Podcasts about Modern art

— Sanctum Sanctorum: a sacred room or inner chamber; a place of inviolable privacyDiane Arbus: Sanctum Sanctorum, an exhibition of forty-five photographs made in private places across New York, New Jersey, California, and London between 1961 and 1971, is on view at David Zwirner, London, from 6 November to 20 December 2025, and travels to Fraenkel Gallery, San Francisco in spring 2026. The exhibition will be accompanied by a comprehensive monograph reproducing all works in the exhibition, jointly published by both galleries.Through her singular combination of intelligence, charisma, intuition, and courage, Diane Arbus was frequently invited into homes and other private realms seldom seen by strangers. Though made in intimate settings, her photographs evidence no sense of intrusion or trespass. Instead, they reveal an unspoken exchange between photographer and subject, a moment of recognition in which confidences emerge freely and without judgment.Arbus's desire to know people embraced a vast spectrum of humanity. Her subjects in Sanctum Sanctorum include debutantes, nudists, celebrities, aspiring celebrities, socialites, transvestites, babies, widows, circus performers, lovers, female impersonators, and a blind couple in their bedroom.The exhibition brings together little-known works, such as Girl sitting in bed with her boyfriend, N.Y.C. 1966; Ozzie and Harriet Nelson on their bed, Los Angeles 1970; and Interior decorator at the nudist camp in his trailer, New Jersey 1963, alongside celebrated images like Mexican dwarf in his hotel room, N.Y.C. 1970 and A naked man being a woman, N.Y.C. 1968. While many of Arbus's photographs have become part of the public's collective consciousness since her landmark retrospective at The Museum of Modern Art, New York, in 1972, seen in this context, viewers may discover aspects of even familiar works that have previously gone unnoticed.Sanctum Sanctorum follows two recent major exhibitions of the artist's work: Cataclysm: The 1972 Diane Arbus Retrospective Revisited at David Zwirner New York (2022) and Los Angeles (2025), and Diane Arbus: Constellation at LUMA, Arles (2023–2024) and the Park Avenue Armory, New York (2025).Follow @DianeArbus @FraenkelGallery @DavidZwirner Hosted on Acast. See acast.com/privacy for more information.

This week, the Krewe is joined by Loretta Scott (aka KemushiChan on YouTube Channel) for a personal, insightful, and often funny look at what it's like raising kids in Japan as an American parent. We dig into birth experiences, cultural differences from the U.S., unexpected parenting moments, and tips for families living in or visiting Japan. Curious about family life abroad or considering a trip to Japan with the munchkins? This episode is packed with helpful insight just for you!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Tobias Harris ------Loretta on InstagramKemushiChan YouTube Channel------ Past Language Learning Episodes ------Inside Japanese Language Schools ft. Langston Hill (S6E3)Japanese Self-Study Strategies ft. Walden Perry (S5E4)Learn the Kansai Dialect ft. Tyson of Nihongo Hongo (S4E14)Heisig Method ft. Dr. James Heisig (S4E5)Prepping for the JLPT ft. Loretta of KemushiCan (S3E16)Language Through Video Games ft. Matt of Game Gengo (S3E4)Pitch Accent (Part 2) ft. Dogen (S2E15)Pitch Accent (Part 1) ft. Dogen (S2E14)Language through Literature ft. Daniel Morales (S2E8)Immersion Learning ft. MattvsJapan (S1E10)Japanese Language Journeys ft. Saeko-Sensei (S1E4)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Episode 502 / Yung JakeYung Jake is an artist & rapper who received his BFA from Cal Arts in 2012. He has had 13 solo exhibitions in Los Angeles and New York, and over 25 group exhibitions in the U.S., China, Finland, Germany, Belgium, and the Netherlands, respectively. Yung Jake is also a musician and directed music videos for Rae Sremmurd and Pusha T. His work has been featured at venues including Sundance, where his videos Datamosh, and E.m-bed.de/d were screened, as well as performances in Los Angeles at the Hammer Museum, REDCAT, MOCA, The Getty Center, and at the Museum of Modern Art. In 2017.His artwork has been shown in numerous art fairs including MiArt, UNTITLED, Miami Beach, Art Brussels, the Seattle Art Fair, the Dallas Art Fair, and Market Art + Design. His first solo museum exhibition titled Cartoons was on view at Guild Hall, East Hampton.

In this episode of Creative Guts, co-hosts Laura Harper Lake and Sarah Wrightsman sit down with Jordana Pomeroy, the director and CEO of the Currier Museum of Art. An art historian, author, and curator, Jordana started at the Currier in September 2024.In this episode, we'll chat about Jordana's career at the Museum of Modern Art, National Museum of Women in the Arts, and more. Jordana shares what brought her to New Hampshire (spoiler alert: it was the Currier!) and how she thinks about the future of the Currier. We'll also chat about Jordana's book, the young adult novel titled Daring: The Life and Art of Elisabeth Vigee Le Brun.Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Creative Guts recently moved our newsletter to Substack, and you can find us at creativegutspod.substack.com. If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax deductible donation at www.CreativeGutsPodcast.com. Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show!

AP correspondent Haya Panjwani reports on a record-breaking art sale.

Dr. Greg Hammer, is a Former Professor at Stanford University School of Medicine, Physician, Best-Selling Author, and Mindfulness Expert.It was a wonderful conversation as he shared stories of his grandmother and her love for art and he declaration about using proper english grammar. Greg shares how he inherited  that same consciousness as to being respectful to the english language.A Best Selling Author with an eye on being active and healthy, his recent book is about adults, caregivers, teachers helping teenagers reduce their stress levels by using his meditative technique incorporating Gratitude, Acceptance, Intention and Non judgement in a 3-4 minute daily meditation that anyone can do. He explains and walks us through a short meditation during this conversation.It's important for all of us to have balance in our lives-mental and physical balance and peace.It was a real pleasure speaking and meeting Dr. Greg Hammer.architectInformation about his most recent book: A Mindful Teen: Helping Today's Teenagers Thrive through Gratitude, Acceptance, Intention, and Non judgement Topic: Coping Strategies for Youth this National Suicide Prevention MonthTalk Points: Destigmatization is the key - Suicide is preventable through awareness, education, and accessible resources.The more we discuss mental health in productive ways, the better primed we will be to catch the warning signs before they progress into something serious.Openly discussing mental health encourages youth to initiate those conversations for themselves and ask for help should they need it.Today's teens face stressors that older generations never imaginedSocial media, smartphones, and the internet – and AIAfter-effects of COVID lockdown and isolationThe great political divide, affecting relationships in and outside of familiesIncreasingly competitive college admission and tuitionThe economic pressures their families faceThe Role of Parents and Parenting  - Cultivating Compassion, Forgiveness, and EmpathyThe Risks and How to Spot Them*Early Detection can save your child's life - The warning signs that someone is struggling with their mental health can easily be overlooked (especially amongst teenagers).*The most common symptoms of depression and anxiety (i.e. changes in behavior and mood, irritability, changes in sleep habits, changes in eating habits, withdrawing socially) are also commonly associated with the standard growing pains and hormonal shifts of adolescence. So, how do you know the difference?If something feels off with your child, the best thing you can do is ask.Sit down with your child and have a gentle, but honest conversation about your concerns. You may have to speak with them multiple times before they're ready to open up. Trust your instincts and be gently persistent.Consult a Mental Health Professional: There is no shame in asking for help for both teens and adults.Mindfulness at Home - Encouraging children to practice mindfulness daily can help build their mental and emotional resilience and protect their mental health in the short and long term.*Mindfulness can be a great tool to help teens rewire their brains away from the negativity on which they dwell. It can neutralize their tendency to ruminate over the past, often leading to depression, and to overthinking the future, creating fear and anxiety.The GAIN Method - Gratitude, Acceptance, Intention, and Nonjudgment are the pillars of happiness for teens - and for the rest of us.Website:https://amindfulteen.com/Facebook: @GregHammerMD; https://www.facebook.com/greghammermd/Instagram: @greghammermd; https://www.instagram.com/greghammermd/LinkedIn:https://www.linkedin.com/in/greg-hammer-02b20422/ "Should Have Listened To My Mother" is an ongoing conversation about mothers/female role models and the roles they play in our lives. Jackie's guests are open and honest and answer the question, are you who you are today because of, or in spite of, your mother and so much more. You'll be amazed at what the responses are.Gina Kunadian wrote this 5 Star review on Apple Podcast:SHLTMM TESTIMONIAL GINA KUNADIAN JUNE 18, 2024“A Heartfelt and Insightful Exploration of Maternal Love”Jackie Tantillo's “Should Have Listened To My Mother” Podcast is a treasure and it's clear why it's a 2023 People's Choice Podcast Award Nominee. This show delves into the profound impact mother and maternal role models have on our lives through personal stories and reflections.Each episode offers a chance to learn how different individuals have been shaped by their mothers' actions and words. Jackie skillfully guides these conversations, revealing why guests with similar backgrounds have forged different paths.This podcast is a collection of timeless stories that highlight the powerful role of maternal figures in our society. Whether your mother influenced you positively or you thrived despite challenges, this show resonates deeply.I highly recommend “Should Have Listened To My Mother” Podcast for its insightful, heartfelt and enriching content.Gina Kunadian"Should Have Listened To My Mother" would not be possible without the generosity, sincerity and insight from my guests. In 2018/2019, in getting ready to launch my podcast, so many were willing to give their time and share their personal stories of their relationship with their mother, for better or worse and what they learned from that maternal relationship. Some of my guests include Nationally and Internationally recognized authors, Journalists, Columbia University Professors, Health Practitioners, Scientists, Artists, Attorneys, Baritone Singer, Pulitzer Prize Winning Journalist, Activists, Freighter Sea Captain, Film Production Manager, Professor of Writing Montclair State University, Attorney and family advocate @CUNY Law; NYC First Responder/NYC Firefighter, Child and Adult Special Needs Activist, Property Manager, Chefs, Self Help Advocates, therapists and so many more talented and insightful women and men.Jackie has worked in the broadcasting industry for over four decades. She has interviewed many fascinating people including musicians, celebrities, authors, activists, entrepreneurs, politicians and more.A big thank you goes to Ricky Soto, NYC based Graphic Designer, who created the logo for "Should Have Listened To My Mother".Check out the SHLTMM Podcast website for more background information: https://www.jackietantillo.com/Or more demos of what's to come at https://soundcloud.com/jackie-tantilloLink to website and show notes: https://shltmm.simplecast.com/Or Find SHLTMM Website here: https://shltmm.simplecast.com/Listen wherever you find podcasts: https://www.facebook.com/ShouldHaveListenedToMyMotherhttps://www.facebook.com/jackietantilloInstagram:https://www.instagram.com/shouldhavelistenedtomymother/https://www.instagram.com/jackietantillo7/LinkedIn:https://www.linkedin.com/in/jackie-tantillo/YOUTUBE: https://www.youtube.com/@ShouldHaveListenedToMyMother

