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How Would Lubitsch Do It comes to a close with our grand finale. Tim Brayton returns to discuss Cluny Brown and look back on both Ernst Lubitsch's career and the past five seasons of this show. First, we discuss everything Cluny Brown: the film's generosity and humanism, its commentary on British class society, its relationship with the second world war, its full-throated embrace of absurdism, the title character's magnetism, Adam Belinski's status as a revision on a stock villain, and the film's somewhat autobiographical and wonderfully optimistic ending. Second, we close out the show with a look back: we debate our respective rankings (Tim, Devan) of Lubitsch's filmography, highlight our favourite cast members, crew members and collaborators, discuss subsequent filmmakers who bear distinct marks of Lubitsch's influence, discuss whether or not the show's structure accurately reflects the ebbs and flows and our subject's career, and answer the key questions: why Lubitsch? Why a podcast? Edited by Griffin Sheel. A Thanks I started this quixotic project two years ago with the hope of making something that spoke to me and, if anyone else was interested, so be it. Turns out some other people were interested, and if you're reading this now, that's probably you. My endless and sincere thanks for sticking it through. Thanks to the many guests who lent their time and support throughout the show: Lauren Faulkner Rossi, Fran Hoepfner, Bram Ruiter, Luci Marzola, Jaime Rebenal, Maddie Whittle, Paul Cuff, Kristin Thompson, Stefan Droissler, Molly Rasberry, Sarah Shachat, James Penco, Dave Kehr, Julia Sirmons, David Neary, Patrick Keating, Jennifer Fleeger, Katharine Coldiron, Jonathan Mackris, Will Sloan, Lea Jacobs, Tanya Goldman, Krin Gabbard, Jordan Fish, Ray Tintori, Z Behl, Eric Dienstfrey, Scott Eyman, Imogen Sarah Smith, Chris Cassingham, Olympia Kiriakou, Griffin Newman, Kevin Bahr, Whit Stillman, Adrian Martin, Jose Arroyo, Lance St. Laurent, Tim Brayton, William Paul, Dara Jaffe, Gary Jaffe, Peter Labuza, Willa Ross, Eloise Ross, David Cairns, Noah Isenberg, Matt Severson, Mateusz Pacewicz, and Charlotte Garson. Our editors: Griffin Sheel, Gloria Mercer, Willa Ross, Sophia Yoon, Rylee Cronin, Brennen King, & Eden Cote-Foster Our location sound engineer, Anna Citak-Scott. And others who lent valuable counsel and support: the Margaret Herrick Library, the Museum of Modern Art, the Academy Museum of Motion Pictures and most of all to Ernst Lubitsch, who taught me more than it could possibly take the sixty-eight episodes of this podcast to describe. This entire experience - hundreds of hours of research, recording, and editing - has been among the great pleasures of my life, and everyone's contributions have meant a great deal to me. Onwards to whatever's next!
