Podcasts about Leonard Bernstein

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

On the eve of World War II, a handsome young scholar arrived in Paris. The queer, Black son of a housecleaner, who had nevertheless been decorated in the halls of Harvard and Columbia, Reed Peggram flirted with Leonard Bernstein, sat for portraits by famous artists, charmed minor royalty and became like a little brother to famed researcher and writer Jan Gay. Finally in Europe and on the same prestigious scholarship as literary luminaries Zora Neale Hurston and Langston Hughes before him, he ignored the increasingly alarmed calls to return home to a repressive, segregated America and a constrained life as a second class citizen. And as tensions grew and gas masks were distributed in the City of Lights, Reed turned instead to the new life he'd made: with Arne, a tall and dashing Danish scholar with whom he had formed a deep bond.Award-winning historian Ethelene Whitmire unearthed a trove of Reed's letters when she met one of his descendants at a lecture, awed that she'd heard so little of this charismatic man and his fascinating true story of love and war. In The Remarkable Life of Reed Peggram (Viking, 2026), she introduces us to an unforgettable character who fled from country to country as fighting advanced, was captured by Nazis and outwitted them in a daring escape, and risked it all in a personal fight for a life of love, freedom, beauty and dignity in a world set against him. Ethelene Whitmire is a respected historian and professor for the Department of African American Studies at the University of Wisconsin–Madison. Her research has won awards and funding from the Ford Foundation, the Fulbright Program, and the American Library Association, and she has been invited to writers residencies including Yaddo, UCross, Hedgebrook, and Virginia Center for the Creative Arts. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). She is currently working on the book Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Nat'l Media , Historic EventI am BOTH a Northerner & present Washingtonian who was born after the Historic Marches for My Civil Rights to Vote, Education, Public Accommodations,Transportation & EmploymentMajor Media Nationally & Internationally covered in the Marches. Citizens & Celebrities also participated:Joan Baez, James Baldwin, Harry Belafonte, Tony Bennett, Leonard Bernstein, Sammy Davis, Jr., Billy Eckstein, Dick Gregory, Lena Home, Mahalia Jackson, William Marshall, Johnny Mathis, Nina Simone, Susan Sarandon, Pernell Roberts, Peter,Paul & Mary....My Guest is the Reverend Clarence Varner who was in Grade School when he joined the Marches for Civil Rights in the 1960's. Although it cost Him is Part-Time Job while a Teenager, He held on to his Beliefs to Stay in the Fight, even getting Arrested Several times & Tear Gassed, Cattle Prod Shocked, Attack Dogs & Fire Hosed because he stood with others to Petition the the Governor for the Right for Blacks to Vote.Rev. Clarence Varner served  The United States in the Marine Corps for 8 years & served in during Vietnam during the War , he was wounded. Today he serves his God,  Country & Community in the continued fight for Civil Rights*In 1965, Blacks could not: *go to eat, Blacks were served at the Side or Back Door.*Social Movie Theatres, & Clubs too*Schools in the South & other State were Segregated*Housing was Segregated in Much of America. Redlining was the norm.* Thriving Middle Class Black Business's in Black Communities were forced out of Business due to the Federal Highway's that were built OVER that land.* Separate water Fountains & Bathrooms*Separate Transportation on Buses & Trains, etc.* Upper Corporate Jobs were not opened to most Blacks These Marches were ignited by the Death of SCLC local Jimmie Lee JacksonWhat did Jimmie Lee Jackson accomplish?Jimmie Lee Jackson, was a Vietnam veteran, Baptist deacon, activist and martyr of the Civil Rights Movement. Jackson, active in the fight for equal rights, had tried multiple times to register to vote in Alabama and was denied each time.When Jimmie Lee Jackson saw his frail 80-year-old grandfather rudely turned away from the registrar's office in 1962 after attempting to register to vote in Marion, Ala. He knew he had to join the civil rights movement.On Feb. 18, 1965, he was among more than 200 people participating in a night march in Marion. Before they had walked a block, they were confronted by state troopers and the police chief, who ordered them to disperse.Jackson and his mother huddled for safety in a café. When Jackson's grandfather entered the café bloodied and beaten, the young man tried to take him to a hospital. But they were quickly shoved back by a crowd of club-swinging troopers and terrified marchers. Another trooper pulled his pistol and shot Jackson in the stomach. It was two hours before Jackson arrived at the hospital in Selma. He died eight days later.At one of two services for Jackson, Dr. Martin Luther King Jr. told a crowd of 2,000: “Jimmie Lee Jackson's death says to us that we must work passionately and unrelentingly to make the American dream a reality. His death must prove that unmerited suffering does not go unredeemed.”© 2026 Building Abundant Success!!2026 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Tahra Zafar is a costume and creature effects designer. She designed the Paddington Bear puppet featured in the hit West End production Paddington: The Musical.Born into a theatre family, she grew up with an Armenian American father who worked as a choreographer in the first West End production of West Side Story, and a mother who moved from a career as a ballerina to theatre work around the world. Her interest in making began early, helping her father with practical projects such as restoring their house, even learning to build walls and spending her spare time model making, with Airfix creations suspended from her bedroom ceiling.After studying theatre design at Central Saint Martins, she began her career making theatre costumes. She spent some time at the Jim Henson creature workshop where she made some of the creatures for the first Harry Potter film including Hedwig the owl and Scabbers the rat.After her daughter was born, Tahra worked on some of the characters for In the Night Garden with her daughter, a willing judge of what worked for toddlers. In 2012, Tahra was in charge of 23,000 costumes for the London 2012 Olympic opening and closing ceremonies. This role included an audience with the late Queen to ensure the wig and dress were correct for Her Majesty's stunt double when that iconic skydive was performed at the Olympic opening ceremony. Tahra lives in London with her daughter.DISC ONE: Thunderbirds (Main Theme) - The Barry Gray Orchestra DISC TWO: Gee, Officer Krupke. Composed by Leonard Bernstein and performed by Leo Kharibian, Norman Furber and Vince Logan DISC THREE: Beethoven: Symphony No. 9 In D Minor (movement six) Composed by Ludwig van Beethoven and performed by Berlin Philharmoniker, Wiener Singverein and conducted by Herbert von Karajan DISC FOUR: Brazil – Geoff Muldaur DISC FIVE: Sir Duke - Stevie Wonder DISC SIX: Groove Is in the Heart - Deee-Lite DISC SEVEN: Eclipse - Pink Floyd DISC EIGHT: Take Five - Dave Brubeck BOOK CHOICE: The Hitchhiker's Guide to the Galaxy Complete Books by Douglas Adams LUXURY ITEM: A set of art materials and a storage box CASTAWAY'S FAVOURITE: Eclipse - Pink Floyd Presenter: Lauren Laverne Producer: Sarah TaylorDesert Island Discs has cast other costume designers away to the island over the years including Oscar winners Jenny Beavan and Sandy Powell. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

Wie der einstige Bürgerschreck Bela Bartok 1936 einen Sensationserfolg erzielte, ohne seine fortschrittliche Ästhetik verraten zu müssen. Diese "Neue Musik" nimmt auch Skeptiker sofort gefangen. Wilhelm Sinkovicz präsentiert im Sinkothek-Musiksalon die mitreißende Aufnahme aus Chicago unter Fritz Reiner. Dazu Ausschnitte aus einer empfehlenswerten Bartok-CD des RSO Wien unter Michael Gielen mit Ernst Kovacic -- und ein paar Takte Beethoven mit den Wiener Philharmonikern unter Leonard Bernstein.

durée : 01:28:22 - Relax ! du jeudi 05 mars 2026 - par : Aude Giger - Diriger un orchestre ne leur suffit pas. Daniel Barenboim, Leonard Bernstein ou Lars Vogt au piano, Barbara Hannigan à la voix, Jaap van Zweden au violon : certains chefs sont aussi de grands solistes, pour qui diriger et jouer restent deux passions indissociables. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:22 - Relax ! du jeudi 05 mars 2026 - par : Aude Giger - Diriger un orchestre ne leur suffit pas. Daniel Barenboim, Leonard Bernstein ou Lars Vogt au piano, Barbara Hannigan à la voix, Jaap van Zweden au violon : certains chefs sont aussi de grands solistes, pour qui diriger et jouer restent deux passions indissociables. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Kent Nagano is one of today's outstanding conductors for both operatic and orchestral repertoire. He will be the next chief conductor and artistic director of the Orquesta y Coro Nacionales de España (OCNE) in Madrid starting in September 2026 and is the newly appointed principal artistic partner of Filarmonica Toscanini. He has been honorary conductor of the Deutsches Symphonie-Orchester Berlin since 2006, Concerto Köln since 2019, the Orchestre symphonique de Montréal since 2021 and the Philharmonisches Staatsorchester Hamburg since 2023 and is as patron of the Herrenchiemsee Festival. Kent regularly works with leading international orchestras worldwide, 2025/26 season highlights include several projects with the Deutsches Symphonie-Orchester Berlin, the Munich Philharmonic Orchestra, Maggio Musicale, the Tonhalle Orchestra Zurich, Opera de Paris, and the Philharmonia Orchestra amont others.   In 2015 Kent published "Erwarten Sie Wunder!" in Berlin Verlag, a passionate appeal for the relevance of classical music in today's world.  In 2019 the book was released in English by the Canadian McGill-Queen's University Press under the title “Classical Music - Expect the Unexpected.”  In September 2021, he published his second book with Berlin Verlag. In "10 Lessons of my Life", he recalls ten deeply personal encounters from which he learned important lessons, not only for his career but for his life more broadly. Among those experiences are encounters with the Icelandic pop artist Björk, Frank Zappa, Leonard Bernstein, Pierre Boulez and the Nobel Prize winner in physics Donald Glaser. We'll talk about both books!

durée : 00:16:03 - Disques de légende du jeudi 26 février 2026 - Leonard Bernstein a laissé plusieurs versions de ce célèbre "Adagio" de Samuel Barber, qu'il a même dirigé lors des funérailles du compositeur en 1981. Il y revient seulement quelques mois après avec l'Orchestre Philharmonique de Los Angeles, dans un enregistrement live poignant. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:16:03 - Disques de légende du jeudi 26 février 2026 - Leonard Bernstein a laissé plusieurs versions de ce célèbre "Adagio" de Samuel Barber, qu'il a même dirigé lors des funérailles du compositeur en 1981. Il y revient seulement quelques mois après avec l'Orchestre Philharmonique de Los Angeles, dans un enregistrement live poignant. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In deze uitzending klinkt de liefde als muziek in de oren, in vele facetten, bezongen in composities van: Edward Elgar, Franz Liszt, Gaetano Donizetti, Enrico Tosellli, Richard Rodgers, Modest Moussorgski, Leonard Bernstein, Rudolf Sieczynski, Frédéric Chopin en Joachim Rodrigo. Als tussenspel hoort u een Concerto voor 2 klavecimbels maar dan Symphonisch gebracht, van Johan Sebastian […]

La cantante estadounidense Stacey Kent ha publicado un EP titulado 'A little time for love' con 'Carinhoso' de Pixinguinha, 'The shadow of your smile' de Mandel y Webster y 'Lucky to be me' de Leonard Bernstein. Nova, proyecto de Laura Vall, cantante barcelonesa afincada desde hace años en California, aborda clásicos de Antonio Carlos Jobim como Água de beber', 'Chega de saudade', 'Águas de março' o 'Insensatez' en el disco 'Baila Nova plays Jobim'. Hace 70 años que Helen Merrill grabó 'Dream of you' con arreglos de Gil Evans para canciones como 'I`m a fool to want you', 'He was too good to me' y 'You are lucky to me'. Y escuchamos la grabación que ha hecho Caetano Veloso de 'Mais simples' adelanto de un disco colectivo con composiciones de Zé Miguel Wisnik. Abren Snarky Puppy and The Metropole Orkest ('Only here and nowhere else') y cierra Gonzalo Rubalcaba con ''Cumbà' de Pino Daniele.Escuchar audio

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Hershey Felder: Pianist and Performer, “The Piano and Me” Hershey Felder discusses his world premiere stage show, “The PIano and Me,” playing at TheatreWorks Mountain View through February 8, 2026, with host Richard Wolinsky. Over the past three decades, Hershey Felder has been performing one-person plays with his piano accompaniment, focusing on a variety of different composers, including George Gershwin, Leonard Bernstein, Tschaikovsky, Beethoven, Chopin and others. He has also created film versions of these and others, which can be found at his website, hersheyfelder.net. “The Piano and Me” focuses on Hershey Felder's own life, looking at his immigrant family who came to Canada after surviving the Holocaust, and his own education at the piano, from his first teachers to his more formal schooling, to the advent of his very first show, “George Gershwin Alone.” In the interview, Hershey Felder talks about how this show came into being, his preparation for each performance, his work in film, and his view of live theatre today. Recorded January 23, 2026. Complete 31-minute Radio Wolinsky podcast.   Delroy Lindo: Oscar Nominated Actor and Theatre Director, 2008 Delroy Lindo, actor and theatre director, in conversation with Richard Wolinsky in the KPFA studios in November 2008 while directing August Wilson's play, Joe Turner's Come and Gone at Berkeley Rep. Actor and director Delroy Lindo was born in London and moved to the United States at the age of 16, eventually coming to San Francisco where he studied acting at ACT at the age of 24. In his early career, he focused on the stage, winning a Tony nomination in 1988 his role in the original Broadway production of August Wilson's Joe Turner's Come and Gone. From there, he moved toward television and film, and performed in three Spike Lee films, including Do The Right Thing  and Malcolm X, along with Get Shorty, Romeo Must Die and other films. More recently, he received acclaim for his role in Spike Lee's Da 5 Bloods in 2018 and has been nominated for an Academy Award for his role as Delta Slim in the Ryan Coogler film, Sinners. In the interview, he discusses his work directing Joe Turner's Come and Gone, as well as his views on directing and acting, and the work of August Wilson. Review of the Streetcar Project's production of Tennessee Williams' “A Streetcar Named Desire” at ACT Toni Rembe Theatre through February 1, 2026.       The post Bookwaves/Artwaves – January 29, 2026: Hershey Felder – Delroy Lindo appeared first on KPFA.

Hershey Felder discusses his world premiere stage show, “The PIano and Me,” playing at TheatreWorks Mountain View through February 8, 2026, with host Richard Wolinsky. Over the past three decades, Hershey Felder has been performing one-person plays with his piano accompaniment, focusing on a variety of different composers, including George Gershwin, Leonard Bernstein, Tschaikovsky, Beethoven, Chopin and others. He has also created film versions of these and others, which can be found at his website, hersheyfelder.net. “The Piano and Me” focuses on Hershey Felder's own life, looking at his immigrant family who came to Canada after surviving the Holocaust, and his own education at the piano, from his first teachers to his more formal schooling, to the advent of his very first show, “George Gershwin Alone.” In the interview, Hershey Felder talks about how this show came into being, his preparation for each performance, his work in film, and his view of live theatre today. The post Hershey Felder: “The Piano and Me,” 2026 appeared first on KPFA.

Midori is a visionary artist, activist and educator who explores and builds connections between music and the human experience. In the four decades since her debut with the New York Philharmonic at age 11, she has performed with many of the world's most prestigious orchestras and has collaborated with world-renowned musicians including Leonard Bernstein, Yo-Yo Ma, and many others.She is in Albany to perform the Beethoven Violin Concerto with the Albany Symphony Orchestra with guest conductor André Raphel. Plus, you'll experience Shostakovich's gripping, intense Symphony No. 10 – and the concert opens with a work by Pulitzer Prize-winning composer Jennifer Higdon. Midori will be on stage tomorrow night - Saturday, January 17th @ 7:30PM at the Palace Theatre with André Raphel conducting.

In today's episode from the Vault, we revisit a 1982 lecture by the composer Lukas Foss, a leader of the American musical avant garde of the 1960s and 70s. In this lecture, a part of the “New American Music Series” of Gallatin Lectures at NYU, Foss discusses the state of American contemporary music, musical minimalism, and his own approach of combining serial elements with spontaneous composition. Foss was born Lukas Fuchs in Berlin, on August 15, 1922, the son of a lawyer and a painter. He began studying piano and music theory when he was 7, and sketched out an opera when he was 11. His family fled to Paris in 1933, and arrived in the U.S. in 1937. He attended the Curtis Institute of Music in Philadelphia, and studied composition with Paul Hindemith at Yale. In 1953, Foss succeeded Arnold Schoenberg as the head of the composition department at the University of California at Los Angeles. In 1962, “Time Cycle,” a four-movement vocal setting of texts by Auden, Housman, Kafka and Nietzsche, premiered with Leonard Bernstein and the New York Philharmonic. From 1971 to 1988 Foss was music director of the Brooklyn Philharmonic. After he left the Brooklyn Philharmonic, in 1990, Foss appeared as a guest conductor and pianist with orchestras around the world. He died in New York City on February 1, 2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In today's episode from the Vault, we revisit a 1982 lecture by the composer Lukas Foss, a leader of the American musical avant garde of the 1960s and 70s. In this lecture, a part of the “New American Music Series” of Gallatin Lectures at NYU, Foss discusses the state of American contemporary music, musical minimalism, and his own approach of combining serial elements with spontaneous composition. Foss was born Lukas Fuchs in Berlin, on August 15, 1922, the son of a lawyer and a painter. He began studying piano and music theory when he was 7, and sketched out an opera when he was 11. His family fled to Paris in 1933, and arrived in the U.S. in 1937. He attended the Curtis Institute of Music in Philadelphia, and studied composition with Paul Hindemith at Yale. In 1953, Foss succeeded Arnold Schoenberg as the head of the composition department at the University of California at Los Angeles. In 1962, “Time Cycle,” a four-movement vocal setting of texts by Auden, Housman, Kafka and Nietzsche, premiered with Leonard Bernstein and the New York Philharmonic. From 1971 to 1988 Foss was music director of the Brooklyn Philharmonic. After he left the Brooklyn Philharmonic, in 1990, Foss appeared as a guest conductor and pianist with orchestras around the world. He died in New York City on February 1, 2009. Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode from the Vault, we revisit a 1982 lecture by the composer Lukas Foss, a leader of the American musical avant garde of the 1960s and 70s. In this lecture, a part of the “New American Music Series” of Gallatin Lectures at NYU, Foss discusses the state of American contemporary music, musical minimalism, and his own approach of combining serial elements with spontaneous composition. Foss was born Lukas Fuchs in Berlin, on August 15, 1922, the son of a lawyer and a painter. He began studying piano and music theory when he was 7, and sketched out an opera when he was 11. His family fled to Paris in 1933, and arrived in the U.S. in 1937. He attended the Curtis Institute of Music in Philadelphia, and studied composition with Paul Hindemith at Yale. In 1953, Foss succeeded Arnold Schoenberg as the head of the composition department at the University of California at Los Angeles. In 1962, “Time Cycle,” a four-movement vocal setting of texts by Auden, Housman, Kafka and Nietzsche, premiered with Leonard Bernstein and the New York Philharmonic. From 1971 to 1988 Foss was music director of the Brooklyn Philharmonic. After he left the Brooklyn Philharmonic, in 1990, Foss appeared as a guest conductor and pianist with orchestras around the world. He died in New York City on February 1, 2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In today's episode from the Vault, we revisit a 1982 lecture by the composer Lukas Foss, a leader of the American musical avant garde of the 1960s and 70s. In this lecture, a part of the “New American Music Series” of Gallatin Lectures at NYU, Foss discusses the state of American contemporary music, musical minimalism, and his own approach of combining serial elements with spontaneous composition. Foss was born Lukas Fuchs in Berlin, on August 15, 1922, the son of a lawyer and a painter. He began studying piano and music theory when he was 7, and sketched out an opera when he was 11. His family fled to Paris in 1933, and arrived in the U.S. in 1937. He attended the Curtis Institute of Music in Philadelphia, and studied composition with Paul Hindemith at Yale. In 1953, Foss succeeded Arnold Schoenberg as the head of the composition department at the University of California at Los Angeles. In 1962, “Time Cycle,” a four-movement vocal setting of texts by Auden, Housman, Kafka and Nietzsche, premiered with Leonard Bernstein and the New York Philharmonic. From 1971 to 1988 Foss was music director of the Brooklyn Philharmonic. After he left the Brooklyn Philharmonic, in 1990, Foss appeared as a guest conductor and pianist with orchestras around the world. He died in New York City on February 1, 2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Vanessa Williams is musical theatre royalty. She's worked with Stephen Sondheim on Broadway and is currently commanding the London stage as the fearsome fashion editor Miranda Priestly in the musical The Devil Wears Prada. She's also topped the American pop charts, starred in Hollywood movies with the likes of Arnold Schwarzenegger, and played key roles in prize winning TV series including Ugly Betty.And before all that she was crowned Miss America 1984 - the first Black American to take the title – although she was later forced to relinquish it in controversial circumstances.Her choices include music from her homeland by Samuel Barber, Jennifer Higdon, Aaron Copland and Leonard Bernstein, as well as works by Bach and Delius. Presenter Michael Berkeley Producer Katy Hickman

Hollywood actors and writers are anxious about AI filmmaking, but one Bollywood director tells us that, as far as many Indian creators are concerned, it's democratizing the process. Many Calgarians are once again under a boil-water advisory after the second major water main break in as many years -- and this one left our guest stranded on the roof of her truck. Our guest fills us in on his annual headline-of-the-year bracket -- where the entrants range from the sublime to the ridiculous, except for the sublime part. We revisit our conversation with the Oscar-winning filmmaker Molly O'Brien and her pioneering aunt, Orin O'Brien -- about Orin's many years as the only female member of the New York Philharmonic. We'll hear what it was like to play for Leonard Bernstein -- and why artistry and acclaim don't always go hand in hand. A California man says the 550-pound black bear living underneath his house is no longer welcome -- but for obvious reasons, the bear does not care about that. As It Happens, the New Year's Eve Edition. Radio that knows it's gross when your roommate walks around bear-foot.

durée : 01:28:25 - Leonard Bernstein, l'incandescence d'un artiste unique - par : Aurélie Moreau - Leonard Bernstein, musicien complet : accordant instinct et culture, son génie s'étend des œuvres remarquables qu'il a composées à ses interprétations passionnantes comme pianiste et chef. Aujourd'hui : Bernstein, Beethoven, Mahler, Mozart, Berlioz… - réalisé par : Lionel Quantin Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:13:20 - Disques de légende du lundi 22 décembre 2025 - Voici un indispensable des discographies d'Albert Roussel depuis des décennies, cette 3e Symphonie par Leonard Bernstein et l'Orchestre philharmonique de New York, captée en 1961 et toujours aussi actuelle. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In celebration of the Pogues' 'Fairytale of New York' EP, we take a detailed look at how their classic Christmas single came together. The Pogues originally formed in London in 1982 by Shane MacGowan, Spider Stacy and Jem Finer. MacGowan had gotten his start playing in the punk band, the Nipple Erectors, and when that band broke up, he began playing in an Irish traditional music style. Gradually, he brought in James Fearnley, Cait O'Riordan and John Hasler to become a sextet. Andrew Ranken replaced John Hasler as they signed with Stiff Records. Their debut album, Red Roses for Me, was released in 1984. For their second album, they added Philip Chevron on guitar and hired Elvis Costello as their producer. Rum Sodomy & the Lash was released in 1985, and they continued working with Costello for the Poguetry in Motion EP, released in 1986. At this point, Cait O'Riordan left the band and they updated the lineup to include Darryl Hunt and Terry Woods. They signed to Island Records and hired Steve Lillywhite to produce their third album. If I Should Fall from Grace with God was eventually released in 1988 and included the Christmas single, “Fairytale of New York.”  In this episode, Steve Lillywhite describes working with the Pogues at this pivotal time in their career when they were expanding the lineup and becoming more ambitious with their song structures and arrangements. Despite not having experience recording a traditional folk band, Lillywhite proved to be the right producer for the Pogues at this moment. His input and confidence in the studio led to them splicing two sections of “Fairytale of New York” together and also enlisting his wife Kirsty MacColl to sing the female part in the song. Jem Finer talks about his initial writing process for the song and how he wrote two potential Christmas ideas that his wife Marcia dismissed as being far too sentimental. Her input led to him rethinking the song and writing about a down on their luck couple, inspired by people who lived in their neighborhood in London. Finer describes how Shane MacGowan then took the song and moved the setting to New York City and added some key lines that were taken from real conversations. James Fearnley describes the thrill of recording the opening section with just piano and voice and how he practiced repeatedly to be able to get that part right. He talks about how the song deserved an ambitious string arrangement and so he worked out some ideas on a synthesizer before bringing in Fiachra Trench to help with the orchestration. By taking inspiration from film scores like Ennio Morricone's Once Upon a Time in America and Leonard Bernstein's On the Waterfront, Fearnley talks about wanting to bring a cinematic sound to match the classic American story that was being told. From the song's long gestation period of a few years, to Steve Lillywhite bringing the tapes home and casually asking Kirsty MacColl to sing on it, to the inspiration behind the classic “I could've been someone”  line, to the initial disappointment of getting to number 2 in the charts, to the perfect sparring duet partners in Shane and Kirsty, to the anti-Christmas Christmas song that has become timeless, we'll hear the stories of how the record came together. 

Wolfgang Sandner hat mit seinem feinen Gespür für Klang und seinem kritischen Blick, die Musiklandschaft Deutschlands über viele Jahrzehnte geprägt. Als langjähriger FAZ-Redakteur und Biograf von Leonard Bernstein und Keith Jarrett hat er Generationen von Lesern das Abenteuer Musik nahegebracht.

Wolfgang Sandner hat mit seinem feinen Gespür für Klang und seinem kritischen Blick, die Musiklandschaft Deutschlands über viele Jahrzehnte geprägt. Als langjähriger FAZ-Redakteur und Biograf von Leonard Bernstein und Keith Jarrett hat er Generationen von Lesern das Abenteuer Musik nahegebracht.

Please enjoy this episode from a podcast we love: When We All Get To Heaven. To share a song pick for the Rock That Doesn't Roll Christmas Special, call ‪(629) 204-4264‬ and leave a message. To join our Patreon community who make this show possible, go to https://patreon.com/rtdr----In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis. For images and links about this episode visit https://www.heavenpodcast.org/episode-1.About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.   When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits.This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org).Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds.The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels. Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story. 

In the 1960s, Leonard Bernstein famously helped to popularize the music of a then relatively obscure composer, Gustav Mahler. His work, as well as the work of other conductors, made Mahler into a classical-music household name. Mahler's symphonies are played every year all over the world, and he is firmly ensconced in the so-called canon of standard orchestral repertoire. Would it surprise you to know that Franck's D Minor Symphony once had the same reputation? It was played almost every year by most major orchestras, it was recorded by all the great conductors, and it was a fixture of the canon just like a Brahms symphony. Nowadays you would be lucky if, outside of France and Belgium, you hear Franck's Symphony once every five years, if that. The truth is that, other than a short golden period for this symphony, it has either been controversial (around the time it was premiered) or ignored (nowadays), which is a real shame, since it is a glorious piece that I would argue is drastically underrated in our modern world. The symphony was radically innovative for its time, which probably explains some of the more virulent criticism it received, but even though those innovations now sound completely normal to our ears, they are still at the heart of what makes this symphony so profoundly satisfying to listen to. Ahead of my performances of the symphony in Lille this December, I wanted to dive in and explore this unfairly ignored masterpiece. In about 40 minutes of music in three grand movements, Franck pours his soul into this work. That phrase sounds a bit cliché, I know, but I really mean it; there is an earnestness about this music that I find deeply moving, and it is something we will explore together today. We will talk about Franck's late entry into the world of composition, his reputation as an organist, and the challenges he faced in finding acceptance as a composer. Along the way, we will discuss this gorgeous piece in all of its passion and intensity. Join us!

Meet the creator of a fabulous new coffee-table book, “Rock to Baroque – Four Decades of Music Photography.”  The artist is celebrated photographer Eric Antoniou whose work transcends mere imagery.  For decades he has captured the essence of musicians in performance and beyond,  from rock to jazz, blues to classical.  David Bowie,  The Rolling Stones,  Roy Orbison, Etta James, Leonard Bernstein, K.D. Lang, Springsteen, Sinatra and  Dizzy Gillespy are just a few of the iconic photos Eric is proud to share!

David Lapin is a C-Suite Advisor, Executive Coach and Founder of Lapin International. David helps leaders align who they are with how they lead. Along the way we discuss – A Family of Rabbis (1:00), Leonard Bernstein's Eyebrows (4:00), Value Drivers (7:45), Deterministic vs. Humanist (11:15), Ethical Governance, South Africa (13:30), Character as a Competitive Advantage (19:30), Trust as a Strategic Lever (22:30), Humility (25:30), Managing out of Fear (29:30), and Reflection on Small Quantities of Profound Content (33:35).   Strengthen your business from within @ Lapin International. Order a copy of David's book @ Lead by Greatness: How Character Can Power Your Success. This podcast is partnered with LukeLeaders1248, a nonprofit that provides scholarships for the children of military Veterans. Send a donation, large or small, through PayPal @LukeLeaders1248; Venmo @LukeLeaders1248; or our website @ www.lukeleaders1248.com. You can also donate your used vehicle @ this hyperlink – CARS donation to LL1248.  Music intro and outro from the creative brilliance of Kenny Kilgore. Lowriders and Beautiful Rainy Day.

durée : 00:25:00 - " Wonderful Town " de Leonard Bernstein, Original Broadway Cast - Wonderful Town est une comédie musicale américaine créée à Broadway en 1953 sur une musique de Leonard Bernstein et des paroles de Betty Comden et Adolph Green. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

What if your stepfather was one of the most misunderstood yet spiritually profound composers of the 20th century—and your mother spent years writing his story? In this episode, Bill Holst shares the extraordinary journey behind Alan Hovhaness: Unveiling One of the Great Composers of the 20th Century, a memoir built from the poetic writings of his late mother and enriched with his own personal reflections. Alan Hovhaness was known for his deeply mystical, culturally diverse compositions, drawing from Armenian roots, Eastern music traditions, and nature itself. Bill shares how Hovhaness faced rejection early in his career—even from names like Leonard Bernstein and Aaron Copland—yet stayed true to his vision, ultimately creating over 500 pieces of music that defied genres and resonated with artists like Carlos Santana and Ravi Shankar. We dive into the soulful relationship between Bill's mother and Hovhaness, the spiritual lens through which he viewed life and art, and the thousands of unpublished and rediscovered works that are still being archived today. From midnight storytelling sessions to mysterious reincarnated cats, this conversation uncovers the composer's otherworldly spirit and the love that defined his final decades. Discover how Bill Holst is carrying forward the legacies of both his mother and Alan Hovhaness—one page, and one note, at a time. #AlanHovhaness #BillHolst #ComposerLegacy #MysticalMusic #BooksThatMakeYou #Memoir

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis. For images and links about this episode visit https://www.heavenpodcast.org/episode-1.About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.   When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits.This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org).Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds.The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels. Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.   Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they've lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church's services during the height of the epidemic. Whether you're a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis.  For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named.    When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco's archive. It was performed by MCC-SF's musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels.  Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story.  Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible.  Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

The legendary composer, arranger, musician and penny whistle player, David Amram, will be in conversation with Academy Award documentary filmmaker Barbara Kopple at the Woodstock Film Festival on Sunday, 10/19 12 noon. The venue is the Kleinert/James Art Center, 34 Tinker St, Woodstock. David Amram started his professional life in music as a French Hornist in the National Symphony Orchestra (Washington, D.C.) in 1951. After serving in the US Army from 1952-54, he moved to New York City in 1955 and played French horn in the legendary jazz bands of Charles Mingus, Dizzy Gillespie, Lionel Hampton and Oscar Pettiford. In 1957, he created and performed in the first ever Jazz/Poetry readings in New York City with novelist Jack Kerouac, a close friend with whom Amram collaborated artistically for over 12 years. Since the early 1950s, he has traveled the world extensively, working as a musician and a conductor in over thirty-five countries including Cuba, Kenya, Egypt, Pakistan, Israel, Latvia and China. He also regularly crisscrosses the United States and Canada.He composed the scores for many films including Pull My Daisy (1959), Splendor In The Grass (1960) and The Manchurian Candidate (1962). He composed the scores for Joseph Papp's Shakespeare In The Park from 1956-1967 and premiered his comic opera 12th Night with Papp's libretto in 1968. He also wrote a second opera, The Final Ingredient, An Opera of the Holocaust, for ABC Television in 1965. From 1964-66, Amram was the Composer and Music Director for the Lincoln Center Theatre and wrote the scores for Arthur Miller´s plays After The Fall (1964) and Incident at Vichy (1966). Appointed by Leonard Bernstein as the first Composer In Residence for the New York Philharmonic in 1966, he is now one of the most performed and influential composers of our time. For tickets & details: https://woodstockfilmfestival.org/2025-all-events?eventId=68c4216f81b8e06c5bb8c1fc

Jeffrey Biegel is a Spectacular Concert Pianist. He's a Grammy winner and has a remarkable back story. At age three he was barely able to hear or speak, in fact he could hear only vibrations, until he had corrective surgery. This so-called 'reverse Beethoven' phenomenon is at the heart of his commitment to music. In 2025 he premiered three new works including one by Melissa Manchester. In 2021 he premiered a work in honor of former Supreme Court Justice Ruth Bader Ginsburg. He's worked with conductors JoAnn Falletta and Lucas Richman.  He received high praise from Leonard Bernstein who called him “a splendid musician and a brilliant performer." And he's performed music by George Gershwin, Duke Ellington, Keith Emerson and Neil Sedaka.My featured song is “New York City Groove”, from the album Made In New York by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JEFFREY:www.jeffreybiegel.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Premium This is a preview of our premium episode. Full access is available only to premium subscribers. Click here and learn about the Premium Podcast to access this interview and transcript... Play audio-only preview episode | Play video preview episode | Play on YouTube | Play on Spotify Click above to play either the audio-only preview episode or video preview episode in a new window. Episode Summary Leadership comes in many styles, and the podium of a conductor offers striking lessons for project managers. In this conversation, Itay Talgam brings his wealth of experience as a classical conductor to shed light on what leadership means when you are tasked with guiding a group of experts toward a shared goal. Using vivid stories about Riccardo Muti, Leonard Bernstein, and other legendary maestros, he shows how leadership style is not fixed but evolves with culture, context, and experience. Just as conductors must adapt to each orchestra, project leaders must adapt to the unique culture of their teams and organizations. The discussion emphasizes how authority and autonomy can coexist, why culture and leadership are inseparable, and how leaders can expand their own style without losing authenticity.

The amazing writer Winnie Holzman talks with Jay about hard word and being lucky, Wicked the Musical, Stephen Schwartz, My So Called Life, laying in bed depressed about writing, fighting your fear, tricks of staying in the creative process, Marianne Williamson, studying Broadways musicals even when she didn't know she wanted to, being driven towards showbiz at 13, taking the train to acting classes, mentors: Arthur Laurents, Stephen Sondheim, loving acting, being married to the great actor, Paul Dooley, how her daughter Savannah is a great writing partner, and Jay's feud with Ted Danson.Bio: Winnie Holzman is the writer (with renowned composer/ lyricist Stephen Schwartz) of the musical Wicked, which is now the 4th longest running show in Broadway history, and has been performed in over a hundred cities around the world. After graduating from Princeton University, she studied acting, joined a comedy group, got accepted into the newly formed NYU Musical Theatre Program, (where she studied with such luminaries as Arthur Laurents, Leonard Bernstein, and Stephen Sondheim) wrote a musical (Birds of Paradise, which had a short run off-Broadway) then joined the writing staff of the TV drama thirtysomething, and went on to create the series My SoCalled Life, starring Claire Danes. Other TV credits include Once and Again, (reuniting with her mentors, Ed Zwick and Marshall Herskovitz) Huge (with her daughter, Savannah Dooley) and Roadies (with Cameron Crowe.) She's written two plays with her husband, actor Paul Dooley: Post-its: Notes on a Marriage, and Assisted Living. Most recently, she completed both screenplays for the movie adaptations of Wicked

In this episode, Richard Seaver Music Director James Conlon walks us through the history, the plot, and of course, the music of LA Opera's historic 40th season opener—Leonard Bernstein's "West Side Story." Don't miss this American classic, playing now through October 12. Tickets are on sale at LAOpera.org.

Gustavo Dudamel is a Venezuelan conductor, violinist and composer. He is known for bringing humour and joy to the podium. He is currently director of the Los Angeles Philharmonic and the Simon Bolivar Symphony Orchestra and in 2026 will take up the post of music director of the New York Philharmonic, following in the footsteps of Gustav Mahler and Leonard Bernstein. Gustavo was born in Barquisimeto, Venezuela in 1981, the son of a trombonist who played in a salsa band, and his mother who was a singing teacher. Growing up in a musical household, young Gustavo used to gather his toys together and put them on the floor in the shape of an orchestra, put a record on and conduct.His parents enrolled five year old Gustavo in the El Sistema music programme and he learned the violin. After showing a flair for conducting he eventually became the conductor of the Venezuelan National Youth Orchestra. After winning the Gustav Mahler Conducting Competition in Germany in 2004, his talent was spotted on a global stage. He was appointed the director of the Los Angeles Philharmonic in 2008. Presenter Lauren Laverne Producer Sarah Taylor

Get Keyser's Book here: https://mitpress.mit.edu/9780262552325/play-it-again-sam/   In his famous Norton Lectures (1976), Leonard Bernstein extolled repetition, saying that it gave poetry its musical qualities and that music theorists refused to take it seriously at their peril. In Play It Again, Sam, Keyser takes Bernstein seriously, exploring the way repetition works in the “sister arts” of music, poetry, and painting. He argues, for example, that rhyme in metrical verse is identical to the way songwriters like Duke Ellington, Billy Strayhorn (Satin Doll), Lorenz Hart (My Funny Valentine), and Richard Rodgers (of Rodgers and Hammerstein fame) constructed their iconic melodies. Furthermore, the form of these tunes can be found in classical compositions, including those of Mozart.   Check out our new bi-weekly series, "The Crisis Papers" here: https://www.patreon.com/bitterlakepresents/shop   Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH!   Become a patron now https://www.patreon.com/join/BitterLakePresents? Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!)   THANKS Y'ALL   YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland   Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles   Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/   Read Jason in Unaligned here: https://substack.com/home/post/p-161586946...   New to streaming or looking to level up? Check out StreamYard and get $10 discount!

Conductor and composer Michael Tilson Thomas sits down with CBS News' Lesley Stahl to discuss his family history of show business; mentoring and directing young musicians; and the competitive element of his relationship with Leonard Bernstein. He also gives Stahl a lesson in conducting, including how to "mix it up," and explains why D♯ and E♭ – which share the same key on a piano – can represent two different notes. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Robert F. Kennedy Jr.'s skepticism of vaccines and mainstream medicine is making waves in the agency he oversees. Host Colby Itkowitz talks with The Post's national health reporter Lena Sun and health and science accountability reporter Lauren Weber about how Kennedy's recent vaccine announcement and his “Make America Healthy Again” movement are shaping health policy for all Americans. Today's show was produced by Laura Benshoff with help from Elana Gordon. It was edited by Lucy Perkins and mixed by Sam Bair. Thanks also to Leonard Bernstein. Subscribe to The Washington Post here.

Order The Memory Palace book now, dear listener. On Bookshop.org, on Amazon.com, on Barnes & Noble, or directly from Random House. Or order the audiobook at places like Libro.fm.During mid-April, 2025, I'm doing a southern book tour, with stops in San Antonio, Houston, Gainesville, Montgomery, New Orleans, and Oxford. Find out more at www.thememorypalace.us/events.The Memory Palace is a proud member of Radiotopia from PRX. Radiotopia is a collective of independently owned and operated podcasts that's a part of PRX, a not-for-profit public media company. If you'd like to directly support this show, you can make a donation at Radiotopia.fm/donate. I have recently launched a newsletter. You can subscribe to it at thememorypalacepodcast.substack.com. Music Hallway Rug and a bit of Watering Plants by Omni Gardens Dripping Icicles from Lalo Schiffrin's great score to The Fox. Girl Talk by the Howard Roberts Quartet Jules et Therese from the score to Jules et Jim Franz Waxman's main title theme to Woman of the Year Your Love from the legend, Frankie Knuckles Then we go back and forth between Joe Morello's Timeless and Lara Downes playing Leonard Bernstein's Big Stuff. Learn about your ad choices: dovetail.prx.org/ad-choices