Podcasts about work songs

Thom Francis welcomes local poet and artist Melissa Anderson, who was the featured reader at the Third Thursday Poetry Night at the Social Justice Center in Albany on Thursday, April 17, 2025. ——— Melissa Anderson is a multidisciplinary artist whose work is deeply influenced by a search for connection with the physical world, changing seasons, and our relationships with the places we call home. She co-runs the slam poetry team Slam Euphoria, as well as their bi-monthly poetry open mic at Cafe Euphoria in Troy. That night she read from her book "Dogstar Poems" (Main St. Rag Publishing, 2024), starting off with a poem from her day job making furniture for Chipotle, “Work Song,” and then a pandemic piece, “Bedroom Window Lockdown.” Melissa explained that “Dogstar” was another name for what is commonly known as “Polaris” or the North Star, & that many of the poems in the book are about looking for direction, as in the poem “Reflexivity.”

Selección musical de Charlie Fáber, director de Sateli3."Out On The Floor" - Dobie Gray"Exit Loneliness Enter Love" - Tommy Mosley"The Duck" - Jackie Lee"Barefootin´" - Robert Parker"Chills and Fever" - Ronnie Love"The Work Song" - Tommy Hunt"Miss Treatment" - The Incredibles"Love Makes The World Go Round" - Deon Jackson"Catch That Teardrop" - The 5 Royales"Girl Watcher" - The O´Kaysions"I´m On My Way" - Barbara Dane"The Ice-Man" - Billy Watkins"Backfield In Motion" - Mel & Tim"I´ve Arrived" - Steve Flanagan"It´s Your Voodoo Working" - Charles Sheffield"Take A Giant Step (Walk On)" - The Profiles"Fortune Teller" - Benny Spellman"I Can´t Get Over Losing Your Love" - The Incredibles"Comin´ Home Baby" - Mel Torme"Lover Come Back To Me" - The Cleftones"Give Our Love A Chance" - Ada Ray Escuchar audio

Sintonía: "Sr. Lobo" - Los 300 1. "Going To See My Baby" (Extended Mix) - THE FATBACK BAND 2. “Messin’ Around“ - WILD SUGAR 3. ”Work Song” - PAT LUNDY 4. ”Let’s Get High (On The Music)“ - NICE & TIGHT BAND 5. ”Peaches & Prunes” - NIGHTLIFE UNLIMITED 6. ”Get Down Attack” - GENERAL KAINE   Sr. Lobezno management Todas las músicas seleccionadas y presentadas por el Sr. Lobezno (Isidro Sánchez Marín) desde RNE en Granada. Muchísimas gracias a Juan Carlos por su buen hacer y predisposiciónContacto: srlobezno@afrodisiaclub.comEscuchar audio

Classics as well as some more obscure folk and punk tracks, on today's Labor Heritage Power Hour Today's labor history: AFL and CIO merge Today's labor quote: John Sweeney @Heartland_Labor @wpfwdc @AFLCIO #1u #UnionStrong #LaborRadioPod Proud founding member of the Labor Radio Podcast Network

Эхо Хельсинки – 28 октября 2024 года Война – день 978 Финская делегация во главе с президентом отправилась сегодня с государственным визитом в Китай. Россия ищет слабые места в Финляндии, – заявила министр иностранных дел Валтонен немецкому изданию. Государство-изгой, нарушающее международное право, теперь выступает в качестве международного игрока с разрешения двух постоянных членов Совета Безопасности ООН – России и Китая, – посетивший Финляднию председатель Военного комитета НАТО обеспокоен участием КНДР в войне в Украине. Большинство финнов считают, что Финляндия движется в неверном направлении, – показывает опрос Аналитического центра деловой жизни (Eva). Иностранцам с высшим образованием сложно найти в Финляндии работу по специальности: через год после окончания учебы по специальности работают лишь около четверти иностранных граждан. В следующем году трудовые пенсии будут увеличены на 1,3 процента – для средней пенсии прибавка составит 25 евро. Возможно, что музей Сеурасаари не закроют: министр образования и культуры внесла дополнительное предложение по бюджету для спасения музеев. В воскресенье на МАПП Ниирала провели аукцион по продаже велосипедов, оставленных в прошлом году просителями убежища. Финляндия конфисковала участок, на котором находится Российский центр науки и культуры, – сообщает издание Helsingin Sanomat. Стоит признаться, что сейчас иметь российское происхождение – это совсем не легко. Количество гнева и ненависти в соцсетях, с которыми я столкнулся за последние пару лет, было гигантским. Я также был свидетелем инцидентов, когда на украинцев кричали и оскорбляли, потому что считали их русскими, – Сергей Хильман и еще двое героев публикации Yle о том, что для них значит иметь русские корни в нынешнее время. Yle опубликовала репортаж о российских военнопленных в Украине. Значительная часть грузинских избирателей – городские избиратели, образованный класс Грузии – стоит достаточно чётко на позициях сохранения грузинского суверенитета и самостоятельного выбора дальнейшего пути, – считает политолог и научный сотрудник Карлова университета Александр Морозов в The Breakfast Show на одноименном YouTube-канале. Большинство населения Кингисеппа проголосовало, чтобы оставить название города Кингисепп. И это подтверждает полное отсутствие критического мышления. Как назовёшь корабль, так он и поплывёт. И он до сих пор плывёт именем эстонского коммуниста-террориста Виктора Кингисеппа, – лютеранский пастор из Эстонии Владимир Батухтин размышляет о наследии советского прошлого и состоянии умов на постсоветском пространстве. Work Song – джазовая композиция в исполнении Cannonball Adderley Sextet завершает нашу программу.

