Podcast appearances and mentions of will sloan

Hosts Josh and Jamie and special returning guest Will Sloan discuss his new book “Ed Wood: Made in Hollywood USA” with a double feature of Tim Burton's empathetic, affectionate and beautifully made tribute to the man himself ED WOOD (1994) and a rival Golden Turkey "so bad it's good" 50s sci-fi B-movie candidate Phil Tucker's ROBOT MONSTER (1953). Next week's episode is a patron-exclusive bonus episode on NIGHT OF THE LIVING DEAD (1990) and 28 DAYS LATER (2002), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-12:25 ED WOOD // 12:25-1:24:26 ROBOT MONSTER // 1:24:26-2:20:12 Outro // 2:20:12-2:23:50 BUY WILL'S ED WOOD BOOK: https://orbooks.com/catalog/ed-wood/ MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

The release of a new Tom Cruise film is less about the film than it is about Tom Cruise. Ceaseless junket and red-carpet interviews with supposed journalists who were perhaps invented on the spot to ask him questions, clips of these interviews that quickly go viral, endless rankings of the movies, and between all of it the… acknowledgement, perhaps, that Cruise is connected to (or currently participates in) the horrific doings of Scientology. It doesn't take much to discern that our collective fascination is fueled by the wonder at who exactly this man is, and if that man is, for lack of a better word, evil. Thus I asked a cadre of luminaries in the film world to answer two questions. First: Is Tom Cruise evil? Second: In what film does Tom Cruise most play himself?  Listen for answers from our own B-Side and Jordan Raup, Extended Clip, Jokermen, Hesse Deni, Shawn Glinis, Fran Hoepfner, Tommy Prieto, Will Sloan, and Ethan Vestby.

Aaaaaaand we're back. It's summer here and the livin' is easy. For someone. Somewhere. It must be, right? It's summertime and the livin' is easy. For bears. It was also the night that the skeletons came to life!  Will Sloan is here! Will is a journalist and author. He is the host of the podcast The Important Cinema Club (highly recommended). Will has a new book coming out called Ed Wood, Made in Hollywood USA which is a serious reappraisal of Wood's filmography. No, it doesn't posit that he was actually the greatest filmmaker of all time but it does make an attempt to put Wood's work into context with regard to what stories he was trying to tell, keeping in mind the resources he had available to him at the time and, even more so, the cultural forces pushing against him. Glen Or Glenda specifically.  Alexandra Seros is here. She has a new book out entitled Ida Lupino, Forgotten Auteur. Ida Lupino s well known as an actress, starring in several classic Hollywood films, and many of the great film noirs like High Sierra, They Drive By Night and While The City Sleeps. But she also was a great director. One of the first women directors in Hollywood. And not just a director, she directed several terrific and important films, like The Hitchhiker, Outrage and The Bigamist. Her story is fascinating, She was obviously incredibly intelligent. So intelligent, in fact, that she knew she had to pretend she was less intelligent than she was so they men that ran her exclusively all male field wouldn't feel threatened and prevent her from working. Crazy Speaking of directors, True Tales From Weirdsville finishes our three part story on the life and career of David Lynch, as seen through the eyes of his magnum opus, Twin peaks. It's a little bigger than a normal segment, but he warrants it. 

The film writers Brian Abrams and Will Sloan return to the podcast for a salute to one of our favourite screen presences, the great American character actor Joe Don Baker, who passed away this month at the age of 89. We discuss the full arc of Joe Don's career, thrust into leading man status in the early seventies playing Tennessee Sheriff Buford Pusser who waged war against the Dixie Mob in 1973's populist smash hit Walking Tall, and the less financially successful followup with the same director (Phil Karlson), the brutal, sweaty noir thriller Framed, to the role that (like it or not) defined him for so many in the culture as a scuzzy cop in 1975's Mitchell (immortalized on one of the funniest episodes of Mystery Science Theater 3000) to his comeback in the eighties in the masterful BBC miniseries Edge of Darkness (where he received the most acclaim he ever got as an actor), his several appearances in the Bond series (where he played both a good guy and a bad guy), and his notable supporting role in Scorsese's remake of Cape Fear. Over 30% of all Junk Filter episodes are only available to patrons of the podcast. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/junkfilterFollow Brian Abrams on Twitter and Letterboxd.Brian and Liz Charboneau have a new film podcast: It Gets Better.Follow Will Sloan on Twitter and Bluesky and subscribe to his substack and his podcasts The Important Cinema Club and Michael and Us.Will's new book Ed Wood: Made in Hollywood USA (OR Books) can be purchased now! “RIP JDB”, from Will's substack, May 19, 2025Trailer gallery:Walking Tall (Phil Karlson, 1973)Golden Needles (Robert Clouse, 1974)Mitchell (Andrew V. McLaglen, 1975)Checkered Flag or Crash (Alan Gibson, 1977)Joysticks (Greydon Clark, 1983)German trailer for Getting Even (Dwight H. Little, 1986)

