Podcasts about Bernstein

Have you ever fantasized about quitting your job, starting your own business, and finally doing something that feels 100% yours? It sounds amazing… until you remember that entrepreneurism also comes with risk, uncertainty, and about a million ways things can go sideways. So what does it really take to be an entrepreneur? In this episode, I'm joined by Melissa Bernstein - entrepreneur, creative, author, mother of six, and co-founder of both the billion-dollar toy company Melissa & Doug and the wellness brand Lifelines. Melissa shares what it really takes to be an entrepreneur: the resilience to weather constant storms, the patience to love the process for years before you see results, and the clarity of purpose that keeps you moving forward when everything feels like it's falling apart. Episode Breakdown: 00:00 The Dream vs. Reality of Entrepreneurship 03:50 Start With Curiosity: Research Before You Launch 06:50 From Ingredients to Mission: Let Ideas Simmer 11:59 Resilience in Action: Setbacks, Copycats, and Mindset Shifts 18:22 The 3 Ps: Passion, Patience, and Purpose 20:46 Purpose Over Profit: Building a Legacy Brand 22:10 Patience Pays: A Decade to Real Traction 39:00 Openness to Experience: Beginner's Mind and “New Eyes” 42:39 Protect Fragile Ideas: Share Only When the Vision Is Clear As you listen, reflect with me: What's the mission you feel so strongly that you couldn't walk away from it, even if you tried? Do you love the process of what you want to create enough to stay with it for decades? And are you running toward something that lights you up, or just trying to escape something you don't like? If this conversation with Melissa got you thinking more deeply about your own path, I would love to help you take the next step. You can schedule a free consultation with me or a member of my team. It is a no-pressure chance to share what has been on your mind, whether that is growing in your career, clarifying your goals, or building more meaning into your work. I believe everyone deserves support as they figure out what is next, and these free consultations are one way I can make that support accessible. My hope is that you leave our time together feeling more clear, more encouraged, and more confident about where you are heading. And let's not let the conversation stop here. I'm always sharing new insights, encouragement, and little growth tools on Instagram, Facebook, and YouTube - but what I really love is hearing from you. Your thoughts and questions often spark future episodes, so if something in this one lit a fire for you, let me know. Let's talk! xoxo, Dr. Lisa Marie Bobby Growing Self

 MATT BERNSTEIN, MD  has a holistic view of how what we eat profoundly impacts how we feel and function. As a physician and educator, he's deeply committed to helping people understand the connection between nutrition and mental health, showing how food can be a foundational tool for healing anxiety, depression and other mental illnesses.  Dr. Bernstein is a psychiatrist who is educating patients and families on the relationship between metabolism and mental illness. 50% of people with severe mental illness also have metabolic syndrome. As the CEO of Accord, a first-of-its-kind residential program, he is helping to lead a paradigm shift in mental health treatment, creating a more humane, healthy, and effective approach. Dr. Bernstein's personal experience with his sons has played a vital role in how he works with patients and why he is so passionate about ensuring proper nutrition at a younger age to help prevent mental illness.   Dr. Bernstein teaches how dietary intervention can be a powerful treatment for those with mental illness and breaks down the how and why. We talk about: The Evidence Behind A Ketogenic Diet & Mental Health The Mechanisms of How Ketones Improve Brain Health How Ketones Improve Mitochondrial Health UPDATED BIO Dr. Matt Bernstein is a board-certified psychiatrist and a leading voice in metabolic psychiatry, with 25 years of experience helping individuals achieve full mental health and functional recovery. rdmh.com  https://www.facebook.com/accordmh https://x.com/accordmetabolic/ https://www.instagram.com/accordmh/   

0:00 ... Bruce introduction with his ESPN experiences and NBA background. 2:23 ... What the "48 Minutes" podcast is, who the hosts are, and information on the show's "Two-a-Day" project where all 30 NBA teams are previewed as the season approaches. 5:47 ... Milwaukee Bucks off-season storylines 7:52 ... How do we expect the Bucks to fare in the eastern conference this season? 10:27 ... With Giannis Antetokounmpo acting as the primary ballhandler, is that style detrimental to the development of the team's young guards? 13:40 ... Is Andre Jackson Jr. getting a fair chance to develop and what do we make of the other guards on the team? 17:30 ... Bobby Portis plays with "fire in his belly," and his teammate Kyle Kuzma could use some of that in his game too. 22:28 ... Myles Turner replaces Brook Lopez as a rim protector and "stretch five," but this team will rise or fall with its defense. 23:46 ... If the team stumbles badly, could we be looking at the end of the "Giannis Era" in Milwaukee? 26:57 ... League talk ... Rockets lose Fred Van Vleet, possibly for the whole season. 27:46 ... Orlando looks like a dangerous team in the east with newly acquired Desmond Bane. 29:08 ... Which team in the west can challenge OKC for the top spot? 30:16 ... Will LeBron James and Luka Doncic co-exist with the Lakers and be successful together for a full season? 32:47 ... Are the Clippers too old and is Kawhi Leonard actually holding them back? 34:54 ... Bruce promotes the 48 Minutes podcast and the "Two-a-Day" series of 30 NBA previews.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On the Glossy Podcast, senior fashion reporter Danny Parisi, editor-in-chief Jill Manoff and international reporter Zofia Zwieglinska break down some of the biggest fashion news of the week. This week, we're starting with a look back at Milan Fashion Week. Danny and Zofia break down a few of the notable shows, including a big debut from Dario Vitale as the new creative director of Versace. Vitale is the first designer for the brand who is not a member of the Versace family, but his debut collection was well received. And in the same week, the acquisition of Versace by Prada Group was approved by E.U. regulators. Giorgio Armani's show was a fitting tribute to the recently deceased designer who had a profound impact on Italian fashion. And the Brunello Cucinelli show was outshone by allegations from a short seller that the brand has been operating in violation of E.U. sanctions in Russia. Cucinelli has denied the claims. In the second half of the episode (20:00), in light of Paris Fashion Week, we discuss two of the biggest luxury companies in the world. LVMH and Hermès, both French and both presenting this season in Paris, have traded the top spot for the most valuable luxury company in the world several times this year. We break down the strengths of each company. For Hermès, its laser focus on a single brand and high-value customer; for LVMH, its diversified portfolio and broader appeal. Both approaches have their upsides and their challenges, depending on market conditions. And both companies also face competition from independent brands. We also hear from Luca Solca, senior analyst at Bernstein covering luxury goods, who weighs in on the challenges that megabrands like LVMH and Hermès face.

As we get closer to the new-look Boston Celtics beginning their 2025-26 NBA season, there's no better time to rehash all the moves that were made over the offseason. Four time Emmy-winning ESPN vet and “48 Minutes” Podcast co-host Bruce Bernstein joined Courtney Tate on a special episode of "BLEAV in Celtics."  They'll discuss what C's fans have to look forward to this coming season. Bernstein spent over 30 years at ESPN, including 15 years leading the network's NBA studio programming. He brings deep behind-the-scenes insight, high-performance leadership stories, and sharp NBA analysis to every conversation. Some topics include: Is there hope in Boston this season? Can Jaylen Brown flourish as the "Alpha" with Jayson Tatum out of action? Will Payton Pritchard and Neemias Queta work out as starters? Rapid Fire on Celtics History & Classic Memories Pat Riley/Lakers Story And so much more!     Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Championship leadership is rarely about talent alone. It's about consistency, values, and the willingness to do the unglamorous work—especially when no one is watching. For Ross Bernstein, a Hall of Fame speaker and best-selling author of nearly 50 sports books, that truth has been reinforced across thousands of interviews with the world's top athletes and coaches. The most successful leaders, whether in sports or business, operate by a code—one built on trust, culture, and an unwavering commitment to doing things the right way. Bernstein's work focuses on decoding what separates winning teams from the rest. His research draws not only from statistical trends, but from raw, behind-the-scenes conversations inside locker rooms, press boxes, and dugouts. Championship leadership, he explains, isn't about flash or status. It's built on daily habits, strong relationships, and a team-first mentality that fuels performance over the long haul. Integrity is a recurring theme in Bernstein's message. Drawing parallels between sports and business, he emphasizes that true leaders are defined by how they win—not just whether they win. “Anyone can cheat,” he points out. “But being a champion is about doing things the right way, even when it would be easier not to.” That distinction between gamesmanship and character is where trust is built, and where long-term success takes root. In high-performing teams, the culture often mirrors that of the locker room. There's a shared commitment, a sense of personal responsibility, and an understanding that no one wins alone. Whether it's a quarterback investing in private coaching to stay competitive well into his 40s or a top-producing business executive building meaningful client relationships beyond the sales pitch, the edge comes from discipline, preparation, and a relentless work ethic. Bernstein often points to examples like Tom Brady—not because of his accolades, but because of the less visible effort that fueled them. While most people see the highlight reels, they don't see the nutritionists, neurologists, and sleep coaches behind the scenes. That level of commitment is what championship leadership requires: doing the work that others won't, without cutting corners, and without needing applause. In the business world, the lesson is the same. Top performers don't simply show up when it's convenient. They stay ahead by consistently executing the fundamentals. They invest in their teams. They show up with curiosity and ask questions. They visit their clients' operations in person. And perhaps most importantly, they build relationships that aren't transactional—they're built on trust and value. For leaders aiming to build stronger cultures, Bernstein encourages shifting the mindset from hiring the “best” people to hiring the right people. He recalls how legendary coach Pat Summitt built her championship legacy not by recruiting the top-ranked players, but by finding those who shared her values, work ethic, and team-first mentality. It's a powerful reminder that championship leadership begins with alignment—not just with skills, but with culture, attitude, and mission. Trust, according to Bernstein, isn't given. It's earned through behavior, consistency, and shared experience. It also requires a willingness to teach, not just manage. He recalls how Summitt saw herself more as a teacher than a coach—a subtle but powerful shift that cultivated loyalty, performance, and team cohesion. The idea that “will beats skill” echoes throughout Bernstein's work. While some athletes are born with undeniable gifts, most reach the top through effort, sacrifice, and resilience. It's the same for business leaders. Talent might open the door, but championship leadership is what keeps it open—and expands the path for others. Ultimately, leadership isn't about being the loudest voice in the room or the name at the top of the org chart. It's about showing up every day, doing the work, and holding yourself to a higher standard. Bernstein's insights serve as a reminder that greatness leaves clues—and that those clues are often hidden in plain sight. Watch the full episode on YouTube. Fordify LIVE airs every Wednesday at 11:00 a.m. Central across all social media platforms. New podcast episodes of The Business Growth Show drop every Thursday. About Ross Bernstein Ross Bernstein is a Hall of Fame keynote speaker and the best-selling author of nearly 50 sports books. With over 25 years of experience studying championship teams, Ross shares powerful insights on leadership, integrity, and performance drawn from thousands of interviews with elite athletes and coaches. His signature program, The Champion's Code, explores the DNA of what makes great teams and individuals successful—both in sports and in business. Ross has spoken on all seven continents to audiences ranging from Fortune 500 companies to global associations, delivering high-energy presentations that challenge leaders to think differently and lead with purpose. To learn more about Ross Bernstein and his speaking programs, visit www.RossBernstein.com. About Ford Saeks Ford Saeks is a Business Growth Accelerator with over two decades of experience helping businesses—from startups to Fortune 500s—generate over a billion dollars in sales. As President and CEO of Prime Concepts Group, Inc., he specializes in helping organizations attract loyal customers, expand brand awareness, and ignite innovation. An accomplished entrepreneur, Ford has founded more than ten companies, authored five books, holds three U.S. patents, and is widely recognized for his expertise in AI-driven marketing and strategic growth. He recently spoke at the Unleash AI for Business Summit, where he showcased how AI is reshaping business operations and customer engagement. Learn more at ProfitRichResults.com and watch his TV show at Fordify.tv.

