Podcasts about Ludwig van Beethoven

Timestamp to skip the intro: (11:00) Welcome back to another episode of the True Crime Society Podcast. In this episode we discuss two separate cases of missing celebrities: Joseph Pichler was a child star, best known for his roles in films such as Varsity Blues, Beethoven's 3rd and Beethoven's 4th.  In 2006,  Joseph's vehicle was found abandoned in Washington State with a note indicating that his belongings should go to his brother.  Now, 19 years later, Joseph remains missing. Musician Richey Edwards was part of the British band ‘Manic Street Preachers.'  Richey had a documented history of mental health and addiction struggles.  Once when he was questioned about being serious about his music,  he carved the words ‘4 Real' into his arm with a razor blade.  The injury required 18 stitches. In February 2005, Richey was due to leave London to fly to the United States to begin a press tour.  Instead, he left behind some of his belongings in his hotel and drove back to his apartment in Cardiff, Wales.  Over the next few weeks, there were reported sightings of Richey in that country.  His car would later be found abandoned near a bridge.  Reported sightings of Richey have come from India and Spain.  Richey has now been missing for over 20 years. Read our blog for these cases - https://truecrimesocietyblog.com/2025/12/15/missing-celebrities-joe-pichler-and-richey-edwards/ We will be taking next week off from the podcast to spend the holiday with our families.  Be sure to join us on Patreon for over 100 exclusive episodes if you need your TCS fix!  - Patreon.com/truecrimesociety Happy Holidays! Follow us on Instagram for the latest crime news - Instagram.com/truecrimesociety

Ludwig van Beethoven is one of the most celebrated musicians in history. Nearly two centuries after his death in 1827, his compositions are still among the most performed pieces. His talent has been widely heralded, and he’s often described as a virtuoso. A study of Beethoven’s DNA, however, indicates he may not have been born with some of his abilities—as we might assume. When his genes were compared to those of 14,500 other people who’d shown an ability to keep rhythm (merely one aspect of musical talent), Beethoven ranked surprisingly low. Beethoven also had ample opportunity and exposure to music (which developed the genetic aptitude he did have). Yet neither talent nor opportunity fully account for God’s role in endowing us with the abilities we have. Our Creator equipped two men, Bezalel and Oholiab, with specific skills to be used in building the tabernacle. God filled Bezalel “with knowledge and with all kinds of skills—to make artistic designs” and appointed Oholiab “to help him” (Exodus 31:3-6). God gave “ability to all the skilled workers to make everything [He] commanded]” (v. 6). Few of us will work on projects as significant as God’s tabernacle. And our abilities may never be recorded in history’s annals. Yet God has equipped us with the skills, aptitudes, and experiences He wants us to share with the world. May we serve Him faithfully, in His strength and for His glory.

Am 17. Juni 1872 beginnt in Boston ein Musikfestival der Superlative: Das World Peace Jubilee findet nicht nur in einer riesigen Konzerthalle für 100.000 Menschen statt, auch auf der Bühne tummeln sich fast Tausend Orchestermitglieder. Dirigent ist der Stargast der Veranstaltung, der mit einem echten Schlager im Gepäck angereist kam: Die Rede ist von Johann Strauss und dem Donauwalzer. Wir sprechen in der Folge über die Entstehung des Walzers und wie er in kurzer Zeit von einem verpönten und teils verbotenen Tanz, zum Inbegriff des eleganten Gesellschaftstanzes werden konnte. // Erwähnte Folgen - GAG510: Ludwig van Beethoven oder Wie eine Symphonie entsteht – https://gadg.fm/510 - GAG484: Emil Berliner und die Erfindung der Musikindustrie – https://gadg.fm/484 - GAG361: Gustave Trouvé - der vergessene Erfinder – https://gadg.fm/361 - GAG314: Eine kurze Geschichte der Cholera – https://gadg.fm/314 - GAG351: Die Erfindung des Saxophons - Aufstieg und Fall des Adolphe Sax – https://gadg.fm/351 // Literatur - Philipp Ther, Der Klang der Monarchie. Eine musikalische Geschichte des Habsburgerreichs, 2025. - Bernhard Ecker / Peter Hosek, Johann Strauss' Amerikanische Reise, 2024. - Michael Lemster: Strauss. Eine Wiener Familie revolutioniert die Musikwelt, 2024. // Musik - An der schönen blauen Donau (Donauwalzer) von Johann Strauss (Sohn) - Radetzky-Marsch (Armeemarsch II, 145) von Johann Strauss (Vater) - When Johnny Comes Marching Home von Patrick Gilmore //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Geschichten aus der Geschichte jetzt auch als Brettspiel! Werkelt mit uns am Flickerlteppich! Gibt es dort, wo es auch Becher, T-Shirts oder Hoodies zu kaufen gibt: https://geschichte.shop // Außerdem gibt es das Brettspiel auch auf Amazon: https://www.amazon.de/gp/product/B0G3X2FNNW // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Elena Irureta visita Cuerpos especiales para presentar Abuela Tremenda, La Patrulla Chiquilla vuelve con consejos para ver los dibujos animados en la tele aunque los padres quieran ver otra cosa, Espido Freire analiza la versión de El Burrito Sabanero de David Bisbal y Jorge Yorya nos cuenta que hay una persona que ha creado una estatua gigante para hundirla en el mar y confundir a los arqueólogos del futuro. Además, Dani Piqueras y Javi Sánchez hacen que Beethoven se pase por una rave de los 90

In honor of Beethoven's 225th birthday, historical recordings of some lesser-known works. Music includes excerpts from Symphony #1 by Furtangler and the Vienna Philharmonic, Romance #1 for Violin and Orchestra by Christian Ferras, Piano Sonata #16 by Yeves Nat and Bagatelles Op 126 by Arthur Schnabel. 

