Podcasts about century japan

ZEN IN OUR TIME“Connecting the Dots”Some of you A few may have undergone formal training, in Zen or other meditative traditions, or you may be a relative newcomer to Zen. The objective of this essay is Whatever your experience level, this course should help you sort the wheat from the chaff, to clarify for yourself which teachings of Buddhism are relevant to you, to provide some background on Zen Buddhism, how to integrate Zen practice into your daily life, and the importance of Zen's unique style of meditation, and finally some approaches to integrating Zen practice into your daily life.. My approach to Zen may seem a bit different from others you may be familiar with. The reason for this is NOTE: Applying my professional training in design thinking, which influences how I see the world. To augment more traditional text-based presentations of Zen and buddha-dharma, my training in graphic design, I have charted the basic teachings as 3D structures flattened into 2D charts, available upon request. This illustrates their interrelatedness, providing visual aids and mnemonics to help you visualize and remember them. The graphic models allow further analysis of overlapping and interconnected implications of what otherwise typically appear as linear constructs and literary outlines in the verbal formword. We are literally going to connect the dots to the degree possible.Basics of BuddhismZen NOTE: Applying my training in graphic design, I have charted the basic teachings of Zen as semantic models, 3D structures flattened into 2D charts, for the sake of illustrating their interrelatedness, as well as providing visual aids and mnemonics for you to visualize and remember them. These will also allow you to do further analysis of the overlapping and interconnected implications of what otherwise appear as linear constructs in the written word. Buddhism is both very simple and complex at the same time. As we say in design circles, "simple in concept; difficult in execution." The amount of material available on Buddhism appears virtually endless. I am not a scholar, nor a historian, but it may be helpful to provide some background from the perspective of Zen practice, on the subject as I understand itThe Four Noble TruthsBuddha re-discovered these truths in his meditation and articulatedmeditation them in his "First Sermon.” He unfolds a model of "Four Noble Truths." This quartet constitutes a kind of take-it-or-leave-it description of reality, the causes and conditions of sentient existence, including the Eightfold Path, a thoroughgoing prescription for practice, covering the eight dimensions of leading a Zen life based on meditation. All of the teachings may be seen as corrective descriptions of enlightened realty and prescriptions for taking action based on the enlightened worldview. Buddhism's Four Noble Truths are traditionally translated as the existence of suffering, its origin in craving, the potential of cessation, and the path to follow in daily life, leading to cessation. This begs the question — WhatWhat, exactly, makes them so noble, after all? They can beare ennobling, but only if we embrace them. If we do, : they can enable us to live a life of compassion in the context of inexorable change, or "suffering." The Noble Truths do not change with circumstance. They do not interact with, nor react to, changes in circumstance. The first of the four truths is that this existence — indeed any physical existence — is of the nature of suffering (Skt. dukkha). There is no existence without change, the universal dynamic. Galaxies colliding, the Big Bang — all is dukkha. As human beings, we are caught up in this change, and we tend to take it personally. We suffer not only physically, but also emotionally, mentally, and even socially. The second truth is that most of our suffering is finds its origin in our own attachment and aversion,, craving, or thirst: clinging to the pleasant, and avoiding the unpleasant. Suffering is both natural —, as in aging, sickness and death —, and unnatural or intentional —, as in self-inflicted and mutually-inflicted suffering between human beings, and imposed upon other beings, sentient and insentient. On a personal level, Buddhism embraces suffering, rather than trying to avoid it. The third of the truths offers hopeis that suffering can cease, but only through our embrace of it. The natural processes of aging, sickness and death cannot be avoided no matter how hard we try. They are built into existence itself. UnnecessaryIntentional and unintended suffering can come to an end, however, through relinquishing cessation, or at least lowering,the extent ofof our craving, modifying our craven behavior.The Noble Eightfold PathThe fourth of the quartet posits that there is a way of living daily life as a path to cessation. Theusual interpretation of its eight points begins with worldview, or intention. In time our view evolves toward conformance to that taught by Buddha, through examining our thought, or understanding., "Right" view and thoughtwhich together comprise right wisdom.; Engaging in loving speech, kind action and a compassionate livelihood, add up toor right conduct. E; and engaging effort, mindfulness and meditation, we developas right discipline. The only real discipline in Zen is self-discipline, which applies to lay practice as well as monasticism.Wisdom, conduct and discipline constitute our tripartite path. Fortunately, Zen offers a workaround. The primary focus of Zen is the practice of its highly focused method of meditation (J. zazen), integrating posture, breath and meditationattention, called “zazen” in Japanese. Zazen is like a magnifying glass, an indispensable and instrumental method for focusing attention awareness in an extremely tight awareness on our own direct experience. Which is where the origins of Buddhism arose, from the meditation of Buddha, Shakyamuni. Visualizing the Eightfold Path as a 3-dimenional model of a cube illustrates that these eight components of the three primary divisions — the outer person, or conduct;, the inner person,or discipline;, and the fruit of the practice, the evolution of true wisdom — are all interconnected in complex ways. For example, the intersection of right speech and right action: “You talk the talk, but you do not walk the walk.” Your words do not match your actions. Each pairing of any two of the eight dimensions can be analyzed in such a manner. But the important thing is to be aware of them, and observinge how they affect our lives, and how our manner of living affects them. The Six ParamitasWhen we think of perfecting our practice of any activity, such as playing the piano, or high-performance athletics, naturally we form some sort of goal or expectation that we hope to realize. But the notion of perfection in Zen is not like that. There is an ancient Sanskrit term,from Sanskrit, “paramita,” that is sometimes translated as “perfection.” There are six such, (sometimes expanded to ten,) such in traditional models. — The basic six-pack usually translatessometimes condensed as: generosity or giving;, precepts or (ethics);, energy or or effort;, patience or or forbearance;, meditation, contemplation or concentration;, and wisdom. But in Zen, we instead look to discover their true meaning and application in our meditation. The founder of Soto Zen in 13th Century Japan, Master Eihei Dogen, was said to have commented, paraphrasing: asking In zazen, wwhat Precept (morality) is not fulfilled? In Zen, the perfection of desirable personality traits, and the full comprehension of them, becomes possible only through diligent pursuit of wholehearted meditation practice. My Zen teacher, “sensei” in Japanperese, Soyu Matsuoka-roshi, would often say that we should always aim at the perfect posture in seated meditation, never imagining that we have achieved it. This amounts to “posture paramita.” We engage in a process of perfecting, in lieu of setting goals of perfection. Eventually, with repetition, any endeavor such as practicing the piano, dance moves, sports, or martial arts forms, will reach a turning point, where it becomes truly musical, transcendent, and transformative. Your practice of meditation will likewise naturally go through several turning points in its evolution. Eventually, it will become what my teacher referred to as “the real zazen.” This is when posture, breath and attention all come together in a unified way. Not-two.Zazen: Sitting Still Just Sitting; Still Enough, Straight Enough, For Long EnoughThe focus of Zen is on the present moment, but the activity that is occurring moment by moment is ceaseless, relentless in its changing dynamic. We sit still in order to recover our original mind, in which stillness is not separate from motion. This is one meaning of an ancient Sino-Japanese term, “mokurai”: stillness in motion, motion in stillness. Silence in Zen, to take another example of mokurai,, is not the absence of sound. The silence is in the sound. And vice-versa. Same for stillness and motion. Nonetheless, we emphasize the stillness partsays. It is difficult to slow down, let alone come to a full stop, in today's world. When we do — sitting still enough for long enough — a whole new dimension of reality opens up for us. We enter the original frontier of the mind, discovered by Buddha two-and-a-half millennia ago, and passed on to us by the ancestors of Zen.Concluding the InconclusiveLike most things in life, Zen has to be experienced to be understood, from personal experience. This is one instance of how the highly specialized training in Zen has a halo effect on daily life. If you have become accustomed to the extreme clarity of mind engendered in quiet meditation in the zendo, you will be better equipped to face the chaos in daily life Two aspects of Zen that I have mentionedindicated remain foremost in my mind —- its irreducible simplicity of method, and the importance of finding the right teacher for you. I highly recommend you pursue both with diligence, as if your hair were on fire, as per Master Dogen.

Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women's liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo  manga (girls' comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan. Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women's and men's magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume's characterization of the era is also greatly enriched by interviews with more than sixty individuals. Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women's liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo  manga (girls' comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan. Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women's and men's magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume's characterization of the era is also greatly enriched by interviews with more than sixty individuals. Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women's liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo  manga (girls' comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan. Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women's and men's magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume's characterization of the era is also greatly enriched by interviews with more than sixty individuals. Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women's liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo  manga (girls' comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan. Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women's and men's magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume's characterization of the era is also greatly enriched by interviews with more than sixty individuals. Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women's liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo  manga (girls' comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan. Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women's and men's magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume's characterization of the era is also greatly enriched by interviews with more than sixty individuals. Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women's liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo  manga (girls' comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan. Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women's and men's magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume's characterization of the era is also greatly enriched by interviews with more than sixty individuals. Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border. Learn more about your ad choices. Visit megaphone.fm/adchoices

Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women's liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo  manga (girls' comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan. Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women's and men's magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume's characterization of the era is also greatly enriched by interviews with more than sixty individuals. Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Transfiguring Women in Late Twentieth-Century Japan: Feminists, Lesbians, and Girls' Comics Artists and Fans (U Hawaii Press, 2024) examines three dynamic and overlapping communities of women and adolescent girls who challenged Japanese gender and sexual norms in the 1970s and 1980s. These spheres encompassed activists in the ūman ribu (women's liberation) movement, members of the rezubian (lesbian) community, and artists and readers of queer shōjo  manga (girls' comics). Individually and collectively, they found the normative understanding of the category “women” untenable and worked to redefine and expand its meaning by transfiguring ideas, images, and practices selectively appropriated from the “West.” They did so, however, while remaining firmly fixed on the local. Thus, for many, this ostensibly Western focus was not a turn away from Japan but integral to their understanding of being a woman within Japan. Following broad historical overviews of the ūman ribu, rezubian, and queer shōjo manga spheres, the book takes a deeper look through the lenses of terminology, translation, and travel to offer a window onto how acts of transfiguration reshaped what it meant to be a woman in Japan. The work draws on a vast archive that encompasses early twentieth-century dictionaries, sexology texts, and literature; postwar women's and men's magazines and pornography; translated feminist and lesbian texts; comics and animation; and newsletters, fanzines, and other heretofore largely unexamined ephemera. The volume's characterization of the era is also greatly enriched by interviews with more than sixty individuals. Transfiguring Women in Late Twentieth-Century Japan demonstrates that the transfiguration of Western culture into something locally meaningful had tangible effects beyond newly (re)created texts, practices, images, and ideas within the ūman ribu, rezubian, and queer shōjo manga communities. The individuals and groups involved were themselves transformed. More broadly, their efforts forged new understandings of “women” in Japan, creating space for a greater number of public roles not bound to being a mother or a wife, as well as a greater diversity of gender and sexual expression that reached far beyond the Japanese border. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

C'est l'heure des Magical Girls !✨

Want to get more of the Shogun?Head over to Prizefighters, Circusfreaks & Gangsters - we're up to Ep 7! BUt in the meantime... you can just sit back and listen to us take apart and give context to 17th Century Japan.As always - you can reach us on the internets.Jamie Lewis (plagueofstrength.com & IG @plagueofstrength)&Greta Hardin (The History of American Food podcast & @THoAFood all over)Look for us weekly and on Instagram & Threads: @pcgpodcast

Yes, you heard us right!! Join Olivia and Aran as they defend their most dubious claim to date, which is definitely not just an excuse to step beyond our usual remit and talk about the wild, delightful world that was Edo Period Japan! We explore why Edo Japan was so cut off from the world and the effects this had on its society, plus some of the cultural developments that took place along the way. Also discussed are The legend of the tanuki and the trainhttps://www.proquest.com/docview/1036926966?sourcetype=Scholarly%20JournalsKume Kunitake's diaries of travel in Europle and the United Stateshttps://archive.org/details/japanrisingiwaku0000kume/An overview of the Satsuma rebellionhttps://www.jstor.org/stable/2383560The decline of the Japanese warrior classhttps://www.jstor.org/stable/25790888The song used in this episode is sōran bushi, a Japanese folk song traditionally sung by fishers.

Come dream with me as we go Deep into 16th Century Japan and experience the chaos of Sengoku Jidai through one man's quest to become Shogun.  Prepare to go to war as we Enter Yasuke...The African Samurai.    I hope you enjoy this trip back to my breakout tale that took Deep into History to another level.  Re-mixed, re-mastered, re-written, and fully Revisited.    Please support the show : https://www.patreon.com/deepintohistory Music: Sad Dramatic March by MusicLFiles Free download: ⁠⁠⁠⁠https://filmmusic.io/song/6240-sad-dramatic-march⁠⁠⁠⁠ Licensed under CC BY 4.0: ⁠⁠⁠⁠https://filmmusic.io/standard-license⁠⁠⁠⁠   Other music in this episode is licensed under Epidemic Sound

We discuss medieval Japan in today's episode, in preparation for the new TV show, Shogun. Professor of Japanese History Frederik Cryns joins to discuss the practice of suicide - Seppuku, the clash of cultures as Japan was visited by Portuguese merchants, Jesuits and in 1600, the first Brit: William Adams. Links Discussed Shogun In the Service of the Shogun: The Real Story of William Adams, by Frederik Cryns Seppuku Ollie on X Email us: history@aspectsofhistory.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Files on Air is a podcast series in which contributors from AA Files read their work. In this episode, you will hear Brendon Carlin – an architect, critic, researcher, and AA School tutor – read his text ‘No-House: Shameless Architecture in 21st-Century Japan'. In this piece, Carlin examines the legacy of Japan's ‘lost decade', Yoshiharu Tsukamoto and Momoyo Kaijima's Atelier Bow-Wow and the ‘shameless architecture' that illuminates the reality of certain conditions in Tokyo. You can read the piece in AA Files 79. AA Files is the Architectural Association's journal of record, which promotes original and engaging writing on architecture and its related fields.AirAA podcasts are recorded, mixed, edited and distributed from the Architectural Association School of Architecture, which is based in Bedford Square in London. Special thanks to Thomas Parkes for his contribution to the production of our episodes. To view the show notes and find more episodes, visit air.aaschool.ac.uk.The opinions expressed in AirAA podcasts are solely those of the participants and do not represent the opinions of the Architectural Association as a whole.