Steve Bernstein, Executive Vice President and San Diego Regional Manager for the Banc of California, chats about the bank's vision for building a stronger, more connected San Diego through banking with a purpose.  Bernstein talks about the importance of relationship banking.About Spotlight and Cloudcast Media  "Spotlight On The Community" is the longest running community podcast in the country, continuously hosted by Drew Schlosberg for 19 years.  "Spotlight" is part of Cloudcast Media's line-up of powerful local podcasts, telling the stories, highlighting the people, and celebrating the gravitational power of local.   For more information on Cloudcast and its shows and cities served, please visit www.cloudcastmedia.us. Cloudcast Media | the national leader in local podcasting.   About Mission Fed Credit Union  A community champion for over 60 years, Mission Fed Credit Union with over $6 billion in member assets, is the Sponsor of Spotlight On The Community, helping to curate connectivity, collaboration, and catalytic conversations.  For more information on the many services for San Diego residents, be sure to visit them at https://www.missionfed.com/

On this episode, Bruce and Courtney go in depth regarding expectations for the Celtics this season, Jaylen Brown's leadership potential, potential starters on opening night, and more! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

312 Sports Dan Bernstein drops in for his Friday visit with Sherman and Tingle.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Herb Bernstein, acomposer, producer, and arranger for hits in many genres, reflects on his memories of stars such as Laura Nyro, Johnny Carson, Julie Budd, and John Denver, all on his 94th birthday.  His humility, optimism, and humor give us a wonderful perspective on growing older.  We thank him and artist Julie Budd for sharing their song, "Looking Back," found on her CD at https://www.discogs.com/master/3770922-Julie-Budd-Julie-Budd Additional resources: Look for Herb's upcoming book, Born at Ninety, coming soon!Actors Fund, 155 W Hudson Ave., Englewood, NJ, 07631

A chat in the International Conference on PQC and AI. Daniel is a world-renowned computer scientist, one of the most influential figures in modern cryptography and a pioneer in post-quantum security.https://luma.com/9lxiupu6https://luma.com/9lxiupu6https://luma.com/9lxiupu6

  Over the last couple of decades, few if any American economists have played a more prominent role in the national debate over the economy or in actually crafting economic policy than Jared Bernstein. Bernstein served as chair of the national Council of Economic Advisers under President Biden and is currently a senior fellow at […]

Bernstein's back. Is he excited about the Bears victory over the Cowboys Sunday??See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dynamic and debonair, Cesar Romero was best known for creating the role of the Joker in the 1960s Batman television series. As the first actor to play Batman and Robin's villainous nemesis, Romero established the character's giddy, manic tone and the distinctive laugh that subsequent actors like Jack Nicholson, Heath Ledger, and Joaquin Phoenix would use as the starting points in their own Oscar-nominated (Nicholson) and Oscar-winning (Ledger and Phoenix) performances. As a closeted gay man of Latin American descent, Romero gracefully faced many personal challenges while maintaining his suave public image and starring opposite legends ranging from Shirley Temple to Marlene Dietrich, Carmen Miranda to Frank Sinatra, and Kurt Russell to Jane Wyman.The first biography of the consummate entertainer, Cesar Romero: The Joker Is Wild, captures the critical moments of Romero's childhood, adolescence, and accomplishments in Hollywood. Author Samuel Garza Bernstein shares anecdotes regarding Romero's public and personal life, as well as Romero's private disdain for his reputation as the "Latin lover," a discriminatory stereotype he found constrictive both in terms of his range as an actor and as a man who kept his sexuality private.Cesar Romero is an in-depth study of a significant Hollywood star and his impact on the entertainment industry. Batman made him immortal, but with more than four hundred film and television credits, his six-decade career as an actor, dancer, and singer made him a true Hollywood icon."If you're a fan of classic movies, Hollywood's star-studded golden age, comic book superheroes like Batman, and (along with Darth Vader and the Wicked Witch of the West) one of the three greatest villains in cinema history, the Joker, you'll applaud and even maniacally cackle at this in-depth revelation of the utterly true story of Cesar Romero. And that's no joke!" -Michael Uslan, Originator and Executive Producer of the Batman movie franchise.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

In this Masterclass edition of Author's Voice with KAJ, Amy L. Bernstein shares actionable strategies to navigate self-doubt while pursuing creative or professional goals. Learn how to transform uncertainty into motivation, keep moving forward despite fear, and apply practical techniques from her book Wrangling the Doubt Monster. Essential insights for entrepreneurs, professionals, and anyone ready to push through hesitation and grow with confidence.==========================================

Elul is the 12th and final month of the Jewish calendar year. Elul Unbound is a Judaism Unbound initiative all about making Elul meaningful, through creative digital modalities. In this final Elul episode of 2025 (and 5785), Lex Rofeberg and Wendie Bernstein Lash explore the month (and the upcoming holidays of Rosh Hashanah and Yom Kippur) through the prism of echoes -- the literal sounds they make, the metaphors they are used to illustrate, and more. This Elul podcast is the final in a mini-series of four that were released as part of Elul Unbound 2025 (our 26th-29th Elul episodes overall).To check out all our Elul bonus episodes from previous years, which can still be relevant to your experience of Elul this time around, click here. Join our bi-weekly journey through Elul Unbound 2025 (and future years) by signing up at this link, and sign up for our Elul Unbound Shabbat gatherings here, where we will be forging our kavanot (intentions) for the new year in real time with fellow Unbounders.Access full shownotes for this episode via this link. If you're enjoying Judaism Unbound, please help us keep things going with a one-time or monthly tax-deductible donation -- support Judaism Unbound by clicking here!

On this special London Fashion Week edition of the Glossy Podcast, international reporter Zofia Zwieglinska is joined by editor-in-chief Jill Manoff to break down the shows, shifts and standout moments shaping the season. London has been particularly charged this week, with President Trump's visit, Parliament debating fashion's cultural and economic value, and new BFC head Laura Weir waiving designer fees and boosting international visibility. The London Fashion Week schedule reflects the mix of pressures and possibilities: More fast-fashion names like Zara joined the calendar, bringing visibility but also sustainability concerns. The stalwarts are still showing, including JW Anderson, Simone Rocha and Erdem, which are holding strong among a tough macro environment. And a wave of NEWGEN designers, such as Jenn Lee, The Ouze and Ewusie, are bringing fresh energy. NEWGEN is the British Fashion Council's talent support scheme that gives emerging designers financial backing, mentoring and a platform to show at London Fashion Week. Zofia also shares highlights to come this week in Glossy's coverage, including what is going on at Rixo, Edeline Lee and Patrick McDowell. But at the center of it all is Burberry. Zofia and Jill trace the brand's turbulent recent history — from executive and creative director shifts to pricing resets — and assess Joshua Schulman's “Burberry Forward” strategy (9:00). Luxury analyst Luca Solca from brokerage firm Bernstein joins the episode to weigh in on Burberry's turnaround, stressing the importance of heritage, consistent execution and the brand's ongoing challenge in accessories. We discuss how Burberry's new campaigns — like "Festival Season," featuring Liam Gallagher, and "Back to the City," shot on a red London bus — are reframing the brand. We also talk about how wholesale partners are responding to the brand's Fall 2025 collection and what's next for Burberry, in both the U.K. and the U.S.

Dynamic and debonair, Cesar Romero was best known for creating the role of the Joker in the 1960s Batman television series. As the first actor to play Batman and Robin's villainous nemesis, Romero established the character's giddy, manic tone and the distinctive laugh that subsequent actors like Jack Nicholson, Heath Ledger, and Joaquin Phoenix would use as the starting points in their own Oscar-nominated (Nicholson) and Oscar-winning (Ledger and Phoenix) performances. As a closeted gay man of Latin American descent, Romero gracefully faced many personal challenges while maintaining his suave public image and starring opposite legends ranging from Shirley Temple to Marlene Dietrich, Carmen Miranda to Frank Sinatra, and Kurt Russell to Jane Wyman.The first biography of the consummate entertainer, Cesar Romero: The Joker Is Wild, captures the critical moments of Romero's childhood, adolescence, and accomplishments in Hollywood. Author Samuel Garza Bernstein shares anecdotes regarding Romero's public and personal life, as well as Romero's private disdain for his reputation as the "Latin lover," a discriminatory stereotype he found constrictive both in terms of his range as an actor and as a man who kept his sexuality private.Cesar Romero is an in-depth study of a significant Hollywood star and his impact on the entertainment industry. Batman made him immortal, but with more than four hundred film and television credits, his six-decade career as an actor, dancer, and singer made him a true Hollywood icon."If you're a fan of classic movies, Hollywood's star-studded golden age, comic book superheroes like Batman, and (along with Darth Vader and the Wicked Witch of the West) one of the three greatest villains in cinema history, the Joker, you'll applaud and even maniacally cackle at this in-depth revelation of the utterly true story of Cesar Romero. And that's no joke!" -Michael Uslan, Originator and Executive Producer of the Batman movie franchise.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

As we get closer to the new-look Dallas Mavericks beginning their 2025-26 NBA season, there's no better time to rehash all the moves that were made over the offseason. On Wednesday, 4-time Emmy-winning ESPN vet and “48 Minutes” Podcast co-host Bruce Bernstein joined us on a special episode of our Mavs Step Back Podcast to discuss what Mavs fans have to look forward to this coming season. Bernstein spent over 30 years at ESPN, including 15 years leading the network's NBA studio programming. He brings deep behind-the-scenes insight, high-performance leadership stories, and sharp NBA analysis to every conversation. In this episode, we also discuss the Kawhi Leonard / Los Angeles Clippers scandal while also scouting some Mavs' rivals. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

- Bernstein's New Man Newman Starts AAPL at “Outperform” with $290 Target - MacRumors' Moser: iPhone Air Paves Way for Foldable iPhone - 9to5Mac Brings Fear, Uncertainty, and Doubt to iPhone Air Pre-Orders - Cook Talks Apple and US Manufacturing Push with CNBC - Early Thoughts on iOS/macOS 26 Updates - 9to5Mac: How to De-Liquify Liquid Glass in iOS 26 - Apple Ships New blankOS 26 Builds to Public Testers - Apple Sports App Adds Widgets and Eight New Countries - Apple TV+ Green Lights Fifth Season of “The Morning Show” - Sponsored by CleanMyMac - Now with Cloud Cleanup. Try 7 days free and use code MACOSKEN20 for 20% off at clnmy.com/MACOSKEN - Security moves by Apple against serious spyware attacks on Checklist No. 440 - Find it today at checklist.libsyn.com - Catch Ken on Mastodon - @macosken@mastodon.social - Send Ken an email: info@macosken.com - Chat with us on Patreon for as little as $1 a month. Support the show at Patreon.com/macosken

Send us a textBeth McNally is a CERTIFIED NUTRITION SPECIALIST® professional, Licensed Nutritionist, founder of T1D Nutrition, creator of The Nutrition Effect: A Parent's Guide to Food and Normal Blood Glucose for Children with Type 1 Diabetes, and most importantly, the mother of a teenage athlete living with type 1 diabetes.In her work as a clinician and educator, Beth specializes in helping parents safely and successfully implement Therapeutic Carbohydrate Reduction nutrition strategies so that they can improve their child's quality of life, reduce the risks of long- and short-term diabetic complications, and ease the stress of T1D management – often for the whole family.At T1D Nutrition, tools are provided to help type-one diabetics use Therapeutic Carbohydrate Reduction, or TCR for short, as a low-carb nutrition strategy specifically created to help safely achieve the ultimate goal when it comes to T1D treatment: keeping blood glucose levels as close to normal as possible all while providing your child with delicious, nutrient-dense meals to help them grow, thrive, and reach their fullest potential.Find Beth at-https://www.t1dnutrition.com/FB- @T1D NutritionIG- @t1d.lowcarb.nutritionYT- @T1D NutritionFind Boundless Body at- myboundlessbody.com Book a session with us here!