David Hockney is arguably Britain's most loved living artist. He's known as a colourful character, not only because of his vibrant, colour rich paintings of Californian landscapes, glittering blue pools, and thick Yorkshire woodlands, but also his own carefully curated image from the 1960s- bright blond hair and oversized thick black round glasses. He was born in Bradford in 1937, and knew by the age of 10 he wanted to be an artist. He studied at the Royal College of Art, and by his mid 20s he was key player in London's bohemian pop-art scene. He then moved to LA in pursuit of sunshine and inspiration. He delights in using new technology to create; from the polaroid, to the fax machine, and his iPad. Now, more than 60 years into his career, aged 88, David Hockney is not slowing down. His image has recently been depicted by drones in a light-show in the skies above Bradford, in a colourful tribute to the city's most famous son. Becky Milligan speaks to his muse, the textile designer Celia Birtwell, art historian Marco Livingstone, dancer and contemporary Wayne Sleep and art critic Waldemar Januszczak. Production Presenter: Becky Milligan Producers: Ben Crighton, Mhairi MacKenzie and Marie Lennon Production Coordinator: Maria Ogundele Editor: Justine Lang Sound Editor: Gareth JonesArchive BBC Imagine…Summer 2009: David Hockney – A Bigger Picture (Coluga Pictures) BBC The Interview: David Hockney - A Life in Art (2025) “Joie de Vivre” clip courtesy of Louisiana Channel, Louisiana Museum of Modern Art (2011)

Japan's political scene is changing—from new parties rising in visibility to historic moments in national leadership—so the Krewe is bringing you a timely crash course. Political analyst Tobias Harris (Founder & Principal of Japan Foresight) joins the pod to break down the foundations of Japan's government system, how it compares to the U.S., and why voters view politics the way they do. We explore the major and emerging parties shaping the landscape, the issues driving debate today, and how international pressures and global events influence domestic policy. Tobias also sheds light on the media's role in shaping public perception and political accountability.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Tobias Harris ------Japan ForesightObserving Japan on SubstackThe Iconoclast on AmazonTobias Harris on BlueSky------ Past History/Society Episodes ------The Castles of Japan ft. William de Lange S5E19)Foreign-Born Samurai: William Adams ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E17)Foreign-Born Samurai: Yasuke ft. Nathan Ledbetter (Guest Host, Dr. Samantha Perez) (S5E16)Change in Urban & Rural Japanese Communities ft. Azby Brown (S5E15)Inside Japanese Homes & Architecture ft. Azby Brown (S5E6)Kendo: The Way of the Sword ft. Alexander Bennett, 7th Dan in Kendo (S4E16)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 2] (S2E18)The Chrysanthemum Throne ft. Dr. Hiromu Nagahara [Part 1] (S2E17)The Age of Lady Samurai ft. Tomoko Kitagawa (S1E12)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

In the 2016 documentary The Happy Film, designer Stefan Sagmeister started the film's creative process with one set of expectations and ultimately became a co-director who took multiple risks, and suffered a tremendous loss. During the filmmaking, co-director Hillman Curtis passed away. Stefan's movie about happiness not only forces us to look at his life but also our own lives with a fresh perspective, and it teaches us the importance of coping with harsh, tragic, and unforeseen realities.-Stefan Sagmeister is an Austrian designer living and working in New York. He received his MFA from the University of Applied Arts in Vienna, and as a Fulbright Scholar he earned his MFA in communication design from The Pratt Institute. In 2025 he received an honorary degree from Pratt, the Doctor of Fine Arts, for being a creative and innovative leader in the field. He's also been honored by the AIGA, received a National Design Award from the the Cooper-Hewitt National Design Museum, and exhibited his solo and collaborative designs internationally. Early in his career, Stefan brought new life to music packaging with his memorable, interactive designs for albums by the Talking Heads, Brian Eno, and David Byrne, among others, winning two Grammy Awards. His work is in multiple permanent collections, including the Museum of Modern Art, and he is the author of "Things I Have Learned in My Life So Far" a blend of visual whimsy, serious plan, and sound advice. https://sagmeister.com/‍ ‍https://www.grammy.com/artists/stefan-sagmeister/9972‍ ‍https://www.moma.org/artists/30682-stefan-sagmeister‍ ‍-The Happy Film (2016)rent/buy @ Amazonhttps://amzn.to/3WIdnb6‍ ‍https://www.imdb.com/title/tt5134870/‍ ‍-Sagmeister's "Now Is Better"https://amzn.to/4hP4J49‍ ‍-Sagmeister's "Things I Have Learned in My Life So Far"https://amzn.to/49UmPzD‍ ‍-Other movies and shows discussed:Comedian (2002)

Before the idea of feminism took shape, there was what writers once called “the woman question.” The phrase comes from the querelle des femmes—a centuries-long debate in Europe about women's rights, intellect, and place in society. One of the first to take it up was Christine de Pizan, the Italian-French court writer who, in 1405, published The Book of the City of Ladies. At a time when most women were excluded from education and public life, de Pizan challenged misogyny head-on, laying some of the earliest groundwork for what we now understand as feminist thought. That question—what is a woman's place in culture and history?—has echoed ever since. In 1971, the art historian Linda Nochlin famously reframed it by asking: “Why Have There Been No Great Women Artists?” We have a clear answer: there had been great women artists all along, but their stories were often overlooked, dismissed, or erased. A new exhibition at the recently opened Museum of Modern Art in Warsaw hones in on that conversation. "The Woman Question: 1550–2025," curated by Alison M. Gingeras, gathers nearly five hundred years of women's creative production—from Renaissance pioneers like Sofonisba Anguissola and Lavinia Fontana, to Baroque heroines such as Elisabetta Sirani and Artemisia Gentileschi, and contemporary artists including Betty Tompkins and Lisa Brice. With more than 200 artworks, the exhibition focuses on how women saw and depicted themselves and the world, and how the represented power, resistance, desire, and violence. Through portraits, allegories, and bold depictions of female experience, these artists reveal how women have long claimed creative agency despite the structures built to contain them. On this episode of The Art Angle, Gingeras joins senior editor Kate Brown from Warsaw, Poland, to talk about early women art stars, recent rediscoveries, and why, after all this time, we still need all-women exhibitions.