[Due to our last-minute addition of two episodes, the podcast feed mistakenly had S5E09a queued here for a few hours this morning - it should now be fixed!] How Would Lubitsch Do It comes to a close with a grand finale. Tim Brayton returns to discuss Cluny Brown and look back on both Ernst Lubitsch's career and the past five seasons of this show. First, we discuss everything Cluny Brown: the film's generosity and humanism, its commentary on British class society, its relationship with the second world war, its full-throated embrace of absurdism, the title character's magnetism, Adam Belinski's status as a revision on a stock villain, and the film's somewhat autobiographical and wonderfully optimistic ending. Second, we close out the show with a look back: we debate our respective rankings (Tim, Devan) of Lubitsch's filmography, highlight our favourite cast members, crew members and collaborators, discuss subsequent filmmakers who bear distinct marks of Lubitsch's influence, discuss whether or not the show's structure accurately reflects the ebbs and flows and our subject's career, and answer the key questions: why Lubitsch? Why a podcast? Edited by Griffin Sheel. A Thanks I started this quixotic project two years ago with the hope of making something that spoke to me and, if anyone else was interested, so be it. Turns out some other people were interested, and if you're reading this now, that's probably you. My endless and sincere thanks for sticking it through. Thanks to the many guests who lent their time and support throughout the show: Lauren Faulkner Rossi, Fran Hoepfner, Bram Ruiter, Luci Marzola, Jaime Rebenal, Maddie Whittle, Paul Cuff, Kristin Thompson, Stefan Droissler, Molly Rasberry, Sarah Shachat, James Penco, Dave Kehr, Julia Sirmons, David Neary, Patrick Keating, Jennifer Fleeger, Katharine Coldiron, Jonathan Mackris, Will Sloan, Lea Jacobs, Tanya Goldman, Krin Gabbard, Jordan Fish, Ray Tintori, Z Behl, Eric Dienstfrey, Scott Eyman, Imogen Sarah Smith, Chris Cassingham, Olympia Kiriakou, Griffin Newman, Kevin Bahr, Whit Stillman, Adrian Martin, Jose Arroyo, Lance St. Laurent, Tim Brayton, William Paul, Dara Jaffe, Gary Jaffe, Peter Labuza, Willa Harlow Ross, Eloise Ross, David Cairns, Noah Isenberg, Matt Severson, Mateusz Pacewicz, and Charlotte Garson. Our editors: Griffin Sheel, Gloria Mercer, Willa Harlow Ross, Sophia Yoon, Rylee Cronin, Brennen King, & Eden Cote-Foster Our location sound engineer, Anna Citak-Scott. And others who lent valuable counsel and support: the Margaret Herrick Library, the Museum of Modern Art, the Academy Museum of Motion Pictures and most of all to Ernst Lubitsch, who taught me more than it could possibly take the sixty-eight episodes of this podcast to describe. This entire experience - hundreds of hours of research, recording, and editing - has been among the great pleasures of my life, and everyone's contributions have meant a great deal to me. Onwards to whatever's next!
We begin our journey into the filmography of Ernst Lubitsch with a bit of scene-setting, as Simon Fraser University assistant professor Lauren Rossi joins us to discuss the history of Weimar Germany. Our discussion is wide-ranging, beginning with the Napoleonic era and ending with the downfall of the Weimar republic; in focusing on this period, we aim to provide context as to the political and social forces that shaped Ernst Lubitsch's worldview and artistic practice. Next Week: FILM FORMALLY co-host Will Ross joins us on December 13th to discuss WHEN I WAS DEAD aka WHERE IS MY TREASURE, Lubitsch's oldest surviving directorial work. For details on where to find this film, check out our resources page. WORKS CITED: WEIMAR GERMANY : PROMISE AND TRAGEDY by Chris Weitz THE COMING OF THE THIRD REICH by Richard J. Evans WHAT I SAW by Joseph Roth I SHALL BEAR WITNESS: THE DIARIES OF VIKTOR KLEMPERER by Viktor Klemperer MOMA's Exhibition Catalog for German Expressionism: THE GRAPHIC IMPULSE
I teach at a Catholic university and last semester co-taught (with a theologian) a class titled The Holocaust and its Legacies. Once my students became comfortable with me, they began to pepper me with questions about the role of the Catholic church during the Holocaust. Some of these questions–about the church and antisemitism, about the role of the Pope–I was able to answer effectively. But when they started asking me about the behaviors and beliefs of the bishops and priests-the people in the church who interacted with ordinary people on an everyday basis–I was at a loss. Thanks to Lauren Faulkner Rossi’s new book Wehrmacht Priests: Catholicism and the Nazi War of Annihilation (Harvard University Press, 2015), I can now give a much more informed and thoughtful answer to these questions. While Rossi spends some time looking at the macro level, she devotes most of her book to ‘ordinary’ priests who served in the German army. Some of these men were chaplains specifically entrusted with the pastoral care of the men in their units. Many others were priests who served in the army in other roles, who were specifically prohibited from offering such care to their fellow soldiers. Her book offers a nuanced, well-researched and convincing portrait of ordinary people trying to integrate their religious faith and their positions in the church with their service in a nazified army. It’s a compelling story, one that Rossi tells well. I will be recommending it to my students for a long time to come. Learn more about your ad choices. Visit megaphone.fm/adchoices