Among our topics: -The standoff between Golden State's management and Jonathan Kuminga over his next contract -The story behind Giannis Antetoknoumpo and why he appeared on the 48 Minutes podcast two years ago. -The new broadcast and streaming deals between the NBA and its partners. -The implications of "Inside The NBA" and its move to ESPN. -And SO MUCH more! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Loop Capital upgraded Netflix (NFLX) to a buy from hold and called its prior downgrade of the stream giant a "mistake." Diane King Hall dives into the commentary that includes how Netflix's content drives profits. Piper Sandler and Guggenheim both upgraded Workday (WDAY) due to "environment improvements" and a wider runway for growth. Diane also notes Bernstein's upgrade of Zillow Group (ZG).======== Schwab Network ========Empowering every investor and trader, every market day. Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/ About Schwab Network - https://schwabnetwork.com/about

The post Episode 133 | Marc Bernstein's Founders Forum With Coach Malcolm Hairston | Sponsored by The Hipsetter appeared first on WWDB-AM.

Director Steven Bernstein DGA, ASC, WGA wrote and directed the award-winning feature film "Decoding Annie Parker" (U.S. theatrical release Summer 2014) which won Best Actress for Samantha Morton at The Seattle International Film Festival and also won Bernstein The Alfred P. Sloan Foundation Feature Film Award at The Hamptons International Film Festival. Bernstein was also nominated for best screenwriter and best director at the Milan Film Festival. Bernstein was a 2013 nominee for The ASC Award for outstanding achievement in Cinematography for his work on Magic City.steven bernstein website

Today we're chatting with Simone Bernstein, founder of barre3 Brookline and Spark Permanent Jewelry—two women-led brands built on creativity, community, and resilience. In this episode, Simone shares how she went from college graduate to fitness studio owner, what it was like to open a second studio just before the pandemic, and how shutting it down—and navigating a traumatic subtenant experience—taught her to protect her energy and put herself first.We also dive into the explosive success of Spark, her permanent jewelry brand that made back its investment in just one month. Simone opens up about her mental health journey, how she's redefining what success looks like, and why connection with other women in business is at the heart of everything she builds. Her story is raw, honest, and packed with wisdom for any founder facing hard pivots or fresh starts.Barre3 Brookline: https://barre3.com/studio-locations/brooklineSpark by Simone: https://www.sparkbysimone.com/You can follow us on Instagram @businessmusclepodcast, @elisecaira and @dr.ariel.dpt. Get your FREE Business Starter Checklist: https://www.businessmusclepodcast.com/freechecklistFIXXED: https://www.fixxedstudios.com/Sweat Fixx: https://www.sweatfixx.com/

Watergate, the scandal that toppled Nixon. All the President's Men (1976) tells the story of Woodward and Bernstein, the two Washington Post journalists who “followed the money” and uncovered corruption at the highest level. But does the film hold up today or has it become a mythologized version of journalism that no longer exists? Richard, Thorin, and MonteCristo dig into Robert Redford & Dustin Hoffman's iconic roles, the slow-burn procedural style, the myth of journalism as a heroic truth-to-power force, and why this movie may feel like historical fiction in today's cynical political world.

"In this episode of Two Zero Q, we chat with author Samuel Garza Bernstein.Sam has written a great biography of Cesar Romero entitled: "Cesar Romero: The Joker is Wild"SAMUEL GARZA BERNSTEIN is a Stonewall Book Award-winning writer, screenwriter, and playwright, as well as the author of Starring Joan Crawford: The Films, the Fantasy, and the Modern Relevance of a Silver Screen Icon. He has lived all over the world and worked in just about every aspect of show business, in a career that began at the age of 17 when he graduated a year early from high school in Austin, Texas, and moved alone to New York City. He splits his time between Porto, Portugal, and Los Angeles, CA, with his husband and their pack of incorrigible dachshunds. If you're a fan of classic movies, Hollywood's star-studded golden age, comic book superheroes like Batman, and (along with Darth Vader and the Wicked Witch of the West) one of the three greatest villains in cinema history, the Joker, you'll applaud and even maniacally cackle at this in-depth revelation of the utterly true story of Cesar Romero. And that's no joke!"—Michael Uslan, Originator and Executive Producer of the Batman movie franchisefrom the Foreword Hosted on Acast. See acast.com/privacy for more information.

Dan Bernstein from 312 Sports drops in on Sherman and Tingle for his Friday hit ahead of the Bears week 2 throwdown!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textOn this episode I'm joined by frequent guest Roosevelt Bowman, Senior Investment Strategist at Bernstein. We discuss the recently released economic data on jobs and inflation. We cover what this data means for the economy, the stock market, and bonds. We discuss the impact of the AI trade on the stock market and how to think opportunistically even with markets at all-time highs. With any questions or comments, or to discuss your own financial situation, I can be reached at marc.penziner@bernstein.com or 212-969-6655.The information presented and opinions expressed are solely the views of the podcast host commentator and their guest speaker(s).  AllianceBernstein L.P. or its affiliates makes no representations or warranties concerning the accuracy of any data. There is no guarantee that any projection, forecast or opinion in this material will be realized. Past performance does not guarantee future results. The views expressed here may change at any time after the date of this podcast. This podcast is for informational purposes only and does not constitute investment advice. AllianceBernstein L.P. does not provide tax, legal or accounting advice. It does not take an investor's personal investment objectives or financial situation into account; investors should discuss their individual circumstances with appropriate professionals before making any decisions. This information should not be construed as sales or marketing material or an offer or solicitation for the purchase or sale of any financial instrument, product or service sponsored by AllianceBernstein or its affiliates.

How can self-doubt become a catalyst for growth instead of a roadblock? On this episode of Late Boomers, Merry and Cathy sit down with Amy L. Bernstein, author of Wrangling the Doubt Monster. Amy opens up about her shift from a high-pressure career to the joy of writing, sharing practical wisdom on managing doubt, facing rejection, and navigating the publishing world. She reveals how small, intentional changes can unlock new possibilities and why embracing vulnerability is essential for personal growth. Tune in to discover how to “change the channel” on self-criticism and lean into your creative passions with courageAmy L. Bernstein's Bio:Amy L. Bernstein is the author, most recently, of Wrangling the Doubt Monster: Fighting Fears, Finding Inspiration, shortlisted for the Eric Hoffer Grand Prize. Amy's mystery-thriller, The Potrero Complex, was a 2020 Petrichor Prize Finalist and her paranormal mystery, The Nighthawkers earned a silver medal from BookFest in 2022. Her fifth novel, Seed, will be published by Running Wild Press in 2027. Amy teaches writing and creativity workshops and brings an empowering message to writers and multi-media artists around the world. Her weekly Substack, Doubt Monster, explores the realities of living a creative life. Special Offer:Take this unique survey, the Doubt Decoder, to discover the extent to which doubt affects your everyday life, from family to finances. Your score might surprise you! https://submit.jotform.com/250468635432156Connect with Amy:Website: https://amywrites.liveYouTube: https://www.youtube.com/@amylbernstein00authorFacebook: https://facebook.com/AmyLBernsteinAuthorInstagram: https://instagram.com/amylbernsteinLinkedIn: https://linkedin.com/in/amylbernsteinThreads: https://www.threads.com/@amylbernsteinThank you for listening. Please check out @lateboomers on Instagram and our website lateboomers.us. If you enjoyed this podcast and would like to watch it or listen to more of our episodes, you will find Late Boomers on your favorite podcast platform and on our new YouTube Late Boomers Podcast Channel. We hope we have inspired you and we look forward to your becoming a member of our Late Boomers family of subscribers.

It was about this time last year when I got a panicked email from a parent: “Jack broke his left wrist this week. What does this mean for piano? He's in a cast.”Has this ever happened to you? Some parents may assume that lessons need to be paused during this time. I mean, they can't play with only one hand… or can they?The answer is yes, and there's more and more one-handed repertoire available. With a broken foot, we can focus on repertoire that doesn't use the pedal, or they can learn to pedal with their left foot for a few weeks.But more importantly, what I want to convey to parents (and students) is that playing is only one facet of musicianship. There are so many other things we do in lessons, so many other skills we're working to develop. It reminds me of something Frances Clark once said, “Teach the student first, the music second, and the piano third.”Today, I'm sharing a list of nine lesson activities you can do with a broken arm. Some of these are specific to piano, but some are relevant no matter what instrument you teach. I hope the next time you find yourself in a situation like this, you'll have just what you need to continue learning and making music together.For show notes + a full transcript, click here.Resources Mentioned*Disclosure: some of the links in this episode are affiliate links, which means if you decide to purchase through any of them, I will earn a small commission. This helps support the podcast and allows me to continue creating free content. Thank you for your support!Sight-Reading and Rhythm Every Day (Helen Marlais)Rhythm Keeper, Vol. 1 (Samantha Steitz & Steve Aho)Ep. 059 - 7 Ways to Practice RhythmEp. 026 - My Favorite Aural Skills Games + ActivitiesEp. 085 - Everyone Can ImproviseEp. 083 - Bernstein and Bill EvansIf you enjoyed this episode, please leave a review in Apple Podcasts >>Find me on Instagram: @ashleydanyewWhenever you're ready, here are three ways we can work together:1️⃣ Need fresh teaching ideas? Schedule a quick 25-min. call and we'll brainstorm on a topic of your choice. Build an idea bank that you can pull from in the months to come.2️⃣ Have questions about teaching or managing your music career? Book a 60-min call and get personalized advice, creative ideas & step-by-step strategies on up to 3-4 teaching/business topics.3️⃣ Develop the skills and strategies you need to plan the year, refine your teaching methods, and manage your time more effectively with a suite of online courses and professional development trainings