The writer and podcaster Will Sloan returns for a show about Robert De Niro's latest film, Barry Levinson's The Alto Knights, where he plays two parts on screen, the mob boss Frank Costello and his hotheaded rival Vito Genovese, and their decades-long struggle for control of the New York mafia.The Alto Knights was the pet project of Warner Bros. Discovery CEO David Zaslav, who brought this expensive vanity production to the screen seemingly as a personal favour to the veteran screenwriter Nicholas Pileggi, a film made by elderly creatives that flopped hard at the box office on release. So why this project? And why is Robert De Niro playing both lead parts? This is what Will and I wanted to know, and so we discuss the failures of The Alto Knights along with a look at De Niro's public persona as one of Trump's biggest haters and how he can still deliver as a great actor from time to time, depending on the director. Over 30% of all Junk Filter episodes are only available to patrons of the podcast. To support this show directly and to receive access to the entire back catalogue, consider becoming a patron for only $5.00 a month (U.S.) at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/junkfilterFollow Will Sloan on Twitter and Bluesky and subscribe to his wonderful podcasts The Important Cinema Club and Michael and Us.Will's new book Ed Wood: Made in Hollywood USA (OR Books) can be purchased now! Trailer for The Alto Knights (Barry Levinson, 2025)

Writer and podcaster Will Sloan of THE IMPORTANT CINEMA CLUB joins us today as our guide through the early underground films of Andy Warhol. We'll be covering some of the legendary pop artist's most radical and (for at least one of us) punishing cinematic experiments: 30 minutes of couples sucking face in 1964's KISS; 27 minutes of, well, something else, in BLOW JOB; and 1965's VINYL, an early adaptation of A CLOCKWORK ORANGE that makes Kubrick's version look like Marvel movie.You can find more from will at:https://letterboxd.com/will_sloan/https://x.com/WillSloanEsqUnwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.You can support us on Patreon at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/unwatchables to get access to exclusive bonus content and weigh in on what we watch next.Find us online at www.unwatchablespod.com or shoot us an email at unwatchablespodcast@gmail.com. We're on Instagram and Twitter under @unwatchablespod.

We return to Netflix's political miniseries ZERO DAY to find out what happened to Robert De Niro's Biden-ish ex-president... and discover something startlingly close to a liberal QAnon. PLUS: Well it turns out the U.S./Canada trade war is on! Join us on Patreon for an extra episode every week - https://www.patreon.com/michaelandus "Is Lenny Bruce Funny?" by Will Sloan - https://hazlitt.net/feature/lenny-bruce-funny

With their books The Fifty Worst Films of All Time (1978) and The Golden Turkey Awards (1980), brothers Harry and Michael Medved crystallized the idea of "so bad it's good," made Ed Wood famous, and created "bad movie" fandom as we know it. In this special interview episode, Will Sloan talks to the Medved Brothers about the making of the books, the movies they got wrong, and whether Plan 9 from Outer Space is REALLY the Worst Movie of All Time. PLUS: Harry Medved and producer Harry Pallenberg talks about their new show LOCATIONLAND, where they visit the filming locations for Plan 9. Check out Harry Medved's LOCATIONLAND: Official LOCATIONLAND website: https://www.pbssocal.org/shows/locationland GREASE Road Trip: https://www.youtube.com/watch?v=7aLpBO24qQw (live now) Ed Wood's PLAN 9 Adventures: https://www.youtube.com/watch?v=P9IBP_1v13M (launches Feb. 10 at 6pm) Behind The Hollywood Sign: https://www.youtube.com/watch?v=YeHpsiSxFVs (launches Feb. 13th) PBS SoCal YouTube: https://www.youtube.com/@PBSSoCal

Pull up a chair, folks - it's time for our episode on Paul Schrader's "first post-mortem film," the Russell Banks adaptation OH, CANADA, fresh from the cinema. Joining us to unpack it is Final Boss of the podcast and real-life Canadian person Will Sloan! We talk about what we expect of the personal morality of political artists, Canada's relationship to her neighbor to the south, and the film's place in Schrader's filmography. We also got Will's thoughts on JUROR #2 while we had him on mic, because of course we did. Great conversation, great movie, great ep! Soderbergh episodes coming soon. Further Reading: Foregone by Russell Banks "Paul Schrader Thought He Was Dying. So He Made a Movie About It." by Bilge Ebiri "A Remembered World: On Russell Banks's 'Foregone'" by Rob Latham "Russell Banks, The Art of Fiction No. 152" by Robert Faggen Harry Knowles's review of HOLLYWOOD ENDING Further Viewing: AMERICAN GIGOLO (Schrader, 1980) AFFLICTION (Schrader, 1997) 24 HOURS OR MORE (Groulx, 1973) KANEHSATAKE: 270 YEARS OF RESISTANCE (Obomsawin, 1993) Follow Will Sloan: https://x.com/WillSloanEsq https://www.willsloan.ca/ Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