A new exhibition at the MoMA celebrates the career of Cuban artist Wifredo Lam, an artist who helped push the boundaries of modernism. Curators Christophe Cherix and Beverly Adams join to discuss "Wifredo Lam: When I Don't Sleep, I Dream," up now through April 11 2026. Image credit: Wifredo Lam. La jungla (The Jungle), 1942-43. Oil and charcoal on paper mounted on canvas, 7'10 ¼” × 7'6 ½” (239.4 × 229.9 cm). The Museum of Modern Art, New York © Succession Wifredo Lam, ADAGP, Paris / ARS, New York 2025

What would the C.I.A. have to do with "modern art", jazz and other art forms? The answer is truly unbelievable. Starting in the 1940's the C.I.A., the Rockefellers and the MOMA (Museum of Modern Art) set in motion a psychological operation that continues to this day. Using art in all its forms as a tool, weapon and guiding hand to persuade the masses, as a smoke screen and more. Let's look into how this happened, how it works and how it's still at play today!Email us at: downtherh@protonmail.com

Before the idea of feminism took shape, there was what writers once called “the woman question.” The phrase comes from the querelle des femmes—a centuries-long debate in Europe about women's rights, intellect, and place in society. One of the first to take it up was Christine de Pizan, the Italian-French court writer who, in 1405, published The Book of the City of Ladies. At a time when most women were excluded from education and public life, de Pizan challenged misogyny head-on, laying some of the earliest groundwork for what we now understand as feminist thought. That question—what is a woman's place in culture and history?—has echoed ever since. In 1971, the art historian Linda Nochlin famously reframed it by asking: “Why Have There Been No Great Women Artists?” We have a clear answer: there had been great women artists all along, but their stories were often overlooked, dismissed, or erased. A new exhibition at the recently opened Museum of Modern Art in Warsaw hones in on that conversation. "The Woman Question: 1550–2025," curated by Alison M. Gingeras, gathers nearly five hundred years of women's creative production—from Renaissance pioneers like Sofonisba Anguissola and Lavinia Fontana, to Baroque heroines such as Elisabetta Sirani and Artemisia Gentileschi, and contemporary artists including Betty Tompkins and Lisa Brice. With more than 200 artworks, the exhibition focuses on how women saw and depicted themselves and the world, and how the represented power, resistance, desire, and violence. Through portraits, allegories, and bold depictions of female experience, these artists reveal how women have long claimed creative agency despite the structures built to contain them. On this episode of The Art Angle, Gingeras joins senior editor Kate Brown from Warsaw, Poland, to talk about early women art stars, recent rediscoveries, and why, after all this time, we still need all-women exhibitions.

In the 40th episode of our "Reading the Art World" podcast, Megan Fox Kelly speaks with the Guggenheim's Megan Fontanella, Curator of Modern Art and Provenance, about her beautifully researched book "Gabriele Münter: Contours of a World," published by Guggenheim Museum Publications, distributed by Artbook DAP.Our conversation reveals the life and art of Gabriele Münter, a pioneering German Expressionist whose bold use of color and form helped define early modernism—yet whose place in art history has long been understated. Fontanella traces Münter's path from her early photographic work during travels in the United States (1898-1900) to her vibrant paintings that reimagined landscape, still life, and portraiture through radical simplification and expressive color.We discuss Münter's role as cofounder of Der Blaue Reiter (The Blue Rider), the influential collective that included Vasily Kandinsky and other progressive artists who pushed the expressive potential of color and symbolic form. Fontanella shows how Münter developed her distinctive visual language—one that sought to "convey an essence" rather than imitate reality—offering a lyrical alternative to the pure abstraction that dominated much of early Modernism.One of the most compelling parts of our conversation addresses Münter's actions during World War II, when she hid major works by herself and other Blue Rider artists in the basement of her home in Murnau, Germany, protecting them from Nazi confiscation. This act of quiet courage preserved a vital chapter of modern art history. Fontanella reflects on how women artists of Münter's generation have been systematically undervalued, and how recent scholarship is finally restoring Münter to her place in the modernist canon.For anyone interested in German Expressionism, the recovery of women artists' legacies, or the collaborative networks that shaped the early 20th-century avant-garde, this episode offers essential insights into an artist whose vision continues to inspire—and whose work deserves far greater recognition.ABOUT THE AUTHORMegan Fontanella is Curator of Modern Art and Provenance at the Solomon R. Guggenheim Museum. She is recognized as an expert in provenance research with a focus on World War II spoliation issues. Fontanella graduated from Dartmouth College with a BA in art history and received her MA from the Courtauld Institute of Art, London, where she specialized in late 19th-century French art.ABOUT THE EXHIBITION"Gabriele Münter: Contours of a World" is on view at the Solomon R. Guggenheim Museum, New York, from November 7, 2025 through April 26, 2026. The exhibition presents over fifty paintings across three Tower galleries, alongside nineteen photographs Münter captured during her extended stay in the United States. Learn more here: https://www.guggenheim.org/exhibition/gabriele-munterPURCHASE THE BOOKhttps://www.guggenheimstore.org/gabriele-munter-contours-of-a-worldSUBSCRIBE, FOLLOW AND HEAR INTERVIEWS:For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market. They are an opportunity to engage further with the minds behind these insightful new publications.Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode Emily interviews artist Masako Miki, whose solo exhibition "Midnight March" is on view at the ICA San Francisco through December 7th. Masako discusses her journey from Osaka, Japan to California, her fascination with Japanese folklore—especially the "Night Parade of 100 Demons"—and how these stories inspire her colorful felted sculptures. The conversation explores themes of animism, transformation, and protest, as well as Masako's creative process and the importance of art in shifting perspectives. Tune in to hear about her artistic influences, the significance of her studio, and the playful yet profound characters she brings to life.About Artist Masako Miki :As a multimedia artist, Masako Miki navigates diverse mediums, including textile sculpture, watercolor, and outdoor public installations to explore the intersection of mythology, folklore, and contemporary social issues. Miki has exhibited her immersive felt sculptural installations and watercolor works on paper in the US, and internationally.  She has exhibited at institutions including Berkeley Art Museum and Pacific Film Archive and de Young Museum. Inspired by Shinto's animism, Miki attempts crafting new mythologies concerning cultural identity as social collectives.  Miki was a recipient of the 2018 Inga Maren Otto Fellowship Award from Watermill Center in New York, also has been a resident artist including de Young Museum and Facebook HQ.  Miki's work is in collections at San Francisco Museum of Modern Art, Colección Solo in Spain, The Byrd Hoffman Water Mill Foundation, Facebook, Inc., and Berkeley Art Museum and Pacific Film Archive.  Miki's monumental outdoor public art installation at Uber HQ in San Francisco and OH Bay cultural coastal park in Shenzhen China is on view.  She is currently working on Mina and Natoma Street Corridor Project with SFMOMA and SFAC designing functional sculptures. Miki is a native of Japan and currently based in Berkeley, California.  She is represented by RYANLEE Gallery in New York and Jessica Silverman Gallery in San Francisco.Visit Masako's Website:  MasakoMiki.comFollow Masako on Instagram: @MasakoMikiLearn More about Masako's exhibit "Midnight March" at the ICA SF through December 7 - CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Uptown Charlotte's cultural block is home to three museums that opened within months of each other, helping define the city's modern arts identity. Among them is the Bechtler Museum of Modern Art, a compact, instantly recognizable building anchored by the mirrored “Firebird” sculpture — one of the most photographed artworks in North Carolina. Inside, the museum holds a world-class collection of European and American modernism, much of it acquired by the Swiss Bechtler family through personal relationships with artists.In this episode of The Charlotte Ledger Podcast, host Steve Dunn talks with Todd D. Smith, executive director of the Bechtler, about how the museum fits into Charlotte's artistic ecosystem, its partnership with neighbors like the Mint and the Gantt, and why modern art still matters in a world overflowing with images. Smith also discusses the museum's recent work to make art more accessible — from therapeutic “art on prescription” programs to collaborations with visually impaired artists that reimagine how we experience texture, sound and space.For more information on the Bechtler Museum of Modern Art, visit Bechtler.org.This episode is sponsored by Coca-Cola Consolidated, Charlotte's local bottler and the largest Coca-Cola bottler in the US. Coca-Cola Consolidated demonstrates a strong commitment to supporting veterans and military families through initiatives like the Veterans Resource Group, Hiring Our Heroes partnerships, and community engagement events, recognizing the value of their service and skills. Learn more at www.cokeconsolidated.com/BehindtheBottle.For more information on The Charlotte Ledger, visit TheCharlotteLedger.com. This episode of The Charlotte Ledger Podcast was produced by Lindsey Banks. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit charlotteledger.substack.com/subscribe

