Podcasts about D minor

Germán Valenzuela Sánchez, nació el 27 de diciembre de 1946 en Piedecuesta, Santander. fue una figura múltiple en la vida cultural y pública de Piedecuesta: Escritor y poeta. Bibliotecario municipal de Piedecuesta. Periodista, columnista del diario Vanguardia Liberal; colaboraba en espacios como "Hágase Oír". Concejal municipal. Auditor de la Granja Departamental; oficial de inventarios de la Contraloría. Compositor: creó el himno de Piedecuesta. Ha publicado numerosas obras literarias (algunas cifras: más de 20 obras reflejadas). Uno de sus libros se titula Piedecuesta, suelo y cielo de Santander (publicado en 1996, 318 páginas). También escribió Los Colmillos de la culebra. Germán Valenzuela Sánchez falleció; un artículo de opinión relata que murió de COVID 19 tras la reciente muerte de su esposa, señalando que estaba “destrozado”.

Mornings in D Minor - Episode 1: They Can't Read... So They TalkWelcome to the debut episode of Mornings in D Minor, your daily dose of rodeo insights, humor, and behind-the-scenes stories directly from the heart of the National Finals Rodeo (NFR) in Las Vegas!Brought to you by EQN Sports.In this premiere episode, hosts Dru Stew, Shane Minor, and Luke Branquinho are joined by Eddie Priefert. The crew kicks things off with plenty of wit, sharing a few laughs about technical difficulties and their morning coffee routines before diving deep into the high-stakes world of professional rodeo.In This Episode, We Discuss:Round 1 Highlights: A detailed breakdown of the first night of the NFR, including standout performances in bareback riding and the intensity of the steer wrestling competition.The "Yellowstone Effect": How the hit TV show has influenced the western industry and brought a new wave of fans to the sport of rodeo.Athlete Spotlights: Insights into the grit and determination of top competitors like Stetson Wright and record-breaking team ropers.Life on the Road: Personal stories from the hosts and guests about their experiences in the arena, from high-pressure moments to the camaraderie of the "long ride."Behind the Scenes: A look at the incredible work done by the stock contractors and the crew at the South Point Hotel and Casino to ensure a world-class event.Whether you're a lifelong rodeo fan or just getting to know the western lifestyle, join us for an authentic and entertaining conversation that captures the spirit of the NFR.Subscribe now and start your day with Mornings in D Minor!

The Philosopher's Stone: the source of infinite wealth and everlasting life. It is one of the most famous myths in the world. But for centuries, it was not a myth. Some of the greatest and most pioneering scientists in history believed in the power of the stone, and pursued its riches. Amongst them was Sir Isaac Newton. As is depicted in the audio drama Assassin's Creed Gold, his private notes reveal his secret pursuit of alchemy and the Philosopher's Stone.How far did Isaac Newton take his alchemical experiments? What did the Philosopher's Stone mean to a rational scientist of Newton's standing? And why was his research into alchemy only recently brought to light, even though he wrote over one million words about it in his personal notes? Matt Lewis is joined by Dr Joel Klein, Molina Curator for the History of Medicine and Allied Sciences at The Huntingdon, to explain the origins of alchemy and the science of the Philosopher's Stone. See the stunning Ripley Scroll in The Huntingdon's digital collection.Listen to our previous episode about Newton's surprising career combating counterfeiting as Master of the Royal Mint in London.Echoes of History is a Ubisoft podcast, brought to you by History Hit. Watch these interviews and exclusive videos on our YouTube channel.Hosted by: Matt LewisEdited by: Michael McDaidProduced by: Robin McConnellSenior Producer: Anne-Marie LuffProduction Manager: Beth DonaldsonExecutive Producers: Etienne Bouvier, Julien Fabre, Steve Lanham, Jen BennettMusic:On Father's Watch by Chris TiltonBallroom Fight (Invention No. 13 in D Minor) by Sarah SchachnerThe Nation, the Law, and the King by Sarah SchachnerIf you liked this podcast please subscribe, share, rate & review. Take part in our listener survey here.Tell us your favourite Assassin's Creed game or podcast episode at echoes-of-history@historyhit.com Hosted on Acast. See acast.com/privacy for more information.

SONGS in this podcast episode: M1 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) M2 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20). M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40). M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55). M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06). M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (2:56) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) PROGRAM NOTES Johann Sebastian Bach was a German composer and organist from the late Baroque period. He was born in Eisenach, in what is now central Germany. Bach lived from 1685 to 1750, The Baroque period was a 150-year period in music, dating from 1600 to 1750. Baroque music is Western Classical Music that followed the Renaissance period. Baroque music features drama, ornamentation, major and minor tones, and was presented in new ways – – like the Opera, Concerto, and Sonata, Baroque composers included BACH, HANDEL, VIVALDI. M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27). Bach probably used the CLAVICHORD to compose most of his music. The Clavichord is small, lightweight and would not disturb people. The clavichord was very temperamental, because it required tuning before each play, just like a violin or guitar.  The keyboard instruments of the day were referred to as a general category: the “KLAVIER”….these included HARPSICHORD, CLAVICHORD, ORGAN and PIANOFORTE. Bach's favorite KLAVIER instrument was the LAUTENWERK or LUTE HARPSICHORD with animal gut strings.  The writing of music was in support of GOD and KINGS. Over time, Baroque Music evolved into what is today known as the modern Orchestra. Bach was a prolific composer, writing hundreds of pieces for solo instruments, particularly the organ. He also wrote pieces for orchestra and choir. Bach is MOST known for writing two or more  melodies or voices against each other. Also called point against point, or, Counterpoint. Bit Bucket A BWV catalog number is a unique identifier for musical works composed by Johann Sebastian Bach, standing for Bach-Werke-Verzeichnis (Bach Works Catalogue).  Today I will present 9 compositions, dating from 1710 to 1731, during the time Bach was about age 25 to 45. M1 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20) Our first piece — TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). an ORGAN COMPOSITION.     It is taken from a 1959 album of BACH ORGAN WORKS   . The movement is called ADAGIO ….which indicates “At Ease”, or “Slow and Stately”. Tempo is only 66-76 BPM. like the resting heart rate for many people. Great liner notes. HERE IS AN  excerpt from the liner notes on that album – – QUOTE “OUR BACH” said the obituary notice, “was the greatest organ and clavier player that ever lived”. Though it may seem strange to us now, Bach's genius during his life was recognized only as a master of the organ—not as a composer. It was actually over a hundred years after his death that his works revealed him as a unique and mighty composer. His reputation as an organist brought many invitations to test new organs and advise on the construction of them.  UNQUOTE As with most of his organ works , there is no autograph or manuscript score from Bach, his organ work manuscript copies are lost.  This song has a CONCERTO style and rhythm.  We will hear the 2nd or ADAGIO movement. . It is all very calm and beautiful and pastoral and serene…until Bach pulls out all the stops in the last minute of this ADAGIO movement. He is really rocking the walls and windows of that church. Without any further adieu, here is TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). PLAY M2 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M2 MUSICAL CREDIT: This Bach organ work  was recorded on the Luneburg Organ at St. Johanniskirche, in the town of Luneburg, in northern Germany, the organist is Professor Michael Schneider. This LP was produced and released on the SOMERSET label here in the US in 1959 The album title is BACH The Majesty of the Luneburger Organ. M2 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) Our next piece is the most famous church cantata written in 1714 for THE FIRST SUNDAY IN ADVENT. NUN KOMM DER HEIDEN HEILAND or in English “NOW COME, SAVIOR OF THE HEATHANS” A HEATHAN is a person with no religion, i.e., a PAGAN. In this chorale, Jesus is asked to …  come and save the pagans.  In 1714, Bach would have been 29 years of age. It turns out that this song goes back almost two centuries before BACH's time.  It's based on a LUTERAN CHORALE with words written by Martin Luther for the 1523 first Advent Sunday.  For centuries, this was the first hymn for the first Sunday of ADVENT.  What I will play next is an arrangement for as modern symphony orchestra (the Philadelphia Orchestra) and it is definitely JS BACH heard in those phrases. But it is a large orchestra – – Conducted by Leopold Stokowski.  This is an extremely restrained, demure, and understated interpretation of a Bach piece the most restrained I have ever heard. The recording you will hear next is performed by the Philadelphia Orchestra, with conductor   Leopold Stokowski. This recording is on a Vinyl LP titled THE SOUND OF GENIUS, produced by COLUMBIA MASTERWORKS, in 1960. It was one of many records that were shipped by mail to members of the Columbia Record Club. My parents were enthusiastic members. A new disc would arrive in the mail every month, such as this LP of classical music. Without further delay here is NOW COME, SAVIOR OF THE HEATHANS PLAY M1 SHOW PLUG – SHOW PLUG – DON'T TOUCH THAT DIAL ! ! That was…M1 NOW COME, SAVIOR OF THE HEATHANS” MUSICAL CREDIT: Arranger and Composer JS Bach, sometime between the years 1708-1717 Performance: Philadelphia Orchestra, conducted by Leopold Stokowski. Album: The Sound of Genius Limited Edition LP (1960) Members Only ! Label: Columbia Master Works BIT BUCKET This piece also is based on a song listed in the ZAHN Lutheran chorales catalog. ZAHN 1174 M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40) The next three pieces are called TWO PART INVENTIONS, composed by JS Bach around 1720   The inventions were composed for use in instruction of Bach's oldest son WILHELM FRIEDEMANN BACH who was 12 years old. Today, these inventions are introduced to music students in school grades 4-7. Learning the Two-Part Invention requires ROTE learning, practicing over and over until the two hands work completely independently of one another. The inventions teach, among other things, the use of COUNTERPOINT. Bach is MOST known for writing two melodies against each other. Also called point against point, or, Counterpoint. That is the feature of these inventions, in each one there are TWO PARTS, left and right hand parts. COUNTERPOINT is found mostly in Bach's FUGUES and in his INVENTIONS. Perhaps a brief demonstration is in order. Here is an excerpt from one of Bach's inventions. FIRST the right-hand part or first point – the melody SECOND the left-hand part or second point – the bass line LAST both parts played in counterpoint. In some of Bach works, the roles reverse, The left hand plays the first point – the melody And the right hand plays the second point – the bass line Could you do this by crossing hands on the keyboard – yes, but, the roles are reversed, so no cross-hand playing. I will now play  WENDY CARLOS's rendition of three BACH TWO-PART INVENTIONS from her 1969 recording titled “SWITCHED ON BACH” .. I will play all three, back-to-back. Each one is short – – average length ONE MINUTE EACH! PLAY M3 PLAY M4 PLAY M5 Credits: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) And now….. PLAY M4 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M4 MUSICAL CREDIT: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55) PLAY M5 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M5 We heard three inventions – – Bach's 2-PART INVENTION in F MAJOR And the 2-PART INVENTION in B-FLAT MAJOR And the 2-PART INVENTION IN D MINOR Each invention is very different than the other. Not just a key change like the work title would suggest ! Bach stated that he wrote his inventions “to be models of composition” in other words, to enable the student to form ways of developing musical ideas and “acquire a strong taste of composition” Bach wrote the inventions, one for of the notes A to G and one for each minor and major key. Today these inventions are over 300 years old ! MUSICAL CREDIT: Composer JS Bach Estimated dates between 1720-1723 Performer – Wendy Carlos – early prototype Moog Synthesizer Arranger and Recording Engineer – Wendy Carlos on MOOG SYNTHESIZER in 1968. Record and label:  Switched-On Bach, Columbia/CBS BIT BUCKET M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06) Next is Bach's “The Well-Tempered Clavier” written in 1722. He was 37. The title page to the Well-tempered Clavier song book reads : “The well-tempered Clavier, or Preludes and Fugues, through all the tones and semitones, both the [major] and [minor]. For the profit and use of the studious musical young…” Bach wrote these preludes and fugues in all keys in the chromatic scale … 12 major and 12 minor keys I have the version in D MAJOR. It's two sections – the prelude, and the fugue The Prelude is the introduction. LISTEN FOR the Stride Piano on the left hand !! It's a short 1:10. The Fugue is the second section. It's slower but with a more Bold left hand. Also short at 1:54. And now….PRELUDE & FUGUE No. 5 D-Major fromThe Well-Tempered Clavier PLAY M6 SHOW PLUG – DON'T TOUCH THAT DIAL !  That was…M6  PRELUDE & FUGUE No. 5 D-Major from The Well-Tempered Clavier MUSICAL CREDIT: Composer JS Bach and the autograph date is 1722 Pianist: Vasso Devetzi Label Festival Classique (1978) M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (3:22) Our next song is Jesu, Joy of Man's Desiring This song was also composed by JS Bach in that same year of 1723 – – prolific at age 38. This was written for the Christian Feast of the Visitation- celebrated at the end of May in Western Christianity. The song is a Lutheran hymn. … a CANTATA and it has a CHORALE or chorus piece repeated twice within this cantata. There are many arrangements and versions because this song is one of Bach's most beautiful, well-known, and popular. The version we will hear next is arranged for SOLO PIANO. the pianist is Leon Fleisher. And Now, Here is Jesu, Joy of Man's Desiring – Bach       1723 PLAY M7 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M7  Jesu, Joy of Man's Desiring MUSICAL CREDIT: JS Bach composer 1723 Performance: Leon Fleisher – Pianist    (courtesy of EPIC records) Album  THE SOUND OF GENIUS VOLUME 3   Label Columbia, 1962   (3:22) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) Here is another Chorale recording titled Chorale Prelude VACKET OFF “Wachet Auf”, which translates to SLEEPERS, WAKE! This hymn was transcribed from a Lutheran hymn written in 1599 by written by Phillippe Nicolai. This Cantata is truly a work from the middle ages. In 1731, Bach took this hymn and created a 7-movement cantata, we will hear the first movement or PRELUDE”.  This cantata is sung in church on the Trinity Sunday. Today this piece is very popular piece in general…it is POPULAR CLASSICAL MUSIC.    J.S. Bach wrote 46 of these cantatas for church, in all. ODD FACT  about this song… it was performed only once by Bach, in Leipzig that year. And now the FIRST MOVEMENT  from  VACKET OFF …the Prelude PLAY M8 SHOW PLUG – DON'T TOUCH THAT DIAL ! that was M4    The Chorale Prelude “Wachet Auf”, also known as SLEEPERS, WAKE! Song credits M4 Credits: Hymn by Phillippe Nicolai in 1599 Transcribed by JS Bach in 1731 Performance: Wendy Carlos – on an early prototype Moog Synthesizer Wendy Carlos arranger and recording engineer Album:  Switched-On Bach Label: Columbia/CBS, 1968 M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27) Our next AND LAST piece is from the Switched-On Bach album and s titled AIR ON A G-STRING. This title comes from Johann Sebastian Bach's Orchestral Suite No. 3 in D major,  written almost 300 years ago.   So what is the meaning of the song title Air on a G-String? Well, Bach composed this as an orchestral suite in 1730. 141 years later, August Wilhelm arranged the second movement for SOLO VIOLIN and he did something unique. He transposed the song down from D so that the entire piece could be played on one string of the violin, the G-String, which is the lowest register on that instrument. Here is an example of what this sounds like on the Violin G-String, thjs example with piano accompaniment—pardon the scratchy sound, is from an old 78 RPM disc in 1935. Play example  – Jacques Dumont (Violin) Bach Air On The G String with Andre Collard (piano) We went from Bach's orchestral piece, to Wilhelm's transcription for solo violin, to Wendy Carlos modern interpretation with her MOOG Synthesizer. Now here is Wendy Carlos' arrangement of Air on a G String, from her debut album, SWITCHED-ON BACH, in 1968. PLAY M9 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M9  MUSICAL CREDIT: Composer JS Bach 1730 Performance Wendy Carlos on early prototype MOOG SYNTHESIZER Arranger and Recording Engineer: Wendy Carlos  Album:  Switched-On Bach Label: Columbia/CBS, 1968 END OF PROGRAM VV-031

ReferencesSci Signal. 2017 Jan 31; 10(464):eaaf7478Nature. 2009 Apr 23;458(7241):1056–1060.Signal Transduct Target Ther. 2022 Mar 4;7(1):66Guerra, DJ. 2026.Unpublished LecturesBeethoven, LV. 1822. Symphony 9 in D Minor op 125.https://music.youtube.com/watch?v=FwDo7MdaxhA&si=ZDCuHWAHPN-mPpqp

This series on Terrorism is wrapping up with the problem of state sponsored terrorism. This form of international terrorism is most clearly a method of warfare, with the state using terrorist organizations as deniable proxies in armed conflict. International law, however, does not recognize that form of terrorism as war, but as criminal acts subject only criminal jurisprudence. This situation does little to stop this war form or to protect those who should be protected under the laws and customs of war.   The information in these podcasts is solely my own opinion and do not represent the position of the U.S. Department of Defense, or any other organization I am or have ever been associated with. Certified 100% natural intelligence. No artificial intelligence was used in making this podcast. References: Articles 2 and 3 of the four Geneva Conventions of 1947 Protocol II Additional to the Geneva Conventions of 1947 Melzer, N. and the International Committee of the red Cross, Interpretive Guidance on the Notion of Direct Participation in Hostilities (2009) Carter, C. “Analyzing the Criminal Justice and Military Models of Counterterrorism: Evidence from the United States” (Ph.D. Dissertation) (2017) Music credits: Holst, G. The Planets: Mars Bringer of War, downloaded from Internet Archive Mozart, W.A. and Berlin Philharmonic Orchestra, Requiem in D Minor, downloaded from the Internet Archive, https://archive.org

På i slutet av 1600-talet var sex ingen privatsak. Samhället straffade otrohet mellan gifta med döden. Och Hälsta, utanför dagens Hallstahammar i Västmanland, tycks varit en tummelplats för sex och brott.I utförliga rättegångsprotokoll från 1685 från Snevringes häradsrätt får vi möjlighet att ta del av en mörk historia om otrohet, mordförsök och gamla familjefejder. Bondmoran Anna Persdotter anklagas inte bara för att ha försökt giftmörda sin man Johan Johansson med arsenik, utan att ha bedrivit hor med drängen Anders och flera andra män.I reprisen av avsnitt 49 av podcasten Historia Nu samtalar programledaren Urban Lindstedt med historikerna Karin Hassan Janssons och Jonas Lindström om deras bok Horet i Hälsta som lyfter fram ett bortglömt rättsfall från stormaktstiden som fungerar som en tidsmaskin tillbaka till en värld där äktenskapsbrott bestraffades med döden.Det är pigan Brita Johansdotter som anklagar sin tidigare husmor. Misstankarna uppstod när husmodern bad pigan att inte diska upp ett ölstop. Då upptäckte Brita tre små smulor. Efter frågor om smulorna rykte Anna stopet ur händerna på pigan.Under 1600-talet fanns Moses lag från gamla testamentet som appendix till lagboken. Därmed kunde människorna dömas till döden för otrohet, men också för att ha slagit sin far. De flesta benådades dock i högre instanser.Bild: Helvetet framställs i Hortus deliciarum, ett medeltida uppslagsverk skapat av Herrad av Landsberg på 1100-talet. Djävulen syns nere till höger i bilden, omgiven av syndare i straffets grepp. Illustrationen är ett exempel på den didaktiska konsten i medeltida kloster, där bilder användes för att undervisa om teologi och moral. Verket visar hur medeltidens människor föreställde sig efterlivet och de eviga konsekvenserna av synd. Bild: Herrad av Landsberg, Hortus deliciarum, Upphovsrätt: Public Domain. Musiken som inleder är Bach BWW 565: Toccata and Fugue in D Minor by James Kibbie is licensed under a Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. Hosted on Acast. See acast.com/privacy for more information.

ReferencesInt J Mol Sci. 2023 May 11;24(10):8632Guerra, DJ.2025. Unpublished LecturesKrieger/Morrison/Manzarek/Densmore. 1969. Soft Parade lp Doorshttps://music.youtube.com/playlist?list=OLAK5uy_kYwAkmGFDkyLaGdj2xGaSVSds-F4dOhy0&si=9aunaGJrOid3rKa7Mozart, WA. 1791. Requiem Mass in D Minor. K626 unfinishedhttps://music.youtube.com/playlist?list=OLAK5uy_nSNY0VtEjG1DYcoE6gg9tibETknwAWeLY&si=cDq544xLRC3DAfZW

In the 1960s, Leonard Bernstein famously helped to popularize the music of a then relatively obscure composer, Gustav Mahler. His work, as well as the work of other conductors, made Mahler into a classical-music household name. Mahler's symphonies are played every year all over the world, and he is firmly ensconced in the so-called canon of standard orchestral repertoire. Would it surprise you to know that Franck's D Minor Symphony once had the same reputation? It was played almost every year by most major orchestras, it was recorded by all the great conductors, and it was a fixture of the canon just like a Brahms symphony. Nowadays you would be lucky if, outside of France and Belgium, you hear Franck's Symphony once every five years, if that. The truth is that, other than a short golden period for this symphony, it has either been controversial (around the time it was premiered) or ignored (nowadays), which is a real shame, since it is a glorious piece that I would argue is drastically underrated in our modern world. The symphony was radically innovative for its time, which probably explains some of the more virulent criticism it received, but even though those innovations now sound completely normal to our ears, they are still at the heart of what makes this symphony so profoundly satisfying to listen to. Ahead of my performances of the symphony in Lille this December, I wanted to dive in and explore this unfairly ignored masterpiece. In about 40 minutes of music in three grand movements, Franck pours his soul into this work. That phrase sounds a bit cliché, I know, but I really mean it; there is an earnestness about this music that I find deeply moving, and it is something we will explore together today. We will talk about Franck's late entry into the world of composition, his reputation as an organist, and the challenges he faced in finding acceptance as a composer. Along the way, we will discuss this gorgeous piece in all of its passion and intensity. Join us!

In the last few episodes, I explained that international terrorism can be considered a war form and how it has been practiced through history. I described that, according to international law, terrorism is a crime and should be addressed as such. I also described how criminal laws are frequently inadequate to deal with terrorism used as a form of warfare. This leads to the question of how states deal with this in practice.   The information in these podcasts is solely my own opinion and do not represent the position of the U.S. Department of Defense, or any other organization I am or have ever been associated with. Certified 100% natural intelligence. No artificial intelligence was used in making this podcast. Music credits: Mozart, W.A. and Berlin Philharmonic Orchestra, Requiem in D Minor, downloaded from the Internet Archive, https://archive.org Liszt, F., and the USMC Band. Les Preludes, Public Domain

This year's Halloween Special examines the Irish roots of Halloween, Bach's Toccata and Fugue in D Minor, why organs are spooky, why churches are spookier and musical synesthesia. Happy Samhain xInline G Merch ⭐️www.Inlineg.myshopify.comInline G Patreon ⭐️www.patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up to the Patreon helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xAnd finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)Chapters:00:00 - Adopt an Irishman06:25 - ChatGPT talking out it's hole10:45 - Spooky Organs16:38 - Spookier Churches20:20 - The Last Why 

What a day! The podcast returns to it's full glory because Matt Strackbein aka "The Letterhack" joins the gang for a monumental discussion! Enjoy some Halloween recommendations and shed a tear and grip the edge of your seat as we dig into "The Serpent In The Garden: Ed Grey and the Last Battle for England!" "Hellboy Book Club," is a better name for a podcast than a man... 06:27 - Whaddya See, Whaddya Say?  40:12 - The Serpent In The Garden   Check out Matt Strackbein, The Letterhack and all his collborators here https://thisspace.tv/ Subscribe to The Letterhack on YouTube! https://www.youtube.com/c/TheLetterhack "Witchfinder Theme," by Andrew Adair https://andrewadair.bandcamp.com/ Kansas "Point of No Return," and Bach's "Toccata and Fugue in D Minor," used for Halloween purposes only  opening & closing theme by https://onlybeast.com  

Everyone knows the great achievements of Sir Isaac Newton. Or do they? Assassin's Creed Gold focuses not on the first half of Newton's career, describing gravity and the fundamental laws of physics, but on the second half of his life, working at the Royal Mint in London. This responsibility included chasing down counterfeiters. One man in particular would became his nemesis - the Professor Moriarty to Newton's Sherlock Holmes.To shed light on this fascinating time in Newton's life, Matt Lewis is joined by Dr Patricia Fara, Emeritus Fellow of Clare College, Cambridge and author of Life After Gravity: Isaac Newton's London Career. Everyone knows the great achievements of Sir Isaac Newton. Or do they? Assassin's Creed Gold focuses not on the first half of Newton's career, describing gravity and the fundamental laws of physics, but on the second half of his life, working at the Royal Mint in London. This responsibility included chasing down counterfeiters, and one man in particular who would became his nemesis - the Professor Moriarty to Newton's Sherlock Holmes.To shed light on this fascinating time in Newton's life, Matt Lewis is joined by Dr Patricia Fara, Emeritus Fellow of Clare College, Cambridge and author of Life After Gravity: Isaac Newton's London Career.Echoes of History is a Ubisoft podcast, brought to you by History Hit. Watch these interviews and exclusive videos on our YouTube channel.Hosted by: Matt LewisEdited by: Michael McDaidProduced by: Robin McConnell, Matt LewisSenior Producer: Anne-Marie LuffProduction Manager: Beth DonaldsonExecutive Producers: Etienne Bouvier, Julien Fabre, Steve Lanham, Jen BennettMusic:On Father's Watch by Chris TiltonBallroom Fight (Invention No. 13 in D Minor) by Sarah SchachnerThe Nation, the Law, and the King by Sarah SchachnerIf you liked this podcast please subscribe, share, rate & review. Take part in our listener survey here.Tell us your favourite Assassin's Creed game or podcast episode at echoes-of-history@historyhit.com Hosted on Acast. See acast.com/privacy for more information.

Learn more about St. Michael's at www.st-michaels.org.

What Are You Drinking? Jazz Odyssey   

Uterine fibroids (1:30), community-based residency training (6:40), glucagon-like peptide-1 medications (9:00), heart failure with preserved ejection fraction (12:30), intravenous vs oral iron (15:40), nicotine e-cigarettes for smoking cessation (18:10), and spooky health trends—are they real or fake? (20:10; music: Tocatta and Fugue in D Minor, Kevin MacLeod, CC-BY-3.0).

Cue the Toccata and Fugue in D Minor, baby! It is sad and spooooky Halloween times with the bookclub gang on this episode. Check out the listener feedbag, host recommendations and then run away from a handsome zombie horseman as we discuss "By Chance or Providence," by Becky Cloonan! It was for you, this podcast was always for you.  02:54 - Listener Feedback 14:47 - Whaddya see, whaddya say? 42:19 - By Chance or Providence Check out the ShortBox Comics Fair and share your recommendations! https://www.shortboxcomicsfair.com/ Social Media Banner by Matt Strackbein https://linktr.ee/TheLetterhack  Logo by Ross Radke https://www.rossradke.com/   Bach's "Toccata and Fugue in D Minor," used for Halloween purposes only  opening and closing theme by https://onlybeast.com/ 

Title: Baroque Festival 4: Exploring the Chalumeau Track: Telemann Concerto in D Minor for 2 Chalumeau, TWV 52:D1: II. Allegro Artist: Michel Portal, Paul Meyer & Orchestre Royal de Chambre de Wallonie Publisher: 2020 Orchestre Royal de Chambre de Wallonie & Alpha Classics / Outhere Music France

Drama on a SaturdayFirst, a look at the events of the day.Then, Counterspy starring Don Maclaughlan and Mandel Kramer,  originally broadcast September 13, 1949, 76 years ago, The Case Of The Flatbush Fagin.  A story about teen-aged terrors who worshipped a heel. Stolen loot is paid for with a wet handkerchief and hard cash. Followed by Tarzan, Lord of the Jungle starring Lamont Johnson, originally broadcast September 13, 1951, 74 years ago, The Strange Book of Araby.   Tarzan meets a wise oracle and his strange book, containing the knowledge of the future. Then, Confession, originally broadcast September 13, 1953, 72 years ago, The Case Of Roger S. Chapland.  A young man breaks into a store. He gets a suspended sentence, but no break from his father. Followed by Quiet Please starring Ernest Chappell, originally broadcast September 13, 1948, 77 years ago, Symphony in D Minor.  A good story about a blind hypnotist who gives a post-hypnotic suggestion to his wife's lover. He orders the lover to kill the wife when he hears the Cesar Franck symphony (that happens to be the program's theme song). Finally, Fibber McGee and Molly, originally broadcast September 13, 1954, 71 years ago, The Joke's On Me.  Fibber knows a funny joke...and he's just dying to tell it! Thanks to Laurel for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.streamIf you like what we do here, visit our friend Jay at http://radio.macinmind.com for great old-time radio shows 24 hours a day

I am reluctant to post much of anything about the current armed conflict in Gaza. As the saying goes, the first casualty in war is the truth, and the truth of this saying is manifest in Gaza. It is almost impossible to separate information from information operations by either side. The International Committee of the Red Cross cites allegations of grave beaches of the law of war by both sides. In previous episodes I described how war crimes make reaching peace even more difficult than it usually is. Nonetheless, if achieving peace seems insurmountable, a cease fire leading to non-kinetic conflict resolution may be possible if we listen and put pressure on each sides stated war aims.   These podcasts do not necessarily represent the views of the Department of Defense, the Army War College, or any other organization I am associated with     Music Liszt, F. and Royal Philharmonic Orchestra, Totentanz, https://download.stream.publicradio.org/podcast/minnesota/classical/programs/free-downloads/2020/10/27/daily_download_20201027_128.mp3?listeningSessionID=0CD_382_200__6cca22efd3d270af449f392040641d0331631df3 Copland, A. & United States Marine Band. (2000) Fanfare for the Common Man, unpublished, Washington, DC. [Audio] Retrieved from the Library of Congress, (Fair use for educational purposes.) Mozart, W.A. and Berlin Philharmonic Orchestra, Requiem in D Minor, downloaded from the Internet Archive, https://archive.org   Photo: Palestinian News & Information Agency. CC

It seems that the time has come in Putin's war on Ukraine that both sides indicate a willingness to negotiate. But negotiate what? This episode moves on from what is necessary for a sustainable peace, what Putin's real goals are in his war on Ukraine, and propose a possible path forward. I introduced this possible path in In Episode 104. This episode sets that idea in the context of the previous two episodes and the recent political and military developments. Music: Copland, A. & United States Marine Band. (2000) Fanfare for the Common Man, unpublished, Washington, DC. [Audio] Retrieved from the Library of Congress, (Fair use for educational purposes.) Mozart, W.A. and Berlin Philharmonic Orchestra, Requiem in D Minor, downloaded from the Internet Archive, https://archive.org Reference Book: Walsh, M. (2025). A rage to conquer: Twelve battles that changed the course of Western history (First edition). St. Martin's Press.

ReferencesCancer Science   June 2014. 105(9)Sci Transl Med. 2021 Mar 31;13(587) Front. Immunol., 02 February 2020 Sec. T Cell Biology. V.10 Guerra, DJ. 2025. Unpublished LecturesMozart, WA. 1791. Requiem Mass in D Minor. K 626.https://music.youtube.com/playlist?list=OLAK5uy_nSNY0VtEjG1DYcoE6gg9tibETknwAWeLY&si=0zWjhWxBojiGyueD

 | Ain't No Smoke Without Fire (DJ Reverend P Edit)  | Eddie Kendricks  | 2016 (1978) | The Champ  | American Gypsy  | 1984 | Romeo Where's Juliet? (Special Dance Mix)  | Collage  | 1985 | All Of Me For All Of You (Frankie Rodriquez Extended Remix)  | 9.9  | 1985 | Let Somebody Love You (FunkyDeps Edit)  | Keni Burke  | 1981 | Turn The Music On (Vocal)  | Orlando Johnson And Trance  | 1983 | Lookin' For Love (Special 12-inch Disco Mix) (Short Version)  | Fat Larry's Band  | 1979 | You're My Occupation (Extended)  | Chaz Jankel feat. Brenda Jones  | 1986 | Keep On  | Bobby Mardis  | 1985 | Beginner's Luck  | Flashlight  | 1978 | Heobah (Hey-O-Bah) (Long Vocal Version)  | Fonda Rae  | 1983 | Alright With Me (KK Clean Edit)  | Keelay & Zaire feat. D Minor & Phonte  | 2009 | Stop What You're Doin' (Club Version)  | The Chi-Lites  | 1984 | It's A Disco Night (Rock Don't Stop) (Parts 1 & 2) (Special Disco Version)  | The Isley Brothers  | 1979 | Fills Me Up (NJ Remix)  | Dennis Taylor  | 2004 | You Turn Me On  | Bruni Pagan  | 1984 | Dynamite!  | Stacy Lattisaw  | 1980 | Keep On Jammin' (Extended Version)  | Willie Hutch  | 1985 | El Bobo  | Webster Lewis  | 1981 | Friends And Strangers  | Dave Grusin  | 1980 | I'm Staying Forever  | Wayne Henderson  | 1977 | Lovey Dovey (Long Version)  | Tony Terry  | 1988 | Keep On Talking  | Tamika Patton  | 1989 | A Cute, Sweet, Love Addiction  | Johnny Gill  | 1993 | Turn Back The Hands Of Time  | Tyrone Davis  | 1970 | When Will You Be Mine?  | The Leslie Drayton Orchestra feat. Barbara Morrison  | 1984 | Ol' Skool  | Crack Of Dawn  | 2017 | Tom's Song  | The Trammps  | 1975 | Victoria Park  | Beggar & Co. feat. The Jazz Funk Collective  | 2012 | Voodoo Love (Instumental Mix)  | Lance Ellis  | 2003 | Drama  | Erykah Badu  | 1997

On this week's episode, Derek continues to explore the works of Mozart, this time the set of string quartets dedicated to Haydn, through live CRC performances by the Dover, Takács, and Ebène quartets.Quartet in B‐flat Major, K. 458 HuntAllegro vivace assaiMenuettoDover Quartet [2/28/2016 performance]Quartet in D Minor, K. 421MenuettoAllegretto ma non troppoTakács Quartet [1/28/2001 performance]Quartet in E‐flat Major, K. 428Andante con motoMenuettoAllegro vivaceEbène Quartet [11/13/2014 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Sunday Worship for August 3, 2025, from Queen Anne Lutheran Church in Seattle, our 10:00 service— Pastor Dan Peterson; Guest Organist Martha Freitag. Prelude—Prayer; George Walker • Gathering Hymn —O Holy Spirit, Root of Life (ELW 399) • First Reading— Ecclesiastes 1:2, 12-14; 2:18-23 • Second Reading—Colossians 3:1-11 • Gospel—Luke 12:13-21 • Sermon—Pastor Dan Peterson • Hymn of the Day— We Give Thee but Thine Own (ELW 686) • Distribution Hymn—Break Now the Bread of Life, (ELW 515)  • Sending Hymn —For the Fruit of All Creation, (ELW 679)  • Postlude—Plein Jeu in D Minor, Pierre du Mage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving. Visit this link.

SOME LISTENERS ARE LOSING MIXES ON THEIR APPLE PODCASTS. NOT SURE THE REASON, BUT ALL MIXES ARE AVAILABLE ON THE PODOMATIC APP. *Explicit Mix* - 128BPM -New workout mix featuring all songs in the key of D Minor.  Instagram: @djrolemodel ❤❤❤ #djrolemodel

Horror: Quiet, Please “Symphony in D Minor” 9/13/49 Syndicated, Escape “Casting of the Runes” 11/19/47 CBS.

Manny Schvartzman (Hamilton Music Director and Conductor) wraps up his episodes with some of the best questions he's ever been asked thanks to the Patreon Peeps. Manny discusses his favorite musical moments from the show, little details we should all look for, how he's still learning things even after performing the show over 1,000 times, and why seeing Hamilton is like going to an amazing restaurant. Plus, his favorite composers, why drummers are the heartbeat of a band, secrets about Hamilton's Exit Music, and the importance of staying curious and always striving to be better than yesterday. Oh, and we're still an Alex Lacamoire Appreciation Podcast :) Manny on Instagram REMASTERED: Yunchan Lim 임윤찬 – RACHMANINOV Piano Concerto No. 3 in D Minor, op. 30 /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Episode LinksReconcilable Differences #262: Everybody's Got a Tunnel - RelayMerlin's Wisdom ProjectGary Gulman: The Great Depresh | Watch the Movie on HBO | HBO.comSix by Sondheim - Wikipedia'Pee-wee as Himself' Director on Gaining Paul Reubens' TrustWhen Natasha Lyonne Made Her Debut on 'Pee-wee's Playhouse'Pee-wee as Himself - WikipediaYunchan Lim – RACHMANINOV Piano Concerto No. 3 in D Minor, Op. 30

In the words of The New Yorker, Charles Neidich “is an artist  of  uncommon merit -- a master of his instrument and, beyond that, an  interpreter  who keeps listeners hanging on each phrase.”        Charles is the artistic  director of the Wa Concert Series at  the Tenri Cultural Institute in New  York, which he founded with his wife, clarinetist Ayako Oshima, in September 2017. This concert series is inspired by the  Japanese concept “wa”—  meaning circle, but also harmony and completeness; each  performance is  thus paired with visual arts and offers a variety of culinary delicacies prepared by Ayako Oshima. In recent seasons, Charles has added conducting to his musical accomplishments. He has led the Cobb Symphony Orchestra and Georgia Symphony in performances of the Franck Symphony in D Minor and Mozart's Clarinet Concerto (also playing the solo clarinet part). Charles commands a repertoire of over 200 solo works, including pieces commissioned or inspired by him, as well as his own transcriptions of vocal and instrumental works. With a growing discography to his credit, he can be heard on the Chandos, Sony Classical, Sony Vivarte, Deutsche Grammophon, Musicmasters, Pantheon, and Bridge labels. His recorded repertoire ranges from familiar works by Mozart, Beethoven, Weber, and Brahms, to lesser-known compositions by Danzi, Reicha, Rossini, and Hummel, as well as music by Elliott Carter, Gyorgy Kurtag, and other contemporary masters. Although Charles became quite active in music at an early age, he opted against attending a music conservatory in favor of academic studies at Yale University, where he graduated with a Bachelor of Arts, cum laude, in Anthropology. In 1975 he became the first American to receive a Fulbright grant for study in the former Soviet Union, and he attended the Moscow Conservatory for three years where his teachers were Boris Dikov and Kirill Vinogradov. Charles Neidich has achieved recognition as a teacher in addition to his activities as a performer, and currently is a member of the artist faculties of The Juilliard School, the Manhattan School of Music, the Mannes College of Music. During the 1994-95 academic year he was a Visiting Professor at the Sibelius Academy in Finland where he taught, performed and conducted. Mr. Neidich is a long-time member of the renowned chamber ensemble Orpheus.

Tales From The Tiger Moth Edition 235 – 31st May 2025

A very early tale of cursed media - a story from 1944 concerning a vinyl record which has decidedly sinister effects on the listener ...

On this episode, Derek explores chamber works of Mendelssohn written at the height of his career with performances by the Doric Quartet and Trio Cavatina.Quartet in E Minor, Op. 44, No. 2Allegro assai appassionatoScherzo: Allegro di moltoDoric Quartet [2/17/2019 performance]Piano Trio in D Minor, Op. 49Molto allegro ed agitatoAndante con moto tranquilloScherzo: Leggiero e vivaceFinale: Allegro assai appassionatoTrio Cavatina [10/28/2009 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Tales From The Tiger Moth Edition 234 – 17th May 2025

ReferencesBiochemistry. 1996 Nov 12;35(45):14118-26Tempchin, J. 1972 "Peaceful Easy Feeling" Eagleshttps://music.youtube.com/watch?v=QRMIgT3thFM&si=RajMoe_qZbJao391Balin, M 1967. "Coming Back to Me" Surrealistic Pillow, lp. Jefferson Airplane https://music.youtube.com/watch?v=y2f3tlgApHw&si=_s7wsF1sr_LmQTZUSchubert, F. 1824, String Quartet in D Minor# 14. D810.https://music.youtube.com/watch?v=yWxlmjaNk8A&si=Hzx1aPrjMzg0f0Ty

On this week's episode of Inside the Music, Derek takes a look at the compositions and transcriptions of composer-performers Ferruccio Busoni, Pablo Casals, and Astor Piazzolla. This episode features live CRC performance by pianists Frederic Chiu, Arnaldo Cohen, and Dubravka Tomsic; Budapest Strings; and the Kremerata Baltica. Bach‐Busoni: Chorale‐Prelude, Wachet auf, ruft uns die stimme, BWV 140Frederic Chiu [11/13/2002 performance]Bach‐Busoni: Chaconne from Partita No. 2 in D Minor, BWV 1004Arnaldo Cohen [1/21/2001 performance]Bach‐Busoni: Prelude and Fugue in D Major, BWV 532Dubravka Tomsic [3/24/2000 performance]Casals: Song of the BirdsBudapest Strings [11/13/2002 performance]Piazzolla: OblivionKremerata Baltica [4/28/2002 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical

Thu, 17 Apr 2025 23:00:00 +0000 https://seesee.podigee.io/s3e18-andrei-ionita 8b306c6e95ffcb5e607b501afe394bac In this episode, we have an in-depth conversation with Andrei Ioniță, the prodigious Romanian cellist and winner of the 2015 International Tchaikovsky Competition. We explore the emotional profundities and rich spectrum of colors that the cello can evoke, and how it reflects the subtleties of human emotion. Andrei shares his thoughts on playing Bach, discussing the personal connection he has with his instrument and his journey as a musician. He also reflects on the nuances of gut strings, the importance of good posture for a cellist, the physical sensation of the cello resting against his body, and how this intimate embrace influences emotional expression and depth of sound, particularly in the intense, low register passages. In this episode dedicated to music, Andrei also discusses his Romanian heritage and how the voice of Romania speaks through his bow, offering a personal insight into his cultural identity. In this episode, he takes us inside his experience during the 15th Tchaikovsky Competition and talks about his most difficult decisions as a musician. Most powerfully, Andrei opens up about how he conveys his whole soul through his music, sharing the courage it takes to be vulnerable and break through at the highest emotional peaks, only to let go and invite the listener into a shared human experience through his playing. This episode is a real treat for the ears and the heart! Andrei Ioniță's carrier it's a journey of emotional reflection and artistic courage – You'll understand what it is meant to “play from the gut”. Website: https://www.andreiionitacellist.com https://www.haefligerproduction.com/andrei-ionita https://www.symphonikerhamburg.de/laeiszhalle-orchester-symphoniker-hamburg/andrei-ionita-135 Instagram: ionita_andrei94 Facebook: Andrei Ioniță - Cellist This episode's Playlist and Playlist's credits: · Papandopulo, Boris. Rhapsodia Concertante: I. Introduzione Tempo Libero. Performed by Oliver Triendl and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Tchaikovsky, Pyotr Ilyich. Variations on a Rococo Theme, Op. 33 (var. VII e Coda : Allegro vivo). Performed by Cellist Andrei Ioniță and the Münchener Philharmoniker conducted by Valery Gergiev recorded at the Philharmonie im Gasteig (Munich, Germany), on May 12, 2017 20:00 © A Coproduction by Munich Philharmonic Orchestra & Telmondis // In Association with medici.tv & Takt1 https://www.youtube.com/watch?v=-6dyn2LRxVo · Brett, Dean. 11 Oblique Strategies No. 1. Listen to the Quiet Voice. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brett, Dean. 11 Oblique Strategies No. 5. What are the Sections Sections of? Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Cello Suite No. 1 G Major, BWV 1007: I. Prelude. Performed byAndrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Cello Suite No. 1 in G Major BWV 1007: III. Courante. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Clarinet Trio in A Minor, Op. 114: I. Allegro. Performed by Pablo Barragán, Andrei Ioniță, and Juan Pérez Floristán. On Brahms: Complete Clarinet Sonatas & Trio. IBS Classical, 2018. CD. · Papandopulo, Boris. Concertino in modo antico, OP.56 II Aria. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo:Works for Piano & Strings, CPO-555106-2, 2021.CD · Dmitri, Shostakovich. Sonata for Cello and Piano in D Minor, Op.40. The XV International Tchaikovsky Competition. Performed by Andrei Ioniţă: Cellist and Seong-Jin Cho: Pianist. Concert recorded at the Salle des Combins (Verbier, Switzerland), on July 25, 2018. © Idéale Audience with the participation of medici.tv https://www.youtube.com/watch?v=iHPd1dN89bM · Dmitri, Shostakovich. Cello Concerto No. 1 in E-flat major, Op. 107 4. Allegro con moto. Performed by Andrei Ionuț Ioniță with the Mariinsky Theatre Symphony Orchestra conducted by Valery Gergiev. The XV International Tchaikovsky Competition's Winners' Concert. Recorded at the Great Hall of the Moscow Conservatory, on July 2, 2015. © MUSEEC/medici.tv https://www.youtube.com/watch?v=zzaCNTlJciI · Dmitri Shostakovich. Cello Concerto No. 1 in E-flat major, Op. 107 with the Draft. Performed by Andrei Ionuț Ioniță Orchestra of the Shostakovich State Academic Saint Petersburg Philharmonic conducted by Nikolai Alexeev. Cello: Final Round - Candidate #2 - First Prize - Recorded at the Grand Hall of the Saint Petersburg Philharmonia, on June 28, 2015, 7:45 p.m. https://www.youtube.com/watch?v=QfkQt0gSiJI · Henryson, Svante. Black Run. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Enescu, George: Piano Quartet No. 1 in D Major, Op. 16: II Andante mesto. Performed by Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang. On Mélodies Infinies: Fauré & Enescu Piano Quartets. Naxos 8.551477, 2024. CD · Papandopulo, Boris. Rapsodia Concertante: I. Introduziene. Tempo libero. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Rachmaninoff, Sergei: Sonata -Moll OP 19. Lento- Allegro moderato. 2. Allegro scherzando. 3 Andante. 4 Allegro mosso. Performed by Andrei Ioniță and Andrei Ioniță (Violoncello), Catalin Serban (Piano). Kammermusik am Max-Planck-Institut für Bildungsforschung in Zusammenarbeit mit Konzertleben e.V. January 17th, 2024. https://www.youtube.com/watch?v=QqpFqwfoBDg · Saint-Saëns, Camille. Concerto No.1 in A minor for Cello and Orchestra Op. 33. Performed by Solist Andrei Ioniță and the Filarmonica George Enescu conducted by Stefan Ausbury Opening Concert October 7th, 2020, at the Romanian Athenaeum lived-streamed on the Institutions Website and YouTube Channel. https://www.youtube.com/watch?v=ktTHMbFcyp4 · Papandopulo, Boris. Rapsodia Concertante: I. Introduziene. Tempo libero. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Rachmaninoff, Sergei: Sonata -Moll OP 19. Lento- Allegro moderato. 2. Allegro scherzando. 3 Andante. 4 Allegro mosso. Performed by Andrei Ioniță and Andrei Ioniță (Violoncello), Catalin Serban (Piano). Kammermusik am Max-Planck-Institut für Bildungsforschung in Zusammenarbeit mit Konzertleben e.V. January 17th, 2024. https://www.youtube.com/watch?v=QqpFqwfoBDg · Fauré, Gabriel: Piano Quartet No. 1 in C Minor, Op. 15: III Adagio. Performed by Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang. On Mélodies Infinies: Fauré & Enescu Piano Quartets. Naxos 8.551477, 2024. CD https://www.youtube.com/watch?v=ktTHMbFcyp4 · Saint-Saëns, Camille. Concerto No.1 in A minor for Cello and Orchestra Op. 33. Performed by Solist Andrei Ioniță and the Filarmonica George Enescu conducted by Stefan Ausbury Opening Concert October 7th, 2020, at the Romanian Athenaeum lived-streamed on the Institutions Website and YouTube Channel. https://www.youtube.com/watch?v=ktTHMbFcyp4 · Brahms, Johannes. Clarinet Trio in A Minor, Op. 114: I. Allegro. Performed by Pablo Barragán, Andrei Ioniță, and Juan Pérez Floristán. On Brahms: Complete Clarinet Sonatas & Trio. IBS Classical, 2018. CD. · Papandopulo, Boris. Rhapsodia Concertante: III. Danza. Allegro. Performed by Oliver Triendl and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD Albums: Available in all Platforms https://open.spotify.com/intl-de/album/3Cqhwf6m3Gl8i0HfDTzln1 https://www.naxos.com/CatalogueDetail/?id=C5463 https://open.spotify.com/intl-de/artist/4ITCrIEQbzQVUO8CPHhdLP 3 18 full no Cellist,World famous orchestras,world famous conductors,Tchaikovsky Competition,Bach,Shostakovich,Enescu,Fauré,Gut strings,Posture Dr. Cecilia Ponce Rivera

My guest today on the Online for Authors podcast is Laury A Egan, author of the book Fair Haven. Laury is the author of fourteen books of fiction: Jack & I; The Black Leopard's Kiss & The Writer Remembers; The Psychologist's Shadow; The Firefly; Once, Upon an Island; Wave in D Minor; Doublecrossed; Turnabout; The Swimmer; The Ungodly Hour; A Bittersweet Tale; Fabulous! An Opera Buffa; The Outcast Oracle; and Jenny Kidd, with two titles forthcoming in 2025: Fair Haven and a new story/play collection, Contrary. Her stories have been collected in Fog and Other Stories, and her short fiction and poems have appeared in 85 literary journals and in multiple anthologies. Two full-length poetry volumes, Snow, Shadow, a Stranger and Beneath the Lion's Paw, were issued in limited edition, as were two chapbooks, Presence & Absence and The Sea & Beyond. Laury is also a fine arts photographer, a former book designer, and a reviewer for The New York Journal of Books. She lives on the northern coast of New Jersey.   In my book review, I stated Fair Haven by Laury A Egan is a murder mystery set in the small town of Fair Haven. The opening scene is a dead, naked woman in a hot tub. Each page after introduces us to the characters who may be the killer, as well as some supporting cast members like the police chief, his girl Friday, the crime photographer, and a beagle named Cagney.   And the possible killer? The list is lengthy and includes one of many lovers, her husband, a colleague, and a thief. Everything gets messier as we learn about the private lives of these individuals and realize that although the town seems quiet on the outside, the residents are embroiled in scandals ranging from hiding sexual orientations to financial fraud. Throw in some blackmail, attempted rape, and assault - and you have a real story!   This is the latest in Laury's works, and once again, I didn't figure out the killer until the very end. She's very good at giving you the answer but hiding it just enough to keep you guessing! If you love a good suspense/mystery, then you'll love this book.   Subscribe to Online for Authors to learn about more great books! https://www.youtube.com/@onlineforauthors?sub_confirmation=1   Join the Novels N Latte Book Club community to discuss this and other books with like-minded readers: https://www.facebook.com/groups/3576519880426290   You can follow Author Laury A Egan Website: https://www.lauryaegan.com/ FB: @laury.egan IG: @laurya.egan LinkedIn: @Laury A Egan   Purchase Fair Haven on Amazon: Ebook: https://amzn.to/3QWdixl   Teri M Brown, Author and Podcast Host: https://www.terimbrown.com FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1   Want to be a guest on Online for Authors? Send Teri M Brown a message on PodMatch, here: https://www.podmatch.com/member/onlineforauthors   #lauryaegan #fairhaven #mystery #thriller #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview *As an Amazon Associate I earn from qualifying purchases.

Donald Macleod explores Danish composer, Carl Nielsen, through his temperaments Carl Nielsen (1865-1931) is probably the most eminent Danish composer. Known mainly for his talent as a symphonist and for his incidental music for 'Aladdin', he also pushed the boundaries of Romantic music, whether in his work on the voice or his exploration of dissonance. Born in the fairy tale-looking island of Fyn, his music is indeed full of characters: Nielsen was fascinated by the multiplicity of human emotions and personalities. To the extent that they frequently were the source of his musical creativity. After all, he was himself a passionate character, something that transpires in his very scores, in which the composer often hides behind the music. This week, inspired by his second and fourth symphonies, Donald Macleod invites you to discover Carl Nielsen's story through the prism of five different aspects of his temperament.Music Featured: Saul og David (Prelude to Act II) Symphony No 2, Op 16, FS29 ‘The Four Temperaments' Fynsk Forar, Op 42 (excerpt) Polka in A major, FS1 Little Suite for strings in A minor, Op 1 (3rd mvt) Aladdin Suite, Op 34 (excerpt) Søvnen, Op 18 String Quartet in D Minor, FS 3d (3rd mvt) Saga-Drøm, Op 39, FS 46 Concerto for Flute and Orchestra, FS 119 (1st mvt) The Heavens darken, vast and silent, FS 106 Dream about ‘Silent Night', FS 34 Farewell, my respectable native town! String Quartet No 1 in G minor, Op 13, FS 4 (excerpt) Humoresque Bagatelles Moderen [The Mother], Op 41 (No 2, Tågen letter “The Fog is Lifting”) String Quartet No 2 in F minor, Op 5 (excerpt) Romance in D major for violin and piano Hymnus amoris [Hymn of Love] for soloists, choir and orchestra, Op 12 (No 4, Old Age) Three Motets (No 3, Benedictus Dominus) 5 Songs, FS 12 (No 4, Irmelin Rose) Piano Suite "The Luciferan", FS 91, Op 45 (excerpt) String Quartet No 3 in E-flat major, FS 23, Op 14 (excerpt) Symphony No 3, Op 27, FS 60 "Sinfonia espansiva" (3rd mvt) Maskarade, FS 39, Act III (excerpt) Symphonic Suite for Piano, Op 8, FS 19 (4th mvt, Finale) Stophic Songs, FS 42, Vol 2, No 1, "Saenk kun dit hoved, du blomst" The Spider's Song Jens Vejmand (arr. Finn Savery) Helios, Op 17, FS 32 Violin Concerto, Op 33, FS 61 (Preludium) Symphony No 6 "Sinfonia semplice", FS 116 (4th mvt, Tema con variazioni) Symphony No 4 "The Inextinguishable", Op 29, FS 76 (4th mvt)Presented by Donald Macleod Produced by Julien Rosa for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Carl Nielsen (1865-1931) https://www.bbc.co.uk/programmes/m0029j16 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

We'll look at Beethoven's last great public work--Symphony No. 9 in D Minor, Op. 125, completed in 1824.  

I talk about Cobra Kai, the Saturday Night movie and explain my philosophy when it comes to reviews and media discussion on the podcast    Music is Handel Keyboard Suite in D Minor, using the CC license (performed by Edward Cree)

Horror: Quiet, Please “Symphony in D Minor” 9/13/49 MBS, Escape “Casting of the Runes” 11/19/47 CBS.

We meet a 16-year-old composer from Chicago who is mentored by composer Jessie Montgomery and is also passionate about architecture. We hear a soprano perform a love song by Debussy. Finally, we meet a teen cellist who performs Shostakovich's dynamic Cello Sonata in D Minor.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

A teenager discovers his parents were legendary monster hunters—and that their murder was just the beginning of a war between worlds. The complete Zachary Bane story. Zachary Bane Kickstarter! https://www.kickstarter.com/projects/zachbane/zachary-bane-birthing-day Nightmare Machine by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4133-nightmare-machine License: http://creativecommons.org/licenses/by/4.0/ Music: Drone in D by Kevin MacLeod Free download: https://filmmusic.io/song/3680-drone-in-d Licensed under CC BY 4.0: https://filmmusic.io/standard-license Darkest Child by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3615-darkest-child License: https://filmmusic.io/standard-license Thunder Dreams by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4526-thunder-dreams License: http://creativecommons.org/licenses/by/4.0/ Nervous by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4118-nervous License: https://filmmusic.io/standard-license SCP-x6x (Hopes) by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/6736-scp-x6x-hopes- License: http://creativecommons.org/licenses/by/4.0/ Dark Walk by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3612-dark-walk License: http://creativecommons.org/licenses/by/4.0/ Our Story Begins by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4181-our-story-begins License: https://filmmusic.io/standard-license Music: Dawn Of The Apocalypse by Rafael Krux Free download: https://filmmusic.io/song/5627-dawn-of-the-apocalypse License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://www.orchestralis.net/ The following music was used for this media project: Music: Ambient Suspenseful Background by MusicLFiles Free download: https://filmmusic.io/song/6597-ambient-suspenseful-background License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://cemmusicproject.wixsite.com/musiclibraryfiles The following music was used for this media project: Music: Mysterious Cinematic Foreboding Background by MusicLFiles Free download: https://filmmusic.io/song/7695-mysterious-cinematic-foreboding-background License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://cemmusicproject.wixsite.com/musiclibraryfiles The following music was used for this media project: Music: Mysterious Cinematic Foreboding Background by MusicLFiles Free download: https://filmmusic.io/song/7695-mysterious-cinematic-foreboding-background License (CC BY 4.0): https://filmmusic.io/standard-license Artist website: https://cemmusicproject.wixsite.com/musiclibraryfiles Canon in D Major by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3473-canon-in-d-major License: https://filmmusic.io/standard-license Cryptic Sorrow by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/3568-cryptic-sorrow License: https://filmmusic.io/standard-license Unnatural Situation by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4567-unnatural-situation License: https://filmmusic.io/standard-license Music: Toccata and Fugue in D Minor by Kevin MacLeod Free download: https://filmmusic.io/song/4533-toccata-and-fugue-in-d-minor Licensed under CC BY 4.0: https://filmmusic.io/standard-license Learn more about your ad choices. Visit megaphone.fm/adchoices

Mark-Anthony Turnage is a composer of contemporary classical music. Once called “Britain's hippest composer”, he has been in a rock band, got drunk with Francis Bacon, and tackled anything from drug abuse to football in his works. Mark was born in June 1960 in the Thames estuary town of Corringham in Essex. His musical talent was nurtured by his parents and he studied composition at the junior department at the Royal College of Music from aged fourteen. There he met the composer Oliver Knussen who became his tutor, mentor, and life-long friend. His first performed work, Night Dances, written while still at the Royal College, won a prize and heralded Mark's evolution into what one critic calls “one of the best known British composers of his generation, widely admired for his highly personal mixture of energy and elegy, tough and tender”. Greek, his debut opera, a reimagining of the Oedipus myth whose protagonist is a racist, violent and foul-mouthed football hooligan, shocked the establishment, which flinched, but accepted “Turnage, the trouble-maker” as a forceful voice. Over the past four decades he has sustained a distinguished and productive career that has seen him working closely with conductors of the stature of Bernard Haitink, Esa-Pekka Salonen and, particularly, Simon Rattle. He has been attached to prestigious institutions, such as English National Opera and both the BBC and Chicago symphony orchestras, and has written a vast range of music for many different instruments and ensembles. His influences include soul, gospel, all sorts of jazz and the great symphonic works of the repertoire. He has written operas, ballets, concertos, chamber pieces and choral works together with orchestrating a football match. His key works include Three Screaming Popes and Blood on the Floor (both inspired by Francis Bacon paintings, and the latter containing an elegy for his younger brother, Andrew, who died of a drug overdose in 1995), as well as more operas including one about the former Playboy model Anna Nicole Smith. Mark lives in North London with his partner, the opera director, Rachael Hewer. DISC ONE: Symphony No. 9 in D Minor, Op. 125 II. Molto vivace - Presto - Molto vivace – Presto. Composed by Ludwig Van Beethoven and performed by The Berlin Philharmonic, conducted by Sir Simon Rattle DISC TWO: St. Matthew Passion, BWV 244 Pt. 1 No. 1, Kommt, ihr Töchter, helft mir klagen. Composed by Johann Sebastian Bach and performed by Bach Collegium Japan, conducted by Masaaki Suzuki DISC THREE: Two Organa, Op. 27 – 1 “Notre Dame des Jouets”. Composed and conducted by Oliver Knussen and performed by The London Sinfonietta DISC FOUR: Blue in Green - Miles Davis DISC FIVE: Living for the City - Stevie Wonder DISC SIX: Puccini: Madama Butterfly, Act II: Un bel dì vedremo. Composed by Giacomo Puccini and performed by Mirella Freni (Soprano) and Wiener Philharmoniker, conducted by Herbert von Karajan DISC SEVEN: Symphony of Psalms (1948 Version): III. Alleluja. Laudate Dominum - Psalmus 150 (Vulgata) Composed by Igor Stravinsky and performed by English Bach Festival Choir and The London Symphony Orchestra, conducted by Leonard Bernstein DISC EIGHT: Let's Say We Did. Composed by John Scofield and Mark-Anthony Turnage and performed by John Scofield, John Patitucci, Peter Erskine, Frankfurt Radio Symphony, hr-Bigband and Hugh WolfBOOK CHOICE: Rebecca by Daphne du Maurier LUXURY ITEM: A grand piano and tuning kit CASTAWAY'S FAVOURITE: St. Matthew Passion, BWV 244 Pt. 1 No. 1, Kommt, ihr Töchter, helft mir klagen. Composed by Johann Sebastian Bach and performed by Bach Collegium Japan, conducted by Masaaki Suzuki Presenter: Lauren Laverne Producer: Sarah Taylor