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Ben's House. Mr. Pickett was unable to attend this particular event. I am running out of creative names for when its just the instrumental section or when we are missing a player. We were a bit unfocused this time. We did get through several songs with Kyle doing his best on vocals. This is the first time Ben played bass on Soulshine, too, which is a momentous occasion. We also ran through all the instrumentals that we have lined up and prepped. There were also some TITE jams of course. We also played ROOSTER, which has not seen the light of day in several years. Recommend adding it back to the setlist.
Ben's House. Mr. Pickett was unable to attend this particular event. I am running out of creative names for when its just the instrumental section or when we are missing a player. We were a bit unfocused this time. We did get through several songs with Kyle doing his best on vocals. This is the first time Ben played bass on Soulshine, too, which is a momentous occasion. We also ran through all the instrumentals that we have lined up and prepped. There were also some TITE jams of course. We also played ROOSTER, which has not seen the light of day in several years. Recommend adding it back to the setlist.
Ben's House. Mr. Pickett was unable to attend this particular event. I am running out of creative names for when its just the instrumental section or when we are missing a player. We were a bit unfocused this time. We did get through several songs with Kyle doing his best on vocals. This is the first time Ben played bass on Soulshine, too, which is a momentous occasion. We also ran through all the instrumentals that we have lined up and prepped. There were also some TITE jams of course. We also played ROOSTER, which has not seen the light of day in several years. Recommend adding it back to the setlist.
Ben's House. Mr. Pickett was unable to attend this particular event. I am running out of creative names for when its just the instrumental section or when we are missing a player. We were a bit unfocused this time. We did get through several songs with Kyle doing his best on vocals. This is the first time Ben played bass on Soulshine, too, which is a momentous occasion. We also ran through all the instrumentals that we have lined up and prepped. There were also some TITE jams of course. We also played ROOSTER, which has not seen the light of day in several years. Recommend adding it back to the setlist.
Ben's House. Mr. Pickett was unable to attend this particular event. I am running out of creative names for when its just the instrumental section or when we are missing a player. We were a bit unfocused this time. We did get through several songs with Kyle doing his best on vocals. This is the first time Ben played bass on Soulshine, too, which is a momentous occasion. We also ran through all the instrumentals that we have lined up and prepped. There were also some TITE jams of course. We also played ROOSTER, which has not seen the light of day in several years. Recommend adding it back to the setlist.
Ben's House. Mr. Pickett was unable to attend this particular event. I am running out of creative names for when its just the instrumental section or when we are missing a player. We were a bit unfocused this time. We did get through several songs with Kyle doing his best on vocals. This is the first time Ben played bass on Soulshine, too, which is a momentous occasion. We also ran through all the instrumentals that we have lined up and prepped. There were also some TITE jams of course. We also played ROOSTER, which has not seen the light of day in several years. Recommend adding it back to the setlist.
Ben's House. Mr. Pickett was unable to attend this particular event. I am running out of creative names for when its just the instrumental section or when we are missing a player. We were a bit unfocused this time. We did get through several songs with Kyle doing his best on vocals. This is the first time Ben played bass on Soulshine, too, which is a momentous occasion. We also ran through all the instrumentals that we have lined up and prepped. There were also some TITE jams of course. We also played ROOSTER, which has not seen the light of day in several years. Recommend adding it back to the setlist.
Ben's House. Mr. Pickett was unable to attend this particular event. I am running out of creative names for when its just the instrumental section or when we are missing a player. We were a bit unfocused this time. We did get through several songs with Kyle doing his best on vocals. This is the first time Ben played bass on Soulshine, too, which is a momentous occasion. We also ran through all the instrumentals that we have lined up and prepped. There were also some TITE jams of course. We also played ROOSTER, which has not seen the light of day in several years. Recommend adding it back to the setlist.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Gato Maestro at Ben's House. We spent some heavy time on Naima and Work Song on this one. Work Song is still a mess and we need to get the ending right. Naima is really coming together and has a nice texture change for us, but it needs to tighten up. It was good to get everybody back together again.
Ben's House. Master Chase could not join this particular session for various reasons. We decided to focus on instrumentals. Some highlights of this particular day were our first time through Im Sentimental for You and K-Paz and several very energetic jams.
Ben's House. Master Chase could not join this particular session for various reasons. We decided to focus on instrumentals. Some highlights of this particular day were our first time through Im Sentimental for You and K-Paz and several very energetic jams.
Ben's House. Master Chase could not join this particular session for various reasons. We decided to focus on instrumentals. Some highlights of this particular day were our first time through Im Sentimental for You and K-Paz and several very energetic jams.
Ben's House. Master Chase could not join this particular session for various reasons. We decided to focus on instrumentals. Some highlights of this particular day were our first time through Im Sentimental for You and K-Paz and several very energetic jams.
Ben's House. Master Chase could not join this particular session for various reasons. We decided to focus on instrumentals. Some highlights of this particular day were our first time through Im Sentimental for You and K-Paz and several very energetic jams.
Ben's House. Master Chase could not join this particular session for various reasons. We decided to focus on instrumentals. Some highlights of this particular day were our first time through Im Sentimental for You and K-Paz and several very energetic jams.
Ben's House. Master Chase could not join this particular session for various reasons. We decided to focus on instrumentals. Some highlights of this particular day were our first time through Im Sentimental for You and K-Paz and several very energetic jams.
Ben's House. Master Chase could not join this particular session for various reasons. We decided to focus on instrumentals. Some highlights of this particular day were our first time through Im Sentimental for You and K-Paz and several very energetic jams.
Ben's House. Master Chase could not join this particular session for various reasons. We decided to focus on instrumentals. Some highlights of this particular day were our first time through Im Sentimental for You and K-Paz and several very energetic jams.
Ben's House. Master Chase could not join this particular session for various reasons. We decided to focus on instrumentals. Some highlights of this particular day were our first time through Im Sentimental for You and K-Paz and several very energetic jams.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.
Gato Maestro at Ben's House. Having finished the book, we decided to dedicate some time to the lesser-played tunes. The tunes that need love. That said, we also spent a fair amount of time working on a new version of Naima. We had worked on this in the past, prior to COVID, but it was in a bizarre time signature and we could not make it work. We put it into a Latin-feel 4-4 and it seems to work OK. We also resurrected Good Question. Chase had to leave but the instrumentalists stayed to run the instrumental tunes at the end.