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Modern medicine is veering away from the traditional Hippocratic Oath that required physicians to do no harm and use their knowledge and skills solely for the purpose of healing the patient, says psychiatrist and bioethics expert Dr. Aaron Kheriaty.Now, physicians are euthanizing patients, removing healthy organs in certain transgender-related surgeries, and injecting drugs for late-term abortions even when the mother's life is not threatened.Hippocratic principles are being superseded by utilitarian ethics that prioritize the “greater good” over the well-being and rights of individual patients, Kheriaty says. That's fueling, for instance, the push to expand the dead-donor eligibility criteria for organ donations.It's also manifesting in the push to adopt technological advancements like germ-line gene editing that could be used to create “designer babies” or in vitro gametogenesis (IVG), a process that uses stem cells, such as those derived from skin cells, to create human eggs and sperm in a lab.Earlier this year, an op-ed in the MIT Technology Review argued for the creation of “spare” human bodies called “bodyoids.” These would essentially be human bodies created in laboratories from human stem cells, but without brains or consciousness. Proponents say they would revolutionize medical research and drug testing and create an unlimited supply of organs.It sounds like the stuff of science fiction. What are the true ethical implications? Is this really where we want medicine to go?Kheriaty is the director of the bioethics and American democracy program at the Ethics and Public Policy Center and former director of the medical ethics program at UCI Health.His latest book is titled “Making the Cut: How to Heal Modern Medicine.”“The biggest advance [that] medicine needs to make is to accept the limits of medicine,” he says.Views expressed in this video are opinions of the host and the guest, and do not necessarily reflect the views of The Epoch Times.

EP#866 Jonna Hausmann Is Back! Comedian, writer, and Venezuelan-American superstar Joanna Hausmann joins Bryan and Krissy for a fast, funny deep-dive into culture clashes, bilingual chaos, growing up Latina, and making comedy that actually says something. Joanna talks about her rise from viral sketches to TV writing, her love of absurd humor, and why being “ni de aquí ni de allá” is basically a full-time job. It's a breezy, high-energy hang with one of the sharpest voices in modern comedy. Joanna's Links Instagram Phineas & Ferb Watch EP #866 with Joanna ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠! Text us or leave us a voicemail: +1 (212) 433-3TCB FOLLOW US: Instagram:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@thecommercialbreak⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠youtube.com/thecommercialbreak⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@tcbpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.tcbpodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ CREDITS: Hosts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bryan Green⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Krissy Hoadley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Executive Producer: Bryan Green Producer: Astrid B. Green Voice Over: Rachel McGrath TCBits | TCB Tunes: Written, Performed and Edited by Bryan Green To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Ed and Lorraine Warren are far and away the world's most famous and iconic paranormal investigators (after Kit and Rory…) Made famous by their investigations into iconic cases such as the Enfield Poltergeist and Annabelle the Doll, they have since been immortalised in the popular Conjuring movie series, some of the most commercially successful horror movies of all time. But who were the individuals behind these unbelievable stories? In this episode Kit and Rory trace the history of how these two met, their initiation into the world of the paranormal, and the disturbing rumours about their legacy that circle to this day… Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Secret Society Facebook Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon.com/ThisParanormalLife⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to get access to weekly bonus episodes! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Official TPL Merch!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thisparanormallife.com/store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Intro music by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.purple-planet.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Edited by Philip Shacklady Research by Ewen Friers Learn more about your ad choices. Visit podcastchoices.com/adchoices

Have you ever thought about getting your first job? Where would you work? What would you have to do? Well, what if your first job was working the overnight shift at a pizzeria making sure the animatronic puppets don't come into contact with humans? That is exactly what happens in Five Nights at Freddy's, the runaway hit horror game, that has become one of Unspookable's most requested topics to cover. What is it about this game that has captured our imaginations? And why do we seek the thrills of being jump scared? That and more on today's episode of Unspookable.    Host: Elise Parisian Written by: Ellenor Riley-Condit  Created, Produced, Edited by: Nate DuFort Music Direction and Composition: Jesse Case: ⁠https://www.jessecasemusic.com/⁠ Logo by: Natalie Khuen ⁠ Episode Art: Alhafiz You can find Unspookable on TikTok, Twitter, and Instagram at: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@unspookablepodcast⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/ImUnspookable⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/unspookablepodcast/⁠⁠⁠⁠⁠⁠⁠⁠ Unspookable is a production of Soundsington Media, committed to making quality programming for young audiences and the young at heart. To find out more go to ⁠⁠⁠⁠⁠⁠⁠⁠http://www.soundsingtonmedia.com ⁠⁠⁠⁠⁠⁠⁠⁠ Looking for merch from Unspookable and your favorite Soundsington Media shows? Head on over to our ⁠⁠⁠⁠⁠⁠⁠⁠Dashery store ⁠⁠⁠⁠⁠⁠⁠⁠for t-shirts, hoodies, mugs, stickers, hats and more. ⁠⁠⁠⁠⁠⁠⁠https://soundsington-media.dashery.com⁠⁠⁠⁠⁠⁠⁠ Advertise on Unspookable: ⁠⁠⁠⁠⁠⁠⁠⁠advertising@airwavemedia.com

When World War II ended 80 years ago, the fighting ended but global stability and peace did not emerge. Instead, a "Cold War" between the forces of capitalism and communism, represented by the U.S. and Soviet Union, dominated global politics and led to instability, interventions, wars, a militarized economy, a mass-surveillance National Security State, and so much more---and its legacy continued to this day as we look at Venezuela, Palestine, Iran, and other places across the globe.The U.S. posed the Cold War as a battle between "freedom" and Soviet domination, but that was always a ruse as the Americans held overwhelming dominance in all major military and economic matters. The U.S. had emerged from the war with global hegemony while the USSR had lose about 25 million people, a million farms and factories, and half its economy.So, 80 years later, it's important to examine and understand the role of the U.S. in using its power to create global dominance, disrupt 3rd World development, and destabilize countries across the globe. ----------------------------------

Subscribe and Watch on YouTube at Scottish Murders YouTubeWelcome back to another Scotland Then, where we journey through intriguing and sometimes shocking stories from Scotland's past as reported in newspapers.In this episode, Dawn takes us to April and June of 1983, a time marked by notorious crimes, prison scandals, and unexpected accidents. We'll hear of the master key controversy at Dungavel Prison, where an inmate allegedly bribed a prison officer and crafted keys that opened almost every lock. There's also the morbid tale of Catherine Grier's murder, as well as a party that spiralled into violence and culminated in a tragic shooting.Amidst these grim headlines, we get a glimpse into lighter news, such as Edinburgh University's feature in a BBC documentary, and the survival story of a teenager who fell into a 150-foot gully on a rope swing—living to tell the tale. Commenting on the culture and crime of the era, Dawn asks listeners to remember, respond, and share their own experiences.Tune in for an episode packed with real-life drama, and even a few moments of Scottish nostalgia.SOURCES:Please see our website for all source material and photos at https://scottishmurders.com/episodes/johncantsmithBritish Newspaper Archives Affiliate LinkSUPPORT US:Patreon - patreon.com/scottishmurdersKo-fi - ko-fi.com/scottishmurdersMerch - teepublic.com/user/scottishmurdersWebsite - scottishmurders.comTwitter - @scottishmurdersInstagram - @scottishmurderspodcastFacebook - facebook.com/scottishmurdursYouTube - @ScottishMurdersLinktree - linktr.ee/scottishmurdersCREDITS:Scottish Murders is a production of CluarantonnHosted by Dawn YoungResearched, Written and Edited by Dawn YoungProduction Company Name by Granny RobertsonMUSIC:ES_Battle of Aonach Mor - Deskant - epidemicsound

My friend and New Jersey-based charter captain Brett Taylor is as addicted to jigging for tautog as I am. This week, we break down how it all works, because fall and early winter are ‘tog season throughout much of their range. And once you learn to jig them, you'll never want to use a traditional ‘tog rig again. This episode is brought to you by Montana Department of Commerce. Hosted by OL Fishing Editor Joe Cermele. Edited by Mike Pedersen / Eighty Five Audio. Guest is Capt. Brett Taylor. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chad Hufford joins Something For Everybody this week. Chad is a Financial Planner at Veritas Wealth Management and Dave Ramsey's SmartVestor Pro.  In this conversation, Chad shares his journey from a near-death experience to a life filled with gratitude and optimism. He discusses the importance of perspective, the impact of tragedy on personal growth, and the need for open conversations about money. The discussion delves into financial fundamentals, the significance of living within one's means, and the metaphor of building wealth as cultivating an orchard. Chad emphasizes the importance of patience, discipline, and intentionality in both financial planning and parenting, ultimately defining financial freedom as the ability to live comfortably without relying on a paycheck. - See discounts for all the products I use and recommend: https://everybodyspod.com/deals/ - Shop For Everybody  Use code SFE10 for 10% OFF

On this week's episode, Brad and Eric fill the holes in everybody's... armies… with massive units that will never come… into being. Yeah… i repeated the joke from 40K's description, sorry. It was too good to be ignored. Anyway, you can join their hunt to find the perfect infantry, monster or mounted unit for every army in Age of Sigmar.   POORHAMMER MERCH! https://orchideight.com/collections/poorhammer PATREON: https://www.patreon.com/SolelySingleton YOUTUBE: https://www.youtube.com/@thepoorhammerpodcast TWITCH: https://www.twitch.tv/poorhammer Website: https://poorhammer.libsyn.com/   TIMESTAMPS: 00:00 Hello and Welcome 00:42 Ground Rules 02:17 Cities of Sigmar 05:28 Daughters of Khaine 09:30 Fyreslayers 15:36 Idoneth Deepkin 19:03 Karadron Overlords 22:38 Lumineth Realm-Lords 24:39 Seraphon 29:59 Stormcast Eternals 34:12 Sylvaneth 39:13 Flesh-Eater Courts 45:13 Nighthaunt 48:33 Ossiarch Bonereapers 51:37 Soulblight Gravelords 54:16 Blades of Khrone 57:10 Disciples of Tzeentch 59:23 Goats aren't creepy, they are just ugly sheep 01:03:23 Helmsmiths of Hashut 01:05:45 Maggotkin of Nurgle 01:08:29 Skaven 01:12:39 Slaves to Dankness 01:16:37 Gloomspite Gitz 01:21:19 Ogor Mawtribes 01:25:57 Iron Jaws 01:30:30 Kruleboyz 01:34:42 Sons of Behemat 01:37:45 Alright Audio Audience   Contact Information: You can interact with Solely Singleton by joining the hosts on discord and Twitter to give input to improve the show. Feel free to email more detailed questions and suggestions to the show's email address.   Your Hosts: Brad (DrRuler) & Eric (OnekuoSora) Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social Show Email: thepoorhammerpodcast@gmail.com Merch Website: http://www.poorhammer.com/ Edited by: Menino Berilio Show Mailing Address: PO Box 70893 Rochester Hills, MI 48307   Licensed Music Used By This Program: "Night Out" by LiQWYD CC BY "Thursday & Snow (Reprise)" by Blank & Kytt CC BY "First Class" by Peyruis CC BY "Funky Souls" by Amaria CC BY

On this week's episode, Brad and Eric fill the holes in everybody's... armies… with massive units that will never come… into being. Yeah… i repeated the joke from 40K's description, sorry. It was too good to be ignored. Anyway, you can join their hunt to find the perfect infantry, monster or mounted unit for every army in Age of Sigmar.   POORHAMMER MERCH! https://orchideight.com/collections/poorhammer PATREON: https://www.patreon.com/SolelySingleton YOUTUBE: https://www.youtube.com/@thepoorhammerpodcast TWITCH: https://www.twitch.tv/poorhammer Website: https://poorhammer.libsyn.com/   TIMESTAMPS: 00:00 Hello and Welcome 00:42 Ground Rules 02:17 Cities of Sigmar 05:28 Daughters of Khaine 09:30 Fyreslayers 15:36 Idoneth Deepkin 19:03 Karadron Overlords 22:38 Lumineth Realm-Lords 24:39 Seraphon 29:59 Stormcast Eternals 34:12 Sylvaneth 39:13 Flesh-Eater Courts 45:13 Nighthaunt 48:33 Ossiarch Bonereapers 51:37 Soulblight Gravelords 54:16 Blades of Khrone 57:10 Disciples of Tzeentch 59:23 Goats aren't creepy, they are just ugly sheep 01:03:23 Helmsmiths of Hashut 01:05:45 Maggotkin of Nurgle 01:08:29 Skaven 01:12:39 Slaves to Dankness 01:16:37 Gloomspite Gitz 01:21:19 Ogor Mawtribes 01:25:57 Iron Jaws 01:30:30 Kruleboyz 01:34:42 Sons of Behemat 01:37:45 Alright Audio Audience   Contact Information: You can interact with Solely Singleton by joining the hosts on discord and Twitter to give input to improve the show. Feel free to email more detailed questions and suggestions to the show's email address.   Your Hosts: Brad (DrRuler) & Eric (OnekuoSora) Brad's Bsky: https://bsky.app/profile/drruler.bsky.social Eric's Bsky: https://bsky.app/profile/onekuosora.bsky.social Show Email: thepoorhammerpodcast@gmail.com Merch Website: http://www.poorhammer.com/ Edited by: Menino Berilio Show Mailing Address: PO Box 70893 Rochester Hills, MI 48307   Licensed Music Used By This Program: "Night Out" by LiQWYD CC BY "Thursday & Snow (Reprise)" by Blank & Kytt CC BY "First Class" by Peyruis CC BY "Funky Souls" by Amaria CC BY

In this first instalment of our two-part special from the C40 World Mayors Summit, Cities 1.5 takes you inside the flagship gathering of the world's most ambitious urban climate leaders. We hear directly from mayors as they unveil this year's Offer of Action – a unified commitment that raises the stakes for urban climate leadership and pointedly challenges national governments to match their ambition with action of  their own, all on the eve of COP30. We also speak with leading climate experts and C40 partners to explore why cities remain the most effective engines for rapid, equitable decarbonization, and what they must do next to keep the goal of limiting global heating to 1.5°C alive. And crucially, funders share why they've chosen to invest in C40's global network, highlighting the proven impact of coordinated city action and the urgency of scaling it.Photo credit: ©Bernardo Jardim PhotographyFeatured:Sir Sadiq Khan, C40 Co-Chair and Mayor of LondonNick Reece, Lord Mayor of MelbourneGiuseppe “Beppe” Sala, Mayor of MilanYousef Al-Shawarbeh, Mayor of AmmanKeith Wilson, Mayor of PortlandDr. Nkosindiphile Xhakaza, Executive Mayor of EkurhuleniEduardo Pimentel, Mayor of CuritibaCaterina Sarfatti, Managing Director of Inclusion and Global Leadership at C40Haris Doukas, Mayor of AthensEirik Lae Solberg, Governing Mayor of OsloSøren Staugaard Nielsen, Managing Director of the Ramboll FoundationJo Jewell, Director of Social Responsibility Partnerships at Novo NordiskHon. Catherine McKenna, Chair of the UN Secretary General's High-Level Expert Group on Net-Zero Commitments of Non-State EntitiesChristiana Figueres, Founding Partner of Global Optimism and Co-presenter of Outrage + OptimismLinks:C40 World Mayors Summit: Cities Delivering Global Leadership for Climate Action - Bloomberg Philanthropies, YouTubeC40 World Mayors SummitFrom negotiation to delivery:The Yearly Offer of ActionRamboll FoundationNovo NordiskCities for Better HealthGreen and Thriving Neighbourhoods ProgrammeIntegrity Matters: Winning the Future reportOutrage + Optimism - Inside COP podcastIf you want to learn more about the Journal of City Climate Policy and Economy, please visit our website: https://jccpe.utpjournals.press/ Cities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. You can sign up to the Centre newsletter here. https://thecentre.substack.com/ Cities 1.5 is hosted by David Miller. It's written and produced by Peggy Whitfield and Jess Schmidt: https://jessdoespodcasting.com/ Our executive producer is Chiara Morfeo. Edited by Morgane Chambrin: https://www.morganechambrin.com/ Cities 1.5 music is by Lorna Gilfedder: https://origamipodcastservices.com/

