Podcasts about Modern art

Host Marina Franklin has an insightful conversation with Professor Tracie Canada and Ashima Franklin on the experiences of black college football players and their moms. Listen to our latest episode to understand the untold stories behind the sport.  Tracie Canada: Tracie Canada is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. She is the author of Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) and the founder and director of the HEARTS (Health, Ethnography, and Race through Sports) Lab. Her work has also been featured in public venues and outlets such as the Museum of Modern Art, TIME, The Guardian, and Scientific American. Ashima Franklin: Ashima Franklin is a comedian, writer and actor, born and raised in Mobile, AL. Recently, she was selected as one of the inaugural 2024 NETFLIX IS A JOKE… Introducing (New Faces) comedians. In addition, she was also selected “Best of Fest” at Moontower Comedy Festival in Austin. She also performed in comedy festivals like Flyover Comedy Fest, Laughing Skull and New York Comedy Festival. Previously, she toured the country for 5 years with Katt Williams on the Priceless, The Katt Pack and Katapocolypse tours. . As an actor, she also appeared in the movie THE AFTERPARTY on Netflix. Ashima recently appeared on the ALLBLK Network on the Kendall Kyndall show with Drew Sadora, as well as Season 2 of OWN's READY TO LOVE. In addition, she appeared on Kountry Wayne's COMEDY SHIT (Youtube), in which she is currently a recurring cast member. Ashima also headlined the Vivica Fox Funny by Nature Tour. Ashima was selected to be a part of the 2022 & 2023 New York Comedy Festival. Always hosted by Marina Franklin - One Hour Comedy Special: Single Black Female ( Amazon Prime, CW Network), TBS's The Last O.G, Last Week Tonight with John Oliver, Hysterical on FX, The Movie Trainwreck, Louie Season V, The Jim Gaffigan Show, Conan O'Brien, Stephen Colbert, HBO's Crashing, and The Breaks with Michelle Wolf. Writer for HBO's 'Divorce' and the new Tracy Morgan show on Paramount Plus: 'Crutch'.    

Few people have contributed more to cinema and cinephilia in the last 50 years than Dave Kehr. He'd have some claim to this title solely as a major critical voice, his work remaining currency decades hence––just look at the popular Not Dave Kehr Letterboxd account for a symbol of his enduring prominence. As a film curator at the Museum of Modern Art, however, Kehr has emboldened one of the world's foremost cinema cultures with year-round programming that combines classic titles with far-flung finds. With the third edition of Silent Movie Week beginning at MoMA on July 30, I had the pleasure of speaking with Dave about their lineup, the major advancements made in digital restoration, a discussion of how exactly one puts together a series like this, and (lest you think this is all about my ego) why a presumption of mine was, in fact, incorrect. Plus: his pick––surprising to some, not to me––for the best film to premiere in recent years.

This month on Disability and...curator Aidan Moesby chats to artists Joanne Coates and Louise Mclachlan about their participation in Towards New Worlds, a 'groundbreaking' exhibition of 15 disabled, D/deaf and neurodivergent artists which Aidan co-curated at Middlesbrough Institute of Modern Art. Themes from the discussion include identity, the power of photography to tell stories, and the importance of safe spaces like Towards New Worlds for disabled artists. 

Stories That Spark Action: A Conversation With Jill KubitDon't forget to subscribe to the Inspired Changemakers Podcast to stay updated with the latest stories of visionaries transforming lives and shaping a better future. Your support helps us continue sharing inspiring stories like Jill's!About the EpisodeJill Kubit is a social entrepreneur, climate communicator, and the visionary behind DearTomorrow — a 10-year storytelling project that invites people to write letters to their loved ones about climate change and the future they hope to create. With over 7,000 letters submitted from over 50 countries, Jill's work weaves together the personal and the political, using narrative to ignite global engagement and climate action.In this episode, Jill shares how storytelling became her most powerful tool for building movements, shaping public discourse, and inspiring change. From her early days as a teacher in D.C. to speaking at the United Nations and partnering with the Museum of Modern Art, Jill reflects on the winding path that led her to climate leadership. She also opens up about burnout, resilience, and the importance of nurturing the next generation of changemakers.Connect with DearTomorrow:Website: www.deartomorrow.org Instagram: @deartomorrow LinkedIn: www.linkedin.com/company/deartomorrowJoin our community of Inspired Changemakers! The Inspired Changemakers Podcast is a platform that showcases inspiring individuals who are making a difference in the world. Each episode features a new guest, sharing their journey, insights, and projects aimed at creating positive change in their communities and beyond. Join us as we learn from these changemakers and get inspired to take action in our own lives!You can find us on:FacebookInstagramLinkedInYouTube               BuzzSproutSupport the show

James Victore, a "recovering graphic designer" turned creative coach, shares his journey from commercial conformity to artistic rebellion. Starting with a childhood memory of melted crayons on hot cement, James traces his path from failed university attempts to becoming a Museum of Modern Art-featured designer. His breakthrough came at 30 with controversial Columbus Day posters that were scraped off by police—a moment that crystallised his commitment to meaningful work over commercial success.The conversation explores James's evolution from pleasing clients to finding clients who appreciate his authentic voice. He discusses teaching at the School of Visual Arts for 18 years, where he learned that creativity's job is to disrupt. Now he coaches "frustrated creative adults" to express what's truly in their hearts rather than succumbing to "creative constipation."Key themes include the difference between being weird versus seeming weird, the importance of self-love in creative expression, and why perfectionism is simply a tool for self-sabotage. James emphasizes that creativity requires business acumen—"a starving artist is just an artist who doesn't know they're in business."Key TakeawaysThe opposite of depression is expression—creative constipation leads to frustration and unhappinessPerfectionism isn't about quality; it's a fear-based tool used to stop ourselves from creatingEvery moment we choose between shrinking from fear or growing from love"Normal" life (obesity, job dissatisfaction, early death) is more frightening than being creatively weirdChildren's primal drive to be "seen and heard and loved" is essential for adult creatives to reclaimFinding your tribe matters—when weird people connect, magic happensBusiness skills are essential for creative survival—learn invoicing, marketing, and self-promotionThe future depends on embracing weirdness rather than conforming to destructive normalcyTrue creativity comes from expressing personal truth, not following industry formulasSelf-love is the trigger that allows creativity to flow; self-hate blocks itMarketing is simply having something to say and saying it repeatedly with convictionCreative work should entertain, educate, delight, or provoke strong emotions—never be neutral Daring Creativity. Daring Forever. Podcast with Radim Malinic Show questions or suggestions to desk@daringcreativity.com Latest books by Radim MalinicMindful Creative: How to understand and deal with the highs and lows of creative life, career and business Paperback and Kindle > https://amzn.to/4biTwFcFree audiobook (with Audible trial) > https://geni.us/free-audiobookSigned books https://novemberuniverse.co.ukLux Coffee Co. https://luxcoffee.co.uk/ (Use: PODCAST for 15% off)November Universe https://novemberuniverse.co.uk (Use: PODCAST for 10% off)

Episode No. 715 features artist Kandis Williams. The Walker Art Center, Minneapolis is presenting "Kandis Williams: A Surface," the first survey of Williams' career. The exhibition spotlights how Williams has used collage as a tool of Black feminist resistance, to dismantle entrenched histories and power structures, and to rebuild dominant narratives. The exhibition, which was curated by Taylor Jasper with Laurel Rand-Lewis, is on view through August 24. The exhibition catalogue was published by the Walker. Amazon and Bookshop offer it for around $45. Williams is also included in "Performance on Paper" at the Hammer Museum, University of California, Los Angeles. It features prints and drawings created at the intersection of music and dance by about twenty artists active from the 1960s to the present. It was curated by Naoko Takahatake with Jennie Waldow, and is on view through August 10. Williams' previous museum solo exhibition was at the Institute for Contemporary Art, Virginia Commonwealth University. They have been included in group exhibitions at the Museum of Modern Art, New York, the Frye Art Museum, Seattle, at the Studio Museum in Harlem, and in the Hammer Museum's Made in LA biennial. Instagram: Kandis Williams, Tyler Green.

Before the Mona Lisa became one of the most famous and beloved paintings in the world, it sat in obscurity for hundreds of years away from the public eye. During that time, no one would have considered it the timeless, classic masterpiece that it is today. How did that change? Who decides what is worthy of the title “classic” and is it possible to have classics in our modern age? Rochelle Gurstein is an intellectual historian, critic, and fellow at the New York Institute for the Humanities. Her latest book, Written in Water: The Ephemeral Life of the Classic in Art explores what it means for something to be labeled “classic” and how the notion of the classics has evolved over centuries. Rochelle and Greg discuss the historical fluidity of aestheticism and taste, the shifting perception of iconic artworks, and unearth the forgotten contributions of critics and artists who shaped our understanding of what it means for art to transcend time. *unSILOed Podcast is produced by University FM.*Episode Quotes:Is the world being threatened by new art?42:07:   One of the things that I try to trace in the book is this idea that one's world is being threatened by new art, and the sense that it's not the importance—by the 19th century and the 20th century—of what is at stake. It's not just that there is another work of art in the world, or a style that has entered the world. Instead, it is that a whole sensibility, taste, worldview is under attack.What is the strongest foundation for a classic?52:39: The strongest foundation for a classic is when artists keep a work alive in their own practice. So that, as long as people could still see the Venus de' Medici in the works of all the artists who took it as the exemplar, they would continue to love it because they were all part of a continuum—an aesthetic continuum, a moral continuum—that, in the 20th century and 21st century, became harder and harder to maintain, because contemporary art shifted so dramatically every 10, 20 years—every other year these days. The way that we could keep art alive from the past is: the more we know about what other people have said about it—the people who have loved it, or the people who have not loved it.What really keeps art alive57:00: The practice of art itself—what artists are doing, not what collectors or museums and all the rest are doing, which is, of course, important. But I do not think that that is the most important thing. I think the artist's practice and what they are keeping alive. And then knowing enough, caring enough about the art of the past, to try to understand what their aims were, and knowing it changed over time, and that these works were loved or not loved at different moments of time—and why?Show Links:Recommended Resources:RaphaelVenus de' MediciJoshua ReynoldsWilliam HazlittJohn RuskinStudies in the History of the Renaissance by Walter PaterGiovanni MorelliRoger FryGuest Profile:Fellow Profile at New York Institute for the Humanities Professional WebsiteGuest Work:Written in Water: The Ephemeral Life of the Classic in ArtThe Repeal of Reticence: America's Cultural and Legal Struggles over Free Speech, Obscenity, Sexual Liberation, and Modern Art

