Podcasts about maki fukuoka

2024.01.29 OA Life in Fukuoka "English" #200 LOVE FM 76.1MHz http://lovefm.co.jp/

Ma i giapponesi mangiano davvero il sushi? Giorgia Sallusti rivela i segreti e le verità del cibo giapponese più famoso al mondo. Un viaggio tra le abitudini del popolo nipponico, tra i mercati e le mille curiosità su un cibo appetitoso e ricco di storia.Una produzione Emons RecordBibliografiaMarco Polo, Il Milione Terakado Seiken, Edo Hanjōki. La prosperità di Edo Abe Yarō, La taverna di mezzanotteYoshimoto Banana, Kitchen (anche in versione audiolibro) Maki Fukuoka, La cucina di MakiToriyama Akira , Dr Slump e Arale Hitonari Tsuji, UovaNancy Singleton Hachisu, Giappone. Il ricettario Learn more about your ad choices. Visit megaphone.fm/adchoices

Zograscope. Say it with me: zograscope. ZooooOOOOOoooograscope. There are many optical wonders in Maki Fukuoka’s new book The Premise of Fidelity: Science, Visuality, and Representing the Real in 19th-Century Japan  (Stanford University Press, 2012), the zograscope not least among them. The book opens with Fukuoka’s account of stumbling upon a manuscript of a botanical work called the Honzo shasin (1826) while on a trip to Leiden to see a Japanese zograscope, a device that enhanced the sense of depth when looking through it at otherwise flat pictures. Much of the book centers on the history and work of a small community of nineteenth-century scholars called the Shohyaku-sha, the group that produced the Honzo shashin and were interested in the study of materia medica. This focused case study allows Fukuoka to simultaneously stay anchored while opening up to an expansive history of transformations in modes of understanding visuality and evidence of knowledge of the natural world in Tokugawa Japan. As the book guides readers through the changing meanings of the word shashin, a term used to mean “photography” in contemporary Japanese, it demonstrates how knowledge of the spheres of textual knowledge, visual illustration, and physical plant specimens mutually reinforced one another while practitioners of the visual arts sought to define and secure relationships of “fidelity” among these very different media. This fundamentally trans-disciplinary book offers much of interest to historians of East Asia, of science, and of art: histories of public exhibitions, of natural history, of photography, of anatomical dissection, of translation and typography, and much more can be found within the pages of The Premise of Fidelity. And if I haven’t already mentioned it, there’s also a zograscope. What more reason would you need to read it? Learn more about your ad choices. Visit megaphone.fm/adchoices

Zograscope. Say it with me: zograscope. ZooooOOOOOoooograscope. There are many optical wonders in Maki Fukuoka’s new book The Premise of Fidelity: Science, Visuality, and Representing the Real in 19th-Century Japan  (Stanford University Press, 2012), the zograscope not least among them. The book opens with Fukuoka’s account of stumbling upon a manuscript of... Learn more about your ad choices. Visit megaphone.fm/adchoices

Zograscope. Say it with me: zograscope. ZooooOOOOOoooograscope. There are many optical wonders in Maki Fukuoka’s new book The Premise of Fidelity: Science, Visuality, and Representing the Real in 19th-Century Japan  (Stanford University Press, 2012), the zograscope not least among them. The book opens with Fukuoka’s account of stumbling upon a manuscript of a botanical work called the Honzo shasin (1826) while on a trip to Leiden to see a Japanese zograscope, a device that enhanced the sense of depth when looking through it at otherwise flat pictures. Much of the book centers on the history and work of a small community of nineteenth-century scholars called the Shohyaku-sha, the group that produced the Honzo shashin and were interested in the study of materia medica. This focused case study allows Fukuoka to simultaneously stay anchored while opening up to an expansive history of transformations in modes of understanding visuality and evidence of knowledge of the natural world in Tokugawa Japan. As the book guides readers through the changing meanings of the word shashin, a term used to mean “photography” in contemporary Japanese, it demonstrates how knowledge of the spheres of textual knowledge, visual illustration, and physical plant specimens mutually reinforced one another while practitioners of the visual arts sought to define and secure relationships of “fidelity” among these very different media. This fundamentally trans-disciplinary book offers much of interest to historians of East Asia, of science, and of art: histories of public exhibitions, of natural history, of photography, of anatomical dissection, of translation and typography, and much more can be found within the pages of The Premise of Fidelity. And if I haven’t already mentioned it, there’s also a zograscope. What more reason would you need to read it? Learn more about your ad choices. Visit megaphone.fm/adchoices

Zograscope. Say it with me: zograscope. ZooooOOOOOoooograscope. There are many optical wonders in Maki Fukuoka’s new book The Premise of Fidelity: Science, Visuality, and Representing the Real in 19th-Century Japan  (Stanford University Press, 2012), the zograscope not least among them. The book opens with Fukuoka’s account of stumbling upon a manuscript of... Learn more about your ad choices. Visit megaphone.fm/adchoices

Zograscope. Say it with me: zograscope. ZooooOOOOOoooograscope. There are many optical wonders in Maki Fukuoka’s new book The Premise of Fidelity: Science, Visuality, and Representing the Real in 19th-Century Japan  (Stanford University Press, 2012), the zograscope not least among them. The book opens with Fukuoka’s account of stumbling upon a manuscript of a botanical work called the Honzo shasin (1826) while on a trip to Leiden to see a Japanese zograscope, a device that enhanced the sense of depth when looking through it at otherwise flat pictures. Much of the book centers on the history and work of a small community of nineteenth-century scholars called the Shohyaku-sha, the group that produced the Honzo shashin and were interested in the study of materia medica. This focused case study allows Fukuoka to simultaneously stay anchored while opening up to an expansive history of transformations in modes of understanding visuality and evidence of knowledge of the natural world in Tokugawa Japan. As the book guides readers through the changing meanings of the word shashin, a term used to mean “photography” in contemporary Japanese, it demonstrates how knowledge of the spheres of textual knowledge, visual illustration, and physical plant specimens mutually reinforced one another while practitioners of the visual arts sought to define and secure relationships of “fidelity” among these very different media. This fundamentally trans-disciplinary book offers much of interest to historians of East Asia, of science, and of art: histories of public exhibitions, of natural history, of photography, of anatomical dissection, of translation and typography, and much more can be found within the pages of The Premise of Fidelity. And if I haven’t already mentioned it, there’s also a zograscope. What more reason would you need to read it? Learn more about your ad choices. Visit megaphone.fm/adchoices

Zograscope. Say it with me: zograscope. ZooooOOOOOoooograscope. There are many optical wonders in Maki Fukuoka’s new book The Premise of Fidelity: Science, Visuality, and Representing the Real in 19th-Century Japan  (Stanford University Press, 2012), the zograscope not least among them. The book opens with Fukuoka’s account of stumbling upon a manuscript of... Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Zograscope. Say it with me: zograscope. ZooooOOOOOoooograscope. There are many optical wonders in Maki Fukuoka's new book The Premise of Fidelity: Science, Visuality, and Representing the Real in 19th-Century Japan  (Stanford University Press, 2012), the zograscope not least among them. The book opens with Fukuoka's account of stumbling upon a manuscript of... Learn more about your ad choices. Visit megaphone.fm/adchoices