Wilson stops by to talk about his recently released album of David Maslanka's marimba solos called A Solemn Music (03:10), his job at WSU and recruiting in that part of the state (25:25), growing up in Iowa, Iowa-specific music experiences, and his time doing DCI (44:30), attending Eastern Washington University for undergrad, as well as a discussion of his related experiences on the track team in high school (53:35), studying with Nancy Zeltsman at Berklee College of Music (MA), living and working in Boston, and working in Iowa and Wisconsin (01:03:15), his years studying for the doctorate at the University of Northern Colorado (01:17:45), and finishes with the Random Ass Questions, including segments on specializing too early, working in music retail, great and bad movies, great books, Chicago sports, and inspiring artists (01:31:00).Finishing with a Rave about Pete's experiences touring with the Long Island Youth Orchestra (LIYO) in early July (01:57:25).Christopher Wilson links:Christopher Wilson's homepageChristopher Wilson's WSU pageSolemn Music - Christopher's album of David Maslanka's marimba musicPrevious Podcast Guests mentioned:Andrew Eldridge in 2022William Moersch in 2019Casey Cangelosi in 2017Eriko Daimo in 2025Fernando Meza in 2020Other Links:Jon MelcherWoodcuts - Nancy ZeltsmanBach on Marimba - Leigh Howard StevensWaking Dreams - Michael BurrittJacqueline WilsonA.J. MillerShane MizickoDave JarvisDarryl SingletonJennifer BellorSpectrum EnsembleBrett EE PaschalSeattle Cascades“Two Movements for Marimba” - Toshimitsu Tanaka“Etude for a Quiet Hall” - Christopher DeaneConcerto for Marimba and Strings - Ney RosauroEtude in E Minor - Pius Cheung“A Little Prayer” - Evelyn GlennieBenjamin ZanderWest MusicPercussion SourceDouglas WalterJim WhiteJay ContrinoMatt ColemanEternal Sunshine of the Spotless Mind trailerMy Big Fat Greek Wedding 2 trailerThe Big Leap - Gay HendricksThe Talent Code - Daniel CoyleThe Lord of the Rings - J.R.R. TolkienJersey Shore: Season 1 highlightsReal Housewives - Most Dramatic VacationsVanderpump Rules - Most Dramatic MomentsChicago Cubs 2016 ChampionshipIowa Hawkeye Football 2016-2019St. Louis Tionól“Rock Box” - Run-DMCWhitney Museum of American ArtLaura Ortmank I t e artistRaves:Long Island Youth Orchestra

Zambuko African American Marimba Ensemble recently produced their debut CD, Bridges: The Legacy Continues, through the Jack Straw Artist Support Program. The first track, “Ngoma,” is a traditional celebration song from the coastal region of Kenya. It was introduced to Zambuko by Anita Achien Mwamba and Khalfani Mwamba. The post Zambuko Marimba Ensemble – Ngoma appeared first on Jack Straw Cultural Center.

Rain in car, plus: wipers, marimba and a pipa. "It's rain with feeling!" Look; I've been working on a new "At the..." ambience, that I wanted to release this week, but it's about a fictional dystopian California crime... And there's probably enough dystopia to go around fictional or otherwise. So... audible... the football audible not the books on tape for your phone Audible. Gawd, speaking of which... there was always that button on Playstation I would accidentally hit and "audible" would appear and the players would all change positions and I never knew what the play was so it would end in disaster and I would throw my controller and it would hit the cat and then the ****** cat would get pissed and tell all of his cat friends that I am a piece of **** which makes sense I just threw a controller at a cat I am a piece of **** but with a good excuse having accidentally dialed up some ****** option play that I run backwards for a loss and am treated to cut screens of some massive dude flexing and dunking on my 4th and like 50 and that's why I threw the ****** controller and the cat was in the way and now there is just angry cats and they have their paws around my neck

Vivi Vassileva is a Musical Dynamo! She's a virtuoso German percussionist. She's played as a soloist in chamber ensembles and with various orchestras. She uses classical instruments and also instruments from Africa, South America and Asia, and even things like utensils and recycled garbage! She has been celebrated for her technical perfection and her virtuosity and her agility and power. One reviewer has said of playing that she “rips the audience off their chairs”!My featured song is “It's The Beat” from the album The Queens Carnival by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH VIVI:www.vividrums.com________________________ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Today, we had a special musical performance from Calvin Kadrofske on Marimba, as he played the song Restless written by Rich O'Meara at Faith Lutheran Church in Okemos, Michigan.

Sigan a Julio en: Instagram: https://www.instagram.com/juliofloresbermudez/Facebook: https://www.facebook.com/Juliofloresbermudez/?locale=es_LAYouTube:  @juliofloresbermudez  Corran a escuchar su disco en:Spotify: https://open.spotify.com/intl-es/artist/6Jy6qLwZ0wq6a1sbbsQuFp?si=nXdTu5zYSUGY_Af5kJ-4UwApple Music: https://music.apple.com/mx/artist/julio-flores-berm%C3%BAdez/1755124787

