Podcasts about choral

Send us Fan MailWhat if one simple routine could help students see, understand, and feel more confident with the language they have already experienced?In this episode, I sit down with Ben Fisher-Rodriguez to explore how Write and Discuss, choral translation, and pop-up grammar can help students make sense of the language they are hearing and reading while keeping meaningful communication at the center.Ben walks us through the process step by step: beginning with a highly comprehensible or co-created text, translating it together as a class, briefly highlighting one grammatical feature, and then returning to meaningful communication.We also discuss how choral translation can serve as a quick formative assessment, how to plan pop-up grammar when you have a grammar-heavy curriculum, and why noticing a structure does not guarantee immediate language acquisition.This episode offers practical classroom strategies for world language teachers who want to address grammar while keeping communication, comprehension, and proficiency at the center.✨ TakeawaysWhy students need to understand the meaning of a text before focusing on grammatical formHow to create a highly comprehensible, personalized text through Write and DiscussA step-by-step process for introducing choral translationHow choral translation can reveal gaps in comprehension and serve as a formative assessmentHow to plan brief, student-friendly pop-up grammar without turning it into a full grammar lessonWhy noticing grammar may support students, but does not guarantee immediate acquisition or accurate productionIdeas for returning to meaningful target-language communication after the grammar “pop”

September 1838. Der Raddampfer Forfarshire gerät vor den Farne Islands in einen schweren Sturm, läuft auf einen Felsen und bricht auseinander. Vom Leuchtturm auf Longstone Island entdeckt die 22-jährige Grace Darling die Überlebenden. Gemeinsam mit ihrem Vater William rudert sie durch die Brandung zum Wrack. In zwei Fahrten retten sie neun Menschen. Die Tochter eines Leuchtturmwärters wird über Nacht zur britischen Nationalheldin. In dieser Folge BRITPOD – England at its best spricht Alexander-Klaus Stecher mit Sir Richard Blackford über eine Komposition, die noch ganz am Anfang steht. Der vielfach ausgezeichnete britische Komponist entwickelt ein neues Werk für Brassband, das Grace Darlings Rettungsfahrt musikalisch erzählt: vom mechanischen Rhythmus der Dampfmaschine über deren Zusammenbruch bis zum Sturm, dem Aufbruch des kleinen Ruderboots und der Rettung auf offener See. Ausgangspunkt des Projekts ist das Vermächtnis von Blackfords verstorbener Tante. Sie lebte an der Küste Cornwalls und bedachte die britische Seenotrettungsorganisation RNLI in ihrem Testament. Ihre Verbundenheit mit den freiwilligen Seenotrettern brachte den Komponisten auf Grace Darling und auf die Frage, wie sich Mut, Gefahr und menschliche Entschlossenheit ohne Worte erzählen lassen. Richard Blackford beschreibt, weshalb die enorme Kraft einer Brassband für diese Geschichte besonders geeignet ist, wie Schlagwerk und Blechbläser Dampfmaschinen, Wellen und Sturm hörbar machen und warum Grace am Ende nicht als tragische Figur erscheinen soll. Obwohl sie nur vier Jahre nach der Rettung im Alter von 26 Jahren starb, soll ihr musikalisches Thema zu einem triumphalen Choral anwachsen: als Erinnerung an eine junge Frau, die ihr eigenes Leben riskierte, um andere zu retten. BRITPOD – England at its best WhatsApp: Du kannst Alexander und Claus direkt auf ihre Handys Nachrichten schicken! Welche Ecke Englands sollten die beiden mal besuchen? Zu welchen Themen wünschst Du Dir mehr Folgen? Warst Du schon mal in Great Britain und magst ein paar Fotos mit Claus und Alexander teilen? Probiere es gleich aus: +49 8152 989770 - einfach diese Nummer einspeichern und schon kannst Du BRITPOD per WhatsApp erreichen. — Ein ALL EARS ON YOU Original Podcast.

On July 31, the music of Korea will be showcased in a special performance by the Oratorio Society of Minnesota and the University of Minnesota School of Music.But it doesn't stop there. Members of the choir will then travel to South Korea for a choral cultural exchange in August.Matthew Mehaffey, professor of music at the U of M and artistic director of the Oratorio Society of Minnesota, spoke to MPR News host Nina Moini about the concert and trip.