I teach at a Catholic university and last semester co-taught (with a theologian) a class titled The Holocaust and its Legacies. Once my students became comfortable with me, they began to pepper me with questions about the role of the Catholic church during the Holocaust. Some of these questions–about the church and antisemitism, about the role of the Pope–I was able to answer effectively. But when they started asking me about the behaviors and beliefs of the bishops and priests-the people in the church who interacted with ordinary people on an everyday basis–I was at a loss. Thanks to Lauren Faulkner Rossi’s new book Wehrmacht Priests: Catholicism and the Nazi War of Annihilation (Harvard University Press, 2015), I can now give a much more informed and thoughtful answer to these questions. While Rossi spends some time looking at the macro level, she devotes most of her book to ‘ordinary’ priests who served in the German army. Some of these men were chaplains specifically entrusted with the pastoral care of the men in their units. Many others were priests who served in the army in other roles, who were specifically prohibited from offering such care to their fellow soldiers. Her book offers a nuanced, well-researched and convincing portrait of ordinary people trying to integrate their religious faith and their positions in the church with their service in a nazified army. It’s a compelling story, one that Rossi tells well. I will be recommending it to my students for a long time to come. Learn more about your ad choices. Visit megaphone.fm/adchoices
I teach at a Catholic university and last semester co-taught (with a theologian) a class titled The Holocaust and its Legacies. Once my students became comfortable with me, they began to pepper me with questions about the role of the Catholic church during the Holocaust. Some of these questions–about the church and antisemitism, about the role of the Pope–I was able to answer effectively. But when they started asking me about the behaviors and beliefs of the bishops and priests-the people in the church who interacted with ordinary people on an everyday basis–I was at a loss. Thanks to Lauren Faulkner Rossi’s new book Wehrmacht Priests: Catholicism and the Nazi War of Annihilation (Harvard University Press, 2015), I can now give a much more informed and thoughtful answer to these questions. While Rossi spends some time looking at the macro level, she devotes most of her book to ‘ordinary’ priests who served in the German army. Some of these men were chaplains specifically entrusted with the pastoral care of the men in their units. Many others were priests who served in the army in other roles, who were specifically prohibited from offering such care to their fellow soldiers. Her book offers a nuanced, well-researched and convincing portrait of ordinary people trying to integrate their religious faith and their positions in the church with their service in a nazified army. It’s a compelling story, one that Rossi tells well. I will be recommending it to my students for a long time to come. Learn more about your ad choices. Visit megaphone.fm/adchoices
I teach at a Catholic university and last semester co-taught (with a theologian) a class titled The Holocaust and its Legacies. Once my students became comfortable with me, they began to pepper me with questions about the role of the Catholic church during the Holocaust. Some of these questions–about the church and antisemitism, about the role of the Pope–I was able to answer effectively. But when they started asking me about the behaviors and beliefs of the bishops and priests-the people in the church who interacted with ordinary people on an everyday basis–I was at a loss. Thanks to Lauren Faulkner Rossi’s new book Wehrmacht Priests: Catholicism and the Nazi War of Annihilation (Harvard University Press, 2015), I can now give a much more informed and thoughtful answer to these questions. While Rossi spends some time looking at the macro level, she devotes most of her book to ‘ordinary’ priests who served in the German army. Some of these men were chaplains specifically entrusted with the pastoral care of the men in their units. Many others were priests who served in the army in other roles, who were specifically prohibited from offering such care to their fellow soldiers. Her book offers a nuanced, well-researched and convincing portrait of ordinary people trying to integrate their religious faith and their positions in the church with their service in a nazified army. It’s a compelling story, one that Rossi tells well. I will be recommending it to my students for a long time to come. Learn more about your ad choices. Visit megaphone.fm/adchoices
I teach at a Catholic university and last semester co-taught (with a theologian) a class titled The Holocaust and its Legacies. Once my students became comfortable with me, they began to pepper me with questions about the role of the Catholic church during the Holocaust. Some of these questions–about the church and antisemitism, about the role of the Pope–I was able to answer effectively. But when they started asking me about the behaviors and beliefs of the bishops and priests-the people in the church who interacted with ordinary people on an everyday basis–I was at a loss. Thanks to Lauren Faulkner Rossi’s new book Wehrmacht Priests: Catholicism and the Nazi War of Annihilation (Harvard University Press, 2015), I can now give a much more informed and thoughtful answer to these questions. While Rossi spends some time looking at the macro level, she devotes most of her book to ‘ordinary’ priests who served in the German army. Some of these men were chaplains specifically entrusted with the pastoral care of the men in their units. Many others were priests who served in the army in other roles, who were specifically prohibited from offering such care to their fellow soldiers. Her book offers a nuanced, well-researched and convincing portrait of ordinary people trying to integrate their religious faith and their positions in the church with their service in a nazified army. It’s a compelling story, one that Rossi tells well. I will be recommending it to my students for a long time to come. Learn more about your ad choices. Visit megaphone.fm/adchoices
I teach at a Catholic university and last semester co-taught (with a theologian) a class titled The Holocaust and its Legacies. Once my students became comfortable with me, they began to pepper me with questions about the role of the Catholic church during the Holocaust. Some of these questions–about the church and antisemitism, about the role of the Pope–I was able to answer effectively. But when they started asking me about the behaviors and beliefs of the bishops and priests-the people in the church who interacted with ordinary people on an everyday basis–I was at a loss. Thanks to Lauren Faulkner Rossi’s new book Wehrmacht Priests: Catholicism and the Nazi War of Annihilation (Harvard University Press, 2015), I can now give a much more informed and thoughtful answer to these questions. While Rossi spends some time looking at the macro level, she devotes most of her book to ‘ordinary’ priests who served in the German army. Some of these men were chaplains specifically entrusted with the pastoral care of the men in their units. Many others were priests who served in the army in other roles, who were specifically prohibited from offering such care to their fellow soldiers. Her book offers a nuanced, well-researched and convincing portrait of ordinary people trying to integrate their religious faith and their positions in the church with their service in a nazified army. It’s a compelling story, one that Rossi tells well. I will be recommending it to my students for a long time to come. Learn more about your ad choices. Visit megaphone.fm/adchoices
I teach at a Catholic university and last semester co-taught (with a theologian) a class titled The Holocaust and its Legacies. Once my students became comfortable with me, they began to pepper me with questions about the role of the Catholic church during the Holocaust. Some of these questions–about the church and antisemitism, about the role of the Pope–I was able to answer effectively. But when they started asking me about the behaviors and beliefs of the bishops and priests-the people in the church who interacted with ordinary people on an everyday basis–I was at a loss. Thanks to Lauren Faulkner Rossi's new book Wehrmacht Priests: Catholicism and the Nazi War of Annihilation (Harvard University Press, 2015), I can now give a much more informed and thoughtful answer to these questions. While Rossi spends some time looking at the macro level, she devotes most of her book to ‘ordinary' priests who served in the German army. Some of these men were chaplains specifically entrusted with the pastoral care of the men in their units. Many others were priests who served in the army in other roles, who were specifically prohibited from offering such care to their fellow soldiers. Her book offers a nuanced, well-researched and convincing portrait of ordinary people trying to integrate their religious faith and their positions in the church with their service in a nazified army. It's a compelling story, one that Rossi tells well. I will be recommending it to my students for a long time to come. Learn more about your ad choices. Visit megaphone.fm/adchoices
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