Podcasts about Modern art

Episode 489 / Alexis RockmanBorn in 1962 in New York, Alexis Rockman has depicted a darkly surreal vision of the collision between civilization and nature – often apocalyptic scenarios on a monumental scale – for over three decades. Notable solo museum exhibitions include “Alexis Rockman: Manifest Destiny” at the Brooklyn Museum (2004), which traveled to several institutions including the Wexner Center for the Arts (2004) and the Rhode Island School of Design (2005). In 2010, the Smithsonian American Art Museum organized “Alexis Rockman: A Fable for Tomorrow,” a major touring survey of his paintings and works on paper. Concurrent with Rockman's 2013 exhibition at Sperone Westwater, the Drawing Center mounted “Drawings from Life of Pi,” featuring the artist's collaboration with Ang Lee on the award-winning film Life of Pi. His series of 76 New Mexico Field Drawings was included in “Future Shock” at SITE Santa Fe (2017-18). “Alexis Rockman and Mark Dion: A Journey to Nature's Underworld” was presented at the Bruce Museum, Greenwich, CT (2023) and traveled to the Virginia Museum of Contemporary Art (2024). It will be on view at the Tang Teaching Museum at Skidmore College, Saratoga Springs, NY until 5 January 2025, and at the Palmer Museum of Art at Penn State from August 30th through December 7th. His work is represented in many museum collections, including the Baltimore Museum of Art; Brooklyn Museum; Crystal Bridges Museum of American Art; Grand Rapids Art Museum; Los Angeles County Museum of Art; Museum of Fine Arts, Boston; New Orleans Museum of Art; San Francisco Museum of Modern Art; Smithsonian American Art Museum; Solomon R. Guggenheim Museum; and Whitney Museum of American Art. Rockman's first solo exhibition with Sperone Westwater, “Evolution,” was presented in 1992. He has had subsequent solo exhibitions at the gallery in 2013, 2018, 2020-21 and 2023. He lives and works in Warren, Connecticut.

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Dr. Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.Tackling the Everyday shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Dr. Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Our guest is: Dr. Tracie Canada, who is a socio-cultural anthropologist whose ethnographic research uses sport to theorize race, kinship and care, gender, and the performing body. She is the Andrew W. Mellon Assistant Professor of Cultural Anthropology & Gender, Sexuality, and Feminist Studies at Duke University. She is the founder and director of the HEARTS Lab, and is affiliated with the Duke Sports and Race Project. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She works as a dissertation and grad student coach, and as a developmental editor for scholars in the humanities and social sciences. She also writes the Academic Life newsletter, found at christinagessler.substack.com. Listeners may enjoy this playlist: Shoutin In The Fire College Baseball in the Off-Season How We Talk About Gender History of College Radio Leading from the Margins Black and Queer On Campus Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Dr. Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.Tackling the Everyday shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Dr. Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Our guest is: Dr. Tracie Canada, who is a socio-cultural anthropologist whose ethnographic research uses sport to theorize race, kinship and care, gender, and the performing body. She is the Andrew W. Mellon Assistant Professor of Cultural Anthropology & Gender, Sexuality, and Feminist Studies at Duke University. She is the founder and director of the HEARTS Lab, and is affiliated with the Duke Sports and Race Project. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She works as a dissertation and grad student coach, and as a developmental editor for scholars in the humanities and social sciences. She also writes the Academic Life newsletter, found at christinagessler.substack.com. Listeners may enjoy this playlist: Shoutin In The Fire College Baseball in the Off-Season How We Talk About Gender History of College Radio Leading from the Margins Black and Queer On Campus Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Dr. Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.Tackling the Everyday shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Dr. Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Our guest is: Dr. Tracie Canada, who is a socio-cultural anthropologist whose ethnographic research uses sport to theorize race, kinship and care, gender, and the performing body. She is the Andrew W. Mellon Assistant Professor of Cultural Anthropology & Gender, Sexuality, and Feminist Studies at Duke University. She is the founder and director of the HEARTS Lab, and is affiliated with the Duke Sports and Race Project. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She works as a dissertation and grad student coach, and as a developmental editor for scholars in the humanities and social sciences. She also writes the Academic Life newsletter, found at christinagessler.substack.com. Listeners may enjoy this playlist: Shoutin In The Fire College Baseball in the Off-Season How We Talk About Gender History of College Radio Leading from the Margins Black and Queer On Campus Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Dr. Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.Tackling the Everyday shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Dr. Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Our guest is: Dr. Tracie Canada, who is a socio-cultural anthropologist whose ethnographic research uses sport to theorize race, kinship and care, gender, and the performing body. She is the Andrew W. Mellon Assistant Professor of Cultural Anthropology & Gender, Sexuality, and Feminist Studies at Duke University. She is the founder and director of the HEARTS Lab, and is affiliated with the Duke Sports and Race Project. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She works as a dissertation and grad student coach, and as a developmental editor for scholars in the humanities and social sciences. She also writes the Academic Life newsletter, found at christinagessler.substack.com. Listeners may enjoy this playlist: Shoutin In The Fire College Baseball in the Off-Season How We Talk About Gender History of College Radio Leading from the Margins Black and Queer On Campus Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Dr. Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.Tackling the Everyday shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Dr. Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Our guest is: Dr. Tracie Canada, who is a socio-cultural anthropologist whose ethnographic research uses sport to theorize race, kinship and care, gender, and the performing body. She is the Andrew W. Mellon Assistant Professor of Cultural Anthropology & Gender, Sexuality, and Feminist Studies at Duke University. She is the founder and director of the HEARTS Lab, and is affiliated with the Duke Sports and Race Project. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She works as a dissertation and grad student coach, and as a developmental editor for scholars in the humanities and social sciences. She also writes the Academic Life newsletter, found at christinagessler.substack.com. Listeners may enjoy this playlist: Shoutin In The Fire College Baseball in the Off-Season How We Talk About Gender History of College Radio Leading from the Margins Black and Queer On Campus Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Dr. Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.Tackling the Everyday shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Dr. Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite game. Our guest is: Dr. Tracie Canada, who is a socio-cultural anthropologist whose ethnographic research uses sport to theorize race, kinship and care, gender, and the performing body. She is the Andrew W. Mellon Assistant Professor of Cultural Anthropology & Gender, Sexuality, and Feminist Studies at Duke University. She is the founder and director of the HEARTS Lab, and is affiliated with the Duke Sports and Race Project. Her work has been featured in public venues and outlets such as the Museum of Modern Art, The Guardian, and Scientific American. Our host is: Dr. Christina Gessler, who is the creator of the Academic Life podcast. She works as a dissertation and grad student coach, and as a developmental editor for scholars in the humanities and social sciences. She also writes the Academic Life newsletter, found at christinagessler.substack.com. Listeners may enjoy this playlist: Shoutin In The Fire College Baseball in the Off-Season How We Talk About Gender History of College Radio Leading from the Margins Black and Queer On Campus Welcome to Academic Life, the podcast for your academic journey—and beyond! You help support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Episode No. 720 is a summer clips episode featuring artist Tidawhitney Lek. Lek is among the 30+ artists featured in "Spirit House" at the Henry Art Gallery at the University of Washington. The exhibition considers how 33 contemporary artists of Asian descent challenge the boundary between life and death through art, including how the spiritual relates to diaspora, connections to ancestral homelands, and the experience of feeling present within multiple cultures and multiple geographies. The show's curatorial framework was inspired by spirit houses, small devotional structures found throughout Thailand that provide shelter for the supernatural. "Spirit House" originated at the Cantor Arts Center, Stanford University, and was curated by Aleesa Pitchamarn Alexander with Kathryn Cua. It is on view in Seattle through January 11, 2026. An excellent exhibition catalogue, titled “Spirit House: Hauntings in Contemporary Art of the Asian Diaspora,” was published by the Cantor and Gregory R. Miller & Co. Amazon and Bookshop offer it for $45-50. Lek is a southern California-based, Cambodian-American artist whose work examines narratives surrounding and the daily experiences of a first-generation American born to immigrant parents. Her work has been included in exhibitions at the Museum of Contemporary Art San Diego and the Institute of Contemporary Art Miami, and she's been featured in the Made in LA biennial at the Hammer Museum, University of California, Los Angeles. Her first museum solo show was at the Long Beach Museum of Art in 2023. Discussed on the program: Martha Rosler's “House Beautiful: Bringing the War Home” series may be viewed on the website of the Museum of Modern Art, New York. The work of Amir Fallah and Annie Lapin. Lek's website. Instagram: Tidawhitney Lek, Tyler Green. Air date: August 21, 2025.

