Podcasts about The Holocaust

When the people sworn to save lives become serial killers, their medical knowledge transforms into the perfect weapon for murder — and these are their horrifying true stories.Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateTake the WEIRD DARKNESS LISTENER SURVEY and help mold the future of the podcast: https://weirddarkness.com/surveyIN THIS EPISODE: H.H. Holmes allegedly killed as many as 200 people by luring visitors to his lair during the Chicago World's Fair in 1893. The 100 rooms of the house he built, were filled with trapdoors, gas chambers, staircases to nowhere, and a human-sized stove. But now, some historians say many of the gruesome stories about Doctor Holmes may be myth! (The Doctor And His Murder Castle) *** Michael Swango was an MD. He was a doctor. But the MD after his name could just as easily have represented “Master of Death”, or “Many Dead” - because there were. Up to sixty of his patients died by his own hands before he was stopped. (Doctor of Death) *** Dr. Buck Ruxton's brutal deeds earned the surgeon a grim nickname… the Savage Surgeon. (The Savage Surgeon) *** During his 26-year reign at the Trenton Psychiatric Hospital, Dr. Henry Cotton performed over 645 twisted operations in which he tried to "save" the mentally ill. (The Horrifying Cures of Dr. Cotton) *** Stubbins Ffirth was so determined to learn about Yellow Fever in the late 1700s that he purposely exposed himself to those who had it. But HOW he exposed himself is an utter nightmare and will curl your stomach. (The Insane Experiment of Stubbins Ffirth) *** Horrifying medical experiments on twins helped Nazis justify the Holocaust, and at the center of it was Dr. Josef Mengele. (The Nazi Angel of Death) *** We'll also look at a few other derailed doctors and nurses who had an unhealthy appetite for lobotomies, blisters, and the plague. (Doctors of Evil) *** Doctors killing or experimenting on patients isn't confined to human victims, some animal experiments were equally as gruesome or bizarre. For example, what would happen if you gave an elephant LSD? (Strange Medical Experiments)ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Lead-In00:02:04.570 = Show Open00:05:03.929 = The Doctor And His Murder Castle00:12:45.823 = Doctor of Death00:24:08.702 = The Savage Surgeon00:32:07.800 = The Horrifying Cures of Dr. Cotton00:39:54.355 = The Insane Experiment of Stubbins Firth00:44:18.487 = The Nazi Angel of Death00:55:04.710 = Evil Doctors01:23:29.248 = Strange Medical Experiments01:27:10.308 = Show OutroSOURCES AND RESOURCES FROM THE EPISODE…“The Doctor And His Murder Castle” by Becky Little for History: https://tinyurl.com/y842s6b5“Doctor of Death” by Xavier Piedra for The Line Up: https://tinyurl.com/ycrhsvfu“The Savage Surgeon” by Robert Walsh for The Line Up: https://tinyurl.com/ufhzmpf“The Horrifying Cures of Dr. Cotton” by Laura Martisiute for All That's Interesting: https://tinyurl.com/y987en4v“The Insane Experiment of Stubbins Ffirth” from Alpha History: https://tinyurl.com/y8hknxsx“The Nazi Angel of Death” by Erin Blakemore for History: https://tinyurl.com/uhecxjq“Evil Doctors” by Kaitlyn Johnstone for The Line Up, https://tinyurl.com/y9ze8p4z; Linda Girgis, MD for Physicians Weekly, https://tinyurl.com/ya7po8qs and; Gabe Paoletti for All That's Interesting, https://tinyurl.com/yaraqzod; and Ranker Crime, https://tinyurl.com/y76nebzh“Strange Medical Experiments” by Alex Boese for The Scientist: https://tinyurl.com/ya48h2g7=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: October 24, 2021NOTE: Some of this content may have been created with assistance from AI tools, but it has been reviewed, edited, narrated, produced, and approved by Darren Marlar, creator and host of Weird Darkness — who, despite popular conspiracy theories, is NOT an AI voice.EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/MedicalMonsters#MedicalSerialKillers #HHHolmes #MurderCastle #DrMichaelSwango #HaroldShipman #EvilDoctors #MurderousNurses #MedicalMurders #DrJosefMengele #NaziMedicalExperiments #DrBuckRuxton #SavageSurgeon #DrHenryCotton #Lobotomy #DrKervorkian #CharlesCullen #NurseSerialKillers #DeadlyDoctors #HospitalSerialKillers #PhysicianMurderers #JaneToppan #DonaldHarvey #AngelOfDeath #MedicalHorrorStories #TrueCrimeDoctors #HealthcareKillers #DrJayantPatel #DanielaPoggiali #MedicalExperiments #YellowFeverExperiments #StubbinsFfirth #DrLindaHazzard #StarvationHeights #PoisonRingMurders #MedicalTrueCrime #DoctorMurderers #NurseKillers #MedicalMonsters #HealthcareSerialKillers #DeadlyMedicalProfessionals #TrueCrime #SerialKillers #DarkHistory #TrueCrimeCommunity #TrueCrimePodcast

onight, in a darkened room lit only by the soft flicker of individual candles, over a hundred souls gathered in sacred stillness for Eicha by Candlelight. This was not just an event, it was a ritual of remembrance, a meditation on exile, and a quiet act of spiritual defiance.Rabbi Yisroel Bernath opened the evening with a heart-stirring monologue, inviting us not to perform grief, but to hold it. To slow down. To soften. To sit low with history and let the silence speak.Rabbi Yosh Berkowicz then chanted Megillat Eicha, Lamentations, in its original Hebrew, each verse a cry from the Prophet Jeremiah that echoed through centuries of loss—and resilience. Participants followed along in English, or simply let the rhythm wash over them like waves of collective memory.Following the reading, Rabbi Bernath led a reflective journey through Jewish history, from the destruction of both Temples to the Crusades, from the Spanish Expulsion to the Holocaust—framing Tisha B'Av not only as a night of mourning, but as an ongoing thread of survival and spiritual resistance.A deeply moving segment explored the story of the Conversos—Jews forced to hide their faith in 15th-century Spain. Their secret fasts, their quiet mitzvot, and their admiration for Queen Esther became metaphors for our own inner strength. Esther, the hidden heroine, became theirs—and perhaps ours.From there, the group entered a sacred space of reflection with personal prompts. Participants journaled, sat in silence, or shared memories and prayers aloud in a gentle, optional open-mic circle. Candles flickered. Tears flowed. And still—hope rose.Three Prophets, Three Eichas, One Call to Action Rabbi Bernath wove together the three biblical voices that cry out “Eicha”—Moses, Isaiah, and Jeremiah. Each saw the Jewish people at a different point: in their dignity, in their moral decline, and in their devastation. Each Eicha reminds us: the question isn't just historical, it's existential. “How can I carry this alone?” “How can it be that righteousness has been replaced by ruin?” And… “How can it be that a holy city sits in desolation?”The Rebbe taught that we are the answer. That we must turn the Eicha of exile into the Eicha of leadership. That each of us is a shliach, a messenger, charged with rebuilding—one mitzvah, one soul, one light at a time. As the evening closed, Rabbi Bernath reminded us:“We've sat together in the ruins. We've cried the ancient cries. But we're not meant to live in sorrow. We are the generation of redemption.”May this year's fast be the last one in exile. May we merit to read the next scroll with joy. Together. In Jerusalem rebuilt.Support the showGot your own question for Rabbi Bernath? He can be reached at rabbi@jewishndg.com or http://www.theloverabbi.comSingle? You can make a profile on www.JMontreal.com and Rabbi Bernath will help you find that special someone.Donate and support Rabbi Bernath's work http://www.jewishndg.com/donateFollow Rabbi Bernath's YouTube Channel https://www.youtube.com/user/ybernathAccess Rabbi Bernath's Articles on Relationships https://medium.com/@loverabbi

Tisha BAv Kinnos shiur given by Rabbi Aaron Fink on Kinnah Hazocher Limazkirav-Kinnah on the Holocaust. Shiur given in Yeshivas Ohr Reuven, Monsey NY.

This week on the Mark Levin Show, On Monday's Mark Levin Show, Europe didn't do a anything to take on Hamas after the October 7th attacks, instead they push Israel to surrender. Europe is historically tied to evils like the Holocaust, Nazism, Stalinism, and Marxism, now conquered by radical Islamists through open borders. The Biden administration, Democrats, left-wing forces in media/academia, and isolationists undermined Israel, who could have ended the war sooner without interference. What's happening in Gaza is that people are going without food. Why? Israel isn't starving them. This is a last desperate move by Hamas to save itself by slaughtering its own people. Later, the Allied bombing of Dresden in February 1945 was a terror campaign targeting civilians in a non-military city, resulting in massive casualties via firestorms from British and U.S. air raids. The modern hypocrisy from U.K. and French leaders, who pressure Israel over Gaza—blaming it for starvation caused by Hamas, demanding ceasefires, and threatening Palestinian state recognition—while ignoring their own countries' declines due to open borders and radical Islamists, and applying impossible standards to Israel that no nation, including the U.S, would accept for itself. Zohran Mamdani recently returned from a lavish, expensive wedding in Uganda featuring a walled estate and armed guards, funded by capitalists rather than the government. He portrays himself as the victim while yelling at Andrew Cuomo and Eric Adams. Don't believe a word Mamdani says, he would defund the police and disarm the citizen. The 2020 U.S. Census contained significant errors, overcounting populations in blue states, while undercounting in red states leading to misallocated congressional seats that favored Democrats and cost Republicans about five seats. This widened Trump's Electoral College victory margin and tightened House control more than warranted. In response, Texas Republicans are holding a special legislative session to redraw congressional districts, potentially gaining up to five more GOP seats in the 2026 midterms. The move echoes a 2003 gerrymander, with Democrats decrying it as hypocritical given their own history of similar tactics in blue states, but it's necessary since Democrats don't play fair. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ralph and the crew spend the whole hour with Omer Bartov, professor of Holocaust and genocide studies at Brown University, who grew up in a Zionist home, lived the first half of his life in Israel, served in the I.D.F. as a soldier and officer and is the author a New York Times op-ed entitled “I'm a Genocide Scholar. I Know It When I See It.” Plus, Ralph pays tribute to legendary Washington Post reporter, Morton Mintz.Omer Bartov is a professor of Holocaust and genocide studies at Brown University. He has written widely on modern Germany, France, the Holocaust, and representations of war and genocide. He is the author of the Mirrors of Destruction: War, Genocide, and Modern Identity, and the forthcoming book, Israel: What Went Wrong?, and he's penned a New York Times op-ed entitled “I'm a Genocide Scholar. I Know It When I See It.”I published an op-ed in November 2023, and I said there were war crimes, clearly, crimes against humanity, and this will become genocide if it's not stopped. And the Biden administration at the time did nothing. President Biden could have stopped that within two weeks. The Israeli military machine cannot function for more than two or three weeks without constant supply of munitions, without constant supply of financial help, and most importantly, without a diplomatic Iron Dome, especially in the Security Council.Professor Omer BartovIf you say that you are shutting down speech because of anti-Semitism, who are the people who are pushing that? It must be all kinds of Jewish interests that are pushing that. And in that sense, this false campaign against anti-Semitism – some of whose leaders are people with pretty good anti-Semitic credentials themselves – is the best way to raise, to promote and incite anti-Semitism.Professor Omer BartovThere's no moral responsibility, there's no empathy being shown, and much of the population shares that view. To me, as someone who was raised in Israel, spent half of my life there, served four years in the army, to see my own society (including some of my friends) show this kind of moral callousness is frankly quite heartbreaking. And I have to say, it's the result of a long process. It's not only a response to October 7th, it's the result of six decades of occupation, of thinking of Palestinians as not really people who have any right to have rights or any right to health, to security. And in that sense, that long-term occupation has corrupted much of Israeli society. And maybe the most surprising thing is that there's still extraordinary people there who are fighting against that, but their numbers are diminishing, not growing.Professor Omer BartovMorton Mintz was hands-down the greatest consumer reporter of his generation. He opened up one field after another because he had a special sense of newsworthiness that other reporters and editors didn't have. He opened up the coverage of the pharmaceutical industry. He opened up the coverage of the auto industry. And he did so with such formidable documentation and research that other reporters started following the same subject area. So he was a pioneer.Ralph NaderNews 8/1/25* Crusading environmental lawyer Steven Donziger has published a new report in the left-wing outlet Orinoco Tribune on the undercount of the dead in Gaza. In this piece, Donziger uses the statistical model laid out by the prestigious medical journal The Lancet in their 2024 study on the Israeli military campaign, which found the direct and indirect death toll could be as high as 186,000. The Lancet study found that as many as 732 Gazans died every day from these direct and indirect causes. Multiplied by the 594 days the conflict has dragged on, this would equate to a death toll of 434,800, or 20.7% of the enclave's population. As Donziger notes, “If the same level of killing and indirect death that took place in Gaza…happened in the United States proportional to population, roughly 70 million Americans would have been killed.”* In more Gaza news, the Guardian reports that, “On Saturday night, the…IDF…intercepted and boarded the Handala, an aid ship that attempted to reach Gaza as part of the Freedom Flotilla Coalition…According to the coalition, IDF soldiers beat and choked…labor activist Chris Smalls.” The severity of the attack on Christian Smalls – founder of the independent Amazon Labor Union (ALU) – caused international outcry. From the Guardian report, “Smalls was physically assaulted by seven uniformed individuals. They choked him and kicked him in the legs, leaving visible signs of violence on his neck and back.” The incident also drew criticism for another reason: Smalls was the only Black person on board the Handala. While 21 members of the Flotilla group were detained, in their words ”abducted,” “This level of force was not used.” It is unclear why this level of force was used against Smalls and Smalls alone, other than the color of his skin.* Yet more tragic news from Gaza concerns the death of Odeh Hadalin, the 31-year-old Palestinian activist and English teacher featured in the Oscar-winning documentary No Other Land. Al Jazeera reports that footage taken by Israeli human rights group B'Tselem “appears to show [Israeli settler Yinon] Levi opening fire on Hadalin during a confrontation in the village [of Umm al-Kheir, south of Hebron].” Levi, already sanctioned by the European Union and the United States over past attacks on Palestinians, reportedly told witnesses he was “glad about it.” Despite all of this, an Israeli court has released Levi on house arrest. Basel Adra, who co-directed No Other Land with Yuval Abraham, wrote “This is how Israel erases us — one life at a time.”* One positive development is in progress however. According to the Embassy of France in the United States, "France is prepared to fully recognize the State of Palestine, and will do so in September." French recognition of the Palestinian state, will If it ultimately comes to pass, have major ramifications on the world stage. While 147 member states of the United Nations have recognized Palestine, only 10 out of 27 EU countries have done so, mostly former Eastern Bloc states like Bulgaria, Hungary, Poland, and Romania, along with the former country of Czechoslovakia. The modern country of Slovakia has reaffirmed their recognition; Czechia has not. In 2024, several more European nations extended recognition, including Norway, Slovenia, Ireland and Spain. France however would tip the permanent members of the United Nations Security Council to a 3-2 majority in recognition of Palestine, along with Russia and China. Moreover, AP reports the United Kingdom is now saying they will “recognize a Palestinian state in September unless Israel agrees to a ceasefire in Gaza,” among other conditions. If this happens, The permanent members of the Security Council would be split 4-1, with the United States as the lone holdout. This would be nothing short of an international relations sea change on the question of Palestine.* In some more positive foreign policy news, Jeremy Corbyn's new party in the U.K. is getting started with a bang. According to the man himself, over 600,000 people have signed up to register with the new party, which describes itself as “a new kind of political party. One that is rooted in our communities, trade unions and social movements. One that builds power in all regions and nations. One that belongs to you.” Polls show this new party in the lead among Britons aged 18-24 and Corbyn leading Labour Party leader Keir Starmer by “Almost Every Metric,” among members of the rightwing populist Reform Party. That said, the Reform Party is still projected to win an overwhelming victory compared to all other parties in the next elections, though those are not expected to be held until 2029.* In Congress, Bernie Sanders forced a vote Wednesday on two new Senate resolutions to block arms transfers to Israel. Resolution 34 would “prohibit the U.S.-taxpayer financed $675.7 million sale of 201 MK 83 1,000-pound bombs; 4,799 BLU-110A/B General Purpose 1,000-pound bombs; 1,500 Joint Direct Attack Munition (JDAM) guidance kits for MK 83 bombs; 3,500 JDAM guidance kits for MK 83 bombs; and related logistics and technical support services,” while Resolution 41 would “prohibit the sale of tens of thousands of fully automatic assault rifles.” These resolutions got the support of 27 Senators, a new record and a majority of the Democratic Senate Caucus, but still far, far short of even a simple Senate majority. Perhaps a more portentous development is that Georgia Congresswoman Marjorie Taylor Greene this week became the first Republican in Congress to call the crisis in Gaza a “genocide,” according to the Hill. It remains to be seen whether this will help break the dam on that side of the aisle.* In New York City, new polling shows stunning results for Zohran Mamdani. The new poll conducted by Zenith Research and Public Progress Solutions shows Zohran dominating the 5-way race, earning 50% and beating out the other four candidates combined. Mamdani does even better in head-to-head matches against disgraced former Governor Andrew Cuomo and corruption-dogged incumbent Mayor Eric Adams. The crosstabs are even more astonishing. Despite the breathless and baseless accusations of antisemitism, Zohran is winning 67% of Jews under age 45 and a whopping 85% of men ages 18-34. This second number is key as Democrats struggle to attract young men. One warning sign: a recent Pew poll shows Republicans with an 18-point lead among men in the Gen Z cohort.* In an ominous challenge to the separation of church and state, the Hill reports President Donald Trump released a memo Monday allowing federal employees to “attempt to persuade co-workers about why their religious beliefs are ‘correct.'” This memo cites “crosses, crucifixes and mezuzah,” as displays of religious indicia that should not result in disciplinary action. This bizarre and constitutionally dubious policy seems likely to lead to workplace discord.* In more Trump news, CBS reports Trump has ousted “Two top Justice Department antitrust officials.” According to sources, two deputies to Assistant Attorney General Gail Slater, who leads DOJ antitrust efforts, were “placed on administrative leave last week and fired on Monday for insubordination.” These two figures are Roger Alford, principal deputy assistant attorney general, and Bill Rinner, deputy assistant attorney general and head of merger enforcement. It is not clear why exactly Alford and Rinner were pushed out, but there has apparently been substantial strife within the administration over the antitrust cases against T-Mobile and Hewlett Packard Enterprise. AAG Slater is also overseeing antitrust lawsuits against Capital One, Apple, Google, and other major companies.* Finally, Wired reports the small Pacific island nation of Tuvalu is planning the first migration of an entire country. Tuvalu, which could be completely submerged by rising sea levels within the next 25 years, is seeking to resettle 280 Tuvaluans in Australia each year. This climate-driven mass migration is a stark sign of things to come if the international community continues to dither or deny the reality of the oncoming climate catastrophe. Today Tuvalu, tomorrow the world.This has been Francesco DeSantis, with In Case You Haven't Heard. Get full access to Ralph Nader Radio Hour at www.ralphnaderradiohour.com/subscribe

