Podcasts about Ludwig van Beethoven

Tahra Zafar is a costume and creature effects designer. She designed the Paddington Bear puppet featured in the hit West End production Paddington: The Musical.Born into a theatre family, she grew up with an Armenian American father who worked as a choreographer in the first West End production of West Side Story, and a mother who moved from a career as a ballerina to theatre work around the world. Her interest in making began early, helping her father with practical projects such as restoring their house, even learning to build walls and spending her spare time model making, with Airfix creations suspended from her bedroom ceiling.After studying theatre design at Central Saint Martins, she began her career making theatre costumes. She spent some time at the Jim Henson creature workshop where she made some of the creatures for the first Harry Potter film including Hedwig the owl and Scabbers the rat.After her daughter was born, Tahra worked on some of the characters for In the Night Garden with her daughter, a willing judge of what worked for toddlers. In 2012, Tahra was in charge of 23,000 costumes for the London 2012 Olympic opening and closing ceremonies. This role included an audience with the late Queen to ensure the wig and dress were correct for Her Majesty's stunt double when that iconic skydive was performed at the Olympic opening ceremony. Tahra lives in London with her daughter.DISC ONE: Thunderbirds (Main Theme) - The Barry Gray Orchestra DISC TWO: Gee, Officer Krupke. Composed by Leonard Bernstein and performed by Leo Kharibian, Norman Furber and Vince Logan DISC THREE: Beethoven: Symphony No. 9 In D Minor (movement six) Composed by Ludwig van Beethoven and performed by Berlin Philharmoniker, Wiener Singverein and conducted by Herbert von Karajan DISC FOUR: Brazil – Geoff Muldaur DISC FIVE: Sir Duke - Stevie Wonder DISC SIX: Groove Is in the Heart - Deee-Lite DISC SEVEN: Eclipse - Pink Floyd DISC EIGHT: Take Five - Dave Brubeck BOOK CHOICE: The Hitchhiker's Guide to the Galaxy Complete Books by Douglas Adams LUXURY ITEM: A set of art materials and a storage box CASTAWAY'S FAVOURITE: Eclipse - Pink Floyd Presenter: Lauren Laverne Producer: Sarah TaylorDesert Island Discs has cast other costume designers away to the island over the years including Oscar winners Jenny Beavan and Sandy Powell. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

I'm always tickled by composer trivia questions, like which standard canon works begin in a major key and end in a minor key? I'll give you one, but please comment others below: Mendelssohn's 4th Symphony. Well, how about this one: how many of Beethoven's 16 string quartets end in a minor key? The answer? Just one, Op. 59, No. 2, the subject of today's show. And that minor key is hugely important to this darkest of the three Op. 59 quartets, three towering achievements that changed the string quartet repertoire for good. Beethoven, as I've said many times on the show, was a revolutionary within limits, always expanding, rethinking, and reshaping what was possible without breaking anything beyond repair. But make no mistake: the Op. 59 quartets were revolutionary works. No one had written anything like them before in terms of scope, emotional intensity, difficulty, and complexity. In fact, like a few of Beethoven's greatest works, they were received with confusion and, in some cases, anger by musicians, audiences, and critics. Famously, the cellist of the first string quartet to receive the parts of Op. 59, No. 1 saw the Morse code-like, one-note theme of the second movement, threw the music aside, and stomped on it! These quartets were Beethoven going out on a limb, applying the intensity and drama of his Middle Heroic Period to a genre that had been at least partly the province of amateur musicians, but not anymore. Op. 59, No. 2, as I said, is the darkest of this group: four movements all centered around the key of E, and with the exception of the glorious second movement, all in minor, presenting a seriousness and directness of purpose that is powerfully compelling. This might be my favorite of the Op. 59 quartets, and so I'm very excited to dig into it with you today. We'll discuss the enigmatic and ecstatic aspects of this quartet, as well as Beethoven's own philosophical views on life, which come to light in the second movement, one of Beethoven's greatest creations. Recording: Cleveland Quartet

In de tweede helft van de achttiende eeuw kwam er een nieuw soort muziek op. Strak, helder, catchy en met formats die we tot op de dag van vandaag kennen, zoals de symfonie. In een nieuwe aflevering van ABC Klassiek bespreken Botte en NPO Klassiek-presentator Carine Lacor deze Klassieke Periode. Van Haydn, Mozart en Beethoven tot Maddalena Sirmen, een van de uitvinders van het strijkkwartet. Beluister de aflevering: orkest.nl/klankcast

We'll look at the various components of Beethoven's reputation and place in history.

Send a textRewind to 5 – 11 March 2006 and the world is juggling human rights debates, dancehall domination and the Pope casually flexing a 2GB iPod Nano.

Beethoven war ja bekanntermaßen unverheiratet. Das hielt ihn aber nicht davon ab, Liebesbriefe zu schreiben. Aus einem dieser Briefe entwickelte sich der Mythos rund um Beethovens unsterbliche Geliebte. Agnes Fröhlich geht dem auf den Grund.