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

An expansive volume featuring over two decades of incisive reflections on race, art and pop culture by one of the greatest artists working today This long-awaited and essential volume collects writings and interviews by Glenn Ligon, whose canonical paintings, neons and installations have been delivering a cutting examination of race, history, sexuality and culture in America since his emergence in the late 1980s. No stranger to text, the artist has routinely utilized writings from James Baldwin, Zora Neale Hurston, Richard Pryor, Gertrude Stein and others to construct work that centers Blackness within the historically white backdrop of the art world and culture writ large. Ligon began writing in the early 2000s, engaging deeply with the work of peers such as Julie Mehretu, Chris Ofili and Lorna Simpson, as well as with artists who came before him, among them Philip Guston, David Hammons and Andy Warhol. Interweaving a singular voice and a magical knack for storytelling with an astute view of art history and broader cultural shifts, this collection cements Ligon's status as one of the great chroniclers of our time. Glenn Ligon was born in the Bronx in 1960. He began as an abstract painter but shifted to text-based works which often incorporate quotes from Black authors. His work can be found in the collections of the Art Institute of Chicago, the Baltimore Museum of Art and the Museum of Modern Art, New York. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In Episode 262 we give our hot take review on Moon Colony Bloodbath covering the mechanisms, the production, and our overall feelings of the game.We discuss a poll on buying games without researching them and then talk about some games that have been on our tables including Modern Art, Toy Battle, and Forest Shuffle.Timestamps:00:00 Introduction00:22 Poll Time: Have you ever bought a game when you were in a store without knowing anything about it before seeing it on the shelf?08:37 Moon Colony Bloodbath Description11:01 Gameplay and Mechanisms23:53 Production and Theme31:08 Final Thoughts36:55 Modern Art44:57 Toy Battle48:44 Forest Shuffle1:00:11 Listener ShoutoutIf you enjoy the show, please consider supporting us at https://www.patreon.com/boardgamehottakesFollow us on BlueSky: https://bsky.app/profile/boardgamehottakes.bsky.socialJoin our Board Game Arena Community: https://boardgamearena.com/group?id=11417205Join our Discord server at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/vMtAYQWURd

Kristy returns to Art and Cocktails to share the inspiring story behind writing and publishing her book. We talk about the dream that began in childhood, the process of bringing it to life, and the milestones that followed. These include holding the finished copy in her hands, receiving an endorsement from Jerry Saltz, and seeing her work translated into Taiwanese. Kristy also addresses the myths that hold artists back from writing, why you do not have to identify as a “real writer” to publish a book, and how to navigate both traditional and self-publishing while keeping your vision intact. She shares details about her upcoming Essential Publishing Bootcamp with Frannie, a live two-day workshop that helps artists and creatives turn their book ideas into reality. Participants will learn about the different publishing paths, receive a step-by-step workflow for bringing a book to life, and review examples of real winning pitches that secured book deals. Whether you are interested in traditional publishing, indie presses, or self-publishing on Amazon, this workshop will provide the tools to make it happen. Kristy Gordon is a Canadian-born artist based in New York City whose paintings have been exhibited internationally, including at the Metropolitan Museum of Art's Uris Center, the European Museum of Modern Art in Barcelona, and the National Academy Museum in New York City. She is a three-time recipient of the Elizabeth Greenshields Foundation Grant and earned her MFA from the New York Academy of Art, where she now teaches. Her work appears in more than 600 collections worldwide and has been featured in Vogue, Hyperallergic, and Fine Art Connoisseur. She is represented by Garvey|Simon, Blumka Contemporary, and Grenning Gallery. Learn more about Kristy's Essential Publishing Bootcamp and sign up at https://www.down2art.com/Write-Your-book. Create! Magazine is now accepting submissions for our upcoming issue. Apply to the current call for art at https://www.createmagazine.co/call-for-art. Publish your own art catalog: https://www.createmagazine.co/art-catalog  

How does a museum place a value on a priceless work of art? And how much does it cost to keep it safe? Zachary Crockett appraises the situation. SOURCES:Glenn Lowry, director of the Museum of Modern Art. RESOURCES:"Why Climate Activists Are Still Throwing Food and Paint at Famous Artworks," by Tala Ansari (Wall Street Journal, 2023)."The Woman Who Made van Gogh," by Russell Shorto (New York Times, 2021)."The Lillie P. Bliss collection," (MoMA Collection, 1934)."May Belfort," by Henri de Toulouse-Lautrec (Cleveland Museum of Art, 1895)."Still Life with a Bottle," by Paul Cézanne (Pola Museum, 1890)."The Starry Night," by Vincent Van Gogh (MoMA Collection, 1889)."Portrait of Victor Chocquet Seated," by Paul Cézanne (1877). EXTRAS:"Hotel Art," by The Economics of Everyday Things (2025)."The Hidden Side of the Art Market," by Freakonomics Radio (2021). 

We celebrate the following three things: One, the animist revival currently sweeping the land. Two, a completed book with a tangible publication trajectory. Three, the form of ceremony, with all its diverse manifestations in various cultures, usually simply called shaking, as explicated in Bradford Keeney's book Shaking Medicine: The Healing Power of Ecstatic Movement. We contrast this type of ceremony with a set of tendencies described by Louis Sass in his brilliant work Madness and Modernism: Insanity in the Light of Modern Art, Literature, and Thought. Sass argues that schizophrenia is a limit case—the most extreme manifestation of—perceptual changes experienced by all industrialized peoples. While its manifestations are extremely diverse, he claims the shared foundations of these perceptual changes are social disconnection, lack of agency, and loss of direct immersion in experience, in favor of analyzing experience—a turning of attention to attention itself. We examine how industrialization caused a steep decline in the ritual traditions of rural Europe, and a simultaneous building boom in psychiatric hospitals. If we know the world in three phases—intuition, analysis, and integration of the two—perhaps we can think of pre-modern politics, with qualifications, as the intuitive, and the modern, “scientific” conception of politics as the analytical. All that's left is the synthesis: a return to our bodies and shared reality, with all the wisdom we have gained in the first two phases. 

