Podcasts about Ludwig van Beethoven

En el otoño de 2014, un viernes cualquiera, Carlos Alsina y Rubén Amón (junto a David Gistau y Manuel Jabois) le robaron un rato de radio a La Brújula para hablar de otras cosas. Disertaron sobre ‘Interstellar' y de ‘Las uvas de las ira', sobre qué significa ser cultureta en un mundo (con Rajoy en el gobierno y un Felipe VI recién proclamado) en el que empezaban a abrirse paso, lentamente, las plataformas audiovisuales y los libros electrónicos. Así nació La Cultureta hace ya más de diez años, como espacio experimental, y su éxito no tardó en provocar emanciparla y establecerla como contenido independiente y reconocible, "clandestino y autoparódico".Lo celebramos, este viernes de junio de 2025, de la mano de Rubén Amón, Rosa Belmonte, Guillermo Altares y Sergio del Molino. Y lo hacemos colándonos en uno de nuestros lugares predilectos: la sala de conciertos. Junto a piano, violines, clarinetes y timbales, nos adentramos en la historia de las orquestas y sus instrumentos. Y divulgamos una de las pasiones culturetas por antonomasia: la música clásica.¿Cómo nacieron las orquestas? ¿Cómo y por qué fueron incorporando sus diferentes instrumentos y secciones? ¿Y cuáles son las historias de sus propios miembros? Indagamos en todo ello desde la Escuela Superior de Música de Madrid, donde disfrutamos de música en directo (Mozart, Beethoven, Vivaldi) bajo la batuta del director de orquesta Pablo González, con quien también hablaremos y divulgaremos nuestra pasión.

CONTENT WARNING: Discussion of death, knife fights, gunfire, murder, sexual misconduct, parental trauma, parental negliect, parental abuse. We weren't aware there was such a thing as being a method director, but this legendary film seems to have proven that's a thing. Because it's one thing to make a schlocky B-movie for teenagers about juvenile delinquents. It's another completely to try to reverse engineer that terrible movie into art for a budding movie star and enable his worst tendencies while also having an affair with his 16-year-old co-star, and his other co-star, and possibly him. This movie is a mess, which is actually being kind, because its director might be even more of a disaster. Somehow a bad movie with great acting gives us perhaps some of the greatest trivia of all time. We're deep in our angsty feels as we watch 1955's Rebel Without a Cause on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film Rebel Without a Cause, written and composed by Leonard Rosenman. Copyright 1955 Warner Bros. Entertainment Inc. All Rights Reserved. Excerpt taken from “The Cincinnati Kid (Instrumental)” from the soundtrack to the film The Cincinnati Kid, written and composed by Lalo Schifrin. Copyright 1965 Warner Bros. Entertainment Inc. All Rights Reserved.

Send us a textDiscover the surprising journey of coffee from ancient Ethiopian tribes to its role in sparking global revolutions in this enlightening exploration of humanity's most beloved beverage."It's about connection, not addiction," I explain while sipping from my favorite brew. Coffee isn't just a morning pick-me-up—it's a cultural phenomenon that has shaped human civilization in profound ways. From its humble origins in Africa, where wild coffee plants were used by nomadic tribes for thousands of years, to becoming the catalyst for intellectual revolutions across Europe, the story of coffee is the story of human connection.Did you know both the American and French revolutions were planned in coffee houses? Or that legendary composers like Bach and Beethoven crafted their masterpieces while enjoying this aromatic elixir? As coffee spread through the Arab world in the 1500s and later took Europe by storm, it created spaces where ideas could flourish and business ventures could take root. Even Lloyd's of London, the famous insurance market, began in a coffee house!Coffee's journey reflects our own complex history—including its darker chapters of colonization and exploitation. Yet through it all, coffee has remained a powerful force for sobriety, creativity, and community. The Italians transformed coffee into an art form with their meticulous preparation methods and varieties like espresso, cappuccino, and moccaccino, elevating it from mere beverage to sensory experience.Whether you're a fellow enthusiast or simply curious about the power of this remarkable bean, join me in appreciating how coffee connects us across time and space. Subscribe to our channel to continue exploring the fascinating stories behind everyday experiences, and share your own coffee journey in the comments below!Support the showYou can support this show via the link below;https://www.buzzsprout.com/1718587/supporters/new

From Simon's programme on the UK's LBC, a tribute to the late, great pianist...and why, even if you've never heard of him, his story should inspire. With the thoughts of Classic FM legend, and Beethoven scholar John Suchet.

Comenzamos repasando los cuatro Oscar honoríficos que la Academia de Hollywood entregará este año: Tom Cruise, por su impacto duradero en el cine; Dolly Parton, por su contribución a la cultura estadounidense a través de la música y su presencia en el cine; Wynn Thomas, uno de los grandes diseñadores de producción de la historia reciente del cine; y Debbie Allen, actriz, coreógrafa y productora reconocida por su trabajo tanto delante como detrás de las cámaras. Un homenaje colectivo a trayectorias que han influido profundamente en el panorama cultural.Después nos detenemos en la obra del escritor Sergi Pàmies. Anagrama ha reunido y reeditado tres de sus novelas publicadas en los años noventa bajo el título 'Tres novelas analógicas': 'La primera piedra' (1991), 'El instinto' (1993) y 'Sentimental' (1995). Una compilación que muestra la evolución de una voz literaria que se consolidó con energía, ironía y mirada crítica desde sus inicios.Desde Logroño, Íñigo Picabea informa sobre el inicio de una nueva edición de CONCÉNTRICO, el Festival Internacional de Arquitectura y Diseño. Finalista en los Premios de Arquitectura del Consejo Superior de Colegios de Arquitectos de España, el festival celebra su décimo aniversario con el mismo propósito: transformar la relación con el entorno urbano mediante instalaciones temporales y nuevos usos del espacio público.Dedicamos también un espacio a felicitar a Violeta Lópiz, galardonada con el Premio Nacional de Ilustración 2024, en reconocimiento a una trayectoria que ha combinado sensibilidad artística, compromiso y renovación formal.Y cerramos con Martín Llade, que nos introduce en la séptima edición del maratón '¡Solo Música! Beethoven ¡pianísimo!'. Una celebración impulsada por el CNDM y el Auditorio Nacional de Música por el Día Europeo de la Música, que se celebra el 21 de junio. Conciertos continuos, entrada libre y protagonismo absoluto del piano en una jornada que une a músicos y públicos de toda Europa.Escuchar audio

A vocal advocate for artist rights and a senior lecturer on all things music business at the University of Georgia, David Lowery discusses today the recent losses of Sly Stone and Brian Wilson, learning accounting while on tour, and how Camper Van Beethoven expanded their legend through record store performances. David's latest release -- a 3LP set titled Fathers, Sons and Brothers -- is available now. Tour dates for all of David's projects are available at davidlowerymusic.com, crackersoul.com and campervanbeethoven.com. Also, check out thehiddenjams.org, in beta testing, as David and a group of current and former students attempt to upset the recorded music algorithm. 

Es ist eines der bekanntesten Musikstücke überhaupt: der erste Satz aus Beethovens "Mondscheinsonate". Laien wie Nicht-Laien berührt diese Musik zutiefst. BR-KLASSIK stellt diese Sonate mit dem Pianisten Igor Levit vor.

Ludwig van Beethoven (1770 - 1827) - Quartetto per archi in la minore, op. 1321.       Assai sostenuto – Allegro2.       Allegro ma non tanto3.       Molto Adagio – Andante Andante – Molto adagio – Andante–Molto adagio. 4.       Alla Marcia, assai vivace5.       Allegro appassionato – Presto Ariel Quartet

Roll over Beethoven, and tell Tchaikovsky that SURFACE NOISE has a FREESTYLE to share with the masses! For this separate stanza, our crew of dedicated sound merchants is still joined by Adam Tiro from The Freight to discuss "Vinyl Myths" - notions (preconceived or other) we have held about record collecting and the hobby in general that have yet to bear the fruit we expected.

In this episode, we talk about these transitional chapters between the events at Lyme and the move to Bath. We consider the position of the old nurse in the Musgrove household, how Anne is feeling a bit sorry for herself, the delightful scenes with the Crofts and with Charles and Mary, how Mr Elliot is described as ‘underhung', and the way Anne and Mr Elliot get on well with each other.The characters we discuss are Mr and Mrs Musgrove. In the historical section, Ellen talks about Bath, and for popular culture Harriet discusses the 2019 YouTube series Rational Creatures.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Noel Streatfeild, Gran-Nannie (1976) and Ballet Shoes (1936)Novels of Charlotte M. YongeEvelyn Waugh, Brideshead Revisited (1945)Alexander Pope, ‘The Rape of the Lock‘ (1712)Historical discussion:The Venerable Bede (c.672-735)Nennius (9th century Welsh monk)Google map of locations in Persuasion, zoomed in on BathPopular culture discussion:Rational Creatures (2019, YouTube) – starring Kristina Pupo and Peter GiesslHarriet's interview with the creators of Rational CreaturesCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

In Episode 24 of The Choral Director's Toolbox, host Dr. William Baker reflects on The Predicament of Beethoven, sharing insights into the composer's life, suffering, and faith as revealed through his music. Drawing from major biographies and personal letters, Dr. Baker explores how Beethoven's deafness, illness, and isolation shaped both his human journey and his sacred vocation as a composer. This week's listener question offers practical tips for helping community and professional choirs memorize music while rehearsing only once per week. Today's inspiration is Glorious Everlasting by M. Thomas Cousins, performed by the Mountain Park Choir of Atlanta. Join us for a stirring blend of music history, artistry, and inspiration.

Gearoid and Niamh remember their exams. Gearoid is convinced he should have been another Beethoven. In the mailbag we have a mother in law problem and a houseshare nightmare. We have merch! For God's sake please buy our totes. Check out the merch store to support the show by buying yourself a present. If you would like to support us we would love for you to become a member of HeadStuff+ and leave us a lovely rating/review on whatever platform you listen on. Gearóid's tour-dates are here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Side B of episode 102 of Player 1 vs The World's StrangeCast podcast is HERE! Adnan Riaz and Adam Evalt continue their discussions on all things related to Don't Nod Entertainment, Don't Nod, Deck Nine, Square Enix's Life Is Strange series, Don't Nod Montreal's Lost Records: Bloom & Rage and more.

¡Bienvenidos a Ceroizquierdo Retro News, el podcast donde las noticias del pasado cobran vida con humor y reflexión! En este episodio, rescatamos historias impactantes de la tercera semana de junio, como el accidente de Stephen King en 1999, la trágica historia de Beethoven (el perro de las películas), y el legado de Amelia Earhart como pionera de la aviación. También celebramos los 20 años del primer Roland Garros de Rafael Nadal con una anécdota personal única, y analizamos el fenómeno Bad Bunny y su impacto cultural. Además, debatimos sobre gentrificación, asociacionismo, y el controvertido papel de las grandes empresas en festivales de música. ¡Risas, nostalgia y crítica social en un solo lugar! Escúchanos y síguenos en ceroizquierdo.com. Hashtags: #PodcastRetro #NoticiasPasado #StephenKing #BeethovenPelicula #AmeliaEarhart #RafaelNadal #RolandGarros #BadBunny #Gentrificacion #Asociacionismo #FestivalesMusica #CriticaSocial #Humor #Nostalgia

Rachel catches up with Nick Ray who previously kayaked around the coast of Scotland, sharing his journey and mental health challenges on social media throughout that year. He's just completed another journey but walking this time, from far north to south via east and west. Rachel finds out why he decided to hang up his kayak for this challenge.Mark's in Aberdeenshire and hears from Jim Wilson from Soil Essentials .who tells him how a spot sprayer is going to change the world!Bobby Motherwell, the poet in residence at RSPB Lochwinnoch has been keeping a close eye on the wildlife there. He shares a poem, inspired by his surroundings.The Mounthooly Roundabout in Aberdeen is one of the city's busiest roundabouts and it's a spot where hundreds, if not thousands of people pass by every day – But this is no ordinary green oasis! Recently a community group have been transforming the roundabout into a food forest – Last week, I took a wander down to Mounthooly to meet up with Graham Donald, community development officer along with some of the other folk involved in the project to see their progress.Mark and Rachel chat with Richard Reynolds, who, 21 years ago, was one of the UK's first modern guerrilla gardeners, and ask how attitudes have changed over the years.Tucked away on the Moray Coast lies Culbin Sands, a remote stretch of fragile shoreline where the golden sands meet the crystal clear waters of Findhorn bay. It's not the easiest place to reach, unless you're up for a three-hour hike through the Culbin Forest, or you could go for the slightly less strenuous option which is to go by water taxi. Morven Livingstone and Phil Sime, along with guide dog Striker met up with Jane Campbell Morrison from Findhorn Water-Sports who gave them a tour around the bay.Sand in Your Eye are a sand sculpture group who depending on the tide are creating a sand sculpture of Beethoven on Elie Beach. Rachel pops along hoping to see the end result.Scotland's last remaining Timeball has just been restored and is back in place at the top of Edinburgh's iconic Nelson Monument. Once a vital tool for sailors navigating the Firth of Forth and Port of Leith, this Timeball helped ships set their clocks precisely to 1pm Greenwich Mean Time 365 days of the year. Earlier this week, Mark caught up with Karl Chapman, Head of Heritage at Cultural Venues, Museums and Galleries, to learn all about the fascinating restoration project and why this historic timekeeper still matters today.

