Podcasts about Modern art

Episode No. 742 features artist Woody De Othello, and artists Jason Garcia, Michael Namingha, and curator Bess Murphy. The Pérez Art Museum Miami is presenting "Woody De Othello: coming forth by day," a presentation of new ceramic and wood sculptures, tiled wall works, and a large-scale bronze, all of which explore the primordial relationship between body, earth, and spirit. The exhibition was organized by Jennifer Inacio with the support of Fabiana A. Sotillo. It is on view in Miami through June 28 after which it will travel to the Manetti Shrem Museum of Art, University of California, Davis. De Othello's sculpture, painting, and drawing often investigate the still life genre. His previous institutional solo exhibition was at The Bowes Museum in the UK. Museums that have featured his work in group shows include the Metropolitan Museum of Art, New York, the Seattle Art Museum, the University of Michigan Museum of Art, and the Fine Arts Museums of San Francisco. The Whitney Museum of American Art included him in its 2022 biennial. Later this year, his work will be featured in a Public Art Fund solo presentation in Brooklyn's Brooklyn Bridge Park. He is an artist trustee of the San Francisco Museum of Modern Art. Garcia and Murphy are the co-curators of "Tewa Nangeh/Tewa Country" at the Georgia O'Keeffe Museum in Santa Fe. Namingha is among the 13 artists in the exhibition, 12 of whom are from the six Tewa Pueblos of northern New Mexico (Nambé, Ohkay Owingeh, Pojoaque, San Ildefonso, Santa Clara, and Tesuque).  "Tewa Nangeh" presents the work of Tewa artists while highlighting O'Keeffe's erasure of Tewa people. It is on view through September 7. Garcia's work is in the collection of museums such as the Heard Museum in Phoenix, the Art Institute of Chicago, the Nelson-Atkins Museum of Art, Kansas City, and the Smithsonian's National Museum of the American Indian. Namingha's work is also on view through April 5 at the Museum of Indian Arts and Culture, Santa Fe in "Essential Elements: Art, Environment, and Indigenous Futures." The El Paso Museum of Art and the IAIA Museum of Contemporary Native Arts, Santa Fe have featured solo exhibitions of his work; he's been in group shows at museums such as the Minneapolis Institute of Arts, the Metropolitan Museum of Art, New York, and the Hood Museum of Art, Dartmouth College. Instagram: Woody De Othello, Jason Garcia, Michael Namingha, Tyler Green. Air date: January 22, 2026.

In this special episode of CounterPunch Radio, Bill Ayers, friend of Pilsen Community Books and fellow podcaster at Under the Tree, introduces Amos Kennedy and fellow artists and activists Monica Trinidad and Chi Nwosu. This evening at Pilsen Community Books in Chicago included a packed-house crowd for a celebration for the release of Citizen Printer by renowned letterpress printer Amos P. Kennedy, Jr. A self-described “humble negro printer,” Amos Paul Kennedy, Jr., is internationally recognized for his type-driven messages of social justice and Black power, emblazoned in rhythmically layered and boldly inked prints made for the masses. Borrowing words from civil rights heroes such as Rosa Parks, Fannie Lou Hamer, Frederick Douglass, and Sojourner Truth, Kennedy issues fearless statements on race, capitalism, history, and politics—along with plenty of witty truisms—in his exuberant, colorful, and one-of-a-kind posters and handbills. Amos P. Kennedy, Jr. was working a corporate job when, at nearly forty, he discovered the art of letterpress printing on a tour of Colonial Williamsburg. Kennedy then devoted himself to the craft, earning an MFA in graphic design at the University of Wisconsin–Madison. He now operates Kennedy Prints!, a letterpress printshop in Detroit. He has exhibited in dozens of museums and galleries across the United States, including the Library of Congress, and the libraries of the Museum of Modern Art and the Metropolitan Museum of Art. Monica Trinidad (she/they) is a queer Latine visual artist, communicator, and cultural strategist. A lifelong Chicagoan, Monica has created zines, graphics, mixed media posters, communication strategies, and plans highlighting youth-led, intergenerational, and intersectional grassroots organizing work in Chicago and nationally. Chi Nwosu is a Black, non-binary, queer, Nigerian artist based in Chicago. Their work is an alchemy of cultural narratives that centres marginalised experiences and utilises potent cultural, political, and spiritual symbols. Chi's art invites viewers to imagine collective liberation, envisioning communities rooted in kindness, compassion, and care. Please, head over to Pilsen Community Books and pick up some books! The post Citizen Printer, Bill Ayers w/ Amos Paul Kennedy, Jr., Monica Trinidad, and Chi Nwosu appeared first on CounterPunch.org.

For the 42nd episode of "Reading the Art World," host Megan Fox Kelly speaks with Dr. Matthew Affron, Muriel and Philip Berman Curator of Modern Art at the Philadelphia Art Museum, about his book "Dreamworld: Surrealism at 100," published by the museum and distributed by Yale University Press.Their conversation traces Surrealism from its 1924 origins in André Breton's manifesto—which asked "how should we live?"—to its evolution as both an artistic movement and a philosophy of liberation. Affron shows how Surrealism emerged not as a singular style but as a set of strategies for merging dream and reality, expressed through automatism, collage, found objects, and juxtaposition—techniques designed to bypass conscious control and access the unconscious.They discuss how the movement's early lyrical explorations gave way in the 1930s to urgent responses to fascism's rise, with monsters and hybrids becoming visual metaphors for political evil. Affron examines the wartime diaspora that transformed Surrealism from a Parisian phenomenon into an international force, as artists fled to Mexico City and New York, drawing on indigenous North American imagery alongside European traditions.Affron emphasizes that Surrealist images are not transcriptions of dreams but invitations into unstable territory where thinking, desiring, and imagining intersect. He explains why these works reward openness to surprise over attempts to decode them, and how their techniques—now part of popular culture—keep Surrealism relevant for contemporary audiences.For anyone interested in modern art's avant-garde movements, the intersection of art and politics, or how creative communities adapt under pressure, this episode offers essential insights into a movement that continues to shape how we think about imagination and freedom.ABOUT THE AUTHORMatthew Affron is the Muriel and Philip Berman Curator of Modern Art at the Philadelphia Art Museum. He holds a Ph.D. in art history from Yale University and has published extensively on early abstract art, Fernand Léger, and modern art's relationship to politics. His previous books include Paint the Revolution: Mexican Modernism, 1910–1950, The Essential Duchamp, and Inventing Abstraction, 1910-1925.ABOUT THE EXHIBITION"Dreamworld: Surrealism at 100" is on view at the Philadelphia Art Museum through February 16, 2026. The exhibition features approximately 200 works by more than 70 artists, with highlights including Joan Miró's Dog Barking at the Moon (1926), Salvador Dalí's Soft Construction with Boiled Beans (Premonition of Civil War) (1936), and Dorothea Tanning's Birthday (1942). Philadelphia is the sole North American venue for this international centennial celebration. Learn more here: https://www.visitpham.org/exhibitions/dreamworld-surrealismPURCHASE THE BOOKhttps://store.philamuseum.org/dreamworld-surrealism-at-100-exhibition-catalog/SUBSCRIBE, FOLLOW AND HEAR INTERVIEWS: For more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts. Follow us on Instagram: @meganfoxkelly "Reading the Art World" is a podcast featuring live interviews with leading authors and writers on important new art books. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations. Music composed by Bob Golden

Modern art has always been a battleground — and the highly influential Museum of Modern Art has been partisan since its inception. Architectural historian Patricio Del Real discusses two differing political visions of modernism and modern architecture: one rooted in the left, and associated with figures such as Communist muralist Diego Rivera, and the other on the right, represented by the architect and fascist sympathizer Philip Johnson. He weighs in on the role of MoMa in promoting a view of modernism in Latin America, stripped of its radical politics and racial fusions, and radiating American power and hegemony. (Encore presentation.) Patricio del Real, Constructing Latin America: Architecture, Politics, and Race at the Museum of Modern Art Yale University Press, 2022 The post MoMa and Cultural Imperialism in Latin America appeared first on KPFA.