Episode No. 718 features artist Masako Miki and artist/curator Katherine Simóne Reynolds. The Institute of Contemporary Art San Francisco is presenting "Midnight March," a far-ranging presentation of Miki's two-dimensional and three-dimensional practice. The Japanese-born Miki's paintings, sculptures, and installations live between the sacred and the secular. Her often exuberant sculptures are rooted in the blending of Japanese and US cultures. Her previous solo shows have been at museums such as the de Young Museum, San Francisco, the Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley, and the ICA San José. Her work is in the permanent collections of BAMPFA, the San Francisco Museum of Modern Art, and more. Reynolds is the curator of "Held Impermanence (Artists Select: Katherine Simóne Reynolds)" at the Clyfford Still Museum, Denver. The exhibition uses the museum's art collection and archive to consider multiple competing desires, including Still's and the desires of art institutions, such as the unknown future museum to which he directed his art and archive be entrusted. Reynolds is an artist and curator who investigates emotional dialects and psychogeographies of Blackness. Her previous exhibitions have been at venues such as SculptureCenter, New York, Counterpublic 2023, St. Louis, and the Stanley Museum of Art, University of Iowa. As mentioned on the program: The CSM's gallery booklet. Instagram: Masako Miki, Tyler Green.

Ep.252 Howardena Pindell was born in 1943 in Philadelphia, Pennsylvania and lives and works in New York. She has exhibited extensively, including selected solo exhibitions at Fruitmarket, Edinburgh, UK, touring to Kettle's Yard, Cambridge, UK, Spike Island, Bristol, UK, and Irish Museum of Modern Art, Dublin (2022–23); Baltimore Museum of Art, Maryland (2022); The Museum of Fine Arts Houston, Texas (2022); The Shed, New York, touring to Oklahoma Contemporary, Oklahoma City (2021–22); Museum of Contemporary Art, Chicago, Illinois (2018); Spelman College Museum of Fine Art, Atlanta, Georgia (2015); Cleveland Institute of Arts, Ohio (1994); Wadsworth Atheneum, Hartford, Connecticut (1989); The Studio Museum in Harlem, New York (1986); Birmingham Museum of Art, Alabama (1985); A.I.R Gallery, New York (1983); and Rockefeller Memorial Galleries, Spelman College, Atlanta, Georgia (1971). Selected group exhibitions include The Kitchen, New York (2024); Louisiana Museum of Modern Art, Humlebæk, Denmark (2024); Museum of Modern Art, New York (2023); National Gallery of Art, Washington, DC (2022); Guggenheim Bilbao, Spain, touring to Centre Pompidou, Paris (2021); Tate Modern, London, touring to Brooklyn Museum, New York and Broad Museum, Los Angeles, California (2017–19); Brooklyn Museum, New York (2017); Museum Moderner Kunst Stiftung Ludwig Wien, Austria, touring to Museum Brandhorst, Munich, Germany (2016); Contemporary Arts Museum, Houston, Texas (2013); Seattle Art Museum, Washington (2009); Museum of Contemporary Art, Los Angeles, California (2007); and The Studio Museum in Harlem, New York (2006). Credit: Howardena Pindell, 2018, Photo © Nathan Keay White Cube https://www.whitecube.com/gallery-exhibitions/howardena-pindell-hong-kong-2024 Garth Greenan https://www.garthgreenan.com/artists/howardena-pindell MoMA https://www.moma.org/artists/4625-howardena-pindell NYTimes https://www.nytimes.com/interactive/2025/06/09/t-magazine/howardena-pindell.html | https://www.nytimes.com/2020/10/16/arts/design/howardena-pindell-shed-video.html Fruitmarket https://www.fruitmarket.co.uk/howardena-pindell/ Stony Brook University https://www.stonybrook.edu/commcms/art/people/faculty-staff/howardena-pindell

Scott Burton made art that touched the body before the mind. But like so many artists and men of his generation, he died of AIDS in 1989.Before he passed, he willed everything to the Museum of Modern Art — his work, his archive, his name — what followed was a slow erasure.Now, journalist Julia Halperin explores how Burton's legacy, once forgotten, is being reclaimed.And Janet Dawson, at 90, is presenting her first major retrospective at AGNSW. Curator Denise Mimmocchi asks us to look again at Dawson's luminous, layered world

Nat Ward lives in Queens, NY. His work is collected by the Museum of Modern Art, the Guggenheim Museum, the Metropolitan Museum of Art, The Parrish Art Museum, and the Museum of Fine Arts Houston. His previous book of photographs and poetry, Big Throat, was published by +KGP in 2020. Ward founded the collaborative photographic project space A New Nothing with Ben Alper in 2014 and has had features on his photographic work published in Aperture, Interview, Collector Daily, Photobook Journal, Photography & Culture, C4, The British Journal of Photography, Unseen, Vogue, Vogue Italia, Vice, and Juxtapoz. He has exhibited photographic and text-based installations at Nathalie Karg Gallery, New York Live Arts, Hampshire College, and The Jewish Museum. Ward has been awarded residencies and fellowships from Yaddo, The Cooper Union Professional Development Fund, the Edward F. Albee Foundation, and The Sharpe-Walentas Studio Program. His poetry and critical writing have appeared in publications from Wendy's Subway, 1080Press, The Brooklyn Review, and Beautiful Days Press. Ward's poems appear alongside photographs by Sara J. Winson and Aaron Canopy in Shades, published by Push Pull Editions (2024). Ward holds an MFA in Visual Art from Columbia University and an MFA in Poetry from Brooklyn College. https://nat-ward.com https://www.instagram.com/mrnatward/ https://powerhousebooks.com/books/ditch-montauk-new-york-11954/ This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com

Et si Paris et Sydney se répondaient à travers l'objectif ? L'exposition “Man Ray et Max Dupain” au Heide Museum of Modern Art crée une rencontre inédite entre le surréalisme parisien et le modernisme australien. Emmanuelle de l'Ecotais, historienne et co‑commissaire, nous raconte comment ces deux visions de la photographie ont bousculé leur époque… et mis en lumière les femmes qui se cachaient derrière l'objectif.

Today, Ceri is joined by Dr Livia Alexander a Brooklyn based curator, writer and professor of Visual Studies at Montclair State University whose curatorial work bridges continents, disciplines and philosophies. Her work lives at the intersection of contemporary art, film and expanded media with a focus on artists and practices from Southwest Asia and North Africa. She is co-founder of Arte East and has contributed to and supported curatorial programmes for the Museum of Modern Art, Tate Modern, the Brooklyn Museum and the digital screen programme at Moynihan train station in New York. Livia reminds us that visionary work often happens out of sight, slow, durational and deeply relational.  This episode is a master class in curating as care infrastructure and expansive thinking. KEY TAKEAWAYS Livia´s use of diverse mediums and explorative, nuanced approach uncovers the quietly radical and overlooked perspectives. By prioritizing  thoughtful exploration over spectacle, Livia enables us to engage more meaningfully with the world and its challenges. Be true to your values but know when to let go. Have humility, recognise that your perspective is just one of many, and be open to other possibilities. Explore interactive media and gaming, they have great potential and allow audiences to interact with stories in new ways. BEST MOMENTS “We need to create those spaces to have conversations between unusual suspects - between the banker and the artist.” “Creativity isn't just about output. It's about asking better questions, slower ones, ones that resist spectacle and lean into complexity.” “Livia´s work makes space for friction, for paradox, for multiplicity. She invites us to listen across disciplines, across cultures, across power structures, without rushing to resolution.” RESOURCES https://www.livalex.net @liviajalexander PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities. Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step. Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Host Marina Franklin has an insightful conversation with Professor Tracie Canada and Ashima Franklin on the experiences of black college football players and their moms. Listen to our latest episode to understand the untold stories behind the sport.  Tracie Canada: Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. She is the author of Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) and the founder and director of the HEARTS (Health, Ethnography, and Race through Sports) Lab. Her work has also been featured in public venues and outlets such as the Museum of Modern Art, TIME, The Guardian, and Scientific American. Ashima Franklin: Ashima Franklin is a comedian, writer and actor, born and raised in Mobile, AL. Recently, she was selected as one of the inaugural 2024 NETFLIX IS A JOKE… Introducing (New Faces) comedians. In addition, she was also selected “Best of Fest” at Moontower Comedy Festival in Austin. She also performed in comedy festivals like Flyover Comedy Fest, Laughing Skull and New York Comedy Festival. Previously, she toured the country for 5 years with Katt Williams on the Priceless, The Katt Pack and Katapocolypse tours. . As an actor, she also appeared in the movie THE AFTERPARTY on Netflix. Ashima recently appeared on the ALLBLK Network on the Kendall Kyndall show with Drew Sadora, as well as Season 2 of OWN's READY TO LOVE. In addition, she appeared on Kountry Wayne's COMEDY SHIT (Youtube), in which she is currently a recurring cast member. Ashima also headlined the Vivica Fox Funny by Nature Tour. Ashima was selected to be a part of the 2022 & 2023 New York Comedy Festival. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch'.    

