Podcasts about Indian

Is Padma Lakshmi a model-turned-TV-star who's grown accustomed to the finer things? Or a down-to-earth mom who reuses takeout containers for her leftovers? Is she warm and hospitable, the kind of person who's excited to share her food with you? Or is she frank and snarky, the kind of person who compares her favorite dish to old bong water? Is she an Indian who grew up partly in America, or an American who grew up partly in India? Or is she all of the above? Dan sits down with cookbook author, food writer, and TV host Padma Lakshmi to talk about some of her earliest food memories from her grandmother's kitchen in India, her struggles to adjust to life in the US, and how she deals with the judgments people make about her body, and her brains. This episode originally aired on December 6, 2016, and was produced by Dan Pashman, Shoshana Gold, Anne Saini, and Dan Charles. The Sporkful team now includes Dan Pashman, Emma Morgenstern, Andres O'Hara, Kameel Stanley, Jared O'Connell, and India Rice. This update was produced by Gianna Palmer. Every Friday, we reach into our deep freezer and reheat an episode to serve up to you. We're calling these our Reheats. If you have a show you want reheated, send us an email or voice memo at hello@sporkful.com, and include your name, your location, which episode, and why. Right now, Sporkful listeners can get three months free of the SiriusXM app by going to siriusxm.com/sporkful. Get all your favorite podcasts, more than 200 ad-free music channels curated by genre and era, and live sports coverage with the SiriusXM app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to a new episode of The Way Out Is In: The Zen Art of Living, a podcast series mirroring Zen Master Thich Nhat Hanh's deep teachings of Buddhist philosophy: a simple yet profound methodology for dealing with our suffering, and for creating more happiness and joy in our lives. The first of a series of six episodes recorded during the pilgrimage ‘In the Footsteps of the Buddha’, this instalment was made in Varanasi, India, in February 2026. In this opening episode, Zen Buddhist monk Brother Phap Huu and leadership coach Jo Confino are joined by Dharma teacher Shantum Seth to discuss the importance of understanding the Buddha as a fully human being; a boat journey on the sacred Ganges river at sunrise, from which it was possible to witness cremation and devotion; teachings on death and impermanence as daily practice; the importance of living in the present moment; and much more.The speakers also share personal experiences and reflections on their spiritual journeys, the role played by the community, and the continuation of the Buddha’s teachings through their own lives and practice.About the pilgrimage: In 1988, Shantum Seth was invited by Thich Nhat Hanh (Thay) to organize a pilgrimage to the sacred sites associated with the Buddha's life across India. Subsequently, Thay encouraged Shantum to continue guiding such journeys each year, offering pilgrimage itself as a mindfulness practice—one that the Buddha had suggested. Shantum has been leading these transformative journeys ever since, offering people from around the world the opportunity to follow In the Footsteps of the Buddha with awareness and insight. After 15 years at the United Nations, Shantum left to volunteer with the Ahimsa Trust, which represents Thay's work in India and promotes the practice of “peace in oneself and peace in the world”. Through Buddhapath, his expression of Right Livelihood, Shantum continues to guide pilgrimages and share the wisdom and culture of the places he visits in India and across Buddhist Asia, cultivating community through these deeply meaningful journeys.To learn more about upcoming pilgrimages, visit www.buddhapath.com, or follow Shantum on Facebook and Instagram at @eleven_directions. Shantum Seth, an ordained Dharmacharya (Dharma teacher) in the Buddhist Mindfulness lineage of Zen Master Thich Nhat Hanh, teaches in India and across the world. A co-founder of Ahimsa Trust, he has been a student of Thich Nhat Hanh's teachings for the past 35 years, and, since 1988, has led pilgrimages and other multi-faith, educational, cultural, spiritual, and transformative journeys across diverse regions of India and Asia. He is actively involved in educational, social, and ecological programmes, including work on cultivating mindfulness in society, including with educators, the Indian Central Reserve Police Force, and the corporate sector. Across various Indian sanghas, Dharmacharya Shantum is the primary teacher of different practices of mindfulness from Thich Nhat Hanh's tradition. List of resources The Way Out Is In: ‘Ancient Path for Modern Times: Active Nonviolence (Episode #70)'https://plumvillage.org/podcast/ancient-path-for-modern-times-active-nonviolence-episode-70 Interbeinghttps://en.wikipedia.org/wiki/Interbeing Plum Village Traditionhttps://en.wikipedia.org/wiki/Plum_Village_Tradition ‘The Fourteen Mindfulness Trainings'https://plumvillage.org/mindfulness/the-14-mindfulness-trainings Sarnathhttps://en.wikipedia.org/wiki/Sarnath Dharadunhttps://en.wikipedia.org/wiki/Dehradun_district Bodh Gayahttps://en.wikipedia.org/wiki/Bodh_Gaya Rajgirhttps://en.wikipedia.org/wiki/Rajgir Old Path White Cloudshttps://www.parallax.org/product/old-path-white-clouds Federico Fellinihttps://en.wikipedia.org/wiki/Federico_Fellini Ghathttps://en.wikipedia.org/wiki/Ghat Alara Kalama https://en.wikipedia.org/wiki/%C4%80%E1%B8%B7%C4%81ra_K%C4%81l%C4%81ma Jack Kornfieldhttps://en.wikipedia.org/wiki/Jack_Kornfield Upanishadshttps://en.wikipedia.org/wiki/Upanishads Sister Chan Khonghttps://plumvillage.org/about/sister-chan-khong Bodhi treehttps://en.wikipedia.org/wiki/Bodhi_tree Mokshahttps://en.wikipedia.org/wiki/Moksha Rishi Joan Halifaxhttps://www.joanhalifax.org/ Daily Contemplations on Impermanence & Interbeinghttps://plumvillage.org/daily-contemplations-on-impermanence-interbeing#the-five-remembrances Sutras: ‘Discourse on Knowing the Better Way to Live Alone'https://plumvillage.org/library/sutras/discourse-on-knowing-the-better-way-to-live-alone Sutrashttps://plumvillage.org/genre/sutras Leila Sethhttps://en.wikipedia.org/wiki/Leila_Seth On Balancehttps://www.goodreads.com/book/show/1754796.On_Balance_an_Autobiography Quotes “Every step is a miracle. Every breath is an offering.” “The transformation is both individual and collective – and not just right now; it is something which seeps into our understanding and informs our life. The real journey begins when you get home. When you see your familiar surroundings with these pilgrimage lenses, those are very, very important moments. When you see your familiar surroundings slightly differently, and you see what brings you suffering, what brings you joy, what brings a sense of ease, then you can tweak your life.” “Siddhartha always says, ‘I’m on this path not for power, not for leadership, but to find liberation within us.' And that means we have to be ready to let go of all of the ideology that we have received from our ancestors, not from just us, but from the lineage of our whole ancestors and society.” “We can be free amidst the suffering. We can still find our calm, our peace with every storm that arises, that manifests. We find a way to understand it, to embrace it even, because we see that that storm is a part of us.” “In the Mahaparinirvāṇa Sutta, the Buddha said, ‘Go to the places where I was born, died, where the first teachings were given, where I awakened.' But I think he’s saying, ‘Leave your familiar surroundings and explore, and you’ll find different seeds in your consciousness being touched, which are not touched when you go every day to work or in your familiar surroundings.' And that is the learning of yourself. It’s an interior journey on this exterior part.” “In India, your path to God is through your guru – but in the Buddha Dharma, the guru shows you the path, and you walk it. In the classic example of the Buddha pointing to the moon, he says, ‘Don’t get caught looking at my finger; look at the moon.'” “Somebody once asked Thay, ‘What happens when we die?' He said, ‘I don’t know, but I can tell you what happens when we’re alive.'” “The only ingredient that you have any control about for the future is the present. We can only act in the present. As you know, the past is gone, the future is an idea – but all these situations that arise in our lives, how do we respond appropriately? With ethics, with a sense of calm, with a sense of love, how can we respond appropriately to each situation? Because that is the ingredient for the future.” “The Buddha is saying, ‘Stay open, stay alive. This is the most precious moment. This is a gift. And when we die, we’ll have no control over it.'” “In Indian philosophy, we don't have only yes or no. We say, yes, no, neither yes or no, both yes and no. So it’s the idea that I am the same person, I’m a different person, I’m neither the same or a different person, and both the same person and the different person. That’s the Buddha Dharma’s understanding of continuity, birth and death, and in that we don’t get caught.” “Awakening is a collective awakening.” “The Buddha was teaching us how to be a human being, how to take both the joy and the happiness of being a human being, but also to understand the suffering of a human being, and then take suffering as a noble truth. But it’s a noble truth only because we can transform it – otherwise it’s just plain old suffering. Use suffering as the compost for liberation. Looking at the cause, knowing the path to overcome suffering. And that’s key in Buddha. Otherwise, death is suffering, loss is suffering. The Buddha is saying, ‘Take that and look at it deeply, transform it, and live your life today as if it’s your last moment, your first moment, your present moment, our present moment.'” “Secular in India means different from secular in the West. Secular in India means respecting all religions. It doesn’t mean non-religious. I was brought up in a household like that, where we had Hindu icons, Christian icons, Islamic icons, everything. And we would go to midnight mass or go to a mosque or go to a temple, but we were not religious. It was just respecting people like that. And we had friends from every religion.”

Episode Highlights With MikiHer amazing story, growing up half Indian and half Japanese and the winding journey of her entrepreneurial successHow she went from being a professional athlete to opening a gluten-free restaurant in NYC, to other start-ups as wellEvery baby goes through up to 6,000 diapers that take hundreds of years to break downHer revelation with diapers and baby poop and how this led to a product that's helping address the plastic problemThe unique way that fungi can break down plastic in a completely safe way!Diapers are actually the #1 source of plastic waste91% of plastic is not recycled and ends up in landfills and oceans The planet is running a fever, and humans are the viruses it's trying to get rid of if we don't fix the problemWhat ecosystem consciousness is and how we can shift our thinking How they're shifting from reduce, reuse, and recycle to reduce and regenerate, and how this shifts thingsWhat sacred reciprocity is and how this shifts the modelHer audacious mission in life is to elevate people and the planet What new paradigm parenting is and how this framework shifts things for familiesOther ways we can make small shifts that contribute to sacred reciprocity 24% of all landfill waste is food waste! How home composting can helpTrees are the greatest technology of our timeWhy she's so anti-toilet paper, and what to try instead! Emergence and Cultivation in parenting and what we can learn from natureNature is our greatest technology, and it can even shape the way we parentThe very real way that fungi have the potential to reverse some of these massive planetary problemsResources MentionedFollow Miki on Facebook, Instagram, and X. Follow Hiro Diapers on InstagramHiro Diapers - get a discount at this linkTushy BidetLMNTI talk often about the health benefits of salt and electrolytes and I am a big fan of LMNT canned drinks and packets. Go to drinklmnt.com/wellnessmana for a special offer.HiyaHiya created a super powered chewable vitamin for kids that packs twelve organic fruits and vegetables plus fifteen essential vitamins and minerals into every dose. Try it at hiyahealth.com/wellnessmama for 50% off your first order.

What makes a character so compelling that readers will forgive almost anything about the plot? How do you move beyond vague flaws and generic descriptions to create people who feel pulled from real life? In this solo episode, I share 15 actionable tips for writing deep characters, curated from past interviews on the podcast. In the intro, thoughts from London Book Fair [Instagram reel @jfpennauthor; Publishing Perspectives; Audible; Spotify]; Insights from a 7-figure author business [BookBub]. This show is supported by my Patrons. Join my Community and get articles, discounts, and extra audio and video tutorials on writing craft, author business, and AI tools, at Patreon.com/thecreativepenn This episode has been created from previous episodes of The Creative Penn Podcast, curated by Joanna Penn, as well as chapters from How to Write a Novel: From Idea to Book. Links to the individual episodes are included in the transcript below. In this episode: Master the ‘Believe, Care, Invest' trifecta, how to hook readers on the very first page Define the Dramatic Question: Who is your character when the chips are down? Absolute specificity. Why “she's controlling” isn't good enough Understand the Heroine's Journey, strength through connection, not solo action Use ‘Metaphor Families' to anchor dialogue and give every character a distinctive voice Find the Diagnostic Detail, the moments that prove a character is real Writing pain onto the page without writing memoir Write diverse characters as real people, not stereotypes or plot devices Give your protagonist a morally neutral ‘hero' status. Compelling beats likeable. Build vibrant side characters for series longevity and spin-off potential Use voice as a rhythmic tool Link character and plot until they're inseparable Why discovery writers can write out of order and still build deep character Find the sensory details that make characters live and breathe More help with how to write fiction here, or in my book, How to Write a Novel. Writing Characters: 15 Tips for Writing Deep Character in Your Fiction In today's episode, I'm sharing fifteen tips for writing deep characters, synthesised from some of the most insightful interviews on The Creative Penn Podcast over the past few years, combined with what I've learned across more than forty books of my own. I'll be referencing episodes with Matt Bird, Will Storr, Gail Carriger, Barbara Nickless, and Sarah Elisabeth Sawyer. I'll also draw on my own book, How to Write a Novel, which covers these fundamentals in detail. Whether you're writing your first novel or your fiftieth, whether you're a plotter or a discovery writer like me, these tips will help you create characters that readers believe in, care about, and invest in—and keep coming back for more. Let's get into it. 1. Master the ‘Believe, Care, Invest' Trifecta When I spoke with Matt Bird on episode 624, he laid out the three things you need to achieve on the very first page of your book or in the first ten minutes of a film. He calls it “Believe, Care, and Invest.” First, the reader must believe the character is a real person, somehow proving they are not a cardboard imitation of a human being, not just a generic type walking through a generic plot. Second, the reader must care about the character's circumstances. And third, the reader must invest in the character's ability to solve the story's central problem. Matt used The Hunger Games as his primary example, and it's brilliant. On the very first page, we believe Katniss's voice. Suzanne Collins writes in first person with a staccato rhythm—lots of periods, short declarative sentences—that immediately grounds us in a survivalist mentality. We care because Katniss is starving. She's protecting her little sister. And we invest because she is out there bow hunting, which Matt pointed out is one of the most badass things a character can do. She even kills a lynx two pages in and sells the pelt. We invest in her resourcefulness and grit before the plot has even begun. Matt was very clear that this has nothing to do with the character being “likable.” He said his subtitle, Writing a Hero Anyone Will Love, doesn't mean the character has to be a good person. He described “hero” as both gender-neutral and morally neutral. A hero can be totally evil or totally good. What matters is that we believe, care, and invest. He demonstrated this beautifully by breaking down the first ten minutes of WeCrashed, where the characters of Adam and Rebekah Neumann are absolutely not likable, but we are completely hooked. Adam steals his neighbour's Chinese food through a carefully orchestrated con involving an imaginary beer. It's not admirable behaviour, but the tradecraft involved, as Matt put it—using a term from spy movies—makes us invest in him. We see a character trying to solve the big problem of his life, which is that he's poor and wants to be rich, and we want to see if he can pull it off. Actionable step: Go to the first page of your current work in progress. Does it achieve all three? Does the reader believe this is a real person with a distinctive voice? Do they care about the character's circumstances? And do they invest in the character's ability to handle what's coming? If even one of those three is missing, that's your revision priority. 2. Define the Dramatic Question: Who Are They Really? Will Storr, author of The Science of Storytelling, came on episode 490 and gave one of the most powerful frameworks I've ever heard for character-driven fiction. He explained that the human brain evolved language primarily to swap social information—in other words, to gossip. We are wired to monitor other people, to ask the question: who is this person when the chips are down? That's what Will calls the Dramatic Question, and it's what he believes lies at the heart of all compelling storytelling. It's not a question about plot. It's a question about the character's soul. And every scene in your novel should force the character to answer it. His example of Lawrence of Arabia is unforgettable. The Dramatic Question for the entire film is: who are you, Lawrence? Are you ordinary or are you extraordinary? At the beginning, Lawrence is a cocky, rebellious young soldier who believes his rebelliousness makes him superior. Every iconic scene in that three-hour film tests that belief. Sometimes Lawrence acts as though he truly is extraordinary—leading the Arabs into battle, being hailed as a god—and sometimes the world strips him bare and he sees himself as ordinary. Because it's a tragedy, he never overcomes his flaw. He doubles down on his belief that he's extraordinary until he becomes monstrous, culminating in that iconic scene where he lifts a bloody dagger and sees his own reflection with horror. Will also used Jaws to demonstrate how this works in a pure action thriller. Brody's dramatic question is simple: are you going to be old Brody who is terrified of the water, or new Brody who can overcome that fear? Every scene where the shark appears is really asking that question. And the last moment of the film isn't the shark blowing up. It's Brody swimming back through the water, saying he used to be scared of the water and he can't imagine why. Actionable step: Write down the Dramatic Question for your protagonist in a single sentence. Is it “Are you ordinary or extraordinary?” or “Are you brave enough to love again?” or “Will you sacrifice your principles for survival?” If you can't answer this with specificity, your character might still be a sketch rather than a person. 3. Get rid of Vague Flaws, and use Absolute Specificity This was one of Will Storr's most important points. He said that vague thinking about characters is really the enemy. When he teaches workshops and asks writers to describe their character's flaw, most of them say something like “they're very controlling.” And Will's response is: that's not good enough. Everyone is controlling. How are they controlling? What's the specific mechanism? He gave the example of a profile he read of Theresa May during the UK's Brexit chaos. Someone who knew her said that Theresa May's problem was that she always thinks she's the only adult in every room she goes into. Will said that stopped him in his tracks because it's so precise. If you define a character with that level of specificity, you can take them and put them in any genre, any situation—a spaceship, a Victorian drawing room, a school playground—and you will know exactly how they're going to behave. The same applies to Arthur Miller's Willy Loman in Death of a Salesman, as Will described it: a man who believes absolutely in capitalistic success and the idea that when you die, you're going to be weighed on a scale, just as God weighs you for sin, but now you're weighed for success. That's not a vague flaw. That's a worldview you can drop into any story and watch it combust. Will made another counterintuitive point that I found really valuable: writers often think that piling on multiple traits will create a complex character, but the opposite is true. Starting with one highly specific flaw and running it through the demands of a relentless plot is what generates complexity. You end up with a far more nuanced, original character than if you'd started with a laundry list of vague attributes. Actionable step: Take your protagonist's flaw and pressure-test it. Is it specific enough that you could place this character in any situation and predict their behaviour? If you're stuck at “she's stubborn” or “he's insecure,” keep pushing. What kind of stubborn? What kind of insecure? Find the diagnostic sentence—the Theresa May level of precision. 4. Understand the Heroine's Journey: Strength Through Connection Gail Carriger came on episode 550 to discuss her nonfiction book, The Heroine's Journey, and it completely reframed how I think about some of my own fiction. Gail explained that the core difference between the Hero's Journey and the Heroine's Journey comes down to how strength and victory are defined. The Hero's Journey is about strength through solo action. The hero must be continually isolated to get stronger. He goes out of civilisation, faces strife alone, and achieves victory through physical prowess and self-actualisation. The Heroine's Journey is the opposite. The heroine achieves her goals by activating a network. She's a delegator, a general. She identifies where she can't do something alone, finds the people who can help, and portions out the work for mutual gain. Gail put it simply: the heroine is very good at asking for help, which our culture tends to devalue but which is actually a powerful form of strength. Crucially, Gail stressed that gender is irrelevant to which journey you're writing. Her go-to examples are striking: the recent Wonder Woman film is practically a beat-for-beat hero's journey—Gilgamesh on screen, as Gail described it. Meanwhile, Harry Potter, both the first book and the series as a whole, is a classic heroine's journey. Harry's power comes from his network—Dumbledore's Army, the Order of the Phoenix, his friendships with Ron and Hermione. He doesn't defeat Voldemort alone. He defeats Voldemort because of love and connection. This distinction has real practical consequences for writers. If you're writing a hero's journey and you hit writer's block, Gail said, the solution is usually to isolate your hero further and pile on more strife. But if you're writing a heroine's journey, the solution is probably to throw a new character into the scene—someone who has advice to offer or a skill the heroine lacks. The actual solutions to writer's block are different depending on which narrative you're writing. As I reflected on my own work, I realised that my ARKANE thriller protagonist, Morgan Sierra, follows a hero's journey—she's a solo operative, a lone wolf like Jack Reacher or James Bond. But my Mapwalker fantasy series follows a heroine's journey, with Sienna and her group of friends working together. I hadn't consciously chosen those paths; the stories led me there. But understanding the framework helps me write more intentionally now. Actionable step: Identify which journey your protagonist is on. Does your character gain strength by being alone (hero) or by building connections (heroine)? This will inform every plot decision you make, from how they face obstacles to how your story ends. 5. Use ‘Metaphor Families' to Anchor Dialogue and Voice One of the most practical techniques Matt Bird shared on episode 624 is the idea of assigning each character a “metaphor family”—a specific well of language that they draw from. This gives each character a distinctive voice that goes beyond accent or dialect. Matt explained how in The Wire, one of the most beloved TV shows of all time, every character has a different metaphor family. What struck him was that Omar, this iconic character, never utters a single curse word in the entire series. His metaphor family is pirate. He talks about parlays, uses language that feels like it belongs in Pirates of the Caribbean, and it creates this incredible ironic counterpoint against his urban setting. It tells us immediately that this is a character who sees himself in a tradition of people that doesn't match his immediate surroundings. Matt also referenced the UK version of The Office, where Gareth works at a paper company but aspires to the military. So all of his language is drawn from a military metaphor family. He doesn't talk about filing and photocopying; he talks about tactics and discipline and being on the front line. This tells us that the character has a life and dreams beyond the immediate scene—and it's the gap between aspiration and reality that makes him both funny and believable. He pointed out that a metaphor family sometimes comes from a character's background, but it's often more interesting when it comes from their aspirations. What does your character want to be? What world do they fantasise about inhabiting? That's where their language should come from. In Star Wars, Obi-Wan Kenobi is a spiritual hermit, but his metaphor family is military. He uses the language of generals and commanders, and that ironic counterpoint is part of what makes him feel so rich. Actionable step: Assign each of your main characters a metaphor family. It could be based on their job, their background, or—more interestingly—their secret aspirations. Then go through your dialogue and make sure each character is consistently drawing from that well of language. If two characters sound the same when you strip away the dialogue tags, this is the fix. 6. Find the Diagnostic Detail: The Diagonal Toast Avoid clichéd character tags—the random scar, the eye patch, the mysterious limp—unless they serve a deep narrative purpose. Matt Bird on episode 624 was very funny about this: he pointed out that Nick Fury, Odin, and eventually Thor all have eye patches in the Marvel Cinematic Universe. Eye patches are done, he said. You cannot do eye patches anymore. Instead, look for what I'm calling the “diagonal toast” detail, after a scene Matt described from Captain Marvel. In the film, Captain Marvel is trying to determine whether Nick Fury is who he says he is. She asks him to prove he isn't a shapeshifting alien. Fury shares biographical details—his history, his mother—but then she pushes further and says, name one more thing you couldn't possibly have made up about yourself. And Fury says: if toast is cut diagonally, I can't eat it. Matt said that detail is gold for a writer because it feels pulled from a real life. You can pull it from your own life and gift it to your characters, and the reader can tell it's not manufactured. He gave another example from The Sopranos: Tony Soprano's mother won't answer the phone after dark. The show's creator, David Chase, confirmed on the DVD commentary that this came from his own mother, who genuinely would not answer the phone after dark and couldn't explain why. Matt's practical advice was to keep a journal. Write down the strange, specific things that people do or say. Mine your own life for those hyper-specific details. You just need one per book. In my own writing, I've used this approach. In my ARKANE thrillers, my character Morgan Sierra has always been Angelina Jolie in my mind—specifically Jolie in Lara Croft or Mr and Mrs Smith. And Blake Daniel in my crime thriller series was based on Jesse Williams from Grey's Anatomy. I paste pictures of actors into my Scrivener projects. It helps with visuals, but also with the sense of the character, their energy and physicality. But visual details only take you so far. It's the behavioural quirks—the diagonal toast moments—that make a character feel genuinely alive. That said, physical character tags can work brilliantly when they serve the story. As I discuss in How to Write a Novel, Robert Galbraith's Cormoran Strike is an amputee, and his pain and the physical challenges of his prosthesis are a key part of every story—it's not a cosmetic detail, it's woven into the action and the character's psychology. My character Blake Daniel always wears gloves to cover the scars on his hands, which provides an angle into his wounded past as well as a visual cue for the reader. And of course, Harry Potter's lightning-shaped scar isn't just a mark—it's a direct connection to his nemesis and the mythology of the entire series. The rule of thumb is: if the tag tells us something about the character's interior life or connects to the plot, it's earning its place. If it's just there to make the character visually distinctive, it's probably a crutch. Game of Thrones takes character tags further with the family houses, each with their own mottos and sigils. The Starks say “Winter is coming” and their sigil is a dire wolf. Those aren't just labels—they're worldview made visible. Actionable step: Start a “diagonal toast” notebook. Every time you notice something strange and specific about someone's behaviour—something that feels too real to be made up—write it down. Then gift it to a character who needs more texture. 7. Displace Your Own Trauma into the Work Barbara Nickless shared something deeply personal on episode 732 that fundamentally changed how I think about putting pain onto the page. While starting At First Light, the first book in her Dr. Evan Wilding series, she lost her son to epilepsy—something called SUDEP, Sudden Unexplained Death in Epilepsy. One day he was there, and the next day he was gone. Barbara said that writing helped her cope with the trauma, that doing a deep dive into Old English literature and the Viking Age for the book's research became a lifeline. But here's what's important: she didn't give Dr. Evan Wilding her exact trauma. Evan Wilding is four feet five inches, and Barbara described how he has to walk through a world that won't adjust to him. That's its own form of learning to cope when circumstances are beyond your control. She displaced her genuine grief into the character's different but parallel struggle. When I asked her about the difference between writing for therapy and writing for an audience, she drew on her experience teaching creative writing to veterans through a collaboration between the US Department of Defense and the National Endowment for the Arts. She said she's found that she can pour her heartache into her characters and process it through them, even when writing professionally, and that the genuine emotion is what touches readers. We've all been through our own losses and griefs, so seeing how a character copes can be deeply meaningful. I've always found that putting my own pain onto the page is the most direct way to connect with a reader's soul. My character Morgan Sierra's musings on religion and the supernatural are often my own. Her restlessness, her fascination with the darker edges of faith—those come from me. But her Krav Maga fighting skills and her ability to kill the bad guys are definitely her own. That gap between what's mine and what's hers is where the fiction lives. Barbara also said something on that episode that I wrote down and stuck on my wall. She said the act of producing itself is a balm to the soul. I've been thinking about that ever since. On my own wall, I have “Measure your life by what you create.” Different words, same truth. Actionable step: If you're carrying something heavy—grief, anger, fear, regret—consider how you might displace it into a character's different but emotionally parallel struggle. Don't copy your exact situation; transform it. The emotion will be genuine, and the reader will feel it. 8. Write Diverse Characters as Real People When I spoke with Sarah Elisabeth Sawyer on episode 673—Sarah is Choctaw and a historical fiction author honoured by the Smithsonian's National Museum of the American Indian—she offered a perspective that every fiction writer needs to hear. The key message was to move away from stereotypes. Don't write your American Indian character as the “Wise Guide” who exists solely to dispense mystic wisdom to the white protagonist. Don't limit diverse characters to historical settings, as though they only exist in the past. Place them in normal, contemporary roles. Your spaceship captain, your forensic scientist, your small-town baker—any of them can be American Indian, or Nigerian, or Japanese, and their heritage should be a lived-in part of their identity, not the sole reason they exist in the story. I write international thrillers and dark fantasy, and my fiction is populated with characters from all over the world. I have a multi-cultural family and I've lived in many places and travelled widely, so I've met, worked with, and had relationships with people from different cultures. I find story ideas through travel, and if I set my books in a certain place, then the story is naturally populated with the people who live there. As I discuss in my book, How to Write a Novel, the world is a diverse place, so your fiction needs to be populated with all kinds of people. If I only populated my fiction with characters like me, they would be boring novels. There are many dimensions of difference—race, nationality, sex, age, body type, ability, religion, gender, sexual orientation, socio-economic status, class, culture, education level—and even then, don't assume that similar types of people think the same way. Some authors worry they will make mistakes. We live in a time of outrage, and some authors have been criticised for writing outside their own experience. So is it too dangerous to try? Of course not. The media amplifies outliers, and most authors include diverse characters in every book without causing offence because they work hard to get it right. It's about awareness, research, and intent. Actionable step: Audit the cast of your current work in progress. Have you written a mono-cultural perspective for all of them? If so, consider who could bring a different background, perspective, or set of cultural specifics to the story. Not as a token addition, but as a real person with a real life. 9. Respect Tribal and Cultural Specificity Sarah Elisabeth Sawyer on episode 673 was emphatic about one thing: never treat diverse groups as monolithic. If you're writing a Native American character, you must research the specific nation. Choctaw is not Navajo, just as British is not French. Sarah described the distinct cultural markers of the Choctaw people—the diamond pattern you'll see on traditional shirts and dresses, which represents the diamondback rattlesnake. They have distinct dances and songs. She said that if she saw someone in traditional dress at a distance, she would know whether they were Choctaw based on what they were wearing. She encouraged writers who want to write specifically about a nation to get to know those people. Go to events, go to a powwow, learn about the individual culture. She noted that a big misconception is that American Indians exist only in the past—she stressed that they are still here, still living their cultures, and fiction should reflect that present reality. I took a similar approach when writing Destroyer of Worlds, which is set mostly in India. I read books about Hindu myth, watched documentaries about the sadhus, and had one of my Indian readers from Mumbai check my cultural references. For Risen Gods, set in New Zealand with a young Maori protagonist, I studied books about Maori mythology and fiction by Maori authors, and had a male Maori reader check for cultural issues. Research is simply an act of empathy. The practical takeaway is this: if you're going to include a character from a specific cultural background, do the work. Use specific cultural details rather than generic signifiers. Sarah talked about how even she fell into stereotypes when she was first writing, until her mother pointed them out. If someone from within a culture can fall into those traps, the rest of us certainly can. Do the research, try your best, ask for help, and apologise if you need to. Actionable step: If you're writing a character from a specific culture, identify three to five sensory or behavioural details that are particular to that culture—not the generic version, but the real, researched, lived-in version. Consider hiring a sensitivity reader from that community to check your work. 10. Give Your Protagonist a Morally Neutral ‘Hero' Status Matt Bird was clear about this on episode 624: the word “hero” simply means the protagonist, the person we follow through the story. It's a functional role, not a moral label. We don't have to like them. We don't even have to root for their goals in a moral sense. We just have to find them compelling enough to invest our attention in their problem-solving. Think of Succession, where every member of the Roy family is varying degrees of awful, and yet the show was utterly compelling. Or WeCrashed, where Adam Neumann is a narcissistic con artist, but we can't look away because he's trying to solve the enormous problem of building an empire from nothing, and the tradecraft he employs is fascinating. As I wrote in How to Write a Novel, readers must want to spend time with your characters. They don't have to be lovable or even likable—that will depend on your genre and story choices—but they have to be captivating enough that we want to spend time with them. A character who is trying to solve a massive problem will naturally draw investment from the audience, even if we wouldn't want to have tea with them. Will Storr extended this idea by pointing out that the audience will actually root for a character to solve their problem even if the audience doesn't actually want the character's goal to be achieved in the real world. We don't really want more billionaires, but we invested in Adam Neumann's rise because that was the problem the story posed, and our brains are wired to invest in problem-solving. This connects to something deeper: what does your character want, and why? As I explore in How to Write a Novel, desire operates on multiple levels. Take a character like Phil, who joins the military during wartime. On the surface, she wants to serve her country. But she also wants to escape her dead-end town and learn new skills. Deeper still, her father and grandfather served, and by joining up, she hopes to finally earn their respect. And perhaps deepest of all, her father died on a mission under mysterious circumstances, and she wants to find out what happened from the inside. That layering of motivation is what turns a flat character into a three-dimensional one. The audience doesn't need to be told all of this explicitly. It can emerge through action, dialogue, and the choices the character makes under pressure. But you, the writer, need to know it. You need to know what your character really wants deep down, because that desire—more than any external plot device—is what drives the story forward. And your antagonist needs the same depth. They also want something, often diametrically opposed to your protagonist, and they need a reason that makes sense to them. In my ARKANE thriller Tree of Life, my antagonist is the heiress of a Brazilian mining empire who wants to restore the Earth to its original state to atone for the destruction caused by her father's company. She's part of a radical ecological group who believe the only way to restore Nature is to end all human life. It's extreme, but in an era of climate change, it's a motivation readers can understand—even if they disagree with the solution. Actionable step: If you're struggling to make a morally grey character work, make sure their problem is big enough and their methods are specific and interesting enough that we invest in the how, even if we're ambivalent about the what. 11. Build Vibrant Side Characters Gail Carriger made a point on episode 550 that was equal parts craft advice and business strategy. In a Heroine's Journey model, side characters aren't just fodder to be killed off to motivate the hero. They form a network. And because you don't have to kill them—unlike in a hero's journey, where allies are often betrayed or removed so the hero can be further isolated—you can pick up those side characters and give them their own books. Gail said this creates a really voracious reader base. You write one series with vivid side characters, and then readers fall in love with those side characters and want their stories. So you write spin-offs. The romance genre does this brilliantly—think of the Bridgerton books, where each sibling gets their own novel. The side character in one book becomes the protagonist in the next. Barbara Nickless experienced this firsthand with her Dr. Evan Wilding series. She has River Wilding, Evan's adventurous brother, and Diana, the axe-throwing research assistant, and her editor has already expressed interest in a spin-off series with those characters. Barbara described creating characters she wants to spend time with, or characters who give her nightmares but also intrigue her. That's the dual test: are they interesting enough for you to write, and interesting enough for readers to demand more? As I wrote in How to Write a Novel, characters that span series can deepen the reader's relationship with them as you expand their backstory into new plots. Readers will remember the character more than the plot or the book title, and look forward to the next instalment because they want more time with those people. British crime author Angela Marsons described it as readers feeling like returning to her characters is like putting on a pair of old slippers. Actionable step: Look at your supporting cast. Is there a side character who is vivid enough to carry their own story? If not, what could you add—a specific hobby, a distinct voice, a compelling backstory—that would make readers want more of them? 12. Use Voice as a Rhythmic Tool Voice is one of the most important elements of novel writing, and Matt Bird helped me think about it in a technical, mechanical way that I found really useful. He pointed out that the ratio of periods to commas defines a character's internal reality. A staccato rhythm—lots of periods, short sentences—suggests a character who is certain, grounded, or perhaps survivalist and traumatised. Katniss in The Hunger Games has a period-heavy voice. She's in survival mode. She doesn't have time for complexity or qualification. A flowing, comma-heavy style suggests someone more academic, more nuanced, or possibly more scattered and manipulative. The character who qualifies everything, who adds sub-clauses and digressions, is a different kind of person from the character who speaks in declarations. This is something you can actually measure. Pull up a passage of your character's dialogue or internal monologue and count the periods versus the commas. If the rhythm doesn't match who the character is supposed to be, you've found a mismatch you can fix. Sentence length is the heartbeat of your character's persona. And voice extends beyond rhythm to the words themselves. As I discussed in the metaphor families tip, each character should draw from a distinctive well of language. But voice also encompasses their relationship to silence. Some characters talk around the thing they mean; others say it straight. Some are self-deprecating; others are blunt to the point of rudeness. All of these choices are character choices, not just style choices. I find it useful to read my dialogue aloud—and not just to check for naturalness, but to hear whether each character sounds distinct. If you could swap dialogue lines between two characters and nobody would notice, you have a voice problem. One practical test: cover the dialogue tags and see if you can tell who's speaking from the words alone. Actionable step: Choose a key passage from your protagonist's point of view and read it aloud. Does the rhythm match the character? A soldier under fire should not sound like a philosophy professor at a wine tasting. Adjust the ratio of periods to commas until the voice feels right. 13. Link Character and Plot Until They're Inseparable Will Storr made the case on episode 490 that the number one problem he sees in the writing he encounters—in workshops, in submissions, even in published books—is that the characters and the plots are unconnected. There's a story happening, and there are people in it, but the story isn't a product of who those people are. He said a story should be like life. In our lives, the plots are intimately connected to who we are as characters. The goals we pursue, the obstacles we face, the same problems that keep recurring—these are products of our personalities, our flaws, our specific ways of being in the world. His framework is that your plot should be designed specifically to plot against your character. You've got a character with a particular flaw; the plot exists to test that flaw over and over until the character either transforms or doubles down and explodes. Jaws is the perfect example. Brody is afraid of water. A shark shows up in the coastal town he's responsible for protecting. The entire plot is engineered to force him to confront the one thing he cannot face. Will pointed out that the whole plot of Jaws is structured around Brody's flaw. It begins with the shark arriving, the midpoint is when Brody finally gets the courage to go into the water, and the very final scene isn't the shark blowing up—it's Brody swimming back through the water. Even a film that's ninety-eight percent action is, at its core, structured around a character with a character flaw. This is the standard I aspire to in my own work, even in my action-heavy thrillers. The external plot should be a mirror of the internal struggle. When those two are aligned, the story becomes irresistible. Will also made an important point about series fiction, which is where most commercial authors live. I asked him how this works when your character can't be transformed at the end of every book because there has to be a next book. His answer was elegant: you don't cure them. Episodic TV characters like Fleabag or David Brent or Basil Fawlty never truly change—and the fact that they don't change is actually the source of the comedy. But every episode throws a new story event at them that tests and exposes their flaw. You just keep throwing story events at them again and again. That's a soap opera, a sitcom, and a book series. As I wrote in How to Write a Novel, character flaws are aspects of personality that affect the person so much that facing and overcoming them becomes central to the plot. In Jaws, the protagonist Brody is afraid of the water, but he has to overcome that flaw to destroy the killer shark and save the town. But remember, your characters should feel like real people, so never define them purely by their flaws. The character addicted to painkillers might also be a brilliant and successful female lawyer who gets up at four in the morning to work out at the gym, likes eighties music, and volunteers at the local dog shelter at weekends. Character wounds are different from flaws. They're formed from life experience and are part of your character's backstory—traumatic events that happened before the events of your novel but shape the character's reactions in the present. In my ARKANE thrillers, Morgan Sierra's husband Elian died in her arms during a military operation. This happened before the series begins, but her memories of it recur when she faces a firefight, and she struggles to find happiness again for fear of losing someone she loves once more. And then there's the perennial advice: show, don't tell. Most writers have heard this so many times that it's easy to nod and then promptly write scenes that tell rather than show. Basically, you need to reveal your character through action and dialogue, rather than explanation. In my thriller Day of the Vikings, Morgan Sierra fights a Neo-Viking in the halls of the British Museum and brings him down with Krav Maga. That fight scene isn't just about showing action. It opens up questions about her backstory, demonstrates character, and moves the plot forward. Telling would be something like: “Morgan was an expert in Krav Maga.” Showing is the reader discovering it through the scene itself. Actionable step: Look at the main plot events of your novel. For each major turning point, ask: does this scene specifically test my protagonist's flaw? If not, can you redesign the scene so that it does? The tighter the connection between character and plot, the more powerful the story. 14. The ‘Maestra' Approach: Write Out of Order If you're a discovery writer like me, you may feel like the deep character work I've been describing sounds more suited to plotters. But Barbara Nickless gave me a beautiful metaphor on episode 732 that reframes it entirely. Barbara described her evolving writing process as being like a maestra standing in front of an orchestra. Sometimes you bring in the horns—a certain theme—and sometimes you bring in the strings—a certain character—and sometimes you turn to the soloist. It's a more organic and jumping-around process than linear writing, and Barbara said she's only recently given herself permission to work this way. When I told her that I use Scrivener to write in scenes out of order and then drag and drop them into a structure later, she was genuinely intrigued. And this is how I've always worked. I'll see the story in my mind like a movie trailer—flashes of the big emotional scenes, the pivotal confrontations, the moments of revelation—and I write those first. I don't know how they hang together until quite late in the process. Then I'll move scenes around, print the whole thing out, and figure out the connective tissue. The point is that discovery writers can absolutely build deep characters. Sometimes writing the big emotional scenes first is how you discover who the character is before you fill in the rest. You don't need a twenty-page character worksheet or a 200-page outline like Jeffery Deaver. You need to be willing to follow the character into the unknown and trust that the structure will emerge. As Barbara said, she writes to know what she's thinking. That's the discovery writer's credo. And I would add: I write to know who my characters are. Actionable step: If you're stuck on your current chapter, skip it. Write the scene that's burning in your imagination, even if it's from the middle or the end. That scene might be the key to unlocking who your character really is. 15. Use Research to Help with Empathy Research shouldn't just be about factual accuracy—it's a tool for finding the sensory details that create empathy. Barbara Nickless described research as almost an excuse to explore things that fascinate her, and I feel exactly the same way. I would go so far as to say that writing is an excuse for me to explore the things that interest me. Barbara and I both travel for our stories. For her Dr. Evan Wilding books, she did deep research into Old English literature and the Viking Age. For my thriller End of Days, I transcribed hours of video from Appalachian snake-handling churches on YouTube to understand the worldview of the worshippers, because my antagonist was brought up in that tradition. I couldn't just make that up. I had to hear their language, feel their conviction, understand why they would hold venomous serpents as an act of faith. Barbara also mentioned getting to Israel and the West Bank for research, and I've been to both places too. Finding that one specific sensory detail—the smell of a particular location, the specific way an expert handles a tool, the sound of a particular kind of music—makes the character's life feel lived-in. It's the difference between a character who is described as living in a place and a character who inhabits it. As I wrote in How to Write a Novel, don't write what you know. Write what you want to learn about. I love research. It's part of why I'm an author in the first place. I take any excuse to dive into a world different from my own. Research using books, films, podcasts, and travel, and focus particularly on sources produced by people from the worldview you want to understand. Actionable step: For your next piece of character research, go beyond reading. Watch a documentary, visit a location, talk to someone who lives the experience. Find one sensory detail—a smell, a sound, a texture—that you couldn't have invented. That detail will make your character feel real. Bonus: Measure Your Life by What You Create In an age of AI and a tsunami of content, your ultimate brand protection is the quality of your human creation. Barbara Nickless said that the act of producing itself is a balm to the soul, and I believe that with every fibre of my being. Don't be afraid to take that step back, like I did with my deadlifting. Take the time to master these deeper craft skills. It might feel like you're slowing down or going backwards by not chasing the latest marketing trend, but it's the only way to step forward into a sustainable, high-quality career. Your characters are your signature. No AI can replicate the specificity of your lived experience, the emotional truth of your displaced trauma, or the sensory details you've gathered from a life of curiosity and travel. Those are yours. Pour them into your characters, and they will resonate for years to come. Actionable Takeaway: Identify the Dramatic Question for your current protagonist. Can you state it in a single sentence with the kind of specificity Will Storr described? Is it as clear as “Are you ordinary or extraordinary?” or “Are you the only adult in the room?” If you can't answer it with that kind of precision, your character might still be a sketch. Give them a diagonal toast moment today. Find the one hyper-specific detail that proves they are not an imitation of life. And then ask yourself: does your plot test your character's flaw in every major scene? If you can align those two things—a precisely defined character and a plot that exists to test them—you will have a story that readers cannot put down. References and Deep Dives The episodes I've referenced today are all available with full transcripts at TheCreativePenn.com: Episode 732 — Facing Fears, and Writing Unique Characters with Barbara Nickless Episode 673 — Writing Choctaw Characters and Diversity in Fiction with Sarah Elisabeth Sawyer Episode 624 — Writing Characters with Matt Bird Episode 550 — The Heroine's Journey with Gail Carriger Episode 490 — How Character Flaws Shape Story with Will Storr Books mentioned: The Secrets of Character: Writing a Hero Anyone Will Love by Matt Bird The Science of Storytelling by Will Storr The Heroine's Journey by Gail Carriger How to Write a Novel: From Idea to Book by Joanna Penn You can find all my books for authors at CreativePennBooks.com and my fiction and memoir at JFPennBooks.com Happy writing! How was this episode created? This episode was initiated created by NotebookLM based on YouTube videos of the episodes linked above from YouTube/TheCreativePenn, plus my text chapters on character from How to Write a Novel. NotebookLM created a blog post from the material and then I expanded it and fact checked it with Claude.ai 4.6 Opus, and then I used my voice clone at ElevenLabs to narrate it. The post Writing Characters: 15 Actionable Tips For Writing Deep Character first appeared on The Creative Penn.

On 2 March 2006, the United States and India finalised a controversial nuclear deal, ending India's three decades of international isolation over its nuclear policy. Sweetening the deal, President George W Bush and Prime Minister Manmohan Singh announced cooperative agreements not just on nuclear power but also on the import of Indian mangoes. Surya Elango speaks to Ronen Sen, the former Indian ambassador to the US.(Photo: President George W Bush and Prime Minister Manmohan Singh on 2 March 2006. Credit: Jim Young via Reuters) Eye-witness accounts brought to life by archive. Witness History is for those fascinated by and curious about the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from how the Excel spreadsheet was developed, the creation of cartoon rabbit Miffy and how the sound barrier was broken.We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: the moment Reagan and Gorbachev met in Geneva, Haitian singer Emerante de Pradines' life and Omar Sharif's legendary movie entrance in Lawrence of Arabia.You can learn all about fascinating and surprising stories, like the invention of a stent which has saved lives around the world; the birth of the G7; and the meeting of Maldives' ministers underwater. We cover everything from World War Two and Cold War stories to Black History Month and our journeys into space.

This episode features a conversation with Ravikant Kisana, Dean of the School of Liberal Education and Languages at Galgotias University in India, about his book Meet the Savarnas: Indian Millennials Whose Mediocrity Broke Everything. We discussed the term “savarna” and how his personal experiences as a student and professor in liberal institutions led him to write the book, the performativity and insularity of upper castes, the importance of endogamy to caste social reproduction, and how to understand the recent shift from claims to castelessness to overt assertions of caste pride. Guest Ravikant Kisana, Dean, School of Liberal Education and Languages, Galgotias University, India References: B.R. Ambedkar, “Castes in India” Babasaheb: an honorific for B.R. Ambedkar meaning “respected father.” IIMs: Indian Institutes of Management Mayawati: first Dalit woman chief minister of India who served in the state of Uttar Pradesh as the leader of the Bahujan Samaj Party. BSP: Bahujan Samaj Party founded in 1984 and focused on representing the interests of Dalits, Other Backward Classes (OBCs) and religious minorities. OBC parties: see above Veds/Vedas: ancient Sanskrit scriptures Kayasth: scribal and administrative caste originating in Maharashtra, Bengal, and Odisha. Marwari: mercantile caste originating in the Marwar region of Rajasthan. Baniya: mercantile caste originating in the states of Rajasthan and Gujarat. Baniya and Marwari are overlapping categories. Jat: agricultural caste originating in the regions of Sindh and Punjab. Noida: a city in the National Capital Region that falls within the state of Uttar Pradesh Congress: Indian National Congress, one of India's main national political parties founded in 1885. MGNREGA: The Mahatma Gandhi National Rural Employment Guarantee Act of 2005 is an Indian labor law guaranteeing at least 100 days of paid, unskilled manual work per financial year to rural households. Read the transcript here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Featuring Raymond Burr as Captain Lee Quince, Vic Paran as Sgt Gorce, and Harry Bartel as Lt Syberts. Returning from leave in St Louis, Captain Quince thinks about getting out…

Unlock the chilling secrets behind "The Silent Hand"—a story so compelling it nearly captures a killer in the act. Dive into a world where a mysterious woman in white, a series of brutal murders, and a web of deception collide. This episode isn't just a radio drama; it's a masterclass in suspense that hooks you from the first whisper and won't let go.Imagine a quiet park, a stranded man, and a silk noose—an East Indian trick that turns ordinary playgrounds into murder scenes. When a body appears on the rocks and evidence points to a deadly game of cat and mouse, the stakes skyrocket. Will the police unravel the mystery before the woman in white claims another victim? Or does she hold secrets even darker than the night?In this gripping episode, you'll discover:How a seemingly innocuous coin and a silk thread reveal a cunning killer's MO.The psychological clues that expose a murderer without a motive—psychopathology at its most chilling.The layered deception that transforms a woman's alibi into evidence against her.Why the seemingly trivial details—like a torn dress and a rare Indian bird—are critical in cracking the case.The dramatic confrontation that turns suspicion into revelation, forcing the characters—and you—to question what's real.This episode demonstrates that in the shadows of the mind and the darkness of the night, danger lurks where you least expect it. It's perfect for true crime aficionados, suspense enthusiasts, and anyone eager to learn how the smallest detail can unlock big mysteries. Missing out on this story means missing out on understanding the mind of a murderer, the detective's most powerful tools, and the art of storytelling that keeps you guessing.Whether you love classic radio mysteries or are new to psychological thrillers, "The Silent Hand" is a masterful illustration of how suspense is built—layer by layer, clue by clue. Press play and experience a story where every whisper, every shadow, and every silk thread tells a story that might just change the way you see danger.

Drama on a SundayFirst,  a look at this day in History.Then, Dragnet starring Jack Webb,  originally broadcast March 15, 1953, 73 years ago, The Big Impossible.   Bernie Hanson has been identified as the head of a team robbing markets, but Hanson has a good alibi. He is hospitalized and cannot leave his bed!Followed by Quiet Please starring Ernest Chappell,  originally broadcast March 15, 1948, 78 years ago, Meeting at Ticonderoga.  A Scotsman saves the life of a murderer, not knowing that the man's victim was a kinsman. Years later, during the French and Indian war, the two meet again.Then, The March of Time, originally broadcast March 15, 1945, 81 years ago, Report on Vatican Policies.  Setting up an education system in Germany.  Policies of the Vatican.  Laying telephone lies via airplane.    Followed by Escape, originally broadcast March 15, 1953, 73 years ago, The Man With the Steel Teeth starring Harry Bartell.  An American journalist is arrested in Moscow by the Secret Police. He is imprisoned and tortured to get him to confess to false charges...by a man with steel teeth!Finally, Claudia, originally broadcast March 15, 1948, 78 years ago, A Snack at 4am.   Kathryn Bard and Paul Crabtree star. Thanks to Richard G for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! 

This video examines Eric Burlison's claims regarding a legacy UFO program, including allegations of whistleblower assassinations, and NASA's reaction to a directive concerning UFO files. It also addresses assertions about limited UFO craft retrievals and the challenges of reverse engineering by the early 2010s. Furthermore, the discussion highlights a "Disclosure" Day movie trailer, emphasizing the psychic aspects of alien encounters.00:00:00 - Topics00:01:07 - Welcome Message from Dr. Salla00:01:25 - Indian epics describing advanced societies that had technologies far superior to what is publicly available today. https://x.com/JasonWilde108/status/2030596891692417332 00:03:41 - US Congressman Eric Burlison has encountered a faction of the legacy UFO program that uses assassination to silence critics or remove whistleblowers. https://x.com/Unexplained2020/status/203059546227786579100:07:27 - Inner Earthers intervene to free surface humanity from Cabal control. https://exopolitics.org/inner-earthers-intervene-to-free-surface-humanity-from-cabal-control/ 00:09:35 - Quantum Tunneling: Consciousness Transfer Between bodies For Classified Projects - JP Update 55 https://exopolitics.org/quantum-tunneling-consciousness-transfer-between-bodies-for-classified-projects-jp-update-55/ 00:11:28 - NASA Administrator Jared Isaacman says he has seen no evidence of ET life. https://x.com/UAPJames/status/2031893114735001792 00:15:08 - Leading aerospace entrepreneur, Robert Bigelow, claims that attempts to reverse-engineer recovered alien craft have not succeeded. https://x.com/MichaelSalla/status/2032434879292477487 00:20:49 - Another trailer for the Disclosure Day movie emphasizes the psychic element in the ET phenomenon. Soft disclosure is being used to prepare billions for what's coming. https://x.com/disclosureday/status/2032109435905356219 00:23:41 - Dr. Eric Davis claims that there have been less than 40 UFO craft retrievals and that he has met 5 people working on unsuccessful reverse engineering programs. https://x.com/MichaelSalla/status/2032443281527754955 00:29:04 - Ross Coulthart gives a succinct account of the disappearance of Maj General McCasland https://x.com/MichaelSalla/status/2032472649423573211 00:31:46 - Closing thoughts from Dr. SallaJoin Dr. Salla on Patreon for Early Releases, Webinar Perks and More.Visit https://Patreon.com/MichaelSalla/#Exopolitics #ExopoliticsToday #MichaelSalla

Othman opens the show going off on a poor IDM review. The boys take a pass at a hard-hitting news story. The Gorillaz are making a comeback on behalf of Mother Bluddy Banchu India. Othman introduces the IDM world to Indian rap battles, including the supreme battle of Adwait vs. Vanither.

Netflix's new Indian original movie, Made in Korea, is a lazy excuse of a film made by an inept group of people with no idea what they're doing.The very existence of such slop is a slap in the face of talented filmmakers who struggle for decades trying to do honest work. This is an insult not only to them, but also to audiences who pay hard-earned money to Netflix every month. Here is proof that the unemployment crisis isn't restricted to men.We discuss the film's clueless protagonist, her pointless motivations, and the aimless narrative that she is confined to. We also raise questions about the plausibility of such a premise, and the movie's cartoonish attempts to “honour” Korean culture.—Hosted by Akhil Arora and Rohan Naahar, The Long Take is fully bootstrapped. Please consider donating if you enjoy our work.The Long Take is available on Spotify, Apple Podcasts, Amazon Music, Gaana, JioSaavn, Overcast, Pandora, RadioPublic, iHeart Radio, YouTube Music, and wherever you get your podcasts.Follow The Long Take on Instagram, Facebook, Threads, and YouTube. Write to us at thelongtakepod@gmail.com.

McDonald's CEO: McDonald's CEO goes viral and every other fast food CEO wants in on the fun. This definitely sold a shit ton of Big Arch burgers.Palette Cleansers: From the Doordash Dot, the creepy home drone camera and the sleepy Indian spying on you, the future is bleak. Also Kelly Osbourne is withering away.THE BEAR!, FUCK YOU WATCH THIS!, METHOD MAN!, GZA!, SHADOWBOXIN'!, 4TH CHAMBER!, GHOSTFACE!, KILLAH PRIEST!, RZA!, POLITICAL STUFF!, IRAQ!, WHAT HAPPENED!, BURGER KING!, EPSTEIN FILES!, HDM VOICEMAIL!, SERVE YOU!, LEGAL THREATS!, UNHINGED!, DOCUMENTARY COMMENTARY!, YOUTUBE!, COMPLAINTS!, LOONEY!, MCDONALDS CEO!, VIRAL!, BIG ARCH!, SPRITE!, FRIES!, CRISPY ONIONS!, SLIVERED ONIONS!, PLANNED!, REVIEWBRUH!, BURGER KING CEO!, WHOPPER!, WENDY'S CEO!, A&W SPOKESPERSON!, AUTISTIC!, LITTLE BITE!, GOY SLOP!, PRODUCT!, BUN SUCKERS!, PLAN YOUR LAST BITE MOTHERFUCKER!, PLANNING YOUR LAST BITE!, PLAN MY LAST BITE OF A MEAL MOTHERFUCKER!, MAYOR!, NEW YORK!, BURGER ELEMENT!, SHAKE SHACK!, COVID!, VACCINES!, EATING PIZZA FORK AND KNIFE!, WHATABURGER!, UNDERRATED BURGER!, WAYMO!, DOORDASH DOT!, DRONE!, AUTO DRIVE PODS!, REPLACE DELIVERY DRIVERS!, AUTONOMOUS!, EXPLOSIVES!, ELECTRIC SCOOTERS!, CLOSE WAYMO DOORS!, META GLASSES!, INDIAN PEOPLE!, SLEEPY INDIAN IMPRESSION!, AMAZON DRONE CAMERA!, RING!, OPEN MIC COMEDIAN!, SHARON OSBOURNE!, KELLY OSBOURNE!, LOOKS WEIRD!, FRAIL!, SURGERY!, OZEMPIC!, FIREWORK FAIL!, TERRY!, GLUE HANDS!, STUCK!, GENIUS! You can find the videos from this episode at our Discord RIGHT HERE!

We meet the founder of one of India's largest private aviation companies who overcame several life challenges before starting the business. After doctors initially told her she had months to live, Indian entrepreneur Kanika Tekriwal went on to build JetSetGo, one of the country's largest private aviation marketplaces. She talks about overcoming illness, sexism and family opposition to launch her company.If you'd like to get in touch with the team, our email address is businessdaily@bbc.co.ukPresenter: Rahul Tandon Producers: Amber Mehmood, Ahmed Adan and Niamh McDermottBusiness Daily is the home of in-depth audio journalism devoted to the world of money and work. From small startup stories to big corporate takeovers, global economic shifts to trends in technology, we look at the key figures, ideas and events shaping business.Each episode is a 17-minute, daily deep dive into a single topic, featuring expert analysis and the people at the heart of the story.Recent episodes explore the weight-loss drug revolution, the growth in AI, the cost of living, why bond markets are so powerful, China's property bubble, and Gen Z's experience of the current job market.We also feature in-depth interviews with company founders and some of the world's most prominent CEOs. These include Google's Sundar Pichai, Wikipedia founder Jimmy Wales, and the CEO of Canva, Melanie Perkins.(Picture: Kanika Tekriwal, founder of JetSetGo. Credit: Kanika Tekriwal)

“Compared to most people in Lily Dale, I was a raging skeptic.  Compared to most of my journalistic colleagues, I was a soft-headed sap.  I didn't believe Lily Dale's people could chat with the dead, but I was willing to concede that I might be wrong.  I never intended for any of it to change me.  But it did.” – Christine Wicker, Lily Dale Lily Dale is a small community of spiritualists in upstate New York.  It is known as “The town that talks to the dead”.  People come here from all over the world hoping to connect with loved ones who have passed on.  Everyone who comes here thinks they will find “the truth” -- and know it when they see it.  Up or down, true or false, real or fake.  They'll know.  Christine Wicker, religion reporter for the Dallas Morning News, comes to Lily Dale convinced she'll find out the “truth”.  But the longer she stays, the harder it is to find…In the summer of 2009, Richard and Susan find themselves on opposite sides of an issue for which there can be no compromise: having a second child.  All Richard wants is another TV show. A year later he's in Shreveport, Louisiana producing ABC's summer series The Gates.  But the dream job is rapidly turning into a nightmare.  What happens when the thing you thought would save you turns into something you can barely survive?  And what if embracing the thing you're most afraid of might be the only path to happiness?Links:Support RHPB on Patreon here! https://patreon.com/RichardHatem?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLinkCelebrate 2026 with 26% off all RHPB merch with offer code RHPB26! CLICK HERE and the discount is pre-applied! https://richardhatem-shop.fourthwall.com/promo/RHPB26Need help with your personal writing projects?  Richard is here to help!  Get 20% off when you mention RHPB!  https://www.richardhatem.com/The Cumin Club – delicious, easy, authentic Indian cuisine delivered right to your door.  Use offer code RHPB to get 30% off on EVERY ORDER! https://www.thecuminclub.com/Buy Lily Dale by Christine Wicker here https://bookshop.org/p/books/lily-dale-the-town-that-talks-to-the-dead-christine-wicker/40f0955a03d76fe0?ean=9780061153747&next=tLearn more about the real town of Lily Dale, NY here https://www.lilydaleassembly.org/

Why do so many gay men spend their lives trying to belong, and still feel unsafe being themselves? This episode explores the deeper layers of belonging, authenticity, and self-trust through the lens of body-based wisdom. Devin Scott, a licensed social worker and body wisdom coach, shares his journey beyond traditional therapy into somatic practices, mindfulness, and Eastern philosophy. The conversation unpacks how high-performing gay men often learn to abandon themselves in order to fit in, and how true belonging begins with feeling safe inside one's own body. With honesty and vulnerability, Devin also reflects on a recent breakup and what it revealed about self-worth, safety, and pleasure. This is an invitation to stop performing belonging and start living it. Key takeaways: Belonging without self-trust creates exhaustion, not connection.The body often knows the truth long before the mind is ready to admit it.Safety with yourself is the foundation for authentic relationships and pleasure. About Devin Devin Scott, NBC-HWC, LMSW, helps people reconnect with their inner wisdom and move through life with greater authenticity. As the founder of Find Your Meaning, he blends body-based coaching, mindfulness, and psychological insight to support clients who feel disillusioned by traditional systems of healing. His work often draws people who have carried the weight of trauma or grown tired of “playing the game” of societal expectations, and who are now searching for something deeper, more sustainable, and more whole. With training in social work, nutrition, somatic practices, and energy healing, Devin's approach reflects both rigor and breadth. He combines elements of psychotherapy, bodywork, and fitness with the grounding philosophies of Buddhism and yoga—without requiring clients to adopt a fixed belief system. His sessions emphasize integration: mind and body, science and spirituality, personal history and present possibility. A particular passion is his study of Leela, a thousand-year-old Indian board game that encodes spiritual teachings about human life. Devin is co-authoring a modern translation of its Sanskrit guide, bridging ancient wisdom with modern psychology and anatomy so Western audiences can explore life's challenges as opportunities for growth. This work mirrors his philosophy with clients: emotions and struggles are not pathologies to erase but messages with purpose, pointing toward new directions of meaning. Connect With Devin Website Facebook Instagram LinkedIn Hey Guys, Don't Forget! Join the 40 Plus: Gay Men Gay Talk, monthly chats. - Learn More! Also, join our Facebook Community - 40 Plus: Gay Men, Gay Talk Community

First, we talk to The Indian Express' Kiran Parashar and Heena Khandelwal about the LPG shortage across multiple states in India due to the West Asia conflict and the impact that it is having on restaurants, eateries, residential schools and more. They highlight the situation on ground and the solutions that are being put to use currently. Next, we talk to The Indian Express' Anonna Dutt about India's very first case of passive euthanasia. She shares about a recent order that was given by the Supreme Court of India regarding the case of a patient who had been in a vegetative state since 2013 and what this verdict means for future cases. (15:41)Lastly, we talk about a new oil refinery that was announced by President Donald Trump which has a unique Indian connection. (26:10)Hosted by Niharika NandaProduced by Shashank Bhargava, Niharika Nanda and Ichha SharmaEdited and mixed by Suresh Pawar

This article is part of our new APAC coverage, which will ultimately require a separate subscription to view. For more info on this product, contact subscriptions@9fin.comA big change is coming for the Indian banking system. Starting 1 April, India's central bank will allow domestic banks to fund mergers and acquisitions. It's a change to long-held rules barring lenders from the Indian M&A market, which has so far been dominated by foreign lenders and private credit funds.As Indian banks prepare to lend more to domestic corporates, what does this mean for liquidity, access to funding, and for international lenders that have earned 20% yields so far?9fin's Mumbai-based reporter Rajhkumar Shaaw and Asia editor Richard Macauley answer these questions and walk listeners through the changes in this latest edition of our Cloud 9fin podcast.

Dr.Eddy Chong comes to the studio to discuss emerging musical transculturalism in Singapore. Beginning with the country's independence, diversity in Singapore has grown rapidly and created a shift in the city's cultural upbringing. Culture through the lens of the government was originally a Chinese, Malay, Indian, or Other classification, but more and more, due to Globalization and Immigration, race and culture have become much less binary. Chong ties this thread to the country's music education, noting its expanding diversity and emphasis on world music theory. Dr Eddy Chong is a Music Theorist and Multicultural expert. The Head of the Visual & Performing Arts at Nanyang Technological University. His research emphasizes pedagogy and world music. Help sustain the podcast by becoming a subscriber. For $7 per month or $1.75 per episode, you can help make future episodes possible. Visit https://foundation.myniu.com/give.php and choose your donation amount. Search for 'Center for Southeast Asian Studies' as the recipient, then put 'podcast' as your donation's special instruction. Your donation goes towards paying our student workers and maintaining the podcast studio and equipment.

Brad Haddin joins Jack Heverin to look at India’s historic World Cup win over NZ. We look at the standout Indian batsmen, Bumrah’s bowling, and the Singh–Mitchell moment. We preview the IPL as Hadds is about to head over there. We farewell the great Alyssa Healy after her final cricket match and look back at her epic career. Plus, we head to sundries as Brett Randell took five wickets in five balls and Hadds might have a new job! Follow on Apple, Spotify and the LiSTNR app Watch on YouTube Drop us a message on Instagram and TikTok! See omnystudio.com/listener for privacy information.

US has issued a new Russia-related general license permitting the sale of Russian crude oil and petroleum products loaded on vessels as of March 12.ByteDance reportedly plans to tap NVIDIA (NVDA) Blackwell processors that are barred for export to China, with the Co. working with Aolani Cloud on plans to use some 500 Blackwell computing systems in Malaysia, according to WSJ.European equities soften, BESI NA surges on takeover rumours; US equity futures muted ahead of PCE, GDP.DXY extends above the 100 handle, GBP slips post-GDP.Fixed income choppy and energy prices and risk tone continue to dictate price action.Brent hovers around USD 100/bbl and metals dragged by a firmer dollar. Looking ahead, highlights include Canadian Jobs Report (Feb), US Core PCE Price Index (Jan), Durable Goods Orders (Jan), Personal Spending (Jan), JOLTS (Jan), University of Michigan Consumer Sentiment Prelim. (Mar), Atlanta Fed GDP. Rating updates include Scope Ratings on UK & Spain, S&P on Spain, Moody's on Greece & Germany, Fitch on Spain & Italy.Read the full report covering Equities, Forex, Fixed Income, Commodites and more on Newsquawk

The International Energy Agency has launched the largest release of strategic oil reserves in its history, investors have sought shelter from the turmoil of the war in Iran in US tech stocks and US inflation held steady at 2.4 per cent in February. Plus, the war has threatened the Indian economy's “Goldilocks” combination of strong growth and low inflation. Mentioned in this podcast:IEA releases record oil reserves to counter Iran war energy shockInvestors seek shelter from Iran war in US tech stocksUS inflation holds steady at 2.4% in FebruaryIran war threatens India's ‘Goldilocks' economyThe ‘number station' sending mystery messages to IranNote: The FT does not use generative AI to voice its podcasts Today's FT News Briefing was hosted and edited by Marc Filippino, and produced by Fiona Symon, Victoria Craig, Sonja Hutson and Saffeya Ahmed. Our show was mixed by Kent Militzer. Additional help from Michael Lello and David da Silva. Our executive producer is Topher Forhecz. Cheryl Brumley is the FT's Global Head of Audio. The show's theme music is by Metaphor Music.Read a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Ruth Alexander meets three people who gave up well-paid, high-flying careers to start all over again in the world of food. Nisha Katona left a career as a child protection barrister behind to start Mowgli, a chain of Indian restaurants in the UK, physically building her first restaurants herself. Judy Joo worked in finance on Wall Street but decided to give it up to go to culinary school. After starting at the bottom in various restaurant kitchens she founded the Korean restaurant chain Seoul Bird, which has outlets in the UK and the US. Duc Ngo was an engineer who felt he lacked purpose and joy. So he left his job to start a sandwich shop in Helsinki. But it wasn't easy. He took to Tiktok to document its rise, fall and rebirth as a bistro, The Alley. So did they all make the right decision and would they change anything? Ruth finds out... If you would like to get in touch with the show, please email: thefoodchain@bbc.co.uk Produced by Lexy O'Connor. Sound Engineer: Annie Gardiner Image: A smiling woman is behind a cafe door. She is turning the “closed” sign to “open”. Credit MoMo Productions/Getty images.

For episode 691 of the BlockHash Podcast, host Brandon Zemp is joined by Amit Mahensaria, Co-Founder and CEO of PRED.Pred operates as a peer-to-peer sports prediction exchange built on Base blockchain. Unlike traditional sportsbooks that profit from your losses, Pred generates revenue through trading fees on matched orders. The key distinction: we don't take the other side of your trade, we just run the market.Amit Mahensaria has spent the last two decades building and scaling ventures that bridge technology with learning outcomes and employability. His career crosses startup building, corporate finance, and edtech product leadership  grounded in top Indian technical and business education. 

“C” is for Commission of Indian Trade. In 1707 the Commons House of Assembly created the Board of Indian Commissioners to regulate the traffic between Indian traders and such nations as the Cherokees, Creeks, and Catawbas.

First, we speak to The Indian Express' Brendan Dabhi about how the conflict in West Asia is beginning to disrupt fuel supply chains in India, with Gujarat's Morbi ceramic cluster facing potential production shutdowns due to shortages of propane and natural gas.Next, The Indian Express' Vineet Bhalla explains an unusual case before the Karnataka High Court, where a sitting judge of the Supreme Court of Sri Lanka, A H M D Nawaz, has approached an Indian court seeking removal of allegedly defamatory articles from the internet under the right to be forgotten.(09:00)And in the end, we look at a Comptroller and Auditor General of India report that raises serious concerns about the condition of the Ganga in Uttarakhand, flagging untreated sewage, failing treatment plants, and worsening water quality between Devprayag and Haridwar. (17:20)Hosted by Ichha SharmaProduced and written by Shashank Bhargava, Niharika Nanda and Ichha SharmaEdited and mixed by Suresh Pawar

This is an excerpt of a patrons-only episode. To hear the full thing, and dozens more like it, visit Patreon.com/LoveMessagePod to sign up from just £3 a month.In this patrons episode we continue to unspool our mini-series on the great Arthur Russell. We rejoin the composer on the West Coast in the early 1970s, leaving him a few years later at the Manhattan School of Music as he prepares to move downtown. Along the way Tim and Jeremy discuss Arthur's friendship with Allen Ginsberg, his experiences of Buddhism, and an early recording session with the poet and one Bob Dylan. Elsewhere we hear about William Blake, ‘beginner's mind', Ginsberg's devotional music, hippie cowboys and Indian influences, and take a trip to Wales. In addition to his playing on the Ginsberg recordings, we also hear some of the first music composed by our subject.Tracklist:Allen Ginsberg - Wales VisitationAllen Ginsberg - Pacific High Studio Mantras - Om Ah Hum Vajra Guru Padma Siddhi HumAllen Ginsberg - A DreamArthur Russell - Goodbye Old Paint 

Recorded on March 7, 2026, at Boundless Mind Temple in Brooklyn, NY. Please enjoy this interfaith dialogue on engaged action as spiritual practice with guest teacher, Reverend Mira Salwani of The Riverside Church, and Sarah Dojin Emerson. The BZC Podcast is offered free of charge and made possible by the donations we receive. You can donate to Brooklyn Zen Center at brooklynzen.org under ‘Giving.' Thank you for your generosity! Rev. Mira Salwani speaks about “what it means to find home in the midst of chaos,” by “leaning into discomfort as a means to survival.” She explores the value of “extending home and belonging and safety to someone else … and to ourselves.” Reverend Mira Salwani serves as the Minister of Justice, Advocacy & Change at The Riverside Church. She is a daughter of immigrants, a pastor, a preacher, an educator and a public theologian. Mira received her Master of Divinity degree from Wesley Theological Seminary where she earned an award for Excellence in Public Theology and a Community Life Award. During her time in seminary, Mira served as the Associate Pastor of Spiritual Formation at Peace Fellowship Church, working in partnership with congregants, community organizers and activists to end gun violence in Washington, DC. Mira has also served on the launch team of Resurrection City, a Queer and Black led church plant; as the former Community Pastor at Forefront Church NYC and most recently as the Minister for Spiritual Development and Care at Middle Collegiate Church. Her decolonized approach to justice and advocacy have been informed by her lived experience as a “third culture kid” of Philippine and Indian heritage in her birthplace of Hong Kong, and her extensive experience doing ministry in multicultural communities from Australia to the United States. Her journey as a mother of three girls has fueled her desire to bring about social change for their futures and to bring to realization God's kin-dom here on earth for all to experience.

Is the best grocery platform one that decides what it WON'T sell?That is the bet Ayyappan is making with FirstClub. Fewer products. Stricter rules. While most quick commerce apps are trying to deliver orders faster, he is asking a different question. What if consumers need not “faster or cheaper”, but a retail platform where they can trust every item listed on it?A place where you do not have to read every label, check multiple reviews, or wonder if the top result is there because a brand paid for it. FirstClub is trying to solve a harder problem. It is trying to define what “quality” means for everyday products we consume, starting with groceries.India has received the highest quick commerce funding of any country in the world, at $9.24B over the last 10 years. Yet only 1% of Indians use quick commerce services today. With a large market still open for expansion and the possibility of better unit economics over time, FirstClub is building a countertrend to the hype around Indian quick commerce.Ayyappan brings eleven years of experience at Flipkart, and has also served as SVP at Myntra and CEO of Cleartrip. FirstClub also just raised a $50 million round and doubled its valuation in under six months. This episode is the story till here and the plans ahead for Firstclub.00:00 – Trailer01:01 – The Costco of Indian quick commerce04:32 – Building a counter-trend company06:15 – What consumers say v/s what they actually want09:37 – The only retail platform to Ban 200 ingredients12:34 – Why can't the big players solve this?13:21 – A simple rule of thumb for food16:03 – Brand stories from FirstClub19:20 – Is the problem access or income?21:29 – Who are the 20 million FirstClub consumers?24:14 – Only 1% of India uses quick commerce26:04 – What does “quality” mean in grocery?32:34 – How will FirstClub monetize without brand sponsorships?34:53 – Do consumers behave differently across categories?39:30 – Why is Myntra so powerful in fashion?42:24 – What Myntra taught Ayyapan that Flipkart didn't?43:53 – Unlearning to build for Quick commerce48:25 – Why Indian consumers are very experimental today50:59 – Is India one country when it comes to quality?52:43 – If Ayyappan was a product, what would he be?54:47 – The hardest belief to defend while building FirstClub56:26 – Akshayakalpa & The Whole Truth57:48 – Not niche, but premium-------------India's talent has built the world's tech—now it's time to lead it.This mission goes beyond startups. It's about shifting the center of gravity in global tech to include the brilliance rising from India.What is Neon Fund?We invest in seed and early-stage founders from India and the diaspora building world-class Enterprise AI companies. We bring capital, conviction, and a community that's done it before.Subscribe for real founder stories, investor perspectives, economist breakdowns, and a behind-the-scenes look at how we're doing it all at Neon.-------------Check us out on:Website: https://neon.fund/Instagram: https://www.instagram.com/theneonshoww/LinkedIn: https://www.linkedin.com/company/neon-fund/X: https://x.com/TheNeonShowwConnect with Nansi on:LinkedIn: https://in.linkedin.com/in/nansi-mishraX: https://x.com/nansi_mishra-------------This video is for informational purposes only. The views expressed are those of the individuals quoted and do not constitute professional advice.Send a text

Westerns on a ThursdayFirst, a look at the events of the day.Then, Lux Radio Theater,  originally broadcast March 12, 1951, 75 years ago, She Wore a Yellow Ribbon starring John Wayne.  Wayne stars in the adaptation of the 1949 John Ford Western.  Captain Nathan Brittles, on the eve of retirement, takes out a last patrol to stop an impending massive Indian attack. Encumbered by women who must be evacuated, Brittles finds his mission imperiled.Followed by Gunsmoke starring William Conrad,  originally broadcast March 12, 1955, 71 years ago, The Trial.  Judge Stokes has arrived in Dodge to dispense a most unusual brand of justice. A killing and $10,000 from a robbery are at stake. Then, The Adventures of Red Ryder starring Reed Hadley, originally broadcast March 12, 1942, 84 years ago, The Casa Grande Valley.  Red and Little Beaver head for the Casa Grande Valley. Ace Hanlon plans to hire "Pedro the Kid" to do away with Red Ryder once and for all. Ace barely escapes from "Bear Valley.".Finally, Claudia, originally broadcast March 12, 1948, 78 years ago, Income Tax.  Explaining income tax to Claudia.  Kathryn Bard and Paul Crabtree star. Thanks to Debbie B. for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamCheck out Professor Bees Digestive Aid at profbees.com and use my promo code WYATT to save 10% when you order! If you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

The Grand Vision of Our Vedic Texts Dr Anuradha Choudry is a scholar and eloquent speaker specialising in Sanskrit, Indian psychology, French, and the history of science and technology in ancient India. She serves as a Coordinator for the Indian Knowledge Systems Division of the Ministry of Education, Government of India, at AICTE, New Delhi, and is also a faculty member in the Department of Humanities and Social Sciences at the Indian Institute of Technology, Kharagpur.She was one of the distinguished guest speakers at the 2nd Global Vedic Conference held at Prasanthi Nilayam in January 2026. Later she visited the Sri Sathya Sai Media Centre, where she shared powerful insights on the multidimensional glory of Sanskrit and the grand vision of life as elucidated in the Vedas.

Brent crude has once again topped $100 a barrel as energy markets brace for the Iran conflict to drag on. US President Donald Trump says he is less concerned about high oil prices than about stopping Iran, while his energy secretary has confirmed the military cannot yet escort tankers through the Strait of Hormuz. Also, Indian households and businesses are facing high prices and shortages of cooking fuel, linked to disruptions in the Gulf.

In this episode, host Ashutosh Garg sits down with Indrajit Lahiri, the founder of Foodka and Pickle Solutions Pvt. Ltd., to unravel the extraordinary journey of a food documentarian who bridges the worlds of IT, entrepreneurship, and Indian culinary storytelling.Indrajit shares insights on his transition from corporate IT to food documentation, why story always comes before food on his channel, and what makes Indian cuisine one of the most varied in the world. Dive into the nuances of regional recipes, disappearing traditions, and the importance of context—plus discover what makes Bengali and Northeastern cuisine so underrated and unique.Whether you're a food lover, aspiring entrepreneur, or cultural explorer, this episode offers wisdom on identity, storytelling, and the challenges facing Indian food today.

In this episode, you're going to listen the incredible tale of the invention of an iconic kebab of an Indian city, which is made on a granite slab instead of iron skewers. And if you stay till the end, you can learn a useful Hindi phrase, as well.     Its Hindi version's transcript, which has expressions with their meanings and worksheets based on it, can be downloaded after becoming a Patron from - https://www.patreon.com/allaboutindiapodcast   or https://www.patreon.com/learnhindionthego To take a free trial for online Hindi lessons visit: https://learnhindischool Find out more at https://learn-hindi-on-the-go.pinecast.co This podcast is powered by Pinecast.

Music Not Diving touched down in Bengaluru, aka Bangalore, for the opening night of DJ El Sid's Ends & Means party, and also to record podcasts at the Bangalore International Centre with two of the most important people in the contemporary techno scene in India. This is part II...Sanil Sudan, aka FILM, is one of the best electronic producers to come out of India. Based in New Delhi, he has been involved in all aspects of the scene over the past decade and more: DJing, promoting parties, running one of India's first booking agencies (UnMute), as well as making beats as FILM and other aliases including the techno-focused Tyrell Dub Corp. 'We discuss his production process, differing approaches to studio techniques including classic synths and sampling, hidden resources to be found on Youtube, the challenges facing Indian producers, the development of a distinctive Indian sound, as well as his time spent in Berlin as part of the Border Movement Residency (BMR) program. This is a great conversation with a big talent operating in a difficult environment. Get involved! Check out El Sid mixes on Soundcloud. --Listen to the Not A Diving Club radio show: https://soundcloud.com/swufm/scuba-not-a-diving-club-14You can now discuss the show on Reddit: https://www.reddit.com/r/MusicNotDiving/If you're into what we're doing here on the pod then you can support the show on Patreon! There are two tiers - "Solidarity" for $4 a month, which features the show without ads, regular bonus podcasts, and extra content. And "Musicality" which for a mere $10 a month gets you all the music we release on Hotflush and affiliate labels AND other music too, some of which never comes out anywhere else.You can also make a one-off donation to the podcast using a card, with Paypal, or your Ethereum wallet! Head over to scubaofficial.io/support.Plus there's also a private area for Patreon supporters in the Hotflush Discord Server... but anyone can join the conversation in the public channels.Listen to the music discussed on the show via the Music Not Diving Podcast Spotify playlist00:00 Intro03:10 FILM06:11 From pro-gamer to promoter 08:30 The "No more parties in Delhi" experiment 11:45 Learning Music Theory mid-Career 15:45 AI Slop and the value of human emotion 17:54 The cultural necessity of sampling 22:00 Studio talk27:00 The Berlin border movement residency 32:30 Post-COVID clubbing & Spotify fatigue 37:30 The corporatisation of Boiler Room41:45 Forging an authentic Indian sound 49:10 The global hustle for Indian DJs Hosted on Acast. See acast.com/privacy for more information.

First, we speak to The Indian Express' Soumyarendra Barik about why states like Karnataka and Andhra Pradesh are considering banning social media for children, following the example set by Australia. We look at how such a ban might work in India and what the Centre and tech companies are saying about the proposal.Next, we turn to the escalating conflict involving the United States, Israel and Iran — and why it could threaten India's food security. The Indian Express' Harish Damodaran explains how disruptions in West Asia could affect fertiliser supplies that Indian agriculture depends on. (15:50)And in the end, The Indian Express' Amitabh Sinha explains why the Rs 1,600-crore LIGO-India project in Maharashtra's Hingoli district remains stuck, even though the observatory is meant to be part of the global network detecting gravitational waves predicted by Albert Einstein. (26:30)Hosted by Shashank BhargavaProduced by Shashank Bhargava and Ichha SharmaEdited and mixed by Suresh Pawar

The headlines of the day by The Indian Express

Welcome back to Cheers with Nat – the podcast dedicated to cheering on women in drinks. Before we get started with Episode 2, I wanted to share an exciting update about last week's guest, Georgia Kelly.  In true Cheers with Nat fashion, Georgia has also just moved beyond beer! Last week, on the very day her episode was released, she started a new role as a sales rep for Disaronno. Please do take a moment to pop onto LinkedIn and congratulate her, as that's what this show is all about – cheering on women in drinks. What a start! And we've got another incredible guest up next.  In today's episode, you're going to hear from Karina Aggarwal, better known on Instagram as GiggleWater411. Considering one of the things Karina loves most about her work is that no two days look alike, we start by digging into her job as a brand strategist and consultant and what it actually entails. We then go all the way back, discussing her childhood interest in Egyptology (and the surprising parallel with her work today), how she created her current role, the hobbies that keep her grounded outside of work, and more. Just before we get into the episode, I wanted to share a little content warning that we  also talk about Karina's recent battle with cancer, which she's been very open about on her social media. If you have a loved one living with cancer, like I do, I know these conversations can be tough to hear, but Karina's story is a really inspiring one. She lets us in on why she chose to share her battle so publicly, the positive impact she's had on others by doing so, and the life lessons she's learned from this experience. --- What stuck with me from this conversation: On imposter syndrome: "For me one of the things that has always helped is to know that I've done as much as I could from a preparation point of view… The confidence then comes to say, if there's something that I don't know, it's really ok for me to say, 'Oh wait, that's an interesting question. Let me try to find out about that. I'm not sure.' It doesn't diminish everything else that I know." On her role as a brand strategist: "It may eventually be about selling the product, but you want to establish what the brand is, you want to know who the right audience is to speak to, and how do you speak to the audience." On social media: "The idea is not to say this is the best whiskey or the best beer, it's always to say this for this reason is why I like to drink it or why it's on my bar." On her journey with cancer: Why she shared it publicly: "I just realised that I wanted people to hear from me. Like, I wanted them to know where I was at at that point in my head. That it wasn't a sob story. Yes it was a huge thing and I was sort of getting used to it. But that I was ok." The impact on others: "The other thing that became really important through the journey is that, again, when I first put it out there, I encouraged women to go and get tested. I said it's not something that we are told and I don't know why that is… and a lot of women write to me and said, 'We went. We took our best friends, we took our sisters, we took our mothers. We had been putting it off for a while.' But it was almost like, if it happened to you, it can happen to us." The impact on herself: "I've never been a patient person. I wouldn't say I am one now. But it did teach me a little bit to, you know, pick my battles a little better. Slow things down a little bit. Not need to be everywhere all at once." On scuba diving: "I struggle with getting my mind to shut down… but being in the ocean and diving and just looking at stuff and thinking about how the symbiosis is between these things and how it functions, that really calms me. It stops my mind from wondering."  Links & things: Indian indigenous spirits Six Brothers Mahura More on mahura and feni Karina's favourite comeptitions to judge Concours Mondial de Bruxelles Brussels Beer Challenge The legend that is RBG Book reccs – The Broken Earth Triology   Recording info: November 2025 in Bangalore, India Apologies for the background noise, we were recording in a meeting room in our hotel in India (we were both in Bangalore for the Brews & Spirits Expo) and we had a bit of company on a few occasions! --- Subscribe | Follow on Instagram | Email

A TikTok video by Madhu Raju, an Indian immigrant in the US on an H1-B visa sparks a lot of controversy, but Sandip wonders, are we missing the point?

Canada processes MAID applications same-day. The median wait for surgery is 28.6 weeks. This isn't broken — this is the system working as designed.In this episode:⚡ CANADA & MAID — A disabled man is pursuing medically assisted death to avoid homelessness. Not terminal. Not mentally ill. Just afraid of being on the street. We break down the same-day MAID protocol, 76,475 deaths since 2016, and what it tells you about Canadian governance.

For 70 years, a simple idea has shaped efforts to reduce prejudice: put people from different groups together under the right conditions, and contact reduces prejudice. Gordon Allport proposed it in 1954. A landmark 2006 meta-analysis of 515 studies seemed to confirm it, reporting an average effect of 0.4 standard deviations on prejudice measures. That paper has been cited more than 14,000 times. The credibility revolution has undermined this evidence, by correcting for publication bias that meant null results were seldom published. Matt Lowe of the Vancouver School of Economics has published a new review of 41 pre-registered studies, and he finds the average effect is one-tenth of a standard deviation. Those 41 pre-registered intergroup contact experiments cover nearly 40,000 participants across a wide range of countries, roughly half of them in the Global South. He tells Tim Phillips that the effects are real, consistently positive … but consistently small. Contact interventions are a waste of time. Costs can be low, and the alternatives have not yet been held to the same rigorous standard. But the gap between what the old literature promised and what careful experiments deliver is large enough to matter for anyone designing programmes to reduce prejudice between groups.The research behind this episode:Lowe, Matt. 2025. "Has Intergroup Contact Delivered?" Annual Review of Economics 17.To cite this episode:Phillips, Tim. 2026. "Has Intergroup Contact Delivered?" VoxDev Talk (podcast). Assign this as extra listening: the citation above is formatted and ready for a reading list or VLE.About Matt LoweMatt Lowe is an assistant professor at the Vancouver School of Economics at the University of British Columbia, a CIFAR Azrieli Global Scholar, and a J-PAL faculty affiliate whose research spans intergroup relations, development, and political economy. His website is at mattjlowe.github.io. He has previously been published in VoxDev discussing his field experiment on collaborative and adversarial caste integration through cricket leagues in India.Research cited in this episodeAllport, Gordon W. 1954. The Nature of Prejudice. Addison-Wesley. The founding text of intergroup contact theory, which proposed that contact between groups reduces prejudice when it meets four conditions: equal status, common goals, intergroup cooperation, and support from authorities.Pettigrew, Thomas F., and Linda R. Tropp. 2006. "A Meta-Analytic Test of Intergroup Contact Theory." Journal of Personality and Social Psychology 90 (5). The 515-study meta-analysis that established the 0.4 standard deviation benchmark for contact effects and became the dominant reference point for the field.Paluck, Elizabeth Levy, Roni Porat, Chelsey S. Clark, and Donald P. Green. 2021. "Prejudice Reduction: Progress and Challenges." Annual Review of Psychology 72. A review of 418 experiments on prejudice reduction from 2007 to 2019, identifying troubling signs of publication bias and finding that most studies evaluate light-touch, small-scale interventions with uncertain long-term effects.Scacco, Alexandra, and Shana S. Warren. 2018. "Can Social Contact Reduce Prejudice and Discrimination? Evidence from a Field Experiment in Nigeria." American Political Science Review 112 (3). A randomised field experiment mixing Christian and Muslim young men in a vocational training programme in Kaduna, Nigeria. Contact reduced discriminatory behaviour but did not change attitudes.Mousa, Salma. 2020. "Building Social Cohesion between Christians and Muslims through Soccer in Post-ISIS Iraq." Science 369 (6505). Randomly assigned Iraqi Christian displaced persons to football teams with Muslim teammates. Effects were positive on behaviours within the intervention but did not generalise to interactions with Muslim strangers outside it.Chakraborty, Anujit, Arkadev Ghosh, Matt Lowe, and Gareth Nellis. 2024. "Learning About Outgroups: The Impact of Broad Versus Deep Interactions." SSRN Working Paper. A field experiment in India finding that broad contact (meeting many different outgroup members) corrects misperceptions about outgroups, while deep contact (sustained interaction with one person) builds social and economic ties. Neither type generalises fully to the wider outgroup.Lowe, Matt. 2021. "Types of Contact: A Field Experiment on Collaborative and Adversarial Caste Integration." American Economic Review 111 (6). Randomly assigned Indian men from different castes to cricket teams or control groups, finding that collaborative contact increased cross-caste friendships and efficiency in trade while adversarial contact reduced them.More VoxDev Talks on this topicPromoting national integration in Nigeria: Tim Phillips talks to Oyebola Okunogbe about her research on the Nigerian National Youth Service Corps, which posts university graduates to states other than their own to promote national integration through intergroup contact.Peacemaking, peacebuilding and post-war reconstruction: Salma Mousa and Lisa Hultman discuss what the evidence shows about building peace and social cohesion after conflict, including which interventions hold up and which do not.Building social cohesion in ethnically mixed schools: an intervention in Turkey: Sule Alan discusses a programme designed to build cohesion between children from different ethnic backgrounds in Turkish schools, with effects on peer violence, reciprocity, and interethnic friendships.Related reading on VoxDevHow competition between villages helped divided communities in Indonesia: in ethnically diverse or divided settings, shared efforts towards a collective external goal can help bridge internal divides and build a shared identity.Reducing prejudice towards forced migrants through perspective taking: evidence on how perspective-taking interventions affect attitudes towards refugees and displaced populations.How a documentary film fostered interethnic harmony in Bangladesh: a media-based approach to reducing intergroup prejudice, examining what content and delivery can shift attitudes at scale.

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Tanvi is an evolutionary biologist who studies how pathogens and microbial communities evolve in response to human ecological, environmental, and cultural changes. Employing a One Health framework, her work integrates genomic/metagenomic datasets derived from animals, contemporary human populations living diverse lifestyles, and ancient individuals recovered using innovative paleogenomics techniques. She have a Bachelor's degree in Microbiology, with a minor in Industrial Microbiology, and a Master's degree in Virology from the University of Pune, India. Her research career began in 2011 with her Masters' research project, where she conducted a case-control association study of genetic polymorphisms in human immune response genes and the outcomes of Dengue virus infection in Indian populations. From 2012 to 2017, she worked on her Ph.D. in Evolutionary Biology under the supervision of Dr. Anne Stone and Dr. Michael Rosenberg at Arizona State University, Tempe, U.S. Her dissertation research involved using cutting-edge degraded DNA and next-generation sequencing methods to elucidate the evolutionary histories of the pathogens causing two major human diseases - leprosy and tuberculosis. From 2017 to 2024, she worked as a Research Assistant Professor with Dr. Cecil M. Lewis Jr., in the Laboratories of Molecular Anthropology and Microbiome Research (LMAMR) at the University of Oklahoma, Norman, U.S. In this role, she co-led numerous projects investigating the evolution of the human microbiome in response to migration, lifeways, and behavior, which included a National Science Foundation-funded project on the oral microbiome. In 2025, she started a new position as a Bioinformatics Scientist working with Dr. Charlotte Avanzi at Colorado State University, where she is studying the transmission dynamics of leprosy in human and animal hosts. ------------------------------ Find the paper discussed in this episode: Honap, T. P., Monroe, C. R., Johnson, S. J., Jacobson, D. K., Abin, C. A., Austin, R. M., Sandberg, P., Levine, M., Sankaranarayanan, K., & Lewis, C. M. Jr. (2023). Oral metagenomes from Native American Ancestors reveal distinct microbial lineages in the pre-contact era. American Journal of Biological Anthropology, 182(4), 542–556. https://doi.org/10.1002/ajpa.24735 ------------------------------ Contact Dr. Honap: tanvi.honap@uzh.ch https://www.tanvihonap.com/ ------------------------------ Contact the Sausage of Science Podcast and Human Biology Association: Facebook: facebook.com/groups/humanbiologyassociation/, Website: humbio.org, Twitter: @HumBioAssoc Chris Lynn, Co-Host Website: cdlynn.people.ua.edu/, E-mail: cdlynn@ua.edu, Twitter:@Chris_Ly Cara Ocobock, Co-Host, Website: sites.nd.edu/cara-ocobock/, Email:cocobock@nd.edu, Twitter:@CaraOcobock Anahi Ruderman, SoS Co-Producer, HBA Junior Fellow / E-mail: ruderman@cenpat-conicet.gob.ar

Indian advocacy groups are reporting a surge in hate incidents against Indian Americans. Enforcing H1-B is also racist. New evidence shows that transgenderism was just a social fad. Something we knew all along. Tony Gonzalez is out. Brandon Herrera is in. So the attack ads and hit pieces are just getting started. Tucker Carlson claims Trump's demand for unconditional surrender is like threatening the rape of Iranians. We'll explain why he's wrong. GUEST: Josh Firestine Link to today's sources: https://www.louderwithcrowder.com/march-9-2026 Let my sponsor American Financing help you regain control of your finances. Go to https://americanfinancing.net/crowder or call 800-974-6500. NMLS 182334, http://nmlsconsumeraccess.org. Download Rumble Wallet now—now with USA₮—and step away from the big banks --- for good! https://rumblewallet.onelink.me/bJsX/crowder Tucker Carlson's Iran episode: https://www.youtube.com/watch?v=Dl78cDjOIRM&t=10s Foundation Daily is made up of premium ingredients to reduce inflammation and stress and promote clean energy and mental clarity. Subscribe now and receive 40% off for life. https://foundationdaily.com/ DOWNLOAD THE RUMBLE APP TODAY: https://rumble.com/our-apps Join Rumble Premium to watch this show every day! http://louderwithcrowder.com/Premium Get your favorite LWC gear: https://crowdershop.com/ Bite-Sized Content: https://rumble.com/c/CrowderBits Subscribe to my podcast: https://feeds.libsyn.com/576250/rss FOLLOW ME: Website: https://louderwithcrowder.com/ X: https://x.com/scrowder Instagram: http://www.instagram.com/louderwithcrowder Facebook: https://www.facebook.com/stevencrowderofficial Music by @Pogo

While doing defense work, Ariel crosses paths with inmate Michael Thompson. Incarcerated for decades on murder charges, she finds him to be soft-spoken, educated, and spiritual. Ariel's intrigued by Thompson's life growing up on an Indian reservation, his claims of being wrongfully convicted, his time leading the brutal Aryan Brotherhood prison gang, and his quest for enlightenment. He dispenses wisdom as he recounts his violent past and deeds done to atone for them. But prosecutor Heather Brown finds Thompson's stories to be false or exaggerated, tales that shift as they suit his purpose. Whereas Ariel sees a reformed man worthy of a second chance, Heather believes him to be a slippery con artist intent on talking his way out of prison. In the podcast “Love + Radio: Blood Memory,” host Nick van der Kolk explores Thompson's life in a true crime series presented largely without narration. Through extensive interviews, it allows Thompson to tell his own life story, leaving it for the listener to decide whether he's credible. OUR SPOILER-FREE REVIEWS OF "LOVE + RADIO: BLOOD MEMORY" BEGIN IN THE FINAL 14 MINUTES OF THE EPISODE. In Crime of the Week: power vacuum.  For exclusive podcasts and more, sign up at Patreon.Sign up for our newsletter at crimewriterson.com.This show was recorded in The Caitlin Rogers Project Studio. Click to find out more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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In this week's MBA Admissions podcast we began by discussing the current state of the MBA admissions season. We are now getting close to the end of the interview invite season for Round 2 as top MBA programs begin to release their final decisions. This upcoming week, UNC / Kenan Flagler, Duke / Fuqua, Michigan / Ross, Notre Dame / Mendoza, SMU / Cox and Imperial Business School are releasing their Round 2 decisions. A few MBA programs are also beginning their next admissions rounds, including Georgia / Terry, IESE and Maryland / Smith. Graham highlighted upcoming MBA webinar events. On March 19, we are hosting a series of panel discussions focused on international students who are targeting the top MBA programs in the United States. On May 11, Clear Admit is hosting our in-person MBA Fair in Atlanta. Signups for these events are here: https://www.clearadmit.com/events Graham then highlighted several MBA admissions tips, focusing on Welcome Weekend events, the importance of pre-MBA coursework for MBA applicants, and two that focus on deferred admissions at UPenn / Wharton and Columbia. Finally, Graham addressed the new season of Real Humans Alumni. This week focuses on four alumni from Rice / Jones at Bain, NYU / Stern at BCG, Harvard at Amazon and CMU / Tepper at Morgan Stanley. For this week, for the candidate profile review portion of the show, Alex selected two ApplyWire entries and one DecisionWire entry: This week's first MBA admissions candidate is from India and is looking to pivot from accounting to finance. They are applying next season and still need to take the GMAT exam. This week's second MBA applicant has a 316 GRE score and is planning to retake the GRE before applying next season. We believe they will have a really strong profile if they can raise their GRE score. This week's final MBA candidate is deciding between Fuqua, Goizueta and Owen. This episode was recorded in Paris, France and Cornwall, England. It was produced and engineered by the fabulous Dennis Crowley in Philadelphia, USA. Thanks to all of you who've been joining us and please remember to rate and review this show wherever you listen!

For years, India was thought of as the Wild West of the fertility industry. But in 2021, a new law in India made it illegal for women to sell their eggs or serve as paid surrogates. That law clashed with a growing demand for human eggs within the country. The result: a thriving black market for human eggs.Today, some of the most marginalized Indian women and girls are supplying reproductive material, often with little compensation and at great personal risk. This week on The Sunday Story, NPR correspondent Diaa Hadid and co-reporter Shweta Desai investigate the supply chain of human eggs in India, from fertility clinics catering to the wealthy to the slums of Mumbai and Chennai. And we meet women who have given up some of the most intimate parts of themselves—to survive.To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

In this podcast episode we discuss Motion Pro motorcycle tools and why you need them.  For riders who wrench on their own machines, having the right tools makes all the difference. Motion Pro has built a reputation among serious riders for producing high-quality, purpose-built motorcycle tools designed to make maintenance easier, safer, and more precise. Whether you ride a Harley-Davidson touring bike or a modern Indian Motorcycle cruiser, Motion Pro tools are engineered specifically for the unique hardware, fasteners, and service needs found on V-twin motorcycles. SUPPORT US AND SHOP IN THE OFFICIAL LAW ABIDING BIKER STORE From fork seal drivers and clutch tools to cable lubers and specialty sockets, Motion Pro tools help riders perform professional-level maintenance in their own garage. Many Harley and Indian motorcycles require specialized tools to service components like front forks, steering heads, and driveline parts. Motion Pro designs these tools with durability and precision in mind, using high-quality materials and rider-tested engineering so you can work confidently without risking damage to expensive motorcycle components. CHECK OUT OUR HUNDREDS OF FREE HELPFUL VIDEOS ON OUR YOUTUBE CHANNEL AND SUBSCRIBE! For bikers who value independence and mechanical know-how, keeping Motion Pro tools in your toolbox is almost as important as having the right parts. Routine maintenance, upgrades, and roadside fixes become much easier when you're equipped with tools designed specifically for motorcycles. Whether you're maintaining a weekend cruiser or preparing your bike for a long-distance ride, Motion Pro tools help ensure your Harley or Indian stays reliable, safe, and ready for the open road NEW FREE VIDEO RELEASED: They Said Dogs Don't Belong on Motorcycles – Louie Proved Them Wrong! Kurakyn Pet Palace Beware of Winx Wheels: A Warning to the Motorcycle Community Sponsor-Ciro 3D CLICK HERE! Innovative products for Harley-Davidson & Goldwing Affordable chrome, lighting, and comfort products Ciro 3D has a passion for design and innovation Sponsor-Butt Buffer CLICK HERE Want to ride longer? Tired of a sore and achy ass? Then fix it with a high-quality Butt Buffer seat cushion? New Patrons: Jesus Santos of Franklin , IN Karl Forsberg of Bellmore, New York Terry Foret of Gonzales, Louisiana If you appreciate the content we put out and want to make sure it keeps on coming your way then become a Patron too! There are benefits and there is no risk. Thanks to the following bikers for supporting us via a flat donation: Jim McJenkins of Northport, Alabama Drew Young of Oxford, Ohio' Brian Burdick of Kinta, Oklahoma ________________________________________________________ FURTHER INFORMATION:   Official Website: http://www.LawAbidingBiker.com   Email & Voicemail: http://www.LawAbidingBiker.com/Contact   Podcast Hotline Phone: 509-731-3548 HELP SUPPORT US! JOIN THE BIKER REVOLUTION! #BikerRevolution #LawAbidingBiker

In this episode, we speak with historian Jack Bowsher about his remarkable new book Thunder Run: Meiktila 1945, which tells the extraordinary story of the final battles of the Burma Campaign in the Second World War. While most histories end with the famous victories at Imphal and Kohima, the dramatic reconquest of Burma in 1945 is often dismissed as little more than “mopping up.” In reality, it was the culmination of years of hard-earned experience by the British and Indian armies, fighting in one of the most challenging environments of the war and without the lavish resources seen in other theatres. At the heart of the story is the stunning armoured thrust on the Japanese supply hub at Meiktila—an all-arms blitz of tanks, motorised infantry, artillery, and air power that shattered the Japanese Burma Area Army. It is one of the most remarkable victories of the war, and yet remains one of its least-known battles.   Jack'sBook can be purchased here - https://amzn.to/4u8xSNs