In this episode of the Restaurant Owners Uncorked podcast, Wil Brawley talks with Seth Watson, the founder of Distillery of Modern Art in Atlanta. Seth shares his entrepreneurial journey, from launching a production and event design business out of a garage to eventually building a one-of-a-kind distillery that blends spirits, art, and community. He opens up about why he left his first business, how he navigated outdated Georgia alcohol laws, and why he built a distillery with multiple revenue streams: a cocktail bar, an art gallery, an event space, and a production facility. Seth also discusses the lessons he's learned about ego, iteration, and surrounding himself with smart people, while offering fascinating insights into bourbon, gin, and the modern spirits landscape.Key Takeaways: From Garage to 400+ Events a Year: Seth's first business in event production started in a garage and grew into a full-scale company handling hundreds of large-scale events annually. Exit Fueled by Values Misalignment: After 17 years and increasing tension with a 50/50 partner, Seth exited the business to preserve his sanity and avoid letting resentment fester. Control Matters: Seth learned the hard way that 50/50 partnerships often don't work. He now maintains control in any business he leads. Birth of a Unique Concept: Distillery of Modern Art combines a distillery, cocktail bar, art gallery, and event space—all designed around Seth's love for whiskey and modern art. Navigating Georgia's Arcane Liquor Laws: Seth had to build his distillery concept while lobbying against outdated post-Prohibition laws that limited direct-to-consumer sales. Whiskey Meets Art: The subjectivity of both whiskey and art inspired the distillery's brand and mission: create a sensory and aesthetic experience, not just a product. Producer for Other Brands: In addition to his own spirits, Seth's team produces over 40 products for 18 other brands across the U.S., offering a more personal and flexible alternative to large manufacturers like MGP. No Ego in Product Development: Seth scrapped his original gin recipe when taste tests failed—not because he didn't like it, but because customers didn't. Craft Over Hype: Seth values drinkability and authenticity over branding. He prefers bottles like Michter's over hyped-up names like Pappy Van Winkle. Committed to Community: From supporting small farmers to featuring local artists (commission-free), Seth backs up his community-first philosophy with action. Owner Mentality, Not Exit Mentality: Like the Yingling family, Seth isn't chasing a fast exit. He wants to build a sustainable, generational business—possibly passing it on to his children one day.

In this REWIND episode Gary Mansfield speaks to Alice Maher (@Maher. Alice) Alice Maher is a prominent Irish contemporary artist whose work explores themes of identity, gender, mythology, and the body. Born in 1956 in County Tipperary, Maher studied at the University of Ulster, Belfast, and the San Francisco Art Institute. Her practice spans a wide range of media, including drawing, sculpture, photography, installation, and film. Maher is known for using unconventional materials such as hair, nettles, thorns, and animal organs, challenging traditional boundaries between nature and culture, the beautiful and the grotesque. Her art frequently references Irish folklore, literature, and feminist theory, creating deeply symbolic and often unsettling imagery. Works like The Axe (and the Waving Girl) and Mnemosyne reflect her interest in memory, transformation, and the female experience. In addition to her visual work, Maher has collaborated with writers, musicians, and performers, enriching her practice with interdisciplinary influences. She represented Ireland at the São Paulo Bienal in 1994 and has exhibited widely in major galleries, including the Irish Museum of Modern Art. Maher remains a vital figure in contemporary art, both in Ireland and internationally. To Support this podcast from as little as £3 per month: www.patreon/ministryofarts For full line up of confirmed artists go to https://www.ministryofarts.co.ukEmail: ministryofartsorg@gmail.comSocial Media: @ministryofartsorg Hosted on Acast. See acast.com/privacy for more information.

In this episode of PhotoWork with Sasha Wolf, photographer and educator Sage Sohier joins Sasha to discuss a lifetime of extraordinary work, including her recently published books Passing Time and Americans Seen (Nazraeli Press), featuring photographs made primarily in the 1980s. They also delve into Witness to Beauty (Kehrer Verlag), an intimate and moving portrait of Sohier's mother alongside her two daughters—a project that embraces aging and the passage of time. Throughout the conversation, Sage shares her enthusiasm and thoughtful insights on staying open to new ideas and equipment, as well as the value of revisiting older work with fresh eyes. https://sagesohier.com https://www.instagram.com/sagesohier/ Sage Sohier (b. 1954, Washington, D.C.) grew up in Virginia and received her BA from Harvard University in 1975. She is a Boston-based photographer who has published eight monographs, including “Americans Seen,” (Nazraeli Press 2017 and 2024), “Passing Time,” (2023), and “Witness to Beauty” (Kehrer 2017). She is the recipient of Guggenheim and National Endowment for the Arts fellowships. Sohier's work has been included in group shows at the Museum of Modern Art, NY, the International Center of Photography, the Art Institute of Chicago, and in solo shows at Joseph Bellows Gallery, Robert Klein Gallery, Foley Gallery, Blue Sky Gallery, and The Museum of Contemporary Photography in Chicago. Her work is in numerous collections including the Museum of Modern Art, NY, the Museum of Fine Arts, Boston, the San Francisco Museum of Modern Art, and the Nelson-Atkins Museum of Art. She has taught photography at Harvard University and Wellesley College, and has done commissioned work for the George Gund Foundation in Cleveland, the Robert Rauschenberg Residency program in Captiva, FL, as well as editorial work for numerous publications

Anselm Kiefer is one of the world's greatest living artists. Born in Germany at the end of the Second World War, much of his work in paintings, sculptures and vast installation pieces, has addressed his country's history and culture, asking difficult questions about the legacy of fascism and conflict. His paintings, thickly layered and sometimes embellished with straw or molten lead, often depict dark rutted fields or dense forests. Kiefer is renowned for the size of his work, and for his industrial-scale studio complexes in France, where he has lived for over thirty years. Kiefer's works are included in numerous public collections including the Museum of Modern Art and the Solomon R. Guggenheim Museum, New York, Tate Modern, the San Francisco Museum of Modern Art and the National Gallery of Australia. His most recent show at the Royal Academy in London has paired his works with those of one his artistic heroes for an exhibition called Kiefer/Van Gogh. Producer: Edwina Pitman

Today, Camille & Blake have the privilege of interviewing Dr. Tracie Canada from Duke University. Tracie is the Andrew W. Mellon Assistant Professor of Cultural Anthropology at Duke University. She is the author of Tackling the Everyday: Race and Nation in Big-Time College Football (University of California Press, 2025) and the founder and director of the HEARTS (Health, Ethnography, and Race through Sports) Lab. Her work has also been featured in public venues and outlets such as the Museum of Modern Art, TIME, The Guardian, and Scientific American.  Thanks for listening! 

Join Kitchen Chat host Margaret McSweeney as she visits the truly sparkling Baccarat Hotel New York. Margaret is known to spotlight the brightest and most brilliant examples of Luxury, History, and Hospitality, and this hotel, a stunning blend of heritage and modern opulence aptly fits this description. Opened in 2015, this Manhattan gem is the first hotel from the legendary 260-year-old French crystal house, Baccarat. Conveniently located across from the Museum of Modern Art, each detail of the hotel beautifully reflects the artistry and whispers the timeless elegance of Baccarat crystal. Chef Ashfer Biju, the exceptional Food and Beverage Director/Executive Chef at Baccarat, reveals the passion behind the luxury guest experience and the meticulous artistry poured into the renowned Afternoon Tea service in the Grand Salon in addition to the elevated culinary options throughout the hotel. The presentation of the three tiered Baccarat crystal stand displaying the tea sandwiches and pastries is most memorable. Each type of beverage glass on the table is Baccarat crystal, and this elegant tradition continues in the the hotel rooms, where only Baccarat crystal glasses are provided. Discover the Baccarat Hotel New York's sophisticated culinary scene. This hotel beautifully marries French elegance with modern luxury. The Baccarat Hotel New York (https://www.baccarathotels.com/) isn't just a place to stay; it's a landmark of New York glamour, where a rich history of artistry meets a true passion for hospitality. Savor the Day! ✅ Be sure and visit KitchenChat.info for more interviews and recipes. Subscribe to the KitchenChat audio podcast: Apple Podcasts: https://podcasts.apple.com/us/podcast/kitchen-chat-margaret-mcsweeney/id447185040 Spotify https://open.spotify.com/show/3PpcTPpvHEh8eOMfDUm8I9 Webtalkradio: Webtalkradio.com This podcast is also available on Apple TV, Roku and Amazon Fire Stick streaming devices. Download the Experts and Authors App and go to the Kitchen Chat series page or visit: www.Expertsandauthors.tv 

July 3rd, 2025 MADISON -- First up, be greeted by WLRN's founder, Thistle Pettersen before she hands the baton to WLRN's newest member, Ms. Cat Bradfield, who delivers the world news segment. After enjoying Tracy Chapman's song "The Promise", hear Arianne of LGB Alliance USA speak with Thistle about Pride 2025 just before Arianne hopped into the woods for a RadFem summer camp in the Pacific Northwest this June and July. Then, hear a rendition of aurora linnea's first piece she turned in to WLRN in 2021 that April Neault loved so much, she made into this video: https://www.youtube.com/watch?v=ZiJGYYpXhWo After the reading of aurora's essay entitled "Pride: Corporate Patriarchy's Celebration in the Streets", we end our show by thanking our guest, Arianne of LGB Alliance USA, and signing off. This month's artwork is by WLRN's graphic designer and artist, Margaret Moss. Edition 111 Artist's Statement : "I started the featured image with an oil sketch Berthe Morisot created in 1885. The drawing/painting she made is a self-portrait that includes a portrait of her daughter. All loosely rendered. I kept the background of Berthe Morisot's oil sketch, and I digitally sketched an image of our guest Arianne of LGB Alliance USA, and Tracy Chapman, whose song, ‘The Promise' is included in this month's podcast. I included purple and green because I especially like those colors - and I appreciate that they have a connection to (British) suffragists. I enjoyed interacting with Berthe Morisot's artwork. Even though she created her painting in 1885, it has a modern feel. I expect that Morisot had a greater influence on Modern Art than she is given credit for. I appreciate women such as Berthe Morisot, all the suffragists, Arianne, and Tracy Chapman for their contributions to our culture. And I appreciate WLRN for lifting up women so their voices can be heard more widely."

Lisa Yuskavage creates works that affirm the singularity of the medium of painting while challenging conventional understandings of genres and viewership. At once exhibitionist and introspective, her rich cast of characters and their varied attributes are layered within compositions built of both representational and abstract elements, in which color is the primary vehicle of meaning. Yuskavage's work has been the subject of numerous solo exhibitions, including Lisa Yuskavage: Wilderness, which was on view at the Aspen Art Museum in 2020 and the Baltimore Museum of Art in 2021. In 2015, The Rose Art Museum, Brandeis University, Waltham, Massachusetts, presented Lisa Yuskavage: The Brood, a major survey spanning twenty-five years of the artist's work. The show traveled to the Contemporary Art Museum St. Louis in 2016. Lisa Yuskavage: Drawings just opened at The Morgan Library & Museum and is on view through January 4, 2026.Museum collections which hold works by the artist include the Art Institute of Chicago; Hirshhorn Museum and Sculpture Garden, Washington, DC; The Metropolitan Museum of Art, New York; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; San Francisco Museum of Modern Art; and the Whitney Museum of American Art, New York, among others. She and Zuckerman discuss changing the world, vulnerability, why make art, using pushback as an opportunity, pushing against resistance, getting rid of self-doubt, and how Art makes you feel less alone!