It's Bears opening night on Monday Night Football and Dan Bernstein from 312 Sports makes his Monday trip from the next studio to visit with Sherman and Tingle.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lead in gasoline powered cars have killed more people than those that died in World War Two. That's the astonishing claim of David Obst who, in his new Saving Ourselves From Big Car, lays out a strategy to kick our self-destructive automobile addiction. The former investigative reporter, who worked with Seymour Hersh on the My Lai massacre story and represented Woodward and Bernstein for All the President's Men, argues that the auto industry suppressed knowledge about lead's deadly effects for 70 years. More controversially, Obst claims electric vehicles are no better due to the lead in batteries. The only safe future is one without cars, he insists, pointing to car-free communities like Tempe, Arizona and Taipei, Taiwan as models for breaking what he calls our addiction to automobiles.1. Lead in gasoline killed more people than World War II Obst claims that from 1927 to the 1990s, lead additives in gasoline caused more deaths globally than WWII, citing World Health Organization statistics - though interviewer Andrew Keen found this claim conspiratorial.2. Electric vehicles aren't the solution Surprisingly, Obst argues EVs are just as dangerous as gas cars because their batteries contain lead. He points to Tesla fires in the California Palisades spreading lead pollution as evidence of this ongoing problem.3. The auto industry suppressed the truth for 70 years The Ethel Corporation (formed by Standard Oil, DuPont, and GM) allegedly kept lead's deadly effects secret through lobbying and silencing critics, including exiling Caltech scientist Claire Patterson who tried to expose the danger.4. Americans are "addicted" to cars Inspired by his granddaughter telling him "you are the traffic," Obst argues we must treat car dependence like any other addiction - acknowledging that 30% of gasoline is burned just looking for parking spaces.5. Car-free communities are the only answer Obst profiles successful car-free zones from Tempe, Arizona (6,000 residents, no cars allowed) to Taipei's bicycle-centric system, arguing for gradual implementation of car-free neighborhoods rather than overnight transformation.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Zeno Power, a cutting edge nuclear company, is making batteries powered with Strontium 90 for niche deployment cases: the moon, the arctic, and the seafloor. I got to pick Zeno cofounder and CEO Tyler Bernstein's brain about their exciting new technology, why Zeno's work is critical in our increasingly multipolar world, and the upsides of competing with China. This was a fascinating discussion and I think you guys are going to love it. Not long after we recorded this episode, Zeno added former NASA chief technologist AC Charania to its team as SVP of Space Business Development. Get full access to Nuclear Barbarians at www.nuclearbarbarians.com/subscribe

Dan Bernstein joins Sherman and Tingle for his usual Monday and Friday visit talking Bears and treating us with his awesome Chuck D impression along the way!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Some environments are simply too harsh for traditional power sources. Solar panels fail in darkness, batteries die quickly, and diesel can't reach. That's where Zeno Power comes in. The company is pioneering nuclear batteries, compact systems that recycle radioactive waste into safe, reliable power for years at a time.On this episode of Valley of Depth, I'm joined by Tyler Bernstein, co-founder and CEO of Zeno Power. We trace the journey from a Vanderbilt classroom project to a venture-backed company with $70M in private capital, $60M+ in NASA and DoD contracts, and a working nuclear prototype. Tyler shares how Zeno is positioning itself to power critical frontier operations: autonomous systems on the seabed, satellites in orbit, and landers on the Moon.We also discuss:How a nuclear battery works and why Strontium-90 is Zeno's starting fuelWhat it takes to safely turn nuclear waste into usable powerThe use cases that only nuclear batteries can unlockThe business model: selling units vs. power-as-a-service vs. revenue sharingNavigating the unique regulatory path for radioisotope systemsThe risks of scaling a nuclear startup…and much more.This episode is brought to you by World Space Business Week, taking place September 15–19 in Paris. WSBW is one of the leading annual gatherings for the global space industry, bringing together executives, investors, government officials, and innovators from across commercial, defense, and satellite sectors. Learn more at wsbw.com. • Chapters •00:00 – Intro & WSBW Ad01:26 – Tyler's background and how he came to co-found Zeno Power04:13 – Is it normal for Vanderbilt to support their students' ideas and startups?05:11 – Key mentors/validators of Tyler's business07:06 – Zeno's products and $70M fundraising09:12 – What is a nuclear battery and how does it work?12:40 – How Zeno is carefully handling Strontium-9014:39 – Future use cases for Strontium-9015:53 – Advantages of nuclear battery18:09 – Energy limits and stacking19:30 – DoD and commercial customers21:20 – Future business model22:52 – How does Tyler think about pricing?24:31 – How does regulation look for nuclear batteries?27:00 – Will there be meaningful change coming out of the Nuclear Regulatory Commission (NRC)?29:03 – Competition31:25 – Turning nuclear waste into valuable power34:12 – The future of nuclear waste disposal37:47 – Biggest technical risks Zeno is combating40:46 – Scaling the Stirling generator41:49 – Zeno's testing infrastructure43:08 – What keeps Tyler up at night47:16 – Is Tyler optimistic about the future of energy in the US?48:41 – Zeno's legacy in 20 years • Show notes •Zeno Power's website — https://www.zenopower.com/Mo's socials — https://twitter.com/itsmoislamPayload's socials — https://twitter.com/payloadspace / https://www.linkedin.com/company/payloadspaceIgnition's socials — https://twitter.com/ignitionnuclear / https://www.linkedin.com/company/ignition-nuclear/Tectonic's socials  — https://twitter.com/tectonicdefense / https://www.linkedin.com/company/tectonicdefense/Valley of Depth archive — Listen: https://pod.payloadspace.com/ • About us •Valley of Depth is a podcast about the technologies that matter — and the people building them. Brought to you by Arkaea Media, the team behind Payload (space), Ignition (nuclear energy), and Tectonic (defense tech), this show goes beyond headlines and hype. We talk to founders, investors, government officials, and military leaders shaping the future of national security and deep tech. From breakthrough science to strategic policy, we dive into the high-stakes decisions behind the world's hardest technologies.Payload: www.payloadspace.comIgnition: www.ignition-news.comTectonic: www.tectonicdefense.com