Episode 174 Chapter 33, Digital Synthesizers and Samplers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 33, Digital Synthesizers and Samplers from my book Electronic and Experimental music.   Playlist: DIGITAL SYNTHESIZERS AND SAMPLERS   Time Track Time Start Introduction –Thom Holmes 01:38 00:00 1.     Jon Appleton, “Syntrophia”(1978) from Music For Synclavier And Other Digital Systems. Composed and performed on the Synclavier, Dartmouth Digital Synthesizer, Jon Appleton. 08:55 01:40 2.     Claude Larsen, “Nitrogen” (1980) from Synthesis. Sounds a bit like “Oxygen” by Jarre from 1976. Programmed, performed, Fairlight CMI Music, Roland System 700, Oberheim TVS-1 Four Voice, Polymoog, Roland MC 8 Micro-Composer, Syntovox vocoder, Claude Larson. 02:31 10:36 3.     Eberhard Schoener, “Fairlight 80” (1980) from Events. Featured the Fairlight CMI played by Schoener and vocals by Clare Torry. 04:20 13:04 4.     Eberhard Schoener, “Events - A La Recherche Du Temps Perdu” (1980) from Events. Mellotron, Violin, Piano, Moog, Oberheim, Fairlight CMIsynthesizers, Eberhard Schoener;  Fairlight CMI, Morris Pert; Gong, Percussion (Gede, Kempli, Rejong), Furst Agong Raka; Gong, Percussion (Gender, Lanang, Rejong), Ketut Tama; Gong, Percussion (Wadong, Rejong), Rai Raka; Percussion, Morris Pert; Fender electric piano, Roger Munnis; tenor saxophone, Olaf Kübler; Drums,  Evert Fraterman, Pete York; Electric Bass, Steve Richardson; Electric Guitar, Ian Bairnson. 11:07 17:26 5.     Klaus Schulze, “Death Of An Analogue” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 12:20 28:31 6.     Klaus Schulze, “The Looper Isn't A Hooker” (1980) from Dig It. All music played on the Crumar GDS digital synthesizer/computer. All percussion by F.S. Drum Inc. and GDS. 07:05 40:52 7.     Joel Chadabe and Jan Williams, “Song Without Words” (1981) from Rhythms For Computer And Percussion. "The equipment used in RHYTHMS is a portable minicomputer/digital synthesizer system designed and manufactured by New England Digital Corporation in Norwich, Vermont, expressly for making music.” This was an early Synclavier without a keyboard controller. Synclavier digital synthesizer, Joel Chadabe; Percussion, Vibraphone, Marimba, Slit Drum, Log, Wood Block, Temple Block, Cowbell, Singing Bowls, Jan Williams. 07:24 47:54 8.     Don Muro, “Deanna Of The Fields” (1981) from Anthology. Vocals, Piano, Electric Piano, Acoustic Guitar, Electric Guitar, Synthesizer, Korg M1 Music Workstation, Bass, Drums, Percussion, Don Muro. 02:52 55:18 9.     Nervous Germans, “Hometown” (1981) from Nervösen Deutschen. Bass, Producer, Micki Mäuser; Drums, Udo Dahmen; Guitar, Manni Holländer; Vocals, Casio VL Tone micro keyboard, Grant Stevens. 05:15 58:10 10.   Tuxedomoon, “Blind” from Time To Lose, Blind. Effects, Guitar, Peter Principle; Casio M-10, Blaine L. Reininger; Vocals, Moog, Soprano Saxophone, Steven Brown; Vocals, Winston Tong. 07:44 01:03:26 11.   Herbie Hancock, “Rough” (1983) from Future Shock. Fairlight CMI, AlphaSyntauri, Emulator, Herbie Hancock; Background Vocals, Bernard Fowler, Grandmixer D.ST., Nicky Skopelitis, Roger Trilling; Bass, Bill Laswell; Drums, Sly Dunbar; Lead Vocals, Lamar Wright; Prophet-5, Michael Beinhorn; Turntables, Voice, Grandmixer D.ST. 06:54 01:11:00 12.   Wendy Carlos, “Genesis,” “Eden,” and “I.C. (Intergalactic Communications)” (1984) from Wendy Carlos' Digital Moonscapes. Programmed All Sounds programmed and performed on the Crumar GDS/Synergy digital synthesizer, Wendy Carlos. 15:20 01:17:50 13.   Ron Kuivila, “Household Object” (1984) from Fidelity. Casio VL toneand homemade electronics, Ron Kuivila. 09:34 01:33:20 14.   Lejaren Hiller, “Expo '85” (1985) from Computer Music Retrospective. Four short pieces highlight the versatility of the Kurzweil K250: “Circus Piece - A Cadential Process” (4:04), “Transitions - A Hierarchical Process” (2:12), “Toy Harmonium - A Statistical Process” (1:41), “Mix Or Match - A Tune Generating Process (5 Examples)” (3:44). 11:55 01:42:52 15.   Third World, “Can't Get You (Out Of My Mind)” (1985) from Sense Of Purpose. Yamaha DX7, Prophet 5, PFR Yamaha, Grand Piano Yamaha Acoustic, Organ Hammond B3, Clavinet Mohner D6, Percussion, Vocals, Michael "Ibo" Cooper; Backing Vocals, Glenn Ricks, Meekaaeel; Bass, Rhythm Guitar, Backing Vocals, Percussion, Richie "Bassie" Daley; Drums Yamaha Acoustic Drums, Electronic Drums Simmons, Drum Machine D.M.X., Drum Machine Linn Drum Machine, Percussion, Backing Vocals, Willie Stewart; Keyboards, Lead Guitar, Rhythm Guitar, Harmonica, Acoustic Guitar The Washburn Electro Acoustic, Vocals, Percussion, Stephen "Cat" Coore; Lead Vocals, Backing Vocals, Bill "Bunny Rugs" Clarke; Percussion, Neil Clarke; Percussion, Binghi Drums, Junior Wedderburn, Tschaka Tonge. 03:37 01:54:46 16.   George Todd, “Sound Sculptures” (1985) from Music For Kurzweil And Synclavier. Synclavier Digital Music System, George Todd. 09:02 01:58:22 17.   Russ Freeman, “Easter Island” (1986) from Nocturnal Playground. Electric Guitar, Acoustic Guitar, Guitar Synthesizer, Keyboard Bass, Emulator II, Linn 9000 Drum programming, Russ Freeman; Drums, Percussion, David Renick; Percussion, Emulator II programming, Steve Reid; Alto Saxophone, Brandon Fields. 05:30 02:07:22 18.   Donald Steven of G.E.M.S., “Images - Refractions Of Time And Space (1986)” from Group Of The Electronic Music Studio - McGill University. Yamaha DX7, Laurie Radford; Bass, John Oliver; Electric Flute, Jill Rothberg; Percussion, Elliot Polsky, François Gauthier. 11:42 02:12:52 19.   Jane Brockman, “Kurzweil Etudes” (1-3) (1986) from Music For Kurzweil And Synclavier. Kurzweil K250, Jane Brockman. 10:19 02:24:32 20.   Richard Burmer, “Across The View” (1987) from Western Spaces. Emulator II plus an analog synth, Richard Burmer. 04:38 02:34:48 21.   Sonny Sharrock Band, “Kate (Variations On A Theme By Kate Bush)” (1990) from Highlife.  Electronics, Korg M1, Korg Wave Station, Dave Snider; Bass, Charles Baldwin; Drums, Abe Speller, Lance Carter; Guitar, Sonny Sharrock. 05:52 02:39:32 22.   Second Decay, “Taste” (1994) from Taste. Produced with the Roland Compu Music CMU-800R workstation and without MIDI; Simmons Electronic Drums,Thomas V.. Other synths used: ARP Odyssey, ARP 2600, PPG Wave 2.0, Emulator I and II, Roland SH-101, SH-7, CR-78, TR-808, MC-4, TR-606, EMS Synthi A, Solina String, Mellotron, Crumar Performer, Teisco 110F, Wasp, Linn LM-1, SCI Pro-One, Minimoog, Korg Mono-Poly, SQ-10, Elektro Harmonix Minisynth, Vocoder and effect devices, Compact Phasing A, Roland Echos RE 201, SRE 555.  04:20 02:45:18   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Episode 173 Chapter 32, Other Analog Synthesizers. Works Recommended from my book, Electronic and Experimental Music  Welcome to the Archive of Electronic Music. This is Thom Holmes. This podcast is produced as a companion to my book, Electronic and Experimental Music, published by Routledge. Each of these episodes corresponds to a chapter in the text and an associated list of recommended works, also called Listen in the text. They provide listening examples of vintage electronic works featured in the text. The works themselves can be enjoyed without the book and I hope that they stand as a chronological survey of important works in the history of electronic music. Be sure to tune-in to other episodes of the podcast where we explore a wide range of electronic music in many styles and genres, all drawn from my archive of vintage recordings. There is a complete playlist for this episode on the website for the podcast. Let's get started with the listening guide to Chapter 32, Other Analog Synthesizers from my book Electronic and Experimental music.   Playlist: OTHER EARLY SYNTHESIZER RECORDINGS (PRE-MIDI AND NOT MOOG)   Time Track Time Start Introduction –Thom Holmes 01:36 00:00 1.     Raymond Scott, “Space Mystery” (1963). Used Scott's Electronium, a custom-made analog synthesizer/sequencer. 05:08 01:42 2.     Pauline Oliveros, “Alien Bog” (1967). Used a prototype Buchla 100 modular synthesizer at Mills College. 33:13 06:53 3.     John Eaton, “Soliloquy For Syn-Ket” (1973) from Electro-Vibrations (The Music Of John Eaton). Used the Synket, an Italian-made modular synthesizer of which only six were ever made. 06:38 40:06 4.     John Keating, “Earthshine” (1975) from Space Experience 2. Featured the ARP 2600 and Pro- Soloist. 04:09 46:46 5.     Patrick Gleeson, “Saturn, The Bringer Of Old Age” (1976) from Beyond The Sun: An Electronic Portrait Of Holst's The Planets. Used Eµ Systems Polyphonic synthesizer. 09:31 51:02 6.     Jean Michel Jarre, “Oxygene, Part IV” (1976) from Oxygene. Used the ARP Odyssey, EMS Synthi AKS, EMS Synthi VCS3, and RMI Harmonic Synthesizer and Keyboard Computer. 03:07 01:00:34 7.     Bennie Maupin, “Crystals” (1978) from Moonscapes. Featured the E-mu Modular Synthesizer programmed by Patrick Gleeson, who owned Different Fur Studios in the San Francisco area and owned E-mu synthesizers (see previous track for an example of the E-mu Systems Polyphonic synthesizer). Here, we have a different treatment of the same instrument by jazz woodwind player Maupin, who played Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Flute, Marimba, Glockenspiel, E-mu Synthesizer, and Computone Synthesizer Winddriver on this album. I picked this track because this is most stripped-down arrangement featuring only Maupin playing the E-mu synthesizer and other instruments. 01:18 01:03:44 8.     Pere Ubu, “On the Surface” (1978) from Dub Housing. Allen Ravenstein used the EML Electrocomp 101 modular synthesizer as a member of this band. 02:37 01:05:02 9.     Sylvester, “You Make Me Feel (Mighty Real)” (1978) from Step II. One of the few albums to feature EML (Electronic Music Laboratories) Modular Synthesizer plus String synthesizer, Electro-comp 101 synthesizer and 200 expander unit, Oberheim DS-2 Sequencer, Effects, Pat Cowley; organ, Electric piano, Clavinet, Michael C. Finden; Percussion, David Frazier; Producer, Lead Vocals, Piano, Sylvester. EML was a Connecticut-based synth maker that was around from about 1970 to 1984. They were best-known for their Electro-comp modular synths. The 101 was a duophonic semi-modular 44-note synth and the model 200 was an expander unit that added ring modulation, spring reverb, and high and low filters to the setup. It was interesting to hear this Moroder-like pulsating synth sound coming from something other than a Moog. 06:34 01:07:40 10.   Isao Tomita, “The Sea Named Solaris” (1978) from Kosmos. Used the Roland System 700, Roland Strings RS- 202, Roland Revo 30, in addition to Moog Modular III, Moog System 55, and Polymoog synthesizers. 12:28 01:14:11 11.   Moebius, “Song For Lya” (1979) from Moebius. Serge, Oberheim, and Minimoog synthesizers, vocals, Bryce Robbley; Serge, Oberheim synthesizers, Doug Lynner; Violin, John Stubbs. Listen closely to tune-out the parts by the Odyssey and Minimoog and you will experience a lovely bed laid down by the Serge. Moebius had three members, one a violinist, heard in this tune blending with the Serge. Although the group used a Sennheiser vocoder on another track, the vocal distortion on this track may have actually been the voice processed with the Serge. 03:15 01:26:42 12.   Pascal Languirand, “O Nos Omnes” (1980) from De Harmonia Universalia. Features the Farfisa Synthorchestra, the famous Italian's company entry into the string synthesizer fray. The Syntorchestra was split into two keyboard sections, strings (polyphonic), and mono synth voices. It was a hybrid organ and synthesizer and used much by Klaus Schulze and other German electronic musicians for the short time that it was available from 1975 to 1978. Nine slider controls were positioned next to a 3-octave keyboard and provided some “chaotic” control episodes for this much beloved and rare keyboard. 07:15 01:29:56 13.   Henry Kucharzyk, “Play Dot Sam” (1981) from Walk The Line - Three New Works By Henry Kucharzyk. This work is performed at the Samson Box at the Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, Palo Alto, California. This track is an escapee from the 1970s but nonetheless fills a void in that period when commercial synthesizers were moving to digital technology and were quite expensive. The Samson Box was a computer-based digital synthesizer created in 1977 by Peter Samson, who worked at the university. “Samson” was formally known as the “Systems Concepts Digital Synthesizer. It was a one-off special-purpose dedicated audio computer designed for use by student composers at Center for Computer Research in Musical and Acoustics (CCRMA) at Stanford University. 03:05 01:37:08 14.   Terry Riley, “The Ethereal Time Shadow” (1981-82) from Music from Mills. Used two Prophet V synthesizers, tuned to just intonation and employing sequencing. 08:51 01:40:12   Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.  