Episode No. 712 features artist Julian Hoeber and curator María Elena Ortiz. Hoeber is included in "Generations: 150 Years of Sculpture" at the Nasher Sculpture Center, Dallas. The exhibition offers a new selection of works from the Nasher collection that offers conversations between works from the past and present. Hoeber's practice centers perception and searches for ways to exceed and reconcile limits set by binary ideas such as interior and exterior, or psychic and somatic. Paradoxically, he often uses binary systems, such as stereoscopic vision, in his work. His exhibition credits include Desert X 2019, a Hammer Projects show in 2010, and gallery shows in San Francisco, New York, Milan, Los Angeles, London, and more. His work is in the collection of museums such as the Museum of Modern Art, New York; the Museum of Contemporary Art, Los Angeles, the Hammer Museum, and the Nelson-Atkins Museum of Art, Kansas City.  Ortiz is the curator of "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth. "Feeling Color" pairs the work of two Guyanese artists and considers their roles in the history of late-twentieth-century abstract painting. "Feeling Color" is on view through July 27. Instagram: Julian Hoeber, María Elena Ortiz, Tyler Green.

Joan Jonas, now 88, has been a celebrated artist since the late 1960s. But it wasn't until 2024 that she received her crowning recognition in the U.S., when New York's Museum of Modern Art organized a major retrospective of her work. The arts icon splits her time between a Soho loft in NYC, and the "magical landscape" of Cape Breton, where she can be by her muse: the ocean. As she tells IDEAS producer Mary Lynk, "We come from the sea. It's not a memory. It's a feeling. It's in our DNA."Part of Jonas' MoMA retrospective called Moving Off the Land II has been acquired by the National Gallery of Canada and the Art Gallery of Nova Scotia. The exhibit will tour across Canada this summer, beginning in Cape Breton.

Brian Brady worked 35 years in law enforcement with four departments in two states.He worked every rank and assignment from Patrol Officer to Chief of Police. Brian did 10 years as the Vice President of Corporate Security for NBCUniversal in Los Angeles and also was Director of Security for the San Francisco Museum of Modern Art. He has authored three crime/fiction books centered in the San Francisco Bay Area. ProForce Law Enforcement - Instagram @proforcelawenforcement / 1-800-367-5855 Special Discount Link for TPS listeners! http://tps.proforceonline.com   Check out Brian's popular novels at https://www.goldengatetales.com   Contact Steve - steve@thingspolicesee.com Support the show by joining the Patreon community today! https://www.patreon.com/user?u=27353055

What role should art play in a classical education—and how do we teach it well? In this episode, Kyle Janke, author of _A Classical History of Art_ , joins the team to explore the visual arts—sculpture, architecture, and painting—through the lens of Western art history. From the ancient world to the Renaissance, they trace a broad Western art history timeline and discuss how engaging with great art forms students' hearts as well as minds.   The conversation covers teaching art history, how to evaluate beauty, and why classical art still matters in a modern world. You'll hear reflections on personal encounters with art, the distinction between modern art vs. classical art, and practical tips for teachers and parents alike. Whether you're new to art history or a longtime fan of classical education, this episode will deepen your appreciation for the Good, the True, and the Beautiful.   *What We're Reading* from This Episode:  _Mythology_—Edith Hamilton (Martin) _Huckleberry Finn_—Mark Twain (Tanya)   _James_—Percival Everett (Tanya)   _The River War_—Winston S. Churchill (Kyle)   _The Samurai_—Shusaku Endo (Kyle)  

Ep. 330: David Schwartz on A Theater Near You series at MoMA + Nitrate Picture Show 2025 Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The repertory cinemas of New York were a formative influence on me and so I was excited to see a new film series at the Museum of Modern Art that surveys their programming, called A Theater Near You. David Schwartz, the former chief curator at the Museum of the Moving Image, guest-programmed the series, and he joins the podcast to talk about how the specific films in the program capture the particular flavors of New York cinemas past, such as the Bleecker Street Cinema, the Public, and the pioneering Cinema 16, brainchild of New York Film Festival co-founder Amos Vogel. Then on the second half of our chat, Schwartz talks about the latest Nitrate Picture Show at the George Eastman Museum, the festival that shows exclusively nitrate prints, including La Ronde, The Destroyers of Our Gardens, and more. “A Theater Near You” runs through July 11 at the Museum of Modern Art. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

This latest episode of the "Moms of the Lou" podcast features local St. Louis mom and art educator, Colleen Fitzsimmons-Wiviott. Colleen shares her journey from being a St. Louis native, studying on the east coast, and then returning to St. Louis as an art educator. Colleen highlights her experience with the St. Louis Art Museum's teen assistant program and her subsequent career in museum education. She discusses her transition to freelance work, focusing on early childhood art education through her business, Start with Art. Colleen offers tips for parents on encouraging creative activities at home without the mess, emphasizing the importance of making art accessible and enjoyable for both children and parents. Check out Colleen's blog post on A Guide to Visiting Art Museums with Kids.We are so grateful to Foss Swim School for sponsoring this episode. At FOSS swim lessons are more than strokes and kicks. They're about building water safety, confidence and love of water that lasts a lifetime, whether your kiddo is just getting started, or looking to level up their skills. It's easier than ever to fit swim lessons into your family's routine. Find the class that fits your family or schedule your free preview lesson today!A native of St. Louis, Colleen lives in Clayton with her husband, two kids, and rescue dog. She has worked in museum and art education for the past ten years and is the founder of Start With Art, which provides early childhood art workshops and classes around town. She is passionate about helping children discover their own creative processes while building community through art. When she's not lesson planning, teaching, or momming, you can find her baking treats for her family, visiting the farmers' market, or checking out all the amazing art exhibitions and performances St. Louis has to offer. Visit startwithartstl.com or follow on Instagram @startwithartstl!We hope you enjoyed this podcast episode! To learn more about Moms of the Lou you can go to stlouismom.com or follow us on Instagram and Facebook. You can listen to the podcast on Apple Podcast and Spotify. And don't forget to rate and review so more people can tune in! This episode was produced by the St. Louis Mom. It was recorded and edited by Half Coast Studios in St. Louis, Missouri. Music composed by Trina Harger.

Paul Seawright is Professor of Photography and Deputy Vice Chancellor at Ulster University in Northern Ireland. His photographic work is held in many museum collections including The Irish Museum of Modern Art, Tate, San Francisco Museum of Modern Art, International Centre of Photography New York, Arts Councils of Ireland, England and N.Ireland, UK Government Collection and the Museum of Contemporary Art Rome. In 2002 he was commissioned by the Imperial War Museum London to undertake a war art commission in Afghanistan and his photographs of battle-sites and minefields have subsequently been exhibited in North America, Canada, Ireland, Spain, France, Germany, Korea, Japan and China. In 2003 he represented Wales at the Venice Biennale of Art and in 1997 won the Irish Museum of Modern Art/Glen Dimplex Prize. He is represented by the Kerlin Gallery Dublin.Paul was appointed Officer of the Order of the British Empire (OBE) in the 2020 Birthday Honours for services to higher education and the arts. In episode 258, Paul discusses, among other things:The influence of studying at Farnham..and Martin Parr……And being at NewportNot taking a position‘Allusive documentary'The danger of losing the meaningThe ethical considerations of working on foreign soilThe essential business of researchHow do you find your next project?His USA projects Volunteer and Things Left UnsaidThe importance of titlesHis work from Rwanda, Beasts of Burden Referenced:Thomas Joshua CooperAnna Fox (Ep. 166)Ken Grant (Ep. 128)Chris ShawMartin Parr (Eps. 91 & 197)Peter Fraser (Ep. 172)Paul Graham (Ep. 149)Jem Southam (Ep. 174)Chris Killip (Ep. 94)Victor BurginAnne WilliamsNewportDaniel Meadows (Ep. 116)Clive LandenIvor Prickett (Ep.204)Anastasia Taylor Lind (Ep.68)Rich GilliganJames MollisonPaul VirilloParr and BadgerRobert Adams, The New WestIan Walker, Desert Stories, or Faith In FactsBaudrillardCalvino, Invisible CitiesGilles Peress The SilenceAlfredo JaarFergal KeaneBrian Keenan Website | Instagram EPISODE SPONSOR: CHARCOAL WORKSHOPS. THE ‘SUMMER SERIES' TAKING PLACE IN PORTLAND, MAINE, SEPTEMBER 15-19, 2025. FEATURING: ANTOINE D'AGATA, TODD HIDO AND CHRISTIAN PATERSON. SIGN UP AT THE LINK! “‘Allusive documentary' is probably a good way to think about it. For me, it's really about - and this is the bit that goes back to my experience of photography in Northern Ireland, which was all about dramacentric imagery - how you can make photographs that have a documentary subject (that might be the closest I come to being a documentarian, that I work with the subject of documentary photography) but with the methodology of an artist. That's kind of the way I like to frame it, and I think that follows through to the work which is nearly always conceived for the gallery wall.” Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

In this episode of PhotoWork with Sasha Wolf, Sasha welcomes two extraordinary guests: artist and curator Justine Kurland and Marina Chao, a curator at CPW. Together, they discuss their collaboration on The Rose, an exhibition that explores collage as a feminist form, strategy, and genealogy. Featuring works by over fifty contemporary artists and key figures from the 1960s and 1970s, the exhibition examines collage as both a means of world-building and a survival strategy in times of crisis. Sasha, Justine, and Marina delve into the layered responsibilities of artists and discuss the assumption that interpreting a straightforward photograph is inherently simpler than reading and interpreting conceptual art. https://www.justinekurland.com https://cpw.org/staff/ https://cpw.org/exhibition/the-rose/ Justine Kurland is an artist known for her utopian photographs of American landscapes and the fringe communities, both real and imagined, that inhabit them. Her early work comprises photographs, taken during many cross-country road trips, that counter the masculinist mythology of the American landscape, offering a radical female imaginary in its place. Her recent series of collages, SCUMB Manifesto, continues to make space for women by transforming books by canonized male photographers through destruction and reparation. Kurland's work has been exhibited at museums and galleries in the United States and abroad. Her work is included in permanent collections of the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum of Art, New York; Museum of Modern Art, New York; Carnegie Museum, Pennsylvania; Getty Museum, California; National Gallery of Art, Washington, D.C.; and the Museum of Fine Arts, Montreal, among others. She works with Higher Pictures in New York. Marina Chao has previously held curatorial positions at the International Center of Photography and the Museum of Modern Art in New York. As assistant curator at ICP she organized the exhibition Multiply, Identify, Her (2018) and contributed to the publication Public, Private, Secret: On Photography and the Configuration of Self (Aperture and ICP, 2018). She was awarded a 2019 Curatorial Research Fellowship from the Andy Warhol Foundation for the Visual Arts for Seeing Meaning, a project exploring the intersections of image, language, and technology.

In Episode 253 we give our hot take review on Inis covering the mechanisms, the production, and our overall feelings of the game.We discuss a poll on gamer types and then talk about some games that have been on our tables including Modern Art, Cribbage, and Bomb Busters.Timestamps:00:00 Introduction00:25 Poll Time: What type of board gamer do you consider yourself?08:09 Inis Description11:50 Gameplay and Mechanisms26:04 Production and Theme32:39 Final Thoughts44:27 Modern Art and Cheeky Monkey51:16 Cribbage1:00:11 Bomb Busters1:09:32 Listener ShoutoutIf you enjoy the show, please consider supporting us at https://www.patreon.com/boardgamehottakesFollow us on BlueSky: https://bsky.app/profile/boardgamehottakes.bsky.socialJoin our Board Game Arena Community: https://boardgamearena.com/group?id=11417205Join our Discord server at:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/vMtAYQWURd

We manage to talk about books, a lanyard, art and a beautiful waterway, all while Michael dyes his beard. As always, please send your recommendations to our instagram @makingthecutpodcast.Simpler - https://simplerhaircolor.comPaddington Basin - https://en.wikipedia.org/wiki/Paddington_BasinLazy Lanyard - https://www.lazylanyard.co.uk/Katie Piper - https://www.youtube.com/watch?v=NsB8cf12lcoStill Beautiful - https://www.amazon.co.uk/Still-Beautiful-Beauty-Owning-Space/dp/0241722594Donna Ashworth - https://donnaashworth.com/Kate Muir - https://katemuir.co.uk/Falling Upward - https://www.amazon.co.uk/Falling-Upward-Spirituality-Halves-Life/dp/0281068917Elrow - https://elrow.com/enRated Modern Art - https://www.instagram.com/ratedmodernart/?hl=enTips for your Tits - https://www.instagram.com/tipsforyourtits/Naughty AF - https://noughtyaf.com/products/noughty-non-alcoholic-rose?srsltid=AfmBOorQokvi0xyEWeQEVWGuGm8gb72dkTs-HI--GYNOonIe8KBfeNdZ Hosted on Acast. See acast.com/privacy for more information.

Episode No. 710 features curator Timothy Anglin Burgard and artist Tony Lewis. Burgard is the curator of "Wayne Thiebaud: Art Comes from Art" at the Legion of Honor in San Francisco. The exhibition details how Thiebaud drew ideas from and reimagined European and US artworks both old and new. It is on view through August 17. A superb catalogue was published by the Fine Arts Museums of San Francisco in association with University of California Press. Amazon and Bookshop offer it for $54-60. Lewis is featured in "What drawing can be: four responses" at the Menil Collection's Menil Drawing Institute, Houston. The exhibition, which also offers work by Jillian Conrad, Teresita Fernández, and Constantin Luser, presents ways in which the four artists stretch the boundaries of drawing and offer new ideas of what it can be. It's on view through August 10. The gallery guide is available here. Lewis' work examines the relationship between semiotics and language as a means to confront subjects such as race, power, communication, and labor. His solo exhibition credits include the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, and the Rose Art Museum, Brandeis University. His work is in the collection of museums such as the Art Institute of Chicago, the Museum of Contemporary Art, Chicago, the Studio Museum in Harlem, and the Museum of Modern Art, New York. Instagram: Tony Lewis, Tyler Green.

Nigerian born but living in America since the age of one, Odili Donald Odita's work explores color on the grand scale and his hard-edge large paintings and mural installations have redefined abstract painting in the context of sociopolitical concerns. Most of Odita's work is inspired by the vibrant textiles of his home country, Nigeria, mixed with patterns from Western modernity. He has exhibited his work prolifically in important museums and galleries around the world including a recent large installation at the Museum of Modern Art in New York City. He has also been an important critic, writer, and lecturer at major institutions including Yale University and his present position as Professor of Painting at the Tyler School of Art and Architecture, Temple University in Philadelphia.

Fluent Fiction - Norwegian: Bridging Eras: Modern Art Finds Harmony in Vigelandsparken Find the full episode transcript, vocabulary words, and more:fluentfiction.com/no/episode/2025-06-08-22-34-02-no Story Transcript:No: Solen skinner over Vigelandsparken i Oslo.En: The sun shines over Vigelandsparken in Oslo.No: Fuglene kvitrer, og det er en svak bris som rusler mellom trærne.En: Birds are chirping, and there is a gentle breeze that meanders through the trees.No: Parken er fylt med Gustav Vigelands skulpturer, vakre og tidløse.En: The park is filled with Gustav Vigeland's sculptures, beautiful and timeless.No: Midt i dette stille skjønnhetens paradis står Sigrid, tankefull.En: In the midst of this serene paradise of beauty stands Sigrid, thoughtful.No: Sigrid er en dyktig kunstkurator.En: Sigrid is a skilled art curator.No: Hun drømmer om å bringe samtidskunst til parken.En: She dreams of bringing contemporary art to the park.No: Hun mener kunsten kan inspirere mennesker, få dem til å tenke nytt.En: She believes that art can inspire people, make them think in new ways.No: Men først må hun overbevise Kasper.En: But first, she must convince Kasper.No: Kasper er parkens ansvarlige.En: Kasper is the park's administrator.No: Han er bekymret for at moderne kunst vil forstyrre parkens tradisjonelle atmosfære.En: He is concerned that modern art will disturb the park's traditional atmosphere.No: Sigrid møter Kasper en tidlig morgen.En: Sigrid meets Kasper early one morning.No: Hun har en plan.En: She has a plan.No: "Jeg forstår dine bekymringer," sier hun.En: "I understand your concerns," she says.No: "Men la meg vise deg hvordan moderne kunst kan komplementere Vigelands skulpturer.En: "But let me show you how modern art can complement Vigeland's sculptures."No: " Kasper lytter nøye, men han er fortsatt skeptisk.En: Kasper listens carefully, but he is still skeptical.No: Sigrid arrangerer en liten utstilling.En: Sigrid organizes a small exhibition.No: Hun plasserer nøye utvalgte kunstverk rundt parkens skulpturer.En: She carefully places selected artworks around the park's sculptures.No: Hver bit av samtidskunst er valgt for å fremheve, ikke overgå, Vigelands mesterverk.En: Each piece of contemporary art is chosen to highlight, not overshadow, Vigeland's masterpieces.No: Kasper går gjennom parken, ettertenksom.En: Kasper walks through the park, pensive.No: Kasper stopper foran en skulptur omgitt av Sigrids kunstverk.En: Kasper stops in front of a sculpture surrounded by Sigrid's artworks.No: Han ser hvordan de moderne stykkene spiller på linjene og skygger av Vigelands arbeider.En: He sees how the modern pieces play on the lines and shadows of Vigeland's works.No: Lyset danser mellom dem, en fusjon av gammelt og nytt.En: The light dances between them, a fusion of old and new.No: Kasper smiler, et lite smil.En: Kasper smiles, a small smile.No: Han begynner å se potensialet.En: He begins to see the potential.No: "Du har rett, Sigrid," sier han til slutt, "dette er virkelig noe spesielt.En: "You are right, Sigrid," he finally says, "this really is something special.No: Jeg kan se hvordan dette kan berike parkens opplevelse.En: I can see how this can enrich the park's experience."No: " Sigrid puster lettet ut.En: Sigrid exhales with relief.No: Hun klarte det.En: She did it.No: Med Kaspers godkjenning begynner Sigrid å planlegge den store utstillingen.En: With Kasper's approval, Sigrid begins to plan the grand exhibition.No: Hun har lært å tydelig dele sin visjon.En: She has learned to articulate her vision clearly.No: Kasper, på sin side, har fått en ny forståelse for verdien av innovasjon.En: Kasper, for his part, has gained a new appreciation for the value of innovation.No: Vigelandsparken vil nå skinne enda klarere, med kunst fra fortid og nåtid, side om side.En: Vigelandsparken will now shine even brighter, with art from the past and present, side by side.No: Solen går sakte ned, og en ny mulighet gryr i parken.En: The sun slowly sets, and a new opportunity dawns in the park.No: Sigrid og Kasper står side om side, i felles forventning om hva som skal komme.En: Sigrid and Kasper stand side by side, with shared anticipation for what is to come.No: Det er et nytt kapittel for Vigelandsparken.En: It is a new chapter for Vigelandsparken.No: En sommerbrise bærer deres håp og drømmer videre, gjennom trærne og ut i verden.En: A summer breeze carries their hopes and dreams onward, through the trees and out into the world. Vocabulary Words:shines: skinnerchirping: kvitrergentle: svakbreeze: brismeanders: ruslersculptures: skulpturertimeless: tidløseserene: stilleparadise: paradisthoughtful: tankefullcurator: kunstkuratorcontemporary: samtidskunstinspire: inspirereconvince: overbeviseadministrator: ansvarligeconcerned: bekymretdisturb: forstyrrecomplement: komplementereskeptical: skeptiskexhibition: utstillinghighlight: fremheveovershadow: overgåpensive: ettertenksomfusion: fusjonenrich: berikerelief: lettetarticulate: deleanticipation: forventningchapter: kapittelopportunity: mulighet

I am so excited to say that my guest on the GWA podcast is the renowned psychologist Lisa Wenger, who is also – very excitingly – the niece of the artist we are going to be discussing today: Meret Oppeheim! Having collected and copied thousands of letters, notes, and documents from acquaintances of the German-Swiss artist – famed for her paintings, sculptures, collages, and more, who was commonly associated with the Surrealists – Wenger is something of a world expert on her aunt. The author and co-author of numerous books, including the award-winning “do not wrap words in poisonous letters” as well as “Meret Oppenheim - My Album” - Wenger is also responsible for updating the catalogue raisonne of her aunt, and co-running the estate, which has of late seen Oppenheim have major retrospectives at the Museum of Modern Art, Kunstmuseum Bern, and others that has put the trailblazing artist firmly in the spotlight. Born in 1913 in Berlin, at the inception of the first world war, Oppenheim was raised with her maternal grandmother in Switzerland. An interest in Jung as a teenager led to her life-long fascination with dreams, informing her art practice and involvement with the surrealists, who she met in Paris after venturing there aged 18 in the 1930s. Here, she created some of her most iconic artworks, such as the fur-lined teacup and saucer which she called Object (1936), that attracts as it does repulses and still divides opinion today, and ‘my nurse', a pair of white high-heeled shoes turned upside-down to evoke a chicken on a tray, which plays with gender stereotypes, femininity and the domestic sphere. But, with the outbreak of the second world war, it was back to Switzerland, which proved to be a very different environment to Paris… But, never not creating, Oppenheim made dream-like paintings, sculptures, and collages that reflected her dreams, as well as a woman stifled by her lack of freedom. Over the decades, Oppenheim built up a output that would become some of the most pioneering in Europe, after all, she said: “nobody will give you freedom, you have to take it” Today, I meet Lisa in Casa Constanza, in Carona, surrounded by Meret's possessions and spirit - and ahead of the new exhibition at Hauser & Wirth (4 June – 19 July 2025). Let's find out more! https://www.hauserwirth.com/hauser-wirth-exhibitions/meret-oppenheim/ -- THIS EPISODE IS GENEROUSLY SUPPORTED BY THE LEVETT COLLECTION: https://www.famm.com/en/ https://www.instagram.com/famm_mougins // https://www.merrellpublishers.com/9781858947037 Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Music by Ben Wetherfield