Another year, another list… We counted down our favorite first-time viewings of the year. Plus, some friends of the show dropped by with their picks, so get your watchlists ready. Get an extra episode every week on patreon: https://www.patreon.com/Extended_Clip Send us your questions and comments to be read on the air: extendedclippodcast@gmail.com 00:00 - Intro 8:10 - Matt Farley 10:58 - Round 1 28:49 - Ryan Swen, Adrian Anderson 32:50 - Round 2 47:40 - Clay Tatum, Eric Marsh 55:07 - Round 3 1:12:40 - Josh Lewis and Jamie Miller (Sleazoids) 1:24:47 - Round 4 1:43:01 - Will Sloan, Shawn Glinis 1:46:10 - Round 5

The Holiday Movie Mind Melter Is Happening Online December 7th! @ 9:00 AM (Eastern Time) by Justin Decloux and Will Sloan

It's episode 250(!!) of Cinema Smorgasbord, and what better way to celebrate than a brand new episode of ERIC ROBERTS IS THE MAN covering Eric Roberts' recently released autobiography Runaway Train: or, The Story of My Life So Far, as well as the slew of media Eric has been doing around it - including appearing on Dancing With the Stars! For such a monumental episode we needed a monumental guest, so joining us will be fellow Eric Roberts enthusiast (and co-host of The Important Cinema Club and Michael & Me podcasts) Will Sloan, who has some big thoughts on the book, DWtS and SO MUCH MORE. All that and the latest Eric Roberts news, so CHECK IT OUT! The post Episode 250 – Eric Roberts is the Man – Runaway Train: or, The Story of My Life So Far (2024) (/w Will Sloan) first appeared on Cinema Smorgasbord.

Oh lord almighty, when will we be rid of this man? Apparently not for another four years at least. We ring in the latest chapter of this never-ending "Trump Era" with the new biopic/origin story THE APPRENTICE (2024).Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

Acclimate, Movie Friends! Acclimate! Michelle and Seth are joined by Toronto's own Will Sloan to dissect the one of a kind time travel movie, Magic Spot! They discuss the work of Charles Roxburgh and Matt Farley, candy cigarettes, and their experience in public access television. Also: Michelle brings a theory that rocks Will and Seth's brains, Will gives a history of Motern Media and Seth talks about being so moved by Kevin McGee that he got a tattoo of him. Grab a cup of hot chocolate and check it out! Check out Will Sloan's website for links to his writing, podcasts and more! For all of our bonus episodes and to vote on upcoming episodes check out our Patreon Patreon supporters help pick episodes, monthly themes and get access to all of our additional shows and our Patron exclusive Discord. It's only the price of a single cup of coffee ($5 a month!) Visit our website and send us an email! Follow Movie Friends on Twitter and Instagram You scrolled this far? That's impressive. Magic Spot is directed by Charles Roxburgh. Written by Matt Farley and Charles Roxburgh. Starring Matt Farley, Chris Peterson, Elizabeth Peterson, Kevin McGee, Charles Roxburgh, Sharon Scalzo, Tom Scalzo and Jim McHugh. 

The Shuffle Bois are joined by Luke Savage (https://x.com/LukewSavage) and Will Sloan (https://x.com/WillSloanEsq) of Michael and Us to describe the least important election of the 2000s. Given that it's the only presidential election since 1988 in which a Republican candidate won the popular vote, much of the episode is dedicated to the analysis of the greatest Democratic Party loser of all time, John Kerry. They also discuss some of the big themes of the election, including the pathetic loserdom of John Kerry, the rehashing of 1960s counter culture, and the increasing role of the internet in presidential campaigning. Huge shoutout to our guests for coming on the pod! Be sure to check out Michael and Us (https://x.com/MichaelandUs) and Important Cinema Club (https://x.com/ImprtCinemaClub)!