Dr. Karen Korematsu, the executive director of the Fred T. Korematsu Institute, joined host Kathy Purnell, an Ethics Center affiliate and the director of the Human/Civil Rights Law Center, on October 10, 2025. They talked about the special exhibit, “Am I An American or Am I Not?” that opened October 12 at the Kalamazoo Valley Museum and continues through January 4, 2026. The exhibition's title comes from Fred Korematsu, who famously challenged the mass imprisonment of more than 125,000 Japanese Americans during WWII. Edited by Jayla Bryan.

In the early morning hours of October 8, 1964, thirty-four-year-old housewife and mother of three Lucille Miller placed a frantic call to the San Bernardino Sheriff's Department to report that there had been a car accident on remote Banyan Street and her husband had been killed. When deputies arrived at the scene, the car was still in flames and, as Lucille had described, her husband Gordon “Cork” Miller was in the passenger seat, nearly unrecognizable from the extent of the fire damage.The evidence at the scene appeared to support Lucille's version of events; the car had gone off the road while they were driving and caught fire. Lucille managed to get out of the car, but Cork was unconscious and she was unable to get him out. Less than twelve hours later, however, Lucille's story began to fall apart and by the end of the day she was arrested for the murder of her husband. At first, the case against Lucille Miller seemed relatively straightforward; she killed her husband for the insurance money and to pursue a relationship with another man. But as the investigation unfolded and investigators began digging into the Miller's lives, the story became significantly more complicated and no one seemed able to decide whether Cork's death was in fact a murder.Want to buy our GORGEOUS Tarot Deck designed by the incredibly talented Marisa Aragón Ware? This deck is a limited edition, so be sure to PREORDER before you miss your chance by visiting morbidtarot.com! Thanks to our friends at Relatable for dreaming this into existence!RECOMMENDATIONS FROM THIS EPISODE: The Frightful Fandom Podcast,  Follow @Jiggysawgirl on tikTok !The Horror Chronicles Podcast Follow @horror_chroniclesDude, It's Entertainment!  Podcast Follow @dude_its_entertainment References2014. A Crime to Remember (season 2, episode 6). Directed by Elise Greven. Performed by Elise Greven.Hartsfield, Jack. 1964. "Alta Loma crash scene sifted by detectives." San Bernardino County Sun, October 9: 16.—. 1965. "Defendant tells her story of 'death night'." San Bernardino County Sun, February 17: 1.—. 1965. "Hayton denies telling loves to Mrs. Miller." San Bernardino County Sun, February 9: 1.—. 1964. "Mrs. Miller charged with murder." San Bernardino County Sun, October 14: 1.—. 1965. "Mrs. Miller's views of Hayton recorded." San Bernardino County Sun, February 2: 1.—. 1964. "No charges filed; divorce action told." San Bernardino County Sun, October 10: 11.—. 1965. "Uproar sweeps court as verdict announced." San Bernardino County Sun, March 6: 1.Hertel, Howard. 1965. "Miller slain for money, trial told." Los Angeles Times, January 20: 29.—. 1965. "Mrs. Miller pictured as boasting of 'romance'." Los Angeles Times, January 29: 2.Hertel, Howard, and Art Berman. 1964. "Judge rules Miller murder case mistrial; re-set Jan. 11." Los Angeles Times, December 8: 2.Hertel, Howard, and Tom Goff. 1964. "Dentist's wife indicted for car fire death." Los Angeles Times, October 21: 2.Los Angeles Times. 1964. "Dentist dies in auto blaze; wife arrested." Los Angeles Times, October 9: 3.—. 1964. "Dentist under drug influence, jury will hear." Los Angeles Times, October 20: 3.Lucille Miller v. State of California. 1968. 392 U.S. 616 (Supreme Court of United States, June 17).Miller, Debra J. 2006. "A mother's crime."  Los Angeles Times, April 2. Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

At 19, Ben Francis was lifting weights during the day and delivering pizza at night. He didn't have money. He didn't have fashion experience. He didn't even know how to sew. What he did have was a front-row seat… to a new online trend. Before Instagram and influencers became a strategy, a handful of YouTubers were redefining gym culture — building identity and community online. With his gymwear brand Gymshark, Ben didn't try to compete with Nike. He didn't try to buy ads. He did something much more powerful: He built relationships. He sent free T-shirts to the Youtubers he admired. He learned what gym-goers actually wanted to wear: tapered tracksuits, and shirts that emphasized their muscles.Today, Gymshark is valued at more than a billion dollars, and Ben is the youngest billionaire in the UK. But his story is not just about business. It's about identity, discipline, humility—and learning to grow as fast as you can learn. What You'll Learn: How to build a brand by building community first How to hire smart people without losing control of your companyAvoiding imposter syndrome by creating your own apprenticeship program How to get stronger by staying in your lane Timestamps: 06:15 - The IT education that changed Ben's life17:48 - Gymshark's first sale: a £2 profit that had him dancing in his bedroom20:06 - Early apparel—Screen-printing T shirts, a single sewing machine 23:50 - How YouTube bodybuilders became their best marketers 40:48 - How Ben hired his own boss–and what he learned from him47:44 - Expanding to the US: a bone-chilling trip to Ohio 50:35 - The bodybuilder's aesthetic: big shoulders, narrow waist53:58 - The painful breakup between Ben and his co-founder 1:04:49 - Why he earned the nickname “Hurricane Ben.” 1:12:30 - A legacy company: Resisting the urge to grow beyond the gym 1:19:19 - Small Business Spotlight This episode was produced by J.C. Howard, with music by Ramtin Arablouei.Edited by Neva Grant, with research help from Alex Cheng. Follow How I Built This:Instagram → @howibuiltthisX → @HowIBuiltThisFacebook → How I Built ThisFollow Guy Raz:Instagram → @guy.razYoutube → guy_razX → @guyrazSubstack → guyraz.substack.comWebsite → guyraz.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In 1845, the Republic of Texas stood at a crossroads. In our history, they chose to join the USA… but what if they chose another path? Was this even possible? What impact would this have had on life within Texas? And how would it have impacted its neighbours? Today we welcome onto the show Prof. Sam W. Haynes of the University of Texas at Arlington, and he's the Director of the Centre for Greater Southwestern Studies. He's the author of Unsettled Land: From Revolution to Republic, The Struggle for Texas.Edited by Amy Haddow and produced by Tomos Delargy. The Senior Producer is Freddy Chick.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.American History Hit is a History Hit podcast. Hosted on Acast. See acast.com/privacy for more information.