Glenn Lowry became the sixth director of The Museum of Modern Art, New York (MoMA) in 1995. He has overseen the physical transformation of the Museum's campus through two building campaigns that have more than doubled the size of MoMA's galleries, quintupled its endowment, created an education and research center, and inspired a new model for the presentation of modern and contemporary art. Lowry has championed innovation, both onsite and online, to grow MoMA's annual visitation to nearly 3 million in the galleries and 35 million across moma.org. He expanded the Museum's curatorial departments, with the addition of Media and Performance, and supported MoMA's intellectual growth by creating new research programs like Contemporary and Modern Art Perspectives (CMAP).In 2000, he led the merger of MoMA with the contemporary art center PS1, and in 2015, he worked with Thelma Golden to introduce a joint fellowship program with the Studio Museum in Harlem for rising professionals in the arts. Lowry is a strong advocate of contemporary artists and their work and he has lectured and written extensively in the support of contemporary art, on the role of museums in society, and on other topics related to his research interests. He currently serves on the boards of The Robert Rauschenberg Foundation, the Clark Art Institute, the Art Bridges Foundation and The Kiran Nadar Museum of Art, as well as on the advisory boards of the Istanbul Modern and the Mori Art Museum. Lowry is a fellow of the American Academy of Arts and Sciences and a resident member of the American Philosophical Society.He and Zuckerman discuss courting risk, creating the time to think, controlling the process, professional guidelines, the goal for museums to be independent and private enterprises, thinking that opens possibilities, being fearless, passion, and why art matters!

Fluent Fiction - Danish: The Art of Discovery: A Shared Journey to Recognition Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2025-06-01-22-34-02-da Story Transcript:Da: Solen skinnede klart på Arken Museum of Modern Art.En: The sun shone brightly on the Arken Museum of Modern Art.Da: Det var en varm sommerdag, og Søren og Freja gik gennem de lyse sale.En: It was a warm summer day, and Søren and Freja walked through the bright halls.Da: Søren, en ivrig kunsthistoriker, kunne ikke skjule sin spænding.En: Søren, an eager art historian, could not hide his excitement.Da: Freja, med drømmen om at blive en anerkendt kunstner, gik stille ved siden af ham, optaget af farverne og formerne omkring hende.En: Freja, with the dream of becoming a recognized artist, walked quietly beside him, captivated by the colors and shapes around her.Da: Museet var fyldt med innovative og abstrakte værker.En: The museum was filled with innovative and abstract works.Da: Søren stoppede ved et maleri.En: Søren stopped at a painting.Da: Noget ved det fangede hans opmærksomhed.En: Something about it caught his attention.Da: Freja, der bemærkede hans stilhed, kiggede også.En: Freja, noticing his silence, looked too.Da: "Hvad ser du?" spurgte hun nysgerrigt.En: "What do you see?" she asked curiously.Da: "Det er et mesterværk," svarede Søren.En: "It's a masterpiece," replied Søren.Da: "Det kunne være en uopdaget perle."En: "It could be an undiscovered gem."Da: Freja så fascineret på det.En: Freja gazed at it, fascinated.Da: Hendes kreative sind begyndte straks at væve en historie.En: Her creative mind immediately began to weave a story.Da: "Vi skal fortælle verden," sagde hun.En: "We must tell the world," she said.Da: Men nu begyndte de to venner at tænke over konsekvenserne.En: But now the two friends began to consider the consequences.Da: Søren ønskede at verificere maleriet med sin professor.En: Søren wanted to verify the painting with his professor.Da: Denne opdagelse kunne fremme hans akademiske karriere.En: This discovery could advance his academic career.Da: Freja derimod tænkte på sin journalistven, der kunne offentliggøre deres fund.En: Freja, on the other hand, thought about her journalist friend who could publish their finding.Da: Begge ønskede anerkendelse, men af forskellige årsager.En: Both wanted recognition, but for different reasons.Da: Mens de stod der, opstod der en spænding.En: As they stood there, tension arose.Da: "Vi skal tage en beslutning," sagde Søren bestemt.En: "We need to make a decision," said Søren decisively.Da: "Hvis vi holder det hemmeligt for længe, kan vi miste retten til opdagelsen."En: "If we keep it secret too long, we might lose the right to the discovery."Da: Freja tænkte over hans ord.En: Freja considered his words.Da: "Men hvad nu hvis vi fokuserer på historien først?En: "But what if we focus on the story first?Da: Mit kunstværk kunne fange folks opmærksomhed."En: My artwork could capture people's attention."Da: De diskuterede højlydt foran maleriet. Deres stemmer steg i en følelsesladet dialog.En: They argued loudly in front of the painting, their voices rising in an emotional dialogue.Da: De indså, at deres forskellige mål skabte en barriere mellem dem.En: They realized that their different goals created a barrier between them.Da: Men dybt inde vidste de begge, at de skulle træffe en beslutning sammen.En: But deep inside, they both knew they had to make a decision together.Da: Til sidst sagde Søren stille: "Vi burde arbejde sammen.En: Finally, Søren said quietly, "We should work together.Da: Din kunst og min viden. En samarbejdet historie."En: Your art and my knowledge. A collaborative story."Da: Freja nikkede langsomt.En: Freja nodded slowly.Da: "Ja, lad os gøre det.En: "Yes, let's do that.Da: Vi rapporterer først efter vi har skabt noget sammen."En: We report only after we've created something together."Da: De gik hånd i hånd mod udgangen, uden at vide hvilke døre denne opdagelse kunne åbne for dem begge.En: They walked hand in hand towards the exit, not knowing which doors this discovery could open for them both.Da: De havde lært, at succes ikke kun kommer fra individuel præstation, men også fra at arbejde sammen.En: They had learned that success does not come only from individual achievement but also from working together.Da: Pludselig føltes museet ikke kun som en bygning fuld af kunst – men et sted, hvor deres fælles rejse startede.En: Suddenly, the museum didn't feel like just a building full of art anymore – but a place where their shared journey began.Da: Og således, i solen udenfor museet, planlagde de deres næste skridt sammen, fyldt med håb og inspiration.En: And so, in the sunlight outside the museum, they planned their next steps together, filled with hope and inspiration. Vocabulary Words:shone: skinnedebrightly: klarteager: ivrighistorian: kunsthistorikerexcitement: spændingcaptivated: optagetinnovative: innovativecuriously: nysgerrigtmasterpiece: mesterværkundiscovered: uopdagetgem: perlefascinated: fascineretweave: væveverify: verificereconsequences: konsekvenseradvance: fremmeacademic: akademiskerecognition: anerkendelsetension: spændingdecisively: bestemtemotional: følelsesladetdialogue: dialogbarrier: barrierecreative: kreativecollaborative: samarbejdetachievement: præstationjourney: rejseinspiration: inspirationcapture: fangepublish: offentliggøre

Episode 476 / Zak PrekopZak Prekop (b. 1979, Chicago) is a Hudson Valley-based painter known for his intricate, nonrepresentational works. He holds an MFA from The School of the Art Institute of Chicago and a BFA from Carnegie Mellon University. Prekop has had solo exhibitions at Maxwell Graham Gallery, New York; Galería Marta Cervera, Madrid; Shane Campbell Gallery, Chicago; and Hagiwara Projects, Tokyo. His work is held in collections at the Walker Art Center, the Columbus Museum of Art, the Museum of Modern Art and the Carnegie Museum of Art. Notable group exhibitions include File Under Freedom at Bergen Kunsthall; Painter, Painter at the Walker Art Center and Greater New York at PS1. Prekop's first museum exhibition opens at the Aldrich Contemporary Art Museum in Ridgefield, CT in June.

Andrew Klavan is an American novelist, screenwriter, and video satirist. He is known for his political and cultural commentary on Daily Wire's The Andrew Klavan Show.

Decision Space is the podcast about decisions in board games. Join our active and welcoming Discord community, Join the crew today! (Decision Space Patreon), or Leave us a review wherever you find this podcast! Episode 216 - Innovation and Games without Guard Rails (Look Mom, No Hands!) Look mom, no hands! Brendan and Pete are diving into a discussion without guard rails (games) and then review Carl Chudyk's, Innovation. Timestamps Show Business - 0:00 Games without Guard Rails - 3:08 Innovation - 20:54   Games Mentioned lost ruins of arnak, Keyforge, Magic: the Gathering, Tigris & Euphrates, Modern Art, Root, and Innovation Preplanners Game design discussion on balancing for player count hosted by Paul coming up soon?! Also, "wow" factor in games!   Music and Sound Credits Thank you to Hembree for our intro and outro music from their song Reach Out. You can listen to the full song on YouTube here: https://www.youtube.com/watch?v=gQuuRPfOyMw&list=TLGGFNH7VEDPgwgyNTA4MjAyMQ&t=3s You can find more information about Hembree at https://www.hembreemusic.com/.  Thank you to Flash Floods for use of their song Palm of Your Hand as a sting from their album Halfway to Anywhere: https://open.spotify.com/album/2fE6LrqzNDKPYWyS5evh3K?si=CCjdAGmeSnOOEui6aV3_nA Rules Overview Music:  Way Home by Tokyo Music Walker https://soundcloud.com/user-356546060​ Creative Commons — Attribution 3.0 Unported — CC BY 3.0 Free Download / Stream: https://bit.ly/tokyo-music-walker-way...​ Music promoted by Audio Library https://youtu.be/pJThZlOuDtI Intermission Music: music elevator ext part 1/3 by Jay_You -- https://freesound.org/s/467243/ -- License: Attribution 4.0 Bell with Crows by MKzing -- https://freesound.org/s/474266/ -- License: Creative Commons 0 hammer v2.wav by blukotek -- https://freesound.org/s/337815/ -- License: Creative Commons 0   Contact Follow and reach us on social media on Bluesky @decisionspace.bsky.social. If you prefer email, then hit us up at decisionspa@gmail.com. This information is all available along with episodes at our new website decisionspacepodcast.com. Byeee!