Asians and Asian Americans are numerous within the classical music industry, but their identities are often politicized and racialized in this Eurocentric musical genre. For the third episode of Obbligato on APEX Express, Isabel Li discusses this intersection with Mari Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music (2007) and Dearest Lenny: Letters from Japan and the Making of the World Maestro (2019). Tonight's episode features music by Chinese American composer Zhou Tian. To learn more about Mari and her work, please visit her website: https://www.mariyoshihara.com/index.html  Musicians from a Different Shore: https://tupress.temple.edu/books/musicians-from-a-different-shore-2 Dearest Lenny: https://global.oup.com/academic/product/dearest-lenny-9780190465780?cc=jp&lang=en&  Transcript  Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    00:00:53 Isabel Li  Good evening. You're listening to KPFA 94.1 FM. My name is Isabel Li and I'm delighted to be hosting a new edition of Obbligato on Apex Express, which is a semimonthly segment specifically about AAPI identities in classical music. Tonight's guest is someone I have been incredibly excited to speak to because her writings have actually very much informed my studies and research. In fact, her books are exactly about the subject matter of Obbligato. I am honored to be speaking to Mario Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music, published in 2007, and Dearest Lenny: Letters from Japan and the Making of the World Maestro, which was published in 2019. Welcome to Obbligato on Apex Express. Mari, how are you doing?  00:01:55 Mari Yoshihara  I'm doing fine. Thank you for having me.  00:01:58 Isabel Li  Of course, my first question for you is how do you identify and what communities are you a part of?  00:02:06 Mari Yoshihara  Oh well, that's actually a little bit complicated I am. I am a Japanese woman who have spent a little bit over well, maybe not more than a little more than half of my life in the United States. Born in New York but raised in Tokyo, educated mostly in Japan, but also earned my graduate degrees in the United States and most of my academic career has been in Hawaii, so I've been in American academia for almost 30 years now, but I also have a dual appointment with the University of Tokyo in Japan. So I split my time between Japan and Hawaii now.  00:02:54 Isabel Li  Can you tell us a little bit about your work and your books? I had a chance to read Musicians from a Different Shore, but how would you summarize your research to someone who might not have read your book?  00:03:04 Mari Yoshihara  So I am a scholar of American studies, which is an interdisciplinary field that has anything to do with America broadly defined. And within that, my area of expertise is about, well, I would say I'm a scholar of US cultural history. US Asian relations, mostly US, East Asian relations, especially in the cultural dimension, cultural studies, gender studies, Asian American studies, etc. And so I have written a number of books, both in English and Japanese, but the one that you're referring to, Musicians from a Different Shore, is a book that I did research for more than 20 years ago and was published in 2007. It's a study of Asians and Asian Americans and classical music. So it was partly historical in that I examined the ways. which Western music, so-called western classical music, was introduced to East Asia and how also East Asians became have become so successful and prominent in this field that is generally considered a white European elite art form, so it was partly historical, but then the rest of the book was based on my ethnographic field work and interviews among Asians and Asian Americans in classical music looking at how well who these people are in the first place and then also how musicians, Asian and Asian musicians themselves, understand the relationship between their racial and cultural identity on the one hand, and their practice of Western classical music on the other, so that was my study.   And then I also wrote another book called Dearest Lenny. It's about—the subtitle is Letters from Japan and the Making of the World Maestro. It's about Leonard Bernstein's relationship with two very special individuals in Japan. And through that story, I interweave an account of various things. For one thing, how Leonard Bernstein became a world maestro and also the relationship between politics and arts, gender, sexuality, art and commerce, etcetera, etcetera. So that was my most recent book published in English and then, I'm sure we'll talk more about this, but I'm currently doing a follow up research on the on Musicians from a Different Shore, taking into account all the changes that have been taking place in the classical music industry in the United States in the past, I would say five years or so especially so that's my that's the abbreviated version of my research.  00:05:55 Isabel Li  That's really cool, and I also want to ask you about these changes, if you can talk a little bit about the classical music world. I feel like classical music is one of those genres that seems to be unchanging on the outside. But as a scholar of classical music, what types of changes have you observed that has influenced how AAPI identities play into this world?  00:06:18 Mari Yoshihara  Yeah, I think especially in the last, I would say, yeah, 5 to 10 years, especially in the last five years, classical music industry in the United, I mean I say specifically in the United States because I don't see the similar kind of changes taking place in Japan where I'm currently located. And I also don't really know the situation in Europe. But the field of classical music in the US is changing. I think most significantly because of movements like the Black Lives Matter movement and also with the onset of COVID and the rise of anti Asian hate, there's been a lot more heightened awareness about how issues of race and also class shapes classical music. So there's a lot more vibrant conversations and debates about these topics in the industry and also in terms of AAPI community, are the biggest changes, the biggest change I'm seeing is that Asian and Asian American musicians themselves are being a lot more vocal and active in issues of race and racism in the field and there I've encountered many Asian and Asian American musicians who have, for instance, you know organized events or organizations, or taken up various forms of advocacy and activism on these issues. So compared to, say, 20 years ago, 20, 25 years ago, when I was doing the original research, I see a lot more kind of, you know, explicit awareness and awareness and articulation of these issues by Asian and Asian American musicians themselves.  00:08:12 Isabel Li  That's really interesting. Just because classical music is also one of those genres, that doesn't seem like a genre that most people explicitly associate with politics or activism. What are some examples of these, like activist movements that you've observed within the Asian American community in classical music?  00:08:32 Mari Yoshihara  So for instance, some Asian and Asian American musicians are are becoming a lot more vocal about the actual like racism or sexism that they have themselves experienced, or that they witness in the industry, like in in schools, conservatories, orchestras, opera companies, etc. Either through the media or you know their own writing, and also like speaking up within the organizations that they work in. So that's one. There are other kinds of advocacy and activism in that they demand more diverse repertoire, and I think the repertoire is in terms of the industry industry changes. That's the area that's changing the most, the the kind of repertoire that many orchestras for instance perform have become a lot more– I mean overall it's still very white, European centered– but in terms of the actual numbers of pieces that are performed, works by living, composers and composers of color, women composers, etcetera. That is significantly increased in the last 10 years and that is, you know significantly to do with the advocacy and activism on the part of, you know, artists of color.  So yeah, so things like that and then, you know, many Asian, Asian American artists are doing their own programming, for instance, like event organizing programming. So yeah, those are the areas that I see changes. I see things happening that I didn't see 25 years ago.  00:10:20 Isabel Li  Definitely. I remember reading your book, and your book has been published since 2007, so a lot of changes have happened since then. But in general, when you did your research at first, what how would you summarize the dynamic of Asian identities, Asian American identities in this very Eurocentric field, it's a juxtaposition of two different cultures and identities that a lot of people also observe in orchestras. There's a large population of Asian and Asian American musicians, conductors just in general. It's a very large population, but yet this identity is still not quite represented in media. It's not quite seen, so talk to us a bit about this juxtaposition and how you observe these dynamics in your research.  00:11:10 Mari Yoshihara  Yeah. So. The thing is, Asians and Asian Americans are indeed numerically overrepresented in classical music, in the sense that compared to the general public, the the the proportion of Asians and Asian Americans in the overall US population, the number of Asian and Asian Americans in classical music indexed by things like the student body at major conservatories or membership roster of US orchestras, etcetera, Asians and Asian Americans percentage is higher than the general population, right. So in terms of the numbers, Asians and Asian Americans are, quote unquote overrepresented. But those numbers are not reflected in the actual like voice, power and influence that they have in the industry.   So that was my finding back 2025 years ago and I think that's still true today. Also, the thing about Asian, Asian American musicians is that it's a racialized category. They are seeing and treated as Asian. It's this racial category. But their identities and experiences as Asians is not at all uniform, right?   Some of these Asian musicians are Asian Americans, like multi generational Asian Americans whose parents or grandparents or great grandparents etcetera have come to the United States and they themselves are U.S. citizens. So that's one group.   Many Asian musicians working in the United States are people who were born and raised in Asia, places like China or South Korea, Japan, etcetera, and came to the United States as international students to study music, often at the college level, college conservatory level, so obviously these people have very different sense of identity and experience as Asians compared to say, you know 3rd, 4th generation Chinese Americans or 1.5 Korean Americans.   There are other people who live in the United States because they were very talented, very young musicians, and the whole whole family immigrated to the United States specifically for their music education. So Midori, the famous violinist, Midori is a case, example of this, but there are also a number of other, especially among Koreans and Chinese. There are families, the whole family immigrated to the United States when the child was a very promising musician at age 7 or something. So that's one group. They too have a different sense of identity and experience of Asians than the two former groups that I that I talked about.   There are other people who also came to the United States because not because of the music education, but because of their parents' profession, for instance. And they have transnational kind of family ties and you know, they move, they go back and forth between US and Asia, for instance. And then there are also mixed roots families where one parent is Asian and the other is non Asian.   And then there are also Asians who were born and raised in Europe for other parts of the globe and then came to the United States, for either personal or professional reasons.   So in other words, they're all Asians in terms of their racial identity. But what that means is really quite diverse and their experience as Asian and Asian American musicians is also quite diverse. So it's not as if you know, just because they're Asian, they share some kind of experience and identities around which they coalesce. So that's, you know, that was true 20, 25 years ago. And I think that's still true today.  More and more Asian musicians are coming to the United States to study, study or work in classical music, but especially because of this, like new influence, this Asian category is becoming even more diverse. However, because of the COVID, you know the rise of Anti Asian hate during the COVID pandemic, I think that heightened the awareness of, you know, these different kinds of Asians, the heightened awareness that they are Asians. First and foremost, you know, in, in that in the sense of being racialized in the United States. So I have talked with a number of musicians, Asians and Asian American musicians, who did not really, hadn't thought about their Asianness before. It wasn't at the forefront of their identity before, but during this rise of anti Asian hate it they became they basically became more politicized. You know, they had quite a politicized language and awareness to think about race and racism especially against Asians and Asian Americans.  00:16:31 Isabel Li  Yeah, that's a great point. It is a such a diverse group and there are so many different identities, even within just the Asian American framework AAPI, as a label is very, very diverse. And that applies to classical music as well. But I think there's also this social perception of Asian and Asian Americans as a group that also relates to the model minority stereotype that's historically been present and, for example, a lot of people might think of, like a young Asian or Asian American musician as being like a prodigy because they are technically skilled at their instrument, where like these social perceptions that exist both in media and in the culture around us, why do you think that is?  00:17:15 Mari Yoshihara  Well, that as you said, there is a model minority myth and there is a stereotype of Asians and Asian Americans as being very studious and diligent, but also quiet, right? I mean, they just quietly follow, like, obedient, obediently follow the instructions and that translates in the field of music as the stereotype that Asian musicians are technically very proficient but artistically non expressive. I mean, that's a very common stereotype that yeah, you know, practically any Asian, Asian Americans in classical music have been subjected to, you know, quite regularly and frequently. And I think that, yeah, that just comes with the overall kind of racial stereotype of Asians and Asians and Asian Americans in American society at large. And also the fact that, you know, classical music, especially in terms of instrumental performance, it is an area that is, it's something that is, indeed, technically very demanding, right? You need many, many years of disciplined training and a lot of practice. And there is a myth of merit– well, no, not entirely a myth– but there is this this very, you know, dearly held faith in meritocracy in classical music. The idea that if you have the chops you will be rewarded, you will be recognized and you know, no matter what kind of great artistic idea you might have, if you can't play the notes, you can't play the notes. That kind of ethos of meritocracy is particularly strong in classical music because of the technical demands of the genre, and that and that kind of, you know, goes hand in hand with the model minority methods for Asian Americans.  00:19:20 Isabel Li  Definitely. That's really interesting and another part of your book that was quite fascinating to me when I first read it was chapter 3. You talked about the intersection of gender as well as, you know, racial identity in classical music. The chapter is called Playing Gender and you talk about, I think at large don't necessarily associate classical music with a discipline that provides a stable job. It is an art form and there is kind of an uphill battle for artists in a sense like a starving artist myth there. We're not even a myth. Like if there's a starving artist image, whereas the image of a very successful classical musician there's this duality that you also mentioned in one of your other chapters about class. So what really interested me in for this chapter was that there was this intersection of power in classical music of who would go down the path that might not be traditionally as successful. How do you think gender dynamics play into this and how do you think they might have shifted within the last two decades or so?  00:20:20 Mari Yoshihara  Huh. I'm not sure if it has shifted all that much in the last two decades, but as you said, because music I mean, not just classical music, but music. Like, you know, arts in general is a field that is very like economically insecure in terms of career, right?   But at the same time. Classical music is associated with kind of, you know, bourgeois identity and just kind of overall cultivation and so, many Asian, Asian American parents are very eager to send their kids to, say, piano lessons, violin lessons, cello lessons, etcetera. To, you know, give them a well-rounded education and also because it is considered useful tool, you know, when you're going to college and stuff like, you know being, you know, being able to show that you're very talented violinist, for instance, is believed to help your college application.  So there's this, you know, both stereotype and reality that like, you know, places like Julliard Pre-College, very competitive, you know, school, like music education program for kids is filled with Asian, Asian American, you know, students and their parents who are waiting, waiting for them to come out of school.   So there's that. But how gender plays into this is that while both men and women are do study music at a young age. When it comes to, you know, choosing say, college, like what they would, what they would pursue at the college level, far fewer male students tend to choose music as their college major or go to conservatory and pursue it as a as a career. But I think it's both their own choice. And also especially for Asian and Asian Americans, like parental pressure to not pursue music professionally because of, you know, financial insecurity.   So there's that, and also how that plays into the actual experiences of Asian, Asian Americans musicians who do study music is that I have heard from a number of female Asian musicians that either their peers or especially their teachers are doubtful that they are actually serious about music. There is a stereotype that, you know, say for instance, Japanese or Korean female students at Juilliard School, Manhattan School or whatever, they are there because they, you know, they want to study music and then find a good husband and marry, you know, a lawyer or doctor or engineer or something. [laughs] And and not that that doesn't happen. But that's a stereotype of, you know, that's a racialized and gender stereotype that comes from these, you know, gender and class and racialized dynamics.  00:23:35 Isabel Li  And just for clarification, is the classical music world at large still a male dominated field?  00:23:41 Mari Yoshihara  Yes. Oh yes. Definitely. I mean, it depends on the segment of you know, I mean classical music is itself quite diverse. So if you look at, for instance, the string section, especially the violin section of the New York Philharmonic for instance, you will find that like, I think the majority of those violin players are Asian women, perhaps. But if you look at say for instance, the Faculty of Conservatories or music directors and major orchestras and said, I mean still very male dominated.  00:24:23 Isabel Li  Yeah. Yeah, definitely. I like how your book also has so many different layers for each chapter. So Chapter 3 was about the gender intersection with this, with this identity, and Chapter 4, was it Chapter 4, I believe it was about class, Class Notes, and you've already mentioned a little bit about how class plays into the perception of music, how class influences gender even. But there's a statement in there that you said that, “it's misleading to characterize Asian musicians as just coming from the upper middle class.” And it makes sense that people would think of musicians coming from this economic bracket, because classical music is an in and of itself a very kind of expensive undertaking. You need so many lessons, so many instruments. But tell us why this statement would be misleading.  00:25:15 Mari Yoshihara  Because I mean, first of all, most of the overwhelmed, I would say overwhelming majority of the Asian, Asian American musicians that I interviewed come from middle class backgrounds, many of them from so-called like professional executive class backgrounds in, meaning that their parents hold these professional executive positions, right. And that's why they were able to afford advanced musical studies from a fairly young age. They need, you know, sustained and disciplined and often costly, you know, lessons, you know, competitions, etcetera, auditions, travel, etcetera. So that's for sure, yeah.   At the same time, there are also Asian musicians who come from less privileged backgrounds, you know, immigrant families who have, because quite a few. I mean overall Asian American population, many immigrants experience downward social mobility upon immigrating to the United States because of, you know, oftentimes linguistic barriers or you know, or plain old racism. And so you're not Asian families that immigrate to the United States, like, for instance, if the parents have professional positions back in South Korea, oftentimes they become, you know, for instance, you know, small business owners and they experience downward social mobility. I mean, that's a very common scenario. Yeah, so now all Asian, Asian American musicians grow up in a privileged environment.  00:27:06 Isabel Li  Definitely a great point. Now before we move on to some discussions about Mari's research. First of all, thank you for tuning in to Obbligato on APEX Express, we'll be taking a short music break and as mentioned earlier, a great way to increase diversity within classical music is to uplift works by living composers. If you're listening to my first.  00:27:26 Isabel Li  Episode 2 months ago, you'll know that I featured music by Chinese American composer Zhou Tian. I'm happy to say that coming up next is one of Zhou's compositions inspired by a trip to Italy. This is a piece called Hidden Grace performed by the Formosa Trio.  27:45 – COMP MUSIC – Hidden Grace  00:35:34 Isabel Li  That was a piece called Hidden Grace, composed by Zhou Tian for a fascinating instrumentation of flute, Viola and heart coming up for our second piece. In this interview, break another movement by Zhou Tian, the third movement of his double concerto for violin and Viola, called Rendezvous.  35:58 – COMP MUSIC – Double Concerto for Violin and Viola, III. Rendezvous  00:41:09 Isabel Li  Noah Bendix-Balgley on violin, Shanshan Yao on viola, and the Hangzhou Philharmonic, playing the third and final movement of Zhou Tian's Double Concerto for violin and viola. So back to the conversation with Professor Mari Yoshihara.  00:41:25 Isabel Li  As you also mentioned before, you're working on an updated version of Musicians from a Different Shore. Can you talk–I don't know how much you can talk about your, like upcoming projects, but are you using similar research methods to what you've done before using ethnographic field work? You've mentioned the new changing dynamics of classical music in the United States with new waves of activism and awareness. What are some new topics of your chapters that you might focus on? So for your 2007 publication, you talked about your gender and class and how these intersect with identity. Are there any new things that you're drawing upon here?  00:42:02 Mari Yoshihara  Yeah. So I'm using basically the same research method. I'm interviewing actually some of the same people that appeared in Musicians from a Different Shore. Some people kept in touch with over the years, I've gone back to them and interviewed them to see the trajectories of their careers since the first time I interviewed them. But then I've also interviewed a bunch of other, you know, new musicians that I'm speaking with for the first time. So it's essentially an interview and ethnographic fieldwork-based research.  I told you earlier about I think one of the biggest changes is, as I said before, the activism and advocacy on the part of Asian, Asian American musicians themselves. So I have one chapter about that. Like, what? How? What kinds of advocacy and activism they're engaged in.   Another big change that I'm seeing is that compared to 20 years ago, there are a lot more Asian musicians in the field of opera.  00:43:01 Isabel Li  Ohh yeah.  00:43:02 Mari Yoshihara  Uh. Both as singers. Yeah, many of them singers, but also in other, you know, like for instance opera, you know, pianist for opera or be opera directors, et cetera. There are many more Asians in this particular field than what I saw 20 years ago. And I talked about this a little bit in my first book, but opera is a very particular kind of field within classical music.   How race plays into opera is very different from other areas of classical music because it's a theatrical art form. It's visually oriented, you know art form. And because singers have to be cast in order to, you know, sing on stage. So the racial politics in opera, you know, unfolds very differently from, say, for pianists or cellists or conductors or or composers.   So I now have a whole chapter about opera, especially Madame Butterfly, that this very fraught work, you know, opera that many Asian and Asian Americans have love hate relationships. A lot of pigeon-holing that happens in that through that opera. But also, production of new opera by Asian and Asian American artists, composers, directors, singers, etcetera. So I have a whole chapter about that.   And then I also will have another chapter about, you know, what it means to, you know, sit at the table, basically. Like stand on the podium and sit at the table, stand on the podium. Not only, I mean I will, I will have a whole discussion about Asian and Asian Americans conductors, but not only in that literal sense of, you know, standing at the podium, but like being at the table like in other words, not only, Asian and Asian American musicians playing music that are given to them and they are assigned to them that they're hired to play, but also having a real voice in the organizational and institutional dimensions of classical music industry. So the kinds of people, Asians, who are in these positions more executive positions with decision making power what their experiences are like. I'm going to have a chapter about that.   So those are some of my ideas. I'm still in the middle of the project, so I can't. I can't see the whole picture, but those are some of my current ideas.  00:45:48 Isabel Li  I see. And do you have an idea of when this book will be published or an updated version?  00:45:54 Mari Yoshihara  Well [laughs], my goal rather ambitious goal is to have it published in 2027, because that would be 20 years since Musicians from a Different Shore, so that would be ideal if I can make that.  00:46:08 Isabel Li  Well, yeah. Nice. That's really exciting, definitely. I will also kind of bridge, I guess my part of the research into this part of the interview, since I'd love to talk to you a little bit more about how classical music in general is portrayed in media.   So as I've introduced myself before, I had a back, I have a background in media studies as well as music history and theory. And what was really interesting to me in my senior thesis while I was doing research for that was I coined this term and it could just be loosely associated with the genre of film. But it's the “classical music film.” So think of any narrative fictional film you can think of with a classical musician in there. So it could be like Amadeus, where I think of like Tár. If you watch Tár like a lot of these depictions are quite understandably white and European, but they my senior thesis I've never really seen any depictions of Asian American or Asian classical musicians? I was wondering if you have ever watched a film like that, or could maybe talk a bit about maybe the lack of representation in media, how media plays into how people perceive classical music as a genre as a whole.  00:47:23 Mari Yoshihara  That is a very interesting question. I think you know, because of the stereotype of Asian and Asian American model minority and model minority stereotype often is associated with, you know, violin or piano-playing Asian American kids, I think. Asian, Asian American characters who are, you know, these kind of musical classical music geniuses appear here and there. But the ones that center on such a character as the main, you know, like the protagonist, come to think of it, I'm not sure if I've seen. I mean, I've seen several Korean dramas, you know, character, but those are Korean dramas, not Asian American, so more American works with Asian classical musicians…  00:48:21 Isabel Li  And I think also classical music as a genre is. It's interesting because classical music is also kind of underrepresented. It's not quite in the mainstream. And then one of my final questions for you is I do also want to take a second to acknowledge that your book was actually one of the only books that I could find about this topic. I think there are not that many other books about Asian and Asian Americans in classical music. I think there are a few other books and a few and definitely some papers that talk about this, but what got you interested in this field? And I don't know if you think there's a scarcity of information, but do you think there's relative scarcity of information about this topic?  00:49:01 Mari Yoshihara  Yeah. So how I got into it is. So I was a pretty serious student of piano when I was a child. That's like, yeah, that really kind of preoccupied my childhood and adolescence. But then I, for various reasons I ended up not going to a music Conservatory and became an academic.   And then once I entered academia and became a scholar of American studies, all I was studying was like race, gender, class. I mean, that's what  we do in American studies. And my first book, which was originally my doctoral dissertation, was a cultural history of orientalism and white women. So that was a study of the intersections of race and gender and to some extent class in American history.   So once I finished that book, I was thinking about what projects to work on next. And I happened to turn on the TV, and it just so happens that the Vienna Phil New Year's concert, conducted by Seiji Ozawa was playing on the TV and that was sort of my “aha” moment because I had always known or, you know, kind of generally aware that Asians and Asian Americans are, if not necessarily overrepresented, but, you know, they're quite numerous, you know. They're present. Their numerical presence is quite notable in classical music that is often associated with white, you know, European culture, elite culture.  So I was kind of curious about that phenomenon, but I hadn't really thought too much about it until I watched Seiji Ozawa were conducting the Vienna Phil. And that's when I thought, well, maybe I can kind of combine my classical music background and my academic training in studies of race, gender, class into this project. So that's when I decided to work on. You know, this topic of Asians and Asian Americans, classical music.  I think the reason that there hadn't been at least a book-length study on the topic until my book is that for one thing, classical music is considered to be kind of a very abstract absolute form of music. This ethos that it is kind of transcends– that it is a universal, transcendental kind of genre, that is sort of above things like politics or race or gender. Like it shouldn't matter that these, you know, individual identity, racialized gender identity shouldn't matter vis-à-vis the universalism of classical music. I mean that kind of ethos is very strong in this particular genre of music. I think that has a lot to do with it.   And also the study of classical music until rather recently, like musicological study of classical music, really tended to be focused on the study of composers and their works, right? It was the textual that, like it, was an analysis of Beethoven Symphony or, you know, Bach Fugues, etcetera. Yeah. It was really focused on the study of the score, the study of the composer's ideas, as reflected in the score, I mean that was the centerpiece of musicological approach to classical music.  And so sort of more sociological anthropological study of the musical practice is a relatively new approach in in the field of musicology. I'm not a musicologist. So that's not how I'm trained. But I think the academic approach to classical music was not very, kind of, open to the kinds of topics that I raised in Musicians from a Different Shore.  00:53:12 Isabel Li  Definitely. I see. And my very final fun question for you is can you name three of your favorite classical music pieces for any recommendations you have for the audience who might be listening, who might be wondering what they will listen to next?  00:53:27 Mari Yoshihara  Well, OK well. Pieces well, because I wrote a book about Leonard Bernstein. I mean, I ended up– I wrote a book about Leonard Bernstein. Not necessarily because I was an avid fan of Bernstein. It just kind of happened this this project. But nonetheless of while I was doing research and writing the book I did listen to a lot of Bernstein. I and I have come to really love Bernstein music and so. And you know, of course, everybody knows West Side Story, but he actually wrote many other pieces that may not be as well known.   Well among the pieces that I like, I like…which one should I choose? I will choose. Ohh well, I'll choose a piece that I learned myself as a pianist.  I learned the piece called “Touches” that he wrote. It was a commission piece for the Van Cliburn International Piano Competition, and it's kind of yeah, it's a chorale and variation. So that's very interesting and very interesting and very Bernstein-esque so well.   I'll OK, as an American study scholar. I'll, I'll stick with American pieces. I like someone Barber a lot. I like Barber “Excursions,” which I also learned to play.  00:55:04 Isabel Li  Yeah.  00:55:09 Isabel Li  Tough question.  00:55:11 Mari Yoshihara  Umm, Mason Bates piece that I also learned, “White Lies For Lomax.” This one was also, I believe…was it commissioned by the Cliburn? But no, maybe it wasn't. Yeah, I think it was commissioned. But anyway, I played it at the Van Cliburn International– the amateur competition of the Cliburn competition.  I did all these. So like Bernstein, Bates, Amy Beach piece I also played. Yeah, I'll stop there. I I wish you had prepped me for that then [laughs]–  00:55:42 Isabel Li  Oh my gosh. Great responses.  00:55:46 Mari Yoshihara  Hard to think on the spot.  00:55:47 Isabel Li  Yeah, I totally get that. Whenever people ask me for my favorite composer, I never have an answer. No, so I totally get it.   Well, thank you so much for your time, Mari. And thank you for your wonderful insights. I'll put the link to your books so that people can learn about your works on APEX Express on kpfa.org. So thank you so much for your time, Mari.  00:56:07 Mari Yoshihara  Thank you.  00:56:09 Isabel Li  As mentioned, please check our website kpfa.org to find out more about Mari Yoshihara, her scholarship, and links to two of her books. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important.  00:56:31 Isabel Li  APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, and Cheryl Truong. Tonight's show was produced by Isabel Li. Thanks to the team at KPFA  for their support. Have a great night.  [OUTRO MUSIC]  The post APEX Express – 09.04.2025 – Obbligato with Mari Yoshihara appeared first on KPFA.

My bike ride conversation with Eric Harris Bernstein, candidate for Minneapolis Board of Estimate & Taxation.Support our sponsor: betterthan94.org/open-letterWatch: https://youtube.com/wedgeliveJoin the conversation: https://bsky.app/profile/wedge.liveSupport the show: https://patreon.com/wedgeliveWedge LIVE theme song by Anthony Kasper x LaFontse

Award-winning cinematographer, director, screenwriter, and author Steven Bernstein (Monster, White Chicks, SWAT, Like Water for Chocolate) joins host Floyd Marshall Jr. for an in-depth conversation on filmmaking, storytelling, and the creative process. Bernstein shares how he broke into the film industry, why he avoids traditional outlines in screenwriting, and how he builds authentic, emotionally compelling characters.From the set of Monster with Charlize Theron to directing and writing acclaimed projects, Bernstein opens up about the importance of imperfection in art, the future of filmmaking in the age of AI, and why risk-taking and personal truth lead to the most powerful stories.

In this episode of Unstress Health with Dr. Ron Ehrlich, psychiatrist and educator Dr. Matt Bernstein shares groundbreaking insights on the connection between nutrition, metabolism, and mental health. From his personal family journey through PANS/PANDAS and Lyme disease to pioneering holistic mental health programs at Accord, Dr. Bernstein explains how diet, lifestyle, and circadian rhythm alignment can radically transform psychiatric treatment. Mental health challenges affect over a billion people worldwide, yet conventional psychiatry often focuses only on symptom suppression. Dr. Matt Bernstein offers a refreshing approach, integrating metabolic health, ketogenic nutrition, and lifestyle medicine to help patients move beyond medication dependency and towards true healing. Together, Dr. Ron and Dr. Bernstein explore how food can be medicine, the science of ketones and brain health, and the four pillars of metabolic psychiatry: diet, exercise, mindfulness, and circadian rhythm alignment. Guest: Dr. Matt Bernstein Psychiatrist, educator & CEO of Accord, a residential program pioneering metabolic and holistic psychiatry Advocates for food as medicine, ketogenic interventions, and circadian alignment in mental health treatment Subscribe for More Insights Stay connected with valuable content by subscribing to Dr. Ron Ehrlich's YouTube channel: ▶ Subscribe Here: @doctorronehrlich Stay Connected with Dr. Ron Ehrlich Loved the content? Stay informed and join the conversation by following us on social media and exploring additional resources:

The Communist Manifesto is one of the most influential and divisive works of political philosophy. Yet it almost seems quaint and harmless in a modern world of global Capitalist reach, and more rhetorical than scientific compared to the more systematic and explanatory Capital. Is Marx's theory of capitalist greed and social upheaval still relevant in a post Cold War world? Or is this a harmless historical phenomenon, relevant only in its time?Additional readings include: Bakunin's God and the State, Bernstein's Evolutionary Socialism, Sorel's Reflections on Violence, Chernyshevsky's What is to Be Done?, Dostoevsky's Notes from Underground, and Morris' News from Nowhere. And while I suspect I should be able to find a better mechanical representation of political revolution in video game history, I'm stuck instead with Red Faction: Guerrilla, which is a smarter game then it first seems, but is still pretty dang dumb.If you would rather check out Professor Kozlowski's other online projects than immediately rise up against your oppressors (all you have to lose are your chains!), check out his website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠professorkozlowski.wordpress.com

Your mid-week commentary is a day early this week because I am putting out a special film tomorrow all about everyone's favourite metal. Watch your inboxes.There is a shift of enormously significant proportions taking place. In magnitude it will prove as significant as Bretton Woods in 1944, when the dollar became the de facto global reserve currency, and the Nixon Shock of 1971, when the US abandoned the last vestiges of its gold standard.This shift is going to shape the global financial landscape over the next few years. You need to understand what is happening, so that you can position yourself and your family.You may even be able to profit handsomely from the transition.Today we explain US dollar policy: what is going on and, more importantly, where it is all going.Ready? Here goes.The Manufacturing Imperative and The Curse of the Reserve CurrencyAmerica wants to bring manufacturing back on shore. We all know this. US President Donald Trump has said it repeatedly, his VP JD Vance has said it, and so has his Treasury Secretary Scott Bessent, who keeps reminding us that it is now time to prioritise Main Street over Wall Street.Part of the reshoring of US manufacturing involves tariffs, as we know all too well. Part of it involves weakening the US dollar to make US exports more competitive. Again Trump, Vance and Bessent have all said it.However, there is a problem, and that problem has a name: Triffin's Dilemma.You might think it's an advantage to issue the global reserve currency. You can issue dollars. Everyone else has to work for them. The French called it "America's exorbitant privilege." But this was a status the US engineered for itself during the Bretton Woods Agreement that determined the monetary order at the end of World War Two.What has happened, however, is that it has made the US fat and lazy, especially since 1971 when the US abandoned the ties of the dollar to gold.To supply the world with dollars, the US must run trade deficits. That is to say it must buy more than it sells. Persistent trade deficits have, over time, eroded its industrial base. Factories and jobs have gone offshore. Foreign nations have used their profits to invest in US capital markets and its debt. Meanwhile financial markets - aka Wall Street - have grown and grown, as America financialized.The Trump administration gets it in a way its predecessors did not. Vance has actually called the dollar's reserve status a "tax" on American producers.What's more, as this process has continued, the credibility of the dollar itself is being called further into doubt.Trump wants to revitalise America's Rust Belt. But there is more to it than that. As the curtains pulled back with Covid, the extent to which the US has been operating with its trousers down was exposed: an excessive dependence on China and its supply chains for too many strategically essential products, especially related to health, tech and the military. Then, during the Ukraine conflict, NATO found itself unable to match Russian production. The US, in short, is struggling to produce critical goods. It's why Trump keeps harping on about rare earth metals. It is vulnerable.The answer is to engineer a "managed decline" of the dollar as global reserve asset.The Golden Exit StrategyThis was already happening organically. China, for example, has been reducing its holdings of US treasuries for ten years now - quite gradually - although its US dollar holdings remain above $3 trillion.Meanwhile, China - and many other countries along the Silk Road besides - have been increasing their gold holdings, and quite dramatically. (In my view China has at least four times as much gold as it says it does. You can read more on this in my book). The process is known as de-dollarisation. Just a few months ago gold overtook the euro to become the second most held asset by central banks, while the dollar itself fell beneath 50% for the first time this century.We are not seeing a move towards any other national currency as global reserve, but towards the neutral but universal asset that is gold, as analyst Luke Groman points out. That suits all the main players. Gold is neutral, and both the US (supposedly) and China have lots of it.Indeed, a gold revaluation would be a "win-win" for both. A higher gold price would strengthen US fiscal flexibility while boosting Chinese consumers' wealth, encouraging domestic consumption and reducing trade imbalances.There is the potential to leverage the US's 261 million ounces (8,133 tonnes) of gold reserves, currently marked to market at just $42/oz. There are two ways this might be done. Economist Judy Shelton has proposed issuing Treasuries that are in part backed by gold to offset the inflation/debasement risk to make them more attractive to buyers. The other possibility (which has gone from, as Bessent put it, "we are not doing this" to "we are not doing this yet") is to revalue the gold from $42 to the current price of $3,300/oz, which would create over $850 billion of reserves without having to incur any extra debt. That would help with the US's current fiscal challenges: true interest expenses (including entitlements and veterans' affairs) currently exceed 100% of Treasury receipts.If you buying gold or silver coins to protect yourself in these “interesting times” - and I urge you to - as always I recommend The Pure Gold Company. Pricing is competitive, quality of service is high. They deliver to the UK, the US, Canada and Europe or you can store your gold with them. More here.In short, the US administration is leaning into a weaker dollar and neutral reserve assets like gold to rebalance trade and rebuild domestic industry, even at the cost of short-term economic pain.Your really should subscribe.Bitcoin's Digital Advantage and The Stablecoin BridgeBitcoin, as the world's best neutral digital currency, is going to have a role to play in all of this as well.The US is quite happy with that, as evidenced by its pro-bitcoin rhetoric. At the national, corporate and individual levels the US has a lot of bitcoin. The US itself has 198,000 coins, the most of any nation, Strategy (NYSE:MSTR) has 630,000 and many other companies besides also hold, and at least 15% of US citizens own bitcoin. Of the eventual 21 million supply, of which probably 15% has been lost and another 1.3 million are locked up by Satoshi Nakamoto and will likely never appear (he is almost certainly dead), the US has a hefty chunk.Which brings us to the recent Genius Act. This effectively nixed CBDCs just as the EU's Christine Lagarde was planning to phase them in (LOL). However, it supported stablecoins (that is coins backed by dollars). The more bitcoin grows the more the stablecoin market will grow. As the stable coin market grows so will its demand for treasuries. Today, roughly half the entire US dollar stablecoin market, estimated at $250 billion, is invested in US treasuries (maybe 2% of the overall treasuries market). Tether is the world's 7th largest buyer.The market is small, but growing rapidly. 2035 projections include $500 billion (J.P.Morgan's projection) to $2 trillion (Standard Chartered) and $4 trillion (Bernstein) by 2035."If the stablecoin market meets these growth projections," says the Kansas City Fed, "it could lead to a substantial redistribution of funds within the financial system."In other words the stablecoin market is going to help the US fund its debt, just as other nations move away from treasuries to gold and bitcoin.Gold might suit the US, but bitcoin suits it better, especially if there are complications surrounding the Fort Knox gold, which it seems there are. Why no audit yet?Tell people about this.Gold vs Bitcoin, Analogue vs Digital: The Coming ShowdownIt's likely a few years from now there is going to be some sort of showdown between gold and bitcoin in the battle for primary reserve asset status. It's unlikely to be both. Governments will favour gold, as they have lots of it. Tradition is on their side. Eternal gold has a track record that is unrivalled. But it is an analogue asset in a digital world. Bitcoin is much more practical. Which will win out? Practical digital or impractical analogue?This is a contest that is still a way off. For now all roads lead to gold and bitcoin as the world de-dollarizes.Own both is what I say.Needless to say the UK is absolutely clueless in all of this, having sold two-thirds of its gold in 1999, made it near impossible for UK citizens to buy bitcoin, now planning to sell its bitcoin holdings, now the largest holder of US treasuries in the world after Japan and making no attempt to buy any gold.With the threat of AI and automation to America's jobs - especially in driving where millions work - there is the risk of mass unemployment coming quite quickly, and with it plentiful defaults on mortgages and loans. This could force the U.S. to print money, driving inflation and providing yet another reason to own gold and bitcoin, which cannot be debased.From October 8th, UK citizens will finally be able to buy bitcoin ETNs.I was lucky enough over the weekend to find myself as a house guest under the same roof as Interactive Investor CEO Richard Wilson. We talked a lot. He knows how landmark the date October 8th is for UK investors and has made sure II are well positioned in a way that other brokerages are not. You might not be able to buy the US ETFs due to FCA nonsense, but anything listed in the UK will be available. So if you don't already have an account at II you might do well to open an account now. Click this link and the first year is free.In short, the dollar will weaken significantly over the next three years. The pound is a basket case. National currencies are not stores of wealth. Gold and bitcoin are. Own both as the Trump administration addresses Triffin's Dilemma through a managed dollar decline. They will use gold and potentially bitcoin to restore US industrial and military strength.You have been warned.Tell people about this post.Watch your inboxes. Tomorrow I'll be putting out a 15-minute film all about gold called The Eternal Metal. On which note, The Secret History of Gold is out now. Got yours yet?The Secret History of Gold is available at Amazon, Waterstones and all good bookshops.Amazon is currently offering 20% off. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.theflyingfrisby.com/subscribe