Orli Shaham collaborates with a teenage pianist on a Mozart Sonata for four-hands. We also hear from a trumpeter who plays Gershwin and a 17-year-old violinist performing Beethoven.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Ludwig van Beethoven schreibt einen Brief an seine verehrte Klavierschülerin Marie Bigot und lädt sie zu einem Reitausflug in Wien ein. Ein ausführlicher Entschuldigungsbrief folgt.

Es ist so eine Sache mit der Sinfonie Nr. 2 von Ludwig van Beethoven: Man kennt sie – aber eben doch nicht so gut. Sie steht nämlich im Schatten der Ersten und vor allem der Dritten, heroischen. Natürlich zu Unrecht. Schon nur die Umstände dieses Werkes sind spannend: 1802 vollendete Beethoven sie, da war er etwas über 30 und das war genau der Zeitpunkt, an dem er realisierte, dass seine Ohren langsam aber sicher taub wurden. Grosse Verzweiflung also – aber auch kämpferische Hoffnung: «Ich will dem Schicksal in den Rachen greifen, ganz niederbeugen soll es mich gewiss nicht.» So schrieb er damals in einem Brief. In der Diskothek, die diesmal in Bern mit Pbulikum stattfindet, vergleichen wir mehrere Aufnahmen dieses Werkes. Gäste von Annelis Berger: Die Dirigentin Johanna Malangré und der Musikjournalist Christian Wildhagen.

Rick Beato is a music educator, interviewer, producer, songwriter, and a true multi-instrument musician, playing guitar, bass, cello & piano. His incredible YouTube channel celebrates great musicians & musical ideas, and helps millions of people fall in love with great music all over again. Thank you for listening ❤ Check out our sponsors: https://lexfridman.com/sponsors/ep492-sc See below for timestamps, transcript, and to give feedback, submit questions, contact Lex, etc. Transcript: https://lexfridman.com/rick-beato-transcript CONTACT LEX: Feedback – give feedback to Lex: https://lexfridman.com/survey AMA – submit questions, videos or call-in: https://lexfridman.com/ama Hiring – join our team: https://lexfridman.com/hiring Other – other ways to get in touch: https://lexfridman.com/contact EPISODE LINKS: Rick’s YouTube: https://youtube.com/RickBeato Rick’s X: https://x.com/rickbeato Rick’s Instagram: https://instagram.com/rickbeato1 Rick’s Website: https://rickbeato.com Rick’s Ear Training: https://beatoeartraining.com The Beato Book: https://beatobook.com SPONSORS: To support this podcast, check out our sponsors & get discounts: UPLIFT Desk: Standing desks and office ergonomics. Go to https://upliftdesk.com/lex BetterHelp: Online therapy and counseling. Go to https://betterhelp.com/lex LMNT: Zero-sugar electrolyte drink mix. Go to https://drinkLMNT.com/lex Fin: AI agent for customer service. Go to https://fin.ai/lex Shopify: Sell stuff online. Go to https://shopify.com/lex Perplexity: AI-powered answer engine. Go to https://perplexity.ai/ OUTLINE: (00:00) – Introduction (00:28) – Sponsors, Comments, and Reflections (09:17) – Guitar solos (13:16) – Gypsy jazz and Django Reinhardt (14:48) – Bebop jazz (19:00) – Perfect pitch vs relative pitch (23:37) – Learning to play guitar (47:08) – Miles Davis (52:34) – Bass guitar (53:41) – Greatest guitar solos of all time (1:22:56) – 27 Club (1:27:37) – Elton John (1:30:51) – Metallica (1:35:21) – Tom Waits (1:41:12) – Greatest rock stars (1:44:35) – Beethoven (1:51:10) – Bach (1:54:01) – AI in music (2:07:52) – Sabrina Carpenter (2:11:23) – YouTube copyright strikes (2:16:59) – Spotify (2:27:51) – Guitars (2:32:13) – Advice PODCAST LINKS: – Podcast Website: https://lexfridman.com/podcast – Apple Podcasts: https://apple.co/2lwqZIr – Spotify: https://spoti.fi/2nEwCF8 – RSS: https://lexfridman.com/feed/podcast/ – Podcast Playlist: https://www.youtube.com/playlist?list=PLrAXtmErZgOdP_8GztsuKi9nrraNbKKp4 – Clips Channel: https://www.youtube.com/lexclips

ReferencesImmun Ageing. 2020; 17: 2.Trends in Immunology. 2017. REVIEW| VOLUME 38,ISSUE 4, P287-297, APRIL 01, Int J Mol Sci. 2025 Apr 27;26(9):4147Experimental & Molecular Medicine 2019. volume 51, Article number: 80 Beethoven, LV 1811. Piano Concert V in E Flat Major OP 73.https://music.youtube.com/watch?v=q-hn8WH_-3U&si=TNpna_2DZLIoX2nM

