Podcasts about Weimar

¿Sabías que el arco de soldadura puede llegar a estar incluso más caliente que la superficie del Sol?

Ryan sits down with Tin Foil Hat podcast to discuss his new book. TIN FOIL HAT LINK https://music.amazon.com/podcasts/cf8a45d6-c451-4d33-8f96-d53432888143/tin-foil-hat-with-sam-tripoli*The is the FREE archive, which includes advertisements. If you want an ad-free experience, subscribe below.

FAN MAIL--We would love YOUR feedback--Send us a Text MessageA signature can look like safety, right up until the day it becomes worthless ink. We take you back to 1933 Germany to watch a deal get made with Adolf Hitler and then dismantled piece by piece, revealing why legal guarantees cannot protect anyone when an authoritarian regime treats law as theater.We set the context most people miss: German Catholics had lived through decades of hostility stretching back to Bismarck's Kulturkampf, and the chaos of Weimar Germany made the desire for a binding national promise feel urgent. When Hitler needs the Center Party's votes to lock in power, he offers a trade that sounds “practical” on paper: the Reichskonkordat will protect Catholic schools, parishes, and legal standing, and in return the Church steps out of politics. Then the reality hits. Youth groups disappear, priests are surveilled, and the regime's attacks on human dignity keep escalating.From there, we draw a clear modern parallel to the Vatican's agreement with the Chinese Communist government over bishop appointments, renewed through 2028, and Cardinal Joseph Zen's public warnings about the underground Church being left behind. The question underneath both stories is the same: what actually protects the vulnerable when the people in power do not believe truth is real?We end with the turning point in 1937, when Pope Pius XI releases Mit Brennender Sorge, smuggled into Germany and read from pulpits under the Gestapo's nose, calling Catholics to spiritual resistance and naming the poison even when politics refuses to. If you care about religious freedom, church-state relations, and the limits of diplomacy under authoritarianism, this one will stay with you. Key Points from the Episode:• German Catholics shaped by decades of harassment under Kulturkampf  • Weimar instability fueling a desire for national legal guarantees  • Hitler trading “protection” for the Church's silence in politics  • The Reichskonkordat's promises contrasted with immediate Nazi violations  • Why agreements fail when leaders reject truth and justice  • Parallels to the Vatican's China agreement and Cardinal Joseph Zen's warnings  • Mit Brennender Sorge as a shift from diplomacy to defiance  • The covert distribution effort and the risk taken by clergy and laity  • The persecution that followed, including imprisonment and deaths at Dachau  Be sure to check out our show page at TeamMojoAcademy.com, where we have everything we discussed in this podcast as well as other great resources.  Links

https://linktr.ee/hackedoffpodcastTHE GREAT RAVAGING: What Women Should Fear the MostHacked Off Podcast – Episode 10with CS Joseph & Gary Skarzynski (Yuri)This is the most important episode we have ever recorded.Society is collapsing under the weight of Subconscious Developed (SD) men. When the nanny state fails, the police disappear, and the military refuses to act… 80% of men (the SD strong-silent-cuck majority) will turn into Fallout-style Raiders. They will ravage every woman they can get their hands on. History has already shown us this (East Germany 1945, Rome, Weimar, Nineveh). The manosphere and red-pill grifters are accelerating it.In this episode we destroy:• Fresh & Fit + The Whatever Podcast (OnlyFans marketing machines)• Rollo Tomassi (can't even define “high value man”)• Myron Gaines, Sneako, Andrew Tate orbiters, Pearl Davis, Devon Stack (“the Black Klansman”), and the entire simp-to-plate-spinner pipeline• The entitled SD older brother leeching off his 100% disabled UD veteran brother• Why “don't criticize fathers” is pure SD cope• The real definition of a high-value man (the ability to change your life circumstances on a whim)The solution? Lock max. Get Unconscious Developed (UD). Build brotherhoods of iron-sharpening-iron men. Outbreed the SD bloodlines. Women: stay the fuck away from SD men and get with UDSF men before the Great Ravaging begins.Timestamps / Chapters:00:00 – Intro & Welcome00:31 – Discord, Linktree, Skool.com/csjoseph & upcoming Lock Maxing school02:58 – Comments: Fresh & Fit / Whatever Podcast called out for degeneracy06:49 – YoloJ8D: “Stop disrespecting fathers” (everyone is fair game)09:58 – Devon Stack the Black Klansman + Rebecca14:37 – John Sutton's 15-paragraph SD word salad + No More Mr. Nice Guy24:10 – Anecdote: SD older brother leeching off disabled UD veteran brother (rent, toilet paper, tobacco, sugar-mama dreams)30:06 – Cuban kid who sold his Mercedes, lived in a Sienna, and forced his SD parents to respect him33:31 – What is a High Value Man? Rollo Tomassi destroyed by Sneako38:18 – Fresh & Fit, Rollo, Myron, Sneako, Mystery, Tom Leykis & the entire manosphere grift exposed53:35 – THE GREAT RAVAGING explained – why women should be terrified55:45 – Historical proof: Hellstorm, Rome, Weimar, Elijah vs Jezebel, Book of Jonah / Nineveh63:25 – Solution: Fight Club, lock maxing, UD brotherhoods, outbreed the SD64:43 – Malthusianism, Georgia Guidestones, Planned Parenthood, why red pill = eugenics acceleration73:46 – Outro & final warningJOIN THE COMMUNITY RIGHT NOW:• Discord (Hacked Off channel): https://discord.gg/egohackers• Everything you need (links, merch, contact): https://linktr.ee/hackedoffpodcast• Full Octagram + Type Grid + Season 42 compatibility: https://skool.com/csjoseph (29$/mo)• Upcoming Lock Maxing school: coming soon at skool.com/lockmaxingIf you have a penis and you're still SD or harmonious… this episode is your rite of passage. Watch it. Share it. Lock the fuck in.#HackedOff #GreatRavaging #SDMen #UDMen #LockMaxing #CSJoseph #ManosphereExposed #RedPillExposed #RolloTomassi #FreshAndFit #OnlyFansGrift #SocietalCollapse #JungianPsychology #PersonalityTypes #UnconsciousDeveloped #SubconsciousDeveloped #FightClub #HighValueMan #IronSharpensIron #UDSFHacked Off Podcast with CS Joseph & Gary SkarzynskiNew episodes every week. We don't sell out. We don't protect grifters. We tell the truth.

A Fuga em Sol Menor (BWV 1026), para violino e cravo, só foi reconhecida como obra autêntica de Johann Sebastian Bach em 2005, depois de passar a maior parte do século 20 sendo considerada espúria. A comprovação da autoria de Bach se deve ao musicólogo alemão Peter Wollny, diretor do Arquivo Bach, de Leipzig, e professor da Universidade de Leipzig, o mesmo pesquisador que, no final do ano passado, revelou a autenticidade de duas chaconas de Bach que também tinham a autenticidade contestada, conforme Manhã com Bach anunciou na ocasião (ouça aqui). De acordo com as pesquisas de Wollny, a Fuga em Sol Menor foi composta por Bach na corte de Weimar entre 1712 e 1714, o que faz dela a mais antiga música de câmara de Bach hoje preservada. O pesquisador demonstrou que o uso intenso de acordes duplos (ou seja, a técnica de tocar duas notas ao mesmo tempo) no violino e a textura a duas vozes da composição, presentes nessa fuga, são características estilísticas concebidas por Bach que prenunciavam técnicas que, depois, ele aplicaria nas suas extraordinárias Sonatas e Partitas para Violino, entre outras obras. Essa fuga de Bach é apresentada nesta edição de Manhã com Bach, que exibe ainda a Tocata e Fuga em Ré Menor (BWV 538), para órgão, e a cantata Nach dir, Herr, verlanget mich, "Por ti, Senhor, eu anseio" (BWV 150). Ouça o podcast no link acima. Este podcast reproduz o programa Manhã com Bach, da Rádio USP (93,7 MHz), transmitido nos dias 11 e 12 de julho de 2026. Dedicado à divulgação da música do compositor alemão Johann Sebastian Bach (1685-1750), Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast no site do Jornal da USP. As edições anteriores do podcast Manhã com Bach estão disponíveis neste link.