Have you ever felt that the grammar of Asian languages does not fit with the framework that we use to describe them? In the late 19th century, Asian grammarians began adapting the European-based grammatical frameworks describing their languages, but this application was not straightforward. In Japan, the question of grammar eventually became entangled with larger debates about cultural identity, heritage, and nationalism. In this episode, Jonathan Puntervold unfolds the story of conservative Japanese language scholar, Yamada Yoshio (1875-1957) and his legacy on Japanese linguistics, in conversation with Tyra Orton. Jonathan is a PhD fellow at the Department of Global Studies at Aarhus University and is currently a visiting researcher at NIAS. With a background in general linguistics and Japanese studies, his research has generally focused on the nature of Japanese grammar and the many different descriptions of it across time and space. The episode focuses on his recently submitted PhD thesis, If the shoe fits: Yamada Yoshio and the birth of neotraditionalist linguistics in Japan, which examines the ideological debates surrounding language and linguistics in early 20th century Japan from the perspective of global intellectual history. Tyra Orton is a student at the Department of Cross-Cultural and Regional Studies at the University of Copenhagen and a student assistant at NIAS. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, the University of Helsinki, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Have you ever felt that the grammar of Asian languages does not fit with the framework that we use to describe them? In the late 19th century, Asian grammarians began adapting the European-based grammatical frameworks describing their languages, but this application was not straightforward. In Japan, the question of grammar eventually became entangled with larger debates about cultural identity, heritage, and nationalism. In this episode, Jonathan Puntervold unfolds the story of conservative Japanese language scholar, Yamada Yoshio (1875-1957) and his legacy on Japanese linguistics, in conversation with Tyra Orton. Jonathan is a PhD fellow at the Department of Global Studies at Aarhus University and is currently a visiting researcher at NIAS. With a background in general linguistics and Japanese studies, his research has generally focused on the nature of Japanese grammar and the many different descriptions of it across time and space. The episode focuses on his recently submitted PhD thesis, If the shoe fits: Yamada Yoshio and the birth of neotraditionalist linguistics in Japan, which examines the ideological debates surrounding language and linguistics in early 20th century Japan from the perspective of global intellectual history. Tyra Orton is a student at the Department of Cross-Cultural and Regional Studies at the University of Copenhagen and a student assistant at NIAS. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, the University of Helsinki, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Have you ever felt that the grammar of Asian languages does not fit with the framework that we use to describe them? In the late 19th century, Asian grammarians began adapting the European-based grammatical frameworks describing their languages, but this application was not straightforward. In Japan, the question of grammar eventually became entangled with larger debates about cultural identity, heritage, and nationalism. In this episode, Jonathan Puntervold unfolds the story of conservative Japanese language scholar, Yamada Yoshio (1875-1957) and his legacy on Japanese linguistics, in conversation with Tyra Orton. Jonathan is a PhD fellow at the Department of Global Studies at Aarhus University and is currently a visiting researcher at NIAS. With a background in general linguistics and Japanese studies, his research has generally focused on the nature of Japanese grammar and the many different descriptions of it across time and space. The episode focuses on his recently submitted PhD thesis, If the shoe fits: Yamada Yoshio and the birth of neotraditionalist linguistics in Japan, which examines the ideological debates surrounding language and linguistics in early 20th century Japan from the perspective of global intellectual history. Tyra Orton is a student at the Department of Cross-Cultural and Regional Studies at the University of Copenhagen and a student assistant at NIAS. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, the University of Helsinki, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Have you ever felt that the grammar of Asian languages does not fit with the framework that we use to describe them? In the late 19th century, Asian grammarians began adapting the European-based grammatical frameworks describing their languages, but this application was not straightforward. In Japan, the question of grammar eventually became entangled with larger debates about cultural identity, heritage, and nationalism. In this episode, Jonathan Puntervold unfolds the story of conservative Japanese language scholar, Yamada Yoshio (1875-1957) and his legacy on Japanese linguistics, in conversation with Tyra Orton. Jonathan is a PhD fellow at the Department of Global Studies at Aarhus University and is currently a visiting researcher at NIAS. With a background in general linguistics and Japanese studies, his research has generally focused on the nature of Japanese grammar and the many different descriptions of it across time and space. The episode focuses on his recently submitted PhD thesis, If the shoe fits: Yamada Yoshio and the birth of neotraditionalist linguistics in Japan, which examines the ideological debates surrounding language and linguistics in early 20th century Japan from the perspective of global intellectual history. Tyra Orton is a student at the Department of Cross-Cultural and Regional Studies at the University of Copenhagen and a student assistant at NIAS. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, the University of Helsinki, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Have you ever felt that the grammar of Asian languages does not fit with the framework that we use to describe them? In the late 19th century, Asian grammarians began adapting the European-based grammatical frameworks describing their languages, but this application was not straightforward. In Japan, the question of grammar eventually became entangled with larger debates about cultural identity, heritage, and nationalism. In this episode, Jonathan Puntervold unfolds the story of conservative Japanese language scholar, Yamada Yoshio (1875-1957) and his legacy on Japanese linguistics, in conversation with Tyra Orton. Jonathan is a PhD fellow at the Department of Global Studies at Aarhus University and is currently a visiting researcher at NIAS. With a background in general linguistics and Japanese studies, his research has generally focused on the nature of Japanese grammar and the many different descriptions of it across time and space. The episode focuses on his recently submitted PhD thesis, If the shoe fits: Yamada Yoshio and the birth of neotraditionalist linguistics in Japan, which examines the ideological debates surrounding language and linguistics in early 20th century Japan from the perspective of global intellectual history. Tyra Orton is a student at the Department of Cross-Cultural and Regional Studies at the University of Copenhagen and a student assistant at NIAS. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, the University of Helsinki, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

Have you ever felt that the grammar of Asian languages does not fit with the framework that we use to describe them? In the late 19th century, Asian grammarians began adapting the European-based grammatical frameworks describing their languages, but this application was not straightforward. In Japan, the question of grammar eventually became entangled with larger debates about cultural identity, heritage, and nationalism. In this episode, Jonathan Puntervold unfolds the story of conservative Japanese language scholar, Yamada Yoshio (1875-1957) and his legacy on Japanese linguistics, in conversation with Tyra Orton. Jonathan is a PhD fellow at the Department of Global Studies at Aarhus University and is currently a visiting researcher at NIAS. With a background in general linguistics and Japanese studies, his research has generally focused on the nature of Japanese grammar and the many different descriptions of it across time and space. The episode focuses on his recently submitted PhD thesis, If the shoe fits: Yamada Yoshio and the birth of neotraditionalist linguistics in Japan, which examines the ideological debates surrounding language and linguistics in early 20th century Japan from the perspective of global intellectual history. Tyra Orton is a student at the Department of Cross-Cultural and Regional Studies at the University of Copenhagen and a student assistant at NIAS. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, the University of Helsinki, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.

Have you ever felt that the grammar of Asian languages does not fit with the framework that we use to describe them? In the late 19th century, Asian grammarians began adapting the European-based grammatical frameworks describing their languages, but this application was not straightforward. In Japan, the question of grammar eventually became entangled with larger debates about cultural identity, heritage, and nationalism. In this episode, Jonathan Puntervold unfolds the story of conservative Japanese language scholar, Yamada Yoshio (1875-1957) and his legacy on Japanese linguistics, in conversation with Tyra Orton. Jonathan is a PhD fellow at the Department of Global Studies at Aarhus University and is currently a visiting researcher at NIAS. With a background in general linguistics and Japanese studies, his research has generally focused on the nature of Japanese grammar and the many different descriptions of it across time and space. The episode focuses on his recently submitted PhD thesis, If the shoe fits: Yamada Yoshio and the birth of neotraditionalist linguistics in Japan, which examines the ideological debates surrounding language and linguistics in early 20th century Japan from the perspective of global intellectual history. Tyra Orton is a student at the Department of Cross-Cultural and Regional Studies at the University of Copenhagen and a student assistant at NIAS. The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, the University of Helsinki, and Asianettverket at the University of Oslo. We aim to produce timely, topical and well-edited discussions of new research and developments about Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

