Podcasts about Modern art

What would the C.I.A. have to do with "modern art", jazz and other art forms?The answer is truly unbelievable. Starting in the 1940's the C.I.A., the Rockefellers, the MOMA (Museum of Modern Art) set in motion a psychological operation that continues to this day. Using art in all it's forms as a tool, weapon and guiding hand to persuade the masses, as a smoke screen and more.Let's look into how this happened, how it works and how it's still at play today!Email us at: downtherh@protonmail.com

In part two of this special fiction-meets-art-history podcast, you'll step into the MoMA after hours, where a professional development retreat turns into something much more sinister. What begins as an inspiring evening quickly spirals into chaos when Dal�'s The Persistence of Memory disappears. The Dalí is gone. The suspects are gathered. And the detectives are running out of time. In the shocking conclusion to An Art History Mystery, our five art teachers—Delilah, Solomon, Madison, Amber, and Robert—return to the Museum of Modern Art for questioning. As the night deepens, stories twist, motives unravel, and the truth finally surfaces. Who had the means? Who had the motive? And who had the opportunity to steal one of the most iconic paintings in modern art? Listen as Detectives Kelly and Forrest piece together the clues in a finale filled with confessions, contradictions, and the ultimate reveal of the thief behind The Persistence of Memory. Was it an act of obsession, ambition, or art itself? Find out in this second and final episode of An Art History Mystery. Resources and Links Join the Art of Ed Community Check out the Community's Halloween Costume Contest How Mysteries Can Make Learning Exciting 6 Creepy Artworks for Halloween Art Teacher Horror Stories

In a world where handmade art is humanity's last stand against the machine, the unveiling of a mysterious new artist named Orville threatens to shatter everything — because Orville isn't human.“Mr. Replogle's Dream” by Evelyn E. Smith (Fantastic Universe December, 1956)Fully Produced version:https://www.auditoryanthology.com/2025/03/20/mr-replogles-dream-by-evelyn-e-smith/

Fluent Fiction - Norwegian: Spotlight on Bravery: The Art That Saved a Museum's Future Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-10-25-07-38-20-no Story Transcript:No: Om høsten da bladene farges som ild, forberedte Astrid seg på den største utstillingen museet hadde sett.En: In the fall, when the leaves turned fiery colors, Astrid prepared for the largest exhibition the museum had ever seen.No: Hun sto i den store foajéen til Kunstmuseet i Oslo og så seg rundt.En: She stood in the grand foyer of the Kunstmuseet in Oslo and looked around.No: Veggene var dekket med malerier og skulpturer, og gulvene bar preg av travle steg.En: The walls were covered with paintings and sculptures, and the floors bore traces of busy footsteps.No: Enkelte verk med Halloween-tema gav en leken atmosfære.En: Some Halloween-themed works gave a playful atmosphere.No: Ivrig gikk Astrid gjennom sin plan i hodet.En: Eagerly, Astrid went through her plan in her head.No: Denne gjenåpningsutstillingen måtte lykkes.En: This reopening exhibition had to succeed.No: Museet trengte publikumets interesse tilbake.En: The museum needed the public's interest back.No: Midt i denne stormen av forventning befant Sindre seg, en ung kunstner med drømmer om å bli kjent.En: Amid this storm of expectation was Sindre, a young artist with dreams of becoming well-known.No: Dagen før utstillingen klatret han opp en stige for å henge opp sitt maleri.En: The day before the exhibition, he climbed a ladder to hang his painting.No: "Er du nervøs?En: "Are you nervous?"No: " spurte Astrid, da hun passerte ham.En: asked Astrid as she passed him.No: "Litt," innrømmet Sindre, kikkende ned på sitt maleri.En: "A little," admitted Sindre, looking down at his painting.No: "Jeg tenker alltid, passer kunsten min her?En: "I always wonder, does my art fit here?"No: "Astrid smilte mildt.En: Astrid smiled gently.No: "Kunst handler om å uttrykke seg.En: "Art is about expressing oneself.No: Din stemme er viktig.En: Your voice is important."No: "Men Astrids tanker var tunge med bekymringer om gjestelisten.En: But Astrid's thoughts were heavy with concerns about the guest list.No: En viktig samler hadde nettopp sagt at han ikke kunne komme, og det endret hele strategien hennes.En: An important collector had just said he couldn't come, and it changed her entire strategy.No: Mens hun revurderte arrangementet, bestemte hun seg for å gi moderne kunst en sentral plass.En: As she reconsidered the event, she decided to give modern art a central place.No: Sindre kunne spille en nøkkelrolle.En: Sindre could play a key role.No: Sindre sto med sitt hjerte i halsen.En: Sindre stood with his heart in his throat.No: Han vurderte å vise en dristig del som aldri hadde sett dagens lys.En: He considered showing a daring piece that had never seen the light of day.No: Det var farlig, men kanskje det ville skille ham ut.En: It was risky, but maybe it would make him stand out.No: På gjenåpningsdagen var museet fylt med spenning.En: On the reopening day, the museum was filled with excitement.No: Folk strømmet inn, alle kledd elegant mot det høstpyntede interiøret.En: People streamed in, all elegantly dressed against the autumn-decorated interior.No: Klokken begynte å tikke mot kveld, og lysene brant så varmt som solen.En: The clock began to tick towards the evening, and the lights burned as warmly as the sun.No: Men så, et øyeblikk av kaos — strømmen gikk.En: But then, a moment of chaos—the power went out.No: Alt ble svart, bortsett fra ett lys.En: Everything went dark, except for one light.No: En enslig spotlight, feilaktig aktivert, falt direkte på Sindres dristige verk.En: A single spotlight, mistakenly activated, fell directly on Sindre's daring piece.No: Et gisp av forundring fylte rommet.En: A gasp of wonder filled the room.No: Folk stimlet sammen, fascinert av maleriets livfullhet og intensitet.En: People gathered around, fascinated by the painting's vibrancy and intensity.No: Astid pustet lettet ut da lyset igjen strømmet tilbake i alle hjørner av museet.En: Astrid exhaled in relief as the light returned to all corners of the museum.No: Hun så hvordan folk snakket ivrig om verket.En: She saw how people eagerly talked about the work.No: Utstillingen var en suksess.En: The exhibition was a success.No: Sindre fikk den oppmerksomheten han hadde håpet på.En: Sindre received the attention he had hoped for.No: Hans selvtillit vokste, akkurat som Astrid sin.En: His confidence grew, just like Astrid's.No: Begge hadde tatt en sjanse, fulgt sine instinkter, og vunnet noe dyrebart.En: Both had taken a chance, followed their instincts, and gained something precious.No: Museumsdirektøren klappet Astrid på skulderen.En: The museum director patted Astrid on the shoulder.No: "Du gjorde et godt valg," sa han.En: "You made a good choice," he said.No: Astrid nikket og så smilende på Sindre.En: Astrid nodded and looked smiling at Sindre.No: Forvandlingen var synlig i begge.En: The transformation was visible in both.No: Troen på kunstens kraft hadde gjort en forskjell, både for museet og for hjertene som banket der inne.En: Belief in the power of art had made a difference, both for the museum and for the hearts that beat inside it. Vocabulary Words:fiery: ildexhibition: utstillingengrand: storecovered: dekketsculptures: skulpturertraces: pregplayful: lekeneagerly: ivrigreconsidered: revurdertedaring: dristigrisky: farligelegantly: elegantchaos: kaosspotlight: spotlightmistakenly: feilaktiggasp: gispwonder: forundringvibrancy: livfullhetintensity: intensitetrelief: lettetsuccess: suksessconfidence: selvtillitinstincts: instinkterprecious: dyrebarttransformation: forvandlingbelief: troendifference: forskjellatmosphere: atmosfæreexpectation: forventningexpressing: uttrykke