Plattis! Der Frühling ist da und passend dazu bringen wir euch Lieder aus dem Wald.Aber nicht irgendwelche, sondern die von Jethro Tull und ihrem zehnten Studioalbum aus dem Jahre 1977. Es wird gefolk-progrockt was das Zeug hält, mit Querflöte und Laute, Mandoline und Marimba, Tabor und Trommeln. Wir begegnen kleinen Waldelfen, grünen Männern, flötenspielenden Schelmen und tanzenden Druiden, lustwandelnden Pärchen, hochwohlgeborenen Reiterinnen und reumütigen Liebhabern. Wird Pint den Becher der Wunder an Kain weiterreichen oder die Beltane-Blume ganz allein pflücken? Wird Kain dem Flötenspieler auf den Ley-Linien folgen oder doch dem Klang der Sonnenwend-Glocken? Kommt an unser mitternächtliches Feuer, rückt den Sessel dichter an den Kamin und lauscht uns, wenn wir in den Rätseln der Vergangeheit uralte Weisheiten aufdecken.

Der junge österreichische Countertenor JJ alias Johannes Pietsch kombiniert Operngesang mit Pop und tritt mit «Wasted Love» am Eurovision Song Contest für sein Heimatland an. Die Art Song Challenge indes wagt neue Blicke auf das Kunstlied. 02:25 Aktuell: Der weltweit gefragte Opernregisseur und Direktor des Festivals in Aix-en-Provence, Pierre Audi, ist völlig unerwartet und mitten in einer Produktion in China an einem Herzinfarkt gestorben. (Moritz Weber & Jörn Florian Fuchs) 8:30 Gespräch: Der 24-jährige, karaokebegeisterte JJ und sein ESC-Beitrag im Portrait. (Theresa Beyer) 22:10 Neuerscheinungen: - Anselm Gerhard fokussiert im Sachbuch «Vorhang auf? Ein Streifzug durch die Geschichte der Opern-Ouvertüre» Opern-Eröffnungsstücke (Springer, 2025). - «Fluss der Zeit - Works for Marimba», das Debutalbum des Thuner Schlagzeugers und Marimba-Artists Manuel Leuenberger (Gallo, 2025). (Luca Koch) 44:00 Swiss Corner: Neben dem ESC gibt es neu auch die ASC, die Art Song Challenge. Weltweit waren Liedinterpretinnen und -interpreten aufgerufen, Lied-Neukreationen einzureichen. 130 Beiträge aus 29 Ländern, das ist die reiche Ernte dieser ersten Ausgabe. Auch fünf internationale Lied-Festivals beteiligen sich, unter anderem LIEDBasel. Nun kann man online den Siegerbeitrag küren. (Moritz Weber)

Today at Faith Lutheran Church in Okemos, Michigan Nancy by Emmanuel Sejourne was performed by Calvin Kadrofske

The Satyr's Song has already cut a wide swath through the Shackles, facing all manner of strange and terrifying enemies. From hags to tattooed sorceresses, from cursed hearts to infatuated knights, let's answer your burning questions! ••• Patreon: patreon.com/ICastFireball20 Twitter / Instagram: @ICastFireball20 Facebook: @ICastFireball2020 Email: ICastFireball2020@gmail.com Donations: ko-fi.com/icastfireball20 ••• AUDIO CREDITS Background Music was created using the “Marimba” soundscape found at Mynoise.net As always a HUGE thank you to Hayden Allred for our amazing theme music!

The great Luke Bemand returns to Primus Tracks to tackle One Better, the "bicep" of the Of Whales and Woe record. Luke shows us how Les flexes all over this track, and it's not limited to bass, as Les provides drums and guitar in addition to his usual bass and vocals. Luke also brings some commentary from Mike Dillon, who stars on the track.This is a Frankie favorite, so get ready for some fanboy business. Plus, Cold War stories? Sign me up! Find Luke on Instagram: https://www.instagram.com/lukebemandbass/Get involvedInstagramFacebookEmailBurn your money 

Katika kujifunza lugha ya Kiswahili hii leo mchambuzi wetu mlumbi wa Kiswahili Joramu Nkumbi kutoka nchini Tanzania, anafafanua maana ya maneno “Ashiraf, Janabi, gayagaya, kiti cha marimba na kiti cha msaji” 

Arkansas is fully embracing mountain biking, but climbing is also becoming a big draw. On today's show, we consider the work to give climbers unique places to scale from Springdale to North Little Rock. Plus, a convergence of science, research, music and marimbason the University of Arkansas campus.

En este programa: 00:23 ¿Cómo se llama el parásito que transmite el tétano? 03:11 Les agradecería que me informen sobre la relación que existe entre una plantación de café y la polinización. 06:07 Sabía que... 06:44 ¿Para curar las mordeduras de víboras funciona el mismo tratamiento o eso depende de la especie? 08:40 Quiero saber acerca del esfuerzo que se hizo en Japón por aumentar la presencia femenina en la economía. 10:38 Quiero saber la historia de la marimba internacional Usula de Honduras y si pueden complacerme con una melodía interpretada por ese grupo. 13:03 Sabía que... 14:10 ¿Cómo se siembra la albahaca? 15:38 ¿Dónde queda el mar Caspio y cuánto es su extensión? Programa de radio "Oigamos la Respuesta" del Instituto Centroamericano de Extensión de la Cultura (ICECU). El programa se hace con las preguntas que envían nuestros oyente y las respuestas que se elaboran en el ICECU con un lenguaje claro y sencillo desde el año 1964.

M

De Lëtzebuerger Ensembel "Machine à Trois" (Mà3) huet elo en neien Album opgeholl. Den Trio stellt sech zesummen aus der Rachel Xi Zhang um Marimba, dem Laurent Warnier um Vibraphon an dem Pascal Meyer um Piano. Déi dräi hunn sech wärend hire Studien zu Amsterdam kenne geléiert. Fir hiren neien Album "Unlearn" hunn si mat ville Kënschtler zesummegeschafft, wéi mam Pol Belardi a mam Michel Reis.  De Release-Concert vum Album ass den 18. Januar 2024 um 8 Auer Owes op der Schmelz zu Diddeleng. D'Marie Schockmel huet sech mat der Rachel Xi Zhang an dem Pascal Meyer iwwert den Trio an de neien Album ënnerhalen.  

Ahoy there, a new campaign be on the horizon! A lot has already happened in just the first 15 episodes of the Captain's Council's adventures, and you had plenty of questions for us, so let's get down to answering. ••• Patreon: patreon.com/ICastFireball20 Twitter / Instagram: @ICastFireball20 Facebook: @ICastFireball2020 Email: ICastFireball2020@gmail.com Donations: ko-fi.com/icastfireball20 ••• AUDIO CREDITS Background Music was created using the “Marimba” soundscape found at Mynoise.net As always a HUGE thank you to Hayden Allred for our amazing theme music!

Proving once again that art galleries are not just for static objects hanging quietly on the wall, Madison's Chazen Museum of Art renews its Sunday Afternoon live series on November […] The post Sean Kleve Brings Marimba Music to the Chazen Museum appeared first on WORT-FM 89.9.

The guys close out four successful weeks of horror movie reviews by saving the worst for last. This week, Matt's all-time favorite slasher flick, "Slumber Party Massacre 2" is the centerpiece. If only he had watched it first. But that doesn't stop the fearsome foursome (plus one better half) from dissecting this film's finest qualities. From camera work to a lack of visible breasts, to the constant presence of Slice soda, this is one for the books.  -- #comedypodcast #humorpodcast #funnypodcast #darkhumor #podernfamily #slumberpartymassacre #rockabilly #drillerkiller #slasherfilms #80sslasher #spookyseason #crystalbernard www.needlesstosaypodcast.com www.ntspodcastgear.com

En NEGRAS, Eryen Korath Ortíz Garcés, conversamos sobre músicas y negritud con una de las más destacadas intérpretes de la música colombiana del Pacífico Sur. Eryen Korath, abogada de profesión y lideresa comunitaria, es la directora musical de Cantares del Pacífico y miembra de Jóvenes Unidos por Buenaventura. Eryen Korath participó de la producción galardonada con un Grammy “Ancestras” junto a Petrona Martínez, Susana Baca, Flor de Toloache, entre otras grandes. Mujeres afrodescendientes conversan sobre proyectos, académicos y comunitarios, relacionados a la negritud y la racialización en Puerto Rico. Aprende de los saberes de mujeres afrodescendientes y desaprende mitos que, históricamente, han degradado a las personas visiblemente negras en la nación puertorriqueña. Una producción de Colectivo Ilé ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.colectivoile.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ para Radio Universidad de Puerto Rico. Viernes 3:00 pm a través del 89.7 FM en San Juan, el 88.3 FM en Mayagüez

University of Oklahoma Lecturer in World Music and Principal Timpanist with the Missouri Symphony Orchestra (MOSY) Chrissie Souza stops by to talk about her job at OU (03:15), playing with MOSY and working with other local orchestras (12:30), growing up in Southeast Missouri and her musical upbringing (24:50), attending the U.S. Percussion Camp and discussing her undergrad years at the University of Missouri (31:45), attending OU for her master's and doctorate degrees, working for OU Press, her dissertation on Marimba Concertos, and eventually working as faculty there (47:40), and finishing with the Random Ass Questions, including her experiences being a woman in the percussion and world music fields, great books, and eating incredible food in Brazil (01:10:55).Finishing with a Rave on the 2023 documentary series Fight the Power: How Hip Hop Changed the World(01:39:10).Chrissie Souza links:Chrissie Souza's Oklahoma University pageMissouri Symphony WebsitePrevious Podcast Guests mentioned:Julia Gaines in 2016Megan Arns in 2017Lance Drege in 2017Aaron Ragsdale in 2017Iain Moyer in 2019Nathan Daughtrey in 2021Jeff Calissi in 2017Julia Spencer in 2021Lance Drege in 2017Cort McClaren in 2022Other Links:Ricardo SouzaJerod Impichchaachaaha' TateWilbur LinSymphony No. 9, Second Movement - L.V. BeethovenJohnny Lee LaneTim AdamsNena LorenzMcNair Scholars ProgramConcertino - Paul CrestonMichael BuddsEd DolbashianJohn CheethamEva SzekelyAmy Knopps“Stained Glass” - David Gillingham“Toccata” - Carlos Chavez“Living Room Music” - John Cage“Ionisation” - Edgard VareseRichard GipsonNCPPJeremy BrunkBrian TinkelStefan IceMarimba Concerto - Jorge SargimentosConcertino for Xylophone and Orchestra - Toshiro MayuzumiConcerto for Marimba and Band - David LongInterstellar trailerInception trailerChimamanda Ngozi AdichieTana French“Nagoya Marimbas” - Steve ReichRaves:Fight the Power: How Hip Hop Changed the World

The Commonwealth Club World Affairs of California and The Consulate of Colombia in San Francisco are pleased to invite you to the inauguration of the photographic exhibition Foto-Diásporas, a traveling exhibition making its debut in San Francisco. The exhibition is a research and creative project about Colombians' forced cross-border migration. Through the eyes and voices of 15 Colombian men and women, Foto-Diásporas uses the power of participatory photography to make visible the experiences of forcibly displaced Colombians living in the United States and their demands for recognition and reparation. This exhibition pays tribute to the victims from the past armed conflict and honoring their resilience, courage and hope. In our panel discussion, victims of forced migration will share their story. Program speaker Sonia Marina Pereira Portilla is the general consul of the Consulate of Colombia in San Francisco. The event includes Colombian food and refreshments, and music will be presented by Afro-Colombian group, Marimba del Litoral – Música del Pacifico. The event will be hosted by Ambassador Sonia Marina Pereira Portilla, consul general of Colombia, alongside Saday Osorio Córdoba, the Consulate's social advisor, human rights advocate, and director/founder of the Nativa Foundation. MLF ORGANIZER: Robert Melton   An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Bandwich Tapes, I'm thrilled to welcome my longtime friend and phenomenal percussionist, Michael LaMattina. Michael and I go way back when we first met at the District Honor Band in Georgia. Our shared passion for music saw us performing together in various ensembles throughout high school, setting the stage for Michael's illustrious career.Now, Michael holds the prestigious position of Principal Percussionist with The Dayton Philharmonic and serves as the Director of Percussion Studies at Miami University. He conducts the Miami University Percussion Ensemble there, bringing his expertise to the next generation of musicians. With the DPO, Michael dazzles audiences through classical programs, pops concerts, chamber music, ballet, and opera. His summers are equally dynamic as he steps into the role of principal percussionist with the Lancaster Festival Orchestra.Michael's impressive resume includes past roles such as Principal Percussionist with The Colorado Music Festival Orchestra, Principal Timpani & Percussion with The ProMusica Chamber Orchestra of Columbus, and Principal Percussionist of theCanton Symphony Orchestra. He's also showcased his talent as a Section Percussionist with the Erie Philharmonic and an Associate Section Percussionist with the Columbus Symphony. Beyond these roles, Michael has performed with the Cincinnati and Atlanta Symphony Orchestras.Michael's academic credentials are equally remarkable. He earned his Bachelor of Music degree in percussion performance from the Oberlin Conservatory of Music and a Master of Music degree from Cleveland State University. His formative years were further enhanced by attending the Music Academy of the West in 1997 and being a fellow at the Tanglewood Music Center in 1998.Join us as we dive into Michael's journey from our humble beginnings in school bands to his distinguished career. We'll explore his experiences, the nuances of his various roles, and the vibrant world of percussion. Be sure to check out Michael's YouTube channel - https://www.youtube.com/@MichaelLaMattinaPercussionThank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com. Please tell your friends about the show.The theme song, Playcation, was written by Mark Mundy.

Sam Stewart of Flagman joins Primus Tracks to discuss Up On The Roof, and explains what makes it a certified banger in the Claypool catalogue. The track has familiar foundations in a percussive bass line and lyrics regarding drug addiction, but this tune remains fresh and vibrant over twenty years later. Get involved:InstagramFacebookEmailBurn your moneyLISTEN 2 FLAGMAN!

This is a special musical presentation of Rain Dance by Calvin Kadrofske on Marimba at Faith Lutheran Church in Okemos, Michigan

Iowa City-based percussionist, educator, and band leader Ginny Armstrong stops by to talk about her teaching responsibilities in and around Iowa, teaching community steel band, and performing regularly (03:50), growing up in West Virginia, playing organ, and getting into percussion (30:00), attending West Virginia University for her undergrad (44:30) and her master's (59:15), moving to Nashville after her master's, living and working there, and then going to the University of Iowa for her doctorate (01:09:15), and finishes with the Random Ass Questions, including segments on being a woman in the field of percussion, cooking Thanksgiving dinner, great and terrible movies, David Sedaris and Amy Sedaris, Iowa women's basketball, and some unusual gigs (01:30:00).Finishing with a Rave on the Unbound Book Festival in Columbia, Missouri and the chance to moderate a panel (02:01:30).Ginny Armstrong link:Melissa's Music StudioOther Links:Dan Moore“Baja” - Steel band traditional“Jamaica Farewell” - Steel Band TraditionalIowa Flood of 2008Phil FainiEllie MannetteMat BritainPan RocksTracy ThorntonNew Horizons International Music AssociationAdam MasonKeiko AbeConcertino for Marimba and Orchestra - Paul Creston“March” - Elliot CarterThe Texas TenorsLalo DavilaWest Virginia vs. Iowa 2024 NCAA tourneyNick MillerChaconne in D Minor - JS Bach/marimbaDune: Part 2 trailerOnce Upon a Time in Hollywood trailerMasters of the Air trailerSaw trailerThe Matrix Resurrections trailerMad Max: Fury Road trailerFuriosa: A Mad Max Saga trailerThe Queen's Gambit trailerAnne RiceA Prayer for Owen Meany - John IrvingMe Talk Pretty One Day - David SedarisHolidays on Ice - David SedarisStrangers with Candy trailerI Like You: Hospitality Under the Influence - Amy Sedaris“Lay All Your Love on Me” - Caroline Shaw with Sö PercussionRaves:Unbound Book FestivalHow Can I Help You - Laura SimsPoet-Librarians in the Library of Babel - Sommer Browning and Shannon Tharp, editorsMargaret Conroy - DBRL

We finished a three-year campaign, and you all had lots of questions! Join us for one final farewell to the Jhank Squad and Tyranny of Dragons. ••• Patreon: patreon.com/ICastFireball20 Twitter / Instagram: @ICastFireball20 Facebook: @ICastFireball2020 Email: ICastFireball2020@gmail.com Donations: ko-fi.com/icastfireball20 ••• AUDIO CREDITS Background Music was created using the “Marimba” soundscape found at Mynoise.net As always a HUGE thank you to Hayden Allred for our amazing theme music!