Few people have contributed more to cinema and cinephilia in the last 50 years than Dave Kehr. He'd have some claim to this title solely as a major critical voice, his work remaining currency decades hence––just look at the popular Not Dave Kehr Letterboxd account for a symbol of his enduring prominence. As a film curator at the Museum of Modern Art, however, Kehr has emboldened one of the world's foremost cinema cultures with year-round programming that combines classic titles with far-flung finds. With the third edition of Silent Movie Week beginning at MoMA on July 30, I had the pleasure of speaking with Dave about their lineup, the major advancements made in digital restoration, a discussion of how exactly one puts together a series like this, and (lest you think this is all about my ego) why a presumption of mine was, in fact, incorrect. Plus: his pick––surprising to some, not to me––for the best film to premiere in recent years.

Stories That Spark Action: A Conversation With Jill KubitDon't forget to subscribe to the Inspired Changemakers Podcast to stay updated with the latest stories of visionaries transforming lives and shaping a better future. Your support helps us continue sharing inspiring stories like Jill's!About the EpisodeJill Kubit is a social entrepreneur, climate communicator, and the visionary behind DearTomorrow — a 10-year storytelling project that invites people to write letters to their loved ones about climate change and the future they hope to create. With over 7,000 letters submitted from over 50 countries, Jill's work weaves together the personal and the political, using narrative to ignite global engagement and climate action.In this episode, Jill shares how storytelling became her most powerful tool for building movements, shaping public discourse, and inspiring change. From her early days as a teacher in D.C. to speaking at the United Nations and partnering with the Museum of Modern Art, Jill reflects on the winding path that led her to climate leadership. She also opens up about burnout, resilience, and the importance of nurturing the next generation of changemakers.Connect with DearTomorrow:Website: www.deartomorrow.org Instagram: @deartomorrow LinkedIn: www.linkedin.com/company/deartomorrowJoin our community of Inspired Changemakers! The Inspired Changemakers Podcast is a platform that showcases inspiring individuals who are making a difference in the world. Each episode features a new guest, sharing their journey, insights, and projects aimed at creating positive change in their communities and beyond. Join us as we learn from these changemakers and get inspired to take action in our own lives!You can find us on:FacebookInstagramLinkedInYouTube               BuzzSproutSupport the show

James Victore, a "recovering graphic designer" turned creative coach, shares his journey from commercial conformity to artistic rebellion. Starting with a childhood memory of melted crayons on hot cement, James traces his path from failed university attempts to becoming a Museum of Modern Art-featured designer. His breakthrough came at 30 with controversial Columbus Day posters that were scraped off by police—a moment that crystallised his commitment to meaningful work over commercial success.The conversation explores James's evolution from pleasing clients to finding clients who appreciate his authentic voice. He discusses teaching at the School of Visual Arts for 18 years, where he learned that creativity's job is to disrupt. Now he coaches "frustrated creative adults" to express what's truly in their hearts rather than succumbing to "creative constipation."Key themes include the difference between being weird versus seeming weird, the importance of self-love in creative expression, and why perfectionism is simply a tool for self-sabotage. James emphasizes that creativity requires business acumen—"a starving artist is just an artist who doesn't know they're in business."Key TakeawaysThe opposite of depression is expression—creative constipation leads to frustration and unhappinessPerfectionism isn't about quality; it's a fear-based tool used to stop ourselves from creatingEvery moment we choose between shrinking from fear or growing from love"Normal" life (obesity, job dissatisfaction, early death) is more frightening than being creatively weirdChildren's primal drive to be "seen and heard and loved" is essential for adult creatives to reclaimFinding your tribe matters—when weird people connect, magic happensBusiness skills are essential for creative survival—learn invoicing, marketing, and self-promotionThe future depends on embracing weirdness rather than conforming to destructive normalcyTrue creativity comes from expressing personal truth, not following industry formulasSelf-love is the trigger that allows creativity to flow; self-hate blocks itMarketing is simply having something to say and saying it repeatedly with convictionCreative work should entertain, educate, delight, or provoke strong emotions—never be neutral Daring Creativity. Daring Forever. Podcast with Radim Malinic Show questions or suggestions to desk@daringcreativity.com Latest books by Radim MalinicMindful Creative: How to understand and deal with the highs and lows of creative life, career and business Paperback and Kindle > https://amzn.to/4biTwFcFree audiobook (with Audible trial) > https://geni.us/free-audiobookSigned books https://novemberuniverse.co.ukLux Coffee Co. https://luxcoffee.co.uk/ (Use: PODCAST for 15% off)November Universe https://novemberuniverse.co.uk (Use: PODCAST for 10% off)

Episode No. 715 features artist Kandis Williams. The Walker Art Center, Minneapolis is presenting "Kandis Williams: A Surface," the first survey of Williams' career. The exhibition spotlights how Williams has used collage as a tool of Black feminist resistance, to dismantle entrenched histories and power structures, and to rebuild dominant narratives. The exhibition, which was curated by Taylor Jasper with Laurel Rand-Lewis, is on view through August 24. The exhibition catalogue was published by the Walker. Amazon and Bookshop offer it for around $45. Williams is also included in "Performance on Paper" at the Hammer Museum, University of California, Los Angeles. It features prints and drawings created at the intersection of music and dance by about twenty artists active from the 1960s to the present. It was curated by Naoko Takahatake with Jennie Waldow, and is on view through August 10. Williams' previous museum solo exhibition was at the Institute for Contemporary Art, Virginia Commonwealth University. They have been included in group exhibitions at the Museum of Modern Art, New York, the Frye Art Museum, Seattle, at the Studio Museum in Harlem, and in the Hammer Museum's Made in LA biennial. Instagram: Kandis Williams, Tyler Green.