Fluent Fiction - Danish: Finding New Dimensions: Kasper's Silent Art Journey Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2025-10-25-22-34-02-da Story Transcript:Da: I Louisiana Museum of Modern Art, hvor glasvinduerne fangede nuancerne af efterårens gyldne og røde blade, sad Kasper og Freja stille på en bænk.En: At the Louisiana Museum of Modern Art, where the glass windows captured the nuances of autumn's golden and red leaves, Kasper and Freja sat quietly on a bench.Da: Den varme luft fra radiatorerne blandede sig med den sarte duft af det udendørs.En: The warm air from the radiators mingled with the delicate scent of the outdoors.Da: Det var en rolig dag.En: It was a calm day.Da: Besøgende mumlede lavmælt imens de gik rundt og beundrede kunstværkerne.En: Visitors murmured softly as they walked around, admiring the artworks.Da: Kasper så ud over fjorden gennem vinduerne.En: Kasper looked out over the fjord through the windows.Da: Det var smukt, men en indre uro fyldte hans sind.En: It was beautiful, but an inner turmoil filled his mind.Da: For nylig havde Kasper fået en diagnose på et høretab.En: Recently, Kasper had been diagnosed with hearing loss.Da: Det var en tid med store ændringer.En: It was a time of great changes.Da: Kasper var bekymret.En: Kasper was worried.Da: Ville hans kærlighed til kunst ændre sig?En: Would his love for art change?Da: Kunne han stadig føle kunsten på samme måde som før?En: Could he still feel the art in the same way as before?Da: Han spekulerede over, hvordan lyden af kunsten nu ville være, eller måske mangle.En: He wondered what the sound of art would now be like, or perhaps lack.Da: Freja, som altid var ved hans side, forstod uden ord.En: Freja, who was always by his side, understood without words.Da: Hendes nærvær var beroligende.En: Her presence was calming.Da: "Måske kan du fokusere mere på det, du ser," sagde hun blidt.En: "Maybe you can focus more on what you see," she said gently.Da: "Og det, du rører ved."En: "And what you touch."Da: Dette var en ny idé for Kasper; at opleve kunsten på en nylivet måde.En: This was a new idea for Kasper; to experience art in a newly awakened way.Da: De bevægede sig gennem museets haller.En: They moved through the museum's halls.Da: Freja førte Kasper til en særlig installation.En: Freja led Kasper to a special installation.Da: Den var lavet til at blive rørt ved.En: It was made to be touched.Da: De farverige teksturer og komplekse former opfordrede til en dybere interaktion.En: The colorful textures and complex shapes invited a deeper interaction.Da: Freja smilede opfordrende til Kasper: "Prøv at føle det."En: Freja smiled encouragingly at Kasper: "Try to feel it."Da: Med rystende hænder rørte Kasper overfladen.En: With shaking hands, Kasper touched the surface.Da: Det var som om verden begyndte at åbne sig på ny.En: It was as if the world began to open anew.Da: Strukturerne, de forskellige teksturer, talte til ham på måder, som lyde ikke længere kunne gøre.En: The structures, the different textures, spoke to him in ways that sounds could no longer do.Da: For hvert strøg blev han bragt tættere på de følelser, kunsten måtte fremkalde.En: With each stroke, he was brought closer to the emotions the art was meant to evoke.Da: En tæt forbindelse blev dannet i det stille rum.En: A close connection was formed in the quiet room.Da: Kasper mærkede en tåre trille ned ad kinden.En: Kasper felt a tear roll down his cheek.Da: Det var et øjeblik af indsigt.En: It was a moment of insight.Da: Han følte, at kunst stadig var der for ham, i hele sin skønhed, bare på en anden måde.En: He felt that art was still there for him, in all its beauty, just in a different way.Da: Han vendte sig mod Freja, som smilende tørrede tåren væk.En: He turned to Freja, who smilingly wiped the tear away.Da: "Tak, Freja," hviskede han.En: "Thank you, Freja," he whispered.Da: Før, havde kunst været lyde, nu var det former og indtryk.En: Before, art had been about sounds, now it was forms and impressions.Da: Inden for det stille efterårsmuseum havde Kasper fundet en ny måde at forstå verden på—og han var taknemmelig.En: Within the quiet autumn museum, Kasper had found a new way to understand the world—and he was grateful.Da: Da de gik ud af museet, blev Kaspers skridt lettere.En: As they exited the museum, Kasper's steps were lighter.Da: Han så efterårets farver omkring sig og følte sig beriget.En: He saw the autumn colors around him and felt enriched.Da: For ham var kunsten blevet en indbydelse til at være kreativ, til at opdage verden med alle sine sanser—et nyt kapitel havde lige åbnet sig.En: For him, art had become an invitation to be creative, to discover the world with all his senses—a new chapter had just opened. Vocabulary Words:nuances: nuancernemurmured: mumledeturmoil: urodiagnosed: diagnosehearing loss: høretabcalming: beroligendeinstallation: installationcomplex: komplekseinteraction: interaktionstructure: strukturertextures: teksturershaking: rystendestroke: strøgevoke: fremkaldeinsight: indsigtenriched: berigetinvitation: indbydelsecapture: fangededelicate: sarteadmiring: beundredeinner: indrepresence: nærværgently: blidtawakening: nylivetencouragingly: opfordrendetear: tårerolling: trillewipe: tørredegrateful: taknemmeligforms: former

In this week's episode, joined by 2024 New Orleans-Matsue Sister City Exchange Program participants Katherine Heller & Wade Trosclair, the Krewe looks back & celebrates 30 years of friendship between Matsue, Japan & New Orleans, Louisiana... a sister city relationship built on cultural exchange, mutual curiosity, &shared spirit. Together, they reflect on their time in Matsue during the exchange program, their experiences with host families, and the deep connections that form when two communities separated by an ocean come together.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:53:00)------ Past Matsue/Sister City Episodes ------Lafcadio Hearn: 2024 King of Carnival (S5Bonus)Explore Matsue ft. Nicholas McCullough (S4E19)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ Links about the Exchange ------2024 Exchange Program Info/PicturesShogun Martial Arts Dojo (Katie's family's dojo)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Send us a textToday's episode is my conversation about the 1929 film Sally. I'm joined by Dan Pal from the PalCinema, Television, & Music newsletter and we talk about the use and re-use of popular songs in movies even in the 1930s and 40s, the innovative use of early Technicolor in the film, and how the film might have been much different if made a few years later once the production code was in place. You can watch Sally on Tubi and be sure to check out Dan's newsletter.Other films mentioned in this episode include:The Sound of Music directed by Robert WiseKnives Out directed by Rian JohnsonWith Byrd at the South Pole directed by Julian JohnsonComing to America directed by John LandisSome Like it Hot directed by Billy WilderThe Noose directed by John Francis Dillon (only print located at the Museum of Modern Art in New York City)Song of the Flame directed by Alan Crosland (only partial audio survives)King of Jazz directed by John Murray AndersonThe Broadway Melody directed by Harry BeaumontWeary River directed by Frank LloydOther referenced topics:2016 recording of Sally the musical on SpotifyShowboat (musical)The Honeymooners (series)Comet Over Hollywood review by J. N. PickensSupport the show

William Edmondson was the first African American artist to have a solo show at the Museum of Modern Art in 1937. He was a self-taught limestone carver who carved tombstones and garden ornaments at his workshop, which sat outside of his house in Edgehill. Although he had no intention of being a career artist, he became a trailblazer.For the last 20 years the site where he had worked and lived has been used as a neighborhood park in South Nashville's Edgehill neighborhood. William Edmondson Homesite Park and Gardens formed in 2018 when the city tried to sell the property and their mission is to foster a creative, vibrant, and safe public space for all of Nashville to enjoy. The fourth annual William Edmondson Arts and Culture Fest (We Fest) happening this Saturday is a free, family friendly event looks bring to the forefront the importance of William Edmondson and his work. 

Nigerian-Belgian artist Otobong Nkanga chose a particularly poetic title for her latest exhibition at the Museum of Modern Art in Paris: “I Dreamt of You in Colours.” This marks her largest show to date in France. Otobong joins us to talk about how living entities are in constant dialogue with the environment in her multi-media installations, and why “bling” means so much more than the glint of cheap jewelry in her artwork. The award-winning sculptor also discusses how stone, textiles and even her own voice can be shaped to tell a story, and we discuss the seminal artworks that prompted her to embrace art as a career. 

In this issue of The Brief, we're reflecting on what we learned about the past and future of design from our conversation with Paola Antonelli (The Museum of Modern Art), Mark Wilson (Fast Company), Kate Aronowitz (GV), Mike Davidson (Microsoft), and Meaghan Choi (Anthropic). Looking back at 30 years of design by Eli Woolery Roughly thirty years ago, I was an undergrad, sitting in our dorm's computer cluster —this was before the days when most students had laptops. I ran into something I hadn't seen before. It was called Netscape Navigator, and it was one of the first commercial internet browsers (which our very first guest on Design Better, Irene Au, helped design). I clicked on one of the buttons (probably, “What's Cool”), and along with a nifty loading animation, the browser took me down some early internet rabbit hole. I don't remember where exactly I ended up, but I do remember being blown away by the experience. As a computer nerd kid in the 80's, I had spent plenty of time with bulletin board systems (BBS's) and things like America Online, which we could access through a dial-up modem from home. But this was very different. It was fast—compared to what I was used to—and it felt like I could almost instantaneously access content from all around the world (even though the content online at the time was a miniscule fraction of what it is today). I had entered school to study product design, but this was for products in the physical world…digital product design didn't exist as we know it today. The first use of the phrase “User Experience” in a job title was Don Norman's role a a User Experience Architect at Apple in the mid-90s. Browsers like Netscape Navigator, and then the introduction of the iPhone in 2007, opened up a new world of opportunities and challenges for the field of design. In our conversation with Paola and Mark, we talked about four: the democratization paradox, design's loss of innocence, the fragmentation of the design profession, and the shift from tangible to intangible design. The Democratization Paradox “We democratized all the tools and we democratized none of the platforms. And that gap is just in a nutshell, kind of what's broken about the individual's ability to communicate.”—Mark Wilson, Fast Company While design tools and capabilities have been democratized (everyone can now access design software, create content, etc.), the platforms and systems remain highly centralized within a few large companies—Meta, Google, TikTok, etc. The early, messy days of the internet (Geocities, MySpace) have been largely tamed, which can make for better user experiences, but we also miss the wild creativity that came from having an infinite number of ways to express yourself online. Back then, your personal web page could be a nightmare of animated GIFs, visitor counts, and autoplay music—terrible for usability, but at least it was yours. Today, we're all posting in the same formats, and are subjected to the same algorithmic rules for engagement. The tools to create have never been more powerful or accessible, yet we're increasingly creating within narrower and narrower boundaries defined by a handful of tech giants. Visit our Substack to read the whole article: ⁠https://designbetterpodcast.com/p/the-brief-how-our-recent-past-should⁠