C'est sur l'axe Cali-Lyon-Paris que va se dérouler la #SessionLive avec Xiomara Torres pour la partie colombienne et Marion Rampal qui fait comme l'oiseau (un bol d'air pur et d'eau fraîche…). Nos premiers invités sont le groupe Pixvae pour la sortie de l'album Oi Vé #SessionLiveC'est le retour du bouillonnant combo franco-colombien Pixvae, et l'on se prend déjà à sentir les effluves de transe que contient ce dernier opus. Avec Oì Vé, Pixvae revient dans les bacs avec un cocktail survitaminé qui sonne comme une invitation à un voyage aussi mystique que festif entre Cali et Lyon. La formule, déjà largement reconnue comme magique, reste la même : la déflagration du currulao colombien entré en contact avec un alliage extrait des profondeurs du rock et du jazz. Mais Oì Vé marque une nouvelle évolution dans cette relecture libérée de cette musique traditionnelle afro-colombienne. Ce nouveau répertoire s'articule autour de la Marimba de Chonta, instrument central du currulao. L'équipée française originelle, avec le power trio Kouma et la puissance vocale de Margaux Delatour, retrouve avec un bonheur non dissimulé les complices colombiens Juan Carlos Arrechea (marimba et percus), Israël Quinones (percus et voix) et Jennifer « Xiomora » Torres (voix). Cette combinaison puissante et subtile prend encore plus d'ampleur avec ces compositions et ces textes originaux, qui offrent une nouvelle résonance avec l'énergie initiale du groupe, venue des chants traditionnels… Tout en gardant bien au chaud le caractère complètement épique de cette épopée transe-frontalière. Titres interprétés au grand studio- Mamita Live RFI + RFI Vidéos- Las Pesadilas, extrait de l'album- Vamos a celebrar Live RFI. Line Up : Xiomara Torres : voix, Israel Quinones : cununos + voix, Juan Carlos Arrechea : marimba + voix et Romain Dugelay : keyboards. Son : Jérémie Besset & Mathias Taylor.► Album Oi Vé (Compagnie 4000 2024). Puis nous recevons Marion Rampal pour la sortie de l'album Oizel #SessionLiveAprès quatre albums et de nombreuses collaborations, on se gardera d'affirmer que Marion Rampal prend son envol. Intitulé Oizel, son nouveau recueil de chansons suggère pourtant une prise d'altitude. Si la figure de l'oiseau est devenue essentielle, c'est qu'elle couvait déjà sous sa plume. Son précédent recueil, Tissé, s'achevait par un blues féministe, Still A Bird, où s'esquissait une affinité que Oizel prolonge et achève en convoquant la mobilité spatiale du migrateur, la nécessité vitale du nid, le chant réparateur.Elle a choisi de composer en français, sous un format de toutes parts décloisonné par les surgissements libres et singuliers des interprètes qui l'entourent (Christophe Panzani, Gaël Rakotondrabe, Raphaël Chassin, Simon Tailleu, autant à l'aise dans le jazz que dans le format de la chanson en studio). L'album déploie la métaphore de l'oiseau dans ses myriades : il y est question de liberté, d'espoir, de marge, de passion et de sécession. Marion Rampal y convie autant la voix profonde et baroudeuse de Bertrand Belin, celle, oiseleuse et rêveuse de Laura Cahen, que la flûte mystique de Naïssam Jalal. Titres interprétés au grand studio- Les Mots Live RFI- De Beaux Dimanches feat. Bertrand Belin, extrait de l'album voir le clip - Coulemonde Live RFI. Line Up : Marion Rampal, voix -  Matthis Pascaud, guitare.Son Mathias Taylor & Benoît Letirant.► Album Oizel (Les Rivières Souterraines 2024).► chaîne YouTube.

C'est sur l'axe Cali-Lyon-Paris que va se dérouler la #SessionLive avec Xiomara Torres pour la partie colombienne et Marion Rampal qui fait comme l'oiseau (un bol d'air pur et d'eau fraîche…). Nos premiers invités sont le groupe Pixvae pour la sortie de l'album Oi Vé #SessionLiveC'est le retour du bouillonnant combo franco-colombien Pixvae, et l'on se prend déjà à sentir les effluves de transe que contient ce dernier opus. Avec Oì Vé, Pixvae revient dans les bacs avec un cocktail survitaminé qui sonne comme une invitation à un voyage aussi mystique que festif entre Cali et Lyon. La formule, déjà largement reconnue comme magique, reste la même : la déflagration du currulao colombien entré en contact avec un alliage extrait des profondeurs du rock et du jazz. Mais Oì Vé marque une nouvelle évolution dans cette relecture libérée de cette musique traditionnelle afro-colombienne. Ce nouveau répertoire s'articule autour de la Marimba de Chonta, instrument central du currulao. L'équipée française originelle, avec le power trio Kouma et la puissance vocale de Margaux Delatour, retrouve avec un bonheur non dissimulé les complices colombiens Juan Carlos Arrechea (marimba et percus), Israël Quinones (percus et voix) et Jennifer « Xiomora » Torres (voix). Cette combinaison puissante et subtile prend encore plus d'ampleur avec ces compositions et ces textes originaux, qui offrent une nouvelle résonance avec l'énergie initiale du groupe, venue des chants traditionnels… Tout en gardant bien au chaud le caractère complètement épique de cette épopée transe-frontalière. Titres interprétés au grand studio- Mamita Live RFI + RFI Vidéos- Las Pesadilas, extrait de l'album- Vamos a celebrar Live RFI. Line Up : Xiomara Torres : voix, Israel Quinones : cununos + voix, Juan Carlos Arrechea : marimba + voix et Romain Dugelay : keyboards. Son : Jérémie Besset & Mathias Taylor.► Album Oi Vé (Compagnie 4000 2024). Puis nous recevons Marion Rampal pour la sortie de l'album Oizel #SessionLiveAprès quatre albums et de nombreuses collaborations, on se gardera d'affirmer que Marion Rampal prend son envol. Intitulé Oizel, son nouveau recueil de chansons suggère pourtant une prise d'altitude. Si la figure de l'oiseau est devenue essentielle, c'est qu'elle couvait déjà sous sa plume. Son précédent recueil, Tissé, s'achevait par un blues féministe, Still A Bird, où s'esquissait une affinité que Oizel prolonge et achève en convoquant la mobilité spatiale du migrateur, la nécessité vitale du nid, le chant réparateur.Elle a choisi de composer en français, sous un format de toutes parts décloisonné par les surgissements libres et singuliers des interprètes qui l'entourent (Christophe Panzani, Gaël Rakotondrabe, Raphaël Chassin, Simon Tailleu, autant à l'aise dans le jazz que dans le format de la chanson en studio). L'album déploie la métaphore de l'oiseau dans ses myriades : il y est question de liberté, d'espoir, de marge, de passion et de sécession. Marion Rampal y convie autant la voix profonde et baroudeuse de Bertrand Belin, celle, oiseleuse et rêveuse de Laura Cahen, que la flûte mystique de Naïssam Jalal. Titres interprétés au grand studio- Les Mots Live RFI- De Beaux Dimanches feat. Bertrand Belin, extrait de l'album voir le clip - Coulemonde Live RFI. Line Up : Marion Rampal, voix -  Matthis Pascaud, guitare.Son Mathias Taylor & Benoît Letirant.► Album Oizel (Les Rivières Souterraines 2024).► chaîne YouTube.