Is Andrei Tarkovsky's STALKER (1979) about the Soviet Russia in which it was made? And if not, then where exactly is "The Zone"? We wade into one of the most forbidding cinematic objects of all time, but realize that the answer is only ever found within. PLUS: Justin Trudeau is historically unpopular - so why hasn't he stepped down?"US Politics Has Reached a Dead End" by Luke Savage - https://www.theguardian.com/us-news/2024/oct/19/trump-campaign-leaked-data-voters-elon-musk"Revealed: Trump ground game in key states flagged as potentially fake" by Hugo Lowell - https://www.theguardian.com/us-news/2024/oct/19/trump-campaign-leaked-data-voters-elon-muskOur episode on Ivan's Childhood - https://www.patreon.com/posts/263-sculpting-in-55465791Our episode on Solaris - https://www.patreon.com/posts/317-hunters-in-64139407Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

Five years after Joker because an era-defining cultural phenomenon, its sequel, JOKER: FOLIE A DEUX (2024), is the biggest flop of the year. We sifted through the wreckage to find a purposely abrasive object, and are split on its effectiveness.Toronto listeners, see Luke speak at Progressive Publics: A Symposium Connecting Scholarship & Independent Media, November 8 - https://www.eventbrite.ca/e/progressive-publics-a-symposium-connecting-scholarship-independent-media-tickets-1051089455857Plus, on November 5, a screening of Fantasy Mission Force with an introduction from Will - https://www.foxtheatre.ca/movies/important-cinema-club-masterpiece-classics-fantasy-mission-force/Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

[Due to our last-minute addition of two episodes, the podcast feed mistakenly had S5E09a queued here for a few hours this morning - it should now be fixed!] How Would Lubitsch Do It comes to a close with a grand finale. Tim Brayton returns to discuss Cluny Brown and look back on both Ernst Lubitsch's career and the past five seasons of this show. First, we discuss everything Cluny Brown: the film's generosity and humanism, its commentary on British class society, its relationship with the second world war, its full-throated embrace of absurdism, the title character's magnetism, Adam Belinski's status as a revision on a stock villain, and the film's somewhat autobiographical and wonderfully optimistic ending. Second, we close out the show with a look back: we debate our respective rankings (Tim, Devan) of Lubitsch's filmography, highlight our favourite cast members, crew members and collaborators, discuss subsequent filmmakers who bear distinct marks of Lubitsch's influence, discuss whether or not the show's structure accurately reflects the ebbs and flows and our subject's career, and answer the key questions: why Lubitsch? Why a podcast? Edited by Griffin Sheel. A Thanks I started this quixotic project two years ago with the hope of making something that spoke to me and, if anyone else was interested, so be it. Turns out some other people were interested, and if you're reading this now, that's probably you. My endless and sincere thanks for sticking it through. Thanks to the many guests who lent their time and support throughout the show: Lauren Faulkner Rossi, Fran Hoepfner, Bram Ruiter, Luci Marzola, Jaime Rebenal, Maddie Whittle, Paul Cuff, Kristin Thompson, Stefan Droissler, Molly Rasberry, Sarah Shachat, James Penco, Dave Kehr, Julia Sirmons, David Neary, Patrick Keating, Jennifer Fleeger, Katharine Coldiron, Jonathan Mackris, Will Sloan, Lea Jacobs, Tanya Goldman, Krin Gabbard, Jordan Fish, Ray Tintori, Z Behl, Eric Dienstfrey, Scott Eyman, Imogen Sarah Smith, Chris Cassingham, Olympia Kiriakou, Griffin Newman, Kevin Bahr, Whit Stillman, Adrian Martin, Jose Arroyo, Lance St. Laurent, Tim Brayton, William Paul, Dara Jaffe, Gary Jaffe, Peter Labuza, Willa Harlow Ross, Eloise Ross, David Cairns, Noah Isenberg, Matt Severson, Mateusz Pacewicz, and Charlotte Garson. Our editors: Griffin Sheel, Gloria Mercer, Willa Harlow Ross, Sophia Yoon, Rylee Cronin, Brennen King, & Eden Cote-Foster Our location sound engineer, Anna Citak-Scott. And others who lent valuable counsel and support: the Margaret Herrick Library, the Museum of Modern Art, the Academy Museum of Motion Pictures and most of all to Ernst Lubitsch, who taught me more than it could possibly take the sixty-eight episodes of this podcast to describe. This entire experience - hundreds of hours of research, recording, and editing - has been among the great pleasures of my life, and everyone's contributions have meant a great deal to me. Onwards to whatever's next!

How Would Lubitsch Do It comes to a close with our grand finale. Tim Brayton returns to discuss Cluny Brown and look back on both Ernst Lubitsch's career and the past five seasons of this show. First, we discuss everything Cluny Brown: the film's generosity and humanism, its commentary on British class society, its relationship with the second world war, its full-throated embrace of absurdism, the title character's magnetism, Adam Belinski's status as a revision on a stock villain, and the film's somewhat autobiographical and wonderfully optimistic ending. Second, we close out the show with a look back: we debate our respective rankings (Tim, Devan) of Lubitsch's filmography, highlight our favourite cast members, crew members and collaborators, discuss subsequent filmmakers who bear distinct marks of Lubitsch's influence, discuss whether or not the show's structure accurately reflects the ebbs and flows and our subject's career, and answer the key questions: why Lubitsch? Why a podcast? Edited by Griffin Sheel. A Thanks I started this quixotic project two years ago with the hope of making something that spoke to me and, if anyone else was interested, so be it. Turns out some other people were interested, and if you're reading this now, that's probably you. My endless and sincere thanks for sticking it through. Thanks to the many guests who lent their time and support throughout the show: Lauren Faulkner Rossi, Fran Hoepfner, Bram Ruiter, Luci Marzola, Jaime Rebenal, Maddie Whittle, Paul Cuff, Kristin Thompson, Stefan Droissler, Molly Rasberry, Sarah Shachat, James Penco, Dave Kehr, Julia Sirmons, David Neary, Patrick Keating, Jennifer Fleeger, Katharine Coldiron, Jonathan Mackris, Will Sloan, Lea Jacobs, Tanya Goldman, Krin Gabbard, Jordan Fish, Ray Tintori, Z Behl, Eric Dienstfrey, Scott Eyman, Imogen Sarah Smith, Chris Cassingham, Olympia Kiriakou, Griffin Newman, Kevin Bahr, Whit Stillman, Adrian Martin, Jose Arroyo, Lance St. Laurent, Tim Brayton, William Paul, Dara Jaffe, Gary Jaffe, Peter Labuza, Willa Ross, Eloise Ross, David Cairns, Noah Isenberg, Matt Severson, Mateusz Pacewicz, and Charlotte Garson. Our editors: Griffin Sheel, Gloria Mercer, Willa Ross, Sophia Yoon, Rylee Cronin, Brennen King, & Eden Cote-Foster Our location sound engineer, Anna Citak-Scott. And others who lent valuable counsel and support: the Margaret Herrick Library, the Museum of Modern Art, the Academy Museum of Motion Pictures and most of all to Ernst Lubitsch, who taught me more than it could possibly take the sixty-eight episodes of this podcast to describe. This entire experience - hundreds of hours of research, recording, and editing - has been among the great pleasures of my life, and everyone's contributions have meant a great deal to me. Onwards to whatever's next!

The new Netflix documentary WHAT'S NEXT: THE FUTURE WITH BILL GATES (2024) positions the Microsoft founder as "one of the good billionaires." But what are the limits to his brand of philanthropy? And how neutral and objective are these documentaries on the big streaming platforms? Luke welcomes Tim Schwab (author of The Bill Gates Problem: Reckoning with the Myth of the Good Billionaire) to discuss why he declined to participate in the documentary, and what he uncovered about its making."Why I refused to participate in the Netflix docu-series on Bill Gates" by Tim Schwab - https://timschwab.substack.com/p/why-i-refused-to-participate-in-theMichael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

Is it ethical for a journalist to also act as a spy for a foreign government? Luke Lebrun of PressProgress joins us to consider the far-fetched claims of one of Canada's worst journalists, Adam Zivo. PLUS: In this very special episode, we catch up on some news items of Canadian interest, including the declining polling for Justin Trudeau's liberals, and the rising number of far-right Canadian influencers."This National Post Columnist Says He Spied for a Foreign Intelligence Agency. Experts Call His Behaviour ‘Unethical' and ‘Absurd'" by Luke Lebrun - https://pressprogress.ca/this-national-post-columnist-says-he-spied-for-a-foreign-intelligence-agency-experts-call-his-behaviour-unethical-and-absurd/"I cover the far right for a living. This is why I wasn't surprised to find Canadians embedded in an alleged Russian propaganda scheme" by Luke Lebrun - https://www.thestar.com/opinion/contributors/i-cover-the-far-right-for-a-living-this-is-why-i-wasnt-surprised-to/article_56042920-6c7c-11ef-aa82-9302cac8f9d3.html"It Turns Out Hillary Clinton, Not Russian Bots, Lost the 2016 Election" by Luke Savage - https://jacobin.com/2023/01/hillary-clinton-russian-bots-2016-presidential-election-trump"In Toronto's Weirdest Cinema, a Portrait of the Artist I'd Never Become" by Adam Zivo - https://quillette.com/2022/01/18/in-torontos-weirdest-cinema-a-portrait-of-the-artist-id-never-become/Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

Season 15 begins with a big Halloween special, and we're joined by Will Sloan, Jerry Lewis expert and cohost of podcasts The Important Cinema Club and Michael And Us! After we chat about how this debuted in November, we chat through one segment that unintentionally copies Family Guy, a story of Frink/Hank Azaria meeting their comedy patriarch, and another Twilight Zone parody. You'll also learn a lot about Oscar De La Hoya and comic books in this week's podcast! Support this podcast, hear it ad-free, and get 180+ bonus episodes by visiting Patreon.com/TalkingSimpsons and becoming a patron! And please follow the official Twitter, @TalkSimpsonsPod!