Before the Mona Lisa became one of the most famous and beloved paintings in the world, it sat in obscurity for hundreds of years away from the public eye. During that time, no one would have considered it the timeless, classic masterpiece that it is today. How did that change? Who decides what is worthy of the title “classic” and is it possible to have classics in our modern age? Rochelle Gurstein is an intellectual historian, critic, and fellow at the New York Institute for the Humanities. Her latest book, Written in Water: The Ephemeral Life of the Classic in Art explores what it means for something to be labeled “classic” and how the notion of the classics has evolved over centuries. Rochelle and Greg discuss the historical fluidity of aestheticism and taste, the shifting perception of iconic artworks, and unearth the forgotten contributions of critics and artists who shaped our understanding of what it means for art to transcend time. *unSILOed Podcast is produced by University FM.*Episode Quotes:Is the world being threatened by new art?42:07:   One of the things that I try to trace in the book is this idea that one's world is being threatened by new art, and the sense that it's not the importance—by the 19th century and the 20th century—of what is at stake. It's not just that there is another work of art in the world, or a style that has entered the world. Instead, it is that a whole sensibility, taste, worldview is under attack.What is the strongest foundation for a classic?52:39: The strongest foundation for a classic is when artists keep a work alive in their own practice. So that, as long as people could still see the Venus de' Medici in the works of all the artists who took it as the exemplar, they would continue to love it because they were all part of a continuum—an aesthetic continuum, a moral continuum—that, in the 20th century and 21st century, became harder and harder to maintain, because contemporary art shifted so dramatically every 10, 20 years—every other year these days. The way that we could keep art alive from the past is: the more we know about what other people have said about it—the people who have loved it, or the people who have not loved it.What really keeps art alive57:00: The practice of art itself—what artists are doing, not what collectors or museums and all the rest are doing, which is, of course, important. But I do not think that that is the most important thing. I think the artist's practice and what they are keeping alive. And then knowing enough, caring enough about the art of the past, to try to understand what their aims were, and knowing it changed over time, and that these works were loved or not loved at different moments of time—and why?Show Links:Recommended Resources:RaphaelVenus de' MediciJoshua ReynoldsWilliam HazlittJohn RuskinStudies in the History of the Renaissance by Walter PaterGiovanni MorelliRoger FryGuest Profile:Fellow Profile at New York Institute for the Humanities Professional WebsiteGuest Work:Written in Water: The Ephemeral Life of the Classic in ArtThe Repeal of Reticence: America's Cultural and Legal Struggles over Free Speech, Obscenity, Sexual Liberation, and Modern Art

In this episode of the Restaurant Owners Uncorked podcast, Wil Brawley talks with Seth Watson, the founder of Distillery of Modern Art in Atlanta. Seth shares his entrepreneurial journey, from launching a production and event design business out of a garage to eventually building a one-of-a-kind distillery that blends spirits, art, and community. He opens up about why he left his first business, how he navigated outdated Georgia alcohol laws, and why he built a distillery with multiple revenue streams: a cocktail bar, an art gallery, an event space, and a production facility. Seth also discusses the lessons he's learned about ego, iteration, and surrounding himself with smart people, while offering fascinating insights into bourbon, gin, and the modern spirits landscape.Key Takeaways: From Garage to 400+ Events a Year: Seth's first business in event production started in a garage and grew into a full-scale company handling hundreds of large-scale events annually. Exit Fueled by Values Misalignment: After 17 years and increasing tension with a 50/50 partner, Seth exited the business to preserve his sanity and avoid letting resentment fester. Control Matters: Seth learned the hard way that 50/50 partnerships often don't work. He now maintains control in any business he leads. Birth of a Unique Concept: Distillery of Modern Art combines a distillery, cocktail bar, art gallery, and event space—all designed around Seth's love for whiskey and modern art. Navigating Georgia's Arcane Liquor Laws: Seth had to build his distillery concept while lobbying against outdated post-Prohibition laws that limited direct-to-consumer sales. Whiskey Meets Art: The subjectivity of both whiskey and art inspired the distillery's brand and mission: create a sensory and aesthetic experience, not just a product. Producer for Other Brands: In addition to his own spirits, Seth's team produces over 40 products for 18 other brands across the U.S., offering a more personal and flexible alternative to large manufacturers like MGP. No Ego in Product Development: Seth scrapped his original gin recipe when taste tests failed—not because he didn't like it, but because customers didn't. Craft Over Hype: Seth values drinkability and authenticity over branding. He prefers bottles like Michter's over hyped-up names like Pappy Van Winkle. Committed to Community: From supporting small farmers to featuring local artists (commission-free), Seth backs up his community-first philosophy with action. Owner Mentality, Not Exit Mentality: Like the Yingling family, Seth isn't chasing a fast exit. He wants to build a sustainable, generational business—possibly passing it on to his children one day.

In this REWIND episode Gary Mansfield speaks to Alice Maher (@Maher. Alice) Alice Maher is a prominent Irish contemporary artist whose work explores themes of identity, gender, mythology, and the body. Born in 1956 in County Tipperary, Maher studied at the University of Ulster, Belfast, and the San Francisco Art Institute. Her practice spans a wide range of media, including drawing, sculpture, photography, installation, and film. Maher is known for using unconventional materials such as hair, nettles, thorns, and animal organs, challenging traditional boundaries between nature and culture, the beautiful and the grotesque. Her art frequently references Irish folklore, literature, and feminist theory, creating deeply symbolic and often unsettling imagery. Works like The Axe (and the Waving Girl) and Mnemosyne reflect her interest in memory, transformation, and the female experience. In addition to her visual work, Maher has collaborated with writers, musicians, and performers, enriching her practice with interdisciplinary influences. She represented Ireland at the São Paulo Bienal in 1994 and has exhibited widely in major galleries, including the Irish Museum of Modern Art. Maher remains a vital figure in contemporary art, both in Ireland and internationally. To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.co.ukEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.

In this episode of PhotoWork with Sasha Wolf, photographer and educator Sage Sohier joins Sasha to discuss a lifetime of extraordinary work, including her recently published books Passing Time and Americans Seen (Nazraeli Press), featuring photographs made primarily in the 1980s. They also delve into Witness to Beauty (Kehrer Verlag), an intimate and moving portrait of Sohier's mother alongside her two daughters—a project that embraces aging and the passage of time. Throughout the conversation, Sage shares her enthusiasm and thoughtful insights on staying open to new ideas and equipment, as well as the value of revisiting older work with fresh eyes. https://sagesohier.com https://www.instagram.com/sagesohier/ Sage Sohier (b. 1954, Washington, D.C.) grew up in Virginia and received her BA from Harvard University in 1975. She is a Boston-based photographer who has published eight monographs, including “Americans Seen,” (Nazraeli Press 2017 and 2024), “Passing Time,” (2023), and “Witness to Beauty” (Kehrer 2017). She is the recipient of Guggenheim and National Endowment for the Arts fellowships. Sohier's work has been included in group shows at the Museum of Modern Art, NY, the International Center of Photography, the Art Institute of Chicago, and in solo shows at Joseph Bellows Gallery, Robert Klein Gallery, Foley Gallery, Blue Sky Gallery, and The Museum of Contemporary Photography in Chicago. Her work is in numerous collections including the Museum of Modern Art, NY, the Museum of Fine Arts, Boston, the San Francisco Museum of Modern Art, and the Nelson-Atkins Museum of Art. She has taught photography at Harvard University and Wellesley College, and has done commissioned work for the George Gund Foundation in Cleveland, the Robert Rauschenberg Residency program in Captiva, FL, as well as editorial work for numerous publications

Anselm Kiefer is one of the world's greatest living artists. Born in Germany at the end of the Second World War, much of his work in paintings, sculptures and vast installation pieces, has addressed his country's history and culture, asking difficult questions about the legacy of fascism and conflict. His paintings, thickly layered and sometimes embellished with straw or molten lead, often depict dark rutted fields or dense forests. Kiefer is renowned for the size of his work, and for his industrial-scale studio complexes in France, where he has lived for over thirty years. Kiefer's works are included in numerous public collections including the Museum of Modern Art and the Solomon R. Guggenheim Museum, New York, Tate Modern, the San Francisco Museum of Modern Art and the National Gallery of Australia. His most recent show at the Royal Academy in London has paired his works with those of one his artistic heroes for an exhibition called Kiefer/Van Gogh. Producer: Edwina Pitman

Today, Camille & Blake have the privilege of interviewing Dr. Tracie Canada from Duke University. Tracie is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. She is the author of Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) and the founder and director of the HEARTS (Health, Ethnography, and Race through Sports) Lab. Her work has also been featured in public venues and outlets such as the Museum of Modern Art, TIME, The Guardian, and Scientific American.  Thanks for listening! 