A survey of work songs from around the world, recorded by Alan and John A. Lomax. We narrow the definition of work song to mean specifically those sung to assist in or accompany actual jobs of work. Visit our brand new work song exhibit here. Playlist (links to catalog records in the Lomax Digital Archive when available):1a Alla Boara 1b A Mezzononte en Punto 2 Walter Brown on Privileged Penitentiary https://archive.culturalequity.org/film-and-video/american-patchwork/greenville-levee-19783 Levee Camp Hollers https://archive.culturalequity.org/field-work/mississippi-delta-survey-1941-1942/lake-cormorant-941/levee-camp-hollers4a Track Lining Song and Talk https://archive.culturalequity.org/node/16894b Dogging Steel https://archive.culturalequity.org/field-work/southern-us-1959-and-1960/williamson-959/dogging-steel-part-14c Sis Joe https://archive.culturalequity.org/field-work/mississippi-1933-1940/parchman-farm-833/sis-joe5 Houston Bacon Sinking and Joining Iron https://archive.culturalequity.org/field-work/mississippi-delta-survey-1941-1942/clarksdale-842/sinking-rails-and-joining-iron6a Di Yo Pa Hele https://archive.culturalequity.org/field-work/caribbean-1962/la-plaine-ii-662/di-yo-pa-hele-pou-nou6b Naje Kanot-la https://archive.culturalequity.org/field-work/caribbean-1962/scotts-head-662/naje-kanot-la7a Dekouwe bwa-la https://archive.culturalequity.org/field-work/caribbean-1962/la-plaine-ii-662/dekouwe-bwa-la7b Clyde Maxwell wood chopping https://archive.culturalequity.org/film-and-video/american-patchwork/clyde-maxwells-wood-chopping-holler-1-19787c John Bray Cypress Logging 8 Winnowing songshttps://archive.culturalequity.org/field-work/morocco-1967/tazzarine-967/winnowing-song-i & https://archive.culturalequity.org/field-work/morocco-1967/tazzarine-967/winnowing-song-ii 8b Shouts on the threshing floor https://archive.culturalequity.org/field-work/morocco-1967/tazzarine-967/shouts-threshing-floor8c Unidentified Threshing Songhttps://archive.culturalequity.org/field-work/spain-1952-1953/valldemossa-752/unidentified-threshing-song-i9a I Like Picking Olives https://archive.culturalequity.org/field-work/spain-1952-1953/valldemossa-752/magrada-collir-oliva9b Bentara Noa https://archive.culturalequity.org/field-work/spain-1952-1953/uitzi-1252/bentara-noa9c Larre Berrian https://archive.culturalequity.org/field-work/spain-1952-1953/uitzi-1252/larre-berrian-i10a Warning Cry https://archive.culturalequity.org/field-work/spain-1952-1953/alan-lomax-inspecting-recording-machine-marble-quarry11b O's Toils https://archive.culturalequity.org/field-work/scotland-1951-1958/garrygall-851/o-s-toil-s-ro-thoil-liom-i-i-very-much-desire12a O's Fhada https://archive.culturalequity.org/field-work/scotland-1951-1958/garrygall-651/o-s-fhada-bhuainn-anna-far-away-us-anna12b Oganach https://archive.culturalequity.org/field-work/scotland-1951-1958/balivanich-651/oganach-gun-toir-na-dheaghaidh-young-man-whom-no-one-012c An Cuala https://archive.culturalequity.org/field-work/scotland-1951-1958/balivanich-651/cuala-sibh-man-mhaighdean-cheutach-have-you-heard

Since the beginning of labor unions and collective action in the workplace, songs have served as a way to build camaraderie and communicate complaints between workers. As part of our “Econ Extra Credit” series, we delve into the storied history of the humble work hymn and how songs continue to shape organized labor efforts today. Plus, a look at how monetary policymakers at the Fed might analyze upcoming jobs numbers as they consider a potential rate cut.

Since the beginning of labor unions and collective action in the workplace, songs have served as a way to build camaraderie and communicate complaints between workers. As part of our “Econ Extra Credit” series, we delve into the storied history of the humble work hymn and how songs continue to shape organized labor efforts today. Plus, a look at how monetary policymakers at the Fed might analyze upcoming jobs numbers as they consider a potential rate cut.

Jam Notes: One of our best performances. Lisa Timberlake guested for a rendition of Feelin' Good. Justin did a number on the set list and made it feel and flow completely different. There were quite a few people in from the surrounding area for the first two sets but then it tapered out by the last set and we went home. Also we wanna thank Rainbow for running house sound on this one; it sounds very very nice and everyone is quite crisp and solid.

Jam Notes: One of our best performances. Lisa Timberlake guested for a rendition of Feelin' Good. Justin did a number on the set list and made it feel and flow completely different. There were quite a few people in from the surrounding area for the first two sets but then it tapered out by the last set and we went home. This set/jam is sourced from the room microphone Ben setup and is not based off of house sound.

Der nächste Artist der sich zum Gespräch mit Christl & Peter getroffen hat, war Andrew John Hozier-Byrne aka Hozier. Der irische Folkmusiker hat mit den beiden darüber gesprochen, wie es für ihn ist Musik zu machen, wie er Musik macht und vor allem auch, wie sein Fotoshoot für das aktuelle Albumcover zu "Unreal Unearth: Unheard" war. Komplett mit Erde überschüttet zu werden, war wohl doch eine Erfahrung für sich.

The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too.  In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too.  In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too.  In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too.  In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too.  In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too.  In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too.  In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer: Work, Song, Crisis (Goldsmiths Press, 2024) shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Paul Rekret is Lecturer in Media Industries in the School of Media and Communications at the University of Westminster, UK.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Get Paul's book here: https://mitpress.mit.edu/9781913380168/take-this-hammer/   The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall— Take This Hammer shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself. Thank you guys again for taking the time to check this out. We appreciate each and everyone of you. If you have the means, and you feel so inclined, BECOME A PATRON! We're creating patron only programing, you'll get bonus content from many of the episodes, and you get MERCH! Become a patron now https://www.patreon.com/join/BitterLakePresents? Please also like, subscribe, and follow us on these platforms as well, (specially YouTube!) THANKS Y'ALL YouTube: https://www.youtube.com/channel/UCG9WtLyoP9QU8sxuIfxk3eg Twitch: www.twitch.tv/thisisrevolutionpodcast www.twitch.tv/leftflankvets​ Facebook: https://www.facebook.com/Thisisrevolutionpodcast/ Twitter: @TIRShowOakland Instagram: @thisisrevolutionoakland Read Jason Myles in Sublation Magazine https://www.sublationmag.com/writers/jason-myles Read Jason Myles in Damage Magazine https://damagemag.com/2023/11/07/the-man-who-sold-the-world/ Pascal Robert's Black Agenda Report: https://www.blackagendareport.com/author/Pascal%20Robert

Hi there Beautiful, I wrote a song about wage slavery. Wage Slavery, Late Stage Capitalism and My Ancestor's Slave songs inspired this modern day Work Song. much love, joy and peace, Alecia

Often we can follow the path of those around us or even become "self made." We can line up our lives around the fear lacking and live in a scarcity mindset. It's easy to idolize and pursue success in our culture. What if there was more than meets the eye and a Godly way of success? Today, we look at the habits that early church had to stand up and leave the wrong places in our lives. We will be studying through Hebrews 13. We will also worship with a song of God's faithfulness “Come to the Altar” as He “altars” our lives.

Often we play it safe and keep quiet. We can fear others as we face seemingly impossible obstacles and odds? It's easy to feel alone and get discouraged. What if there was more than just human odds that would alter your circumstances? Today, we look at the moment when we stand in opposition. We will be studying through 1 Kings 18. We will also worship with a song of God's faithfulness "Same God” as He “altars" our lives.

Life, at times, has a way of bringing us to our breaking point. We can fear the future as we face seemingly impossible obstacles and odds? It's easy to get discouraged and only see the path of the world. What if there was more than just human odds that would alter your life for good? Today, we look at to overcome in the moments and seasons that break us. We will be studying through Genesis 27-35. We will also worship with a song of God's faithfulness “firm foundation” as He “altars” our lives.

Life, at times, has a way of getting the best of us. When we get stuck in a rut or even in a bad habit how do we stop? It's easy to follow the same path of the world, or hang around the wrong friends, or even think we can do it without God. What if there was something that would alter your life for good? Today, we look at how to stop. We will be studying through 1 Chronicles 21. We will also worship with a song of confession "Give Us Clean Hands" as we let God "altar" our lives.

Life, at times, has a way of defeating even the best of us. When we fall or even fail where do we start again? It's easy to follow the path of the world, our friends, or even add Church into our routine, but what if there was a better starting point. Something that would alter your life for the better? This message we look at God's starting point for your life. We will be studying through Judges 6 and Romans 12. We will also worship with a new song "Holy Forever" as we let God "altar" our lives.

In a world of bills, broken relationships, and pain, we can easily forget about the soundtrack of God - that God has given us supernatural hope. Today I'm asking you to press pause on your daily shuffle and mix in a song of worship into you hearts and minds that will shift your heart and alter your life. This is “Altar Work!”

We begin Holy Week by celebrating Palm Sunday together and walking through Psalm 118. Throughout the week we will dive into psalms that apply to the events of Christ's passion throughout the week. Psalm 118 is not only quoted during the events of Jesus' entrance into Jerusalem, but it also tells us so much about our Savior and the nature of his deliverance.

Jam Notes: This is the same evening as the other Nash Street recording on Dec 9. This one was recorded by the local sound engineer Rainbow, who runs multiple mixes at the same time. The vocals are a lot easier to hear on these, as is every single little mistake. Note that this is the Christmas episode, meaning there are some unusual things on this recording. Also we ran out of CD space, as we often do, and so the last take of Lean on Me into 1-2-3 is cut short. Jam Notes: " "

Jam Notes: This is the same night as the other entry dated Nov 3, but this is from the board that Rainbow runs. Rainbow is the resident sound engineer at Nash Street Tavern. This is what she captured that evening. Note that the third set ends right near the end of Are You Like Me because we ran out of CD space. Jam Notes: " "

Gato Maestro at Nash Street Tavern. This is the same night as the other entry dated Nov 3, but this is from the board that Rainbow runs. Rainbow is the resident sound engineer at Nash Street Tavern. This is what she captured that evening. Note that the third set ends right near the end of Are You Like Me because we ran out of CD space.

This second episode exploring the 1939 Texas recordings of John A. and Ruby T. Lomax focuses on work songs: selections of "river songs" sung by Black men incarcerated in the prison-farms of the Texas Department of Corrections, as well as pieces from free-world agricultural settings and the railroad section gang. Alan Lomax interview with Charles Kuralt, 1991 (watch the complete interview here)Tommy Woods & group: Go Down Old Hannah (Dormitory, Clemens State Farm, Brazoria, Brazoria County, Texas, April 16, 1939) Clyde Hill & group: Long Hot Summer Days (Dormitory, Clemens State Farm, Brazoria, Brazoria County, Texas, April 16, 1939) Charles Eckhardt: Calling the animals, (Pipe Creek, Bandera County, Texas, May 4, 1939) Henry Truvillion: calling track (Truvillion's home, between Newton and Burkeville, Texas, May 16, 1939)Jose Suarez: Cotton-pickers corrido (The home of J.K. Wells, Brownsville, Cameron County, Texas, April 26, 1939) John Lowey Goree, Who Curled Your Hair, Who Combed Your Bangs (At Goree's home, 2908 Jackson St, Houston, Harris County, Texas, April 12, 1939) Mose “Clear Rock” (or “Wyandotte”) Platt: Ain't No More Cane on the Brazos (Hotel Blazilmar, 107 Porter Street, Taylor, Williamson County, Texas, May 10, 1939) Unidentified men: Hammer Ring (Dormitory, Clemens State Farm, Brazoria, Brazoria County, Texas, April 16, 1939) Bed MusicSmith Casey: East Texas Rag (Dormitory, Clemens State Farm, Brazoria, Brazoria County, Texas, April 16, 1939)Elmo Newcomer: Unfortunate Puppy (The home of Elmo Newcomer, Pipe Creek, Bandera County, Texas, May 13, 1939)L.W. Gooden, Ace Johnson: Mama Don't Allow (Dormitory, Clemens State Farm, Brazoria, Brazoria County, Texas, April 16, 1939)

A sermon based on Psalm 127

Composer John Williams is the defining sound of Hollywood and, arguably, the most widely listened to composer in the world. Kirk decided he needed some help tackling Williams' towering musical legacy, so he enlisted Australian author and musician Dan Golding as his tour guide through Williams' musical world, with a special focus on his groundbreaking score for 1980's Star Wars: The Empire Strikes Back.REFERENCED ON THIS EPISODE:Dan's book Star Wars After Lucas, his ABC radio show Screen Sounds and his podcast Art of the Score"Liberdade" by Dili Allstars"Celebration" from Push Me Pull You by Dan Golding, 2016The Adventures of Robin Hood score by Erich Wolfgang Korngold, 1938Excerpts from Untitled Goose Game as assembled by Dan Golding"Right Time" by Mighty Diamonds/Sly & Robbie, 1976"Peter Gunn" by Henry Mancini, 1959"1. Mars, the Bringer of War" by Gustov Holst from The Planets, Op. 32 as performed by the London Symphony OrchestraExcerpts from Star Wars: A New Hope, Star Wars: The Empire Strikes Back and Star Wars: The Rise of Skywalker, all by John WilliamsThe "Star Wars Music Minute" podcast episode 22 feat. Dan Golding"Medley: Star Wars" by Meco, 1977Bill Murray singing the Star Wars theme on Saturday Night Live, 1978Excerpts from Jurassic Park  by John WilliamsExcerpts from Merry Melodies/Looney Tunes by Carl Stalling"Flash Gordon" by Queen from Flash Gordon, 1980"The Mandalorian" by Ludwig Göransson from The Mandalorian, 2019"If I Fight, You Fight" from Creed by Ludwig Göransson, 2015Excerpts from the Solo: A Star Wars Story score by John Powell, 2018"Moanin," "Wednesday Night Prayer Meeting," "Open Letter to Duke," "Eh's Flat Ah's Flat Too" from Mingus Ah Um and Blues & Roots, by Charles Mingus, 1959"II B.S." by Charles Mingus from Mingus, Mingus, Mingus, Mingus, Mingus, 1964"Work Song" by Duke Ellington from Black Brown & Beige as recorded by Jazz at Lincoln Center in 2020"The Fablemans" by John Williams from The Fablemans, 2022"Beef Lo Mein" by Caroline Shaw from the Fleishman is in Trouble soundtrack, 2019"Movement II: The Big Show" by Wynton Marsalis and Jazz at Lincoln Center from Symphony No. 4: "The Jungle," 2023----LINKS-----SUPPORT STRONG SONGS!Paypal | Patreon.com/StrongsongsMERCH STOREstore.strongsongspodcast.comSOCIAL MEDIAIG: @Kirk_Hamilton | Threads: @Kirk_HamiltonNEWSLETTERhttps://kirkhamilton.substack.com/subscribeJOIN THE DISCORDhttps://discord.gg/GCvKqAM8SmOUTRO SOLO PLAY-A-LONG:https://soundcloud.com/kirkhamilton/strong-songs-outro-music-no-soloSTRONG SONGS PLAYLISTSSpotify | Apple Music | YouTube Music--------------------SEPTEMBER 2023 WHOLE-NOTE PATRONSBen BarronCatherine WarnerDamon WhiteKaya WoodallDan AustinJay SwartzMiriam JoySEAN D WINNIERushDaniel Hannon-BarryAshley HoagChristopher MillerJamie WhiteChristopher McConnellDavid MascettiJoe LaskaKen HirshJezMelanie AndrichJenness GardnerJeanneret Manning Family FourDave SharpeSami SamhuriJeremy DawsonAccessViolationRyan TorvikElliot Jay O'NeillAndre BremerDave FloreySEPTEMBER 2023 HALF-NOTE PATRONSAbraham BenrubiChristopher BrunoChris KotarbaCallum WebbLynda MacNeilDick MorganBen SteinSusan GreenSean MurphyJake YumatillaAlan BroughRandal VegterGo Birds!Whit SidenerRobert Granatdave malloyNick GallowayHeather Johnsonjohn halpinPeter HardingDavidMeghan O'LearyJohn BaumanDax and Dane HuddlestonMartín SalíasTim HowesStu BakerSteve MartinoDr Arthur A GrayCarolinaGary PierceMatt BaxterGiantPredatoryMolluskLuigi BocciaE Margaret WartonCharles McGeeCatherine ClauseEthan BaumanKenIsWearingAHatJordan BlockAaron WadeJamieDeebsPortland Eye CareCarrie SchneiderRichard SneddonJulian RoleffDoreen CarlsonDavid McDarbyWendy GilchristElliot RosenLisa TurnerPaul WayperBruno GaetaKenneth JungAdam StofskyZak RemerRishi SahayAilie FraserVonRob TsukNATALIE MISTILISJosh SingerPhino DeLeonAmy Lynn ThornsenAdam WKelli BrockingtonVictoria YuBrad Clarkmino caposselaSteve PaquinEmma SklarBernard KhooRobert HeuerMatthew GoldenDavid NoahGeraldine ButlerMadeleine MaderJason PrattAbbie BergDoug BelewDermot CrowleyAchint SrivastavaRyan RairighMichael BermanOlivia BishopJohn GisselquistLinda DuffyLiz SegerEoin de BurcaKevin PotterM Shane BordersDallas HockleyJason GerryNathan GouwensLauren ReayEric PrestemonCookies250Damian BradyAngela LivingstoneSarah SulanDiane HughesMichael CasnerLowell MeyerStephen TsoneffWenJack SjogrenGeoff GoldenRobyn FraserPascal RuegerRandy SouzaClare HolbertonDiane TurnerTom ColemanMark PerryDhu WikMelEric HelmJonathan DanielsMichael FlahertyJarrod SchindlerCaro Fieldmichael bochnerNaomi WatsonDavid CushmanAlexanderGavin DoigSam FennTanner MortonAJ SchusterJennifer BushDavid StroudAmanda FurlottiAndrew BakerJules BaileyAndrew FairL.B. MorseBill ThorntonBrian AmoebasBrett DouvilleJeffrey OlsonMatt BetzelNate from KalamazooMelanie StiversRichard TollerAlexander PolsonEarl LozadaJustin McElroyArjun SharmaJames JohnsonKevin MorrellColin Hodo

Rob and Ryan are change up the format and react to Episode 2x18, the Work Song Nanocluster! Hope you enjoy! that means no IQ points this episode! **GIVE US A 5 STAR REVIEW ON APPLE PODCASTS AND BE ENTERED IN TO WIN A $100 GIFT CARD TO AMAZON! BETTER LISTEN TO THE EPISODE FOR DETAILS! Click the link below!https://podcasts.apple.com/us/podcast/theoretical-nonsense-the-big-bang-theory-watch-a/id1623079414Find us everywhere at: https://linktr.ee/theoreticalnonsense~~*CLICK THE LINK TO SEE OUR IQ POINT HISTORY TOO! *~~-------------------------------------------------Welcome to Theoretical Nonsense! If you're looking for a Big Bang Theory rewatch podcast blended with How Stuff Works, this is the podcast for you!  Hang out with Rob and Ryan where they watch each episode of The Big Bang Theory and break it down scene by scene, and fact by fact, and no spoilers! Ever wonder if the random information Sheldon says is true? We do the research and find out! Is curry a natural laxative, what's the story behind going postal, are fish night lights real? Watch the show with us every other week and join in on the discussion! Email us at theoreticalnonsensepod@gmail.com and we'll read your letter to us on the show! Even if it's bad! :) Music by Alex Grohl. Find official podcast on Apple, Stitcher, and Spotify https://podcasts.apple.com/us/podcast/theoretical-nonsense-the-big-bang-theory-watch-a/id1623079414

Coming Up #OnWithMarioLopez – Mario vs Courtney in a work/labor song themed round of #NameThatTune! Plus, #MusicMinute celebrates an #ArianaGrande Anniversary, Mario's #CountdownTo 50 rolls on, a #FakeDebate, #Tweet of the Week, & more! See omnystudio.com/listener for privacy information.

Gato Maestro at Paul's House. First time getting together with Chase after the winter holidaze. We are playin at Pauls house now and the room has quite a different feeling or vibe to it. We started working our way through the setlist to make sure everything was still intact for the March gig at Nash Street. Also note that we ran Feelin Good in the key for Lisa Timberlake to prepare for her singing it so it was out of range for Chase.

Emails, Ryan Castle is in to Sit & Spin with the Top 10 Work Songs! Plus Headlines Mike is NOT working on!

Following an unavoidable snafu or two last week, Dave Hanratty and Craig Fitzpatrick return and thus NO ENCORE is reborn anew~!We are indeed back, back, back with a stacked episode. We've got news. We've got a brand new contentious pop culture list. We've got OVERHEAD, THE ALBATROSS. And we've got a Top 5 dedicated to the hard-working souls of the world. Let's go...ACT ONE (4:06): Kanye West pays respects. Mel C sets the record straight. Rihanna gets ready to play ball. Nile Rodgers finally finds somewhere new to gig. Pitchfork has a new list. Dave muses upon the acting chops of one Harry Styles. It's the news!ACT TWO (25:45): Ireland's finest post-rock heroes Overhead, The Albatross have finally returned from the wilderness. Vinny Casey and Luke Daly sit down with the boys to talk about their comeback, new single 'L'appel du Vide', intrusive thoughts, getting 'match-fit' again, what filmmaker they would love to work with, and plenty more.ACT THREE (1:04:50): Clock in for our Top 5 Songs About Work. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

For Labor Day 2022 we asked our Patrons to send in their favorite work-related songs. It's an impressively eclectic list, with surprisingly NO Bruce Springsteen songs! (although he IS referenced several times throughout the episode) "There is power in a factory, power in the land Power in the hand of the worker But it all amounts to nothing If together we don't stand There is power in a Union"  - Billy Bragg Songs featured in this episode: Career Opportunities - The Clash with Luke and Ben Gallagher; Finest Worksong - R.E.M.; Paid In Cigarettes - Hot Snakes; Working Girl - The Members; A New Career in a New Town - David Bowie; The Ballad of Dorothy Parker - Prince; Hamlet Chicken Plant Disaster - Jello Biafra & Mojo Nixon; Working Class - The Defibulators; I Hate My Job - Butthole Surfers; Graveyard Shift - Uncle Tupelo; Morning Train (9 to 5) - Sheena Easton; 16 Tons - Tennessee Ernie Ford; Heigh Ho - Tom Waits; Hey! Hey! It's Friday! - Black Snake Halo; Those Men In White Coats - The Diagram Brothers; Working Man - Rush (Live, All The World's A Stage); Bell Boy - The Who; The Working Hour - Tears For Fears; Clockout - Devo; Don't Wanna - All Hits; King Of Ska - Desmond Dekker; Piss Factory - Patti Smith; Factory - Wall Of Voodoo; Vacation - The Go-Go's; The Magnificent Seven - The Clash; There Is Power In A Union - Billy Bragg; Blue Sky Mine - Midnight Oil Spotify Playlist: https://open.spotify.com/playlist/5nNnCUcgjmmazidSIi4HIr?si=ed59362cff114198

Top 5 work songs --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Bandana Blues Special Spinner's Jazz Adventure #6 01. Nat Adderly & Wes Montgomery - Violets For Your Furs (3:49) (Work Song, Riverside Records, 1960) 02. Roland Kirk & Jack McDuff - Skaters Waltz (4:22) (Kirk's Work, Prestige Records, 1961) 03. Milt Jackson & Wes Montgomery - Blue Roz (4:46) (Bags Meets Wes!, Riverside Records, 1961) 04. Cliff Jordan & John Gilmore - Blue Lights (6:36) (Blowing In From Chicago, Blue Note Records, 1957) 05. DJ Marcon & the Palo Santos - A Journey South (5:39) (Single, Timewarp Music, 2022) 06. The Houdini's - Dutch Touch (4:32) (Stripped To The Bone, Challenge Records, 1999) 07. Stephane Grappelli & Joe Venuti - Tea For Two (4:20) (Venupelli Blues, Byg Records, 1969) 08. Ike Quebec - Minor Impulse (6:33) (Blue & Sentimental, Blue Note Records, 1963) 09. Kenny Drew - Groovin' The Blues (6:22) (Undercurrent, Blue Note Records, 1960) 10. Soul Message Band - Uncertainty (6:22) (Soulful Days, Delmark Records, 2018) 11. Hoppin' Mad - Blue Interlude (4:32) (Hoppin' Mad, self-release, 2012) 12. Big John Patton - Jakey (5:37) (Let 'Em Roll, Blue Note Records, 1965) 13. Gerry Mulligan & Ben Webster - The Cat Walk (5:47) (Gerry Mulligan Meets Ben Webster, Verve Records, 1959) 14. BakerzMillion - The State Of The Estate (5:50) (Live in Racine, Delmark Records, 2022)

Play hard and work hard is our thing! When I was on the dating apps swiping left and swiping right … one non-negotiable I had was to create a relationship where we would work diligently to create the life we wanted and play just as much for fun. When I met Patrick … he was that person. He and I play hard and work hard. We create a life full of both. We plan and balance out our work time and play time! It's fun!Oooo that's been such a help for us. Listen in and hear what helps us individually. IN THIS EPISODE, I TALK ABOUT:Work hard - play hard can be completely balanced.Taking the time to plan out breaks for yourself.How to look forward towards a big event with ease and fun. If you loved this episode, it would mean the world to me if you SUBSCRIBED to the podcast on your favorite podcast app and give it a 5 star review. I would be forever grateful! Thank you!!   ​​ ✅  RESOURCES:Text: CREATE to 323-524-9857 to apply for my Get Up Girl Gang community If you enjoyed this episode, make sure and give us a five star rating  and leave us a review on iTunes, Podcast Addict, Podchaser and Castbox. ✅  LET'S CONNECT:The Get Up GirlInstagramFacebookMonthly online fitness academy 

Neko Case "Nobody Knows You When You're Down And Out"JD McPherson "Lust For Life / Sixteen"R.E.M. "Its The End Of The World As We Know It (And I Feel Fine)"Wilco "Falling Apart (Right Now)"Howlin' Wolf "Hidden Charms"The Hold Steady "We Can Get Together"The Hold Steady "Hurricane J"Etta James "Have A Little Faith In Me"Dolly Parton "Jolene"Townes Van Zandt "Blaze's Blue"Nina Simone "Work Song"Phoebe Bridgers "Kyoto"The Ronettes "Be My Baby"David Rawlings "Cumberland Gap"Lucero "I'll Just Fall"The Low Anthem "Charlie Darwin"Amanda Shires "Take It Like A Man"Thelonious Monk "Monk's Dream"Cory Branan "That Look I Lost"Drag The River "Amazing G."Son Volt "Tear Stained Eye"Taj Mahal "Leaving Trunk"The Staple Singers "A Hard Rain's A Gonna Fall"Bonnie Raitt "Livin' for the Ones"Cracker "I See The Light"D'Angelo and The Vanguard "The Door"The White Stripes "Ball And Biscuit"R.L. Burnside "Nothin' Man"Raphael Saadiq "100 yard dash"John Coltrane "Blue Train"Marah "Walt Whitman Bridge"Drive-By Truckers "Shake and Pine"Lucinda Williams "Something About What Happens When We Talk"Slobberbone "Pinball Song"Precious Bryant "Someday Baby"Paul Westerberg "Crackle & Drag (Original Take)"Two Cow Garage "Humble Narrator"Gillian Welch "Georgia Road"Molina And Johnson "Twenty Cycles To The Ground"Waxahatchee "Can't Do Much"Wilco "The Late Greats"John Moreland "Good Book"Glossary "Save Your Money for the Weekend"Lucero "The Last Song"

Today's poem is Work Song by Dawn Lundy Martin.

Today's poem is Work Song by Dawn Lundy Martin.

Today's poem is Work Song by Dawn Lundy Martin.

Today's poem is Work Song by Dawn Lundy Martin.

**This Playlist is Incomplete. The Computer was Playing Games During The Show**Mavis Staples "Action"boygenius "Souvenir"The Highwomen "Redesigning Women"Memphis Minnie "Me and My Chauffeur Blues"Soccer Mommy "Bones"Maggie Bell "Souvenirs"Valerie June "Use Me"Loretta Lynn "Hanky Panky Woman"Amanda Shires "Take It Like A Man"Gillian Welch "Revelator"Alberta Hunter "You Reap Just What You Sow"Sister Rosetta Tharpe "Strange Things Happening Every Day"Brenda Patterson "Dance With Me Henry"Nicole Atkins "Darkness Falls so Quiet"Yola "Stand For Myself"Connie Smith "You're Getting Heavy On My Mind"Margo Price "All American Made"Nikki Lane "Highway Queen"Jade Bird "Open up the Heavens"Lilly Hiatt "Trinity Lane"Bonnie Raitt "Bye Bye Baby (Remastered Version)"Lucy Dacus "I Don't Wanna Be Funny Anymore"Koko Taylor "Blow Top Blues"Sandy Kelly "Walking After Midnight"Georgia Sea Island Singers "Sheep, Sheep"Sugar Pie De Santo "Soulful Dress"The Marvelettes "Please Mr. Postman"PJ Harvey "You Said Something"Bobbie Gentry "Fancy"Aimee Mann "Freeway"Dolly Parton "Don't Let It Trouble Your Mind"Eilen Jewell "79 Cents (The Meow Song)"Nina Simone "Work Song"Fiona Apple "On The Bound"The Mynabirds "What We Gained In The Fire"Neko Case "Night Still Comes"Nancy Sinatra "These Boots Are Made for Walkin'"Lucinda Williams "Car Wheels On A Gravel Road"Tina Turner "Workin' Together"Wanda Jackson "Kansas City"The Detroit Cobras "Bye Bye Baby"

durée : 00:58:25 - « Work Song » (Nat Adderley / Oscar Brown Jr) (1960) - par : Laurent Valero - "Composition du cornettiste Nat Adderley, célèbre musicien bop qui co-anima avec son frère le saxophoniste Julian Cannonball, un groupe de jazz au sein duquel passèrent des musiciens importants : Winton Kelly, Youssef Lateef ou George Duke, pour n'en citer que quelques uns ..." Laurent Valero - réalisé par : Vivian Lecuivre

"The World's Work" begins with a discussion of student debt, faculty deskilling, outsourcing, adjunctification, EdTech, and the financialization of U.S. higher education. Special theme music: "Work Song" by Dan Reeder For more information, visit MarkTwainStudies.com/EdWork