Musique classique Jean Perron, Laurent Patenaude et Jean Lecomte Tous les samedis matins, de 9 h à 12 h, L'Accroche-coeur propose aux auditeurs et auditrices férus de découvertes et de musiques rares, plus de 1000 ans de musique, des premiers temps du Moyen-Âge à aujourd'hui.; musiques savantes ou populaires, profanes ou sacrées mettant en vedettes les plus grands artistes capables de mettre en valeurs les oeuvres des Pérotin, Machaut, Dufay, Bach, Vivaldi, Beethoven, Chopin, Debussy, Poulenc, Jarrett et tous ces anonymes dont la postérité n'a retenu que les oeuvres. Le samedi matin, c'est le moment privilégié que CKRL, la radio culturelle de Québec, vous offre pour entendre les plus belles oeuvres de la musique occidentale, celles qui ont fait la meilleure partie de l'humanité. Jean Perron, Laurent Patenaude et Jean Lecomte mettent, tour à tour, leurs connaissances et leur amour de la musique à la portée de tous et toutes. C'est le rendez-vous bien-être de la semaine sur nos ondes.

Jazz pianist Ashley Henry and bassoonist Amy Harman join Jeffrey Boakye and Anna Phoebe to add five more tracks to the playlist, taking us from a Bowie dance classic to Marvin Gaye via an unexpected rare, live, performance by a jazz icon in a school in California, surprisingly recorded by the caretaker in 1968.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Modern Love by David Bowie Piano Sonata No 32 in C Minor by Beethoven Epistrophy (Live) by Thelonious Monk Apple by Charli XCX I Heard it Through the Grapevine by Marvin GayeOther music in this episode:Take it Higher by Ashley Henry The Magdalene Laundries by Joni Mitchell Starman by David Bowie Fame by David Bowie Under Pressure by David Bowie

A whistlestop tour of the history of music. Starting from our ancient ancestors beating drums and creating flutes to the lyres of greece, the Gregorian chants of the medieval period, Mozart, Beethoven, jazz, blues and rock and roll. Till today when we are using AI to help us in our creations.

Jonathan Segel in conversation with David Eastaugh https://www.jonathansegel.com/ https://campervanbeethoven.com/home Segel joined the indie rock group Camper Van Beethoven in 1984, while in college at Santa Cruz. His contributions as violinist became the band's hallmark, creating a distinctive identity and sound n addition to the revived Camper Van Beethoven, Segel records solo projects and leads the Jonathan Segel band, performs improvisational electronic or avant-garde music (either solo or, since 2004, with Chaos Butterfly), and he is an occasional contributor to music from the Big City Orchestra. His compositions have also included six chamber music scores written between 1989 and 2011.

Heather Taves is an acclaimed Canadian pianist, also a composer, improviser, educator and writer.She spoke to me about her unique and inspiring Beethoven Journey, her popular weekly blog which she started in 2023 , paired with performances of all of Beethoven's 32 piano sonatas. We talked about getting to know Beethoven as a person and her fascinating research about many women that are part of this history. We also talked about Heather's work as an educator, developing creativity and approaching teaching music from different angles. She spoke about her mentors including pianist Gil Kalish and writer Diane Shoemperlen, and her experiences travelling around the world by herself. You can also watch this on my YouTube channel, transcript and complete show notes with suggested episodes too on my website! Heather Taves website It's a joy to bring these inspiring episodes to you every week, and I do all the many jobs of research, production and publicity. Buy me a coffee? Podcast merchNewsletter sign-up Waves Play from East Coast SuiteArabesque in C major by R. Schumann photo: Terry Manzo(00:00) Intro(02:25) Beethoven Journey, Nanette Streicher, sonata cycle(08:32) Jan and Jean Narveson, Anton Kuerti, women interpreters research(17:52) clip of R. Schumann Arabesque in C major (album linked in show notes)(19:30) Heather's childhood(22:11) East Coast Suite, Toccata based on Fibonacci series(23:14) Waves Play Toccata by Heather Taves from East Coast Suite(25:49)Creative Projects, helping students to find their voice(32:44) getting to know Beethoven the person(38:39) performing from memory(41:20) Gil Kalish(45:48) other episodes you'll like and ways to support this series(46:42) Beethoven journey blog(59:18) writing mentor Diane Schoemperlen(01:043:23) Dame Myra Hess(01:07:54) Heather's life as a composer, her father(01:11:35) world trip, questioning identity(01:16:48) final reflections on the life of a performer

durée : 01:28:18 - En pistes ! du jeudi 12 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - L'orchestre de Melbourne nous offre une nouvelle version des Planètes de Gustav Holst, mise en miroir avec "Terre" de la compositrice australienne Deborah Cheetham Fraillon. Côté piano, de nouvelles parutions discographiques sont consacrées à Mendelssohn, Liszt et Beethoven.

durée : 01:28:18 - En pistes ! du jeudi 12 juin 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - L'orchestre de Melbourne nous offre une nouvelle version des Planètes de Gustav Holst, mise en miroir avec "Terre" de la compositrice australienne Deborah Cheetham Fraillon. Côté piano, de nouvelles parutions discographiques sont consacrées à Mendelssohn, Liszt et Beethoven.

Twee derde van de bedrijven in Nederland heeft een ernstig tekort aan personeel. Sinds 2021 zijn er meer vacatures dan werkzoekenden. Economie en arbeidsmarkt zijn hiermee in een nieuwe realiteit beland van te weinig banen voor mensen naar te weinig mensen voor banen. Nederland is hierin niet uniek in Europa. Elk jaar krimpt de arbeidsmarkt in de Europese Unie met 4 miljoen mensen, waarschuwde Mario Draghi al.Wat te doen? Dit wordt één van de grootste uitdagingen voor het komende kabinet. Jaap Jansen en PG Kroeger spreken met Jacco Vonhof, voorzitter van MKB Nederland en Hans de Jong, oud-president van Philips Nederland, voorman van het Project Beethoven en lid van de Raad van Toezicht van Platform Talent voor Technologie. Samen goed voor 99% van de bedrijven in ons land en de top van de hightech industrie.***Deze aflevering is mede mogelijk gemaakt door Platform Talent voor Technologie en met donaties van luisteraars die we hiervoor hartelijk danken. Word ook vriend van de show!Deze aflevering bevat een advertentie van Greenpeace. Stop diepzeemijnbouw en bescherm de wonderen van de diepzee. Word nu donateur en ontvang tijdelijk een volledig duurzaam en uniek oceanenshirt. Ga naar greenpeace.nl/betrouwbarebronnenHeb je belangstelling om in onze podcast te adverteren of ons te sponsoren? Zend een mailtje naar adverteren@dagennacht.nl en wij zoeken contact.Op sommige podcast-apps kun je niet alles lezen. De complete tekst plus linkjes en een overzicht van al onze eerdere afleveringen vind je hier***Jacco Vonhof noemt het tekort aan mensen en nieuwe talenten samen met de regeldruk de meest nijpende zorgen van zijn achterban. Hans de Jong berekent dat alleen al in de technische industrie een tekort aan talent en menskracht bestaat zo groot als een hele stad. "Er zijn ook geen tekortsectoren meer waar de tekorten slechts tijdelijk nijpend zijn. Krapte zie je nu overal", zegt Vonhof.Lapmiddelen en tijdelijke subsidies voldoen allang niet meer. En het idee dat de overheid kan sturen op hele sectoren en bijvoorbeeld de studie en beroepskeuze van jongeren is een illusie. Keuzevrijheid is een groot goed en het verleiden van jongeren naar techniekstudies moet steeds weer hand in hand gaan met sociaal-culturele en technologische veranderingen. Zeker nu zijn daarin revolutionaire veranderingen gaande, benadrukt De Jong. Daar moeten we nu op leren inspelen.In Nederland lukt het slecht ingrijpende systeemwijzigingen door te voeren. "Bij de Nordics lukt dat duidelijk beter,' signaleert De Jong. Vonhof merkt dat de infrastructuur van ons sociale bestel en de fiscus vaak tegen de klok in werken als je de tekorten wilt aanpakken'. “Dat schiet niet op."Terwijl we ondertussen weten wat wel werkt, zegt De Jong. “Een netwerk als Katapult - van bedrijven, mbo, hbo en regio laat al tien jaar zien hoeveel dit kan opleveren.” 148.000 studenten en 32.000 bedrijven vinden elkaar daarin met hulp van 18.000 docenten. "De lessen uit Katapult zijn helder. Maak die in een regeerakkoord structureel in plaats van iets tijdelijks uit het Groeifonds dat afloopt. De uitzondering moet de regel worden."Vonhof valt hem bij vanuit zijn ervaring met intensieve samenwerkingsrelaties van mkb met mbo en hbo. Zo kun je meer jongeren beter aan de slag krijgen en dat verhoogt de arbeidsproductiviteit om de tekorten tegen te gaan.Eigenlijk moet dit met elke werknemer gebeuren. Leven lang ontwikkelen begint eigenlijk al in de allereerste ervaringen in het vmbo en wordt een permanent aspect gedurende het mbo, de stages, het hbo en heel de loopbaan door.Hans de Jong noemt in dit opzicht Project Beethoven rond de hightech-sector ‘één groot leerproject, ook in het sociale domein'. Het komende kabinet moet die lessen helpen vertalen naar heel het beroepsonderwijs en de structurele samenwerking met bedrijven. Het vrijblijvende moet eruit, geholpen door fiscale regelingen.Vonhof heeft hier nog een vurige wens. De ingreep van het kabinet-Schoof bij de Voorjaarsnota in de kansenimpuls voor vmbo'ers maakt hem ziedend. "We moeten juist de basis op orde krijgen, juist voor hén. Dan kun je de tekorten ook aanpakken doordat zij doorstromen. Schrap deze ingreep dus."Uit de top die het kabinet-Schoof in maart organiseerde over de arbeidsmarktkrapte kwam nog niets concreets. Maar de bewustwording dat je het samen moet aanpakken, zoals bij Katapult en Beethoven, biedt perspectief voor onderwijs, bedrijfsleven en overheden.Het nieuwe kabinet kan daar meteen op aansluiten. Ook in Europa is men zich daarvan bewust, blijkt uit het rapport-Draghi. Nederland wordt hierbij met Katapult als 'avant-garde' beschouwd. Dat biedt extra kansen, bijvoorbeeld door een 'kopgroep' te vormen met gelijkgestemde landen, hun bedrijven en opleidingen. Europa en Beethoven horen tenslotte bij elkaar.***Verder lezenArbeidsmarktkrapte: het nieuwe normaal?Kabinetsverslag Arbeidsmarktkrapte topBrief Platform Talent voor Technologie na de topImpact en meerwaarde samenwerking beroepsonderwijs bedrijfslevenMeerjarige impuls***Verder luisteren511 – De val van het kabinet-Schoof507 - Het strenge oordeel van Rekenkamerpresident Pieter Duisenberg504 - Een jaar HOOP, LEF EN TROTS501 - Den Haag zonder Omtzigt en een Voorjaarsnota zonder beleid446 - Doe wat Draghi zegt of Europa wacht een langzame doodsstrijd379 - Migratie: het werkelijke verhaal371 - Banen op zoek naar mensen. Hoe in Europa bedrijven en beroepsonderwijs intensief samenwerken324 - Nederland loopt vast door tekort aan jongeren met technische opleiding, hoe lossen we dit op?216 - Crisis op komst: Nederlandse economie loopt vast door tekort aan technisch geschoolde arbeidskrachten201 - Het geheim van het hbo-succes183 - Samen slimmer worden: het Leidse kennisecosysteem als aanjager van duurzame groei143 – Emile Roemer over arbeidsmigranten, het burgemeesterschap en de SP***Tijdlijn00:00:00 – Deel 100:03:22 – Deel 200:28:59 – Deel 300:50:21 – Deel 401:03:16 – EindeZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

Ludwig van Beethoven wrote some of the most famous music in the world—even after he went deaf. Hear the story of this determined composer who never gave up on his passion, and why his music is still played today.

O termo "cosmos", amplamente utilizado em diversas tradições filosóficas, especialmente pelos gregos, é o tema central deste episódio. O professor voluntário Tales Freitas, da sede Barra da Tijuca (RJ), conduz uma profunda reflexão sobre o significado do cosmos como mais do que o universo físico — como uma realidade ordenada, viva e dotada de leis que regem tanto os corpos celestes quanto a vida humana. Explora-se a diferença entre "universo" e "cosmos", entendendo o primeiro como o conjunto de elementos materiais e o segundo como a ordem viva e inteligente que permeia tudo. Tales destaca que o cosmos é regido por leis, formas adequadas e vida, elementos que se refletem na beleza e harmonia do mundo natural. A conversa também propõe uma aplicação prática do conceito de cosmos na vida cotidiana, comparando as leis universais com os valores e princípios que regem a conduta humana. A partir da filosofia hermética e do princípio de correspondência, discute-se a unidade entre o microcosmo e o macrocosmo, sugerindo que a consciência humana pode refletir e compreender o todo. O episódio convida à contemplação dos mistérios da vida e do universo, percebendo que, ao olhar atentamente para os pequenos detalhes do cotidiano, é possível vislumbrar os grandes mistérios do cosmos. Participantes: Tales Freitas e Pedro Guimarães  Trilha Sonora: Symphony No. 4 in B-flat major, Op. 60 – Adagio Allegro Vivace, de Ludwig van Beethoven

durée : 01:28:43 - Krystian Zimerman, le perfectionnisme et l'audace - par : Aurélie Moreau - Le pianiste Krystian Zimerman est pour sa consœur Hélène Grimaud "un architecte des sons, de la forme et des émotions. Un idéal inégalable, l'un des rares génies en exercice." (Le Monde). Aujourd'hui : Brahms, Liszt, Beethoven, Chopin, Rachmaninov…

CONTENT WARNING: Discussion of murder, sex work. We've jumped ahead to 1945 to tackle the question of whether it's possible for a movie to have only one likeable character but still be compelling. The verdict - still unclear. This is a bizarre movie, down to the doctor who tries to save a dying young child trying to gain sympathy for having to drive all the way out to the house in the first place. Only one main character is likeable, and fortunately Joan Crawford is up to the task with the role. In fact, for a melodrama with more of a premise than a well-rounded plot and wildly uneven acting, Joan Crawford is the glue that holds all of this together. We're watching the Mother's Day classic, 1945's Mildred Pierce on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the main title to the film Mildred Pierce, written and composed by Max Steiner. Copyright 1945, 2005 Turner Entertainment Co., Warner Bros. Entertainment Inc. Excerpt taken from the main title to the film Rebel Without a Cause, written and composed by Leonard Rosenman. Copyright 1955 Warner Bros. Entertainment Inc. All Rights Reserved.

durée : 00:21:11 - Disques de légende du vendredi 06 juin 2025 - Wilhem Backhaus est un pianiste allemand légendaire, grand ambassadeur de la musique germanique. Beethoven est son compositeur de prédilection.

Enrico Miolano"Suoni delle Terre del Monviso"Venerdì 6 giugno, alle 21, presso la Chiesa Cattedrale di Maria Vergine Assunta, a Saluzzo (Cuneo),  l'esecuzione della “Sinfonia N.9 in Re Minore” di Ludwig van Beethoven, a cura del conservatorio G.F. Ghedini di Cuneo con una grande alleanza di cori del territorio, darà il via alla rassegna di Suoni delle Terre del Monviso.La kermesse, nata dalla collaborazione tra Suoni dal Monviso e Occit'amo Festival, proporrà, durante la stagione estiva, sei grandi appuntamenti con la musica che conquisteranno diverse valli del Cuneese, la città di Saluzzo e la pianura circostante. Tra le “perle” della stagione 2025, i concerti di Francesco Gabbani e Francesco Renga, ma anche l'eccezionale omaggio ad Ennio Morricone.Il programma di Suoni delle Terre del Monviso arricchisce il ricco panel di eventi del Festival Occit'amo che, giunto alla decima edizione, propone oltre venti appuntamenti durante tutta l'estate con un viaggio nelle geografie e nelle sonorità della musica occitana, tra tradizione, innovazione e modernità. Una grande festa diffusa che accoglie gruppi musicali provenienti da tutta l'Italia, la Francia e la Spagna con una vena catalana che porterà a fine luglio la Cobla Sant Jordi, la più grande orchestra tradizionale della città di Barcellona, nella cattedrale di Saluzzo e nel complesso monumentale di San Francesco a Cuneo.Per maggiori informazioni visitare il sito  www.suonidalmonviso.itIL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

durée : 01:28:23 - Elisabeth Leonskaja, le piano flamboyant - par : Aurélie Moreau - Elisabeth Leonskaja, légende vivante du piano, a enregistré le 5ème Concerto de Beethoven et son Quintette pour piano et vents avec l'Orchestre Français des Jeunes dirigé par Michael Schønwandt. Ce disque est paru le 23 mai (Warner Classics).

This is a fun episode of diaries, as we hear about the gap year travels not only of Gyles, but also of Harriet too. Because she has finally dug out an old diary, and shares a few entries with Gyles at the beginning of today's show - and they're from her gap year, which was partly spent travelling in India. Then we get stuck into Gyles's travels, which were in the U.S. We hear about his job, teaching in a school in Baltimore, his trip to New York City to stay with some relations, his Aunt Polly's funeral, and his money worries. This episode also features another brief appearance from Joan of Arc, who first appeared in the Beethoven show last week - and it features Harriet and Gyles testing out their American accents. Apologies to any genuine Americans listening! Hosted on Acast. See acast.com/privacy for more information.

Richard Wigmore's recommendation for Beethoven's Piano Trio no.7 Op.97 'Archduke'.

In the words of The New Yorker, Charles Neidich “is an artist  of  uncommon merit -- a master of his instrument and, beyond that, an  interpreter  who keeps listeners hanging on each phrase.”        Charles is the artistic  director of the Wa Concert Series at  the Tenri Cultural Institute in New  York, which he founded with his wife, clarinetist Ayako Oshima, in September 2017. This concert series is inspired by the  Japanese concept “wa”—  meaning circle, but also harmony and completeness; each  performance is  thus paired with visual arts and offers a variety of culinary delicacies prepared by Ayako Oshima. In recent seasons, Charles has added conducting to his musical accomplishments. He has led the Cobb Symphony Orchestra and Georgia Symphony in performances of the Franck Symphony in D Minor and Mozart's Clarinet Concerto (also playing the solo clarinet part). Charles commands a repertoire of over 200 solo works, including pieces commissioned or inspired by him, as well as his own transcriptions of vocal and instrumental works. With a growing discography to his credit, he can be heard on the Chandos, Sony Classical, Sony Vivarte, Deutsche Grammophon, Musicmasters, Pantheon, and Bridge labels. His recorded repertoire ranges from familiar works by Mozart, Beethoven, Weber, and Brahms, to lesser-known compositions by Danzi, Reicha, Rossini, and Hummel, as well as music by Elliott Carter, Gyorgy Kurtag, and other contemporary masters. Although Charles became quite active in music at an early age, he opted against attending a music conservatory in favor of academic studies at Yale University, where he graduated with a Bachelor of Arts, cum laude, in Anthropology. In 1975 he became the first American to receive a Fulbright grant for study in the former Soviet Union, and he attended the Moscow Conservatory for three years where his teachers were Boris Dikov and Kirill Vinogradov. Charles Neidich has achieved recognition as a teacher in addition to his activities as a performer, and currently is a member of the artist faculties of The Juilliard School, the Manhattan School of Music, the Mannes College of Music. During the 1994-95 academic year he was a Visiting Professor at the Sibelius Academy in Finland where he taught, performed and conducted. Mr. Neidich is a long-time member of the renowned chamber ensemble Orpheus.

One moment Cheng Lei was off to work, the next she was arrested, blindfolded and forced into a prison cell. For almost three years, Lei endured psychological torture after she was wrongly accused of being a spy. Locked in a padded cell, the journalist was under constant surveillance, with two guards never leaving her side. The lights never turned off, eerie Beethoven music was played every morning and she was only allowed to say five sentences a day. It was a horror Lei thought would never end. This episode contains mentions of suicide and family violence, if you need support contact Lifeline on 13 11 14 or 1800 737 732. Cheng Lei: My Story premieres Tuesday June 3 at 7:30pm AEST on Sky News Australia Stream at SkyNews.com.au or download the Sky News Australia app Cheng Lei: A Memoir Of Freedom by Cheng Lei will be published by HarperCollins on Wednesday, June 4 and is available to pre-order now.See omnystudio.com/listener for privacy information.

Kadiatu Kanneh-Mason on what it takes to keep up with her seven children — all of them gifted classical musicians (R).Kadiatu is a former English academic and the mother of seven extraordinary children.All of them are gifted classical musicians.Her eldest daughter, Isata wrote and performed her first piano concerto at the age of eleven.Her son Sheku mastered the cello and performed at the royal wedding of Harry and Megan Markle.Every day the seven Kanneh-Masons, who range from early teens to the mid-twenties, fill the family home with glorious, sometimes chaotic, music.This episode of Conversations explores music education, classical music, accessibility to music, Isata, Braimah, Sheku, Konya, Jeneba, Aminata, Mariatu, piano, violin, cello, orchestra, state school, public education, big families, motherhood, fatherhood, prejudice, mixed race families, music is for everyone, how to learn the violin, gifted children, raising gifted children, gifted and talented.Further informationHouse of Music: Raising the Kanneh-Masons is published by Oneworld.Kadiatu's newest book, also published by Oneworld, is called To Be Young Gifted And Black.

CONTENT WARNING: Discussion of racism, sexual assault, false imprisonment. We've got a new name, a new season, and a new series! First up, we talk about our name change with a tagline you may be familiar with. Then, we kick off a new series with a trip through ALL the decades - if the year ends in 5, we're watching a movie from it! We kick things off with a frothy, zippy, real humdinger of a musical with Fred Astaire and Ginger Rogers doing their thing. Remarkably, this movie is incredibly wholesome and unproblematic, its most offensive thing being a wacky Italian accent that angered Mussolini - in short, a net benefit. We kick off our Decades Grab Bag with 1935's Top Hat on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film Top Hat, written and composed by Irving Berlin. Copyright 1935 RKO Pictures, Inc. Excerpts taken from the main title to the film Mildred Pierce, written and composed by Max Steiner. Copyright 1945, 2005 Turner Entertainment Co., Warner Bros. Entertainment Inc.

Donald Macleod explores Beethoven's endeavours to become the guardian of his brother's son Karl - a relationship which from the start was built upon rocky foundations.Music Featured: Allegro and Minuet, WoO 26 (Excerpt) Symphony No 3 ‘Eroica' (Scherzo. Allegro vivace) Leonore Prohaska, WoO 96 (Funeral March) Piano Sonata No 28 in A, Op 101 Sehnsucht, WoO 146 Das Geheimnis, WoO 145 Der Mann von Wort, Op 99 Symphony No 7 in A, Op 92 (Allegretto) Music, Love and Wine, Op 108 No 1 Behold my love how green the groves, Op 108 No 9 Symphony No 8 in F, Op 93 (Allegro vivace) Piano Sonata No 29 in B flat, Op 106 ‘Hammerklavier' (Allegro) String Quintet in C minor, Op 104 (Allegro con brio) Missa Solemnis in D, Op 123 (Agnus Dei) Minuet, WoO17 (Mödlinger Tänze, No 2) Piano Sonata No 30 in E, Op 109 (Prestissimo) Symphony No 9 in D minor, Op 125 ‘Choral' (Excerpt) Resignation, WoO 149 Abendlied Unterm Gestirnten Himmel, WoO150 Piano Sonata No 31 in A flat, Op 110 Bagatelle No 2, Op 126 (Allegro) Der Kuss, Op 128 Missa Solemnis in D, Op 123 (Gloria) Symphony No 9 in D minor, Op 125 ‘Choral' (Scherzo) String Quartet No 12 in E flat, Op 127 (excerpt) Waltz in E flat, WoO 85 Tremate, empi, tremate, Op 116 String Quartet No 15 in A minor, Op 132 (Molto adagio) Elegischer Gesang ‘Sanft wie du lebtest‘, Op 118 Piano Sonata No 12 in A flat, Op 26 (Marche Funebre)Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Ludwig van Beethoven (1770-1827) https://www.bbc.co.uk/programmes/m002cbw3And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

This Day in Legal History: Trump Guilty on All CountsOn this day in legal history, May 30, 2024, President Donald J. Trump was convicted on all 34 felony counts in a criminal trial related to a hush money scheme during the 2016 presidential campaign. The case centered on falsified business records used to conceal payments made to adult film actress Stormy Daniels, intended to silence her allegations of an affair in the run-up to the election. The charges—each tied to entries in the Trump Organization's internal ledger—were elevated to felonies on the basis that they were committed in furtherance of another crime, namely influencing the outcome of a federal election.The trial, held in New York State Supreme Court, marked an unprecedented legal moment in U.S. history: a former president, and presumptive candidate in the upcoming election, being found guilty of criminal conduct. Prosecutors argued that Trump orchestrated the payments to suppress damaging information and maintain his electoral chances, while his defense claimed the case was politically motivated and the records reflected routine legal expenses.The conviction did not bar Trump from running for office again, but it did raise serious constitutional, electoral, and logistical questions about the rule of law and the separation of powers. The verdict was reached by a jury of 12 New Yorkers after weeks of testimony from former aides, prosecutors, and key witnesses like Michael Cohen, Trump's onetime fixer.Trump's sentencing was scheduled for a future date, and appeals were expected. Reactions across the political spectrum were predictably polarized, with critics calling it accountability at last, while supporters denounced the trial as a miscarriage of justice. Legal scholars noted the symbolic weight of the decision in reaffirming that no one—including a former president—is above the law.The U.S. Department of Justice and several states are wrapping up a major antitrust case against Google, with closing arguments scheduled for Friday. At issue is whether Google must sell its Chrome browser and stop default search engine deals with companies like Apple and wireless carriers, which the DOJ says stifles competition. These proposals follow a prior court finding that Google unlawfully monopolized online search and advertising markets.Judge Amit Mehta, who is presiding over the case, expects to issue a ruling by August. The DOJ is also pushing for Google to share its search data, which could benefit AI companies. OpenAI has expressed interest in purchasing Chrome if a divestiture occurs and noted that access to Google's search data would improve its AI responses.Google argues that the DOJ's proposed remedies overreach and would unfairly advantage competitors. The company has already taken some steps, such as loosening default search engine deals with phone manufacturers like Samsung. However, the government wants a full ban on payments that secure Google's search dominance on devices.Google and DOJ to make final push in US search antitrust case | ReutersA federal appeals court has temporarily reinstated President Trump's wide-ranging tariffs after a lower trade court ruled they exceeded presidential authority. The stay, issued by the U.S. Court of Appeals for the Federal Circuit, allows the tariffs—targeting imports from most trading partners and specifically Canada, Mexico, and China—to remain in effect while the appeals process unfolds. The plaintiffs and the government must submit legal arguments by early June.The U.S. Court of International Trade previously found that Trump misused the International Emergency Economic Powers Act (IEEPA), which is designed for national emergencies, not trade disputes. The panel emphasized that Congress, not the president, holds constitutional power to impose tariffs. Trump and his administration remain defiant, vowing to pursue alternative legal pathways if needed. Trump criticized the ruling publicly, warning it would weaken presidential power and harm national interests.Financial markets responded cautiously, factoring in the likelihood of a drawn-out legal process. Some companies, like small businesses represented by the Liberty Justice Center, argue the tariffs threaten their survival due to disrupted supply chains. Broader economic impacts include $34 billion in losses and stalled negotiations with key partners. Notably, separate national security-based tariffs on steel, aluminum, and cars remain unaffected.Trump's tariffs to remain in effect after appeals court grants stay | ReutersTrump's latest tax-and-spending bill, dubbed the "One Big Beautiful Bill Act," includes a provision that could significantly limit federal courts' power to enforce contempt orders against the government. The measure, buried in the 1,100-page bill, would block courts from enforcing contempt if plaintiffs did not post a monetary bond when seeking an injunction—a practice rarely required in lawsuits against the government.The provision applies retroactively and would affect both lower courts and the Supreme Court. Critics say it could effectively prevent courts from holding government officials accountable for ignoring judicial orders, as most past injunctions didn't involve posted bonds. While the administration says the measure is aimed at deterring frivolous lawsuits, legal experts warn it undermines judicial authority and incentivizes noncompliance.This change comes after a Trump administration memo encouraged agencies to request bonds in litigation. Judges have previously flagged possible defiance of court orders by administration officials but have stopped short of issuing contempt rulings. In one recent case over tariffs, a judge set a bond at just $100, overruling a higher request by the government.The House narrowly passed the bill without any Democratic support. It now moves to the Senate, where some Republicans have expressed intentions to amend it. A group of House Democrats has already called for the contempt provision to be removed, arguing it would render courts ineffective in enforcing lawful orders.Trump's sweeping tax-cut bill includes provision to weaken court powers | ReutersThe U.S. Justice Department has asked a judge to dismiss the criminal fraud charge against Boeing tied to two deadly 737 MAX crashes that killed 346 people, following a new agreement with the company. Under the deal, Boeing avoids a felony conviction but will pay an additional $444.5 million into a victims' compensation fund and a $243.6 million fine, bringing the total to $1.1 billion. The sum includes investments in safety, compliance, and quality enhancements.This resolution has drawn strong criticism from families of crash victims and some lawmakers, who argue that Boeing should face trial. While most families have settled civil lawsuits and received billions in compensation, several legal representatives are planning to challenge the agreement. The Justice Department defended the deal, stating it ensures accountability and public benefit while avoiding a potentially uncertain trial outcome.As part of the agreement, Boeing's board must meet with victims' families, and the company will hire a compliance consultant instead of facing court-appointed oversight. The deal halts a planned June 23 trial over Boeing's alleged deception of U.S. regulators regarding a key flight control system implicated in the crashes.US asks judge to dismiss Boeing 737 MAX criminal fraud case | ReutersThis week's closing theme brings us to one of the towering figures of Classical music: Joseph Haydn. Born in 1732 and known as the “Father of the Symphony” and “Father of the String Quartet,” Haydn's influence shaped the musical landscape of his time and set the foundation for generations of composers to come, including his younger contemporaries Mozart and Beethoven. Though widely celebrated for his symphonic and chamber works, Haydn also made remarkable contributions to keyboard music—works that showcase both his wit and structural innovation.Our selection is the first movement, Vivace, from his Keyboard Concerto in D major, Hob. XVIII:11, arguably his most famous and frequently performed keyboard concerto. Composed in the mid-1770s, the piece bursts with energy and clarity, reflecting Haydn's mature style. The Vivace movement is bright, spirited, and rhythmically engaging, with a dialogue between soloist and orchestra that feels playful yet assured.What makes this concerto particularly special is its balance of accessibility and sophistication. The melodies are immediately appealing, but the musical craftsmanship runs deep—complex harmonic turns, sparkling ornamentation, and a joyful momentum that never wanes. In the Classical tradition, this was written for the harpsichord or fortepiano, but it's often performed on modern piano today, bringing a different resonance and brilliance to the sound.As we close the week, Haydn's Vivace offers a fitting send-off: lively, inventive, and rooted in a composer who, even two centuries later, continues to surprise and delight.Without further ado, Joseph Haydn's Vivace – Keyboard Concerto in D Major. Enjoy!  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Tune in to hear:What is facticity and how can we turn these “limitations” into strengths?What are some historical examples of people who used their limitations to do, or create, something remarkable?What is Sheena Iyengar's “jam study” and what are its implications for decision making and behavioral science?Why are constraints such an important element of creativity?LinksThe Soul of WealthOrion's Market Volatility PortalConnect with UsMeet Dr. Daniel CrosbyCheck Out All of Orion's PodcastsPower Your Growth with OrionCompliance Code:

David Lowery has cracked the code for having it all. In the 80s he fronted the beloved Camper Van Beethoven who rose to (indie) fame with "Take the Skinheads Bowling" and "Pictures of Matchstick Men" and sounding like no one else at the time. Then, when they broke up in the early 90s, he started Cracker which was even more successful commercially with huge hits like "Low" and "Get Off This". Eventually, he found a way to merge the two into a single touring unit which is completely unique to them. Along the way, David has released a solo album or two, including his latest magnum opus - Fathers, Sons and Brothers - a 28-track audio autobiography of sorts. Oh, and he teaches at the University of Georgia. Who does this? No one. David joins us this week to discuss it all.  www.davidlowerymusic.com www.patreon.com/c/thehustlepod

Eduardo Vasco y Lara Grube vienen a hablarnos de 'Viaje hasta el límite', una obra de Luis Martín-Santos escrita en 1953 y ahora en cartel en el Teatro Español hasta el 8 de junio. Ernesto Arias interpreta a Pedro, un empresario que lleva al extremo sus relaciones para saber si lo quieren a él o a su dinero. Con ecos de Sartre y Camus, la pieza explora la codicia, el amor y el efecto Pigmalión en un entorno de posguerra marcado por la alta burguesía.Dani Galindo informa sobre la décima edición del Festival Visibles, que promueve la inclusión y diversidad en las artes escénicas, con una programación que pone en valor las diferencias. Ángela Núñez nos presenta la obra del escultor gallego Rodríguez-Méndez, expuesta en el Centro de Arte Contemporáneo 2 de Mayo de Móstoles. Su trabajo, en constante transformación, desafía los límites del objeto artístico. Agnès Batlle nos lleva al CaixaForum Barcelona, donde José Juan Pérez Preciado comisaría Rubens y los artistas del Barroco flamenco, una exposición con 60 obras que muestran la influencia de Rubens en otros grandes maestros flamencos.Laura García cubre la nueva creación de La Fura dels Baus en el Teatro Cervantes de Málaga: SONS: ser o no ser, una versión inmersiva de Hamlet que mezcla proyecciones, sonido envolvente y contacto directo con el público. Inko Martín adelanta el homenaje de la Orquesta y Coro RTVE al director rumano Sergiu Comissiona, que tendrá lugar el 30 de mayo en el Teatro Monumental. Por último, Martín Llade comenta El poder de la música, de Pedro González Mira, un relato novelado donde un personaje, Gastón, recorre su vida a través de la música, desde la radio de su infancia hasta convertirse en crítico, guiado por Bach, Bartók o Beethoven.Escuchar audio

We've got something quite unique for you this week: an episode of More Rosebud, in which Gyles meets one of the greatest composers who ever lived : Ludwig Van Beethoven. In this fascinating conversation, Gyles will find out about Beethoven's first memory, his challenging childhood in which he was forced to play the piano by his drunken father, and his ascent to genius, both aided and hampered by his encroaching deafness. In this conversation, Beethoven is brought to life by the writer and performer, Tama Matheson. What you are going to hear is a classic Rosebud interview, answered by Tama as if he were Beethoven himself. Tama is a brilliiant performer who has written and conceived a series of shows based on the lives of great artists - composers and poets - in which he brings these geniuses to life through performance, music, and meticulous research. Tama's amazing show about the life of Beethoven I Shall Hear In Heaven is at Opera Holland Park in London on the 6th and 8th August. Tickets are available here. Tama's own website is here. The Moonlight Sonata at the end of the episode is played by Jason Gillham. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

Smritiratna portrays rejoicing not as a mood but as a choice: a deliberate act. At least potentially we all have the power to rejoice, even when we are in the pits of despair. In this excerpt, he reflects on Beethoven who chose not to give in to deafness but to end his last symphony with an ode to joy. He sings the fifth section of the Sevenfold Puja ‘Rejoicing in Merits' to Beethoven's familiar tune. Excerpted the from the talk The Power of Rejoicing given at Dhanakosha Retreat Centre, 2024. *** Help us keep FBA Podcasts free for everyone! Donate now: https://freebuddhistaudio.com/donate Subscribe to our Dharmabytes podcast: Bite-sized clips - Buddhist inspiration three times a week. Apple Podcasts: https://podcasts.apple.com/us/podcast/dharmabytes-from-free-buddhist-audio/id416832097 Spotify: https://open.spotify.com/show/4UHPDj01UH6ptj8FObwBfB YouTube: https://www.youtube.com/@FreeBuddhistAudio1967  

264. Simple Ideas for Incorporating Art with Children and Teens with Courtney Sanford   Colossians 3:23 NLT "Work willingly at whatever you do, as though you were working for the Lord rather than for people."   **Transcription Below**   Questions and Topics We Discuss: Can you give us an overview of the seven major forms of art and give an example of ways our children can engage with each? What are the best art supplies to have on hand? As our children grow, why is this helpful in the teen years to have a healthy way to express ourselves and our ideas?   Courtney Sanford is a dedicated wife, and mother who triumphantly homeschooled her three children. With one pursuing a career in orthodontics, another just finishing a master's degree while working in higher education, and the youngest studying computer science at Regent University, Courtney's commitment to their education has yielded remarkable success.   Passionate about nurturing creativity and self-expression, she guides students through captivating art classes, exploring the intersection of imagination and skill. With her background as a graphic designer and experience in studio art, Courtney embarked on a new adventure as an art teacher.    As a multitasking mom, author, artist, teacher, and adventurer, Courtney embodies the spirit of embracing life's opportunities and fostering a love for learning and artistic expression.   Beyond her love for education, Courtney has an insatiable wanderlust. She finds joy in traversing the globe, hosting art retreats, and volunteering at Spiritual Twist Productions: both painting sets, and serving on the board of directors. When time permits, Courtney indulges in spring snow skiing, hiking in exotic locations, and leisurely walks with her dog, Zoey.   Delightful Art Co. was born out of a time when life gave Courtney a handful of lemons, and she creatively transformed those lemons into refreshing lemonade. The Covid shutdown rather forcefully prompted a major shift from in-person art classes to online classes.    Courtney's Website   Thank You to Our Sponsor: WinShape Marriage   Other Episodes Mentioned: 202 Simple Ways to Connect with Our Kids And Enjoy Breaks with Beth Rosenbleeth (Days with Grey) 223 Journey and Learnings as Former Second Lady of the United States with Karen Pence   Continue the conversation with us on Facebook, Instagram or our website.   Gospel Scripture: (all NIV)   Romans 3:23 “for all have sinned and fall short of the glory of God,”   Romans 3:24 “and are justified freely by his grace through the redemption that came by Christ Jesus.”   Romans 3:25 (a) “God presented him as a sacrifice of atonement, through faith in his blood.”    Hebrews 9:22 (b) “without the shedding of blood there is no forgiveness.”    Romans 5:8 “But God demonstrates his own love for us in this: While we were still sinners, Christ died for us.”    Romans 5:11 “Not only is this so, but we also rejoice in God through our Lord Jesus Christ, through whom we have now received reconciliation.”    John 3:16 “For God so loved the world that he gave his one and only Son, that whoever believes in him shall not perish but have eternal life.”   Romans 10:9 “That if you confess with your mouth, “Jesus is Lord,” and believe in your heart that God raised him from the dead, you will be saved.”    Luke 15:10 says “In the same way, I tell you, there is rejoicing in the presence of the angels of God over one sinner who repents.”   Romans 8:1 “Therefore, there is now no condemnation for those who are in Christ Jesus”   Ephesians 1:13–14 “And you also were included in Christ when you heard the word of truth, the gospel of your salvation. Having believed, you were marked in him with a seal, the promised Holy Spirit, who is a deposit guaranteeing our inheritance until the redemption of those who are God's possession- to the praise of his glory.”   Ephesians 1:15–23 “For this reason, ever since I heard about your faith in the Lord Jesus and your love for all the saints, I have not stopped giving thanks for you, remembering you in my prayers. I keep asking that the God of our Lord Jesus Christ, the glorious Father, may give you the spirit of wisdom and revelation, so that you may know him better. I pray also that the eyes of your heart may be enlightened in order that you may know the hope to which he has called you, the riches of his glorious inheritance in the saints, and his incomparably great power for us who believe. That power is like the working of his mighty strength, which he exerted in Christ when he raised him from the dead and seated him at his right hand in the heavenly realms, far above all rule and authority, power and dominion, and every title that can be given, not only in the present age but also in the one to come. And God placed all things under his feet and appointed him to be head over everything for the church, which is his body, the fullness of him who fills everything in every way.”   Ephesians 2:8–10 “For it is by grace you have been saved, through faith – and this not from yourselves, it is the gift of God – not by works, so that no one can boast. For we are God‘s workmanship, created in Christ Jesus to do good works, which God prepared in advance for us to do.“   Ephesians 2:13 “But now in Christ Jesus you who once were far away have been brought near through the blood of Christ.“   Philippians 1:6 “being confident of this, that he who began a good work in you will carry it on to completion until the day of Christ Jesus.”   *Transcription*    Music: (0:00 – 0:09)   Laura Dugger: (0:10 - 1:36) Welcome to The Savvy Sauce, where we have practical chats for intentional living. I'm your host, Laura Dugger, and I'm so glad you're here.   I am thrilled to introduce you to our sponsor, WinShape Marriage.   Their weekend retreats will strengthen your marriage, and you will enjoy this gorgeous setting, delicious food, and quality time with your spouse. To find out more, visit them online at winshapemarriage.org. That's W-I-N-S-H-A-P-E marriage.org. Thanks for your sponsorship.   Courtney Sanford is my guest today, and she's an amazing artist and teacher and author, and I'm just so excited to share this conversation. If you're like me and you're ready for summer and your rhythm changes with your kids, she's going to share some super practical tips for incorporating art and beauty into our homes.   And I think that you're going to conclude this conversation by knowing where to begin and understanding why it matters. Here's our chat.    Welcome to The Savvy Sauce, Courtney.   Courtney Sanford: Thanks for having me.    Laura Dugger: I'm so excited to hear more about your story, so will you share what has led you into the work that you get to do today?   Courtney Sanford: (1:37 - 4:20) I sure do like to share that story. I didn't start off as a homeschooler. I didn't imagine that that would be where my life went, but I was always a creative person.   I was a graphic designer, and I worked in the Performing Arts Center, and I got to do lots of fun design for shows. Then along came kids. I actually enjoyed dropping them off at school and going to Target, and I was okay with that.   We didn't do public school because the school near me didn't look safe, and we had lived near Columbine High School and thought it was just a beautiful, beautiful school. And when we left Colorado, we thought, oh, isn't it sad that our kids won't go to school there? And then just about a month later, the whole Columbine shooting happened, and so we were kind of traumatized by all of that.   And then when I saw the school that my precious five-year-old would go to, it didn't look safe, and so we sent them to a private school. So here we are spending a lot of money, having high expectations, and the kids were doing all worksheets all the time, and they started to dread going to school, and they didn't love learning, and the excitement of learning just kind of drained out of them. And so we looked into other options and decided that homeschooling would be the way to go, and I found the classical model and just loved the way that sounded, and we tried it, and it worked, and the little lights just came back on in their eyes, and they started to love learning again.   And I just found my people, and I just learned everything I could about homeschooling, and I just poured myself into it wholeheartedly as unto the Lord. And had a great time, and I just loved my time with my kids, and I felt like it was successful, and I encouraged other people to do it, but I wasn't really sure that it worked until they got into college and they turned out to be successful, thriving humans, and we're really proud of them. One will be a doctor in about a month.   He's about to graduate. He has a wife and a little girl, and then my second one has her MBA, and she works for a Christian college where she leads trips, and she's getting ready to take a group to Paris and London, and so she kind of ministers to students through that, and then my youngest is still in school staying to be a software developer. So now I can confidently say it was worth all the energy that I put into it.   It was hard work, probably the hardest thing I've ever done, but so worth it.   Laura Dugger: (4:21 - 4:40) That's incredible, and I love hearing the success story where your children are now, but you really also inspired them with beauty and art in their learning and growing up time, and I'm curious, are there any personal lessons that the Lord has taught you through art?   Courtney Sanford: (4:41 - 6:32) Oh, goodness. Yeah, I think my desire was to make learning interactive because I saw what they were doing in the private school, which was sit in a chair all day and do your worksheets, and it was just worksheet after worksheet after worksheet and then a quiz, and then you get graded, and so I was thinking if I'm going to pull them out, I've got to do better than that, and so that was my standard, and I was going to beat that standard every day, and so I pulled in art because that's what I knew, so if we were learning about an animal, we would draw the animal. If we were learning about a continent, we would draw the continent until we could draw it from memory, and I really learned with them. I did not have a great elementary education or even high school education, so I would learn this stuff, and then I would think of creative ways to get them involved with it, so a lot of times it was drawing.   It could be painting. It could be making things out of clay. We used to make things out of Rice Krispie Treats, and then they could take it to their co-op group.   Well, it was a classical conversations group, but they do presentations, and so we made a Mayan temple out of Rice Krispie Treats, and we would make volcanoes, and then they could take it to their friends and share it with them and tell them about it, so anything I could do that would get us out of the chair using our hands and using our senses and think, you know, how can I incorporate all five senses, and that just made learning so much more fun for them and for me, and so a lot of it was art. Some of it was science.   Anytime I could incorporate a sense of play into what they were learning, I could see that they would learn so much more.   Laura Dugger: (6:32 - 6:55) I love that, trying to incorporate all five senses, especially. That gets some ideas coming, but can you even back it up, and because you're an artist, will you give us an overview of the seven major forms of art, and can you give us examples as parents for ways that we can engage our children with each of those?   Courtney Sanford: (6:56 - 10:58) Oh, sure. Let me think. All right, so drawing, of course, you can draw what you see, so when I teach students to draw, I do a progression, so we'll draw from line art, and you can find line art anywhere.   It might be in a children's book, so using the library was key for me, so I'd get a laundry basket, and I would go to the library with an index card of what we'd be studying, and I would grab all kinds of books related to that, so when you come home, you get out a kid's book. If you see a good line drawing, say you're studying a lizard, if you see a good line drawing, draw from that. They could even trace it to start with, so you draw from the line drawing, then once they get really confident with that, you go to drawing from photos, and then you go to drawing from real life, so maybe you have a fish tank.   Maybe there's a fish in the fish tank, and you could draw from that or draw things in your yard, so that is how I break down drawing for them, and it could be years. You could draw from line art for years before you go to drawing from photos, and then to drawing from real life, and drawing's great for learning to memorize things. For painting, painting's just fun, and so I like to go to the kitchen table every afternoon and paint what you see, so you start off with the younger kids.   You could start with color and markers and fill in the areas, and then you can teach them how to shade using painting. Sculpture is also fun with kids. I like air-dry clay, and I like Sculpey clay.   I like to get a one-pound block of Sculpey clay and teach them the basic forms, like roll out a snake, do your hands together. Those of you who are listening, you can't see my hands, but I am making a sphere with imaginary clay. These are really good for developing their fine motor skills, too.   We also make the letters out of roll-out snakes and form your letters. That will really help if they're reversing letters. It takes a while to build the whole alphabet, so maybe you do three or four letters a day.   You work on it a couple times a week. It might take a month to make the whole alphabet, but that can be one goal, to get them working in three dimensions. We usually do additive sculpture, like adding on, and you can use found objects to make sculptures.   One time, my son took apart a pen. I rearranged the pieces into a human shape, and it was lovely. Getting them thinking in three dimensions is related to sculpture.   Carving, I don't like to do until they're old enough to be safe with a knife, but once they are, especially the boys love to go outside in the yard and get a log. They spend a lot of time carving spoons. Just a simple shape they can hold in their mind and then carve it is a good activity.   It keeps their little hands busy, too, if you want to read aloud to them and you don't mind a little mess in the house, they can carve. You can also carve out of a bar of soap as well. For that, that's a subtractive sculpture technique.   Let's see. That's the three main ones, drawing, painting, sculpture. I know film is one.   Film, I don't really incorporate much into my homeschool, except we will occasionally watch a movie about history. That has gotten me into trouble a few times because some of those movies that I think are going to be historic turn out to have racy scenes in them, and I'll have to jump up and get in front of the TV or cough really loud. But there are some good films that you can watch together as a family.   That's about as far as I went with film.   Laura Dugger: (10:59 - 11:19) I would, if you don't mind me interrupting there, too. I feel like that's one that our girls have actually begun to develop on their own, where our eldest daughter once wanted a video camera, so she got the old-school video camera. They're making their own movies, and I've seen that as a form of creative, artistic play.   Courtney Sanford: (11:20 - 11:49) Oh, that's fabulous. Yes, so when my kids were little, we didn't even have phones or video cameras on the phones, so that wasn't an option. When we first started homeschooling, our TV died, and so we did not even have a TV for years.   We just decided not to replace it, which forced us into audiobooks and reading aloud and then just playing outside instead and reading books. So that was a blessing.   Laura Dugger: (11:49 - 12:03) I love that because that's one of the other forms. That was new to me, that literature is an art form. Sorry, I sidetracked you because we still have literature, architecture, theater, and music.   Courtney Sanford: (12:04 - 14:20) Yeah, I think the best thing that we did for our kids, of course, I love teaching them to write using Andrew Pudewa's method with IEW. It's kind of imitative writing, so you learn to imitate good writers. But also, my husband read aloud to the kids every single night.   That was his time with him. He gave me a break, and he would read for hours. He loved it.   The kids loved it. And he would choose classics or funny things, you know, science fiction. Probably not the books that I would choose.   I would choose classics and things related to what we were studying, but he chose what he wanted to read. So I would read aloud in the afternoons, and we would do audiobooks like Story of the World and all the Jim Weiss readings. And then he would read aloud at night.   And just whatever he wanted to choose, he would read aloud. And I think hearing good language produces good speakers and good writers. So he gets about 50 percent of the credit for the success of the kids, I think, for just reading aloud every night.   It was such a great thing to do for the kids. And then the last one, architecture. I do incorporate architecture when I'm teaching about a culture.   So, if we're doing art history or history, we'll look at the buildings. So, of course, you do that with ancient Egypt. You look at the pyramids.   When you're talking Old Testament times, you look at the tents. And then as I go through art history with the high schoolers, I'll point out more and more like neoclassical, of course, comes from the ancient Greeks, but it's come to symbolize power and authority. And that's why we see it in government buildings.   So, my degree is graphic design, but it was in the School of Architecture. So, I had a lot of history of architecture and I appreciate it. And so I'm always pointing that out to my kids.   And I do that in my class, in my art history class. I always incorporate the architecture just as a part of understanding a culture.   Laura Dugger: (14:21 - 14:29) I love that. And was there anything specific that you did with your kids for encouraging music or also theater?   Courtney Sanford: (14:30 - 15:29) Oh, yeah. One thing I wish I had done more of was kinder music. I don't know why we didn't do that much kinder music, but now I'm learning more about it.   I wish I had done more of that. And I did put them in piano lessons. One wanted to do violin.   So, they had a few years of learning the basics of music, and then they really got into theater. We have a great Christian youth theater nearby. And so that was a really good experience.   In their Christian youth theater, they would sing praise and worship songs before and during and after a play. They would be praying for the audience and singing worship songs in addition to the singing on the stage. And that whole experience was really good for them.   Even my quietest kid got a big role in a play one time, and he had to memorize a lot of lines and sing in front of people. It's just such a great experience for them.   Laura Dugger: (15:30 - 15:57) I would think so. Even if they don't choose something that we would consider a very artistic career, I can see why all of this is still beneficial. That leads me to another question for you.   Regardless of the way that all of us parents listening are choosing to educate our children, why is it still beneficial for all of us to incorporate art into our homes and into our parenting?   Courtney Sanford: (15:58 - 21:59) That's a great question. So, the first line of the Bible says God created. So, the first thing we learn about God is that he was creative.   He created everything. And then just a few lines later, it says then he created man in his own image. So that tells me that we were created to be creative, to create.   Now, he doesn't let us create stuff out of nothing like him, which is probably for our own good. That would be a mess. But we can create things out of what he created.   And there is a study done by George Land. And there's a video on YouTube of George Land giving a talk about this creativity study that he did. And he created a test for NASA to help them find creative engineers when they were trying to get to the moon.   And they used it to study creativity in children. And they tested five-year-olds. So, they found a group of 1,600 five-year-olds who were in school.   And when they tested them at five years old, 98% of them tested as creative geniuses. So, their plan was to go every five years and test them again just to see what was going on. So, they went back after five years.   The kids are now 10. And it dropped down to like 27%. They went back another five years when the kids were 15, and it was down to about 17%.   And then they were so depressed, they stopped testing them because they could see they began as very creative. So, we're created creative. And a lot of moms will say, yes, I can see that in my children.   But something happens. And this was all in school. Something happened during school that taught them to not be creative.   So, the school teaches the kids to be obedient, to sit still, and to get the same outcome from every kid. Right? There's an expected answer on every test.   And you're to try to get the answer that the teacher wants. That's not creative. So, the first thing to do to preserve their creativity is don't send them to school.   That's the safest bet. And then when you do homeschool them, which I think is the best environment for them, don't do what they do in school. To bring them home and to go to all this trouble just to do the same thing that they're doing in school is not worth the trouble.   So, you've got to not do what they're doing in school. And so, for me, that meant don't do worksheets, make the content interactive. So, I did rely on curriculum, but I didn't rely on the curriculum to be the teacher.   So, I get the content from the curriculum, and then I make it interactive using artistic, creative skills so that they can be creative. And I don't teach it out of them. So, if you have young kids, that's good news.   They're already creative. You just have to don't teach it out of them. If your kids are older and maybe they've been in school, then you might have to like undo some of that training and set up some experiences where you ask them or even like in my classes, I'll set up a challenge.   And I expect everyone's to be different because everybody's going to do it a little bit more creatively in their way. And so, at the end of class, instead of like calling out the answers to see if everybody got the same thing, they're holding up what they did and telling me what they were thinking. And everybody's is different.   And then I really praise the ones who did something different. Maybe they changed the colors. Maybe they put glasses on Mona Lisa.   You know, maybe they gave her a cat to hold. So, I reward thinking outside the box. Now to to pour in beauty, and I think I might have heard this from Charlotte Mason, beauty in, beauty out.   So, you've got to load them with beauty. Now, I think that we were naturally drawn to beauty and people will argue with me about this. They'll say, well, beauty is in the eye of the beholder.   But I betcha I could find something that's beautiful and do a survey. And I betcha I could get 100% of people to say, yes, that's beautiful. And I could find something else, maybe a Hindu goddess sculpture.   And I could find something that 100% people would say that is not beautiful. And so, I think that ingrained in some of us because we're created by God, I think we have a sense of appreciating beauty. I do think that it gets taught out of a lot of people.   So, with my kids, I show them a lot of beauty. And this can be as simple as get a coffee table book from the secondhand bookstore on art and put it on your coffee table. Get books from the library and have lots of beautiful things to look at.   And so, when I now when I was teaching my own kids, this is kind of a fly by the seat of my pants. Make it up as I go. Now that they've left home and I can think about it, I'm putting together books that are a little bit more thoughtful.   So, in my books, you will see I've chosen a piece of art that is beautiful and I will pair it with the lesson. And then I'll give you an art activity. So, for example, in Into the Woods, you'll see I've chosen a beautiful piece of art and I paired it with a poem, which is another piece of beauty.   Yes. And then I'll give you an art lesson so that they can get creative with it as well. So, it is this hard to pull it together.   So that's why I'm making books to help parents. So, you have something beautiful and something to do with it. And so, that's how I pour in beauty to give a beauty in beauty out.   Laura Dugger: (21:59 - 22:36) I love that so much. And just even holding this resource, it is so beautiful. There's so much to it.   When it arrived, our daughters were delighted to go through it and to dive in and get to learn. But I'm just thinking many listeners are fellow homeschool parents and also many are not. But I don't want them to be discouraged because I'm even thinking of your courses or if they do intentional art in the evenings or on weekends or summer break and winter break.   There are still ways for all of us to incorporate this.   Courtney Sanford: (22:36 - 24:28) Yes, for sure. Yeah. Even so, my mom, I was public school.   And of course, the word hadn't been invented back then, but my mom appreciates art and poetry and she would always have art books on the coffee table. And I would just stop and, you know, in my free time, flip through the pages. And those images stuck with me my whole life.   She had one that had a Monet on the cover of the Field of Red Poppies. And that was just ingrained in my mind as a piece of beauty. So just something as simple as putting it out on your coffee table.   She also took us to museums whenever we traveled. And she didn't make a big lesson out of it, but I was exposed to beautiful buildings. You know, most museums are in beautiful buildings.   You see the beautiful architecture. And I was exposed to a lot of art that way. So, that was that totally goes with which with summer vacations and your vacations to, you know, make an effort to see a gallery or an art museum when you're traveling.   That makes a big difference. It'll make an impression on them. And of course, the books you could do in the summer.   We have summer classes and we have an art retreat that might not line up with school because it's in May. But the books you could for sure add on. Hopefully someday we'll have evening classes so that you could go to school.   We've got some this coming year that will start at four o'clock. So, hopefully some kids can go to school and come home and join an art class. So, we're working on getting it out as we as I get teachers willing to.   Most of my teachers are homeschool moms, too. And by the end of the day, they're tired. So, I've got a few.   I've got a young lady who's just graduating and she's going to do some late afternoon ones for us next year. So pretty excited about that.   Laura Dugger: (24:28 - 25:04) I love that. And then even thinking of the beauty and beauty out stepping outdoors. There's so much beauty in God's creation and so much change depending on where you live throughout the seasons.   But I love how you also brought up the library, because anytime I'm trying to learn something new, that's my first go to is put books on hold at the library. And so, if we're wanting to know what to add to our library cart just to get us started into this, can you share books that you recommend, both yours and others that you think would be good additions?   Courtney Sanford: (25:05 - 26:19) Oh, that's a good question. Yes, there are. I love to think about the biographies of artists.   And if so, if you're studying ancient history, you could look up a biography on Giotto. And they're still tell the stories in such a nice, kid friendly way. Like there's the story of Giotto.   He was actually watching the sheep. And while he was out in the fields, he would draw on the sides of rocks like big rocks. But you get another rock and you would draw on the sides of rocks.   And another artist was walking through one day and he saw these drawings on the rocks. He was like, wow, you're really talented. Come with me.   I'll make you an apprentice. And those stories are just they're fun to read together and hear those kinds of stories. And of course, the Usborne books of art are beautiful and they often have projects for the kids to do.   I can't think of any specific ones, but I do love a short paperback on the particular artists. And so, I kind of line those up along with the period in history that we're studying.   Laura Dugger: (26:20 - 26:32) That's great. And even you're making me think of picture book biographies on artists. We've always enjoyed those as well.   Obviously, the illustrations are fantastic, too, but the storylines are so interesting.   Courtney Sanford: (26:33 - 27:23) Yes. So, I just grab whatever they have. I had a big laundry basket.   And and I know card and I just grab whatever I could find and sometimes let the kids choose. And sometimes I would choose. If you're going with geography, you can find beautiful photos of the different areas.   See the landscapes or the sunsets. And that can through photography. And you can really get to know a place through beautiful photographs.   I like that part, too. And then that might inspire a pastel drawing of a landscape. Maybe it's a beautiful sunset you could recreate with pastels.   So, photography books are really inspirational, too.   Laura Dugger: (27:23 - 28:10) It's a great idea. And circling back, you had mentioned Andrew Pudewa earlier in our conversation. And I remember learning from him that with writing, the worst way we can teach our children is to say just free write, just write something down or here's a prompt to finish this sentence because better writing comes through imitating.   And so, you've even mentioned tracing is a great way to start. That's not cheating in art if you're not stealing credit from them. But if you're just practicing and tracing, this is a way to imitate.   And so, I'm wondering, do you have any other cautions for ways that may be the wrong way to introduce our kids to art?   Courtney Sanford: (28:11 - 30:50) I agree that. Yeah, you can get writer's block. What I find funny is that some people are so afraid to imitate artists.   But if I were teaching piano, I would teach your kid how to play something by Bach in which he would learn what Bach did. And nobody would say I'm stealing from Bach. You know, and you learn to play Beethoven by playing Beethoven and you you learn to reproduce those pieces of music.   I do the same thing in art. We look at what the masters did and we'll copy it in order to learn what they knew. And that way we build.   We're like standing on the shoulders of giants. So, we don't want every kid to have to start with inventing the wheel themselves. We'd never get very far.   We want to learn what the masters knew and then build on that. So, I do a lot of imitation. And then as the students ready, I let them know you are free to change this or to experiment with it.   So just last week we were drawing and painting red poppies and learning about Georgia O'Keeffe. And so, I said we can do an imitation of her poppy. And I'll show you step by step how to reproduce her poppy.   And in doing that, we're going to cause us to look more closely at it and study her blends. Like she would blend from yellow to orange to red in every petal. And we can study that technique.   And then as we do it and we practice it, we look more closely at hers and it kind of becomes a part of us. And then we'll find another flower and we'll use that same technique on a flower that we choose. Or maybe it's a flower we make up and we take that technique and we can apply it.   And it's a much better way to learn than trying to learn it yourself without looking at what the masters did. So, I think that I think I pulled a lot of that from Andrew Pudewa. The idea of I'm going to assist you until you say I got this.   I can do it from here. So, I do assist until they get it. And then I always say whenever you're ready, as soon as you're ready, change it and make it your own or do your own thing.   And because turning them loose too soon can break their confidence. So, you want to build them up until they can confidently experiment on their own.   Laura Dugger: (30:51 - 32:34) Let's take a quick break to hear a message from our sponsor. I'm so excited to share today's sponsor, WinShape Marriage, with you. WinShape Marriage is a fantastic ministry that helps couples prepare, strengthen, and if needed, even save their marriage.   WinShape Marriage is grounded on the belief that the strongest marriages are the ones that are nurtured, even if it seems like things are going smoothly. That way they'll be stronger if they do hit a bump along their marital journey. Through their weekend retreats, WinShape Marriage invites couples to enjoy time away to simply focus on each other.   These weekend retreats are hosted within the beautiful refuge of WinShape Retreat, perched in the mountains of Rome, Georgia, which is just a short drive from Atlanta, Birmingham, and Chattanooga. While you and your spouse are there, you'll be well-fed, well-nurtured, and well-cared for. During your time away in this beautiful place, you and your spouse will learn from expert speakers and explore topics related to intimacy, overcoming challenges, improving communication, and so much more.   I've stayed on site at WinShape before, and I can attest to their generosity, food, and content. You will be so grateful you went. To find an experience that's right for you and your spouse, head to their website, WinShapeMarriage.org.  That's W-I-N-S-H-A-P-E Marriage.org. Thanks for your sponsorship.    Well, and as parents, once we're past the resistance to maybe invest some of our time or our money or allow the mess into our home, but if we push past through that and we're ready to get started, I'd love to go over some practical tips.   So, Courtney, first, just what are some great art supplies to have on hand?   Courtney Sanford: (32:36 - 37:13) A number two pencil and some Crayola markers you probably already have. Those are great tools. I like to have my kids work in an art journal, and you can get these real inexpensive at Michael's.   It'll say on the cover, mixed media art Journal, and they come in different sizes. I kind of like the big ones, and that will allow you to use paint, pencil, and marker or anything you want. If it says sketchbook, it's not going to hold up to paint very well.   So that's why I get the mixed media paper. So, I start with the art journal, and then I like to make that journal be their book on a subject. So right now, I'm doing ancient history with some kids, and so they are making their own book about ancient history.   So, every week we'll do a drawing or a painting or watercolor on a lesson in ancient history. And so, each piece is not a masterpiece to hang on the wall. Each piece is a part of the story in their book.   That takes all the pressure off. So, they don't see this as, I don't know if this is going to be good enough to hang on the wall. That's not even a question.   It's a part of the story in your book. They can also take some notes. They can show their grandparents and review the topic by presenting it to their grandparents and showing off their book.   And then you can collect their books and put them on a shelf. It's not all over the house making you crazy. And then you can see from year to year how their skills have improved.   So, I kind of like every year I like pick a topic to be the subject of our art journal. So, I call it arts integrated learning. So, I'm pairing an academic subject with art for that year.   So, it could be poetry. It could be history. It could be science.   Whatever you pick. That's what you'll add to your art journal with.   Pencils. I like blending tools too. There are some people call them stompies.   For those of you who are watching. Here's one. It's just rolled up newspaper, but you can buy these at Michael's.   They're really cheap. But it takes a drawing to the next level. You can just blend things out and shade things really lovely.   Mark Kistler does some videos and teaches you how to. He'll go shade, shade, shade. And so that's a good way to start.   And it really elevates a drawing and it gives them a lot of confidence. And then of course the good eraser. The book drawing with children is a really good one for our parents to read and then teach from in that book.   They suggest you have them draw with markers so that they don't spend an hour erasing. If you have someone who's a perfectionist, they will make one mark and spend 20 minutes erasing it. And so, if you go right to drawing with markers, that's gonna teach them to make a good mark first and then keep going and not spend half an hour erasing.   When I get to age nine or 10, I like to use acrylic paints, but I only buy four colors of paint and then I make them mix all the other colors. So, we use yellow, magenta, blue, and white. Those are like the colors in your printer.   Cyan, magenta, and yellow are the ones in your printer. And those colors can make all the other colors. Now your printer has black, but I don't give kids black.   Instead of black, they could make purple or brown or dark color. So, you know, you teach them how to mix the colors that they want. They'll learn to mix it because they want green or they want purple, or they want brown.   And then they develop a sense of color theory, and you don't even have to teach it. They'll figure it out because they want those colors. If they find, if, if you don't feel confident in that, you can buy craft colors of the specific colors, especially brown.   That's a hard one to mix. But I do like the coverage of acrylic paints. I like watercolors too.   That's a little bit easier to get into. You just take it slow and practice a lot. So that's really all you need.   It's pretty simple.   Laura Dugger: (37:14 - 37:27) Well, and I'm wondering too, even with the acrylic paint at that age, once they're older, that one, I'm assuming can stain. So are there any tips that you have for containing the mess?   Courtney Sanford: (37:28 - 38:32) Yes, I get, and they're a little bit hard to find. So go to Amazon and find a, a tablecloth that is plastic on one side and felt on the other side. I forget what you call it, but there'll be like picnic tables, tablecloths.   And the plastic ones are going to drive you crazy because they're too thin. So, if it's flannel backed, it's a little bit thicker. So I get a white one at the beginning of the year.   And that comes out anytime we do clay or paint, and it goes over the kitchen table and I don't worry about cleaning it. You just let it dry, fold it up. And I put mine in the China cabinet right there by the table.   And then anytime we do something messy, that tablecloth comes out and, and then just fold the mess back up in it. And it works, it works really great to, and then you might, if you're, if you're a neat freak, maybe plan on buying one at the beginning of every school year so that you get clean slates. And then the paint that gets onto the tablecloth is actually lovely and it'll be pretty next time you get it out.   Laura Dugger: (38:33 - 39:11) Oh, I love that. That's a genius tip. I appreciate that for coming indoors because in the summer, I guess we could take it outside depending on where we live.   But then what about any hacks for finding the time to do this? And I guess I'm thinking back to a previous episode with Beth Rosenbleeth. She's the one who started Days with Grey and she would talk about different art prompts that she would set out for her children in the morning for a variety of ages.   But were there any things that kind of required minimal time from you, but had maximum return for your kids?   Courtney Sanford: (39:11 - 41:06) Yeah, that's a good point. I had, I wouldn't say I had a strict schedule, but I had a pattern to my days. And the time after lunch was a good time to do messy things in the kitchen because we were in the kitchen anyway.   And as I could clean up lunch and start dinner, I could be in the kitchen with them and they could be creative at the kitchen table with minimum involvement from me. One of my best afternoons was we had the microscopes out to do something specific and I left it out as I was cooking chili. And as I cut up each ingredient, I would cut a thin slice for them to look at under the microscope.   And so they were looking at a bell pepper and a red pepper and celery and tomato. And they were so, they so enjoyed that and I was able to cook dinner at the same time, which was fabulous. And that turned, it was probably like a 15-minute science lesson into like four hours of discovering things under the microscope.   So that element of play and you can do that with your art supplies too. Like I'll demonstrate a technique and then leave it out. I'll turn my attention to cooking dinner while they see what else they can do with it.   And, um, you know, I'll give them a few tips. Like, um, if you mix these three colors together, you're going to make brown and then turn your back and let them discover it for themselves. So, um, I'm a big crock pot person.   And so after lunch would be the time I need to clean up lunch and put something in the crock pot. So that would be a good time for me to get them started on art or science and, um, and then turn my back and let them have that, um, that discovery time without me hovering or telling them what to do or something.   Laura Dugger: (41:06 - 41:22) Oh, that's a great rhythm. I love these ideas. And then I kind of want to go in chunks of age.   So, thinking of little kids, how would you define the difference between a piece of art and a craft?   Courtney Sanford: (41:23 - 43:41) Yeah, a craft is going to be something where the focus is on following directions and that's important. They need to learn how to follow directions. And so we would do, especially around the holidays, I might do a craft and we all follow directions.   Um, a piece of art is going to be where they're, they all come out different. They're allowed to play and express themselves. Um, for me personally, if I'm doing a craft when I'm done, I think, oh, I could make 50 of these and sell them.   If it's an art, when I'm done with a piece of art, like one of these paintings behind me, when I'm done with that, I'm thinking I could never do that again. That took so much out of me. I'm exhausted.   A little piece of my soul is in that that's art. That's the difference. Um, so I don't sell my paintings because there's a little piece of my soul in, um, my husband makes fun of me for that.   He's like, you could just sell your paintings. They're like, what? They're, they're like my babies.   I can't, I can't part with them. It took so much out of me to create them. Um, but a craft, yeah, I'll just give away things that are, that I just followed directions for, um, in terms of kids, younger kids will enjoy crafts, but getting to high school, they recognize it as slave labor and they don't want to do that.   They are in what the classical education people call the, the, um, poetic stage, you know, they want to express themselves and they want to be unique. I think this is why they get tattoos. The tattoo is a way of saying this is who I am.   This is what it means to me. I'm unique. Um, so I think if we don't teach them to express themselves in art, they're going to get tattoos.   So that might encourage moms to, to give them the skills so that they can express themselves. You know, they need to be able to write poetry or write songs or paint a painting or do a drawing. There's that need inside of us to do that that God put in us.   And if they don't have an outlet, then they're going to find something like tattoos or something that we don't want them to be doing. Yeah. I mean, some of my kids are tattooed.   It's not bad.   Laura Dugger: (43:42 - 44:25) Well, and you've kind of answered a follow-up question I had because we talked about little kids, but I'm thinking of teens. So going back, my background is in marriage and family therapy, and we would encourage everyone that journaling is a free form of therapy. But I think of art as the same way.   And there's even studies that show when you're engaged in something artistic, the critical side of your brain goes offline. So you can't think negative thoughts while you're creating something new, but with teens, there's that added benefit of getting to express themselves. So is there anything else with art that you see as basically free therapy for adolescents?   Courtney Sanford: (44:26 - 46:54) Oh, sure. I do see it a lot. I experienced it because I started my business because of the shutdown and because I was teaching in person and then I had to switch to online teaching.   And so, the group that I had moved online and I figured out how to do it and got a little bit better at it. And then that summer I offered a class for adults. These were directors and I was in classical conversations at the time.   And so a whole bunch of teachers are expected to teach Western cultural history without a lot of background. And so some of the moms asked me if I would do my art class for them. And so I had about a group of like 50 adults and we would get on for an hour and a half every day.   And this was at the height of the shutdown when turning on the news, just stresses you out. Going to the grocery store was stressful because people were in masks or they weren't in masks or, you know, we didn't know anything. It was such a stressful time, but that hour and a half that we had together, we, our focus was on discovering a piece of art.   So, we were looking at beautiful things and then we were creating something and that changed our focus from what was going on in the world. And we would just relax, and we'd enjoy it. Having the live class kept our focus on it.   And when I don't have a live class in front of me, I'll be like, oh, I should put the laundry in or I should start dinner and I get distracted. But with that, you know, with other people on zoom, it keeps me focused. And so, we'd have this wonderful hour and a half vacation from the world.   And after it was over, I would just have this sense of peace. And then I'd come down and be like, oh yeah, that's still going on. And it was, it was so good for our mental health.   And, and I get, I hear moms tell me that the hour and a half once a week they spend with me doing art has been such a blessing. Like one student lost her father a year ago and this is helping her. She said she's finally coming out of her depression and she's finding a way to express herself and find beauty again.   And it's, it's been transformative for some students. So, it is a blessing. And I didn't, I didn't read that somewhere.   That's just from my experience. So, I'm a big believer in that.   Laura Dugger: (46:54 - 47:51) I can see why I think you're bringing up two points. I don't want to miss both with art therapy and then also art in community. So art and community first, I think for all of us at any age, what can we do as this is airing probably when everybody's getting out for summertime, how can we gather others alongside of us for whether it's our kids or us as peers to get to engage in these activities together.   And so, I want to follow up with you on that, but also before I lose my thought, I also want to link back to Karen Pence's episode. She had started art therapy for veterans, I believe, and just incredible. The healing that is possible through this.   So, do you have any thoughts Courtney on ways that we can this summer gather together community at different ages and do something artistic?   Courtney Sanford: (47:51 - 52:15) That is a good question. So, we have, I have found the online classes are the easiest for people to get to. And it's I get people ask if we can do it in person, but honestly it's hard to get people out or they're busy.   They're doing things in summer. So, we do offer a class online in the summer that's live. We have recorded classes that you could do alone or get a few people together and, do them together.   I have some sampler packs too. So, some of them are just three lessons. You could get some friends together and find, maybe you could find three, three times during the summer to do.   I have like a Vango sampler pack and a couple of short ones that you could just pay for the video and do with your friends or maybe a mother daughter event. Maybe you do the self-paced class with your daughter. And I've had some seniors, like seniors in high school, do a mother daughter class together and just say, this is such a good time for us to spend a little bit of time together, a little bonus time before they go off to college.   During the school year, we have, I have a watercolor artist friends. She lives near me and she's a professional watercolor artist and she does the class called Bible journaling. And that is a beautiful combination of a devotion and a watercolor time together.   Those are hour and a half classes too. And they meet once a week. And we sometimes we'll have grandmas, we'll have high school students, we'll have mother daughter pairs do it together.   And they actually have a little prayer time, a little study of scripture. And then then Kate teaches them step-by-step how to do a beautiful watercolor and incorporate some hand lettering in it. So that's just a beautiful fun time together.   So I highly recommend her class during the school year. If, if a mom could get away, or if you have a high school daughter to do it together, that is a great experience. And then I have a short version of art history that you could do with friends or your high school daughter.   It's called paint your way through marvelous to behold, which is just 12 lessons that goes through. And that's a variety of drawing and painting. If you wanted to do something like that.   So, lots of things, or you can check out the books. And if you feel confident following step-by-step instructions in a book, you could use the book or a combination of videos and books. If you're feeling kind of like you could lead a art group, you could get the cell page video, watch the video and then do, you know, exactly what I said, do that live with a group.   And if you have any art experience doing that, you could get, probably get, I would like invite all the homeschool moms in your co-op group to get together. And I do some, sometimes I'll go to do a mom's group, do a watercolor or I love to do the milkmaid with moms because the milkmaid is this beautiful painting from the Dutch masters of a woman cooking. She's just pouring milk.   I think she's making bread pudding and it's just so beautiful. It's like, what I think I look like homeschooling. I'm wearing like a long gold gown and those suns coming in and everything's perfect.   I'm like, this is the ideal. This is what I think homeschooling is going to look like. And then I kind of use that painting as a launch pad for painting Delft tiles from the period.   And so sometimes I'll, I'll do that with some homeschool moms because I like to encourage homeschool moms. I know it's hard. And I had some mentors when I was homeschooling that I really appreciated.   So, I'm always happy to, to be the support and be able to say it's worth it. Keep going. I know you're driving a crappy car, but it will be worth it.   And so, the sacrifices you make now totally pay off. And you know, before I know it, my son is going to be homeschooling his daughter. She's seven months now, but it's going to fly by, you know, she'll be four before you know it.   And I'll be teaching her how to paint. I suppose.   Laura Dugger: (52:16 - 53:13) When was the first time you listened to an episode of The Savvy Sauce? How did you hear about our podcast? Did a friend share it with you?   Will you be willing to be that friend now and text five other friends or post on your socials, anything about The Savvy Sauce that you love? If you share your favorite episodes, that is how we continue to expand our reach and get the good news of Jesus Christ in more ears across the world. So, we need your help.   Another way to help us grow is to leave a five-star review on Apple podcasts. Each of these suggestions will cost you less than a minute, but it will be a great benefit to us. Thank you so much for being willing to be generous with your time and share. We appreciate you.    I don't want to miss what website to direct everyone to. If they want to sign up for one of these classes, where's the best place to follow up?   Courtney Sanford: (53:14 - 54:27) Go to delightfulartco.com and on that page, you'll see live classes, self-paced classes, summer retreats. I've done adult retreats before. I'd be open to doing it again if people want to.   So, I have, I would call it private retreats. So, if you want to get a group of women together, maybe somebody has a beach house, I'll come and do the art. It could be a one day, two day, or three-day event.   So that's an option. And we have self-paced classes. So, lots of things to look at.   I have a lot of sample classes on the website too. If you want to drop in and see what they're like. I think there's a how to paint Monet's water lilies is on the site.   You can watch that and see what it's like. Some people are afraid to try an online art class, but we all loved Bob Ross, and we watched him. So, if you can imagine saying, Bob, stop, could you do that again?   That's what my classes are like, and I'll be happy to stop and show you again. And then you can hold up your work at the end and I can give you some feedback. So, I'm like the new Bob Ross.   Laura Dugger: (54:27 - 54:46) There you go. That's wonderful. Thank you for sharing that.   And Courtney, I just have a couple more questions for you. If let's turn it back to parenting. If we want to get started today and we just want next step to get started.   What is an art prompt that we can still try today?   Courtney Sanford: (54:47 - 57:26) I would look at what you're, what, what are you teaching your kids? So, if you're teaching them, maybe you have a library book on the coffee table that you're studying biology. Pull out one thing from that and draw what you see and reproduce that.   Just one drawing a week. And before you know it, you'll have a whole biology book. So, I like to instead of saying parents, you have to add on another course.   You have to add art to everything else you're doing. Slide it into what you're already doing and it will enhance what they remember about that. And it's not like a whole other subject.   So just use art as a tool to help them remember what you want them to learn anyway. So, anything you want them to teach, if you have a photo or a drawing, have them trace it or draw it. I actually another good way to start is if you have little kids and Bible story time, let them draw what you're reading about.   My son loved to do stick figures. So, I have the whole Bible told in stick figures from when I'm from my youngest kid. And it is fabulous, especially like Sodom and Gomorrah.   And, you know, there's a lot of violent stuff. Boys love that stuff. So, he illustrated a lot of the Old Testament because I read it every morning, and he would just draw what he heard me.   I think I was using the Children's Illustrated Bible. So, he had some things to look at. That's another great way to get started.   Just let them look at the story and draw in their own art journal. So, there's so many fun ways you can use it in every subject. I had a mom tell me she read me an email.   She said, my daughter is just blooming in your classes. I wish every subject could be taught with an art journal and a paint palette. And I replied, we're working on it.   We're we've got we've got Latin and art, science and art, literature and art. There's just so many ways to find inspiration and what you're already studying and find the beauty in that subject. So, in our site, our art and biology course, students do a beautiful watercolor of the DNA strand.   And they draw the cell in watercolor. And it's just beautiful. And it helps them remember it and practices their art skills.   So, it's like a two for one. Think of it as a two for one. Take art and put it in another subject.   Laura Dugger: (57:26 - 57:46) I love win wins. That sounds amazing. And Courtney, I just have one final question for you today.   We are called The Savvy Sauce because savvy is synonymous with practical knowledge or insight. And so is my final question for you today. What is your savvy sauce?   Courtney Sanford: (57:47 - 58:15) The beauty, in beauty out, has been kind of my savvy sauce and also as unto the Lord. So, whatever I do, I do as unto the Lord. If I'm homeschooling, I'm teaching biology.   I'm going to do as unto the Lord. I'm not going to hand out a worksheet. I'm going to make it.   I'm going to make it a great experience. So, I would have to say whatever you do, do it wholeheartedly as unto the Lord and not for men.   Laura Dugger: (58:16 - 58:36) What a great place to end. Courtney, you are so inspiring. You've given us great ideas and kind of confidence to get to put this into practice.   Even if we're not artists like you, we're all created in God's image and therefore can be creative. So, thank you for your time and wisdom today. Thank you so much for being my guest.   Courtney Sanford: (58:37 - 58:40) You are sure welcome. I had a great time. It's good to talk to you.   Laura Dugger: (58:41 - 1:02:25) You as well. One more thing before you go. Have you heard the term gospel before?   It simply means good news. And I want to share the best news with you. But it starts with the bad news.   Every single one of us were born sinners, but Christ desires to rescue us from our sin, which is something we cannot do for ourselves. This means there is absolutely no chance we can make it to heaven on our own. So, for you and for me, it means we deserve death, and we can never pay back the sacrifice we owe to be saved.   We need a savior. But God loved us so much, he made a way for his only son to willingly die in our place as the perfect substitute. This gives us hope of life forever in right relationship with him.   That is good news. Jesus lived the perfect life we could never live and died in our place for our sin. This was God's plan to make a way to reconcile with us so that God can look at us and see Jesus.   We can be covered and justified through the work Jesus finished if we choose to receive what He has done for us. Romans 10:9 says, “That if you confess with your mouth Jesus is Lord and believe in your heart that God raised him from the dead, you will be saved.” So, would you pray with me now?   Heavenly Father, thank you for sending Jesus to take our place. I pray someone today right now is touched and chooses to turn their life over to you. Will you clearly guide them and help them take their next step in faith to declare you as Lord of their life?   We trust you to work and change lives now for eternity. In Jesus' name we pray. Amen.   If you prayed that prayer, you are declaring him for me, so me for him. You get the opportunity to live your life for him. And at this podcast, we're called The Savvy Sauce for a reason.   We want to give you practical tools to implement the knowledge you have learned. So, you ready to get started? First, tell someone.   Say it out loud. Get a Bible. The first day I made this decision, my parents took me to Barnes & Noble and let me choose my own Bible.   I selected the Quest NIV Bible, and I love it. You can start by reading the book of John. Also, get connected locally, which just means tell someone who's a part of a church in your community that you made a decision to follow Christ.   I'm assuming they will be thrilled to talk with you about further steps, such as going to church and getting connected to other believers to encourage you. We want to celebrate with you too, so feel free to leave a comment for us here if you did make a decision to follow Christ. We also have show notes included where you can read scripture that describes this process.   And finally, be encouraged. Luke 15:10 says, “In the same way I tell you, there is rejoicing in the presence of the angels of God over one sinner who repents.” The heavens are praising with you for your decision today.   And if you've already received this good news, I pray you have someone to share it with. You are loved and I look forward to meeting you here next time.

Beethoven comenzó a perder el oído en su juventud. Llegó a componer sus más grandes obras sin poder escuchar su propia música. Cuando se estrenó su Novena Sinfonía, el público aplaudió de pie, pero él no lo oyó. Fue una mujer la que lo tocó suavemente y le señaló la ovación. Solo entonces entendió que su obra había tocado el alma de una generación. Muchas veces, nuestras mayores contribuciones no son plenamente visibles mientras las vivimos. Pero Dios no necesita que lo sientas todo para usarte. A veces, lo mejor que Dios produce en ti ocurre cuando más silencio parece haber. Así que, no interpretes la ausencia de aplausos como ausencia de propósito. Dios sigue componiendo, aunque tú no escuches la melodía completa aún. Recuerda lo siguiente: “lo eterno no siempre se aplaude aquí, pero resuena allá”. La Biblia dice en Gálatas 6:9: “No nos cansemos, pues, de hacer bien; porque a su tiempo segaremos, si no desmayamos” (RV1960).

Pieces by Haydn, Beethoven, Mendelssohn, Brahms, Debussy, Dohnányi, Shostakovich & Casarrubios performed by groups from Merit School of Music and the Music Institute of Chicago Academy. The post Chamber music for strings: Spizella Quartet, Luscinia Trio, Vermilion String Quartet appeared first on WFMT.

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Music is joy declares Daniel Chua. The renowned musicologist says music and joy have an ancient correlation, from Confucius to Saint Augustine and Beethoven to The Blues. Of course there is sad music, but Chua says, it's tragic because of joy. Chua delivered the 2025 Wiegand Lecture called Music, Joy and the Good Life.

We continue our journey into the fascinating world of music and the brain. We meet a gifted young pianist who is also an extraordinary scientist doing meaningful research on a rare neurological disorder. We also hear from a teen saxophonist who is exploring how micro-tonal music might impact people with depression. And we enjoy performances of Beethoven and Bozza.This podcast was recorded at the Brain and Creativity Institute at the University of Southern California.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy