Podcasts about Marimba

Today at Faith Lutheran Church in Okemos, Michigan Nancy by Emmanuel Sejourne was performed by Calvin Kadrofske

The Satyr's Song has already cut a wide swath through the Shackles, facing all manner of strange and terrifying enemies. From hags to tattooed sorceresses, from cursed hearts to infatuated knights, let's answer your burning questions! ••• Patreon: patreon.com/ICastFireball20 Twitter / Instagram: @ICastFireball20 Facebook: @ICastFireball2020 Email: ICastFireball2020@gmail.com Donations: ko-fi.com/icastfireball20 ••• AUDIO CREDITS Background Music was created using the “Marimba” soundscape found at Mynoise.net As always a HUGE thank you to Hayden Allred for our amazing theme music!

The great Luke Bemand returns to Primus Tracks to tackle One Better, the "bicep" of the Of Whales and Woe record. Luke shows us how Les flexes all over this track, and it's not limited to bass, as Les provides drums and guitar in addition to his usual bass and vocals. Luke also brings some commentary from Mike Dillon, who stars on the track.This is a Frankie favorite, so get ready for some fanboy business. Plus, Cold War stories? Sign me up! Find Luke on Instagram: https://www.instagram.com/lukebemandbass/Get involvedInstagramFacebookEmailBurn your money 

Katika kujifunza lugha ya Kiswahili hii leo mchambuzi wetu mlumbi wa Kiswahili Joramu Nkumbi kutoka nchini Tanzania, anafafanua maana ya maneno “Ashiraf, Janabi, gayagaya, kiti cha marimba na kiti cha msaji” 

Arkansas is fully embracing mountain biking, but climbing is also becoming a big draw. On today's show, we consider the work to give climbers unique places to scale from Springdale to North Little Rock. Plus, a convergence of science, research, music and marimbason the University of Arkansas campus.

En este programa: 00:23 ¿Cómo se llama el parásito que transmite el tétano? 03:11 Les agradecería que me informen sobre la relación que existe entre una plantación de café y la polinización. 06:07 Sabía que... 06:44 ¿Para curar las mordeduras de víboras funciona el mismo tratamiento o eso depende de la especie? 08:40 Quiero saber acerca del esfuerzo que se hizo en Japón por aumentar la presencia femenina en la economía. 10:38 Quiero saber la historia de la marimba internacional Usula de Honduras y si pueden complacerme con una melodía interpretada por ese grupo. 13:03 Sabía que... 14:10 ¿Cómo se siembra la albahaca? 15:38 ¿Dónde queda el mar Caspio y cuánto es su extensión? Programa de radio "Oigamos la Respuesta" del Instituto Centroamericano de Extensión de la Cultura (ICECU). El programa se hace con las preguntas que envían nuestros oyente y las respuestas que se elaboran en el ICECU con un lenguaje claro y sencillo desde el año 1964.

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De Lëtzebuerger Ensembel "Machine à Trois" (Mà3) huet elo en neien Album opgeholl. Den Trio stellt sech zesummen aus der Rachel Xi Zhang um Marimba, dem Laurent Warnier um Vibraphon an dem Pascal Meyer um Piano. Déi dräi hunn sech wärend hire Studien zu Amsterdam kenne geléiert. Fir hiren neien Album "Unlearn" hunn si mat ville Kënschtler zesummegeschafft, wéi mam Pol Belardi a mam Michel Reis.  De Release-Concert vum Album ass den 18. Januar 2024 um 8 Auer Owes op der Schmelz zu Diddeleng. D'Marie Schockmel huet sech mat der Rachel Xi Zhang an dem Pascal Meyer iwwert den Trio an de neien Album ënnerhalen.  

La marimba es un instrumento de percusión de altura definida que consiste en una serie de láminas de madera de distintos tamaños, dispuestas de mayor a menor, cada una con una altura de sonido diferente, que se golpean con mazos para producir notas musicales[...] ¡Que lo disfrutes! ✅ Si desean sumarse a IVOOX solo tienen que suscribirse o darle el botón del corazoncito ❤️ y comentar : https://www.ivoox.com/podcast-meditaaccion_sq_f1707851_1.html ✅ Si nos sigues en Apple Podcast, ahora nos puedes ayudar a calificar con 5 estrellas ⭐️⭐️⭐️⭐️⭐️. Por favor ayúdanos a llegar a más personas. Tu calificación o Me gusta❤️ no te tomara mas de 10 segundos y ayudará a llegar a más personas. Gracias de antemano!!! Puedes visitarnos en nuestro Sitio Web, para ver el articulo completo: Web: https://meditaaccion.com Síguenos en el canal informativo de Telegram: https://t.me/meditaaccion Síguenos Instagram: https://www.instagram.com/meditaaccion_podcast/ e-Mail: contacto@meditaaccion.com

✳️Les comparto una muestra de lo que se subirá el día martes al Podcast, Que lo disfruten!!! ✅¿Qué te ha parecido el nuevo avance del episodio? Ayúdanos con tu bonito corazoncito❤️ Y gracias de antemano.

In Episode 36, in addition to lightbulb moments, treasure island pedagogies/props and luxury items, our discussion covered embedding micro-credentials to boost student CVs, leveraging low-latency tech for music education, and gamification strategies like trading simulations to enhance engagement. The discussion tied these innovations to broader themes such as sustainability and interdisciplinary potential. Speakers: Dr. Madina Tash | Ben Redman  Date of recording 11/11/2024 | 54 Minutes   Facilitated by Tünde Varga-Atkins @LivUniCIE  

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Hoy es el Día Mundial del Cannabis Medicinal y nosotros lo conmemoramos con un programa Especial del Festival Marimba en el CC Konex en el cuál participamos con nuestro streaming. Repasamos lo mejor de ese domingo hermoso Hablamos con Juan Palomino Nos divertimos con el Duelo de Armado Entrevistamos al organizador del festival: Pancho de Marimba Charlamos con Valeria Salech de Mamá Cultiva Prendemos uno con Doña Huana & Vira Vira Picamos los shows de Riddim + Kumbia Queers + Shoping Sur El Doc Reprocann nos cuenta que está pasando con el Reprocann Noticias del Pela Manu Chao cantó en la casa natal de Diego Maradona Fidel Nadal ft Quique Neira Nonpalidece lanzó su nuevo disco: Hecho en Jamaica Skunk Dojo presenta un feat con Alika Rondamon tocó junto a SOJA Se viene el Festival de Reggae al Sur y su 5ta edición el 18/11 Sudestada Gin presentó su Gin C4nn4b1co Dj Nelson presentó "Vienen" Lion Reggae y Doma presentaron: "No queda nada" ¡Todo es y mucho más, hoy en #SomosPelaGatxs! ¡Miranos en vivo!

Marimba é o nome de um instrumento e é também o nome de um projecto que visa impulsionar o resgate da identidade cultural de Angola, Guiné-Bissau, Moçambique e Timor-Leste. É através da pesquisa, digitalização, promoção e distribuição de produtos fonográficos dos artistas dos países parceiros que o projecto Marimba pretende valorizar a produção musical, promover o emprego e gerar rendimento.Um projecto todo-o-terreno, que vai desde a formação de profissionais até à apresentação de um produto final, onde a inclusão socioeconómica das mulheres é merecedora de uma atenção particular.Para se conhecer melhor o projecto Marimba, os diferentes campos de acção, como está a ser implementado e qual o balanço que se pode fazer do seu impacto, a RFI falou com Miguel Ângelo, Administrador da SoundsGood, que faz a coordenação geral do Projecto Marimba.Site do projecto Marimba: https://marimba.art/

Stimmen aus Palästina, Japan, Kroatien, Belgien, Frankreich, Dänemark, der Schweiz, Electro-Folk, Postpunk mit Marimba, okzitanische und anatolische Musik stellt Grit Friedrich vor, und die Band Pink Martini wird 30.