Franz Schubert compôs sua Sinfonia nº 9 em Dó maior, conhecida como “A Grande” (Grosse C-Dur), entre 1825 e 1826, durante uma fase de relativa prosperidade. Ele viajava pela Áustria acompanhado do barítono Michael Vogl, intérprete de seus lieder, e finalmente começava a conquistar reconhecimento e estabilidade financeira.O apelido “A Grande” surgiu para distingui-la da Sinfonia nº 6 em Dó maior, chamada de “Pequena” (Kleine C-Dur). Mas o título também reflete sua escala monumental: a obra dura cerca de uma hora, rivalizando em extensão com a Nona de Beethoven, que Schubert havia assistido em 1824 e que o inspirou profundamente.Apesar de concluída em 1826, a sinfonia não foi executada em vida do compositor. O manuscrito permaneceu guardado até ser descoberto em 1838 por Robert Schumann, que o encontrou entre os papéis de Ferdinand, irmão de Schubert. Schumann ficou impressionado e levou a partitura a Leipzig, onde Felix Mendelssohn estreou a obra em 1839. Porém, preocupado com a resistência do público, Mendelssohn apresentou apenas parte da sinfonia. A execução integral só se consolidaria décadas depois, quando os músicos já estavam preparados para enfrentar sua extensão e complexidade.Apresentado por Aarão Barreto (em sua estreia) com Aroldo Glomb na bancada Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Gustavo Holtzhausen, João Paulo Belfort , Arthur Muhlenberg e Rafael Hassan.

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

A séance predicted England's most haunted house would burn — and on February 27th, 1939, it did. A man who claimed aliens abducted him spent the rest of his short life trying to explain what happened, and never quite got there. Also: Barbra Streisand cloned her dead dog twice. February 27th is that kind of day. | The Morning Weird Darkness*No AI Voices Are Used In The Narration Of This Podcast*WeirdDarkness® is a registered trademark. Copyright ©2026, Weird Darkness.EPISODE PAGE: https://WeirdDarkness.com/MWD20260227NOTE: Some of this content may have been created with assistance from AI tools, but it has been reviewed, edited, narrated, produced, and approved by Darren Marlar, creator and host of #WeirdDarkness — who, despite popular conspiracy theories, is NOT an AI voice.

February 2026Even amongst the distinguished ranks of WW2 codebreakers, Emily Anderson stood out. Recruited into military intelligence during WWI, her stellar career in diplomatic codebreaking lasted into the 1950s. Her greatest achievement came with the breaking of high-level Italian ciphers during the East African Campaign of 1940-41. It was called 'the perfect example of the cryptographers' war' and earned her the OBE in 1943.Anderson was also a renowned musicologist - her translations of the letters of Mozart and Beethoven are still considered authoritative. Yet until recent years, her life and intelligence work remained under the radar.This episode helps to set the record straight, and kick off a new occasional series focusing on key personalities in codebreaking and intelligence. Bletchley Park's Research Officer Dr Thomas Cheetham is joined by Jackie Uí Chionna from the University of Galway to discuss the subject of her 2023 biography Queen of Codes: The Secret Life of Emily Anderson, Britain's Greatest Female Codebreaker.Our thanks go to Sarah Langston for voicing our historical documents.The Marriage of Figaro - K. 492   CC PDM 1.0   www.classicals.de Image: © Dr. Dagmar von Bushe-Weise#BPark, #Bletchleypark, #WW2, #Enigma, #Italy, #Galway

durée : 01:29:02 - En pistes ! du jeudi 26 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin, du violoncelle avec les deux concertos de Chostakovitch, puis deux quatuors à cordes de Beethoven et Mozart. Du côté du piano, un très bel album autour des œuvres de Schumann composées en 1838. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:29:02 - En pistes ! du jeudi 26 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin, du violoncelle avec les deux concertos de Chostakovitch, puis deux quatuors à cordes de Beethoven et Mozart. Du côté du piano, un très bel album autour des œuvres de Schumann composées en 1838. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Welcome to Season 05 Episode 5.12- the "Winter Be Gone" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: BA Van Sise/Children of Grass; Dan Lendzian/Ruthless! - The Musical; Vernon Huff/SUNY Fredonia Choral Festival Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Time Stamps (Approximate) BA Van Sise/Children of Grass - 1:21 Dan Lendzian/Ruthless - The Musical  20:50 Arts Calendar - 40:05 Vernon Huff/SUNY Choral Festival - 42:40 Artist Links BA Van Sise Dan Lendzian Vernon Huff Media Symphony No. 6 in F Major, Opus 68 (Pastorale), Ludwig von Beethoven, composer; performed by the Frankfort Symphony Orchestra, Ariane Matiakh, conductor, October 2021 "Born to Entertain", from the musical Ruthless! - The Musical; music by Marvin Laird and book and lyrics by Joel Paley, performed by Lindsay Ridgeway from the Los Angeles production, 1994. "Desafinado",  Antonio Carlos Jobim, composer; lyrics by Newton Mendonça; performed by the Stan Getz and Charlie Byrd Sextet from the album Jazz Samba; Verve Records, 1962 Wade in the Water, traditional African-American spiritual; arranged by Stacy V. Gibbs, performed by the Houston Chamber Choir, April 2023 When It's Springtime in the Rockies, music by Robert Sauer, lyrics by Mary Hale Woolsey, 1929; performed by The Sons of the Pioneers, from their album Sing Campfire Favorites, RCA Records 1967 Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website SUNY Fredonia School of Music Events WCVF Fredonia WRFA Jamestown The 1891 Run for the Opera House, April 2026 BECOME AN OPERA HOUSE MEMBER!    

In-Depth Interview: The Evolution and Future of Trumpet Music Join us in this captivating episode as we dive into the world of trumpet music with a seasoned expert. Starting with early memories linked to military life in Germany, the conversation traverses through a rich tapestry of musical history, focusing on pivotal works and notable composers like Gustav Mahler, Richard Strauss, and Victor Nessler. Discover the intricacies of composing and performing trumpet music from baroque to contemporary times, including the challenges and joys of premiering new compositions. Gain insights into the evolution of the trumpet repertoire and the unique experiences of balancing life as a soloist, teacher, and orchestral musician. 00:00 Introduction & Background 03:24 Blumine CD Project & Gustav Mahler 06:23 Richard Strauss Sonata & New Compositions 09:46 The Romantic Era & Trumpet Repertoire Gap 20:36 Teaching & Learning from Song 21:57 Beethoven & Historical Context 24:27 Mahler's Song Cycles 26:25 New Repertoire & Commissions 32:09 Approaching New Music 36:22 Edison Denisov Commission Story 46:24 Contemporary Music & Technique 56:27 Career Path: Orchestra & Solo Work 01:04:22 Teaching Philosophy & Students 01:07:23 Closing Thoughts

Intro: One More Night – Can        Saturday Night Special – The Sundown Playboys (2:10) Two Step de Prairie Soileau – Savoy-Smith Cajun Band (4:42) Slow Down – Larry Williams, with his Band (2:43) I Can Only Give You Everything – Them (2:39)  Perversion – Stereolab (4:59) Shifting Sands – West Coast Pop Art Experimental Band (3:53) Engine 54 – The Ethiopians (2:37) In the Rain – Keith Hudson (IInd Street Dreads) (3:14) Toc – Tom Zé (2:59) Syren – Syrinx (6:00)  Dark Star – The Grateful Dead (2:41)  Malaguena – Snooks Eaglin (3:39) The Morning After – Hank Mobley (9:38) Night Before – The Mar-Keys (2:08)   The Old Man's Back Again – Scott Walker (3:40)  Srinivas – Marc Ribot, with Steve Earle (6:09) Youth Against Fascism – Sonic Youth (3:38) Bella Ciao – Marc Ribot, with Tom Waits (3:36) The Ballad of the Fallen – Charlie Haden & Carla Bley (4:19) You Fascists Bound To Lose – Resistance Revival Chorus, with Rhiannon Giddens (3:21) Power Show! – Fela Anikulapo Kuti & Egypt 80 (14:49) Goin' Down South – Bobby Hutcherson (7:05) Egon and Gertie – Rachel's (3:02) Cavatina (V) from String Quartet No.13 Op.130 – Beethoven, Amadeus-Quartett (6:32) Outro: Pogles Walk – Vernon Elliott Ensemble

CONTENT WARNING: Discussion of child abuse. Something was in the air in 1973 where people wanted nostalgia and con artists in their films. But while George Roy Hill teamed up with Redford and Newman for the utter perfection of the genre, Peter Bogdanovich followed up one classic film with another underrated gem. Nothing about this movie is particularly remarkable, save the outstanding performance by 9-year-old Tatum O'Neal. Instead, it's just an aggregate of everyone telling a really good story. I'll give you this 5 dollar bill rather than the dollar change but you can get a 20 instead as we watch Paper Moon on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the song “Paper Moon”, written and composed by Harold Arlen, Yip Harburg and Billy Rose and performed by Paul Whiteman and his Orchestra with Peggy Healy as vocalist. Excerpt taken from the song “The Finer Things,” written by Donald Fagen and performed by David Sanborn as part of the soundtrack to The King of Comedy. Copyright 1983 Warner Bros. Records Inc.

durée : 00:28:45 - Les Midis de Culture - par : Marie Sorbier - Après ses interprétations de renommée de Bach, Beethoven ou Mozart, le pianiste Piotr Anderszewski consacre son nouvel album à Brahms, reprenant douze pièces écrites à la fin de la vie du compositeur. - réalisation : Laurence Malonda - invités : Piotr Anderszewski Pianiste

DescriptionBeethoven: The Bridge Between Two Worlds in 60 Seconds. Take a minute to get the scoop!Fun FactBy the time Beethoven premiered his Ninth Symphony, he was completely deaf. Unable to hear the applause, he had to be turned around onstage to see the audience cheering. It was a powerful moment—one that perfectly captured his role as a composer who transcended personal limitation and musical tradition alike.About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.Support the show

Maria chats with returning guest Brian Reyngoudt, Co-Founder and Vice President of Operation K9 Beethoven, a non-profit organization that rescues shelter dogs and trains them to be service dogs for veterans!If you're a veteran and want or need a service dog, PLEASE reach out to them. You will get a dog an no cost to you!Learn more at OPERATIONK9BEETHOVEN.

Vous aimez notre peau de caste ? Soutenez-nous ! https://www.lenouvelespritpublic.fr/abonnementUne émission de Philippe Meyer, enregistrée au studio l'Arrière-boutique le 20 février 2026.Avec cette semaine :Jean-Louis Bourlanges, essayiste, ancien président de la Commission des Affaires étrangères de l'Assemblée nationale.Matthias Fekl, avocat et ancien ministre de l'Intérieur.Antoine Foucher, président de la société de conseil Quintet, spécialiste des questions sociales.Nicole Gnesotto, vice-présidente de l'Institut Jacques Delors.APRÈS MUNICH, PEUT-ON DIRE QUE LA DOCTRINE INTERNATIONALE DE TRUMP A CHANGÉ ?Du 13 au 15 février, le gotha des chefs d'État, généraux et chefs des services de renseignement s'est retrouvé lors de la 62ème conférence de Munich sur la sécurité qui se tient tous les ans dans la ville allemande au mois de février. Un an après le discours agressif vis-à-vis de l'Europe du vice-président JD Vance, les États-Unis ont envoyé à Munich des figures jugées plus modérées : le secrétaire d'État Marco Rubio et le sous-secrétaire à la Défense Eldridge Colby. Récemment, en présentant sa nouvelle Stratégie de sécurité nationale, le président américain s'était livré à une attaque en règle contre les Européens, menacés selon lui d'un « effacement civilisationnel ».Dans la première partie de son discours, prononcé le 14 février, Marco Rubio a d'abord « rassuré », en affirmant la permanence d'un lien transatlantique façonné par l'histoire et l'héritage culturel. Le chef de la diplomatie américaine a préféré citer la bière allemande, Beethoven et les Beatles plutôt que les Lumières, mais il a dit ce que cette assemblée voulait entendre : « La fin de l'ère transatlantique n'est ni notre but ni notre souhait. Nous serons toujours des enfants de l'Europe. »Puis, dans une seconde partie Marco Rubio a repris les thèmes de l'idéologie MAGA (« Make America Great Again »). Tout en prônant la revitalisation du lien avec une Europe « forte », le secrétaire d'État américain n'a pas changé de cap sur la menace qui, selon son administration, plane sur l'Occident. Les États-Unis sont « prêts, si nécessaire, à agir seuls », mais « nous préférons et espérons agir avec vous, nos amis ici en Europe », a-t-il assuré. Reflet de l'idéologie MAGA, Marco Rubio a énuméré les maux qui selon Washington accablent l'Europe : l'« immigration de masse » qui « déstabilise les sociétés », la « désindustrialisation », le développement intempestif de « l'État providence » et le « culte du climat ». Il a invité les Européens à s'associer aux efforts de M. Trump de redressement de « la civilisation occidentale » et prononcé un éloge marqué de la chrétienté. Par ailleurs, le responsable américain a réitéré la position de l'administration Trump selon laquelle l'ONU n'a joué « pratiquement aucun rôle » dans la résolution des conflits et a appelé à une réforme des institutions mondiales.Pour la presse allemande et française, le message de Marco Rubio ne différait pas tellement de celui du vice-président J. D. Vance. Si le ton était plus courtois, le fond du discours des responsables américains en revanche n'a guère changé. D'ailleurs, après Munich, Marco Rubio est allé soutenir des partenaires plus réceptifs à l'idéologie MAGA et plus rétifs aux valeurs européennes, en Slovaquie puis en Hongrie.DÉCLASSEMENT ÉCONOMIQUE FRANÇAIS : RÉALITÉ, PERCEPTION, PERSPECTIVESPour la troisième année consécutive, selon l'Insee, le PIB par habitant de la France se situe en dessous de la moyenne de l'Union européenne, consacrant un déclassement économique progressif mais désormais tangible. La France se situe au 34ème rang mondial et est désormais inférieure de 7 % à la moyenne européenne. Elle est notamment en retrait de 25 % par rapport à celle du Danemark, de 20 % par rapport à celle de la Suède, de 15 % par rapport à celle de l'Allemagne, de 0,5 % par rapport à celle de l'Italie. Par ailleurs, l'écart favorable vis-à-vis de la Pologne a été réduit de 60 % à 20 % depuis 2000. En clair, le niveau de vie des Français est bien inférieur à celui des Irlandais, des Allemands, des Belges et à peine supérieur à celui des Italiens, des Tchèques ou des Slovènes.Des données qui corroborent le dernier sondage Ipsos-BVA sur les « Fractures françaises » publié en octobre dans lequel 90 % des personnes interrogées ont le sentiment que le pays est en déclin, 32 % estimant même que celui-ci est irréversible. Dans le sondage Odoxa pour Challenges-Agipi-BFM Business du 8 janvier, 82 % des Français se montrent « défiants » sur la situation économique du pays. Avec de tels résultats, « la peur du déclassement atteint un niveau record », note Odoxa. 6 Français sur 10 estiment que leur situation sociale est pire que celles de leurs parents et 70% des 1.005 sondés parient que leurs enfants vivront moins bien qu'eux. C'est 3 points de plus qu'il y a un an et 22 de plus qu'il y a 30 ans. Ces résultats rejoignent les dernières enquêtes de conjoncture de l'Insee, selon lesquelles 64 % des Français ont une vue négative de l'avenir économique du pays. Il y a quelques années, ils n'étaient « que » 38 %. Cependant, l'enquête de l'Insee révélait mi-décembre que 74 % de ces sondés jugent que leur situation personnelle s'améliorera ou se stabilisera. Un niveau qui n'a pas changé au fil des ans.Dans un document publié le 6 janvier, les économistes de BNP Paribas estiment que le PIB pourrait progresser de 1,1 % sur l'année 2026. Sur le plan intérieur, la faiblesse de l'inflation pourrait soutenir le pouvoir d'achat et la consommation. « Une croissance résiliente mais pas suffisante », juge le gouverneur de la Banque de France, François Villeroy de Galhau. Notre taux de chômage reste plus élevé que celui atteint en moyenne dans l'Union européenne (6 %), avec des taux d'emploi préoccupants pour les jeunes et les seniors. L'emploi devrait progresser très faiblement, et le chômage remonter à 7,8 % à la mi-2026. Cette année encore, la grande incertitude concerne le comportement des ménages. S'il n'y a pas un redémarrage de la consommation, qui représente plus de la moitié du PIB, il sera difficile de trouver une dynamique. Pour l'heure, les ménages n'ont toujours pas puisé dans leur épargne qui se maintient à un niveau historiquement élevé (18,4 % du revenu disponible au troisième trimestre 2025).Chaque semaine, Philippe Meyer anime une conversation d'analyse politique, argumentée et courtoise, sur des thèmes nationaux et internationaux liés à l'actualité. Pour en savoir plus : www.lenouvelespritpublic.frHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Matthias is an internationally recognised expert at the intersection of creativity, leadership, and artificial intelligence.  He was the Director of the Karajan Institute and led the team that used AI to complete Beethoven's 10th Symphony. He is also a trained Classical Guitarist, Musicologist, Musictech Visionary, Founder, and Angel Investor. We discuss why he believes AI is actually 'email autocomplete' for music, why we should view it as a 'living archive' rather than a replacement, and why leaving behind the concept of 'right and wrong' is the ultimate freedom. Show Notes Connect with Matthias on LinkedIn: https://www.linkedin.com/in/matthiasroder/ Website: http://www.matthiasroder.com Related podcasts: Orchestrating Innovation and AI for your business Challenging the AI Oracle: Maya Ackerman on Music, Creativity, and Collaboration Why modern leaders need to stop conducting and start synthesising  

The Sound Chaser Progressive Rock Podcast is on the air. . This time I am exercising my professorial privilege to get just a bit educational. Much of progressive rock, especially in the early days, was based on classical music, including rock and jazz-rock versions of classical pieces. I dedicated show 24 all the way back in 2014 to spotlighting the prog-rock versions of classical music. In this show, I am turning the idea around. I will be playing the actual pieces of classical music that became the inspirations for progressive rock transcriptions. I will be discussing the prog rock versions with the help of excerpts from many favorite prog rock acts. With this audio essay, it is time truly to get in touch with the Classics on Sound Chaser. Featured composers include Holst, Mussorgsky, Smetana, Hermann, Jarre, Glass, Adams, Debussy, Beethoven, Wagner, Hovhannes, Janáček, Prokofiev, Rodrigo, Ligeti, Khatchaturian, Handel, Mozart, Tárrega, Saint-Saëns, Satie, Ravel. PodOmatic limits the number of characters for episode descriptions, and I could not cut enough to make it under the limit. So, I will be posting the fully detailed playlist on the Sound Chaser Progressive Rock Podcast Facebook page https://www.facebook.com/people/The-Sound-Chaser-Progressive-Rock-Podcast/61577332305605/, and in the comments on this page. 

durée : 01:28:21 - En pistes ! du vendredi 20 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Bach, Mozart et Beethoven, musique de chambre et cantates, En Pistes vous concocte un florilège de chefs-d'œuvre pour finir la semaine en beauté ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:21 - En pistes ! du vendredi 20 février 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Bach, Mozart et Beethoven, musique de chambre et cantates, En Pistes vous concocte un florilège de chefs-d'œuvre pour finir la semaine en beauté ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Brahms spent much of his adult life battling with his ambition to write the next great symphony and his terror at the shadow of Beethoven standing behind him. Brahms tortured himself for 14 years with his first symphony, and only published it when he was 49 years old. But when that symphony finally came out, it was a relative success for a new work, and with immense relief, Brahms quickly turned out another symphony in just 4 months.  Brahms' first symphony was quickly dubbed "Beethoven's 10th" something that annoyed Brahms to no end.  When told that the main theme of the last movement  resembled the Ode to Joy,  he notoriously responded, "any ass can see that!"  But all the same, Brahms had been re-anointed as Beethoven's successor with the symphony, and so therefore his second symphony would also be given a Beethovinian name, Pastoral.  The question since the symphony has been written has been this: just how pastoral and idyllic is this symphony? Many commentators see an unadulterated joy and gentleness in the piece, with some melancholy moments to be sure.  But overall, the piece is as sunny as it seems on its surface, with just the typical battles between happiness and sadness that mark every symphony. But there's another school fo thought with this symphony, and that is that it is marked by shadows and tremors that go way beyond simple sadness and happiness, and that these shadows and tremors leave a mark that can't be ignored.  I tend to believe in the second theory, but we're going to discuss this symphony with this framework in mind; whether this piece is as sunny as some people would have you believe, or if the shadows are the lasting impression we get as we walk away from the concert hall. We'll also discuss Brahms' innovations with form, and his evergreen ability to write some of the most stunning melodies on the planet. Join us!

Carlos Iribarren | Es un gustazo seguir aumentando la cuenta de programas y nada nos puede gustar más que alcanzar una cifra tan redonda como la de trescientas entregas. Como es habitual cada 100 programas, echamos la vista atrás 4 siglos y vamos saltando de 50 en 50 años para recordar o descubrir grandes obras de la música clásica que también cumplen una cifra bonita y redonda este 2026. Los autores oscilan entre los conocidísimos Beethoven y Tchaikovsky, los recordables Pleyel y Szymanowski o los casi ignorados Farina, Lebégue, Somis y Bourgon. Todas las obras escogidas por Carlos conforman un repaso que abarca desde el Barroco temprano hasta nuestros días y que seguro que te va a satisfacer como buen gourmet de la música que eres… Así de apetitosa y festiva es la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

durée : 01:28:10 - Le Quatuor Emerson, enthousiasme et maestria - par : Aurélie Moreau - Fondé à New York en 1976, le Quatuor Emerson connaît la renommée internationale par ses enregistrements pour Deutsche Grammophon, notamment les cycles consacrés à Bartók, Beethoven, Mendelssohn et Chostakovitch. Il a reçu neuf Grammy Awards. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In a decade of darker, boundary-crossing films, this week's film is just under the rader for having some of the darkest undertones of all. And that's beyond the fact that it might be one of the best portrayals of sex workers on screen, refusing to judge its subject on anything but her actual character. I mean, yes she is being stalked by a violent powerful man to get murdered, but it has nothing to do with her means of income. the problem is that this movie is just plain weird, and not for any real reason. But it's worth the price of admission for Jane Fonda giving an absolutely stunning performance. Sit back and relax and fall lin love with Bree as we watch Klute on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film Klute, composed and conducted by Michael Small. Copyright 1971 Warner Bros. All Rights Reserved. Excerpt taken from the song “Paper Moon”, written and composed by Harold Arlen, Yip Harburg and Billy Rose and performed by Paul Whiteman and his Orchestra with Peggy Healy as vocalist.

durée : 00:11:31 - Le Disque classique du jour du mardi 17 février 2026 - Passé par le Beaux Arts Trio, le violoniste Yong Uck Kim a réussi à assoir sa réputation de virtuose, aussi bien dans le répertoire romantique que dans des œuvres plus contemporaines. Le voici dans une reparution d'enregistrements de Bach et Beethoven de 1971. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:11:31 - Le Disque classique du jour du mardi 17 février 2026 - Passé par le Beaux Arts Trio, le violoniste Yong Uck Kim a réussi à assoir sa réputation de virtuose, aussi bien dans le répertoire romantique que dans des œuvres plus contemporaines. Le voici dans une reparution d'enregistrements de Bach et Beethoven de 1971. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

BEETHOVEN: Sinfonía nº 5 en Do menor, Op. 67 (34.26). Concentus Musicus Wien. Dir.: N. Harnoncourt. BACH: Sarabanda (Suite para violoncello solo nº 3 BWV 1009) (3.41). N. Harnoncourt (vc.).Escuchar audio

Grammy Award-winning bass player Victor Wooten joins us this week as we celebrate great music out of Nashville! We hear an electric performance on violin, imitating sounds from Jimi Hendrix's guitar, by a teen musician who already holds a real job in an orchestra. We meet a talented pianist who performs Beethoven. And a teen bluegrass mandolin player with a career on the rise performs solo and collaborates on a toe-tapping tune with Victor Wooten and Peter Dugan.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Acclaimed pianist Evgeny Kissin will be performing a gala concert at the International Convention Center in Jerusalem on February 17th, as part of the Jerusalem Music Center's International Series. The recital features works by Beethoven, Chopin, Schumann and Liszt. Kissin, who first emerged on stage as a child prodigy, spoke to KAN's Naomi Segal about revisiting pieces by his favorite composers, and how his artistic interpretation of them has deepened. (Photo: DG)See omnystudio.com/listener for privacy information.

One of the most dramatic and mysterious love letters of all time was penned by composer Ludwig van Beethoven and was only discovered after his death in 1827. The hastily handwritten letter is full of passionate lines like, “My eternally beloved . . . I can only live either wholly with you or not at all.” Tragically, it appears the letter was never sent, and his intended recipient remains unknown. Beethoven’s letter is treasured by readers who can identify with his desperate yearning for love. We seek love and fulfillment in many people, things, and experiences that cannot fully satisfy. But far greater than a fleeting romance is the love of God for His covenant people, to whom He showed great love for the sake of all people. Through the prophet Jeremiah, God declared, “I have loved you with an everlasting love; I have drawn you with unfailing kindness” (Jeremiah 31:3). Because of His great love, God promised a future of rest and favor (v. 2) and the restoration of anything that was broken (v. 4). Despite their repeated rejection and rebellion, God vowed to bring them back to Himself (v. 9). Many years later, that same everlasting love motivated Jesus to endure death for sinners, even before we ever returned His love (Romans 5:8). We don’t have to search for love or try to earn it. We’re already loved with an everlasting love!

HT2533 - Congratulations On Your Photographic Skill Do we admire Dickens for his extensive vocabulary? Do we admire Beethoven because of his chord progressions? Do we applaud the work of Ansel Adams because of his masterful use of depth of field? I've thought for years that if someone compliments my photographic technique the photograph has failed entirely. Tools and techniques are not supposed to be noticed accept perhaps by students and academics. This RSS feed includes only the most recent seven Here's a Thought episodes. All of them — over 2500 and counting! — are available to members of LensWork Online. Try a 30-day membership for only $10 and discover the literally terabytes of content about photography and the creative process.

Something a little different - I took three podcasts and cut them together - so there are no seques or the usual introductions or conversational tidbits we normally do. I've got so much of these, and this is an hour taken from three different podcasts. One includes Prince and Brian Wilson, along with Aretha Franklin, Jimi Hendrix... then one with my concert pianist mother Anthy with Beethoven, Shakespeare stops by to talk about music in the afterlife and attending performances of his music... Will Shakespeare does the same - and finally conversations with John McCain (Maverick) JFK, RFK and Whitney Houston.   All of it mind bending - but Jennifer and I just stopped by the studios of Gaia and did a live session where Jennifer spoke to, learned new information from Amelia Earhart - and that will take awhile before it airs. Let me know in the comments if this is something folks want me to do - excerpt some of the podcasts so we can use the highlights. To book a session with Jennifer: JENNIFERSHAFFER.COM to book a session with me (guided meditation) RICHARDMARTINI.COM Thanks for tuning in!

The celebrated pianist Dame Imogen Cooper recently announced that the coming year will be her last of public performances. To mark the occasion - and the release of her new album of late Beethoven sonatas on the Chandos label - Editor Martin Cullingford welcomed her on to the Gramophone Podcast, and invited her to select a number of her recordings that have meant the most to her. This podcast is in association with REMA/Early Music Day

Plus: El Paso Airport Mayhem. Ukrainian Athlete Shamefully Disqualified by IOC. Alex Pretti GoFundMe Hits $2M. Jan 6 Criminal Abused Kids. James Vanderbeek RIP. The Patriotic Bagpipe Hero. Paul Rieckhoff breaks down Senator Mark Kelly's First Amendment victory over Pete Hegseth, the Pentagon's laser debacle at El Paso airport, and why Beethoven's Ode to Joy reminds us that hope is the oxygen of democracy. In this solo Thursday episode, Paul Rieckhoff delivers rapid-fire analysis on the top stories you need to stay vigilant about—from Senator Mark Kelly's legal win protecting free speech against retaliation, to the Pentagon's bumbling use of experimental lasers that shut down El Paso's airspace, to Ukraine's inspiring Olympic athletes being punished for honoring fallen heroes. Paul also covers the near $2 million GoFundMe honoring VA nurse Alex Pretti, the deportation case victory for a Mexican father of three Marines, a January 6th pardoned rioter convicted of child abuse, and a 21-year-old bagpiper playing through tear gas at ICE protests. Plus: updates on striking NYC nurses, James Van Der Beek's tragic death and call to action on colorectal cancer screening, and Olympic medal counts. This episode delivers the five I's—Independence, Information, Integrity, Inspiration, and Impact—with a focus on finding glimmers of hope and joy even in dark times. Connect with Independent Americans: Subscribe on YouTube, Spotify, Apple Podcasts, and all podcast platforms Read more at Substack Support ad-free episodes at Patreon  Connect: Instagram  • X/Twitter • BlueSky • Facebook  Follow on social: @PaulRieckhoff on X, Instagram, Threads, and Bluesky -WATCH video of this episode on YouTube now. -Learn more about Paul's work to elect a new generation of independent leaders like Dan with Independent Veterans of America. -Join the movement. Hook into our exclusive Patreon community of Independent Americans. Get extra content, connect with guests, meet other Independent Americans, attend events, get merch discounts, and support this show that speaks truth to power.  -And get cool IA and Righteous hats, t-shirts and other merch now in time for the new year.  Independent Americans is powered by veteran-owned and led Righteous Media.  And now part of the BLEAV network!  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

콘클라베 Allegri: Miserere 브루탈리스트 Wagner: Das Rheingold: Hört, ihr Riesen! Mozart: Serenade No.13 4악장 어쩔수가없다 Mozart: 피아노 협주곡 23번 2악장 Marais: Le Badinage 세계의주인 Bach: 양들은 평화로이 풀을 뜯고 메이드인코리아 Bach: Goldberg Variation, BWV.988 Aria 하나 그리고 둘 Bach: Toccata BWV.914 Bellini: Vaga luna, che inargenti Beethoven: 피아노 소나타 14번 1악장 Beethoven: 첼로 소나타 1번 1악장

Solti Conducts Beethoven and Liszt by CSO Association

This is a free preview of a paid episode. To hear more, visit chrisryan.substack.comLooking for silver linings of very dark clouds. Muss es sein? Es muss sein. Beethoven. Lessons learned from hopping a coal train in the Finger Lakes. Why do I ban listeners? Lee Atwater. Reagan. Carter. Is our current crisis the bitter fruit of what was planted in 1980? Answ…