Brooke joins Kova, Stephanie and Spoiler Steve to discuss Evil Dead Burn and The Choral! 00:01:11 - Intro | Banter & News 01:13:55 - The Choral 01:37:08 - Evil Dead Burn If you enjoy the show, please consider supporting us on Patreon Listen to our review of Back to the Future Part III HERE Listen to our review of The Devil Wears Prada HERE Listen to our reviews of both The Godfather and Godfather Part II or listen to our bundle >>Here

"Secondary trauma is when you experience trauma second-hand. The trauma might not have happened to you specifically, but somebody shares with you their firsthand trauma and it impacts you emotionally, maybe physically. We don't realize that we are very compassionate, empathic people, and we sometimes take it on without meaning to. It can impact us. I don't think I can think of a teacher who's never dealt with it.“Dr. Lynn Ryan began reading music before she learned how to read English. A lifelong musician, she loves to bring the power and joy of music to singers and audiences alike! Lynn is a skilled conductor, soprano, pianist, and horn player – in addition to whatever instrument is lying around!She has taught in Great Falls for the past fourteen years. As director of the C.M. Russell High School Choirs for ten years she developed a thriving program, leading the Chanteur Choir to four northwest regional conference performances and national recognition as finalists for the American Prize in Choral Music. Currently Lynn enjoys teaching 5th and 6th grade instrumental music at seven different elementary schools. She is also founding artistic director of the non-profit choral arts organization, the Electric City Choral Union. She is an advocate for creating singing opportunities that provide community and high-level artistry. She has served on the Northwest ACDA board, organizes the MCDA Central Montana Youth Sing, and enjoys guest conducting and adjudicating choral music all over the Pacific Northwest.Lynn earned her bachelor's degree in K-12 Choral Music Education from Pacific Lutheran University, her Master of Music degree in Choral Conducting from Northern Arizona University, and Doctor of Education in Educational Leadership from St. Leo University in Tampa, Florida.Outside of school she plays piano and handbells at her church and frequently collaborates with her choral director husband, Patrick. Together they have three children who are budding musicians themselves!To get in touch with Lynn, you can email her at lynn_ryan@gfps.k12.mt.us, find her on Facebook (@lynn.fransenryan) or visit electriccitychoralunion.org .Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

On this week's episode of Out and About, Mae Gilliland of ArtsPartners of Central Illinois talks with Cory Boulton of Bradley University about The Lost Birds, a powerful choral work presented by the Gratus Choral Ensemble on July 26 at First Federated Church at 4 p.m.

In today's episode, I will be answering a question posted on instagram - choral vs orchestral conducting.The essence of all conducting is to convey your understanding of the music to influence and support the musicians' music-making.When we have different ensembles, it's important to look at different needs of choral singers, and to adjust the height of your conducting gestures, and to show phrasing and support breathing.All About Chaowen Ting 

The Idaho International Choral Festival is a Pocatello tradition that unites people of different cultures through music and connection. The festival is held July 14 through the 19. The public can see the full schedule of events at idahointerchoralfest.org. Photo Courtesy: Jeffery Francom

Bongani Bingwa speaks to Elroy Fillis-Bell, CEO of Joburg Ballet, about this bold new production, how it brings an ancient story into a contemporary African context, and what audiences can expect when The Bacchae: An African Choral Ballet takes to the stage. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio7See omnystudio.com/listener for privacy information.

RHR interviews Christine Gevert, Founder and Artistic Director of Crescendo.We talk about the upcoming Choral Workshops and Talks taking place at Saint James Place, 352 Main Street, Great Barrington, MA Wednesdays, July 8 – August 5, 2026at Saint James Place, 352... Read More ›

RHR interviews Christine Gevert, Founder and Artistic Director of Crescendo.We talk about the upcoming Choral Workshops and Talks taking place at Saint James Place, 352 Main Street, Great Barrington, MA Wednesdays, July 8 – August 5, 2026at Saint James Place, 352... Read More ›

RHR interviews Christine Gevert, Founder and Artistic Director of Crescendo.We talk about the upcoming Choral Workshops and Talks taking place at Saint James Place, 352 Main Street, Great Barrington, MA Wednesdays, July 8 – August 5, 2026at Saint James Place, 352... Read More ›

Avec « Les filles de la librairie », Giulia Foïs sort un premier roman choral où elle raconte l'histoire de Maud et Malika, les propriétaires de la librairie féministe « Les affranchies » située au cœur de Nice. De la première page où se prépare l'inauguration de la librairie, à la dernière où un cadavre est enterré sur les rives du Paillon, on suit les aventures d'une vingtaine de personnages portés par les combats de l'autrice, entre solidarité et engagements féministes. Giulia Foïs, journaliste et essayiste, était l'invitée de Nathalie Amar sur RFI. Elle publie son premier roman Les filles de la librairie, aux éditions Flammarion.   ►Chronique :  les Pionnières de la culture  Marjorie Bertin nous présente la chanteuse sud-américaine Chavela Vargas, pionnière de la ranchera mexicaine. C'est aussi une artiste qui a brisé des codes de genre, de sexualité et de représentation des femmes bien avant que ces questions n'occupent l'espace public.    ►Reportage : Solène Gardré s'est rendue à l'exposition consacrée à la photographe américaine Lee Miller au Musée d'Art Moderne de Paris.    ► Playlist du jour : - Kompromat (Rebeka Warrior et Vitalic) - Niemand - Sami Galbi feat. Baby Volcano – La Bava.

Avec « Les filles de la librairie », Giulia Foïs sort un premier roman choral où elle raconte l'histoire de Maud et Malika, les propriétaires de la librairie féministe « Les affranchies » située au cœur de Nice. De la première page où se prépare l'inauguration de la librairie, à la dernière où un cadavre est enterré sur les rives du Paillon, on suit les aventures d'une vingtaine de personnages portés par les combats de l'autrice, entre solidarité et engagements féministes. Giulia Foïs, journaliste et essayiste, était l'invitée de Nathalie Amar sur RFI. Elle publie son premier roman Les filles de la librairie, aux éditions Flammarion.   ►Chronique :  les Pionnières de la culture  Marjorie Bertin nous présente la chanteuse sud-américaine Chavela Vargas, pionnière de la ranchera mexicaine. C'est aussi une artiste qui a brisé des codes de genre, de sexualité et de représentation des femmes bien avant que ces questions n'occupent l'espace public.    ►Reportage : Solène Gardré s'est rendue à l'exposition consacrée à la photographe américaine Lee Miller au Musée d'Art Moderne de Paris.    ► Playlist du jour : - Kompromat (Rebeka Warrior et Vitalic) - Niemand - Sami Galbi feat. Baby Volcano – La Bava.

A rare opportunity for choral composers and lyricists is happening in Charlotte this week. It's the second annual International Choral Composers Institute, a 5-day immersive program dedicated to nurturing and instructing those who create choral music. On this Piedmont Arts episode, we talk with Sherry Blevins, the Institute's founder, about the ways participants will get practical, hands-on advice and instruction to further their careers.

durée : 00:16:03 - par : Corinne Schneider - réalisation : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Have you ever thought of joining and singing in a choir as a blind or partially sighted person but wondered how accommodating the choir might be for you as a visually impaired singer?Well, RNIB Connect Radio's Toby Davey recently caught up with blind Author and Broadcaster Selina Mills along with Jack Apperley, Conductor of the Goldsmiths Choral Union, as the choir were rehearsing for their up-coming ‘Poetry in Motion' concert at Holy Trinity Church, Sloane Street, London on Tuesday 16 June at 7.30pm featuring work by blind Jazz Composer George Shearing to find out how things have been for Selina singing with the choir and for Jack what it has been like working with a visually impaired singer too. To find out more about the Goldsmiths Choral Union and the ‘Poetry in Motion' concert at Holy Trinity Church, Sloane Street, London, Tuesday 16 June at 7.30pm do visit the choir's website - https://www.goldsmithschoralunion.org(Image shows a black and white photograph of the Goldsmiths Choral Union on stage with orchestra and Conductor Jack standing and facing out towards the audience)

