FavourEconomy Vol 2. 2016 - 2017

Esther Shohet : Artist - painting FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Laimah Osman : Multidisciplinary Artist - drawing, printmaking & book arts FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Alana Hunt : Multidisciplinary Artist / Writer & Cultural Producer FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Yvette Coppersmith : Artist - paintingFavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Lottie Consalvo : Multidisciplinary Artist - painting, performance, video & photography FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, whereby each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Anna Magdalena Laerkesen : The Liminal state of play Arts Worker / Artist FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Penny Coss : Multidisciplinary Artist - painting, installation & public art FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Paula do Prado : Multidisciplinary Artist - mixed media, textiles, collage, painting & sculpture FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Sue Manchoulas : Multidisciplinary Artist / Composer FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Laura Purcell : Multidisciplinary Artist - performance, installation, visual art, photography, puppetry & dance FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Tianli Zu : Multidisciplinary Artist- sculpture, installation, painting & projection FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Hayley Megan French & Carla Liesch: Multidisciplinary Artists FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Nuha Saad : Multidisciplinary Artist - sculpture, painting, installation & public art FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Elisabeth Cummings: Artist - painting & printmaking FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Charmaine Cole : Digital Artist / Researcher / Writer FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Stella Chen : Interdisciplinary Artist - painting, drawing, performance, installation & photography FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Linda Wilken : Multidisciplinary Artist - printmaking, photography, collage, installation & animation FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Ann Fuata : Artist - sculpture & performance / Art Management FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Dahne Julian Molony : Interdisciplinary Artist - painting, drawing, video, sound, performance & costume / Curator / ARI Director FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Rebecca Gallo : Artist / Arts Writer FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Caroline Phillips : Visual Artist - sculpture, mixed media & feminist practice / Independent Curator / Researcher FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Kate Power : Multidisciplinary Artist - video, sculpture & installation FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Carolyn Cardinet : Multidisciplinary Artist - site-specific installation, sculptural assemblage, video & painting FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Sian Torrington : Sian Torrington : Multidisciplinary Artist - mixed media, installation & performance FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Charmaine Cole : Digital Artist / Researcher / Writer FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Michelle Cawthorn : Multidisciplinary Artist - painting - drawing, collage & installation FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Lea Kannar-Lichtenberger : Interdisciplinary Artist FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Amanda Davies : Multidisciplinary Artist - painting & installation FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, whereby each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Eva Heiky Olga Abbinga : Multidisciplinary Artist - installation, sculpture, painting, photography & sound FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Esther Shohet: Artist - painting FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Elizabeth Barsham : Artist - painting FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Mia Salsjo : Multidisciplinary Artist - video, drawing, printmaking, banners & installation FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Julie Dowling: Artist - painting FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Katya Grokhovsky: Multidisciplinary Artist / Curator FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Janice Gobey : Multidisciplinary Artist - painting & installation FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Jane Giblin : Artist - painting & drawing FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Anita Larkin : Artist - sculpture FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Rebecca Conroy - Artist / Writer / Curator / Producer / Troublemaker FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Shanequa Gay : Artist - painting FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Catriona Moore - Art Historian / Academic & Jo Holder - Gallery Director / Curator / Writer Jo Holder: Gallery Director / Curator / Writer FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Nicole Kelly: Artist - painting FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Ana Young : Interdisciplinary Artist - sculpture, installation, painting & drawing FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Penny Ryan : Artist - ceramics, participatory & socially engaged FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com

Wina Jie : Multidisciplinary Artist - painting & photography FavourEconomy is a collection of audio recordings shared by women* for the benefit of other women* working in the arts. The project operates as a platform for contributors to voice their experience, insights and skills and share it to the archive. The archive comprises of a series of volumes that develop over a one-year period coinciding with each financial year. The recordings shared to FavourEconomy are termed ‘favours’ because they have been produced by with the intention of being of value for other women* working in the arts to hear. The word ‘favour’ encapsulating a social gesture of ‘sharing something’ without defining exactly what that something might be. FavourEconomy operates as an audio gift economy, where each contributor has determined the content and value of their recording set in accordance with their own experience and is received by the listener according to their current situation and need. The audio favours concurrently give value and power to the female* voice and perspective, which is too often silenced. *female identifying and non-binary inclusive http://www.favoureconomy.com