Today on Better Than I Found It we welcome back long-time Georgia Tech head coach, Bruce Heppler. Bruce recently announced that he would be retiring after the 2025-2026 season, ending his 31 year tenure at Georgia Tech. In those 31 years he made 22 trips to the NCAA Championship, had 13 top-8 finishes, and was runner-up to the national champion 4 times. He has won 14 ACC-Championships, and is 10-time ACC Coach of the Year and a National Dave Williams Coach of the Year. He is in both the GCA Hall of Fame and the Georgia Golf Hall of Fame. He coaches and recruits the right was and should be a model for any young coach getting into the industry as to how to conduct yourself and succeed while doing so. The collegiate golf world will miss him, but he has one last ride in 2025-2026 with his Yellow Jackets and I hope you all tune in to his season as I will. Thank you for joining the podcast Bruce! Subscribe to the podcast for future episodes. You can follow us on Instagram and Facebook —> @BetterThanIFoundItPodcastAssociated social media accounts:Coach McGraw - @BearCoachMcGrawBaylor Men's Golf - @BaylorMGolfProduced and Edited by Will GreeneMusic: DriftMaster by Shane Ivers - https://www.silvermansound.com---Send in a voice message: https://podcasters.spotify.com/pod/show/betterthanifoundit/message

Jesus wept. It's the dramatic return of our Scream Queen, Sr. Editor of Fangoria Magazine, Meredith Borders. Meredith is hot off the massive Kickstarter launch of her brand new book, First in Fright: The FANGORIA Compendium! She guides us as we unlock the puzzle box to open up one of her favorite horror films of all time, Hellraiser!Chapters Introduction (00:00:00) Hatch News (00:17:46) Hellraiser Roundtable (00:38:13) Your Letters (01:33:56) Notes and Links Check out Escape Hatch Merch! Our all new collection of swag is available now and every order includes a free Cameo style shoutout from Haitch or Jason. Browse our collection now. Join the Escape Hatch Discord Server! Hang out with Haitch, Jason, and other friends of the pod. Check out the invite here. Escape Hatch is a TAPEDECK Podcasts Jawn! Escape Hatch is a member of TAPEDECK Podcasts, alongside: 70mm (a podcast for film lovers), Bat & Spider (low rent horror and exploitation films), The Letterboxd Show (Official Podcast from Letterboxd), Cinenauts (exploring the Criterion Collection), Lost Light (Transformers, wrestling, and more), and Will Run For (obsessed with running). Check these pods out!. See the movies we've watched and are going to watch on Letterboxd Escape Hatch's Breaking Dune News Twitter list Rate and review the podcast to help others discover it, and let us know what you think of the show at letters@escapehatchpod.com or leave us a voicemail at +1-415-534-5211. Follow @escapehatchpod on Bluesky,Instagram, and TikTok. Music by Scott Fritz and Who'z the Boss Music. Cover art by ctcher. Edited and produced by Haitch. Escape Hatch is a production of Haitch Industries.

It's another one of them there pot-pour-ee episodes. This week on the Vintage RPG Podcast, the main game-related topic is the HPL Historical Society's new Call of Cthulhu scenario The Spark Devil. Other topics include how angry Stu is about the horror film Loop Track, excitment for Predator: Badlands and more! * * * Instagram? Old news. Join the Vintage RPG Newsletter! That's where all the cool kids are now! Stu's book, Monsters, Aliens, and Holes in the Ground is for sale now! Buy it! Patreon? Discord? Cool RPG things to buy? All the Vintage RPG links you need are right here in one place! Like, Rate, Subscribe and Review the Vintage RPG Podcast! Edited by the one and only R. Alex Murray. Send questions, comments or corrections to info@vintagerpg.com. Available on iTunes, Google Podcasts, iHeartRadio, Spotify, YouTube and your favorite podcast clients. The Vintage RPG illustration is by Shafer Brown. Follow him on Twitter. Tune in next week for the next episode. Until then, may the dice always roll in your favor!

Check out our Patreon for a daily Lawrence Select™ Meme: https://www.patreon.com/insidegamesYTJoin the Inside Games notification Discord server for alerts when we publish new videos: http://discord.gg/ArvphbMPFJHosted by:Lawrence: http://twitch.tv/sirlarr | Bruce: http://twitch.tv/brucegreene Edited by: Shooklyn: https://linktr.ee/ShooklynSources --https://steamdb.info/app/1938090/charts/#1whttps://steamdb.info/app/2807960/charts/#1million https://www.metacritic.com/game/call-of-duty-black-ops-7/https://www.thegamer.com/call-of-duty-black-ops-7-cod-bo7-worst-reviewed-entry-below-modern-warfare-3-metacritic/https://www.metacritic.com/user/GerminatorXY/https://www.metacritic.com/user/Jamiewatts2033/https://store.steampowered.com/app/3606480/Call_of_Duty_Black_Ops_7/#app_reviews_hashhttps://steamcommunity.com/id/mechanicum/recommended/3606480/https://steamcommunity.com/profiles/76561198126598865/recommended/3606480/Music —Switch It Up - Silent Partner https://youtu.be/r_HRbXhOir8Funk Down - MK2 https://youtu.be/SPN_Ssgqlzc

On this week's Random Encounter, it's time to uncover some mysteries in two adventure games!The Séance of Blake Manor has been making waves the last few weeks as one of the best mystery deductive games of the last few years. From the same devs that created the adventure game series, The Darkside Detective, Blake Manor drops the point-and-click interface and moves into the first person! Did Caitlin have an amazing time solving the mystery of why this game has been getting so much buzz? And then we have a remaster of a classic early-2000s point-and-click adventure game, Syberia - Remastered. Known for its immaculate vibes and engaging story, the original Syberia has become a cult favourite among adventure game fans (at least for those who can forgive the less-than-sensitive portrayal of a mentally challenged character). Syberia - Remastered brings the same art style, story, music, voice work, and  720p pre-rendered cutscenes, but introduces a new control interface and re-imagines the entire world space in 3D. Does the remaster/remake live up to the original?Featuring: Jono Logan, Caitlin Argyros, and Matt Wardell; Edited by Jono LoganGet in Touch:RPGFan.comRPGFan ShopEmail us: podcast@rpgfan.comTwitter: @rpgfancomBluesky: @rpgfan.bsky.socialInstagram: @rpgfancomThreads: @rpgfancomFacebook: rpgfancomTwitch: rpgfancomThis Episode's Related Links:Syberia - Remastered ReviewAmerzone – The Explorer's Legacy ReviewSyberia Review

Viktor Gamov talks to Matthias J. Sax (Confluent) about his career in stream processing and, specifically, Kafka Streams. Matthias' first job: an electrician-in-training on BMW's assembly lines. His challenge: building Kafka Streams at Confluent with a focus on API design, backward compatibility, and a library-first approach that also fits microservices.SEASON 2 Hosted by Tim Berglund, Adi Polak and Viktor Gamov Produced and Edited by Noelle Gallagher, Peter Furia and Nurie Mohamed Music by Coastal Kites Artwork by Phil Vo

 Join host Dr. Cougar Hall as he sits down with Alan Pruhs, Executive Director of the Association for Utah Community Health, for a powerful and heartfelt conversation about what it really means to make healthcare accessible for all. From the rural clinics of Bicknell to the streets of Salt Lake City, Alan shares inspiring stories from Utah's community and migrant health centers—where compassion, cultural humility, and collaboration drive the mission. Hear how Utah's “community health” model tackles social determinants of health, why affordable care matters to everyone (insured or not), and how we can take the politics out of health to focus on people. This episode is a reminder that health is not a privilege—it's a shared responsibility. Recorded, Edited & Produced by Christy Gonzalez, Harper Xinyu Zhang, Madison McArthur, Kailey Hopkins, and Tanya Gale

