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Family, friends, and listeners:We gather virtually at a momentous historical threshold. The United States is engulfed in the pageantry, corporate sponsorships, and national choreography of its Semiquincentennial—the 250th anniversary of the signing of the Declarationof Independence. Across the landscape, museum exhibitions are being mounted, monument plaques polished, and civic speeches drafted.We are being summoned, collectively, to step into a grand civic liturgy: tolook back upon 1776 with an unclouded eye of pride, to venerate the so-called “Founding Fathers,” and to reaffirm a singular narrative of unfolding democratic progress. But as citizens of a deeply fractured landscape, we must ask the question that always haunts the perimeter of the American bonfire: Who is this celebration for?Sources Primary Sources:William Apess, Eulogy on King Philip, ed. Paul Royster, American Studies 39 (Published by the author, 1837; 2nd ed., Zea E-Books, 2022), https://digitalcommons.unl.edu/zeaamericanstudies/39Frederick Douglass, “What to the Slave Is the Fourth of July?,” Oration Delivered in Corinthian Hall, Rochester (Rochester: Lee, Man, and Co, 1852), 14-37, https://loveman.sdsu.edu/docs/1852FrederickDouglass.pdfSecondary Sources:Patricia Bizzell, “The 4th of July and the 22nd of December: The Function of Cultural Archives in Persuasion, as Shown by Frederick Douglass and William Apess,” College Composition & Communication 48, no. 1 (1997): 44–60, https://doi.org/10.58680/ccc19973130Drew Lopenzina, Through an Indian's Looking-Glass: A Cultural Biography of William Apess, Pequot (University of Massachusetts Press, 2017), https://doi.org/10.2307/j.ctv346tn6Drew Lopenzina, “What to the American Indian Is the Fourth of July? Moving beyond Abolitionist Rhetoric in William Apess's Eulogy on King Philip,” American Literature 82, no. 4 (2010): 673–99, https://doi.org/10.1215/00029831-2010-041.Mimi Yang, “What Does the 250th Anniversary of the Independence Mean to a ‘Browner' America?,” On_Culture: The Open Journal for the Study of Culture(Germany) 15 (October 2023), https://doi.org/10.22029/oc.2023.1349listener comments? Feedback? Shoot us a text!Use the promo code “KURLY” in the "How did you hear about this adventure?" field when you sign up for a $200 discount.Visit skeptoid.com/adventures to learn more and reserve your spot. I hope you'll join me this December as we explore the mysteries of the Maya together. This December, I'll be joining Skeptoid Adventures as your guide for The Mysteries of the Maya, where we'll travel through the Yucatán exploring remarkable archaeological sites, uncovering the real history behind the Maya civilization, and separating fact from fiction along the way. To reserve your spot, all you need is a fully refundable $500 deposit. Your deposit is refundable through August 1, so you can reserve your place with confidence. After Au Lignum is a haven for culture, rest, and resistance. We believe in celebrating community and honoring the land that holds us. At our urban “milpa,” we practice indigenous science that respects the natural cycles of the region, and most of our workshops are hosted by indigenous and local experts. Every project we do is grounded in collective memory, creativity, and respect for the land and its people. Order "NEVER WILL IT BE LOST" and get $5 off!Support Lignum: A Cultural Haven in MéridaYour Hosts:Kurly Tlapoyawa is an archaeologist, ethnohistorian, and filmmaker. His research covers Mesoamerica, the American Southwest, and the historical connections between the two regions. He is the author of numerous books and has presented lectures at the University of New Mexico, Harvard University, Yale University, San Diego State University, and numerous others. He most recently released his documentary short film "Guardians of the Purple Kingdom," and is a cultural consultant for Nickelodeon Animation Studios.@kurlytlapoyawaRuben Arellano Tlakatekatl is a scholar, activist, and professor of history. His research explores Chicana/Chicano indigeneity, Mexican indigenist nationalism, and Coahuiltecan identity resurgence. Other areas of research include Aztlan (US Southwest), Anawak (Mesoamerica), and Native North America. He has presented and published widely on these topics and has taught courses at various institutions. He currently teaches history at Dallas College – Mountain View Campus. Find us: Bluesky...
Drew LopenzinaProfessor of Early American Literature and Native American Literature, Old Dominion UniversityThrough an Indian's Looking-Glass: A Cultural Biography of William Apess by Drew Lopenzinahttps://www.umasspress.com/9781625342591/through-an-indians-looking-glass/Introduction to Native American Literature by Drew Lopenzinahttps://www.routledge.com/The-Routledge-Introduction-to-Native-American-Literature-1st-Edition/Lopenzina/p/book/9781138630246Red Ink: Native Americans Picking up the Pen in the Colonial Period. by Drew Lopenzinahttps://sunypress.edu/Books/R/Red-Ink
Through meticulous archival research, close readings of key works, and informed and imaginative speculation about a largely enigmatic life, Red Ink author Drew Lopenzina provides a vivid portrait of a singular Native American figure in Through an Indian’s Looking-Glass: A Cultural Biography of William Apess, Pequot (University of Massachusetts Press, 2017). This “cultural biography” provides a lens through which to comprehend the complex dynamics of indigenous survival and resistance in the era of America’s early nationhood. William Apess’s life intersects with multiple aspects of indigenous identity and existence in this period, including indentured servitude, slavery, service in the armed forces, syncretic engagements with Methodist spirituality, and Native struggles for political and cultural autonomy. Even more, Apess offers a powerful and provocative voice for the persistence of Native American presence in a time and place that was long supposed to have settled its Indian question in favor of extinction. This new biography will sit alongside Apess’s own writing as vital reading for those interested in early America and indigeneity. Ryan Tripp is an adjunct instructor for several community colleges and online university extensions. In 2014, he graduated from the University of California, Davis, with a Ph.D. in History. His Ph.D. double minor included World History and Native American Studies, with an emphasis in Linguistic Anthropology and Indigenous Archeology. Learn more about your ad choices. Visit megaphone.fm/adchoices
Through meticulous archival research, close readings of key works, and informed and imaginative speculation about a largely enigmatic life, Red Ink author Drew Lopenzina provides a vivid portrait of a singular Native American figure in Through an Indian’s Looking-Glass: A Cultural Biography of William Apess, Pequot (University of Massachusetts Press, 2017). This “cultural biography” provides a lens through which to comprehend the complex dynamics of indigenous survival and resistance in the era of America’s early nationhood. William Apess’s life intersects with multiple aspects of indigenous identity and existence in this period, including indentured servitude, slavery, service in the armed forces, syncretic engagements with Methodist spirituality, and Native struggles for political and cultural autonomy. Even more, Apess offers a powerful and provocative voice for the persistence of Native American presence in a time and place that was long supposed to have settled its Indian question in favor of extinction. This new biography will sit alongside Apess’s own writing as vital reading for those interested in early America and indigeneity. Ryan Tripp is an adjunct instructor for several community colleges and online university extensions. In 2014, he graduated from the University of California, Davis, with a Ph.D. in History. His Ph.D. double minor included World History and Native American Studies, with an emphasis in Linguistic Anthropology and Indigenous Archeology. Learn more about your ad choices. Visit megaphone.fm/adchoices
Through meticulous archival research, close readings of key works, and informed and imaginative speculation about a largely enigmatic life, Red Ink author Drew Lopenzina provides a vivid portrait of a singular Native American figure in Through an Indian’s Looking-Glass: A Cultural Biography of William Apess, Pequot (University of Massachusetts Press, 2017). This “cultural biography” provides a lens through which to comprehend the complex dynamics of indigenous survival and resistance in the era of America’s early nationhood. William Apess’s life intersects with multiple aspects of indigenous identity and existence in this period, including indentured servitude, slavery, service in the armed forces, syncretic engagements with Methodist spirituality, and Native struggles for political and cultural autonomy. Even more, Apess offers a powerful and provocative voice for the persistence of Native American presence in a time and place that was long supposed to have settled its Indian question in favor of extinction. This new biography will sit alongside Apess’s own writing as vital reading for those interested in early America and indigeneity. Ryan Tripp is an adjunct instructor for several community colleges and online university extensions. In 2014, he graduated from the University of California, Davis, with a Ph.D. in History. His Ph.D. double minor included World History and Native American Studies, with an emphasis in Linguistic Anthropology and Indigenous Archeology. Learn more about your ad choices. Visit megaphone.fm/adchoices
Through meticulous archival research, close readings of key works, and informed and imaginative speculation about a largely enigmatic life, Red Ink author Drew Lopenzina provides a vivid portrait of a singular Native American figure in Through an Indian’s Looking-Glass: A Cultural Biography of William Apess, Pequot (University of Massachusetts Press, 2017). This “cultural biography” provides a lens through which to comprehend the complex dynamics of indigenous survival and resistance in the era of America’s early nationhood. William Apess’s life intersects with multiple aspects of indigenous identity and existence in this period, including indentured servitude, slavery, service in the armed forces, syncretic engagements with Methodist spirituality, and Native struggles for political and cultural autonomy. Even more, Apess offers a powerful and provocative voice for the persistence of Native American presence in a time and place that was long supposed to have settled its Indian question in favor of extinction. This new biography will sit alongside Apess’s own writing as vital reading for those interested in early America and indigeneity. Ryan Tripp is an adjunct instructor for several community colleges and online university extensions. In 2014, he graduated from the University of California, Davis, with a Ph.D. in History. His Ph.D. double minor included World History and Native American Studies, with an emphasis in Linguistic Anthropology and Indigenous Archeology. Learn more about your ad choices. Visit megaphone.fm/adchoices
Through meticulous archival research, close readings of key works, and informed and imaginative speculation about a largely enigmatic life, Red Ink author Drew Lopenzina provides a vivid portrait of a singular Native American figure in Through an Indian’s Looking-Glass: A Cultural Biography of William Apess, Pequot (University of Massachusetts Press, 2017). This “cultural biography” provides a lens through which to comprehend the complex dynamics of indigenous survival and resistance in the era of America’s early nationhood. William Apess’s life intersects with multiple aspects of indigenous identity and existence in this period, including indentured servitude, slavery, service in the armed forces, syncretic engagements with Methodist spirituality, and Native struggles for political and cultural autonomy. Even more, Apess offers a powerful and provocative voice for the persistence of Native American presence in a time and place that was long supposed to have settled its Indian question in favor of extinction. This new biography will sit alongside Apess’s own writing as vital reading for those interested in early America and indigeneity. Ryan Tripp is an adjunct instructor for several community colleges and online university extensions. In 2014, he graduated from the University of California, Davis, with a Ph.D. in History. His Ph.D. double minor included World History and Native American Studies, with an emphasis in Linguistic Anthropology and Indigenous Archeology. Learn more about your ad choices. Visit megaphone.fm/adchoices
Through meticulous archival research, close readings of key works, and informed and imaginative speculation about a largely enigmatic life, Red Ink author Drew Lopenzina provides a vivid portrait of a singular Native American figure in Through an Indian’s Looking-Glass: A Cultural Biography of William Apess, Pequot (University of Massachusetts Press, 2017). This “cultural biography” provides a lens through which to comprehend the complex dynamics of indigenous survival and resistance in the era of America’s early nationhood. William Apess’s life intersects with multiple aspects of indigenous identity and existence in this period, including indentured servitude, slavery, service in the armed forces, syncretic engagements with Methodist spirituality, and Native struggles for political and cultural autonomy. Even more, Apess offers a powerful and provocative voice for the persistence of Native American presence in a time and place that was long supposed to have settled its Indian question in favor of extinction. This new biography will sit alongside Apess’s own writing as vital reading for those interested in early America and indigeneity. Ryan Tripp is an adjunct instructor for several community colleges and online university extensions. In 2014, he graduated from the University of California, Davis, with a Ph.D. in History. His Ph.D. double minor included World History and Native American Studies, with an emphasis in Linguistic Anthropology and Indigenous Archeology. Learn more about your ad choices. Visit megaphone.fm/adchoices