Choral Paraphrase on the Hymn Tune Beecher Homer Whitford (1892-1980) - Robert Griffith, organ by First Community Church

“I really care a lot about what the student wants to get out of our time together: finding a nice, healthy, balanced phonation that they identify with, that they feel is their true sound, not something I'm forcing them to sound like. More than anything I want my students to feel confident and empowered in making their own voice sound out loud. I just want people to feel joyful and confident participating in the creation of art with their voice.”Mandy Matthews is an active Brooklyn based cross-genre singer and teacher. She performs regularly in musical theater cabaret nights, pop and jazz a cappella small groups, and sings with multiple choirs including The Marble Choir (NYC), The Young New Yorker's Chorus, and The Sedona Academy of Chamber Singers. Throughout her undergrad and master's studies, she appeared regularly in operatic, cabaret, and musical productions. ​Mandy has music directed multiple youth music theater productions around the country, served as a high school choral director, maintained a private voice, piano, and theory studio since 2016, and has guest taught at various academies, universities, and conservatories. In 2023, she co-founded Berklee College of Music/Boston Conservatory's first ever student chapter of the National Association of Teachers of Singing. She graduated with her masters of music in vocal pedagogy from The Boston Conservatory in 2024, and a bachelors in voice performance from Northern Arizona University in 2018.To get in touch with Mandy, you can visit her website, mandymatthews.com,  find her on Instagram (@mandymatthews_voice), or email her at outloudmusiclessons@gmail.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

The RI Civic Choral and Orchestra is the subject of this week's program with Dr. Joshua Rohde, Music Director. We talk about their upcoming concert and listen to some of the music that will be presented on Sunday, May 31st, at Temple Beth El in Providence at 3 PM. For more information, you can call 401-521-5670 or go to www.ricco.org

“There's three things we have in music: the choir, the rehearsals, and the concerts. We put the people first, not the product. There's a lot of coaches who have this collateral damage thing about winning, and we choral directors have this collateral damage thing about getting a superior rating. It just doesn't work that way. I put the kids first, and it's amazing how my rehearsals changed.”Dr. J. Edmund Hughes [b.1947] retired from the Music Faculty of Chandler-Gilbert Community College in August, 2011 after a teaching career which began in 1971.  While at CGCC, he taught choir, music theory, conducting, and organized two on-campus choral festivals per year. From 1990 - 2011, he was the Director of Music at Velda Rose United Methodist Church in Mesa. Prior to his appointment at CGCC, he taught at Tucson High School, California State University-Fresno and Phoenix College. Most recently he was an Adjunct Professor at the University of Puget Sound (Tacoma, WA), where he directed the Chorale. His choirs have had the distinction of performing at ACDA, NAfME, and Arizona MEA conventions. In April, 2017 he directed “Requiem” by John Rutter, in his Carnegie Hall debut. He has also presented lectures and demonstrations on special interest sessions at ACDA and AMEA conventions. In 2002 he received the Arizona Outstanding Choral Educator Award by ACDA, and in 2005 he was honored as the Arizona Music Educator of the Year by AMEA.  He received the first Lifetime Achievement Award granted by the University of Arizona Choral Music Department (December, 2011) and the Lifetime Achievement Award from AMEA (February 2012). Most recently (2024) he received the Distinguished Alumni Award from the University of Arizona School of Music, and in 2026 the Lifetime Achievement Award from the Arizona Choral Educators.Dr. Hughes is a past President of Arizona ACDA, has served AMEA in numerous capacities. Dr. Hughes has over 40 choral compositions in print, which are published with Santa Barbara Music Publishing Co., Walton Music, Pavane Publishing, and Colla Voce Music, Inc. He received his Bachelors, Masters and Doctorate Degrees from the University of Arizona with doctoral studies at the University of Southern California.Dr. Hughes now lives in Eugene, OR with his wife, Carole, and their rescue dog, Bailey.  He has 3 children.  His hobbies are weight lifting, biking and jogging. He remains quite active in the choral field by adjudicating, directing honor choirs, presenting workshops, clinics and composing.  To get in touch with Ed, you can email him at jedmundhughes@gmail.com or find him on Facebook (@jedmund.hughes5).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Ashes Whisper in the Choral HouseBecome a supporter of this podcast: https://www.spreaker.com/podcast/dark-mysteries-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online

We'll look at Beethoven's highly unusual Choral Fantasy, Op. 80, and his Cello Sonata No. 3 in A Major, Op. 69.