Hosts Josh and Jamie and special return guest Will Sloan discuss the beautiful cartoon anarchy origins of the once-promising director Tim Burton with a double feature of his debut absurd, episodic Rube Goldberg slapstick setpiece machine PEE-WEE'S BIG ADVENTURE (1985) and his iconic silly-spooky B-movie deadpan classic BEETLEJUICE (1988). Next week's episode is a patron-exclusive bonus episode on Barbara Stanwyck in BABY FACE (1933) and FORTY GUNS (1957), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-17:19 PEE-WEE // 17:19-1:26:34 BEETLEJUICE // 1:26:34-2:38:08 Outro // 2:38:08-2:42:56 MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

What if a movie about a corporate merger became the most popular movie of the year? Friends, you don't have to imagine it. We discuss DEADPOOL & WOLVERINE (2024) and ponder the question that Vulture asked: "Is Shawn Levy the Future of Populist Filmmaking?"Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

A Democratic National Convention takes place against a backdrop of protests against American imperial atrocities overseas... that's right, we're travelling back in time to 1968 with Haskell Wexler's MEDIUM COOL (1969). PLUS: So, have you heard about the DNC?Join us on Patreon for an extra episode every week - www.patreon.com/michaelandus"This National Post Columnist Says He Spied for a Foreign Intelligence Agency" by Luke LeBrun - https://pressprogress.ca/this-national-post-columnist-says-he-spied-for-a-foreign-intelligence-agency-experts-call-his-behaviour-unethical-and-absurd/"Medium Cool: Preserving Disorder" by Thomas Beard - https://www.criterion.com/current/posts/2773-medium-cool-preserving-disorder"The New Yorker Political Scene Scene" podcast with special guest Will - https://rss.com/podcasts/newyorkerpoliticalscenescene/1619477/Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

During the 2012 election cycle, Pauly Shore went to Washington to take the temperature on American and Her Problems. His resulting comedy special, PAULY SHORE'S PAULY-TICS (2012), accidentally foreshadows some of the bad vibes of the years to come. PLUS: We chart one Oscar blogger's evolution from #StillWithHer to MAGA.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

Tony Buba chronicled the decline of his hometown of Braddock, Pennsylvania in a series of acclaimed documentaries that elevated him to national notoriety. But in the extraordinary documentary/fiction hybrid LIGHTNING OVER BRADDOCK: A RUST BOWL FANTASY (1988), he asks what it means when his success is tied to so many people's poverty.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

In Barry Levinson and David Mamet's WAG THE DOG (1997), a political spin-doctor teams with a movie producer to fake a war and save an incumbent president. You've heard of manufacturing consent, but to what extent can Hollywood and Washington manufacture reality? We're joined by Daniel Bessner and Derek Davison of the American Prestige podcast to discuss.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

It's a politics-only episode, because we've got a big subject: It's time to say goodbye to your favorite American president, Joe Biden. We welcome back Branko Marcetic to tally #46's successes and failures—and do a vibe check on the Democratic Party following the ouster of its standard-bearer. PLUS: Branko reports on the Republican National Convention."Joe Biden Wanted This" by Branko Marcetic - https://jacobin.com/2024/07/biden-2024-dropout-gaza-legacy"How Joe Biden Became a Steadfast Israel Defender" by Branko Marcetic - https://jacobin.com/2024/07/joe-biden-israel-support-history"Never Forget How Many Times the Liberal Establishment Saved Biden's Arse" by Luke Savage - https://novaramedia.com/2024/07/23/never-forget-how-many-times-the-liberal-establishment-saved-bidens-ass/"Why Biden finally quit" - https://www.politico.com/news/2024/07/21/why-biden-dropped-out-00170106Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

In 2005, the Clinton family's own foundation created a DVD compilation of times when Bill and Hillary brought the funny. We discuss A TIME TO LAUGH: THE CLINTONS' HUMOR (2005), and glean a little bit of insight into how the former First Family view themselves. PLUS: From an assassination attempt of the former U.S. president to a coup attempt on the current one, we've got a lot of news to catch up on.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

You can go looking for the zeitgeist, but only the zeitgeist can find you. That's what the makers of countless pieces of failed Oscar bait have learned. In this special episode, we run through some of the most legendary failed Oscar bait of the last 25 years and speculate why they didn't catch anything. PLUS: presidential libraries, the Obama Foundation, and an autobiographical novel from an unlikely Hollywood star.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