Fluent Fiction - Catalan: Springtime Secrets: Love and Art Blend in Barcelona Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ca/episode/2025-05-24-22-34-00-ca Story Transcript:Ca: A Barcelona, la primavera omplia els carrers amb el seu color i alegria.En: In Barcelona, the spring filled the streets with its color and joy.Ca: Al Museu d'Art, la llum del sol entrava pels grans finestrals, creant patrons de llum i ombres sobre el terra de marbre.En: At the Museu d'Art, the sunlight entered through the large windows, creating patterns of light and shadows on the marble floor.Ca: El museu estava ple d'amants de l'art que contemplaven les obres mestres.En: The museum was full of art lovers who were admiring the masterpieces.Ca: En Oriol, un apassionat de l'art, deambulava pel museu amb un objectiu especial.En: Oriol, a passionate art lover, was wandering through the museum with a special objective.Ca: Volia trobar el regal perfecte per a la seva amiga, la Clara.En: He wanted to find the perfect gift for his friend, Clara.Ca: Feia temps que se sentia atret per ella, però mai havia trobat el valor per expressar els seus veritables sentiments.En: He had long been attracted to her but had never found the courage to express his true feelings.Ca: Llavors va pensar que, potser, un regal ben escollit podria ser la forma d'iniciar una conversa més personal.En: Then he thought that maybe a well-chosen gift could be the way to start a more personal conversation.Ca: Després de recórrer diverses sales, Oriol va entrar a la botiga del museu.En: After going through several rooms, Oriol entered the museum shop.Ca: Les prestatgeries estaven plenes de prints artístics, llibres i records que celebraven el patrimoni artístic de Barcelona.En: The shelves were full of artistic prints, books, and souvenirs celebrating the artistic heritage of Barcelona.Ca: En Oriol examinava els prints, intentant imaginar quin podria agradar més a la Clara.En: Oriol was examining the prints, trying to imagine which one would please Clara the most.Ca: Però la varietat el desconcertava i temia equivocar-se.En: But the variety overwhelmed him, and he feared making the wrong choice.Ca: Al seu costat, l'Adrià, el seu amic de confiança, feia broma sobre la dificultat de trobar el regal adequat.En: Beside him, Adrià, his trusted friend, jokingly commented on the difficulty of finding the right gift.Ca: "Què tal si compres alguna cosa de Gaudí? És un clàssic!"En: "How about buying something by Gaudí? It's a classic!"Ca: Però Oriol sabia que volia alguna cosa més especial, una cosa que mostrés les seves veritables emocions.En: But Oriol knew he wanted something more special, something that showed his true emotions.Ca: En aquell moment, va recordar una conversa amb la Clara mentre passejaven pel Parc de la Ciutadella.En: At that moment, he remembered a conversation with Clara while they were walking in the Parc de la Ciutadella.Ca: Ella li havia parlat del seu interès per l'art modern i de com li agradaven les obres atrevides i innovadores.En: She had talked about her interest in modern art and how she liked bold and innovative works.Ca: Aquell record li va donar una idea.En: That memory gave him an idea.Ca: Finalment, els seus ulls es van detenir en un print modern, ple de colors vius i formes peculiars.En: Finally, his eyes stopped on a modern print, full of vibrant colors and peculiar shapes.Ca: Era arriscat, però li va recordar aquella conversa especial amb la Clara.En: It was risky, but it reminded him of that special conversation with Clara.Ca: Decidit, va agafar el print i el va portar a la caixa.En: Decided, he picked up the print and took it to the checkout.Ca: L'endemà, es van trobar al parc i Oriol li va lliurar el regal.En: The next day, they met at the park, and Oriol handed her the gift.Ca: Clara va somriure, sorpresament emocionada.En: Clara smiled, surprisingly delighted.Ca: "M'encanta!" va dir ella, i en aquell moment, Oriol va sentir un impuls de confiança.En: "I love it!" she said, and at that moment, Oriol felt a surge of confidence.Ca: Amb el cor bategant, va decidir obrir-se.En: With his heart racing, he decided to open up.Ca: "Clara, hi ha una cosa que fa temps que et vull dir..." Les paraules van fluir finalment, sinceres i clares.En: "Clara, there's something I've been wanting to tell you for a long time..." The words finally flowed, sincere and clear.Ca: I així, la primavera no només va omplir els carrers de Barcelona, sinó també el cor valent d'Oriol, ara més segur de si mateix, capaç d'expressar els seus sentiments i construir un nou capítol, junts, amb la Clara.En: And so, the spring not only filled the streets of Barcelona, but also the brave heart of Oriol, now more self-assured, capable of expressing his feelings and building a new chapter, together, with Clara. Vocabulary Words:spring: la primaveracolor: el colorjoy: l'alegriasunlight: la llum del solwindow: el finestralpattern: el patróshadow: l'ombramarble: el marbreart lover: amant de l'artmasterpiece: l'obra mestracourage: el valorobjective: l'objectiufriend: l'amic / l'amigagift: el regalshelf: la prestatgeriasouvenir: el recordheritage: el patrimonitrust: la confiançabold: atrevit / atrevidainnovative: innovador / innovadorashape: la formacheckout: la caixadelighted: emocionadaconfidence: la confiançaheart: el corchapter: el capítolself-assured: segur de si mateixconversation: la conversafriendship: l'amistatwalk: el passeig

Episode 475 / Banks VioletteBanks Violette is an artist born in Ithaca, NY who lives and works in Ithaca, NY. He recieved his BFA from the School of Visual Arts  and an MFA from Columbia University. He's had numerous solo shows including ones at MoCa, Connecticut, Gladstone Gallery, Blum & Poe, Thaddeus Ropac, Maureen Paley, Team Gallery, Rodolphe Janssen, and the Whitney Museum to name just a few. He's had scores of group shows all over the globe from the Museum of Modern Art to the Warhol Museum and his work is in the collections of The Coppel Foundation, MexicoThe Ellipse Foundation, Portugal, The Centre Pompidou, Paris, France, Frank Cohen Collection, Manchester, England The Jumex Foundation, Mexico, Los Angeles County Museum of Art, Los Angeles, Migros Museum für Gegenwartskunst, Zurich, Switzerland Musée d'Art Moderne et Contemporain, Geneva, Switzerland Museum of Contemporary Art, Los Angeles, Museum of Modern Art, New York, The OverHolland Collection, Amsterdam, The Netherlands The Saatchi Collection, London, UK, The Solomon R. Guggenheim Museum, New York, Frederick R. Weisman Art Foundation, Los Angeles and the Whitney Museum of American Art, New York. 

Welcome to Rendering Unconscious – the Gradiva award-winning podcast about psychoanalysis & culture, with me, Dr Vanessa Sinclair. https://renderingunconscious.substack.com RU348: LIS HANSCOMBE ON THE CULTURE OF SILENCING IN PSYCHOANALYTIC INSTITUTES & BEYOND https://renderingunconscious.substack.com/p/ru348-lis-hanscombe-on-the-culture Rendering Unconscious episode 348. Rendering Unconscious welcomes Lis Hanscombe to the podcast! She's here to talk about her new book The Museum of Failure (2025), addressing the culture of silencing in psychoanalytic institutes and beyond. Read a review of the book HERE: https://www.tandfonline.com/doi/full/10.1080/14484528.2025.2492978?src=exp-la Elisabeth Hanscombe, who holds academic status at Flinders University, has published numerous short stories and essays in autobiography, psychoanalysis, testimony, trauma, and creative non-fiction. Her PhD, ‘Life writing and the desire for revenge' was accepted in 2012 and her first book The Art of Disappearing was published by Glass House books in 2017. Her next, The Museum of Failure, in February 2025. Follow her at her Blog: https://www.sixthinline.com Support her work at Substack: https://elisabeth107.substack.com Thank you for listening to Rendering Unconscious Podcast and for supporting my work by being a paid subscriber at Substack. It makes this work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including all new, future, and archival podcast episodes. https://renderingunconscious.substack.com News and events: THIS FRIDAY, Carl Abrahamsson and I will be leading a 2-hour workshop. This will be the 3rd workshop in our year long Sentient Solar Cycle. Each month on the 23rd, we look at the astrology, cycles of the moon, and seasonal shifts, consulting the runes and tarot. Our focus is how to integrate magical practices into daily life, working with natural cycles and one's own creative practices. After about an hour, we shift into the second part of the workshop, putting theory into praxis by focusing one's intentions for the upcoming month through guided meditation. More info & REGISTER HERE: https://vanessa23carl.substack.com/p/put-your-magic-into-practice-with Beginning Sunday, May 25th, I will be giving a 4-week online course via Morbid Anatomy Museum: The Cut in Creation: Exploring the Avant-Garde, Dada, Surrealism, Modern Art, Noise Music, and Performance Art through a Psychoanalytic Lens: https://www.morbidanatomy.org/classes/p/the-cut-in-creation-exploring-the-avant-garde-dada-surrealism-modern-art-noise-music-and-performance-art-through-a-psychoanalytic-lens-led-by-vanessa-sinclair-psyd If you are interested in entering into psychoanalytic treatment with me, seek clinical consultation, or wish to join the group I run for those who have relocated to another country, please feel free to contact me directly: vs [at] drvanessasinclair.net https://www.drvanessasinclair.net/ The song at the end of the episode is "Blissful Mirage (Out Of Reach)” from the album “Nervous Shakedown” by Vanessa Sinclair and Pete Murphy, featuring Little Annie on vocals. Available at Pete Murphy's Bandcamp Page: https://petemurphy.bandcamp.com Our music is also available at Spotify and other streaming services: https://open.spotify.com/artist/3xKEE2NPGatImt46OgaemY?si=jaSKCqnmSD-NsSlBLjrBXA Thank you.

Emoji are those little images you can send in text messages to friends and family. Nine-year-old Leila in New Jersey wants to know how they were invented. So in this episode we find out with Jane Solomon, editor at Emojipedia and Paul Galloway of the Museum of Modern Art in New York. We learn what the first emoji looked like, way back in the dark ages of the 1990s and we explore how emoji may be a new trend, but communicating through pictures is a very old tradition. Plus, are emoji…art? Give this episode a

Koyo Kouoh remembered, Queen Elizabeth II memorial, Jasper Johns by Robert StorrKoyo Kouoh, the Cameroon-born curator who was director of Zeitz Mocaa in Cape Town and had been invited to curate next year's Venice Biennale died on 10 May. There has been an outpouring of moving tributes to Kouoh from artists, curators and gallerists across the world, and Ben Luke speaks to Nolan Oswald Dennis, the Johannesburg-based artist who has a current show at Zeitz, and Liza Essers, the owner and director of Goodman Gallery, about her life and work. A design competition for the Queen Elizabeth II National Memorial in St James's Park in London has been launched, with five designs competing for the commission. We talk to Sandy Nairne, the former director of the National Portrait Gallery in London, who is on the committee tasked with choosing the winning design. And this episode's Work of the Week is Regrets, a painting from the series of that name made by Jasper Johns in 2013. The work is discussed in a new book of writings on Johns by the former curator at the Museum of Modern Art and of the Venice Biennale in 2007, Robert Storr. We speak to Storr about the work.Nolan Oswald Dennis: Understudies, Zeitz Mocaa, Cape Town, South Africa, until 27 July; Nolan Oswald Dennis: throwers, Gasworks, London, until 22 June.To see the five proposals for the Queen Elizabeth II National Memorial and give feedback visit competitions.malcolmreading.com/queenelizabethmemorial#overview. The opportunity to give feedback on the designs will close on 19 May.Robert Storr, Focal Points: Jasper Johns, HENI publishing, £19.99 (hb). Hosted on Acast. See acast.com/privacy for more information.