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In the oceans of ink devoted to the monumental movie star/businesswoman/political activist Elizabeth Rosemond Taylor (1932-2011), her beauty and not-so-private life frequently overshadowed her movies. While she knew how to generate publicity like no other, her personal life is set aside in this volume in favor of her professional oeuvre and unique screen dynamism. In On Elizabeth Taylor: An Opinionated Guide (Oxford UP, 2024), her marriages, illnesses, media firestorms, perfume empire, violet eyes, and AIDS advocacy take a back seat to Elizabeth Taylor, the actress. Taylor's big screen credits span over fifty years, from her pre-adolescent debut in There's One Born Every Minute (1942) to her cameo in The Flintstones (1994). She worked steadily in everything from the biggest production in film history (Cleopatra in 1963) to a humble daytime TV soap opera (General Hospital in 1981). Each of her sixty-seven film appearances is recapped here with background on their inception, production, release, and critical and financial outcome. On Elizabeth Taylor: An Opinionated Guide is a cradle-to-grave chronology of Taylor's life, noting key events, achievements, and milestones. This book offers a work-by-work analysis of her entire career told in chronological order, each film headlined with year of release, distributing studio, and director. This in-depth overview provides an invaluable new way of understanding Taylor's full life and work, as well as the history and nuances of the film industry as it existed in the twentieth century. Kennedy engagingly reassesses Taylor's acting and the nuances she brought to the screen - this includes a consideration of her specific art, the development of her voice, her relationship to the camera, and her canny understanding of the effect she had on audiences worldwide. Kennedy also provides an elucidating guide to her entire filmography, one that speaks to the quality of her performances, their contours and shading, and their context within her extraordinary life and career. On Elizabeth Taylor is a beautifully comprehensive overview of a singular actress of the twentieth century, offering new ways to see and appreciate her skill and peerless charisma, in turn placing her among the greatest film stars of all time. Matthew Kennedy is a film historian based in Oakland, California. He is the author of Roadshow! The Fall of Film Musicals in the 1960s, biographies of actresses Marie Dressler and Joan Blondell, and of director-screenwriter Edmund Goulding. He has introduced film series at the Museum of Modern Art, UCLA Film & Television Archive, and Pacific Film Archive, and written for the San Francisco Silent Film Festival, Turner Classic Movies, and the National Film Registry. He is currently host and curator of the CinemaLit series at the Mechanics' Institute Library in San Francisco. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Fluent Fiction - Danish: Art, Laughter, and Friendship Unite in København Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2026-01-10-23-34-02-da Story Transcript:Da: Det var en kølig vintereftermiddag i København.En: It was a chilly winter afternoon in København.Da: Vinden blæste blidt gennem de tomme gader, og snefnuggene faldt forsigtigt fra himlen, som om de havde travlt med at dække alt i en blød, hvid kappe.En: The wind blew gently through the empty streets, and snowflakes fell softly from the sky, as if they were in a hurry to cover everything in a soft, white cloak.Da: Indenfor i Statens Museum for Kunst var der en varm atmosfære.En: Inside the Statens Museum for Kunst, there was a warm atmosphere.Da: Museets store vinduer lod vinterlyset strømme ind, hvilket skabte skyggefulde mønstre på det polerede trægulv.En: The museum's large windows let the winter light stream in, creating shadowy patterns on the polished wooden floor.Da: Mikkel gik langsomt gennem museets haller.En: Mikkel walked slowly through the museum's halls.Da: Han var her for at studere moderne kunst.En: He was there to study modern art.Da: Det var altid spændende at se, hvordan kunstnere udtrykte sig.En: It was always exciting to see how artists expressed themselves.Da: Som kunststuderende elskede han at finde skjulte betydninger og symbolik i hver børste.En: As an art student, he loved to find hidden meanings and symbolism in every brushstroke.Da: Pludselig, ud af øjenkrogen, genkendte han et bekendt ansigt.En: Suddenly, out of the corner of his eye, he recognized a familiar face.Da: Astrid stod foran en enorm, abstrakt maleri, mens hun rastløst skrabede sin næse.En: Astrid stood in front of a huge, abstract painting, restlessly scratching her nose.Da: Han gik hen til hende med et bredt smil.En: He approached her with a broad smile.Da: "Astrid!En: "Astrid!Da: Hvad laver du her?"En: What are you doing here?"Da: Astrid vendte sig og lyste op.En: Astrid turned and lit up.Da: "Hej, Mikkel!En: "Hi, Mikkel!Da: Jeg er her for at finde noget inspiration til mit næste designprojekt.En: I'm here to find some inspiration for my next design project.Da: Moderne kunst har sådan en sjov måde at sætte gang i fantasien."En: Modern art has such a funny way of sparking the imagination."Da: De stod begge og betragtede kunstværket.En: They both stood and gazed at the artwork.Da: Maleriet var en kaotisk samling af farvepletter, sort og hvid, med en rød cirkel i midten.En: The painting was a chaotic collection of color splotches, black and white, with a red circle in the center.Da: Mikkel skrabede sin hage og sagde alvorligt, "Det ser ud som en refleksion over menneskets indre kamp."En: Mikkel scratched his chin and said seriously, "It looks like a reflection on the inner struggle of humanity."Da: Astrid fnisede.En: Astrid giggled.Da: "Ikke alt behøver at være så tungt.En: "Not everything needs to be so heavy.Da: Måske er det bare en rød ballon, der svæver væk."En: Maybe it's just a red balloon floating away."Da: Mikkel rettede sin holdning, stadig smilende.En: Mikkel straightened his posture, still smiling.Da: "Men du ser, der er denne spænding.En: "But you see, there's this tension.Da: Rød er passionens farve, og de sorte pletter viser hindringer."En: Red is the color of passion, and the black spots show obstacles."Da: Astrid blinkede til ham.En: Astrid winked at him.Da: "Eller måske er det bare et køkkenræs efter ketchupflasken?"En: "Or maybe it's just a kitchen race for the ketchup bottle?"Da: Deres diskussion fangede hurtigt opmærksomheden fra de andre besøgende, der begyndte at cirkle omkring dem.En: Their discussion quickly caught the attention of the other visitors, who began to circle around them.Da: Nogle smilede, andre grinede, mens Mikkel og Astrid nu næsten skiftedes til at give de mest skøre tolkninger af maleriet.En: Some smiled, others laughed, as Mikkel and Astrid now almost took turns giving the wackiest interpretations of the painting.Da: "Måske er det et kort over en glemt by!"En: "Maybe it's a map of a forgotten city!"Da: proklamerede Mikkel dramatisk og pegede på cirklens midte.En: Mikkel proclaimed dramatically, pointing at the circle's center.Da: "Nej, nej," Astrid lo.En: "No, no," Astrid laughed.Da: "Det er helt sikkert et portræt.En: "It's definitely a portrait.Da: Se den røde næse.En: See the red nose?Da: Det er en klovn!"En: It's a clown!"Da: Publikum omkring dem begyndte at klappe og grine højlydt.En: The audience around them began to clap and laugh loudly.Da: Til sidst, midt i et af Astrids dramatiske udfald, brød Mikkel ud i latter.En: Eventually, in the midst of one of Astrid's dramatic outbursts, Mikkel burst into laughter.Da: Astrid sluttede sig hurtigt til, og de hulkede af grin.En: Astrid quickly joined in, and they were doubled over with laughter.Da: De tog en dyb indånding og kiggede hinanden i øjnene.En: They took a deep breath and looked each other in the eyes.Da: Mikkel tørrede en tåre væk fra sin kind.En: Mikkel wiped a tear away from his cheek.Da: "Okay, du har ret, måske skal jeg ikke altid tage det så seriøst.En: "Okay, you're right, maybe I shouldn't always take it so seriously.Da: Det er faktisk ret sjovt at se det fra din vinkel."En: It's actually quite fun to see it from your perspective."Da: Astrid klappede ham på ryggen.En: Astrid patted him on the back.Da: "Og det er godt at høre dine tanker.En: "And it's good to hear your thoughts.Da: Du ser mange ting, jeg ikke gør."En: You see many things I don't."Da: Mens de gik videre gennem museets haller, følte begge venner glæden ved deres venskab.En: As they continued through the museum's halls, both friends felt the joy of their friendship.Da: Noget som overgik ethvert mesterligt malet billede.En: Something that surpassed any masterfully painted picture.Da: Når alt kom til alt, fandt de kunstens sande skønhed i latter, venskab og den evige ret til at se verden på deres helt egen måde.En: After all, they found the true beauty of art in laughter, friendship, and the eternal right to see the world in their very own way. Vocabulary Words:chilly: køligcloak: kappeshadowy: skyggefuldepolished: poleredehall: halsymbolism: symbolikabstract: abstraktrestlessly: rastløstspark: sætte gang isplotch: pletposture: holdningtension: spændingobstacle: hindringproclaim: proklamereportrait: portrætaudience: publikumclown: klovnburst: brødlaughter: lattertear: tåreperspective: vinkelpat: klappesurpass: overgåmasterfully: mesterligteternal: eviggaze: betragtechaotic: kaotiskinterpretation: tolkninginspiration: inspirationforgotten: glemt

Fluent Fiction - Danish: Inspiration Awaits: Unblocking Creativity through Courage Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2026-01-10-08-38-19-da Story Transcript:Da: Søren gik gennem den stille gang i Louisiana Museum of Modern Art.En: Søren walked through the quiet hallway in Louisiana Museum of Modern Art.Da: Udenfor var vinteren i fuld gang.En: Outside, winter was in full swing.Da: Kulden kunne mærkes gennem de store glasvinduer, hvor snefnug lejlighedsvis dansede forbi.En: The cold could be felt through the large glass windows, where snowflakes occasionally danced past.Da: Søren var kommet til museet for at finde inspiration.En: Søren had come to the museum to find inspiration.Da: Kunstblokken havde plaget ham i måneder.En: The artistic block had plagued him for months.Da: Som han nærmede sig museumsbutikken, kunne han lugte duften af nye bøger og malermaterialer.En: As he approached the museum shop, he could smell the scent of new books and painting materials.Da: Butikken var fyldt med alle mulige kunstneriske skatte.En: The shop was filled with all sorts of artistic treasures.Da: Astrid, museumskuratoren, var der også.En: Astrid, the museum curator, was there too.Da: Hun var midt i en samtale med en anden besøgende, men hendes øjne fangede Søren.En: She was in the middle of a conversation with another visitor, but her eyes caught Søren's.Da: De nikkede til hinanden.En: They nodded at each other.Da: Søren begyndte at kigge på de farvestrålende maling og blyanter.En: Søren began to look at the colorful paints and pencils.Da: Noget fangede hans opmærksomhed – et sæt dyrt, men smukt, akrylmaling.En: Something caught his attention — a set of expensive but beautiful acrylic paints.Da: Han tøvede og tænkte på sine sparsomme midler.En: He hesitated, thinking of his limited funds.Da: Men noget i ham blev draget til netop dette sæt.En: But something in him was drawn to this very set.Da: Måske var det netop det, der kunne bryde hans blokade?En: Perhaps it was just what could break his block?Da: Imens havde Astrid noget andet på hjerte.En: Meanwhile, Astrid had something else on her mind.Da: I mange år havde hun kurateret udstillinger og talt om andres kunst.En: For many years, she had curated exhibitions and talked about others' art.Da: Hun længtes efter at skabe sin egen.En: She longed to create her own.Da: Hendes skitseblok, fyldt med hemmelige tegninger, brændte i tasken.En: Her sketchbook, filled with secret drawings, burned in her bag.Da: Hun tog mod til sig og gik over til Søren.En: She mustered her courage and walked over to Søren.Da: "Kan jeg vise dig noget?"En: "Can I show you something?"Da: spurgte hun forsigtigt.En: she asked cautiously.Da: Søren nikkede nysgerrigt.En: Søren nodded curiously.Da: Astrid åbnede sin skitseblok og afslørede en verden af linjer og former, som hun aldrig havde delt med nogen.En: Astrid opened her sketchbook and revealed a world of lines and shapes that she had never shared with anyone.Da: "De er smukke," sagde Søren oprigtigt.En: "They're beautiful," said Søren sincerely.Da: "Du burde male dem."En: "You should paint them."Da: Astrids hjerte bankede af lettelse.En: Astrid's heart pounded with relief.Da: Hun så på Søren, der holdt det dyre malersæt i hænderne.En: She looked at Søren, who was holding the expensive paint set in his hands.Da: "Du skal tage dem," sagde hun beslutsomt.En: "You should take them," she said decisively.Da: "Du vil ikke fortryde det."En: "You won't regret it."Da: De indså begge, at deres udfordringer i virkeligheden handlede om frygt — frygten for ikke at være god nok eller at fejle.En: They both realized that their challenges were really about fear — the fear of not being good enough or of failing.Da: Søren købte malingssættet.En: Søren bought the paint set.Da: Han vidste, at det at skabe var vigtigere end at skabe noget perfekt.En: He knew that creating was more important than creating something perfect.Da: Astrid følte sig inspireret af hans mod og besluttede at begynde at male sine egne værker.En: Astrid felt inspired by his courage and decided to start painting her own works.Da: Da de forlod museet sammen, kunne de begge mærke en ny kraft i deres skridt.En: As they left the museum together, they both felt a new strength in their steps.Da: Kulden var stadig skarp, men den føltes mindre truende.En: The cold was still sharp, but it felt less threatening.Da: Søren havde fornyet tro på sin kunst, og Astrid havde modet til at tage første skridt mod noget nyt.En: Søren had renewed faith in his art, and Astrid had the courage to take the first step toward something new.Da: De gik deres veje fyldt med inspiration og drømme om, hvad deres hænder ville skabe næste gang.En: They went their separate ways filled with inspiration and dreams of what their hands would create next. Vocabulary Words:hallway: ganginspiration: inspirationblock: blokadeplagued: plagetcurator: kuratoroccasionally: lejlighedsvishesitated: tøvedemustered: tog mod tilsketchbook: skitsebloklines: linjersincerely: oprigtigtdecisively: beslutsomtregret: fortrydestrength: kraftthreatening: truendecreate: skabeexhibitions: udstillingerdanced: dansedecourage: modlonged: længtesshared: deltfaith: trochallenges: udfordringerfear: frygtperfect: perfektsharp: skarprenewed: fornyettreasures: skattesnowflakes: snefnugburned: brændte