The best of Arena's week with award winning film editor Úna Ní Dhonghaíle... Choral composer Eric Whitacre... and live music and chat from HamsandwicH.

Ashes Whisper in the Choral HouseBecome a supporter of this podcast: https://www.spreaker.com/podcast/darkest-mysteries-online-the-strange-and-unusual-podcast-2026--5684156/support.Darkest Mysteries Online

PJ talks to Jane Christie-Johnston, Conductor of Sing For Your Life! from Tasmania about how they came to be one of the people's favorites of corkchoral.ie Hosted on Acast. See acast.com/privacy for more information.

Listen to the talented and passionate Artistic Director and Conductor of Choral Arts, Marie Bucoy-Calavan. Her leadership is making an impact in elevating the impact of music for diverse audiences throughout the DMV region. 

We preview Saturday evening's concert of the Choral Arts Society - a program titled "Fantasia" - with founder and artistic director James Schatzman, associate director Pat Badger, and guest concert pianist Randy Bush. The concert will include favorites like J.S. Bach's Prelude and Fugue in D minor, Pavane by Gabriel Faure, and Vaughan Williams's Fantasia on Greensleeves. The program's finale is an extraordinary rarity by Vaughan Williams- his Fantasy on Old 104th. The concert also marks the unveiling of First Presbyterian Church's newly restored pipe organ. (Nick Renkosik is the guest organist.)

This week Ennistymon Choral Society celebrates its 50th anniversary with a show that will see them head back in time. Ennistymon Community Centre is the venue for Disco Inferno, which will evoke memories of the 70s. To find out more about it Alan Morrissey spoke to Brendan Kean, the Ennistymon Choral Society Treasurer and Principal Cast Member. Image © Ennistymon Choral Society

Music history comes alive this April and May as the university kicks off a massive celebration for the 250th anniversary of the Declaration of Independence. Angela Tipps fro

David discusses the movies he's been watching, including The Choral, Song Sung Blue, The Plague, Marty Supreme, The Testament of Ann Lee, If I Had Legs I'd Kick You, Nouvelle Vague, 28 Years Later and Oh. What. Fun.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

"I have to say that the best experience was to conduct choirs on many levels, with amateurs who loved what they did, it was a pleasure working with them just because of that, and also working with higher-level groups and being able to do other things. I started teaching children from 6 years old up to 20. I had non-auditioned groups and more advanced students. That for me was my best teaching experience."Tiago Marques studied Piano, Guitar, Singing and Choral Conducting at the Academia de Amadores de Música (AAM) and the Escola Artística de Música do Conservatório Nacional (EAMCN), Portugal's largest and most prestigious school in primary to secondary music education. Between 1992 and 1996 he got a Bachelor's Degree in Composition at the Escola Superior de Música de Lisboa (ESML), studying under Christopher Bochmann and António Pinho Vargas.Between 1997 and 2002 he studied Choir Conducting at the Utrechts Conservatorium and the Conservatorium van Amsterdam under Daniel Reuss, Jos Vermunt and Jos van Veldhoven. His Bachelor's Degree's final exam included both classical music and close-harmony (jazz, latin and pop music for vocal ensembles), a genre in which he has been specializing for many years while singing in, conducting and writing for several choirs and vocal groups. He followed summer courses and workshops in this genre with, among others, Darmon Meader, Peter Eldridge, Kim Nazarian and Lauren Kinhan (New York Voices), Michele Weir and Phil Mattson (P.M. Singers), Anders Edenroth and Peder Karlson (The Real Group), Ward Swingle and Jonathan Rathbone (The Swingle Singers) and Jens Johanssen (Vocal Line). In 2011 and 2012 he got two Master's Degrees in Choral Conducting (both Performance and Teaching) at the ESML.Between 1994 and 1997 he taught Choir, Chamber Music and Harmony and Musical Analysis at the AAM and the Escola de Música do Orfeão de Leiria. Since 2005 he has been a Choir teacher at EAMCN, heading the Ensemble Music Department since 2024.In Portugal, the Netherlands and Czechia he conducted several choirs and sang in high level ensembles of music genres such as early music, opera, contemporary and close-harmony. At the moment he conducts Musaico, an advanced choir in the EAMCN, and Coro da Ermida, both of which have been gold medallists in international competitions.Tiago Marques is also a composer and arranger, having a number of works performed and recorded by choirs and vocal ensembles in Portugal, Spain, France, the Netherlands and Czechia, as well as an award at the International Vocal Group Festival in Tilburg (2004) for Best Arrangement.To get in touch with Tiago, you can find him on Facebook (@tpnmarques).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

