Podcasts about stanford up

Disorder and Diagnosis: Health and the Politics of Everyday Life in Modern Arabia (Stanford UP, 2024) offers a social and political history of medicine, disease, and public health in the Persian Gulf from the late nineteenth century until the 1973 oil boom. Foregrounding the everyday practices of Gulf residents--hospital patients, quarantined passengers, women migrant nurses, and others too often excluded from histories of this region--Laura Frances Goffman demonstrates how the Gulf and its Arabian hinterland served as a buffer zone between "diseased" India and white Europe, as a space of scientific translation, and, ultimately, as an object of development. In placing health at the center of political and social change, this book weaves the Gulf and Arabian Peninsula into global circulations of commodities and movements of people. As a collection of institutions and infrastructures, pursuits of health created shifting boundaries of rule between imperial officials, indigenous elites, and local populations. As a set of practices seeking to manipulate the natural world, health policies compelled scientists and administrators to categorize fluid populations and ambiguous territorialities. And, as a discourse, health facilitated notions of racial difference, opposing native uncleanliness to white purity and hygiene, and indigenous medicine to modern science. Disorder and Diagnosis examines how Gulf residents, through their engagements with health, fiercely contested and actively shaped state and societal interactions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Disorder and Diagnosis: Health and the Politics of Everyday Life in Modern Arabia (Stanford UP, 2024) offers a social and political history of medicine, disease, and public health in the Persian Gulf from the late nineteenth century until the 1973 oil boom. Foregrounding the everyday practices of Gulf residents--hospital patients, quarantined passengers, women migrant nurses, and others too often excluded from histories of this region--Laura Frances Goffman demonstrates how the Gulf and its Arabian hinterland served as a buffer zone between "diseased" India and white Europe, as a space of scientific translation, and, ultimately, as an object of development. In placing health at the center of political and social change, this book weaves the Gulf and Arabian Peninsula into global circulations of commodities and movements of people. As a collection of institutions and infrastructures, pursuits of health created shifting boundaries of rule between imperial officials, indigenous elites, and local populations. As a set of practices seeking to manipulate the natural world, health policies compelled scientists and administrators to categorize fluid populations and ambiguous territorialities. And, as a discourse, health facilitated notions of racial difference, opposing native uncleanliness to white purity and hygiene, and indigenous medicine to modern science. Disorder and Diagnosis examines how Gulf residents, through their engagements with health, fiercely contested and actively shaped state and societal interactions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Disorder and Diagnosis: Health and the Politics of Everyday Life in Modern Arabia (Stanford UP, 2024) offers a social and political history of medicine, disease, and public health in the Persian Gulf from the late nineteenth century until the 1973 oil boom. Foregrounding the everyday practices of Gulf residents--hospital patients, quarantined passengers, women migrant nurses, and others too often excluded from histories of this region--Laura Frances Goffman demonstrates how the Gulf and its Arabian hinterland served as a buffer zone between "diseased" India and white Europe, as a space of scientific translation, and, ultimately, as an object of development. In placing health at the center of political and social change, this book weaves the Gulf and Arabian Peninsula into global circulations of commodities and movements of people. As a collection of institutions and infrastructures, pursuits of health created shifting boundaries of rule between imperial officials, indigenous elites, and local populations. As a set of practices seeking to manipulate the natural world, health policies compelled scientists and administrators to categorize fluid populations and ambiguous territorialities. And, as a discourse, health facilitated notions of racial difference, opposing native uncleanliness to white purity and hygiene, and indigenous medicine to modern science. Disorder and Diagnosis examines how Gulf residents, through their engagements with health, fiercely contested and actively shaped state and societal interactions. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Disorder and Diagnosis: Health and the Politics of Everyday Life in Modern Arabia (Stanford UP, 2024) offers a social and political history of medicine, disease, and public health in the Persian Gulf from the late nineteenth century until the 1973 oil boom. Foregrounding the everyday practices of Gulf residents--hospital patients, quarantined passengers, women migrant nurses, and others too often excluded from histories of this region--Laura Frances Goffman demonstrates how the Gulf and its Arabian hinterland served as a buffer zone between "diseased" India and white Europe, as a space of scientific translation, and, ultimately, as an object of development. In placing health at the center of political and social change, this book weaves the Gulf and Arabian Peninsula into global circulations of commodities and movements of people. As a collection of institutions and infrastructures, pursuits of health created shifting boundaries of rule between imperial officials, indigenous elites, and local populations. As a set of practices seeking to manipulate the natural world, health policies compelled scientists and administrators to categorize fluid populations and ambiguous territorialities. And, as a discourse, health facilitated notions of racial difference, opposing native uncleanliness to white purity and hygiene, and indigenous medicine to modern science. Disorder and Diagnosis examines how Gulf residents, through their engagements with health, fiercely contested and actively shaped state and societal interactions. Learn more about your ad choices. Visit megaphone.fm/adchoices

The New Preachers of Egypt—so named because of their novel preaching styles, which incorporate everything from melodrama to music to self-help—came to prominence on the world's first Islamic television channel on the cusp of the Arab Spring uprisings. They promoted an innovative and inclusive Islamic piety that millions of young middle-class viewers found radical and compelling—but were scorned as neoliberal by leftists, as stealth Islamists by secularists, and as too Westernized by other Muslim preachers. Drawing on long-term fieldwork with the New Preachers, their producers, and followers in Cairo, Yasmin Moll shows how Islamic media and the social life of theology mattered to contestations over the shape of a New Egypt. These mass-mediated fractures within Islamic Revivalism were happening at a time of both revolutionary possibility and authoritarian entrenchment. The New Preachers' Islamic media inspired a "revolution within" that transcended the country's divisions and anticipated the ethos of creativity, solidarity, and coexistence that soon would mark Tahrir Square, the ethical epicenter of the 2011 uprising. Vividly written and boldly theorized, The Revolution Within: Islamic Media and the Struggle for a New Egypt (Stanford University Press, 2025) challenges conventional accounts of the 2011 revolution and its aftermath as a struggle between secular and religious forces, reconsidering what makes a practice virtuous, a public Islamic, a way of life Godly. Yasmin Moll is Assistant Professor of Anthropology at the University of Michigan. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creations. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Much has been written to try to understand the ideological characteristics of the current Russian government, as well as what is happening inside the mind of Vladimir Putin. Refusing pundits' clichés that depict the Russian regime as either a cynical kleptocracy or the product of Putin's grand Machiavellian designs, Ideology and Meaning-Making under the Putin Regime offers a critical genealogy of ideology in Russia today. Marlene Laruelle provides an innovative, multi-method analysis of the Russian regime's ideological production process and the ways it is operationalized in both domestic and foreign policies. Ideology and Meaning-Making under the Putin Regime reclaims the study of ideology as an unavoidable component of the tools we use to render the world intelligible and represents a significant contribution to the scholarly debate on the interaction between ideas and policy decisions. By placing the current Russian regime into a broader context of different strains of strategic culture, ideological interest groups, and intellectual history, this book gives readers key insights into how the Russo-Ukrainian War became possible and the role ideology played in enabling it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Much has been written to try to understand the ideological characteristics of the current Russian government, as well as what is happening inside the mind of Vladimir Putin. Refusing pundits' clichés that depict the Russian regime as either a cynical kleptocracy or the product of Putin's grand Machiavellian designs, Ideology and Meaning-Making under the Putin Regime offers a critical genealogy of ideology in Russia today. Marlene Laruelle provides an innovative, multi-method analysis of the Russian regime's ideological production process and the ways it is operationalized in both domestic and foreign policies. Ideology and Meaning-Making under the Putin Regime reclaims the study of ideology as an unavoidable component of the tools we use to render the world intelligible and represents a significant contribution to the scholarly debate on the interaction between ideas and policy decisions. By placing the current Russian regime into a broader context of different strains of strategic culture, ideological interest groups, and intellectual history, this book gives readers key insights into how the Russo-Ukrainian War became possible and the role ideology played in enabling it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