Ahoy there, a new campaign be on the horizon! A lot has already happened in just the first 15 episodes of the Captain's Council's adventures, and you had plenty of questions for us, so let's get down to answering. ••• Patreon: patreon.com/ICastFireball20 Twitter / Instagram: @ICastFireball20 Facebook: @ICastFireball2020 Email: ICastFireball2020@gmail.com Donations: ko-fi.com/icastfireball20 ••• AUDIO CREDITS Background Music was created using the “Marimba” soundscape found at Mynoise.net As always a HUGE thank you to Hayden Allred for our amazing theme music!

Proving once again that art galleries are not just for static objects hanging quietly on the wall, Madison's Chazen Museum of Art renews its Sunday Afternoon live series on November […] The post Sean Kleve Brings Marimba Music to the Chazen Museum appeared first on WORT-FM 89.9.

The guys close out four successful weeks of horror movie reviews by saving the worst for last. This week, Matt's all-time favorite slasher flick, "Slumber Party Massacre 2" is the centerpiece. If only he had watched it first. But that doesn't stop the fearsome foursome (plus one better half) from dissecting this film's finest qualities. From camera work to a lack of visible breasts, to the constant presence of Slice soda, this is one for the books.  -- #comedypodcast #humorpodcast #funnypodcast #darkhumor #podernfamily #slumberpartymassacre #rockabilly #drillerkiller #slasherfilms #80sslasher #spookyseason #crystalbernard www.needlesstosaypodcast.com www.ntspodcastgear.com

A cultura Mandjuandadi com Patche Di Rima ocuparam o Coliseu dos Recreios e apresentaram o melhor da Guiné-Bissau num espectáculo que agitou a capital portuguesa. Mandjuandadi é uma das culturas mais emblemáticas da Guiné-Bissau e são as mulheres que assumem o papel central. Na mítica sala de espectáculos lisboeta, Patche Di Rima esteve ao leme de um barco que, com o apoio do projecto Marimba, juntou no cartaz nomes como Eneida Marta, Iva & Ichi, Ammy Injai, Memu Sunhu, Mamba Negra, Rei Helder, Big Carlos, Andoé Nanque, El Matchonis, Netos di Bandim e Jery Bidan.Marimba é um projecto inédito, que resulta da candidatura ao PROCULTURA, programa financiado pela União Europeia e Instituto Camões, que procura a valorização internacional da produção musical em Angola, Guiné-Bissau, Moçambique e Timor-Leste.O espectáculo deste sábado, 12 de Outubro, em Lisboa, representa apenas uma das faces de uma iniciativa sem precedentes pelo conhecimento, consolidação e divulgação da cultura dos países lusófonos.A RFI falou com a gestora do Procultura, Mercedes Pinto, e com o músico guineense Patche Di Rima, que nos ajudam a perceber o que é o projecto Marimba, fazendo duras críticas aos políticos guineenses e começando por nos explicar o que é a Mandjuandadi da Guiné-Bissau.

En NEGRAS, Eryen Korath Ortíz Garcés, conversamos sobre músicas y negritud con una de las más destacadas intérpretes de la música colombiana del Pacífico Sur. Eryen Korath, abogada de profesión y lideresa comunitaria, es la directora musical de Cantares del Pacífico y miembra de Jóvenes Unidos por Buenaventura. Eryen Korath participó de la producción galardonada con un Grammy “Ancestras” junto a Petrona Martínez, Susana Baca, Flor de Toloache, entre otras grandes. Mujeres afrodescendientes conversan sobre proyectos, académicos y comunitarios, relacionados a la negritud y la racialización en Puerto Rico. Aprende de los saberes de mujeres afrodescendientes y desaprende mitos que, históricamente, han degradado a las personas visiblemente negras en la nación puertorriqueña. Una producción de Colectivo Ilé ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.colectivoile.org/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ para Radio Universidad de Puerto Rico. Viernes 3:00 pm a través del 89.7 FM en San Juan, el 88.3 FM en Mayagüez

University of Oklahoma Lecturer in World Music and Principal Timpanist with the Missouri Symphony Orchestra (MOSY) Chrissie Souza stops by to talk about her job at OU (03:15), playing with MOSY and working with other local orchestras (12:30), growing up in Southeast Missouri and her musical upbringing (24:50), attending the U.S. Percussion Camp and discussing her undergrad years at the University of Missouri (31:45), attending OU for her master's and doctorate degrees, working for OU Press, her dissertation on Marimba Concertos, and eventually working as faculty there (47:40), and finishing with the Random Ass Questions, including her experiences being a woman in the percussion and world music fields, great books, and eating incredible food in Brazil (01:10:55).Finishing with a Rave on the 2023 documentary series Fight the Power: How Hip Hop Changed the World(01:39:10).Chrissie Souza links:Chrissie Souza's Oklahoma University pageMissouri Symphony WebsitePrevious Podcast Guests mentioned:Julia Gaines in 2016Megan Arns in 2017Lance Drege in 2017Aaron Ragsdale in 2017Iain Moyer in 2019Nathan Daughtrey in 2021Jeff Calissi in 2017Julia Spencer in 2021Lance Drege in 2017Cort McClaren in 2022Other Links:Ricardo SouzaJerod Impichchaachaaha' TateWilbur LinSymphony No. 9, Second Movement - L.V. BeethovenJohnny Lee LaneTim AdamsNena LorenzMcNair Scholars ProgramConcertino - Paul CrestonMichael BuddsEd DolbashianJohn CheethamEva SzekelyAmy Knopps“Stained Glass” - David Gillingham“Toccata” - Carlos Chavez“Living Room Music” - John Cage“Ionisation” - Edgard VareseRichard GipsonNCPPJeremy BrunkBrian TinkelStefan IceMarimba Concerto - Jorge SargimentosConcertino for Xylophone and Orchestra - Toshiro MayuzumiConcerto for Marimba and Band - David LongInterstellar trailerInception trailerChimamanda Ngozi AdichieTana French“Nagoya Marimbas” - Steve ReichRaves:Fight the Power: How Hip Hop Changed the World

The Commonwealth Club World Affairs of California and The Consulate of Colombia in San Francisco are pleased to invite you to the inauguration of the photographic exhibition Foto-Diásporas, a traveling exhibition making its debut in San Francisco. The exhibition is a research and creative project about Colombians' forced cross-border migration. Through the eyes and voices of 15 Colombian men and women, Foto-Diásporas uses the power of participatory photography to make visible the experiences of forcibly displaced Colombians living in the United States and their demands for recognition and reparation. This exhibition pays tribute to the victims from the past armed conflict and honoring their resilience, courage and hope. In our panel discussion, victims of forced migration will share their story. Program speaker Sonia Marina Pereira Portilla is the general consul of the Consulate of Colombia in San Francisco. The event includes Colombian food and refreshments, and music will be presented by Afro-Colombian group, Marimba del Litoral – Música del Pacifico. The event will be hosted by Ambassador Sonia Marina Pereira Portilla, consul general of Colombia, alongside Saday Osorio Córdoba, the Consulate's social advisor, human rights advocate, and director/founder of the Nativa Foundation. MLF ORGANIZER: Robert Melton   An Arts Member-led Forum program. Forums at the Club are organized and run by volunteer programmers who are members of The Commonwealth Club, and they cover a diverse range of topics. Learn more about our Forums. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Bandwich Tapes, I'm thrilled to welcome my longtime friend and phenomenal percussionist, Michael LaMattina. Michael and I go way back when we first met at the District Honor Band in Georgia. Our shared passion for music saw us performing together in various ensembles throughout high school, setting the stage for Michael's illustrious career.Now, Michael holds the prestigious position of Principal Percussionist with The Dayton Philharmonic and serves as the Director of Percussion Studies at Miami University. He conducts the Miami University Percussion Ensemble there, bringing his expertise to the next generation of musicians. With the DPO, Michael dazzles audiences through classical programs, pops concerts, chamber music, ballet, and opera. His summers are equally dynamic as he steps into the role of principal percussionist with the Lancaster Festival Orchestra.Michael's impressive resume includes past roles such as Principal Percussionist with The Colorado Music Festival Orchestra, Principal Timpani & Percussion with The ProMusica Chamber Orchestra of Columbus, and Principal Percussionist of theCanton Symphony Orchestra. He's also showcased his talent as a Section Percussionist with the Erie Philharmonic and an Associate Section Percussionist with the Columbus Symphony. Beyond these roles, Michael has performed with the Cincinnati and Atlanta Symphony Orchestras.Michael's academic credentials are equally remarkable. He earned his Bachelor of Music degree in percussion performance from the Oberlin Conservatory of Music and a Master of Music degree from Cleveland State University. His formative years were further enhanced by attending the Music Academy of the West in 1997 and being a fellow at the Tanglewood Music Center in 1998.Join us as we dive into Michael's journey from our humble beginnings in school bands to his distinguished career. We'll explore his experiences, the nuances of his various roles, and the vibrant world of percussion. Be sure to check out Michael's YouTube channel - https://www.youtube.com/@MichaelLaMattinaPercussionThank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com. Please tell your friends about the show.The theme song, Playcation, was written by Mark Mundy.

Sam Stewart of Flagman joins Primus Tracks to discuss Up On The Roof, and explains what makes it a certified banger in the Claypool catalogue. The track has familiar foundations in a percussive bass line and lyrics regarding drug addiction, but this tune remains fresh and vibrant over twenty years later. Get involved:InstagramFacebookEmailBurn your moneyLISTEN 2 FLAGMAN!

This is a special musical presentation of Rain Dance by Calvin Kadrofske on Marimba at Faith Lutheran Church in Okemos, Michigan

Iowa City-based percussionist, educator, and band leader Ginny Armstrong stops by to talk about her teaching responsibilities in and around Iowa, teaching community steel band, and performing regularly (03:50), growing up in West Virginia, playing organ, and getting into percussion (30:00), attending West Virginia University for her undergrad (44:30) and her master's (59:15), moving to Nashville after her master's, living and working there, and then going to the University of Iowa for her doctorate (01:09:15), and finishes with the Random Ass Questions, including segments on being a woman in the field of percussion, cooking Thanksgiving dinner, great and terrible movies, David Sedaris and Amy Sedaris, Iowa women's basketball, and some unusual gigs (01:30:00).Finishing with a Rave on the Unbound Book Festival in Columbia, Missouri and the chance to moderate a panel (02:01:30).Ginny Armstrong link:Melissa's Music StudioOther Links:Dan Moore“Baja” - Steel band traditional“Jamaica Farewell” - Steel Band TraditionalIowa Flood of 2008Phil FainiEllie MannetteMat BritainPan RocksTracy ThorntonNew Horizons International Music AssociationAdam MasonKeiko AbeConcertino for Marimba and Orchestra - Paul Creston“March” - Elliot CarterThe Texas TenorsLalo DavilaWest Virginia vs. Iowa 2024 NCAA tourneyNick MillerChaconne in D Minor - JS Bach/marimbaDune: Part 2 trailerOnce Upon a Time in Hollywood trailerMasters of the Air trailerSaw trailerThe Matrix Resurrections trailerMad Max: Fury Road trailerFuriosa: A Mad Max Saga trailerThe Queen's Gambit trailerAnne RiceA Prayer for Owen Meany - John IrvingMe Talk Pretty One Day - David SedarisHolidays on Ice - David SedarisStrangers with Candy trailerI Like You: Hospitality Under the Influence - Amy Sedaris“Lay All Your Love on Me” - Caroline Shaw with Sö PercussionRaves:Unbound Book FestivalHow Can I Help You - Laura SimsPoet-Librarians in the Library of Babel - Sommer Browning and Shannon Tharp, editorsMargaret Conroy - DBRL

We finished a three-year campaign, and you all had lots of questions! Join us for one final farewell to the Jhank Squad and Tyranny of Dragons. ••• Patreon: patreon.com/ICastFireball20 Twitter / Instagram: @ICastFireball20 Facebook: @ICastFireball2020 Email: ICastFireball2020@gmail.com Donations: ko-fi.com/icastfireball20 ••• AUDIO CREDITS Background Music was created using the “Marimba” soundscape found at Mynoise.net As always a HUGE thank you to Hayden Allred for our amazing theme music!

C'est sur l'axe Cali-Lyon-Paris que va se dérouler la #SessionLive avec Xiomara Torres pour la partie colombienne et Marion Rampal qui fait comme l'oiseau (un bol d'air pur et d'eau fraîche…). Nos premiers invités sont le groupe Pixvae pour la sortie de l'album Oi Vé #SessionLiveC'est le retour du bouillonnant combo franco-colombien Pixvae, et l'on se prend déjà à sentir les effluves de transe que contient ce dernier opus. Avec Oì Vé, Pixvae revient dans les bacs avec un cocktail survitaminé qui sonne comme une invitation à un voyage aussi mystique que festif entre Cali et Lyon. La formule, déjà largement reconnue comme magique, reste la même : la déflagration du currulao colombien entré en contact avec un alliage extrait des profondeurs du rock et du jazz. Mais Oì Vé marque une nouvelle évolution dans cette relecture libérée de cette musique traditionnelle afro-colombienne. Ce nouveau répertoire s'articule autour de la Marimba de Chonta, instrument central du currulao. L'équipée française originelle, avec le power trio Kouma et la puissance vocale de Margaux Delatour, retrouve avec un bonheur non dissimulé les complices colombiens Juan Carlos Arrechea (marimba et percus), Israël Quinones (percus et voix) et Jennifer « Xiomora » Torres (voix). Cette combinaison puissante et subtile prend encore plus d'ampleur avec ces compositions et ces textes originaux, qui offrent une nouvelle résonance avec l'énergie initiale du groupe, venue des chants traditionnels… Tout en gardant bien au chaud le caractère complètement épique de cette épopée transe-frontalière. Titres interprétés au grand studio- Mamita Live RFI + RFI Vidéos- Las Pesadilas, extrait de l'album- Vamos a celebrar Live RFI. Line Up : Xiomara Torres : voix, Israel Quinones : cununos + voix, Juan Carlos Arrechea : marimba + voix et Romain Dugelay : keyboards. Son : Jérémie Besset & Mathias Taylor.► Album Oi Vé (Compagnie 4000 2024). Puis nous recevons Marion Rampal pour la sortie de l'album Oizel #SessionLiveAprès quatre albums et de nombreuses collaborations, on se gardera d'affirmer que Marion Rampal prend son envol. Intitulé Oizel, son nouveau recueil de chansons suggère pourtant une prise d'altitude. Si la figure de l'oiseau est devenue essentielle, c'est qu'elle couvait déjà sous sa plume. Son précédent recueil, Tissé, s'achevait par un blues féministe, Still A Bird, où s'esquissait une affinité que Oizel prolonge et achève en convoquant la mobilité spatiale du migrateur, la nécessité vitale du nid, le chant réparateur.Elle a choisi de composer en français, sous un format de toutes parts décloisonné par les surgissements libres et singuliers des interprètes qui l'entourent (Christophe Panzani, Gaël Rakotondrabe, Raphaël Chassin, Simon Tailleu, autant à l'aise dans le jazz que dans le format de la chanson en studio). L'album déploie la métaphore de l'oiseau dans ses myriades : il y est question de liberté, d'espoir, de marge, de passion et de sécession. Marion Rampal y convie autant la voix profonde et baroudeuse de Bertrand Belin, celle, oiseleuse et rêveuse de Laura Cahen, que la flûte mystique de Naïssam Jalal. Titres interprétés au grand studio- Les Mots Live RFI- De Beaux Dimanches feat. Bertrand Belin, extrait de l'album voir le clip - Coulemonde Live RFI. Line Up : Marion Rampal, voix -  Matthis Pascaud, guitare.Son Mathias Taylor & Benoît Letirant.► Album Oizel (Les Rivières Souterraines 2024).► chaîne YouTube.

C'est sur l'axe Cali-Lyon-Paris que va se dérouler la #SessionLive avec Xiomara Torres pour la partie colombienne et Marion Rampal qui fait comme l'oiseau (un bol d'air pur et d'eau fraîche…). Nos premiers invités sont le groupe Pixvae pour la sortie de l'album Oi Vé #SessionLiveC'est le retour du bouillonnant combo franco-colombien Pixvae, et l'on se prend déjà à sentir les effluves de transe que contient ce dernier opus. Avec Oì Vé, Pixvae revient dans les bacs avec un cocktail survitaminé qui sonne comme une invitation à un voyage aussi mystique que festif entre Cali et Lyon. La formule, déjà largement reconnue comme magique, reste la même : la déflagration du currulao colombien entré en contact avec un alliage extrait des profondeurs du rock et du jazz. Mais Oì Vé marque une nouvelle évolution dans cette relecture libérée de cette musique traditionnelle afro-colombienne. Ce nouveau répertoire s'articule autour de la Marimba de Chonta, instrument central du currulao. L'équipée française originelle, avec le power trio Kouma et la puissance vocale de Margaux Delatour, retrouve avec un bonheur non dissimulé les complices colombiens Juan Carlos Arrechea (marimba et percus), Israël Quinones (percus et voix) et Jennifer « Xiomora » Torres (voix). Cette combinaison puissante et subtile prend encore plus d'ampleur avec ces compositions et ces textes originaux, qui offrent une nouvelle résonance avec l'énergie initiale du groupe, venue des chants traditionnels… Tout en gardant bien au chaud le caractère complètement épique de cette épopée transe-frontalière. Titres interprétés au grand studio- Mamita Live RFI + RFI Vidéos- Las Pesadilas, extrait de l'album- Vamos a celebrar Live RFI. Line Up : Xiomara Torres : voix, Israel Quinones : cununos + voix, Juan Carlos Arrechea : marimba + voix et Romain Dugelay : keyboards. Son : Jérémie Besset & Mathias Taylor.► Album Oi Vé (Compagnie 4000 2024). Puis nous recevons Marion Rampal pour la sortie de l'album Oizel #SessionLiveAprès quatre albums et de nombreuses collaborations, on se gardera d'affirmer que Marion Rampal prend son envol. Intitulé Oizel, son nouveau recueil de chansons suggère pourtant une prise d'altitude. Si la figure de l'oiseau est devenue essentielle, c'est qu'elle couvait déjà sous sa plume. Son précédent recueil, Tissé, s'achevait par un blues féministe, Still A Bird, où s'esquissait une affinité que Oizel prolonge et achève en convoquant la mobilité spatiale du migrateur, la nécessité vitale du nid, le chant réparateur.Elle a choisi de composer en français, sous un format de toutes parts décloisonné par les surgissements libres et singuliers des interprètes qui l'entourent (Christophe Panzani, Gaël Rakotondrabe, Raphaël Chassin, Simon Tailleu, autant à l'aise dans le jazz que dans le format de la chanson en studio). L'album déploie la métaphore de l'oiseau dans ses myriades : il y est question de liberté, d'espoir, de marge, de passion et de sécession. Marion Rampal y convie autant la voix profonde et baroudeuse de Bertrand Belin, celle, oiseleuse et rêveuse de Laura Cahen, que la flûte mystique de Naïssam Jalal. Titres interprétés au grand studio- Les Mots Live RFI- De Beaux Dimanches feat. Bertrand Belin, extrait de l'album voir le clip - Coulemonde Live RFI. Line Up : Marion Rampal, voix -  Matthis Pascaud, guitare.Son Mathias Taylor & Benoît Letirant.► Album Oizel (Les Rivières Souterraines 2024).► chaîne YouTube.

Days of Wine and Roses runs on Broadway at Studio 54 through March 31st. Find out more at www.daysofwineandrosesbroadway.com. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Ga Ga Ti Ga, Ga Ga Ga Ti Ga... John talked about the Samba sing-a-long, studying in India, and Brazil, recording vibes and various percussion instruments, the importance of cultural context in music, and bringing your A-game to every studio session! Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is John Arrucci, an acclaimed master artist in Classical, Jazz, North Indian, Afro-Cuban, Afro-Brazilian and other indigenous traditions and someone I first met when he moved to Nashville to build his studio. Having composed, performed, and instructed for over 40 years, John has studied on three continents and received numerous honors.  His work as drummer and percussionist is featured on scores for feature films, television, commercial spots and recordings including on Sony, Polygram, Mercury, Chesky, Koch Jazz, Chiaroscuro, Rykodisc and other labels. He has performed and/or recorded with Michael Brecker, John Patittucci, Mariah Carey, David Byrne, Philip Glass Ensemble, and for Dalai Lama, Bishop Desmond Tutu and many other dignitaries and has performed at notable venues such as Carnegie Hall, David Geffen Hall, Jazz at Lincoln Center, Town Hall, Merkin Hall and United Nations. His percussion can be found on programs including Patriot, Late Show with Stephen Colbert, Oprah Winfrey and Rosie O'Donnell.  As a composer, John has received numerous commissions, grants and awards from members of The New York Philharmonic, The Manhattan Marimba Quartet, The Mannes College of Music and many others. His acclaimed 2011 release “Metaphors” features 9 of his compositions and performances on Drum Set, Vibes, Marimba and Percussion. John taught for over 20 years at Princeton University, the City University of New York, and many other prominent institutions including an Eastman School of Music where he graduated with distinction. The Smithsonian Institution awarded him a Post-Doctoral level research fellowship to study Tabla in Benares, India with Pandit Sharda Sahai. He has also studied music in Brazil, and Shekere and Agbe with the renowned Chief James Hawthorne Bey, and Conga and Afro-Cuban drumming with Frank Malabe and Tabla with Robert Becker. He has basically done a tremendous amount of music and finally landed in Nashville, Tennessee making himself available for in-studio and remote recording, live performances, touring, commissions and Master Classes, one of which I recently took to learn Samba drumming which was amazing! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://gracedesign.com/ https://www.native-instruments.com use code ROCK10 to get 10% off! https://lewitt.link/rockstars https://iZotope.com use code ROCK10 to get 10% off! https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/79yhhF3Yr5dp4a9iMhkqBn?si=6869fa6d30e44433 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/442

Ep #172 with Payton MacDonald, marimba player and composer Payton MacDonald plays the marimba in many ways and with many groups. He uses different preparations to change the sound. He also is deeply into Hindustani music and is a singer of Hindustani music. A Worldsoul Records production derrikjordan.com Facebook: https://www.facebook.com/100063982602329/videos/1120646992451122 YouTube: https://www.youtube.com/watch?v=uyCI0SN1qB8 Soundcloud: https://soundcloud.com/hilljoy/ep-172-payton-macdonald-marimba-player-and-composer

Episode 117 Electronic Keyboards in Jazz, A Recorded History, Part 1 of 2 Playlist   Length Start Time Introduction 05:42 00:00 1.             Vernon Geyer, “Day After Day” from All Ashore / Day After Day (1938 Bluebird). Soloist, Hammond Electric Organ, Vernon Geyer. 02:22 05:42 2.             Milt Herth Quartet / Milt Herth Trio, “Minuet in Jazz” from Home-Cookin' Mama With The Fryin' Pan / Minuet In Jazz (1938 Decca). Milt Herth was one of the first to record with the Hammond Organ Model A. His playing was more focused on melody and counterpoint and not so much on creating a lush progression of chords. This was recorded a few years before the availability of the Leslie rotating speaker, which added a special tone quality to later Hammonds, such as the model B3. 02:44 08:04 3.             Milt Herth Quartet / Milt Herth Trio, “Looney Little Tooney” from Flat Foot Floojie / Looney Little Tooney (1938 Decca).  Vocals, O'Neil Spencer; Drums, O'Neil Spencer; Guitar, Teddy Bunn; Hammond Organ, Milt Herth; Piano, Willie Smith (The Lion). 02:50 10:46 4.             "Fats" Waller And His Rhythm, “Come Down to Earth, My Angel” from Come Down To Earth, My Angel / Liver Lip Jones (1941 Bluebird). Waller was an extremely popular ragtime and stride piano player and vocalist. In this number, he takes a rare turn on an electric organ, presumably an early model Hammond. Vocals, Piano, Electric Organ, "Fats" Waller; Bass, Cedric Wallace; Clarinet, Tenor Saxophone, Gene Sedric; Drums, Slick Jones; Guitar, Al Casey; Trumpet, John Hamilton. 03:10 13:36 5.             Collins H. Driggs, “When Day is Done” from The Magic Of The Novachord (1941 Victor). Soloist, Hammond Novachord, Collins H. Driggs. This was an early polyphonic keyboard that generated its sounds using valve, or vacuum tube, oscillators. Made by Hammond, the Novachord was an entirely different electronic instrument than its tone-wheel organs. The Novachord had unique, synthesizer-like controls over envelope generation, band pass filtering and vibrato controlled by a series of flip switches, offering the keyboardist a unique suite of sounds. 03:11 16:45 6.             The Four Clefs, “It's Heavenly” from It's Heavenly / Dig These Blues (1943 Bluebird). Hammond Electric Organ, James Marshall. Another organ recording and a nice duet with a guitarist Johnny "Happy" Green. 02:41 19:54 7.             Ethel Smith And The Bando Carioca, “Tico-Tico” from Tico-Tico / Lero Lero / Bem Te Vi Atrevido (1944 Decca). Another was a popular and skilled organist using a pre-B3 Hammond. 02:45 22:36 8.             Slim Gaillard Quartette, “Novachord Boogie” from Tee Say Malee / Novachord Boogie (1946 Atomic Records). Bass, Tiny Brown; Drums, Oscar Bradley; Guitar, Slim Gaillard; Piano, Dodo Marmarosa. While the Hammond Novachord plays a prominent role in this recording, the player is not credited. 02:57 25:20 9.             Milt Herth And His Trio,” Twelfth Street Rag” from Herthquake Boogie / Twelfth Street Rag (1948 Decca). Recorded in New York, NY, September 5, 1947. Described on the recording as a “Boogie Woogie Instrumental.” Hammond Organ, Milt Herth; Drums, Piano, Uncredited. Herth had been recording with the Hammond organ since 1937. 03:10 28:16 10.         Ben Light With Herb Kern And Lloyd Sloop, “Benny's Boogie” from Benny's Boogie / Whispering (1949 Tempo). This track includes the triple keyboard combination of piano, organ, and Novachord. Hammond Electric Organ , Herb Kern; Piano, Ben Light; Hammond Novachord, Lloyd Sloop. 02:37 31:27 11.         Johnny Meyer Met Het Kwartet Jan Corduwener, “There's Yes! Yes! in your Eyes” from Little White Lies / Thereʼs Yes! Yes! In Your Eyes (1949 Decca). Accordion player Johnny Meyer added a Hammond Solovox organ to his musical arrangements. The Solovox was monophonic and it added a solo voice to his performances. This recording is from the Netherlands. 03:22 34:04 12.         E. Robert Scott, R.E. Wolke, “Instructions For Playing Lowrey Organo” (excerpt) from Instructions For Playing Lowrey Organo (circa 1950 No Label). Promotional disc produced by piano and organ distributor Janssen, presumably with the cooperation of Lowrey. This is a 12-inch 78 RPM disc, but is undated, so I believe that picking 1950 as the release year is safe because the Organo was introduced in 1949 and 78 RPM records were already beginning to be replaced in 1950 by the 33-1/3 RPM disc. Recordings of this instrument are extremely rare. I have no such examples within a jazz context, but being a competitor of the Hammond Solovox, I thought this was worth including. 03:23 37:26 13.         Ethel Smith, “Toca Tu Samba” from Souvenir Album (1950 Decca). One of the great female masters of the Hammond Electric Organ was Ethel Smith. Her performances were mostly considered as pop music, but she had the knack for creating Latin jazz tracks such as this. Featuring The Bando Carioca; Hammond Electric Organ soloist, Ethel Smith. 02:25 40:48 14.         The Harmonicats, “The Little Red Monkey” from The Little Red Monkey / Pachuko Hop (1953 Mercury). Jerry Murad's Harmonicats were an American harmonica-based group. On this number, they included the electronic instrument known as the Clavioline. The Clavioline produced a fuzzy square wave that could be filtered to roughly imitate many other instruments. The record is inscribed with the message, “Introducing the Clavioline,” but the player is not mentioned. 01:56 43:12 15.         Djalma Ferreira E Seus Milionarios Do Ritmo, “Solovox Blues” from Parada De Dança N. 2 (1953 Musidisc). From Brazil comes a jazz group that included the Hammond Solovox Organ as part of its ensemble. Invented in 1940, the Solovox was a monophonic keyboard intended as an add-on to a piano for playing organ-flavored solos. It had a 3-octave mini keyboard and controls over vibrato and attack time, and tone settings for deep, full, and brilliant. Piano, Hammond Solovox Organ, Djalma Ferreira; Bass, Egidio Bocanera; Bongos, Amaury Rodrigues; Drums, Cecy Machado; Guitar, Nestor Campos. 02:31 45:08 16.         Eddie Baxter, “Jalousie” from Temptation (1957 Rendezvous Records). Piano, Hammond Organ, Celesta (Electronic Celeste), Krueger Percussion Bass, Eddie Baxter; rhythm section, uncredited. Like Ethel Smith, Baxter was pushing the limits of popular music with his virtuosity on the organ and other instruments. In this track you can hear the electronic celesta with its chime-like sounds near the beginning before the electric organ and guitar dominate the rest of the piece. 02:33 47:38 17.         Eddie Baxter, “Temptation” from Temptation (1957 Rendezvous Records). Hammond Electric Organ, Eddie Baxter. Piano, Hammond Organ, Wurlitzer Electric Piano, Krueger Percussion Bass, Eddie Baxter. In this track, you can clearly hear the Wurlitzer electric piano in several sections. 02:08 50:10 18.         Le Sun Ra And His Arkestra, “Advice to Medics” from Super-Sonic Jazz (1957 El Saturn Records). This excursion into one of the first records released by Sun Ra as a bandleader of the Arkestra was recorded in 1956 at RCA Studios, Chicago. This track is a solo for the Wurlitzer Electric Piano, an instrument invented in 1954 and that was quickly adopted by many jazz and popular music players. 02:02 52:17 19.         Le Sun Ra And His Arkestra, “India” from Super-Sonic Jazz (1957 El Saturn Records). A work featuring the Wurlitzer Electric Piano played by Sun Ra, miscellaneous percussion; electric bass, Wilburn Green; Drums, Robert Barry and William Cochran; Timpani, Timbales, Jim Herndon; and trumpet, Art Hoyle. 04:48 54:18 20.         Le Sun Ra And His Arkestra, “Springtime in Chicago” from Super-Sonic Jazz (1957 El Saturn Records). This work features Sun Ra playing the acoustic and electric pianos. Wurlitzer Electric Piano, piano Sun Ra; bass, Victor Sproles; Tenor Saxophone, John Gilmore; Drums, Robert Barry and William Cochran. 03:50 59:14 21.         Le Sun Ra And His Arkestra, “Sunology” from Super-Sonic Jazz (1957 El Saturn Records). Another number with both the acoustic and electric pianos. Of interest is how Sun Ra moves deftly from one keyboard to the other (these recordings were made in real time), often mid-phrase. This was a style of playing that Sun Ra would continue to perfect throughout his long career and many electronic keyboards. Wurlitzer Electric Piano, piano Sun Ra; bass, Victor Sproles; Tenor Saxophone, John Gilmore; Drums, Robert Barry and William Cochran; Alto Saxophone, James Scales; Alto Saxophone, Baritone Saxophone, Pat Patrick. 12:47 01:02:54 22.         Steve Allen, “Electronic Boogie” from Electrified Favorites (1958 Coral). From Steve Allen, who played the Wurlitzer Electric Piano on this track. This track has the characteristic brashness that was typical of the Wurlitzer sound. 02:23 01:15:40 23.         Steve Allen, “Steverino Swings” from Electrified Favorites (1958 Coral). From Wurlitzer Electric Piano, Steve Allen. Unlike many tracks featuring the Wurlitzer Electric, which make use of its distortion and emphasize its sharp attack, it was possible to closely mimic an acoustic piano as well, as Allen does here. I had to listen to this several times before I believed that it was the Wurlitzer, as the liner notes state. But you can hear certain tell-tale sounds all along the way—such as the slight electrified reverb after a phrase concludes and the occasional thump of the bass notes played by the left hand. 02:54 01:18:02 24.         Michel Magne, “Larmes En Sol Pleureur (Extrait D'un Chagrin Emmitouflé)” from Musique Tachiste (1959 Paris). Jazz expression in a third-stream jazz setting by French composer Michel Magne. Third-stream was a music genre that fused jazz and classical music. The term was coined in 1957 by composer Gunther Schuller after which there was a surge of activity around this idea. In this example, the Ondes Martenot and vocalist add jazz nuances to a chamber music setting, the interpretation being very jazz-like. Ondes Martenot, Janine De Waleine; Piano, Paul Castagnier; Violin, Lionel Gali; Voice, Christiane Legrand. 02:38 01:20:54 25.         Ray Charles, “What'd I Say” from What'd I Say (1959 Atlantic). This might be the most famous track ever recorded using a Wurlitzer Electric Piano. The fuzzy, sharp tone added depth and feeling to the playing. The opening bars were imitated far and wide for radio advertising of drag races during the 1960s. 05:05 01:23:30 26.         Lew Davies And His Orchestra, “Spellbound” from Strange Interlude (1961 Command). This was one of Enoch Light's productions from the early 1960s, when stereo separation was still an experiment. This is the theme from the Hitchcock movie with a melody played on the Ondioline, a monophonic organ and an otherwise jazzy arrangement with a rhythm section, reeds, and horns. Arrangement, Lew Davies; Ondioline, Sy Mann; Bass, Bob Haggart, Jack Lesberg; Cymbalum, Michael Szittai; Drums, George Devens, Phil Kraus; French Horn,Paul Faulise, Tony Miranda; Guitar, Tony Mottola; Reeds, Al Klink, Ezelle Watson, Phil Bodner, Stanley Webb; Trombone, Bobby Byrne, Dick Hixon, Urbie Green; Produced by, Enoch Light. 03:29 01:28:34 27.         Sy Mann and Nick Tagg, “Sweet and Lovely” from 2 Organs & Percussion (1961 Grand Award). Duets on the Hammond B3 and Lowrey Organs “propelled by the urgent percussive drive of a brilliant rhythm section.” This is a unique opportunity to contract and compare the sounds of the Hammond and Lowrey organs with percussion. Hammond B3 Organ, Sy Mann, Nick Tagg. The track begins with the Lowrey and demonstrates the sliding tone effects made possible by its Glide foot switch. 02:58 01:32:02 28.         Enoch Light And The Light Brigade, “Green Eyes” from Vibrations (1962 Command). More stereo separation hijinks from Enoch Light. This tune features the Ondioline in an exchange of lines with the guitar and other instruments. The Ondioline is first heard at about 35 seconds. Ondioline, Milton Kraus; Bass, Bob Haggart; Guitar, Tony Mottola; Percussion, Bobby Rosengarden, Dan Lamond, Ed Shaughnessy, Phil Kraus; Piano, Moe Wechsler; Trumpet – Doc Severinsen; Woodwind – Phil Bodner, Stanley Webb; Produced by, Enoch Light. 02:50 01:34:59 29.         Jimmy Smith, “Begger for the Blues” from The Unpredictable Jimmy Smith--Bashin' (1962 Verve). Jimmy Smith was a great jazz soloist on the Hammond B3 organ. This stripped-down arrangement shows his nuanced expression skills with the organ. 07:26 01:37:49 30.         Jimmy Smith, “Walk On The Wild Side” from The Unpredictable Jimmy Smith--Bashin' (1962 Verve). This big band arrangement of a theme from the movie Walk on the Wild Side features the Hammond B3 of Smith in the context of a full jazz orchestration. 05:54 01:45:12 31.         Dick Hyman And His Orchestra, “Stompin' At The Savoy” from Electrodynamics (1963 Command). Arranged, Lowrey Organ, Dick Hyman; Bass, Bob Haggart; Drums, Osie Johnson; Guitar, Al Casamenti, Tony Mottola; Marimba, Xylophone, Vibraphone, Bongos, Congas, Bass Drum, Bells, Cowbell, Bob Rosengarden, Phil Kraus; Produced by Enoch Light. Hyman shows off the steady, smooth tonalities of the Lowrey and also makes use of the Glide foot switch right from the beginning with that little whistling glissando that he repeats five times in the first 30 seconds. 02:50 01:51:06 32.         Sun Ra, “The Cosmos” from The Heliocentric Worlds Of Sun Ra, Vol. I (1965 ESP Disc). The instrumentation on this entire album is quite experimental, especially the dominance of the bass marimba, Electronic Celesta, and timpani of Sun Ra. The celesta is seldom heard on jazz records, but it is the only electronic keyboard found on this track. Marimba, Electronic Celesta, timpani, Sun Ra; Percussion, Jimhmi (sp Jimmy) Johnson; Performer, Sun Ra And His Solar Arkestra; Baritone Saxophone, Percussion, Pat Patrick; Bass, Ronnie Boykins; Bass Clarinet, Wood Block, Robert Cummings; Bass Trombone, Bernard Pettaway; Flute, Alto Saxophone, Danny Davis; Percussion, timpani, Jimmi Johnson; Piccolo Flute, Alto Saxophone, Bells, Spiral Cymbal, Marshall Allen. 07:31 01:53:54 33.         Sun Ra And His Solar Arkestra, “The Magic City” from The Magic City (1966 Saturn Research). You won't be disappointed to know that Sun Ra gave the Clavioline a turn on this album. This was prior to his experimenting with synthesizers, which we will cover in Part 2 of this exploration of early electronic keyboards in jazz. He incorporated the Clavioline in many of his mid-1960s recordings. Clavioline, Piano, Sun Ra; Alto Saxophone, Danny Davis, Harry Spencer; Percussion, Roger Blank; Trombone, Ali Hassan; Trumpet, Walter Miller. 27:24 02:01:22 34.         Clyde Borly & His Percussions, “Taboo” from Music In 5 Dimensions (1965 Atco). Vocals, Ondes Martenot, Janine De Waleyne. Yes, Ms. De Waleyne was a French vocalist and Ondes Martenot player. 03:33 02:28:44 35.         Jeanne Loriod, Stève Laurent and Pierre Duclos, ''Ordinateur X Y Z” from Ondes Martenot (1966 SONOROP). Album of broadcast library music from France that happened to feature the Ondes Martenot played Jeanne Loriod; drums, uncredited. The dynamic expression features of the monophonic electronic instrument can be clearly experienced on this track. 02:05 02:32:16 36.         Roger Roger, “Running with the Wind” from Chappell Mood Music Vol. 21 (1969 Chappell). Broadcast library recording with various themes played using the Ondes Martenot. This track features a solo Ondes Martenot and is backed by an electric harpsichord. The Ondes Martenot used the same electronic principle to create smooth, flowing tones as the Theremin, only that it was controlled by a keyboard. In this piece, the articulation of the Ondes Martenot is quite apart from that of the Theremin, including its double-tracked tones and the quick pacing which is rather un-Theremin-like. 01:28 02:34:20 37.         Roger Roger, “Night Ride” from Chappell Mood Music Vol. 21 (1969 Chappell). Broadcast library recording with various themes played using the Ondes Martenot. While this track features a flute solo, you can hear the Ondes Martenot from time to time, especially in the middle break. Other uncredited musician play drums, harp, and perhaps a celesta on this track. 01:35 02:35:45 Opening background music: Dick Hyman And His Orchestra, “Mack the Knife,” “Satin Doll” and “Shadowland” from Electrodynamics (1963 Command). Dick Hyman playing the Lowrey organ. Arranged, Lowrey Organ, Dick Hyman; Bass, Bob Haggart; Drums, Osie Johnson; Guitar, Al Casamenti, Tony Mottola; Marimba, Xylophone, Vibraphone, Bongos, Congas, Bass Drum, Bells, Cowbell, Bob Rosengarden, Phil Kraus; Produced by Enoch Light. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. I created an illustrated chart of all of the instruments included in this podcast, paying special attention to the expressive features that could be easily adopted by jazz musicians. You can download the PDF, for free, on my blog, Noise and Notations at thomholmes.com

Our third season centers South African Sound Cultures and is curated by our main host Dr. Layla Zami. In this episode, she is in conversation with multi-instrumentalist and composer Sky Dladla. Dladla speaks of her love for Indigenous Xhosa instruments, the intersection of traditional and contemporary performance culture, and her collaboration with artists such as Zolani Mahola. Recorded at Blueprint Studios in Johannesburg.

Jenny Klukken has been bridging the gap between her classical background and her passion for jazz on her primary instrument, the marimba, for years. She's back at it on Thursday night over at Crooners with an all-star band of Chris Olson (g), Chris Bates (b) and non-Chris Dave Schmalenberger (d). Klukken caught up with Sean from Jazz88 to discuss how marimba fits into the world of jazz and how her marimba fits into her minivan.

Jorge Leiva, artista y profesor colombiano, conversa con SBS Spanish acerca de su proyecto para crear marimbas en un colegio de Melbourne, con la participación de estudiantes de primaria que también aprenden a tocarlas.

Son Rompe Pera started as a street band in Mexico City, but the marimba-playing cumbia punks have spent the past six years honing an electrifying and buzzy mix of modern cumbia, tropical dance beats, hard-hitting punk, psychedelic guitars, traditional Mexican and Colombian rhythms, horns, and a pinch of dub and hip hop, (Kennedy Center program notes.) Their 2020 record Batuco, named after the band's marimba player father, leaned more toward a folkloric, traditional sound by way of nine covers. However, their 2023 record, Chimborazo, delivers 12 originals that really bring the marimba to the mosh pit, including a song where the title is a Chilean expletive and is based on a dream about an alien abduction. Son Rompe Pera slays, in-studio. (-Caryn Havlik) Set list: "Selva Negra", "La Muerte del Amor", "Chucha" Watch "Selva Negra":

The crew is back again to talk about stuff! What kind of stuff? Changing major character mechanics for plot reasons. Keeping characters from getting stale or boring even after completing major driving arcs. Dealing with huge disappointments and moving on from them. All this and more in this Word of Recall! ••• Patreon: patreon.com/ICastFireball20 Twitter / Instagram: @ICastFireball20 Facebook: @ICastFireball2020 Email: ICastFireball2020@gmail.com Donations: ko-fi.com/icastfireball20 ••• AUDIO CREDITS Background Music was created using the “Marimba” soundscape found at Mynoise.net As always a HUGE thank you to Hayden Allred for our amazing theme music!

University of North Texas (UNT) Coordinator of Percussion Studies Mark Ford returns to talk about getting his undergrad music education degree from East Carolina University (ECU) (03:00), getting his Master's Degree from UNT and following with teaching stints at Murray State (KY) and Middle Tennessee State (10:10), his years teaching at ECU, working with Christopher Deane, the high level NC programs being built in the 1980s and 1990s, and developing Musicon Publications after acquiring the musical rights to Innovative Percussion's catalog (31:30), and finishing with the Random Ass Questions, with segments on new percussion literature, great films, classics of Polish literature, the Green Bay Packers, and driving the wrong direction in California for PASIC (48:35).Finishing with a Rave on the 1993 film Dazed and Confused and the 2018 podcast The Rewatchables: Dazed and Confused (01:20:30).Mark Ford Links:Part 1 with Mark FordMark Ford's UNT webpageMark Ford's Innovative Percussion WebpagePrevious Podcast Guests mentioned:Cort McClaren in 2022Other Links:Harold JonesRobert SchietromaJack Stamp“Sonata for Timpani” - John H. Beck“Two Movements for Marimba” - Toshimitsu Tanaka“Two Mexican Dances” - Gordon StoutConcertino for Marimba and Orchestra - Paul CrestonConcerto for Marimba - Robert KurkaTim PetermanChris CrockarellRow-Loff ProductionsErik JohnsonMassie JohnsonChristopher Deane“Etude for a Quiet Hall” - Christopher DeaneJon MetzgerRon Fink#Marimbababy - Mark FordMusicon Publications“Head Talk” - Mark FordWe're the Millers trailerThis is Spinal Tap trailerAnd There Was Light - Jon MeachemJohn Adams - David McCulloughThe Doll - Boleslaw PrusLearning to Listen: The Jazz Journey of Gary Burton - An Autobiography - Gary BurtonKeiko Abe: A Virtuosic Life - Rebecca KiteBob BeckerTony McCutcheonRaves:Dazed and Confused trailerThe Rewatchables - Dazed and Confused

University of North Texas Coordinator of Percussion Studies Mark Ford stops by to talk about meeting folks at PASIC, his percussion responsibilities and the challenges of the job, how Grad Assistants factor in, and dealing with over 200 juries (03:05), getting into composing and the “Head Talk” pretuned heads (25:20), his time as Percussive Arts Society President, moving headquarters to Indianapolis, and “Jocks vs. Drummers” (37:40), and growing up in Virginia, his marching background and coming from a family of artists (46:00).Finishing with a Rave on the TV Series Origins of Hip Hop (59:30).Mark Ford Links:Mark's UNT HomepageMark's Innovative Percussion pagePrevious podcast guests mentioned:Dave Hall in 2020Lauren Teel in 2017Other links:UNT Percussion FacultyDame Evelyn GlennieBob SchietromaRon FinkChristopher DeanePaul Rennick and Santa Clara VanguardMichael CrawfordEugene CorporanAndy TrachselAlan Baylock“Head Talk” - Mark Ford“Stubernic” - Mark FordErik JohnsonConcerto for Marimba and Wind Ensemble - Mark Ford“Renfro” - Mark FordJack Stamp“Stubernic Fantasy” - Mark Ford“Afta-Stuba!” - Mark Ford“Polaris” - Mark FordJames Lambert“ESPN Bows to Offended Drummers” - NPRHarold JonesDavid GaribaldiLeigh Howard StevensRaves:Origins of Hip Hop TV Series

Our guest today is one of the all-time great alpinists of our time. Colin Haley joins to the show in the wake of an uneventful trip to Alaska, and explains why such missions are part of a healthy approach to pursuing a lifetime of adventure and alpine climbing in the mountains. But first, your hosts return from separate vacations and commiserate over how easy and glamorous it is to climb abroad with kids, while still making space to sneak in some deep-water solos. For our final bit, we present an original composition for Marimba by Jared Kohli entitled Joyous. Show Notes Follow Colin Haley on Instagram Report on Alaska trip Free soloing Fitz Roy ✅ Rate and review us on iTunes with ⭐️⭐️⭐️⭐️⭐️ ✅ Force your climbing partner to listen to this show ✅ Blast our entire archive of episodes over the speaker system of the climbing gym where you work ✅ Join us on Patreon by becoming a Rope Gun. For less than the cost of a gallon of diesel, you can save the environment while receiving extra bonus episodes of your favorite climbing podcast.Become a RunOut Rope Gun! Support our podcast and increase your RunOut runtime. Bonus episodes, AMA, and more will be available to our Rope Guns. Thank you for your support! http://patreon.com/runoutpodcastContact us Send ideas, voicemail, feedback and more. andrew@runoutpodcast.com // chris@runoutpodcast.com

Piccolo-voiced culturista Matt Rogers is joined by his close friend, bassoon-throated actor Zane Phillips, on this episode of Las Culturistas to discuss being a lil academic smart girl, science fairs, hot coffee-and-crossword culture, and serving STEM at a young age. Also, coming up in the queer "scat pack" (lol noooo), playing against type when you are A Type, and why superhero movies are so washed out as of late. All this, America's Next Top Model and the act of transformation, Television Without Pity and recap culture, how Survivor has changed, how The Traitors should change, a rundown of playable Super Smash Bros. characters, a searing takedown of Mario Kart's Rainbow Road, and an honest discourse on the state of soup. Readers? We want to be culminated in you. And you will want to be culminated in THIS... episode! Of Las Cultch!See omnystudio.com/listener for privacy information.

What happens when an undeterrable gardener meets an unstoppable runner of milkweed? A garden war. Thank you to today's sponsor, the Michigan Witches Ball www.michiganwitchesballandbazaar.com. Music: Call to Adventure" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ "Call to Adventure" Instruments: Bass, Cello, Viola, Violin, Tuba, Trombone, Horn, Trumpet, Bassoon, Clarinet, Oboe, Flute, Percussion, Xylophone, Marimba, Celesta Feel: Action, Bright, Bouncy, Humorous, Epic A giant orchestral work with everything you could want from a piece with this title. ISRC: USUAN1300022 Uploaded: 2013-03-20 178 bpm Soundtrack 4:07 Evening Melodrama What is Creative Commons 4? You are free to: Share — copy and redistribute the material in any medium or format. Adapt — remix, transform, and build upon the material. for any purpose, even commercially. --- Support this podcast: https://podcasters.spotify.com/pod/show/detroit-conjure-llc-festi/support

Greg Jackson is the Director of Orchestras at South Cobb High School in Austell, Georgia, outside of Atlanta. He is currently on staff at Southwind Drum & Bugle Corps as an Ensemble Specialist. From 2017 until 2020 Dr. Jackson was Director of Bands at Saint James School. He was the Associate Professor of Percussion studies at Alabama State University for ten years. He received the Bachelor of Science degree in Performance, Specialization in Music Composition from Austin Peay State University, the Master of Music degree in Music Theory/Composition from The University of Alabama, the Master of Music Education with emphasis in Conducting from the University of Georgia, a Cerrtificat in Advanced Graduate Studies in Orchestral Conducting, and the Doctor of Musical Arts degree in Percussion Performance at the University of Alabama. Greg is the Vice-Chair of the Mentoring Committee for American String Teachers Association. Several of his compositions were premiered at the ASTA National Conference in 2022. Although his primary performing instrument now is violin, Jackson had a long career as a percussionist. In the Percussive Arts Society International Collegiate Snare Competition, he placed in the top 10 four consecutive years and top 4 two years. He has also been associated as a consultant with four Drum Corps International Individuals champions and 1 PASIC Individuals champion. Greg has performed with numerous artists including Tito Puente Jr., Sō Percussion, Son Caliente, Nancy Zeltsman, Michael Burritt, Tomas Cruz, Sandip Burman, Bob Mintzer of the Yellow Jackets, Tom Wolfe, Ken Watters, Skyler Foster, and Downright. He is also the author of Mephisto's Spree Op. 84, Etudes Op. 56, The Synergy Method for Drumming volumes 1 and 2, The Synergy Method for Marimba, Phenom: Excellence of Execution, Pandora, Legendary Op. 44, The Well-Tempered Marimbist Op. 46, Etudes Op. 48, Jackson's Rudiment Dictionary and Congas Full Circle. His marimba solo, Requiem for 9/11 Op. 45, received a special acknowledgement from President Obama. Jackson travels across the country presenting clinics/masterclasses and conducting, in addition to composing. He is a member of the Georgia Music Educators Association, International Conductors Guild, American String Teachers Association, National Association for Music Education, National Band Association, Alabama Bandmasters Association, Kappa Alpha Psi, Fraternity Inc., Collegiate Society of Musicians, Percussive Arts Society, Society of Composers Inc., BMI, and Bujinkan. Greg proudly endorses Remo Inc., Innovative Percussion, Pearl Percussion and Adams. https://inner3.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/orchestrateacher/support

In this episode of The Truth in This Art podcast, host Rob Lee sits down with Warren Wolf Jr., a highly regarded multi-instrumentalist who has made a name for himself in the world of jazz. Warren shares his musical journey with listeners, starting from his upbringing in Baltimore, Maryland, where his father played a major role in shaping his musical career. He talks about his exposure to different genres of music, including classical, ragtime, and jazz, and how he has been able to incorporate these influences into his music.Warren also discusses his education at Peabody Preparatory, the Baltimore School for the Arts, and Berklee College of Music, where he honed his skills and became an active performer. He emphasizes the importance of having a diverse range of musical interests and how it has helped him become a successful musician. Warren also shares details about his recordings as a leader and his collaborations with various musicians, including his tours with Tia Fuller, Bobby Watson's "Live and Learn" Sextet, and Christian McBride & "Inside Straight." Listeners can also look forward to hearing about his upcoming record release with Mack Ave recording label.Throughout the episode, Warren highlights the value of continuous learning and growth as a musician, and how his practice regimen has helped him achieve success in his career. This conversation is a must-listen for anyone interested in jazz or music in general, and provides valuable insights into the life and experiences of one of the most talented musicians of our time. Don't miss out on this fantastic conversation with Warren Wolf Jr. on The Truth in This Art podcast.Creators & Guests Rob Lee - Host Warren Wolf - Guest The Truth In This Art, hosted by Rob Lee, explores contemporary art and cultural preservation through candid conversations with artists, curators, and cultural leaders about their work, creative processes and the thinking that goes into their creativity. Rob also occasionally interviews creatives in other industries such as acting, music, and journalism. The Truth In This Art is a podcast for artists, art lovers and listeners interested in the creative process.To support the The Truth In This Art: Buy Me Ko-fiUse the hashtag #thetruthinthisartFollow The Truth in This Art on InstagramLeave a review on Apple Podcasts, Spotify or wherever you get your podcasts.THE TRUTH IN THIS ART IS SUPPORTED IN PART BYThe Gutierrez Memorial FundThe Robert W. Deutsch Foundation ★ Support this podcast ★

Mike Dillon, aka Jazz Dad, returns to Primus Tracks. The busiest man in music gives us the skinny on his new Punkadelick record, Inflorescence, and primes us for his Jazzfest lineup on May 4 in New Orleans, and the upcoming Frog Brigade tour. Mike's bands are not to be missed!Mike Dillon on InstagramMike on BandcampGet involved:InstagramTwitterEmailBurn your money

You are now listening to Ritmos Negros! In this episode, we hear from Dayané de la Cruz! She is a singer-songwriter who draws inspiration from her Afro-Ecuadorian roots through Bomba del Chota and Marimba, fusing those rhythms with contemporary, neosoul rhythms. Ecuador is often overlooked in Latin America, especially when it comes to Blackness. Dayané is changing that! Come find out the Afro truth behind Ecuador! Follow Dayané: https://www.instagram.com/dayane_music/ Ritmos Negros Website: https://linktr.ee/RitmosNegros NEW South American Bags! (Ritmos Negros Shop): https://ritmos-negros.myshopify.com/products/ritmos-negros-drawstring-bag    

¡Ahora están escuchando a Ritmos Negros! ¡En este episodio, escuchamos a Kevin Santos! Es un cantante, músico y compositor que representa la cultura y ritmos afroecuatorianos como la bomba del chota y la marimba de la región de Esmeraldas. Ecuador a menudo se pasa por alto en América Latina, especialmente cuando se trata de la negritud. ¡Kevin está cambiando eso! ¡Vengan a conocer la verdad afro detrás de Ecuador! Sígan a Kevin: https://www.instagram.com/kevsantosksb/ El sitio de Ritmos Negros: https://linktr.ee/RitmosNegros NUEVA Bolsa con cordenes sudamericana (Tienda Ritmos Negros): https://ritmos-negros.myshopify.com/products/ritmos-negros-drawstring-bag