Podcasts about choral

Send us a textIn this powerhouse episode, Kevin Michael Cripps, Head of Singing at Guildford School of Acting, joins Jeremy and Gillyanne for a deep dive into the realities of training musical theatre performers in the 21st century.Kevin shares what it's really like to work inside one of the UK's leading drama schools—and how teaching voice has shifted to reflect individuality, neurodiversity, and longevity.

“I think during my formative years, shying away from my true self – my authentic self – that's definitely shaped how I approach being in front of choirs, using choir as a platform to really encourage kids to be themselves. I think there's a vulnerability to singing where it really is an avenue to accessing the truest parts of ourselves, and so that's kind of my life mission now that I get to be in front of choirs.”Chris Maunu is a conductor, educator, and composer dedicated to inspiring young singers and shaping the future of choral music. Based in Portland, Oregon, he serves as Artistic Director of the acclaimed Pacific Youth Choir, Affiliate Faculty at Portland State University, and Artistic Director of the professional ensemble Choro in Schola. Previously, he spent 17 years as the Director of Choral Activities at Arvada West High School in Colorado and 7 years as Co-Artistic Director of the professional Anima Chamber Ensemble. A four-time GRAMMY® Music Educator of the Year Finalist and two-time CMA® Foundation National Music Teacher of Excellence honoree, Chris is a passionate advocate for music education. Choirs under his direction have received national and international acclaim, performing at over a dozen major conferences, including National and Regional ACDA events. His ensembles have earned prestigious honors such as the American Prize in Choral Performance and the Gold Diploma at the Rimini International Choral Competition.In high demand as a guest conductor and clinician, Chris recently conducted the 2025 National 11-12 HS Honor Choir at the National ACDA Conference in Dallas, TX to great acclaim. As a composer, his award-winning works have been performed worldwide. He also serves as editor of the Pacific Youth Choir Choral Series with Pavane Publishing. An active member of NAfME and ACDA, Chris is the NWACDA Chair for Community Youth Choirs and frequently presents at both the regional and national levels. His writings appear in the Choral Journal, and he is a contributing author to A Choral Conductor's Companion.Chris holds a Master of Music degree from the University of Nebraska-Lincoln and a Bachelor of Music Education from Northern State University. Most importantly, Mr. Maunu shares his life with his beautiful wife Aleisha, and their children Bodhi and Astraea.To get in touch with Chris, you can find him on Facebook (@chris.maunu) or Instagram (@chrismaunu) or visit his website, chrismaunu.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

The Satchwell murder trial - how search dog Fern told the guards where to look for a body...Niall Harbison - how saving dogs saved him too, Glanmires super talented choir - not one but two international awards & lots more Hosted on Acast. See acast.com/privacy for more information.

Glanmire Community College did super well at the choral festival. Teacher Annie Mannix and choir members Lia Galvin and Michael O'Callaghan join PJ Coogan Hosted on Acast. See acast.com/privacy for more information.

This service of Choral Evensong, sung by the Cathedral Schola, observes the Feast of Julian of Norwich. The officiant and preacher is the Rev. Canon Julia Mitchener. Choral repertoire includes:Stephen Caracciolo (b. 1962), Preces & ResponsesHerbert Howells (1892-1983), Sarum ServiceWilliam Mathias (1934-1992), As truly as God is our FatherStephen Paulus (1949-2014), Every soul who has willingly served

In Episode 19 of The Choral Director's Toolbox, host Dr. William Baker unpacks the controversy surrounding Austrian or Germanic Latin in Classical-period choral performance. With his signature clarity and wit, Dr. Baker challenges conventional assumptions and offers practical insight on pronunciation for clarity and expression. This week's listener question addresses ideal seating—or no seating at all—for choral rehearsals. Today's inspiration features Mozart's majestic Kyrie from the Great Mass in C Minor, performed by The William Baker Festival Singers. Tune in for a thoughtful and invigorating episode!