rWotD Episode 3012: Endre Farkas Welcome to random Wiki of the Day, your journey through Wikipedia's vast and varied content, one random article at a time.The random article for Saturday, 2 August 2025, is Endre Farkas.Endre Farkas (born 1948) is a Montreal-based poet, editor and playwright born in Hajdúnánás Hungary in 1948. After the Hungarian Revolution of 1956, he fled to Canada with his parents, who were Holocaust survivors. When he first arrived, his given name Endre was Quebecized to André. During his undergraduate degree at Concordia University he participated in the Sir George Williams affair as an occupant. He then took a few years off to live at an artist commune called Meatball Creek Farm in the Quebec Eastern Townships.Since the 1970s, he taught literature at John Abbott College in Sainte-Anne-de-Bellevue, Quebec. He retired in 2008. His work has been published in six different languages: French, Spanish, Hungarian, Italian, Slovenian and Turkish. He was a part of the Montreal experimental writing collective, The Vehicule Poets and was a founding editor of Véhicule Press. He later founded the publishing press, The Muses’ Company. He won the Quebec Writers' Federation Community Award in 2011 "for the inclusiveness and power of his vision for Quebec literature," according to QWF spokeswoman Gina Roitman.He participated in Dial-A-Poem Montreal 1985-1987.This recording reflects the Wikipedia text as of 00:49 UTC on Saturday, 2 August 2025.For the full current version of the article, see Endre Farkas on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Brian.

Bible Prophecy Under the Microscope-Episode 51 Gary answers a commenter who claims that 2 Thessalonians 2 refers to the need for a rebuilt (third) temple in our future. Regular listeners will immediately recognize the lack of first century context in the claim (when a rebuilt temple was actually standing) and basically requires all of the elements of the first century to be reinstituted and remade.

“The Jewish voice must be heard, not because it's more right or less right, but it's there. The suffering is there, the grief is there, and human grief is human grief.” As Jews around the world mark Tisha B'Av, we're joined by Columbia University professor and award-winning poet Owen Lewis, whose new collection, “A Prayer of Six Wings,” offers a powerful reflection on grief in the aftermath of October 7th. In this conversation, Lewis explores the healing power of poetry in the face of trauma, what it means to be a Jewish professor in today's campus climate, and how poetry can foster empathy, encourage dialogue, and resist the pull of division. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.   Listen – AJC Podcasts: The Forgotten Exodus: Untold stories of Jews who left or were driven from Arab nations and Iran People of the Pod:  Latest Episodes:  An Orange Tie and A Grieving Crowd: Comedian Yohay Sponder on Jewish Resilience From Broadway to Jewish Advocacy: Jonah Platt on Identity, Antisemitism, and Israel Sexual Violence as a Weapon of War: The Dinah Project's Quest to Hold Hamas Accountable Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview:   Owen Lewis:   Overheard in a New York Restaurant.   I can't talk about Israel tonight.    I know.    I can't not talk about Israel tonight.    I know.    Can we talk about . . .   Here? Sure. Let's try to talk about here.   Manya Brachear Pashman:   On Saturday night, Jews around the world will commemorate Tisha B'av. Known as the saddest day on the Jewish calendar, the culmination of a three week period of mourning to commemorate several tragedies throughout early Jewish history.  As a list of tragedies throughout modern Jewish history has continued to grow, many people spend this day fasting, listening to the book of Lamentations in synagogue, or visiting the graves of loved ones. Some might spend the day reading poetry.  Owen Lewis is a Professor of Psychiatry in the Department of Medical Humanities and Ethics at Columbia University. But he's also the award-winning author of four poetry collections which have won accolades, including the EE Cummings Prize and the Rumi Prize for Poetry.  His most recent collection, A Prayer of Six Wings documents in verse his grief since the October 7 terror attacks. Owen is with us now to talk about the role of poetry in times of violence and war, what it's been like to be a Jewish professor on the Columbia campus, and a Jewish father with children and grandchildren in Israel. And also, how to keep writing amid a climate of rising antisemitism. Owen, welcome to People of the Pod. Owen Lewis:   Thank you so much, Manya. Manya Brachear Pashman:   So you opened with that short poem titled overheard in a New York restaurant. I asked you to read that because I wanted to ask whether it reflected how you felt about poetry after October 7.  Did you find yourself in a place where you couldn't write about Israel, but yet you couldn't not write about Israel? Owen Lewis:   Among the many difficult things of that First Year, not only the war, not only the flagrant attacks on the posters of the hostages one block from where I live, 79th and Broadway, every day, taken down every day, put back up again, defaced. It was as if the war were being fought right here on 79th and Broadway.  Another aspect that made this all so painful was watching the artistic and literary world turn against Israel. This past spring, 2000 writers and artists signed a petition, it was published, there was an oped about it in The Times, boycotting Israeli cultural institutions.  And I thought: artists don't have a right to shut their ears. We all need to listen to each other's grief, and if we poets and artists can't listen to one another, what do we expect of statesmen? Statesmen, yeah, they can create a ceasefire. That's not the same as creating peace. And peace can only come when we really listen to each other. To feel ostracized by the poetry community and the intellectual community was very painful. Fortunately, last summer, as well as this past summer, I was a fellow at the Yetzirah conference. Yetzirah is an organization of Jewish American poets, although we're starting to branch out. And this kind of in-gathering of like-minded people gave me so much strength.  So this dilemma, I can't talk about it, because we just can't take the trauma. We can't take hearing one more thing about it, but not talk about it…it's a compulsion to talk about it, and that's a way to process trauma. And that was the same with this poetry, this particular book.  I feel in many ways, it just kind of blew through me, and it was at the same time it blew through me, created this container in which I could express myself, and it actually held me together for that year. I mean, still, in many ways, the writing does that, but not as immediately and acutely as I felt that year.  Manya Brachear Pashman:   This book has been praised as not being for the ideological but for the intellectually and emotionally engaged. So it's not it's not something that ideologically minded readers will necessarily be able to connect to, or is it actually quite the opposite?  Owen Lewis:  Well, it's very much written from the gut, from the experience, from in a sense, being on the ground, both in Israel and here in New York and on campus, and trying to keep a presence in the world of poetry and writers. So what comes from emotion should speak to emotion. There are a few wisps of political statements, but it's not essentially a politically motivated piece of writing.  I feel that I have no problem keeping my sympathies with Israel and with Jews. I can still be critical of aspects of the government, and my sympathies can also be with the thousands of Palestinians, killed, hurt, displaced. I don't see a contradiction. I don't have to take sides.  But the first poem is called My Partisan Grief, and it begins on October 7. I was originally going to call the bookMy Partisan Grief, because I felt that American, Jewish, and Israeli grief was being silenced, was being marginalized. And I wanted to say, this is our grief. Listen to it. You must listen to this. It doesn't privilege this grief over another grief. Grief is grief. But I wanted ultimately to move past that title into something broader, more encompassing, more humanitarian. Manya Brachear Pashman:  And did that decision come as the death toll in Gaza rose and this war kept going and going and the hostages remained in captivity, did that kind of sway your thinking in terms of how to approach the book and frame it?  Owen Lewis:  Yes, but even more than those kind of headlines, which can be impersonal, the poetry of some remarkable Palestinian poets move me into a broader look. Abu Toha was first one who comes to mind Fady Joudah, who's also a physician, by the way. I mean his poetry, I mean many others, but it's gorgeous, moving poetry.  Some of it is a diatribe, and you know, some of it is ideological, and people can do that with poetry, but when poetry really drills down into human experience, that's what I find so compelling and moving. And that's what I think can move the peace process. I know it sounds quite idealistic, but I really think poetry has a role in the peace process here. Manya Brachear Pashman:  I want to I want to unpack that a little bit later. But first, I want to go back to the protests that were roiling Columbia's campus over the past year and a half, two years. What was it like to be, one, writing this book, but also, teaching on campus as a Jewish professor?  Owen Lewis:  Most of my teaching takes place up at the Medical Center at 168th Street. And there I have to say, I didn't feel battered in any way by what was happening. I had a very shocking experience. I had a meeting that I needed to attend on, or that had been scheduled, I hadn't been quite paying attention. I mean, I knew about the encampments, but I hadn't seen them, and I come face to face with a blocked campus. I couldn't get on the campus. And what I'm staring at are signs to the effect, send the Jews back to Poland. I'm thinking, Where am I? What is this? I mean, protest, sure. I mean we expect undergraduates, we expect humans, to protest when things really aren't fair. But what did this have to do…why invoke the Holocaust and re-invoke it, as if to imply the Jews should be punished? All Jews.  And what it fails to account for are the diversity of Jewish opinion. And you know, for some Jews, it's a black or white matter, but for most thinking Jews that I know, we all struggle very much with a loyalty to Israel, to the Jewish people, to the homeland and larger humanitarian values. So that was quite a shock. And I wrote a piece called “The Scars of Encampment,” in which I say, I can't unsee that. " And I go to campus, and, okay, it's a little bit more security to get onto campus. It's a beautiful campus. It's like an oasis there, but at the same time, I'm seeing what was as if it still is. And in a way, that's the nature of trauma that things from the past just roil and are present with almost as much emotion as when first encountered. Manya Brachear Pashman:  So did you need to tune out those voices, or did that fuel your work? Owen Lewis:  No, that fueled my work. I mean, if anything, it made me feel much more, a sense of mission with this book. And a commitment, despite criticism that I may receive, and no position I take is that outlandish, except to sympathize with the murdered on October 7th, to sympathize with their families, to resonate with what it must be like to have family members as hostages in brutal, brutal conditions. Not knowing whether they're dead or alive. So I really felt that the Jewish voice must be heard, not because it's more right or less right, but it's there. The suffering is there, the grief is there, and human grief is human grief. Manya Brachear Pashman:  Owen, if you wouldn't mind reading another poem from the collection. Of course, many of us remember the news out of Israel on Thanksgiving Day 2023, right after October 7th. And this poem is titled, “Waiting for the Next Release, Reported by the New York Times, November 23 2023”. Owen Lewis:  Waiting For the Next Release, Reported N.Y. Times, Nov. 23, 2023    Maybe tomorrow, if distrust  doesn't flare like a missile,  some families will be reunited.    How awful this lottery of choice; Solomon would not deliberate. Poster faces always before my eyes,   Among them, Emma & Yuli Cunio.  Twins age 3, Raz Katz-Asher, age 4, Ariel Bibas, another four year old.    What do their four year old minds make  of captivity? What will they say? What would my Noa say?    What will the other Noas say?  Remembering Noa Argamani, age 26,  thrown across the motorcycle    to laughter and Hamas joy.   I have almost forgotten this American day,  Thanks- giving,   With its cornucopian harvests,  I am thinking of the cornucopian  jails of human bounty.    (What matter now who is to blame?) Manya Brachear Pashman:  Really beautiful, and it really captures all of our emotions that day. You have children and grandchildren in Israel, as I mentioned and as you mentioned in that poem, your granddaughter, Noa. So your grief and your fear, it's not only a collective grief and fear that we all share, but also very personal, which you weave throughout the collection.  In another poem, “In a Van to JFK”, you talk about just wanting to spend one more hour with your family before they fly off to Israel. And it's very moving.  But in addition to many of the poems, like the one you just read, they are based on and somewhat named for newspaper headlines, you said that kind of establishes a timeline. But are there other reasons why you transformed those headlines into verse? Owen Lewis:  Yes, William Carlos Williams in his poem Asphodel, says, and I'm going to paraphrase it badly. You won't get news from poems yet, men die every day for wanting what is found there. And I think it's a very interesting juxtaposition of journalism and poetry. And I mean, I'm not writing news, I'm writing where my reflections, where my heart, goes in response to the news, and trying to bring another element to the news that, you know, we were confronted.  I mean, in any time of high stress, you swear off – I'm not watching any more TV. I'm not even gonna look at the newspaper. And then, of course, you do. I can't talk about Israel today. I can't not talk about it. I can't read the paper. I can't not read the paper. It's kind of that back and forth. But what is driving that? And so I'm trying to get at that next dimension of what's resonating behind each one of these headlines, or resonating for me. I mean, I'm not claiming this is an interpretation of news. It's my reaction, but people do react, and there's that other dimension to headlines. Manya Brachear Pashman:  That seems like it might be therapeutic, no? Owen Lewis:  Oh, totally, totally. You know, I'm very fortunate that having started a career in medicine, in psychiatry, and particularly in child and adolescent psychiatry. I always had one foot in the door academically. I spent, you know, my life as, I still teach, but I'm very fortunate to have, maybe 10+ years ago, been introduced to a basically a woman who created the field of Narrative Medicine, Rita Sharon. And now at Columbia in the medical school, we have a free-standing Department of Medical Humanities and Ethics, of which she's chairman.  So I've had the fortune of bringing psychiatry and medicine and writing together in a very integrated way. And yes, writing is therapeutic, especially, I could say in medicine, which has given itself over to electronic medical record keeping, but our whole society is moving towards the electronic. And what happens when you sit and write, and what happens when you then sit and read, you reflect. Your mind engages in a different way that is a bit slower than the fast pace of electronic communications and instant communications and instant thinking. And now with AI, instant analysis of any situation you want to feed data from.  So that's sorely lacking in the human experience. And the act of writing, the act of reading has huge therapeutic values, huge salutary benefits for humans in general, but particularly in times of stress. In a lot of work on Post Traumatic Stress Disorder, finding an outlet, an artistic outlet, it doesn't have to be writing, but that's often a way of transcending the trauma.  And medicine is filled with trauma. People trying to come to terms with acute illnesses, chronic illnesses. Doctors and caregivers trying to come to terms with what they can and can't do. And you know, we're coming up against limitations. But how do you make peace with those limitations? And it's not that it's a magical panacea, but it's a process of engagement, not only with the subject, but with yourself in relation to the subject. Manya Brachear Pashman:  I mean, I imagine dialogue is really the healthiest way of conversation and speaking through and interacting with a topic. And so I would imagine poetry, or, as you said, any art form, responding to news reports, it makes that a two way conversation when you're able to process and it's not just the headlines shouting at you, you're actually interacting and processing it by writing and reaction, or painting and reaction, whatever you choose to do. Owen Lewis:  Exactly. Manya Brachear Pashman:  You have said that poetry can serve a purpose during times of war. Is this one of the purposes to to be therapeutic or are you talking more in terms of what statesmen could learn from it?  Owen Lewis:  Well, yes, of course, what statesmen could learn from it, but it's human nature to want to take sides. I mean, that's kind of just what we do. But I think we can always do better than that. So I'm really talking about the people. I mean, there are also many Jews who are so angry at Israel that they can't listen to the story of Jewish grief. They should be reading mine and others poetries from this era. I wish the Palestinian poets were. I wish the Palestinian people. I mean, of course, in their current situation, they don't have time when you're starving, when you're looking for your next glass of fresh water. You don't have time for anything beyond survival.  But once we get beyond that, how long are these positions going to be hardened. I mean, I think when the people of all sides of the dilemma really listen to the others, I mean, they're, I mean, if, unless as Hamas has expressed, you know, wants to push Israel into the sea, if Israel is going to coexist with the Palestinian people, whether they're in a nation or not in a nation, each has to listen to the other.  And it's, you know, it's not one side is right, one side is wrong. It's far too complex a history to reduce it to that kind of simplicity. And I think poetry, everyone's poetry, gets at the complexity of experience, which includes wanting to take sides and questioning your wanting to take sides and moving towards something more humanitarian.  Manya Brachear Pashman:  You said earlier, you recommend Abu Toha, Fady Joudah, two Palestinian poets who have written some beautiful verse about– tragically beautiful verse–about what's happening. But there have been some really deep rifts in the literary world over this war. I mean, as you mentioned before, there was a letter written by authors and entertainers who pledged to boycott Israeli cultural institutions. Some authors have refused to sell rights to their books to publishers in Israel. So why not reciprocate? And I know the answer. I think you've already addressed it pretty well. What's wrong with that approach? Owen Lewis:  In any conflict, there are at least three sides to the conflict. I mean, claims to nationhood, claims to who shoved first, who. I mean, you don't entangle things by aggressively reacting. I mean, if we learned anything from Mahatma Gandhi, it's what happens when we don't retaliate, right? And what happens when we go the extra mile to create bridges and connections.  There are a host of people in Israel who continue to help Palestinians get to medical facilities, driving them back and forth, working for peace. I mean, there's a Palestinian on the Supreme Court of Israel, and well, he should be there. You know, that's the part of Israel that I am deeply proud of. So why not retaliate? I think it entrenches positions and never moves anything forward. Manya Brachear Pashman:  So have you gotten any negative feedback from your writing colleagues? Owen Lewis:  Some cold shoulders, yes. I mean not nothing overtly. I haven't been slammed in a review yet. Maybe that's coming. But when I publish pieces, I tend not to look at them. I had an oped in the LA Times. I've had some other pieces, you know, that precipitates blogs, and I started to read them.  And the first blog that came off of the the LA Times oped was, God, is he an opportunist, just taking advantage of having a daughter in Israel? And trying to make a name for himself or something. And I said, You know what, you can't put yourself out and take a position without getting some kind of flack. So occasionally, those things filter back, it's par for the course. Manya Brachear Pashman:  Right, not really worth reading some of those. You included Midrash in this book. You also spelled God in the traditional sense in the poems. Why did you choose to do that? Owen Lewis:  Well, I felt it honors a tradition of Jewish writing. It mean we have yud, hey, vav, hey, you know, which in English comes down as Yahweh, but it's unpronounceable. The name of God is unpronounceable. And, you know, yud, hey, vav, hey is just a representation. It isn't God's name. And there's a tradition that the name of God, when it's written down, can't be destroyed. And it's a way of honoring that tradition. Millennium of Jewish writers, you know, it's similar to say Elokim, instead of Elohim when the text is written. To sort of substitute. We know what we're talking about, but really to honor tradition, to pay respect and sort of to stay in the mind frame that, if there is a God, he, she, they, are unknowable. And somehow it creates, for me, a little bit of that mystery by leaving a letter out. It's like, G, O, D, seems more knowable than G-d. It's leaving that white space right for something bigger, grander, and mysterious, for the presence of that  right in the word itself. Manya Brachear Pashman:  And what about including Midrash? Owen Lewis: That's a very interesting question. You know Midrash for me, when you steep yourself in traditional Midrash, there's stories that exemplify principles and they fill in gaps. I mean, some of the most important. I mean, we have this notion of Abraham breaking the idols of his father before he left. No. That's Midrash, thats not in the Torah. And yet, nine out of ten Jews will say that's in the Torah, right? So, it kind of expands our understanding of the traditional text. But it also very much allows a writer to creatively engage with the text and expand it. It's like a commentary, but it's a commentary in story, and it's a commentary in terms that evoke human responses, not necessarily intellectual responses. So frankly, I think it's every Jews' responsibility to write Midrash. That reinvigorates the stories, the texts, and the meanings, and then we write midrashes upon midrashes. And you know, we get a whole community buzzing about a single story. Manya Brachear Pashman:  Which is very much what you've done with this collection, you know, writing poetry in response to news stories and engaging it in that way. It's very Jewish response, I would argue.  Do you observe Tisha B'av? Owen Lewis:  You know what I do. You're gonna laugh. My grandmother always warned us, don't go in the water on Tisha B'av, the sea will swallow you up. So I'm a big swimmer. I love swimming. I don't swim on Tisha B'av, because I hear my grandmother's voice, I'm going to be swallowed up. Manya Brachear Pashman:  If you could please wrap up this conversation by sharing a poem of your choice from your latest collection. Owen Lewis:  A poem I love to read again starts with a headline.   2000 Pound Bombs Drop, Reported N.Y. Times, Dec,, 22 2023.   In Khan Younis, the call to prayer  is the call of a dazed Palestinian child crying baba, standing at the brim of a cavernous pit of rubble   biting his knuckles–baba, baba . . .  It's so close to the abba of the dazed  Israeli children of Be'eri, Kfar Azza. There is no comfort. From his uncles   he's heard the calls for revenge– for his home and school, for his bed  of nighttime stories, for his nana's  whisper-song of G-d's many names.   His Allah, his neighbor's Adonai,  cry the same tears for death  and shun more blood. No miracle these waters turning red. Who called forth    the fleets of avenging angels? By viral post: Jewish Plagues on Gaza! A firstborn lost,  then a second, a third. What other plagues  pass over? Hail from the tepid sky?   From on high it falls and keeps falling.  Though we've “seen terrible things,” will you tell us, Adonai, Allah, tell us– do You remember the forgotten promise?   From the pile once home of rubble stone, a father's hand reaching out, baba, abba crushed by the load. We know the silence  of the lost child . . . G-d “has injured us   but will bind up our wounds . . .” Mothers  Look for us, called by the name yamma, calling  the name imma. Our father of mercy, not the god of sacrifice. Our many crying heads explode. Manya Brachear Pashman:   Owen Lewis, thank you so much for talking to us about how this book came about and for sharing some of these verses. Owen Lewis:   Thank you so much. Manya Brachear Pashman: If you missed last week's episode, be sure to listen to my conversation with Israeli comedian Yohay Sponder on the sidelines of AJC Global Forum 2025. Hear how his Jewish identity shapes his work, how his comedy has evolved since the Hamas terror attacks, and what he says to those who try to silence him.

In this episode, acclaimed documentarian Ken Burns offers us a look into his dynamic creative process and shares what inspires him to create powerful, enduring narratives of iconic historical figures and periods. Since this episode originally aired in 2020, Burns has captivated audiences with documentaries on Ernest Hemingway, Muhammad Ali, Benjamin Franklin, the U.S. and the Holocaust, and the American buffalo as well as Burns' first non-American figure and topic: Leonardo da Vinci. This fall, he will release a new series on PBS about the American Revolution and how the nation's founding turned the world upside down.

The data from Pew is in and it indicates the entire world is turning on Israel. Two human rights groups in Israel also just accused the country of committing “genocide.” It seems obvious that Israel is creating such optics, either out of a plan to use the hatred as victimhood and to rally their people, or to create conditions that will lead to a global pogrom which will work in favor of Zionism once again. Report 1 https://www.phr.org.il/en/genocide-in-gaza-eng/Report 2 https://www.btselem.org/publications/202507_our_genocide*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKWEBSITECashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-secret-teachings--5328407/support.

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If we want our children to never give up on their values and beliefs, we've got to teach them hope.Yael Eckstein shares how hope in God's promises has sustained the Jewish people through enslavement and exile, through pogroms and persecution, and even through the Holocaust. Each year, this foundational principle of hope is on display as the Jewish people mourn the many tragedies that have befallen them throughout history on this very day, Tisha B'Av.As Yael explains, by teaching our children that the world is not as it should be, we're also teaching them to never give up—and that there's always hope for a better world and a better future.Listen now!Find out what you know about Tisha B'Av by taking our quiz.And listen to more of Yael's Bible teachings on her daily podcast, The Chosen People.

In this powerful episode of The CJ Moneyway Show, we welcome Roni Robbins, award-winning journalist and author of the acclaimed novel Hands of Gold: One Man's Quest to Find the Silver Lining in Misfortune. Inspired by her grandfather's remarkable real-life journey from Eastern Europe to America, Roni shares insights on legacy, resilience, and surviving unthinkable adversity. Hands of Gold has won top honors, including the 2023 International Book Awards and Global Book Awards Gold Medal. From immigrant grit to generational storytelling, Roni opens up about her writing process, her family's Holocaust history, and what it means to preserve memory through fiction.