Welcome to Rendering Unconscious – the Gradiva award-winning podcast about psychoanalysis & culture, with me, Dr Vanessa Sinclair. https://renderingunconscious.substack.com Rendering Unconscious episode 347. RU347: CARTER CARTER ON ABOLISHING THE PSYCHOANALYTIC INSTITUTE: https://renderingunconscious.substack.com/p/ru347-carter-carter-on-abolishing Rendering Unconscious welcomes Carter J. Carter back to the podcast! He's here to talk about his upcoming event Abolish the Psychoanalytic Institute, part of Psychoanalytic Inquiry's Decentralized Learning Experiences. Tuesday, May 20th at 5:00 – 6:30 PM PT. https://www.psychoanalyticinquiry.com/event/abolish-the-psychoanalytic-institute/ Carter J. Carter, Ph.D, LICSW is a clinician, academic, and author. He has a private practice in psychotherapy and clinical supervision and a farm; he is the author of a number of recent psychoanalytic articles and a forthcoming book, “Bound to Lose: How Fascism Came for Psychoanalysis.” https://carterjcarter.com Support his work at Substack: https://carterjcarter.substack.com Thank you for listening to Rendering Unconscious Podcast and for supporting my work by being a paid subscriber at Substack. It makes this work possible. If you are so far a free subscriber, thanks to you too. Please consider becoming a paid subscriber to gain access to all the material on the site, including all new, future, and archival podcast episodes. https://renderingunconscious.substack.com Be sure to check out our previous discussions: RU319: FREUDO-ANARCHISM: PSYCHOANALYSIS & THE ANARCHIST TRADITION WITH CARTER J. CARTER, GOTTFRIED HEUER, SAUL NEWMAN, ALICIA VALDÉS & ZOÉ SAMUDZI @ THE RED CLINIC RU298: ON PALESTINE & PSYCHOANALYSIS WITH CARTER CARTER, MOLLY MERSON, ISABEL MILLAR, IAN PARKER, RAZZAN QURAN, AVGI SAKETOPOULOU, LARA SHEEHI & VANESSA SINCLAIR RU254: ON THE STATE OF PSYCHOANALYSIS WITH CARTER CARTER, MARY KIM BREWSTER, MOLLY MERSON, ANN PELLEGRINI, AVGI SAKETOPOULOU, LARA SHEEHI, STEPHEN SHEEHI & VANESSA SINCLAIR RU229: CARTER J. CARTER PRESENTS “ALL THE RAGE: THE WHITENESS OF PSYCHOANALYSIS, AND WHAT IT CANNOT DARE TO SEE” RU227: CARTER CARTER & MARY KIM BREWSTER – OUR BEAUTIFUL STRUGGLE: DESTRUCTION, CREATION & PSYCHOANALYSIS News and events: Beginning Sunday, May 25th, Dr. Vanessa Sinclair will be giving a 4-week online course via Morbid Anatomy Museum: The Cut in Creation: Exploring the Avant-Garde, Dada, Surrealism, Modern Art, Noise Music, and Performance Art through a Psychoanalytic Lens: https://www.morbidanatomy.org/classes/p/the-cut-in-creation-exploring-the-avant-garde-dada-surrealism-modern-art-noise-music-and-performance-art-through-a-psychoanalytic-lens-led-by-vanessa-sinclair-psyd If you are interested in entering into psychoanalytic treatment with me, joining the group I run for those who have relocated to another country, or have other questions, please feel free to contact me directly: vs [at] drvanessasinclair.net https://www.drvanessasinclair.net/ Thank you.

In this episode, MoCP Executive Director, Natasha Egan, sits down with artist Christina Fernandez. The two discuss Christina's decades-long career in pushing the boundaries of photography, blending her personal history as a Mexican American woman with broader cultural narratives about migration, labor, and gender. Natasha and Christina additionally discuss a piece in the MoCP permanent collection by Sidian Liu. Christina Fernandez has been featured in exhibitions at the Whitney Museum of Art, the San Francisco Museum of Modern Art, the Los Angeles County Museum of Aart, the Getty, and MoMA New York, just to name a few. Ferndandez is a 2021 Latinx Artist Fellowship honoree. She is also an influential educator, currently serving as an associate professor at Cerritos College in Norwalk, California where she has been on faculty since 2001. Fernandez's exhibition Multiple Exposures, is on view at the DePaul Art Museum in Chicago from March 20 - August 3, 2025, and it the first major museum survey of her work and has traveled to institutions across the county for the last three years.

On this week's bonus episode, Fatenn Mostafa Kanafani tells me about her work in documenting, codifying, and cataloging her research in art. She's contributed a chapter in Daughters of the Nile, authored Modern Art in Egypt, and is now working on a third book. This episode is brought to you by ⁠EFG Hermes One⁠, your one app for investing in more than 35 stock markets worldwide. Chapters 0:00 Introduction 4:35 The Importance of Modern Egyptian Art 6:59 Exploring the Egyptian Avant-Garde Learn more about your ad choices. Visit megaphone.fm/adchoices

Cultural and Media CritiquesDisney's Hypocrisy and Cultural Influence (00:06:44 - 00:21:52)Travis exposes Disney's contradictory stance, operating a UAE theme park despite local anti-homosexuality laws while promoting progressive agendas in the U.S. He labels Disney a “grooming syndicate” driven by greed, citing Bob Iger's opposition to Florida's anti-grooming bill and inappropriate content in Star Wars: Andor as evidence of cultural manipulation.Critique of Modern Art and Hollywood (00:24:24 - 00:27:14)Travis denounces Hollywood and modern art for their soulless, ironic output, citing a Luigi Mangione musical as disrespectful. He accuses them of Marxist influences (e.g., Saul Alinsky) and spinelessness, failing to engage reality with depth or sincerity.Encouraging Christian Art (00:30:34 - 00:33:55)Travis calls for Christians to create art to counter demonic cultural influences, praising Doctor Universalis for its depiction of communion and emphasizing self-publishing's accessibility as a tool for cultural resistance.Hollywood's Decline and AI Art (00:36:29 - 00:39:07)Travis attributes Hollywood's decline to satanic influences and corporate control (e.g., BlackRock). He notes AI-generated art replicates vapid content, lacking depth and serving corporate quotas, reflecting a broader cultural decay.Political and Bureaucratic IssuesNew Pope's Background (01:03:09 - 01:06:25)Travis discusses the new American pope, Robert Prevost (Pope Leon XIV), highlighting his opposition to same-sex marriage and gender studies. He criticizes the media's focus on political metrics (e.g., Trump support) over theological substance.China-Russia Alliance (01:39:39 - 01:44:46)Travis warns of Xi Jinping and Putin's alliance to counter Western hegemony, noting their pursuit of power rather than anti-globalism. He predicts escalating U.S. conflict as a result of this geopolitical shift.Bureaucracy's Treason (01:50:50 - 01:54:22)Travis invokes Julien Benda's The Treason of the Clerics to critique intellectuals' political passions, calling Trump weak for failing to confront bureaucratic resistance and questioning his commitment to reform.War and Its ImpactsWar's Brutality in Storm of Steel (01:19:47 - 01:26:39)Travis reflects on Ernst Jünger's Storm of Steel, reading passages about World War I's romanticized yet brutal reality. He rejects notions of “safe” war, emphasizing its unchanging horror through vivid soldier experiences.Technology and SocietyAI in Courtroom (00:41:25 - 00:43:50)Travis finds an AI-generated victim impact statement in an Arizona courtroom alarming, warning of future psychological programming abuses and comparing it to dystopian scenarios.Automotive Industry (Eric Peters Interview)Loss of Driving Freedom (02:06:05 - 02:09:27)Travis and Eric lament the erosion of driving freedom due to regulations, high costs, and police presence. Eric sees an agenda to discourage car ownership, contrasting past affordability with modern constraints.Car Complexity and Debt Cycles (02:12:36 - 02:15:27)Eric and Travis critique modern cars' complexity and planned obsolescence, which trap consumers in debt. They view cars as shackles rather than symbols of freedom, reflecting broader societal control.Authoritarian Aesthetics (02:21:46 - 02:24:48)Eric links bland, uniform car designs to authoritarian ugliness (e.g., East Germany), while Travis mourns homogenized city skylines, both seeing a loss of beauty driven by regulatory and corporate forces.Follow the show on Kick and watch live every weekday 9:00am EST – 12:00pm EST https://kick.com/davidknightshow Money should have intrinsic value AND transactional privacy: Go to https://davidknight.gold/ for great deals on physical gold/silver For 10% off Gerald Celente's prescient Trends Journal, go to https://trendsjournal.com/ and enter the code KNIGHT Find out more about the show and where you can watch it at TheDavidKnightShow.comIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Become a supporter of this podcast: https://www.spreaker.com/podcast/the-david-knight-show--2653468/support.