Fluent Fiction - Mandarin Chinese: Finding Harmony: Lian's Artistic Awakening Find the full episode transcript, vocabulary words, and more:fluentfiction.com/zh/episode/2026-01-10-08-38-20-zh Story Transcript:Zh: 冬天的上海艺术博物馆，门口挂着大红灯笼，迎接即将到来的春节。En: In the winter, the Shanghai Art Museum had large red lanterns hanging at the entrance to welcome the upcoming Spring Festival.Zh: 博物馆内，人来人往，大家都在欣赏展出的作品。En: Inside the museum, people came and went, all admiring the artworks on display.Zh: 冬日的阳光透过高大的窗户，柔和地洒在地板上。En: The winter sunlight softly spilled onto the floor through the tall windows.Zh: 连和嘉一同走进博物馆。En: Lian and Jia entered the museum together.Zh: 连是个充满激情的年轻艺术家，她希望在这里找到她下次展览的灵感。En: Lian was a passionate young artist hoping to find inspiration for her next exhibition.Zh: 她心里有些忐忑，因为距离展览的时间越来越近，而她还没有找到满意的主题。En: She felt somewhat anxious because the exhibition date was approaching, and she had not yet found a satisfying theme.Zh: 嘉在她身边，关心地说：“连，别太压力了，健康最重要。En: Jia, standing by her side, said with concern, "Lian, don't stress too much, health is the most important."Zh: ”连笑着安慰她的朋友：“没事的，我一定能找到灵感。En: Lian smiled and reassured her friend, "It's fine; I'll definitely find inspiration."Zh: ”博物馆的大厅里，现代与传统的艺术作品混合在一起，充满了视觉冲击。En: In the museum's hall, modern and traditional art pieces were mixed together, creating a powerful visual impact.Zh: 连认真地观察每一幅作品，她希望找到一个能将传统与现代完美结合的主题。En: Lian carefully observed each artwork, hoping to find a theme that could perfectly combine the traditional with the modern.Zh: 时间慢慢过去，连的头开始发痛。En: Time slowly passed, and Lian's head began to ache.Zh: 她知道自己有些疲惫，但她不愿意停下来。En: She knew she was somewhat fatigued but was unwilling to stop.Zh: 她心想：“再看一会儿，只要找到灵感就好。En: She thought to herself, "Just look a little longer, as long as I find inspiration."Zh: ”嘉注意到了连的不适，她轻声说：“休息一下吧，我们可以去喝杯茶。En: Jia noticed Lian's discomfort and softly said, "Take a break, we can go have a cup of tea."Zh: ”连摇头：“再等等，再看看。En: Lian shook her head, "Just a little longer, let's keep looking."Zh: ”就在这时，连走到一幅色彩鲜明的作品面前，那幅画仿佛触动了她的内心深处。En: At that moment, Lian came across a vividly colored piece of art that seemed to touch something deep within her.Zh: 她心跳加速，突然间，眼前一黑，身体变得轻飘飘的，然后重重地倒下。En: Her heart raced, and suddenly her vision went black as her body felt light, then she heavily collapsed.Zh: “连！En: "Lian!"Zh: ”嘉惊恐地叫道，引起了周围游客的注意。En: Jia cried out in terror, drawing the attention of nearby visitors.Zh: 博物馆的工作人员也赶了过来，大家一起把连扶到一旁坐下休息。En: The museum staff also rushed over, and together they helped Lian over to sit and rest.Zh: 连慢慢醒来，看到嘉焦急的脸，她感到一阵心疼和歉疚。En: Lian gradually woke up and saw Jia's anxious face, feeling a pang of heartache and guilt.Zh: “对不起，让你担心了，”连虚弱地说。En: "I'm sorry for worrying you," Lian said weakly.Zh: 嘉握住连的手：“没关系，但健康很重要。En: Jia held Lian's hand, "It's okay, but remember health is important.Zh: 我们可以慢慢来，灵感不会消失。En: We can take our time; inspiration won't disappear."Zh: ”在工作人员的帮助下，连终于恢复了些力气。En: With the help of the staff, Lian finally regained some strength.Zh: 经过这次经历，她意识到自己一直以来忽略了健康的重要性。En: Through this experience, she realized she had been neglecting the importance of health all along.Zh: 几天后，在嘉的陪伴下，连重新走进博物馆，但这次她不再心急。En: A few days later, accompanied by Jia, Lian re-entered the museum, but this time she was no longer in a rush.Zh: 她明白了，只有在平衡中，才能找到真正的创作灵感。En: She understood that only in balance could she find true creative inspiration.Zh: 连不再只为追求成功而忽视自己的身体，她决定聆听内心的声音，踏实地走每一步。En: No longer would Lian pursue success at the expense of her health; she decided to listen to her inner voice and take each step steadily.Zh: 她握着嘉的手，笑着说：“谢谢你，我学会了放慢脚步，下次的展览一定会更好。En: Holding Jia's hand, she said with a smile, "Thank you, I've learned to slow down, and the next exhibition will definitely be better."Zh: ”两人相视而笑，温暖的阳光洒在她们身上，就像新年的祝福，带来希望与平和。En: The two exchanged smiles, with warm sunlight bathing them, like a blessing for the New Year, bringing hope and peace. Vocabulary Words:lanterns: 灯笼entrance: 门口admiring: 欣赏exhibition: 展览inspiration: 灵感anxious: 忐忑satisfying: 满意concern: 关心reassured: 安慰obserbed: 观察combining: 结合headache: 头痛fatigued: 疲惫discomfort: 不适vision: 视线collapsed: 倒下terror: 惊恐anxious: 焦急heartache: 心疼guilt: 歉疚regained: 恢复neglecting: 忽略importance: 重要性balance: 平衡pursue: 追求expense: 代价steadily: 踏实地blessing: 祝福hope: 希望peace: 平和

In this episode of PhotoWork with Sasha Wolf, Alejandro Cartagena returns to discuss his mid-career solo exhibition Ground Rules at San Francisco Museum of Modern Art, along with the accompanying book published by Aperture. Alejandro and Sasha dig into how both the exhibition and the book came together, from concept to execution. He also reflects on the lasting impact of his seminal project Carpoolers, and how it shaped his thinking around photography, technology, and intent. The conversation expands to the broader cultural stakes of the medium, including Alejandro's recent investigations into AI-generated imagery. https://alejandrocartagena.com https://www.sfmoma.org/exhibition/alejandro-cartagena-ground-rules/ https://aperture.org/books/alejandro-cartagena-ground-rules/ Alejandro Cartagena, Mexican (b. 1977, Santo Domingo, Dominican Republic) lives and works in Monterrey, Mexico. His projects employ landscape and portraiture as a means to examine social, urban, and environmental issues. Cartagena's work has been exhibited internationally in more than 50 group and individual exhibitions in spaces including the Fondation Cartier pour l'art contemporain in Paris and the CCCB in Barcelona, and his work is in the collections of several museums including the San Francisco MOMA, The J. Paul Getty Museum, The Museum of Contemporary Photography in Chicago, The MFAH in Houston, the Portland Museum of Art, The West Collection, the Coppel collection, the FEMSA Collection, Museum of Fine Arts in Houston, the George Eastman House and the Santa Barbara Museum of Art and among others. Alejandro is a self publisher and co-editor and has created several award wining titles including Insurrection Nation, Studio Cartagena 2021, Santa Barbara Save US, Skinnerboox, 2020, A Small Guide to Homeownership, The Velvet Cell 2020, We Love Our Employees, Gato Negro 2019, Santa Barbara Shame on US, Skinnerboox, 2017, A Guide to Infrastructure and Corruption, The velvet Cell, 2017, Rivers of Power, Newwer, 2016, Santa Barbara return Jobs to US, Skinnerboox, 2016, Headshots, Self-published, 2015, Before the War, Self-published, 2015, Carpoolers, Self-published with support of FONCA Grant, 2014, Suburbia Mexicana, Daylight/ Photolucida 2010. Some of his books are in the Yale University Library, the Tate Britain, and the 10×10 Photobooks/MFH Houston book collections among others. Cartagena has received several awards including the international Photolucida Critical Mass Book Award, the Street Photography Award in London Photo Festival, the Lente Latino Award in Chile, the Premio IILA-FotoGrafia Award in Rome and the Salon de la Fotografia of Fototeca de Nuevo Leon in Mexico among others. He has been named an International Discoveries of the FotoFest festival, a FOAM magazine TALENT and an Emerging photographer of PDN magazine. He has also been a finalist for the Aperture Portfolio Award and has been nominated for the Santa Fe Photography Prize, the Prix Pictet Prize, the Photoespaña Descubrimientos Award and the FOAM Paul Huff Award. His work has been published internationally in magazines and newspapers such as Newsweek, Nowness, Domus, the Financial Times, The New York Times, Le Monde, Stern, PDN, The New Yorker, and Wallpaper, among others.

Please welcome to our show award-winning filmmaker, Ondi Timoner, who lost her home in Altadena when the Eaton fire tore through neighborhoods there last January, killing 19 people and leaving thousands of others without a home.This is a tight-knit, multi-generational community where kids played safely in the streets, residents organized block parties, and neighbors would meet at nearby coffee shops. But that's all gone now, up in flames in just one night, leaving residents to mourn not just homes, but their community, wondering if they'll ever be able to rebuild, siting little help from government officials and most insurance companies. So Ondi did what she does best, and produced the documentary, "All The Walls Came Down," a magnificent portrayal of the struggle, sadness, and reality of those who lost so much, including those residents who tragically lost family members. This is a stunning portrayal of a community left to fend for themselves, hanging on to hope while still looking for answers. Ondi graduated cum laude from Yale and is the founder of Interloper Films. In fact, two of her films were acquired by New York's Museum of Modern Art for its permanent collection. We will talk with Ondi about her outstanding career in the arts and what fuels her as a filmmaker, particularly this latest film, where she's part of the action. Please join me in welcoming Ondi Timoner to all video and audio platforms of #DeborahKobyltLIVE. I'm your host, #DeborahZaraKobylt, and it's my pleasure to welcome you here.

Fluent Fiction - Danish: When Art Vision Meets Practical Precision at Rundetårn Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2026-01-09-23-34-02-da Story Transcript:Da: Lars og Freja stod i Rundetårn, midt i en verden af historie og moderne kunst.En: Lars and Freja stood in the Rundetårn, in the middle of a world of history and modern art.Da: Vinteren havde krøbet ind over København, og den kolde luft skubbede sig ind gennem den åbne dør.En: Winter had crept over København, and the cold air pushed in through the open door.Da: Rundetårnets snoede gang var fyldt med forventning.En: Rundetårn's spiral corridor was filled with anticipation.Da: Vinduerne højt oppe lod et blødt, hvidt lys falde på den tomme mur, der snart skulle fyldes med Frejas kunst.En: The windows high above let a soft, white light fall on the empty wall that would soon be filled with Freja's art.Da: Lars var erfaren.En: Lars was experienced.Da: Han havde installeret mange udstillinger før.En: He had installed many exhibitions before.Da: Men denne gang var det anderledes.En: But this time was different.Da: Frejas værker krævede noget særligt.En: Freja's works required something special.Da: Noget som han ikke havde prøvet før.En: Something he had not tried before.Da: Freja, derimod, var fuld af energi og idéer.En: Freja, on the other hand, was full of energy and ideas.Da: Hendes hænder malede i luften, når hun forklarede sin vision.En: Her hands painted in the air as she explained her vision.Da: Men Lars mærkede tvivlen gnave.En: But Lars felt doubt gnawing at him.Da: Han havde en perfekt rekord.En: He had a perfect record.Da: Ingen fejl.En: No mistakes.Da: Han ønskede, at det skulle forblive sådan.En: He wanted it to stay that way.Da: Freja kiggede på Lars med et bestemt blik.En: Freja looked at Lars with a determined gaze.Da: "Lysene skal komme fra gulvet," sagde hun.En: "The lights need to come from the floor," she said.Da: Lars rynkede panden.En: Lars frowned.Da: "Det er upraktisk," svarede han.En: "That's impractical," he replied.Da: "Det kan være en fare, og hvad med skyggerne?"En: "It could be a hazard, and what about the shadows?"Da: Freja sukkede.En: Freja sighed.Da: Skiftende lys og skygger var hele ideen bag hendes koncept.En: Changing lights and shadows were the whole idea behind her concept.Da: Men hun vidste også, at Lars' erfaring var uvurderlig.En: But she also knew that Lars' experience was invaluable.Da: Deres meningsudveksling blev til en ophedet debat.En: Their exchange of opinions turned into a heated debate.Da: Stemmerne steg, og lyden af deres ord ekkoede mod de gamle mursten.En: Their voices rose, and the sound of their words echoed against the old bricks.Da: "Du forstår ikke," sagde Freja frustreret.En: "You don't understand," said Freja frustrated.Da: "Dette er ikke bare kunst for mig, det er mit liv."En: "This is not just art for me; it is my life."Da: Lars svarede med ro, men beslutsomhed: "Jeg forstår, men sikkerhed er også vigtig."En: Lars replied calmly but decisively: "I understand, but safety is also important."Da: Tiden gik, og bekymringen om den kommende åbning voksede.En: Time passed, and the concern about the upcoming opening grew.Da: Begge måtte tage en beslutning.En: Both had to make a decision.Da: Lars tænkte over, hvor meget han virkelig kunne lære fra Frejas nye perspektiv.En: Lars thought about how much he could really learn from Freja's new perspective.Da: Samtidig erkendte Freja, at lidt praktisk sans måske ikke ville skade.En: At the same time, Freja recognized that a bit of practical sense might not hurt.Da: Sammen vendte de tilbage til arbejdet.En: Together they returned to work.Da: Freja justerede lysets vinkel en smule.En: Freja adjusted the angle of the light slightly.Da: Lars tillod de gulvplacerede lys, men sørgede for ekstra forsikringer.En: Lars allowed the floor-placed lights but ensured extra precautions.Da: Timerne fløj, mens de arbejdede side om side.En: The hours flew by as they worked side by side.Da: Og da de endelig trådte tilbage for at se resultatet, mødte deres blikke et stykke magi.En: And when they finally stepped back to see the result, their eyes met a piece of magic.Da: Frejas kunstværker strålede i det særlige lys, hun ønskede, mens Lars' tekniske skarphed sørgede for, at alt forløb glat og sikkert.En: Freja's artworks shone in the special light she wanted, while Lars' technical sharpness ensured everything ran smoothly and safely.Da: Åbningsdagen kom, og besøgende trådte ind i Rundetårnets lyse korridorer.En: Opening day arrived, and visitors stepped into Rundetårn's bright corridors.Da: Deres åndedræt blev synligt i den kolde luft, men der var en varme i de beundrende blikke.En: Their breath became visible in the cold air, but there was warmth in their admiring gazes.Da: Lars smilte tilfreds, og Freja så sine værker få den opmærksomhed, hun så længe havde drømt om.En: Lars smiled with satisfaction, and Freja saw her works receive the attention she had long dreamed of.Da: Fra den erfaring lærte Lars vigtigheden af at være åben for nytænkning, mens Freja indså værdien af at tilpasse sig realiteternes betingelser.En: From that experience, Lars learned the importance of being open to new thinking, while Freja realized the value of adapting to the conditions of reality.Da: Sammen havde de skabt mere end bare en udstilling; de havde bygget en bro mellem kunstnerisk kreativitet og teknisk præcision.En: Together they had created more than just an exhibition; they had built a bridge between artistic creativity and technical precision. Vocabulary Words:crept: krøbetanticipation: forventningexperienced: erfarenhazard: faregnawing: gnavedetermined: bestemtimpractical: upraktiskconcept: konceptdebate: debatechoed: ekkoederecognized: erkendtegaze: blikdecisively: beslutsomhedprecautions: forsikringershone: stråledetechnical: tekniskesharpness: skarphedsatisfaction: tilfredsrealized: indsåadapting: tilpasseconditions: betingelsercorridors: korridoreradmiring: beundrendeperspective: perspektivpractical: praktiskconcern: bekymringensured: sørgedeexhibition: udstillingcrafted: skabtbridge: bro

Episode No. 740 features artist Firelei Báez and curators Charlene Foggie-Barnett and Dan Leers. The MCA Chicago is presenting "Firelei Báez," the first North American mid-career survey of the artist's paintings and installations. Báez's work often explores the legacies of colonialism across the American and the African diaspora, in the Caribbean, and beyond. Her works are often explosively colorful and use complex and layered materials, including archival material and paint, to unsettle fixed categories and historical events. The exhibition was curated by Eva Respini with Tessa Bachi Haas; the MCA Chicago presentation was organized by Carla Acevedo-Yates with Cecelia González Godino and Iris Colburn. It is on view through May 31. A catalogue was published by the Institute of Contemporary Art/Boston in association with DelMonico Books. It is available from Amazon and Bookshop for $36-56. Institutions that have previously presented major Báez exhibitions include the Louisiana Museum of Modern Art in Copenhagen, The Momentary in Bentonville, Ark., the Witte de With Center for Contemporary Art in Rotterdam, The Schomburg Center for Research in Black Culture and The Studio Museum in Harlem, and the Pérez Art Museum Miami. Foggie-Barnett and Leers are the co-curators of "Black Photojournalism" at the Carnegie Museum of Art in Pittsburgh. The exhibition presents work by nearly 60 photographers chronicling historic events and daily life in the United States between 1945 and 1984. The exhibition was designed by David Hartt. It is on view through January 19, before traveling to the Amon Carter Museum of American Art in Fort Worth. An excellent catalogue was published by the Carnegie. Amazon and Bookshop offer it for about $60. In addition to the video below, the CMOA has produced an outstanding podcast series to accompany the show. Instagram: Firelei Báez, Charlene Foggie-Barnett, Tyler Green.

A thousand facets sits with contemporary artist Karl Fritsch. Karl, creates playful and unconventional contemporary jewelry. He crosses the line with his mix materials to make us ask, what is truly precious.  On the premiere of season 4, I sit with Karl and we talk about his beginnings, how he came into the world of jewelry and how even a comment from his kids will inspire his work.  About: Karl Fritsch has gained international recognition for his ever developing body of work, which has focussed almost solely on rings. Fritsch's jewellery is unmistakable. His works vary from hand-moulded one-off castings, to re-cast, contrastingly daintier jewel-embedded rings, to towering stacks of cut and colourful glass. His ability to continually create new rings is vast and varied. Combining traditional techniques, playing on jewellery history, he has developed has own personal language. He is capable of applying both careful and quick consideration to the materials and objects he works with, and employs precious and base metals, facetted and found stones in his work with egalitarian abandon, turning the most ordinary into the extraordinary. “Of course the ring wants to be beautiful. The technique also wants to be beautiful, and most often it's the idea that wants to be the most beautiful. But sometimes a ring likes nothing better than to sit in the mud and not give a damn about how it looks. If it's exactly what it wants to be in a given moment, it is precise, perfect and the most beautiful”. Karl Fritsch Born in Germany in 1962, Karl Fritsch was classically trained at the Goldsmith's College in Pforzheim, and then attended the Academy of Fine Arts in Munich. He has exhibited extensively, presented guest lectures around the world and his work is held in private and public collections internationally, including the Stedelijk Museum in Amsterdam, The Pinakothek of Modern Art in Munich, the Metropolitan Museum in New York and the Museum of New Zealand Te Papa Tongarewa. He has been the recipient of a number of awards including the Herbert Hoffman Prize from the International Craftsmen Trade Fair in Munich and the prestigious jury-selected Francoise van den Bosch Award (2006), given every 2 years to an international jewellery and object maker who is recognised for his/ her oeuvre, influence and contribution to the field. You can follow Karl on Instagram @karlfritschrings or his website https://www.karl-fritsch.com/ Please visit @athousandfacets on Instagram to see some of the work discussed in this episode. Music by @chris_keys__ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Charlotte's arts scene continues to thrive, thanks to institutions that make creativity accessible and inspiring for everyone. At the heart of that movement stands the Bechtler Museum of Modern Art — a cultural landmark known for its stunning architecture, world-class collection, and inclusive approach to modern art. Since opening in 2010, the museum has become a hub for connection, conversation, and creative exploration for visitors from every walk of life. Our guest today, Todd Smith, is the Executive Director of the Bechtler Museum of Modern Art. With decades of experience leading museums across the country, Todd is passionate about making modern art meaningful and relevant to today's audiences. Under his leadership, the Bechtler continues to expand its community reach — through innovative programs like Wednesday Night Live, Jazz at the Bechtler, and Music & Museum — all of which invite visitors to experience art in new and unexpected ways. Todd, welcome to The BrandBuilders Podcast.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Happy New Year! Cheers to a great 2026! In today's Episode, we continue our Winter Hiatus with a Replay of EP27 from June of 2024, with Illustrator Tucker Nichols... Emily chats with NorCal based artist Tucker Nichols as he shares stories about his spontaneous move to Taiwan, where he immersed himself in a vibrant artistic community. He discusses his extensive body of work, including children's books and the initiative 'Flowers for Sick People.' He reflects on his background, including his mother's influence and his intense study of East Asian art. Tucker's journey includes struggling with Crohn's disease and a career shift to become a full-time artist, supported by his wife. He talks about influential works and places, emphasizing his lifelong passion for art. The podcast concludes with three thought-provoking questions Emily asks every guest.Stay tuned as we return in 2 weeks with a brand new Episode with featuring a new batch of Awesome Artists! About Artist  Tucker Nichols:Tucker Nichols is an artist based in Northern California. His work has been featured at the Drawing Center in New York, the San Francisco Museum of Modern Art, the Denver Art Museum, Den Frie Museum in Copenhagen, and the Asian Art Museum in San Francisco. A show of his sculpture, Almost Everything On The Table, was recently on view at the Aldrich Contemporary Art Museum. He is currently an Artist Trustee at SFMOMA.His drawings have been published in The New Yorker, The New York Review of Books, McSweeney's, The Thing Quarterly, and the Op-Ed pages of The New York Times. He is co-author of the books, Crabtree (with Jon Nichols) and This Bridge Will Not Be Gray (with Dave Eggers). Flowers for Things I Don't Know How to Say  was released in March 2024. Flowers for Sick People, his ongoing multimedia project, can be viewed here.Visit Tucker's Website:  TuckerNichols.comFollow Tucker  on Instagram:  @TuckerNichols--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode we are thrilled to be joined by the artist Martine Gutierrez. Martine is a transdisciplinary artist whose work uses photography, video, and performance to examine how identity is constructed and portrayed. Her projects range from billboards and music videos to her celebrated magazine Indigenous Woman, where she takes on every role — artist, subject, and producer — to challenge pop-culture tropes around gender, beauty, and representation.Her work has been shown internationally, including at the 58th Venice Biennale and in exhibitions at the Museum of Modern Art, the Whitney Museum of American Art, LACMA, Crystal Bridges, the Pérez Art Museum, and the Smithsonian American Art Museum. Her work is also held in major collections including MoMA, the Whitney, the Guggenheim, SFMOMA, LACMA, Crystal Bridges, the National Gallery of Art, and the Smithsonian American Art Museum. Martine will be in the 2026 Whitney Biennial.Martine received her BFA from the Rhode Island School of Design and lives and works in New York.Martine is represented by Fraenkel Gallery and Ryan Lee Galleryhttps://fraenkelgallery.com/artists/martine-gutierrez https://ryanleegallery.com/artists/martine-gutierrez/Some artists discussed in this episode:Yoko OnoMarina AbramovićFollow along on Instagram at @artfromtheoutsidepodcasthttps://www.instagram.com/artfromtheoutsidepodcast

Pusch Ridge Christian Academy (AZ) Director of Percussion Activities and Tuscon-based Freelancer Liz Soflin stops by to talk about her PASIC50 performance of Stuart Saunders Smith's “By Language Embellished, I…” (04:30), her career in Arizona and more about her freelancing and college teaching (15:30), growing up in Michigan, her beginnings in percussion, and getting involved and drama club and acting (26:35), her undergrad years at the University of Central Michigan and learning from Andrew Spencer (37:00), her masters years at UT-Knoxville and learning from a variety of teachers (46:40), going to the University of Arizona for her doctorate, learning from Norman Weinberg, and establishing her connections with Stuart Saunders Smith (55:40), and finishes with the Random Ass Questions, including segments about being a woman in the percussion field, the Tuscon Saguaros, the movies Jaws and Cats, a lot of great books, midwestern food, being a Karaoke DJ, and the Museum of Modern Art in NYC (01:10:40).Finishing with a Rave on Lenny Wilkens' 2000 book Unguarded: My Forty Years Surviving in the N.B.A. (01:40:40).Liz Soflin Links:Liz Soflin's Black Swamp Percussion pageLiz Soflin's Instagram pagePrevious Podcast Guests mentioned:Nathan Daughtrey in 2021Andy Bliss in 2023Norman Weinberg in 2017Ivan Trevino in 2022Other Links:Stuart Saunders SmithLolita - Vladimir Nabokov“Peeping Tom” - Dan SennSierra Vista SymphonyThe Curious Savage - John PatrickLady Windermere's Fan - Oscar WildeAndrew SpencerDavid GillinghamDave Hollinden“Limerick Daydreams” - Nathan Daughtrey“Chameleon Music” - Dan Welcher“Crown of Thorns” - David Maslanka“Niagara Falls” - Michael DaughertyNief-NorfJohn MackeyMorris PalterMatthew BurtnerThreads - Paul Lansky“Bloom” - Ivan Trevino“Songs I-IX” - Stuard Saunders SmithCall the Midwife trailer“Three Winter Carols” - Stuart Saunders Smith“The Authors” - Stuart Saunders Smith“To the Earth” - Frederick RzewskiTucson SaguarosJaws (50th Anniversary) trailerThe Stand - Stephen KingThe Running Man - Stephen KingThe Running Man (1987) trailerCreativity Inc. - Ed CatmullThe Great Gatsby - F. Scott FitzgeraldThe Outsiders - S.E. HintonBig Magic - Elizabeth GilbertWriting Poetry from the Inside Out - Sandford LyneOn Writing - Stephen King“Separate Ways” - Journey“Me and Bobby McGee” - Janis JoplinEugene NovotneyThe Museum of Modern Art (NYC)“The Starry Night” - Vincent van GoghRaves:Unguarded - Lenny Wilkens (with Terry Pluto)

The Snobs discuss their brushes with famous celebrities Harrison Ford, George Bush, Rosie O'Donnell and Harvey Fierstein!! When, how? Let's find out.  Then they remember they are a board game podcast and discuss Treasure Island and Modern Art.  Also discussed, Long John Silver's food, people that preface their statements and the game Keep Talking and Nobody Explodes.  Also they introduce their friend John.  Enjoy!

In this episode, Pauline sits down with Paola Antonelli, the visionary Senior Curator of Architecture & Design and founding Director of Research & Development at the Museum of Modern Art, whose career has been dedicated to helping people see the extraordinary in the ordinary.Antonelli challenges the idea that great design is about perfection. Instead, she argues, it's about intention: function with a point of view. From jolie-laide objects we can't stop staring at (yes, the Cybertruck) to the lasting joy of a Vespa, she argues that the opposite of beauty isn't ugliness; it's indifference.Together, Pauline and Paola explore secondhand fashion, the sensory limits of “pixel taste,” and why social media demands a stronger critical spine. A playful “design redemption” lightning round reveals the hidden genius of everyday objects—from shopping carts to traffic dividers—before closing with a provocative look at what meaningful design will become by the year 2050.Curious to understand the difference between art and design - and why it matters? Tune in for this masterclass in Aesthetic Intelligence.

Episode No. 737 features curators Beverly Adams and Jamillah James. With Christophe Cherix, Adams is the co-curator of "Wilfredo Lam: When I Don't Sleep, I Dream" at the Museum of Modern Art, New York. The exhibition includes more than 130 works made between the 1920s and 1970s, making it the most extensive Lam retrospective presented in the United States. "When I Don't Sleep, I Dream" argues that Lam, a Cuban-born artist who spent much of his life in Spain, France, and Italy, was a prototypical transnational artist. It is on view in New York through April 11, 2026. The exhibition catalogue was published by MoMA; Amazon and Bookshop offer it for $60-70. Jamillah James has organized the presentation of "Yoko Ono: Music of the Mind" at the Museum of Contemporary Art Chicago. The exhibition is one of the most comprehensive presentations to date of the pioneering Fluxus artist, musician, and world peace activist. "Music of the Mind" includes over 200 works across a vast array of media, including performance footage, music and sound recording, film, photography, installation, and more. It is on view at the MCA through February 22, 2026. An exhibition catalogue was published in North America by Yale University Press. Amazon and Bookshop offer it for $38-47. Air date: December 18, 2025.

Episode 506 / Ragnar Kjartansson Ragnar Kjartansson is an artist who lives and works in Reykjavik. He engages multiple artistic mediums in his performative practice. The history of film, music, theatre, visual culture and literature find their way into his video installations, durational performances, drawing and painting. Pretending and staging are key tools in Kjartansson's efforts to convey sincere emotion and offer genuine experiences to audiences. Kjartansson's work has been exhibited widely, including solo exhibitions and performances at the Louisiana Museum of Modern Art, Kunstmuseum Stuttgart, Metropolitan Museum of Art, Barbican Centre, Hirshhorn Museum and Sculpture Garden, Reykjavik Art Museum, Palais de Tokyo, and New Museum. 

Olafur Eliasson talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Eliasson was born in 1967 in Copenhagen and grew up between Denmark and Iceland, where his parents were from. His installations, sculptures, photographs and paintings, among other projects, reflect a profound concern with human presence in nature and how we perceive and interact with the world around us. His works can be deceptively simple or enormously complex, but often share a rigorous and reductive geometry, which may conversely produce expansive and multifarious perceptual, sensory and embodied effects. Eliasson has stated that “the spectator is the central issue”, a long-established aspect of conceptual and environmental practices, but for him it is important that the viewer not only completes the work, but is also transformed by it. This subjective and individual revelation is, he hopes, allied to a sense of collective experience, what he calls a “we-ness”, that often alerts his audience to wider cultural and social issues including the climate catastrophe. Indeed, environment, in multiple senses, is the fundamental element of his work.He discusses his deep concern about the climate catastrophe and the importance of action. He reflects on his concept of “seeing yourself sensing” and its shifting nature in relation to different works across his career, and how he often includes the word “your” in his titles as a gesture of trust towards his audience. He discusses the wealth of writers and thinkers that inform his work on a daily basis, from Donna Haraway to Alva Noë. He recalls the epiphany of experiencing a work by James Turrell and his fascination with early Renaissance conceptions of space. He reflects on his early fascination with breakdance and his current enjoyment of music by Hilda Gunnarsdóttir and Rosalía. Plus, he gives insight into life in his vast studio in Berlin, and answers our usual questions, including the ultimate: what is art for?Olafur Eliasson: Presence, Queensland Gallery of Modern Art, Brisbane, Australia, until 12 July 2026; Olafur Eliasson: Your curious journey, Museum MACAN, Jakarta, Indonesia, 12 April 2026, Your view matter by Olafur Eliasson, Padimai Art & Tech Studio, Tanjong Pagar Distripark, Singapore, 31 March 2026; and Olafur's first permanent public work in the UK, Your planetary assembly, 2025, is on view at Oxford North, Oxford, UK now. Hosted on Acast. See acast.com/privacy for more information.

Artspeak Radio, Wednesday, December 17, 2025, 9am -10am CST, 90.1fm KKFI Kansas City Community Radio, streaming live audio www.kkfi.org Producer/host Maria Vasquez Boyd welcomes Jenny Mendez and Betsabeé Romero. JENNY MENDEZ, Cultural Arts Director Mattie Rhodes Arts Center and Gallery was born and raised in Kansas City, Missouri. Growing up in a neighborhood filled with family and friends on Kansas City's West Side. As a young girl Jenny enjoyed hearing stories from her grandmother, these stories were such an inspiration to Jenny in her love of her culture and heritage. Jenny attended the Kansas City Art Institute majoring in painting, she also studied both printmaking and photography. She was involved in community mural projects as a high school student and into college. She has always given back to her community. She has been employed with the Mattie Rhodes Center for the past twenty- five years and is responsible for all arts programming for the agency as the Cultural Arts Director. Through her work she is able to educate the community on the Latino culture through art. Being able to inspire children through art is what she is most passionate about – giving children and young artists a place to learn, create, express themselves, imagine, and grow in the arts. She has served and participated on many boards and committees through the years advocating for the arts and community. Her most valued appointment was to the board of the National Association of Latino Arts and Culture (NALAC). Most recently in March of 2020 as part of Women's History Month she was awarded the Nuestra Latina Award for the Arts by the Hispanic Chamber of Commerce. Her work in the community is valued and shows her commitment to being a voice for the Latinx artists, students and individuals. Showing her expertise in the creative process and authenticity to arts and culture through her work and partnerships with the Kansas City Museum and the Nelson Atkins Museum of Art. She is very committed to continue to be a voice for the Latinx and arts communities at large. Mattie Rhodes Art and Cultural Center is located at 1701 Jarboe, KCMO www.mattierhodes.org BETSABEÉ ROMERO- Knitting Ties, Project Description: The installation features the creation of two sculptural soccer goals with nets crafted from metal lattices. These lattices will showcase characters that represent both soccer and the pre-Hispanic ball game, creating a bridge between contemporary sports and ancient cultural traditions. The metallic lattices will be interwoven with threads of various fibers, with the characters cut along the length and width of each goal's net. All elements will be handcrafted by migrants and local artisans, emphasizing community collaboration and cultural exchange. Elements of the Sculptural Objective: Metallic Lattices-metal cutouts are interconnected in a lattice configuration, forming modular structures that provide a sculptural foundation for artistic interventions. Community Networks-Fabrics crafted by volunteers and artisans interweave with lattices, forming distinctive patterns that narrate the stories of their communities. Athletic Emblems-Symbolic figures associated with soccer are integrated into the sculptural design, linking artistic expression with the passion for football. Betsabeé Romero; Education: Bachelor's Degree in Communication with a specialization in Participatory Communication, Universidad Iberoamericana (1984) Master's Degree in Visual Arts, Universidad Nacional Autónoma de México (1986) Diploma from l'École Supérieure des Beaux-Arts (1989) Art History Studies at l'École du Louvre (1988-1989) Doctoral studies in Art History, Universidad Nacional Autónoma de México, no degree completed (1990-1993) Exhibitions: Romero has held over 100 solo exhibitions across five continents, with notable shows at the British Museum (2015), Grand Palais (2019), Royal Botanic Gardens Kew (2022), York Avenue in Washington (2018), Place Vieille Bourse in Lille, France (2019), Nevada Museum of Art (2014), Neuberger Museum (2011), Nelson-Atkins Museum of Art (2012), Canberra University Museum (2002), La Recoleta, Buenos Aires (2019), Mexico Pavilion at Expo Dubai 2020 (2021), and Place du Louvre (2021). In 2024, her exhibition "Huellas para Recordar" featured five monumental sculptures on Park Avenue (81st, 82nd, and 83rd Streets) by invitation of NYC Parks & Recreation. Also in 2024, "The Endless Spiral" was featured at the Venice Biennale Official Collateral Event at Galeria Belacqua LaMassa, St. Mark's Square, by invitation of MOLAA. In Mexico, highlights include the Mega Ofrenda at Mexico City's Zócalo (2016), Museo Frida Kahlo (2019, 2013), Museo Anahuacalli (2015), Antiguo Colegio de San Ildefonso (2014), Museo Amparo, Puebla (2008), MARCO, Monterrey (2009), and Museo Carrillo Gil (1999). Collections: Her work is part of major collections including the British Museum, Museum of Contemporary Art Houston, Phoenix Art Museum, Musée des Beaux-Arts de Montréal, Daros Collection (Switzerland), Nelson-Atkins Museum, Nevada Museum of Art, World Bank Collection, LACMA California, FEMSA, Irish Museum of Modern Art, El Museo del Barrio, Museo de Arte Moderno de México, MUAC, and Michigan State University. Biennials: Monterrey Biennial, Tamayo Biennial, inSite (Tijuana-San Diego), La Courneuve Biennial, Puerto Rico Graphics Triennial, Polygráfica Philadelphia, Ljubljana Graphics Biennial, Havana Biennial, Porto Alegre Biennial, Cairo Biennial, Sur Buenos Aires Biennial, Bogotá, and United Arab Emirates. Official selection for collateral projects at the 2024 Venice Biennale with the solo exhibition "Endless Spiral" with MOLAA Museum at the Bellaacqua La Massa Foundation in St. Mark's Square. Awards: Prix Oric'Art, Neuilly-sur-Seine, France, 1988 Grand Acquisition Prize in Installation, Second Monterrey Biennial, Museo de Monterrey, Nuevo León, Mexico, 1994 First Prize, Cairo Biennial, 2006 Millésimé Prize in Visual Arts, 2018 Chevalier des Arts et des Lettres, France, 2020 First Prize in Pavilion Design

Episode No. 736 features artist Dyani White Hawk. The Walker Art Center in Minneapolis is presenting "Dyani White Hawk: Love Language," a 15-year survey of White Hawk's career. The exhibition spotlights how White Hawk (Sičáŋǧu Lakota) has foregrounded Lakota forms and motifs to challenge prevailing histories and practices around abstract art. The exhibition was curated by Siri Engberg and Tarah Hogue with Brandon Eng. The Walker has published an excellent catalogue; Amazon and Bookshop offer it for around $50. After closing at the Walker on February 15, "Love Language" will travel to the Remai Modern in Saskatoon, Saskatchewan. White Hawk's work is in the collection of institutions such as the Walker, the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington; the Museum of Modern Art, New York; and the Whitney Museum of American Art, New York. White Hawk was previously a guest on Episode No. 610 of The MAN Podcast. Instagram: Dyani White Hawk, Tyler Green. Air date: December 11, 2025.