Juan Carlos Acosta, Artistic Director for SACRA/PROFANA, San Diego's Premiere Professional Choral Ensemble, and William "BJ" Robinson, Director of Music & Art for Christ United Presbyterian Church, the nation's third-oldest Black Presbyterian Church, to talk about the May 25 "Sliding Glass Doors" concert that will take audiences into the heart of American Black music through the lens of acclaimed composer, arranger and gospel scholar, Dr. Brandon Waddles.About Spotlight and Cloudcast Media "Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 19 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local.  For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us. Cloudcast Media | the national leader in local podcasting.   About Mission Fed Credit Union A community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

Questions, comments, feedback? Tap here to send us a message!Group CEO of eWater Group Michael Wilson has an extraordinary range of backgrounds: he's a political scientist, classical musician, public servant, national security specialist, Australian Diplomat, and Humanitarian and International Development Advisor all rolled into one, with over 35 years' experience across these fields. He's run for parliament, negotiated international environmental treaties, and trained as a classical baritone opera singer.Beyond his professional accomplishments, Michael reveals his lifelong passion for music—particularly choral singing with Canberra's adult choir The Resonants. His description of being "surrounded by sound" while singing reveals striking parallels to his approach to water management: understanding how individual contributions fit within complex, interconnected systems.eWater Group is an organisation dedicated to improving water management across Australia and internationally and is jointly owned by all Australian governments. It's comprised of two divisions: eWater Solutions, who provide science-based water management expertise and tools, and the Australian Water Partnership, working closely with the Department of Foreign Affairs and Trade to support a range of water management and governance initiatives in collaboration with developing countries in South Asia, South-East Asia, and the Pacific.Today, Michael and our host, Dr. Siwan Lovett, are members of the Resonants, one of Canberra's foremost adult choirs, and they've been singing with the Resonants for over 25 years. Their upcoming performance in partnership with the Australian River Restoration Centre, Riversong, is a unique fundraising concert for the long-term future of our rivers, celebrating what waterways mean to us in Australia and across the globe. Riversong is a celebration of the river's heartbeat, and together, we can ensure that the rivers which have nourished our communities, biodiversity and landscapes continue to flow strong and clean, sustaining generations to come.Join us for a transformative night of music and meaning. Riversong is on the 17th of May 2025 at the Gandel Atrium, National Museum of Australia. Book now to secure your tickets!Riversong.au

What if a choir could do what medicine cannot? Learn how Giving Voice Initiative's dementia-friendly choirs are transforming lives—bringing joy, purpose, and a deep sense of belonging to people living with dementia and their care partners. Discover the power of the universal instrument – the voice – to create connection, break stigma, and build community. Links and notes related to this episode can be found at https://mpetersonmusic.com/podcast/episode208 Connect with us: Newsletter: https://mpetersonmusic.com/subscribe Facebook: https://www.facebook.com/EnhanceLifeMusic/ Instagram: https://www.instagram.com/enhancelifemusic/ LinkedIn: https://www.linkedin.com/in/mpetersonpiano/ Twitter: https://twitter.com/musicenhances Sponsorship information: https://mpetersonmusic.com/podcast/sponsor Leave us a review on Podchaser.com! https://www.podchaser.com/podcasts/enhance-life-with-music-909096 In-episode promo: JAMBAR https://jambar.com/

“You never know what anybody's potential is. I think about that now as a teacher, that we are expecting 17-, 18-year-olds to know what they want to do for the rest of their lives. It's so early in your life to make those decisions, and so much can change during those really formative years. I want to help them to be the best version of themselves in the field and achieve the goals that they would like to do.”Jennifer Sengin is the Raymond R. Neevel/Missouri Professor of Choral Music and Director of Choral Studies at the University of Missouri-Kansas City Conservatory (UMKC) where she leads the graduate choral conducting program and conducts the flagship ensemble, Conservatory Singers, and the Choral Union. In addition to ensembles, Dr. Sengin teaches graduate choral conducting and choral literature. In the summer of 2024, Dr. Sengin received the inaugural Newcomer Award from the Missouri Choral Directors Association.Prior to coming to UMKC, Dr. Sengin most recently served as the Associate Director of Choral Activities at Georgia State University. Under her direction, the GSU Treble Choir won first place in The American Prize and Dr. Sengin received 2nd place in conducting. The Treble Choir has been invited to perform at the National Collegiate Choral Organization Conference and twice at the Georgia Music Educators Association Conference. While at GSU, Dr. Sengin received two university-wide awards – the 2022-23 Non-Tenure Track Faculty Achievement Award and the 2021-22 GSU Instructional Effectiveness Award.An active guest conductor, clinician, adjudicator, and presenter, Dr. Sengin has conducted honor choirs throughout the country. Future engagements include guest conducting the Duruflé Requiem at Carnegie Hall with National Concerts.She recently participated as a Conducting Fellow with the American Choral Directors Association International Conductor Exchange Program to Germany where she led workshops in Hannover and Berlin. Dr. Sengin has presented sessions and served as a panelist at international, national, regional, and state conferences. In 2024, Dr. Sengin traveled to Helsinki, Finland to co-present at the International Society for Music Education World Conference. She currently serves on the National Board of the National Collegiate Choral Organization and as the Repertoire and Resource Chair for Youth and Student Activities for the ACDA Southwestern Region. She also sings in the award-winning professional ensemble, mirabai.Dr. Sengin holds degrees from The College of New Jersey (BM Music Education), Ithaca College (MM Choral Conducting), and Michigan State University (DMA Choral Conducting).To get in touch with Jennifer, you can email her at jsengin@umkc.edu.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

In Episode 18 of The Choral Director's Toolbox, host Dr. William Baker shares practical insights on Commissioning New Music, drawing from decades of experience premiering choral works. From contracts and composer relationships to rehearsal planning and premiere logistics, this episode is a must-listen for conductors considering the rewarding adventure of new music creation. This week's listener question invites Dr. Baker's recommended summer reading list for conductors and music lovers. Today's inspiration is Norman Dello Joio's lush setting of Come to Me, My Love, performed by The William Baker Festival Singers. Join us for a rich episode of creativity, reflection, and choral artistry.

This service of Choral Evensong, sung by the Cathedral Schola, observes the Feast of Athanasius of Alexandria. The officiant and preacher is the Rev. Canon Ashley Carr. Choral repertoire includes:Philip Radcliffe (1905-1986), Preces & ResponsesWilliam Walton (1902-1983), Chichester ServiceĒriks Ešenvalds (b. 1977), O salutaris hostiaDavid Briggs (b. 1962), O Lord, support us

This week on the Friday Live EXTRA, Paul Cowsill tells us about The Cowsills performance in Kearney and Paul Robinson tells us about the Lincoln Choral Artists concert.

WHAT A FESTIVAL! Once again the Cork International Choral Festival brings a world of song and choirs to Cork for a glorious celebration over the May Bank Holiday Weekend. And as it begins on Wednesday April 30th, Elmarie Mawe spoke to Peter Stobart! Hosted on Acast. See acast.com/privacy for more information.

This week on the Friday Live EXTRA, Paul Cowsill tells us about The Cowsills performance in Kearney and Paul Robinson tells us about the Lincoln Choral Artists concert.

In this insightful episode, Dr. William Baker and Dr. Jamea Sale speak with Dr. Jeffrey Straub, fellowship-trained laryngologist and Fellow of the Institute for Healthy Singing & Voice Research. Dr. Straub discusses the anatomy of the voice, common vocal pathologies, and the role of medical intervention and vocal hygiene in maintaining a healthy singing voice. Whether you're a professional vocalist or a dedicated choir member, this conversation demystifies the science behind vocal health and offers practical tips for protecting your voice for life.

A conversation with Sacramento Mayor Kevin McCarty. Also, a food assistance program for farmworkers in Yolo County. Finally, the Sacramento Choral Society's closing show celebrating Broadway duo Lerner and Loewe. Sacramento Mayor Kevin McCarty

This spring, the Ennistymon Choral Society is bringing the timeless energy of Grease: The Musical to the Ennistymon Community Centre. From April 30th to May 4th, audiences will be treated to toe-tapping tunes, slicked-back hair, and a whole lot of heart. It's a celebration of music, nostalgia, and the power of community storytelling. To discuss this further, Alan Morrissey was joined by Brendan Keane, Treasurer of the Ennistymon Choral society. Photo(C): Ennistymon Choral Society's Facebook

Bryan Barrett talks with Angela Tipps with the Middle Tennessee Choral Society. They're having a free concert on Sunday (May 4th) with a Star Wars theme. Find out more about t

This service of Choral Evensong, sung by the Cathedral Schola, observes the Second Sunday of Easter. The officiant and preacher is the Rev. Canon George Maxwell. Choral repertoire includes:Gerre Hancock (1934-2012), Preces & ResponsesGeorge Dyson (b. 1953) in DCraig Phillips (b. 1961), We walk by faith and not by sightHoward Helvey (b. 1968), Awake, arise!

After the 12:10 p.m. Mass on April 25, 2025, Father Edward Hathaway, the Rector of the Basilica, led a recitation of the Glorious Mysteries of the Holy Rosary, with musical meditations, for the repose of the soul of Pope Francis.

In this inspiring episode of the Fearless Singer Podcast, I sit down with the brilliant Alex Van den Broek—arranger, choral director, singer-songwriter, and vocal harmony legend. We chat about everything from: ✨ Her creative process and how she builds those spine-tingling vocal arrangements ✨ Growing a TikTok following of nearly 300K (!!) through viral harmony videos ✨ The knock-backs, imposter syndrome and how she's navigated them with grace ✨ Her epic work with The Little Red Company and Lord Mayor's Christmas Carols ✨ Plus, she's joining us as one of our stellar line up of jazz vocalists at Femme Jazz on May 9

Das Christentum ist eng mit dem Singen verbunden: vom Oratorium bis zum Gemeindegesang im Gottesdienst. In der Kirchengeschichte gibt es aber eine lange Auseinandersetzung über die Frage: Was wiegt schwerer, Klang oder Wort? Von Thomas Daun.

The Kilrush Choral Society will bring The Addams Family to the stage later this month. Their musical take on the hit TV series and film will be performed at Kilrush Community School from the 22nd to the 26th of April. To discuss this further, Alan Morrissey was joined by producer with the society, Ger Rush, and show conductor, Toni Rose. Photo (c): https://www.facebook.com/photo/?fbid=698626832695977&set=gm.1827797534701323

Prelude at 0:00; service begins at 21:08One of the most moving choral services of the year, this meditation employs lessons & carols, spirituals, anthems, motets, and congregational hymns to illuminate the Passion of Christ, which is retold using biblical narratives from Mark, Matthew, and John, sung to some of the most ancient plainchant known to the Church.The officiant is the Rev. Salmoon Bashir. Choral repertoire includes:“Ah, holy Jesus, how hast thou offended” Herzliebster JesuJohn Jacob Niles (1892-1980), arr. Andrew Carter (b. 1939), I wonder as I wanderDavid Hurd (b. 1950), “A stable lamp is lighted” AndújarKim André Arnesen (b. 1980), Even when He is silent“To mock your reign, O dearest Lord” Tallis' Third TuneTrond Kverno (b. 1945), Corpus Christi CarolDaniel Gawthrop (b. 1949), Mary speaksKenneth Miller, “Alas! and did my Savior bleed” Morgan's SteepSpiritual, Were you there when they crucified my LordAntonio Lotti (1667-1740), Crucifixus à 8

Singen macht glücklich – aber warum? Worin liegt die Kraft des Gesangs? Und stimmt es, dass Gesang auch unseren Körper heilen kann? Das Feature erzählt vom Instrument des Jahres – von der Stimme.

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art. Their recommendations are lightly edited from the audio heard in the player above. Want to be an Art Hound? Submit here.Musical premiere in Bemidji tackles small-town healingKevin Cease of Bemidji is a funeral director and fan of community theater. He's looking forward to the world premiere of “Water from Snow,” a new musical by Janet Preus, co-written with Robert Elhai and Fred Steele. The show runs through Sunday, April 13. Tickets here.NOTE: The “Water from Snow” premiere has been postponed until April 11.Kevin said: I'm looking forward to the world premiere of local playwright Janet Preus's show “Water from Snow.” It is an original musical play co-written by her and Robert Elhai and Fred Steele of the Steele family. As it is set in a small town on a lake in northern Minnesota, Bemidji seems perfect for its premiere!Important and universal themes drive this story: healing wounds caused by abuse; overcoming racism against Indigenous people; bridging generational differences; valuing elderly community members; and championing women supporting each other. They hope to generate meaningful conversations among audience members, performers and the creative team.The roughhewn nature of the Rail River School venue in Bemidji lends additional character and dimension to the play. The music is diverse from a mix of music from country and blues, to pop, ballads and R&B, even a song from old farts at the setting of the café — there are 22 original songs! The lively local cast has chosen their roles carefully, with a range of characters drawn from the writer's lifetime in rural Minnesota.— Kevin CeaseMacMillan's transformative choral workStephen Kingsbury is a choral director and educator who wrote his doctoral dissertation on Scottish composer Sir James MacMillan. He recommends two upcoming events celebrating MacMillan's music.MacMillan will conduct seven Twin Cities choirs in a free performance called “Voices for a Cathedral” at the Cathedral of St. Paul, Friday, April 4 from 7:30 to 9:30 p.m. VocalEssence will also perform an all-MacMillan program Sunday, April 6 at 4 p.m. at the Ordway in St. Paul, with both MacMillan and Philip Brunelle conducting. The program features “Seven Last Words from the Cross” and “The Sun Danced,” with soprano Goitsemang Lehobye joining the U of M University Singers and orchestra.Kingsbury describes his first encounter with MacMillan's work over 25 years ago:Stephen says: One day, in deep frustration, I was going through my collection of recordings looking for inspiration. I found a disc that I had no recollection of purchasing. It was of MacMillan's “Seven Last Words from the Cross.” I popped in the player and spent the next hour laying on the floor of my apartment, wrapped in the music, staring up at the ceiling, silently weeping. I had never encountered anything like it. In that hour, I was transformed by a new awareness of what the choral art could be: how it touch the soul in deep and transformative ways. I knew then that MacMillan had to be the topic of my study. Since then, MacMillan's music has served as one of the centers of my artistic and scholarly life. I've since written a number of additional articles about his music and had the pleasure of being able to conduct many of MacMillan's compositions. His music strikes a balance between passion and craft; it is both deeply emotional and thoughtful.— Stephen KingsburyZappa's legacy lives on in Mankato tributePaula Marti of New Ulm is a classically trained oboist and manager of Morgan Creek Vineyards & Winery, where she curates summer concerts. She also has a lifelong love of Frank Zappa's music, and she recommends a tribute concert this weekend.Joe Tougas and his ensemble Joe's Garage return to perform “Joe's Garage, Act Two,” a Frank Zappa tribute concert. The event is Saturday, April 6 at 7 p.m. at the Morson-Ario-Strand VFW in Mankato.Paul says: What's unique about this particular group is because there's so many professional musicians in it, they really have been able to achieve the sound that Frank Zappa attempts to create in his works. He has this diverse sensibility about sound and rhythm. It's integrated in a marvelous way that has this orchestral effect. It's just amazing as a classical musician myself, enjoying what comes out of these interesting themes that Zappa puts together, which are unique, they're cultural expressions of our time and our era. And he does that in a way that's very, very respectful to the instrumentation that has to go on that represents, you know, the harmonies, the diversities and the the challenges of the message of the music.— Paul Marti

“Students will often refer to voice lessons, to choir rehearsal, as therapy. I felt that there was something to that. I wanted to make the connection between individual therapy and voice lessons and group therapy and the choral rehearsal. What is it about the choral organism that becomes a space that can be therapeutic? I found a lot of commonalities in group and individual counseling and what we do.”Dr. Sarah J. Graham was just promoted to Professor of Music at Lewis-Clark State College in Lewiston, Idaho, where she teaches courses in music, humanities, ethics, and conducts the Concert Choir. She earned a Bachelor of Arts in Music Education from Whitworth University, a Master of Arts in Classroom Teaching and English from Pacific Lutheran University, and both a Masters and Doctorate in Music Conducting from Michigan State University. She is currently finishing a Master of Science in Clinical Mental Health Counseling through Capella University in Minneapolis. Dr. Graham has been teaching for over thirty years, twenty of which have been in higher education. Much of her current work has to do with mental health and teaching pedagogy. She recently spent her sabbatical working on an internship in counseling and compiling a 15-week guide for incorporating “Mental Health Moments” into the classroom. At LC State, Graham is a co-founder of the Black History Experience, and a member of the President's Campus and Community Commission. She lives in Lewiston with her daughter and their Pembroke Welsh Corgi, Henry.To get in touch with Sarah, you can find her on Facebook (@drsjg) or Instagram (@drbooncha) or email her at sjgraham@lcsc.edu .Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonPodMatchPodMatch Automatically Matches Ideal Podcast Guests and Hosts For Interviews

Dive into the world of choral music publishing with this episode featuring Jack Zaino from Alfred Music! Gain insights into Alfred's focus on serving public schools, teachers, students, and community choirs. Aspiring composers will discover essential advice on submitting music and building industry connections. Choral directors will find valuable tips for selecting the perfect repertoire. Explore the collaborative nature of music publishing and hear Jack's reflections on his mentor, Audrey Snyder. A must-listen for anyone involved in the choral music community.

Joining me live at the American Choral Director's Association National Conference in Dallas is Scott Harris, Stacey Nordmeyer, and Luke Talen for a wide ranging discussion about the state of the choral industry and how composers can find their place in it!

Choral music composer and conductor Eric Whitacre directs choirs around the globe, but as a kid in northern Nevada, he feels like the black sheep. He doesn't know how to channel his endless energy to create meaningful connections or find his place in the world. His remarkable experiences with outer space, multi-part harmonies, and a (literal) leap of faith teach him crucial lessons about embracing what lights him up to be his true self.Each episode of Meditative Story combines the emotional pull of first-person storytelling with immersive music and gentle mindfulness prompts. Read the transcript for this story: meditativestory.comSign up for the Meditative Story newsletter: https://meditativestory.com/subscribeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 00:09:26 - Choral « Allein Gott In Der Höh' Sei Her » BWV 663 -

“One of the things we know about the brain is that information that is acquired through problem solving is more likely to be retained. I might start rehearsal by saying 'take out the piece in D major,' 'let's start in the climactic moment of the Brahms,' 'take out the piece where fire is used as a metaphor for passion.' You start with a problem, so you're already engaging neurons. This works at any age."Sharon J. Paul holds the Robert M. Trotter Chair of Music at the University of Oregon, where she currently serves as Department Head of Music Performance and Director of Choral Activities. Her teaching includes graduate courses in choral conducting, repertoire, and pedagogy, along with conducting the internationally award-winning Chamber Choir.In March 2020, Oxford University Press published Dr. Paul's book, Art & Science in the Choral Rehearsal, which features many of the creative and evidence-based teaching strategies she has cultivated over her career.The University of Oregon Chamber Choir has placed first or second in four international choral competitions, most recently winning first prize in the Chamber Choir category at the Grand Prix of Nations Competition in Gothenburg, Sweden in August 2019. The Chamber Choir became a resident ensemble of the Oregon Bach Festival in 2014, performing each summer under conductors such as Helmuth Rilling, Matthew Halls, John Nelson, Jane Glover, and Joann Falletta.University of Oregon choirs under Dr. Paul's direction have performed at the National Association for Music Education's state and divisional conferences, and at ACDA Northwestern Division conferences.Dr. Paul has presented interest sessions at regional, state, division, national, and international conferences. She appears frequently as adjudicator, clinician, teacher, and honor choir director throughout the United States and abroad. In 2019, she received Oregon ACDA's Podium Award for “outstanding contributions to the choral arts,” and in the fall of 2014 she received the University of Oregon's Fund for Faculty Excellence Award.Dr. Paul completed her DMA in Choral Conducting at Stanford University, her MFA in Conducting from UCLA, and her BA in Music from Pomona College.To get in touch with Sharon, you can email her at sjpaul@uoregon.edu or find her on Facebook (@sharon.paul.50).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonPodMatchPodMatch Automatically Matches Ideal Podcast Guests and Hosts For Interviews

The Springfield Choral Society will hold a two-day musical festival on March 21-22 called “Songs for the Unsung.” Director of the Springfield Choral Society Jacobsen Woollen and Vice President of the Sangamon County Historical Society Linda Schneider spoke to Community Voices about the festival which will incorporate lesser known stories of women in Springfield's history. For ticket information visit: https://www.springfieldchoralsociety.org/

The RI Civic Choral and Orchestra is the subject of this week's program with Dr. Joshua Rohde, Music Director. We talk about their upcoming concert and listen to some of the music being presented on Sunday March 30th at St. Sebastian's Church in Providence at 3 PM. For more information you can call 401-521-5670, or go to www.ricco.org

durée : 00:11:58 - Choral « Komm, heiliger Geist » BWV 652 - Dans cette rubrique consacrée à la musique d'orgue de Bach nous suivons de très près les intégrales de ce répertoire en cours d'enregistrement au disque. Aujourd'hui, nous nous intéressons à celle du maestro japonais Masaaki Suzuki dont le volume 6 est sorti en décembre dernier.

When it comes to teaching choir, should we focus on rote learning or reading notation? The answer might be a little bit of both! In this episode, Bryson unpacks the benefits and challenges of teaching by rote and by note in a choral setting. Drawing from his own experience launching a sixth-grade choir, he shares practical strategies for meeting students where they are, building musical literacy, and keeping the joy of music-making at the center. Whether you're working with young singers or looking to refine your approach, this episode is packed with ideas to help you strike the right balance in your choir rehearsals. Episode Chapters: 0:00 Introduction 2:17 Blending General Music and Choir 7:53 The Balance of Rote and Note 9:31 Takeaways Links and Resources: Elementary Newbie Guide Disabilities Guide Steady Beat Survival Guide Join That Music Teacher Community Have questions or want to share feedback? Reach out to us at hello@thatmusicteacher.com - we'd love to hear from you!

Led by Sameer Patel, Nexus features a symphonic and choral journey with Lili Boulanger's D'un matin de printemps. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 39115]

Choral music is about so much more than just singing, and in this episode of That Music Podcast, Bryson sits down with Debbie O'Shea to explore the magic of choir. They dive into what makes a great rehearsal, how to build community in your ensemble, and the secret to keeping singers engaged—even with tricky repertoire. Debbie also shares a sneak peek into her upcoming That Music Teacher Community masterclass, where she will explore the "why" behind choir, effective warm-ups, and repertoire selection - all with the goal of inspiring and engaging choirs. Episode Chapters: 0:00 Introduction 1:30 Differences Between Music and Choir Classrooms 3:45 Creating a Sense of Belonging and Teamwork 9:09 Engaging and Motivating Students 11:02 Balancing Fun and Effectiveness in Rehearsals 16:23 The Purpose of Choir and Its Value Beyond School 24:59 Defining Success in Rehearsals 27:47 Debbie's Upcoming Master Class 29:38 Takeaways Links and Resources: Elementary Newbie Guide Disabilities Guide Steady Beat Survival Guide Join That Music Teacher Community Connect with Debbie Have questions or want to share feedback? Reach out to us at hello@thatmusicteacher.com - we'd love to hear from you!

Have a guest recommendation? Let us know!In this episode, Dr. Francis Cathlina, Director of Choral Activities at the University of Memphis, joins us to discuss multiple techniques for improving your choir's tone and the importance of understanding the physical workings of your instrument - whether it's your voice or something else!Download the show notes for this episode HERE.Connect with Dr. Cathlina!Website: https://www.franciscathlina.com/Email: franciscathlina@gmail.comYour Voice: An Inside View 3 (Vocal Pedagogy Book): https://www.amazon.com/Your-Voice-Inside-View-3rd/dp/1733506012Follow the University of Memphis Choral ProgramWebsite: https://www.memphis.edu/music/ensembles/university-singers.phpPerformance Recordings: https://www.franciscathlina.com/performancesFollow our official Instagram page and become a part of the community!Browse Kara's TPT Store!Want a free piece of music for your ensemble to perform? Join Christian's mailing list!https://www.christianfortnermusic.com/mailings

#287. ALERT! We will be doing our knock-off Hot Ones episode SOON! Be on the lookout in the socials for ways to submit questions without us knowing them beforehand. Follow the LinkTree below! On to this week: We reprise our hotel restaurants conversation by describing how last-leg establishments smell before diving into the National Champion Ohio State season finale! Kory shares a heartwarming story of having the chance to sing for his mother, and she still loves him. On the back half, Dillon has a chance to watch some professional volleyball. If you didn't know that was a thing, check it out! Finally we catch up on streaming. This week we're watching Skeleton Crew, Red Faire, God Save Texas, Harry Potter Wizards and Baking, ChiefsAhloic: A Wolf in Chiefs Clothing, Chosen, Wild Robot, Avatar: The Way of Water, Severance (season 2), Quiz Lady, and A Man on the Inside. We hope you enjoy! Until next time, be kind to each other.FTM Merch! - https://www.teepublic.com/user/fromthemiddleLinkTree - https://linktr.ee/fromthemidpodVOICE MAIL! Comment, ask a question, suggest topics - (614) 383-8412Artius Man - https://artiusman.com use discount code "themiddle"

durée : 00:27:27 - Les Midis de Culture - par : Marie Labory, Marie Sorbier - Au programme du débat critique, de la littérature, avec "Hommages" de Julien Perez et "Nos insomnies" de Clothilde Salelles. - réalisation : Laurence Malonda - invités : Johan Faerber Editeur, essayiste, critique littéraire.; Céline du Chéné Productrice à France Culture

Steve and Alan talk with professor, author, composer, and choral director Marques Garrett about the importance of diversifying choral programming and elevating non-idiomatic works. Garrett shares fascinating personal experiences learning about the rich musical heritage within historically black colleges and universities (HBCUs), where choirs have long championed non-idiomatic compositions by Black artists.  Garrett discusses the challenges of broadening repertoire choices, the historical context behind the under-representation of Black composers, and the impact of his efforts to increase awareness and performance of this vital body of choral music. The conversation explores Garrett's programming choices, the nuances of cultural appropriation, and the need for inclusive representation in music education. With a focus on practical strategies and the power of community, this episode offers invaluable insights for music educators and anyone passionate about fostering a more diverse musical landscape.

When the Handel and Haydn Society found records detailing iconic composer George Frideric Handel's ties to the slave trade, it responded in a way only the organization could: through music and performance. Rather than “canceling” the composer or disavowing the history, two of the society's staff members created “Crossing The Deep,” a special concert series showing the parallels between the choral works of Handel and the spirituals of enslaved Africans in America. We speak with creators Dr. Anthony Trecek-King and Reginald Mobley about what's in store for this year's concerts.

On this week's episode of Out and About, Dr. Mae Gilliland Wright of ArtsPartners of Central Illinois is joined by Sharon Samuels Reed, founder and artistic director of The Heritage Ensemble, to discuss their 25th annual "Dr. Martin Luther King, Jr. Choral Celebration". This event will take place on Sunday, Jan. 19 at 3 p.m. at the Illinois Central College Performing Arts Center.

Steve and Alan talk with professor, author, composer, and choral director Marques Garrett about the importance of diversifying choral programming and elevating non-idiomatic works. Garrett shares fascinating personal experiences learning about the rich musical heritage within historically black colleges and universities (HBCUs), where choirs have long championed non-idiomatic compositions by Black artists.  Garrett discusses the challenges of broadening repertoire choices, the historical context behind the under-representation of Black composers, and the impact of his efforts to increase awareness and performance of this vital body of choral music. The conversation explores Garrett's programming choices, the nuances of cultural appropriation, and the need for inclusive representation in music education. With a focus on practical strategies and the power of community, this episode offers invaluable insights for music educators and anyone passionate about fostering a more diverse musical landscape. 

"I think in many ways the pattern is the least important part of conducting. It's much more about showing what the music should be doing, not beating four. If it were just a matter of keeping time, we could use a flashing red light. That's not what your job is. Your job is to encourage and show the music physically. I believe very strongly that the conducting gesture is nothing more than your vocal process externalized.”Chester L. Alwes holds degrees in music from Hanover College, Union Theological Seminary School of Sacred Music, and the University of Illinois at Urbana-Champaign. Before joining the University of Illinois faculty in 1982, he taught at the College of Wooster and the University of Rochester/Eastman School of Music. Prior to his retirement in 2011 from the University of Illinois, Dr. Alwes taught graduate courses in choral literature, seminars on the works of J. S Bach and Henry Purcell and graduate and undergraduate conducting. From 1982-2009, he was conductor of the U. of I. Concert Choir, taking over the Women's Glee Club prior to his retirement. In addition, he frequently conducted the University's Oratorio Society, Summer Chorus, and the Illinois Summer Youth Music Senior Chorus.In 1996, he founded the Baroque Artists of Champaign-Urbana (BACH), an ensemble drawn from the University and local community that specialized in music of the 17th and 18th centuries. As a choral conductor, Dr. Alwes was known for his innovative programming, his sensitivity to tone and musical line, and his dedication to the musical growth of his singers. He is the author of A History of Western Choral Music (2 vols., Oxford University Press, 2015-16), Handel's Messiah: the Complete Solo Variants (Roger Dean Music, 2009), the chapter on Choral Music of the Romantic era in the Cambridge Companion to Choral Music, Andre De Quadros, ed. (Cambridge University Press, 2012), articles on choral music and numerous choral compositions and arrangements (70+).To get in touch with Chet, you can find him on Facebook (@calwes) or email him at calwes@illinois.edu.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace HudsonSights N Sounds with Allen KigerInterviewing music and racing royalty.Listen on: Apple Podcasts Spotify