Cultural and Media CritiquesDisney's Hypocrisy and Cultural Influence (00:06:44 - 00:21:52)Travis exposes Disney's contradictory stance, operating a UAE theme park despite local anti-homosexuality laws while promoting progressive agendas in the U.S. He labels Disney a “grooming syndicate” driven by greed, citing Bob Iger's opposition to Florida's anti-grooming bill and inappropriate content in Star Wars: Andor as evidence of cultural manipulation.Critique of Modern Art and Hollywood (00:24:24 - 00:27:14)Travis denounces Hollywood and modern art for their soulless, ironic output, citing a Luigi Mangione musical as disrespectful. He accuses them of Marxist influences (e.g., Saul Alinsky) and spinelessness, failing to engage reality with depth or sincerity.Encouraging Christian Art (00:30:34 - 00:33:55)Travis calls for Christians to create art to counter demonic cultural influences, praising Doctor Universalis for its depiction of communion and emphasizing self-publishing's accessibility as a tool for cultural resistance.Hollywood's Decline and AI Art (00:36:29 - 00:39:07)Travis attributes Hollywood's decline to satanic influences and corporate control (e.g., BlackRock). He notes AI-generated art replicates vapid content, lacking depth and serving corporate quotas, reflecting a broader cultural decay.Political and Bureaucratic IssuesNew Pope's Background (01:03:09 - 01:06:25)Travis discusses the new American pope, Robert Prevost (Pope Leon XIV), highlighting his opposition to same-sex marriage and gender studies. He criticizes the media's focus on political metrics (e.g., Trump support) over theological substance.China-Russia Alliance (01:39:39 - 01:44:46)Travis warns of Xi Jinping and Putin's alliance to counter Western hegemony, noting their pursuit of power rather than anti-globalism. He predicts escalating U.S. conflict as a result of this geopolitical shift.Bureaucracy's Treason (01:50:50 - 01:54:22)Travis invokes Julien Benda's The Treason of the Clerics to critique intellectuals' political passions, calling Trump weak for failing to confront bureaucratic resistance and questioning his commitment to reform.War and Its ImpactsWar's Brutality in Storm of Steel (01:19:47 - 01:26:39)Travis reflects on Ernst Jünger's Storm of Steel, reading passages about World War I's romanticized yet brutal reality. He rejects notions of “safe” war, emphasizing its unchanging horror through vivid soldier experiences.Technology and SocietyAI in Courtroom (00:41:25 - 00:43:50)Travis finds an AI-generated victim impact statement in an Arizona courtroom alarming, warning of future psychological programming abuses and comparing it to dystopian scenarios.Automotive Industry (Eric Peters Interview)Loss of Driving Freedom (02:06:05 - 02:09:27)Travis and Eric lament the erosion of driving freedom due to regulations, high costs, and police presence. Eric sees an agenda to discourage car ownership, contrasting past affordability with modern constraints.Car Complexity and Debt Cycles (02:12:36 - 02:15:27)Eric and Travis critique modern cars' complexity and planned obsolescence, which trap consumers in debt. They view cars as shackles rather than symbols of freedom, reflecting broader societal control.Authoritarian Aesthetics (02:21:46 - 02:24:48)Eric links bland, uniform car designs to authoritarian ugliness (e.g., East Germany), while Travis mourns homogenized city skylines, both seeing a loss of beauty driven by regulatory and corporate forces.Follow the show on Kick and watch live every weekday 9:00am EST – 12:00pm EST https://kick.com/davidknightshow Money should have intrinsic value AND transactional privacy: Go to https://davidknight.gold/ for great deals on physical gold/silver For 10% off Gerald Celente's prescient Trends Journal, go to https://trendsjournal.com/ and enter the code KNIGHT Find out more about the show and where you can watch it at TheDavidKnightShow.comIf you would like to support the show and our family please consider subscribing monthly here: SubscribeStar https://www.subscribestar.com/the-david-knight-showOr you can send a donation throughMail: David Knight POB 994 Kodak, TN 37764Zelle: @DavidKnightShow@protonmail.comCash App at: $davidknightshowBTC to: bc1qkuec29hkuye4xse9unh7nptvu3y9qmv24vanh7Become a supporter of this podcast: https://www.spreaker.com/podcast/the-real-david-knight-show--5282736/support.

What this Big Wigs episode lacks in a timely air date, it makes up for with life updates, strange confessions and big trending news.  Since recording the episode, an insane amount of things have happened like A new Pope hath been chosen and the MET Gala came and went. Anna and Dre recap their *cultured weekends* with a themed birthday party and a visit to the Museum of Modern Art. They break down their personality types and what is the big difference between A and B. Anna's got a big anniversary coming up and Dre is hoping to lock down Mother's Day plans. Then some talk about bad in-laws and weird snack habits. In trending topics, they discuss Conclave, Met Gala predictions and Syd Sween romance rumors. Also the world's most notorious father Nick Cannon announced he insured a body part for 10 million. So what body part should we insure? That's all for this episode. If you're missing your fav dolls,  there's an all new Celeb Catch-Up episode with Kris and Kourtney. Happy Mother's Day to all you Mamas! Follow us on Youtube, Tiktok, & Instagram. And follow Anna & Dre, your biggest wigs!

Episode 1484: Modern Art

Murder and The Police Investigation that led to an unexpected criminal. In a gripping true crime story that stunned the community of Novato, California, retired Police Chief Brian Brady recalls the murder investigation that revealed an unexpected criminal hiding in plain sight. The 13-year-old victim, Jennifer Moore, was kidnapped, raped and murdered in a case that would ultimately lead to one of the most shocking confessions in the San Francisco California Bay Area history. The Law Enforcement Talk Radio Show and Podcast episode is available for free on their website, Apple Podcasts, Spotify and most major podcast platforms. Brady, a retired police officer with 35 years of service across four departments in two states, including the Berkeley Police Department and the Novato Police Department, led the investigation during his tenure as Police Chief in Novato. Follow the Law Enforcement Talk Radio Show and Podcast on Facebook, Instagram, LinkedIn, Medium and most all social media platforms. “It started with a missing persons call,” Brady explained. “A 13-year-old girl went missing after an argument with her mother. From the beginning, something about it didn't sit right.” The investigation quickly escalated when Jennifer's body was discovered four days later, nude and discarded in a grassy field just two miles from her home. The police were initially misled by eyewitness reports involving a city bus. But a key piece of evidence, a garbage bag filled with discarded religious booklets, led them back to a local Baptist church. Murder and The Police Investigation that led to an unexpected criminal. Look for supporting stories about this and much more from Law Enforcement Talk Radio Show and Podcast in platforms like Medium, Blogspot and Linkedin. That's where they discovered the truth: the murderer was not a stranger or a drifter. He was a trusted member of the community. Listen to the interview with him as a Free Podcast on the Law Enforcement Talk Radio Show and Podcast. Available for free on their website and streaming on Apple Podcasts, Spotify, and other podcast platforms. The man behind the horrific crime was a 29-year-old Sunday school teacher, deacon, youth group worker, and volunteer groundskeeper at the church. He was also a manager at a local self-service gas station and minimart. Follow the Law Enforcement Talk Radio Show and podcast on Facebook, Instagram, LinkedIn, Medium and most all social media platforms. “I murdered her. I strangled her. I bludgeoned her,” he told Novato detectives in a taped confession, as reported by the San Francisco Chronicle. The admission stunned even veteran officers. According to detectives, the suspect revealed disturbing details about the April 13 killing that had not been made public, proof that his confession was genuine. Evidence recovered at the church reading room included a bloodstain unsuccessfully concealed with coffee, and the girl's bomber jacket, discarded in a nearby trash bin. A police bloodhound had originally led officers to the church, but early focus on misleading witness descriptions delayed the discovery of the real killer. In the end, it was the murderer's leaving behind identifiable religious material in the garbage bag used to dispose of the body, that brought the case to light. Murder and The Police Investigation that led to an unexpected criminal. The interview is available as a free podcast on the Law Enforcement Talk Radio Show and podcast website, also available on platforms like Apple Podcasts, Spotify, and most major podcast outlets. While more than 1,000 people gathered at a local park to mourn the young girl, police quietly searched the home the killer shared with his wife. “This was a murder that rocked the entire town to its core,” Brady said. “No one expected it to be someone they saw every Sunday, someone they trusted with their children.” The story of Jennifer Moore's murder and the painstaking investigation that brought her killer to justice is the basis for a book by Brian Brady. His real-life law enforcement experiences continue to inspire his fiction writing, including his most recent crime novel, Greed. Brady, born and raised in San Francisco, has built a post-retirement career as a crime novelist. His three novels "Oh, What a Tangled Web", "Hiding in Plain Sight", and "Greed", weave together the complexities of criminal behavior with the procedural knowledge gained from decades on the job. Murder and The Police Investigation that led to an unexpected criminal. “With this being my third book, I feel that I'm really hitting my stride as an author,” Brady said. “My newest story spans New York, Amsterdam, and Paris, but the Bay Area remains the heart of everything I write.” Brady's career path took him from Berkeley's diverse streets to Farmington, New Mexico, and back to the Bay Area, where he also served in executive roles with organizations like NBC Universal and the San Francisco Museum of Modern Art. His wealth of experience, both on the streets and in the boardroom, gives him a unique voice in the world of crime fiction. Today, Brady shares his stories and behind-the-scenes insights through his official website, www.goldengatetales.com. Learn more from the Law Enforcement Talk Radio Show and Podcast posts on platforms like Facebook, Instagram, LinkedIn, and X. The interview with Brian is available as a free podcast on their website, in addition to Apple Podcasts, Spotify and other podcast platforms. Murder and The Police Investigation that led to an unexpected criminal. The murder of Jennifer Moore remains one of the most haunting cases Brady encountered. “It's a reminder that evil can hide behind the most familiar faces,” he said. “But it's also proof that dedicated police work, and never giving up, can bring even the most unlikely killers to justice.” Time is running out to secure the Medicare coverage you deserve! Whether you're enrolling for the first time or looking for a better plan, our experts help you compare options to get more benefits, lower costs, and keep your doctors, all for free! Visit LetHealthy.com, that's LetHealthy.com or call (866) 427-1225, (866) 427-1222 to learn more. You can help contribute money to make the Gunrunner Movie. The film that Hollywood won't touch. It is about a now Retired Police Officer that was shot 6 times while investigating Gunrunning. He died 3 times during Medical treatment and was resuscitated. You can join the fight by giving a monetary “gift” to help ensure the making of his film at agunrunnerfilm.com. Your golden years are supposed to be easy and worry free, at least in regards to finances. If you are over 70, you can turn your life insurance policy into cash. Visit LetSavings.com, LetSavings.com or call (866) 480-4252, (866) 480-4252, again that's (866) 480 4252 to see if you qualify. Learn useful tips and strategies to increase your Facebook Success with John Jay Wiley. Both free and paid content are available on this Patreon page. Be sure to check out our website. Be sure to follow us on MeWe, X, Instagram, Facebook,Pinterest, Linkedin and other social media platforms for the latest episodes and news. Background song Hurricane is used with permission from the band Dark Horse Flyer. You can contact John J. “Jay” Wiley by email at Jay@letradio.com, or learn more about him on their website. Get the latest news articles, without all the bias and spin, from the Law Enforcement Talk Radio Show and Podcast on Medium, which is free. Find a wide variety of great podcasts online at The Podcast Zone Facebook Page, look for the one with the bright green logo. Murder and The Police Investigation that led to an unexpected criminal. Attributions LA Times UPI Patch Golden Gate Tales    

Ep. 312: R. Emmet Sweeney on Tomonari Nishikawa, Minecraft, Long Gone, Crac!, plus Sinners and The Sniper Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. This week I'm pleased to welcome back a friend of the podcast, R. Emmet Sweeney, who produces physical media for Kino Lorber and writes about movies as well as music. He runs a thriving substack newsletter called Old New, where he recently assembled remembrances of the filmmaker Tomonari Nishikawa, who recently passed away. We talked a bit about Nishikawa's movies, as well as baseball picture Long Gone, Minecraft, the Canadian animated short Crac! (a selection from Light Industry's recent Children's Cinema), with a few words from me on Ryan Coogler's Sinners and The Sniper, an Edward Dmytryk joint featured in the Columbia Pictures series at the Museum of Modern Art. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

My guest this week is multidisciplinary artist Nicholas Galanin.Nicholas is from the sitka tribe of Alaska and has exhibited his works all over the world, from the Whitney Museum and Museum of Modern Art, to the Abu Dhabi Biennial. His work challenges stereotypes of indigenous art while also addressing social and environmental issues.He recently received the Don Tyson Prize for outstanding achievement in American Art from the Crystal Bridges museum.Nicholas and I discuss life in Sitka, embracing cultural heritage, his incredible Never Forget series, fashion brands leveraging indigenous designs and more.*Sponsored by Bezel - the trusted marketplace for buying and selling your next luxury watch