Much has been written to try to understand the ideological characteristics of the current Russian government, as well as what is happening inside the mind of Vladimir Putin. Refusing pundits' clichés that depict the Russian regime as either a cynical kleptocracy or the product of Putin's grand Machiavellian designs, Ideology and Meaning-Making under the Putin Regime offers a critical genealogy of ideology in Russia today. Marlene Laruelle provides an innovative, multi-method analysis of the Russian regime's ideological production process and the ways it is operationalized in both domestic and foreign policies. Ideology and Meaning-Making under the Putin Regime reclaims the study of ideology as an unavoidable component of the tools we use to render the world intelligible and represents a significant contribution to the scholarly debate on the interaction between ideas and policy decisions. By placing the current Russian regime into a broader context of different strains of strategic culture, ideological interest groups, and intellectual history, this book gives readers key insights into how the Russo-Ukrainian War became possible and the role ideology played in enabling it. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Much has been written to try to understand the ideological characteristics of the current Russian government, as well as what is happening inside the mind of Vladimir Putin. Refusing pundits' clichés that depict the Russian regime as either a cynical kleptocracy or the product of Putin's grand Machiavellian designs, Ideology and Meaning-Making under the Putin Regime offers a critical genealogy of ideology in Russia today. Marlene Laruelle provides an innovative, multi-method analysis of the Russian regime's ideological production process and the ways it is operationalized in both domestic and foreign policies. Ideology and Meaning-Making under the Putin Regime reclaims the study of ideology as an unavoidable component of the tools we use to render the world intelligible and represents a significant contribution to the scholarly debate on the interaction between ideas and policy decisions. By placing the current Russian regime into a broader context of different strains of strategic culture, ideological interest groups, and intellectual history, this book gives readers key insights into how the Russo-Ukrainian War became possible and the role ideology played in enabling it. Learn more about your ad choices. Visit megaphone.fm/adchoices

Often I will find in a chronology or a biography, you know, official materials, evidence that because I have other evidence, it's meaningful in a way that maybe the people who edited those collections might not have expected. That's the idea of mosaic theory – you bring together many pieces of evidence, even small ones, to bring the full meaning out. — Joseph Torigian, NBN interview May 2025 In his new book, The Party's Interests Come First: The Life of Xi Zhongxun, Father of Xi Jinping (Stanford University Press, 2025), Joseph Torigian leads readers deep into the complex work of historical reconstruction – a process he metaphorically describes as mosaic theory. Studying elite politics in the Chinese Communist Party (CCP), Torigian explains, isn't about uncovering one decisive document; it's about piecing together partial, often contradictory fragments like the Li Rui diaries, edited speeches, and scattered archival traces into a fuller, richer picture. Torigian's approach builds on foundational insights from political scientists like Paul Pierson and China historians Frederick Teiwes and Warren Sun, whose empirical rigor has long shaped the field of CCP elite politics. Following this tradition, Torigian resists simple or deterministic narratives, showing that even dramatic moments like the Tiananmen protests must be understood as products of internal fractures, improvisation, and deep uncertainty – not as inevitable climaxes. In this interview, Torigian discusses how his course “The Revisionists” invites students to wrestle with the ethical tension between judging and understanding. His own scholarship, he explains, aims to provide the tools, context, and historical reconstruction that allow readers to form their own moral judgments – without handing them a prefabricated verdict. Ultimately, Torigian's book and his public reflections invite us to step back from binaries of hero and villain, reformer and hardliner, or loyalist and dissenter, and to see history as a web of improvisation, contradiction, and meaning. He suggests that the historian's role is not to dictate the final moral judgment, but to parse the evidence by piecing together and coloring a mosaic that illuminates the pressures and choices that shaped the past – leaving the moral reckoning, and the hard questions, to the rest of us. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Often I will find in a chronology or a biography, you know, official materials, evidence that because I have other evidence, it's meaningful in a way that maybe the people who edited those collections might not have expected. That's the idea of mosaic theory – you bring together many pieces of evidence, even small ones, to bring the full meaning out. — Joseph Torigian, NBN interview May 2025 In his new book, The Party's Interests Come First: The Life of Xi Zhongxun, Father of Xi Jinping (Stanford University Press, 2025), Joseph Torigian leads readers deep into the complex work of historical reconstruction – a process he metaphorically describes as mosaic theory. Studying elite politics in the Chinese Communist Party (CCP), Torigian explains, isn't about uncovering one decisive document; it's about piecing together partial, often contradictory fragments like the Li Rui diaries, edited speeches, and scattered archival traces into a fuller, richer picture. Torigian's approach builds on foundational insights from political scientists like Paul Pierson and China historians Frederick Teiwes and Warren Sun, whose empirical rigor has long shaped the field of CCP elite politics. Following this tradition, Torigian resists simple or deterministic narratives, showing that even dramatic moments like the Tiananmen protests must be understood as products of internal fractures, improvisation, and deep uncertainty – not as inevitable climaxes. In this interview, Torigian discusses how his course “The Revisionists” invites students to wrestle with the ethical tension between judging and understanding. His own scholarship, he explains, aims to provide the tools, context, and historical reconstruction that allow readers to form their own moral judgments – without handing them a prefabricated verdict. Ultimately, Torigian's book and his public reflections invite us to step back from binaries of hero and villain, reformer and hardliner, or loyalist and dissenter, and to see history as a web of improvisation, contradiction, and meaning. He suggests that the historian's role is not to dictate the final moral judgment, but to parse the evidence by piecing together and coloring a mosaic that illuminates the pressures and choices that shaped the past – leaving the moral reckoning, and the hard questions, to the rest of us. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Often I will find in a chronology or a biography, you know, official materials, evidence that because I have other evidence, it's meaningful in a way that maybe the people who edited those collections might not have expected. That's the idea of mosaic theory – you bring together many pieces of evidence, even small ones, to bring the full meaning out. — Joseph Torigian, NBN interview May 2025 In his new book, The Party's Interests Come First: The Life of Xi Zhongxun, Father of Xi Jinping (Stanford University Press, 2025), Joseph Torigian leads readers deep into the complex work of historical reconstruction – a process he metaphorically describes as mosaic theory. Studying elite politics in the Chinese Communist Party (CCP), Torigian explains, isn't about uncovering one decisive document; it's about piecing together partial, often contradictory fragments like the Li Rui diaries, edited speeches, and scattered archival traces into a fuller, richer picture. Torigian's approach builds on foundational insights from political scientists like Paul Pierson and China historians Frederick Teiwes and Warren Sun, whose empirical rigor has long shaped the field of CCP elite politics. Following this tradition, Torigian resists simple or deterministic narratives, showing that even dramatic moments like the Tiananmen protests must be understood as products of internal fractures, improvisation, and deep uncertainty – not as inevitable climaxes. In this interview, Torigian discusses how his course “The Revisionists” invites students to wrestle with the ethical tension between judging and understanding. His own scholarship, he explains, aims to provide the tools, context, and historical reconstruction that allow readers to form their own moral judgments – without handing them a prefabricated verdict. Ultimately, Torigian's book and his public reflections invite us to step back from binaries of hero and villain, reformer and hardliner, or loyalist and dissenter, and to see history as a web of improvisation, contradiction, and meaning. He suggests that the historian's role is not to dictate the final moral judgment, but to parse the evidence by piecing together and coloring a mosaic that illuminates the pressures and choices that shaped the past – leaving the moral reckoning, and the hard questions, to the rest of us. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Often I will find in a chronology or a biography, you know, official materials, evidence that because I have other evidence, it's meaningful in a way that maybe the people who edited those collections might not have expected. That's the idea of mosaic theory – you bring together many pieces of evidence, even small ones, to bring the full meaning out. — Joseph Torigian, NBN interview May 2025 In his new book, The Party's Interests Come First: The Life of Xi Zhongxun, Father of Xi Jinping (Stanford University Press, 2025), Joseph Torigian leads readers deep into the complex work of historical reconstruction – a process he metaphorically describes as mosaic theory. Studying elite politics in the Chinese Communist Party (CCP), Torigian explains, isn't about uncovering one decisive document; it's about piecing together partial, often contradictory fragments like the Li Rui diaries, edited speeches, and scattered archival traces into a fuller, richer picture. Torigian's approach builds on foundational insights from political scientists like Paul Pierson and China historians Frederick Teiwes and Warren Sun, whose empirical rigor has long shaped the field of CCP elite politics. Following this tradition, Torigian resists simple or deterministic narratives, showing that even dramatic moments like the Tiananmen protests must be understood as products of internal fractures, improvisation, and deep uncertainty – not as inevitable climaxes. In this interview, Torigian discusses how his course “The Revisionists” invites students to wrestle with the ethical tension between judging and understanding. His own scholarship, he explains, aims to provide the tools, context, and historical reconstruction that allow readers to form their own moral judgments – without handing them a prefabricated verdict. Ultimately, Torigian's book and his public reflections invite us to step back from binaries of hero and villain, reformer and hardliner, or loyalist and dissenter, and to see history as a web of improvisation, contradiction, and meaning. He suggests that the historian's role is not to dictate the final moral judgment, but to parse the evidence by piecing together and coloring a mosaic that illuminates the pressures and choices that shaped the past – leaving the moral reckoning, and the hard questions, to the rest of us. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Often I will find in a chronology or a biography, you know, official materials, evidence that because I have other evidence, it's meaningful in a way that maybe the people who edited those collections might not have expected. That's the idea of mosaic theory – you bring together many pieces of evidence, even small ones, to bring the full meaning out. — Joseph Torigian, NBN interview May 2025 In his new book, The Party's Interests Come First: The Life of Xi Zhongxun, Father of Xi Jinping (Stanford University Press, 2025), Joseph Torigian leads readers deep into the complex work of historical reconstruction – a process he metaphorically describes as mosaic theory. Studying elite politics in the Chinese Communist Party (CCP), Torigian explains, isn't about uncovering one decisive document; it's about piecing together partial, often contradictory fragments like the Li Rui diaries, edited speeches, and scattered archival traces into a fuller, richer picture. Torigian's approach builds on foundational insights from political scientists like Paul Pierson and China historians Frederick Teiwes and Warren Sun, whose empirical rigor has long shaped the field of CCP elite politics. Following this tradition, Torigian resists simple or deterministic narratives, showing that even dramatic moments like the Tiananmen protests must be understood as products of internal fractures, improvisation, and deep uncertainty – not as inevitable climaxes. In this interview, Torigian discusses how his course “The Revisionists” invites students to wrestle with the ethical tension between judging and understanding. His own scholarship, he explains, aims to provide the tools, context, and historical reconstruction that allow readers to form their own moral judgments – without handing them a prefabricated verdict. Ultimately, Torigian's book and his public reflections invite us to step back from binaries of hero and villain, reformer and hardliner, or loyalist and dissenter, and to see history as a web of improvisation, contradiction, and meaning. He suggests that the historian's role is not to dictate the final moral judgment, but to parse the evidence by piecing together and coloring a mosaic that illuminates the pressures and choices that shaped the past – leaving the moral reckoning, and the hard questions, to the rest of us. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

A new history of Middle East oil and the deep roots of American violence in Iraq. Iraq has been the site of some of the United States' longest and most sustained military campaigns since the Vietnam War. Yet the origins of US involvement in the country remain deeply obscured--cloaked behind platitudes about advancing democracy or vague notions of American national interests. Historian Brandon Wolfe-Hunnicutt's work, The Paranoid Style in American Diplomacy: Oil and Arab Nationalism in Iraq (Stanford University Press, 2021) exposes the origins and deep history of U.S. intervention in Iraq. The Paranoid Style in American Diplomacy weaves together histories of Arab nationalists, US diplomats, and Western oil execs to tell the parallel stories of the Iraq Petroleum Company and the resilience of Iraqi society. Drawing on new evidence--the private records of the IPC, interviews with key figures in Arab oil politics, and recently declassified US government documents--Wolfe-Hunnicutt covers the arc of the 20th century, from the pre-WWI origins of the IPC consortium and decline of British Empire, to the beginnings of covert US action in the region, and ultimately the nationalization of the Iraqi oil industry and perils of postcolonial politics. American policymakers of the Cold War-era inherited the imperial anxieties of their British forebears and inflated concerns about access to and potential scarcity of oil, giving rise to a "paranoid style" in US foreign policy. Wolfe-Hunnicutt deconstructs these policy practices to reveal how they fueled decades of American interventions in the region and shines a light on those places that America's covert empire-builders might prefer we not look. Brandon Wolfe-Hunnicutt is Associate Professor of Modern Middle Eastern History and American Foreign policy at California State University, Stanislaus. Saman