We speak of 'Holocaust Survivors' without understanding what they survived, without knowing the trauma and guilt they carried.  A young 16-year-old girl was taken through the cruelty of Auschwitz - and asked by Mengele to decide the fate of her own mother.  How did she find the strength of mind? How did she become a beacon to others, learn to redefine freedom and turn her wounds into a source of hope?  And how should Tisha B'Av redefine our understanding of exile?    Chapters: 00:00 The Journey Begins: A Survivor's Tale 19:04 Reunion and Resilience: Finding Family After the War 24:55 Life After Liberation: Struggles and Triumphs 28:05 Facing New Challenges: The Fight for a Future 28:10 The Decision to Leave 30:23 The Escape Plan 31:53 A New Life in America 33:20 Confronting the Past 36:55 Lessons from Auschwitz 43:08 Moving Forward from Trauma 55:00 The Power of Belief

In this challenging episode of Amy's House, Ami Kozak and Michael Weber tackle the most difficult conversations around rising antisemitism, the Gaza conflict, and media manipulation. We break down a viral antisemitic clip from Fresh and Fit podcast, examine how mainstream platforms are amplifying dangerous rhetoric, and discuss the controversial New York Times photo that sparked global debate about starvation in Gaza.→ Analysis of Holocaust denial rhetoric going mainstream→How media figures like Piers Morgan and Joe Rogan inadvertently platform antisemites→The progression from "anti-Zionist" to openly antisemitic language→Gaza aid distribution crisis: Who's really responsible?→Israel's military strategy and the PR war→The moral complexities of wartime humanitarian aid→Jewish identity in the diaspora during wartime→Why some Jews are abandoning Zionism

On Monday's Mark Levin Show, Europe didn't do a anything to take on Hamas after the October 7th attacks, instead they push Israel to surrender.  Europe is historically tied to evils like the Holocaust, Nazism, Stalinism, and Marxism, now conquered by radical Islamists through open borders. The Biden administration, Democrats, left-wing forces in media/academia, and isolationists undermined Israel, who could have ended the war sooner without interference. What's happening in Gaza is that people are going without food. Why? Israel isn't starving them. This is a last desperate move by Hamas to save itself by slaughtering its own people. Later, EPIC City, a proposed Muslim-focused community in Texas initiated by the East Plano Islamic Center, is still raising concerns about potential Sharia law governance and "no-go zones." It prompted investigations by Texas officials and the Justice Department, though the federal probe closed as the project remains in planning.  These developments should be opposed to preserve American values. There is an incompatibility of Marxism and fundamentalist Islamism with American values. America was founded on Judeo-Christian beliefs fused with Enlightenment ideals like limited power, representative government, and individual sovereignty under God. Those like Zohran Mamdani, Bernie Sanders, Rashida Tlaib, Ilhan Omar, and AOC are hypocrites for living luxuriously while promoting Marxism, Islamism, anti-Semitism, and anti-Americanism. They employ negative language as a tool for thought control, enforcing uniformity and ideological conformity rather than open debate.  In breaking news, a gunman armed with a rifle stormed a NYC Midtown skyscraper opening fire and killing at least five people, including one NYPD officer, while injuring several others. The suspect barricaded himself on the 33rd floor, where he was found dead from a self-inflicted gunshot wound amid other victims. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ep 262: During one of the darkest times in world history, this woman risked imprisonment, torture and death by firing squad to save thousands of children from the Nazis. This is the Irena Sendler story Sources for Today's Episode: The Guardian Yeshiva University News Irenasendler.org BBC TV movie called The Courageous Heart of Irena Sendler. NY Times Holocaust memorial museum The book, Irena's Children by Tilar Mazzeo www.neh.gov The Documentary, IRENA SENDLER In the Name of Their Mothers Sponsors: (thanks for using our promo codes, it really does help the show!) TaskRabbit - Tackle your to-do list today and get 15% off your first task at TASKRABBIT.com or on the Taskrabbit app using promo code WAC. Taskrabbit—book trusted help for home tasks. Credits: Written and Hosted by Amy Shlosberg and Meghan Sacks Produced by James Varga Audio Editor, Jose Alfonzo Script Editor, Abagail Belcastro Music by Dessert Media Get Even More Women&Crime Episodes: Patreon - Ad-free shows starting at $2 a month, or upgrade for $5 a month to get a new extra episode every month, as well as exclusive virtual HappyHours with Meg & Amy. Check-out other tiers for perks such as lectures, true crime book club, and more! Visit our Patreon page for more info: https://www.patreon.com/womenandcrime Apple Subscriptions - Exclusive episodes and ad-free regular stories are now available through Apple's podcast app for only $4.99 a month, or save with an annual membership. YouTube Memberships - Exclusive episode available on YouTube for only $4.99 a month. https://www.youtube.com/@WomenandCrime/membership Help is Available: If you or someone you know is in a crisis situation, or a victim of domestic, or other violence, there are many organizations that can offer support or help you in your specific situation. For direct links to these organizations please visit https://womenandcrimepodcast.com/resources/ Keywords: Schindler's List, Ghetto, Holocaust, Survivor Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the 18Forty Podcast, we speak with Hadas Hershkovitz, whose husband, Yossi, was killed while serving on reserve duty in Gaza in 2023—about the Jewish People's loss of this beloved spouse, father, high-school principal, and soldier.In the second year of the war, we're grappling not only with the depth of our losses, but with how to make meaning of them as we continue to live in their aftermath. In this episode, we discuss:How has the loss of Hadas's husband sparked a renewed urgency in her dedication to uplifting the Jewish People?How do we confront the anger and blame we may feel toward others in the wake of collective tragedy?How can we cultivate the positive thoughts and spiritual clarity needed to uphold our moral responsibilities in difficult times?Tune in for a heartfelt conversation on what it means to transform Torah into a living song sung by the Jewish People.Interview begins at 30:30References:Psalms 23Hasidic Tales of the Holocaust by Yaffa EliachSeinfeld: “The Bottle Deposit”“יש כאן יותר מזה" by Hanan Ben Ari Deuteronomy 31 Arukh HaShulchan by Yechiel Michel EpsteinFor more 18Forty:NEWSLETTER: 18forty.org/joinCALL: (212) 582-1840EMAIL: info@18forty.orgWEBSITE: 18forty.orgIG: @18fortyX: @18_fortyWhatsApp: join hereBecome a supporter of this podcast: https://www.spreaker.com/podcast/18forty-podcast--4344730/support.

In this packed episode of Geek Freaks, Frank and Thomas unpack the latest Fantastic Four film, breaking down the performances, emotional stakes, and character portrayals, especially Vanessa Kirby's standout role. Then, Thomas shares his experience attending San Diego Comic-Con 2025 — from exclusive panels and cosplay trends to immersive brand activations. Finally, Frank interviews Cindy Mich, a veteran journalist, filmmaker, and founder of the Art is Alive Film Festival. Cindy opens up about her career, the importance of independent media, the legacy of her late partner, and her current work telling the story of Holocaust survivor Ben Lesser. Timestamps and Topics: 00:00 Intro and the Comic-Con crash 00:18 Fantastic Four: First reactions 01:15 Vanessa Kirby's Invisible Woman and standout moments 03:26 Emotional themes and fatherhood in the film 04:36 Pedro Pascal's Reed Richards: hit or miss? 06:33 MCU leadership and what's next for the team 08:11 Johnny Storm's surprising arc 09:45 Team intelligence and the Silver Surfer escape 10:11 Darker moments and MCU boldness 11:57 Final ratings and hopes for a director's cut 13:00 Comic-Con coverage: booths, exclusives, and cosplay 15:04 Artist Alley and the return of comics to SDCC 16:06 Standout panels: Jim Lee, Patton Oswalt, George Lucas 22:26 Thomas speaks at SDCC panel on video games and mental health 27:42 Immersive brand activations: Old Spice x Superman 30:46 AMC's Fantastic Four popcorn buckets and more 31:19 Why local cons matter and tips for first-timers 34:39 Interview: Cindy Mich's journey from radio to film festivals 36:03 Why she got into journalism 38:58 Being real in media and staying authentic 43:12 Choosing mediums: print vs radio vs TV 46:42 Art is Alive Film Festival's growth and mission 50:25 Telling Ben Lesser's story and Holocaust remembrance 57:00 Balancing passion and loss: her late partner's influence 01:12:47 Cindy's advice for aspiring creatives 01:18:15 Comic and show recommendations 01:19:29 Closing thoughts Key Takeaways: Fantastic Four feels like a return to early MCU form, with solid performances and emotional depth, especially around themes of parenting and sacrifice. Vanessa Kirby shines as Invisible Woman, and Pedro Pascal brings a unique (if divisive) take on Reed Richards. Thomas shares exclusive San Diego Comic-Con highlights including immersive brand experiences and deep, impactful panels. Cindy Mich shares insights into building trust as a journalist, embracing multiple mediums, and running a purpose-driven film festival. The Art is Alive Film Festival doesn't just screen films — it educates and supports indie filmmakers with real tools and exposure. Cindy is working on a film about Holocaust survivor Ben Lesser and another film honoring her late partner, blending healing and legacy. Quotes: “I won't give up my kid for the world, but I won't give up the world for my kid either.” — Thomas, quoting Fantastic Four “If there's somebody you admire at a con, go talk to them. They're there for you.” — Thomas “You can do anything as long as you're persistent and patient.” — Cindy Mich “My goal is to help artists be seen — not just screened.” — Cindy Mich Call to Action: If you enjoyed this episode, subscribe to Geek Freaks on your favorite podcast app, leave us a review, and share the show with your fellow geeks! Use the hashtag #GeekFreaksPod to join the conversation online. Links and Resources:

In this special episode of The Fire These Times, Elia is joined by four members of the From The Periphery media collective to talk about the ongoing famine in Gaza, Israel's genocide and the world's complicity. Despite the obviously horrific nature of this topic, we insisted on not giving in to despair. The génocidaires cannot win.The five participants connected to the Gaza genocide through their own respective experiences: Leila Al-Shami (Syria: The Inconvenient Revolution) is a Syrian-British activist and writer who lived in Gaza for three years; Karena Avedissian (Obscuristan) is an Armenian scholar who continues to reflect on the legacy of the Armenian genocide and the role of Genocide studies today; Daniel Voskoboynik (Hidah: Jewish Counter-Colonial Thoughts) joined us from what used to be the Warsaw Ghetto, site of one of the most infamous episodes of the Holocaust; israa' (The Mutual Aid Podcast) has been involved in Gaza mutual aid (click here for the link); and finally Elia is a Palestinian-Lebanese whose grandfather was a Palestinian refugee.They spoke about pushing back against despair, and the importance of rejecting Israel's genocide as the new normal. It got very personal at times.The Fire These Times is a proud member of⁠ ⁠From The Periphery (FTP) Media Collective⁠⁠. Check out other projects in our media ecosystem: Syria: The Inconvenient Revolution, From The Periphery Podcast, The Mutual Aid Podcast⁠, ⁠Politically Depressed⁠, ⁠Obscuristan⁠, and ⁠Antidote Zine⁠.If you're not a supporter yet, please consider doing so with only $5 a month on Patreon.com/fromtheperipheryFor more:Elia Ayoub is on ⁠⁠Bluesky, Mastodon and blogs at ⁠Hauntologies.net⁠ Leila Al-Shami is on Bluesky, Mastodon and blogs hereKarena Avedissian is on Blueskyisraa is on BlueskyDaniel Voskoboynik is on Bluesky and blogs at The Ecology of UsThe Fire These Times is on Bluesky,⁠ IG⁠ and has a⁠ ⁠website⁠⁠ ⁠⁠⁠From The Periphery is on⁠ ⁠Patreon⁠⁠, ⁠Bluesky⁠, ⁠⁠YouTube⁠⁠,⁠ Instagram⁠, and has a⁠ website⁠⁠Transcriptions: Transcriptions are done by⁠ Antidote Zine⁠ and will be published on⁠ The Fire These Times' transcript archive⁠.Credits:Elia Ayoub (host, producer, sound editor, episode design), Leila Al Shami (host), israa (host), Daniel Voskoboynik (host), Karena Avedissian (host), ⁠⁠Rap and Revenge⁠⁠⁠⁠⁠⁠ (Music), ⁠⁠Wenyi Geng⁠⁠⁠⁠⁠⁠ (TFTT theme design), ⁠⁠Hisham Rifai⁠⁠⁠⁠ (FTP theme design) and ⁠⁠Molly Crabapple⁠⁠⁠⁠⁠⁠⁠ (FTP team profile pics). 

As an American Jew raised in a household of Holocaust survivors, Bradley has always been unwavering in his support for Israel. But what once felt morally clear — Israel's strength as a shield against persecution — has given way to uncertainty, as the war in Gaza grinds on without a discernible ethical purpose. To preserve Judaism's core values, Bradley argues, Jews must reassert the moral standards that have sustained them for millennia.This episode was taped at P&T Knitwear at 180 Orchard Street — New York City's only free podcast recording studio.Send us an email with your thoughts on today's episode: info@firewall.media.Be sure to watch Bradley's new TED Talk on Mobile Voting at https://go.ted.com/bradleytusk.Subscribe to Bradley's weekly newsletter and follow Bradley on Linkedin + Substack + YouTube.

This one is for the animal lovers... and our golden hot teas! We're chatting all about our new little lizard friends finding their way all across the island! While they may be cute we have more to highlight with some amazing outdoor dining spots to frequent this summer and an incredible Long Islander of the week who knows how to fight for what she loves despite her past. #ShowUsYourLongIslander This week's Long Islander shoutout Gilda Zirinsky, a Holocaust survivor who recently celebrated her 90th birthday, has been working out at the Strength in Mobility fitness center in Manhasset through boxing and strength training. Given her bravery in surviving this horrific era of her live, some days she fights back tears and others she just fights… For the last seven years, Gilda has been taking boxing and strengthening classes. She says she loves doing it every second because she can get out all of her frustration and remain active. Gilda's story is an incredible reminder of the strength, resilience and passion that comes from our community while also supporting a local business at the Fitness Center she frequents.Show us YOUR Long Islander by sending us a DM, give us a call and leave a voicemail at 877-386-6654 x 400 or email us at spillthetea@discoverlongisland.com#LongIslandLifeLong Island's wall lizard population is booming, and spreading eastFor more than 60 years, these warm-weather lizards have been crawling their way through Nassau and Suffolk counties, with the past decade seeing a noticeable uptick in sightings.In Central Suffolk, scores of lizards started appearing in large numbers in the Centereach and Selden areas this spring.Have you seen these lizards pop up where you live? Write to us or CALL and let us know your stories on our new Long Island natives!NEW BLOG: Long Island Outdoor Dining SpotsDon't skip out on the warm fresh air while dining and sit outdoors! It's what we all look forward to all year long: outdoor dining. Long Island has dockside dining, beachside dining, classic patio dining, and even airconditioned igloo dining, so pick your preferred view and check out the venue options for your next meal.Read more at discoverlongisland.com/blog#ThisWeekendOnLongIslandFriday, August 1st-Willie Nelson, Bob Dylan, Wilco, Lucinda Williams & More at Jones Beach Theater-Spend the weekend at Adventureland!-Discovery Wetlands Cruise in Stony Brook-Paumonok Vineyards Sunset Fridays in RiverheadSaturday, August 2nd-Saturday Night Fireworks Spectacular at Long Island Ducks-All New NEON NIGHTS at Splish Splash! (check out our TikTok for a preview!)-Craft Fair at The Shoppes at East Wind-LIRR and Metro-North Summer Saturdays!For more events to check out and detailed info please visit discoverlongisland.com or download our mobile app!CONNECT WITH US:Instagram: https://www.instagram.com/longislandteapodcast/YouTube: https://www.youtube.com/@DiscoverLongIslandNYTikTok: https://www.tiktok.com/@longislandteapodcastX(Twitter): https://x.com/liteapodcastFacebook: https://www.facebook.com/longislandteapodcast/ DM us on any of our social channels or email spillthetea@discoverlongisland.com to tell us what you want to hear! Whether it is Long Island related or not, we are here to spill some tea with you! Shop Long Island Apparel!shop.discoverlongisland.com Check out our favorite products on Amazon!amazon.com/shop/discoverlongisland Be sure to leave us a 5-star rating and review wherever you're listening, and screenshot your review for $5 off our Merch (Please email us to confirm) Hosted on Acast. See acast.com/privacy for more information.