Join Kitchen Chat host Margaret McSweeney as she visits the truly sparkling Baccarat Hotel New York. Margaret is known to spotlight the brightest and most brilliant examples of Luxury, History, and Hospitality, and this hotel, a stunning blend of heritage and modern opulence aptly fits this description. Opened in 2015, this Manhattan gem is the first hotel from the legendary 260-year-old French crystal house, Baccarat. Conveniently located across from the Museum of Modern Art, each detail of the hotel beautifully reflects the artistry and whispers the timeless elegance of Baccarat crystal. Chef Ashfer Biju, the exceptional Food and Beverage Director/Executive Chef at Baccarat, reveals the passion behind the luxury guest experience and the meticulous artistry poured into the renowned Afternoon Tea service in the Grand Salon in addition to the elevated culinary options throughout the hotel. The presentation of the three tiered Baccarat crystal stand displaying the tea sandwiches and pastries is most memorable. Each type of beverage glass on the table is Baccarat crystal, and this elegant tradition continues in the the hotel rooms, where only Baccarat crystal glasses are provided. Discover the Baccarat Hotel New York's sophisticated culinary scene. This hotel beautifully marries French elegance with modern luxury. The Baccarat Hotel New York (https://www.baccarathotels.com/) isn't just a place to stay; it's a landmark of New York glamour, where a rich history of artistry meets a true passion for hospitality. Savor the Day! ✅ Be sure and visit KitchenChat.info for more interviews and recipes. Subscribe to the KitchenChat audio podcast: Apple Podcasts: https://podcasts.apple.com/us/podcast/kitchen-chat-margaret-mcsweeney/id447185040 Spotify https://open.spotify.com/show/3PpcTPpvHEh8eOMfDUm8I9 Webtalkradio: Webtalkradio.com This podcast is also available on Apple TV, Roku and Amazon Fire Stick streaming devices. Download the Experts and Authors App and go to the Kitchen Chat series page or visit: www.Expertsandauthors.tv 

July 3rd, 2025 MADISON -- First up, be greeted by WLRN's founder, Thistle Pettersen before she hands the baton to WLRN's newest member, Ms. Cat Bradfield, who delivers the world news segment. After enjoying Tracy Chapman's song "The Promise", hear Arianne of LGB Alliance USA speak with Thistle about Pride 2025 just before Arianne hopped into the woods for a RadFem summer camp in the Pacific Northwest this June and July. Then, hear a rendition of aurora linnea's first piece she turned in to WLRN in 2021 that April Neault loved so much, she made into this video: https://www.youtube.com/watch?v=ZiJGYYpXhWo After the reading of aurora's essay entitled "Pride: Corporate Patriarchy's Celebration in the Streets", we end our show by thanking our guest, Arianne of LGB Alliance USA, and signing off. This month's artwork is by WLRN's graphic designer and artist, Margaret Moss. Edition 111 Artist's Statement : "I started the featured image with an oil sketch Berthe Morisot created in 1885. The drawing/painting she made is a self-portrait that includes a portrait of her daughter. All loosely rendered. I kept the background of Berthe Morisot's oil sketch, and I digitally sketched an image of our guest Arianne of LGB Alliance USA, and Tracy Chapman, whose song, ‘The Promise' is included in this month's podcast. I included purple and green because I especially like those colors - and I appreciate that they have a connection to (British) suffragists. I enjoyed interacting with Berthe Morisot's artwork. Even though she created her painting in 1885, it has a modern feel. I expect that Morisot had a greater influence on Modern Art than she is given credit for. I appreciate women such as Berthe Morisot, all the suffragists, Arianne, and Tracy Chapman for their contributions to our culture. And I appreciate WLRN for lifting up women so their voices can be heard more widely."

Lisa Yuskavage creates works that affirm the singularity of the medium of painting while challenging conventional understandings of genres and viewership. At once exhibitionist and introspective, her rich cast of characters and their varied attributes are layered within compositions built of both representational and abstract elements, in which color is the primary vehicle of meaning. Yuskavage's work has been the subject of numerous solo exhibitions, including Lisa Yuskavage: Wilderness, which was on view at the Aspen Art Museum in 2020 and the Baltimore Museum of Art in 2021. In 2015, The Rose Art Museum, Brandeis University, Waltham, Massachusetts, presented Lisa Yuskavage: The Brood, a major survey spanning twenty-five years of the artist's work. The show traveled to the Contemporary Art Museum St. Louis in 2016. Lisa Yuskavage: Drawings just opened at The Morgan Library & Museum and is on view through January 4, 2026.Museum collections which hold works by the artist include the Art Institute of Chicago; Hirshhorn Museum and Sculpture Garden, Washington, DC; The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York, among others. She and Zuckerman discuss changing the world, vulnerability, why make art, using pushback as an opportunity, pushing against resistance, getting rid of self-doubt, and how Art makes you feel less alone!

Episode No. 712 features artist Julian Hoeber and curator María Elena Ortiz. Hoeber is included in "Generations: 150 Years of Sculpture" at the Nasher Sculpture Center, Dallas. The exhibition offers a new selection of works from the Nasher collection that offers conversations between works from the past and present. Hoeber's practice centers perception and searches for ways to exceed and reconcile limits set by binary ideas such as interior and exterior, or psychic and somatic. Paradoxically, he often uses binary systems, such as stereoscopic vision, in his work. His exhibition credits include Desert X 2019, a Hammer Projects show in 2010, and gallery shows in San Francisco, New York, Milan, Los Angeles, London, and more. His work is in the collection of museums such as the Museum of Modern Art, New York; the Museum of Contemporary Art, Los Angeles, the Hammer Museum, and the Nelson-Atkins Museum of Art, Kansas City.  Ortiz is the curator of "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth. "Feeling Color" pairs the work of two Guyanese artists and considers their roles in the history of late-twentieth-century abstract painting. "Feeling Color" is on view through July 27. Instagram: Julian Hoeber, María Elena Ortiz, Tyler Green.

Joan Jonas, now 88, has been a celebrated artist since the late 1960s. But it wasn't until 2024 that she received her crowning recognition in the U.S., when New York's Museum of Modern Art organized a major retrospective of her work. The arts icon splits her time between a Soho loft in NYC, and the "magical landscape" of Cape Breton, where she can be by her muse: the ocean. As she tells IDEAS producer Mary Lynk, "We come from the sea. It's not a memory. It's a feeling. It's in our DNA."Part of Jonas' MoMA retrospective called Moving Off the Land II has been acquired by the National Gallery of Canada and the Art Gallery of Nova Scotia. The exhibit will tour across Canada this summer, beginning in Cape Breton.

Brian Brady worked 35 years in law enforcement with four departments in two states.He worked every rank and assignment from Patrol Officer to Chief of Police. Brian did 10 years as the Vice President of Corporate Security for NBCUniversal in Los Angeles and also was Director of Security for the San Francisco Museum of Modern Art. He has authored three crime/fiction books centered in the San Francisco Bay Area. ProForce Law Enforcement - Instagram @proforcelawenforcement / 1-800-367-5855 Special Discount Link for TPS listeners! http://tps.proforceonline.com   Check out Brian's popular novels at https://www.goldengatetales.com   Contact Steve - steve@thingspolicesee.com Support the show by joining the Patreon community today! https://www.patreon.com/user?u=27353055

What role should art play in a classical education—and how do we teach it well? In this episode, Kyle Janke, author of _A Classical History of Art_ , joins the team to explore the visual arts—sculpture, architecture, and painting—through the lens of Western art history. From the ancient world to the Renaissance, they trace a broad Western art history timeline and discuss how engaging with great art forms students' hearts as well as minds.   The conversation covers teaching art history, how to evaluate beauty, and why classical art still matters in a modern world. You'll hear reflections on personal encounters with art, the distinction between modern art vs. classical art, and practical tips for teachers and parents alike. Whether you're new to art history or a longtime fan of classical education, this episode will deepen your appreciation for the Good, the True, and the Beautiful.   *What We're Reading* from This Episode:  _Mythology_—Edith Hamilton (Martin) _Huckleberry Finn_—Mark Twain (Tanya)   _James_—Percival Everett (Tanya)   _The River War_—Winston S. Churchill (Kyle)   _The Samurai_—Shusaku Endo (Kyle)  

Ep. 330: David Schwartz on A Theater Near You series at MoMA + Nitrate Picture Show 2025 Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The repertory cinemas of New York were a formative influence on me and so I was excited to see a new film series at the Museum of Modern Art that surveys their programming, called A Theater Near You. David Schwartz, the former chief curator at the Museum of the Moving Image, guest-programmed the series, and he joins the podcast to talk about how the specific films in the program capture the particular flavors of New York cinemas past, such as the Bleecker Street Cinema, the Public, and the pioneering Cinema 16, brainchild of New York Film Festival co-founder Amos Vogel. Then on the second half of our chat, Schwartz talks about the latest Nitrate Picture Show at the George Eastman Museum, the festival that shows exclusively nitrate prints, including La Ronde, The Destroyers of Our Gardens, and more. “A Theater Near You” runs through July 11 at the Museum of Modern Art. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

This latest episode of the "Moms of the Lou" podcast features local St. Louis mom and art educator, Colleen Fitzsimmons-Wiviott. Colleen shares her journey from being a St. Louis native, studying on the east coast, and then returning to St. Louis as an art educator. Colleen highlights her experience with the St. Louis Art Museum's teen assistant program and her subsequent career in museum education. She discusses her transition to freelance work, focusing on early childhood art education through her business, Start with Art. Colleen offers tips for parents on encouraging creative activities at home without the mess, emphasizing the importance of making art accessible and enjoyable for both children and parents. Check out Colleen's blog post on A Guide to Visiting Art Museums with Kids.We are so grateful to Foss Swim School for sponsoring this episode. At FOSS swim lessons are more than strokes and kicks. They're about building water safety, confidence and love of water that lasts a lifetime, whether your kiddo is just getting started, or looking to level up their skills. It's easier than ever to fit swim lessons into your family's routine. Find the class that fits your family or schedule your free preview lesson today!A native of St. Louis, Colleen lives in Clayton with her husband, two kids, and rescue dog. She has worked in museum and art education for the past ten years and is the founder of Start With Art, which provides early childhood art workshops and classes around town. She is passionate about helping children discover their own creative processes while building community through art. When she's not lesson planning, teaching, or momming, you can find her baking treats for her family, visiting the farmers' market, or checking out all the amazing art exhibitions and performances St. Louis has to offer. Visit startwithartstl.com or follow on Instagram @startwithartstl!We hope you enjoyed this podcast episode! To learn more about Moms of the Lou you can go to stlouismom.com or follow us on Instagram and Facebook. You can listen to the podcast on Apple Podcast and Spotify. And don't forget to rate and review so more people can tune in! This episode was produced by the St. Louis Mom. It was recorded and edited by Half Coast Studios in St. Louis, Missouri. Music composed by Trina Harger.

Paul Seawright is Professor of Photography and Deputy Vice Chancellor at Ulster University in Northern Ireland. His photographic work is held in many museum collections including The Irish Museum of Modern Art, Tate, San Francisco Museum of Modern Art, International Centre of Photography New York, Arts Councils of Ireland, England and N.Ireland, UK Government Collection and the Museum of Contemporary Art Rome. In 2002 he was commissioned by the Imperial War Museum London to undertake a war art commission in Afghanistan and his photographs of battle-sites and minefields have subsequently been exhibited in North America, Canada, Ireland, Spain, France, Germany, Korea, Japan and China. In 2003 he represented Wales at the Venice Biennale of Art and in 1997 won the Irish Museum of Modern Art/Glen Dimplex Prize. He is represented by the Kerlin Gallery Dublin.Paul was appointed Officer of the Order of the British Empire (OBE) in the 2020 Birthday Honours for services to higher education and the arts. In episode 258, Paul discusses, among other things:The influence of studying at Farnham..and Martin Parr……And being at NewportNot taking a position‘Allusive documentary'The danger of losing the meaningThe ethical considerations of working on foreign soilThe essential business of researchHow do you find your next project?His USA projects Volunteer and Things Left UnsaidThe importance of titlesHis work from Rwanda, Beasts of Burden Referenced:Thomas Joshua CooperAnna Fox (Ep. 166)Ken Grant (Ep. 128)Chris ShawMartin Parr (Eps. 91 & 197)Peter Fraser (Ep. 172)Paul Graham (Ep. 149)Jem Southam (Ep. 174)Chris Killip (Ep. 94)Victor BurginAnne WilliamsNewportDaniel Meadows (Ep. 116)Clive LandenIvor Prickett (Ep.204)Anastasia Taylor Lind (Ep.68)Rich GilliganJames MollisonPaul VirilloParr and BadgerRobert Adams, The New WestIan Walker, Desert Stories, or Faith In FactsBaudrillardCalvino, Invisible CitiesGilles Peress The SilenceAlfredo JaarFergal KeaneBrian Keenan Website | Instagram EPISODE SPONSOR: CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES' TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D'AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK! “‘Allusive documentary' is probably a good way to think about it. For me, it's really about - and this is the bit that goes back to my experience of photography in Northern Ireland, which was all about dramacentric imagery - how you can make photographs that have a documentary subject (that might be the closest I come to being a documentarian, that I work with the subject of documentary photography) but with the methodology of an artist. That's kind of the way I like to frame it, and I think that follows through to the work which is nearly always conceived for the gallery wall.” Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

In this episode of PhotoWork with Sasha Wolf, Sasha welcomes two extraordinary guests: artist and curator Justine Kurland and Marina Chao, a curator at CPW. Together, they discuss their collaboration on The Rose, an exhibition that explores collage as a feminist form, strategy, and genealogy. Featuring works by over fifty contemporary artists and key figures from the 1960s and 1970s, the exhibition examines collage as both a means of world-building and a survival strategy in times of crisis. Sasha, Justine, and Marina delve into the layered responsibilities of artists and discuss the assumption that interpreting a straightforward photograph is inherently simpler than reading and interpreting conceptual art. https://www.justinekurland.com https://cpw.org/staff/ https://cpw.org/exhibition/the-rose/ Justine Kurland is an artist known for her utopian photographs of American landscapes and the fringe communities, both real and imagined, that inhabit them. Her early work comprises photographs, taken during many cross-country road trips, that counter the masculinist mythology of the American landscape, offering a radical female imaginary in its place. Her recent series of collages, SCUMB Manifesto, continues to make space for women by transforming books by canonized male photographers through destruction and reparation. Kurland's work has been exhibited at museums and galleries in the United States and abroad. Her work is included in permanent collections of the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum of Art, New York; Museum of Modern Art, New York; Carnegie Museum, Pennsylvania; Getty Museum, California; National Gallery of Art, Washington, D.C.; and the Museum of Fine Arts, Montreal, among others. She works with Higher Pictures in New York. Marina Chao has previously held curatorial positions at the International Center of Photography and the Museum of Modern Art in New York. As assistant curator at ICP she organized the exhibition Multiply, Identify, Her (2018) and contributed to the publication Public, Private, Secret: On Photography and the Configuration of Self (Aperture and ICP, 2018). She was awarded a 2019 Curatorial Research Fellowship from the Andy Warhol Foundation for the Visual Arts for Seeing Meaning, a project exploring the intersections of image, language, and technology.

