Podcasts about Ludwig van Beethoven

- Beethoven wyjechał z Bonn do Wiednia, ponieważ chciał studiować w Wiedniu. Podobnie było z Haydnem. Myślę, że wiele motywów z późnych symfonii Haydna ma swoje korzenie w Europie Wschodniej, a nawet na Bałkanach. Uważam, że geograficzna bliskość Europy Wschodniej jest ważną częścią historii niemieckiej muzyki - mówił w Dwójce dyrygent Thomas Sanderling.

Today on the podcast we're celebrating - JOY! Beethoven composed his iconic 9th Symphony after he had gone completely deaf, a beautiful miracle in and of itself. We'll hear the original poem by Friederich Schiller - 'Do you feel the Creator's Presence? / Seek Him beyond the Stars! / He must live beyond the Stars.' This is an episode to put headphones on and turn the volume way up. An invitation to pause, listen, and rejoice. Wishing everyone a beautiful holiday week! Happy Thanksgiving!  ---- Subscribe to Born of Wonder on Substack https://bornofwonder.substack.com Support Born of Wonder on Patreon https://www.patreon.com/bornofwonder  www.bornofwonder.com -------     Ode to Joy by Friederich Schiller Joy, thou shining spark of God, Daughter of Elysium, With fiery rapture, goddess, We approach thy shrine! Your magic reunites those Whom stern custom has parted;* All men will become brothers* Under your protective wing. Let the man who has had the fortune To be a helper to his friend, And the man who has won a noble woman, Join in our chorus of jubilation! Yes, even if he holds but one soul As his own in all the world! But let the man who knows nothing of this Steal away alone and in sorrow. All the world's creatures draw Draughts of joy from nature; Both the just and the unjust Follow in her gentle footsteps. She gave us kisses and wine And a friend loyal unto death; She gave the joy of life to the lowliest, And to the angels who dwell with God. Joyous, as His suns speed Through the glorious order of Heaven, Hasten, brothers, on your way Exultant as a knight victorious. Be embraced, all ye millions! With a kiss for all the world! Brothers, beyond the stars Surely dwells a loving Father. Do you kneel before Him, oh millions? Do you feel the Creator's presence? Seek Him beyond the stars! He must dwell beyond the stars.   Beethoven Symphony No. 9 - Mvt. 4 - Barenboim/West-Eastern Divan Orchestra https://www.youtube.com/watch?v=ChygZLpJDNE&t=300s 

Los antecedentes y causas de la actual guerra en Ucrania. Adrián Perales y Antonio García-Trevijano Forte, 11 de abril del 2015. https://www.ivoox.com/rlc-es-posible-reforma-regimen-audios-mp3_rf_6588858_1.html Música: ültimo mov. 3ª sinfonía de Beethoven. ---------------------------- Escucha la lista de reproducción de los florilegios de Trevijano: https://go.ivoox.com/bk/9608366 ---------------------------- ----------- ¡APÓYANOS! - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info.

The jazz protégé recently released a self-titled album paying homage to greats from Duke Ellington, Janis Joplin, Billie Holiday, and Ludwig van Beethoven to Queen and Nine Inch Nails

durée : 01:33:39 - Relax ! du lundi 20 novembre 2023 - par : Lionel Esparza - Pour contrer la mélancolie de novembre, une solution s'offre à vous : la musique ! Découvrez aujourd'hui les concerts de la semaine à ne pas manquer. Disque de légende : l'intégrale des quatuors de Beethoven par le Quatuor Hongrois.

durée : 00:17:41 - Disques de légende du lundi 20 novembre 2023 - Fondé en 1936, le Quatuor Hongrois, fut l'un des quatuors stars du XXème siècle. Il est particulièrement célèbre pour son intégrale des quatuors de Beethoven, dont l'interprétation reste une référence.

The jazz protégé recently released a self-titled album paying homage to greats from Duke Ellington, Janis Joplin, Billie Holiday, and Ludwig van Beethoven to Queen and Nine Inch Nails

SynopsisOn today's date in 1805, Beethoven's opera, Leonore, had its premiere at the Theater an der Wien in Vienna, after many postponements due to getting the opera's libretto approved by government censors and the orchestral parts copied in time. There was also the little matter of the Austrian capital being occupied by French troops as Napoleon was sweeping across Europe.The cream of Viennese society had fled by the time Napoleon arrived, so the skimpy audience for the premiere performance of Beethoven's opera included a good number of French soldiers. What they made of Beethoven's opera, which tells the story of a woman rescuing her husband from a political prison, is anybody's guess.As usual, the Viennese critics were not impressed. One wrote, “There are no new ideas in the solos, and they are mostly too long. The choruses are ineffectual and one, which indicates the joy of prisoners over the sensation of fresh air, miscarries completely!”After several revisions and the eventual departure of the French, even the critics came to accept Beethoven's opera — retitled Fidelio — and in particular the “Prisoners' Chorus,” as one of Beethoven's most moving creations.Music Played in Today's ProgramLudwig van Beethoven (1770-1827) Overture and Prisoner's Chorus, from Fidelio; Dresden Opera Chorus and Orchestra; Bernard Haitink, cond. Philips 438 496

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

"Tasmā. Per non prendersi troppo sul serio", audiolibro Capitolo 18 – Beethoven di Ajahn Mahapañño Voce di Vittorio Bianco (Pemanādo)

