Podcasts about conjuring freedom

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Latest podcast episodes about conjuring freedom

Mind Witchery
Conjuring Freedom from Diet Culture Feat. Shanique Allen

Mind Witchery

Play Episode Listen Later May 26, 2022 56:32


I'm so excited to share my conversation with Shanique Allen, nutritional strategist and mindset coach. She helps people figure out how to filter out the noise of diet culture and nourish themselves in ways that suit their real lives.

diet culture shanique conjuring freedom
New Books in Gender Studies
Johari Jabir, “Conjuring Freedom: Music and Masculinity in the Civil War’s ‘Gospel Army'” (Ohio State UP, 2017)

New Books in Gender Studies

Play Episode Listen Later Aug 29, 2017 29:01


What is the labor for Black soldiers of the regiment? That is the question Johari Jabir asks in his book Conjuring Freedom: Music and Masculinity in the Civil War’s “Gospel Army” (Ohio State University Press, 2017). Conjuring Freedom analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout the counterclockwise song, dance, drum, and story in African American history and culture. Conjuring Freedom reflects the ring shout structure. Jabir illustrates three new concepts to cultural studies to describe the practices, techniques, and implications of the troop’s performance. First, Black Communal Conservatories, borrowing from Robert Farris Thompson’s “invisible academies” to describe the structural but spontaneous quality of black music-making. Then Listening Hermeneutics that accounts for the generative and material effects of sound on meaning-making. And finally Sonic Politics, which points to the political implications of music’s use in contemporary representations of race and history. The book discusses the meaning of conjure as a political and epistemological practice. Jabir demonstrates how the musical performance allowed troop members to embody new identities about national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-operative state anti-racism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. JOHARI JABIR, a practicing musical artist since age eight, serves as Associate Professor of African American Studies for the Department of African American Studies College of Liberal Arts and Sciences at The University of Illinois at Chicago. He frames his courses, African American introductory course, religious traditions, history, and music, using music as an epistemological frame. Learn more about your ad choices. Visit megaphone.fm/adchoices

university black chicago gospel illinois african americans civil war associate professor masculinity sciences ohio state blacks liberal arts african american studies jabir robert farris thompson south carolina volunteers conjuring freedom johari jabir conjuring freedom music then listening hermeneutics sonic politics african american studies college
New Books in History
Johari Jabir, “Conjuring Freedom: Music and Masculinity in the Civil War’s ‘Gospel Army'” (Ohio State UP, 2017)

New Books in History

Play Episode Listen Later Aug 29, 2017 29:01


What is the labor for Black soldiers of the regiment? That is the question Johari Jabir asks in his book Conjuring Freedom: Music and Masculinity in the Civil War’s “Gospel Army” (Ohio State University Press, 2017). Conjuring Freedom analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout the counterclockwise song, dance, drum, and story in African American history and culture. Conjuring Freedom reflects the ring shout structure. Jabir illustrates three new concepts to cultural studies to describe the practices, techniques, and implications of the troop’s performance. First, Black Communal Conservatories, borrowing from Robert Farris Thompson’s “invisible academies” to describe the structural but spontaneous quality of black music-making. Then Listening Hermeneutics that accounts for the generative and material effects of sound on meaning-making. And finally Sonic Politics, which points to the political implications of music’s use in contemporary representations of race and history. The book discusses the meaning of conjure as a political and epistemological practice. Jabir demonstrates how the musical performance allowed troop members to embody new identities about national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-operative state anti-racism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. JOHARI JABIR, a practicing musical artist since age eight, serves as Associate Professor of African American Studies for the Department of African American Studies College of Liberal Arts and Sciences at The University of Illinois at Chicago. He frames his courses, African American introductory course, religious traditions, history, and music, using music as an epistemological frame. Learn more about your ad choices. Visit megaphone.fm/adchoices

university black chicago gospel illinois african americans civil war associate professor masculinity sciences ohio state blacks liberal arts african american studies jabir robert farris thompson south carolina volunteers conjuring freedom johari jabir conjuring freedom music then listening hermeneutics sonic politics african american studies college
New Books in Religion
Johari Jabir, “Conjuring Freedom: Music and Masculinity in the Civil War’s ‘Gospel Army'” (Ohio State UP, 2017)

New Books in Religion

Play Episode Listen Later Aug 29, 2017 29:26


What is the labor for Black soldiers of the regiment? That is the question Johari Jabir asks in his book Conjuring Freedom: Music and Masculinity in the Civil War’s “Gospel Army” (Ohio State University Press, 2017). Conjuring Freedom analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout the counterclockwise song, dance, drum, and story in African American history and culture. Conjuring Freedom reflects the ring shout structure. Jabir illustrates three new concepts to cultural studies to describe the practices, techniques, and implications of the troop’s performance. First, Black Communal Conservatories, borrowing from Robert Farris Thompson’s “invisible academies” to describe the structural but spontaneous quality of black music-making. Then Listening Hermeneutics that accounts for the generative and material effects of sound on meaning-making. And finally Sonic Politics, which points to the political implications of music’s use in contemporary representations of race and history. The book discusses the meaning of conjure as a political and epistemological practice. Jabir demonstrates how the musical performance allowed troop members to embody new identities about national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-operative state anti-racism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. JOHARI JABIR, a practicing musical artist since age eight, serves as Associate Professor of African American Studies for the Department of African American Studies College of Liberal Arts and Sciences at The University of Illinois at Chicago. He frames his courses, African American introductory course, religious traditions, history, and music, using music as an epistemological frame. Learn more about your ad choices. Visit megaphone.fm/adchoices

university black chicago gospel illinois african americans civil war associate professor masculinity sciences ohio state blacks liberal arts african american studies jabir robert farris thompson south carolina volunteers conjuring freedom johari jabir conjuring freedom music then listening hermeneutics sonic politics african american studies college
New Books in Music
Johari Jabir, “Conjuring Freedom: Music and Masculinity in the Civil War’s ‘Gospel Army'” (Ohio State UP, 2017)

New Books in Music

Play Episode Listen Later Aug 29, 2017 29:01


What is the labor for Black soldiers of the regiment? That is the question Johari Jabir asks in his book Conjuring Freedom: Music and Masculinity in the Civil War’s “Gospel Army” (Ohio State University Press, 2017). Conjuring Freedom analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout the counterclockwise song, dance, drum, and story in African American history and culture. Conjuring Freedom reflects the ring shout structure. Jabir illustrates three new concepts to cultural studies to describe the practices, techniques, and implications of the troop’s performance. First, Black Communal Conservatories, borrowing from Robert Farris Thompson’s “invisible academies” to describe the structural but spontaneous quality of black music-making. Then Listening Hermeneutics that accounts for the generative and material effects of sound on meaning-making. And finally Sonic Politics, which points to the political implications of music’s use in contemporary representations of race and history. The book discusses the meaning of conjure as a political and epistemological practice. Jabir demonstrates how the musical performance allowed troop members to embody new identities about national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-operative state anti-racism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. JOHARI JABIR, a practicing musical artist since age eight, serves as Associate Professor of African American Studies for the Department of African American Studies College of Liberal Arts and Sciences at The University of Illinois at Chicago. He frames his courses, African American introductory course, religious traditions, history, and music, using music as an epistemological frame. Learn more about your ad choices. Visit megaphone.fm/adchoices

university black chicago gospel illinois african americans civil war associate professor masculinity sciences ohio state blacks liberal arts african american studies jabir robert farris thompson south carolina volunteers conjuring freedom johari jabir conjuring freedom music then listening hermeneutics sonic politics african american studies college
New Books Network
Johari Jabir, “Conjuring Freedom: Music and Masculinity in the Civil War’s ‘Gospel Army'” (Ohio State UP, 2017)

New Books Network

Play Episode Listen Later Aug 29, 2017 29:01


What is the labor for Black soldiers of the regiment? That is the question Johari Jabir asks in his book Conjuring Freedom: Music and Masculinity in the Civil War’s “Gospel Army” (Ohio State University Press, 2017). Conjuring Freedom analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout the counterclockwise song, dance, drum, and story in African American history and culture. Conjuring Freedom reflects the ring shout structure. Jabir illustrates three new concepts to cultural studies to describe the practices, techniques, and implications of the troop’s performance. First, Black Communal Conservatories, borrowing from Robert Farris Thompson’s “invisible academies” to describe the structural but spontaneous quality of black music-making. Then Listening Hermeneutics that accounts for the generative and material effects of sound on meaning-making. And finally Sonic Politics, which points to the political implications of music’s use in contemporary representations of race and history. The book discusses the meaning of conjure as a political and epistemological practice. Jabir demonstrates how the musical performance allowed troop members to embody new identities about national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-operative state anti-racism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. JOHARI JABIR, a practicing musical artist since age eight, serves as Associate Professor of African American Studies for the Department of African American Studies College of Liberal Arts and Sciences at The University of Illinois at Chicago. He frames his courses, African American introductory course, religious traditions, history, and music, using music as an epistemological frame. Learn more about your ad choices. Visit megaphone.fm/adchoices

university black chicago gospel illinois african americans civil war associate professor masculinity sciences ohio state blacks liberal arts african american studies jabir robert farris thompson south carolina volunteers conjuring freedom johari jabir conjuring freedom music then listening hermeneutics sonic politics african american studies college
New Books in African American Studies
Johari Jabir, “Conjuring Freedom: Music and Masculinity in the Civil War's ‘Gospel Army'” (Ohio State UP, 2017)

New Books in African American Studies

Play Episode Listen Later Aug 29, 2017 29:01


What is the labor for Black soldiers of the regiment? That is the question Johari Jabir asks in his book Conjuring Freedom: Music and Masculinity in the Civil War's “Gospel Army” (Ohio State University Press, 2017). Conjuring Freedom analyzes the songs of the 1st South Carolina Volunteers, a regiment of Black soldiers who met nightly in the performance of the ring shout the counterclockwise song, dance, drum, and story in African American history and culture. Conjuring Freedom reflects the ring shout structure. Jabir illustrates three new concepts to cultural studies to describe the practices, techniques, and implications of the troop's performance. First, Black Communal Conservatories, borrowing from Robert Farris Thompson's “invisible academies” to describe the structural but spontaneous quality of black music-making. Then Listening Hermeneutics that accounts for the generative and material effects of sound on meaning-making. And finally Sonic Politics, which points to the political implications of music's use in contemporary representations of race and history. The book discusses the meaning of conjure as a political and epistemological practice. Jabir demonstrates how the musical performance allowed troop members to embody new identities about national citizenship, militarism, and masculinity in more inclusive ways. Jabir also establishes how these musical practices of the regiment persisted long after the Civil War in Black culture, resisting, for instance, the paternalism and co-operative state anti-racism of the film Glory, and the assumption that Blacks need to be deracinated to be full citizens. JOHARI JABIR, a practicing musical artist since age eight, serves as Associate Professor of African American Studies for the Department of African American Studies College of Liberal Arts and Sciences at The University of Illinois at Chicago. He frames his courses, African American introductory course, religious traditions, history, and music, using music as an epistemological frame. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

university black chicago gospel illinois african americans civil war associate professor civil masculinity sciences ohio state blacks liberal arts african american studies jabir ohio state up robert farris thompson south carolina volunteers conjuring freedom johari jabir conjuring freedom music then listening hermeneutics sonic politics african american studies college