The Museum of Fine Arts (MFA) in Boston, US, has agreed to return two works from 1857 by the enslaved 19th-century potter David Drake to his present-day descendants. By the terms of the contract, one vessel will remain on loan to the museum for at least two years. The other—known as the “Poem Jar”—has been purchased back by the museum from the heirs for an undisclosed sum and now comes with “a certificate of ethical ownership”. Ben Luke talks to Ethan Lasser, the MFA's chair of the art of Americas, about this landmark agreement. At the Museum of Modern Art in New York, the exhibition Wifredo Lam: When I Don't Sleep, I Dream opens on Monday. Lam, who was of African and Chinese descent, is now widely regarded as a key, and singular, figure in Modernist painting. Connected in his long life to the Surrealists and Pablo Picasso, and to literary greats including Aimé Césaire and Edouard Glissant, his distinctive practice was above all centred on a profound engagement with Black diasporic culture. Ben talks to the two lead curators of the exhibition, Beverly Adams, curator of Latin American Art at MoMA, and the museum's new director, Christophe Cherix. And this episode's Work of the Week is the Adoration of the Magi (1488) by Domenico Ghirlandaio. The painting is in the Ospedale degli Innocenti, the first hospital for unwanted or orphaned infants, or foundlings, in Europe, built by the great Renaissance architect, Filippo Brunelleschi. The Innocenti, as it is called, is the subject of a new book, called The Innocents of Florence: The Renaissance Discovery of Childhood, by Joseph Luzzi, and Ben speaks to him about the painting and its significance in the Innocenti's collection.Wifredo Lam, Museum of Modern Art, New York, 10 November-11 April 2026.The Innocents of Florence: The Renaissance Discovery of Childhood, published in hardback by WW Norton, from 11 November in the US, priced $29.99, and from 28 November in the UK, priced £23.New subscription offer: eight-week free digital trial of The Art Newspaper. The subscription auto-renews at full price for your region. Cancel anytime. www.theartnewspaper.com/subscriptions-8WEEKSOFFER Hosted on Acast. See acast.com/privacy for more information.

Step into the world of tokusatsu with Ultraman Max director Takeshi Yagi! The Krewe chats with Yagi-san about the artistry, imagination, and behind-the-scenes magic that bring Ultraman and Japan's iconic heroes & monsters to life. Discover how tokusatsu continues to inspire fans around the world.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Takeshi Yagi ------Takeshi Yagi on InstagramTakeshi Yagi on X/TwitterTakeshi Yagi's WebsiteTakeshi Yagi's Blog (JP)Takeshi Yagi's New Book (Releasing Nov 19, 2025)Wikizilla Page on AKARI------ Past Tokusatsu/Pop Culture Episodes ------Enjoying Shojo Anime & Manga ft. Taryn of Manga Lela (S5E18)Akira Toriyama: Legacy of a Legend ft. Matt Alt (S5E3)The History & Evolution of Godzilla ft. Dr. William (Bill) Tsutsui (S5E1)Thoughts on Godzilla Minus One ft. Dr. William (Bill) Tsutsui (S4Bonus)The History of Nintendo ft. Matt Alt (S4E18)Japanese Mascot Mania ft. Chris Carlier of Mondo Mascots (S4E8)Tokusatsu Talk with a Super Sentai ft. Sotaro Yasuda aka GekiChopper (S4E6)The Evolution of PokéMania ft Daniel Dockery [Part 2] (S4E3)The Evolution of PokéMania ft Daniel Dockery [Part 1] (S4E2)Japanese Independent Film Industry ft. Award Winning Director Eiji Uchida (S3E18)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)Talking Shonen Anime Series ft. Kyle Hebert (S3E10)Japanese Arcades (S2E16)How to Watch Anime: Subbed vs. Dubbed ft. Dan Woren (S2E9)Manga: Literature & An Art Form ft. Danica Davidson (S2E3)The Fantastical World of Studio Ghibli ft. Steve Alpert (S2E1)The Greatest Anime of All Time Pt. 3: Modern Day Anime  (2010's-Present) (S1E18)The Greatest Anime of All Time Pt. 2: The Golden Age  (1990's-2010's) (S1E16)The Greatest Anime of All Time Pt. 1: Nostalgia (60's-80's) (S1E5)We Love Pokemon: Celebrating 25 Years (S1E3)Why Japan ft. Matt Alt (S1E1)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

I am so excited to say that my guest on the GWA Podcast today is the esteemed curator, Megan Fontanella. A specialist in Modern Art and Provenance at the Guggenheim New York, Fontanella's research interests focus on late 19th and early 20th European art and the avant-garde in the USA. She has organised a plethora of exhibitions for the Guggenheim across the globe, from Visionaries: Creating a Modern Guggenheim (2017); Kandinsky (2020–21); Kandinsky: Around the Circle (2021–22; 2023–24); Young Picasso in Paris (2023), as well as travelling collection exhibitions in Australia, Canada, and Europe. But the reason why we are speaking to Fontanella today is because she is very excitingly curating a monumental exhibition by the German Expressionist, Gabriele Münter. Titled Contours of a World, the show – opening 7 November through to April 2026 – will feature 60 of the artist's luminous, bold, sometimes rapidly-made paintings – from her portraits of friends to landscapes of the German alpine town of Murnau – that chart the changing face of modernism in art. Focusing on 1908 to 1920, it will deep-dive into her involvement with “The Blue Rider” – a group of visionary artists and writers who explored how colour and form could evoke emotion and spiritualist ideas – to the works she made during the First World War. Gabriele Münter: Contours of a World is on view at Guggenheim New York, 7 Nov – 26 Apr 2026: https://www.guggenheim.org/exhibition/gabriele-munter Artists mentioned: Gabriele Münter (1877–1962) Wassily Kandinsky (1866–1944) Marianne von Werefkin (1860–1938) Der Blaue Reiter (“The Blue Rider”) group Artworks mentioned: Gabriele Münter - Still Life on the Tram After Shopping (1909–1912) Gabriele Münter - Portrait of Marianne Werefkin (1909) Gabriele Münter - Boating (1910) Gabriele Münter - Meditation (1917) Gabriele Münter - Future (Woman in Stockholm) (1917) Gabriele Münter - Portrait of Anna Roslund (1917) Gabriele Münter - Lady in an Armchair, Writing (1929) Gabriele Munter -  Breakfast of the Birds (1934)

Marilyn Minter (b. 1948, USA) is an artist based in New York. Recent solo exhibitions include Marilyn Minter, Lehmann Maupin, Seoul, South Korea (2024). Marilyn Minter, LGDR, New York, NY (2023); Marilyn Minter, Lehmann Maupin, Hong Kong, China (2021); All Wet, Montpellier Contemporary (Mo.Co), Montpellier, France (2021); Smash, MoCA Westport, Westport, CT (2021); Fierce Women, The Cube, Moss Arts Center, Virginia Polytechnic Institute and State University, Blacksburg, VA (2020); Nasty Woman, SCAD Museum of Art, Savannah GA (2020); among others. From 2015 through 2017, her retrospective, Marilyn Minter: Pretty/Dirty, traveled to the Contemporary Arts Museum, Houston (TX); the Museum of Contemporary Art, Denver (CO); the Orange County Museum of Art, Newport Beach (CA); and the Brooklyn Museum, Brooklyn (NY). Her video Green Pink Caviar was on view at The Museum of Modern Art, New York from 2010-2011.Minter is the recipient of numerous prestigious awards, including the Louis Comfort Tiffany Grant (2006) and the Guggenheim Fellowship (1998). Minter's work is in the collections of many museums globally, including the the Museum of Contemporary Art, Los Angeles (CA); San Francisco Museum of Modern Art, San Francisco (CA); (MA); the Museum of Modern Art, New York (NY); the Perez Art Museum, Miami (FL); the Tate Modern, London (U.K); the Solomon R. Guggenheim Museum, New York (NY); and the Whitney Museum of American Art, New York (NY), among many others.She and Zuckerman discussed shaming young and beautiful women, trust, how we take care of ourselves, making things her own, progress, the ability to copy anything, getting rid of narrative, finding out who we are, identifying people's gifts, seeing joy and the love of making, making bad things, the reality of self-doubt, looking for things that bother you, piggy backing, and how hard it is to be alive!

Welcome to episode 85 of The Longest Turn Board Gaming Podcast! After talking about some of the games we've been playing lately we continue covering our favorite games in our Brackets for games that start with letters M, N, O, & P. We go through each bracket to determine the winning game. Our listeners submitted brackets trying to best predict which games would win. We announce the winning listener who will be receiving some games from us! Join our discord (link below) to join the competition for future bracketology episodes. 00:00:00 - Intro Games Played Lately: 00:10:33 - Magical Athlete 00:21:58 - Fliptoons 00:31:11 - Etherstone 00:46:45 - M Bracket (Memoir 44, Marco Polo 2, The Mind, Moon Colony Bloodbath, Messina 1347, Magical Athlete, Monster Crunch, Modern Art) 00:57:04 - N Bracket (Nova Luna, Next Station Paris, Nucleum, Nemesis, No Thanks, Northern Pacific, New Frontiers, Nidavellir) 01:11:24 - O Bracket (On Mars, One Deck Dungeon, Oath, On Tour, Orleans, Obsession, Onitama, Orapa Mine) 01:23:05 - P Bracket (Pixies, Power Grid, Point Salad, Pandemic, Parade, Paperback Adventures, Praga Caput Regni, Pulsar 2849) 01:44:10 - Listener Winner Announced 01:48:22 - Outtakes Join our Discord: https://discord.gg/F4kX3Faxxf  Other links : https://linktr.ee/Longestturn Affiliate codes: GameNerdz Support us on Buy Me a Coffee!

Watch every episode ad-free & uncensored on Patreon: https://patreon.com/dannyjones Giampiero Ambrosi is a writer, journalist, and producer of documentary films such as "Bad Influence" on Netflix and "The Royal Stunt", an investigation into the hidden world of art forgery. https://giampiero.com SPONSORS https://brooklynbedding.com - Use code DANNY for 30% off site wide. https://shopmando.com - Use code DANNY for 20% off plus FREE shipping. https://trueclassic.com/danny - Upgrade your wardrobe and SAVE on TrueClassic today. https://whiterabbitenergy.com/?ref=DJP - Use code DJP for 20% off EPISODE LINKS https://giampiero.com FOLLOW DANNY JONES https://www.instagram.com/dannyjones https://twitter.com/jonesdanny OUTLINE 00:00 - Tony Tetro - world's top art forger 14:25 - investigating James Stunt's art collection 34:25 - how James Stunt made millions on fake art 40:29 - the lost Leonardi da Vinci painting 55:42 - what happened to Tony Tetro & James Stunt 01:06:00 - how Tony Tetro became a forger 01:13:03 - why older paintings are harder to forge 01:25:11 - how CIA used Jackson Pollock art as a weapon 01:38:25 - the problem with artists' foundations 01:45:55 - why such great art was made during the renaissance 01:53:42 - how modern art has evolved 02:07:03 - the dark side of kid influencers 02:11:10 - Roblox & section 230 02:19:52 - how to fix social media 02:25:44 - the doomsday clock 02:38:08 - BrandArmy & social media poisoning kids Learn more about your ad choices. Visit podcastchoices.com/adchoices

What would the C.I.A. have to do with "modern art", jazz and other art forms?The answer is truly unbelievable. Starting in the 1940's the C.I.A., the Rockefellers, the MOMA (Museum of Modern Art) set in motion a psychological operation that continues to this day. Using art in all it's forms as a tool, weapon and guiding hand to persuade the masses, as a smoke screen and more.Let's look into how this happened, how it works and how it's still at play today!Email us at: downtherh@protonmail.com

What an honour to play for The Great Oven's Disco Cantina at All Together Now Festival 2025 - here's my banquet soundtrack. Read more about the project below: ** THE GREAT OVEN DISCO CANTINA **with TANG, RADIO ALHARA & MIXMAGSince its inception in 2019, The Great Oven has been forging giant, beautifully decorated, community ovens – installing them in refugee camps, conflict zones and informal settlements across Lebanon and South Africa.This year, their mission is to expand to the West Bank whilst creating a cultural bridge between Palestine and a homebase in Ireland. Artists from both countries have been collaborating all year to construct two Great Ovens that will be decorated at IMMA, Irish Museum of Modern Art and unveiled at All Together Now 2025.You'll find them at The Great Oven Disco Cantina: a feast for the senses where festivalgoers can dance, dine and support the journey of a Great Oven to Palestine. An exceptional lineup of longstanding partners and allies have gathered all together now, to bring this vision to life.Leading the Disco Cantina's culinary experience is beloved Middle Eastern eatery, Tang who are shutting all their Dublin sites for the weekend to send their talented team to host this gastronomic extravaganza. Cherished recipes from Great Oven refugee cooks will feature alongside favourite dishes from the restaurant. Once a day, 100 diners will be given the opportunity to attend a DJ Banquet where special guests will perform a once-in-a-lifetime, intimate show at the cantina. The rest of the day Tang will be serving up a buzzy BBQ feast with freshly made Saj bread, all cooked live in this unique setting.Bringing the disco is Palestinian radio station turned global cultural phenomenon, Radio Alhara. From day to night, DJs from Palestine and across the Middle East, along with renowned Irish and international acts, will spin a soundtrack of sonic solidarity. The entire experience will be captured and amplified by Mixmag, the world's largest and longest-running electronic music platform. The Disco Cantina's dancefloor will host Ireland's first-ever Mixmag Lab, which will be streamed globally.When the festival lights go out, the voyage of these Great Ovens begins. One will make its way to Palestine, where it will be housed at the Wonder Cabinet, a creative hub in the West Bank. The other will find its home at Dalymount Park, Bohemian Football Club's historic ground. These twin ovens will nourish communities, honour shared struggle and will create a cultural bridge between Ireland and Palestine where recipes, art, music and solidarity will be shared for generations to come.