Send us a textIn this episode of Artwank, we visit Bundanon to discuss the current exhibition, 'The Hidden Line The Art of the Boyd Women', with curator Sophie O'Brien. The exhibition brings attention to the women of the Boyd family (Arthur Boyd was a celebrated Australian artist, leaving his home, the Bundanon estate, to support the arts) and their role in Australian art and cultural life. While the Boyd name is often associated with male artists, this show focuses on the work, lives and influence of the women who shaped the legacy in ways that have often been overlooked.Sophie O'Brien joins us to talk through the curatorial process behind the exhibition. She reflects on how the project developed, how works and archival materials were selected, and the challenges of representing multiple generations of women across different creative practices. The conversation explores what it means to reframe established art histories and how institutions like Bundanon can open space for stories that have not always been centred.Sophie O'Brien is a curator at Bundanon where she works across exhibitions, collections and research. She has held roles at major public institutions and has worked on a wide range of projects spanning historical and contemporary art. Her practice is grounded in close engagement with artists, archives and place, with a focus on bringing new perspectives to existing collections.This episode looks at the labour of curating, the gaps that still exist in art history and how exhibitions like The Boyd Women can shift public understanding of legacy, authorship and recognition. It is a conversation about process, responsibility and the ongoing work of making space for women within cultural narratives.Thanks for chatting to us SophieRecorded November 2025Exhibition on until 15th February 2026'The Hidden Line: Art of the Boyd Women repositions the creative practices of five generations of women from one of Australia's most prominent artistic dynasties. Showcasing more than 300 powerful and diverse works, this timely exhibition brings into focus the women of the Boyd family – artists, designers, writers, and creative collaborators – whose contributions have long been influential yet overshadowed by their celebrated male counterparts.Revealing a remarkable matrilineal line of artistic practices, the exhibition will present works by Emma Minnie a'Beckett Boyd, Lady Mary Nolan, Yvonne Boyd, Lucy Boyd Beck, Hermia Boyd and their descendents still practicing today including Lucy Boyd, Polly Boyd, Florence Boyd Williams and Ellen Boyd Green. Drawn largely from the Bundanon Collection, with key loans from the National Gallery of Australia, the National Gallery of Victoria, the National Library, and Heide Museum of Modern Art, the exhibi

Steven Peltzman is the CEO of FeedbackNow, a company that provides real-time customer experience monitoring solutions using physical sensors and digital platforms for spaces like airports, hospitals, and retail locations. Under Steven's leadership, FeedbackNow has deployed its technology in major US airports and leading healthcare facilities, helping organizations move from traditional surveys to actionable, real-time feedback, with proven impact on both customer satisfaction and operational efficiency. Steven's diverse career spans roles as an Air Force officer in stealth technology, CTO at the Museum of Modern Art, and Chief Business Technology Officer at Forrester Research. In this episode… Real-time customer feedback has become one of those ideas that everyone claims to value, yet few organizations truly know how to use. It's easy to gather opinions after the fact, but far harder to understand what's really happening while an experience is unfolding. What if companies could see issues the moment they emerge and fix them before customers even complain? According to Steven Peltzman, a longtime leader in technology-driven customer experience innovation, the answer starts with capturing what people feel in the exact moment they feel it. Drawing from his experience building systems that merge digital intelligence with physical-world interactions, Steven explains that real-time signals reveal patterns surveys will never catch. He shares how airports, hospitals, and convenience stores are transforming operations by reacting instantly to sentiment shifts and predicting problems before they escalate. And with multiple data streams working together, he believes companies can finally bridge the gap between insight and action. In this episode of the Revenue Engine Podcast, host Alex Gluz is joined by Steven Peltzman, CEO of FeedbackNow, to discuss how real-time customer feedback is reshaping operations. They explore how sensor-driven insights outperform traditional surveys, how organizations can react and predict issues in the moment, and why certain industries are primed for transformation. Steven also shares how tying feedback to outcomes like revenue unlocks true operational change.

In this conversation, host David Bryan speaks with Dr. Tracie Canada about her recent book, which explores the intersection of race, gender, and college football. They discuss the unique experiences of Black college football players, the implications of a Black feminist perspective, and the importance of community and care among players. The conversation highlights the exploitation faced by student-athletes and the broader societal issues impacting their lives. Canada discusses the intricate dynamics of college athletics, focusing on the bonds formed among players, the challenges they face in balancing education and sports, and the systemic issues within the NCAA. She emphasizes the importance of brotherhood among athletes, the complexities of their educational experiences, and potential solutions to improve their circumstances, including unionization and cost-sharing. The conversation also critiques the term 'student-athlete' and advocates for a more honest representation of their roles within the collegiate sports system. Big-time college football promises prestige, drama, media attention, and money. Yet most athletes in this unpaid, amateur system encounter a different reality, facing dangerous injuries, few pro-career opportunities, a free but devalued college education, and future financial instability. In one of the first ethnographies about Black college football players, anthropologist Tracie Canada reveals the ways young athletes strategically resist the exploitative systems that structure their everyday lives.Tackling the Everyday shows how college football particularly harms the young Black men who are overrepresented on gridirons across the country. Although coaches and universities constantly invoke the misleading "football family" narrative, this book describes how a brotherhood among Black players operates alongside their caring mothers, who support them on and off the field. With a Black feminist approach—one that highlights often-overlooked voices—Canada exposes how race, gender, kinship, and care shape the lives of the young athletes who shoulder America's favorite gameDr. Tracie Canada is a socio-cultural anthropologist whose ethnographic research uses sport to theorize race, kinship and care, gender, and the performing body. Her work focuses on the lived experiences of Black football players. Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology & Gender, Sexuality, and Feminist Studies at Duke University. I'm also the founder and director of the Health, Ethnography, and Race through Sports (HEARTS) Lab.Her research has been supported by various agencies, including the Mellon Mays Undergraduate Fellowship, the National Science Foundation, the Wenner-Gren Foundation for Anthropological Research, the National Collegiate Athletic Association, and the Knight Commission on Intercollegiate Athletics.In addition to her academic writing, her work has been featured in public venues and outlets like The Museum of Modern Art, TIME, The Guardian, and Scientific American.

In this episode of PhotoWork with Sasha Wolf, artist, photographer, and filmmaker Tyler Mitchell joins Sasha to discuss his Aperture book, Wish This Was Real. Tyler speaks candidly about learning by doing, the value of taking risks, and the creative rewards that follow. He and Sasha also explore the central role of collaboration in his practice, particularly how that ethos shapes his approach to building tableaux. https://www.tylermitchell.co https://www.tylermitchell.co/books/wish-this-was-real-book Tyler Mitchell (b. 1995, Atlanta, GA) is an artist, photographer, and filmmaker based in Brooklyn. He received a BFA in Film and Television from New York University's Tisch School of the Arts in 2017. Mitchell's work reimagines narratives of Black beauty and desire, embracing history while envisioning fictionalized moments of an aspirational future. His photographs and films present Black life through themes of play, empowerment, and self-determination. Mitchell's work is held in numerous public and private collections, including the Museum of Modern Art, New York; High Museum of Art, Atlanta; Brooklyn Museum; Los Angeles County Museum of Art (LACMA); Museum of Fine Arts, Boston; Smithsonian's National Portrait Gallery, Washington, D.C.; and FOAM Fotografiemuseum, Amsterdam, among others. He has presented exhibitions internationally, including The New Black Vanguard (Aperture Gallery, New York); I Can Make You Feel Good (FOAM, Amsterdam; ICP, New York); Chrysalis (Gagosian, London); Domestic Imaginaries (SCAD Museum of Art, Savannah); and Idyllic Space (High Museum of Art, Atlanta). His European touring exhibition, Wish This Was Real (C/O Berlin, 2024), brought together a decade of work exploring Black beauty, leisure, and imagination, traveling to Helsinki, Lausanne, and concluding at the Maison Européenne de la Photographie, Paris (2025–26). Mitchell's photography has appeared in Aperture, Dazed, i-D, Vogue, Vanity Fair, WSJ, and Zeit Magazin, alongside collaborations with Gucci, Loewe, Ferragamo, and JW Anderson.

Episode 503 / Ruby Sky StilerRuby Sky Stiler is an artist born in Maine and based in Brooklyn. She has been the subject multiple solo presentations, including New Patterns, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY (2022); Group Relief, Fairfield University Art Museum, CT (2020); Fresco, Saint-Gaudens Memorial Park, Cornish, NH (2019); Ghost Versions, The Aldrich Contemporary Art Museum, Ridgefield, CT (2015); and Inherited and Borrowed Types, Portland Institute for Contemporary Art, OR (2010), among others. Her work has been included in numerous group exhibitions including Friends & Lovers, FLAG Art Foundation, New York, NY (2023); No Forms, Hill Art Foundation, New York, NY (2022); Classic Beauty: 21st-Century Artists on Ancient [Greek] Form, Providence College Galleries, RI (2018); The Times, FLAG Art Foundation, NY (2017); We Are What We Hide, Institute of Contemporary Art, Maine College of Art & Design, Portland, ME (2013); and the Socrates Sculpture Park Emerging Artist Fellowship Exhibition, Socrates Sculpture Park, Queens, NY (2010), among others. Her work is in the collections of Fairfield University Art Museum, CT; Farnsworth Art Museum, Rockland, ME; The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY; The Museum of Modern Art, New York, NY; and Rhode Island School of Design Museum, Providence, RI.

Amani Willett is a Boston-based photographer whose practice is driven by conceptual ideas surrounding family, history, memory, and the social environment. Working primarily with the book form, his three monographs have been published to widespread critical acclaim. Disquiet (Damiani, 2013), The Disappearance of Joseph Plummer (Overlapse, 2017) and “A Parallel Road (Overlapse 2020)” were selected by Photo-Eye as “best books” of the year and have been highlighted in over 70 publications including ​Photograph Magazine, PDN,​ ​Hyperallergic, Lensculture, New York Magazine, The New York Times, 1000 Words, NPR, The British Journal of Photography, Collector Daily and Buzzfeed and recommended by ​Todd Hido,​ ​Elisabeth Biondi (former Visuals Editor of The New Yorker), Vince Aletti and Joerg Colberg (Conscientious), among others. https://www.amaniwillett.com/invisiblesunbook https://www.instagram.com/amaniwillett/ INVISIBLE SUN is a visual meditation on survival, transformation, and fragility by artist Amani Willett. The project traces the impact of childhood medical traumas and the ways they continue to reverberate through the present. Slideshow from book: https://youtu.be/dl5-nDcpfoc Confronting these early challenges amid new chronic health challenges, Willett turned to intensive therapies. Within this process he encountered vivid, unsettling memories, often of his younger self, that became a generative source for the work. This podcast is sponsored by the Charcoal Book ClubBegin Building your dream photobook library today athttps://charcoalbookclub.com Amani's photographs are also featured in the books​ American Geography (SF Moma/Radius Books, 2021), Bystander: A History of Street Photography (2017 edition, Laurence King Publishing), ​Street Photography Now​ (Thames and Hudson), ​New York: In Color​ (Abrams), and have been published widely in places including The Atlantic, A​merican Photography,​ Newsweek​,​ Harper's,​ ​The Huffington Post, The New York Times, The New York Times Magazine and The New York Review of Books​.​ His work resides in the collections of the Tate Modern, The Library of the Museum of Modern Art, The Museum of Fine Arts, Boston, The Sir Elton John Photography Collection, The Museum of Fine Arts, Houston, Oxford University, and Harvard University, among others.

Artist Helen Frankenthaler was always innovating. A new exhibition at the Museum of Modern Art explores her experimentation with paint over the decades of her career, beginning in New York and later in Darien, where she spent much of her life. Samantha Friedman, curator in the Department of Drawings and Prints, discusses 'Helen Frankenthaler: A Grand Sweep,' on view through February 8.