If you're looking for something uplifting and musical this April, the Kilrush Choral Society is bringing a true classic to the stage. The Sound of Music will be performed at Kilrush Community School from April 7th to the 11th. For more on this, Alan Morrissey was joined by the director, Ger Rushe and member of the society, Geraldine Keating.

Missa solemnis heißt wörtlich „feierliche Messe“. Doch Beethoven macht aus seiner Messe mehr als Kirchenmusik: ein gewaltiges Werk zwischen Andacht und Zweifel – Krieg und Frieden. Von Michael Lohse.

In this episode of The Choral Director's Toolbox, Dr. William Baker reflects on the vital role of mentorship and leadership development in "Choral Interns." Drawing from more than four decades of experience, he outlines how thoughtful internship programs can shape the next generation of choral conductors, emphasizing meaningful podium time, comprehensive artistic involvement, and the responsibility of today's leaders to invest in those who will carry the art forward. In today's listener question, a conductor grapples with how to respond to an unfair concert review. Dr. Baker offers practical and gracious guidance, encouraging professionalism, perspective, and proactive communication with members of the press. Today's inspiration is "Easter Morning" by Olaf Christiansen, performed by The St. Olaf Choir under the direction of Kenneth Jennings. Enjoy a simple and elegant anthem well suited for the Sunday following Easter. Join us for a thoughtful discussion on mentorship, leadership, and the long view of building a lasting choral legacy. Submit your question to The Choral Director's Toolbox by writing to us at Toolbox@FestivalSingers.org.

Out Loud welcomes Craig Pike, Canadian maritime entrepreneur, artist, and founder of the smash chain Craig's Cookies, to the podcast. We're talking all about sweet treats, opening the latest location of Craig's Cookies in Halifax, NS, Choral music, and starting "That Arts Group".PLUS! We've got tons of new music from:Alanna Matty, Bandit Heart, Damon Gonzalez feat. Cinnamon, DAVIDE, Fabian Raad, GLASS BATTLES, Lucky Iris, Megan Black, Midnight Pool Party, Sue Prosser, and Valliore.⚡️CONNECT WITH THE Q⚡️ Website: ⁠⁠⁠⁠https://www.curatedbyq.com ⚡️⁠⁠⁠⁠Email: TheQ@CuratedByQ.com ⚡️FB/Instagram/TikTok @theqreviews ⚡️YouTube.com/@QCreativeNetwork⚡️Apparel Shop ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://qreview.threadless.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⚡️Theme Music provided and performed by UK DJ and producer Hectic @hectictracks on Instagram⚡️ 

In this episode, host Janet Michael sits down with Martha Reynolds to explore everything happening at the Barns of Rose Hill in Berryville, Virginia this spring — from stunning gallery exhibitions and hands-on art classes to jazz concerts, film screenings, and sustainability milestones. If you love the arts in the Shenandoah Valley, this one's for you. What We Cover

Pastoral ministry seeks to include all those who feel called to offer their talents for praise and service to the Church. Music is a unique ministry in that, while we want all to join us, those who participate must have some sort of experience in music. It doesn't necessarily need to be professional experience - singing in the shower can count as experience for a new potential choir member, and a simple handbell workshop can familiarize a music minister with starting in the handbell choir. But when it comes to instrumental ensembles, how do we make sure that all those who join us with their instruments in hand feel rooted in an ensemble and confident to work within it?Today we speak to Luke Rosen about just that. Since 2019, Luke Rosen has served as the Director of Choral Music at Evergreen Local Schools, where he has taught middle school and high school choir, music theory, songwriting, and voice class. For 15 years before that, he served as Director of Choral and Liturgical Music at St. John's Jesuit High School. In addition Luke is a published composer with multiple companies, including ECS, Santa Barbara Music Publishing, OCP, Liturgical Press, and GIA/WLP. Today we speak from compositional, directorial, and ministerial viewpoints, all focused on arranging for the unexpected. It's a great conversation as we approach Holy Week.

durée : 00:27:28 - Cantate BWV 101 « Nimm von uns, Herr, du treuer Gott » - Bach compose la Cantate BWV 101 « Nimm von uns, Herr, du treuer Gott » / « Ecarte de nous, Seigneur, Dieu fidèle » à partir du Choral de Martin Moller (1584) pour le 10e dimanche après la Trinité (13 août 1724), à l'occasion de son deuxième cycle de cantates leipzigoises. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

“This is a way to understand how the voice operates in all its parts – perceptually, physiologically, and acoustically -- so that we can learn to stop doing things that are unnecessary for a particular outcome. A lot of people get worried when they hear anything talking about muscles or working the voice or effort, that we're talking about doing it all all the time. Why do we do what we do in this profession, and how can we utilize some of this science- and evidence-based knowledge to help ourselves not eliminate the things we say but inform them?”Dr. Brian J. Winnie is the Director of Choral Studies at Western Illinois University, where he supervises the graduate choral conducting program, teaches undergraduate and graduate courses in choral conducting and choral literature, and conducts the Chamber Singers and the flagship ensemble, the University Singers. He previously served as the Director of Choral Activities & Voice and was chair of the music department at Southwestern College in Winfield, KS. Prior to his tenure in higher education, Dr. Winnie was the Artistic Director of ChoralSounds NW, a community choir based in Burien, WA, and he taught for seven years in public education at both the middle and high school levels.An active festival conductor and adjudicator, Dr. Winnie has been artist-in-residence in Ekaterinburg, Russia and has worked with festival choirs throughout the United States. He is a frequent guest lecturer/workshop leader and has presented on "Contemporary Vocal Technique in the Choral Rehearsal," "Redefining the Choral Warm-Up," and "21st-Century Choral Pedagogy." Dr. Winnie has published articles in the Voice and Speech Review, Choral Journal, Voice Foundation Newsletter, International Choral Bulletin, and ChorTeach, and he is the editor and contributing author to The Choral Conductor's Companion and The Voice Teacher's Cookbook: Creative Recipes for Teachers of Singing both published by Meredith Music Publications and distributed by GIA Publications.Choirs under his direction have performed at state conventions and received accolades in both international and national competitions. A native of Pennsylvania, Dr. Winnie received his B.S. in Music Education from the Pennsylvania State University, Master of Music Education from the University of Illinois Urbana-Champaign, and his Doctor of Musical Arts in Choral Conducting from the University of Washington. He is a certified Estill Master Trainer, Mentor, & Course Instructor. To get in touch with Brian, you can visit his website or With One Voice's website or find him on Facebook (@bwinnie2).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