Nasser holds an M.A. in World History from James Madison University, where he currently works as an administrative staff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A new history of Middle East oil and the deep roots of American violence in Iraq. Iraq has been the site of some of the United States' longest and most sustained military campaigns since the Vietnam War. Yet the origins of US involvement in the country remain deeply obscured--cloaked behind platitudes about advancing democracy or vague notions of American national interests. Historian Brandon Wolfe-Hunnicutt's work, The Paranoid Style in American Diplomacy: Oil and Arab Nationalism in Iraq (Stanford University Press, 2021) exposes the origins and deep history of U.S. intervention in Iraq. The Paranoid Style in American Diplomacy weaves together histories of Arab nationalists, US diplomats, and Western oil execs to tell the parallel stories of the Iraq Petroleum Company and the resilience of Iraqi society. Drawing on new evidence--the private records of the IPC, interviews with key figures in Arab oil politics, and recently declassified US government documents--Wolfe-Hunnicutt covers the arc of the 20th century, from the pre-WWI origins of the IPC consortium and decline of British Empire, to the beginnings of covert US action in the region, and ultimately the nationalization of the Iraqi oil industry and perils of postcolonial politics. American policymakers of the Cold War-era inherited the imperial anxieties of their British forebears and inflated concerns about access to and potential scarcity of oil, giving rise to a "paranoid style" in US foreign policy. Wolfe-Hunnicutt deconstructs these policy practices to reveal how they fueled decades of American interventions in the region and shines a light on those places that America's covert empire-builders might prefer we not look. Brandon Wolfe-Hunnicutt is Associate Professor of Modern Middle Eastern History and American Foreign policy at California State University, Stanislaus. Saman Nasser holds an M.A. in World History from James Madison University, where he currently works as an administrative staff. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

A new history of Middle East oil and the deep roots of American violence in Iraq. Iraq has been the site of some of the United States' longest and most sustained military campaigns since the Vietnam War. Yet the origins of US involvement in the country remain deeply obscured--cloaked behind platitudes about advancing democracy or vague notions of American national interests. Historian Brandon Wolfe-Hunnicutt's work, The Paranoid Style in American Diplomacy: Oil and Arab Nationalism in Iraq (Stanford University Press, 2021) exposes the origins and deep history of U.S. intervention in Iraq. The Paranoid Style in American Diplomacy weaves together histories of Arab nationalists, US diplomats, and Western oil execs to tell the parallel stories of the Iraq Petroleum Company and the resilience of Iraqi society. Drawing on new evidence--the private records of the IPC, interviews with key figures in Arab oil politics, and recently declassified US government documents--Wolfe-Hunnicutt covers the arc of the 20th century, from the pre-WWI origins of the IPC consortium and decline of British Empire, to the beginnings of covert US action in the region, and ultimately the nationalization of the Iraqi oil industry and perils of postcolonial politics. American policymakers of the Cold War-era inherited the imperial anxieties of their British forebears and inflated concerns about access to and potential scarcity of oil, giving rise to a "paranoid style" in US foreign policy. Wolfe-Hunnicutt deconstructs these policy practices to reveal how they fueled decades of American interventions in the region and shines a light on those places that America's covert empire-builders might prefer we not look. Brandon Wolfe-Hunnicutt is Associate Professor of Modern Middle Eastern History and American Foreign policy at California State University, Stanislaus. Saman Nasser holds an M.A. in World History from James Madison University, where he currently works as an administrative staff. Learn more about your ad choices. Visit megaphone.fm/adchoices

A new history of Middle East oil and the deep roots of American violence in Iraq. Iraq has been the site of some of the United States' longest and most sustained military campaigns since the Vietnam War. Yet the origins of US involvement in the country remain deeply obscured--cloaked behind platitudes about advancing democracy or vague notions of American national interests. Historian Brandon Wolfe-Hunnicutt's work, The Paranoid Style in American Diplomacy: Oil and Arab Nationalism in Iraq (Stanford University Press, 2021) exposes the origins and deep history of U.S. intervention in Iraq. The Paranoid Style in American Diplomacy weaves together histories of Arab nationalists, US diplomats, and Western oil execs to tell the parallel stories of the Iraq Petroleum Company and the resilience of Iraqi society. Drawing on new evidence--the private records of the IPC, interviews with key figures in Arab oil politics, and recently declassified US government documents--Wolfe-Hunnicutt covers the arc of the 20th century, from the pre-WWI origins of the IPC consortium and decline of British Empire, to