In her new book, The Perfect Fascist: A Story of Love, Power, and Morality in Mussolini's Italy (Belknap Press), Dr. Victoria de Grazia takes the story of Attilio Teruzzi and explores the social history of fascism. When Attilio Teruzzi, Mussolini's handsome political enforcer, married a rising young American opera star, his good fortune seemed settled. The wedding was a carefully stage-managed affair, capped with a blessing by Mussolini himself. Yet only three years later, after being promoted to commander of the Black Shirts, Teruzzi renounced his wife. In fascist Italy, a Catholic country with no divorce law, he could only dissolve the marriage by filing for an annulment through the medieval procedures of the Church Court. The proceedings took an ominous turn when Mussolini joined Hitler: Lilliana Teruzzi was Jewish, and fascist Italy would soon introduce its first race laws. The Perfect Fascist pivots from the intimate story of a tempestuous seduction and inconvenient marriage―brilliantly reconstructed through family letters and court records―to a riveting account of Mussolini's rise and fall. It invites us to see in the vain, loyal, lecherous, and impetuous Attilio Teruzzi, a decorated military officer, an exemplar of fascism's New Man. Why did he abruptly discard the woman he had so eagerly courted? And why, when the time came to find another partner, did he choose another Jewish woman as his would-be wife? In Victoria de Grazia's engrossing account, we see him vacillating between the will of his Duce and the dictates of his heart. De Grazia's landmark history captures the seductive appeal of fascism and shows us how, in his moral pieties and intimate betrayals, his violence and opportunism, Teruzzi is a forefather of the illiberal politicians of today. Victoria de Grazia is the Moore Collegiate Professor of History at Columbia University. Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A new MP3 sermon from Old Paths Baptist Church is now available on SermonAudio with the following details: Title: Jesuits, Hitler & Pavelic-Holocaust In Slovenia/Croatia Subtitle: Israel, Jews, Church Speaker: Jason Cooley Broadcaster: Old Paths Baptist Church Event: Current Events Date: 7/28/2025 Length: 107 min.

Author/neurologist Robert J. Wolf talks about his newest release “Not A Real Enemy” a true story of one of the most unknown chapters of the Holocaust following the transformation of a young man confronting antisemitism, cruelty, kindness, despair and hope towards freedom where nearly ½ million Hungarian Jews were deported and killed during the holocaust! Robert grew up in suburban Detroit as an only child, attended University of Michigan Medical School, completed his training at Brown & Yale University, and shares the stories of his parents escape from communist Hungary and his father's tragic history of escaping the Nazis twice but losing his own parents, plus the sharing the family saga of daring escapes, terrifying oppression, tragedy and triumph! Check out the amazing Robert Wolf and his latest release on all major platforms and www.robertjwolfmd.com today! #podmatch #robertjwolfmd #author #neurologist #notarealenemy #robertwolf #detroit #holocuast #hungarian #hungarianjews #antisemitism #universityofmichigan #brownuniversity #yaleuniversity #communism #escape #nazis #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerrobertjwolf #themikewagnershowrobertjwolf  Become a supporter of this podcast: https://www.spreaker.com/podcast/the-mike-wagner-show--3140147/support.

"I can't imagine you're watching Dance Moms every night, you know for fun!" Christi remarks to Ed Phelan, an OG Dance Moms choreographer who returns to the Barre this week after a two year hiatus to check-in on Christi and Kelly as they tackle Season 4's "No More Crybabies". With Nationals quickly approaching Abby begins to shift focus on to who will be getting solos and whose going to be left on the sidelines. She assigns Mackenzie, Select team member Tea, and Sarah H solos to see who will get cut from consideration. Though Abby does Sarah H no favors by giving her a dance centered around the Holocaust of all things! It wasn't about that once the episode aired, but it must have been fun explaining that one to the kids!But Abby is more worried about the fact the ALDC is slated to compete against Ava at this week's competition, which inspires the classic Abby move of, "What if I surprise added Maddie to the line-up?!" which she's certain everyone will like! Shockingly Maddie's inclusion doesn't earn Abby any goodwill, and instead works to only encourage the other moms to turn on Melissa who allowed her other daughter to be upstaged.Quotes“It was the ugliest menagerie of clothing I've ever seen. But I digress, that's every week." (18:21-18:26 | Christi)“It was nice to see her in a shirt that wasn't black with blue writing. It was blue with black writing! I was like oh we're expanding!" (23:20-23:25 | Christi)“This is giving Schindler's List." (32:49-32:51 | Christi)“I don't think anybody should be demonstrating a temper tantrum more than Abby Lee Miller." (47:26-47:32 | Christi)LinksSubscribe to us on YouTube: https://www.youtube.com/channel/UC50aSBAYXH_9yU2YkKyXZ0w Subscribe to our Patreon: www.patreon.com/backtothebarreThank you to Ashley Jana for allowing us to use Electricity!! Follow her on IG HERE: https://instagram.com/ashleyjanamusic?igshid=YmMyMTA2M2Y=Download Electricity HERE: https://music.apple.com/us/album/electricity/1497482509?i=1497482510Follow Christi on IG: www.instagram.com/christilukasiakFollow Kelly on IG: www.instagram.com/kellylhyland Hosted on Acast. See acast.com/privacy for more information.

Join Jesse Jackson and his guest Lori Krein as they dive into Lori's latest book 'Chasing Bruce', her lifelong love for Bruce Springsteen, and her fascinating experiences as a fan. Lori shares heartfelt stories, including childhood memories of discovering Bruce's music in Freehold, NJ, thrilling concert adventures, and her dedication to documenting her fandom. They also discuss the importance of community, the impact of music on their lives, and Lori's various writing projects, including a touching book about her grandmother's experience surviving the Holocaust. Don't miss this engaging and nostalgic episode of Set Lusting Bruce! http://www.lorikrein.com/ 01:49 Meet Lori: A Bruce Springsteen Superfan 02:44 Lori's Early Encounters with Bruce 04:17 The Impact of Bruce's Music 14:59 Lori's Writing Journey 18:21 Hilda's Story: A Family Legacy 20:58 The Magic of Live Shows 23:31 Lori's Pit Adventures 24:19 Crafting Fake Wristbands for Concert Entry 25:49 A Close Call at the Concert 26:38 Memorable Concert Stories 28:05 Balancing Motherhood and Concerts 30:49 Writing the Book: Reflections and Insights 35:12 Future Projects and Creative Endeavors 36:57 The Big Question: Does Mary Get in the Car? 39:42 Final Thoughts and Farewell Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textWhat makes someone a perpetrator?  Are killers born or made?  One thing that is clear in studying the Holocaust and other genocides is that perpetrators come in all shapes and sizes with just as diverse a set of motivations.On today's episode, I talked with Alette Smeulers about her work in studying perpetrators from a variety of perspectives across many different forms of mass violence. Alette Smeulers is a professor in the faculty of law at the University of Groningen. Smeulers, Alette.  Perpetrators of Mass Atrocities: Terribly and Terrifyingly Normal? (2023)Follow on Twitter @holocaustpod.Email the podcast at holocausthistorypod@gmail.comThe Holocaust History Podcast homepage is hereYou can find a complete reading list with books by our guests and also their suggestions here.

In her new book, The Perfect Fascist: A Story of Love, Power, and Morality in Mussolini's Italy (Belknap Press), Dr. Victoria de Grazia takes the story of Attilio Teruzzi and explores the social history of fascism. When Attilio Teruzzi, Mussolini's handsome political enforcer, married a rising young American opera star, his good fortune seemed settled. The wedding was a carefully stage-managed affair, capped with a blessing by Mussolini himself. Yet only three years later, after being promoted to commander of the Black Shirts, Teruzzi renounced his wife. In fascist Italy, a Catholic country with no divorce law, he could only dissolve the marriage by filing for an annulment through the medieval procedures of the Church Court. The proceedings took an ominous turn when Mussolini joined Hitler: Lilliana Teruzzi was Jewish, and fascist Italy would soon introduce its first race laws. The Perfect Fascist pivots from the intimate story of a tempestuous seduction and inconvenient marriage―brilliantly reconstructed through family letters and court records―to a riveting account of Mussolini's rise and fall. It invites us to see in the vain, loyal, lecherous, and impetuous Attilio Teruzzi, a decorated military officer, an exemplar of fascism's New Man. Why did he abruptly discard the woman he had so eagerly courted? And why, when the time came to find another partner, did he choose another Jewish woman as his would-be wife? In Victoria de Grazia's engrossing account, we see him vacillating between the will of his Duce and the dictates of his heart. De Grazia's landmark history captures the seductive appeal of fascism and shows us how, in his moral pieties and intimate betrayals, his violence and opportunism, Teruzzi is a forefather of the illiberal politicians of today. Victoria de Grazia is the Moore Collegiate Professor of History at Columbia University. Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

De situatie in Israël en Gaza is hooggespannen en iedere toeschouwer speelt voor eigen expert. Maar wat kunnen we op wetenschappelijke grond zeggen over deze oorlog? “De wetenschap is er vrij eenduidig over eens dat het hier gaat om een Genocide.” In deze aflevering van Focus vertelt Uğur Ümit Üngör (https://www.niod.nl/medewerkers/ugur-umit-ungor), hoogleraar Holocaust- en Genocidestudies aan de Universiteit van Amsterdam en het Nederlands Instituut voor Oorlogs-, Holocaust- en Genocidestudies (NIOD), hoe hij onderzoek doet naar genocide.   "Ik ben op zoek naar patronen en motieven"   Wat is het belang van het benoemen van een conflict als een genocide? Verslaggever Syb Faes stond op de Rode lijn demonstratie in Den Haag en sprak met demonstranten over hoe zij met deze term omgaan. 

Professor Omer Bartov recently wrote an op ed in The New York Times titled “I'm a Genocide Scholar. I Know It When I See It.” The United States Holocaust Memorial Mueseum has cited him as one of the world's leading specialist on genocide. Professor Bartov shares his insight.Omer Bartov Bio: Born in Israel and educated at Tel Aviv University and St. Antony's College, Oxford, Omer Bartov's early research concerned the Nazi indoctrination of the Wehrmacht and the crimes it committed in World War II, analyzed in his books, The Eastern Front, 1941-1945, and Hitler's Army. He then turned to the links between total war and genocide, discussed in his books Murder in Our Midst, Mirrors of Destruction, and Germany's War and the Holocaust. Bartov's interest in representation also led to his study, The "Jew" in Cinema, which examines the recycling of antisemitic stereotypes in film. His more recent work has focused on interethnic relations in the borderlands of Eastern Europe. Recent publications include Erased: Vanishing Traces of Jewish Galicia in Present-Day Ukraine (2007), Anatomy of a Genocide: The Life and Death of a Town Called Buczacz (2018), winner of the National Jewish Book Award, and Tales from the Borderlands: Making and Unmaking the Galician Past (2022). His many edited volumes include Shatterzone of Empires: Coexistence and Violence in the German, Habsburg, Russian, and Ottoman Borderlands (2013), Voices on War and Genocide: Three Accounts of the World Wars in a Galician Town (2020), and Israel-Palestine: Lands and Peoples (2021). Bartov's novel, The Butterfly and the Axe, will be published in 2023.

In her new book, The Perfect Fascist: A Story of Love, Power, and Morality in Mussolini's Italy (Belknap Press), Dr. Victoria de Grazia takes the story of Attilio Teruzzi and explores the social history of fascism. When Attilio Teruzzi, Mussolini's handsome political enforcer, married a rising young American opera star, his good fortune seemed settled. The wedding was a carefully stage-managed affair, capped with a blessing by Mussolini himself. Yet only three years later, after being promoted to commander of the Black Shirts, Teruzzi renounced his wife. In fascist Italy, a Catholic country with no divorce law, he could only dissolve the marriage by filing for an annulment through the medieval procedures of the Church Court. The proceedings took an ominous turn when Mussolini joined Hitler: Lilliana Teruzzi was Jewish, and fascist Italy would soon introduce its first race laws. The Perfect Fascist pivots from the intimate story of a tempestuous seduction and inconvenient marriage―brilliantly reconstructed through family letters and court records―to a riveting account of Mussolini's rise and fall. It invites us to see in the vain, loyal, lecherous, and impetuous Attilio Teruzzi, a decorated military officer, an exemplar of fascism's New Man. Why did he abruptly discard the woman he had so eagerly courted? And why, when the time came to find another partner, did he choose another Jewish woman as his would-be wife? In Victoria de Grazia's engrossing account, we see him vacillating between the will of his Duce and the dictates of his heart. De Grazia's landmark history captures the seductive appeal of fascism and shows us how, in his moral pieties and intimate betrayals, his violence and opportunism, Teruzzi is a forefather of the illiberal politicians of today. Victoria de Grazia is the Moore Collegiate Professor of History at Columbia University. Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Willie Handler has worn many hats — hospital administrator, policy expert, consultant — but none as personal as his latest: author and witness to generational pain. What began as a gift for humor and fiction eventually led him to a deeper calling — writing a memoir that unlocked decades of buried trauma and forced him to confront what was never fully spoken.After years of writing fiction and humor, he released Out From the Shadows, a memoir that pulled back the curtain on his childhood as the son of Holocaust survivors and unearthed decades of unspoken trauma.In this powerful conversation, Willie shares how writing the book led him to unexpected places — including therapy, reflection, and a deeper understanding of intergenerational pain. Now, he's taking on his next challenge with The Hidden Victims, an oral history project documenting the experiences of descendants of Holocaust survivors across the world.https://williehandler.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.