Victoria Lee's The Arts of the Microbial World: Fermentation Science in Twentieth-Century Japan (U Chicago Press, 2021) is an in-depth exploration of the social history of microbial science in modern Japan. Lee shows that Japanese scientists and artisans in food, chemical, and pharmaceutical industries harnessed a combination of premodern and modern understandings of the microbial world to create a productive approach positing microbes “as living workers” in important industries.  With case studies that include sake and soy sauce, antibiotics, and biotechnology, Arts of the Microbial World weaves a historical narrative integrated with both the development of modern Japanese science and industry on the one hand and imperialism, expansion, and defeat and rebuilding on the other. Additionally, Lee couches her analysis of Japan's microbial industries in the context of our contemporary microbiotic moment of antibiotic resistance, the microbiome, green chemistry, and lab-grown foods and pharmaceuticals. In this sense, Arts of the Microbial World will be of interest to scholars and students of Japan, the history of science, food, pharmaceuticals, and industry, but also to readers concerned about the possibilities of mobilizing non-Western technological breakthroughs in the quest for global sustainability. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Victoria Lee's The Arts of the Microbial World: Fermentation Science in Twentieth-Century Japan (U Chicago Press, 2021) is an in-depth exploration of the social history of microbial science in modern Japan. Lee shows that Japanese scientists and artisans in food, chemical, and pharmaceutical industries harnessed a combination of premodern and modern understandings of the microbial world to create a productive approach positing microbes “as living workers” in important industries.  With case studies that include sake and soy sauce, antibiotics, and biotechnology, Arts of the Microbial World weaves a historical narrative integrated with both the development of modern Japanese science and industry on the one hand and imperialism, expansion, and defeat and rebuilding on the other. Additionally, Lee couches her analysis of Japan's microbial industries in the context of our contemporary microbiotic moment of antibiotic resistance, the microbiome, green chemistry, and lab-grown foods and pharmaceuticals. In this sense, Arts of the Microbial World will be of interest to scholars and students of Japan, the history of science, food, pharmaceuticals, and industry, but also to readers concerned about the possibilities of mobilizing non-Western technological breakthroughs in the quest for global sustainability. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Victoria Lee's The Arts of the Microbial World: Fermentation Science in Twentieth-Century Japan (U Chicago Press, 2021) is an in-depth exploration of the social history of microbial science in modern Japan. Lee shows that Japanese scientists and artisans in food, chemical, and pharmaceutical industries harnessed a combination of premodern and modern understandings of the microbial world to create a productive approach positing microbes “as living workers” in important industries.  With case studies that include sake and soy sauce, antibiotics, and biotechnology, Arts of the Microbial World weaves a historical narrative integrated with both the development of modern Japanese science and industry on the one hand and imperialism, expansion, and defeat and rebuilding on the other. Additionally, Lee couches her analysis of Japan's microbial industries in the context of our contemporary microbiotic moment of antibiotic resistance, the microbiome, green chemistry, and lab-grown foods and pharmaceuticals. In this sense, Arts of the Microbial World will be of interest to scholars and students of Japan, the history of science, food, pharmaceuticals, and industry, but also to readers concerned about the possibilities of mobilizing non-Western technological breakthroughs in the quest for global sustainability. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Victoria Lee's The Arts of the Microbial World: Fermentation Science in Twentieth-Century Japan (U Chicago Press, 2021) is an in-depth exploration of the social history of microbial science in modern Japan. Lee shows that Japanese scientists and artisans in food, chemical, and pharmaceutical industries harnessed a combination of premodern and modern understandings of the microbial world to create a productive approach positing microbes “as living workers” in important industries.  With case studies that include sake and soy sauce, antibiotics, and biotechnology, Arts of the Microbial World weaves a historical narrative integrated with both the development of modern Japanese science and industry on the one hand and imperialism, expansion, and defeat and rebuilding on the other. Additionally, Lee couches her analysis of Japan's microbial industries in the context of our contemporary microbiotic moment of antibiotic resistance, the microbiome, green chemistry, and lab-grown foods and pharmaceuticals. In this sense, Arts of the Microbial World will be of interest to scholars and students of Japan, the history of science, food, pharmaceuticals, and industry, but also to readers concerned about the possibilities of mobilizing non-Western technological breakthroughs in the quest for global sustainability. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/food

Victoria Lee's The Arts of the Microbial World: Fermentation Science in Twentieth-Century Japan (U Chicago Press, 2021) is an in-depth exploration of the social history of microbial science in modern Japan. Lee shows that Japanese scientists and artisans in food, chemical, and pharmaceutical industries harnessed a combination of premodern and modern understandings of the microbial world to create a productive approach positing microbes “as living workers” in important industries.  With case studies that include sake and soy sauce, antibiotics, and biotechnology, Arts of the Microbial World weaves a historical narrative integrated with both the development of modern Japanese science and industry on the one hand and imperialism, expansion, and defeat and rebuilding on the other. Additionally, Lee couches her analysis of Japan's microbial industries in the context of our contemporary microbiotic moment of antibiotic resistance, the microbiome, green chemistry, and lab-grown foods and pharmaceuticals. In this sense, Arts of the Microbial World will be of interest to scholars and students of Japan, the history of science, food, pharmaceuticals, and industry, but also to readers concerned about the possibilities of mobilizing non-Western technological breakthroughs in the quest for global sustainability. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices

Victoria Lee's The Arts of the Microbial World: Fermentation Science in Twentieth-Century Japan (U Chicago Press, 2021) is an in-depth exploration of the social history of microbial science in modern Japan. Lee shows that Japanese scientists and artisans in food, chemical, and pharmaceutical industries harnessed a combination of premodern and modern understandings of the microbial world to create a productive approach positing microbes “as living workers” in important industries.  With case studies that include sake and soy sauce, antibiotics, and biotechnology, Arts of the Microbial World weaves a historical narrative integrated with both the development of modern Japanese science and industry on the one hand and imperialism, expansion, and defeat and rebuilding on the other. Additionally, Lee couches her analysis of Japan's microbial industries in the context of our contemporary microbiotic moment of antibiotic resistance, the microbiome, green chemistry, and lab-grown foods and pharmaceuticals. In this sense, Arts of the Microbial World will be of interest to scholars and students of Japan, the history of science, food, pharmaceuticals, and industry, but also to readers concerned about the possibilities of mobilizing non-Western technological breakthroughs in the quest for global sustainability. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Victoria Lee's The Arts of the Microbial World: Fermentation Science in Twentieth-Century Japan (U Chicago Press, 2021) is an in-depth exploration of the social history of microbial science in modern Japan. Lee shows that Japanese scientists and artisans in food, chemical, and pharmaceutical industries harnessed a combination of premodern and modern understandings of the microbial world to create a productive approach positing microbes “as living workers” in important industries.  With case studies that include sake and soy sauce, antibiotics, and biotechnology, Arts of the Microbial World weaves a historical narrative integrated with both the development of modern Japanese science and industry on the one hand and imperialism, expansion, and defeat and rebuilding on the other. Additionally, Lee couches her analysis of Japan's microbial industries in the context of our contemporary microbiotic moment of antibiotic resistance, the microbiome, green chemistry, and lab-grown foods and pharmaceuticals. In this sense, Arts of the Microbial World will be of interest to scholars and students of Japan, the history of science, food, pharmaceuticals, and industry, but also to readers concerned about the possibilities of mobilizing non-Western technological breakthroughs in the quest for global sustainability. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery

Victoria Lee's The Arts of the Microbial World: Fermentation Science in Twentieth-Century Japan (U Chicago Press, 2021) is an in-depth exploration of the social history of microbial science in modern Japan. Lee shows that Japanese scientists and artisans in food, chemical, and pharmaceutical industries harnessed a combination of premodern and modern understandings of the microbial world to create a productive approach positing microbes “as living workers” in important industries.  With case studies that include sake and soy sauce, antibiotics, and biotechnology, Arts of the Microbial World weaves a historical narrative integrated with both the development of modern Japanese science and industry on the one hand and imperialism, expansion, and defeat and rebuilding on the other. Additionally, Lee couches her analysis of Japan's microbial industries in the context of our contemporary microbiotic moment of antibiotic resistance, the microbiome, green chemistry, and lab-grown foods and pharmaceuticals. In this sense, Arts of the Microbial World will be of interest to scholars and students of Japan, the history of science, food, pharmaceuticals, and industry, but also to readers concerned about the possibilities of mobilizing non-Western technological breakthroughs in the quest for global sustainability. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices

Victoria Lee's The Arts of the Microbial World: Fermentation Science in Twentieth-Century Japan (U Chicago Press, 2021) is an in-depth exploration of the social history of microbial science in modern Japan. Lee shows that Japanese scientists and artisans in food, chemical, and pharmaceutical industries harnessed a combination of premodern and modern understandings of the microbial world to create a productive approach positing microbes “as living workers” in important industries.  With case studies that include sake and soy sauce, antibiotics, and biotechnology, Arts of the Microbial World weaves a historical narrative integrated with both the development of modern Japanese science and industry on the one hand and imperialism, expansion, and defeat and rebuilding on the other. Additionally, Lee couches her analysis of Japan's microbial industries in the context of our contemporary microbiotic moment of antibiotic resistance, the microbiome, green chemistry, and lab-grown foods and pharmaceuticals. In this sense, Arts of the Microbial World will be of interest to scholars and students of Japan, the history of science, food, pharmaceuticals, and industry, but also to readers concerned about the possibilities of mobilizing non-Western technological breakthroughs in the quest for global sustainability. Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