In part two of this special fiction-meets-art-history podcast, you'll step into the MoMA after hours, where a professional development retreat turns into something much more sinister. What begins as an inspiring evening quickly spirals into chaos when Dal�'s The Persistence of Memory disappears. The Dalí is gone. The suspects are gathered. And the detectives are running out of time. In the shocking conclusion to An Art History Mystery, our five art teachers—Delilah, Solomon, Madison, Amber, and Robert—return to the Museum of Modern Art for questioning. As the night deepens, stories twist, motives unravel, and the truth finally surfaces. Who had the means? Who had the motive? And who had the opportunity to steal one of the most iconic paintings in modern art? Listen as Detectives Kelly and Forrest piece together the clues in a finale filled with confessions, contradictions, and the ultimate reveal of the thief behind The Persistence of Memory. Was it an act of obsession, ambition, or art itself? Find out in this second and final episode of An Art History Mystery. Resources and Links Join the Art of Ed Community Check out the Community's Halloween Costume Contest How Mysteries Can Make Learning Exciting 6 Creepy Artworks for Halloween Art Teacher Horror Stories

In a world where handmade art is humanity's last stand against the machine, the unveiling of a mysterious new artist named Orville threatens to shatter everything — because Orville isn't human.“Mr. Replogle's Dream” by Evelyn E. Smith (Fantastic Universe December, 1956)Fully Produced version:https://www.auditoryanthology.com/2025/03/20/mr-replogles-dream-by-evelyn-e-smith/

Fluent Fiction - Danish: Finding New Dimensions: Kasper's Silent Art Journey Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2025-10-25-22-34-02-da Story Transcript:Da: I Louisiana Museum of Modern Art, hvor glasvinduerne fangede nuancerne af efterårens gyldne og røde blade, sad Kasper og Freja stille på en bænk.En: At the Louisiana Museum of Modern Art, where the glass windows captured the nuances of autumn's golden and red leaves, Kasper and Freja sat quietly on a bench.Da: Den varme luft fra radiatorerne blandede sig med den sarte duft af det udendørs.En: The warm air from the radiators mingled with the delicate scent of the outdoors.Da: Det var en rolig dag.En: It was a calm day.Da: Besøgende mumlede lavmælt imens de gik rundt og beundrede kunstværkerne.En: Visitors murmured softly as they walked around, admiring the artworks.Da: Kasper så ud over fjorden gennem vinduerne.En: Kasper looked out over the fjord through the windows.Da: Det var smukt, men en indre uro fyldte hans sind.En: It was beautiful, but an inner turmoil filled his mind.Da: For nylig havde Kasper fået en diagnose på et høretab.En: Recently, Kasper had been diagnosed with hearing loss.Da: Det var en tid med store ændringer.En: It was a time of great changes.Da: Kasper var bekymret.En: Kasper was worried.Da: Ville hans kærlighed til kunst ændre sig?En: Would his love for art change?Da: Kunne han stadig føle kunsten på samme måde som før?En: Could he still feel the art in the same way as before?Da: Han spekulerede over, hvordan lyden af kunsten nu ville være, eller måske mangle.En: He wondered what the sound of art would now be like, or perhaps lack.Da: Freja, som altid var ved hans side, forstod uden ord.En: Freja, who was always by his side, understood without words.Da: Hendes nærvær var beroligende.En: Her presence was calming.Da: "Måske kan du fokusere mere på det, du ser," sagde hun blidt.En: "Maybe you can focus more on what you see," she said gently.Da: "Og det, du rører ved."En: "And what you touch."Da: Dette var en ny idé for Kasper; at opleve kunsten på en nylivet måde.En: This was a new idea for Kasper; to experience art in a newly awakened way.Da: De bevægede sig gennem museets haller.En: They moved through the museum's halls.Da: Freja førte Kasper til en særlig installation.En: Freja led Kasper to a special installation.Da: Den var lavet til at blive rørt ved.En: It was made to be touched.Da: De farverige teksturer og komplekse former opfordrede til en dybere interaktion.En: The colorful textures and complex shapes invited a deeper interaction.Da: Freja smilede opfordrende til Kasper: "Prøv at føle det."En: Freja smiled encouragingly at Kasper: "Try to feel it."Da: Med rystende hænder rørte Kasper overfladen.En: With shaking hands, Kasper touched the surface.Da: Det var som om verden begyndte at åbne sig på ny.En: It was as if the world began to open anew.Da: Strukturerne, de forskellige teksturer, talte til ham på måder, som lyde ikke længere kunne gøre.En: The structures, the different textures, spoke to him in ways that sounds could no longer do.Da: For hvert strøg blev han bragt tættere på de følelser, kunsten måtte fremkalde.En: With each stroke, he was brought closer to the emotions the art was meant to evoke.Da: En tæt forbindelse blev dannet i det stille rum.En: A close connection was formed in the quiet room.Da: Kasper mærkede en tåre trille ned ad kinden.En: Kasper felt a tear roll down his cheek.Da: Det var et øjeblik af indsigt.En: It was a moment of insight.Da: Han følte, at kunst stadig var der for ham, i hele sin skønhed, bare på en anden måde.En: He felt that art was still there for him, in all its beauty, just in a different way.Da: Han vendte sig mod Freja, som smilende tørrede tåren væk.En: He turned to Freja, who smilingly wiped the tear away.Da: "Tak, Freja," hviskede han.En: "Thank you, Freja," he whispered.Da: Før, havde kunst været lyde, nu var det former og indtryk.En: Before, art had been about sounds, now it was forms and impressions.Da: Inden for det stille efterårsmuseum havde Kasper fundet en ny måde at forstå verden på—og han var taknemmelig.En: Within the quiet autumn museum, Kasper had found a new way to understand the world—and he was grateful.Da: Da de gik ud af museet, blev Kaspers skridt lettere.En: As they exited the museum, Kasper's steps were lighter.Da: Han så efterårets farver omkring sig og følte sig beriget.En: He saw the autumn colors around him and felt enriched.Da: For ham var kunsten blevet en indbydelse til at være kreativ, til at opdage verden med alle sine sanser—et nyt kapitel havde lige åbnet sig.En: For him, art had become an invitation to be creative, to discover the world with all his senses—a new chapter had just opened. Vocabulary Words:nuances: nuancernemurmured: mumledeturmoil: urodiagnosed: diagnosehearing loss: høretabcalming: beroligendeinstallation: installationcomplex: komplekseinteraction: interaktionstructure: strukturertextures: teksturershaking: rystendestroke: strøgevoke: fremkaldeinsight: indsigtenriched: berigetinvitation: indbydelsecapture: fangededelicate: sarteadmiring: beundredeinner: indrepresence: nærværgently: blidtawakening: nylivetencouragingly: opfordrendetear: tårerolling: trillewipe: tørredegrateful: taknemmeligforms: former