On Saturday November 23rd, 1963, with the country in a state of shock and mourning, Music Director Erich Leinsdorf led the Boston Symphony orchestra in the compositions of Gluck, Wagner, and Beethoven. John Kennedy was the grandchild of former famous Boston mayor John “Honey Fitz” Fitzgerald. The concert was given at Symphony Hall in honor of the slain son of Boston. Elsewhere, numerous famous people gave statements on the assassination. The next morning, Sunday November 24th, despite being surrounded by a crowd of police officers at the Dallas Police headquarters, Lee Harvey Oswald was shot and mortally wounded by nightclub owner Jack Ruby on live TV while being transported to the Dallas County jail. Ruby shot Oswald in the abdomen, at point blank range, with a .38 caliber revolver. The shooting took place at 11:21 a.m. local time. Oswald was taken into surgery at Parkland Memorial Hospital. He died at 1:07 p.m., never to face trial. That Sunday, thousands of people around the world went to Sunday mass in memory of the fallen President. Later an LP called That Day With God was produced with excerpts from several of these inspirational expressions. It included Pope Paul VI, The Archbishop of Canterbury and Richard Cardinal Cushing. I'll let Henry Fonda read the last one.

‘Prelude' is de opmaat naar het AVROTROS Vrijdagconcert! Bertie Baigent, winnaar van het Rotterdams Dirigentenconcours, leidt het Orkest van de Achttiende Eeuw in muziek van Beethoven en Mayer. Toetsenvirtuoos Olga Pashchenko soleert in Clara Schumanns Pianoconcert. Gastspreker: dirigent Coen Stuit Behind the scenes: marketeer Pieter Peverelli Meer info & kaarten (https://www.nporadio4.nl/concerten/1097d627-34d5-46ce-b42e-a536bc59cdd8/karina-canellakis-met-mahlers-eerste-symfonie) In deze nieuwe podcast vertelt presentator Leonard Evers je iedere week meer over de bijzondere stukken die gaan klinken in TivoliVredenburg én op NPO Klassiek. Dat doet hij samen met verschillende gasten die in de studio aanschuiven. Aan de hand van muziekfragmenten word je warm gemaakt voor de mooie composities die je te wachten staan. Aboneer je nu! Alles over het AVROTROS Vrijdagconcert (https://www.nporadio4.nl/programmas/avrotros-vrijdagconcert) Prelude-Spotifylijst 'Leonards luistertips' (https://open.spotify.com/playlist/0HnaH8gzitGVB6zboIzgbu)

Esta semana o maestro João Maurício Galindo respondeu perguntas dos ouvintes da Rádio Cultura FM sobre o que é um corno de bassetto, o maestro explica um pouco sobre os movimentos sincronizados dos arcos dos instrumentos de uma orquestra, falou um pouco sobre a catalogação dos concertos de Beethoven, explicou também o motivo de as óperas não serem traduzidas para o português e qual é a diferença entre recital, concerto e sarau. Descubra as respostas no resumo do "Pergunte ao maestro" desta semana. O programa ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pergunte ao Maestro⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, vai ao de segunda a sexta-feira, às 10h e às 15h da tarde pela ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rádio Cultura FM⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ de São Paulo, 103,3.

Conductor Stanisław Skrowaczewski spent 19 years as music director of the Minnesota Orchestra, from 1960 to 1979, during which time he developed it into one of the finest orchestras in North America. They made many recordings together, mostly for the VOX and Mercury labels, from which Raymond Bisha has selected two remastered albums from the VOX catalogue that demonstrate their distinguished achievements. The programmes of music by Beethoven and Mozart include Mozart's Piano Concertos Nos. 17 and 27, featuring Walter Klien as soloist.

What Petco fish is very popular nowadays? Can you fill up this cup? And is this show connected to literally every other TV show, movie, and song in the universe? Find out as we take a bite out of Season 3, Episode 22 of Family Matters.Alex Diamond, David Kenny, and John McDaniel heard that the long-running network sitcom Family Matters ends with side character Steve Urkel going to space. And the best way to figure out how that happened - obviously - is to watch the last episode first and make our way backwards through nearly ten years of television.Join our countdown to number one (and our slow descent into madness) in all the places you expect internet people to be:Website: jumpingtheshuttle.spaceEmail: jumpingtheshuttle@gmail.comInstagram: @JumpingTheShuttle / @ThatAlexD / @dak577Twitter: @JumpingShuttle / @ThatAlexD / @dak577TikTok: @JumpingTheShuttle / @ThatAlexD / @dak577Brought to you by Smooth My Balls

Im Juni 2022 hat sich Yunchan Lim beim Van-Cliburn-Klavierwettbewerb die Goldmedaille erspielt und wurde über Nacht wurde zum Star, um den sich Agenten und Plattenlabels reißen.Am 15. November konnte man sich in der ausverkauften Isarphilharmonie von Lims Können überzeugen, als er mit den Münchner Philharmonikern unter Myung-Whun Chung Beethovens Viertes Klavierkonzert spielte.

Bine v-am regăsit, prieteni. Ne revedem pe final de toamnă bucuroși și onorați de întâlnirea cu Horia-Roman Patapievici. Fascinant, cu adevărat! Altfel, vă povestim despre satele săsești în care am fost și în care am văzut lucruri extraordinare, avem câteva recomandări de spectacole, iar cărțile au locul lor binemeritat. Este episod și cu Diana Popescu, care are o mulțime de propuneri culturale. Încheiem cu recompense culinare. Duminică dimineață, pe 19 noiembrie, de la 10,30, ne vedem la Ateneul Național din Iași, iar în decembrie, pe 16, vom fi la Timișoara. Foarte curând vom reveni cu linkul pentru bilete.   00:00 - Un cântec patriotic, câteva bancuri și intrăm în culise la Gala Centenarului Monica Lovinescu. Ne delectăm cu un fragment de Beethoven 16:26 - Am fost prin țară, cu filmări, și vă spunem ce locuri minunate am văzut  31:57 - Fascinantă întâlnirea cu Horia-Roman Patapievici 2:08:02 - Agenda noastră în următoarea perioadă. Neasteptările vin cu o piesă foarte faină 2:14:40 - Spuma Filelor îi aduce pe Golda Meir - Viața mea, Alexandru Călinescu - O lume care a luat-o razna, Agustina Bazterrica - Noi, carnivorii, Jorge Ibargüengoitia - Fetele moarte 2:43:14 - E vremea pentru câteva expresii explicate 2:50:12 - Diana Popescu recomandă “10 lucruri pe care le-am pierdut la Festivalul Mamaia”, un spectacol la Teatrul de Stat Constanța, ”Dual” la Teatrelli, expozițiile de la MNAC  

Tue, 14 Nov 2023 19:01:08 +0000 https://rockfordsymphony.podigee.io/81-beethovens-fifth 158f4577a83719f0fd89663620b89387 81 full with host Phil Davidson no Rockford Symphony Orchestra

I love when "new to me" bands reach out asking to check out their music out.  It's one of the cool aspects of running a metal podcast.  Vox Nostra dropped me a DM on Instagram about a month prior from the date of this release asking to check out their debut single "Façade".  Upon the pressing of the play button, the riff begins and I got drawn into blast beats and melodic tapping followed by some pretty brutal vocal arrangements.  After hearing the entire track, I hit them back asking them to save the Sunday because I had a cancellation.  Fortunately they were getting together for practice so it really worked out for everyone so Nathan Buckhoff (vocals) and Jay Ramirez (bass/band dad) joined me for an interview.Vox Nostra is a brand new band, not to just me but, to everyone.  Formed back in May 2022, this 4-piece techdeath/melodic outfit of Houston, TX, Vox Nostra is trying to make their way in the local metal scene.  We started off by getting to know the members, what they do.  Nathan explains how he started is music career with a leap pad learning classical music to using his GI Bill to go to school for music.   Shout out to the Veteran's out there in and out of the music scene.  Semper Fi!We chat about their plans as a band for the for foreseeable future, to include their debut show alongside Upon A Burning Body which is going down Dec 17th, 2023 at Scout Bar in Houston, TX.  To know more about them as humans, Nathan is a commercial real estate agent and Jay is the musical director at The School of Rock in Houston, TX.  Jay lets us in on his teachings and instructing kids to adults and how to be successful in that space.Jay's final comments don't age well about the Astro's.Message from the band : “Vox Nostra is on mission to push our boundaries as musicians. We aspire to deliver the catchiest riffs, most punishing drum beats, thunderous bass, and otherworldly vocals that we can produce. Come along on this journey with us cause it's only gonna get better from here.”Episode Info:Bandcamp: https://voxnostra.bandcamp.com/FB: https://www.facebook.com/voxnostraofficialIG: https://www.instagram.com/voxnostratx/Intro track: "Common Flow" by ArborennaFeatured track: "Facade" by Vox NostraATXMP Website: https://www.atxmp.com/Sponsors:Come and Take It Productions: https://www.comeandtakeitproductions.com/Come and Take It Live: https://www.comeandtakeitlive.com/Bumperactive: https://www.bumperactive.com/Titan Audio Productions: https://titanaudioproductions.com/Texas Metal United: https://www.facebook.com/TexasMetalUnited

durée : 00:58:41 - Herbert Blomstedt, bienveillant doyen de la direction d'orchestre - par : Aurélie Moreau - « Je reste jeune grâce à la musique » disait en 2020 Herbert Blomstedt. A 96 ans aujourd'hui, il poursuit avec bonheur son activité de chef d'orchestre. Parmi ses nombreux enregistrements voici des œuvres de Beethoven, Sibelius, Bartók et Nielsen.

A lo largo del programa, y en clave de tertulia, hablamos de historias, momentos o acontecimientos históricos más o menos famosos en los que la Química estuvo presente de forma importante. De esta forma hablamos de los Romanos, de Beethoven o Goya al hablar del plomo; de las cerilleras que en 1888 iniciaron una huelga en Londres entre otras cosas por las enfermedades que causaba trabajar con fósforo blanco; y de la vitamina C y los problemas que causó su ausencia en las grandes exploraciones marítimas de antaño. Todo esto de la mano de Dani Torregrosa, Ginesa Blanco y Álvaro Martínez.

A lo largo del programa, y en clave de tertulia, hablamos de historias, momentos o acontecimientos históricos más o menos famosos en los que la Química estuvo presente de forma importante. De esta forma hablamos de los Romanos, de Beethoven o Goya al hablar del plomo; de las cerilleras que en 1888 iniciaron una huelga en Londres entre otras cosas por las enfermedades que causaba trabajar con fósforo blanco; y de la vitamina C y los problemas que causó su ausencia en las grandes exploraciones marítimas de antaño. Todo esto de la mano de Dani Torregrosa, Ginesa Blanco y Álvaro Martínez. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Acteur, schrijver en fotograaf Thom Hoffman speelt in het vertelconcert ‘Beethoven – wie ben je?'. In de voorstelling vertelt hij samen met het muzikale ‘Storioni Trio' over het leven van de componist Beethoven. Hoffman is als acteur bekend van rollen in films als ‘Zwartboek' en ‘De Avonden', en speelde recent in de serie ‘Klem'.                                                                                            Presentatie: Frénk van der Linden

The show that strives to provide the BEST music EVER written, performed, and recorded, this show, along with historical and composition notes, runs the musical gamut from Beethoven to Pablo Cruise, from Mozart to Buddy Rich, from Miles Davis to Segovia, from Count Basie and Brahms, to the Temptations and Frank Sinatra. You will not be disappointed with the music on this show!  Plus, with Paul's anecdotes and tidbits from his own performing and composition career, you will walk away each day a bit enlightened with the world of music! On our radio station at 1:00 pm ET and 11:00 pm ET seven days/night a week! http://streaming.radio.co/sb17f7f4fa/listen Brand new show every MONDAY at: 1:00 pm ET WebPage: https://pod.co/impactclassics

This week's winning hand from the rock and roll card deck includes … … a silver salute to musicians who don't dye their hair. … did Al Pacino play Phil Spector? Roger Daltrey as Franz Liszt? Was Gary Oldman Joe Strummer? … rock stars you'd swap lives with. … the “theme-park-ification” of pop music. … the mysteries of rock and roll are slowly evaporating. As Tom Waits said: “before the internet, we used to wonder. I miss the wondering.” … the immortality of the Florida salesman who appears on the cover of Abbey Road (and had obituaries when he died). … why Leonard Cohen thought his romance with Joni Mitchell was “like living with Beethoven”. … how a split-second made and destroyed the lives of two photographers covering Lee Harvey Oswald at the Dallas Police Headquarters. … musicians who look even better older.   … how Pink Floyd helped kick-start rock's love affair with football.   … the unenviable world of Robbie Williams.   ...and is Abba the only act that works as holograms? Plus Led Zeppelin's Victorian Wiltshire thatcher and birthday guests Mike Sketch and Peter Petyt.Tickets for Word In Your Ear live at 21Soho in London on November 27th: https://www.tickettext.co.uk/ZOthfatjxiSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week's winning hand from the rock and roll card deck includes … … a silver salute to musicians who don't dye their hair. … did Al Pacino play Phil Spector? Roger Daltrey as Franz Liszt? Was Gary Oldman Joe Strummer? … rock stars you'd swap lives with. … the “theme-park-ification” of pop music. … the mysteries of rock and roll are slowly evaporating. As Tom Waits said: “before the internet, we used to wonder. I miss the wondering.” … the immortality of the Florida salesman who appears on the cover of Abbey Road (and had obituaries when he died). … why Leonard Cohen thought his romance with Joni Mitchell was “like living with Beethoven”. … how a split-second made and destroyed the lives of two photographers covering Lee Harvey Oswald at the Dallas Police Headquarters. … musicians who look even better older.   … how Pink Floyd helped kick-start rock's love affair with football.   … the unenviable world of Robbie Williams.   ...and is Abba the only act that works as holograms? Plus Led Zeppelin's Victorian Wiltshire thatcher and birthday guests Mike Sketch and Peter Petyt.Tickets for Word In Your Ear live at 21Soho in London on November 27th: https://www.tickettext.co.uk/ZOthfatjxiSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

The abstract painter Mali Morris is fascinated by colour and light, and has been exploring their possibilities in her work for more than 50 years. She was born in Wales and studied at the University of Newcastle, where the Pop Art pioneer Richard Hamilton was one of her teachers. He brought her and fellow students news of New York which she says “seemed as far away to me as the moon”. Mali herself taught at a number of art schools including Chelsea, the Slade School and the Royal College of Art. She was elected a Royal Academician in 2010, and last year, flags made from her work hung above Bond Street, not far from the Academy, in a riot of joyous colour. She currently has a major exhibition at the Ikon Gallery in Birmingham. Her musical choices include Bach, Beethoven, Vivaldi and some blues singing and whistling by Professor Longhair.

durée : 01:58:45 - Sergiu Celibidache (1912-1996) "sur le vif" - par : Philippe Cassard - Quelques extraits de concerts mémorables du grand chef roumain, qui galvanisait les orchestres. Sergiu Celibidache dirige des oeuvres de Johann Strauss, Stravinsky, Beethoven et Brahms (concerts des années 60 et 70). - réalisé par : Pierre Willer

As his new album Letter(s) to Erik Satie is set to be released, the French pianist Bertrand Chamayou talks to presenter Tom Service about the connections he sees between the visionary composers it features, including John Cage, James Tenney and Erik Satie, and how the project took him to places he'd never been before. He tells Tom how collaborating with the soprano Barbara Hannigan opened the door for this Satie project, about the unpredictability of the recording process, and how he'd like classical music performance to become more like visual art. Tom travels to Bristol's The Galleries shopping centre, home of Bristol's Eye Hospital Assessment centre, to visit a new installation featuring the testimony of 100 voices from across 12 NHS hospitals - including doctors, porters, nurses, consultants, and patients - which have been curated into an hour-long immersive experience. Providing a therapeutic space for contributors to express themselves, and an opportunity for audiences to contemplate the lived experience of hospital communities, Tom learns how the project's composer, Hannah Conway, and librettist, Hazel Gould, created four arias around common themes they encountered, and hears how they've become creatively projected into a bespoke structure that will tour Bristol, London, Preston and Addenbrooke over the coming weeks. With contributions, too, from Manager at NHS Lancashire Teaching Hospitals, Dipa Dave, and Head of Arts at Cambridge University Hospitals NHS Foundation Trust, Natalie Ellis. Also today, as the West-Eastern Divan Ensemble prepares to perform a concert including Mendelssohn, Beethoven and Carter at the Queen Elizabeth Hall in London this weekend, the violinist Michael Barenboim tells Music Matters how, despite the situation in the Middle-East, the collaborative principles behind his father's and Edward Said's orchestra – which seek to bring together Arab, Palestinian and Israeli musicians – are more important than ever. And the composer Jack van Zandt - author of a new book, Alexander Goehr, Composing a Life - speaks to Tom about the ongoing teacher-pupil relationship he's developed under the tutelage of Alexander - Sandy - Goehr, and how Olivier Messiaen, Pierre Boulez, and among others, Richard Hall, have in turn provided tuition and inspiration across Sandy's musical life.

Ludwig van Beethoven - Piano Trio No. 1: 1st movementXyrion TrioMore info about today's track: Naxos 8.557724Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Hello old friend! You're probably back because your love of 70s music is a living thing, and you're not about to give it up or turn it loose. That'll be the day, but tonight's the night we get the lowdown on the Billboard Top 40 from the Week of November 13, 1976. Will it be like visiting the best disco in town?  Will they play that funky music, a dose of rock and roll or maybe even a fifth of Beethoven? Link to a listing of the songs in this week's episode: https://top40weekly.com/1976-all-charts/#US_Top_40_Singles_Week_Ending_13th_November_1976 Data Sources: Billboard Magazine, where the charts came from and on what the countdown was based. Websites: allmusic.com, songfacts.com,  wikipedia.com (because Mark's lazy) Books: “Ranking the 70's” by Dann Isbell, and Bill Carroll “American Top 40 With Casey Kasem (The 1970's)" by Pete Battistini. Rejected Episode Titles: Duck Play That Funky Music Rubberband Man The Wreck of the Disco Nadia's Theme? Shake Your Booty Do You Feel Like a Dose of Rock ‘N' Roll A Fifth of Beethoven, the Magic Man  Some points of interest we discussed in this episode: Generation Jones:  https://en.wikipedia.org/wiki/Generation_Jones The Charismatic Voice: ANALYSIS of Gordon Lightfoot's "Wreck of the Edmund Fitzgerald": https://www.youtube.com/watch?v=kJJIF2PC82E Electric Light Orchestra - Livin' Thing (Official Video): https://www.youtube.com/watch?v=lvBOZCrJsAI

La tarde soleada, camino al estadio, vamos de visita al Coloso de Santa Úrsula. Clásico capitalino mexicano en el Estadio Azteca. América vs Pumas. Un amigo circunstancial y la policía ECDQEMSD podcast El Cyber Talk Show - episodio 5649 Mis Amados Pumas Conducen: El Pirata y El Sr. Lagartija https://canaltrans.com Historias Desintegradas: La caída del muro de Berlín - Política y división - Un ciudad partida a la mitad - El control y el cruce - Fin de la Guerra Fría - La música para el acontecimiento - Beethoven, Mozart, The Wall, Bowie - Good Bye Lenin - Günter Grass y Es Cuento Largo - Crónica de una pasión futbolera - Cámara carnal - Escondan las cervezas - El pendenciero del metro - Miradas desafiantes - La mochila de Los Caballeros del Zodíaco - Tiro cantado - La Tía Juana - Historia viajera - Entradas y salidas - Día Carl Sagan - La divulgación científica y más... https://www.canaltrans.com/ecdqemsd_podcast_2023/5649_mis_amados_pumas.html En Caso De Que El Mundo Se Desintegre Podcast no tiene publicidad, sponsors ni organizaciones que aporten para mantenerlo al aire. Solo el sistema cooperativo de los que aportan a través de las suscripciones hacen posible que todo esto siga siendo una realidad. Gracias Dragones Dorados: https://www.canaltrans.com/radio/suscripciones.html

New Classical Tracks - Shai Wosner by Shai Wosner – Beethoven Diabelli Variations (Onyx Classics)“He was asked to provide one variation. And at first, according to the legend, he dismissed the whole project and decided, ‘This is beneath me. I don't need this, and I don't have time for this.' I never quite bought that,” pianist Shai Wosner says about Ludwig van Beethoven's Diabelli Variations, which are featured on his latest release.Anton Diabelli was a publisher and a composer. He had the idea of commissioning several composers each to write one variation on his little waltz. He would then publish them as a collection.Wosner says Beethoven looked at this basic waltz and, in true Beethoven style, transformed it into something magnificent.“I'm convinced that he saw this as a way to channel the idea that in life,” the Israeli-born American pianist says. “It doesn't matter what you start with, but rather what you do with it, what you do with yourself, what you do with your place in the world. I really think that by extension, this is the source of the idealism in Beethoven's music.“This piece, more than any other piece of Beethoven's, is about that idea. In other pieces, the impulse comes from him. He has the initial idea, his own motif. In this case, it's a rare example where he's getting something from someone else. And the impetus for writing the piece doesn't come from him.“The tradition of writing a set of variations usually leaves the theme in the center. Here we have something profoundly different. The theme is only a point of departure. You hear it once and it's very short, shockingly short. And already from the first variation, Beethoven is kind of stomping on it and casting it aside, because the very first variation is a sort of march.“And it's clear that Beethoven is aiming for us to feel like each variation is completely different from the last. It's like he's asking, ‘You didn't think we could end up here, did you? Starting with that little waltz? How about this?' And that's really the point of of the whole thing. It's a series of miniatures, if you will. A whole journey.”What is the journey he's creating?“I would say the first 13 variations, which are a big chunk of the piece, are in the tongue-in-cheek vein. The mindset is a little bit closer to the waltz, which is really quite lively and doesn't take itself too seriously.“And then there's a turning point because there is Variation 14, which is very slow and much longer than any of the others that preceded it. It's like a reminder. You forgot this is late Beethoven; this is philosophical stuff. And it's like a meditation. Time comes to a complete standstill. And then after that the piece is never quite the same anymore. It gets much more ambitious after that.“And all of a sudden you have Variations 29, 30 and 31. Those three are the most touching and most personal confession that you can imagine. And especially Variation 31 is probably the closest we can ever get to being in the room with him as he's improvising.“It's really unbelievable. It's like it's just you and the music — just you and Beethoven's endless imagination.”To hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts. Watch on YouTubeResourcesShai Wosner – Beethoven Diabelli Variations (Amazon)Shai Wosner – Beethoven Diabelli Variations (Onyx Classics)Shai Wosner (official site)

Károly (Karcsi) Schranz was the original second violinist of the Grammy award winning, Takács String Quartet, who were also winners of the Evian and the Portsmouth International String Quartet competitions and annually performs throughout the world's most prestigious concert halls since its forming at the Franz Liszt Academy in Budapest, Hungary. Kárcsi, who makes his home in Boulder, Colorado, where the Takács have been in residence at the University of Colorado, retired from the quartet in 2018, after a 43-year storied career. Karcsi and I chat about the struggles of member changes in quartets, his early childhood and starting the violin in the Cold War era Hungary, recording the quartet's acclaimed Bartók and Beethoven cycles for Decca records to answering the Magnificent Seven Questions. The Secrets of Beethoven segment, Karcsi and I delve into the hilarious story behind the premier of the op.130 string quartet in Vienna, but more importantly the Grosse Fugue, the original final movement of the quartet, which became the biggest musical scandal of that day. #BBB #Beethoven #Bad Boy #Jae Cosmos Lee #A Far Cry #Chamber Orchestra #Self Conducted #Cape Symphony #Concertmaster #classical #Chamber Music #String Quartet #Takàcs Quartet #founding member #second violin #Beethoven String Quartet #Bartók String Quartet #Károly Schranz #Karcsi #University of Colorado #Boulder #Budapest #Musikás #Hungary #Decca #violin #viola #cello --- Support this podcast: https://podcasters.spotify.com/pod/show/beethovenbadboy/support

Welcome back to the Ready Set BBQ podcast, your go-to destination for the latest and most exciting happenings around the world! In this episode, we talk about the college and NFL Football, Halloween parties and costumes, Longhorn football game, dog birthday bbq, and the suite life.  0 mins We are back and Jaime, Hiram and myself are back together.  Hiram takes a few minutes to gloat about a bet he and Jaime had.  We go over some of the outcomes of this weekends college and NFL Football games.  We talk about Halloween and how it wasn't that big of a deal for us this year.  We talk about Halloween parties and some of our favorite types of costumes.  10:00 mins BBQ Time - Jaime and I make a trip to see the Longhorns in Austin.  Thought we didn't get to hit any barbecue spots, Jaime has a review about the food offerings at the Longhorns stadium.  We get pretty beat up by the mid-day sun and don't feel up to going out on the town on Halloween weekend.  I talk some barbecue as I cook up some tenderloin filets for my ride or die Beethoven's birthday.  The Pawty continues as we take it into the night grilling up some fajitas, chicken and jalapeno sausage poppers.  I talk about our upcoming cookoff in Edinburg at the South Texas Smokefest where we will attempt to defend our Reserve Grand Champion call from last year.  30:00 Hiram tells us about the suite life and how he doesn't think he can go back to sitting where all the regular people sit to watch a concert.  He breaks down the suite living packages at the Crypto.com arena in Los Angeles.  The podcast gets a little somber as we remember one of our and everyone's friends Mathew Perry.  RIP.  A bunch of joes that cook like pros!!!Melissa Bankard Famer's Insurance Melissa Bankard - Farmers Insurance Agent in Richardson, TXInsurance Made by You Insurance Made by YouSteak Cookoff Association Steak Cookoff Association - Home (steakcookoffs.com)Palmer Drug Abuse Program - McAllenPalmer Drug Abuse Program (pdapmcallen.org)Website/Shop https://www.readysetbbq.com/Facebook Page https://www.facebook.com/readysetbbqElda's Kitchen Home - Elda's Kitchen (eldaskitchen.com)Melissa Bankard Farmers Insurancehttps://agents.farmers.com/tx/richardson/melissa-bankard

Via Wikipedia In general the symphony is sunny and cheerful, with light instrumentation that for some listeners recalls the symphonies of Joseph Haydn, with whom Beethoven had studied a decade before.[13] In a commentary on the symphony Grove comments that Haydn – who was still alive when the new symphony was first performed – might have found the work too strong for his taste.[2] The Fourth Symphony contrasts with Beethoven's style in the previous Third Symphony (Eroica), and has sometimes been overshadowed by its massive predecessor[n 4] and its fiery successor, the Fifth Symphony.[2] --- Support this podcast: https://podcasters.spotify.com/pod/show/musicspeaks-podcast/support

durée : 00:58:39 - Karl Böhm, l'expression du classicisme - par : Aurélie Moreau - Chef admiré dans Beethoven, Wagner, Bruckner, Richard Strauss dont il fut un interprète privilégié, ou Alban Berg, Karl Böhm a toujours exprimé son amour pour Mozart. Sa maîtrise du répertoire symphonique et de l'opéra est restée légendaire.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of manipulation, religion. It's time for a new spin around the world of documentaries, and we're starting things off with a certified gem that David brings from his “important film” days. In 1966, door-to-door sales were almost completely dead, but that didn't stop Albert and David Maysles from centering their first-ever film on the subject. Their documentary was honed and crafted from 100 hours of footage and four men giving their best pitches for the Greatest Book Ever Written, and completely self-distributed. But the final result is one of the most incisive, thoughtful and honest portrayals of hustle committed to film, and a true breakthrough for documentary filmmaking. We discuss Salesman for our second ever Documentary series this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the film Salesman, copyright 1968, 2001 Maysles Films Inc. All rights reserved. Excerpt taken from the piece “Orson's Theme” from the film F for Fake, written and composed by Michel Legrand. Copyright 1975 Les Films de L'Astrophore.

The show that strives to provide the BEST music EVER written, performed, and recorded, this show, along with historical and composition notes, runs the musical gamut from Beethoven to Pablo Cruise, from Mozart to Buddy Rich, from Miles Davis to Segovia, from Count Basie and Brahms, to the Temptations and Frank Sinatra. You will not be disappointed with the music on this show!  Plus, with Paul's anecdotes and tidbits from his own performing and composition career, you will walk away each day a bit enlightened with the world of music! On our radio station at 1:00 pm ET and 11:00 pm ET seven days/night a week! http://streaming.radio.co/sb17f7f4fa/listen Brand new show every MONDAY at: 1:00 pm ET WebPage: https://pod.co/impactclassics

durée : 01:28:00 - En pistes ! du lundi 06 novembre 2023 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour débuter cette semaine, Emilie et Rodolphe vous proposent d'entendre du violoncelle, du piano, mais aussi des voix éclatantes et des ensembles divers et variés, dans la musique de Poulenc, Beethoven, Saint-Saëns, Bach, sans oublier celle de Jean Lecocq et Franz Berwald. En pistes !

Donald Macleod explores Beethoven's life through his most iconic works Beethoven remains one of the most lauded composers in history, famed for both his music, and for his personal triumph as a musician over the adversity of his catastrophic hearing loss. Donald Macleod takes five of Beethoven's most iconic works, spread out through the composer's life, and tracks the journey of each of them. Through these stories, Donald discovers both the pieces' direct importance to the composer, and also finds wider issues which each of them point to in the general life of a complex, and troubled man. From his carefully stage-managed debut on the Viennese scene as a young man, and his steadily increasing anguish at the loss of his hearing, and the betrayal by Napoleon of his political ideals, to the close relationship between Beethoven and his most loyal patron, and the composer's late credo of joy through suffering which allowed him to continue to flourish artistically despite all of his personal demons. Music Featured: Symphony No 7 (IV. Finale) Piano Quartet No 1 in E-flat major, WoO 36 (II. Allegro con spirito) Cantata on death of Emperor Joseph II (I. Todt! Todt!; III. Da kam Joseph) Piano Sonata in C major, Op 2`3 (IV. Allegro Assai) Piano Concerto No 1 in C major, Op 15 (1st movement) The Creatures of Prometheus, Op 43 (Overture) Piano Sonata No 12 in A-flat, Op 26 (III. Funeral march on the death of a hero) Christus am Olberge, Op 85 (III. “Meine seele ist erschuttert”) An die hoffnung, Op 32 Symphony No 3 in E-flat major, Op 55 “Eroica” (I. Allegro con brio) Leonore, Op 72a (original version, 1805), Act I Nr. 12. Finale “O, welche Lust, in freier Luft" Ich bin der Herr von zu, Du bist der Herr von von, WoO 199 Piano Concerto No 4 in G major, Op 58 (III. Rondo) Symphony No 5 in C minor, Op 67 (IV. Allegro) Piano Sonata No 26 in E flat major, Op 81a “Les Adieux” (I. Das lebewohl) Piano Trio in B flat major, Op 97 “Archduke” (I. Allegro Molto) Missa Solemnis in D major, Op 123 (Gloria; Quoniam) Piano Sonata No 29 in Bb major, Op 106 “Hammerklavier” (II. Scherzo) Adelaide, Op 46 Sonata for Cello and Piano in D major, Op 102 An die ferne geliebte, Op 98 Symphony No 8 in F major (IV. Allegro Vivace) Piano Sonata No 29 in Bb major, Op 106 “Hammerklavier” (IV. Largo – Allegro risoluto) Symphony No 9 in D minor, Op 125 “Choral” (Finale (excerpt)) Piano Sonata No 32 in C minor, Op 111 (I. Maestoso) Missa Solemnis in D major, Op 123 (Credo: Et Incarnatus Est) Diabelli variations in C major, Op 120 (excerpt) Grosse Fuge in B flat major, Op 133 Presented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales and West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Ludwig van Beethoven (1770-1827) https://www.bbc.co.uk/programmes/m001rr0t And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Did you think we'd wrap up the show without giving The Kardashians the FANTI treatment? This week, jarrett & Tre'vell enlist the help of guests Amber Abundance and Archie Jay (Archie: The Podcast) to get into the impact that the family empire has had on the culture–beauty and femininity, media, and especially, the Black community. But first, a Pass The Popcorn segment on Flava Flav's national anthem performance at the Milwaukee timberwolves basketball game. Share your thoughts on what you love about the show with us! Speakpipe.com/FANTIMentioned In This EpisodeFlava Flav Diego La Velle Cevallos-GarzonDIS/Honorable Mentionsjh:HM: Jon Batiste turning Beethoven into BluesHM: Taking On Taylor Swift (MAX Original)HM:Jordie Rae interview on “Do I Know You?” hm: Cumin. Yes, the spice.. TAHM: The documentaries, Silver Dollar Road and After Sherman HM: gOD Talk documentaryOur Sponsors This WeekMuseum of Flight “A Queer History of Aerospace” is a new audio miniseries from The Museum of Flight premiering October 24th, It explores the ways the LGBTQ+ community has shaped aviation and space exploration, and the ways the industry has impacted LGBTQ+ community. The ultimate goal is to encourage people who have been left off museum walls of the largest private, non-profit air and space museum in the world, to share their own histories. Listen at museumofflight.org/podcast or search “The Flight Deck” on your favorite podcatcher. New episode every Tuesday beginning Go ahead and @ usEmail: FANTI@maximumfun.orgIG@FANTIpodcast@Jarrett Hill@rayzon (Tre'vell)Twitter@FANTIpodcast@TreVellAnderson@JarrettHill@Swish (Senior Producer Laura Swisher)Laura Swisher is senior producer Music: Cor.eceGraphics: Ashley NguyenFANTI is produced and distributed by MaximumFun.org

We'll look at Beethoven's fifth and final piano concerto, the so-called "Emperor" Concerto in E-flat Major, Op. 73.

Jess Gillam and cellist Matthew Barley sit down to listen together to the music they love. Matthew's career as a cellist has seen him straddle any number of different genres and continents. He's just as at home in front of an orchestra as he is improvising in a nightclub, playing chamber music with his wife – the violinist Viktoria Mullova - or going solo and combining his cello with electronics. Their playlist today is suitably eclectic - Matthew brings a taste of Brazil from the singer Elza Soares and legendary songwriter Jobim, a lament on the duduk and reminisces his first childhood experience of classical music via the music of Beethoven. Jess has Tchaikovsky ballet music bursting with tunes, some sunshine by Marianna Martines and mandolin player Avi Avital and a beautiful piece of Junk by Paul McCartney. Playlist: ANTONIO CARLOS JOBIM: Agua de Beber [Gonzalo Rubalcaba (piano)] TCHAIKOVSKY: Swan Lake – Act 4 finale [London Symphony Orchestra, André Previn (conductor)] ELZA SOARES: Flores Horizontais MANUEL DE FALLA: No. 4 Jota from Canciones populares españolas [Avi Avital (mandolin)] DJIVAN GASPARYAN: 7 December 1988 [Djivan Gasparyan (duduk/voice)] MARIANNA MARTINES: Overture in C major – 1st mvt [La Floridiana] PAUL MCARTNEY: Junk BEETHOVEN: Symphony no 6 (Pastoral) – 1st mvt “Erwachen heiterer…” [Deutsche Kammerphilharmonie Bremen, Paavo Jarvi (conductor)]

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, serial killers, gore, blood, childhood trauma, horror, earthquakes, demons, death. Oops, Freddy wasn't really dead after the final nightmare. But as Wes Craven makes abundantly clear in this film, horror legends never really go away, they always stick around. Wes' work in this film is admirable, and it's some of the best storytelling in the series. Yet watching you can't help but think about the meta-horror classic that Wes would bring to us just two years later, a film that redefined the genre. Everyone here is doing admirable work and “sending off “ Freddy in style, but there's a lot of missed opportunities that could have made this a sure-fire horror masterpiece. We discuss (Wes Craven's) New Nightmare this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “A New Nightmare Begins,” written and composed by J. Peter Robinson. Copyright 1994 New Line Productions; Milan Entertainment, Inc. Excerpt taken from the theme to the TV show Documentary Now! written and composed by Joshua Mosier.

„V Roudnici vidím největší potenciál, a to nejenom kvůli zámku, ale hlavně kvůli komunitě lidí, která se kolem něj vytvořila. Ano, můžeme hrady, zámky opravit, ale pokud je lidé neberou jako svou součást, místo nežije," říká William Rudolf Lobkowicz jr. Narodil se v americkém Bostonu, vystudoval mezinárodní školu, ale svoje místo teď vidí tady. Co poslouchá při práci za muziku? Dvořák ani Beethoven to prý není. Sérii Hovory s rodokmenem moderuje Naděžda Hávová.

Today is a bit of an unusual episode. Last month I was invited by the British Society of Aesthetics to address their annual conference. My task was to give a lecture on whatever topic I wanted, having to do with music. So, considering it was an Academic Philosophy conference, I chose the easiest and most straightforward topic possible - What Does Music Mean?  Obviously, this is a topic that has been interrogated from just about every different angle, and I certainly would never claim to have all the answers. But for my lecture, I decided to focus on how to find meaning in these amazing works from a performer's perspective. How do I study and learn these pieces so that I can find the meaning that I think is inside of them? What does history teach us about these pieces and can we use history to find meaning in these works? To try to answer these questions I chose three pieces to explore - Beethoven's Eroica Symphony, Barber's Adagio for Strings, and Shostakovich's 5th Symphony. After the lecture I realized it could easily be a podcast episode, so I've slightly changed a few things to make the lecture a bit more podcast-friendly. I hope you enjoy this one, and thanks to the British Society of Aesthetics for their invitation and their warm welcome!