durée : 00:27:42 - Cantate BWV 94 « Was frag' ich nach der Welt » - Composée pour le 8e dimanche après la Trinité (6 août 1724) à partir d'un Choral de Balthasar Kindermann, la Cantate BWV 94 « Was frag' ich nach der Welt » / « Que puis-je attendre du monde » appartient au deuxième cycle liturgique leipzigois de Bach. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:23:10 - Cantate BWV 178 « Was Gott der Herr nicht bei uns halt » - Composée pour le 8e dimanche après la Trinité (30 juillet 1724) à partir d'un Choral de Justus Jonas, la Cantate BWV 178 « Was Gott der Herr nicht bei uns halt » / « Si Dieu, le Seigneur, ne se tient pas à nos côtés » appartient au deuxième cycle liturgique leipzigois de Bach Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:19:19 - Cantate BWV 107 « Was willst du dich betrüben ? » - Composée à partir du Choral de Johann Heermann pour le 7e dimanche après la Trinité (23 juillet 1724), la Cantate BWV 107 « Was willst du dich betrüben ? » / « Pourquoi veux-tu t'affliger ? » appartient au deuxième cycle liturgique leipzigois de Bach. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Kyle, Nick, Tony, Hector and I question our life choices as we watched tales of epic movies, squatting, zombies, MMA, possible aliens, political prisoners, and much more. Enjoy!Movies mentioned: War and Peace (1965-67), Secret Mall Apartment, The Perfect Neighbor, Send Help, Mission Impossible: The Final Reckoning, 28 Years Later: The Bone Temple, Song Sung Blue, Is This Thing On, Marty Supreme, Shelter, Anaconda (2025), Mercy, Greenland 2: Migration, The Choral, The Smashing Machine, Roofman, Deliver Me from Nowhere, I'm Chevy Chase and You're Not, Mel Brooks: The 99 Year Old Man!, One Battle After Another, Dust Bunny, Relay, Bugonia, Die My Love, It Was Just an Accident, The Secret Agent, The Rip, Sirāt, No Other Choice.Twitter - Bluesky - Instagram - Website

In this episode of The Costume House with Spencer Williams, the doors open wide for a true legend of costume design—Jenny Beavan.The conversation begins with The Choral, Jenny's latest collaboration with director Nicholas Hytner, where she discusses crafting costumes that balance character, history, and emotional precision. But when you sit down with an icon, the conversation doesn't stop there. Spencer and Jenny also reflect on her extraordinary career, revisiting some of her most beloved and influential work including the Mad Max films, Cruella, A Room with a View, Ever After: A Cinderella Story, and more.Thoughtful, funny, and deeply inspiring, this episode is both a masterclass in costume storytelling and a celebration of a designer whose work continues to shape how we see film, character, and style.

Alan and Steve invite you to revisit our third episode, and find that many of the tangents were intriguing, helpful, and thought-provoking for all educators. We'll be back with a new guest next week.

BAFTA, Olivier and Tony award winner, Nicholas Hytner's new film The Choral is just out in cinemas. 

Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew went went to four movies and half of them starred Ralph Fiennes. First we talk some Bone Temple starring Fiennes. Then Jim Jarmusch is back with a very Jim Jarmusch movie. After that Jim's favourite Skarsgard is in the latest from Gus Van Sant. Then we bookend the reviews with Fiennes again in The Choral. Finally in the Rage or Dare segment Bryce was forced to watch Wild Hogs. And yes a movie with Tim Allen and Martin Lawrence is exactly as bad as you would think. Introduction-0:00 Murman Predicts-1:08 In Cinema 28 Years Later: The Bone Temple (2026)-8:46 Father Mother Sister Brother  (2025)-24:27 Dead Man's Wire (2026)-36:52 The Choral (2025)-47:37 Murman Minute-59:02 Open Rage Jim's Open Rage- Ralph Fiennes isn't in everything-1:03:03 Bryce's Open Rage- Wrong line...or was it?-1:04:41 Rage or Dare Wild Hogs (2007)-1:11:58 Jim pulls from Bryce's bag of goodness-1:20:30 Outro-1:21:53 Thanks Ragers for listening to our film review podcast. Rage On! https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://nerdyphotographer.com/social/ https://www.leonardconlinphotos.com/

"The Choral" is a British historical drama film co-produced and directed by Nicholas Hytner and written by Alan Bennett. Set in 1916, during World War I, in the fictional town of Ramsden, Yorkshire, the film follows the members of the local choral society, which recruits a group of teenage boys and girls for a performance of Edward Elgar's "The Dream of Gerontius," a work chosen because a German did not write it. It stars Ralph Fiennes, Roger Allam, Mark Addy, Alun Armstrong, Robert Emms, and Simon Russell Beale. The film had its world premiere at the 2025 Toronto International Film Festival, where it received positive reviews for its feel-good story and performances. Hytner and Fiennes were both kind enough to spend some time speaking with us about their work and experiences making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from Sony Pictures Classics. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices