Podcasts about Ludwig van Beethoven

This week, New Combinations host and Associate Artistic Director Wendy Whelan is joined by Resident Choreographer Justin Peck to discuss his upcoming world premiere. As Peck describes, the work takes inspiration from the score, the first movement of Beethoven's Symphony No. 3—the Eroica or "Heroic" Symphony—and celebrates the six "superheroes" of the cast. Choreographing to Beethoven presents unique challenges, but as Peck explains, this is part of why he chose the piece, along with the joy playing it brings to the NYCB Orchestra. (24:05)   Edited by Emilie Silvestri Music: "Sisyphus" by Andrew Wegman Bird Wixen Music Publishing, Inc. as agent for Muffet Music Co

Midori is a visionary artist, activist and educator who explores and builds connections between music and the human experience. In the four decades since her debut with the New York Philharmonic at age 11, she has performed with many of the world's most prestigious orchestras and has collaborated with world-renowned musicians including Leonard Bernstein, Yo-Yo Ma, and many others.She is in Albany to perform the Beethoven Violin Concerto with the Albany Symphony Orchestra with guest conductor André Raphel. Plus, you'll experience Shostakovich's gripping, intense Symphony No. 10 – and the concert opens with a work by Pulitzer Prize-winning composer Jennifer Higdon. Midori will be on stage tomorrow night - Saturday, January 17th @ 7:30PM at the Palace Theatre with André Raphel conducting.

Beethovens Instrument war das Klavier. Ihm widmete er den größten Teil seiner Schaffenskraft. Die 32 Klaviersonaten gelten als das "Neue Testament des Klavierspiels". (BR 2019)

We've got a new series to talk through movies that were snubbed for or didn't win major Oscars as we lead into awards season! We start off with a living Looney Tunes cartoon, which makes sense given that Looney Tunes based itself off these movies. The Marx Brothers were already comedy legends when this film came along, but director Leo Carey brings a dash of satire that makes for an incredible film, all wrapped up in under 70 minutes of run time. This isn't just a comedy, it's a masterpiece, and we're catching up on it today. Hail, hail Freedonia as we watch Duck Soup on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the title themes from the film Duck Soup, written and composed by Harry Ruby and John Leipold. © 1933 Paramount Productions, Inc. Renewed 1960 by EMKA Ltd. All Rights Reserved.

Next up in the Oscar Snubs is the paragon of fast-talking screwball comedies. Except that this movie might be too fast. That's right, when you tell five jokes in 30 seconds, and they're all dated back to the late 30's, at some point you're no longer funny, you're exhausting. It's impeccably executed, but utterly meaningless, and by the end you're just happy to turn the movie off. Lock up your rollaway desks as we discuss His Girl Friday on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main titles to the film His Girl Friday, written and composed by Sidney Cutner and Felix Mills. Excerpt taken "Prelude and Outer Space" from the film The Day The Earth Stood Still, written and composed by Bernard Herrmann and conducted by Joel McNeely. © 1951 Twentieth Century Fox Film Corporation, 2003 Varese Sarabande Records, Inc.

This Day in Legal History: 18th Amendment to the US ConstitutionOn January 16, 1919, the 18th Amendment to the United States Constitution was ratified, marking a pivotal moment in American legal history by establishing the prohibition of alcoholic beverages. The amendment prohibited “the manufacture, sale, or transportation of intoxicating liquors” for consumption in the United States and its territories. It was the culmination of decades of temperance activism, led by organizations such as the Women's Christian Temperance Union and the Anti-Saloon League, which argued that alcohol was responsible for societal problems including crime, poverty, and domestic violence.The amendment passed Congress in December 1917, but ratification by the states was required for it to take effect. That threshold was reached on January 16, 1919, when Nebraska became the 36th state to ratify it. One year later, on January 17, 1920, the Volstead Act—the federal statute enforcing the amendment—went into effect, ushering in the Prohibition era.However, the law led to unintended consequences. Rather than curbing alcohol consumption, it fueled the rise of organized crime, as bootleggers and speakeasies flourished across the country. Enforcement proved difficult and inconsistent, and public support for prohibition waned through the 1920s.Ultimately, the 21st Amendment repealed the 18th Amendment on December 5, 1933, making it the only constitutional amendment ever to be entirely repealed. The legacy of the 18th Amendment remains significant as a historical experiment in moral legislation and the limits of constitutional power.A federal judge in Virginia will soon decide whether Dominion Energy can resume construction on its $11.2 billion Coastal Virginia Offshore Wind project, which was halted by the Trump administration last month. The Interior Department paused five offshore wind projects on December 22, citing classified concerns about radar interference and national security. Dominion is now challenging that pause in court, arguing that it violated procedural and due process laws and is causing the company significant financial harm—around $5 million in daily losses. Dominion has already invested nearly $9 billion in the project, which began construction in 2023 and is planned to power 600,000 homes.Similar legal challenges from other developers, including Orsted and Equinor, have already succeeded in federal courts in Washington, allowing their Northeast offshore wind projects to proceed. Those decisions raise the stakes for Dominion's case, which could influence the broader offshore wind industry amid continued hostility from the Trump administration toward the sector. Trump has long criticized wind energy as costly and inefficient. While the outcomes of these lawsuits may let projects move forward, industry uncertainty remains due to ongoing legal battles and political opposition.US judge to weigh Dominion request to restart Virginia offshore wind project stopped by Trump | ReutersA federal judge in Boston, William Young, said he will issue an order to protect non-citizen academics involved in a lawsuit challenging the Trump administration's deportation of pro-Palestinian student activists. The upcoming order would block the government from altering the immigration status of the scholars who are parties to the case, absent court approval. Young emphasized that any such action would be presumed retaliatory and would require the administration to prove it had a legitimate basis.The lawsuit stems from Trump's executive orders in early 2025 directing agencies to crack down on antisemitism, which led to arrests and visa cancellations for several students, including Columbia graduate Mahmoud Khalil and Tufts student Rumeysa Ozturk. These moves targeted those expressing pro-Palestinian or anti-Israel views on campus. Young previously ruled that these actions violated the First Amendment by chilling free speech rights of non-citizen academics.In his comments, Young described Trump as “authoritarian” and sharply criticized what he called the administration's “fearful approach to freedom.” He limited his forthcoming order to members of academic groups like the AAUP and Middle East Studies Association, rejecting a broader nationwide block as too expansive. Meanwhile, the administration, which plans to appeal Young's earlier ruling, accused the judge of political bias.US judge to shield scholars who challenged deporting of pro-Palestinian campus activists | ReutersA federal judge in California has dismissed a lawsuit filed by the U.S. Justice Department seeking access to the state's full, unredacted voter registration list. Judge David Carter ruled that the department's claims were not strong enough under existing civil rights and voting laws, and that turning over detailed voter data—such as names, birth dates, driver's license numbers, and parts of Social Security numbers—would violate privacy protections.Carter emphasized that centralizing such sensitive information at the federal level could intimidate voters and suppress turnout by making people fear misuse of their personal data. The lawsuit, filed in September by the Trump administration, targeted California and other Democrat-led states for allegedly failing to properly maintain voter rolls, citing federal law as justification for demanding the data.California Secretary of State Shirley Weber welcomed the decision, stating her commitment to defending voting rights and opposing the administration's actions. The DOJ had reportedly been in discussions with the Department of Homeland Security to use voter data in criminal and immigration probes. Critics argue the push was driven by baseless claims from Trump and his allies that non-citizens are voting in large numbers.US judge dismisses Justice Department lawsuit seeking California voter details | ReutersWhy can't people harmed by ICE just sue the agents themselves?U.S. Immigration and Customs Enforcement (ICE) is a federal agency under the Department of Homeland Security, created in 2003. It enforces immigration laws and investigates criminal activities involving border control, customs, and immigration. ICE derives its authority from various federal statutes, including the Immigration and Nationality Act, and its agents operate with broad discretion during enforcement actions.Suing ICE agents or the agency itself is legally difficult. Individuals cannot usually sue federal agents directly because of sovereign immunity, a legal doctrine that protects the government and its employees from lawsuits unless explicitly allowed by law. One such exception is the Federal Tort Claims Act (FTCA) of 1946, which permits lawsuits against the federal government when its employees cause injury or damage while acting within the scope of their employment. Under the FTCA, victims can bring wrongful death or negligence claims, as Renee Good's family is now considering.However, FTCA claims are limited. Plaintiffs cannot seek punitive damages or a jury trial, and compensation is capped based on state law where the incident occurred. The government is also shielded from liability for discretionary decisions made by its employees—meaning if the ICE agent used judgment during the incident and it's deemed reasonable, the claim can be dismissed. In Good's case, the government will likely argue self-defense.Suing ICE agents personally is even harder. The Bivens v. Six Unknown Named Agents case in 1971 created a narrow legal path for suing federal officials for constitutional violations, but courts have since restricted its use. In 2022, the Supreme Court ruled that Bivens does not apply to border agents conducting immigration enforcement, further insulating ICE officers from personal liability.Criminal prosecution of federal agents is also rare. State prosecutors may bring charges, but only if they can prove the agent acted clearly outside the scope of their duties and in an objectively unlawful way—a high bar that is seldom met.This week's closing theme is by Ludwig van Beethoven. Beethoven, one of the most influential composers in Western music history, revolutionized the classical tradition with works that bridged the Classical and Romantic eras.This week's theme is Franz Liszt's transcription of Beethoven's Symphony No. 5 in C minor, Op. 67 — specifically, the first movement, Allegro con brio, catalogued as S.464/5. As one of the most iconic works in classical music, Beethoven's Fifth needs little introduction, but hearing it through Liszt's fingers offers a fresh perspective on its brilliance. In this solo piano version, Liszt doesn't simply condense Beethoven's orchestral power—he reimagines it, capturing the storm, structure, and spirit of the original with astonishing fidelity and virtuosity.The movement begins with the unforgettable four-note “fate” motif, its rhythmic insistence rendered on the piano with punch and precision. From there, Liszt unfolds Beethoven's dramatic argument, demanding the pianist conjure the textures of a full orchestra with nothing but ten fingers and a well-calibrated pedal. Every surging crescendo, sudden silence, and harmonic twist remains intact, though filtered through Liszt's Romantic sensibility and pianistic imagination.It's a piece that asks as much of the performer as it does of the listener—requiring clarity, power, and emotional depth. As a transcription, it's both a tribute and a transformation, placing Beethoven's revolutionary energy in the hands of a single interpreter. We chose this movement not just for its fame, but for how it exemplifies two musical giants in dialogue—Beethoven, the architect of modern symphonic form, and Liszt, the artist who made the orchestra speak through the piano.Without further ado, Beethoven's Symphony No. 5 in C minor, Op. 67 — the first movement, Allegro con brio. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Nicholas Hersh, the guest conductor for the Reno Phil's concerts "Elgar Cello Concerto" on January 24 and 25, 2026, speaks with Chris Morrison about his life and career, and the featured music. The concerts will feature the Overture by Grazyna Bacewicz, the Cello Concerto by Sir Edward Elgar, with Davidson Fellow Zlatomir Fung as cello soloist, and the Symphony No. 7 by Ludwig van Beethoven.

We'd love to hear from you! Please send us a Text Message!One day, not so long ago, I was simply walking across my living room, when a thought hit me and stuck in my head that there was a wealthy elderly man sitting in his den playing a video board game that he had invented. The board game was somewhat magical and most complex. I stopped in my tracks and thought deeper. I realized that he was a God like figure and the board game was us, here on Planet Earth. We were the result of his invention. That was about it. I smiled and moved on across the room. But the notion stuck with me. I laughed at the thought and wrote it down on a slip of paper: Living In My Video Game.Perhaps several years later, here is the result of that pause in life.Theater of the Imagination is presented by Watchfire Music https://watchfiremusic.com/

What is the purpose of the Arts? Can music, literature and visual art change our lives physically and socially, as well as personally? Adam Rutherford explores the power of the arts and how it might be defined and explained.Engaging with the arts is one of our most powerful tools for unlocking health and happiness argues Daisy Fancourt. She is is Professor of Psychobiology and Epidemiology at University College London and Director of the World Health Organisation Collaborating Centre on Arts and Health. In her new book, Art Cure, she shows how songs support the development of children's brains; how dance can build neural pathways; how theatre and exhibitions can decrease pain, stress and depression and how the arts can improve the functioning of every major organ system in the body. Drawing on the latest research research in a range of scientific fields, she traces a connection between the arts and human flourishing. Earliest Stories: Stories, Novellas, Humoresques, 1880-1882 is a collection of the Russian writer Anton Chekhov's work while he was still a student of medicine. In his juvenilia we see flashes of insight alongside comedy, compassion and a developing narrative voice. Rosamund Bartlett, translator, biographer and cultural historian writes about how stories have long been dismissed, but written as his family faced financial crisis, reveal much about the threads that connect together in his life and work. BBC Radio 3 presenter Tom Service explores how music transports and defines us in his new book. In A History of the World in 50 Pieces, he examines how classical music reflects our changing politics, society and technological advances - and how composers, musicians and listeners have shaped history. From Bach to Beethoven via the Happy birthday song, he explores the power of music to connect and and challenge us. Producer: Ruth Watts

Links: Join our Word-of-the-year Art Party (or watch the replay!) Join the next Artist's Way Creative Cluster Pre-order Art Is How God Loves Us Original show notes:  Any other artists out there tired of thinking/talking/obsessing about marketing? This week, Merideth shares the first of a three-part series based on her words of the year. The first word—anti-hustle—calls her to a simpler, quieter, more harmonious way of life. She also answers a question about morning pages, all to the beautiful music of Debussy, Beethoven, and Brahms performed by Marnie Laird of Brooklyn Classical.  Leave us a question via email Join the FREE Artist's Way Creative Cluster Podcast Transcript

Jonatan är på Berwaldhallen för att spela Beethoven och har chockerat sin dirigent genom att inte tycka det är tillräckligt viktigt. K har förmänskligat sina växter och djur.Det handlar om perversa idéer som sprids inom backhoppningen och om en fruktansvärt människa som måste få dansa utan att sexualiseras.Var snäll mot dig själv 2026 och prenumerera på Della Monde. Du får då ett extra avsnitt varje vecka, samt poddarna Della Papa och Della Herstory. Läs mer på dellamonde.se

Wir springen in dieser Folge direkt in die Zeit der Einigungskriege. Genauer springen wir nach Frankreich, wo im Oktober 1870 ein berühmter Preuße in einer Gefängniszelle sitzt und kurz davor ist, als Spion verurteilt zu werden. Der Mann ist allerdings weder Soldat noch Spion, sondern Autor: Theodor Fontane. Wir sprechen in dieser Folge darüber, wie er in diese Situation kam, und was das für ihn, sein Werk und sein Vermächtnis bedeutete. //Erwähnte Folgen - GAG443: J.S. Bach oder Wie sich ein Komponist den Lebensunterhalt verdient – https://gadg.fm/443 - GAG510: Ludwig van Beethoven oder Wie eine Symphonie entsteht – https://gadg.fm/510 - GAG431: Auguste Escoffier, Kaiser der Köche – https://gadg.fm/431 //Literatur - Fontane, Theodor, und Emilie Fontane. Die Zuneigung Ist Etwas Rätselvolles. Aufbau Digital, 2018. - Gordon A. Craig. Theodor Fontane: Literature and History in the Bismarck Reich. Oxford University Press, 1999. - Helmuth Nürnberger. Theodor Fontane. Rowohlt E-Book, 1968. - Jörn Sack. Fontane als Kriegschronist. Franz Steiner Verlag, 2018. - Theodor Fontane. Gesammelte Werke - Romane, Gedichte, Reiseberichte usw. Ideenbrücke, 2016. - Theodor Storm und Theodor Fontane. _THEODOR STORM - THEODOR FONTANE DER BRIEFWECHSEL: historisch-kritische und kommentierte ausgabe. Erich Schmidt Verlag GmbH & Company, 2018. - Tobias Arand. 1870/71: Die Geschichte Des Deutsch-Französischen Krieges Erzählt in Einzelschicksalen. Osburg Verlag, 2019. Das Episodenbild zeigt eine Zeichnung Fontanes von Max Liebermann aus dem Jahr 1890. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Geschichten aus der Geschichte jetzt auch als Brettspiel! Werkelt mit uns am Flickerlteppich! Gibt es dort, wo es auch Becher, T-Shirts oder Hoodies zu kaufen gibt: https://geschichte.shop // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

On the latest episode of ‘New Classical Tracks,' Icelandic pianist Víkingur Ólafsson “orbits around” Beethoven's Opus 109 Piano Sonata on his latest project. Listen now with host Julie Amacher!

"Dance Talk” ® with Joanne Carey and special guests, Skylar Brandt and Vladimir RumyanstevIn this episode of "Dance Talk” ® , host Joanne Carey engages with Skylar Brandt, a principal dancer with the American Ballet Theatre, and her fiancé, pianist Vladimir Rumyantsev. They discuss their artistic journeys, the cultural differences in music and dance education, and how they met through their shared passion for the arts. The conversation delves into the emotional experience of performing, the creative process behind choreography, and the significance of art in serving humanity. They also explore their future aspirations, including the idea of incorporating their artistry into their wedding celebration.Skylar Brandt began her training at the age of six at Scarsdale Ballet Studio. She attended the Jacqueline Kennedy Onassis School at American Ballet Theatre from 2005-2009. Brandt was a silver medalist at Youth America Grand Prix in 2004 and 2008. Brandt joined ABT II in 2009, became an apprentice with ABT in 2010, and joined the corps de ballet in 2011. She was promoted to Soloist in 2015 and to Principal in 2020. Among her leading roles with the Company are Giselle in Giselle, Medora in Le Corsaire, Kitri in Don Quixote, Odette/Odile in Swan Lake, Gamzatti in La Bayadere, Olga in Onegin, Clara, the Princess in The Nutcracker, Young Jane in Jane Eyre, Columbine in Harlequinade, Princess Praline in Whipped Cream, the Lead Maiden in Firebird, the Golden Cockerel in The Golden Cockerel, and roles in The Green Table, Pillar of Fire, The Sleeping Beauty, Raymonda Divertissements, Sinfonietta, Symphonic Variations, and AFTERITE to name a few. Brandt was awarded a 2013 Princess Grace Foundation-USA Dance Fellowship. That same year, she was featured in the movie “Ballet's Greatest Hits”. In 2018, Brandt was the recipient of an unprecedented Special Jury Award for her performances on the Russian television show “Big Ballet”. In 2022, Brandt was named to the renowned "Forbes 30 Under 30" list of most influential leaders and entrepreneurs.https://www.skylarbrandt.com/ Vladimir Rumyantsev  is an internationally acclaimed pianist. At just seven years old, he made his debut at the Great Hall of the Moscow Conservatory where he won Moscow's Glinka competition.Rumyantsev received his foundational training at the Gnessin Moscow Special School for Music under Mikhail Khokhlov and later studied at the Moscow Conservatory with Sergey Dorensky, Alexander Bakhchiev, Elena Sorokina, Pavel Nersessian and Nikolai Lugansky. He earned advanced degrees at the Mannes School of Music in New York under Pavlina Dokovska and is currently pursuing his Doctor of Musical Arts degree at The Hartt School under the mentorship of Jose Ramos Santana.Rumyantsev has performed worldwide at such prestigious venues as the Moscow Philharmonic, Carnegie Hall, Covent Garden, the Mariinsky Theatre, New York City Center, The Kennedy Center, to name a few. His performances led to collaborations with the Mariinsky Ballet. The New York Times describes his playing of Beethoven's Diabelli Variations as “excellent,” and The Wall Street Journal noting his “potent” interpretation.In 2024 he recorded "Sapiens: A Brief History of Humankind" by Sean Hickey for solo piano. Most recently, Rumyantsev toured the world as a solo artist with Twyla Tharp Dance for her Diamond Jubilee and is producing his own concerts of piano and dance alongside Principal Dancer with American Ballet Theatre, Skylar Brandt. https://vladimirrumyantsev.com/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ Follow Joanne on Instagram @DanceTalkwithJoanneCarey Tune in. Follow. Like us. And Share. Please leave us review about our podcast! “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Margaret Atwood is a Canadian writer. She has published more than sixty books spanning novels, poetry, short stories, non-fiction, children's literature, and graphic novels, and has been called “one of the sharpest and most imaginative novelists writing in English”. She is one of only four writers to have won the Booker Prize twice: for The Blind Assassin in 2000 and for her 2019 follow-up to The Handmaid's Tale, The Testaments.Margaret was born in Ottawa in November 1939, shortly after the outbreak of World War II, the second of three children to Carl Atwood, an entomologist. During her early life, she would spend the warmer months in the remote forests of northern Quebec and Ontario where her father tracked insect infestations, and the winters in the city (first Ottawa, later Toronto). She didn't attend school for a full year until the age of twelve.Her childhood scribblings – a “novel” about an ant called Annie, a volume of rhyming poems about cats, and a play about a giant – turned into a more serious ambition to become a writer when Margaret was sixteen. After studying English at the University of Toronto, where she began publishing poems in the college magazine, her first novel, The Edible Woman, came out in 1969, following five collections of poetry. Her most famous work, The Handmaid's Tale, was published in 1985 and depicted a dystopian vision of the United States as a patriarchal and totalitarian place called Gilead. Although it was written during the Reagan era, it has become eerily relevant again in the wake of the election of Donald Trump. Margaret lost her life partner, the writer Graeme Gibson, in 2019. She lives in Toronto.DISC ONE: Anchors Aweigh - US Navy Band DISC TWO: Hearts of Stone - The Charms DISC THREE: Offenbach: Les contes d'Hoffmann, Giulietta Act: Barcarolle. Belle nuit, ô nuit d'amour. Performed by Joan Sutherland (soprano) Huguette Tourangeau (soprano), Plácido Domingo (tenor), Andre Neury (bass), Pro Arte Choir, Lausanne, Choeur Du Brassus, Choeur de la Radio Suisse Romande, Orchestre de la Suisse Romande, conducted by Richard Bonynge DISC FOUR: Four Strong Winds - Ian & Sylvia DISC FIVE: Barrett's Privateers - Stan Rogers DISC SIX: The Handmaid's Tale, Act I Scene 6: The Doctor. Composed by Poul Ruders and performed by Marianne Rorholm, Hanne Fischer (Mezzo-sopranos), Royal Danish Opera Chorus and Royal Danish Orchestra, conducted by Michael Schønwandt DISC SEVEN: We Praise the Tiny Perfect Moles - Orville Stoeber DISC EIGHT: Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto. Composed by Beethoven and performed by Philharmonia Orchestra, conducted by Otto Klemperer BOOK CHOICE: How to Survive on a Desert Island by Samantha Bell LUXURY ITEM: A knife and matchbox CASTAWAY'S FAVOURITE: Hearts of Stone - The Charms Presenter: Lauren Laverne Producer: Sarah Taylor

We've been having a look back through the Tape Notes archive to bring back some of our favourite early episodes that you may have missed. This selection is our conversation with Rina Sawayama and producer Clarence Clarity. EPISODE NOTES In this episode, John catches up with Rina Sawayama and producer Clarence Clarity to talk about how they wrote, recorded and produced Rina's debut album ‘Sawayama'.     Diving deep into the almost 100 track sessions, Rina and Clarence reflect on how the album took shape, from writing demos in Rina's bedroom to spending months in an LA studio. We hear the pair's philosophies on creativity and the hustle of making it in the world of music, along with the secrets in crafting their fusion of R&B, noughties pop and nu-metal.     Listen to find out why Rina tries includes at least 10 hooks in each song, how Clarence tried to match a trap beat to Rina's mum's Beethoven performance and which member of The 1975 made a secret appearance on the record.    Tracks discussed: Dynasty, Love Me 4 Me, Snakeskin   LINKS TO EVERYTHING TAPE NOTES  https://linktr.ee/tapenotes    Listen to 'Sawayama' here. 'Sawayama' - Dirty Hit Intro Music - Sunshine Buddy, Laurel Collective    GEAR MENTIONS Ableton Sontronics Saturn Soundelux U99 OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM John Kennedy Will Brown  Tim Adam-Smith  Will Lyons  Nico Varanese  Guy Nicholls  Jessica Clucas Ali Lewis

===== MDJ Script/ Top Stories for January 2nd Publish Date:  January 2nd    Commercial: From the BG AD Group Studio, Welcome to the Marietta Daily Journal Podcast.    Today is Friday, January 2nd and Happy Birthday to Cuba Gooding Jr. I’m Keith Ippolito and here are the stories Cobb is talking about, presented by Times Journal No more cars up Kennesaw Mountain, starting January Paychex founder makes historic $50 million gift to Wellstar Meet Aloka, the peace dog winning hearts nationwide during Walk for Peace Plus, Leah McGrath from Ingles Markets on breads All of this and more is coming up on the Marietta Daily Journal Podcast, and if you are looking for community news, we encourage you to listen and subscribe!  BREAK: INGLES 2 STORY 1: No more cars up Kennesaw Mountain, starting January  Starting this month, private cars will no longer be allowed up Kennesaw Mountain. The park’s steep, winding Mountain Road—famous for its blind curves and 12% grade—has become a safety headache, with too many close calls between cars, cyclists, and hikers. Instead, visitors can reach the summit by shuttle, bike, or on foot. A new pedestrian lane will make the 1.5-mile trek safer for walkers, while the unpaved hiking trail remains untouched. Acting Superintendent Beth Wheeler said the changes address “growing safety concerns” and aim to protect the park’s natural and historic beauty. Road striping starts Jan. 6, with closures lasting through March. STORY 2: Paychex founder makes historic $50 million gift to Wellstar Philanthropist and Paychex founder Tom Golisano just made history with a $50 million gift to Wellstar Children’s Hospital of Georgia (WCHOG), the largest donation in Wellstar’s history. In recognition, the hospital will now be called the Wellstar Golisano Children’s Hospital of Georgia. This isn’t just a check—it’s a game-changer. The hospital is joining the Golisano Children’s Alliance, a network of 12 children’s hospitals across the U.S., opening doors to collaboration, innovation, and shared expertise. It’s the only hospital in the alliance representing Georgia and its neighboring states. The donation will fund projects like a cutting-edge pediatric cardiac ICU, further cementing Wellstar’s reputation for top-tier pediatric care. Other hospitals in the alliance include institutions in Buffalo, Fort Myers, and Hershey, Pa.—all part of Golisano’s mission to improve children’s health nationwide. STORY 3: Meet Aloka, the peace dog winning hearts nationwide during Walk for Peace   If you’ve ever seen a serene dog strolling alongside Buddhist monks—sometimes dressed better than the humans—you’ve probably met Aloka, the Peace Dog. Aloka isn’t flashy. He doesn’t bark for attention or demand the spotlight. But somehow, he’s become the quiet soul of the Walk for Peace, embodying everything it stands for. He walks when he can, rides when he’s tired, and never strays from the monks’ side. Once a stray in India, Aloka chose this life. Literally. He started following the monks during a peace walk years ago and never stopped. Now, he’s trekking across the U.S., his calm presence lifting spirits and drawing fans online. Despite the growing attention, Aloka stays grounded. He’s shy with fans, content to rest his paws in the grass or wait patiently for the next step. He doesn’t need words or signs to make his point. Aloka just shows up, step after step, proving that quiet compassion can be the loudest message of all. We have opportunities for sponsors to get great engagement on these shows. Call 770.799.6810 for more info.  We’ll be right back. Break: INGLES 2 STORY 4: Duo Arpeggione to perform Jan. 11 at St. Catherine’s Episcopal Church  St. Catherine’s Episcopal Church in Marietta (571 Holt Road) is hosting something special: a performance by the world-renowned Duo Arpeggione as part of its Friends of Music series. Mark your calendar—Sunday, Jan. 11, at 3 p.m., in the church sanctuary. Duo Arpeggione, formed in 2017, brings together pianist Catherine Lan and cellist Claudio Jaffe. Their program, “Romantic Resonance,” promises a journey through the evolution of piano and cello music, from Beethoven’s refined elegance to the fiery, nationalistic flair of Cassadó and Chopin. Admission is free—donations welcome. Seating is first-come, first-served. Questions? Call 770-971-2839 or email stcats@stcatherines.org. STORY 5: Sprayberry comes back to upend Sandy Creek Down 12 in the second half against three-time defending state champs Sandy Creek, Sprayberry’s boys basketball team could’ve folded. But they didn’t. Instead, they clawed their way back for a gritty 50-45 win Monday at the Lemon Street Classic. Sandy Creek (6-2) brought the heat early, showing why they’re one of the toughest defensive teams around. Sprayberry (9-3) struggled to find rhythm, trailing 26-18 at halftime. Nate McDaniel sparked an 11-2 run in the third, hitting a three and sinking free throws to pull Sprayberry within three. McDaniel, who’s been part of the program since he was a kid, finished with 16 points, 10 in the second half. The Yellow Jackets opened the fourth with eight straight points, taking a 39-34 lead. Sandy Creek fought back, briefly reclaiming the lead at 42-41, but McDaniel’s clutch three-point play and a layup from Christian Bass sealed the deal. ANTHONY JOSHUA: The boxing world is reeling after a tragic car crash near Lagos on Monday left Anthony Joshua injured and claimed the lives of two of his closest friends, Sina Ghami and Latif Ayodele. Joshua, a two-time heavyweight champ and Olympic gold medalist, is recovering in stable condition, his promoter confirmed. But the loss of Ghami, his strength coach, and Ayodele, a trainer, has left a deep void. Just hours before the crash, Joshua and Ayodele had shared a lighthearted moment on social media, playing table tennis together. Tributes poured in from the boxing community. Tyson Fury called it “heartbreaking,” while Chris Eubank Jr. remembered Ghami and Ayodele as “genuinely good men.” Shannon Courtenay urged fans to keep Joshua in their prayers, adding, “No one should have to witness what he did.” The crash is a stark reminder of the fragility of life, even for giants like Joshua. I'm Keith Ippolito and that’s your MDJ Sports Minute. And now here is Leah McGrath from Ingles Markets on breads We’ll have closing comments after this. Break: INGLES 2 Signoff-   Thanks again for hanging out with us on today’s Marietta Daily Journal Podcast. If you enjoy these shows, we encourage you to check out our other offerings, like the Cherokee Tribune Ledger Podcast, the Marietta Daily Journal, or the Community Podcast for Rockdale Newton and Morgan Counties. Read more about all our stories and get other great content at mdjonline.com Did you know over 50% of Americans listen to podcasts weekly? Giving you important news about our community and telling great stories are what we do. Make sure you join us for our next episode and be sure to share this podcast on social media with your friends and family. Add us to your Alexa Flash Briefing or your Google Home Briefing and be sure to like, follow, and subscribe wherever you get your podcasts. Produced by the BG Podcast Network Show Sponsors: www.ingles-markets.com See omnystudio.com/listener for privacy information.

As life nears its end, clarity replaces illusion. From Beethoven and Jefferson to Steve Jobs and Isaac Newton, history shows how perspective sharpens with mortality. Parshat Vayechi captures this truth in Jacob's final words to his sons, reminding us that legacy is not curated in real time, but revealed only when the dots of a life finally connect.

durée : 01:28:25 - Leonard Bernstein, l'incandescence d'un artiste unique - par : Aurélie Moreau - Leonard Bernstein, musicien complet : accordant instinct et culture, son génie s'étend des œuvres remarquables qu'il a composées à ses interprétations passionnantes comme pianiste et chef. Aujourd'hui : Bernstein, Beethoven, Mahler, Mozart, Berlioz… - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Sicher war Beethoven wohl nicht, wie seine 9. Sinfonie ankommen würde - nicht nur, weil er sie selbst nicht hören konnte, sondern weil sie Grenzen sprengte. Roland erzählt, warum uns die "Ode an die Freude" als Europahymne bis heute zusammenbringt.

durée : 01:28:29 - Christian Gerhaher, un chant profond aux nuances subtiles - par : Aurélie Moreau - La carrière à l'opéra du baryton Christian Gerhaher s'est développée avec grand succès depuis quinze ans, mais le lied reste au cœur de sa passion musicale. Au programme aujourd'hui : Mozart, Schumann, Brahms, Beethoven, Weber et Schubert. - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Ludwig van Beethoven - Choral FantasyClaire Rutter, soprano Matilde Wallevik, mezzo-soprano Marta Fontanals-Simmons, mezzo-soprano Peter Hoare, tenor Julian Davies, tenor Stephen Gadd, baritone Leon McCawley, pianoCity of London Choir Royal Philharmonic Orchestra Hilary Davan Wetton, conductorMore info about today's track: Naxos 8.572783Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

durée : 01:58:42 - Concertos déconcertants - par : Christian Merlin - Point commun entre le Double Concerto de Brahms, le Triple de Beethoven, les Brandebourgeois de Bach, le Don Quichotte de Strauss, la Rhapsodie sur un thème de Paganini de Rachmaninov ? Ce sont des concertos atypiques qui dévient par rapport à la norme. Laissons-nous déconcerter ! - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 02:28:52 - France Musique est à vous du samedi 27 décembre 2025 - par : Gabrielle Oliveira-Guyon - Au programme de ce samedi : Beethoven, Rossini, Rameau, mais aussi Jean Ferrat, "Les p'tit pois" de Dranem, et bien d'autres encore. - réalisé par : Emmanuel Benito Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

“Merry Christmas, Emily” David Lowery does so many things, his CV needs a sequel. He's a professor, a mathematician, a writer, a musician, a producer and an entrepreneur. He's also the singer of two of my all-time favorite bands: Cracker and Camper Van Beethoven. Let's start with the former. Lowery formed Camper Van Beethoven when he was a student at UC Santa Cruz in the early '80s. I was so obsessed with Camper Van when I was in high school I cut class to buy their new album--but I had the wrong day, so I cut class the next day to get it. Totally worth it, by the way. Camper Van Beethoven put out a handful of genius albums likeOur Beloved Revolutionary Sweetheart and Telephone Free Landslide Victory before temporarily disbanding in 1990. Lowery didn't miss a beat and formed Cracker with guitarist Johnny Hickman and they put out a handful of genius albums like Kerosene Hat and The Golden Age, logged a #1 Modern Rock track with "Teen Angst (What The World Needs Now)" and scored three platinum albums. This is only a partial history, by the way; but I would recommend reading up on both bands because they have fascinating histories.Lowery has produced everyone from Counting Crows to Sparklehorse, founded Sound of Music studios, was a seed investor in Reverb.com (), knocked out his PhD and was named a Global IP Champion by the U.S. Chamber of Commerce. A ferocious advocate for artist's rights, among other things, Lowery launched a pair of class actions alleging major streaming services had failed to properly license and account to independent songwriters. Lowery currently teaches the economics and finance of the music business at the University of Georgia.An authentic career-spanning collection that boasts re-recordings, demos, b-sides and live takes that have never been heard, ‘Alternative History: A Cracker Retrospective' is out now. It's a deep and privileged dive into the rich and vast Cracker cataloge and to say it's a treat falls short of the mark. It's a musical treasure chest. Cracker are touring now and will be on the road at the beginning of 2025 and Camper Van will be playing dates as well. www.crackersoul.com Www.bombshellradio.com www.stereoembersmagazine.com www.alexgreenbooks.com IG: @Emberspodcast editor@stereoembersmagazine.com

In this week's Gramophone Podcast, the last of 2025, we explore the life and music of Ludwig van Beethoven (1770-1827). Editor Emeritus James Jolly talks to Richard Wigmore – a long-standing contributor to our pages, and an expert on the music of the classical and early romantic periods – about this musical Titan. They discuss Beethoven's transformative role, through the three periods that have been applied to his creative life, in expanding the range, scale and ambition of pretty well every genre he tackled, from the symphonies and concertos, via his piano sonatas and chamber music, to his opera and choral works. All the music on this podcast comes from the Sony Classical catalogue, including the Gramophone Award-winning sets of the complete piano sonatas and the Diabelli Variations played by Igor Levit, as well as the symphonies from Antonello Manacorda and Kammerakademie Potsdam, Murray Perahia with members of the English Chamber Orchestra and the Concertgebouw Orchestra and Bernard Haitink, the Juilliard Quartet, Yo-Yo Ma and Emanuel Ax, Christian Gerhaher and Gerold Huber, and, in Fidelio, Jeanine Altmeyer and Siegfried Jerusalem with the Leipzig Gewandhausorchester and Kurt Masur. All Sony Classical recordings.

durée : 00:28:40 - Concertos déconcertants (4/4) - par : Christian Merlin - Point commun entre le Double Concerto de Brahms, le Triple de Beethoven, les Brandebourgeois de Bach, le Don Quichotte de Strauss, la Rhapsodie sur un thème de Paganini de Rachmaninov ? Ce sont des concertos atypiques qui dévient par rapport à la norme. Laissons-nous déconcerter ! - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Met Jezus kun je alle kanten op: hij is mens én god, geboren uit Maria én uit God de Vader. In de middeleeuwen werd hij vereerd als keizer van het heelal, maar ook intens lijdend afgebeeld, aan het kruis. In de Islam is Jezus de belangrijkste profeet na Mohammed, en ook zonder dat je gelovig bent, kan je in hem de eerste socialist zien, een inspirerende revolutionair of zelfs een feminist.Maar hier, in Onbehaarde Apen, kijken we naar de historische Jezus.Hendrik Spiering, wetenschapsredacteur en historicus, behandelt in dit speciale drieluik voor Pasen drie vragen: Wat weten we over het leven van Jezus? Met welke profeten concurreerde hij? En hoe werd nou juist deze prediker, later, volkomen God?Presentatie: Hendrik SpieringProductie: Mirjam van ZuidamMontage: Yeppe van KesterenFoto: Getty ImagesDe muziek in dit drieluik werd gespeeld door het Dudok Quartet. In het vierde pianoconcert van Beethoven hoorde u ook pianist Hannes Minnaar en altvioliste Simone van der Giessen. Verder speelde het Dudok Quartet muziek van Balogh Kalman en Ligeti.Voor dit drieluik put Hendrik vooral uit werk van de Amerikaan John P. Meier, die nog altijd werkt aan zijn schitterende serie boeken ‘A Marginal Jew, Rethinking the historical Jesus'. Ook aan te bevelen zijn de boeken van de gewetensvolle Brit E.P. Sanders en die van de wat meer baldadige Amerikaan Bart Ehrman.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

durée : 01:28:42 - Bella Davidovich, un grand nom du piano au féminin - par : Aurélie Moreau - Bella Davidovich a beaucoup joué le répertoire romantique, tout particulièrement Chopin. Elle joint à une maîtrise technique souveraine, une palette de couleurs exceptionnelle. Aujourd'hui : Beethoven, Chopin, Prokofiev, Saint-Saëns et Schumann. - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:19:11 - Disques de légende du jeudi 25 décembre 2025 - Parmi les monuments des dernières années de Beethoven, la Sonate pour piano nº31 est l'un de ses plus grands chefs-d'œuvre. La voici enregistrée en 1964 dans le cadre d'une intégrale des sonates du compositeur par le grand Wilhelm Kempf. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Be Here Now - Mike CohnOne of my favorite books is one I've never completely read. It's called Be Here Now. A friend's older brother was reading it when I was 10. He let me page through his copy.The book caught my attention because it was square, an unusual shape for a book. Many of the pages inside the book were hand-lettered and illustrated.I next came across the book when I was a college freshman. I read part of it then but never finished it because it's a guide to Hinduism for Westerners, which isn't my thing.But the title of that book has always resonated with me: Be Here Now.I think the ability to be here now is something too many of us are losing. We can't just be in the moment and in the place. Everyone has to be constantly on their mobile phones. We multitask between what we should be working on and whatever else catches our eye, meanwhile listening for the assorted dings demanding attention.(I admit to having paused once even while writing this to investigate the boing of a new email arriving. But I've so far withheld the temptation to look a second time.)I witness the inability to be here now while training or working with teams. Once, during an in-person class, I was unable to make eye contact with any participant. Each was banging away on a laptop.When they asked questions, they were like, “When does the sprint master help with the project backlog?”Am I any better, though? I love music and grew up listening to the three-minute rock songs of the era. I remember listening to Beethoven's Ninth Symphony as a teen. It was OK (don't judge me!) but I thought, “Who has time for a one-hour song?”Now I hit skip halfway through my favorites on Spotify.I worry about attention spans and the ability to focus. The inability to be here now must have an impact on innovation, productivity, and teamwork. I don't have a solution.I don't have ”three quick tips to be here now.” I merely want to request that we each try to be here now a bit more often, a bit longer, and a bit more intensely each day,How to connect with AgileDad:- [website] ⁠https://www.agiledad.com/⁠- [instagram] ⁠https://www.instagram.com/agile_coach/⁠- [facebook] ⁠https://www.facebook.com/RealAgileDad/⁠- [Linkedin] ⁠https://www.linkedin.com/in/leehenson/

durée : 00:28:34 - Concertos déconcertants (3/4) - par : Christian Merlin - Point commun entre le Double Concerto de Brahms, le Triple de Beethoven, les Brandebourgeois de Bach, le Don Quichotte de Strauss, la Rhapsodie sur un thème de Paganini de Rachmaninov ? Ce sont des concertos atypiques qui dévient par rapport à la norme. Laissons-nous déconcerter ! - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Met Jezus kun je alle kanten op: hij is mens én god, geboren uit Maria én uit God de Vader. In de middeleeuwen werd hij vereerd als keizer van het heelal, maar ook intens lijdend afgebeeld, aan het kruis. In de Islam is Jezus de belangrijkste profeet na Mohammed, en ook zonder dat je gelovig bent, kan je in hem de eerste socialist zien, een inspirerende revolutionair of zelfs een feminist.Maar hier, in Onbehaarde Apen, kijken we naar de historische Jezus.Hendrik Spiering, wetenschapsredacteur en historicus, behandelt in dit speciale drieluik voor Pasen drie vragen: Wat weten we over het leven van Jezus? Met welke profeten concurreerde hij? En hoe werd nou juist deze prediker, later, volkomen God?Presentatie: Hendrik SpieringProductie: Mirjam van Zuidam Montage: Yeppe van KesterenDe muziek in dit drieluik werd gespeeld door het Dudok Quartet. In het vierde pianoconcert van Beethoven hoorde u ook pianist Hannes Minnaar en altvioliste Simone van der Giessen. Verder speelde het Dudok Quartet muziek van Balogh Kalman en Ligeti.Voor dit drieluik put Hendrik vooral uit werk van de Amerikaan John P. Meier, die nog altijd werkt aan zijn schitterende serie boeken ‘A Marginal Jew, Rethinking the historical Jesus'. Ook aan te bevelen zijn de boeken van de gewetensvolle Brit E.P. Sanders en die van de wat meer baldadige Amerikaan Bart Ehrman.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

durée : 01:29:19 - En pistes ! du mercredi 24 décembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une programmation qui nous emmènera jusqu'au Bosphore avec la Marche à la turque de Beethoven, et même de l'autre côté de l'Atlantique avec une interprétation de Casse-Noisette par l'ensemble cubain The Sarahbanda. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:29:19 - En pistes ! du mercredi 24 décembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Une programmation qui nous emmènera jusqu'au Bosphore avec la Marche à la turque de Beethoven, et même de l'autre côté de l'Atlantique avec une interprétation de Casse-Noisette par l'ensemble cubain The Sarahbanda. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:28:46 - Concertos déconcertants (2/4) - par : Christian Merlin - Point commun entre le Double Concerto de Brahms, le Triple de Beethoven, les Brandebourgeois de Bach, le Don Quichotte de Strauss, la Rhapsodie sur un thème de Paganini de Rachmaninov ? Ce sont des concertos atypiques qui dévient par rapport à la norme. Laissons-nous déconcerter ! - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Met Jezus kun je alle kanten op: hij is mens én god, geboren uit Maria én uit God de Vader. In de middeleeuwen werd hij vereerd als keizer van het heelal, maar ook intens lijdend afgebeeld, aan het kruis. In de Islam is Jezus de belangrijkste profeet na Mohammed, en ook zonder dat je gelovig bent, kan je in hem de eerste socialist zien, een inspirerende revolutionair of zelfs een feminist.Maar hier, in Onbehaarde Apen, kijken we naar de historische Jezus.Hendrik Spiering, wetenschapsredacteur en historicus, behandelt in dit speciale drieluik voor Pasen drie vragen: Wat weten we over het leven van Jezus? Met welke profeten concurreerde hij? En hoe werd nou juist deze prediker, later, volkomen God?Presentatie: Hendrik SpieringProductie: Mirjam van ZuidamMontage: Yeppe van KesterenDe muziek in dit drieluik werd gespeeld door het Dudok Quartet. In het vierde pianoconcert van Beethoven hoorde u ook pianist Hannes Minnaar en altvioliste Simone van der Giessen. Verder speelde het Dudok Quartet muziek van Balogh Kalman en Ligeti en in deze derde aflevering het vierde strijkkwartet van de jonge Nederlandse componist Joey Roukens.Voor dit drieluik putte Hendrik vooral uit werk van de Amerikaan John P. Meier, die nog altijd werkt aan zijn schitterende serie boeken ‘A Marginal Jew, Rethinking the historical Jesus'. Ook aan te bevelen zijn de boeken van de gewetensvolle Brit E.P. Sanders en die van de wat meer baldadige Amerikaan Bart Ehrman.Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

durée : 00:28:31 - Concertos déconcertants (1/4) - par : Christian Merlin - Point commun entre le Double Concerto de Brahms, le Triple de Beethoven, les Brandebourgeois de Bach, le Don Quichotte de Strauss, la Rhapsodie sur un thème de Paganini de Rachmaninov ? Ce sont des concertos atypiques qui dévient par rapport à la norme. Laissons-nous déconcerter ! - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Sanatta ilham gerçekten var mı? “Deha” dediğimiz şey doğuştan mı gelir, yoksa masa başında emekle mi oluşur? Spekülatif'in bu bölümünde kültür üretimi, yaratıcılık ve ilham kavramını tarihten örneklerle ele alıyoruz. Emre Dündar, Michelangelo'nun 24 yaşında yaptığı La Pieta'dan Beethoven'ın eskiz defterlerine, Pascal Dussapin'in ilham reddine, Dostoyevski'den Proust'a kadar yaratıcı süreçlerin arkasındaki gerçekleri konuşuyor. Sanat ilhamla mı yapılır? Sanatta romantik mitler neden hâlâ güçlü? Yoksa üretimin ana gücü irade, çalışma ve tasarım mıdır? Sanat, kültür ve felsefeye meraklıysanız Spekülatifin bu bölümünü kaçırmayın. Learn more about your ad choices. Visit megaphone.fm/adchoices

Für den Historiker Philipp Ther war Musik im Habsburgerreich Kultur und politisches Werkzeug. Im Buch „Der Klang der Monarchie“ zeigt er, wie die Musik von Strauss, Haydn, Mozart und Beethoven das Reich zusammenhielt und als Mutmacher wirkte. Timm, Ulrike www.deutschlandfunkkultur.de, Im Gespräch

Timestamp to skip the intro: (11:00) Welcome back to another episode of the True Crime Society Podcast. In this episode we discuss two separate cases of missing celebrities: Joseph Pichler was a child star, best known for his roles in films such as Varsity Blues, Beethoven's 3rd and Beethoven's 4th.  In 2006,  Joseph's vehicle was found abandoned in Washington State with a note indicating that his belongings should go to his brother.  Now, 19 years later, Joseph remains missing. Musician Richey Edwards was part of the British band ‘Manic Street Preachers.'  Richey had a documented history of mental health and addiction struggles.  Once when he was questioned about being serious about his music,  he carved the words ‘4 Real' into his arm with a razor blade.  The injury required 18 stitches. In February 2005, Richey was due to leave London to fly to the United States to begin a press tour.  Instead, he left behind some of his belongings in his hotel and drove back to his apartment in Cardiff, Wales.  Over the next few weeks, there were reported sightings of Richey in that country.  His car would later be found abandoned near a bridge.  Reported sightings of Richey have come from India and Spain.  Richey has now been missing for over 20 years. Read our blog for these cases - https://truecrimesocietyblog.com/2025/12/15/missing-celebrities-joe-pichler-and-richey-edwards/ We will be taking next week off from the podcast to spend the holiday with our families.  Be sure to join us on Patreon for over 100 exclusive episodes if you need your TCS fix!  - Patreon.com/truecrimesociety Happy Holidays! Follow us on Instagram for the latest crime news - Instagram.com/truecrimesociety

Ludwig van Beethoven is one of the most celebrated musicians in history. Nearly two centuries after his death in 1827, his compositions are still among the most performed pieces. His talent has been widely heralded, and he’s often described as a virtuoso. A study of Beethoven’s DNA, however, indicates he may not have been born with some of his abilities—as we might assume. When his genes were compared to those of 14,500 other people who’d shown an ability to keep rhythm (merely one aspect of musical talent), Beethoven ranked surprisingly low. Beethoven also had ample opportunity and exposure to music (which developed the genetic aptitude he did have). Yet neither talent nor opportunity fully account for God’s role in endowing us with the abilities we have. Our Creator equipped two men, Bezalel and Oholiab, with specific skills to be used in building the tabernacle. God filled Bezalel “with knowledge and with all kinds of skills—to make artistic designs” and appointed Oholiab “to help him” (Exodus 31:3-6). God gave “ability to all the skilled workers to make everything [He] commanded]” (v. 6). Few of us will work on projects as significant as God’s tabernacle. And our abilities may never be recorded in history’s annals. Yet God has equipped us with the skills, aptitudes, and experiences He wants us to share with the world. May we serve Him faithfully, in His strength and for His glory.

Am 17. Juni 1872 beginnt in Boston ein Musikfestival der Superlative: Das World Peace Jubilee findet nicht nur in einer riesigen Konzerthalle für 100.000 Menschen statt, auch auf der Bühne tummeln sich fast Tausend Orchestermitglieder. Dirigent ist der Stargast der Veranstaltung, der mit einem echten Schlager im Gepäck angereist kam: Die Rede ist von Johann Strauss und dem Donauwalzer. Wir sprechen in der Folge über die Entstehung des Walzers und wie er in kurzer Zeit von einem verpönten und teils verbotenen Tanz, zum Inbegriff des eleganten Gesellschaftstanzes werden konnte. // Erwähnte Folgen - GAG510: Ludwig van Beethoven oder Wie eine Symphonie entsteht – https://gadg.fm/510 - GAG484: Emil Berliner und die Erfindung der Musikindustrie – https://gadg.fm/484 - GAG361: Gustave Trouvé - der vergessene Erfinder – https://gadg.fm/361 - GAG314: Eine kurze Geschichte der Cholera – https://gadg.fm/314 - GAG351: Die Erfindung des Saxophons - Aufstieg und Fall des Adolphe Sax – https://gadg.fm/351 // Literatur - Philipp Ther, Der Klang der Monarchie. Eine musikalische Geschichte des Habsburgerreichs, 2025. - Bernhard Ecker / Peter Hosek, Johann Strauss' Amerikanische Reise, 2024. - Michael Lemster: Strauss. Eine Wiener Familie revolutioniert die Musikwelt, 2024. // Musik - An der schönen blauen Donau (Donauwalzer) von Johann Strauss (Sohn) - Radetzky-Marsch (Armeemarsch II, 145) von Johann Strauss (Vater) - When Johnny Comes Marching Home von Patrick Gilmore //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Geschichten aus der Geschichte jetzt auch als Brettspiel! Werkelt mit uns am Flickerlteppich! Gibt es dort, wo es auch Becher, T-Shirts oder Hoodies zu kaufen gibt: https://geschichte.shop // Außerdem gibt es das Brettspiel auch auf Amazon: https://www.amazon.de/gp/product/B0G3X2FNNW // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Elena Irureta visita Cuerpos especiales para presentar Abuela Tremenda, La Patrulla Chiquilla vuelve con consejos para ver los dibujos animados en la tele aunque los padres quieran ver otra cosa, Espido Freire analiza la versión de El Burrito Sabanero de David Bisbal y Jorge Yorya nos cuenta que hay una persona que ha creado una estatua gigante para hundirla en el mar y confundir a los arqueólogos del futuro. Además, Dani Piqueras y Javi Sánchez hacen que Beethoven se pase por una rave de los 90

In honor of Beethoven's 225th birthday, historical recordings of some lesser-known works. Music includes excerpts from Symphony #1 by Furtangler and the Vienna Philharmonic, Romance #1 for Violin and Orchestra by Christian Ferras, Piano Sonata #16 by Yeves Nat and Bagatelles Op 126 by Arthur Schnabel. 

Pastoral Songs

durée : 00:02:53 - Charline explose les faits - par : Charline Vanhoenacker - Le budget de la sécurité sociale a été voté à 13 voix près. Aïe aïe aïe, ça porte malheur, il faut revoter ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Welcome back to When Words Fail Music Speaks, the show that explores how music can lift us out of depression, anxiety, and everyday struggles. In today's episode, host James Cox—your “professional handicapped” guide to the power of sound—sits down with Grammy‑winning arranger, composer, and multi‑instrumentalist Fletch Wiley.We dive deep into Fletch's remarkable story: a childhood trumpeter from Seattle who chased his dream to the University of North Texas, survived a battle with drugs, found a life‑changing conversion to Christianity in 1971, and has since devoted his talent to ministry, touring the world with his wife under the Heart and Art initiative.From the nuts‑and‑bolts of jazz—Fletch's recommendations for newcomers (Chuck Mangione, Kirk Whalum, Chris Bodie) and his take on the “all‑wrong‑notes” myth—to the art of arranging across genres (worship, film scoring, children's music, theater, and big‑band projects), the conversation reveals why he believes jazz is “the highest form of music” because it demands real‑time improvisation, listening, and technical mastery.Listeners will also get practical tips for getting into jazz, a behind‑the‑scenes look at his global benefit concerts (Turkey, Egypt, Albania, Nigeria, South Africa), and a few lightning‑round fun facts that showcase his personality—favorite coffee, dream super‑band lineup, the instrument that would complain the most, and the single piece that moves his soul (Beethoven's 2nd Movement of the 7th Symphony).Whether you're a seasoned jazz aficionado, a country‑music lover, or simply searching for the therapeutic resonance of melody, this episode offers inspiration, humor, and a heartfelt reminder that music really does speak—and can heal. Tune in, settle in, and let Fletch Wiley's story and wisdom harmonize with your own journey.

It’s time to meet another crucial figure from within “The Nanny” universe - a second child actor supervised by Fran Drescher: Nicholle Tom! She played Maggie, the older sister of the Sheffield family, but you may know her from another family - one that rescued a lovable Saint Bernard named Beethoven. Nicholle shares her memories from auditioning for The Nanny, and what happened when the casting director with the “weird voice” turned out to be the star of the show. Plus, Nicholle reveals how they go the canine stars of Beethoven in-line…right here on a wild Pod Meets World! Follow @podmeetsworldshow on Instagram and TikTok!See omnystudio.com/listener for privacy information.