Podcasts about Ludwig van Beethoven

Thunderstorms have captivated humanity for millennia, and yet their inner workings remain deeply mysterious. On this episode of The Quanta Podcast, guest host and Quanta senior editor Hannah Waters speaks with staff writer Charlie Wood about the new technologies that are helping physicists better understand the phenomena. This topic was covered in a recent story for Quanta Magazine. Each week on The Quanta Podcast, Quanta Magazine editor in chief Samir Patel speaks with the people behind the award-winning publication to navigate through some of the most important and mind-expanding questions in science and math. At the end of the episode, listen to an excerpt of the fourth movement of Beethoven’s Sixth Symphony, which depicts a violent thunderstorm. Piccolo represents lightning and timpani represents thunder. Courtesy of Symphony Orchestra. Deed – Attribution-NonCommercial-ShareAlike 3.0 Unported – Creative Commons

Step into the vibrant world of soul music as we embark on a captivating journey with the legendary Swamp Dogg, an iconic figure whose career has shaped the landscape of American music for over six decades. In this episode of takin' a walk, host Buzz Knight engages in a heartfelt conversation with Swamp Dogg, who, at 83 years young, shares his insights from a life steeped in creativity and resilience. Discover the magic behind his latest album, Swamp Dogg Contemplates the Afterlife, and delve into the stories that have defined his artistic journey. As we stroll through the memories and milestones of Swamp Dogg's illustrious career, he reflects on the influences that have shaped his unique sound and the importance of fun in his creative process. With a sense of humor and a wealth of wisdom, Swamp Dogg recounts his early days in the music industry, honoring the legacy of his contemporaries while celebrating his role as one of the last first-generation soul musicians. This episode is not just a walk down memory lane; it’s a vibrant tapestry of music history, filled with anecdotes about collaborations and the deep relationships he has cultivated with fellow artists. Swamp Dogg’s thoughts on life, death, and legacy resonate deeply, as he compares his aspirations to those of classical giants like Bach and Beethoven. This episode of takin' a walk is a treasure trove of music storytelling, weaving together the intricate threads of songwriter stories and the emotional healing that comes through music. Listeners will be captivated by the inspiring music stories and the creative journeys that unfold in this rich conversation. Join us for a delightful exploration of music history and the art of songwriting as we celebrate the legacy of an iconic musician. Whether you're a lifelong fan of soul music or new to the genre, this episode promises to enlighten and entertain. Tune in to hear Swamp Dog's infectious spirit and passion for music and culture—a true testament to the power of creativity and the stories behind the songs that have shaped our lives. Don't miss this chance to walk alongside a legend and gain insights that will inspire your own music journey. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

The work of history's greatest composers resonates through the centuries, inspiring us with passionate expressions of music at its finest. And quite often, those symphonic masterpieces informed the work of great visual artists too. Numerous examples include Bach and Rubens, Mozart and Reynolds, Beethoven and Constable. But what inspired these maestros when they sat down to create these great works? For many, their work expressed the heart and voice of God, who they believed was the ultimate Creator. Join Horizon for MAESTROS, revealing God's beauty through music and art.

**Clay Edwards Show – FAFO Friday: Florida Burglars Get Decades in Prison + Fake Cop Car Warning (Ep #1,225)** On this FAFO Friday, Clay launches a brand-new weekly segment called “The Weekender” — your one-stop guide to all the best live music and events happening across Central Mississippi. He recaps a fun listener appreciation night at Beethoven's Boardwalk, admits he was wrong about YouTube moderator “Little Nikki” being a guy, and drops a strong FAFO award on two Florida men — Victor Ogiste (35 years, no parole) and Ramone Davis (40 years) — who drove up from Fort Lauderdale and got busted for smashing car windows and burglarizing multiple vehicles at Burn Bootcamp in Madison during the 5 a.m. workout class. Clay sits down with Noah Sullivan of H&H Chief Sales in Carthage to talk about their 4th-generation family business, truck upfitting, trailers, and their new line of affordable electric golf carts and side-by-sides. He also runs down the weekend's top events (The Weeks at Martin's Livingston, Velcro Pygmies at Beethoven's Boardwalk, Molly Ringwalds and Arena Rock Show at Pearl City Park, Make-A-Wish Rodeo, etc.) and rants about multiple major acts pulling out of the Trump administration's America 250 / Freedom 250 concert after agreeing to perform. Plus, Clay issues a serious warning about a local guy driving a white Dodge Charger decked out to look like an undercover police car — lights, antennas, the works — and tells listeners: **do not pull over for anyone unless they have blue lights**. Full episode available now @savejxn on YouTube & X (Ep #1,225)

ReferencesBarnie, Juliana.2025. The Impact of Estrogen Loss on CaveolinExpression and Cardiac Myocyte Remodeling in Ovariectomized Mice Following Chronic Sympathetic Stimulation" East Tennessee State University MS ThesisSeminars in Cell and Developmental Biology May 2019 98(4)Am J. Physiology/Cell Physioloy.2007.Volume 293, Issue 6Methods Mol Bio. 2006:332:181-91. Cells 2022, 11(23), 3850; Guerra, DJ. 2026. Unpublished Lectures.Capaldi/Winwood. 1971. Low Spark of High Hell Boys Traffic https://open.spotify.com/track/1yW6y8RufwB4WEAQeip0tx?si=6fd9c8119343492b Beethoven, LV. 1812. Symphony 7.in A major. OP 92. https://music.youtube.com/watch?v=Rd0HnxWm5CY&si=jrDwV4F6Cy6SUjA1

This week, world renown bluegrass and old-time music virtuosos and educators Tony Trischka & Bruce Molsky recorded live at the Ozark Folk Center State Park's annual Arkansas Old-time Fiddle & Banjo Championships. Also, performances from the 2025 contest champions, fiddler Gwyneth Davis of Petit Jean Mountain, AR and banjoist Erik Brashers of Eureka Springs, AR. Each year, the Ozark Folk Center State Park hosts the Arkansas Old-time Fiddle & Banjo Championships. Competitors ranging in age from eight to eighty come from all over to test their skills and possibly be crowned a champion. World class musicians are brought in judge these contests and also perform on the Folk Center's evening concert. At the 2025 contest we were honored to have as our judges and performers, Tony Trischka & Bruce Molsky. Tony Trischka was born in Syracuse, NY and raised in a home filled with music. There were broadway scores and a sweeping range of classical music, from Stravinsky to Beethoven. The wide-open American vistas of Aaron Copland had an especially potent spiritual and visceral impact on him, as did the folk music his left-leaning father held dear. The Almanac Singers, the solo work of its founding members Woody Guthrie and Pete Seeger, and Lead Belly's children's lp were in constant rotation. Trischka fell in love with the banjo by way of the Kingston Trio's 1959 recording of “M.T.A.,” and was able to experience the New York-centered folk revival by trekking to the Newport Folk Festival in the early to mid-'60s. He moved to the city in the early '70s and hit the ground running, settling in among a peer group of extraordinary musicians who saw American roots music as a thriving, living language that could be expanded and combined with other influences and sensibilities. - https://www.tonytrischka.com/bio Grammy-nominated, described as “an absolute master” (No Depression), Bruce Molsky transports audiences to another time and place, with his authentic and personal interpretations of rarities from the Southern Appalachian songbook and other musical traditions from around the globe. Best known for his work on the fiddle, Bruce's banjo, guitar and his distinctive, powerful vocals also resonate with listeners. His combination of technical virtuosity and relaxed conversational wit makes a concert hall feel like an intimate front porch gathering.  Bruce's take on tradition has landed him in collaborations with some of the world's most highly respected players from roots to rock. https://brucemolsky.com/bio In this week's “From the Vault” segment, OHR producer Jeff Glover offers a 1985 archival recording of a notable contest fiddler from the past, Alison Krauss, performing the traditional tune “Gardenia Waltz,” from the Ozark Folk Center State Park archives. In his segment “Back in the Hills,” writer, professor and historian Dr. Brooks Blevins discusses the etymology of the name Ozark.

This is JK! Games! — the gaming podcast where we bring you the news and reviews we care about.Welcome back to One More Game, our monthly video game book club series where we break down games together at your pace and dive deep into the moments, themes, characters, and anything else that stuck with us after credits.This month's One More Game is Mixtape, the musical narrative adventure from Beethoven and Dinosaur and Annapurna Interactive. From skateboarding through dreamy suburban streets to awkward teen memories...Mixtape feels like looking through your yearbook.Before our full review, we also build our own personal “Mixtapes” by picking songs that defined our high school experiences.Timecodes:00:00:00 - Start00:08:18 - Our Mixtapes00:26:40 - What did we expect?00:37:40 - Best Character?00:44:20 - What stood out first?00:54:20 - Is it like Life is Strange?01:02:20 - Depression and Great Story Telling01:11:00 - Fourth Wall is broken01:15:00 - Dino Park01:18:20 - Cabin Stash01:23:43 - Slater's Room01:31:30 - Party Time!01:38:35 - End Scenes and thoughts01:48:44 - Final ReviewSupport the showJK! Games! is a weekly gaming podcast where we bring you the news and reviews we actually care about.Our recurring play-along series — One More Game — is our version of a video game book club. We choose one title, set checkpoints, and break it down over multiple episodes.You can:• Play at your own pace• Stay spoiler-light• Or dive deep with usWhether you're Easy Mode or Expert, you belong in the conversation.Join our Discord to play along and share your theories each week.Want to show us some love? Click Me!DiscordTwitch YoutubeInstaBsky

My guest this week is the actor Oliver Platt. You know him from The Bear, Chicago Med, The Three Musketeers, Beethoven, The West Wing, Frost/Nixon — honestly, the list goes on forever. He's one of those rare actors who somehow exists in every lane at once: beloved by movie people, television people, theater people, and apparently menswear guys too. We talk about growing up as the son of a diplomat, moving from Hong Kong to Japan to Washington D.C., discovering acting as a survival mechanism, early days in New York with Stanley Tucci and Hank Azaria, body image, GLP-1s, Paul Smith, Japanese denim, heritage workwear, and why sometimes you need to “give yourself the fuzzies.” * Sponsored by Bezel - the trusted marketplace for buying and selling your next luxury watch Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pax, Rob, Michael, and Evan return to the lounge to talk about hitchhiking, Mortal Kombat II, The Devil Wears Prada 2, giving money to people on the street, music videos, Agatha Christie's Seven Dials, Rob's Disney cruise, Hacks, and Beethoven's 6th.  

The work of history's greatest composers resonates through the centuries, inspiring us with passionate expressions of music at its finest. And quite often, those symphonic masterpieces informed the work of great visual artists too. Numerous examples include Bach and Rubens, Mozart and Reynolds, Beethoven and Constable. But what inspired these maestros when they sat down to create these great works? For many, their work expressed the heart and voice of God, who they believed was the ultimate Creator. Join Horizon for MAESTROS, revealing God's beauty through music and art.

Cliff and Kendall are back with every shocking musical fact from Bach to Beethoven and from Mozart to Madonna! Also: segments like What the Kids R Saying and Songs U Should Know! And: an unmissable mini-countdown of the greatest 8 eight songs ever (???) This one's gonna set the roof on fire! 

Fluent Fiction - Norwegian: Musical Hearts Unite: A Night of Inspiration in Oslo Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2026-05-21-22-34-01-no Story Transcript:No: Solens stråler skinner over Oslofjorden og lyser opp Operaen i Oslo med sin moderne, blanke fasade.En: The sun's rays shine over the Oslofjorden and illuminate the Operaen i Oslo with its modern, shiny facade.No: Det er vår, og i kveld er det en etterlengtet konsert.En: It is spring, and tonight, there is a long-awaited concert.No: Klassisk musikk fyller luften, og det er en spesiell følese av forventning.En: Classical music fills the air, and there is a special sense of anticipation.No: Lars går inn i den store salen, hjertet hans banker raskt.En: Lars enters the large hall, his heart beating quickly.No: Musikk har alltid vært essensen i livet hans, men noe mangler.En: Music has always been the essence of his life, but something is missing.No: Han er en musikk lærer, elsker sin jobb, men han har ikke følt den inspirasjonen han lengter etter på en stund.En: He is a music teacher, loves his job, but he hasn't felt the inspiration he longs for in a while.No: Solveig, derimot, sitter allerede på plass.En: Solveig, on the other hand, is already seated.No: Hun er en journalist, alltid på jakt etter de beste kulturhistoriene, men ofte føler hun seg ensom midt i sine travle dager.En: She is a journalist, always on the hunt for the best cultural stories, but often, she feels lonely amidst her busy days.No: Hun lengter etter ekte forbindelser.En: She longs for genuine connections.No: Av en tilfeldighet, finner Lars seg selv sittende rett ved siden av Solveig.En: By chance, Lars finds himself sitting right next to Solveig.No: Under åpningsstykket, føler de begge en uventet ro, en forbindelse, som om musikken snakker direkte til dem.En: During the opening piece, they both feel an unexpected calm, a connection, as if the music speaks directly to them.No: I pausen, tar Lars mot til seg.En: During the intermission, Lars gathers the courage.No: "Hei, jeg heter Lars," sier han litt nervøst.En: "Hi, my name is Lars," he says, a bit nervously.No: Solveig smiler, "Hei, jeg er Solveig. Liker du konserten?"En: Solveig smiles, "Hi, I'm Solveig. Are you enjoying the concert?"No: De snakker om musikken.En: They talk about the music.No: De innser at de deler en felles kjærlighet for Beethoven og Mozart.En: They realize they share a mutual love for Beethoven and Mozart.No: Hva som skulle vært en kort prat, blir en livlig samtale.En: What was supposed to be a brief chat turns into a lively conversation.No: Lars føler en gnist, noe han ikke har følt på lenge.En: Lars feels a spark, something he hasn't felt in a long time.No: "Vil du ta en kaffe etter konserten?" spør Lars.En: "Would you like to grab a coffee after the concert?" asks Lars.No: Solveig nøler et øyeblikk, hennes journalistisk timeplan sitter fast i hodet hennes.En: Solveig hesitates for a moment, her journalistic schedule stuck in her mind.No: Men nysgjerrigheten tar overhånd.En: But curiosity takes over.No: "Ja, det hadde vært fint," svarer hun til slutt.En: "Yes, that would be nice," she finally replies.No: Etter konserten, finner de en koselig kafe i nærheten.En: After the concert, they find a cozy café nearby.No: Over kaffekopper, dykker de dypere inn i samtalene.En: Over cups of coffee, they dive deeper into their conversations.No: Lars deler om sin søken etter mer enn bare musikk i livet og Solveig deler hennes ønske om noe ekte, noe mer enn bare artiklene hun skriver.En: Lars shares about his search for more than just music in life and Solveig shares her desire for something real, something more than just the articles she writes.No: De diskuterer drømmer, frykt, musikken mellom dem, men også livet utenfor notebladene.En: They discuss dreams, fears, the music between them, but also life outside the sheet music.No: Lars føler seg inspirert igjen.En: Lars feels inspired again.No: Solveig føler at hun har funnet noen som forstår hennes verden.En: Solveig feels she has found someone who understands her world.No: Natten avsluttes, og de står utenfor kaféen, under de milde vårstjernene.En: The night concludes, and they stand outside the café, under the gentle spring stars.No: "La oss møtes igjen," foreslår Lars.En: "Let's meet again," suggests Lars.No: Solveig smiler, "Ja, det vil jeg gjerne."En: Solveig smiles, "Yes, I'd like that."No: Lars og Solveig går hver til sitt, men begge med en ny følelse av håp.En: Lars and Solveig go their separate ways, but both with a new sense of hope.No: Han har funnet inspirasjon, ikke bare i musikken, men i menneskelige forbindelser.En: He has found inspiration not just in music, but in human connections.No: Solveig kjenner varme, en ekte forbindelse i hjertet.En: Solveig feels warmth, a true connection in her heart.No: Denne kvelden på Operahuset i Oslo blir mer enn en konsert; det er begynnelsen på noe nytt. Et løfte om møte igjen - med musikkens tidsløse skjønnet som deres felles bakteppe.En: This evening at the Operahuset i Oslo becomes more than just a concert; it is the beginning of something new—a promise to meet again, with the timeless beauty of music as their shared backdrop. Vocabulary Words:rays: strålerilluminate: lyser oppfacade: fasadelong-awaited: etterlengtetanticipation: forventningessence: essenseninspiration: inspirasjonlonely: ensomgenuine: ekteintermission: pausencourage: motspark: gnistcuriosity: nysgjerrighetcozy: koseligdive: dykkedreams: drømmerfears: fryktunderstands: forstårpromise: løftebackdrop: bakteppeessence: essensenjournalist: journalistmutual: fellesconversation: samtaleschedule: timeplanconnections: forbindelsermusic: musikkBeethoven: BeethovenMozart: Mozartstars: stjerner

Carlos Iribarren | Tras el episodio dedicado al origen del ballet, centrado en Italia, Francia y Centroeuropa, en este nuevo programa dedicado a la danza nos vamos hasta el siglo XIX para descubrir partituras y coreografías destacadas que han pasado a la historia gracias a su calidad y repercusión. Francia, Dinamarca, Alemania y Rusia son algunos de los lugares donde pondremos la lupa junto a Nuria Balbaneda, nuestra invitada de hoy. Nuria es profesora en el Real Conservatorio Profesional de Danza “Mariemma” de Madrid y autora de un libro imprescindible para cualquiera que quiera sumergirse en este apasionante mundo: La clase de ballet: historia, técnica y metodología. Acompáñanos en este viaje con música de Adam, Beethoven, Tchaikovsky y otros grandes músicos y descubre a personajes como Maria Taglioni, Pepita Oliva, Arthur Saint-Léon o Marius Petipa; así de equilibrada y artística es la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

Előhangunk legújabb epizódja ezúttal Víkingur Ólafsson, Várdai István és a Liszt Ferenc Kamarazenekar koncertjéhez kapcsolódik. Izgalmas információk és kulisszatitkok, ezúttal Haydn, Beethoven és Olli Mustonen zenei világából.Hallgassátok szeretettel!

I hate how they make you go home at the end of the day even if you applied the proper cooling gel the entire time you were having a day siesta just because Mr. Sir wants to power trip. Future Fights is stuck in the past and we need to free it. The quality of the Beethoven movies is inversely correlated to the quality of the symphonies they were named after. There is going to be a roast of Jada Pinkett Smith hosted by Tony Hinchcliffe just to test if Will Smith is rehabilitated from slapping

Countdown to Draft Day 2028, Move over Beethoven and Twins take out the cheaters, Jonathan. See omnystudio.com/listener for privacy information.

This week's low effort episode is brought to you by a listener voicemail, reality shows Christina knows nothing about, vaping, a band update from Lauren, Stardew Valley, and Beethoven. Enjoy!We'd love to hear from you! Here's how to join the conversation:* Leave us a voice message at www.speakpipe.com/picklesandvodka (first timers get a free sticker!*)* Subscribe to our Substack and never miss an episode: picklesandvodka.substack.com* Watch our faces on YouTube: youtube.com/@picklesandvodkapodcast* Follow our Instagram for poll alerts: @picklesandvodkapodcast* Join our Facebook group: facebook.com/picklesandvodkapodcast* Send us an email: picklesandvodkapodcast@gmail.com* Christina's personal Instagram: @xtinajumper* Christina's Substack (crisis corner): xtinajumper.substack.com* Lauren's personal Instagram: @lauren___afhCredits:* Edited by Christina Jumper* Theme song is Insane OK by The Whines from Free Music Archive*while supplies last Get full access to Pickles and Vodka at picklesandvodka.substack.com/subscribe

Today's Mystery: A man asks Simon to investigate a case where a talented pianist's life is endangered by Beethoven, but then is murdered himself.Original Radio Broadcast Date: June 18, 1950Originating from HollywoodStarring: Vincent Price as Simon Templar; Alice Frost; Fritz Feld; Tony Barrett; George NeiseSupport the show monthly at patreon.greatdetectives.netPatreon Supporter of the Day: BookGeek28, Patreon Supporter since December 2021Support the show on a one-time basis at http://support.greatdetectives.netMail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

Former Sheriff Keith Lovin — the man who helped capture Olympic Park bomber Eric Rudolph — joins No Sanity Required for Part 1 of a powerful two-part series. From growing up in western North Carolina to surviving deadly shootouts, high-risk manhunts, and split-second decisions under fire, Keith a.k.a. Bumper shares the real stories behind a lifetime in law enforcement. This episode offers a firsthand look at the realities of police work, the pressure of leadership, and the moments that stayed with him long after the sirens faded.Rudolf, Beethoven, and The Chainsaw ManSend us Fan MailPlease leave a review on Apple or Spotify to help improve No Sanity Required and help others grow in their faith. Click here to get our Colossians Bible study.

A teen pianist shares her passion for Beethoven, and the son of professional vocalists falls in love with making the trombone sing. Plus we're treated to a flashback finale featuring a Brahms horn trio.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

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Beethoven, Mozart & Tchaikovsky by CSO Association

It's a new week, and that also means that Player 1 vs The World's StrangeCast podcast is BACK for an all-new episode. Adnan Riaz and Adam Evalt sit down to discuss Karyn Kusama finally speaking out about the Life Is Strange TV show, as well as Lauren Wolkstein becoming the second director attached to the Amazon Prime Video-bound series! Oh, and it would not be an episode of StrangeCast without Beethoven & Dinosaur creative director Johnny Galvatron or Mixtape being included!

The work of history's greatest composers resonates through the centuries, inspiring us with passionate expressions of music at its finest. And quite often, those symphonic masterpieces informed the work of great visual artists too. Numerous examples include Bach and Rubens, Mozart and Reynolds, Beethoven and Constable. But what inspired these maestros when they sat down to create these great works? For many, their work expressed the heart and voice of God, who they believed was the ultimate Creator. Join Horizon for MAESTROS, revealing God's beauty through music and art.

The Curtis Chamber Orchestra will perform music for strings by Barber and Beethoven at the Musical Instrument Museum, Saturday, May 23rd. The program will also include Mozart's Sinfonia Concertante for violin and viola with Erin Keefe and Roberto Diaz as soloists. Keefe recently talked with KBACH's Greg Kostraba about the concert, and her longtime association with the Curtis Institute of Music. Tickets for these concerts are available on the MIM website.

In this episode, Pastor Mike explores the weight of "famous last words," contrasting the final utterances of historical figures like Beethoven and Socrates with the seven statements spoken by Jesus Christ on the cross . He emphasizes the extreme physical agony of crucifixion, noting that while every breath was a struggle, Jesus used His remaining strength to pray for the forgiveness of those who mocked and executed Him . The discussion highlights the contrast between the uncertain or despairing words of unbelievers and the hope-filled declarations of those who trust in Christ’s finished work, presenting Jesus as a willing Savior whose heart is uniquely inclined to embrace sinners. Watch on YouTube: https://youtu.be/34HI8LrJpMk  No Compromise Radio “Always biblical, always provocative, always in that order.” Video Episode 65: “Famous Last Words" Hosts: Pastor Mike Abendroth (Pastor & Author) Produced/Edited By: Marrio Escobar (Owner of D2L Productions) 

You just never know who's going to show up to this podcast. In today's adventure Prince shows up to talk about the hierarchy of the afterlife. Prince talks about how people onstage have a belief in hierarchy - which includes fame, wealth, power, etc... and how offstage there is no hierarchy. However, offstage people respect people's "age" or how many lifetimes they've had, and the wisdom they carry. I asked some questions about who greeted Prince on the flipside, and he said it was Beethoven. I asked him to describe that process, and he said he saw him, then was sitting next to him - and he was "playing a song in a minor key" which I assumed might be the Moonlight Sonata (In C#minor) Prince said that was the case.  Then Jennifer's father Jim stopped by with two teachers from the flipside - one is Ma Durga who while being known on the planet as an 8 armed deity (some religious folks consider her to be 10 armed, but every time we've spoken to her it's been 8.  She said that she had incarnated once as an octopus, also as a girl on Earth - and liked being able to use her many arms for teaching purposes. (That's what was reported.)  Five self identifies as the head Akashic librarian - and for fans of the books, know that Five shows up often in the text as well as on the podcast. The questions and answers all revolved around the aspect of examining consciousness in the afterlife, and also the idea that AI is something that uses libraries the same way that we do when we're offstage. Like I say, mind bending information. To book a session with Jennifer or get a ticket for her "Uncorked Wine Shop" sessions, check their website in Manhattan Beach, EventBrite.com or see if Jennifer has listed it at JenniferShaffer.com People who want to do a guided meditation with yours truly, go to RichardMartini.com to make a booking. Thanks!

“El sonido más puro de nuestra Europa, el lamento de un violin” en palabras de Mauricio Wiesenthal, escritor, viajero europeísta de pro.El rock o las mal llamadas "músicas del mundo" nunca consiguieron reemplazar a Beethoven, Falla o Albeniz. El Reemplazo, en términos de “ingeniería social” podria, ateniéndonos a las cifras de los que desembarcan diaria e indiscriminadamente. La resultante, el colapso de los servicios públicos, el cualitativo ascenso de la delincuencia, el empobrecimiento de los que cotizaron durante generaciones. Una cultura antigua y valiosa diluida como azucarillo en un café, a cambio de votos. Esta la historia , este el momento, estas las intenciones.. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Juice learns about bird sex, Jackson refuses to learn anything and the boys sit down for a totally professional interview with Woody, producer at Beethoven & Dinosaur, creators of new critical HIT, Mixtape! patreon.com/itdangerpod

Bienvenue dans cette édition spéciale du podcast Sticky Notes en français ! Aujourd'hui, nous parlons de la symphonie la plus célèbre du monde, et de la symphonie que nous allons interpréter à Lille les 21, 22 et 23 mai, la 5e symphonie de Beethoven. Et veuillez me pardonner pour toutes les erreurs de prononciation dans ma deuxième langue ! Bonne écoute ! »

Big Ben recaps the opening chapter of his week-long Commonwealth crusade and the Maller Odyssey to Maine as only the Beethoven of B.S. can. This edition of the Fifth Hour Podcast features lighthouse lore, a Monet moment, the zombie-apocalypse starter kit, paying double for parking, McDonald’s Happy Meal Buckets, the Hype Man from Hell, and preparing for atmospheric reentry turbulence. Add in bachelor parties, naval victories, random roadside adventures, and the inside skinny from behind the microphones, and you’ve got essential weekend listening for the Maller Militia. A must-download travel log packed with chaos, comedy, oddball characters, and classic Benny Brightside storytelling. Follow, rate & review "The Fifth Hour!" https://podcasts.apple.com/us/grpodcast/the-fifth-hour-with-ben-maller/id1478163837 #BenMallerSee omnystudio.com/listener for privacy information.