The Krewe sits down with Haruka Kikuchi, a Japanese jazz trombonist making waves in New Orleans. From discovering jazz in Japan to second-lining through the Crescent City, Haruka shares her story of finding home through music — and how jazz bridges cultures across oceans.  ------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:53:00)------ Past Music Episodes ------S5E13 - The Thunderous Sounds of Taiko ft. Takumi Kato (加藤 拓三), World Champion Taiko DrummerS5E10 - The Japanese Pop Music Scene ft. Patrick St. MichelS4E1 - Shamisen: Musical Sounds of Traditional Japan ft. Norm Nakamura of Tokyo LensS3E14 - City Pop & Yu ft. Yu HayamiS3E1 - Exploring Enka ft. Jerome White Jr aka ジェロ / Jero------ Links about Haruka ------Haruka's Website Haruka on IGHaruka on FacebookHaruka on YouTubeGoFundMe to Help Support Haruka's Family------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Welcome back for the conclusion of my conversation with retired Chief of Police and Author Brian Brady. Brian was born and raised in the San Francisco area and became a police officer in Berkeley, California, in the late sixties. He moved around to four different police departments, eventually attaining the rank of Chief of Police.  After decades of serving and protecting, he retired from police work and transitioned to becoming a corporate security executive. This path led him to holding executive positions at prestigious organizations such as NBC Universal and the San Francisco Museum of Modern Art. Brian has published two crime novels and is working on his third.  I really enjoyed talking to someone like Brian, who has seen the evolution of police work through the years and worked his way up from police officer to chief. Brain is one of the few police chiefs I have known who didn’t lose their way and bend to politics and ego. He has a good heart, and that is what’s needed if you are going to lead a police force in today’s world of distorted priorities and egos. Please enjoy this informative and wide-ranging conversation with Brian Brady. In today’s episode, we discuss: ·      How departments are falsifying crime stats. ·      Why would you want to be a police chief? ·      Brian being in four different departments and did most jobs within the PD. What were his favorite positions and department? What was his least favorite? ·      How could the Alec Baldwin situation have happened? ·      Retired from law enforcement and going to corporate security. How difficult was it for him to transition to that? ·      The billion-dollar business of fine art security. ·      Where do art thieves fence priceless pieces of art? ·      The secret world of fine art forgeries. ·      Artificial intelligence and writing. ·      Talking about Harry Bosch and Titus Welliver! ·      His latest book, Greed. What is it about, and what should we expect? ·      The Isabella Stewart Gardner Museum heist, which occurred on March 18, 1990, where 500 million in art was stolen. ·      If your book made it to the big screen, who would you want playing the main role? All of this and more on today’s episode of the Cops and Writers podcast. Check out Brian's website to learn more about him and his books! Check out the new Cops and Writers YouTube channel! Check out my newest book, The Good Collar (Michael Quinn Vigilante Justice Series Book 1)!!!!! Enjoy the Cops and Writers book series. Please visit the Cops and Writers website.  

Visit our Substack for bonus content and more:https://designbetterpodcast.com/p/bonus-episode-30-years-of-design Today we celebrate 30 years of Wert&Co.—the quiet champions of design who have shaped our field by placing the brightest designers in roles of influence at brands that impact culture, commerce, and community. Design Better is brought to you by Wix Studio, the most powerful web design platform for entrepreneurs, agencies, and creative thinkers. Learn more → To mark the occasion, Design Better is live in New York City with an inspiring panel. We'll look back at how design has shaped the world over the past three decades and look ahead to the essential role design must play as technology reshapes the human experience. Our conversation begins with Paola Antonelli, Senior Curator of Architecture and Design and Director of Research & Development at The Museum of Modern Art. Paola is one of the most influential voices in contemporary design, exploring how design shapes culture, technology, and society. We're also joined by Mark Wilson, Global Design Editor at Fast Company. Mark covers the intersection of design, technology, and culture, bringing a journalist's rigor and a designer's eye to stories that reach millions. In the second half of our conversation, we shift our focus to the present and future of design—the teams, the individual contributors, and the leaders who are navigating this evolution in real time. Kate Aronowitz, and Meaghan Choi, and Mike Davidson are three leaders who have different perspectives on where design is headed, and what it means to build meaningful careers in this rapidly changing landscape. Kate Aronowitz is a Design Partner at GV, where she helps companies of all sizes build design-driven cultures. Meaghan Choi is a Product Designer at Anthropic, focused on developer experiences for emerging technologies like AI and cloud computing, including her work on Claude Code. Mike Davidson is VP of Design and User Research at Microsoft AI, with more than two decades leading design at companies including Twitter, Disney, and ESPN.

Leon Black's fall from grace at the Museum of Modern Art came in early 2021, after intense public backlash over his deep financial relationship with Jeffrey Epstein. Reports revealed that Black had paid Epstein approximately $158 million for tax and estate advisory services, long after Epstein's 2008 conviction for soliciting sex from a minor. The revelations sparked outrage across New York's art world, with artists, staff, and activists demanding his removal from MoMA's board. Protesters accused the museum of moral hypocrisy for maintaining ties with a man linked to Epstein's network, arguing that his presence tainted the institution's credibility and mission. As pressure mounted from both within and outside MoMA, calls for his resignation grew louder, and donors began quietly voicing discomfort about his continued leadership.In March 2021, facing unrelenting scrutiny, Black announced that he would step down as chairman of MoMA's board and not seek re-election when his term ended. While he technically remained on the board as a trustee, his exit from the chairmanship was viewed as a forced retreat under immense public pressure. His resignation from the top spot came shortly after he also resigned as CEO of Apollo Global Management amid the same Epstein scandal. MoMA attempted to minimize the fallout by framing his departure as voluntary, but the timing — coming amid protests and reputational damage — made clear that Black's position had become untenable. His exit marked one of the most high-profile instances of cultural institutions severing ties with financiers connected to Epstein.to contact me:bobbycapucci@protonmail.com

DIY Enthusiast & the man behind "Anton in Japan" YouTube Channel, Anton Wörmann joins the Krewe to talk about akiya, Japan's abandoned home phenomenon, and how he's transforming them into stunning spaces. We dig into what it's like to buy, clear out, & renovate an akiya and how Anton's journey from fashion to DIY restoration is reshaping what “home” means in Japan.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:53:00)------ Past Home & Architecture Episodes ------S5E15 - Change in Urban & Rural Japanese Communities ft. Azby BrownS5E6 - Inside Japanese Homes & Architecture ft. Azby BrownS3E2 - Buying Real Estate in Japan ft. Ziv Nakajima-Magen------ Links about Anton ------Anton in Japan YouTube ChannelAnton on IGAnton in Japan Website & ResourcesAnton on TikTokAnton's Live Master Class on Oct 12 @ 10am JST (Sign Up!)Anton's Akiya Master Class Program------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Episode 495 / Jim GaylordJim Gaylord is a New York based artist known for his abstract, sculptural reliefs made from cutout paper. He earned an MFA from the University of California, Berkeley, and a BA from the University of North Carolina, Greensboro. His work has been exhibited internationally and is in the permanent collections of the Berkeley Art Museum, the Mount Holyoke College Art Museum and The Museum of Modern Art in New York. He has received fellowships from the New York Foundation for the Arts, the Joan Mitchell Foundation and the Pollock-Krasner Foundation. He has completed residencies at MacDowell, Yaddo and the Sharpe-Walentas Studio Program. Jim is represented by Sperone Westwater in New York, where his work is currently on view in the group exhibition, "Sperone Westwater: 50 Years." His second solo show with the gallery will open in early 2026. 

Leon Black's fall from grace at the Museum of Modern Art came in early 2021, after intense public backlash over his deep financial relationship with Jeffrey Epstein. Reports revealed that Black had paid Epstein approximately $158 million for tax and estate advisory services, long after Epstein's 2008 conviction for soliciting sex from a minor. The revelations sparked outrage across New York's art world, with artists, staff, and activists demanding his removal from MoMA's board. Protesters accused the museum of moral hypocrisy for maintaining ties with a man linked to Epstein's network, arguing that his presence tainted the institution's credibility and mission. As pressure mounted from both within and outside MoMA, calls for his resignation grew louder, and donors began quietly voicing discomfort about his continued leadership.In March 2021, facing unrelenting scrutiny, Black announced that he would step down as chairman of MoMA's board and not seek re-election when his term ended. While he technically remained on the board as a trustee, his exit from the chairmanship was viewed as a forced retreat under immense public pressure. His resignation from the top spot came shortly after he also resigned as CEO of Apollo Global Management amid the same Epstein scandal. MoMA attempted to minimize the fallout by framing his departure as voluntary, but the timing — coming amid protests and reputational damage — made clear that Black's position had become untenable. His exit marked one of the most high-profile instances of cultural institutions severing ties with financiers connected to Epstein.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-moscow-murders-and-more--5852883/support.