When our politicians fail us, can journalism save us? We revisit George Clooney's GOOD NIGHT AND GOOD LUCK (2005), about Edward R. Murrow's battle with Joseph McCarthy, and get a lesson in how the liberal imagination remembers the Red Scare. PLUS: the rise of A.I. in the arts and the state of the center-left in Europe."Liberals, I Do Despise" by Adolph Reed Jr. - https://www.commondreams.org/views/2009/12/09/liberals-i-do-despise"On Smarm" by Tom Scocca - https://www.gawkerarchives.com/on-smarm-1476594977"Europe Is Warning Us" by Grace Blakeley - https://tribunemag.co.uk/2024/06/europe-is-warning-usMichael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

During the Trump presidency, #TheResistance had a powerful figurehead, and his name was (the late) Mr. Rogers. We discuss the Tom Hanks-led #nicecore landmark A BEAUTIFUL DAY IN THE NEIGHBORHOOD (2019), the strengths and limitations of Fred Rogers as a Trump-era political symbol, and what this movie fails to understand about him. PLUS: What's eating David Frum about the recent Mexican election?"Can You Say... 'Hero'?" by Tom Junod - https://www.neighborhoodarchive.com/publications/press/esquire/index.html"How Liberalism Betrayed the Enlightenment and Lost Its Soul" by Michael Brenes - https://jacobin.com/2024/05/cold-war-liberalism-moyn-reviewMr. Rogers at the Emmys - https://www.youtube.com/watch?v=Upm9LnuCBUM&ab_channel=TheEmmyAwardsMichael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

After inhabiting the White House but before examining the Newsroom, Aaron Sorkin created a show that sought nothing less than to fix the most important American institution of them all: Saturday Night Live. We launch what will eventually become a multi-episode discussion of STUDIO 60 ON THE SUNSET STRIP (2006-7).Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

In the election year of 2004, an ultraviolent subtitled right-wing Christian movie became a genuine cultural phenomenon and political lightning-rod. We finally discuss THE PASSION OF THE CHRIST (2004) and theology according to Mel Gibson. PLUS: the White House Correspondents Dinner, the Columbia encampment, and the one optimistic takeaway of a discouraging week."This Is How Power Protects Itself" by Jack Mirkinson - https://www.thenation.com/article/activism/columbia-ccny-cuny-protest-nypd-police-brutality/"Mel Gibson's Martyrdom Complex" by Frank Rich - https://www.nytimes.com/2003/08/03/movies/mel-gibson-s-martyrdom-complex.html"The Gospel According to Mel" by Christopher Hitchens - https://www.vanityfair.com/news/2004/03/hitchens-201102The Mel Gibson/Diane Sawyer interview - https://www.youtube.com/watch?v=7Ecnfe530IEMichael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

By the third entry of the God's Not Dead franchise, its creative team had clearly started listening to their critics. The result was a kinder, gentler right-wing Evangelical Christian drama that sought to heal divides... and failed at the box office. We welcome back New Republic writer and our resident God's Not Dead correspondent Alex Shephard to discuss GOD'S NOT DEAD: A LIGHT IN THE DARKNESS (2018).Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

For seven weeks in 1936 and 1937, workers at the General Motors plant in Flint, Michigan held a risky sit-down strike. A true David vs. Goliath story, their strike won recognition for the United Auto Workers and changed labor in the United States forever. With a newer UAW strike fresh in the memory, we discuss the BBC documentary THE GREAT SIT-DOWN (1976).Watch The Great Sit-Down - https://www.youtube.com/watch?v=E2Py_vNt4fcSee Will introduce Gamera: Super Monster at the Fox Theatre in Toronto on April 16 - https://www.foxtheatre.ca/movies/important-cinema-club-gamera-super-monster/"Joe Lieberman? Really?" by Branko Marcetic - https://jacobin.com/2018/07/joe-lieberman-democratic-party-conservative-left"Sam Bankman-Fried will grow old in jail. But don't forget those who basked in his orbit" by Aditya Chakrabortty - https://www.theguardian.com/commentisfree/2024/mar/28/sam-bankman-fried-jail-ftx-moneyMichael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

For decades, a cottage industry flourished in the subterranean depths of the American music industry: send a company your poem, and, for a fee, they'll turn it into a song. Maybe the song will even be your entryway into the industry and the Billboard charts! But most assuredly it will not be. Was this industry exploitative? Did it produce art? What even is "art" anyway? We tackle all these questions and more as we discuss the documentary OFF THE CHARTS: THE SONG-POEM STORY (2003).Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

In 1991, over 100 of the the most famous singers, movie stars, an athletes in America got together to record a song for the troops in the first Gulf War. We take a visit to the consent-manufacturing factory and discuss the "apolitical" James Woods-hosted TV special VOICES THAT CARE: STAND TALL, STAND PROUD (1991).Watch the special here: https://www.youtube.com/watch?v=KJ1S_UNaWpsMichael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