Franck Ferrand revient sur l'un des plus grands chefs-d'œuvre du répertoire au programme de cette soirée festive : la 5ème Symphonie de Beethoven.

Cello and piano can be a brutal matchup when nobody makes room, but when the balance is right it becomes one of the most revealing duo formats in music. We sit down with cellist Matt Haimovitz and pianist Christopher O'Riley to trace how their partnership started, why it clicked so fast, and what they've learned from years of turning rehearsal into a kind of shared research lab.We talk about building programs that cross borders without losing rigor, from Shuffle Play Listen to projects that pull ideas from Beethoven, contemporary music, and arranged songs by artists like Radiohead. Chris shares the pianist's responsibility for momentum and for protecting the “lyric impulse,” and Matt explains how true collaboration feels less like compromise and more like testing ideas until the music tells you what it needs.Then we go deep on Bach Dialogues: Bach sonatas reimagined with a five-string Baroque cello piccolo and the clavichord, an instrument Bach loved for its dynamic control and string-like touch. They unpack the realities of gut strings, pitch standards like A=415, why the clavichord is both expressive and famously quiet, and how modern recording and modeling technology can help bring an “impossible” instrument pairing to life onstage and in the studio.If you care about chamber music, historically informed performance, Bach interpretation, or simply how great musicians listen to each other, this conversation is full of practical insight. Subscribe, share this with a musician friend, and leave a review so more listeners can find the show.For more information on Matt: https://www.matthaimovitz.com/You can also find Matt on Facebook and Instagram: @MatthaimovitzYoutube: @MatthaimovitzFor more information on Chris: https://christopheroriley.com/You can also find Chrison Facebook and Instagram: @christopher_oriley_Youtube: @ChristopherORiley360To download "The Bach Dialogues https://www.pentatonemusic.com/product/the-bach-dialogues-digital-only-album/If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

Thank you to Jerry for sponsoring today's episode on Patreon! Goethe's Faust is considered to be the greatest work of German literature. This sprawling, 2-part play occupied Goethe's life for nearly 60 years, from its original version, begun in 1772, all the way to Goethe's final revisions before his death. It inspired just about every Romantic era composer who came after it, including Beethoven, Schubert, Schumann, Brahms, Berlioz, Gounod, Mahler, and our subject for the show today, Franz Liszt. Liszt, who was in many ways the world's first pop star, was initially skeptical of Faust, saying that he couldn't relate to the eponymous main character of the play. He wrote: "Faust's personality scatters and dissipates itself; he takes no action, lets himself be driven, hesitates, experiments, loses his way, considers, bargains, and is interested in his own little happiness." But slowly, Liszt began to be taken in by this remarkable play and decided to try his hand at a reflection on it, writing a massive, 3-movement, 75-minute-long symphony that never attempts to tell the story of Faust, but instead reflects on the psychological nature of the 3 central characters: Faust, Gretchen, and Mephistopheles (the Devil). A lot of English-speaking listeners will know this as the story of a man who sold his soul to the devil, but for Goethe it was much more than that, and it was for Liszt as well. I've never talked about Liszt on the show, because frankly I've never been in love with his music. But this is one of the great things that these Patreon-sponsored episodes can do — help me discover pieces that I've never come across before. So today, we're going to talk about Liszt, Faust, and then take a stab at some of the greatest moments in this symphony. We'll talk about thematic transformation, a technique Liszt essentially invented and which is a vital part of understanding this piece.

This week on Thumb Cramps, Mayscot Madness continues and this time they're joined by their good friend and the producer of Mixtape, Woody, to look at Mixtape for the PS5 and PC, LittleBigPlanet PS Vita for the PS Vita, Super Kiwi 64 for the PC and Astro's Playroom for the PS5. Plus the ethical disposal of fruit, living with bugs and tasting some truly freaky drinks. The Weekly Planet if you're reading this, consider us even.Check out MIXTAPE on SteamGet Thumb Cramps Long Sleeve Shirts HereThumb Cramps+ has launched! Ad-free podcasts and a bonus monthly episode of Speedrunning Television; a brand new podcast that innovates how to watch television as gamers. Subscribe now on Sanspants Plus OR Apple Podcasts! Use the discount code Joel OR Jacksom for 10% off. Only applies to subscriptions through sanspantsradio.com.Email us at ThumbCrampsPod@gmail.comFind us on Instagram;Jackson | Duscher | Thumb Cramps | MixtapeYou can physically send us stuff to PO BOX 7127, Reservoir East, Victoria, 3073.Join our facebook group here or join our Discord here.Theme music by Benny Davis! You can find all his stuff at his website or check out his YouTube channel.Parts of this episode were recorded and produced on Wurundjeri land, we respectfully acknowledge the Wurundjeri People of the Kulin Nation, pay our respect to their Elders past and present, and recognise that sovereignty was never ceded. Hosted on Acast. See acast.com/privacy for more information.

On this episode of The Bandwich Tapes, I sit down with composer, performer, and educator Casey Cangelosi for a conversation that moves comfortably between teaching, podcasting, composing, and the realities of building a life in the percussion world. Casey teaches at James Madison University, where he directs a busy percussion studio and constantly balances artistic ambition with the practical challenges of giving students meaningful performance opportunities.We talk about how he approaches programming percussion ensemble, often leaning toward smaller-group repertoire that allows more students to develop chamber instincts and real musical ownership. That naturally leads into a larger discussion about education, specifically the gap that can exist between strong performance skills and deep knowledge of repertoire. Casey makes a compelling case for listening, score study, and curiosity as essential parts of becoming a complete musician.A big part of Casey's recent creative life has been the Percussion Podcast, where he hosted more than 300 episodes of conversations with percussionists and composers. He reflects honestly on what that project gave him, as a communicator, teacher, and community builder, as well as the real workload of producing that many episodes and the challenge of keeping conversations fresh over time.We also spend time inside Casey's composing process. He talks about the difference between writing for hands versus writing for humans, and how limitations, instrumentation, skill level, or context can actually unlock more interesting musical ideas. Increasingly, he's thinking about accessibility in repertoire: writing music that still feels compelling but can reach more performers instead of only fitting one ideal player.Toward the end, Casey shares some of the unexpected places his music has recently appeared, including projects connected to theater, dance, and visual art, from a performance context in Mannheim, to an installation tied to Ligeti's 100 Metronomes, to a circus production in Italy using his piece Bad Touch. It's a reminder that percussion music continues to travel in surprising directions.Key TakeawaysTeaching requires balancing artistry and logistics — ensemble programming often means finding ways for more students to perform meaningfully.Listening and score study deepen musicianship — strong playing should be paired with a deep knowledge of repertoire.Podcasting builds community but demands consistency — producing hundreds of episodes requires serious time and energy.Constraints can unlock creativity — limitations often lead to stronger compositional ideas.Writing for performers matters — accessible repertoire can reach more musicians without sacrificing musical depth.Percussion music is expanding beyond traditional venues — Casey's work now appears in theater, visual art, and interdisciplinary projects.Curiosity fuels long careers — staying open to new contexts keeps creative work evolving.Music from the EpisodeScry - Casey CangelosiBlink - Casey CangelosiThe Big Audition - Casey CangelosiLigeti: Symphonic Poem for 100 Metronomes - Casey CangelosiAbout the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the influences, decisions, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com

Movie of the Year: 1971The Finale, Part IIThe 1971 Film Finale Podcast: One Champion RemainsThe 1971 film finale podcast brings the Taste Buds' most ambitious bracket season to its definitive conclusion. Ryan, Mike, and Greg have debated, dismissed, and championed their way through a remarkable field — and now eight films remain. In this episode, four Elite Eight matchups collapse into a single champion, and five major awards close out the season before the final verdict arrives.Furthermore, this finale caps a season that has included some of the most provocative, challenging, and enduring films ever made. From Stanley Kubrick's A Clockwork Orange to William Friedkin's The French Connection, the 1971 bracket has consistently rewarded listeners willing to sit with difficult, boundary-pushing work. The season also covered Straw Dogs, Sweet Sweetback's Baadasssss Song, and Dirty Harry — each one generating strong arguments before falling short of the Elite Eight.Additionally, five competitive award categories — Best Sex, Best Violence, Musical Moment, Best Actor, and Best Actress — draw nominees from across the full season. Consequently, this episode stands as the richest and most content-dense installment of the year.ContentsThe Elite Eight MatchupsThe 1971 AwardsWhy the 1971 Film Finale Podcast Still MattersRelated EpisodesFAQThe Elite Eight MatchupsEight films enter. One leaves as the 1971 champion. The Taste Buds structured the Elite Eight around four head-to-head matchups, and each one forces a different kind of critical argument.A Clockwork Orange vs. The DevilsTwo of the year's most transgressive films meet in the first matchup. A Clockwork Orange arrived as a season-long frontrunner — a Kubrick film operating at the height of his formal powers, one that the Taste Buds covered in depth on their dedicated episode. Ken Russell's The Devils, meanwhile, delivers a fever dream of religious hysteria and state violence that stands as one of the most divisive films the Taste Buds have discussed all season. Moreover, this matchup poses a pointed question: which film earns its provocation more honestly? Both demand something from the viewer. However, only one advances.Harold and Maude vs. McCabe and Mrs. MillerHarold and Maude represents the season's most warmly beloved film — a dark comedy about love, death, and radical living that generated some of the most enthusiastic podcast discussion of the year. By contrast, Robert Altman's McCabe and Mrs. Miller offers a revisionist Western suffused with melancholy and moral exhaustion, its beauty inseparable from its grief. Both films carry passionate advocates among the Taste Buds. Consequently, this matchup ranks among the tightest and most personal bracket debates of the entire season. Above all, it asks whether warmth or ache makes the stronger lasting impression.Wanda vs. The ConformistBarbara Loden's Wanda — a micro-budget American independent masterwork — faces Bernardo Bertolucci's The Conformist, a visually ravishing Italian political drama. Notably, both films center on characters adrift in systems designed to diminish them. Nevertheless, they arrive at very different emotional endpoints: Wanda drifts, the Conformist spirals. The Taste Buds' arguments in this matchup reveal as much about their own critical values as about the films themselves. In practice, this is the bracket's most purely cinephile debate.The French Connection vs. The Last Picture ShowThe bracket's most commercially dominant film — The French Connection, winner of five Academy Awards including Best Picture — faces Peter Bogdanovich's elegiac The Last Picture Show. In practice, this matchup pits Hollywood's muscular genre filmmaking against its more introspective New Wave ambitions. As a result, the debate cuts to the heart of what 1971 cinema actually achieved. Gene Hackman's Popeye Doyle and the dusty streets of Anarene, Texas, represent two entirely different ideas of what a great film should do — and the Taste Buds have strong opinions on which idea wins.The 1971 AwardsBefore the bracket champion is named, the Taste Buds present five awards covering the full sweep of the season. This Movie of the Year 1971 podcast segment features each host nominating the moments they found most memorable, daring, or essential — and the resulting field spans an extraordinary range of films and tones.Best SexThe nominees range from the tender to the violent to the surreal, drawing from three different films and three distinct registers of human sexuality.Jacy and Abilene — The Last Picture ShowThe Pool Party — The Last Picture ShowThe Rape of Christ — The DevilsThe Sex Duel with the Biker Gang — Sweet Sweetback's Baadasssss SongYoung Sweetback and the Sex Worker — Sweet Sweetback's Baadasssss SongBest ViolenceThe nominees span the full tonal range of 1971 action filmmaking — from Dirty Harry's iconic bank robbery standoff to the slow, aching finality of McCabe dying alone in the snow.The Car Chase — The French ConnectionHarry Foils a Bank Robbery — Dirty HarryThe Kid Kills the Cowboy — McCabe and Mrs. MillerThe Ludovico Technique — A Clockwork OrangeMcCabe Dies Alone in the Snow — McCabe and Mrs. MillerMusical MomentThe nominees here demonstrate just how varied 1971's soundtrack was — Cat Stevens, Beethoven, and Gene Wilder all make the shortlist.Maude Sings "If You Want to Sing Out, Sing Out" — Harold and MaudeOpening Funeral March — A Clockwork Orange"Pure Imagination" — Willy Wonka and the Chocolate Factory"Singin' in the Rain" — A Clockwork OrangeThe Tango — The ConformistBest Actor The five nominees represent the full range of 1971 male performance — from Hackman's coiled rage to Wilder's heartbreaking wonder. Additionally, this category generated some of the most contested debates in the entire 1971 film podcast season.Warren Beatty — McCabe and Mrs. MillerGene Hackman — The French ConnectionOliver Reed — The DevilsJean-Louis Trintignant — The ConformistGene Wilder —

O seară cu zâmbete, amintiri faine și povești de neuitat alături de Amalia Enache, una dintre cele mai îndrăgite prezențe din televiziunea din România. Dar asta nu e tot! Trecem prin recomandări culturale de excepție, dezbatem festivaluri care pun România pe harta artelor, primim vești literare de la Radu Paraschivescu și vă dăm întâlnire în țară: la Iași, Cluj și Timișoara! 00:01:36 Exersăm limba olandeză cu Radu Paraschivescu, proaspăt întors de la Amsterdam, de la întâlnirea cu cititorii organizată de Ioana Chicet-Macoveiciuc. Vorbim despre cultul cartofilor prăjiți, un desert cu o prezentare inedită, o vizită la Moinești și concerte Beethoven încântătoare. Trecem prin atmosfera de la Premiile Gopo și aflăm noutăți despre următorul volum din "Ghidul nesimțitului". Plus o invitație la expoziția Tincuței Marin de la Galeria Jecza din București și programul turneului nostru în țară: ▸ Sâmbătă, 16 mai – suntem la Iași, la Romanian Creative Week (Umorul ca formă de inteligență colectivă). ▸ Sâmbătă, 23 mai – Întâlnirile Vorbitorincii la Cluj, alături de Mihnea Măruță (Bine și rău în ziua de azi - eveniment SOLD-OUT!). ▸ Sâmbătă, 27 iunie – Întâlnirile Vorbitorincii la Timișoara, alături de

For 45 years, George Palmer harboured a secret. He spent every spare moment composing classical music, and then shoving his scores in his bottom drawer. Until one day, almost by pure chance, that music saw the light of day.As a young man, George had dreams of becoming a renowned classical music composer, but when he walked into university, he didn't feel like he belonged in the music department.George left after his first week, and followed a school friend into the law department.At first, George was not inspired by the law, but he ended up falling in love with the human side of the justice system.For the next 45 years, he climbed the ranks from barrister, to Queen's Counsel, and finally to judge in the NSW Supreme Court, where he had ultimate responsibility for all adoptions in the state.But through all those years in public life, George had a secret "vice".Every spare moment he had was spent at his piano, scribbling down choral works and orchestral scores that he never intended anyone to see or hear.He never spoke about composing with his colleagues, friends or family, until one day George's talents were uncovered through chance and tragedy.George's latest work The Drover's Wife - The Opera is playing at Brisbane's QPAC until 22 May, and then will be staged at Sydney's Opera House in August, 2026.This episode of Conversations was produced by Meggie Morris. Executive Producer is Eliza Kirsch.It explores World War Two, family origin stories, spies, British intelligence, hearing loss, late in life career changes, second career, protective list, adoption, foster care, Supreme Court, legal system, justice system, judicial system, commercial law, Beethoven, Bach, Wagner, opera, contemporary classical music, contemporary Australian composers, Indigenous stories, Leah Purcell, stage adaptations, books, writing.

We'd love to hear from you! Please send us a Text Message!Gospel Music: It's a combination of music and lyrics. It celebrates – things like life, spirit, soul, miracle, and it, of course, praises God. It makes me not sit still. It makes me want to sing along (and I'm just not a singalong guy.) It makes me watch fascinated how deeply it affects the spirit of the people around me; it makes me want to be a part of the moment. It elicits improvisation, It is unifying. Here, in this Special Edition, do we not only celebrate GospelMusic, but also our Gospel Queen, Jenny Burton, along with many of the best vocalists I ever had the privilege to work with – people like Women: Angela Clemmons, , Branice McKenzie, Jillian Armsberry, Audrey Wheeler, Cat Russell and Margaret Dorn and Danny Madden who also co-created the vocal arrangements with me and Men: Darryl Tookes, John James Keith Fluitt and Lawrence Hamilton. These folks were some A Team! Enjoy a concert of over an hour of life changing Music!Theater of the Imagination is brought to you by Watchfire Music

This week, the internet did what it always does: took something good, something that clearly resonated with real people, and turned it into a battlefield. We're talking about Mixtape — the new game from Beethoven & Dinosaur and Annapurna — and why the so-called "controversy" surrounding it tells you more about gaming culture than it does about the actual game.Because let's be honest: a 2-to-3 hour game with a 95 Metascore on Xbox, thousands of positive Steam reviews, and music from Devo, Joy Division, and the Smashing Pumpkins doesn't NEED the internet's permission to be good. But here we are. We're going to talk about why these faux controversies keep popping up, what they say about who gaming makes room for, and why some people just cannot stand it when a game dares to be an emotional experience without a fail state.Then we get into Saros — Housemarque's spiritual successor to Returnal — and yeah, we have THOUGHTS. Arjun Devraj, Rahul Kohli going absolutely OFF in this performance, cosmic horror on planet Carcosa, and a roguelite loop that somehow got MORE accessible without losing the teeth that made Returnal special. Is it better than Returnal? That's a conversation we need to have.We also sat down with Directive 8020 — the newest entry in Supermassive's Dark Pictures Anthology — which takes the series to space and has y'all fighting alien mimics in the void. Alien meets The Thing in video game form? The story and the Turning Points mechanic are genuinely doing something. The stealth sections though… we'll talk about it.And to close it out: Double Fine — Tim Schafer's legendary studio, makers of Psychonauts and the recently released Kiln — has filed a petition to unionize with the CWA. 42 workers. Microsoft taking a neutral stance. This is big, and it's part of a larger wave rolling through the industry. Workers deserve protection, and this moment matters. We're gonna break it all down.Let's get into it.Twitter/X — https://twitter.com/spawnonmeInstagram — https://instagram.com/spawnonmeYouTube — https://youtube.com/@spawnonmeTwitch — https://twitch.tv/spawnonmeSpotify — https://open.spotify.com/show/spawnonmeApple Podcasts — https://podcasts.apple.com/spawnonme

What can an art exhibition, a concert hall and Classical town tell us about twentieth century German history? On Radio 4's weekly discussion programme, setting the cultural agenda every Monday, Samira Ahmed leads a conversation exploring what inter-war Weimar, the Nazi's obsession with so-called 'degenerate art' and the programming of German music at the Wigmore Hall in London reveal about the course of German history and our responses to it. Katja Hoyer's last book, Beyond the Wall was a history of East Germany which concentrated on the consequences the Nazi rule and the Second World War. Now the Anglo-German Historian has turned her attention to Weimar, the town that gave its name to the ambitious republic whose failure paved the way to Nazism. Looking at the stories of a series of varied individuals, she asks how a nation that prided itself on its culture and civility enabled Nazism and why it haunts us to this day because we fear a repeat. Weimar: Life on the Edge of Catastrophe is BBC Radio 4's Book of the Week for a fortnight.Art historian John-Paul Stonard's new book is The Worst Exhibition in the World: Degenerate Art, 1937. The exhibition of Entartete Kunst ('degenerate art') was held in the Hofgarten arcade in Munich in the summer of 1937. Just a few weeks earlier, the same paintings and sculptures by modern German artists had been on display in some of the most prestigious museums in Germany. An extensive propaganda campaign of confiscation and defamation by the Nazis saw the condemnation of works by Jews, Bolsheviks and the enemies of the German Reich. It remains one of the most visited exhibitions ever - and it shaped views of modern art well into the second half of the twentieth century.Julia Boyd's There is Sweet Music Here: The World of Wigmore Hall tells the story of London's privately run music venue. During the Second World War it was possible for audiences to hear exiled German and Austrian Jewish musicians playing Beethoven among a wide range of recitals. Other concerts programmed included Entartete Musik (forbidden or so-called 'degenerate Music'), including the banned composer Gustav Mahler. Producer: Ruth Watts

Desde su etimología “classicus” el aviso de Primera Clase entre la marineria.Clase rastreable en los homéricos textos, modelo de mágica Perfección, inmutable Armonía. Chopin, Beethoven, Bach o Liszt entre una lista de impronunciables rusos y españoles que no de casualidad recogieron la antorcha como Albeniz, Falla o Rodrigo. Que Gainsbourg los adaptara, que "Whither Shade of Pale” caminara a través de Bach, Strauss introdujera los conciertos de Elvis o “Aranjuez", hablara y aún le hable al mundo, imperecedera magia. El resto, ruido, mientras lo contrario no se demuestre. Las pruebas en esta edición.. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

We'll talk about Beethoven's great “Pastoral” Symphony No. 6 in F Major, Op. 68.

We'll talk about Beethoven's Symphony No. 2 in D Major, Op. 36.

https://www.patreon.com/minnmax - Support MinnMax at the $5 tier on Patreon and we'll DM you Steam codes for EVERY Deconstructeam game: The Cosmic Wheel Sisterhood, Many Nights A Whisper, Gods Will Be Watching, Essays on Empathy, and The Red Strings Club. Offer ends 5/11/26. We'll update this description if we run out of codes. We include a bonus snippet of Ben Hanson, Kyle Hilliard, and MinnMax's production assistant Nick Stefanacci's reaction to the new Star Fox game on Nintendo Switch 2 before diving into the main show that has Janet Garcia, Kyle Hilliard, Jacob Geller, and special guest Kahlief Adams from Spawn on Me diving into the excellent new game Mixtape from Beethoven & Dinosaur in a spoiler-free review. Then we revisit Saros on PlayStation 5 (codes provided by PlayStation), share early impressions of Dead as Disco's rhythm combat, compare the upcoming NBA The Run to NBA Street, and then try to wrap our minds around Xbox'x shifting messaging and the state of gaming news. After all of that, we answer questions submitted on Patreon by the community and award the iam8bit question of the week! You can win a prize and help make the show better by supporting us on Patreon and submitting a question! https://www.patreon.com/minnmax Please watch and share the new MinnMax Spotlight on Virtue and a Sledgehammer from Spain - https://youtu.be/oWntPAOyH8g Check out Kahlief Adams' Spawn on Me podcast here - https://www.spawnonme.com/ Here's a link to the video version of this episode - https://youtu.be/7nxS-s-jlR8 Watch our Star Fox reaction stream here - https://youtube.com/live/0HnYlU71PFA Learn more about the BDS Xbox boycott here - https://bdsmovement.net/news/boycott-microsofts-xbox Help support MinnMax's supporters! https://www.iam8bit.com - 10% off with Promo Code: STRAWBERRYFIELDS https://www.buyraycon.com/minnmax - 15% off earbuds To jump to a particular discussion, check out the timestamps below... 00:00:00 - Intro 00:00:03 - Star Fox Reactions Highlights 00:07:02 - The main show begins 00:11:26 - Check out the MinnMax Spotlight - Virtue and a Sledgehammer 00:14:29 - Mixtape 00:44:25 - Raycon 00:45:45 - Saros 00:59:10 - Dead as Disco 01:09:39 - NBA The Run 01:25:20 - Xbox's messaging 01:53:13 - Thanking iam8bit - https://www.iam8bit.com/ 01:55:09 - Community questions 02:31:32 - Get A Load Of This Janet's GALOT - https://www.kodak.com/en/consumer/product/cameras/digital/charmera-keychain-digital-camera/ Jacob's GALOT - https://www.weezerpedia.com/w/index.php?title=Shrek Hanson's GALOT - https://bsky.app/profile/benjaminreeves.bsky.social/post/3mkt547rz722p Kyle's GALOT - https://bsky.app/profile/kylehilliard.com/post/3ml4baped5s2c Community GALOT - https://www.instagram.com/reel/DX78Au6xATz/?igsh=d2djZWY4cnB5OGVm *Disclosure - Games discussed on MinnMax content are most often provided for free by the publisher or developer.* Support us on Patreon - https://www.patreon.com/minnmax Support MinnMax directly on YouTube - https://youtube.com/minnmax/join Follow us on Twitch - https://www.twitch.tv/minnmaxshow Subscribe to our YouTube channel - https://www.youtube.com/minnmax Subscribe to our solo stream channel - https://www.youtube.com/@minnmaxstreamarchives Buy MinnMax merch here - https://minnmax.com/merch Follow us on Bluesky - https://bsky.app/profile/minnmax.com Go behind the scenes on Instagram - https://www.instagram.com/minnmaxshow This podcast is powered by Pinecast.

Mixtape is a new game from Beethoven & Dinosaur, the studio behind 2021's whimsical musical adventure The Artful Escape. It's Life Is Strange (absent the supernatural) by way of John Hughes. Patrick recently had an opportunity to chat with Mixtape's lovingly eccentric creative director, Johnny Galvatron, and its producer, Woody Woodward, about what it means to make a video game about love, booze, and teenage friendship. Plus, we talk about Weezer.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Molly, Alan, and Max watch as a dog single-pawdedly works to stop a corrupt (and evil) vet from his dastardly animal testing deeds.