Days of Wine and Roses runs on Broadway at Studio 54 through March 31st. Find out more at www.daysofwineandrosesbroadway.com. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Ga Ga Ti Ga, Ga Ga Ga Ti Ga... John talked about the Samba sing-a-long, studying in India, and Brazil, recording vibes and various percussion instruments, the importance of cultural context in music, and bringing your A-game to every studio session! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is John Arrucci, an acclaimed master artist in Classical, Jazz, North Indian, Afro-Cuban, Afro-Brazilian and other indigenous traditions and someone I first met when he moved to Nashville to build his studio. Having composed, performed, and instructed for over 40 years, John has studied on three continents and received numerous honors.  His work as drummer and percussionist is featured on scores for feature films, television, commercial spots and recordings including on Sony, Polygram, Mercury, Chesky, Koch Jazz, Chiaroscuro, Rykodisc and other labels. He has performed and/or recorded with Michael Brecker, John Patittucci, Mariah Carey, David Byrne, Philip Glass Ensemble, and for Dalai Lama, Bishop Desmond Tutu and many other dignitaries and has performed at notable venues such as Carnegie Hall, David Geffen Hall, Jazz at Lincoln Center, Town Hall, Merkin Hall and United Nations. His percussion can be found on programs including Patriot, Late Show with Stephen Colbert, Oprah Winfrey and Rosie O'Donnell.  As a composer, John has received numerous commissions, grants and awards from members of The New York Philharmonic, The Manhattan Marimba Quartet, The Mannes College of Music and many others. His acclaimed 2011 release “Metaphors” features 9 of his compositions and performances on Drum Set, Vibes, Marimba and Percussion. John taught for over 20 years at Princeton University, the City University of New York, and many other prominent institutions including an Eastman School of Music where he graduated with distinction. The Smithsonian Institution awarded him a Post-Doctoral level research fellowship to study Tabla in Benares, India with Pandit Sharda Sahai. He has also studied music in Brazil, and Shekere and Agbe with the renowned Chief James Hawthorne Bey, and Conga and Afro-Cuban drumming with Frank Malabe and Tabla with Robert Becker. He has basically done a tremendous amount of music and finally landed in Nashville, Tennessee making himself available for in-studio and remote recording, live performances, touring, commissions and Master Classes, one of which I recently took to learn Samba drumming which was amazing! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/79yhhF3Yr5dp4a9iMhkqBn?si=6869fa6d30e44433 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/442

Ep #172 with Payton MacDonald, marimba player and composer Payton MacDonald plays the marimba in many ways and with many groups. He uses different preparations to change the sound. He also is deeply into Hindustani music and is a singer of Hindustani music. A Worldsoul Records production derrikjordan.com Facebook: https://www.facebook.com/100063982602329/videos/1120646992451122 YouTube: https://www.youtube.com/watch?v=uyCI0SN1qB8 Soundcloud: https://soundcloud.com/hilljoy/ep-172-payton-macdonald-marimba-player-and-composer

Jenny Klukken has been bridging the gap between her classical background and her passion for jazz on her primary instrument, the marimba, for years. She's back at it on Thursday night over at Crooners with an all-star band of Chris Olson (g), Chris Bates (b) and non-Chris Dave Schmalenberger (d). Klukken caught up with Sean from Jazz88 to discuss how marimba fits into the world of jazz and how her marimba fits into her minivan.

Jorge Leiva, artista y profesor colombiano, conversa con SBS Spanish acerca de su proyecto para crear marimbas en un colegio de Melbourne, con la participación de estudiantes de primaria que también aprenden a tocarlas.

Son Rompe Pera started as a street band in Mexico City, but the marimba-playing cumbia punks have spent the past six years honing an electrifying and buzzy mix of modern cumbia, tropical dance beats, hard-hitting punk, psychedelic guitars, traditional Mexican and Colombian rhythms, horns, and a pinch of dub and hip hop, (Kennedy Center program notes.) Their 2020 record Batuco, named after the band's marimba player father, leaned more toward a folkloric, traditional sound by way of nine covers. However, their 2023 record, Chimborazo, delivers 12 originals that really bring the marimba to the mosh pit, including a song where the title is a Chilean expletive and is based on a dream about an alien abduction. Son Rompe Pera slays, in-studio. (-Caryn Havlik) Set list: "Selva Negra", "La Muerte del Amor", "Chucha" Watch "Selva Negra":

The crew is back again to talk about stuff! What kind of stuff? Changing major character mechanics for plot reasons. Keeping characters from getting stale or boring even after completing major driving arcs. Dealing with huge disappointments and moving on from them. All this and more in this Word of Recall! ••• Patreon: patreon.com/ICastFireball20 Twitter / Instagram: @ICastFireball20 Facebook: @ICastFireball2020 Email: ICastFireball2020@gmail.com Donations: ko-fi.com/icastfireball20 ••• AUDIO CREDITS Background Music was created using the “Marimba” soundscape found at Mynoise.net As always a HUGE thank you to Hayden Allred for our amazing theme music!

University of North Texas (UNT) Coordinator of Percussion Studies Mark Ford returns to talk about getting his undergrad music education degree from East Carolina University (ECU) (03:00), getting his Master's Degree from UNT and following with teaching stints at Murray State (KY) and Middle Tennessee State (10:10), his years teaching at ECU, working with Christopher Deane, the high level NC programs being built in the 1980s and 1990s, and developing Musicon Publications after acquiring the musical rights to Innovative Percussion's catalog (31:30), and finishing with the Random Ass Questions, with segments on new percussion literature, great films, classics of Polish literature, the Green Bay Packers, and driving the wrong direction in California for PASIC (48:35).Finishing with a Rave on the 1993 film Dazed and Confused and the 2018 podcast The Rewatchables: Dazed and Confused (01:20:30).Mark Ford Links:Part 1 with Mark FordMark Ford's UNT webpageMark Ford's Innovative Percussion WebpagePrevious Podcast Guests mentioned:Cort McClaren in 2022Other Links:Harold JonesRobert SchietromaJack Stamp“Sonata for Timpani” - John H. Beck“Two Movements for Marimba” - Toshimitsu Tanaka“Two Mexican Dances” - Gordon StoutConcertino for Marimba and Orchestra - Paul CrestonConcerto for Marimba - Robert KurkaTim PetermanChris CrockarellRow-Loff ProductionsErik JohnsonMassie JohnsonChristopher Deane“Etude for a Quiet Hall” - Christopher DeaneJon MetzgerRon Fink#Marimbababy - Mark FordMusicon Publications“Head Talk” - Mark FordWe're the Millers trailerThis is Spinal Tap trailerAnd There Was Light - Jon MeachemJohn Adams - David McCulloughThe Doll - Boleslaw PrusLearning to Listen: The Jazz Journey of Gary Burton - An Autobiography - Gary BurtonKeiko Abe: A Virtuosic Life - Rebecca KiteBob BeckerTony McCutcheonRaves:Dazed and Confused trailerThe Rewatchables - Dazed and Confused

University of North Texas Coordinator of Percussion Studies Mark Ford stops by to talk about meeting folks at PASIC, his percussion responsibilities and the challenges of the job, how Grad Assistants factor in, and dealing with over 200 juries (03:05), getting into composing and the “Head Talk” pretuned heads (25:20), his time as Percussive Arts Society President, moving headquarters to Indianapolis, and “Jocks vs. Drummers” (37:40), and growing up in Virginia, his marching background and coming from a family of artists (46:00).Finishing with a Rave on the TV Series Origins of Hip Hop (59:30).Mark Ford Links:Mark's UNT HomepageMark's Innovative Percussion pagePrevious podcast guests mentioned:Dave Hall in 2020Lauren Teel in 2017Other links:UNT Percussion FacultyDame Evelyn GlennieBob SchietromaRon FinkChristopher DeanePaul Rennick and Santa Clara VanguardMichael CrawfordEugene CorporanAndy TrachselAlan Baylock“Head Talk” - Mark Ford“Stubernic” - Mark FordErik JohnsonConcerto for Marimba and Wind Ensemble - Mark Ford“Renfro” - Mark FordJack Stamp“Stubernic Fantasy” - Mark Ford“Afta-Stuba!” - Mark Ford“Polaris” - Mark FordJames Lambert“ESPN Bows to Offended Drummers” - NPRHarold JonesDavid GaribaldiLeigh Howard StevensRaves:Origins of Hip Hop TV Series