Katharina Germo, geboren in Halle, bringt langjährige Co-Leitungs-, Theater- und Theaterfestivalerfahrungen aus der Schweiz mit. Juliane Hahn, geboren in Friedrichroda in Thüringen, arbeitete von 2020 bis 2024 in Zürich, wo sie Co-Leiterin des Theaterhauses Gessnerallee war. Vom 21.08. bis 06.09. präsentieren sie ein internationales Programm der Gegenwartskünste aus Theater, Tanz, Performance, Musik, Film, Literatur und Bildender Kunst. Neben etablierten Kulturorten werden auch öffentliche Räume in Weimar und in der Region bespielt. Erstmals gibt es mit dem Lichthaus wieder ein Festivalzentrum als zentralen Ort des Festivals. Eröffnet wird das Kunstfest Weimar am 21.08. mir der Open-Air-Performance „RoZeO“ der französischen Kompanie Gratte Ciel im Ilmpark. Artistinnen und Artisten werden auf sechs Meter hohen biegsamen Stangen über der Landschaft schweben. Auf der Festwiese Apolda kommt am selben Abend das außergewöhnliche Konzertprojet „Soundtrack for Midnight TAMURO“ von Masamitsu Araki zur Aufführung. Inspiriert von Erinnerungen des Künstlers an das Aufwachsen im ländlichen Raum Japans und von der Begegnung mit der Thüringer Autotuning-Szene entstand eine Suite für ein Ensemble von Fahrzeugen mit getunten Soundanlagen. 1990 wurde das Kunstfest Weimar als eine der ersten gemeinsamen Kulturinitiativen im wiedervereinigten Deutschland gegründet. Es widmete sich zunächst Persönlichkeiten wie Goethe, Schiller, Bach und Liszt und die Einnahmen flossen in die Restaurierung der Kulturdenkmäler Weimars. Als inzwischen internationales Festival der Gegenwartskünste soll mit der diesjährigen Ausgabe die lebendige, verbindende Kraft künstlerischen Schaffens gefeiert werden und Räume für Begegnungen und gemeinsam geteiltes Erleben. In Halle an der Saale kam Katharina Germo 1991 zur Welt. In Hildesheim studierte sie von 2010 bis 2015 Kulturwissenschaften und ästhetische Praxis mit dem Schwerpunkt Theater und Literatur, welches einen viermonatigen Studienaufenthalt an der Université Aix-Marseille im Fach Szenische Künste enthielt. Von 2015 bis 2019 absolvierte Katharina Germo dem Masterstudiengang Theater mit Vertiefung Dramaturgie an der Zürcher Hochschule der Künste. Sie arbeitete als freischaffende Dramaturgin für freie Tanz- und Theaterproduktionen, übernahm Mentoring und Gesprächsmoderationen, war von 2016 bis 2022 Programmdramaturgin am Theater ROXY Birsfelden und arbeitet 2019 bis 2024 in der Programmgruppe des Theaterfestival Basel. Von 2023 bis 2025 hatte sie die Co-Leitung im Fabriktheater Rote Fabrik Zürich inne. Seit 2020 war sie in zahlreichen Jurys und Kommissionen in Deutschland und der Schweiz vertreten. Ihre letzte eigene künstlerische Arbeit trug den Titel „What We Know“, eine Installation im öffentlichen Raum für das About Us! Festival Zürich. Moderation Carsten TeschRedaktion: Angelika Zapf

Tenenberg, Miron www.deutschlandfunkkultur.de, Aus der jüdischen Welt

Die Themen der Sendung:Die Welt der FrauenYiddish Summer WeimarInterview mit der Gast-Kuratorin Diana MatutMiron Tenenberg Thora-Auslegung:Rabbinerin Elisa Klapheck, Frankfurt

The work of Rod Dreher has a consistent theme: doom. He believes the collapse of Christianity has ushered civilizational decline in Europe, that we've traded our humanity for comfort, and he worries that totalitarianism is around the corner for the United States. “I'm worried about Weimar America,” he tells me. “It may not be Hitler 2.0, it may not be Stalin 2.0. It might be something all American, but it's not going to be what we're used to.” It's best not to dismiss him; he's been right before. We discuss how we got here and the dangers that still lie ahead when we grant godlike powers to our technology. 0:00 - Intro 1:41 - The role of Christianity in Western society 12:26 - Free speech in Western Europe 17:40 - Immigration and de-Christianization 23:55 - Viktor Orbán's Hungary 34:50 - "Weimar America" and the coming crisis 46:45 - Dreher's personal journey 55:12 - Dark re-enchantment and A.I. as a "vector for the demonic" (A full transcript of this episode is available on the Times website.) Thoughts? Email us at interestingtimes@nytimes.com. Please subscribe to our YouTube Channel, Interesting Times with Ross Douthat. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ein Kommentar von Paul Clemente.Ein Parteitag wie ein Actionfilm. Da kann der politische Mainstream noch was lernen: Eine Partei, kapitalistisch wie die FDP oder der Blackrock-Kanzler, streut ein paar konservative Trigger ins blaue Programm und schon sorgen zahllose NGOs für Gratiswerbung. Auch diesmal waren die Störaktionen spannender als der Parteitag selber.Vor allem die Antifa blamierte sich bis auf die Knochen. Eine Bewegung, die glaubt, dass auf AfD-Parteitagen nur Passagen aus „Mein Kampf“ vorgetragen würden. So reisten die Antifa-Aktivisten am Freitag an, um einen verspäteten Reichsparteitag zu verhindern. Sogar die Bild-Zeitung leistete historisierende Schützenhilfe:Wie so oft war die Realität wesentlich bescheidener: Die AfD wollte lediglich einen Vorsitz wählen.Schon vor Tagen hatte die Plattform „Indymedia“ die üblichen Tipps zur Bewaffnung publiziert: Molotow-Cocktails, Pflastersteine oder Schleudern. Was keiner bedacht hat: Der Parteitag startete am Samstag um 10 Uhr. Will man den Eintritt versperren, sollte man einige Stunden zuvor bereitstehen. Ein für Antifa-Helden unüberwindliches Hindernis. Klar. Nazis bekämpfen: immer. Aber nicht am frühen Morgen. Kurzum, die Heldentruppe kam zu spät.Mit erschütternder Ehrlichkeit rief ein Antifa-Krieger ins Mikro:Das stimmt nicht ganz. Die Teilnehmer trudelten nicht um 2 Uhr ein, sondern erst um 4. Sie hatten den Veranstaltungsort trotz Straßenblockaden unverletzt erreicht. Um 5 Uhr morgens tummelten sich bereits 500 bis 600 AfD-Mitglieder auf dem Gelände. AfD-Co-Chef Tino Chrupalla witzelte in seiner Eröffnungsrede:Hinzu kam, dass 6000 Polizisten angerückt waren, um die blauen Dunkelmänner zu verteidigen. Wo jetzt hin mit der aufgestauten Wut? Man brauchte schnell ein neues Hassobjekt. Und das fand sich auch: So jagten die Antifa-Heden das Reporterteam eines Alternativ-Mediums, den Apollo-News. Ein Berichterstatter, der bereits am Boden lag, erhielt Tritte an den Hinterkopf. Andere kamen mit Schürf- und Platzwunden davon. Hauptorganisator der Protest-Gruppierungen war - nach eigenem Bekunden - die Initative „Wiedersetzen“. Eine bundesweite, spendenfinanzierte Initiative zur Sabotage von AfD-Vorhaben. Auf ihrer Pressekonferenz fanden die „Wiedersetzen“-Aktivisten keinen Grund, sich von den Ausschreitungen gegen besagte Journalisten zu distanzieren. Im Gegenteil:„Der Zeitpunkt der Tagung gilt als symbolträchtig: Der Parteitag findet 100 Jahre nach dem NSDAP-Reichsparteitag vom 3. und 4. Juli 1926 in Weimar statt.“„Jetzt habe ich leider eine schlechte Nachricht. Mittlerweile sind schon über 500 Delegierte der AfD in der Messehalle, Der Parteitag wird jetzt gleich starten. Das ist richtig scheiße, ja. Die haben halt dieses Mal mitten in der Nacht um 2 Uhr nachts angefangen, die Leute da reinzubringen. Also viel früher, als wir gestartet haben.“„Der frühe Vogel fängt den Wurm (...) die Randalierer von der Antifa haben ihr eigenes Störmanöver verschlafen.“„Wir sind nach Erfurt gekommen, um Faschist*innen zu blockieren. Faschist*innen mit einem Presseausweis sind immer noch Faschist*innen.“...https://apolut.net/afd-parteitag-den-wirtschaftslibertaren-kurs-fortsetzen-von-paul-clemente/

In Erfurt findet an diesem Wochenende der Bundesparteitag der AfD statt – auf den Tag genau 100 Jahre nach dem Reichsparteitag der NSDAP in Weimar. Die Stadt bereitet sich seit Wochen auf ein Ausnahmewochenende vor. Eine breite Allianz rief zu Protesten auf. Die Sorge vor Ausschreitungen ist gross. (00:00) Intro und Schlagzeilen (01:27 ) AfD-Parteitag in Erfurt weckt historische Assoziationen (06:34) Nachrichtenübersicht (11:14) Fort Ticonderoga erinnert an Amerikas Unabhängigkeitskrieg (16:39) Israels Wirtschaft wächst trotz des Krieges (23:49t) Papst Leo setzt in Lampedusa ein Zeichen gegen das Wegschauen

Aus Sicht von Katrin Göring-Eckardt (Grüne) ist die AfD keine normale Partei, sondern teils rechtsextrem. Außerdem habe die AfD Erfurt als Ort für ihren Bundesparteitag 100 Jahre nach dem NSDAP-Parteitag im benachbarten Weimar nicht zufällig gewählt. Schulz, Josephine www.deutschlandfunk.de, Interviews

Acho que fica bem claro como estava já tudo descrito muito antes de termos nascido. Como nos lembra Sven Lindqvist, a palavra «Europa» deriva de uma palavra semítica que significa apenas «escuridão». E, de resto, como ele também vinca, «a distância entre a ideia do extermínio e o coração do humanismo não é maior do que a existente entre Buchenwald e a Goethehaus em Weimar. «Essa percepção foi quase completamente reprimida, até mesmo pelos alemães, que foram transformados num bode expiatório por perfilharem ideias que constituem de facto uma herança europeia comum.» No livro Exterminem Todas as Bestas, ele faz ainda este reparo: «Ninguém chama a atenção para o facto de, durante a infância de Hitler, um dos principais elementos na visão europeia da humanidade ser a convicção de que as ‘raças inferiores' estavam por natureza condenadas à extinção: a verdadeira compaixão das raças superiores consistia em facilitar-lhes o desaparecimento.» Lindqvist ainda nos remete para a etimologia desse termo tão banalizado hoje – extermínio. «O latim extermino significa ‘conduzir para fora', terminus, ‘exilar, banir, excluir'. Daí deriva o português exterminar, que significa ‘conduzir para fora, para a morte, banir da vida'.» É muito evidente, por isso, como as nossas sociedades estão baseadas na lógica da exclusão, em que a própria noção de triunfo se liga à capacidade de gozar de privilégios exclusivos, e como esta orienta, por si mesma, uma educação para o extermínio. E se estamos sempre à espera de uma revelação estrondosa, o que se torna cada vez mais claro por estes dias é que o inferno não é mais impressionante do que isto. De um lado toda esta indiferença, do outro só resta o momento em que alguém, tendo poder sobre nós, fará o que tem a fazer. Mistério de espécie alguma virá soprar aos nossos ouvidos uma noção que nos sirva como um ponto de não retorno. «Quando sábios sentados nos seus cadeirões, há já muito tempo, se puseram a descrever as aparências e os costumes do Homo Economicus, muitas pessoas não acreditaram nas suas palavras e chamaram o homem real de homem abstracto. Ninguém então se podia dar conta de que esses professores e esses calculadores estavam simplesmente a descrever a nova existência abstracta da humanidade e assinalavam os primeiros eclipses do homem real. Ninguém suspeitava de que a sua descrição só parecia abstracta pela fidelidade à abstracção do seu novo modelo» (Nizan). Neste episódio, impulsionados pelo enredo nervoso, cumulativo, indagador, dessa proposta de uma etnografia dos ambientes circundantes que a Marta Lança acaba de lançar (Essas Pessoas na Sala de Jantar), mergulhamos em tantos dos elementos que sinalizam como a geração de que fazemos parte gozou de um período de intervalo extraordinário em que se permitiu iludir com a perspectiva da superação ou supressão da História, sendo que muita da nossa ilusão hoje alimenta um mal-estar desafiante, obrigando a redescobrir com uma inusitada estranheza tantos capítulos das nossas vidas, e reconhecendo como estes poderão ser lidos dentro de alguns anos como os sinais de uma espécie de privilégio fabuloso e ofensivo. Realidade dissolvida. Existência de fumo. Paixões de sonhos. Nem tido nem achado, o homem passou para a conta dos lucros e das perdas. Existe um trabalho e uma posse real, quero dizer, nos camponeses, nos artesões, nos poetas, para os quais a posse significa a unidade da acção, do preço e do produto. Mas os burgueses produzem e possuem abstractamente. Como há muito herdaram de Israel, passam a vida a emprestar com juros. Comanditam, pobre ou grandemente, são portadores de obrigações e ganham somas abstractas pagas por devedores abstractos: uma cidade, uma companhia, um Estado, um caminho-de-ferro. Ou possuem acções: operários de carne trabalham para prolongar a sua existência de fantasmas. Entre os seres e eles, a vida humana e eles, a banca é seguida pelo seu cortejo fantástico de bolsas, de cargos, de correctores de câmbios. O género de posse e de lucro burguês separa-os de tudo aquilo que é real: conhecem apenas sinais e contactos feéricos à distância. O seu mundo é mágico. No dia em que estas pessoas tiverem nas mãos um poder timbrado, um título verde, participam na natureza mística de um ser que não existe. Absorvem as suas hóstias de capital. Eles não são. São conduzidos pelos demónios da abstracção. Que pensam eles? Quem os pensa? Estados civis, catálogos. Ricos com etiquetas como uma velha mala de viajante. Nos sólidos regulares dos seus quartos, fecham à chave todos os seus repertórios de sinais e emblemas, para dormirem um sono tranquilo: uma brochura de casamento, uma cédula militar, um cartão de eleitor, e a escuma de papel que deixa a circulação do dinheiro nas casas dos homens. Todos os monumentos de França defendem o estado mágico destes homens. A sua vida de asilo está protegida, em todos os pontos cardinais, contra as tentativas da vida ao ar livre. É impossível respirar, está-se no fundo de um poço. Eu sei porque é que me sentia a sufocar, já não é um sufoco obscuro, um movimento cego de se debater num sonho, mas a mutilação ao sol, a asfixia em pleno dia. Tudo o que está de pé em torno de mim pertence aos meus inimigos. Eu não tenho nada, não tiro prazer de nada. Vejo por toda a parte as provas de pedra da sua dominação, as igrejas, os palácios nacionais, as casernas, os institutos, os comissariados, os palácios da justiça, os bordéis, os ministérios. Não se pode estender os braços sem tocar com a ponta dos dedos na porta de um banco, no peito de um agente, de um cavaleiro da Legião de Honra. Conseguirei eu fazer escapar a mulher que amo? Eles põem entraves nas rodas do amor. Acorrem de todos os lados ao local onde se faz ouvir uma palavra de protesto, onde se produz uma tentativa de libertação. Quando se retiram, deixam o lugar limpo: os seus polícias, os seus mirones e os seus sábios agem com a certeza sonhadora das máquinas.» Acho que fica bem claro que estava tudo descrito muito antes de termos nascido. Como nos lembra Sven Lindqvist, a palavra «Europa» deriva de uma palavra semítica que significa apenas «escuridão». E, de resto, como ele também vinca, «a distância entre a ideia do extermínio e o coração do humanismo não é maior do que a existente entre Buchenwald e a Goethehaus em Weimar. Essa percepção foi quase completamente reprimida, até mesmo pelos alemães, que foram transformados num bode expiatório por perfilharem ideias que constituem de facto uma herança europeia comum.» No livro Exterminem Todas as Bestas, ele faz ainda este reparo: «Ninguém chama a atenção para o facto de, durante a infância de Hitler, um dos principais elementos na visão europeia da humanidade ser a convicção de que as ‘raças inferiores' estavam por natureza condenadas à extinção: a verdadeira compaixão das raças superiores consistia em facilitar-lhes o desaparecimento.» Ele ainda nos remete para a etimologia desse termo tão banalizado hoje – extermínio. «O latim extermino significa ‘conduzir para fora', terminus, ‘exilar, banir, excluir'. Daí deriva o português exterminar, que significa ‘conduzir para fora, para a morte, banir da vida'.» É muito evidente, por isso, como as nossas sociedades estão baseadas na lógica da exclusão, em que a própria noção de triunfo se liga à capacidade de gozar de privilégios exclusivos, e como esta leva, em si mesma, uma educação para o extermínio. E se estamos sempre à espera de uma revelação estrondosa, o que se torna cada vez mais claro por estes dias é que o inferno não é mais impressionante do que isto. De um lado toda esta indiferença, do outro só resta o momento em que alguém, tendo poder sobre nós, fará o que tem a fazer. Mistério de espécie alguma virá soprar aos nossos ouvidos uma noção que nos sirva como um ponto de não retorno. «Quando sábios sentados nos seus cadeirões, há já muito tempo, se puseram a descrever as aparências e os costumes do Homo Economicus, muitas pessoas não acreditaram nas suas palavras e chamaram o homem real de homem abstracto. Ninguém então se podia dar conta de que esses professores e esses calculadores estavam simplesmente a descrever a nova existência abstracta da humanidade e assinalavam os primeiros eclipses do homem real. Ninguém suspeitava de que a sua descrição só parecia abstracta pela fidelidade à abstracção do seu novo modelo» (Nizan). Neste episódio, impulsionados pelo enredo nervoso, cumulativo, indagador, dessa proposta de uma etnografia dos ambientes circundantes que a Marta Lança acaba de lançar (Essas Pessoas na Sala de Jantar), mergulhamos em tantos dos elementos que sinalizam como a geração de que fazemos parte gozou de um período de intervalo extraordinário em que se permitiu iludir com a perspectiva da superação ou supressão da História, sendo que muita da nossa ilusão hoje alimenta um mal-estar desafiante, obrigando a redescobrir com uma inusitada estranheza tantos capítulos das nossas vidas, e reconhecendo como estes poderão ser lido dentro de alguns anos como os sinais de uma espécie de privilégio fabuloso e ofensivo.

Als Michael von Hintzenstern 1970 elektronische Musik von Karlheinz Stockhausen im Radio hört, ist der 14-jährige geflasht. Er muss den Komponisten kennenlernen. Aber wie? Er lebt in Weimar, Stockhausen in Köln. Dazwischen die Mauer; doch sechs Jahre später gelingt es. Beginn einer lebenslangen Künstlerfreundschaft.

Laura Ragone"Quattro volte me"Maria LazarEdizioni Adelphiwww.adelphi.itTraduzione di Laura RagoneA cura di Albert C. EiblLe piccole donne di Maria Lazar sono Grete, Anette, Ulla e l'anonima narratrice che parla in queste pagine. La sua confessione, concitata e rapinosa, suscita in noi un crescente turbamento, perché la sua voce si mimetizza con le altre, a scuola le capita di dimenticare il suo nome, di rispondere all'insegnante con la voce di Grete, di scrivere un tema con la grafia di Ulla, di patire nella carne il dolore delle amiche. Una presenza, che lei chiama «l'Estranea», la spia dagli specchi e dalle finestre, e si fa via via sempre più ardita e invadente. Ma è proprio questa natura frantumata e plurima a fare di lei la cronista di una storia collettiva. La storia di Grete, che sembra sedere «in una nube tiepida e fragrante»; di Ulla, «occhi d'acqua ghiacciata», atletica e sagace; della frivola e svagata Anette, dalle «lunghe gambe a pertica» – e di tante altre. Di tutte le giovani donne travolte dall'ansia e dallo spaesamento che spirano come un vento malevolo nell'aria di Weimar. Donne inassimilabili l'una all'altra, eppure accomunate da un unico destino: sopravvivere alla miseria, alle violenze maschili, alla degradazione – o consegnarsi alla desolante sicurezza del matrimonio. Sepolto in uno scatolone per cento anni, in attesa di essere scoperto, Quattro volte me di Maria Lazar riemerge in un'epoca che pensava di aver detto tutto sulla «situazione delle donne». E forse non era vero.Maria Lazar (Vienna, 22 novembre 1895 – Stoccolma, 30 marzo 1948) fu una scrittrice, giornalista, traduttrice e drammaturga austriaca. Nata in una famiglia ebrea benestante di Vienna, frequentò la scuola fondata da Eugenie Schwarzwald, importante centro della vita culturale viennese. Negli anni Venti iniziò a collaborare con giornali austriaci, svizzeri e scandinavi e si affermò come autrice di romanzi e opere teatrali.Nel 1930 ottenne un notevole successo letterario, anche grazie allo pseudonimo Esther Grenen. Con l'ascesa del nazismo fu costretta all'esilio: nel 1933 si trasferì prima in Danimarca e poi, nel 1939, in Svezia. Le sue opere, spesso caratterizzate da forte sensibilità sociale e da una lucida critica dei totalitarismi, caddero nell'oblio dopo la sua morte.Tra i suoi lavori più noti figurano Die Vergiftung (L'avvelenamento, 1920), Leben verboten! (Vita proibita!, 1932) e Die Eingeborenen von Maria Blut (1937). Negli ultimi anni la sua produzione letteraria è stata riscoperta e rivalutata dalla critica come una delle voci più originali della letteratura austriaca del Novecento.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Es war nur ein Wimpernschlag in der Zeit. Unseren Jungs kam es jedoch vor wie eine halbe Ewigkeit. So viele Eindrücke, so viele Begegnungen und so viele Geschichten.Der Basta-Roadtrip 2026 ist beendet.Zum ersten Mal haben Wumms 1 und Wumms 2 gleich drei Länder in drei Tagen bereist. Los ging es in Bern, weiter führte die Reise ins phänomenale Weimar und schließlich folgte der große Abschluss mit einem Quicky in Würzburg.Marcel und Benjamin berichten aus Deutschland, Österreich und der Schweiz des Jahres 2026.

Isaac Butler's phenomenal new book, “The Perfect Moment: God, Sex, Art, and the Birth of America's Culture Wars,” is a detailed examination of the intersection of art and politics in the late ‘80s and early ‘90s — just like Bob Fosse's 1972 film adaptation of the Weimar-set Broadway smash. We discuss both in this week's can't-miss episode!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode with Katja Hoyer I learned how Weimar's choice as the new republic's capital wasn't random; it was strategic. Small, cultural, and safe from political upheaval, it symbolized a fresh start. But beneath that veneer, extremism was already brewing — Nazis testing their power, violence simmering just beneath the surface. The town's evolution shows how politics and culture collide, and how ordinary people's lives are impacted during times of chaos — from factory workers to hotel owners. When history feels distant, these stories remind us how much is at stake in every decision. Worth thinking about.Chalke History Festival is on from the 22nd through to the 28th of June grab tickets from https://www.chalkefestival.comGrab a copy of Weimar https://uk.bookshop.org/a/14692/9780241681244Keep up to date with Katja viaHer website https://www.katjahoyer.online/her blog https://www.katjahoyer.uk/f you want to get in touch with History with Jackson email: jackson@historywithjackson.co.ukTo support History with Jackson to carry on creating content subscribe to History with Jackson+ on Apple Podcasts or support us on our Patreon - https://patreon.com/HistorywithJackson?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLinkTo catch up on everything to do with History with Jackson head to www.HistorywithJackson.co.ukFollow us on Facebook at @HistorywithJacksonFollow us on Instagram at @HistorywithJacksonFollow us on X/Twitter at @HistorywJacksonFollow us on TikTok at @HistorywithJackson Hosted on Acast. See acast.com/privacy for more information.

Legendary pioneering film director, original bad boy auteur, visionary…bit of a dick. Fritz Lang's personal life was almost as dramatic as his films. He's in Paris for the febrile pre-war days of 1914, showing real acts of bravery on the Galician front. Driving to work at the UFA studios on the days of the Spartacist Uprisings and conveniently dodging Goebbels in 1933.Not the most reliable narrator, particularly when it comes to his first wife and his departure from Berlin in 1933, but if there were ever a man of his time, it's Fritz Lang. His work would span the turbulent era from silent to sound, and later from Europe to the US. Obsessive and dictatorial on set, he directed some of the most recognisable films of the Weimar era, Metropolis and M.++++++  

The majority of the societal weakening an cultural poisons are now done away from the streets and clubs. The tech age has allowed for more discretion, and less noticeable moral decay is happening right at people's homes, at their desks, on their tablets, PCs, laptops, and phones. It's a new age of perversion that can creep right into your home and obsess or corrupt your family members. They needn't sneak out or ever run away to become essentially prostitutes. They can do it in their bedrooms, and even order elicit, life destroying addictive substances from the internet while making the "easy money." It's an epidemic and along with it, weak males, simps, gooners, and degenerate social misfits with arrested development are on the rise. The probability is low that these porn addicted young males will ever function in real life. The convenience of the internet, the opportunities it provides, the money that can be made for the price of your dignity and self-respect are extremely powerful temptations for many young women. The promise isn't always equal to the actual payout. And the reputation damage, the scarlet letter they forever after carry, cannot be erased or bought out of existence. The evidence remains, and no one will ever look at you without thinking about what you do or did for pay.One way to ensure your favorite indy channels remain is to Follow, Subscribe, and leave likes and comments. The engagement and follow count determines whether a video is recommended. Thank You. Even a single word in the comments helps, especially on Rumble and YouTube.Follow These channels Please:https://www.youtube.com/@AwesomeHotSaucehttps://rumble.com/c/TheItalianUncGo to My site, use code: BDAYGIRLhttps://SemperFryLLC.com and get the best hot sauce in the world.https://x.com/SemperFryLLCJoin Dr. Glidden's Membership site here:https://leavebigpharmabehind.com/?via=pgndhealth⁠Code: baalbusters for 25% OFFMake Dr. Glidden Your DoctorBecome a supporter of this podcast: https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262/support.

durée : 00:23:59 - par : Corinne Schneider - Bach compose la Cantate pour soprano solo BWV 202 « Weichet nur, betrübte Schatten » / « Dissipez-vous ombres lugubres » à la cour de Köthen ou de Weimar, peut-être pour des noces, sur un texte dont l'auteur n'est pas identifié. - réalisation : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Après son coup d'État manqué à Munich, en novembre 1923, Hitler est condamné à cinq années de prison. Mais loin de l'affaiblir, ce passage carcéral contribue à forger son image de martyr et devient, finalement, un véritable atout dans son ascension politique.Retour sur les événements qui ont mené Adolf Hitler à écrire son ouvrage le plus célèbre et redouté, Mein Kampf.

Après son coup d'État manqué à Munich, en novembre 1923, Hitler est condamné à cinq années de prison. Mais loin de l'affaiblir, ce passage carcéral contribue à forger son image de martyr et devient, finalement, un véritable atout dans son ascension politique.Retour sur les événements qui ont mené Adolf Hitler à écrire son ouvrage le plus célèbre et redouté, Mein Kampf.

Katja Hoyer is a German-British historian who has made a career out of explaining Germany to the world—and, just as importantly, to Germans themselves. Born in East Germany in 1985 and now based in Britain, she has written acclaimed histories of the German Empire, the GDR, and most recently the Weimar Republic. Tyler and Katja discuss why communism made East Germans more loyal to the system while it bred dissidents in Poland and Hungary, how happy or unhappy life in the GDR actually was, Tyler's own bleak day-trip to East Berlin in 1984, the underrated literature of the GDR (Christa Wolf, Brigitte Reimann), whether Good Bye, Lenin! got the era right, why it's no coincidence that Richter and Polke came from the East, the strange coexistence of communist prudishness and Germany's nudist culture, what Merkel's East German background did and didn't give her as a chancellor, why East Germans remain dramatically underrepresented in leadership positions today, what makes Weimar the cultural and spiritual heart of Germany, why relatively few Jews ever settled there, how much the citizens of Weimar knew about Buchenwald, what actually killed the Weimar Constitution, how she'd rewrite the Treaty of Versailles, Hitler's citizenship problem, underrated German thinkers, the complacency behind Germany's current economic decline, which side of the Weißwurstäquator she'd choose to live on, and much more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded March 30th, 2026. Other ways to connect Follow us on X and Instagram Follow Tyler on X Follow Katja on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here. Timestamps: 00:00:00 - Intro 00:05:34 - East German Artistic Creations  00:10:55 - Angela Merkel's East German Background 00:14:08 - East German Underrepresentation Today 00:17:02 - East Germans vs. West Germans 00:20:32 - Goethe and Weimar's Cultural Heritage 00:27:09 - What Weimar Knew About Buchenwald 00:31:10 - Why the Weimar Constitution Failed 00:35:21 - Prussia, Bavaria, and Where Nazism Took Root 00:38:23 - Rewriting the Treaty of Versailles 00:39:59 - Historical Antisemitism in Germany 00:42:27 - Hitler's Citizenship problem 00:45:14 - Weimar's Best Cultural Creations 00:47:02 - The Most Underrated German Thinker 00:49:07 - Improving Weimar 00:52:58 - Germany's Economic Malaise 00:55:38 - Living in Britain as a German Historian 01:00:49 - Outro

Words are powerful and leave a residual magical print on whatever they are associated with. Chris Michaels of the "Christ Michaels Show" joins Ryan for a chat about the occult origins of Pride Month, the Israeli Pride Land festival in Sodom and Gomorrah, Operation Shylock and the undermining of Christianity, why the lunar symbolism is embedded within UFO Disclosure, and the anti-Christian motivation behind Steven Spielberg's new alien movie. Find Chris @CMichaelsShow on X and on Spotify https://t.co/abBhfo5Yql*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.

Bier - passt dieses Getränk überhaupt zum mondänen Franz Liszt? Denkt man bei ihm nicht eher an Champagner? Dennoch: Bier spielte eine wichtige Rolle bei bestimmten kulturellen Events, die Liszt bei Weimar zu organisieren pflegte.

This week on Truth to Power, we bring you a conversation about "Interwar Germany and the U.S. Today: Are They Comparable Cases of the Failure of Democracy and the Rise of Dictatorship?" This virtual community conversation with Christopher R. Browning, Professor Emeritus of History at the University of North Carolina-Chapel Hill, took place on February 24, 2026, and was organized by the Oberlin Club of Washington, D.C. Given the propensity to invoke Hitler, Nazism, and fascism in current political discussion, historians of Europe in the era of fascist dictatorship, World War II, and the Holocaust should set a high bar for responsible and informed analogizing, against which facile and distorted attempts can be measured and found wanting. This talk will attempt a careful comparison and contrast between Hitler and Trump as personalities and politicians, as well as between the fall of Weimar and rise of Nazi dictatorship on the one hand and current events and trends in the U.S. on the other. Professor Browning will do so operating from the premise that insights based upon knowledge of the past are very important for illuminating and understanding our current situation, but the careless weaponizing of the past simply to stigmatize one's opponents is self-defeating. Christopher R. Browning is the Frank Porter Graham Professor History Emeritus at the University of North Carolina-Chapel Hill where he taught from 1999-2014. He is a specialist on the Holocaust and renowned for work documenting the Final Solution, the behavior of those implementing Nazi policies, and the use of survivor testimony. Earlier, he taught at Pacific Lutheran University from 1974-1999. Christopher is the author of nine books, including three–Ordinary Men (1992), The Origins of the Final Solution (2004), and Remembering Survival (2010)—which received the National Jewish Book Award in the Holocaust Category. He has served as historical expert witness at two Holocaust denial trials: Ernst Zündel v. Crown Prosecution in Toronto in 1988, and David Irving v. Deborah Lipstadt and Penguin Press in London in 2000. Christopher was a History major at Oberlin and was awarded an Honorary Doctorate in 2014. He earned his PhD in History from the University of Wisconsin-Madison. He currently resides in the Pacific Northwest with his wife Jenni Horn Browning '67. Watch a full recording at https://www.youtube.com/watch?v=IgHQEEFeBWA. Truth to Power airs every Friday at 9pm, Saturday at 11am, and Sunday at 7pm on Louisville's grassroots, community radio station, Forward Radio 106.5fm WFMP and live streams at https://www.forwardradio.org

durée : 00:16:15 - par : Corinne Schneider - Bach compose la Cantate BWV 165 « O heiliges Geist- und Wasserbad » / « Ô saint baptême d'esprit et d'eau » à Weimar, sur un livret de Salomon Franck, pour la fête de la Trinité, le16 juin 1715. - réalisation : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Die Amerikaner zwingen die Deutschen im April 1945, sich die Gräuel ihrer Geschichte in Buchenwald anzuschauen. So beginnt die Historikerin Katja Hoyer ihre detaillierte Analyse der Entwicklung von 1919 bis zu Diktatur und Völkermord. Kupferberg, Shelly www.deutschlandfunkkultur.de, Lesart

Die Amerikaner zwingen die Deutschen im April 1945, sich die Gräuel ihrer Geschichte in Buchenwald anzuschauen. So beginnt die Historikerin Katja Hoyer ihre detaillierte Analyse der Entwicklung von 1919 bis zu Diktatur und Völkermord. Kupferberg, Shelly www.deutschlandfunkkultur.de, Lesart

Rumble Video LinkWe have been given a great incentive to come together as a community. We see plainly that the only way to a rational and stable existence is through ourselves, and not by a system of elected officials hijacked by nefarious players. This is not a time to usher in a more uncertain change simply for change's sake. This should be more of a restoration. A restoration of what we were under the impression we had, of sanity, of common law (cause no harm), and true leadership that cares about the well-being of the People.WE Will Turn This Around. We are either staring at eminent death in the coming months, or a revival of the spiritual power of true mankind. I say True mankind, because I suspect we have been living among imposters, SIMS, a great many Hylics. It may sound cold, but I don't think every humanoid is of the Benevolent Creator, the source from which we came.Go to My site:https://SemperFryLLC.com and get the best hot sauce in the world, plus find quick access to the 90 Essential Nutrients.  Use Code: MEM10 from now 'til June 3rd for 10% OFF Creatine and Hot Sauce.Be a Producer:https://GivesendGo.com/BaalBustershttps://buymeacoffee.com/BaalBustershttps://paypal.me/BaalBustersTo join the Patreon, use this link:https://www.patreon.com/c/KristosCastJoin Dr. Glidden's Membership site here:https://leavebigpharmabehind.com/?via=pgndhealth⁠Code: baalbusters for 25% OFFMake Dr. Glidden Your DoctorUse Code BB5 here for your 90 Essential Nutrients:https://www.azurestandard.com/shop/brand/azurewell/2326The Azure Whole Food Essential Nutrients are 1. Whole Food Multivitamin, 2. Alaskan Cod Liver Oil, 3. Fulvic-Humic Energy Blend, 4. IP6 Supreme. I also recommend adding the Core Copper.Use code BB5 for your discount.Become a supporter of this podcast: https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262/support.

Weimar Was a Real Place Before It Became a Political WarningThe “Weimar Republic” has become shorthand for collapse, extremism, and economic chaos — but as historian and author Katja Hoyer argues in this episode of History Rage, Weimar was first and foremost a real town with a rich cultural history stretching back centuries. Home to Goethe, Schiller, Liszt and Nietzsche, Weimar was long considered the spiritual and intellectual heart of Germany before it ever became associated with democratic failure. In this fascinating conversation, Katja dismantles the clichés surrounding interwar Germany by exploring how ordinary people experienced extraordinary political change. Through the lives of Weimar residents — bookbinders, teachers, social democrats and shopkeepers — she reveals how hope, apathy, fear and economic despair gradually transformed a fragile democracy into a dictatorship. From the optimism surrounding Germany's first truly democratic elections in 1919 to the devastation of hyperinflation, the Great Depression, and the rise of Nazism, this episode explores how extremism becomes acceptable when people feel abandoned by politics. Katja explains why the Nazis initially remained a fringe movement, how the economic crash of 1929 changed everything, and why so many ordinary Germans convinced themselves to look away from the horrors developing around them. The discussion also examines Weimar's proximity to Buchenwald concentration camp and the uncomfortable realities of what civilians knew — or chose not to know — as Nazi brutality escalated. This is a powerful exploration of how democratic societies fracture, and why understanding the everyday experience of historical change matters now more than ever. Katja's new book, Weimar: Life on the Edge of Catastrophe, is available here: https://uk.bookshop.org/a/10120/9780241681244You can also hear Katja on her podcast Reichs and Republics, and follow her work here: Substack: https://www.katjahoyer.uk/X/Twitter: https://x.com/hoyer_kat

Reed Luplau is in the studio for this mid-month episode! He's a dancer, choreographer, and performer and has built such a multifaceted and versatile career in the performing arts. He trained at the Australian Ballet School and performed with Sydney Dance Company, and he's appeared in the original Broadway casts of Moulin Rouge! The Musical, Natasha, Pierre & The Great Comet of 1812, and the 2015 revival of Fiddler on the Roof. As a choreographer, his work has spanned Broadway, opera, concert dance, large-scale live events, and festivals across the United States and Australia.Now, he's bringing his own work to the stage with the world premiere of How Will I Remember This, a new dance narrative presented by Reed Luplau Works in association with the Institute for American Musical Theatre. This piece is inspired by the history of Eldorado — the legendary queer cabaret nightclub in Weimar, Berlin, shut down by the nazis in 1933. The piece explores memory, identity, loss, and erasure through movement, music, and theatrical storytelling. The production will play for three performances only on May 22, 23, and 24, 2026, at the IAMT Theater in New York City. The link to purchase tickets is below!In this conversation, we talk about Reed's path from ballet to Broadway, the artistic transitions that shaped his career, and why dance became the medium through which he wanted to tell this story. We also talk about starting ballet late, mentorship and accessibility in the performing arts, and the importance of creating more inclusive dance spaces. Check out our conversation!Purchase tickets for How Will I Remember This: https://prezlymail.com/c/93902432-7c6f-4912-b47b-a3f290239ad3/a11eb31f/https%3A%2F%2Fwww.simpletix.com%2Fe%2Fhow-will-i-remember-this-tickets-264925Learn more about Reed and his work: http://www.reedluplau.com/Follow Reed on Instagram: https://www.instagram.com/reedluplau/Check out the Netflix documentary about Eldorado: https://www.netflix.com/title/81331646Subscribe to The Adult Ballet Studio on YouTube: @adultballetstudioMusic in this episode:Waltz of the Flowers - TchaikovskyBarroom Ballet - Silent Film Light - Kevin MacLeodBarroom Ballet - Silent Film Light by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100310Artist: http://incompetech.com/@eblosfield | theadultballetstudio@gmail.comSupport this podcast on Patreon! https://patreon.com/TheAdultBalletStudio?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link Hosted on Acast. See acast.com/privacy for more information.

En av de fornøyeligste episodene på lenge, der vi går fra Hyperliquid og 700 millioner dollar i daglig oljeomsetning til en kjøpsopsjon Sverre kjøpte fredagen før Black Monday.00:02 Trump i Kina, Boeing-skuffelsen og Hormuz00:06 Hyperliquid: 4 år gammel kryptobørs som daglig omsetter 70 % av Oslo Børs00:14 BeWet opp 847% i år, og pure-play tankrater00:19 Ukas markedsbevegelser: gass +14 %, Oslo Børs +2,4 %00:34 Trumps formue, lawsuit-inntektene og saksøkings-strategien00:43 JX Advanced Metals: en konvertibel med 40 % opsjonsvol mot 63 % historisk00:47 Obligasjonsdomino: US 30Y over 5 % første gang siden 2007, Japan høyeste siden 9700:56 Oljelager nærmer seg operasjonelt stressnivå: vi har ikke sett problemene ennå01:00 Goldman Sachs, Vampire Squid og Abacus-saken som plaget Blankfein01:14 Diversifisering: korrelasjon, volatilitet og hvorfor 60/40 ikke nødvendigvis virker01:40 1987: Peter nevnt 108 ganger i avisa det året, kjøpsopsjoner som doblet seg under Black Monday02:01 Det kuleste chartet Sverre har sett: gull i Weimar-mark02:12 RIP Stein Erik HagenEpisoden presenteres av Skygard. Norsk datalagring i Norge. skygard.no Hosted on Acast. See acast.com/privacy for more information.

And so, with a seemingly endless wash from the cymbals, we enter the modern era. It's 1966, Hal Prince has taken to directing instead of producing, and John Kander and Fred Ebb are going to give life to his vision of a musical about Weimar-era Berlin that would be unlike anything Broadway had ever seen. Cabaret was the show, and, fittingly enough, we're talking about the first song they wrote for that show: "Willkommen."  All clips are from the 1966 cast album of Cabaret featuring Joel Grey and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Listen to the SMSTS playlist on Spotify! Follow SMSTS on Instagram: @somuchstufftosing Email the show: somuchstufftosing@gmail.com Recommended Reading/Viewing: Ethan Mordden, Anything Goes: A History of American Musical Theater (Mordden's other volumes are also excellent resources for more in-depth discussion) Broadway: The American Musical

En este episodio vamos a hablar de cabarets y de nazis, y de cómo la relación entre ambos puede ayudarnos a entender porqué, aun en las sociedades más libres, persiste cierta fascinación por el “hombre fuerte”, por el dictador. La tesis que exploramos es, incluso, más tajante, y es que al dictador moderno tiene que entendérsele como el producto de una paradoja: el mismo sistema gracias al cual suelen florecer las libertades del cabaret es el sistema que produce al dictador modernoPero para entender esto tenemos que regresarnos a un periodo de la historia poco conocido: la República de Weimar. El breve regimen que antecedió, y del cual surgió, la Alemania Nazi. Para hacerlo nos acompaña Miguel Rabago, académico de la División de Estudios Jurídicos del CIDE

• It's Podmasters' 10th birthday! Get an extra 10% off a year's Patreon backing. The German town of Weimar exudes a dark fascination, and not just because Hitler loved to visit it. How did Germany's cultural capital – home of the Bauhaus, Goethe, Schiller and the doomed inter-war experiment with democracy – also become one of Nazism's earliest strongholds and the location for the Buchenwald concentration camp? Why did the Weimar Republic fall? And can it really teach us how to hold back fascism in our time?Historian and journalist Katja Hoyer tells the story of the town and Germany through the lives of ordinary people in her riveting book Weimar: Life on the Edge of Catastrophe. She talks to Andrew Harrison about how Germany's beacon of culture became its heart of darkness – and the lessons of Weimar for today. • Buy Weimar: Life on the Edge of Catastrophe through our affiliate bookshop and you'll help fund the podcast by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too.www.patreon.com/bunkercast Written and presented by Andrew Harrison. Audio production by Robin Leeburn. Music by Kenny Dickinson. Artwork by James Parrett. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. THE BUNKER is a Podmasters Production.www.podmasters.co.uk  Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

• It's Podmasters' 10th birthday! Get an extra 10% off a year's Patreon backing.  The German town of Weimar exudes a dark fascination, and not just because Hitler loved to visit it. How did Germany's cultural capital – home of the Bauhaus, Goethe, Schiller and the doomed inter-war experiment with democracy – also become one of Nazism's earliest strongholds and the location for the Buchenwald concentration camp? Why did the Weimar Republic fall? And can it really teach us how to hold back fascism in our time? Historian and journalist Katja Hoyer tells the story of the town and Germany through the lives of ordinary people in her riveting book Weimar: Life on the Edge of Catastrophe. She talks to Andrew Harrison about how Germany's beacon of culture became its heart of darkness – and the lessons of Weimar for today.  • Buy Weimar: Life on the Edge of Catastrophe through our affiliate bookshop and you'll help fund the podcast by earning us a small commission for every sale. Bookshop.org's fees help support independent bookshops too. www.patreon.com/bunkercast  Written and presented by Andrew Harrison. Audio production by Robin Leeburn. Music by Kenny Dickinson. Artwork by James Parrett. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. THE BUNKER is a Podmasters Production. www.podmasters.co.uk  Learn more about your ad choices. Visit podcastchoices.com/adchoices

What can an art exhibition, a concert hall and Classical town tell us about twentieth century German history? On Radio 4's weekly discussion programme, setting the cultural agenda every Monday, Samira Ahmed leads a conversation exploring what inter-war Weimar, the Nazi's obsession with so-called 'degenerate art' and the programming of German music at the Wigmore Hall in London reveal about the course of German history and our responses to it. Katja Hoyer's last book, Beyond the Wall was a history of East Germany which concentrated on the consequences the Nazi rule and the Second World War. Now the Anglo-German Historian has turned her attention to Weimar, the town that gave its name to the ambitious republic whose failure paved the way to Nazism. Looking at the stories of a series of varied individuals, she asks how a nation that prided itself on its culture and civility enabled Nazism and why it haunts us to this day because we fear a repeat. Weimar: Life on the Edge of Catastrophe is BBC Radio 4's Book of the Week for a fortnight.Art historian John-Paul Stonard's new book is The Worst Exhibition in the World: Degenerate Art, 1937. The exhibition of Entartete Kunst ('degenerate art') was held in the Hofgarten arcade in Munich in the summer of 1937. Just a few weeks earlier, the same paintings and sculptures by modern German artists had been on display in some of the most prestigious museums in Germany. An extensive propaganda campaign of confiscation and defamation by the Nazis saw the condemnation of works by Jews, Bolsheviks and the enemies of the German Reich. It remains one of the most visited exhibitions ever - and it shaped views of modern art well into the second half of the twentieth century.Julia Boyd's There is Sweet Music Here: The World of Wigmore Hall tells the story of London's privately run music venue. During the Second World War it was possible for audiences to hear exiled German and Austrian Jewish musicians playing Beethoven among a wide range of recitals. Other concerts programmed included Entartete Musik (forbidden or so-called 'degenerate Music'), including the banned composer Gustav Mahler. Producer: Ruth Watts

On the morning of 30 January 1933 Adolf Hitler was sworn in as Chancellor of Germany. There are many dates that can be used to identify the end of the Weimar Republic, but this is probably the most appropriate. The constitution that had held since 1919 was in mortal danger. Weimar, the town which gave the Republic its name, by Hitler incidentally, is the title of a new book by Katja Hoyer, bestselling author of Blood & Iron and Beyond the Wall. We discuss the atmosphere best exemplified by the people of the pretty little town, but one that had a dark secret nearby. Katja Hoyer Links Weimar ⁠⁠⁠⁠⁠⁠⁠History Book Club Shop⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Oliver Webb-Carter Links ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Who Cares Who Wins? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Paean to Patrick Leigh Fermor⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email me: owcpods@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Katja Hoyer ist Historikerin und Journalistin, lebt seit mehr als 15 Jahren in Großbritannien und arbeitet als Dozentin am King's College in London. Immer wieder erklärt sie den Briten Deutschland und manchmal auch Deutschland sich selbst. Mit ihrem DDR-Bestseller “Diesseits der Mauer” ist sie in der deutschen Kritik angeeckt. Jetzt ist ihr neues Buch, “Weimar. Glanz und Grauen der deutschen Geschichte”, erschienen. Weimarer Republik, Bauhaus, Buchenwald, all das kam hier zusammen. Hoyer erzählt von Geschichten, die uns etwas über die Gefährdung – und die möglicherweise die Rettung – unserer Demokratie heute erzählen. Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/ApokalypseundFilterkaffee Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Tonight with Jake Shields for a hard-hitting exposé on how a pedophile-protecting foreign nation has hijacked our government and turned America into Weimar 2.0. From Epstein's files and elite blackmail to Trump's betrayal and the suspicious questions around Charlie Kirk's death, we pull no punches. They're calling us demons for speaking the truth, but I won't stop — just like Candace Owens exposing Charlie Kirk's widow. This girl is no grieving widow, she's a sociopath twerking with rappers, scrubbing her past, and acting insane while the corrupt machine shoves her in our faces and silences us. Jake Shields joins me to expose how the Jewish banking cabal seized America in 1913 with the Federal Reserve, ADL, and debt slavery system now controlling Trump and Israel-first politicians. This is a battle for America's soul — support Dan Bilzerian against traitor Randy Fine before these parasites destroy our nation.

If Hitler had a podcast, it would be the talk of the town. He would be loved by many, hated by more, and ignored by none. Hitler would stand out because he's already been through all of this. He knows where it ends up. If Hitler had a podcast, he'd finally be cool. And Hitler was never cool. A mediocre artist with a thousand-yard stare, he was repellent to most people. But in 2026 America, where coolness is measured by offending the right people, Hitler would be hanging with the bros. He'd be on Joe Rogan laughing about Erika Kirk's eyes and claiming Kanye might have been onto something way back when he said the Jews were controlling everything. He'd be sitting across from Tim Dillon talking about genocide, and Israel and the Jews. He'd fly up to Maine, have dinner with Tucker, maybe sit in the sauna, and then have a lengthy interview about how much they love dogs, and then talk about how World War II was the fault of the Jews. He'd be at Theo Von's Easter party with his arm around Brett Cooper and Candace Owens, smiling and happy on such a beautiful day. To be hated is to be cool. They're all cool, you're not cool if you worry about Hitler having a podcast. You're only cool if you are okay with Hitler. If you laugh and giggle and say he really has a point, you know. The Left went so overboard with language policing and censorship that now, no one would know what to do if Hitler had a podcast.When Candace Owens spent weeks dragging Charlie Kirk's widow, Erika, through the mud on her podcast to millions of clicks and views, it did seem like we hit rock bottom as a society. How did she get away with it for so long? How is it she was never shamed into silence? Because the most prominent podcasters like Joe Rogan, Theo Von, Dave Smith, Megyn Kelly, and Tucker Carlson never said a word. They didn't want to be uncool. So she kept going. If Hitler had a podcast, he'd jump on the trend too because who would even stop him by now?He'd arrive just in time to present himself as a beacon of light to all of the lost men and boys whose lives had become meaningless. Women have overtaken society, the Left destroyed culture and over-policed thought and speech, and the only fun around here can be had with guys like Nick Fuentes.If Hitler had a podcast, it would be called “Work and Bread,” landing somewhere between the Hasan Piker Left and the Fuentes Right. The only requirement is that you hate Israel, and because of his loyalty to Israel, Donald Trump. They don't think of it as anti-semitism anymore because they think of it as anti-Zionism or anti-Israel. From Bridget Phetasy's Walk-ins Welcome with guest, Adam Louis-Klein.It's the policies! It's the genocide! Does it really matter? If Hitler had a podcast, he would tell them what they wanted and needed to hear. Said Hitler in 1922:And it was precisely the same in the economic sphere. The vast process of the industrialization of the peoples meant the confluence of great masses of workmen in the towns. Thus great hordes of people arose, and these, more's the pity, were not properly dealt with by those whose moral duty it was to concern themselves for their welfare. Parallel with this was a gradual ‘moneyfication' of the whole of the nation's labor-strength. ‘Share-capital' was in the ascendant, and thus bit by bit the Stock Exchange came to control the whole national economy.That's Ana Kasparian. That's Hasan Piker. And increasingly, that's Tucker Carlson. Hitler would fit right in. That could explain why Nick Fuentes is now calling for unity among the Left and the Right - to bring the Goyim together. If Hitler had a podcast, we'd have no words left to describe what he is because we've run out.Fascist? That's the guy sitting in the White House who won an election in America twice. It's the only way Gen-Z has ever heard the word used. Fascism is a white guy who doesn't do what we want him to do. What Hitler did in Germany, or Mussolini in Italy, is a foreign concept to people who can literally post images of Trump dead on the internet and not be thrown in jail or shot on the spot.But words don't mean words anymore. “Genocide” can mean anything now, as long as Israel is the aggressor. It doesn't count if Christians are being slaughtered in Africa, or nearly one million dead in the Ukraine war, or even the 40,000 dead protesters in Iran. No, genocide is now attached to one source, Israel. Nazi is thrown around so casually now that it almost sounds like a new type of drink at Starbucks. I'll have the half-caff Nazi with cold foam?In Hitler's day, there was no Israel. If Hitler had a podcast, he'd agree with Tucker Carlson and Megyn Kelly that it's the Jews who led us into the war in Iran and that Trump is either being bribed by them or enslaved by them. Why do you think World War I and World War II were fought? Hitler explained it all years ago:“A circle of Jews in America once drove this country into the war against all national interest, simply and solely because of Jewish-capitalist motives. And President Roosevelt, lacking capabilities of his own, has the support of said brain trust, whose leading men I need not mention by name: they are only Jews. Through them, as in the year 1917, the United States of America was driven step by step into a war without reason and sense, by a Jewish-infected president and his completely Jewish cohorts, against nations which have never harmed America, and against people from whom America can never profit.”If Hitler had a podcast, his war message would resonate with the same people now being told by Nick Fuentes that we must do something about the global problem of Jewry. Hitler blamed the Jews before it was cool, but of course, now, in America, the rage is bubbling over, and it's the perfect time for Hitler's return. Israelis are the Nazis now. Trump is Hitler on the Left but a slave to Israel on the Right. We haven't seen anything like this in over 80 years.And don't forget to like, comment, and subscribe!Radio DaysBy 1933, more than 4.5 million Germans had access to a radio, which became their primary means of news, entertainment, and best of all, Nazi propaganda. Hitler could triple those views now if he had a podcast.Goebbels was the main driver of propaganda. But in America in 2026, Goebbels could be anyone who works for Trump, and Mass Deportations are on par with the Nuremberg Laws that stripped Jews of their rights as German Citizens. With their hysteria cred maxxed out, our establishment government would not know how to even recognize, much less deal with, Hitler and his podcast. No one wants to be uncool and censor the hottest guy on the internet, so Hitler's message would flourish. How do you think Hasan Piker became such a force on the Left almost overnight?Ami Kozak on Jeremy Boering's show, along with Shabbos Kestenbaum and Billy Hallowell, on how to be a better consumer of podcasts.The Path to IslamOnly recently has the Right begun to lean in ever so slightly toward supporting Islam. Even those who were once stridently opposed have now begun to reconsider. Israel, after all, has manipulated them into seeing Islam as the enemy when the whole time it was worldwide Jewry seeking more power and control.But, as usual, Hitler was way ahead of the game. He might not have been all that much of a fan of the brown people over there. But even he recognized that a “religion of men” was to be respected. He had what might be called Muslim envy.From the WSJ:‘It's been our misfortune to have the wrong religion,” Hitler complained to his pet architect Albert Speer. “Why did it have to be Christianity, with its meekness and flabbiness?” Islam was a Männerreligion—a “religion of men”—and hygienic too. The “soldiers of Islam” received a warrior's heaven, “a real earthly paradise” with “houris” and “wine flowing.” This, Hitler argued, was much more suited to the “Germanic temperament” than the “Jewish filth and priestly twaddle” of Christianity.Hitler Youth If Hitler had a podcast, he would appeal to the young because they don't know any better today than they did then. Hitler knows that lost men need strong leaders. If those leaders have shrunk back into the darkness because things haven't worked out for them the way they wanted, they will be ripe for the picking. Young men, white men especially, have been raised by an establishment that wanted them to take a step backward and elevate the marginalized. In Weimar Germany, women were rising as a political force at a time of intense sexual liberation, experimentation, and gender fluidity, just like now. This led to a crisis of masculinity, much like the one we face today, which in turn caused a pendulum shift in the opposite direction. The moral decay and foundational rot at the heart of America's collapsing cultural empire were on full display at the Met Gala, seemingly punctuating America's decline, Weimar-style. Hitler reacted to that era with revulsion, presenting himself as a puritanical moralist who never sold the image of being a ladies' man or even having a wife. Nick Fuentes claims to be a virgin in a society ruled by intolerable women who won't give him the time of day. The Left is leaning into violence, assassinations, and targeted attacks on Jews, spiking in recent years. If Hitler had a podcast, he would adopt Hasan Piker's ideology that Hamas is the real hero in this story. There was a time when podcasts felt like freedom. Anyone could say anything they wanted, but by the time it got to accusing a widow of having a hand in murdering her husband, because Israel wanted to go to war with Iran, it seems they've jumped the shark. If Hitler had a podcast, he'd have to somehow top it. And that is how we got here, where all of them are competing for those eyeballs who have nothing better to do than to watch the world burn. Thankfully, on the right, there are leaders who offer an alternative vision for young Americans. Charlie Kirk was the most influential of them, guiding his young viewers toward faith, family, and purpose. Without him, so many seem to be adrift, following those who pander for their attention, rather than those who guide them.Here is another clip from the Jeremy Boering's show.Somehow, one of the brightest lights turns out to be Marco Rubio, selling hope and the American dream.There are no leaders on the Left who even want to try to unite this broken and chaotic country. We either accept their mass delusion that Trump is Hitler or forget it. At least if Hitler had a podcast, maybe they would finally be able to see that Trump never was.As we head into America's 250th birthday, we're holding on by a thread. Whether they like it or not, Trump changed things, and we're not changing back. It has to be up to the Right because if nothing else, they have the good sense to know Hitler when they see him. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

The town of Weimar looms large in German history. This ancient town nestled in the heart of the country was home to some of Europe's greatest thinkers, Goethe and Schiller, Liszt and Nietzsche among them. It gave its name to the ambitious Weimar Republic crafted in the aftermath of the First World War. But it was also where fascism took hold. Where Bauhaus architects first experimented with new ways of living, Buchenwald was dug out of a beech forest. German-British historian Katya Hoyer has drawn on a wealth of new archival research to tell the story of Weimar through the lives of some of its citizens from the years 1919-1939.  In this episode, she talks to historian Sophie Scott-Brown about some of these vividly drawn characters who, as the events of history swept them up, became witnesses, perpetrators, victims and bystanders. How did Germany, within a few years, turn from one of the most liberal democracies in the world to a genocidal dictatorship? What choices did individual Germans make that enabled this? And what lessons can we learn to avoid repeating their mistakes?  Katja Hoyer is Visiting Research Fellow at King's College London and a Fellow of the Royal Historical Society. She is the author of Weimar: Life on the Edge of Catastrophe. Dr Sophie Scott-Brown is Lecturer in Philosophy at the University of East Anglia If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events  ...  Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices


In August 1992, 85-year-old Alwin Schoefer was brutally beaten, stabbed, and shot inside his Weimar, California home, which was then deliberately set ablaze with the exterior doors padlocked from the outside in an apparent effort to conceal the crime. The investigation remained cold for nearly 34 years until advanced DNA testing in 2025 linked the evidence to Joseph Foster, a local man already serving multiple life sentences for prior Weimar-area murders. This episode examines the horrific details of the case, Foster's pattern of violence spanning decades, and the recent sentencing that delivered long-overdue accountability through modern forensic science.

Katja Hoyer, a German historian discusses her new book on Weimar and how the Communists stifled religion. This podcast is from ⁠⁠⁠Plough Quarterly⁠⁠⁠, a magazine of stories, ideas, and culture to inspire faith and action. ⁠⁠⁠Subscribe at our introductory rate⁠⁠⁠ to learn how another life is possible.

The sudden emergence of organic and synthetic resistance to Israel in the United States has spiraled even quicker into repulsion for common Jews, just as this show predicted years ago. Despite the propaganda machine attempting to dispel rumors of truth by obfuscation and misinformation, and despite many anti-Israel groups being run by Israel, the American public is perhaps just a few years away from proceeding along the lines of 1933 Germany---something, it turns out, we have also been lied to about. When a holocaust is defined as legal dislike for someone, rather than mass murder by fire, then both the current narrative shifts just as much as the historical one suddenly changes. Eventually the public is driven to boycotts, protests and forced removal of Jews. It has happened time after time again. The German version of this story has been rewritten so that the motivations for Nazism are erased and replaced by undefined hatred, i.e., disgust for supremacism and cultural destruction.*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.

¿Cómo fue posible que una de las naciones más educadas y prósperas de Europa cayera en el horror del Nazismo? En este episodio de Calamares en su Tinta, desentrañamos uno de los grandes enigmas de la historia contemporánea. A partir del magistral libro "Los irresponsables" del historiador francés Johann Chapoutot, analizamos cómo la dictadura nazi no fue una fatalidad inevitable, sino el resultado de la complicidad y la ingenuidad de las élites políticas, militares y económicas de la República de Weimar. Descubre cómo estos "dueños del poder" creyeron que podían manipular a Adolf Hitler y utilizar su movimiento para hacer el trabajo sucio, cometiendo un error fatal que terminó por destruir la democracia desde adentro e instaurar el totalitarismo. Hablamos de la Primera Guerra Mundial, el Tratado de Versalles, la crisis del 29 y cómo el odio se convirtió en una estrategia política.See omnystudio.com/listener for privacy information.

A trajetória de Adolf Hitler está diretamente ligada às profundas crises políticas, econômicas e sociais que marcaram a Alemanha nas primeiras décadas do século XX. Veterano da Primeira Guerra Mundial, Hitler emergiu no cenário político em meio ao colapso da República de Weimar, mobilizando ressentimentos nacionalistas, antissemitismo e discursos de restauração nacional. À frente do Partido Nazista, construiu uma base de apoio que lhe permitiu chegar ao poder em 1933, consolidando rapidamente uma ditadura baseada na eliminação de opositores, no controle da sociedade e na propaganda de massas. Seu governo esteve no centro da deflagração da Segunda Guerra Mundial e da implementação de políticas genocidas, incluindo o Holocausto, que resultaram em níveis extraordinários de destruição e violência. A história de Hitler revela não apenas a ação de um líder, mas também as condições que tornaram possível a ascensão e a sustentação de um regime totalitário.Convidamos Lorena Niwa para analisar a formação política de Hitler, sua ascensão ao poder, os mecanismos de controle e mobilização do regime nazista e os desdobramentos de seu governo no contexto da Alemanha e da história mundial, com participação especial do professor Francisco César Ferraz.Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@iclesrodrigues⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PIX: leituraobrigahistoria@gmail.comAdquira o curso História: da pesquisa à escrita por apenas R$ 49,90 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICANDO AQUI⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adquira o curso A Operação Historiográfica para Michel de Certeau por apenas R$ 24,90 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICANDO AQUI⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adquira o curso O ofício do historiador para Marc Bloch por apenas R$ 29,90 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CLICANDO AQUI⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Colabore com nosso trabalho em ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠apoia.se/obrigahistoria⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Quer mais desconto? O cupom HISTORIAFM dá 10% de desconto para cliente recorrente, 15% pra cliente novo, e comprando no Pix entre hoje e amanhã você leva mais 5%! Acesse o site pelo link https://creators.insiderstore.com.br/HISTORIAFM e aproveite! #insiderstore

The trendy hatred of Israel, justified or otherwise, is mostly being promoted by advocates of authoritarianism. The idea is that since Israel has blatant control of the American government that any vocal opponent is a trustworthy American. In reality, many of Israel's greatest opponents are in fact agents of the same. The political left is presented as a solution to neocon warfare, yet Jews are proudly behind liberal ideology in the form of open borders, abortion, pornography, obscene entertainment and media, hookup culture, and multicultural warfare. As has always been the case, the Constitutional basis of the Republic demands that people like Randy Fine be replaced not because they are Jewish but because they are a traitor; that Howard Lutnick and Jared Kushner be driven out of the country not because they are Jewish but because they are respectively perverts and psychopathic war hawks. The issue here is simple: when you can criticize, mock, and degrade all but one group, religion, etc., then you do not live in a free society. It is our duty to reject accusation and stand with the rule of law. Even if one believes six million Jews were murdered in some unique German holocaust, it is our duty to rebel against criminalization of criticism of that narrative. We have a responsibility to reject the story not on the basis of “denial,” but on the basis of the 1st Amendment. Furthermore, the ones willing the exercise these rights will fall victim to the authoritarianism of anti-Israel sentiment as equally as they will to pro-Israeli ideology. As the pendulum swings, WJC Israel president Sylvan Adams is warning of a second holocaust on yet another Yom HaShoah, or Holocaust Remembrance Day. *The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.