Leon Black's fall from grace at the Museum of Modern Art came in early 2021, after intense public backlash over his deep financial relationship with Jeffrey Epstein. Reports revealed that Black had paid Epstein approximately $158 million for tax and estate advisory services, long after Epstein's 2008 conviction for soliciting sex from a minor. The revelations sparked outrage across New York's art world, with artists, staff, and activists demanding his removal from MoMA's board. Protesters accused the museum of moral hypocrisy for maintaining ties with a man linked to Epstein's network, arguing that his presence tainted the institution's credibility and mission. As pressure mounted from both within and outside MoMA, calls for his resignation grew louder, and donors began quietly voicing discomfort about his continued leadership.In March 2021, facing unrelenting scrutiny, Black announced that he would step down as chairman of MoMA's board and not seek re-election when his term ended. While he technically remained on the board as a trustee, his exit from the chairmanship was viewed as a forced retreat under immense public pressure. His resignation from the top spot came shortly after he also resigned as CEO of Apollo Global Management amid the same Epstein scandal. MoMA attempted to minimize the fallout by framing his departure as voluntary, but the timing — coming amid protests and reputational damage — made clear that Black's position had become untenable. His exit marked one of the most high-profile instances of cultural institutions severing ties with financiers connected to Epstein.to contact me:bobbycapucci@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-epstein-chronicles--5003294/support.

Suzanne Jackson talks to Ben Luke about her influences—from writers to musicians and, of course, other artists—and the cultural experiences that have shaped her life and work. Jackson, who was born in 1944 in St. Louis, Missouri, but grew up in San Francisco and Fairbanks, Alaska, has worked across drawing and painting, poetry, dance and theatre, to explore a strong and often spiritual connection between people and the natural world. With a fluid and poetic painting style, Suzanne has responded to the many different natural and social environments in which she has lived in the US, from San Francisco and Los Angeles, to Fairbanks, Alaska and Savannah, Georgia, to forge a distinctive take on the world and the communities that inhabit it. She taps into a broad range of artistic languages, including Native American and African American traditions, and exhibits a deep sensitivity to history and ecology while reflecting profoundly on her personal lived experience. She has also been a gallery owner and public art administrator, with a keen sense of the role art can play in uniting and inspiring communities. Today, she makes installations formed by painted and sculptural forms that hang in the exhibition space, directly addressing subjects including the climate catastrophe. She discusses the important moment where she first encountered the work of Barbara Chase Riboud, a profound encounter with Elizabeth Catlett and her admiration for Torkwase Dyson. She talks of her passion for the cartoons Archy and Mehitabel and Krazy Kat, and her love of Mississippi Delta Blues and jazz or as she calls it, African American classical music. Plus she gives insight into her life in the studio and answer our usual questions, including the ultimate, “what is art for?”Suzanne Jackson: What is Love, San Francisco Museum of Modern Art, until 1 March 2026; Walker Art Center, Minneapolis, 14 May-23 August 2026; Museum of Fine Arts, Boston, 26 September 2026-7 February 2027 Hosted on Acast. See acast.com/privacy for more information.

Do you like sleaze? Do you yearn for the filth of New York City in the early 80s? Do you like low budgets and gorilla film making? Do you like rubber monster puppets and buckets of blood? If, enthusiastically, you said yes to these questions, then boy HOWDY do we have a movie for you. It's the start of the spooky season and somehow Pete got the first pick. Also, somehow, he picked a movie that truly embraces the "Give Me Back" vibe. Basket Case is a masterclass in low budget filmmaking so much so the The Museum of Modern Art (MoMA) has curated and preserved it in their archives. What the WHAT? Do you mean THE MoMA? The Museum of Modern Art in New York City? I sure do. Basket Case is free on our lord and savior Tubi, so make sure to watch the 91 minute classic before you tune in.

The Museum of Modern Art, also known as the MoMA, in New York City, is one of the most worthwhile museums to visit while in the city. With 5+ floors and hundreds of thousands of pieces, including works by Jackson Pollock, Pablo Picasso, and Paul Cézanne, there is something for everyone at this world-class museum.Before you go, listen to this episode covering some of the most famous art, tour options, ticket prices, and must-know tips for your museum visit.

On today’s episode of the Cops and Writers Podcast, I have with me retired Chief of Police and Author Brian Brady. Brian was born and raised in the San Francisco area and became a police officer in Berkeley, California, in the late sixties. He moved around to four different police departments, eventually attaining the rank of Chief of Police.  After decades of serving and protecting, he retired from police work and transitioned to becoming a corporate security executive. This path led him to holding executive positions at prestigious organizations such as NBC Universal and the San Francisco Museum of Modern Art. Brian has published two crime novels and is working on his third.   I really enjoyed talking to someone like Brian, who has seen the evolution of police work through the years and worked his way up from police officer to chief. Please enjoy this informative and wide-ranging conversation with Brian Brady.   In today’s episode, we discuss: ·      Growing up in San Francisco. ·      Brain’s law enforcement influences. ·      Brian starting his LE career in Berkeley in the late 60s. Lots going on in the world, and of course, Berkeley was the epicenter of turmoil. ·      The innovations that came from the Berkeley Police Department. ·      No formal FTO program when he started in Berkeley. ·      Brian’s first foot chase, apprehending a purse snatcher and getting scolded for not following protocol. ·      Typing police reports on a manual typewriter? ·      Why the rank of sergeant is the most influential and important in law enforcement. ·      Novato PD as Police Chief. What did he expect being chief, and what surprised you about the job? Are you the “Political Pinata”? ·      Being the incident commander at an officer-related shooting where an officer was forced to take a life. ·      The pros and cons of CompStat.     All of this and more on today’s episode of the Cops and Writers podcast.     Check out Brian's website to learn more about him and his books!      Check out the new Cops and Writers YouTube channel! Check out my newest book, The Good Collar (Michael Quinn Vigilante Justice Series Book 1)!!!!! Enjoy the Cops and Writers book series. Please visit the Cops and Writers website.     

Visit our Substack for bonus content and more: https://designbetterpodcast.com/p/rewind-paola-antonelli Design Better has been on the road recently, recording a live episode in Manhattan for design search firm Wert & Co's 30th anniversary. Guests for the episode included Paola Antonelli (senior curator in the Department of Architecture and Design at MoMA) Mike Davidson (VP of Design and User Research at Microsoft AI), Kate Aronowitz (Design Partner at Google Ventures), Meaghan Choi (Product Designer at Anthropic), & Mark Wilson (Global Design Editor at Fast Company). While Aarron and I are catching up from travel, and as a lead-in to the live episode airing next week, we're rewinding to our interview with Paola Antonelli. We hope you enjoy the episode. And if you haven't checked it out yet, did you know you can save over $1600 on popular productivity tools and design and AI courses with the Design Better Toolkit? Just head over to dbtr.co/toolkit to learn more. *** The Museum of Modern Art brings to mind images of Van Gough's Starry Night, Salvador Dali's Persistence of Memory, and Andy Warhol's Campbell Soup Cans. But thanks to Paola Antonelli, senior curator in the Department of Architecture and Design, MoMA exhibitions also encompass the role design has played in shaping culture and the human experience. We talk with Paola about how we can look at digital design through a historic lens, some of the most important design movements in the past 100 years, and how the creative process has evolved through these different movements. We also talk about the history of the @ symbol, why craftsmanship is necessary to experimentation, and some of the current challenges in design education. We hope you enjoy this episode which is a part of our series on design history, with upcoming episodes on typography with Jonathan Hoefler, and the history and philosophy of design with Professor Barry Katz. Paola Antonelli joined The Museum of Modern Art in 1994 and is the Museum's Senior Curator in the Department of Architecture and Design, as well as MoMA's founding Director of Research and Development. Her work investigates design in all its forms, from architecture to video games, often expanding its reach to include overlooked objects and practices. An architect trained at the Polytechnic of Milan and a pasionaria of design, Antonelli has been named one of the 25 most incisive design visionaries in the world by TIME magazine, has earned the Design Mind Smithsonian Institution's National Design Award, has been inducted in the US Art Directors Club Hall of Fame, and has received the AIGA (American Institute of Graphic Artists,) the London Design Medal, and the German Design Award, among other accolades.

A brand-new exhibition showcasing the breadth of Picasso's work will be opening at the National Gallery of Ireland.‘Picasso: From the Studio' will be the first Irish exhibition of this scale to showcase the Spanish master's art since his death in 1973.The first ever display of Picasso's work in Ireland was organised by Trinity College students in a library storage room back in 1969.This time around, the exhibition places Picasso in the context of his studios, highlighting the phases of his art and life.It will feature paintings, sculptures, ceramics, works on paper, as well as photographic and audio-visual works.Joining Seán to tell more is Curator of Modern Art at the National Gallery of Ireland, Janet McLean...