An adventurous six-CD box set containing original piano works by Beethoven, plus chamber and orchestral repertoire in rare solo piano transcriptions, all brilliantly served up by Cyprien Katsaris.Link to the recordings: https://www.amazon.com/Chronological-Odyssey-Cyprien-Katsaris/dp/B081WQS75L

durée : 01:27:53 - En pistes ! du lundi 15 décembre 2025 - par : Emilie Munera - Découvrez les mille facettes de cet artiste inclassable, interprète de Beethoven, fanatique de jazz, et aussi compositeur, à travers un grand coffret regroupant tous ses enregistrements, des années 40 aux années 90. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:27:53 - En pistes ! du lundi 15 décembre 2025 - par : Emilie Munera - Découvrez les mille facettes de cet artiste inclassable, interprète de Beethoven, fanatique de jazz, et aussi compositeur, à travers un grand coffret regroupant tous ses enregistrements, des années 40 aux années 90. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

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Hello, and welcome to The Critic Show.Let's not bother burying the lede. Britain's best in-print periodical and online comment engine is re-launching our podcast — and this time you'll be able to see us, as well as listen.Today we've released the first 4 episodes, which you can watch here. In these first episodes, regular Critics Chris Bayliss, Poppy Coburn, Fleur Meston and I discuss anarcho-tyranny, how the Overton window has shifted on immigration in the last year and whether Britain's economy is fake. There's also an episode with Critic editor Graham Stewart and I, where we discuss the Christmas double issue, the new Critic Essay and the debut piece by Ben Barry, on the decline and fall of the British Army. After that you'll be able to join us every Monday. You can find it here on Outpost - and for full access to the exclusive bonus episodes, subscribe now. Does the world need another podcast? I get it. It must feel like every magazine has a podcast. It must feel like every 25-75 year-old man with a passing interest in culture and politics — and a lingering sense of frustration in life — has a podcast.Well, forget all that. It's like watching St Paul's being built and asking Christopher Wren if London hasn't got enough churches. It's like watching Shakespeare draft Hamlet and asking if the world really needs another play about moody teenagers. It's like hearing Beethoven preparing his Ninth and asking if he doesn't think there are already enough symphonies.Produced in partnership with Outpost Studios, this won't be another chummy centrist political podcast — the kind Ben Sixsmith hates — that regurgitates the week's news. Britain's podcast market is saturated with the offerings of centrist hacks endlessly rehashing whatever has come up in Westminster that week, with no attempt to get under the skin of any story.Rather than chase the news cycle, we're going to do what The Critic does best — leading sacred cows to slaughter. We'll have satire rather than sanctimoniousness, punchy commentary rather than ponderous blather and, crucially, The Critic Show won't be hosted by a man who made the case for invading Iraq or Lewis Goodall.Instead it will be hosted by me, Tom Jones, frequent contributor to these most august pages and owner of both the best hair and the best Donald Trump impression in journalism. I hope you'll join me, as well as all the other varied and talented Critic contributors who will appear on the podcast, as we dig the scalpel of our analysis into the flesh of world events. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.outpoststudios.net/subscribe

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Pastoral Songs

Ein Pastor schreibt: „Um 1900 entwickelte der Pionier der Psychologie, Alfred Adler, die kontraintuitive Theorie der Kompensation. Adler glaubte, dass vermeintliche Nachteile oft verkappte Vorteile sind, weil sie uns zwingen, Fähigkeiten zu entwickeln, die sonst verborgen geblieben wären. Erst durch das Ausgleichen solcher Schwächen kommen unsere größten Gaben ans Licht: 70 % der von Adler untersuchten Kunststudenten hatten Sehstörungen. Einige der größten Komponisten wie Mozart und Beethoven litten an Hörproblemen. Adler zeigte auf, wie Menschen verschiedenster Berufe ihre Schwächen nutzten, um neue Stärken zu entdecken. Nachteile wie Geburtsfehler, Krankheiten oder Armut könnten Sprungbretter zum Erfolg sein – nicht trotz, sondern wegen dieser Herausforderungen. In einer Studie unter Kleinunternehmern gaben 35 % an, Legastheniker zu sein. Sie entwickelten alternative Stärken wie bessere mündliche Kommunikation oder ausgeprägte soziale Kompetenzen. Ihr Nachteil zwang sie zu einem Arbeitsethos, das sonst vielleicht ungenutzt geblieben wäre. Unsere größten Vorteile können sogar in unseren größten Nachteilen verborgen sein, wenn wir lernen, sie zu nutzen. Das allein ist Grund genug, Gott für unsere Herausforderungen zu danken.“

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutch Logo design by Robbie Mailer Howat robbiemailerhowat Thank you for listening - please do get in touch with any comments!

Cerramos el año 2025 con un programa dedicado a Beethoven por la conmemoración de su nacimiento y la Navidad. Con compositores contemporáneos del músico y algunas obras navideñas, deseamos a nuestros oyentes una feliz Navidad y un maravilloso 2026.

durée : 00:02:53 - Charline explose les faits - par : Charline Vanhoenacker - Le budget de la sécurité sociale a été voté à 13 voix près. Aïe aïe aïe, ça porte malheur, il faut revoter ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:02:58 - Charline explose les faits - par : Charline Vanhoenacker - Le budget de la sécurité sociale a été voté à 13 voix près. Aïe aïe aïe, ça porte malheur, il faut revoter ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

On sait peu de choses sur l'enfance de Freddie Mercury. Du moins par lui. Le chanteur se confiait très peu à la presse et même aux amis, sur ses années de Freddie Bulsara.Bulsara ? Tiens c'est le nom des deux Indiens qui se sont un jour pointés après un concert de Queen demandant à le voir, ils disaient qu'ils étaient ses cousins. Et alors ? Ben, il a refusé de les voir. Est-ce pour faire un trait sur les traumatismes qu'il a vécus ? Freddie était un enfant de bons bourgeois de Zanzibar, cette terre africaine paradisiaque en bord de mer, le père était un fonctionnaire de l'empire britannique. Mais une révolution a tout fait s'écrouler : en quittant précipitamment son poste, Bomi Bulsara et sa famille ont tout perdu. De privilégiés en Afrique, ils sont devenus des riens du tout à Londres où ils ont débarqués après avoir tout abandonné derrière eux. Les voilà devenus des Pakis comme les autres, eux qui sont pourtant issus d'une très ancienne communauté. Mais le premier traumatisme, Freddie l'avait vécu bien plus tôt. C'est celui de l'abandon, du grand départ alors qu'il était encore enfant, pour un internat indien élitiste : soixante jours de voyage au milieu des années 50 pour l'amener au milieu de la jungle, en altitude, dans un collège où il va selon ses dires, devoir soudain grandir terriblement vite pour assurer ses arrières. Port de l'uniforme, lever à six heures, coucher à 21.30, devoirs le soir, inspection dans la cour de récréation, coiffure, uniforme, Freddie a vraiment intérêt à faire tout ce qu'on lui demande. Un collège avec son inévitable attirail de harcèlements divers et variés, celui de Freddie est tout trouvé, on l'a surnommé Bucky, comme Bugs Bunny, à cause de ses dents de lapin. Un harcèlement tellement épuisant qu'il prend des cours de boxe où il excelle. Mais quand elle l'apprend, sa mère prend peur, écrit au directeur et Freddie se retrouve devant une table de ping-pong pendant les heures de gymnastique.Heureusement qu'il y a la chorale une fois par semaine et puis les cours particuliers de piano où il se montre excellent. Il est vrai que tout petit, à Zanzibar, Freddie restait des heures devant le pick-up à écouter des symphonies de Beethoven, concertos pour piano de Mozart et même, des cantates de Bach. Mais Freddie ne montre pas d'excellentes prédispositions que pour la musique, il y a aussi la poésie et le dessin. Il écrit et dessine partout et tout le temps. Comme ce jour que sa tante, celle qui vit près de son internat, n'est pas prête d'oublier. Freddie arrive en effet près d'elle et lui offre un dessin représentant deux chevaux pris dans une tempête au bord de la mer. C'est magnifique. Mais qu'est-ce que c'est, Freddie ? Ma sœur et moi, répond-il. Il n'en dira pas plus, Freddie est très réservé. Mais pas asocial, non. A l'école, il s'est entouré d'un petit groupe, comme si, en quête d'affection, il cherchait à se recréer un environnement familial.

Welcome back to When Words Fail Music Speaks, the show that explores how music can lift us out of depression, anxiety, and everyday struggles. In today's episode, host James Cox—your “professional handicapped” guide to the power of sound—sits down with Grammy‑winning arranger, composer, and multi‑instrumentalist Fletch Wiley.We dive deep into Fletch's remarkable story: a childhood trumpeter from Seattle who chased his dream to the University of North Texas, survived a battle with drugs, found a life‑changing conversion to Christianity in 1971, and has since devoted his talent to ministry, touring the world with his wife under the Heart and Art initiative.From the nuts‑and‑bolts of jazz—Fletch's recommendations for newcomers (Chuck Mangione, Kirk Whalum, Chris Bodie) and his take on the “all‑wrong‑notes” myth—to the art of arranging across genres (worship, film scoring, children's music, theater, and big‑band projects), the conversation reveals why he believes jazz is “the highest form of music” because it demands real‑time improvisation, listening, and technical mastery.Listeners will also get practical tips for getting into jazz, a behind‑the‑scenes look at his global benefit concerts (Turkey, Egypt, Albania, Nigeria, South Africa), and a few lightning‑round fun facts that showcase his personality—favorite coffee, dream super‑band lineup, the instrument that would complain the most, and the single piece that moves his soul (Beethoven's 2nd Movement of the 7th Symphony).Whether you're a seasoned jazz aficionado, a country‑music lover, or simply searching for the therapeutic resonance of melody, this episode offers inspiration, humor, and a heartfelt reminder that music really does speak—and can heal. Tune in, settle in, and let Fletch Wiley's story and wisdom harmonize with your own journey.

It’s time to meet another crucial figure from within “The Nanny” universe - a second child actor supervised by Fran Drescher: Nicholle Tom! She played Maggie, the older sister of the Sheffield family, but you may know her from another family - one that rescued a lovable Saint Bernard named Beethoven. Nicholle shares her memories from auditioning for The Nanny, and what happened when the casting director with the “weird voice” turned out to be the star of the show. Plus, Nicholle reveals how they go the canine stars of Beethoven in-line…right here on a wild Pod Meets World! Follow @podmeetsworldshow on Instagram and TikTok!See omnystudio.com/listener for privacy information.

Epstein maintained a public account on Spotify, and his playlists — created between roughly 2011 and 2015 — show a strikingly broad and eclectic taste in music. His selections ranged from classical (including Ludwig van Beethoven) to jazz (notably Oscar Peterson), Broadway show tunes, gospel, pop, rock, and even contemporary club-style hits. His playlists featured songs by major artists such as Aerosmith, Led Zeppelin, The Who, The Doors, Elton John, Céline Dion, Billy Joel, Bob Dylan, The Beach Boys, and Pitbull. Beyond music, the account also contained a comedy-album by Louis C.K. — illustrating that Epstein's public streaming activity extended beyond just songs.However, analysts and reporters have pointed out that some songs on Epstein's playlists carry lyrics or themes that — in the context of what's later known about him — read as disturbing or even alarmingly suggestive. For example, his playlists included tracks like Hot for Teacher by Van Halen (a song that has been criticized for its sexualized and somewhat predatory undertones), and My Heart Belongs to Daddy an older jazz number by Oscar Peterson that many interpret as featuring a troubling adult-child dynamic. Observers contend that while a playlist alone doesn't prove intent or wrongdoing, those particular song choices — when viewed with the rest of the evidence in Epstein's history — add a deeply unsettling and ironic dimension to how he publicly presented himself.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

The post Singer, songwriter and composer for television and film, Randy Edelman. Some of Randy’s best known film scores include Twins, Ghostbusters II, Kindergarten Cop, ‘Beethoven, The Distinguished Gentleman, Gettysburg, Angels in the Outfield, The Mask, Pontiac Moon, The Indian in the Cupboard, and Dragonheart Live on Tape With Peter Trabucco 11-29-25 appeared first on WWDB-AM.

Ok, last time we roll over Beethoven! Donate to the podcast through Patreon... https://www.patreon.com/ELOPod Or PayPal eloftmpodcast@gmail.com P.O. Box 1932 Superior, AZ 85173.

Kinek komponálta Sosztakovics az I. (a-moll) hegedűversenyét, és hogyan kapcsolódik a XX. századi orosz történelem és a szovjet hatalom a műhöz?És mi köti össze Beethoven monumentális III. szimfóniáját az említett hegedűversennyel, továbbá saját korának politikájával, és főleg, Napóleonnal?Hózsa Zsófia vendége ezúttal Mácsai János zenetörténész volt.Hallgassátok szeretettel!

November might be over, but December means that it's now time for Player 1 vs The World's Patreon-built StrangeCast x The Lost Records Journal podcast episode! Adnan Riaz and Adam Evalt are BACK to cover a range of topics from our incredible Patreon users, ranging from Life Is Strange and Don't Nod Montreal's Lost Records: Bloom & Rage to The Game Awards 2025 and much more!

From holiday cheer to explosive national news, this episode dives deep:

Ludwig van Beethoven - Symphony No. 3 “Eroica”: 3rd movementCologne Chamber OrchestraHelmut Muller-Bruhl, conductorMore info about today's track: Naxos 8.551229Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

We've decided to "class up" the joint today with some fine classical music. Well, not exactly -- our laughs this time out come from accomplished composer, conductor, and musician Peter Schickele -- better known to comedy fans as PDQ Bach. Peter was a musical prodigy who attended both Swarthmore College and Julliard and who started his career as a songwriter and film composer. Just for fun, Peter started a series of humorous concerts, taking on the persona of PDQ Bach -- the youngest and oddest son of the famed composer. PDQ shows and albums drew inspiration from Spike Jones, using oddball instruments and sound effects to punctuate well known classical numbers. Later in life, Peter started a well-regarded public radio program (The Schickele Mix), but he also kept releasing PDQ material -- winning four consecutive Grammy awards in the 1990s. As always, find extended clips below and thanks for sharing our shows! Want more PDQ Bach? Who doesn't like the"bunny hop" song? Well, maybe PDQ after his effort to supply a little percussion to the song. https://youtu.be/KzPtPoTgvNM?si=OM41uX5ZiW3nE0ST PDQ Bach was known for playing shall we say "unusual instruments" and he was a favorite of the Smothers Brothers. Put the two together and you have this clip from the Smothers Brothers Comedy Hour. https://youtu.be/cZu3iaEPMA4? Peter Schickele noted that his PDQ incarnation was heavily influened by musical comedy madman Spike Jones and the pedigree shows in this clip -- a version of Beethoven's Fifth Symphony -- narrated as if it were a sporting event. https://youtu.be/WR4CdKSeD-E?si=DwYiFs0mkHE7qHok

durée : 01:37:07 - Radu Lupu, concerts inédits - par : Philippe Cassard - A l'occasion du 80ème anniversaire de la naissance du grand pianiste, Decca publie un coffret de concerts inédits embrassant 32 années de sa carrière. Des oeuvres de Haydn, Mozart, Beethoven, Schumann, Chopin, Moussorgsky, Bartok etc. que Radu Lupu n'a jouées qu'en public. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:47 - Radu Lupu, concerts inédits - par : Philippe Cassard - A l'occasion du 80ème anniversaire de la naissance du grand pianiste, Decca publie un coffret de concerts inédits embrassant 32 années de sa carrière. Des oeuvres de Haydn, Mozart, Beethoven, Schumann, Chopin, Moussorgsky, Bartok etc. que Radu Lupu n'a jouées qu'en public. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

A SP Chamber Orchestra realizará em 19 de dezembro, no Teatro B32, em São Paulo, um concerto de Natal com a nona sinfonia de Beethoven.A maestra Giovanna Elias, que criou a orquestra em 2022, comentou sobre a apresentação no Papo Antagonista.Duda Teixeira e Madeleine Lacsko comentam:Papo Antagonista é o programa que explica e debate os principais acontecimentos do   dia com análises críticas e aprofundadas sobre a política brasileira e seus bastidores.     Apresentado por Madeleine Lacsko, o programa traz contexto e opinião sobre os temas mais quentes da atualidade.     Com foco em jornalismo, eleições e debate, é um espaço essencial para quem busca informação de qualidade.     Ao vivo de segunda a sexta-feira às 18h.    Apoie o jornalismo Vigilante: 10% de desconto para audiência do Papo Antagonista  https://bit.ly/papoantagonista  Siga O Antagonista no X:  https://x.com/o_antagonista   Acompanhe O Antagonista no canal do WhatsApp. Boletins diários, conteúdos exclusivos em vídeo e muito mais.  https://whatsapp.com/channel/0029Va2SurQHLHQbI5yJN344  Leia mais em www.oantagonista.com.br | www.crusoe.com.br 

By request, a rebroadcast of 2024's Thanksgiving "Turkeys" episode! Here are some genuine piano "turkeys" to consider, or perhaps to avoid, with links below:For Valery Afanassiev's Beethoven, check out Victor Carr, Jr.'s review: https://www.classicstoday.com/review/review-11451/. For commentary about Rita Bouboulidi's Beethoven Sonata cycle, visit this link: https://www.good-music-guide.com/community/index.php?topic=23626.0

Fritz Kreisler - Rondino on a Theme by BeethovenTakako Nishizaki, violin Jeno Jando, pianoMore info about today's track: Naxos 8.550306Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Il 23 novembre Israele ha ucciso il capo militare di Hezbollah in un attacco a un edificio alla periferia sud di Beirut, che secondo le autorità libanesi ha causato cinque morti. Con Cyrille Nême, giornalista, da Beirut. ll 20 novembre il procuratore generale spagnolo Álvaro García Ortiz è stato condannato dalla corte suprema a due anni d'interdizione dai pubblici uffici per rivelazione di segreto d'ufficio. Con Mariangela Paone, giornalistaOggi parliamo anche di:Ucraina • "Rifugiati sottoterra" di Vadym Petrasjukhttps://www.internazionale.it/magazine/vadym-petrasjuk/2025/11/20/rifugiati-sottoterraDisco • Víkingur Ólafsson, Opus 109 (Beethoven, Bach, Schubert)Ci piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan ZentiCi piacerebbe sapere cosa pensi di questo episodio. Scrivici a podcast@internazionale.it Se ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità. Vai su internazionale.it/abbonatiConsulenza editoriale di Chiara NielsenProduzione di Claudio Balboni e Vincenzo De SimoneMusiche di Tommaso Colliva e Raffaele ScognaDirezione creativa di Jonathan Zenti

Taubheit inspiriert Genialität… Mach's dir bequem und kuschel dich ein! Dieser Podcast wird durch Werbung finanziert. Infos und Angebote unserer Werbepartner: https://linktr.ee/EinschlafenMitPodcast Hier geht's zum Wikipedia-Artikel. Der Artikel wurde redaktionell überarbeitet: https://de.wikipedia.org/wiki/Ludwig_van_Beethoven CC BY-SA 4.0 Hosted on Acast. See acast.com/privacy for more information.

SCTV's Dave Thomas talks about making bold life choices, growing up in Canada, Shakespeare saving his ass, choosing between big money success as an ad man or being a broke improviser at Second City, becoming head writer on SCTV, Martin Short, Dan Aykroyd, Harold Ramis, John Candy, Catherine O'Hara, Eugene Levy, Joe Flaherty, Andrea Martin, Grace Under Fire, running an animation studio, turning to dramas like Bones and The Black List, going to Ukraine, Thailand, Mad Magazine, The McKenzie Brothers, Chester Hope, and how, to make it in Hollywood, you need at least two of these three things, Talent, Drive, & Luck. Bio: David William Thomas was born May 20, 1949, in St. Catharines, Ontario. He is the eldest son of British parents, Moreen Duff Muir (May 4, 1928 – May 18, 2022), a church organist for thirty years originally from Glasgow, Scotland and composer of church music, and John E. Thomas (1926–1996), a medical ethicist from Merthyr Tydfil, Wales who was head of the Philosophy Department at McMaster University, and the author of several books. Dave's younger brother, Ian Thomas, is a Canadian singer-songwriter. The family moved temporarily to Durham, North Carolina, where his father attended Duke University and earned a PhD in philosophy. The family moved back to Dundas, Ontario, in 1961, where Dave attended Dundas District high school, and later graduated with an honours Bachelor of Arts degree in English literature from McMaster University in Hamilton, Ontario.[1]  Starting his career as a copywriter at ad agency McCann Erickson in 1974, Thomas became the head writer of the Coca-Cola account in Canada within a year. After watching a Second City stage show in Toronto, and while suffering from self-described "boredom" in his advertising work, he auditioned for the Second City troupe and was chosen as a performer.[2] He was a cast member of the Toronto production of Godspell, along with Victor Garber, Martin Short, Eugene Levy, Gilda Radner, and Andrea Martin.[3] Paul Shaffer was the musical director.[3 He first achieved fame as a cast member of the Canadian TV comedy series SCTV, joining Godspell castmates Levy, Martin and later Short, plus Rick Moranis, John Candy, Harold Ramis, Catherine O'Hara and others. Notable characters on the show include Doug McKenzie of beer-swilling brothers Bob and Doug McKenzie, editorialist Bill Needle, Scottish scone-chef/bluesman Angus Crock, motor-mouthed TV ad announcer Harvey K-Tel, Lowery organist/curio pitchman Tex Boil and the "Cruising Gourmet". Thomas's first film role was in Home to Stay, directed by Delbert Mann, in which Thomas played in a scene with Hollywood legend Henry Fonda. He then wrote, co-directed, and starred in the Bob & Doug McKenzie feature film Strange Brew. Soon after, he wrote for and acted in The New Show, produced by Lorne Michaels during his hiatus from Saturday Night Live. Short-lived, this show featured a powerhouse writing staff including Thomas along with Buck Henry, George Meyer, Jack Handey, Al Franken, Tom Davis, Valri Bromfield and Steve Martin. Thomas tried his hand at network television hour-long shows in 1986 when he wrote and co-executive produced Steel Collar Man for CBS. The pilot was produced but did not go to series. He co-wrote Spies Like Us (1985) with Dan Aykroyd.  In 1988, Thomas wrote another hour long show for CBS, B Men, which was back ordered, but Thomas took a directing job at Paramount, which caused the network to drop the series. He reportedly introduced John Travolta and Kelly Preston while directing them in the Paramount film The Experts.  He wrote for, produced, and starred in The Dave Thomas Comedy Show (1990). In 1991, he starred in the Showtime comedy, Public Enemy #2. In 1992, he tried his hand at reality TV and co-executive produced ABC's America's Funniest People with Vin Di Bona, but left after thirteen weeks to appear in the film Coneheads.  In 1993, he co-starred in ABC's Grace Under Fire with Brett Butler and Tom Poston and continued with the show for 5 seasons. In 1995 Thomas starred in the ABC television film Picture Perfect with Mary Page Keller and Richard Karn. In 1995 Thomas produced a pilot of a game show called Family Challenge for ABC. When ABC did not pick up the series, Thomas sold Family Challenge to the Family Channel, where he produced 144 episodes of the show spread over 2 seasons. In 1996, Thomas played the title role in the Fox television film Mr. Foster's Field Trip aka Kidz in the Wood with Julia Duffy. In 1996, he wrote the book SCTV: Behind the Scenes (McClelland & Stewart, publishers). From 1999–2002, he voiced various roles on the animated series Mission Hill. Thomas co-starred in the Paramount feature Rat Race. As of 2001, Thomas has been the Executive Creative Director of Animax Entertainment, an animation studio based officially in Culver City, California. In 2001–2002 Thomas appeared with Eugene Levy and Martin Short on Short's show Primetime Glick as Bob Hope (an impression he had first developed for SCTV with great success). In 2002, he co-starred with Jason Priestley, Dave Foley, and Ewen Bremner in Fancy Dancing. The next year he played a lead role in Beethoven's 5th. In 2003, he directed a hospital comedy feature film entitled Whitecoats, which he also wrote. As of 2004, Thomas was on the official Advisory Committee for the Comedy program at Humber College, the only such diploma program in the world. In 2004, he and Moranis again worked together voicing Rutt and Tuke, two moose based on the McKenzie Brothers, in Disney's animated feature Brother Bear.[4]  Thomas has had a long career doing voices for animation including Animaniacs, Duckman, CatDog, The Adventures of Tarzan, Justice League and multiple roles on The Simpsons, King of the Hill and Family Guy. In 2005, he had a guest stint as Charlize Theron's "Uncle Trevor" on Fox's Arrested Development. In 2006, he reprised his voice role in Brother Bear 2 and appeared as himself in the feature film The Aristocrats. He began production on ArnoldSpeaks.com, a video blog, as the voice of Arnold Schwarzenegger; Animax Entertainment won an Emmy for a broadband animated series produced for ESPN, Off Mikes.  In 2007, Thomas and Rick Moranis reprised their roles as Bob and Doug McKenzie in a one-hour special, Bob & Doug McKenzie's Two-Four Anniversary, for CBC Television. The show featured cameos from McKenzie celeb fans like Ben Stiller, Dave Foley, Tom Green, Paul Shaffer, Andy Dick, Matt Groening, Barry Pepper, Martin Short, and Geddy Lee. Former Prime Minister of Canada Paul Martin was the host. In 2008, Thomas revived Bob and Doug McKenzie in a new animated series, Bob & Doug. While Thomas reprises the character of Doug in the new series, Moranis chose not to voice the character of Bob, which instead is voiced by Dave Coulier. Moranis is, however, involved in the series as an executive producer.[5]  In November 2009, Thomas received an Honorary Doctor of Letters from his alma mater McMaster University and gave the fall convocation speech. In 2010 Animax continued to produce branded entertainment, advertising and digital shorts for corporations like Disney, Warner Brothers, NBC Universal, and Kodak. In 2011, Thomas's company Animax produced another animated show for MTV entitled Big Box along with numerous Internet shorts such as Life With Dad.[6][7]  In 2012 and 2013 Thomas guest starred in the dramatic shows Perception and Bones as well as comedy shows Comedy Bang! Bang! and How I Met Your Mother. In addition in 2013 Thomas voiced the recurring role of Jeff Foxworthy's father Jesco in the CMT show Bounty Hunters.  Thomas joined the writing staff of the Fox crime drama television series Bones beginning in 2013. Thomas worked for two seasons on Bones, writing several episodes and working on staff as consulting producer for two seasons.[8]  In 2015 Thomas joined the writing staff of NBC's The Blacklist as a consulting producer. In 2020 life-sized statues of Thomas and Rick Moranis as their characters Bob and Doug McKenzie were put in place at the ICE District Sports Arena in Edmonton, Alberta.[9] Also in 2020, the Governor-General of Canada announced that Thomas was being appointed to the Order of Canada,[10] Canada's highest civilian award. In 2021, Thomas and Max Allan Collins teamed to write a sci-fi mystery novel, The Many Lives of Jimmy Leighton.

This week is all poetry—our first all-poetry week of the Immersive Humanities project! After struggling through young Werther, I decided I needed to step back and understand Romanticism as a movement. I offer a brief review of the history leading up to Romanticism; after all, most movements are reactions against what precedes them. The printing press and Protestant Reformation blew open European thought, leading to centuries of philosophical upheaval. Empiricists like Bacon and Hume insisted that knowledge must be tested; rationalists like Descartes and Spinoza trusted pure reason. Kant eventually tried to unite both. Their world gave rise to the Enlightenment—and then came the Romantics, pushing back with emotion, imagination, and nature.That's the world our poets wrote in. This week I used Pocket Book of Romantic Poetry and read Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats (skipping Novalis and Hölderlin). I loved some poems, disliked others. Blake's mystical, anti-Christian tone left me cold. Wordsworth's childhood wonder won me over. Coleridge's Rime of the Ancient Mariner shocked me--it's gripping, almost epic. Byron was brilliant, scandalous, and endlessly readable. His Prisoner of Chillon might have been my favorite poem of the week. Shelley felt dreamlike and visionary, while Keats, to me, seemed talented but young. What did the world lose when he died?Reading these poets in their historical context changed everything. They're passionate, experimental, and surprisingly radical—not quaint! We are missing out when we resort to tired anthologies to get to know these poets--something that I didn't expect to feel so strongly about! Paired with Beethoven's Pastoral Symphony and Chopin's preludes, this week was a revelation.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)That cool Medieval Science Book The Genesis of Science by James HannamCONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts -

In the spirit of giving thanks, we wanted to say thank you to everyone with a VINTAGE re-release of The Early Years of SNL that celebrates an episode of Saturday Night Live that originally aired 50 years ago this week. This episode of SNL comes only six weeks into the show's existence and yet the Lily Tomlin-hosted affair is one of the very best of the show's first season.The show is just beginning to see the reward for recurring bits as Chevy Chase's Gerald Ford and Landshark both make their return to the program, as does Garrett Morris' “News for the Hard of Hearing.” We also get original material in the form of John Belushi's Beethoven impression, a commercial parody for "Spud Beer," and the legendary "Hard Hats" sketch. Lily even makes The Muppets bearable!This episode was originally released on May 2nd, 2023.---------------------------------Subscribe today! Follow us on social media: Twitter: @NR4PTProject Instagram: @nr4ptproject Bluesky: @nr4ptproject.bsky.social Facebook: The Not Ready for Prime Time Project Contact Us: Website: https://www.nr4project.comEmail: nr4ptproject@gmail.com

We're back with another AFTN Soccer Show packed full of Vancouver Whitecaps, Major League Soccer, Canadian Premier League, and World Cup chat. Vancouver Whitecaps are heading to a MLS Western Conference Final showdown with San Diego after a momentous victory over LAFC in their semi-final this past weekend. We delve into all of the highs, the lows, and the drama of that match and the shootout win, the fallout from it, and look ahead at what's to come, with a MLS Cup final at BC Place still a possibility. We also look at the demise of Winnipeg CPL side Valour FC, who announced this week that they are folding after seven years in the league, and what it might mean going forward. Plus we look at an exciting latest round of World Cup qualifiers and speculate on the pots and what the best draw for Canada and Scotland at next year's tournament would look like. Music-wise, Camper van Beethoven continue their residency as our Album of the Month, we've a Britpop song from Pulp, a song from The Stone Roses to pay tribute to Mani and one in Wavelength to mark the 20th anniversary of George Best's death. Here's the rundown for the main segments from the episode: 01.26: Intro - a week to remember, traitors talk 10.55: Wasteful LAFC pay the penalty against nine-man Whitecaps 61.55: Whitecaps-LAFC fallout and what's next 85.25: The Death of a Football Club - the demise of Valour FC 114.55: World Cup qualifiers bring drama to very end 133.30: What's your ideal World Cup draw? 143.00: Wavelength - The Devoted - I Love George Best

durée : 01:27:39 - En pistes ! du mardi 25 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Quatuors de Beethoven, Nocturnes de Chopin, Concerto italien de Jean-Sébastien Bach... toutes vos œuvres préférées sont ce matin dans En Pistes ! Sans oublier le Concerto en sol de Ravel dans une nouvelle version d'Anna Fedorova. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:27:39 - En pistes ! du mardi 25 novembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Quatuors de Beethoven, Nocturnes de Chopin, Concerto italien de Jean-Sébastien Bach... toutes vos œuvres préférées sont ce matin dans En Pistes ! Sans oublier le Concerto en sol de Ravel dans une nouvelle version d'Anna Fedorova. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Neste episódio, somos convidados a refletir sobre a importância da dialética como ferramenta filosófica essencial para o autoconhecimento, o amadurecimento humano e a convivência social. A partir de um diálogo entre o professor Cristiano Born, da Nova Acrópole de Porto Alegre são exploradas as diferenças entre dialética, retórica e mito — três formas distintas, mas complementares, de comunicação e construção de sentido. A dialética é apresentada como um caminho para o desenvolvimento da consciência por meio da busca da verdade, o questionamento de crenças e o exercício interno de reflexão. Diferente da retórica, que visa à persuasão, e do mito, que recorre ao símbolo e à intuição, a dialética é vista como uma prática que une teoria e ação, pensamento e transformação. Ao longo do episódio, abordam-se questões fundamentais como: o diálogo interior, a importância da humildade filosófica, o papel da introspecção no cotidiano agitado das grandes cidades e o valor de pequenos hábitos que cultivam a consciência. As referências ao pensamento de Sócrates e Platão enriquecem a conversa, destacando o sentido de evolução presente na filosofia clássica. Este episódio é um convite a resgatar o diálogo autêntico — consigo mesmo, com o outro e com a vida — como expressão natural da busca filosófica e da realização humana. Participantes: Cristiano Born e Pedro Guimarães Trilha Sonora: Symphony No. 4 in B-flat major, Op. 60 – Adagio – Allegro Vivace, de Ludwig van Beethoven

Rafa Panadero relaciona Beethoven con... ¿Deep Purple? El amigo secreto se atreve con las primeras notas de 'Tainted love' cantada por Soft Cell.

Reinterpreting centuries-old classical music, marking up symphonies with notes on phrasing, and turning mid-performance disasters into unforgettable moments with Carlos Miguel Prieto, a music director and conductor. How do you get an orchestra to pick up the tempo? (Spoiler: Not by waving your hands faster.) And how does a performance of Beethoven's Fifth sound different today from a century ago?WANT MORE EPISODE SUGGESTIONS? Grab our What It's Like To Be... "starter pack". It's a curated Spotify playlist with some essential episodes from our back catalogue. GOT A COMMENT OR SUGGESTION? Email us at jobs@whatitslike.com FOR SPONSORSHIP OPPORTUNITIES: Email us at partnerships@whatitslike.com WANT TO BE ON THE SHOW? Leave us a voicemail at (919) 213-0456. We'll ask you to answer two questions: 1. What's a word or phrase that only someone from your profession would be likely to know and what does it mean? 2. What's a specific story you tell your friends that happened on the job? It could be funny, sad, anxiety-making, pride-inducing or otherwise. We can't respond to every message, but we do listen to all of them! We'll follow up if it's a good fit.

Live from the Cheltenham Literature Festival, Rachel Parris joins Dan, James and Andy to discuss baboons, breakouts, Beethoven, and bottom stainers. Visit nosuchthingasafish.com for news about live shows, merchandise and more episodes.  Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreon