Podcasts about drums

The "A Handful of Nuggs" 12" is out in the world, finally! We discuss the new material and dig into The Ol' Grizz, which serves as a teaser for a forthcoming Primus LP in 2027. If this is the direction they're taking, we're all for it! Plus, some new information about an older Primus song. Get involvedInstagramFacebookEmailBurn your money 

On this episode of The Bandwich Tapes, I sit down with multi-instrumentalist, singer, songwriter, and producer Eliot Lewis for a conversation about rhythm, versatility, technology, and the experiences that shaped his remarkable career.Eliot began as a drummer and still considers rhythm the foundation of everything he does. We talk about how that early connection to the drums influenced his work as a guitarist, bassist, keyboardist, singer, and songwriter, as well as the unspoken communication that develops when musicians spend years learning how to play together.We also explore Eliot's years with Average White Band, where he grew as a performer and lead vocalist while sharing stages with artists including Earth, Wind & Fire, B.B. King, Buddy Guy, War, and the Ohio Players. Eliot discusses his work with producer and songwriter Dan Hartman, playing on Tina Turner's “The Best,” and learning the value of becoming a musical chameleon who can understand and support many different artists.A large part of our conversation focuses on Eliot's time with Hall & Oates and Live from Daryl's House. He explains how the musicians learned and recorded new material with very little rehearsal, why Daryl Hall wanted the performances to remain spontaneous, and what Eliot learned from working with guests such as Robert Fripp, CeeLo Green, Booker T. Jones, Grace Potter, and KT Tunstall.Eliot also takes us inside his current solo live-looping show. He describes the technical and musical challenge of creating the sound and dynamics of a full band by himself, the importance of remaining in the moment, and why technology should always serve the song rather than replace the musicianship underneath it.Key TakeawaysEliot still considers himself a drummer first, and rhythm remains the foundation of his work on every instrument.His live-looping show is designed to create the feeling and dynamics of a three- or four-piece band rather than simply repeat accompaniment.Learning several instruments helped Eliot understand how each musical role fits into an arrangement without competing for space.His years with Average White Band developed his confidence as a singer, songwriter, performer, and collaborative band member.Working on Live from Daryl's House required strong ears, quick preparation, trust between musicians, and an ability to respond in the moment.Eliot believes technology is most effective when it supports the song, but a performer must still be able to play and communicate when the technology fails.Running a solo career means balancing music with booking, travel, marketing, arranging, production, and the many other responsibilities that happen away from the stage.Music from the EpisodeRetroactive - Eliot LewisJetstream - Eliot LewisSonic Soldier - Eliot LewisHelpless - Eliot LewisAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowQuestions, comments, or guest suggestions:contact@thebandwichtapes.com

This week on the Deadpod we head back to the Family Dog at the Great Highway in San Francisco for a superb show from August 3, 1969. This is the kind of set that reminds us just how quickly the Grateful Dead were evolving in that remarkable year, moving from the raw energy of their early material into the open-ended exploration that would define so much of what followed. The set opens with a fine run of songs including "Hard To Handle," "Beat It On Down The Line," "Hi-Heel Sneakers," "High Time," and "Mama Tried." From there the show opens up beautifully with a long and searching "Dark Star," followed by the powerful sequence of "Alligator," "Drums," "The Other One," and "Caution (Do Not Stop On Tracks)," before closing with "And We Bid You Goodnight." There are two guest artists - an unknown sax player and David LaFlame from 'It's A Beautiful Day', and they add a rich extra dimension to the sound that I really dig.  There's a lot to enjoy here: the contrast between the concise song-based first half and the expanded improvisational stretch that follows, the relaxed confidence of the band, and the sense that they are really finding their collective voice in real time. It's a strong late-summer 1969 performance and a great listen for anyone who loves this transitional era of the Dead. Grateful Dead Family Dog at the Great Highway San Francisco, CA 8/3/1969 - Sunday     Hard To Handle   Beat It On Down The Line   Hi-Heel Sneakers   High Time   Mama Tried   Dark Star   Alligator >  Drums >  The Other One >  Caution (Do Not Stop On Tracks) >  And We Bid You Goodnight You can listen to this week's Deadpod here:  https://traffic.libsyn.com/deadshow/deadpod073126.mp3  Enjoy!  

Sterling Laws is a well-established drummer in LA, having toured and/or recorded with Chappell Roan, Olivia Rodrigo, producer Dan Nigro, Natasha Bedingfield, and many others. He is a graduate of Musicians Institute in LA where he studied with Stewart Jean and Kevin Stevens. In this episode, Sterling talks about: Playing with Natasha Bedingfield and serving as her MD Growing up in rural Washington north of Seattle, and picking up drumming from his mom Discovering a viable musical path other than being in a band and trying to “make it” Studying at Musicians Institute with Stewart Jean and Kevin Stevens Matriculating from school onto into he LA scene and getting his first opportunities from Barry Squire Financial literacy lessons learned early  The support and positivity of today's LA drumming community Recording for Chappell Roan and Olivia Rodrigo, and how the drum tracking for a huge hit is often relatively DIY Getting comfortable with your drumming being manipulated or even discarded altogether in the record-making process How “getting the safe take” will earn you the right to do a more adventurous one Here's our Patreon Here's our Youtube Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE HIGHLIGHTS - A Freak Accident LIVE at Best Cigar Pub in Drums, PA - A man got stuck in a porta-potty for the dumbest reason - "The Dating Game with Mikki" - What's something you're very good at but you don't talk about because people wouldn't believe you? - "Finish the Lyric - Party Edition"

Unos cuantos clásicos de la new wave de distinto pelaje rescatados del lustro que va de 1978 a 1982.Playlist:(sintonía) THE POLICE “Reggatta de blanc” (Reggatta de blanc, 1979)BLONDIE “Accidents never happen” (Eat to the beat, 1979)ELVIS COSTELLO “Oliver’s army” (Armed forces, 1979)JOE JACKSON “Don’t wanna be like that” (I’m the man, 1979)XTC “Making plans for Nigel” (Drums and wires, 1979)FISCHER Z “So long” (Going deaf for a living, 1980)CODE BLUE “Modern times” (ST, 1980)SQUEEZE “Slap and tickle” (Cool for cats, 1979)IAN DURY “Hit me with your rhythm stick” (1979)THE B-52’S “Dance this mess around” (ST, 1979)TALKING HEADS “Crosseyed and painless” (Remain in light, 1980)THE ONLY ONES “Another girl, another planet” (ST, 1978)THE DOGS “The most forgotten French boy” (Too much class for the neighbourhood, 1982)THE PRETENDERS “Back on the chain gang” (Learning to crawl, 1982)Escuchar audio

Amapiano zählt zu den spannendsten elektronischen Genres der vergangenen Jahre. Entstanden in Südafrika, geprägt von tiefen Log Drums, versetzten Grooves und einer starken Community-Kultur, hat sich der Sound inzwischen weit über Afrika hinaus verbreitet.In dieser Episode spricht Marc Bohn mit Producer Felix Flavour über seinen Weg von Fruity Loops, Trance und Hip-Hop hin zu Amapiano. Felix erzählt, warum ihn das Genre nach einer langen musikalischen Pause wieder zurück zur Produktion gebracht hat, wie seine ersten Tracks entstanden sind und weshalb Amapiano für ihn weit mehr als nur ein Clubsound ist.Außerdem geht es um Studiosessions in Südafrika, kollaboratives Arbeiten, die Rolle von FL Studio im Genre, ungewöhnliche Drop-Strukturen und die Frage, warum viele Amapiano-Tracks trotz minimalistischer Elemente eine enorme Sogwirkung entwickeln.Felix gibt außerdem Einblicke in sein Projekt „The Amapiano Alphabet“, seine Produktionsweise in Cubase sowie seinen Umgang mit Sounddesign, Mixing und mobilem Producing.Sound&Recording-Magazin | Studiosofa PodcastWebsite: ⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠Webinare: ⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠/webinareCoachings: soundandrecording-magazin.de⁠⁠⁠⁠⁠/coachingsWhatsApp-Gruppe: ⁠⁠⁠soundandrecording-magazin.de/whatsapp⁠⁠⁠Instagram: ⁠⁠⁠@soundandrecording.magazin⁠⁠⁠YouTube: ⁠⁠⁠@StudiosofaPodcast⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠@soundandrecording.mag⁠⁠⁠

This week we sit down with Primus drummer John Hoffman. Hoffer got the job after being selected among thousands of applicants for the job and going through the band's interstellar drum derby.For more information about the European tour, or the new EP "The Ol' Grizz," check out the band's website.

Man! Am nächsten Tag gehe ich zum Unterricht und denke: In Linz fragen die in der Schule Rudiments ab. Ein bisschen frustriert bin ich schon und versuche noch einmal alles vom Vortag zusammenzubekommen. Es war ein intensives Gespräch, das nachwirkt. Wie, warum, wann und wer… Es waren so viele Fragen. Wie ist das eigentlich: Sind die DrummerInnen von früher einfach besser, oder denkt man das nur manchmal? Warum ist gerade um Linz und Wien derzeit so ein Hotspot für gute junge Musiker und nicht Berlin, Köln oder München? Ist das überhaupt so? Warum klingen heute alle gleich bei TikTok und Insta… Und was macht eigentlich einen guten Drummer aus? Die Fragen mussten irgendwann einfach raus, und Alex stellte sich ihnen und fand sehr, sehr gute Antworten. Bei so viel gutem Zeug spielt es auch überhaupt keine Rolle, dass die Klangqualität nicht überragend ist und dass irgendwann mittendrin mein Handy völlig überhitzt aufgab. Ich würde euch raten: Einschalten, und ihr werdet dranbleiben. Definitiv eine Folge für den Spaziergang oder die Autofahrt – und nicht zum Einschlafen. Ich wünsche euch viel Freude dabei und hoffe, dass ihr nicht auch am nächsten Tag frustriert in den Unterricht stapft… Alex bei Instagram: https://www.instagram.com/alexandendrums/?hl=de Bei YouTube: https://www.youtube.com/watch?v=X4B3y6KYmJk YouTube Guided Warmup: https://youtu.be/kkaYbbjfH7U?si=bQe664KwInCNtie9 Patreon Patreon ist endlich online – hoffe ich zumindest. Ihr findet die Seite bei Patreon unter „Trommel Talk – Einfach Schlagzeug“: https://patreon.com/TrommelTalk_EinfachSchlagzeug?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink https://www.patreon.com/posts/hallo-zum-talk-148862844?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link Ich freue mich tierisch, wenn du auf der Seite von Einfach Schlagzeug mal vorbeischaust: https://einfachschlagzeug.de/ Kapitelmarker 03:48 – Start 14:06 – Alles gibt den Geist auf 49:04 – Hot Take Number 20 1:02:44 – Schnellfragerunde

Garza sits down in-person with Dez Fafara & Davier Pérez from California heavy metal band DEVILDRIVER. Their new album "Strike and Kill” is out now! https://instagram.com/devildriverSupport the podcast here: https://garzapodcast.myshopify.com 00:00 - Strike and Kill02:32 - Jon Miller Re-Joining Devildriver05:48 - 30 Years of Marriage09:30 - Lynn Strait & Snot11:16 - L.A. Nu Metal Scene // Early Days13:28 - Personal Lyrics, Influences & Outlaw Country17:02 - Childhood19:23 - Stand-up Drums & Punk Influence23:45 - Early Jobs25:11 - Moving From Puerto Rico29:43 - Quitting Drinking33:01 - Coal Chamber35:12 - Hot Topic & Nu Metal Fashion42:48 - Superjoint Ritual44:47 - Devildriver After Coal Chamber51:09 - Dez's Rules for Saving & Investing59:19 - Freemasonry & Charity1:02:41 - NDEs & Tarot Cards1:08:04 - On-Stage vs Off-Stage Mentality1:11:28 - Tour Bus Driver's Death1:15:08 - Chamber Music & The Haunted Studio1:23:10 - Writing/Recording Strike and Kill1:26:06 - Meditation1:36:19 - Dez's Health Update1:53:54 - NRG Studios Lore1:59:17 - Rediscovering Love for Devildriver2:02:47 - Dig Your Own Grave Music Video2:04:30 - Future Book!?2:06:33 - Music to Check Out2:11:34 - Philip H. Anselmo2:15:18 - Garza's Sobriety2:20:16 - New Album, Strike and Kill & Upcoming Shows

Chris Ballew is BACK for his fifth Power Chord Hour appearance to talk about his 11th solo album Newborn Human, the making of the Presidents 1996 sophomore album II, if it's harder to open or close and album and lots more CHRIS BALLEW https://chrisballew.org https://chrisballew.bandcamp.com https://www.instagram.com/chrisballew https://www.instagram.com/pusaband PCH Instagram - www.instagram.com/powerchordhour Facebook - www.facebook.com/powerchordhour Youtube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8Lgg powerchordhour@gmail.com Donate to help show costs - https://www.paypal.com/paypalme/pchanthony https://cash.app/$anthmerch Check out the Power Chord Hour radio show every Friday night at 8 pm est/Tuesday at Midnight est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app/Apple CarPlay/Android Auto

Performance and Works used with permission from the artist and venue. One of the rising stars of jazz, New Delhi native Aanya Sengupta heads off to Julliard but not before a Northeast Ohio farewell performance. The two-time DownBeat Student Award winner finished 2025 as the vocalist chair for the Oberlin College Sonny Rollins Jazz Ensemble. Featuring Aanya on Vocals, Wilson Woods on Piano, Ahmed McLemore on Bass and Paul Samuels on Drums, and from June 8th, 2025 it's the Aanya Sengupta Quartet…Live at the Bop Stop.

At the parliament on April 1685, Scotland demonstrated how loyal subjects should treat their king - an example which was duly followed by their southern neighbours soon afterwards. Yet despite this enthusiastic reception, within weeks James faced two rebellions. In Western Scotland the Earl of Argyl raised the fiery cross to summon the clans, and in South West England the Duke of Monmouth was joined by thousands of rebels eager to fight for religious freedom. The outcome would be soaked in blood. Hosted on Acast. See acast.com/privacy for more information.

Send us Fan MailShow: Club Sabroso Presents: “ᑕᗩᗪÊᑎᑕIᗩ EᒪETᖇÓᑎIᑕᗩ"Episode: #033Host: SYLVA DRUMS | IG: @sylvadrumsAir Date: July 26Follow the Crew on: IG: @clubsabrosoradio, @cadenciamusicListen Online: ClubSabrosoRadio.com or TuneIn AppABOUT THIS EPISODE: The host Sylva Drums is taking the decks all the way from Portugal with his energetic sounds of Tribal house beats to your speakers one last time before the clock resets.— SHOW TRACKLIST FOR EP: 033 —1-Bruno Zarra, Charlei Spot – Morena 2-Pablo Fierro – El Carinoso 3-Natema – Music is my Sanity4-Dennis Cruz – Bonito5-David Herrero – Ta bueno Si6-Sasha Ventura – Parfum de Lisbonne 7-Afro Medusa – Pasilda8-Mikel Ayerra – La Marimba 9-Joeski – Dia de Ayer10-F. Physical & The Cube Guys  - La Culebra11-Glender – El CieloSupport the showDon't forget to rate, review, and subscribe! Powered by the Club Sabroso Radio NetworkFollow IG/FB: @CLUBSABROSORADIO24/7 Live Stream at: WWW.CLUBSABROSORADIO.COM

Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears this Fall, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I've composed for this purpose. In this episode, we will hear Jazz Drums Electric—Early 1970s. This was a live drumming session played by my friend John Scarpulla back around 1971. We recorded this in his room in Philadelphia. I then added some shortwave and Moog modular sounds as overdubs. John is a truly stellar jazz drummer and he is still active in multiple bands. A big thank you to John for agreeing to let me post this podcast. Thanks for listening and see you next time.

This week on Deadpod we're back at the Orpheum Theatre in San Francisco for the second set from 7/12/76, a show that has that special midsummer 1976 feel I've always loved: relaxed, open, and full of musical space, but with plenty of spark still in the band's step.  The set gets underway with a very nice "Sugaree," followed by a spirited "Samson And Delilah," and then we move into one of the great touchstones of the era — "Help On The Way" > "Slipknot!" > "Franklin's Tower," played here with real assurance and flow. From there the band keeps the momentum going with a lively "Dancing In The Street," and then settles into the deep emotional current of "Wharf Rat." After that comes "Drums," and then a wonderfully expansive "The Wheel" that helps push the set into its final stretch. "Around And Around" closes things out with some good old-fashioned punch, and "U.S. Blues" brings us home in the encore with just the right amount of swagger. It's a set that really shows what was happening with the Dead in 1976: the band had found a new balance, and they were making music with patience, depth, and a real sense of possibility. I hope you enjoy it. Grateful Dead Orpheum Theatre San Francisco, CA  7/12/1976 - Monday     Two      Sugaree [10:53] % Samson And Delilah [6:46] % Help On The Way [4:32] > Slipknot! [7:44] > Franklin's Tower [14:11]  Dancing In The Street [11:26]  Wharf Rat [12:24] > Drums [4:41] > The Wheel [4:47] > Around And Around [7:07] Encore      U.S. Blues [7:20] Grateful Dead Orpheum Theatre San Francisco, CA  7/12/1976 - Monday     Two      Sugaree [10:53] % Samson And Delilah [6:46] % Help On The Way [4:32] > Slipknot! [7:44] > Franklin's Tower [14:11]  Dancing In The Street [11:26]  Wharf Rat [12:24] > Drums [4:41] > The Wheel [4:47] > Around And Around [7:07] Encore      U.S. Blues [7:20] You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod072426.mp3 "summertime done, come and gone my oh my"

Attendee and exhibitor interviews from the 2026 Music City Drum Show, July 18-19 in Nashville, TN.Register for the 2027 Music City Drum Showhttps://www.musiccitydrumshow.comInterviews0:00 Intro3:34 Tom Stanfill - "Drumming Community is Fantastic" 5:49 Jacqueline Cloud - "Change, Content, & Fudge" 11:04 Edgel Groves - "Music Tech & Business" 15:04 Alexander Hubbard - "Talent Show Rockstar" 16:15 Lleyton Brainard - "Identity & Lemurian People" 20:32 Laurie Toscano - "Lobsters & Accordions" 26:47 Fisher Wilkie - "Drums & Tortellini" 30:53 Dorothea Taylor - "Rudiments & Stardom"35:32 OutroSupport the showConnect with us:WebsiteInstagramTikTokYouTubeFacebookRecorded at Garden Groove Recording Space, Nashville, TNPodcast Artwork: GENUINE CREATIVE ART ⓒ 2026 Nashville Drummers Podcast, LLC

Featuring our review of 'If These Trees Could Talk - The Hidden Hand. New music from Throes, Psycroptic & Untitled With Drums. Film discussion includes, Hokum, Backrooms, Spinal Tap 2 and Iron Maiden - Burning Ambition.  Plus the usual news & chat from the alternative world.  Our new merch is now available at https://www.dethkult.co/collections/machograndepod Audible - audibletrial.com/machogrande Spotify Playlists Voicemail - 05603 689 842 contact us - info@machograndepodcast.co.uk Twitter - @machograndepod 'This (non profit) podcast is intended for promotional purposes only' Macho Grande Podcast' does not claim to own copyright etc, all copyright is respected to the artists and labels.

Join your hosts FiG and Knob as we explore 6/30/85 over in Columbia, MD.  Along the way we'll discuss some GD X MLB collabs and Bobby and the Midnights (now on streaming services!)  Here's the set: One Mississippi Half-Step Uptown Toodeloo > C C Rider > Brown Eyed Women ; Mama Tried > Mexicali Blues ; Keep On Growing ; Big Railroad Blues ; Looks Like Rain > Don't Ease Me In Two Shakedown Street > Samson And Delilah ; Gimme Some Lovin' > He's Gone > Cryptical Envelopment > Drums > Space > The Other One > Stella Blue > Around And Around > Sugar Magnolia Encore U.S. Blues 

Primus made numerous radio appearnces throughout the 90s and into the 21st century. Two standout radio appearances are the 1989 KZSU at Stanford University and 1990 at VPRO in the Netherlands. The Stanford performance is well-known for the accompanying video footage, and the VPRO performance also has two of the songs performed on video as well. Perhaps someday we'll see and hear both performances with pristine audio quality. For now, we treat them as companion pieces to Suck On This (KZSU) and Frizzle Fry (VPRO). KZSU: https://youtu.be/iIMh_2KH6MYVPRO: https://youtu.be/OoUqOFtLeFQGet involvedInstagramFacebookEmailBurn your money 

They're back! Professional marching bands at the Reitz Bowl Wedsnesday (7/22) strarting at PM! Click for all the details!See omnystudio.com/listener for privacy information.

A few weeks ago, a longtime listener and subscriber named Leo tried to order my book on Amazon. It didn't go smoothly — stock issues, shipping headaches, the usual Amazon runaround. Most people would have just given up and moved on.Leo didn't. He found his way to Signature Brandworks and ordered a copy directly from me instead. That alone means a lot. Leo's been with the podcast and the site for a long time, and knowing he cared enough to track down the book rather than let a broken checkout page stop him is exactly the kind of support that keeps this whole project going.But what really got me was what he said after he read it.Leo described the book as “pure gold” — not just for drummers, and not just for musical theater players, but for any working musician taking on all kinds of gigs. That phrase has been stuck in my head ever since, because it's exactly what I set out to make. This was never meant to be just a drumming book. It's a career guide — contracts, negotiating with producers, breaking into a market, understanding the business side most of us were never taught. If you're a professional musician of any kind, that's information you need.Leo put it better than I could, so I'll let him say it in his own words:“This is pure gold for anyone who's interested, especially in musical theater, but it applies to any kind of musician doing all sorts of gigs. Beyond our instrument — we get really focused on the instrument — but looking up content and resources that are important for a professional musician's training... financial education, negotiation, understanding contracts, and the laws that apply to musicians. I think all of that is important for us to become better professionals and to improve the market for everyone too.”Coming from someone who's spent 23 years developing his own teaching method, that's not a compliment I take lightly.Who is Leo?Leo Bandeira is a Brazilian drummer, author, and educator — and honestly, someone every drummer reading this should be following. He's the author of Teoria Musical para Bateria (Music Theory for Drums), the accompanying Livros de Exercícios volumes 1–3, and Leitura à Primeira Vista (Sight Reading). He also teaches A Bateria no Teatro Musical — Drums in Musical Theater — so when a guy who spends his career teaching this stuff calls my book pure gold, that means a lot to me.His beginner-level video course builds directly on those books: over 400 exercises covering reading, writing, coordination, orchestration, and rhythmic dictation, all developed over two decades of teaching drummers how to actually read and understand music, not just play by feel. If you're a drummer looking to get more literate on your instrument, his material is worth your time.Follow Leo here: instagram.com/leobandeiramusicoLeo's Full Review (translated from Portuguese)I wanted to share it in full, exactly as he gave it, rather than just pulling the one line:Guys, I want to share with you a book I just finished reading, and it's amazing. Clayton is a Broadway drummer with a ton of experience. He has a podcast where he interviews Broadway musicians, so he really lays out how the industry works over there, you know? Which is basically the top of the musical theater world.So, in this book, he explains exactly how everything works over there: contracts with producers, how negotiations happen, how you break into the market. He talks about networking — honestly, he covers so many topics. This is pure gold for anyone who's interested, especially in musical theater, but it applies to any kind of musician doing all sorts of gigs, you know?Yeah, it's really important information that every professional musician should have access to.So folks, I'm leaving his Instagram here so you can find his materials. I think being a good professional musician also means doing your research. Beyond our instrument — we get really focused on the instrument — but looking up content and resources that are important for a professional musician's training, you know?Financial education, negotiation, understanding contracts, and the laws that apply to musicians. I think all of that is important for us to become better professionals and to improve the market for everyone too. Alright? So here's the golden tip. Follow him over there, and look for the book. Thanks!And if you've been on the fence about the book like Leo was — go grab a copy on Amazon. Or get a copy from me here at SignatureBrandworks.com. Also, Leo, if you're reading this: I'm taking a lesson from you the day I finally make it to Brazil, no excuses.I'm proud of this one, and it means the world that it's resonating with musicians outside the Broadway pit too.Clayton Craddock is the founder of Broadway Drumming 101.His Broadway and off-Broadway theater credits include Cats: The Jellicle Ball, Ain't Too Proud – The Life and Times of The Temptations, Lady Day at Emerson's Bar and Grill, Memphis, Altar Boyz, and tick, tick... BOOM!, plus subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour. He's appeared on The View, Good Morning America, The Tonight Show, The Today Show, and the Tony Awards, performing alongside artists from Chuck Berry to Kristin Chenoweth.His book, Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career, is available on Amazon, Barnes & Noble, and at Signature Brandworks. His course, Broadway Bound and Beyond: The Course — The Career Foundation Every Working Musician Needs (But Nobody Teaches) — is coming soon.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Find Dave and Non-Human Audio at:Internet: https://www.nonhumanaudio.com/Instagram: https://www.instagram.com/nonhumanaudio/SponsorsGrez Guitars: ⁠https://www.grezguitars.com/⁠Grez Guitars (Instagram): ⁠https://www.instagram.com/grezguitars/⁠Meris Pedals: ⁠https://www.madsenamps.com/⁠Meris Pedals: ⁠https://meris.us/Eddie Wang Instruments: ⁠https://www.eddiewanginstruments.com/Eddie Wang Instruments: https://www.instagram.com/eddiewanginstruments/Affiliate LinksSweetwater: ⁠sweetwater.sjv.io/qzy9XjTrueFire (affiliate link): ⁠https://shorturl.at/bfjGX⁠ Get 40% off your first lesson purchase (including the annual pass!) with code 40WATTReverb (affiliate link): ⁠https://tidd.ly/3zLI32N⁠Support the showPatreon: ⁠https://www.patreon.com/40wattpodcast/⁠Find all of the podcast links at:⁠https://www.linktr.ee/40wattpodcast⁠⁠https://www.40wattpodcast.com/⁠Subscribe to the channel and give a like — also find us in audio format wherever you listen to podcasts, leave us a review, and share us with your friends.0:00 – Intro & Housekeeping (Patreon, Sponsors)3:22 – Meet Dave from Non Human Audio4:58 – How Dave Got Into Guitar, Drums & Music10:08 – Falling Down the Big Muff Rabbit Hole14:24 – Building His First Pedal From Scratch16:57 – First Sales & Discovering the PT2399 Chip20:24 – The Accidental Birth of the Slow Loris25:19 – Why the Pedal Industry Is So Collaborative29:09 – DIY Punk Roots & Feeling Truly Supported37:19 – Authenticity & Buying From People, Not Companies42:11 – Talking Gear: Designing the Regrets Reverb49:21 – The Tone Control That Breaks the Rules56:33 – Where the Name "Non Human Audio" Came From1:00:24 – Wrap Up & Where to Find Dave

Welcome to Season 6 of the Metalcore & Muscle Podcast! In this tenth episode of season six, we will be discussing the following topics: Boundaries Upcoming Album: In this segment we discuss the upcoming release from Boundaries and how the singles have sounded so far. We dive into where we think the newest album will fit into their discography. Coaches Corner: This segment continues from season 5 of the pod, where Evan discusses a fitness topic in depth and provides his health coaching insight. For this week, Evan discusses the question, is being overweight a choice? This was a question pulled from a YouTube video where fitness influencers were debating this question. Evan weighs in and provides a public health perspective on this question. Song of the Week: In this segment, we share/highlight a new song recently released and provide some general commentary. This week's song of the week is "Better or Not" by Paloma. Follow us on Instagram @mc_muscle! 

The following was recoded live at San Fransisco Sketchfest at the Palace of Fine Arts on January 25th 2026. We've got the whole fam band on this one (Scott Passarella on Keys, Brett Morris on Guitar, and Dana Wickens on Drums!) This one is about brothers, cheese making, calculus, and the difference between dreams and careers. It also contains one tiny audio glitch during a sexy library song, but such is the will of the audio Gods. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Introducing the All Def SquADD Cast show “Versus". It's a podcast with the OG SquADD! Each week, the SquADD will debate topics and vote at the end to see what wins. Versus airs every Monday and you can download and listen wherever podcasts are found.Special GuestB.T. KingsleyKali ScottJohn GrimesSheldon CalhounThis Week We DiscussDrums vs FlatsPlay Every Instrument vs Speak Every Language Wear The Same Outfit Everyday vs Let Your IG Followers Pick What You WearS/o To Our SponorsBlue ChewThere's a reason BlueChew is the #1 brand for better sex. Experience it yourself at BlueChew dot com.And we've got a special deal for our listeners: right now, when you buy two months of BlueChew Gold you get the thirdFREE with promo code SQUADD. That's promo code SQUADD. You will also receive an additional 10% OFF + Freeovernight shipping on your first order. Visit BlueChew.com for more details and important safety information. We thankBlueChew for sponsoring the pod and the bedroom.Ka'ChavaTake your daily ritual with you. Go to kachava.com and use code SQUADD for 15% off your first order.Ka'Chava provides clean nutrition to fuel wherever your day takes you. No fillers. No nonsense.No artificial flavors, colors, or sweeteners. Non-GMO, no soy, no animal products, no gluten, and no preservatives.Cash AppNew Cash App customers can earn $10 if they use code CASHAPP10 in their profile at signup and send $5 to afriend within 14 days. Terms apply.Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s).Prepaid debit cards issued by Sutton Bank, Member FDIC. Cash App Visa® Debit Flex Cards issued by Sutton Bank,Member FDIC, and The Bancorp Bank, N.A., pursuant to a license from Visa U.S.A. Inc. See terms and conditions forthe Sutton prepaid card, Sutton debit flex card, and Bancorp debit flex card. Cash App Green features, Savings,Direct deposit, Round ups, Overdraft coverage and Discounts provided by Cash App, a Block, Inc. brand. Visitcash.app/legal/podcast for full disclosures

On this episode of The Bandwich Tapes, I sit down with Deer Fellow, the Austin-based duo of Alyssa and Matt, for a conversation about harmony, songwriting, production, and the creative life of a working independent band.Their new full-length album, Hues, is built around the idea of emotional color. We talk about how that concept developed, how songs from different points in their writing lives found a home together, and how video games, travel, nature, and everyday life all find their way into their creative process.Alyssa and Matt also talk about the practical and musical challenges of being a duo. Their sound is remarkably full, both live and on record, and we dig into how they use looping, synth, violin, guitar, vocals, and production choices to create something expansive without making it feel crowded.This conversation also gets into the reality of being full-time musicians in Austin: the gigs that pay the bills, the shows that feed the soul, the pressure of social media, and the persistence it takes to keep growing while staying connected to the music itself.Key Takeaways  • Deer Fellow began after Alyssa and Matt met at an open mic and discovered a natural vocal chemistry.  • Their album Hues is centered around emotional color and includes songs written across many different seasons of their lives.  • The song “Easier” was their first full song written together from start to finish.  • The album's “Between Shades” interludes are built from pieces of existing songs, highlighting vocals, violin, and guitar.  • Alyssa and Matt recorded the album at home, then sent the tracks out for mixing and mastering.  • The duo format has pushed them to become stronger arrangers, performers, and producers.  • Austin has challenged them professionally while also giving them community, grit, and access to support systems for working musicians.Music from the Episode  Fool For You - Deer FellowInvisible - Deer FellowBetween Shades (Part One) - Deer FellowBeautiful Grey - Deer FellowPep in My Step - Deer FellowHues - Deer FellowAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, composers, producers, and artists about craft, collaboration, creative process, musical identity, and the way music actually gets made.Connect with the ShowEmail: contact@thebandwichtapes.com

Overview**: In this week's episode, co-hosts Jayden and Janitsa carry the load while Infinite and Brick take a well-deserved break. They dive into a mix of music history, fun trivia, and behind-the-scenes glimpses into the business side of the industry.Segment: Artist Birthdays**: A celebratory look at notable birthdays in the music world, highlighting artists who turned another year around the sun and the impact of their work.Segment: July 9 – Unknown Facts**: Fascinating, lesser-known facts tied to this date in music history, trivia that surprises even the most seasoned fans.Segment: Musician Finance – Insights from the Book**: Jayden shares intriguing financial tidbits and lessons from a new book they're reading, offering practical takeaways for artists and fans alike.Spotlight: Eddie Van Halen**: A focused tribute and exploration of Eddie Van Halen's musical genius, legendary guitar work, and lasting influence on rock.  Brief nod to his brother, Alex Van Halen, and the sibling dynamic that powered their iconic duo and the broader Van Halen saga.Tone & Vibe**: Energetic, insightful, and celebratory — perfect for fans who love deep cuts, big riffs, and candid conversations about the music industry.We would LOVE to hear what you think. Please drop a line.Support the show

From jazz to present-day pop, drum kits make up one of the most transformative musical inventions. In his book "Kick It," musician, professor and author Matt Brennan dives into the history of drums and drummers, and their impact on both creative culture and society as a whole.

The drums of war are beating again in Yemen. A series of recent incidents suggests that both Iran and Saudi Arabia are more assertively supporting their Yemeni allies at the risk of shattering an informal four-year ceasefire in the kingdom's war against Iranian-backed Houthi rebels. The recent incidents stand in stark contrast to the kingdom's tacit outreach to Iran. Saudi Arabia sent a delegation to this week's funeral proceedings for Ayatollah Ali Khamenei, Iran's assassinated supreme leader, enabled the indirect sale of five aging Boeing 777-200ERs to an Iranian airline, and proposed a post-war regional security architecture that would include Iran. Moreover, Saudi Arabia, which intervened in Yemen in 2015 to counter Houthi military advances, has not closed the door on a negotiated resolution of the conflict. “The political solution remains on the table; power-sharing, which could save (the Houthis) from destruction. The Houthis remain a Yemeni player with the right to be a partner in power, not to dominate it,” said Abdulrahman al-Rashed, a Saudi columnist who often reflects official Saudi thinking. Fuelling the rising tensions are rival perceptions of windows of opportunity created by the failure of the US-Iranian memorandum that extended the Iran war ceasefire and created the basis for negotiations to end the war to address Iran's support for its Arab partners, including the Houthis.

Performance and Works used with permission from the artist and venue. Hailed by Stereophile Magazine for "sound[ing] like the 21st-century grandchildren of JJ Johnson and Kai Winding" and praised by the International Trombone Associations Journal for his "virtuosity [and] melodic and harmonic mastery," Altin Sencalar is in high demand across the country as a performer, educator, and composer. We caught Altin on tour in support of his 2025 release 'Unleashed'. Featuring Altin on Trombone, Matt Twaddle on Piano, Leland Nelson on Bass and Sofia Goodman on Drums, and from a May 24th, 2025 performance, it's Altin Sencalar– Live at the Bop Stop.

Mike's off chasing moose and drinking maple syrup in Canada, eh? So this week, drummer Rooney brings in some of his favourite guitarists, while guitarist Danny returns the favour with some of his favourite drummers. Together they dig into what actually makes a great drummer, and a great guitarist, while spinning some of their favourite tracks along the way.whatdoweknow.co.nzhttps://buymeacoffee.com/whatdoweknowshowFaceBook Page: https://www.facebook.com/whatdoweknowshow/FaceBook Group: https://www.facebook.com/groups/996177092759495Instagram: https://www.instagram.com/whatdoweknowshow/Send us Fan MailSupport the show

Emie R. Roussel has just released a new record TERR with her trio, Nicolas Bédard on Contrebasse & basse électrique, and Dominic Cloutier on Drums. This record, made by good friends who have played together for years, is inspired by love of Earth, of friends, of life.  The music is lovely and surprising, passionate and surreal. Emie has a long relationship with music and with the piano, starting with classical and then jazz and then creating her own thing. Her bandmates are both accomplished players, and together they create beautiful musical space. • Emie R. Roussel on YouTube This episode of Paradigms is dedicated to Hannah Arendt. • When Arendt Knew by E. A. Hanks • Hannah Arendt at the Library – Marianne Williamson Music by: Emie R. Roussel Trio The post Emie R. Roussel – The Emie R. Roussel Trio “TERR” appeared first on Paradigms Podcast.

Travel back to September 11, 1938, when families gathered around glowing radios for an evening of mystery and suspense.

Choice Classic Radio presents The Shadow, featuring today's episode titled “The Witch Drums of Salem.” Please consider supporting our show by becoming a patron at http://choiceclassicradio.com We hope you enjoy the show!

Travel back to September 11, 1938, when families gathered around glowing radios for an evening of mystery and suspense.

It's expected to be a dangerously hot and humid day for Minnesotans in central and southern parts of the state — including the Twin Cities. Our chief meteorologist Ben Cathey will have what you need to know to take care of yourself in this weather.A Minnesota-based organization supporting children with disabilities is raising concern about the Trump administration's recent announcement to move responsibility over special education away from the Department of Education.And we'll hear from one Venezuelan Minnesotan working to organize local relief efforts for people in her home country affected by the massive earthquakes.Plus, a conversation with Minnesota Lynx head coach Cheryl Reeve on making it to the Women's Basketball Hall of Fame.Our Minnesota Music Minute was “Crystalline” by Alexander Natalie and our Song of the Day was “Days” by The Drums.

Performance and Works used with permission from the artist and venue. Aaron Lebos is a 25-year veteran of the Miami jazz scene. He's a guitarist and composer who tours internationally with Nicol Henry and the Nu Deco Ensemble among others. In his quest to grow and expand musically he recruited three younger South Florida musicians to form Abstract Citizen. Appearing here courtesy of a grant from Jazz Roads, and featuring Aaron Lebos on Guitar, Marty Quinn on Bass, Vania Junco on Vocals and Lucas Apostoleris on Drums, and from a May 23rd, 2025 performance, it's Abstract Citizen…Live at the Bop Stop.

This week's Deadpod features the Grateful Dead's second set from June 4, 1978, at Campus Stadium, University of California, Santa Barbara—a show that captures the band in a confident and fluid late-'70s mode. The set opens with a lively "Samson and Delilah," followed by a nicely rendered "Ship of Fools" that provides an early contrast in mood. The improvisational core begins with "Estimated Prophet," which unfolds patiently before transitioning into a bright and engaging "Eyes of the World." (nevermind Bobby stepping on Jerry's solo).  The Eyes is a bit on the fast side, I wonder if the presence of Ken Kesey and the Thunder machine had something to do with that? "Drums" and a concise "Space" serve as a bridge into the closing sequence, where a driving "Not Fade Away" builds into "Goin' Down the Road Feeling Bad" and a high-energy "Around and Around." The set is capped by a pair of encores—"U.S. Blues" and "Sugar Magnolia"—that bring the performance to an upbeat conclusion. Overall, this is a well-paced and cohesive second set, offering both strong song performances and a satisfying improvisational arc. As always, I hope you enjoy the listen.     Grateful Dead Campus Stadium - University Of California Santa Barbara, CA 6/4/1978 - Sunday  Two      Samson And Delilah [6:34]  Ship Of Fools [6:57]  Estimated Prophet [10:40] > Eyes Of The World [10:16] > Drums [10:#16] > Space (1) [4:21] > Not Fade Away [8:04] > Goin' Down The Road Feeling Bad [6:29] > Around And Around [7:27] Encores      U.S. Blues [5:09]  Sugar Magnolia [7:51]   You can listen to this week's Deadpod here: https://traffic.libsyn.com/deadshow/deadpod062626.mp3  As always thanks for your kind support of the Deadpod!  

On episode one hundred and seventy five of Holy Ghost Notes, Matt tells a story about his missing wallet and Tim gears up for the end of the school year. Inspired by a recent lesson student inquiry, Matt and Tim talk about teaching drums and how it can benefit both the student and the teacher. Then Tim reads a short perspective on the common Christian phrase "love the sinner, hate the sin" and gives his take on being quick to judgement.

After taking a final bow on Classic Corrie just recently, Vernon Tomlin's back for an encore as we chat with actor Ian Reddington about his time on the cobbles. Ian opens up about working with Beverley Callard, chats about his own ideas about Vernon that were brought life on screen and of course, reminisces about recording the classic ballad, (Don't Fall Into) The Mason's Arms.

Performance and Works used with permission from the artist and venue. Described as "an intrepid composer, architect of sound and beast of the bass…") composer, bassist, and improviser Max Johnson is one of the most prolific music makers in the jazz, bluegrass, improvised music, and contemporary classical worlds. Johnson has released nearly 20 albums and performed over three thousand concerts internationally with artists like Anthony Braxton, Geri Allen and Mary Halvorson. This performance features Neta Raanan on Tenor Saxophone and Eliza Salem on Drums performing selections from their 2024 album I'll See You Again. From May 1st, 2025 it's the Max Johnson 3…Live at the Bop Stop.

Sorry, there's no YouTube episode today. They will be back in a couple of months!In today's episode we share 4 spooky Reddit stories.Special thanks to sans-nom-user, KingMak24, Imvenommate, and HispaniaObscura for allowing us to share your stories!Stories:https://www.reddit.com/r/Glitch_in_the_Matrix/comments/1t20opx/mystery_door/https://www.reddit.com/r/TrueScaryStories/comments/1tja762/scariest_thing_that_ever_happened_to_me/https://www.reddit.com/r/Paranormal/comments/1th8s48/i_genuinely_dont_know_what_to_make_of_what/https://www.reddit.com/r/Glitch_in_the_Matrix/comments/1t5t4ux/this_happened_way_back_in_the_90s/The BOOKBY US A COFFEEJoin Sarah's new FACEBOOK GROUPSubscribe to our PATREONEMAIL us your storiesFollow us on YOUTUBEJoin us on INSTAGRAMJoin us on TWITTERJoin us on FACEBOOKVisit our WEBSITEThanks so much for listening, and we'll catch up with you again on Sunday!Sarah and Rog xx"Spacial Winds" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/SURVEY Hosted on Acast. See acast.com/privacy for more information.

Ryan Eftink and Bob Gonzalez of Smokin' Brothers and Gateway Drums join the show to talk about the evolving BBQ and grill industry, growing the two respected brands, When Pigs Fly Indoor BBQ Bash, and their upcoming Smokin' on the Rails BBQ contest coming to Chaffee, Missouri.Shop Heath Riles BBQ: https://www.heathrilesbbq.comFollow Heath Riles BBQ:Facebook: https://www.facebook.com/HeathRilesBBQInstagram: https://www.instagram.com/heathrilesbbq/X: https://twitter.com/heathrilesbbqTikTok: https://www.tiktok.com/@heathrilesbbqPinterest: https://www.pinterest.com/heathrilesbbq6901/Heath Riles, pitmaster• 82x BBQ Grand Champion• '22, '24, '25, and '26 Memphis in May World Rib Champion • 2025 & 2026 Memphis in May Grand Champion• Award-Winning Rubs, Seasonings, Sauces, Glazes and Marinades/Injections

This week's Deadpod features the second set from June 6th, 1992, a performance that captures the Grateful Dead's late-era mix of looseness, drive, and exploratory spirit. The set opens on a joyful note with "Iko Iko," before shifting into a spacious "Estimated Prophet" that leads into a rare second-set "The Same Thing." From there, the mood turns inward with a heartfelt "He's Gone," setting up the transition into "Drums" and "Space." Out of "Space," the band launches a powerful "The Other One," bringing a darker, more intense energy before easing into "The Wheel." The closing run of "Throwing Stones" and "One More Saturday Night" delivers the expected early-'90s punch. The encore pairing of "Baba O'Riley" and "Tomorrow Never Knows" is a highlight, underscoring the band's willingness in this period to reinterpret classic rock and psychedelic touchstones in their own voice. It's a well-paced, engaging second set that offers a rewarding snapshot of the Dead in 1992.  Grateful Dead Rich Stadium Orchard Park, NY 6/6/1992 - Saturday Two     Iko Iko ; Estimated Prophet > The Same Thing > He's Gone > Drums > Space > The Other One > The Wheel > Throwing Stones > One More Saturday Night Encore     Baba O'Riley > Tomorrow Never Knows You can listen to this week's Deadpod here:  https://traffic.libsyn.com/deadshow/deadpod061226.mp3   As always my sincere thanks for your kind support..  

This week, our hosts get personal with stories of the biggest and dumbest rides they've done, the training book that had the biggest impact on their athletic development, and how they deal with the midseason dull drums. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Drummers on Drumming, powered by Big Fat Snare Drum. Today, I'm joined by my trusty co-host Eric Urrea, and one of my best friends, Kris Mazzarisi, owner and founder of Big Fat Snare Drum, and drummer for Winnetka Bowling League. Over on the Big Fat Snare Drum Instagram page, we asked our followers to name their favorite worst-sounding snare drum. What does that even mean? Who the hell knows. But people had opinions. Strong ones. So I took the most popular and most repeated answers, made a list of the top 16 picks, and today, we're going to talk through them. --- Get Your Copy of the Drummers on Drumming Book Today

Twenty years after she was locked away for taking a hatchet to her own sister, fragile Ann Pettigrew comes home obsessed with one desire — and on a storm-lit night, with candles burning and a circle drawn on the floor, she works a forbidden rite to summon back the only man she ever loved, no matter what comes walking up the veranda steps to answer.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:30.028 = CBS Radio Mystery Theater, “A Model Murderer” (January 17, 1978) ***WD00:47:24.875 = The Strange Dr. Weird, “Survival Of The Fittest” (January 23, 1945) ***WD00:59:08.508 = The Eleventh Hour, “Black Magic” (ADU)01:23:55.381 = Escape, “The Drums of the Fore And Aft” (July 14, 1949)01:53:55.440 = Everyman's Theater, “Cat Wife” (January 18, 1940)02:22:54.327 = Murder By Experts, “Murder By Prescription” (July 11, 1949)02:53:20.176 = Exploring Tomorrow, “Hunting Lodge, aka Trouble With Robots” (May 28, 1958) ***WD03:12:48.537 = Faces In The Window, “Lightning Rod Man” (January 17, 1953) ***WD (LQ)03:37:34.837 = Dark Fantasy, “Letter From Yesterday” (May 01, 1942) ***WD04:01:41.360 = BBC Fear on 4, “The Yellow Wallpaper” (December 27, 1990) ***WD04:31:41.320 = Future Tense, “The Defenders” (May 28, 1974) ***WD04:57:56.341 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0685

CLD gave us an EPPP of four cover tunes in 2017, three of which had been performed live on the previous tour. We sample the originals, discuss some of the circumstances of the bands being covered, and compare to the CLD effort. Overall, it's a rewarding piece that might expand your musical pallette. If you're already familiar with Flower Travellin' Band, more power to you!Get involvedInstagramFacebookEmailBurn your money 

This week's Deadpod continues our visit to Nassau Veterans Memorial Coliseum in Uniondale, New York, as we present the second set from May 8, 1981. After last week's well‑played opening set, the band comes out strong here with a big "Shakedown Street" into "Samson and Delilah," then digs deep with "Terrapin Station" flowing into a wide‑open "Playin' in the Band" and on through Drums and Space. Ken Kesey even joins in on harmonica during Space and the "U.S. Blues" encore, adding a unique extra flavor to the proceedings. The home stretch features a fiery "Not Fade Away," a beautiful "Stella Blue," and a rousing "Sugar Magnolia," capped by that "U.S. Blues" encore that feels just right for this time of year.   Grateful Dead Nassau Veterans Memorial Coliseum Uniondale, NY 5/8/1981 - Friday Two Shakedown Street [16:09] > Samson And Delilah [6:50] ; Terrapin Station[12:28] > Playing In The Band [16:27] > Drums [4:#36] > Space** [6:30] > Not Fade Away [9:17] > Stella Blue [9:24] > Sugar Magnolia [8:58] Encore U.S. Blues** [5:37] Comments **with Ken Kesey on harmonica   You can listen to this week's Deadpod here:    https://traffic.libsyn.com/deadshow/deadpod052926.mp3   May this music bring a smile ..