Join Justin as he chats with actor and artist Crispin Glover about his new film, No! You're Wrong, balancing filmmaking and acting, working with new directors, paranormal experiences, life after death, and more!Crispin Glover bio:Crispin Hellion Glover (born April 20, 1964) is an American actor, filmmaker and artist. He is known for portraying eccentriccharacter roles on screen. His breakout role was as George McFly in Back to the Future (1985), which he followed by playing one of the leading roles in River's Edge (1986). Through the 1990s, Glover garnered attention for portraying smaller but notable roles in films such as Wild at Heart (1990), The Doors (1991), What's Eating Gilbert Grape (1993), and Dead Man (1995). Starting with his role as the Thin Man in Charlie's Angels (2000), he began to star in more mainstream films. The roles in these films include a reprisal of the Thin Man in Charlie's Angels: Full Throttle (2003), portraying the titular character in Willard (2003), Grendel in Beowulf (2007), The Knave of Hearts in Alice in Wonderland (2010) and Phil in Hot Tub Time Machine (2010). From 2017 to 2021 he starred as Mr. World in the Starz television series American Gods. In the late 1980s, Glover started his company, Volcanic Eruptions, which publishes his books such as Rat Catching (1988) and also serves as the production company for the films he has directed, What Is It? (2005), It Is Fine! Everything Is Fine. (2007), and No! YOU'RE WRONG. or: Spooky Action at a Distance (2025). These films have never received a traditional theatrical release; instead, Glover tours with the films, holding screenings in theatres around the world.Information on No! You're Wrong, including a video preview:The first show is October 2, 2025, with the World Premiere at the Museum of Modern Art in New York City.Upcoming shows:Oct 2 – NYC World Premiere @ MoMAOct 10–16 – IFC Center, NYCOct 18–19 – Aero Theatre, Santa MonicaOct 23 – Music Box, ChicagoNov 3 – Coolidge Corner, BostonLink to video preview of Crispin's new film:https://youtu.be/3grQdSO8jfA?si=ibZTyIg5tYEaUK_SIntro and outro theme created by Wyrm. Support Wyrm by visiting the Serpents Sword Records bandcamp page (linked below):https://serpentsswordrecords.bandcamp.com/Monsters, Madness and Magic Official Website. Monsters, Madness and Magic on Linktree.Monsters, Madness and Magic on Instagram.Monsters, Madness and Magic on Facebook.Monsters, Madness and Magic on Twitter.

This episode is brought to you by Commerce.Gift shops are more than a post-museum pit stop — they can be retail destinations in their own right.In this episode of Retail Remix, host Nicole Silberstein sits down with Jesse Goldstine, Chief Retail Officer at the Museum of Modern Art (MoMA), to discuss the recent redesign of the MoMA Design Store in SoHo and the unique nuances of museum-affiliated retail.Jesse shares how the iconic museum is connecting culture with commerce in its retail experiences through storytelling, product curation and immersive design. 

Eric Adams has officially ended his campaign for reelection. WFUV's Nora Malone reports on the surprise announcement this weekend and how the other candidates are reacting to the news. The Federal Government is nearing a shutdown if lawmakers don't come to an agreement by Tuesday night. WFUV's Xenia Gonikberg has the latest. The annual ‘State of Our Schools' Address took place today at the Manhattan Center for Science and Mathematics in East Harlem. WFUV's Nora Malone reports. WFUV's Xenia Gonikberg spoke to Henry Wahlenmayer about his job as a Curatorial Fellow at the Museum of Modern Art in New York City. This is part of a new series on Gen Z New Yorkers and their interesting jobs. Host/Producer: Jay Doherty Editor: Lainey Nguyen Reporter: Xenia Gonikberg Reporter: Nora Malone Theme Music: Joe Bergsieker

Brendan Fernandes, born in Nairobi, Kenya 1979. Currently based in Chicago, his practice addresses issues of race, queer culture, migration, protest, andother forms of collective movement. Constantly seeking to create new spaces and forms of agency, Fernandes'work often takes on hybrid forms: part ballet, part queer dance party, part political protest always rooted in collaboration and fostering solidarity. Fernandes is a graduate of the Whitney Independent Study Program (2007) and has been the recipient of numerous awards, including a Robert Rauschenberg Residency Fellowship (2014), a Smithsonian Artist Research Fellowship (2020), an Artadia Award(2019), a Louis Comfort Tiffany Foundation Grant (2019), and most recently, the PlatformAward (2024). In 2024, he was also honored with the Creative Voice Award by Arts Alliance Illinois. His work has been presented at prestigious venues such as the 2019 Whitney Biennial at the Whitney Museum of American Art, New York; the Museum ofContemporary Art Chicago, Chicago; the Solomon R. Guggenheim Museum, New York, the Museum of Modern Art, New York; the J. Paul Getty Museum, Los Angeles; theNational Gallery of Canada,Ottawa; and the Musée d'art contemporain de Montréal, MAC;among many others. Fernandes is an Associate Professor in the Department of Art,Theory, and Practice at Northwestern University. He is represented by Monique MelocheGallery in Chicago and Susan Inglett Gallery in New York. Recent and upcoming projectsinclude performances and solo presentations at the Pulitzer Arts Foundation, St. Louis,MO; the Museum of Contemporary Art Denver, Denver, CO; the Fabric Workshop andMuseum, Philadelphia, PA; and Prospect.6, New Orleans, LA. In spring 2026, a major newcommission and solo exhibition will debut at the Driehaus Museum in Chicago.  

EMAIL US NEWS STORIES!TarpReportNewsStories@gmail.com⚫ JUMP AROUND0:00 - Mary & Make a Wish3:25 - Safeway bag full of shake5:30 - Comment Court8:30 - Hikers take Mushrooms and get lost11:20 - Going to Jail On Mushrooms14:20 - Hikers take Mushrooms and get lost Pt.216:03 - Hippie John17:50 - Smoking what Jes thought was a cigarette19:30 - Janitor throws away “Modern Art”24:20 - Onlyfans Model Ruins Hotel Room34:45 - Sam's Alaska Comedy Posters36:10 - Sam's Documentary37:00 - Izzy is going to college37:50 - Brittany calls in42:10 - Sam broke the chair he is in43:25 - People in recovery54:00 - Sam's Jokes ⚫ FOLLOW SAM MILLER:https://www.sammillercomedy.com Youtube @sammillercomedian https://www.tiktok.com/@sammillercomedianhttps://www.facebook.com/makeolympialaughagainhttps://www.instagram.com/sammillercomedian⚫ FOLLOW JES ANDERSON:https://jesanderson.comYoutube @coachsmoach https://www.tiktok.com/@coachsmoachhttps://www.facebook.com/coachsmoachhttps://www.instagram.com/coachsmoach

Hey hey BATT Family! Welcome to Episode 25, another of our top ten lists with a special guest. This time was us getting Mark's good friend Austin onto the show to discuss the Top Ten Best Games We Don't Play Anymore. It's a fun topic for people who've played as many games for as long as we have to break down. We hope that you have as good of a time with us as we had recording it. This is also an episode where, yes, we are dedicating it entirely to older games but honestly it's to remind ourselves of good memories as well as maybe intrigue you in some games you may have never heard of or just haven't gotten to try. We played them all to where we're done with them, but that certainly doesn't mean that you wouldn't enjoy them. If you do try any of them out, let us know! This is another moment of how long it's been since we recorded as well - this episode is coming out in September and I believe this was recorded back in May. The choices are all still valid, but the weird timeline jumps if you're listening to this back to back with Episode 24 is real. Regardless! Thanks for joining us on this final episode of Season One and we'll catch you on the start of Season Two on October 7th! --- This episode's segments: 00:00:00 - Intro / How Do We Know Our Guest 00:02:24 - List Selection Criteria 00:04:26 - Scott's 10 (Ticket to Ride) 00:06:23 - Austin's 10 (Star Wars Rebellion) 00:07:28 - Mark's 10 (Modern Art) 00:09:52 - Scott's 9 (Mysterium) 00:11:40 - Austin's 9 (Ra) 00:12:53 - Mark's 9 (Dead Men Tell No Tales) 00:15:03 - Scott's 8 (Atmosfear) 00:16:57 - Austin's 8 (Power Grid) 00:19:31 - Mark's 8 (Formula D) 00:21:16 - Scott's 7 (Formula D(e)) 00:22:09 - Austin's 7 (Manhattan Project) 00:23:03 - Mark's 7 (Space Base) 00:24:57 - Scott's 6 (HeroQuest) 00:26:41 - Austin's 6 (Anachrony) 00:29:24 - Mark's 6 (Firenze) 00:32:09 - Scott's 5 (X-Men: Under Siege) 00:33:22 - Austin's 5 (Blood Rage) 00:36:00 - Mark's 5 (Quantum) 00:38:23 - Scott's 4 (Marvel Legendary) 00:40:47 - Austin's 4 (Kingdom Builder) 00:43:07 - Mark's 4 (Tortuga 2199) 00:45:34 - Scott's 3 (Talisman) 00:50:12 - Austin's 3 (Rising Sun) 00:53:03 - Mark's 3 (Mafiozoo) 00:55:53 - Scott's 2 (Dead of Winter) 00:59:18 - Austin's 2 (Five Tribes) 01:01:46 - Mark's 2 (Heroclix) 01:04:24 - Scott's 1 (Clue Master Detective) 01:06:19 - Austin's 1 (Food Chain Magnate) 01:09:30 - Mark's 1 (Android: Netrunner) 01:13:00 - Contact Info  01:13:51 - Outro --- Notes! 1) Pub Meeple is an EXCELLENT free resource for the board gaming community for those that want to rank their ... whatever grouping. It has an API integration to BGG to scrape their database and allow you to create a list to rank. It can be found at https://www.pubmeeple.com/ranking-engine. You can use it for things other than board games, but why would you want to? 2) Wish we had more to discuss about Manhattan Project, but Austin was the only one of the three of us to have played it.  3) The semi abrupt transition from Scott to Austin's number six was due to the dog getting up and barking like mad for a minute or two. We completely lost track of where we were, so we just moved on it seems like! 4) Turns out that Scott and Mark just kinda had a therapy session about Talisman and seemingly invited Austin to it. There was another about ten minutes on the game that got cut out. Austin's reactions were just too good to remove. 5) If you haven't heard it yet, go listen to Austin's story about Roads and Boats in our most recent Odds and Ends Episode: The Channel Update Edition. It's genuinely funny to me. --- You can email us at boardallthetimegaming@gmail.com. We can be found at www.boardallthetime.com and on Facebook at Board All The Time.  We're on BlueSky now and loving it! At this point it really feels like BlueSky is for board gaming, so definitely check us out on there at https://bsky.app/profile/boardallthetime.bsky.social If you'd like to help support the show and assist with the hosting costs, you can do so with our Ko-Fi: https://ko-fi.com/boardallthetime Our Discord server, which is still in Beta, can be joined at https://discord.gg/VbRWEpc6 We'd like to thank our sponsors as well: We'd also like to thank SoulProdMusic for the intro/outro music. 