This week: McCann's ‘playroom' experience in New York, soundboard origins, the futtering five segment, D'Angelo RIP, gooning explained, Kenan & Kel, photoshoots, nightmare journeys, McCann's takeaway shaming, banning junk food advertising, milk rations, the seedy underworld of Roblox, PDF file hunters, the origin of Johnny Supercawk & much more.Sign up to Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for access to exclusive episodes out every Thursday.⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/TheBombSquadPod⁠⁠⁠⁠⁠⁠⁠⁠(Paid Ad) HUEL⁠⁠⁠⁠⁠⁠⁠⁠https://www.betterhelp.com/bsp⁠⁠⁠⁠⁠⁠⁠⁠Sign up and get 10% off your first month.Follow @TheBombSquadPod on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Hosted by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Colin Geddis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Aaron McCann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Produced & Edited by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Niall Fegan

November's Brain Breather: Feeling Excluded with Frenchy and SpikeFiguring out how we're feeling is hard…but easier with friends. Join Bean for a silly story that will help us check in with our minds and take care of our feelings.Feelings Focus: Coping with bullying and feeling left outProtagonists: -Spike the Rhinoceros Iguana-Frenchy the PotatoSetting: Lake Enriquillo in the Dominican RepublicStrategies: A-Z Awesome Me (affirmations); Find a group with similar interests; Naming feelingsResources:-Talking to Kids About Feeling Left Out-Tips and Activities for Boosting Kids' Self-EsteemExtra Resource:https://developingminds.net.au/blog/2017/6/2/left-out Info/Get in Touch: Website: www.storypillar.com Instagram: @storypillar Join our mailing list. Please subscribe, rate, and review wherever you love listening!Donate: https://ko-fi.com/storypillar Shop: storypillarstore.threadless.com Created, Written, Edited, and Produced by: Meg LewisStorypillar Theme Song: Lyrics by Meg Lewis Music by Meg Lewis, Andy Jobe, and Suzanna Bridges Produced by Andy Jobe Episode Cover Art: Mackenzie AllisonMeg LewisSound Effects and Additional Music:-freesound.org-pixabay.com-Freesound and Pixabay Artists: Eggbeater FX Credit , SIMAS-2010, SunnyScy, FlakitogilbeatzKnow a kid with cool facts, great jokes, or who wants to share how they're feeling? Tell us! Details at www.storypillar.com/unsticktricks. © 2025 PowerMouse Press, LLC

In this episode of Fresh Text, host John Drury and guest Bailey Sonnenberg delve into Colossians 1:11-20, exploring the cosmic and personal dimensions of Christ's role in creation and redemption. They discuss the significance of Christ as the firstborn of all creation and the firstborn from the dead, emphasizing the reconciliation and inheritance believers have through Him.Hosted by: John DruryProduced by:Tyler Sanders (@tylerwsanders) and The Called Collective (@thecalledcollective) Edited by:Ian HinesFacilities Provided by:Indiana Wesleyan UniversityThe Called Collective seeks to equip the next generation of ministry leaders. We accomplish this by resourcing teens and pastors for the work of ministry. The Called Collective Social Network is designed for High School teens called to ministry in order for them to learn ministry skills, share in community with students across the world, and develop their call. Please check out the Called Collective.Podcasts:Fresh Text - A weekly podcast where two pastor-scholars come up with sermon ideas . Every Monday, 1 hr typically.Listen now on Apple Podcasts or Spotify: https://linktr.ee/freshtextpodcastModern Parables - A weekly podcast where four pastors create sermon illustrations from cultural topics. Every Tuesday, 30-1hr typically.Listen now on Apple Podcasts or Spotify: https://linktr.ee/modernparablesGood Days with Eddy Shigley and Charlie Alcock - A weekly podcast where they will share a Ministry Principle and how it has played out in their years of ministry. Every Wednesday, 20-25 minutes typically.Listen now on Apple Podcasts or Spotify: https://linktr.ee/GoodDayswithEddyandCharlieHe Calls Her Shepherd - A Women in Ministry Podcast - A weekly podcast where women called into ministry share their stories. Every Thursday, 30 minutes typically.Listen now on Apple Podcasts or Spotify: https://linktr.ee/thedefiningyesCoffee and Calling - A weekly podcast where a pastor, missionary, professor, or student shares their calling story. Every Friday, 30-35 minutes typically.Listen now on Apple Podcasts or Spotify: https://linktr.ee/coffeeandcallingThe Called Collective is a ministry sponsored by The School of Theology & Ministry (STM) at Indiana Wesleyan University. The School of Theology & Ministry has been equipping pastors, missionaries, and ministry leaders at the undergraduate level for over 100 years. We are relentless in our mission to advance the Kingdom by equipping women and men for a lifetime of transformation service.

Family, this week on Queer News Anna DeShawn continues to bring you the stories that matter most to our community. In top news, we have an update on the Supreme Court's decision to toss out Kim Davis's appeal on marriage equality and Anna takes a look at future Supreme Court cases. In politics, Texas issued a partial drag performance ban because they can't stop thinking about us. In culture & entertainment, we recognize Transgender Awareness Week by highlighting some great work. The director of Balmain steps down and some of our favorite queer artists are nominated for Grammy's. Let's get into it. Want to support this podcast?

As seagulls soar over the waves and run along the shore, they live in a world that is both breathtaking and harsh. The ocean they drink from is full of salt — something that should harm them — yet they continue to flourish right where they are. If God allows these birds to thrive in such conditions, how much more is He watching over you? Even when life feels overwhelming or difficult to navigate, He is providing what you need to endure and grow.-------------------------------------------------------------------------------------DONATE: https://evidence4faith.org/give/ WEBSITE: https://evidence4faith.org/NEWSLETTER: http://eepurl.com/hpazV5BOOKINGS: https://evidence4faith.org/bookings/CONTACT: Evidence 4 Faith, 349 Knights Ave Kewaskum WI 53040 , info@evidence4faith.orgMy goal is that their hearts, having been knit together in love, may be encouraged, and that they may have all the riches that assurance brings in their understanding of the knowledge of the mystery of God, namely, Christ, in whom are hidden all the treasures of wisdom and knowledge. - Colossians 2:2-3CREDITS: Developed & Hosted by Michael Lane. Produced & Edited by Isabel Kolste. Graphics & Publication by Isabel Kolste. Additional Art, Film, & Photography Credits: Stock media “Memories” provided by mv_production / Pond5 | Logo Stinger: Unsplash.com: Leinstravelier, Logan Moreno Gutierrez, Meggyn Pomerieau, Jaredd Craig, NASA, NOASS, USGS, Sam Carter, Junior REIS, Luka Vovk, Calvin Craig, Mario La Pergola, Timothy Eberly, Priscilla Du Preez, Ismael Paramo, Tingey Injury Law Firm, Dan Cristian Pădureț, Jakob Owens | Wikimedia: Darmouth University Public Domain, Kelvinsong CC0 | Stock media “A stately Story (Stiner02)” provided by lynnepublishing / Pond5

Mother Nature & Her Human Friends Kixmiller, John and Kachelmeier, Tamara Buy Now          Abby & Wendy Kixmiller, John and Uribe, Carlos and Kachelmeier, Tamara Buy Now          CLICK HERE FOR "PROTECTORS OF THE WOOD” PLAYLIST ON YOUTUBE! READ ALONG TO EPISODE 248 - WITH LYRICS; CHORDS TO FEATURED SONGS! CLICK HERE TO ORDER THE NATURE LIVES HERE EBOOK & ALBUM Nature Lives Here by The Protectors of the Wood Band CLICK HERE to ORDER EbookCLICK HERE to ORDER Paperback CLICK HERE TO SUBSCRIBE TO OUR YOUTUBE CHANNEL CLICK HERE TO VISIT PROTECTORS OF THE WOOD's LINKTREE! Episode 248 Book #4 - The Red Jewel   HOW DO WE KEEP THE THINGS WE LOVE?        CAST     Narrator - John KixMiller    Abby Chapman - Gabriela Baez    Dr. Bear, Glenda - Maritza Pabon    Tiny - Tamara Josephine As A Child I Knew, Written by John KixMiller, Performed by Tamara Josephine & The Protectors of the Wood Band "Invite to Adventure" Intro and "Into The Dark" Outro music composed and performed by Tamara Kachelmeier Sound Effects - Joe Vitaliano Jr. and Tamara Kachelmeier Recorded, Edited, and Produced By Tamara Kachelmeier      Adventure Series mixed at Ghost Dog Studio in Brooklyn, New York. DISCLAIMER: All Protectors of the Wood episodes and characters are part of a fantasy series, and do not represent real people, places, or incidents.        © 2025 ALL RIGHTS RESERVED     CLICK our RSS FEED to receive new podcasts automatically. The Protectors of the Wood Book Series is an adventure saga about a group of teenagers who save the world from climate change. While searching for the secrets of Dreamstone and their identities, Phoebe and Abby risk their lives to save the beautiful world around them called home. Together, they help each other and the community around them as they struggle to protect their land and heritage. ECO-FANTASY ADVENTURE SERIES RSS

Costume designer Mona May's new book celebrates the 30th anniversary of the movie *Clueless*. Mona May confirms that she wrote the book with the help of a ghostwriter, a fashion writer who lives in Los Angeles and understood the book's themes of friendship, girls, and fashion. The conversation details how Mona May designed the book, which is a "coffee table book" with pictures, process discussions, and interviews with actors and the director, taking about a year to put together. The discussion also touches upon the general decline in writing skills and the importance of handwriting and journaling for creativity.Show Clip from The Paris Chong Show with Mona Mayhttps://youtu.be/ggFe8n7f5Eohttps://www.theparischongshow.com

Costume designer Mona May dives into the iconic fashion of *Clueless*, revealing how she transformed Jane Austen's *Emma* into a high-fashion, colorful aesthetic for 1990s Beverly Hills high schoolers, moving past the era's grunge trend with plaids, Mary Janes, and berets. She discusses her continued work with cast members like Alicia Silverstone and shares her concerns about the struggles facing the film industry in Los Angeles as productions increasingly move to places like Bulgaria and Ireland for financial incentives. Finally, Mona May explains how her Polish-German background and her birthplace in India, where she first experienced a world of bright color, profoundly shaped her signature design style and love for using color in her films.Show Clip from The Paris Chong Show with Mona Mayhttps://youtu.be/ggFe8n7f5Eohttps://www.theparischongshow.com

We are at our FINAL game of 2025 before GOTY Season! We are joined by Jordan aka CognitiveClips to discuss one of his favorite games by one of his favorite developers!Come take a ride with us through the water color world of Gris!Follow Jordan here!⁠⁠Jordan's LinksCheck out the Corner of the Internet Website!⁠⁠⁠coti.pika.page⁠⁠Social Plugs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Short Game Long Talk Links⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Eric's Social Links⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jess on Bluesky⁠⁠⁠⁠⁠⁠⁠Produced and Edited by ⁠⁠Eric Gilles⁠⁠Music Credit - ⁠⁠Shane Ivers

The First Sparring Of The Great Debate The first sparring of The Great Debate takes place here with the Christian & atheist getting five questions to ask for the other to answer. While we aren't used to this format, this really lays out the needed back and forth interaction that a lot of debates lack within a formal structure. It's not the blood-sport debates we're used to on YouTube but it helps with each side making sure the other is interacting with their points the best. TIMELINE: 00:00 - Introduction 03:22 - Q1 - Source For Atheism Definition 04:03 - A1 - Source Cited 05:15 - Q2 - Cite The Argument Used By Bahnsen 05:36 - A2 - No But You Believe It 06:49 - Q3 - Where's The Transcendental Argument 07:50 - A3 - No Because It's Not A Proof 08:12 - Commentary - Stein Was Helpful For Presuppositionalists 10:49 - Q4 - All Questions Answered The Same Way 11:08 - A4 - No They Are Not 11:34 - Q5 & A5 - What Does An Atheist Believe Laws Of Logic Are 14:21 - Atheist 14:41 - Q1 & Q2 - The Nature Of God 17:04 - Q2 & A2 - Is Your God All The Omnis 17:33 - Q3 & Q3 - If Argument Is Wrong Will God Not Exist 17:56 - Commentary - A Clarifying Comment On A "Problematic" Bahnsen 20:25 - Q4 & A4 - Is God Good 24:43 - Q5 & A5 - Can You Prove The Soul 26:38 - Conclusion BOOK LINKS: The Great Debate - Does God Exist? - Edited and Commentary by Joshua Pillows Debate Transcript Video The Bahnsen Institute       All episodes, short clips, & blog - https://www.cavetothecross.com

We have a very special episode today… in collaboration with… US!  That's right, Two Girls One Ghosts is joined by our other podcast, Crimes Of. In this special Two Girls One Ghost / Crimes Of crossover episode, we uncover the true story of The Hex Hollow Murder: a real-life horror fueled by fear, folklore, and witchcraft. In 1928, three men killed a Pennsylvania farmer they thought was a witch. What followed was one of the most bizarre trials in American history. Don't forget to subscribe to Crimes Of wherever you get your podcasts & check it out on Youtube.  About Crimes Of:  Hosted by Sabrina Deana-Roga and Corinne Vien of Two Girls One Ghost, Crimes Of... is a weekly true crime anthology series that explores a new theme each season: from crimes of the paranormal, unsolved murders, mysterious disappearances, and more.  Crimes Of… is a Crime House Original Podcast, powered by PAVE Studios. Listen wherever you get your podcasts: https://podcasts.apple.com/us/podcast/crimes-of/id1838511303 Don't Miss out on all things Crimes Of… YouTube: @crimehousestudios Instagram: @Crimehouse TikTok: @Crimehouse Facebook: @crimehousestudios X: @crimehousemedia Watch the video version here. Have ghost stories of your own? E-mail them to us at twogirlsoneghostpodcast@gmail.com New Episodes are released every Thursday and Sunday at 12am PST/3am EST (the witching hour, of course). Corinne and Sabrina hand select a couple of paranormal encounters from our inbox to read in each episode, from demons, to cryptids, to aliens, to creepy kids... the list goes on and on. If you have a story of your own that you'd like us to share on an upcoming episode, we invite you to email them to us!  If you enjoy our show, please consider joining our Patreon, rating and reviewing on iTunes & Spotify and following us on social media! Youtube, Instagram, TikTok, Facebook, and Discord. Edited by Jaimi Ryan and produced by Emma Leventer and Jaimi Ryan, original music by Arms Akimbo! Disclaimer: the use of white sage and smudging is a closed practice. If you're looking to cleanse your space, here are some great alternatives! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this episode of Lipps Service, Scott sits down with the one and only Orville Peck, the masked cowboy who's redefined modern country music. The two talk about Orville's incredible journey, from his early days and musical influences to how the mask came to be and carving out his own lane in country music. Orville opens up about the business side of music, the making of his debut album Pony, and navigating his career. They also get into sobriety, fame, and reading social media comments, plus his collaborations with legends like Willie Nelson, Elton John, Noah Cyrus, and Lady Gaga. They chat about his new EP, Appaloosa, his love for Broadway, his performance in Cabaret, his own festival, and even a little about his appearance in the upcoming live-action film Street Fighter. The episode closes with Orville listing his top 5 Broadway shows of all time. Tune into an amazing chat with the coolest cat in country – Orville Peck! For more incredible rock 'n' roll interviews, hit the subscribe button! Also check out Lipps Service with Scott Lipps podcasts on Spotify, Apple, or your favorite podcast player. #orvillepeck #producing #podcast #music #top5 #interview #rocknroll CREDITS (Instagram handles) Host @scottlipps Production Coordinator and Booking Manager @whitakermarisa Edited by @toastycakes Music by @robbyhoff Intern @kaylah._b Recorded at Fringe Podcasts NYC 00:00 - Start 00:30 - Catching up 02:03 - Upbringing and being friends with legendary artists 05:00 - Musical influences 06:00 - David Bowie 09:00 - Defying the boundaries of country 11:25 - How the mask came about 15:00 - The finances of music 18:00 - Pony 20:00 - Subpop 20:35 - Fake it to you make it 22:01 - “Dead of Night” 23:35 - Journals and manifesting 24:25 - Cabaret 26:25 - “Drive Me Crazy” 27:52 - Sobriety, fame, and reading the comments 29:50 - The country co-sign & Willie Nelson 33:00 - Elton John 35:20 - Noah Cyrus 36:15 - Lady Gaga 37:49 - Appaloosa new EP 40:22 - Street Fighter 41:12 - His festival, “Rodeo” 42:37 - Top 5 most iconic singers 44:30 - Top 5 Broadway shows --------------------------------------------------------------------------------------------------- Remember painful online rehearsal? Lutefish fixed it. Backed by Wenger and built for serious musicians, the Lutefish Stream delivers real-time online collaboration with crystal-clear 48K audio and low latency. Just plug into your router and play like you're in the same room. The Lutefish Stream https://lutefish.com/products/lutefish cuts down audio delay for remote music sessions by directly connecting audio sources, networks, and outputs, making sound travel incredibly fast, up to 30ms or less—like you're just 30 feet apart on a big stage or rehearsing in your garage! No more sitting in traffic on your way to practice. Rehearse more, meet new musicians in our free online community and create music together... all remotely. Real feel. Real time. Real music.

Join Jeremy and Kara as we celebrate Halloween for the 6th time! We also reminisce about our favorite Star Wars experiences, ramble on with stories of the good ol' days, nerd out about current and upcoming Star Wars shows, books, and games, and talk a little bit about life. Thank you so much for supporting our channel! We love interacting with all of you! We look forward to talking with you guys every week about Star Wars, gaming, 3D printing, pop culture, movies, and everything else! If you want to show your love, consider sending us an email, joining our Discord, or following us on Twitch! We'll see you again soon! ------------------------------------------------------------------- Twitch: http://www.twitch.tv/riseofthepodcast Discord Server Link: https://discord.gg/DcuBKXVxJs Email us: contact@RiseOfThePodcast.com Facebook: https://www.facebook.com/riseofthepodcast Web: http://www.riseofthepodcast.com Twitter: http://www.twitter.com/rotptweets Instagram: https://www.instagram.com/riseofthepodcast Patreon: https://www.patreon.com/RiseofthePodcast Spotify: https://spoti.fi/3qzOazE iTunes: https://apple.co/3wAfwcI Google Podcasts: https://bit.ly/RotPGoogle Thanks for watching! Rise of the Podcast Episode 330: Halloween Special VI Produced and Edited by 8r0wn13 ©2025 All Rights Reserved #Podcast #DuluthMN #StarWars

Intro and Outro @Fiverr. Edited @fiverr. This episode talks about my experience replacing people in my life when they stop being professional. Follow the show @dreaspointofview on ig, threads and fb. Follow the show @dreaspoint on x and spill. Listen to all episodes at www.theedreaspojntofview.com or leave a review. Subscribe to the show and my free weekly newsletter at dreaspointofview.com. All episodes premiere on Sundays and Fridays.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

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        B. BBC DEFAMATION AND THE NEED FOR REFORM Guest: Professor Richard Epstein Professor Epstein discusses the BBC's alleged defamation of President Trump through edited footage. Unlike US law, British defamation has a low bar, though damages may be smaller. Epstein contends that the BBC's reputational damage is enormous and suggests the institution is "thoroughly rotten" due to corruption and political capture. He advocates for cleansing the operation and breaking up the public monopoly.

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In November's BONUS EPISODE, Ash and Alaina deep dive into the cinematic masterpiece/disaster/fever dream known as Twilight. Yes, THAT Twilight. The one where a 100-year-old immortal creature gaslights a teenager into thinking she smells weird. Buckle up weirdos!Check out Why We Love (and Hate) Twilight: The Highs and Lows of the Iconic Vampire Series by Sarah Elizabeth Gallagher.  Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In our latest, Scott talks with climate campaigner Collin Rees (@collinrees) in Belem Brazil for COP 30. They discuss what's happening on the ground, the high concentration of fossil fuel lobbyists at the conference, who's sending oil to Israel, Trump, Gavin Newsom and more. Bio// Collin Rees is the US Campaign Director at Oil Change International. ————————————————— 

Dave pulls off an epic Cenobite Goggle Prank on Tammy! Tammy reveals a secret that changes everything about her relationship with Dave. Crystal debates what her love language is. Tammy, Dave, and Crystal will remain friends no matter what! #ChelcieLynn #JeremiahWatkins #Podcast #LibbieHiggins CRYSTAL'S GO FUND ME: Donate at https://www.crystalscreationsllc.com GET YOUR NEW TRAILER TALES MERCH HERE!: https://thecomedyoutlet.com/collections/trailer-tales New episodes every Friday on this channel. Subscribe! New Trailer Tales merch is here!: https://thecomedyoutlet.com/collections/trailer-tales Jeremiah's Patreon is LIVE: https://www.patreon.com/jeremiahwatkins NEW MERCH IS HERE!: https://www.jeremiahwatkins.com FOLLOW us on Instagram: https://www.instagram.com/trailertalespod See Tammy LIVE on tour: https://www.eatmytrash.com  @ChelcieLynn  See Jeremiah LIVE on tour: https://www.jeremiahwatkins.com  @jeremiahwatkins   @standupots  See Crystal LIVE on tour: https://www.libbiehiggins.com  @LibbieHiggins   Want to send some mail into the show? P.O. BOX JEREMIAH WATKINS/TT P.O. BOX # 78375 LOS ANGELES, CA 90016 *DOES NOT GUARANTEE THAT IT WILL BE OPENED ON CAMERA Sponsored by: BetterHelp This episode is brought to you by BetterHelp. Give online therapy a try and get on your way to being your best self at https://www.betterhelp.com/trailer Sponsored by: Hello Fresh Go to http://hellofresh.com/TRAILER10FM to get 10 free meals + a free breakfast for life. Edited by Ryan Armendariz and Jeremiah Watkins Intro Music: Produced by https://www.instagram.com/professorcmusic Intro Vocals: Jeremiah Watkins