Coinbase CEO Brian Armstrong has just made his most explosive prediction yet: $1,000,000 Bitcoin by 2030. He points to regulatory clarity finally emerging, the U.S. government keeping a Bitcoin reserve, and surging ETF demand as key catalysts. This comes as: Michael Saylor's Strategy signals yet another Bitcoin buy this month. Bernstein predicts the bull run could extend into 2027, with a $200K target in the next 6–12 months. A whale shifts $76M into ETH longs, raising eyebrows. Max Keiser and Arthur Hayes remind the world: Bitcoin has no ceiling because fiat has no floor. We break it all down and chart the path toward hyperbitcoinization. For the full premium livestream experience with video, visit our Rumble at http://BitcoinNewsAlerts.net

JOSH BERNSTEIN : De Blasio employee arrested for child pornographyInvestigative journalist/writer/political analyst Josh Bernstein can be counted on to either break stories before the mainstream media reports them, or to give deeper perspective on existing stories.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

In this episode, I spoke with author Samuel Garza Bernstein about his book "Cesar Romero: The Joker Is Wild". Dynamic and debonair, Cesar Romero was best known for creating the role of the Joker in the 1960s Batman television series. As the first actor to play Batman and Robin's villainous nemesis, Romero established the character's giddy, manic tone and the distinctive laugh that subsequent actors like Jack Nicholson, Heath Ledger, and Joaquin Phoenix would use as the starting points in their own Oscar-nominated (Nicholson) and Oscar-winning (Ledger and Phoenix) performances. As a closeted gay man of Latin American descent, Romero gracefully faced many personal challenges while maintaining his suave public image and starring opposite legends ranging from Shirley Temple to Marlene Dietrich, Carmen Miranda to Frank Sinatra, and Kurt Russell to Jane Wyman.Forgotten Hollywood is on Facebook.Forgotten Hollywood book series is on Amazon

Noah Bernstein is a Portland, Oregon based saxophone player, and co-owner of Bernstein's Bagels, a bagel shop in North Portland. I chatted with Noah about his dedicated time as a jazz saxophonist, how he got interested in playing jazz, going to college at Oberlin, touring with the Tune Yards, as well as co-owning Bernstein's Bagels, an endeavor that he has been dedicating himself for the last decade. We talked about building a positive work environment, what makes a good bagel, the road to opening up a brick and mortar, and more!!!To keep up with Noah Bernstein's music, Bernstein's Bagels, and the Dan Cable Presents Podcast, please check out the links below! ---------------------------------------------------Thank you to DistroKid for sponsoring this episode of the podcast. Use the link below to receive 30% off your first year of DistroKid services.https://distrokid.com/?c=cableNoah Bernstein Music:https://noahbernstein.bandcamp.com/album/sixhttps://grammies.bandcamp.com/album/best-new-musicBernstein Bagels:https://bernsteinsbagels.com/---------------------------------------------------INSTAGRAM:@bernsteinsbagels@noerbh@dancablepresents@distrokid@thepuffcoffeeEmail: dancablepresents@gmail.comSpotify Playlists:https://open.spotify.com/user/54u8tkp1mevtd0i3cz79qbp8l?si=-4NT4PWPSlSowoXQkJhlkAApple Playlists:https://music.apple.com/us/playlist/dcp-april-2022/pl.u-EdAVRqdsXqWdRJVenmo: Dan-Cable-Presents

Markets correspondent Kristina Partsinevelos kicks off today's show with key market themes, followed by Rick Santelli on bond market movements from the CME. Charles Bobrinsky, Vice Chairman and Head of Investment Group at Ariel Investments, and Tim Urbanowicz from Innovator ETFs break down the latest market action.We preview Target earnings with Zihahn Ma from Bernstein. In a major autonomous vehicle development, Applied Intuition Co-Founder & CEO Qasar Younis joins us to discuss the company's new self-driving system launch and expansion into passenger vehicles.Plus, Angelica Peebles covers Viking Therapeutics, and Alan Ratner from Zelman & Associates analyzes Toll Brothers earnings and the broader housing market outlook. 

Top Stories for August 19th Publish Date: August 19th PRE-ROLL: MONSTER JAM From The BG AD Group Studio, Welcome to the Gwinnett Daily Post Podcast. Today is Tuesday, August 19th and Happy Heavenly Birthday to Matthew Perry I’m Peyton Spurlock and here are your top stories presented by KIA Mall of Georgia Approaching 90, Lawrenceville's Bob Cunningham still in the swing of things as a golf teacher Rascal Flatts bringing Life Is A Highway tour to Gas South Arena Gwinnett wants to increase poll worker pay for 2026 elections All of this and more is coming up on the Gwinnett Daily Post podcast, and if you are looking for community news, we encourage you to listen and subscribe! Break 1: Kia MOG STORY 1: Approaching 90, Lawrenceville's Bob Cunningham still in the swing of things as a golf teacher Come September, Bob Cunningham—“Georgia’s Golf Guru” to those who know him—will hit a milestone most golfers only dream of: turning 90 and still shooting his age. But for Bob, golf isn’t just about playing—it’s about teaching. Five days a week, you’ll find him at Pine Hills Golf Club or The Sports Academy, sharing his “Alignment, Balance, Connection” philosophy with students. Bob’s been teaching for over 20 years, charging the same $50 an hour since day one. And retirement? Not a chance. Bob’s secret to staying young? Golf, fresh air, and purpose. For lessons, call 770-378-4310. STORY 2: Rascal Flatts bringing Life Is A Highway tour to Gas South Arena Fresh off their sold-out comeback tour, Rascal Flatts is gearing up for another run in 2026 with their Life Is A Highway tour—and yep, they’re stopping in Gwinnett. Mark your calendar: Feb. 12 at Gas South Arena. Joining them? Country favorite Chris Lane, adding even more energy to the 21-city tour that’s set to bring all the hits (and probably a few tears) to fans across the country. Tickets? They’re already on sale, so don’t wait—grab yours at Ticketmaster before they’re gone. Because let’s be honest, they will be. STORY 3: Gwinnett wants to increase poll worker pay for 2026 elections Gwinnett County wants to bump up pay for poll workers in 2026—and honestly, it’s about time. With a packed election year ahead (think: governor, U.S. Senate, and all the chaos in between), they’re asking for $120,913 to raise stipends and $87,972 for in-person training. The pay hikes? Modest but meaningful: poll managers could see $350 a day (up $10), assistant managers $280 (up $40), issuing clerks $235 (up $20), and non-issuing clerks $170 (up $10). Why? To stay competitive with neighboring counties and attract qualified workers. We have opportunities for sponsors to get great engagement on these shows. Call 770.874.3200 for more info. We’ll be right back Break 2: MONSTER JAM STORY 4: NBA Champion Adam Flagler Hosts Basketball Camp at Alma Mater Duluth Less than two months after winning an NBA championship with the Oklahoma City Thunder, Adam Flagler was back where it all started—Duluth High School—hosting his first-ever youth camp on Saturday. Over 200 kids showed up, from elementary schoolers to high school athletes, to learn from the former Wildcat who once dominated these same courts. Planning started months ago, with Duluth assistant coach Byron Wilson leading the charge. Flagler’s journey to the NBA wasn’t smooth. After graduating from Duluth in 2018 as the school’s all-time leading scorer, he took his only Division I offer at Presbyterian College. After a standout freshman year, he transferred to Baylor, where he helped the Bears win a national championship in 2021. Undrafted in 2023, Flagler signed with the Thunder, grinding in the G-League before earning a spot on the roster. This past season, he played 37 games and became an NBA champion. Now signed with the Spurs, Flagler’s future is bright, but Saturday was all about the kids. STORY 5: Study: Georgia Gwinnett College has made a $7 billion economic impact since its inception Georgia Gwinnett College isn’t just shaping minds—it’s driving dollars, too. Since 2007, GGC has pumped over $7 billion into the economy, according to a University System of Georgia study. Just last year? More than $558 million flowed into Gwinnett County and metro Atlanta, supporting nearly 3,800 jobs—on and off campus. With 14,000+ alumni living and working locally, GGC’s influence stretches far beyond its classrooms, building communities and preparing tomorrow’s leaders. We’ll be right back. Break: MONSTER JAM STORY 6: Let The Search Begin The Gwinnett County Board of Education is back at it—searching for yet another superintendent after firing two in just four years. It’s a mess, honestly. Who’s even going to want this job? And how do you find someone who can handle the chaos, the politics, and the sheer size of this district? This time, they’re slowing down. The board hired Alma Advisory Group for $99,840 to lead the search, promising community input through town halls, surveys, and focus groups. But critics are already talking. Some say the process feels predetermined, others worry about bias, and a few question if Alma’s track record is strong enough. Meanwhile, Interim Superintendent Al Taylor, a GCPS veteran, has quietly won over many with his steady leadership. Whoever takes the job will face big challenges: chronic absenteeism, behavior issues, budget scrutiny, and the ever-present pressure to improve academics. The board says they’ll have someone in place by the 2026 school year. But with so many eyes watching—and so much at stake—this hire feels like more than just filling a position. It’s about restoring trust, stability, and hope in a district that desperately needs all three. STORY 7: ART BEAT: Gwinnett Symphony announces 2025-26 concert schedule “Expect the Unexpected.” That’s the theme for the Gwinnett Symphony’s 2025-2026 season, and honestly? They’re not kidding. This year’s lineup is packed with everything from Copland to carols, Beethoven to the King of Pop. Classical purists, modern music lovers, and everyone in between—there’s something here for you. Kicking off Sept. 21, the “80th Anniversary World War 2 Victory Concert” at Atlanta’s Symphony Hall promises a powerhouse collaboration with the Atlanta International Symphony Orchestra. Think Copland’s Fanfare for the Common Man and Bernstein’s Candide Overture. Other highlights? Handel’s Messiah in November, a Christmas concert with Sleigh Ride (kid conductors included!), and a May finale featuring Elvis, Aretha, and MJ. Details at gwinnettsymphony.org. Don’t wait—tickets will go fast. We’ll have closing comments after this. Break 4: Ingles Markets 8 Signoff – Thanks again for hanging out with us on today’s Gwinnett Daily Post Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at www.gwinnettdailypost.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. 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The new play from playwright Bubba Weiler is about a grieving woman. Maggie, played by Quincy Tyler Bernstein, has lost her husband Marv. Marv, played by Michael Chernus, was a great, if not always perfect, husband. But as mourners, family and strangers start to come to Maggie's home, she begins to wonder if she ever really knew her husband at all. Weiler, Bernstein, and Chernus discuss "Well, I'll Let You Go," which is running at the Space at Irondale through August 29.