Fluent Fiction - French: Artful Encounters: A Tale of Transformative Inspiration Find the full episode transcript, vocabulary words, and more:fluentfiction.com/fr/episode/2025-09-20-22-34-02-fr Story Transcript:Fr: À Montmartre, un quartier animé de Paris, les rues pavées brillaient sous le soleil de l'automne.En: In Montmartre, a lively district of Paris, the cobbled streets gleamed under the autumn sun.Fr: Les feuilles d'un orange éclatant parsemaient le sol, ajoutant une touche de couleur au décor.En: The leaves of a bright orange scattered the ground, adding a touch of color to the scene.Fr: Élise marchait d'un pas rapide, son sac rempli de croquis frappant sa hanche à chaque pas.En: Élise walked with a quick pace, her bag filled with sketches striking her hip with each step.Fr: Elle était impatiente, excitée par l'exposition d'art moderne à la petite galerie du coin.En: She was eager, excited about the modern art exhibition at the small gallery around the corner.Fr: À l'entrée de la galerie, un petit panneau indiquait "Exposition d'art moderne - Ouvert aujourd'hui."En: At the entrance of the gallery, a small sign indicated "Modern Art Exhibition - Open today."Fr: Les murs blancs de la galerie mettaient en valeur la gamme colorée des œuvres d'art exposées.En: The white walls of the gallery enhanced the colorful range of artworks on display.Fr: Élise observait chaque pièce attentivement, capturant les détails dans son carnet de croquis.En: Élise examined each piece attentively, capturing the details in her sketchbook.Fr: Elle cherchait l'inspiration pour son projet d'art, quelque chose d'unique qui bousculerait les attentes de ses professeurs.En: She was searching for inspiration for her art project, something unique that would challenge her teachers' expectations.Fr: Lucien se tenait devant une toile particulièrement audacieuse.En: Lucien stood in front of a particularly bold canvas.Fr: Écrivain en quête d'inspiration, il espérait débloquer sa créativité paralysée depuis des mois.En: A writer in search of inspiration, he hoped to unlock his creativity, which had been paralyzed for months.Fr: Il se perdit dans les couleurs vives et les formes chaotiques de l'œuvre, entouré par le murmure constant des visiteurs.En: He lost himself in the vivid colors and chaotic shapes of the work, surrounded by the constant murmur of visitors.Fr: Élise s'approcha de Lucien, intriguée par son silence concentré.En: Élise approached Lucien, intrigued by his focused silence.Fr: "Qu'en pensez-vous?"En: "What do you think?"Fr: demanda-t-elle, sa voix pleine de curiosité.En: she asked, her voice full of curiosity.Fr: Lucien se tourna légèrement, surpris d'être interpellé.En: Lucien turned slightly, surprised to be addressed.Fr: "C'est... captivant," répondit-il, tâchant de mettre des mots sur ses pensées confuses.En: "It's...captivating," he replied, trying to put words to his confused thoughts.Fr: "Oui, mais je trouve qu'il manque quelque chose," dit Élise, sa voix déterminée.En: "Yes, but I find something is missing," said Élise, her voice determined.Fr: "L'émotion brute, peut-être.En: "Raw emotion, maybe.Fr: Tout est question de perspective, non?"En: It's all about perspective, isn't it?"Fr: Lucien fut frappé par son point de vue.En: Lucien was struck by her viewpoint.Fr: "Je n'y avais pas pensé de cette manière," avoua-t-il.En: "I hadn't thought about it that way," he admitted.Fr: "Cela pourrait être un beau défi pour un écrivain."En: "That could be a beautiful challenge for a writer."Fr: Cet échange éveilla leur appétit d'échange d'idées.En: This exchange awakened their appetite for exchanging ideas.Fr: Lucien proposa un café à Élise pour approfondir la conversation.En: Lucien suggested a coffee to Élise to delve deeper into the conversation.Fr: Assis à la terrasse d'un bistrot voisin, ils discutèrent passionnément de l'abstrait face au réalisme, chacun défendant ardemment son approche.En: Sitting on the terrace of a nearby bistrot, they passionately discussed the abstract versus realism, each ardently defending their approach.Fr: "Le réalisme saisit la vie telle quelle," affirma Élise.En: "Realism captures life as it is," asserted Élise.Fr: "Mais l'abstrait engage l'imagination," rétorqua Lucien.En: "But abstraction engages the imagination," retorted Lucien.Fr: Leur débat était animé, mais respectueux, élargissant leurs perspectives respectives.En: Their debate was lively but respectful, broadening their respective perspectives.Fr: Au fil de leur discussion, Élise découvrit une nouvelle inspiration dans les récits littéraires de Lucien.En: As their discussion progressed, Élise discovered new inspiration in Lucien's literary narratives.Fr: Ils étaient remplis de détails sensoriels qu'elle pouvait intégrer dans son art.En: They were filled with sensory details that she could incorporate into her art.Fr: Quant à Lucien, entendre Élise parler de ses projets vint raviver la flamme créative qu'il pensait perdue.En: As for Lucien, hearing Élise talk about her projects rekindled the creative spark he thought he had lost.Fr: Ils se séparèrent avec un respect mutuel et une énergie renouvelée.En: They parted ways with mutual respect and renewed energy.Fr: Élise, libérée des attentes traditionnelles, avait trouvé confiance en sa voix artistique unique.En: Élise, freed from traditional expectations, had found confidence in her unique artistic voice.Fr: Lucien, enfin libéré de son blocage créatif, se mit à écrire à nouveau, animé par les idées fraîches que leurs échanges avaient générées.En: Lucien, finally free from his creative block, began writing again, fueled by the fresh ideas their exchanges had generated.Fr: En quittant Montmartre, Élise et Lucien portaient avec eux une étincelle de nouveauté et une collaboration tacite qui pousserait chacun à créer différemment.En: Leaving Montmartre, Élise and Lucien carried with them a spark of novelty and a tacit collaboration that would push each to create differently.Fr: Leurs vies s'entrecroisaient désormais à travers l'art, transformant une simple rencontre en une source de profonde inspiration.En: Their lives now intertwined through art, transforming a simple encounter into a source of profound inspiration. Vocabulary Words:district: le quartiercobbled streets: les rues pavéesgleamed: brillaientbright: éclatantscene: le décorentrance: l'entréegallery: la galerieenhanced: mettaient en valeurrange: la gammeartworks: les œuvres d'artdisplay: exposéesunique: uniqueexpectations: les attentescanvas: la toilewriter: l'écrivaininspiration: l'inspirationcreativity: la créativitésurrounded: entourémurmur: le murmurevisitors: les visiteurscuriosity: la curiositéperspective: la perspectivechallenge: le défiexchange: l'échangerespective: respectivessensory: sensorielsincorporate: intégrerblock: le blocagespark: l'étincelleencounter: la rencontre

Antelman both deconstructs the body and then reassembles it, not just as a way of imagining a deeper connection with nature, but also as a way of expressing how malleable the very idea of it has become. In place of a techno-utopianism, in which the steady advance of technology is uniformly celebrated, Antelman expresses an atavistic position instead, one which delights in the complexity of nature rather than seeking to explain or instrumentalize it. Her work reminds us that what is mysterious in the world often connects us to what is mystical in it as well. Born 1971 in Athens, Greece, Maria Antelman received her MFA in New Genres from Columbia University and a BA in Art History from the Complutense University, Madrid. Her work has exhibited internationally, including at the Bemis Center of Contemporary Art, Omaha, NE; Pioneer Works, New York; Macedonian Museum of Contemporary Art, Thessaloniki; Visual Arts Center at the University of Texas, Austin; Botanical Garden I&A Diomidos, Athens; National Museum of Contemporary Art, Athens; Onassis Cultural Centre, Athens; Benaki Museum, Athens; Centro Nacional de Arte Contemporaneo, Cerillos, Chile and Yerba Buena Center for the Arts, San Francisco. Antelman's work was included in Companion Pieces: New Photography 2020 at the Museum of Modern Art, New York. She has been the recipient of grants from the Onassis Foundation USA, as well as the National Museum of Contemporary Art and the J.F. Costopoulos Foundation, Athens. Antelman has taken part in artist residences including Silver Art Projects, Pioneer Works and the International Studio & Curatorial Program in New York. Antelman currently lives and works in Athens. Maria Antelman, Conjurer, 2024. Archival pigment print, 21 1/2 x 27 1/2 inches. © Maria Antelman. Courtesy Yancey Richardson, New York Maria Antelman, Hypnos, 2020. Archival pigment print, 58 x 52 inches. © Maria Antelman. Courtesy Yancey Richardson, New York Maria Antelman, Hall of Mirrors, 2020. Archival pigment print, 39 x 19 inches. © Maria Antelman. Courtesy Yancey Richardson, New York