We welcome guest speaker John W. Traphagan to our audio series. Today's presentation, Neoliberalism and the Quantification of Quality in Higher Education is based on his recently published FutureU commentary, So You Want to be a University Administrator?  Professor Traphagan analyzes the ongoing infusion of metrics into all aspects of “measuring” quality in higher education. From course surveys to rubrics, the overarching approach is to quantify all aspects of higher ed around a simple equation: good metrics —> good optics —> marketing opportunities. Dr. J. W. Traphagan is an anthropologist and a Visiting Professor at the Center for International Education at Waseda University in Tokyo. He is also a Professor Emeritus in the Program in Human Dimensions of Organizations at the University of Texas at Austin. His research has appeared in numerous scientific journals. His most recent books on Japan include Cosmopolitan Rurality, Depopulation, and Entrepreneurial Ecosystems in 21st Century Japan (2020) and The Blood of Gutoku: A Jack Riddley Mystery in Japan (2021). His popular podcast series, How to Be Wrong, is available on the New Books Network. Joining Dr. Traphagan today is Forum host Rubén O. Martinez, professor emeritus of sociology and director emeritus of the Julian Samora Research Institute at Michigan State University, and FutureU's founder. George Styles a biochemist with broad-ranging interests, including critical thinking, philosophy, and science, offers commentary as a discussant. Dr. Style's podcast, The Socratic Method, is available on YouTube. Lewis (Terry) Dibble, a humanities professor at Indiana University Purdue University Columbus, offers comments. Frank Fear produced the program for FutureU on June 20, 2023. The cover graphic is courtesy of Curatti.

Human NatureIt's not what we think.We must kill to stay alive —How “humane” is that?One of the many modern cultural memes that Zen challenges — as well as any unbiased reading of history would, for that matter — is the hopeful notion that human nature is necessarily a good thing. We often use the term “humane” with this connotation, as defined by the dictionary:• having or showing compassion or benevolence: regulations ensuring the humane treatment of animals. • inflicting the minimum of pain: humane methods of killing.Ironic, wouldn't you say, that the very word that connotes the highest degree of compassion or benevolence is commonly defined by our method of killing — mostly livestock but also wild animals. This at least recognizes one truism of Buddhism: that there is no life without death, and that to live it is necessary to kill, if not intentionally. That is, our very breath kills untold numbers of microbes with every cycle of inhalation and exhalation, relentlessly. Then there's that dreaded occasion when we have to put down a beloved pet or working beast to put it out of its misery.We like to think of ourselves, as human beings, as the acme of evolution — or God's greatest creation — actually formed in His or Her image. On the other hand, human beings are the root cause of all, or at least most, of the unnecessary suffering in the world. I came across an old saying attributed to Zen, illustrated with the frowning and grinning masks of ancient theater, saying something like “Waking in the morning, he is an angel, or a devil — depending on circumstance!” So it is recognized in Zen that it is not just what we do personally, but the interface with the various causes and conditions surrounding us, that shapes our lives on a daily basis.Usually when we speak of human nature, it is with a positive association with the highest good that human nature is capable of achieving. The saints of theism, as well as the Ancestors of Buddhism, are held up as exemplars of this achievement, through their altruistic behavior and self-sacrifice for the sake of others. It is true that they were all very human, of course, although the teaching style of a standout Zen Master like Rinzai, if we are to believe the stories, sometimes looks inhumane on its surface. The history of Zen is replete with stories of students who recognized the “grandmotherly kindness” of their former teacher in retrospect, only after they had moved on to another teacher, or independently experienced Zen's insight.Before delving into an examination of what we mean by “buddha-nature,” let's consider some aspects of what we refer to as human nature, but from the perspective of Zen. Note that the “buddha” in buddha-nature is not capitalized. This indicates we are considering the innate potential of all human beings to recover their original Mind, and not the historical Buddha, Shakyamuni, which would be capitalized. WHAT IS HUMAN NATURE?Let me list some of the dimensions of human nature that seem to me to be connected to Zen practice:IT IS HUMAN NATURE:1. To regard ourselves as existent entities. BUT: According to Zen, we human beings are not self-existent entities. Nothing else is, either. Including corporate entities, such as the Zen Center corporation.2. It is human nature to want to join like-minded groups of people.BUT: The Zen community, or “sangha,” like any group entity, is evanescent, impermanent. This is why we refer to and visualize the sangha as a “cloud” (J. un), constantly evaporating and recondensing over time, as people come and go.3. It is human nature to hope to be appreciated for our contributions to a cause.BUT: It is somewhat inappropriate to express appreciation to anyone for what they do for Zen or Buddhism, as there is no conventional “self” in it. It is normal to do so in polite society, but Zen, while not antisocial in character, is somewhat asocial – the norms and memes of society are called into question, subject to examination in meditation.4. It is human nature to expect our associations to meet our personal needs.BUT: Our best laid plans often take an ugly turn. Because a corporate entity is populated by individuals who have their own agendas, one's personal perspective may have to be set aside for the overall, long-term benefit of the group. We practice patience with this.5. It is human nature to hope that our favored institutions continue in perpetuity.BUT: Nothing continues in perpetuity. Never has, never will. Eiheiji, the monastery established by Master Dogen in 13th Century Japan, still stands, however.6. It is human nature to feel disappointed when our expectations are not met.BUT: We practice caution against developing unrealistic expectations of Zen, both of our personal practice and our social community, or sangha. I could go on. It is human nature to try to control the uncontrollable. And to blame others when we fail to do so. No matter how much harmony we are able to foster within the sangha, there are going to be periods of disruption and disharmony, brought about by individual personality issues as well as external influences. We do not discuss the faults of others, but we do find it necessary to discuss their behavior from time to time, especially if it is disruptive.THIS IS WHY WE ASPIRE TO BUDDHA NATURE“Buddha nature” simply means “awakened” nature. What we awaken to is largely the unreality of those things we take to be real, including corporate entities such as the Zen center. Its leadership, however, in the form of its abbot or abbess, teachers, members, and board of directors, has to be regarded as more real than the constructed entity. Corporations can do harm, or good, as a result of decisions taken by the persons comprising their membership. Corporate entities may be very convincing, but they are unreal in the larger context, especially when taking the longer view of Buddhism's teachings of impermanence, imperfection and insubstantiality, as applying to all apparently existent entitles.A corporate entity does not and cannot carry out the mission of the organization. Only living persons can do so, with an assist from nonliving entities, such as print publications, audio-visual presentations, and the physical plant housing the meditation hall (J. zendo). This is pointed to in a stanza toward the end of Master Dogen's Jijuyu Zammai—Self-fulfilling Samadhi (emphasis mine):Grass trees and lands which are embraced by this teaching together radiate a great light and endlessly expound the inconceivable profound dharmaGrass trees and walls bring forth the teaching for all beings common people as well as sages and they in accord extend this teaching for the sake of grass trees and wallsNote that the “walls” are those constructed by humans to house the zendo, providing a “place conducive to practice,” as Ven. Achok Rinpoche defined one meaning of “dana,” generosity, while giving a talk at the Zen center. From this it is clear that humankind — and the works of humankind — are not separate and apart from buddha-dharma, and in fact promote and support the propagation of “the realm of self-awakening and awakening others,” another of Dogen's phrases. What we refer to as “Soto Zen,” or “Dogen Zen,” is different from all the other entrees on the great smorgasbord of meditations on offer in our culture which, as we know, values variety of selection over all else. What Buddhism teaches as its worldview is starkly different from the various religions and ideologies, as well as many of the scientific worldviews, dominant in America. For more on this, check out my latest book, “The Razorblade of Zen.” A little background on our corporate history may shed some light on why, in spite of the ultimately nonexistent nature of the corporation, we incorporated ASZC and STO. ASZC was incorporated in 1977 to facilitate the mission of meeting the demand for genuine Zen practice, in particular its uniquely simple and direct meditation, and to provide the necessary interface with other corporate entities such as city, county, state, and federal government, including the IRS. The laws of the democratic republic in which we operate allow supporters to deduct donations, if qualified. STO was incorporated in 2011 because the stress and strain on the board of directors and committees of the ASZC had become too much to handle with the growth of our network of affiliates, which were meeting the increasing demand for Zen practice, and the growing awareness of ASZC and STO as meeting that demand in a uniquely user-friendly manner, stressing the practicality and best practices of householder Zen.BUT:We should not be confused as to the reality or unreality of the corporate entities we have “established.” They are no more real than any other corporate entity, though we may feel that their existence as such is much more necessary than most, based, as they are, on real human needs.In spite of the “Citizens United” ruling of the Supreme Court, corporations are not persons and should not have the “rights” accorded to human beings. All beings are capable of doing harm; corporate entities survive their human components and thus become capable of extending the harm, or good, they do to future generations. Real persons fortunately pass away, but the harm they do also lives on long after them, to paraphrase Mark Antony.In the next segment we will continue examining human versus buddha nature, in the context of all such constructions as corporate or personal constructions of the mind. Meanwhile, please focus on the personal over the corporate, emphasizing your personal practice in zazen over your role in the sangha.