Fluent Fiction - Norwegian: Spotlight on Bravery: The Art That Saved a Museum's Future Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-10-25-07-38-20-no Story Transcript:No: Om høsten da bladene farges som ild, forberedte Astrid seg på den største utstillingen museet hadde sett.En: In the fall, when the leaves turned fiery colors, Astrid prepared for the largest exhibition the museum had ever seen.No: Hun sto i den store foajéen til Kunstmuseet i Oslo og så seg rundt.En: She stood in the grand foyer of the Kunstmuseet in Oslo and looked around.No: Veggene var dekket med malerier og skulpturer, og gulvene bar preg av travle steg.En: The walls were covered with paintings and sculptures, and the floors bore traces of busy footsteps.No: Enkelte verk med Halloween-tema gav en leken atmosfære.En: Some Halloween-themed works gave a playful atmosphere.No: Ivrig gikk Astrid gjennom sin plan i hodet.En: Eagerly, Astrid went through her plan in her head.No: Denne gjenåpningsutstillingen måtte lykkes.En: This reopening exhibition had to succeed.No: Museet trengte publikumets interesse tilbake.En: The museum needed the public's interest back.No: Midt i denne stormen av forventning befant Sindre seg, en ung kunstner med drømmer om å bli kjent.En: Amid this storm of expectation was Sindre, a young artist with dreams of becoming well-known.No: Dagen før utstillingen klatret han opp en stige for å henge opp sitt maleri.En: The day before the exhibition, he climbed a ladder to hang his painting.No: "Er du nervøs?En: "Are you nervous?"No: " spurte Astrid, da hun passerte ham.En: asked Astrid as she passed him.No: "Litt," innrømmet Sindre, kikkende ned på sitt maleri.En: "A little," admitted Sindre, looking down at his painting.No: "Jeg tenker alltid, passer kunsten min her?En: "I always wonder, does my art fit here?"No: "Astrid smilte mildt.En: Astrid smiled gently.No: "Kunst handler om å uttrykke seg.En: "Art is about expressing oneself.No: Din stemme er viktig.En: Your voice is important."No: "Men Astrids tanker var tunge med bekymringer om gjestelisten.En: But Astrid's thoughts were heavy with concerns about the guest list.No: En viktig samler hadde nettopp sagt at han ikke kunne komme, og det endret hele strategien hennes.En: An important collector had just said he couldn't come, and it changed her entire strategy.No: Mens hun revurderte arrangementet, bestemte hun seg for å gi moderne kunst en sentral plass.En: As she reconsidered the event, she decided to give modern art a central place.No: Sindre kunne spille en nøkkelrolle.En: Sindre could play a key role.No: Sindre sto med sitt hjerte i halsen.En: Sindre stood with his heart in his throat.No: Han vurderte å vise en dristig del som aldri hadde sett dagens lys.En: He considered showing a daring piece that had never seen the light of day.No: Det var farlig, men kanskje det ville skille ham ut.En: It was risky, but maybe it would make him stand out.No: På gjenåpningsdagen var museet fylt med spenning.En: On the reopening day, the museum was filled with excitement.No: Folk strømmet inn, alle kledd elegant mot det høstpyntede interiøret.En: People streamed in, all elegantly dressed against the autumn-decorated interior.No: Klokken begynte å tikke mot kveld, og lysene brant så varmt som solen.En: The clock began to tick towards the evening, and the lights burned as warmly as the sun.No: Men så, et øyeblikk av kaos — strømmen gikk.En: But then, a moment of chaos—the power went out.No: Alt ble svart, bortsett fra ett lys.En: Everything went dark, except for one light.No: En enslig spotlight, feilaktig aktivert, falt direkte på Sindres dristige verk.En: A single spotlight, mistakenly activated, fell directly on Sindre's daring piece.No: Et gisp av forundring fylte rommet.En: A gasp of wonder filled the room.No: Folk stimlet sammen, fascinert av maleriets livfullhet og intensitet.En: People gathered around, fascinated by the painting's vibrancy and intensity.No: Astid pustet lettet ut da lyset igjen strømmet tilbake i alle hjørner av museet.En: Astrid exhaled in relief as the light returned to all corners of the museum.No: Hun så hvordan folk snakket ivrig om verket.En: She saw how people eagerly talked about the work.No: Utstillingen var en suksess.En: The exhibition was a success.No: Sindre fikk den oppmerksomheten han hadde håpet på.En: Sindre received the attention he had hoped for.No: Hans selvtillit vokste, akkurat som Astrid sin.En: His confidence grew, just like Astrid's.No: Begge hadde tatt en sjanse, fulgt sine instinkter, og vunnet noe dyrebart.En: Both had taken a chance, followed their instincts, and gained something precious.No: Museumsdirektøren klappet Astrid på skulderen.En: The museum director patted Astrid on the shoulder.No: "Du gjorde et godt valg," sa han.En: "You made a good choice," he said.No: Astrid nikket og så smilende på Sindre.En: Astrid nodded and looked smiling at Sindre.No: Forvandlingen var synlig i begge.En: The transformation was visible in both.No: Troen på kunstens kraft hadde gjort en forskjell, både for museet og for hjertene som banket der inne.En: Belief in the power of art had made a difference, both for the museum and for the hearts that beat inside it. Vocabulary Words:fiery: ildexhibition: utstillingengrand: storecovered: dekketsculptures: skulpturertraces: pregplayful: lekeneagerly: ivrigreconsidered: revurdertedaring: dristigrisky: farligelegantly: elegantchaos: kaosspotlight: spotlightmistakenly: feilaktiggasp: gispwonder: forundringvibrancy: livfullhetintensity: intensitetrelief: lettetsuccess: suksessconfidence: selvtillitinstincts: instinkterprecious: dyrebarttransformation: forvandlingbelief: troendifference: forskjellatmosphere: atmosfæreexpectation: forventningexpressing: uttrykke

In this week's episode, joined by 2024 New Orleans-Matsue Sister City Exchange Program participants Katherine Heller & Wade Trosclair, the Krewe looks back & celebrates 30 years of friendship between Matsue, Japan & New Orleans, Louisiana... a sister city relationship built on cultural exchange, mutual curiosity, &shared spirit. Together, they reflect on their time in Matsue during the exchange program, their experiences with host families, and the deep connections that form when two communities separated by an ocean come together.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:53:00)------ Past Matsue/Sister City Episodes ------Lafcadio Hearn: 2024 King of Carnival (S5Bonus)Explore Matsue ft. Nicholas McCullough (S4E19)Jokichi Takamine: The Earliest Bridge Between New Orleans & Japan ft. Stephen Lyman (S4E13)The Life & Legacy of Lafcadio Hearn ft. Bon & Shoko Koizumi (S1E9)Matsue & New Orleans: Sister Cities ft. Dr. Samantha Perez (S1E2)------ Links about the Exchange ------2024 Exchange Program Info/PicturesShogun Martial Arts Dojo (Katie's family's dojo)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Send us a textToday's episode is my conversation about the 1929 film Sally. I'm joined by Dan Pal from the PalCinema, Television, & Music newsletter and we talk about the use and re-use of popular songs in movies even in the 1930s and 40s, the innovative use of early Technicolor in the film, and how the film might have been much different if made a few years later once the production code was in place. You can watch Sally on Tubi and be sure to check out Dan's newsletter.Other films mentioned in this episode include:The Sound of Music directed by Robert WiseKnives Out directed by Rian JohnsonWith Byrd at the South Pole directed by Julian JohnsonComing to America directed by John LandisSome Like it Hot directed by Billy WilderThe Noose directed by John Francis Dillon (only print located at the Museum of Modern Art in New York City)Song of the Flame directed by Alan Crosland (only partial audio survives)King of Jazz directed by John Murray AndersonThe Broadway Melody directed by Harry BeaumontWeary River directed by Frank LloydOther referenced topics:2016 recording of Sally the musical on SpotifyShowboat (musical)The Honeymooners (series)Comet Over Hollywood review by J. N. PickensSupport the show

William Edmondson was the first African American artist to have a solo show at the Museum of Modern Art in 1937. He was a self-taught limestone carver who carved tombstones and garden ornaments at his workshop, which sat outside of his house in Edgehill. Although he had no intention of being a career artist, he became a trailblazer.For the last 20 years the site where he had worked and lived has been used as a neighborhood park in South Nashville's Edgehill neighborhood. William Edmondson Homesite Park and Gardens formed in 2018 when the city tried to sell the property and their mission is to foster a creative, vibrant, and safe public space for all of Nashville to enjoy. The fourth annual William Edmondson Arts and Culture Fest (We Fest) happening this Saturday is a free, family friendly event looks bring to the forefront the importance of William Edmondson and his work. 

Nigerian-Belgian artist Otobong Nkanga chose a particularly poetic title for her latest exhibition at the Museum of Modern Art in Paris: “I Dreamt of You in Colours.” This marks her largest show to date in France. Otobong joins us to talk about how living entities are in constant dialogue with the environment in her multi-media installations, and why “bling” means so much more than the glint of cheap jewelry in her artwork. The award-winning sculptor also discusses how stone, textiles and even her own voice can be shaped to tell a story, and we discuss the seminal artworks that prompted her to embrace art as a career. 