Against the backdrop of the incredibly boring 2000 election, the late, great Philip Seymour Hoffman went on a cross-country journey to see if George W. Bush or Al Gore represented America. The result was THE PARTY'S OVER (2001), aka THE LAST PARTY 2000 — that's right, it's an official sequel to the Robert Downey Jr-hosted documentary. We found many resonances between this fossil from the turn of the millennium and our current moment. PLUS: The Democratic Party primary, the fascist Italian Prime Minister in Canada, and a fond farewell to David Bordwell.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

In 1987, America was ready to look back on the Vietnam War... with laughter. We discuss GOOD MORNING VIETNAM (1987) and why it is one of the quintessential "boomer liberal" texts. PLUS: We check in on the state of Canadian politics (it's not good, folks).Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

We discuss THE MENU (2022) and its place in the context of the current wave of "eat the rich" cinema. PLUS: we discuss Walter Isaacson's new hagiography of Elon Musk, and Joe Biden's wildly successful "I'm fit for office" press conference.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

Are commercial considerations always doomed to taint art? And are commercial considerations really a taint? We discuss Spike Jonze and Charlie Kaufman's meta-movie ADAPTATION (2002) and the artist/hack dichotomy. PLUS: We mark the passing of the world's most famous minimalist sculptor and murder suspect.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

The world can't stop discoursing about it. Hillary Clinton herself has championed it. And our superdelegate patrons specifically requested it. It's time for us to turn our attention to the most discussed movie of the past year, BARBIE (2023). PLUS: We bid a fond farewell to Ron DeSanctimonious.Seeking Social Democracy, the book Luke coauthored with Ed Broadbent, is available here: https://ecwpress.com/products/seeking-social-democracy-ed-broadbentMichael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

Your coworkers are spying on you. Your boss won't let you keep the expired food. The coffeeshop is charging you an arm and a leg to rent a laptop. In Aki Kaurismäki's funny and wonderful FALLEN LEAVES (2023), can a budding romance survive the everyday indignities of life under capitalism? PLUS: What would a British West Wing look like?Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

We kick off 2024 by raiding the fridge for some holiday leftovers. It's become an annual tradition on this podcast to try to extract ideology from Tim Allen's "Santa Clause" franchise. With THE SANTA CLAUSE 3: THE ESCAPE CLAUSE (2006), we hit the motherlode.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

If society outlawed emotions, could we stop all war and conflict? This is the very, very stupid question at the heart of EQUILIBRIUM (2002), the dystopian extravaganza that introduced the world to the art of "gun kata."Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

The French Revolution and the reign of Napoleon Bonaparte have inspired a lot of takes... so, of course, you can depend on Ridley Scott to find the least imaginative one. We discuss his lugubrious NAPOLEON (2023). PLUS: An update on Canadian politics, and some thoughts on the man who may be Prime Minsiter, Pierre Poilievre.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

In the lead-up to the 2003 Iraq War, HBO made a movie about the lead-up to the first Gulf War, from the perspective of its most important factor: CNN. In LIVE FROM BAGHDAD (2002), Michael Keaton and his team of CNN reporters are Davids against the Goliaths that are establishment media... and the Iraqi security state. We discuss a mind-bogglingly awful piece of American propaganda from the Bush era.Richard Seymour on CNN and Iraq - https://www.youtube.com/watch?v=ELrGcK6XInE&ab_channel=TeleSUREnglishLuke's interview with Tantoo Cardinal - https://www.thestar.com/entertainment/movies/youve-got-to-crash-a-door-and-fail-and-get-back-up-canadas-most-recognizable/article_729f94ea-8ec2-11ee-843c-733c6d38c787.htmlLuke's review of Werner Herzog's memoir - https://www.thestar.com/entertainment/movies/werner-herzogs-new-memoir-is-as-complicated-and-fascinating-as-the-filmmaker-himself/article_92daad66-8ed7-11ee-9628-9345052d7cc2.htmlWill's new zine, "The Journal of Stoogeological Studies" - https://www.amazon.com/dp/B0CPM5JBPBMichael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.

Ed Harris is a senator with presidential ambitions. Diane Keaton is the love of his life, but uncomfortable in politics. And with the White House in his grasp, his campaign is about to be rattled by a very, very stupid revelation from her past. We discuss Michael Lindsay-Hogg's RUNNING MATES (1992), a movie that emerged straight from the primordial ooze of the 1992 election cycle.Michael and Us is a podcast about political cinema and our crumbling world hosted by Will Sloan and Luke Savage. Hosted on Acast. See acast.com/privacy for more information.