Asymmetrical.Of necessity it is —But need not stay so.* * *Welcome back to UnMind, the podcast in which we tap into Design Thinking to inform our approach to Zen practice and daily life in modern times, especially in America. After the last series posted at midsummer last year — five episodes in which we summarized thirty-two prior segments on the intersection of Design Thinking and Zen — we decided to take a much-needed hiatus to reconsider the overall direction of the podcast itself. The prior three segments on the Three Treasures of Buddhism — Buddha, Dharma, and Sangha — were the inaugural series of the reboot, examining what we would refer to as their “design intent.” That is, how “Buddha practice,” interpreted primarily as time in meditation, is designed; what effect it is intended to have; and the same analysis applied to Dharma and Sangha. These ancient concepts are subject to misunderstanding in a culture underpinned by Judaic and Christian memes. I chose to approach them from a “form follows function” perspective, an established meme in Design circles. An evolutionary biologist tells me this is reversed in biology: function follows form, sans Designer.In the next series of segments we will take up various pairs of associated concepts to likewise hopefully shed some light on the connections between them that I glean from both Zen and Design angles. With this week's installment we will examine the most dispositive and determinative — and often fraught — relationships within the professional field of Design as well as that of formal Zen training, those you enjoy with your mentors. AKA the teacher-student/student-teacher relationship.In “Follow the Meander – An Indirect Route to a More Creative Life,” by Keisei Andrew Dietz, a long-time member of Atlanta Soto Zen Center (ASZC) who is a creativity and branding consultant as well as an excellent writer, he relates that following a long and feckless interview of my teacher, Matsuoka Roshi, by an FBI interrogator, the Enemy Alien Board of WWII in 1944 concludes by recommending:The Board particularly wants to point out to the Department that in their opinion this subject is a dangerous alien enemy.In the years leading up to the declaration of war with Japan, incoming Zen priests were suspected of being spies, as was eventually the entire Japanese population, which led to their infamous internment. When you read the text of the interview, especially if you knew Sensei, you can see that he was just honestly answering loaded questions by questioning why he would do any such thing as the interrogation suggested, such as going to Mexico, if such an order came from Japan. Why would he? That the interrogator concluded that Sensei posed a threat is truly laughable. His intent in coming to America was entirely altruistic, bringing the compassionate teachings of Zen and its practical method of meditation, zazen, to the people of his adopted country. The FBI agent did not understand that Sensei was, indeed, a “dangerous alien enemy,” but on a whole ‘nother level. His mission to America was indeed dangerous, in that it was intended to inculcate — in those Americans who became his students — an independence of thought, combined with an interdependence of action, that is truly subversive to any governmental effort to propagandize, or brainwash, its citizens. Political or ideological systems require dependent thought and codependent action on the part of their subscribers to be effective. Thus, introducing Zen to any society is the most subversive thing you can do. But no harm no foul. Sensei harbored no ill will. Zen's subversive influence has little to do directly with the social dimension, other than as a side-effect, but instead operates on the personal level. The nesting spheres model puts this in context (see diagram). Matsuoka Roshi would often say, “The Zen person has no trouble following the sidewalks.” In other words, it is not necessary to be nonconformists on the social level, e.g. fomenting a political movement as such, because Zen practitioners constitute such radical anomalies on the personal level. The propagation of Zen in America is taking place on a near-subliminal level, like the innovative selling of Tupperware through invitational parties in peoples' homes, instead of through retail stores. Zen followers do not usually make a public display of their practice, and its values do not provide a basis on which we would mount a campaign to reform society in our image. The real revolution begins at home, remaining virtually undetectable on the surface. True independence is as alien to conventional society as you can get. After all, society itself is subject to the three cardinal marks of Buddhism's dukkha: impermanence, imperfection, and insubstantiality. Further, any society's intentional evolution is exacerbated by human venality, as we witness on a daily basis here in the USA and all over the globe. Zen's embrace of this kind of humility is illustrated in the closing lines of an ancient Ch'an poem, Hokyo Zammai—Precious Mirror Samadhi, by Tozan Ryokai, founder of Soto Zen in 9th century China:Ministers serve their lords; children obey their parentsNot obeying is not filial; failure to serve is no helpWith practice hidden, function secretly like a fool like an idiotJust to continue in this way is called the host within the hostVery Confucian, the take on serving and obeying in the first two lines, but this does not amount to an unthinking endorsement of mindless conformity. “Fool” here is akin to “God's fool,” which does not constitute a pejorative but indicates the highest praise. The term “idiot” in the modern idiom denotes “a person of low intelligence,” an “ignorant person,” or simple, abject stupidity. But the Greek root term stresses the “private person,” the aspect of simply being a layperson. The “host within the host” is the most intimate sphere of conscious awareness, being the person within the person, having little to do with any social interaction. Both can be true at the same time, as in “inner person vs. outer person.”In Andrew's estimable book, which lays out his recommended nonlinear approach to the creative life, he emphasizes the importance of finding and appreciating one's mentors. After noting that he considers himself a “subversive in training,” he quotes my latest online Dharma Byte of that time (https://storder.org/dharma-bytes/), in which I wrote about Zen and revolution:Zen is countercultural. The main social or political issue with Zen practice, fully understood, is that it leads to true independence. Not only of thinking, but even of motive. The personal revolution that zazen can bring about can also knock the supports out from under our unthinking obedience to the dictates of the culture.“Follow the meander.” Highly recommended, both the book and the process. Admittedly it is a bit odd to be quoting another writer quoting myself. But Keisei is here treating me as a mentor, his mentor, one of several he mentions in the book. His sweeping account of the meandering role of mentors includes some interesting factoids about R. Buckminster Fuller, and my encounters with the great man, including one that a fellow Institute of Design student, studying photography under the direction of Harry Callahan and Aaron Siskind — two of my erstwhile and estimable mentors — captured on film (see photo).Andrew notes the starburst clock apparently emanating from my skull while talking with Bucky, an intentional capture by my photographer friend, Steve Hale. Bucky always had this effect of blowing the minds of his audience, and still does. Search and find his recorded monologs in the cloud to see for yourself. In training, in both Design and Zen, your relationships to your mentors become all-important, shaping your views of the profession, as well as the practice and meaning of Zen and meditation, respectively. Of course, there are many other fields in which this holds true, basically for any apprentice mode of training with a journeyman or master of the trade. But in Zen, mentors are regarded as familial-level relations of some degree of intimacy, such as “dharma-father” or -mother, -sister, -brother, -grandfather, -uncle, et cetera. Shakyamuni himself was said to regard others as his “children,” and not in a condescending way, and would often refer to his followers as “good sons,” if we are to believe the written record. But Buddha was also known for not suffering fools gladly — “fool” being defined as “a person who acts unwisely or imprudently” or “a silly person” — in contrast to the “fool” in the great Zen poem above, where it connotes “a person devoted to a particular activity,” in this case, the secret practice of Zen. This point was illustrated several times in Buddhism's early history, when upon one occasion — ostensibly the last major teaching that Buddha gave, now referred to as the Lotus Sutra — he was told that certain pundits had come to debate. He is said to have said something like, “They are free to go.” Even Buddha realized that he would not reach everyone with his message, and as Matsuoka Roshi would often say, “Zen is not up for debate.” Buddha also explained — when asked by his devout followers why it was that some people did not show him the respect they thought he deserved — that these recalcitrant seekers had been his students in past lives, and that he had treated them badly, and so they were unwilling to follow him in this lifetime. Master Dogen likewise admonishes senior monks not to treat juniors unfairly, a more modern variation on this same theme, from 13th Century Japan. Perhaps the most neutral comment Buddha is said to have made on the teacher-student relationship arose from a confrontation he had with a young man he met on the road. This wannabe monk pressed the Great Sage to answer the “Ten Cosmic Questions,” as they were known — such as how it all began, how it will all end — et cetera. But Buddha demurred, explaining that these questions were really beside the point, irrelevant as well as hopelessly speculative, and bore no relation to the problem at hand, that of the suffering prevalent in this life. The young man insisted that unless the Buddha answered these questions, he, the young man, could not consider him, the Buddha, to be his teacher. Buddha responded with a clarification that should be the hallmark of all mentoring relationships. He told the earnest but misguided youth that he, the young man, was under no obligation to be his student; and he, Buddha, was under no obligation to be his teacher. This resonates with a contemporary teaching from Fritz Perls, the founder of Gestalt therapy, expressed in the so-called “Gestalt Prayer”: I do my thing and you do your thing. I am not in this world to live up to your expectations, and you are not in this world to live up to mine.I witnessed one memorable example of such an exchange in person, while pursuing my undergraduate degree at the Institute of Design at Illinois Tech. One of my most influential design mentors, the independent thinker, designer and education innovator, Ken Isaacs, had been invited to lead a special class, on the industrial design side of the program. As I was on the graphic design side, I had to jump through some hoops in order to be able to cross over and take his class. But I was determined to do so, knowing some of Ken's history, and having read a cover story in Life Magazine on his work, specifically the “Knowledge Box” that he later installed at ID+IIT (see photo). My persistence had the side effect of opening up the ID curriculum for future students to custom design their curriculum across disciplines and moving away from specialization, and so turned out to be worth the hassle, on both personal and social levels. In the eclectic class, which was held in a small auditorium in the basement of Crown Hall, the famous steel-and-glass architectural innovation by Ludwig Mies van der Rohe (see photo), Ken put us through a series of mind-bending exercises he called “set-breakers.” Meaning not only thinking out of the box, but within the box, over and above and beyond the box, redefining and redesigning the box itself, so to speak. The first assignment was to “Translate yourself into terms other than verbal and present them to the class.” The second was to translate someone you knew in the class into terms other than verbal, and present that. As you might imagine, this led to considerable introspection on the personal level, and presenting a fellow student, a serious aspiring artist and my closest friend, led to some upheaval in our student-student relationship. But back to the teacher-student thing.Another student in the class, with whom I had become close, and will refer to as JJ, was the son of a colonel in the army, if memory serves. In that familiar groove of rebellion against strong parental influence, he was a sincere and decent folk-singer and guitar-player who had hitchhiked from the far West to attend ID. With the long, unruly hair to finish the portrait. His attitude was also unruly, leading him to frequently and repeatedly interrupt Ken's penetrating lectures and commentaries, with well-meaning but somewhat snarky comments of a critical nature. This he saw as his duty to truth, and speaking it to power, I assume. Finally one day, about midway through the term, Ken stopped abruptly in mid-sentence with one of JJ's remarks, and walked gracefully over to where he sat, standing in front of him. He leaned down face-to-face with his arms on the back of JJ's front-row auditorium chair and said, very quietly and sympathetically, that he could try to address all of JJ's problems directly, and would probably be able to help him out with them. But in order to do that, it would consume all of his time and — indicating the rest of us with a sweep of his head — he would have to turn his back on all the other students in the room. And that, unfortunately, he could not in good conscience do that. So he said I have no choice but to ask you to leave. Talking with JJ later, it was apparent that he had learned his lesson, a painful one, but too late.In the next segment we will continue this discussion of the all-important mentoring relationship of teachers to students, and that of students to teachers, pivoting to the asymmetrical relationship in Zen training. * * *Elliston Roshi is guiding teacher of the Atlanta Soto Zen Center and abbot of the Silent Thunder Order. He is also a gallery-represented fine artist expressing his Zen through visual poetry, or “music to the eyes.”UnMind is a production of the Atlanta Soto Zen Center in Atlanta, Georgia and the Silent Thunder Order. You can support these teachings by PayPal to donate@STorder.org. Gassho.Producer: Shinjin Larry Little

The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge UP, 2022) illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century. Morgan Pitelka is Bernard L. Herman Distinguished Professor of Japanese History at the University of North Carolina at Chapel Hill. Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge UP, 2022) illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century. Morgan Pitelka is Bernard L. Herman Distinguished Professor of Japanese History at the University of North Carolina at Chapel Hill. Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge UP, 2022) illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century. Morgan Pitelka is Bernard L. Herman Distinguished Professor of Japanese History at the University of North Carolina at Chapel Hill. Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge UP, 2022) illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century. Morgan Pitelka is Bernard L. Herman Distinguished Professor of Japanese History at the University of North Carolina at Chapel Hill. Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/archaeology

The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge UP, 2022) illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century. Morgan Pitelka is Bernard L. Herman Distinguished Professor of Japanese History at the University of North Carolina at Chapel Hill. Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge UP, 2022) illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century. Morgan Pitelka is Bernard L. Herman Distinguished Professor of Japanese History at the University of North Carolina at Chapel Hill. Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/japanese-studies

The Japanese provincial city of Ichijōdani was destroyed in the civil wars of the late sixteenth century but never rebuilt. Archaeological excavations have since uncovered the most detailed late medieval urban site in the country. Drawing on analysis of specific excavated objects and decades of archaeological evidence to study daily life in Ichijōdani, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge UP, 2022) illuminates the city's layout, the possessions and houses of its residents, its politics and experience of war, and religious and cultural networks. Morgan Pitelka demonstrates how provincial centers could be dynamic and vibrant nodes of industrial, cultural, economic, and political entrepreneurship and sophistication. In this study a new and vital understanding of late medieval society is revealed, one in which Ichijôdani played a central role in the vibrant age of Japan's sixteenth century. Morgan Pitelka is Bernard L. Herman Distinguished Professor of Japanese History at the University of North Carolina at Chapel Hill. Samee Siddiqui is a PhD Candidate at the Department of History, University of North Carolina at Chapel Hill. His dissertation explores discussions relating to religion, race, and empire between South Asian and Japanese figures in Tokyo from 1905 until 1945. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a triumphant return to the film festival, Chris sets out wandering the civil-war torn countryside of 17th Century Japan where he encounters two farmers looking to make some quick money and better their station in life… but at what cost? Support us on Patreon where you'll find bonus episodes, monthly commentary tracks and all sorts of fun stuff: patreon.com/TheCriterionQuest Send us an email at thecriterionquest@gmail.com We're on Instagram at instagram.com/thecriterionquest/ Chris is on Letterboxd and Twitter and Lee is on Letterboxd

Misha talks to the Wilson Center's Shihoko Goto and the Stimson Center's Yuki Tatsumi about Japan's ambitious new foreign policy, the legacy of the Abe era, current Prime Minister Kishida's agenda, and relations with Biden, Korea's new president, and China, among other topics.