Talk Art Live in Berlin. Season 26 of Talk Art begins!!!!This episode is a special Paid Partnership collaboration with Berlin Art Week, who flew Russell & Robert to Berlin. Recorded live, in front of an audience, outside the Neue Nationalgalerie in September 2025. Special guests Peaches @peachesnisker (musician, producer, director, performance artist) and Klaus Biesenbach @klausbiesenbach (Director, Neue Nationalgalerie) join the conversation about art, music, and the Berlin art scene.An iconic feminist musician, producer, director, and performance artist, Peaches has spent nearly two decades pushing boundaries and wielding immeasurable influence over mainstream pop culture from outside of its confines, carving a bold, sexually progressive path in her own image that's opened the door for countless others to follow. She's collaborated with everyone from Iggy Pop and Daft Punk to Kim Gordon and Major Lazer, had her music featured cultural watermarks like Lost In Translation, The Handmaid's Tale, and Broad City among others, and seen her work studied at universities around the world.Dubbed a “genuine heroine” by the New York Times, Peaches has released five critically acclaimed studio albums blending electronic music, hip-hop, and punk rock while tackling gender politics, sexual identity, ageism, and the patriarchy. Uncut has raved that her work brought together "high art, low humour and deluxe filth [in] a hugely seductive combination,” while Rolling Stone called her “surreally funny [and] nasty.”An equally prolific visual artist, Peaches has directed over twenty of her own videos, designed one of the most raw and creative stage shows in popular music, and has appeared at modern art's most prestigious gatherings, from Art Basel Miami to the Venice Biennale. On top of it all, she mounted a one-woman production of 'Jesus Christ Superstar'—redubbed ‘Peaches Christ Superstar'—which earned international raves, composed and performed the electro-rock opera 'Peaches Does Herself,' which premiered at the Toronto International Film Festival, and sang the title role in a production of Monteverdi's epic 17th-century opera 'L'Orfeo' in Berlin. Visit: https://www.teachesofpeaches.com/Klaus Biesenbach began his career in Berlin 30 years ago aged 25, when he was one of a group that set up the KW Institute for Contemporary Art in a former margarine factory. In 2004, he became a curator at the Museum of Modern Art in New York, where he rose to the position of chief curator and founded a new department for media and performance art. In 2010, he became director of MoMA PS1, the museum's outpost in Queen's. At MOCA in Los Angeles, he introduced free admission, expanded the collection and navigated the museum through the pandemic. Hosted on Acast. See acast.com/privacy for more information.

Born and raised in Cincinnati, Ohio, Ave Pildas worked early in his career as a photo stringer for Downbeat Magazine in the Ohio Valley and Pennsylvania in the 1960's, and has been a successful photographer and educator for the past 40 years.    In 1971 Pildas began working as the Art Director at Capitol Records in Hollywood and designed and photographed album covers for the label's recording artists. He launched a career as a freelance photographer and designer soon after, specializing in architectural and corporate photography. His photographs have been exhibited in one man shows at the: Contemporary Arts Center, Cincinnati, Photographers Gallery, London, Janus Gallery, Los Angeles, Gallerie Diaframma, Milan, Cannon Gallery, Amsterdam, Gallerie 38, Zurich and numerous group shows. They have been featured in: The New York Times Magazine, 'ZOOM', 'PHOTO', 'CAMERA', 'photographic' and many publications both in the United States and abroad .    Photographs by Ave Pildas are included in the collections of the Museum of Modern Art, New York; the Bibliotheca National, Paris; the University of Arizona as well as numerous other public and private collections. He is a Professor Emeritus at Otis College of Design.    Pildas created intimate portraits of Jazz greats in live performance, at small clubs and Jazz Festivals in the Midwest, many have never been seen before. Ave currently lives in Santa Monica, CA in the solar powered, zero scaped home and studio he collaborated on with W3 Architects. He is digitally archiving his vintage work, and continues with new projects while inspiring, polishing and guiding young talent. http://www.avepildas.com https://deadbeatclubpress.com/products/ave-pildas-star-struck This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com APPLY NOW OR SOON: https://www.chicoreview.com/2026 https://www.homecomingbiennial.com/submit https://photowork.foundation/photowork-junior-fellowship/

Cozy is the new zombie. Or Cthulhu. Seriously -- just keep your eye on those store shelves (especially over the next few months), and you'll likely see so many new board games themed around the art of non-conflict. Maybe you'll be cuddling up with kitties. Or you'll be sitting around, peacefully matching tiles at your own pace. Or you'll be arranging books around your home in ways that please only you, as in our guest's co-designed A Place for All My Books. Alex Cutler joins the podcast this week to talk about what exactly makes a game "cozy." Plus we lean into his experience as a developer (not just designer) to learn what makes for a good product. Sure, great gameplay is a must -- but what else will make gamers want to make that purchase? Timeline: 3:15 - Going Analog's game pick: Black Forest. 6:59 - Alex's game pick: Fishing. 10:33 - Going Analog's topic: cozy games. 22:12 - Alex's topic: what makes a game a good product.

https://revengeofthecis.locals.com/    

At Distillery of Modern Art (DoMA), they celebrate the Art of the Spirit, distilling craft spirits that inspire community and connect people to what they love. Pour yourself a glass of their amaro, gin, vodka, or whiskey, and you'll notice that not only is the liquid inside the bottle exceptional, but each package features a unique print behind the label. The beauty and artistry in the label is a nod to the craft inside each bottle, and a reminder to make time for your own self-expression. Owner and Founder Seth Watson joins Justin to discuss art, creativity, and crafting an incredible mix of alco-bev brands!

https://revengeofthecis.locals.com/    

Davian Robinson's artistic journey has never followed a straight line. As a student at the Governor Morehead School for the Blind in Raleigh, NC, he discovered ballet and tap, launching a lifelong relationship with dance even as his vision continued to fade. At the same time, he was excelling in competitive athletics, eventually earning medals on the national stage as a para-cyclist. Years later, he returned to dance at UNC Charlotte, where he recommitted to the artform that had first taught him how to express his strength and resilience through movement.Since then, Robinson has emerged as both a powerful performer and an advocate for more inclusive ways of teaching and experiencing dance. His “Sensory Beyond Sight” workshop encourages participants — whether artists, athletes or professionals far outside the arts — to move beyond vision and tap into the body's other senses. He also continues to expand his creative reach through collaboration, most recently with celebrated multimedia artist Janet Biggs in “Misregistration,” on view through September 22, 2025, at the Bechtler Museum of Modern Art in Charlotte.In this interview, Davian reflects on how he developed his methodology as a dance student, the breakthroughs that shaped his teaching and choreography philosophy and how the world of dance can make itself more welcoming to visually impaired dancers and audiences alike.https://www.empower23.net/about

Episode 489 / Alexis RockmanBorn in 1962 in New York, Alexis Rockman has depicted a darkly surreal vision of the collision between civilization and nature – often apocalyptic scenarios on a monumental scale – for over three decades. Notable solo museum exhibitions include “Alexis Rockman: Manifest Destiny” at the Brooklyn Museum (2004), which traveled to several institutions including the Wexner Center for the Arts (2004) and the Rhode Island School of Design (2005). In 2010, the Smithsonian American Art Museum organized “Alexis Rockman: A Fable for Tomorrow,” a major touring survey of his paintings and works on paper. Concurrent with Rockman's 2013 exhibition at Sperone Westwater, the Drawing Center mounted “Drawings from Life of Pi,” featuring the artist's collaboration with Ang Lee on the award-winning film Life of Pi. His series of 76 New Mexico Field Drawings was included in “Future Shock” at SITE Santa Fe (2017-18). “Alexis Rockman and Mark Dion: A Journey to Nature's Underworld” was presented at the Bruce Museum, Greenwich, CT (2023) and traveled to the Virginia Museum of Contemporary Art (2024). It will be on view at the Tang Teaching Museum at Skidmore College, Saratoga Springs, NY until 5 January 2025, and at the Palmer Museum of Art at Penn State from August 30th through December 7th. His work is represented in many museum collections, including the Baltimore Museum of Art; Brooklyn Museum; Crystal Bridges Museum of American Art; Grand Rapids Art Museum; Los Angeles County Museum of Art; Museum of Fine Arts, Boston; New Orleans Museum of Art; San Francisco Museum of Modern Art; Smithsonian American Art Museum; Solomon R. Guggenheim Museum; and Whitney Museum of American Art. Rockman's first solo exhibition with Sperone Westwater, “Evolution,” was presented in 1992. He has had subsequent solo exhibitions at the gallery in 2013, 2018, 2020-21 and 2023. He lives and works in Warren, Connecticut.