Our guest today is one of the all-time great alpinists of our time. Colin Haley joins to the show in the wake of an uneventful trip to Alaska, and explains why such missions are part of a healthy approach to pursuing a lifetime of adventure and alpine climbing in the mountains. But first, your hosts return from separate vacations and commiserate over how easy and glamorous it is to climb abroad with kids, while still making space to sneak in some deep-water solos. For our final bit, we present an original composition for Marimba by Jared Kohli entitled Joyous. Show Notes Follow Colin Haley on Instagram Report on Alaska trip Free soloing Fitz Roy ✅ Rate and review us on iTunes with ⭐️⭐️⭐️⭐️⭐️ ✅ Force your climbing partner to listen to this show ✅ Blast our entire archive of episodes over the speaker system of the climbing gym where you work ✅ Join us on Patreon by becoming a Rope Gun. For less than the cost of a gallon of diesel, you can save the environment while receiving extra bonus episodes of your favorite climbing podcast.Become a RunOut Rope Gun! Support our podcast and increase your RunOut runtime. Bonus episodes, AMA, and more will be available to our Rope Guns. Thank you for your support! http://patreon.com/runoutpodcastContact us Send ideas, voicemail, feedback and more. andrew@runoutpodcast.com // chris@runoutpodcast.com

Piccolo-voiced culturista Matt Rogers is joined by his close friend, bassoon-throated actor Zane Phillips, on this episode of Las Culturistas to discuss being a lil academic smart girl, science fairs, hot coffee-and-crossword culture, and serving STEM at a young age. Also, coming up in the queer "scat pack" (lol noooo), playing against type when you are A Type, and why superhero movies are so washed out as of late. All this, America's Next Top Model and the act of transformation, Television Without Pity and recap culture, how Survivor has changed, how The Traitors should change, a rundown of playable Super Smash Bros. characters, a searing takedown of Mario Kart's Rainbow Road, and an honest discourse on the state of soup. Readers? We want to be culminated in you. And you will want to be culminated in THIS... episode! Of Las Cultch!See omnystudio.com/listener for privacy information.

Greg Jackson is the Director of Orchestras at South Cobb High School in Austell, Georgia, outside of Atlanta. He is currently on staff at Southwind Drum & Bugle Corps as an Ensemble Specialist. From 2017 until 2020 Dr. Jackson was Director of Bands at Saint James School. He was the Associate Professor of Percussion studies at Alabama State University for ten years. He received the Bachelor of Science degree in Performance, Specialization in Music Composition from Austin Peay State University, the Master of Music degree in Music Theory/Composition from The University of Alabama, the Master of Music Education with emphasis in Conducting from the University of Georgia, a Cerrtificat in Advanced Graduate Studies in Orchestral Conducting, and the Doctor of Musical Arts degree in Percussion Performance at the University of Alabama. Greg is the Vice-Chair of the Mentoring Committee for American String Teachers Association. Several of his compositions were premiered at the ASTA National Conference in 2022. Although his primary performing instrument now is violin, Jackson had a long career as a percussionist. In the Percussive Arts Society International Collegiate Snare Competition, he placed in the top 10 four consecutive years and top 4 two years. He has also been associated as a consultant with four Drum Corps International Individuals champions and 1 PASIC Individuals champion. Greg has performed with numerous artists including Tito Puente Jr., Sō Percussion, Son Caliente, Nancy Zeltsman, Michael Burritt, Tomas Cruz, Sandip Burman, Bob Mintzer of the Yellow Jackets, Tom Wolfe, Ken Watters, Skyler Foster, and Downright. He is also the author of Mephisto's Spree Op. 84, Etudes Op. 56, The Synergy Method for Drumming volumes 1 and 2, The Synergy Method for Marimba, Phenom: Excellence of Execution, Pandora, Legendary Op. 44, The Well-Tempered Marimbist Op. 46, Etudes Op. 48, Jackson's Rudiment Dictionary and Congas Full Circle. His marimba solo, Requiem for 9/11 Op. 45, received a special acknowledgement from President Obama. Jackson travels across the country presenting clinics/masterclasses and conducting, in addition to composing. He is a member of the Georgia Music Educators Association, International Conductors Guild, American String Teachers Association, National Association for Music Education, National Band Association, Alabama Bandmasters Association, Kappa Alpha Psi, Fraternity Inc., Collegiate Society of Musicians, Percussive Arts Society, Society of Composers Inc., BMI, and Bujinkan. Greg proudly endorses Remo Inc., Innovative Percussion, Pearl Percussion and Adams. https://inner3.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/orchestrateacher/support

In this episode of The Truth in This Art podcast, host Rob Lee sits down with Warren Wolf Jr., a highly regarded multi-instrumentalist who has made a name for himself in the world of jazz. Warren shares his musical journey with listeners, starting from his upbringing in Baltimore, Maryland, where his father played a major role in shaping his musical career. He talks about his exposure to different genres of music, including classical, ragtime, and jazz, and how he has been able to incorporate these influences into his music.Warren also discusses his education at Peabody Preparatory, the Baltimore School for the Arts, and Berklee College of Music, where he honed his skills and became an active performer. He emphasizes the importance of having a diverse range of musical interests and how it has helped him become a successful musician. Warren also shares details about his recordings as a leader and his collaborations with various musicians, including his tours with Tia Fuller, Bobby Watson's "Live and Learn" Sextet, and Christian McBride & "Inside Straight." Listeners can also look forward to hearing about his upcoming record release with Mack Ave recording label.Throughout the episode, Warren highlights the value of continuous learning and growth as a musician, and how his practice regimen has helped him achieve success in his career. This conversation is a must-listen for anyone interested in jazz or music in general, and provides valuable insights into the life and experiences of one of the most talented musicians of our time. Don't miss out on this fantastic conversation with Warren Wolf Jr. on The Truth in This Art podcast.Creators & Guests Rob Lee - Host Warren Wolf - Guest The Truth In This Art, hosted by Rob Lee, explores contemporary art and cultural preservation through candid conversations with artists, curators, and cultural leaders about their work, creative processes and the thinking that goes into their creativity. Rob also occasionally interviews creatives in other industries such as acting, music, and journalism. The Truth In This Art is a podcast for artists, art lovers and listeners interested in the creative process.To support the The Truth In This Art: Buy Me Ko-fiUse the hashtag #thetruthinthisartFollow The Truth in This Art on InstagramLeave a review on Apple Podcasts, Spotify or wherever you get your podcasts.THE TRUTH IN THIS ART IS SUPPORTED IN PART BYThe Gutierrez Memorial FundThe Robert W. Deutsch Foundation ★ Support this podcast ★

Mike Dillon, aka Jazz Dad, returns to Primus Tracks. The busiest man in music gives us the skinny on his new Punkadelick record, Inflorescence, and primes us for his Jazzfest lineup on May 4 in New Orleans, and the upcoming Frog Brigade tour. Mike's bands are not to be missed!Mike Dillon on InstagramMike on BandcampGet involved:InstagramTwitterEmailBurn your money