— Sanctum Sanctorum: a sacred room or inner chamber; a place of inviolable privacyDiane Arbus: Sanctum Sanctorum, an exhibition of forty-five photographs made in private places across New York, New Jersey, California, and London between 1961 and 1971, is on view at David Zwirner, London, from 6 November to 20 December 2025, and travels to Fraenkel Gallery, San Francisco in spring 2026. The exhibition will be accompanied by a comprehensive monograph reproducing all works in the exhibition, jointly published by both galleries.Through her singular combination of intelligence, charisma, intuition, and courage, Diane Arbus was frequently invited into homes and other private realms seldom seen by strangers. Though made in intimate settings, her photographs evidence no sense of intrusion or trespass. Instead, they reveal an unspoken exchange between photographer and subject, a moment of recognition in which confidences emerge freely and without judgment.Arbus's desire to know people embraced a vast spectrum of humanity. Her subjects in Sanctum Sanctorum include debutantes, nudists, celebrities, aspiring celebrities, socialites, transvestites, babies, widows, circus performers, lovers, female impersonators, and a blind couple in their bedroom.The exhibition brings together little-known works, such as Girl sitting in bed with her boyfriend, N.Y.C. 1966; Ozzie and Harriet Nelson on their bed, Los Angeles 1970; and Interior decorator at the nudist camp in his trailer, New Jersey 1963, alongside celebrated images like Mexican dwarf in his hotel room, N.Y.C. 1970 and A naked man being a woman, N.Y.C. 1968. While many of Arbus's photographs have become part of the public's collective consciousness since her landmark retrospective at The Museum of Modern Art, New York, in 1972, seen in this context, viewers may discover aspects of even familiar works that have previously gone unnoticed.Sanctum Sanctorum follows two recent major exhibitions of the artist's work: Cataclysm: The 1972 Diane Arbus Retrospective Revisited at David Zwirner New York (2022) and Los Angeles (2025), and Diane Arbus: Constellation at LUMA, Arles (2023–2024) and the Park Avenue Armory, New York (2025).Follow @DianeArbus @FraenkelGallery @DavidZwirner Hosted on Acast. See acast.com/privacy for more information.

This week, the Krewe is joined by Loretta Scott (aka KemushiChan on YouTube Channel) for a personal, insightful, and often funny look at what it's like raising kids in Japan as an American parent. We dig into birth experiences, cultural differences from the U.S., unexpected parenting moments, and tips for families living in or visiting Japan. Curious about family life abroad or considering a trip to Japan with the munchkins? This episode is packed with helpful insight just for you!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Links for Tobias Harris ------Loretta on InstagramKemushiChan YouTube Channel------ Past Language Learning Episodes ------Inside Japanese Language Schools ft. Langston Hill (S6E3)Japanese Self-Study Strategies ft. Walden Perry (S5E4)Learn the Kansai Dialect ft. Tyson of Nihongo Hongo (S4E14)Heisig Method ft. Dr. James Heisig (S4E5)Prepping for the JLPT ft. Loretta of KemushiCan (S3E16)Language Through Video Games ft. Matt of Game Gengo (S3E4)Pitch Accent (Part 2) ft. Dogen (S2E15)Pitch Accent (Part 1) ft. Dogen (S2E14)Language through Literature ft. Daniel Morales (S2E8)Immersion Learning ft. MattvsJapan (S1E10)Japanese Language Journeys ft. Saeko-Sensei (S1E4)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

Episode 502 / Yung JakeYung Jake is an artist & rapper who received his BFA from Cal Arts in 2012. He has had 13 solo exhibitions in Los Angeles and New York, and over 25 group exhibitions in the U.S., China, Finland, Germany, Belgium, and the Netherlands, respectively. Yung Jake is also a musician and directed music videos for Rae Sremmurd and Pusha T. His work has been featured at venues including Sundance, where his videos Datamosh, and E.m-bed.de/d were screened, as well as performances in Los Angeles at the Hammer Museum, REDCAT, MOCA, The Getty Center, and at the Museum of Modern Art. In 2017.His artwork has been shown in numerous art fairs including MiArt, UNTITLED, Miami Beach, Art Brussels, the Seattle Art Fair, the Dallas Art Fair, and Market Art + Design. His first solo museum exhibition titled Cartoons was on view at Guild Hall, East Hampton.

In this episode of Creative Guts, co-hosts Laura Harper Lake and Sarah Wrightsman sit down with Jordana Pomeroy, the director and CEO of the Currier Museum of Art. An art historian, author, and curator, Jordana started at the Currier in September 2024.In this episode, we'll chat about Jordana's career at the Museum of Modern Art, National Museum of Women in the Arts, and more. Jordana shares what brought her to New Hampshire (spoiler alert: it was the Currier!) and how she thinks about the future of the Currier. We'll also chat about Jordana's book, the young adult novel titled Daring: The Life and Art of Elisabeth Vigee Le Brun.Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Creative Guts recently moved our newsletter to Substack, and you can find us at creativegutspod.substack.com. If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax deductible donation at www.CreativeGutsPodcast.com. Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show!

AP correspondent Haya Panjwani reports on a record-breaking art sale.

Dr. Greg Hammer, is a Former Professor at Stanford University School of Medicine, Physician, Best-Selling Author, and Mindfulness Expert.It was a wonderful conversation as he shared stories of his grandmother and her love for art and he declaration about using proper english grammar. Greg shares how he inherited  that same consciousness as to being respectful to the english language.A Best Selling Author with an eye on being active and healthy, his recent book is about adults, caregivers, teachers helping teenagers reduce their stress levels by using his meditative technique incorporating Gratitude, Acceptance, Intention and Non judgement in a 3-4 minute daily meditation that anyone can do. He explains and walks us through a short meditation during this conversation.It's important for all of us to have balance in our lives-mental and physical balance and peace.It was a real pleasure speaking and meeting Dr. Greg Hammer.architectInformation about his most recent book: A Mindful Teen: Helping Today's Teenagers Thrive through Gratitude, Acceptance, Intention, and Non judgement Topic: Coping Strategies for Youth this National Suicide Prevention MonthTalk Points: Destigmatization is the key - Suicide is preventable through awareness, education, and accessible resources.The more we discuss mental health in productive ways, the better primed we will be to catch the warning signs before they progress into something serious.Openly discussing mental health encourages youth to initiate those conversations for themselves and ask for help should they need it.Today's teens face stressors that older generations never imaginedSocial media, smartphones, and the internet – and AIAfter-effects of COVID lockdown and isolationThe great political divide, affecting relationships in and outside of familiesIncreasingly competitive college admission and tuitionThe economic pressures their families faceThe Role of Parents and Parenting  - Cultivating Compassion, Forgiveness, and EmpathyThe Risks and How to Spot Them*Early Detection can save your child's life - The warning signs that someone is struggling with their mental health can easily be overlooked (especially amongst teenagers).*The most common symptoms of depression and anxiety (i.e. changes in behavior and mood, irritability, changes in sleep habits, changes in eating habits, withdrawing socially) are also commonly associated with the standard growing pains and hormonal shifts of adolescence. So, how do you know the difference?If something feels off with your child, the best thing you can do is ask.Sit down with your child and have a gentle, but honest conversation about your concerns. You may have to speak with them multiple times before they're ready to open up. Trust your instincts and be gently persistent.Consult a Mental Health Professional: There is no shame in asking for help for both teens and adults.Mindfulness at Home - Encouraging children to practice mindfulness daily can help build their mental and emotional resilience and protect their mental health in the short and long term.*Mindfulness can be a great tool to help teens rewire their brains away from the negativity on which they dwell. It can neutralize their tendency to ruminate over the past, often leading to depression, and to overthinking the future, creating fear and anxiety.The GAIN Method - Gratitude, Acceptance, Intention, and Nonjudgment are the pillars of happiness for teens - and for the rest of us.Website:https://amindfulteen.com/Facebook: @GregHammerMD; https://www.facebook.com/greghammermd/Instagram: @greghammermd; https://www.instagram.com/greghammermd/LinkedIn:https://www.linkedin.com/in/greg-hammer-02b20422/ "Should Have Listened To My Mother" is an ongoing conversation about mothers/female role models and the roles they play in our lives. Jackie's guests are open and honest and answer the question, are you who you are today because of, or in spite of, your mother and so much more. You'll be amazed at what the responses are.Gina Kunadian wrote this 5 Star review on Apple Podcast:SHLTMM TESTIMONIAL GINA KUNADIAN JUNE 18, 2024“A Heartfelt and Insightful Exploration of Maternal Love”Jackie Tantillo's “Should Have Listened To My Mother” Podcast is a treasure and it's clear why it's a 2023 People's Choice Podcast Award Nominee. This show delves into the profound impact mother and maternal role models have on our lives through personal stories and reflections.Each episode offers a chance to learn how different individuals have been shaped by their mothers' actions and words. Jackie skillfully guides these conversations, revealing why guests with similar backgrounds have forged different paths.This podcast is a collection of timeless stories that highlight the powerful role of maternal figures in our society. Whether your mother influenced you positively or you thrived despite challenges, this show resonates deeply.I highly recommend “Should Have Listened To My Mother” Podcast for its insightful, heartfelt and enriching content.Gina Kunadian"Should Have Listened To My Mother" would not be possible without the generosity, sincerity and insight from my guests. In 2018/2019, in getting ready to launch my podcast, so many were willing to give their time and share their personal stories of their relationship with their mother, for better or worse and what they learned from that maternal relationship. Some of my guests include Nationally and Internationally recognized authors, Journalists, Columbia University Professors, Health Practitioners, Scientists, Artists, Attorneys, Baritone Singer, Pulitzer Prize Winning Journalist, Activists, Freighter Sea Captain, Film Production Manager, Professor of Writing Montclair State University, Attorney and family advocate @CUNY Law; NYC First Responder/NYC Firefighter, Child and Adult Special Needs Activist, Property Manager, Chefs, Self Help Advocates, therapists and so many more talented and insightful women and men.Jackie has worked in the broadcasting industry for over four decades. She has interviewed many fascinating people including musicians, celebrities, authors, activists, entrepreneurs, politicians and more.A big thank you goes to Ricky Soto, NYC based Graphic Designer, who created the logo for "Should Have Listened To My Mother".Check out the SHLTMM Podcast website for more background information: https://www.jackietantillo.com/Or more demos of what's to come at https://soundcloud.com/jackie-tantilloLink to website and show notes: https://shltmm.simplecast.com/Or Find SHLTMM Website here: https://shltmm.simplecast.com/Listen wherever you find podcasts: https://www.facebook.com/ShouldHaveListenedToMyMotherhttps://www.facebook.com/jackietantilloInstagram:https://www.instagram.com/shouldhavelistenedtomymother/https://www.instagram.com/jackietantillo7/LinkedIn:https://www.linkedin.com/in/jackie-tantillo/YOUTUBE: https://www.youtube.com/@ShouldHaveListenedToMyMother

David Hockney is arguably Britain's most loved living artist. He's known as a colourful character, not only because of his vibrant, colour rich paintings of Californian landscapes, glittering blue pools, and thick Yorkshire woodlands, but also his own carefully curated image from the 1960s- bright blond hair and oversized thick black round glasses. He was born in Bradford in 1937, and knew by the age of 10 he wanted to be an artist. He studied at the Royal College of Art, and by his mid 20s he was key player in London's bohemian pop-art scene. He then moved to LA in pursuit of sunshine and inspiration. He delights in using new technology to create; from the polaroid, to the fax machine, and his iPad. Now, more than 60 years into his career, aged 88, David Hockney is not slowing down. His image has recently been depicted by drones in a light-show in the skies above Bradford, in a colourful tribute to the city's most famous son. Becky Milligan speaks to his muse, the textile designer Celia Birtwell, art historian Marco Livingstone, dancer and contemporary Wayne Sleep and art critic Waldemar Januszczak. Production Presenter: Becky Milligan Producers: Ben Crighton, Mhairi MacKenzie and Marie Lennon Production Coordinator: Maria Ogundele Editor: Justine Lang Sound Editor: Gareth JonesArchive BBC Imagine…Summer 2009: David Hockney – A Bigger Picture (Coluga Pictures) BBC The Interview: David Hockney - A Life in Art (2025) “Joie de Vivre” clip courtesy of Louisiana Channel, Louisiana Museum of Modern Art (2011)

Before the idea of feminism took shape, there was what writers once called “the woman question.” The phrase comes from the querelle des femmes—a centuries-long debate in Europe about women's rights, intellect, and place in society. One of the first to take it up was Christine de Pizan, the Italian-French court writer who, in 1405, published The Book of the City of Ladies. At a time when most women were excluded from education and public life, de Pizan challenged misogyny head-on, laying some of the earliest groundwork for what we now understand as feminist thought. That question—what is a woman's place in culture and history?—has echoed ever since. In 1971, the art historian Linda Nochlin famously reframed it by asking: “Why Have There Been No Great Women Artists?” We have a clear answer: there had been great women artists all along, but their stories were often overlooked, dismissed, or erased. A new exhibition at the recently opened Museum of Modern Art in Warsaw hones in on that conversation. "The Woman Question: 1550–2025," curated by Alison M. Gingeras, gathers nearly five hundred years of women's creative production—from Renaissance pioneers like Sofonisba Anguissola and Lavinia Fontana, to Baroque heroines such as Elisabetta Sirani and Artemisia Gentileschi, and contemporary artists including Betty Tompkins and Lisa Brice. With more than 200 artworks, the exhibition focuses on how women saw and depicted themselves and the world, and how the represented power, resistance, desire, and violence. Through portraits, allegories, and bold depictions of female experience, these artists reveal how women have long claimed creative agency despite the structures built to contain them. On this episode of The Art Angle, Gingeras joins senior editor Kate Brown from Warsaw, Poland, to talk about early women art stars, recent rediscoveries, and why, after all this time, we still need all-women exhibitions.