Chatting With Sherri welcomes back award-winning author; Peter Wacks! Caller of Lightning; When Halley's Comet blazed across the sky in 1759, onlookers saw a sight far more spectacular--and disastrous--than they ever could have imagined. Destroyed in a magical battle, the comet is rent in two and appears to strike Earth. The event is known as The Sundering, the moment in which the Old World is separated from the New, perhaps permanently isolating the Americas. What's more, The Sundering has brought magic into the world--creatures from folklore and fairy tales come to life, along with wizardry and magework unlike anything seen outside of legend. The New World is now far stranger than before, and the Europeans, Africans, and Indigenous peoples on the American continent must forge new bonds if they are to survive. So, when magic returns to the world of the 1700s, who does the world turn to for help? None other than the father of electricity himself: Benjamin Franklin! But Franklin is in for a shock if he thinks his knowledge of science will prepare him for the world of magic. The master once more becomes the apprentice. But Franklin must learn his spells fast, for he is far from the only one studying magic. Predator: If It Bleeds; An anthology celebrating the 30th anniversary of the PREDATOR franchise, IF IT BLEEDS includes seventeen brand new, never before seen stories--exclusive to this collection--featuring the Predators throughout space and time. Based entirely on the original films, novels, and comics, PREDATOR: IF IT BLEEDS (a quote from the original movie) reveals the Predators stalking prey in 12th Century Japan, 9th Century Viking Norway, World War I, Vietnam, the Civil War, Hurricane Katrina, and the modern day, as well as across the far reaches of future space.

Misha talks to The Economist's Tokyo bureau chief, Noah Sneider, about the Japanese successes we miss, why Japan is a ‘harbinger state' on economic, demographics, security, and how it is a frontline state against China.

From Country to Nation: Ethnographic Studies, Kokugaku, and Spirits in Nineteenth-Century Japan (Cornell UP, 2021) tracks the emergence of the modern Japanese nation in the nineteenth century through the history of some of its local aspirants. It explores how kokugaku (Japan studies) scholars envisioned their place within Japan and the globe, while living in a castle town and domain far north of the political capital. Gideon Fujiwara follows the story of Hirao Rosen and fellow scholars in the northeastern domain of Tsugaru. On discovering a newly "opened" Japan facing the dominant Western powers and a defeated Qing China, Rosen and other Tsugaru intellectuals embraced kokugaku to secure a place for their local "country" within the broader nation and to reorient their native Tsugaru within the spiritual landscape of an Imperial Japan protected by the gods. Although Rosen and his fellows celebrated the rise of Imperial Japan, their resistance to the Western influence and modernity embraced by the Meiji state ultimately resulted in their own disorientation and estrangement. By analyzing their writings—treatises, travelogues, letters, poetry, liturgies, and diaries—alongside their artwork, Fujiwara reveals how this socially diverse group of scholars experienced the Meiji Restoration from the peripheries. Using compelling firsthand accounts, Fujiwara tells the story of the rise of modern Japan, from the perspective of local intellectuals who envisioned their local "country" within a nation that emerged as an empire of the modern world. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although scholars have emphasized the importance of women's networks for civil society in twentieth-century Japan, Women and Networks in Nineteenth-Century Japan (University of Michigan Press, 2020) is the first book to tackle the subject for the contentious and consequential nineteenth century. The essays traverse the divide when Japan started transforming itself from a decentralized to a centralized government, from legally imposed restrictions on movement to the breakdown of travel barriers, and from ad hoc schooling to compulsory elementary school education. As these essays suggest, such changes had a profound impact on women and their roles in networks.  Rather than pursue a common methodology, the authors take diverse approaches to this topic that open up fruitful avenues for further exploration. Most of the essays in this volume are by Japanese scholars; their inclusion here provides either an introduction to their work or the opportunity to explore their scholarship further. Because women are often invisible in historical documentation, the authors use a range of sources (such as diaries, letters, and legal documents) to reconstruct the familial, neighborhood, religious, political, work, and travel networks that women maintained, constructed, or found themselves in, sometimes against their will. In so doing, most but not all of the authors try to decenter historical narratives built on men's activities and men's occupational and status-based networks, and instead recover women's activities in more localized groupings and personal associations. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the seventeenth century, Japanese popular prose flourished as waves of newly literate readers gained access to the printed word. Commercial publishers released vast numbers of titles in response to readers' hunger for books that promised them potent knowledge. However, traditional literary histories of this period position the writings of Ihara Saikaku at center stage, largely neglecting the breadth of popular prose.  In Pleasure in Profit: Popular Prose in Seventeenth-Century Japan (Columbia UP, 2020), Laura Moretti investigates the vibrant world of vernacular popular literature. She marshals new data on the magnitude of the seventeenth-century publishing business and highlights the diversity and porosity of its publishing genres. Moretti explores how booksellers sparked interest among readers across the spectrum of literacies and demonstrates how they tantalized consumers with vital ethical, religious, societal, and interpersonal knowledge. She recasts books as tools for knowledge making, arguing that popular prose engaged its audience cognitively as well as aesthetically and emotionally to satisfy a burgeoning curiosity about the world.  Crucially, Moretti shows, readers experienced entertainment within the didactic, finding pleasure in the profit gained from acquiring knowledge by interacting with transformative literature. Drawing on a rich variety of archival materials to present a vivid portrait of seventeenth-century Japanese publishing, Pleasure in Profit also speaks to broader conversations about the category of the literary by offering a new view of popular prose that celebrates plurality. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices

(TSAP S04E02) In this episode, Sam is joined by Sucker Punch Productions Audio Director, Rev. Doctor Bradley Meyer to chat about the audio for Ghost of Tsushima. They discuss the soundscapes of the environments, the detail in the Foley, voiceover, dynamic systems, creating authentic sounds for the world of 13th Century Japan and so much more in this deep dive conversation! "The Rev. Dr. Bradley D Meyer is audio director at Sucker Punch Productions where he most recently helped bring Ghost of Tsushima to life. Brad has worked on most pieces of hardware from cellphones to consoles to PCs on franchises such as inFAMOUS, Spider-Man, Tony Hawk, Frogger, Dance Dance Revolution, Shrek, TMNT, and You Don't Know Jack. Over the years, Brad has lectured extensively about game audio at conferences and universities, and was a contributing editor at designingsound.org. He is an ordained minister and a doctor of metaphysics and immortality, so he can talk about the constructs of our physical realm, or marry you to the adult human of your choosing." Big thanks to Callum Tennick for editing and mastering this episode. This episode and so much more at: www.thesoundarchitect.co.uk Twitter: @SoundDesignUK Facebook: facebook.com/thesoundarchitect.co.uk Instagram: thesoundarchitectofficial Stay up to date via our Monthly Newsletter as well: www.thesoundarchitect.co.uk/newsletter --- Send in a voice message: https://anchor.fm/thesoundarchitect/message

[Recorded 13 February 2019] For a number of years, Japanese stand-up comedians have also been successful with publications on the domestic book market. Benefiting from their high popularity and constant presence in the media, publications by comedians-cum-book-authors often turn into media scoops, be it youth memoirs such as Tamura Hiroshi's Homeless Middle School Student (2007) or autobiographic novels winning Japan's coveted Akutagawa Prize like Matayoshi Naoki's Spark (2015). Manga, film or even Netflix adaptations boost the popularity of the writing comedians even further, while also creating or re-confirming audiences' ideas about the life of a professional comedian. In his talk, Till Weingärtner, who himself performed as a manzai comedian in Osaka during his doctoral research, will examine the relationship between comedians' on-stage/on-screen personae with selected books and their adaptations. By doing so, he will offer a better understanding of how comedians' images are constructed in Japanese show business.