This week Lina puts on her etiquette hat to solve the age-old issue of who cleans up after a scene! Also included are Mr. Dune reading assignments, a happy switching story, and bizarre kinks.  Read the substack article here. Become a Patreon member to gain access to all the Ask A Sub benefits including our discord server, archive of premium audio and written posts, as well as our new podcast within a podcast, OTK with Lina and Mr. Dune. Submit questions for this podcast by going to memo.fm/askasub and recording a voice memo. Subscribe to the subby substack here. See the paid post archive here. Get 20% off your order at http://www.momotaroapotheca.com with code LINADUNE Twitter | @Lina.Dune | @askasub2.0 CREDITS Created, Hosted, Produced and Edited by Lina Dune With Additional Support from Mr. Dune Artwork by Kayleigh Denner Music by Dan Molad

Curl up with the tender journey of a small mouse named Nibbles Poppelty-Poppett. Nibbles goes on a river-wide adventure filled with sleepy salamanders, bow-tied guinea piglets, and an ancient alligator who becomes an unlikely friend. The music in this episode is Flowers and Berries by Magnus Ludvigsson. Use this link to sign up for the Patreon Christmas special to receive a hand-written card in the mail, a sticker, and a shout-out on our Christmas episode!Text a Story Suggestion (or just say hi!)Support the showNeed more Dreamful? For more info about the show, episodes, and ways to support; check out our website www.dreamfulstories.com Subscribe on Buzzsprout to get bonus episodes in the regular feed & a shout-out in an upcoming episode! Subscribe on Apple Podcasts for bonus episodes at apple.co/dreamful To get bonus episodes synced to your Spotify app & a shout-out in an upcoming episode, subscribe to dreamful.supercast.com You can also support us with ratings, kind words, & sharing this podcast with loved ones. Find us on Facebook at facebook.com/dreamfulpodcast & Instagram @dreamfulpodcast! Dreamful is produced and hosted by Jordan Blair. Edited by Katie Sokolovska. Theme song by Joshua Snodgrass. Cover art by Jordan Blair. ©️ Dreamful LLC

Check out our Patreon for a daily Lawrence Select™ Meme: https://www.patreon.com/insidegamesYTJoin the Inside Games notification Discord server for alerts when we publish new videos: http://discord.gg/ArvphbMPFJHosted by:Lawrence: http://twitch.tv/sirlarr | Bruce: http://twitch.tv/brucegreene Edited by: Shooklyn: https://linktr.ee/ShooklynSources --https://www.wired.com/story/ai-is-already-taking-jobs-in-the-video-game-industry/https://www.ign.com/articles/activision-finally-admits-it-uses-generative-ai-for-some-call-of-duty-black-ops-6-assets-after-backlash-following-ai-slop-zombie-santa-loading-screenhttps://www.ign.com/articles/call-of-duty-fans-give-black-ops-6s-zombie-santa-loading-screen-the-finger-amid-ai-slop-backlashhttps://x.com/Kumesicles/status/1988982194916999619https://x.com/Kumesicles/status/1988984517823197541?s=20https://www.reddit.com/r/gaming/comments/1owxnoi/comment/nota916/https://www.reddit.com/r/gaming/comments/1owxnoi/comment/not9kvb/https://www.metacritic.com/game/call-of-duty-black-ops-7/https://www.theguardian.com/games/2025/nov/11/future-class-gamings-oscars-game-awardshttps://www.eurogamer.net/rockstars-controversial-dismissal-of-31-employees-is-such-a-big-deal-its-made-its-way-to-uk-parliamenthttps://bsky.app/profile/did:plc:5rxa26mjrttoxd4ptpjhevnu/post/3m5jgfa3dis2m?ref_src=embed&ref_url=https%253A%252F%252Fwww.eurogamer.net%252Frockstars-controversial-dismissal-of-31-employees-is-such-a-big-deal-its-made-its-way-to-uk-parliamenthttps://www.reuters.com/business/ubisoft-delays-half-year-results-requests-trading-suspension-2025-11-13/Music —Switch It Up - Silent Partner https://youtu.be/r_HRbXhOir8Funk Down - MK2 https://youtu.be/SPN_Ssgqlzc

AUDIENCE SURVEY: https://bit.ly/creatoruploadsurveyIs TikTok building a new radio empire? The creator economy is buzzing about a "podcast gold rush," and the platforms are racing to stake their claim.In this episode, we break down the massive new partnership between iHeartMedia and TikTok to launch a 25-creator podcast network. We explore why this move, along with new initiatives from Netflix and Threads, signals a major shift from "scale" to "curation." Plus, we discuss how reality shows like Dancing With the Stars are now just a launchpad for talent to get a podcast deal.What you'll learn:-- How TikTok is building an "aspirational funnel" for podcasters -- Why TikTok Shop's $19B in sales is terrifying eBay -- The new Visa & Karat AI tools that analyze brand deals for creators -- How creators like Alex Earle and Emma Chamberlain are changing media00:00 Intro & Creator Upload Survey01:09 The Rise of "Christmas Creep"04:19 Are Creators Driving Christmas Creep?05:22 Special Thanks to Viral Nation06:15 TikTok & iHeartMedia Podcast Deal08:35 Why This Deal is Smart for TikTok11:17 Strategy: Scale vs. Curation14:08 TikTok: Distribution to Production16:10 Threads & Netflix Join Podcast Push18:41 Thesis: TV is a Path to Podcasting19:42 Dancing With the Stars Podcast21:45 Upload: Visa & Karat AI Tools24:26 Upload: TikTok Shop vs. eBay25:32 OutroThanks for Viral Nation for partnering with us for this video.Creator Upload is your creator economy podcast, hosted by Lauren Schnipper and Joshua Cohen.Follow Lauren: https://www.linkedin.com/in/schnipper/Follow Josh: https://www.linkedin.com/in/joshuajcohen/Original music by London Bridge: https://www.instagram.com/londonbridgemusic/Edited and produced by Adam Conner: https://www.linkedin.com/in/adamonbrand

Today we are joined by our friend Aliza Kelly, host of Horoscope Weekly: Astrology with Aliza Kelly, to take a cosmic deep dive into one of history's most chilling mysteries: The Whitechapel Murders.We explore what the stars might reveal about the shadowy figure who terrorized Victorian London. Could astrology shed light on the motive of the crimes? The psychology of the killer? Or even help narrow down which of the many suspects might have fit the Ripper's celestial profile?From the eerie fog of Whitechapel to the astrological markers seen repeated in the charts of key figures in this prolific case, this episode blends true crime and the metaphysical in a way only Morbid and Aliza can. Check out Aliza's show on Mondays & Wednesdays by clicking HERE! Cowritten by Alaina Urquhart, Ash Kelley & Dave White (Since 10/2022)Produced & Edited by Mikie Sirois (Since 2023)Research by Dave White (Since 10/2022), Alaina Urquhart & Ash KelleyListener Correspondence & Collaboration by Debra LallyListener Tale Video Edited by Aidan McElman (Since 6/2025) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week we're slipping into the dream world—where sleep blurs with the supernatural and reality flickers. From shared nightmares and prophetic visions to comforting visits from beyond, these stories explore how our dreams might just be the bridge between worlds. Listener Stories: A couple's shared sleep paralysis turns terrifying when they both dream of the same gray-faced figure peeking through their door. A listener whose nightmares predict real deaths—and what it's like working among both the living and the dead. A heartwarming and eerie tale of a grandmother's passing, a watchful cat, and love that lingers. A prophetic dream that reveals a bittersweet destiny and chosen family. A skeptic's vivid dreams where her late grandmother still lives raises questions about alternate timelines… Dreams can comfort, terrify, and connect us to something greater—and sometimes, they even let us peek beyond the veil.