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Dr. Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.Tackling the Everyday shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Dr. Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Our guest is: Dr. Tracie Canada, who is a socio-cultural anthropologist whose ethnographic research uses sport to theorize race, kinship and care, gender, and the performing body. She is the Andrew W. Mellon Assistant Professor of Cultural Anthropology & Gender, Sexuality, and Feminist Studies at Duke University. She is the founder and director of the HEARTS Lab, and is affiliated with the Duke Sports and Race Project. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She works as a dissertation and grad student coach, and as a developmental editor for scholars in the humanities and social sciences. She also writes the Academic Life newsletter, found at christinagessler.substack.com. Listeners may enjoy this playlist: Shoutin In The Fire College Baseball in the Off-Season How We Talk About Gender History of College Radio Leading from the Margins Black and Queer On Campus Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Dr. Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.Tackling the Everyday shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Dr. Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Our guest is: Dr. Tracie Canada, who is a socio-cultural anthropologist whose ethnographic research uses sport to theorize race, kinship and care, gender, and the performing body. She is the Andrew W. Mellon Assistant Professor of Cultural Anthropology & Gender, Sexuality, and Feminist Studies at Duke University. She is the founder and director of the HEARTS Lab, and is affiliated with the Duke Sports and Race Project. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She works as a dissertation and grad student coach, and as a developmental editor for scholars in the humanities and social sciences. She also writes the Academic Life newsletter, found at christinagessler.substack.com. Listeners may enjoy this playlist: Shoutin In The Fire College Baseball in the Off-Season How We Talk About Gender History of College Radio Leading from the Margins Black and Queer On Campus Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A century after a pivotal exhibition planted the flag for modern art in Jacksonville and the South, a new book examines its lasting impact.

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Dr. Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.Tackling the Everyday shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Dr. Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Our guest is: Dr. Tracie Canada, who is a socio-cultural anthropologist whose ethnographic research uses sport to theorize race, kinship and care, gender, and the performing body. She is the Andrew W. Mellon Assistant Professor of Cultural Anthropology & Gender, Sexuality, and Feminist Studies at Duke University. She is the founder and director of the HEARTS Lab, and is affiliated with the Duke Sports and Race Project. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She works as a dissertation and grad student coach, and as a developmental editor for scholars in the humanities and social sciences. She also writes the Academic Life newsletter, found at christinagessler.substack.com. Listeners may enjoy this playlist: Shoutin In The Fire College Baseball in the Off-Season How We Talk About Gender History of College Radio Leading from the Margins Black and Queer On Campus Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Episode No. 720 is a summer clips episode featuring artist Tidawhitney Lek. Lek is among the 30+ artists featured in "Spirit House" at the Henry Art Gallery at the University of Washington. The exhibition considers how 33 contemporary artists of Asian descent challenge the boundary between life and death through art, including how the spiritual relates to diaspora, connections to ancestral homelands, and the experience of feeling present within multiple cultures and multiple geographies. The show's curatorial framework was inspired by spirit houses, small devotional structures found throughout Thailand that provide shelter for the supernatural. "Spirit House" originated at the Cantor Arts Center, Stanford University, and was curated by Aleesa Pitchamarn Alexander with Kathryn Cua. It is on view in Seattle through January 11, 2026. An excellent exhibition catalogue, titled “Spirit House: Hauntings in Contemporary Art of the Asian Diaspora,” was published by the Cantor and Gregory R. Miller & Co. Amazon and Bookshop offer it for $45-50. Lek is a southern California-based, Cambodian-American artist whose work examines narratives surrounding and the daily experiences of a first-generation American born to immigrant parents. Her work has been included in exhibitions at the Museum of Contemporary Art San Diego and the Institute of Contemporary Art Miami, and she's been featured in the Made in LA biennial at the Hammer Museum, University of California, Los Angeles. Her first museum solo show was at the Long Beach Museum of Art in 2023. Discussed on the program: Martha Rosler's “House Beautiful: Bringing the War Home” series may be viewed on the website of the Museum of Modern Art, New York. The work of Amir Fallah and Annie Lapin. Lek's website. Instagram: Tidawhitney Lek, Tyler Green. Air date: August 21, 2025.

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Episode 262 we give our hot take review on Moon Colony Bloodbath covering the mechanisms, the production, and our overall feelings of the game.We discuss a poll on buying games without researching them and then talk about some games that have been on our tables including Modern Art, Toy Battle, and Forest Shuffle.Timestamps:00:00 Introduction00:22 Poll Time: Have you ever bought a game when you were in a store without knowing anything about it before seeing it on the shelf?08:37 Moon Colony Bloodbath Description11:01 Gameplay and Mechanisms23:53 Production and Theme31:08 Final Thoughts36:55 Modern Art44:57 Toy Battle48:44 Forest Shuffle1:00:11 Listener ShoutoutIf you enjoy the show, please consider supporting us at https://www.patreon.com/boardgamehottakesFollow us on BlueSky: https://bsky.app/profile/boardgamehottakes.bsky.socialJoin our Board Game Arena Community: https://boardgamearena.com/group?id=11417205Join our Discord server at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/vMtAYQWURd

Kristy returns to Art and Cocktails to share the inspiring story behind writing and publishing her book. We talk about the dream that began in childhood, the process of bringing it to life, and the milestones that followed. These include holding the finished copy in her hands, receiving an endorsement from Jerry Saltz, and seeing her work translated into Taiwanese. Kristy also addresses the myths that hold artists back from writing, why you do not have to identify as a “real writer” to publish a book, and how to navigate both traditional and self-publishing while keeping your vision intact. She shares details about her upcoming Essential Publishing Bootcamp with Frannie, a live two-day workshop that helps artists and creatives turn their book ideas into reality. Participants will learn about the different publishing paths, receive a step-by-step workflow for bringing a book to life, and review examples of real winning pitches that secured book deals. Whether you are interested in traditional publishing, indie presses, or self-publishing on Amazon, this workshop will provide the tools to make it happen. Kristy Gordon is a Canadian-born artist based in New York City whose paintings have been exhibited internationally, including at the Metropolitan Museum of Art's Uris Center, the European Museum of Modern Art in Barcelona, and the National Academy Museum in New York City. She is a three-time recipient of the Elizabeth Greenshields Foundation Grant and earned her MFA from the New York Academy of Art, where she now teaches. Her work appears in more than 600 collections worldwide and has been featured in Vogue, Hyperallergic, and Fine Art Connoisseur. She is represented by Garvey|Simon, Blumka Contemporary, and Grenning Gallery. Learn more about Kristy's Essential Publishing Bootcamp and sign up at https://www.down2art.com/Write-Your-book. Create! Magazine is now accepting submissions for our upcoming issue. Apply to the current call for art at https://www.createmagazine.co/call-for-art. Publish your own art catalog: https://www.createmagazine.co/art-catalog  

How does a museum place a value on a priceless work of art? And how much does it cost to keep it safe? Zachary Crockett appraises the situation. SOURCES:Glenn Lowry, director of the Museum of Modern Art. RESOURCES:"Why Climate Activists Are Still Throwing Food and Paint at Famous Artworks," by Tala Ansari (Wall Street Journal, 2023)."The Woman Who Made van Gogh," by Russell Shorto (New York Times, 2021)."The Lillie P. Bliss collection," (MoMA Collection, 1934)."May Belfort," by Henri de Toulouse-Lautrec (Cleveland Museum of Art, 1895)."Still Life with a Bottle," by Paul Cézanne (Pola Museum, 1890)."The Starry Night," by Vincent Van Gogh (MoMA Collection, 1889)."Portrait of Victor Chocquet Seated," by Paul Cézanne (1877). EXTRAS:"Hotel Art," by The Economics of Everyday Things (2025)."The Hidden Side of the Art Market," by Freakonomics Radio (2021). 

Episode No. 718 features artist Masako Miki and artist/curator Katherine Simóne Reynolds. The Institute of Contemporary Art San Francisco is presenting "Midnight March," a far-ranging presentation of Miki's two-dimensional and three-dimensional practice. The Japanese-born Miki's paintings, sculptures, and installations live between the sacred and the secular. Her often exuberant sculptures are rooted in the blending of Japanese and US cultures. Her previous solo shows have been at museums such as the de Young Museum, San Francisco, the Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, and the ICA San José. Her work is in the permanent collections of BAMPFA, the San Francisco Museum of Modern Art, and more. Reynolds is the curator of "Held Impermanence (Artists Select: Katherine Simóne Reynolds)" at the Clyfford Still Museum, Denver. The exhibition uses the museum's art collection and archive to consider multiple competing desires, including Still's and the desires of art institutions, such as the unknown future museum to which he directed his art and archive be entrusted. Reynolds is an artist and curator who investigates emotional dialects and psychogeographies of Blackness. Her previous exhibitions have been at venues such as SculptureCenter, New York, Counterpublic 2023, St. Louis, and the Stanley Museum of Art, University of Iowa. As mentioned on the program: The CSM's gallery booklet. Instagram: Masako Miki, Tyler Green.