A new exhibition at the MoMA celebrates the career of Cuban artist Wifredo Lam, an artist who helped push the boundaries of modernism. Curators Christophe Cherix and Beverly Adams join to discuss "Wifredo Lam: When I Don't Sleep, I Dream," up now through April 11 2026. Image credit: Wifredo Lam. La jungla (The Jungle), 1942-43. Oil and charcoal on paper mounted on canvas, 7'10 ¼” × 7'6 ½” (239.4 × 229.9 cm). The Museum of Modern Art, New York © Succession Wifredo Lam, ADAGP, Paris / ARS, New York 2025

What would the C.I.A. have to do with "modern art", jazz and other art forms? The answer is truly unbelievable. Starting in the 1940's the C.I.A., the Rockefellers and the MOMA (Museum of Modern Art) set in motion a psychological operation that continues to this day. Using art in all its forms as a tool, weapon and guiding hand to persuade the masses, as a smoke screen and more. Let's look into how this happened, how it works and how it's still at play today!Email us at: downtherh@protonmail.com

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode Emily interviews artist Masako Miki, whose solo exhibition "Midnight March" is on view at the ICA San Francisco through December 7th. Masako discusses her journey from Osaka, Japan to California, her fascination with Japanese folklore—especially the "Night Parade of 100 Demons"—and how these stories inspire her colorful felted sculptures. The conversation explores themes of animism, transformation, and protest, as well as Masako's creative process and the importance of art in shifting perspectives. Tune in to hear about her artistic influences, the significance of her studio, and the playful yet profound characters she brings to life.About Artist Masako Miki :As a multimedia artist, Masako Miki navigates diverse mediums, including textile sculpture, watercolor, and outdoor public installations to explore the intersection of mythology, folklore, and contemporary social issues. Miki has exhibited her immersive felt sculptural installations and watercolor works on paper in the US, and internationally.  She has exhibited at institutions including Berkeley Art Museum and Pacific Film Archive and de Young Museum. Inspired by Shinto's animism, Miki attempts crafting new mythologies concerning cultural identity as social collectives.  Miki was a recipient of the 2018 Inga Maren Otto Fellowship Award from Watermill Center in New York, also has been a resident artist including de Young Museum and Facebook HQ.  Miki's work is in collections at San Francisco Museum of Modern Art, Colección Solo in Spain, The Byrd Hoffman Water Mill Foundation, Facebook, Inc., and Berkeley Art Museum and Pacific Film Archive.  Miki's monumental outdoor public art installation at Uber HQ in San Francisco and OH Bay cultural coastal park in Shenzhen China is on view.  She is currently working on Mina and Natoma Street Corridor Project with SFMOMA and SFAC designing functional sculptures. Miki is a native of Japan and currently based in Berkeley, California.  She is represented by RYANLEE Gallery in New York and Jessica Silverman Gallery in San Francisco.Visit Masako's Website:  MasakoMiki.comFollow Masako on Instagram: @MasakoMikiLearn More about Masako's exhibit "Midnight March" at the ICA SF through December 7 - CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Museum of Fine Arts (MFA) in Boston, US, has agreed to return two works from 1857 by the enslaved 19th-century potter David Drake to his present-day descendants. By the terms of the contract, one vessel will remain on loan to the museum for at least two years. The other—known as the “Poem Jar”—has been purchased back by the museum from the heirs for an undisclosed sum and now comes with “a certificate of ethical ownership”. Ben Luke talks to Ethan Lasser, the MFA's chair of the art of Americas, about this landmark agreement. At the Museum of Modern Art in New York, the exhibition Wifredo Lam: When I Don't Sleep, I Dream opens on Monday. Lam, who was of African and Chinese descent, is now widely regarded as a key, and singular, figure in Modernist painting. Connected in his long life to the Surrealists and Pablo Picasso, and to literary greats including Aimé Césaire and Edouard Glissant, his distinctive practice was above all centred on a profound engagement with Black diasporic culture. Ben talks to the two lead curators of the exhibition, Beverly Adams, curator of Latin American Art at MoMA, and the museum's new director, Christophe Cherix. And this episode's Work of the Week is the Adoration of the Magi (1488) by Domenico Ghirlandaio. The painting is in the Ospedale degli Innocenti, the first hospital for unwanted or orphaned infants, or foundlings, in Europe, built by the great Renaissance architect, Filippo Brunelleschi. The Innocenti, as it is called, is the subject of a new book, called The Innocents of Florence: The Renaissance Discovery of Childhood, by Joseph Luzzi, and Ben speaks to him about the painting and its significance in the Innocenti's collection.Wifredo Lam, Museum of Modern Art, New York, 10 November-11 April 2026.The Innocents of Florence: The Renaissance Discovery of Childhood, published in hardback by WW Norton, from 11 November in the US, priced $29.99, and from 28 November in the UK, priced £23.New subscription offer: eight-week free digital trial of The Art Newspaper. The subscription auto-renews at full price for your region. Cancel anytime. www.theartnewspaper.com/subscriptions-8WEEKSOFFER Hosted on Acast. See acast.com/privacy for more information.

I am so excited to say that my guest on the GWA Podcast today is the esteemed curator, Megan Fontanella. A specialist in Modern Art and Provenance at the Guggenheim New York, Fontanella's research interests focus on late 19th and early 20th European art and the avant-garde in the USA. She has organised a plethora of exhibitions for the Guggenheim across the globe, from Visionaries: Creating a Modern Guggenheim (2017); Kandinsky (2020–21); Kandinsky: Around the Circle (2021–22; 2023–24); Young Picasso in Paris (2023), as well as travelling collection exhibitions in Australia, Canada, and Europe. But the reason why we are speaking to Fontanella today is because she is very excitingly curating a monumental exhibition by the German Expressionist, Gabriele Münter. Titled Contours of a World, the show – opening 7 November through to April 2026 – will feature 60 of the artist's luminous, bold, sometimes rapidly-made paintings – from her portraits of friends to landscapes of the German alpine town of Murnau – that chart the changing face of modernism in art. Focusing on 1908 to 1920, it will deep-dive into her involvement with “The Blue Rider” – a group of visionary artists and writers who explored how colour and form could evoke emotion and spiritualist ideas – to the works she made during the First World War. Gabriele Münter: Contours of a World is on view at Guggenheim New York, 7 Nov – 26 Apr 2026: https://www.guggenheim.org/exhibition/gabriele-munter Artists mentioned: Gabriele Münter (1877–1962) Wassily Kandinsky (1866–1944) Marianne von Werefkin (1860–1938) Der Blaue Reiter (“The Blue Rider”) group Artworks mentioned: Gabriele Münter - Still Life on the Tram After Shopping (1909–1912) Gabriele Münter - Portrait of Marianne Werefkin (1909) Gabriele Münter - Boating (1910) Gabriele Münter - Meditation (1917) Gabriele Münter - Future (Woman in Stockholm) (1917) Gabriele Münter - Portrait of Anna Roslund (1917) Gabriele Münter - Lady in an Armchair, Writing (1929) Gabriele Munter -  Breakfast of the Birds (1934)

Marilyn Minter (b. 1948, USA) is an artist based in New York. Recent solo exhibitions include Marilyn Minter, Lehmann Maupin, Seoul, South Korea (2024). Marilyn Minter, LGDR, New York, NY (2023); Marilyn Minter, Lehmann Maupin, Hong Kong, China (2021); All Wet, Montpellier Contemporary (Mo.Co), Montpellier, France (2021); Smash, MoCA Westport, Westport, CT (2021); Fierce Women, The Cube, Moss Arts Center, Virginia Polytechnic Institute and State University, Blacksburg, VA (2020); Nasty Woman, SCAD Museum of Art, Savannah GA (2020); among others. From 2015 through 2017, her retrospective, Marilyn Minter: Pretty/Dirty, traveled to the Contemporary Arts Museum, Houston (TX); the Museum of Contemporary Art, Denver (CO); the Orange County Museum of Art, Newport Beach (CA); and the Brooklyn Museum, Brooklyn (NY). Her video Green Pink Caviar was on view at The Museum of Modern Art, New York from 2010-2011.Minter is the recipient of numerous prestigious awards, including the Louis Comfort Tiffany Grant (2006) and the Guggenheim Fellowship (1998). Minter's work is in the collections of many museums globally, including the the Museum of Contemporary Art, Los Angeles (CA); San Francisco Museum of Modern Art, San Francisco (CA); (MA); the Museum of Modern Art, New York (NY); the Perez Art Museum, Miami (FL); the Tate Modern, London (U.K); the Solomon R. Guggenheim Museum, New York (NY); and the Whitney Museum of American Art, New York (NY), among many others.She and Zuckerman discussed shaming young and beautiful women, trust, how we take care of ourselves, making things her own, progress, the ability to copy anything, getting rid of narrative, finding out who we are, identifying people's gifts, seeing joy and the love of making, making bad things, the reality of self-doubt, looking for things that bother you, piggy backing, and how hard it is to be alive!

Watch every episode ad-free & uncensored on Patreon: https://patreon.com/dannyjones Giampiero Ambrosi is a writer, journalist, and producer of documentary films such as "Bad Influence" on Netflix and "The Royal Stunt", an investigation into the hidden world of art forgery. https://giampiero.com SPONSORS https://brooklynbedding.com - Use code DANNY for 30% off site wide. https://shopmando.com - Use code DANNY for 20% off plus FREE shipping. https://trueclassic.com/danny - Upgrade your wardrobe and SAVE on TrueClassic today. https://whiterabbitenergy.com/?ref=DJP - Use code DJP for 20% off EPISODE LINKS https://giampiero.com FOLLOW DANNY JONES https://www.instagram.com/dannyjones https://twitter.com/jonesdanny OUTLINE 00:00 - Tony Tetro - world's top art forger 14:25 - investigating James Stunt's art collection 34:25 - how James Stunt made millions on fake art 40:29 - the lost Leonardi da Vinci painting 55:42 - what happened to Tony Tetro & James Stunt 01:06:00 - how Tony Tetro became a forger 01:13:03 - why older paintings are harder to forge 01:25:11 - how CIA used Jackson Pollock art as a weapon 01:38:25 - the problem with artists' foundations 01:45:55 - why such great art was made during the renaissance 01:53:42 - how modern art has evolved 02:07:03 - the dark side of kid influencers 02:11:10 - Roblox & section 230 02:19:52 - how to fix social media 02:25:44 - the doomsday clock 02:38:08 - BrandArmy & social media poisoning kids Learn more about your ad choices. Visit podcastchoices.com/adchoices

What would the C.I.A. have to do with "modern art", jazz and other art forms?The answer is truly unbelievable. Starting in the 1940's the C.I.A., the Rockefellers, the MOMA (Museum of Modern Art) set in motion a psychological operation that continues to this day. Using art in all it's forms as a tool, weapon and guiding hand to persuade the masses, as a smoke screen and more.Let's look into how this happened, how it works and how it's still at play today!Email us at: downtherh@protonmail.com

In a world where handmade art is humanity's last stand against the machine, the unveiling of a mysterious new artist named Orville threatens to shatter everything — because Orville isn't human.“Mr. Replogle's Dream” by Evelyn E. Smith (Fantastic Universe December, 1956)Fully Produced version:https://www.auditoryanthology.com/2025/03/20/mr-replogles-dream-by-evelyn-e-smith/