In Episode 253 we give our hot take review on Inis covering the mechanisms, the production, and our overall feelings of the game.We discuss a poll on gamer types and then talk about some games that have been on our tables including Modern Art, Cribbage, and Bomb Busters.Timestamps:00:00 Introduction00:25 Poll Time: What type of board gamer do you consider yourself?08:09 Inis Description11:50 Gameplay and Mechanisms26:04 Production and Theme32:39 Final Thoughts44:27 Modern Art and Cheeky Monkey51:16 Cribbage1:00:11 Bomb Busters1:09:32 Listener ShoutoutIf you enjoy the show, please consider supporting us at https://www.patreon.com/boardgamehottakesFollow us on BlueSky: https://bsky.app/profile/boardgamehottakes.bsky.socialJoin our Board Game Arena Community: https://boardgamearena.com/group?id=11417205Join our Discord server at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/vMtAYQWURd

Episode No. 710 features curator Timothy Anglin Burgard and artist Tony Lewis. Burgard is the curator of "Wayne Thiebaud: Art Comes from Art" at the Legion of Honor in San Francisco. The exhibition details how Thiebaud drew ideas from and reimagined European and US artworks both old and new. It is on view through August 17. A superb catalogue was published by the Fine Arts Museums of San Francisco in association with University of California Press. Amazon and Bookshop offer it for $54-60. Lewis is featured in "What drawing can be: four responses" at the Menil Collection's Menil Drawing Institute, Houston. The exhibition, which also offers work by Jillian Conrad, Teresita Fernández, and Constantin Luser, presents ways in which the four artists stretch the boundaries of drawing and offer new ideas of what it can be. It's on view through August 10. The gallery guide is available here. Lewis' work examines the relationship between semiotics and language as a means to confront subjects such as race, power, communication, and labor. His solo exhibition credits include the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, and the Rose Art Museum, Brandeis University. His work is in the collection of museums such as the Art Institute of Chicago, the Museum of Contemporary Art, Chicago, the Studio Museum in Harlem, and the Museum of Modern Art, New York. Instagram: Tony Lewis, Tyler Green.

I am so excited to say that my guest on the GWA podcast is the renowned psychologist Lisa Wenger, who is also – very excitingly – the niece of the artist we are going to be discussing today: Meret Oppeheim! Having collected and copied thousands of letters, notes, and documents from acquaintances of the German-Swiss artist – famed for her paintings, sculptures, collages, and more, who was commonly associated with the Surrealists – Wenger is something of a world expert on her aunt. The author and co-author of numerous books, including the award-winning “do not wrap words in poisonous letters” as well as “Meret Oppenheim - My Album” - Wenger is also responsible for updating the catalogue raisonne of her aunt, and co-running the estate, which has of late seen Oppenheim have major retrospectives at the Museum of Modern Art, Kunstmuseum Bern, and others that has put the trailblazing artist firmly in the spotlight. Born in 1913 in Berlin, at the inception of the first world war, Oppenheim was raised with her maternal grandmother in Switzerland. An interest in Jung as a teenager led to her life-long fascination with dreams, informing her art practice and involvement with the surrealists, who she met in Paris after venturing there aged 18 in the 1930s. Here, she created some of her most iconic artworks, such as the fur-lined teacup and saucer which she called Object (1936), that attracts as it does repulses and still divides opinion today, and ‘my nurse', a pair of white high-heeled shoes turned upside-down to evoke a chicken on a tray, which plays with gender stereotypes, femininity and the domestic sphere. But, with the outbreak of the second world war, it was back to Switzerland, which proved to be a very different environment to Paris… But, never not creating, Oppenheim made dream-like paintings, sculptures, and collages that reflected her dreams, as well as a woman stifled by her lack of freedom. Over the decades, Oppenheim built up a output that would become some of the most pioneering in Europe, after all, she said: “nobody will give you freedom, you have to take it” Today, I meet Lisa in Casa Constanza, in Carona, surrounded by Meret's possessions and spirit - and ahead of the new exhibition at Hauser & Wirth (4 June – 19 July 2025). Let's find out more! https://www.hauserwirth.com/hauser-wirth-exhibitions/meret-oppenheim/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield

Glenn Lowry became the sixth director of The Museum of Modern Art, New York (MoMA) in 1995. He has overseen the physical transformation of the Museum's campus through two building campaigns that have more than doubled the size of MoMA's galleries, quintupled its endowment, created an education and research center, and inspired a new model for the presentation of modern and contemporary art. Lowry has championed innovation, both onsite and online, to grow MoMA's annual visitation to nearly 3 million in the galleries and 35 million across moma.org. He expanded the Museum's curatorial departments, with the addition of Media and Performance, and supported MoMA's intellectual growth by creating new research programs like Contemporary and Modern Art Perspectives (CMAP).In 2000, he led the merger of MoMA with the contemporary art center PS1, and in 2015, he worked with Thelma Golden to introduce a joint fellowship program with the Studio Museum in Harlem for rising professionals in the arts. Lowry is a strong advocate of contemporary artists and their work and he has lectured and written extensively in the support of contemporary art, on the role of museums in society, and on other topics related to his research interests. He currently serves on the boards of The Robert Rauschenberg Foundation, the Clark Art Institute, the Art Bridges Foundation and The Kiran Nadar Museum of Art, as well as on the advisory boards of the Istanbul Modern and the Mori Art Museum. Lowry is a fellow of the American Academy of Arts and Sciences and a resident member of the American Philosophical Society.He and Zuckerman discuss courting risk, creating the time to think, controlling the process, professional guidelines, the goal for museums to be independent and private enterprises, thinking that opens possibilities, being fearless, passion, and why art matters!

Episode 476 / Zak PrekopZak Prekop (b. 1979, Chicago) is a Hudson Valley-based painter known for his intricate, nonrepresentational works. He holds an MFA from The School of the Art Institute of Chicago and a BFA from Carnegie Mellon University. Prekop has had solo exhibitions at Maxwell Graham Gallery, New York; Galería Marta Cervera, Madrid; Shane Campbell Gallery, Chicago; and Hagiwara Projects, Tokyo. His work is held in collections at the Walker Art Center, the Columbus Museum of Art, the Museum of Modern Art and the Carnegie Museum of Art. Notable group exhibitions include File Under Freedom at Bergen Kunsthall; Painter, Painter at the Walker Art Center and Greater New York at PS1. Prekop's first museum exhibition opens at the Aldrich Contemporary Art Museum in Ridgefield, CT in June.

Andrew Klavan is an American novelist, screenwriter, and video satirist. He is known for his political and cultural commentary on Daily Wire's The Andrew Klavan Show.

Emoji are those little images you can send in text messages to friends and family. Nine-year-old Leila in New Jersey wants to know how they were invented. So in this episode we find out with Jane Solomon, editor at Emojipedia and Paul Galloway of the Museum of Modern Art in New York. We learn what the first emoji looked like, way back in the dark ages of the 1990s and we explore how emoji may be a new trend, but communicating through pictures is a very old tradition. Plus, are emoji…art? Give this episode a