In her new book, The Perfect Fascist: A Story of Love, Power, and Morality in Mussolini's Italy (Belknap Press), Dr. Victoria de Grazia takes the story of Attilio Teruzzi and explores the social history of fascism. When Attilio Teruzzi, Mussolini's handsome political enforcer, married a rising young American opera star, his good fortune seemed settled. The wedding was a carefully stage-managed affair, capped with a blessing by Mussolini himself. Yet only three years later, after being promoted to commander of the Black Shirts, Teruzzi renounced his wife. In fascist Italy, a Catholic country with no divorce law, he could only dissolve the marriage by filing for an annulment through the medieval procedures of the Church Court. The proceedings took an ominous turn when Mussolini joined Hitler: Lilliana Teruzzi was Jewish, and fascist Italy would soon introduce its first race laws. The Perfect Fascist pivots from the intimate story of a tempestuous seduction and inconvenient marriage―brilliantly reconstructed through family letters and court records―to a riveting account of Mussolini's rise and fall. It invites us to see in the vain, loyal, lecherous, and impetuous Attilio Teruzzi, a decorated military officer, an exemplar of fascism's New Man. Why did he abruptly discard the woman he had so eagerly courted? And why, when the time came to find another partner, did he choose another Jewish woman as his would-be wife? In Victoria de Grazia's engrossing account, we see him vacillating between the will of his Duce and the dictates of his heart. De Grazia's landmark history captures the seductive appeal of fascism and shows us how, in his moral pieties and intimate betrayals, his violence and opportunism, Teruzzi is a forefather of the illiberal politicians of today. Victoria de Grazia is the Moore Collegiate Professor of History at Columbia University. Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From Kellyanne Conway torching Jessica Tarlov to the NEA trying to rewrite Holocaust history—this episode is wild. We break down the most viral, ridiculous, and outrageous stories of the week: Scott Adams exposes the real Russian collusion narrative, Mayor Pete flails in front of Charlamagne, and a “hot woman in marketing” sparks the internet's favorite debate. Plus: Ghislaine resurfaces, South Park wins again, the Young Turks implode (as usual), and why Temu + Andrew Tate + Hitler = the worst headline of the year. Don't miss our takedown of the Dems' biggest Twitter blunder and the shady new push to recognize Palestine.SUPPORT OUR SPONSORS TO SUPPORT OUR SHOW! Head over to https://RepublicanRed.com and grab the Drill Baby Drill wines while they're still in stock. Save $5 OFF a bottle with code CHICKS or more by joining the wine club.Donate $20 to support women's success and receive the book, A Woman's Guide, Seven Rules for Success in Business and Life from Concerned Women for America. Visit https://ConcernedWomen.org/ChicksGive your liver a boost with Dose Liver Health. Save 30% on your first month's subscription at https://DoseDaily.co/CHICKS or enter code “C” at checkout.Bare Bar got it right—a high-quality protein bar with no junk. Try it now and get 15% off! Use code CHICKS at https://GetBareBars.comVISIT OUR WEBSITE DAILY!  https://chicksonright.com SUBSCRIBE TO OUR PODCAST: https://link.chtbl.com/BtHbvS8C?sid=youtube JOIN OUR SUPPORTER COMMUNITY ON LOCALS:  https://chicksontheright.locals.com/ JOIN OUR SUPER DOUBLE AWESOME SECRET BUT NOT SECRET EXCLUSIVE GROUP: https://www.facebook.com/groups/388315619071775 Subscribe to our email list: https://politics.chicksonright.com/subscribe/ GET OUR BOOK! https://www.amazon.com/dp/B08H5D3CF1/ref=cm_sw_r_cp_api_fabc_JdhQFbZ363CAY Venmo: @chicksonrightPaypal: https://www.paypal.me/chicksonright Get exclusive Chicks merch here:  https://www.etsy.com/shop/InRealLifeCreations?ref=seller-platform-mcnav§ion_id=50399398 Even more Merch: https://shop.spreadshirt.com/chicksonright/ Thank you for the Superchats!  Watch live to donate and be recognized! Facebook:  Chicks on the RightFacebook Group:  Chicks on the RightTwitter, IG, Parler, Rumble:   @chicksonright

From Kellyanne Conway torching Jessica Tarlov to the NEA trying to rewrite Holocaust history—this episode is wild. We break down the most viral, ridiculous, and outrageous stories of the week: Scott Adams exposes the real Russian collusion narrative, Mayor Pete flails in front of Charlamagne, and a “hot woman in marketing” sparks the internet's favorite […]

On this week's episode, I'm rejoined by Puck media correspondent Julia Alexander to discuss the absurdities of Jubilee. You might not recognize the name of the company but you've probably seen some of their clips; most recently, Mehdi Hasan went up against 20 self-described far-right conservatives that resulted in at least one of the participants losing his job after he proudly declared himself an autocrat and downplayed Nazi crimes during the Holocaust. Is this brand of debate spectacle lucrative? Maybe! Is it bad for society? Undoubtedly. We examine why on this week's episode. If you enjoyed it, please share it with a friend!

In Parashat Matot, Moshe Rabbeinu is commanded by Hashem to avenge the Midyanim for causing Bnei Yisrael to stumble in the most severe sins. Moshe responds by selecting one thousand tzaddikim from each shevet, totaling 12,000 men. He sent them off to war along with Pinchas, the Aron HaKodesh, and the special trumpets used in battle to invoke Hashem's favor and bring victory. The Torah then states: " וַיִּצְבְּאוּ עַל־מִדְיָן " – They encamped against Midyan. Ramban explains that this means the Jewish army surrounded Midyan on three sides, leaving one side open. This was a direct command from Hashem, meant to offer the enemy a chance to flee. Even in war, we are commanded to show mercy. And Ramban adds that this wasn't a one-time instruction—this principle of compassion applies to all future optional wars. Later, the Torah testifies that the Jewish army wiped out Midyan without losing even one soldier. It was openly miraculous. To confront such a large enemy with only 12,000 men and suffer no casualties was clearly the hand of Hashem. This pattern has repeated itself throughout Jewish history. We show compassion to our enemies—and we experience miraculous victories. In a recent conflict, the Israeli Air Force flew nearly 400 warplanes over Iran. Not a single jet malfunctioned. There were no mechanical failures, no planes struck by enemy fire, and not one pilot was injured or captured. Before the operation, Israeli defense officials estimated that between 400 and 800 civilians could be killed in Iranian missile assaults. Some projections feared that if Iran fired all of its 2,000+ ballistic missiles, the death toll could rise to 4,000. In the end, only 687 missiles were fired. Of those, 97% were intercepted. Iran also launched 1,200 drones—99% of which were downed by Israeli defensive systems. According to military experts, these numbers are almost statistically impossible. But when Hashem is protecting us, statistics do not apply. Although we did not merit a completely casualty-free outcome like the war against Midyan, we witnessed an unmistakable miracle. And it wasn't only us who saw it. Even non-Jewish journalists around the world began to acknowledge that something beyond nature is protecting the Jewish people. A British journalist by the last name Heath recently wrote an article exploring the world's irrational hatred for the Jews. He asked: Why does a nation this small inspire so much hostility? In his own words: A nation this small should not be this strong. Surrounded by enemies, condemned in the UN, targeted by terror, boycotted, slandered, and attacked—and yet, the Jewish people thrive in every area: military, medicine, technology, agriculture, security, intelligence, morality, and resilience. They turn desert into farmland. They make water from air. They intercept rockets midair. They rescue hostages from the heart of enemy territory. They survive wars they are supposed to lose—and they win. The world watches and can't explain it. So they grasp for explanations: American aid, high-tech trickery, some hidden secret—anything but the truth. Because the truth means admitting it's Hashem. By all logic, the Jewish people should have disappeared long ago. That's how the story of every exiled, enslaved, and persecuted minority ends. But the Jews didn't disappear. We are stronger than ever. There is no cheat code that can explain how a nation returns to its homeland after 2,000 years. There is no rational explanation for how a people go from gas chambers to global influence. There is no historical precedent for surviving the Babylonians, Romans, Crusaders, Inquisitions, Pogroms, and Holocaust—and still standing strong today. Israel doesn't make sense—unless you believe in something higher. And that's what drives the world crazy. Maybe history isn't random. Maybe evil doesn't have the last word. Maybe the Jewish people aren't just a nation—but a living proof that there is a G-d in the world. Once a person admits that Israel's survival is divine, his entire moral compass has to reset. Because then he is not watching the final chapter of a fallen people, but rather the unfolding of something eternal. So the world tries to deny it—but it is becoming more and more obvious. We are incredibly fortunate to be the Am Hashem. We must appreciate that privilege and honor it by living as true representatives of Hashem—through our Torah and our mitzvot.. Shabbat Shalom.

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comToday I'm honored to introduce you all to: Satanic ritual abuse, MK ULTRA mind control, covert experimentation, and organized abuse survivor, whistleblower and overcomer, artist and painter, writer, songwriter, spiritual conduit and healer, and a woman who transforms the unspeakable into a testament of the soul's unyielding sovereignty: Magnolia DoveBorn into a lineage marked by survival and struggle, Magnolia's story began with roots in her mother's Holocaust survivor heritage and a rare AB-positive bloodline, which made her a target immediately from birth. While the specifics of generational abuse remain partly shrouded, the echoes of trauma reverberated through her family. Her childhood, spent in the loving yet dysfunctional embrace of her parents - an only child navigating her father's cocaine addiction - was marred by early dissociation, a survival mechanism that veiled her earliest memories. At age five, the darkness descended fully: Magnolia became a target of ritual abuse and mind control, ensnared by perpetrators tied to MK ULTRA and STARGATE projects, the ‘Sisters of Darkness' coven, and even her best friend's parents who were linked to the Warner Brothers and Hollywood circles.Her formative years were a battleground. At private school, and later in public schools, Magnolia was subjected to routine programming, even as she excelled in her school's GATE programs. The abuse was harrowing: satanic rituals where she was hung upside down, adrenalized blood being extracted; a shallow coffin burial with snakes and bugs; electroshock wands, starvation in padded rooms, bamboo shoots under her fingernails, and more as part of her brutal trauma-based mind control programming. At Warner Brothers-linked gatherings, she even endured child-adult fetish parties, a grim echo of the movie Eyes Wide Shut. These horrors, layered with drug-induced programming and near-death experiences, sought to fracture her spirit.The abuse began to wane around age nine when key perpetrators, including her primary babysitter and sexual abuser, moved away. MK ULTRA's grip loosened, though sporadic access for programming persisted. Magnolia buried these memories deep, blocking them out into adulthood, a survival strategy that allowed her to move forward - until the past demanded reckoning. Just over a decade ago, a chilling memory of a perpetrator's Russian Roulette threat unlocked a flood of memories linked to SRA. Today, Magnolia stands as a whole, vibrant soul with many memories integrated, yet ever-curious about the gaps in her story. Her decision to speak out is driven by a desire to provide hope, fill in others' fragmented memories, and reclaim her testimony. Her work is a lifeline for those navigating the liminal space between trauma and transcendence. As a radiant vessel of Yeshua's divine light, Magnolia channels transformative healing messages and profound spiritual wisdom, guiding those yearning for restoration and truth through their deepest wounds. CONNECT WITH MAGNOLIA: IG: https://www.instagram.com/magnoliadove777/?hl=enCONNECT WITH THE IMAGINATION: EMAIL: imagineabetterworld2020@gmail.comSubstack: https://emmakatherine.substack.com/BUY ME A COFFEE: https://www.buymeacoffee.com/theimaginationAll links: https://direct.me/theimaginationpodcastRIFE TECHNOLOGIES:https://realrifetechnology.cSupport the show

For the 175th episode of Another Pass, we had to talk about a cult classic so cultish and such a classic that it demanded two separate panels! That's right! For a discussion on Starship Troopers, Case and Sam are joined by John Lestrange (The History Wizard), Samantha Perez, Keith Lehtinen, and Mitch Punpayuk! Would you like to know more? Music by Vin Macri and Matt Brogan Podcast Edited by Sophia Ricciardi Overview Episode 175 of 'Certain POV's Another Pass' podcast explores Starship Troopers, addressing its satirical elements and impact on audiences, featuring two distinct panels. Personal viewing experiences highlight how initial interpretations of the film changed over time, with multiple guests recognizing the underlying satire. The film's satirical intent often missed by audiences; Poe's Law indicates difficulty in distinguishing extreme satire from genuine claims without clear indicators. Elements of fascism illustrated in the United Citizen Federation's military service requirements and portrayal of authority figures with war injuries. Propaganda within the film includes false flag operations, demonstrating dehumanization of 'bugs' and justifying violent military actions. Johnny Rico's character illustrates an alt-right pipeline, showing the process of radicalization through military indoctrination and societal pressure. Significant differences between the original book and movie adaptation noted, including a shift in character motivations and depictions of technology. Production challenges included injuries during boot camp training and instances of disrupted filming, showcasing the difficulties faced by the crew. Cultural impact acknowledged, as Starship Troopers influenced franchises like Starcraft and Helldivers, with modern audiences resonating with its themes. New adaptations are in development, including a Sony project directed by Neil Blomkamp, indicating ongoing interest in the Starship Troopers franchise.   Notes ️ Episode Introduction & Format (00:01 - 02:51) Episode 175 of 'Certain POV's Another Pass' podcast discussing Starship Troopers as a movie that overcame adversity. Two-panel format with different guest combinations to cover extensive discussion topics. First panel features Case Aiken, Sam Alicea, John Lestrange, and Samantha Perez focusing on sociological themes. Second panel includes Case Aiken, Sam Alicea, Keith Lehtinen, and Mitch Punpayuk discussing filmmaking aspects. Personal Experiences with Starship Troopers (04:08 - 16:01) Case Aiken saw it at age 13 in 1997, initially missed satirical elements, took it as straightforward action film. Sam Alicea watched at 16-17, uncomfortable with bugs but recognized something 'off' about the film. John Lestrange first viewing at age 7 when released, watched for first time yesterday with Holocaust studies background. Samantha Perez saw chopped TV versions as teenager, recently rewatched with fresh perspective. Keith Lehtinen was 14 when released, became aware of actors through this film, Dina Meyer was first crush. Mitch Punpayuk saw at 15, bought DVD before owning DVD player, waited two years to watch it. Satirical Elements & Reception Analysis (20:09 - 29:48) Movie functions as fascist propaganda satire but audiences often missed the satirical intent. Poe's Law applies - satirical expressions of extremist views indistinguishable from actual extremist views without clear indicators. 1997 timing problematic for satire reception - post-Cold War, pre-9/11 context limited audience understanding. Director Paul Verhoeven grew up in Nazi-occupied Netherlands, assumed audience familiarity with fascist themes. Susan Sontag's 'Fascinating Fascisms' (1975) referenced - Nazi ideal of 'brave, pretty and stupid' Aryan forces. ️ Fascist Society Elements (24:14 - 01:01:13) United Citizen Federation requires military service for citizenship and voting rights. All adult authority figures shown with missing limbs or severe scarring from military service. 14 characteristics of fascism present but modified - notably lacks typical gender hierarchy/sexism. Reproduction licensing system makes having children difficult for non-citizens. Public flogging and televised executions as standard punishments. Bug War Propaganda Analysis (30:42 - 40:12) Buenos Aires meteor attack potentially false flag operation rather than bug weapon. Mormon colony massacre on bug territory used as justification despite humans being invaders. 'Would you like to know more?' segments function as in-universe propaganda reels. Children encouraged to stomp bugs in disturbing propaganda scene. Brain bug capture presented as victory but war clearly being lost. ‍️ Character Development & Military Pipeline (51:47 - 01:00:16) Johnny Rico represents alt-right pipeline - young man radicalized through military indoctrination. Carmen Ibanez portrayed as ambitious, prioritizing military career over relationships. Dizzy Flores changed from male character in book to female love interest. Carl Jenkins represents military intelligence, disappears into classified operations. Sergeant Zim and Lieutenant Rasczak serve as father figures in military structure. Book vs Movie Adaptation (23:13 - 28:17) Originally titled 'Bug Hunt at Outpost 7' before being adapted to Starship Troopers. Director didn't finish reading Heinlein's book, called it 'too boring'. Mobile Infantry in book wore powered armor with jump jets, removed due to budget/wire work complexity. Bugs more technologically advanced in book, movie presents them as purely biological. Buenos Aires not Rico's hometown in book, major plot change for personal motivation. Production Challenges & Behind-the-Scenes (39:34 - 07:35) Cast underwent intensive boot camp training, Casper Van Dien and Dina Meyer sustained injuries during filming. Intoxicated crew member mentioned bomb on flight, disrupting production travel. Pre-visualization test at Vasquez Rocks convinced TriStar to fund after Waterworld concerns. 15-foot practical ship models used alongside CGI for space scenes. Starship Trooper armor reused in multiple productions including Power Rangers, Firefly, Planet of the Apes. Special Effects & Technical Aspects (08:52 - 06:24) Mix of practical and CGI effects particularly effective for bug creatures. Netflix 4K viewing shows quality variations, some scenes appear grainy especially green screen backgrounds. Brain bug close-ups noted as particularly disturbing and well-designed. Space scenes generally poor quality except for specific flight sequences. Cultural Impact & Legacy (14:18 - 17:26) Starcraft, Warhammer 40K, and Helldivers directly influenced by Starship Troopers aesthetics. Five-movie franchise plus Roughnecks CGI TV series expanded universe. Modern resonance with current political climate makes satirical elements more apparent. Gif culture frequently references film during political tensions. Cast & Casting Decisions (17:18 - 21:57) Unknown actors cast intentionally to look 'authentically young' but appear older due to training. Mark Wahlberg and Matt Damon auditioned for Rico role. Dina Meyer originally read for Carmen, chose Dizzy role instead. Neil Patrick Harris commentary recorded pre-How I Met Your Mother fame. Character actors include Amy Smart, Seth Gilliam, Timothy Omundson in small roles. Audience Reception & Box Office (15:07 - 20:09) Test audiences disliked Carmen character, preferred Dizzy. Critical reception missed satirical intent, even thoughtful reviewers uncertain. Box office made budget back but not considered major success. Cult classic status developed over time as satirical elements became more apparent. Thematic Analysis (34:39 - 51:47) Dehumanization through 'bug' imagery parallels historical genocidal rhetoric. Violence as societal foundation explicitly stated in film's philosophy. Military-industrial complex critique through endless war presentation. Youth radicalization process demonstrated through Rico's character arc. Future Adaptations (13:51 - 13:51) Sony developing new Starship Troopers adaptation directed by Neil Blomkamp. Helldivers movie also in development as spiritual successor.

Dean's Chat hosts, Drs. Jeffrey Jensen and Johanna Richey, welcome Dr. Alex Kor to the podcast!   Originally from Terre Haute, Indiana, Dr. Alex Kor is the son of two Holocaust survivors (Michael and Eva Mozes Kor).  He has a B.S. in Chemistry from Butler University and a M.S. in Exercise Physiology from Purdue University. He received his D.P.M. (Doctor of Podiatric Medicine) from the Scholl College of Podiatric Medicine in Chicago.  This episode is sponsored by the American Podiatric Medical Association! Dr. Kor is a full-time podiatrist for Hendricks Regional Health in Danville , Indiana, and is a Clinical Assistant Professor for Marian University College of Osteopathic Medicine.  He is Board-Certified in Foot Surgery by the American Board of Foot and Ankle Surgery, a Fellow and Past President of the American Academy of Podiatric Sports Medicine, and is the Team Podiatrist for Butler University athletics in Indianapolis, IN.   Knowing the importance of being the son of two Holocaust survivors who have both passed away in the last 5 1/2 years, Alex feels an obligation to tell their stories.  Since 1985, he has traveled to Auschwitz more than twenty times with his late mother. He is a member of the CANDLES Holocaust Museum and Education Center Board of Directors and assisted in establishing an exhibit (Eva Kor from Auschwitz to Indiana) to honor his mother in downtown Indianapolis at the Indiana Historical Society.  His new book, co-authored with Graham Honaker, “A Blessing, Not a Burden” which chronicles his parents' lives as well as how they positively impacted Dr. Kor is now available.  Enjoy this discussion with Dr. Kor, an incredible episode!

The fog of uncertainty isn't a weakness in our religious experience—it's the proving ground of our most profound faith. Moses spoke to the tribal leaders with a unique clarity of prophecy, using the phrase "Zeh hadavar" (this is precisely what God said). But as Rashi teaches us, this perfect clarity was reserved only for Moshe. All other prophets received divine messages with some ambiguity, expressed as "Koh amar Hashem" (thus says the Lord). This distinction reveals a profound spiritual truth that transforms our understanding of faith itself.Rabbi Yosef Shlomo Kahaneman, the Ponevich Rav, found strength in this teaching after losing his family in the Holocaust. He pointed to Abraham's binding of Isaac as the ultimate example of faith, not because Abraham was willing to sacrifice his son, but because he proceeded despite overwhelming confusion. Nothing made sense. How could God promise Abraham descendants through Isaac, then command him to sacrifice that very son? Yet Abraham's response was, "Neilcha ad koh" (let us go to koh). This "koh" represents not just a physical place but a spiritual state of uncertainty where faith thrives without understanding.While we often celebrate stories where everything "works out" and makes sense in retrospect, the highest level of faith is found in continuing to trust God when Nothing seems to add up. When faced with inexplicable suffering—children dying young, righteous people suffering, evil seemingly triumphant—we don't need to torture ourselves seeking explanations. True spiritual maturity means acknowledging the limits of our understanding while maintaining unshakable trust. Perhaps this is what God meant when promising Abraham "Koh yihyeh zarecha" (so shall your offspring be)—that his descendants would inherit not just numbers matching the stars, but this profound capacity for faith amid uncertainty. Embrace the holy haze, walk toward "koh," and discover the most profound connection with the divine precisely where understanding ends.Support the showJoin The Motivation Congregation WhatsApp community for daily motivational Torah content!------------------Check out our other Torah Podcasts and content! SUBSCRIBE to The Motivation Congregation Podcast for daily motivational Mussar! Listen on Spotify or 24six! Find all Torah talks and listen to featured episodes on our website, themotivationcongregation.org Questions or Comments? Please email me @ michaelbrooke97@gmail.com

What does it change to call Israel's assault on Gaza a “genocide”? Guest:  Omer Bartov, Dean's Professor of Holocaust and Genocide Studies at Brown University and author of the op-ed, “I'm a Genocide Scholar. I Know It When I See It.” Another article mentioned in this episode: “The Need to Forget” by Yehuda Elkana Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Ethan Oberman, Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it change to call Israel's assault on Gaza a “genocide”? Guest:  Omer Bartov, Dean's Professor of Holocaust and Genocide Studies at Brown University and author of the op-ed, “I'm a Genocide Scholar. I Know It When I See It.” Another article mentioned in this episode: “The Need to Forget” by Yehuda Elkana Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Ethan Oberman, Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it change to call Israel's assault on Gaza a “genocide”? Guest:  Omer Bartov, Dean's Professor of Holocaust and Genocide Studies at Brown University and author of the op-ed, “I'm a Genocide Scholar. I Know It When I See It.” Another article mentioned in this episode: “The Need to Forget” by Yehuda Elkana Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Ethan Oberman, Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today:Omer Bartov is the Dean's Professor of Holocaust and Genocide Studies at Brown University. He joins us to discuss his view that Israel's ongoing actions in Gaza constitute genocide.Then GBH CEO Susan Goldberg stops by studio 3 to update us on the impacts of losing federal funding. 

What do you do when you're an Israeli comedian set to perform in Paris on the very day the world learns the fate of the Bibas family? Yohay Sponder faced that moment in February 2025—and chose to take the stage. Wearing an orange tie in their honor, he brought laughter to a grieving crowd. Since October 7th, he has used comedy to carry pain, affirm his identity, and connect through resilience. Hear how his Jewish identity shapes his work, how his comedy has evolved since the Hamas attacks, and what he says to those who try to silence him. Recorded live at AJC Global Forum 2025. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC. Listen – AJC Podcasts: The Forgotten Exodus: Untold stories of Jews who left or were driven from Arab nations and Iran People of the Pod:  Latest Episodes:  From Broadway to Jewish Advocacy: Jonah Platt on Identity, Antisemitism, and Israel Sexual Violence as a Weapon of War: The Dinah Project's Quest to Hold Hamas Accountable Journalist Matti Friedman Exposes Media Bias Against Israel Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview: Manya Brachear Pashman:   Israeli stand up comedian Yohay Sponder: first gained popularity for his funny Monday shows in Tel Aviv, which attracted a following on YouTube. A few years ago, Sponder made the decision to perform Israeli comedy in English to reach a wider audience and a wider audience it has reached. He has hundreds of thousands of followers on social media, and in May, launched the North American leg of his international tour in Baltimore.  Sponder is with us now on the sidelines of AJC Global Forum 2025. Sponder, welcome to People of the Pod.  Yohay Sponder:   Thank you so much for this eulogy. Manya Brachear Pashman:   I'm curious how you found your way to stand up comedy and tell us a little bit about your upbringing in general.  Yohay Sponder:   Doing comedy, I always been fascinated about the laughing reaction of humans. You know, it's fascinating, if you think about it, if you have the ability to improve the frequency in the room. As a kid, I was really intrigued by that. So you saying few things, and people go, haha. It's like designing a vibe.  So as a kid, I was attracted to that. So as a kid, you watch video cassettes, back in the day, I would watch all of the comedy stuff. I had all of them cassettes. I was very, very affected by it, impersonations, imitating them, doing jokes of my own, and always around that.  And in my show, I'm talking about comedy. I have a bit about comedy in my show that I'm saying that I was, I wasn't just the class clown in my school. I was the jokes technician. If you had a broken joke or a joke that didn't work, you would come to me. I would fix it for you, bring it back. Not using it as my own resume. I would bring it back, when it's fixed. Manya Brachear Pashman:   That's great. So you helped others clown around as well. Yohay Sponder:   Yeah, I was a clown teacher.  Manya Brachear Pashman:   Were you raised in a secular home, a particularly Jewish home? Yohay Sponder:   I was raised in a, let's say secular but Jewish, celebrated holidays, family Friday night family dinners. But we weren't like super Shabbat keepers. I think I became closer now, when, after my father passed away, I for the Kaddish and I put tefillin a little bit. And the war, you know, this war, activated a lot of Jews to the to this kind of level. Manya Brachear Pashman:   Right. You're sitting across from me, and you're wearing a gigantic Star of David. On your chest. Yohay Sponder:   Yeah, you see what she did, you see what she did? You're sitting across and you're wearing a gigantic Star of David.  Manya Brachear Pashman:   Have you always worn that or did you put it on after October 7? Yohay Sponder:   No, it's after the war kicked in. I don't know. I had a vision that that's what we should do right now. We need to be out there and show other Jews that we're there. That's what I felt. And I imagine that, I need a big star of David. And the day I thought about it, I saw that. So there was a sign for me, like I had this vision, that I need a big star of David here. And less than 24 hours, that one find me. I didn't look for it. It came across my eyes. Manya Brachear Pashman:   Which I imagine you'll be wearing your Magen David on tour. The tour itself is called Self Loving Jew. What is the meaning of that title? Yohay Sponder:   So, basically, you know, this is so awesome, because before October 7, you could argue of other opinion. You could hear some people saying, Yeah, but maybe we should this. After October 7 that we know so all these monsters that came and attack us, the self hating Jews that they're doing now, super horrific, disgusting job of mocking us. And I find it really bad, and I think so I'm I'm bringing the other side. I'm just bringing the you know, it doesn't mean that I hate someone that is not Jewish. I'm just, I want to inspire other people to be to love themselves, even if they're not Jewish. But as Jews, we have to love us, because we're probably the last ones to love us, and if we won't love us, that's that's over for us.  And people, people saying that it's very harsh to compare the self hating Jews of now to the Kapos and and I'm saying, yes, it's it's not fair for the Kapos, because they didn't have a choice. You guys have a choice, and you did it just for likes and for other people from other cultures to like you. I really, I really believe.  I really deeply believe I'm coming from there. I'm coming from the war. I really believe that the people that don't, they don't give us the credit, people that not supporting Israel, they're uneducated. I really believe in that they don't know enough. They might be not bad people, but they might be stupid people.  Self hating Jews, like whatever Dave Smith, all these guys that try to be liked by, you know, others, and they they just out of their own idiocy. Listen, you don't know anything about what's going on. As Douglas Murray told them, ou've been there. You saw those things that you're talking about when you're saying, Israel, starving the Gazans you're never seeing the the trucks that going every day. You're You're an idiot. You're just an idiot. You listen to other people, and you listen to other lies.  And they will say, No, I just want peaceful. We all want peace. Just the fact that you're Jewish, it means that you want peace. We say Shalom when we see each other, when we say Shabbat Shalom. The holiest day of the week. We say telech bshalom, tachzor bshalom. Go in peace, come back in peace. You don't want peace more than I want. We all want peace, but we're willing to fight for peace because we have to make sure that no innocent people from both sides, by the way, will get hurt.  So yeah, it's really bad and shitty situation, war, but you blame us without checking it. So anyway, I don't want it to make it too much political. It's not political, by the way, Self Loving Jew. It's about loving yourself and being, you know, being in touch with what's going on right now.  Manya Brachear Pashman:   So there is so much misinformation out there, you launched your you started doing English language comedy to reach a wider audience. Now you're doing an English language international tour. Do you have a message that you want to get out to the wider world to especially this region where there is so much misinformation and misunderstanding? Yohay Sponder:   Yeah, the message is that, we're living in a time that it's very hard to agree on something, and I really miss the days that we all agree that the world is round. You know, a little long ago, a few years ago. But yeah, the message is that you do your research and come to laugh with us.  Manya Brachear Pashman:   It's an important message that gets forgotten. October 7, and its aftermath were so horrific. Did you press pause on your comedy career for a little while? At what point did you find it acceptable to make people laugh again in the aftermath? Yohay Sponder:   No, it took time. It took time. It took a day. Manya Brachear Pashman:   One day. Okay. Yohay Sponder: Because right after that, after the attack, they start to arrange people to go to volunteer in squads and families that got evacuated from their house and soldiers and hospitals, people got wounded. So I've been around. I did that. That was my duty service. And also I did regular reserves duty, stuff like that.  Manya Brachear Pashman:   And what did you do on reserve duty?  Yohay Sponder: I was in Ramat Gan patrol. So not super serious, but I did what I did.  Manya Brachear Pashman:   And at what point did you go back to the stage and so more standup? Yohay Sponder:   So I'm running the show Funny Monday, I think roughly a month after October 7, we get. Maybe two months, yeah, something like around that. January, maybe, I remember, like a little bit after that, the show went back and we did stand up in English. People really followed what's going on in Israel. No matter what you do from the country, they follow that. And we had strong they were saying, Wait, Shahar Hassan, my co-host, very good friend. Really funny man, serious comedian, like one of A-list, Top list. And people follow, people watching what we have to say. That was the main purpose of Funny Monday, when we launched it in 2016 nine years ago.  Manya Brachear Pashman:   Did it shift? When you restarted it after October 7, was it different? How so?  Yohay Sponder:   Yeah. We always talked about current events, what's going on in the world? It's the international perspective of not just news, but Israel perspective and stuff like that. So in that case, you're talking about Iran's attack. What the news with Biden, Benjamin Netanyahu? Whatever is happening politically, or current events and yeah, people were more attached to the screen those days. And also in comedy. It's a great form of art to deliver, you know, your point of view, or your, yeah, your what you want to say. So it's, it was great to do that, and till this very day, that's what we do.  Manya Brachear Pashman:   So you really though, have to read the room, right? I mean, different audiences, I imagine, receive your comedy in different ways, especially in different regions of the world. So I'm curious if there are differences in the kind of humor that resonates with an Israeli audience, and the kind of humor that resonates with an American audience or a European audience. Yohay Sponder:   So that's the thing, why I love my country so much, because you can just stand up in any form you want. You can go as dark as you want in Israel or as political as you want. We have some issues right now with people having fight with each other, of political issues, and we have a lot of demonstrations and stuff. So there's that. But beside that, you can get away with a lot of what people say here in America, woke culture, politically correct. In Israel, we don't have it. You don't stand up like in the 80s. If someone looks gay in the audience, you say, Hey, you look gay man. That's very gay. You're fat. You these, you're old, you're very brown. We just say that, and that's fine. No one canceled. We don't even know what it means to cancel someone. No one get canceled in Israel. Manya Brachear Pashman: Holocaust humor, is that acceptable in Israel? Yohay Sponder: Yeah, it's not just it's acceptable. For example, from my wife's point of view, she was shocked when people came back to say, wow, mitlachot poh shoah—the shower was like, it's the Holocaust. Holocaust shower. They sang that. There's something that you say in the army and it's kind of fine. No one like, hey, how can you compare this? Because the water was cold, so they were called. So they say, but in the Holocaust, no water at all, was gas.  And also, when my wife told me, Don't honk like this, it's ghetto. You know, it's American thing to say, Don't honk. It's ghetto. It's like, I'm pretty sure that in Auschwitz, they didn't have cars.  Manya Brachear Pashman: She's talking about a different kind of gheto.  Yohay Sponder: And she said, like, you can't do these jokes. Yeah, you can't do this. She's like, she's from American perspective, you can't do these jokes. It's horrible. It's like, that's jokes we do here all the time. And in Israel, you use Nazi sometimes, like, as a, not only as a bad thing. It's like, accuracy. You say, like, Nazis coming on time. I need a Nazi plumber, not . . . someone that is a good commander. When I'm having the perspective of my wife and American people, I understand how horrible that is.  However, some Holocaust survivors testify that they had humor in the camps. They used humor, even dark humor, in the camps, and it helped them raise their frequency and raise their morality and maybe survive, maybe humor saved them. So when you saying too soon, sometimes it's, yeah, it's too soon for someone but it's okay for someone else.  I see black humor as spicy food. We all have our own scale for it. You can, you can eat spicy like a crazy mental person, and I can just taste it. And, you know, it's too harsh for me, and vice versa. So I did jokes about October 7, in November 7, and horrible ones, and it was also with the Holocaust. That's how horrible that was. So maybe it's too soon for the Holocaust. It's too soon for October 7. I said, the people that compare compared October 7 to the Holocaust. And I'm saying at least in the Holocaust, no one kidnapped Holocaust survivors. It's not even a funny, like, haha, funny. It's like, oh shit, yeah, yeah, that's the joke. It's not a joke of a punch line. It's a punch in your belly. Yeah. Manya Brachear Pashman:   What have been some of the most memorable moments from your shows, from your live shows, and I'm talking good and bad, have there been really positive responses and have there been really ugly? Yohay Sponder:   So let's just take this afternoon in Paris that I'm sitting in my hotel and Instagram and social media exploding from what's going on with the releasing of the Bibas babies. That we're getting back coffins, and I'm getting, I don't know, hundreds of messages from people that like we don't know if we're coming to the show. Two shows sold out in a huge theater in Paris. I'm not there every day. That's the show. That's it. One day since October 7, and no one knows when I'm going to come again. And my heart is broken, and people tell me we want to come but we can't. What do you think we should do?  Now, I responded to all of them, my wife and I responded to all of them, you do what you feel. I totally support your feelings. And the show is going to happen, and we get together tonight, and it's going to be a group hug, but if you can't make it, that's fine. I went on stage with an orange tie that I bought, and we talked it through. Arthur is the comedian and producer of those shows. He opened the show, he talked about the situation, and we did the shows. Now, that's the beauty of it, that's, that's the genome of the Jewish people. That's so in us to . . . . what we talked earlier about the Holocaust survivors that testify that they want to laugh, they want to have a good time. They don't want to let these terrorists decide for us what we gonna feel. Yeah, we feel bad. Yes, you're the worst people on the planet. I wish God will wipe you out, or IDF as fast as possible. You're a disgusting dirt of…but for us, for what we can do right now, we're gonna, we're gonna do our best to raise our morality and frequency. And I did the shows. I'm not gonna lie to you, I was very sad. But you know, the people that, that's what Bob Marley said after, he got shot, you know, and he did the show anyway, and he said, the people that want us to feel bad, they don't take a day off. So how could I? That's a very nice thing to say. Manya Brachear Pashman:   You had a show at City Winery where some people in the audience came with, maybe with intentions to protest, or at least they expected to disagree with you, and they met up with you after the show. And what happened? Yohay Sponder:   After my show, one of the presidents of the BDS organizations. She approached me and she said, we came to hassle the show. We came to ruin your show. So like, why you didn't do it? And she said we were waiting for the right moment, but the more the show went on, the more we liked what you said. You talk a lot about peace, you talk a lot about mutual values and how to solve problems, and you talk about the nice things of the Jewish tradition and the Jewish religion. We couldn't ruin that. We have conscience and we also liked you.  They liked the show. They wanted to ruin it, but they loved it, and they laughed. I told her, that's exactly what I do. In my stand up show, when you see that bit, it's with the whole structure of what happened there and how I almost made peace with these guys, but it didn't work out.  Manya Brachear Pashman:   Maybe you need to do your stand up routine in Gaza and that would solve everything. Yohay Sponder:   I checked that. They don't have comedy clubs there. I said that when I hosted the show, we have an Arab comedian, a friend of ours. You know, people like they don't know that, but Arab-Israelis, are Palestinians. To their definition, to the Palestinians definition, it's the same thing, but they don't identify as Palestinians. It's like we're Muslims, we're Arabs. Anyway, they're with us. They're like siblings to us.  So when I introduced him, I also made fun of the situation. I said, When is going to be in Palestine? When it's going to be the Jewish comedian goes on stage like you going here and stuff like that, and there is no comedy clubs in Ramallah or in Gaza, but Inshallah, when there will I go and I do a spot. Manya Brachear Pashman:   How many of your shows, as you've been traveling around, have actually been canceled or moved or postponed. I read something about your Amsterdam show, for example, was moved to an undisclosed location because of security concerns. Has that happened elsewhere? Yohay Sponder:   Australia. And they tried to cancel my show in Brussels, didn't make it. They tried to cancel my show in Paris. They couldn't make it, but demonstrated outside. And every time that thing happened, I got a lot of press covers and interviews, and people get insane. And like, oh, we have to support and come to see the show. So every time it happens, I doubling or sometimes tripling the amount of people. Which is so weird, you know, because they're always the people they hate us. Always go, oh, Jews, money and you guys this, and you made me make more money. I didn't want to make that much money.  I want to make third of the amount of money. But because of your protesting. Your hate, that's how bad you are of what you do. And how amazing we are what we do. You know, I didn't want to make that much money, so now I hire them, the protesters. So they work for me.  Manya Brachear Pashman:   They do your marketing, generate publicity. So none of the shows have been successfully cancelled? Yohay Sponder:   No, the Amsterdam show canceled. The Boom Chicago, which also surprising. Your name is Boom Chicago. What's your security concerns. That's gonna be a boom. Let it be.  Manya Brachear Pashman:   But I thought it was moved.  Yohay Sponder:  We moved that like because they a week before the show, they said we're not doing the show. And was like, guys, let me respond. Let me say something. No, no. Police said that. We called the police. We have their numbers, you know, we call them. They say, No, we didn't talk to them. And then they wrote, we can help you find a Jewish venue. So I told him, we can help you find a Jewish lawyer. Manya Brachear Pashman:   So there was no show? Yohay Sponder:  Not in the Boom Chicago. Manya Brachear Pashman:   Got it. Yohay Sponder:  And I'll never go there. Manya Brachear Pashman:   And not in Amsterdam?  Yohay Sponder:  No, it was in Amsterville.  Manya Brachear Pashman:   Got it, okay. Amsterville, is that next to Amsterdam? Yohay Sponder:   Turns out, yeah, they didn't know that too. Was was a very nice theater, I think, three times' size of the Boom Chicago, and we had a great time. And I'll go there again. And it's not just the Boom Chicago, when we try to rebook it, a lot of other venues, more than 30 venues, didn't want to have me there.  Manya Brachear Pashman:   So is there anything else that I haven't asked you that you really want to share with our audience? Yohay Sponder:   Yeah. I mean, listen, I'm not sure that the audience is going to be 100% Jewish, right? So the message is going to be split for both. So I'll talk to them. So if you guys are Jews, I wanted to know that everything's going to be fine, and we got this, and raise your head, and we're good. We're going to be good. This is probably the last one. It's the last one. I think Messiah is coming, right? We're going to be fine, all right?  And if you're a non Jewish person watching it, you're an ally. So I want to thank you. We don't take it for granted. It's very important that you're around. Manya Brachear Pashman:   Sponder, thank you.  Yohay Sponder:   Thank you so much.   

Israeli Documentary Poetry: Coming of Age with the State introduces and explores documentary poetry written by Israeli poets who came of age during the first two decades of the state and who, since the 1970s and 1980s, have recorded their experiences of that period. This study offers a literary-cultural analysis of forty-two poems by thirty Israeli poets of various backgrounds, divided into themes such as: memories of the Holocaust and portraits of survivors and their offspring; transit locations and situations both en route to and within Israel; displacement as a shared fate of Jews and Arabs; school and classroom experiences; Mizraḥi women between Levantine patriarchy and Western liberalism; and languages of the diaspora versus Hebrew. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today on the show, Omer Bartov, one of the world's foremost genocide and Holocaust scholars, talks with Fareed about why he thinks what Israel is doing in Gaza now meets the legal definition of genocide.   Then, former US Treasury Secretary Larry Summers joins Fareed in a conversation about the impacts of President Trump's "big, beautiful bill" and impending tariffs.   Finally, the British Conservative Party leader Kemi Badenoch sits down with Fareed to discuss the future of the party and changing immigration policy in Britain.   GUESTS: Omer Bartov (@bartov_omer), Larry Summers (@LHSummers), Kemi Badenoch (@KemiBadenoch) Learn more about your ad choices. Visit podcastchoices.com/adchoices

Bret Weinstein speaks with Dr. Jonny Hudson and Dr. Michael S. Bryant on the subject of Nazi doctors. Dr. Jonny Hudson has a PhD in Holocaust and Genocide Studies and Dr. Michael S. Bryant has a PhD in Modern European History and is a Professor of History and Legal Studies at Bryant University. He is also the author of “Confronting the ‘Good Death': Nazi Euthanasia on Trial, 1945-53” and Nazi "Crimes and their Punishment."*****Sponsors:Fresh Pressed Olive Oil Club: Scrumptious & freshly harvested. Go to http://www.GetFreshDarkHorse.com to get a bottle of the best olive oil you've ever had for $1 shipping.VanMan: Tallow and honey balm, deodorant, and many other amazing animal based personal care products. Go to http://www.vanmanscompany.com/darkhorse and use code darkhorse10 for 10% off your first order.*****Join DarkHorse on Locals! Get access to our Discord server, exclusive live streams, live chats for all streams, and early access to many podcasts: https://darkhorse.locals.comCheck out the DHP store! Epic tabby, digital book burning, saddle up the dire wolves, and more: https://www.darkhorsestore.orgSupport the show