In this issue of The Brief, we're reflecting on what we learned about the past and future of design from our conversation with Paola Antonelli (The Museum of Modern Art), Mark Wilson (Fast Company), Kate Aronowitz (GV), Mike Davidson (Microsoft), and Meaghan Choi (Anthropic). Looking back at 30 years of design by Eli Woolery Roughly thirty years ago, I was an undergrad, sitting in our dorm's computer cluster —this was before the days when most students had laptops. I ran into something I hadn't seen before. It was called Netscape Navigator, and it was one of the first commercial internet browsers (which our very first guest on Design Better, Irene Au, helped design). I clicked on one of the buttons (probably, “What's Cool”), and along with a nifty loading animation, the browser took me down some early internet rabbit hole. I don't remember where exactly I ended up, but I do remember being blown away by the experience. As a computer nerd kid in the 80's, I had spent plenty of time with bulletin board systems (BBS's) and things like America Online, which we could access through a dial-up modem from home. But this was very different. It was fast—compared to what I was used to—and it felt like I could almost instantaneously access content from all around the world (even though the content online at the time was a miniscule fraction of what it is today). I had entered school to study product design, but this was for products in the physical world…digital product design didn't exist as we know it today. The first use of the phrase “User Experience” in a job title was Don Norman's role a a User Experience Architect at Apple in the mid-90s. Browsers like Netscape Navigator, and then the introduction of the iPhone in 2007, opened up a new world of opportunities and challenges for the field of design. In our conversation with Paola and Mark, we talked about four: the democratization paradox, design's loss of innocence, the fragmentation of the design profession, and the shift from tangible to intangible design. The Democratization Paradox “We democratized all the tools and we democratized none of the platforms. And that gap is just in a nutshell, kind of what's broken about the individual's ability to communicate.”—Mark Wilson, Fast Company While design tools and capabilities have been democratized (everyone can now access design software, create content, etc.), the platforms and systems remain highly centralized within a few large companies—Meta, Google, TikTok, etc. The early, messy days of the internet (Geocities, MySpace) have been largely tamed, which can make for better user experiences, but we also miss the wild creativity that came from having an infinite number of ways to express yourself online. Back then, your personal web page could be a nightmare of animated GIFs, visitor counts, and autoplay music—terrible for usability, but at least it was yours. Today, we're all posting in the same formats, and are subjected to the same algorithmic rules for engagement. The tools to create have never been more powerful or accessible, yet we're increasingly creating within narrower and narrower boundaries defined by a handful of tech giants. Visit our Substack to read the whole article: ⁠https://designbetterpodcast.com/p/the-brief-how-our-recent-past-should⁠

The Krewe sits down with Haruka Kikuchi, a Japanese jazz trombonist making waves in New Orleans. From discovering jazz in Japan to second-lining through the Crescent City, Haruka shares her story of finding home through music — and how jazz bridges cultures across oceans.  ------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:53:00)------ Past Music Episodes ------S5E13 - The Thunderous Sounds of Taiko ft. Takumi Kato (加藤 拓三), World Champion Taiko DrummerS5E10 - The Japanese Pop Music Scene ft. Patrick St. MichelS4E1 - Shamisen: Musical Sounds of Traditional Japan ft. Norm Nakamura of Tokyo LensS3E14 - City Pop & Yu ft. Yu HayamiS3E1 - Exploring Enka ft. Jerome White Jr aka ジェロ / Jero------ Links about Haruka ------Haruka's Website Haruka on IGHaruka on FacebookHaruka on YouTubeGoFundMe to Help Support Haruka's Family------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Welcome back for the conclusion of my conversation with retired Chief of Police and Author Brian Brady. Brian was born and raised in the San Francisco area and became a police officer in Berkeley, California, in the late sixties. He moved around to four different police departments, eventually attaining the rank of Chief of Police.  After decades of serving and protecting, he retired from police work and transitioned to becoming a corporate security executive. This path led him to holding executive positions at prestigious organizations such as NBC Universal and the San Francisco Museum of Modern Art. Brian has published two crime novels and is working on his third.  I really enjoyed talking to someone like Brian, who has seen the evolution of police work through the years and worked his way up from police officer to chief. Brain is one of the few police chiefs I have known who didn’t lose their way and bend to politics and ego. He has a good heart, and that is what’s needed if you are going to lead a police force in today’s world of distorted priorities and egos. Please enjoy this informative and wide-ranging conversation with Brian Brady. In today’s episode, we discuss: ·      How departments are falsifying crime stats. ·      Why would you want to be a police chief? ·      Brian being in four different departments and did most jobs within the PD. What were his favorite positions and department? What was his least favorite? ·      How could the Alec Baldwin situation have happened? ·      Retired from law enforcement and going to corporate security. How difficult was it for him to transition to that? ·      The billion-dollar business of fine art security. ·      Where do art thieves fence priceless pieces of art? ·      The secret world of fine art forgeries. ·      Artificial intelligence and writing. ·      Talking about Harry Bosch and Titus Welliver! ·      His latest book, Greed. What is it about, and what should we expect? ·      The Isabella Stewart Gardner Museum heist, which occurred on March 18, 1990, where 500 million in art was stolen. ·      If your book made it to the big screen, who would you want playing the main role? All of this and more on today’s episode of the Cops and Writers podcast. Check out Brian's website to learn more about him and his books! Check out the new Cops and Writers YouTube channel! Check out my newest book, The Good Collar (Michael Quinn Vigilante Justice Series Book 1)!!!!! Enjoy the Cops and Writers book series. Please visit the Cops and Writers website.  

Visit our Substack for bonus content and more:https://designbetterpodcast.com/p/bonus-episode-30-years-of-design Today we celebrate 30 years of Wert&Co.—the quiet champions of design who have shaped our field by placing the brightest designers in roles of influence at brands that impact culture, commerce, and community. Design Better is brought to you by Wix Studio, the most powerful web design platform for entrepreneurs, agencies, and creative thinkers. Learn more → To mark the occasion, Design Better is live in New York City with an inspiring panel. We'll look back at how design has shaped the world over the past three decades and look ahead to the essential role design must play as technology reshapes the human experience. Our conversation begins with Paola Antonelli, Senior Curator of Architecture and Design and Director of Research & Development at The Museum of Modern Art. Paola is one of the most influential voices in contemporary design, exploring how design shapes culture, technology, and society. We're also joined by Mark Wilson, Global Design Editor at Fast Company. Mark covers the intersection of design, technology, and culture, bringing a journalist's rigor and a designer's eye to stories that reach millions. In the second half of our conversation, we shift our focus to the present and future of design—the teams, the individual contributors, and the leaders who are navigating this evolution in real time. Kate Aronowitz, and Meaghan Choi, and Mike Davidson are three leaders who have different perspectives on where design is headed, and what it means to build meaningful careers in this rapidly changing landscape. Kate Aronowitz is a Design Partner at GV, where she helps companies of all sizes build design-driven cultures. Meaghan Choi is a Product Designer at Anthropic, focused on developer experiences for emerging technologies like AI and cloud computing, including her work on Claude Code. Mike Davidson is VP of Design and User Research at Microsoft AI, with more than two decades leading design at companies including Twitter, Disney, and ESPN.

Leon Black's fall from grace at the Museum of Modern Art came in early 2021, after intense public backlash over his deep financial relationship with Jeffrey Epstein. Reports revealed that Black had paid Epstein approximately $158 million for tax and estate advisory services, long after Epstein's 2008 conviction for soliciting sex from a minor. The revelations sparked outrage across New York's art world, with artists, staff, and activists demanding his removal from MoMA's board. Protesters accused the museum of moral hypocrisy for maintaining ties with a man linked to Epstein's network, arguing that his presence tainted the institution's credibility and mission. As pressure mounted from both within and outside MoMA, calls for his resignation grew louder, and donors began quietly voicing discomfort about his continued leadership.In March 2021, facing unrelenting scrutiny, Black announced that he would step down as chairman of MoMA's board and not seek re-election when his term ended. While he technically remained on the board as a trustee, his exit from the chairmanship was viewed as a forced retreat under immense public pressure. His resignation from the top spot came shortly after he also resigned as CEO of Apollo Global Management amid the same Epstein scandal. MoMA attempted to minimize the fallout by framing his departure as voluntary, but the timing — coming amid protests and reputational damage — made clear that Black's position had become untenable. His exit marked one of the most high-profile instances of cultural institutions severing ties with financiers connected to Epstein.to contact me:bobbycapucci@protonmail.com

DIY Enthusiast & the man behind "Anton in Japan" YouTube Channel, Anton Wörmann joins the Krewe to talk about akiya, Japan's abandoned home phenomenon, and how he's transforming them into stunning spaces. We dig into what it's like to buy, clear out, & renovate an akiya and how Anton's journey from fashion to DIY restoration is reshaping what “home” means in Japan.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode (timestamps [hh:mm:ss] where you can find the code)!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  (00:53:00)------ Past Home & Architecture Episodes ------S5E15 - Change in Urban & Rural Japanese Communities ft. Azby BrownS5E6 - Inside Japanese Homes & Architecture ft. Azby BrownS3E2 - Buying Real Estate in Japan ft. Ziv Nakajima-Magen------ Links about Anton ------Anton in Japan YouTube ChannelAnton on IGAnton in Japan Website & ResourcesAnton on TikTokAnton's Live Master Class on Oct 12 @ 10am JST (Sign Up!)Anton's Akiya Master Class Program------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!