the beginnings of covert US action in the region, and ultimately the nationalization of the Iraqi oil industry and perils of postcolonial politics. American policymakers of the Cold War-era inherited the imperial anxieties of their British forebears and inflated concerns about access to and potential scarcity of oil, giving rise to a "paranoid style" in US foreign policy. Wolfe-Hunnicutt deconstructs these policy practices to reveal how they fueled decades of American interventions in the region and shines a light on those places that America's covert empire-builders might prefer we not look. Brandon Wolfe-Hunnicutt is Associate Professor of Modern Middle Eastern History and American Foreign policy at California State University, Stanislaus. Saman Nasser holds an M.A. in World History from James Madison University, where he currently works as an administrative staff. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chinese workers helped build the modern world. They labored on New World plantations, worked in South African mines, and toiled through the construction of the Panama Canal, among many other projects. While most investigations of Chinese workers focus on migrant labor, Chinese Workers of the World: Colonialism, Chinese Labor, and the Yunnan-Indochina Railway (Stanford UP, 2024) explores Chinese labor under colonial regimes within China through an examination of the Yunnan-Indochina Railway, constructed between 1898-1910. The Yunnan railway--a French investment in imperial China during the age of "railroad colonialism"--connected French-colonized Indochina to Chinese markets with a promise of cross-border trade in tin, silk, tea, and opium. However, this ambitious project resulted in fiasco. Thousands of Chinese workers died during the horrid construction process, and costs exceeded original estimates by 74%. Drawing on Chinese, French, and British archival accounts of day-to-day worker struggles and labor conflicts along the railway, Selda Altan argues that long before the Chinese Communist Party defined Chinese workers as the vanguard of a revolutionary movement in the 1920s, the modern figure of the Chinese worker was born in the crosscurrents of empire and nation in the late nineteenth century. Yunnan railway workers contested the conditions of their employment with the knowledge of a globalizing capitalist market, fundamentally reshaping Chinese ideas of free labor, national sovereignty, and regional leadership in East and Southeast Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Chinese workers helped build the modern world. They labored on New World plantations, worked in South African mines, and toiled through the construction of the Panama Canal, among many other projects. While most investigations of Chinese workers focus on migrant labor, Chinese Workers of the World: Colonialism, Chinese Labor, and the Yunnan-Indochina Railway (Stanford UP, 2024) explores Chinese labor under colonial regimes within China through an examination of the Yunnan-Indochina Railway, constructed between 1898-1910. The Yunnan railway--a French investment in imperial China during the age of "railroad colonialism"--connected French-colonized Indochina to Chinese markets with a promise of cross-border trade in tin, silk, tea, and opium. However, this ambitious project resulted in fiasco. Thousands of Chinese workers died during the horrid construction process, and costs exceeded original estimates by 74%. Drawing on Chinese, French, and British archival accounts of day-to-day worker struggles and labor conflicts along the railway, Selda Altan argues that long before the Chinese Communist Party defined Chinese workers as the vanguard of a revolutionary movement in the 1920s, the modern figure of the Chinese worker was born in the crosscurrents of empire and nation in the late nineteenth century. Yunnan railway workers contested the conditions of their employment with the knowledge of a globalizing capitalist market, fundamentally reshaping Chinese ideas of free labor, national sovereignty, and regional leadership in East and Southeast Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Chinese workers helped build the modern world. They labored on New World plantations, worked in South African mines, and toiled through the construction of the Panama Canal, among many other projects. While most investigations of Chinese workers focus on migrant labor, Chinese Workers of the World: Colonialism, Chinese Labor, and the Yunnan-Indochina Railway (Stanford UP, 2024) explores Chinese labor under colonial regimes within China through an examination of the Yunnan-Indochina Railway, constructed between 1898-1910. The Yunnan railway--a French investment in imperial China during the age of "railroad colonialism"--connected French-colonized Indochina to Chinese markets with a promise of cross-border trade in tin, silk, tea, and opium. However, this ambitious project resulted in fiasco. Thousands of Chinese workers died during the horrid construction process, and costs exceeded original estimates by 74%. Drawing on Chinese, French, and British archival accounts of day-to-day worker struggles and labor conflicts along the railway, Selda Altan argues that long before the Chinese Communist Party defined Chinese workers as the vanguard of a revolutionary movement in the 1920s, the modern figure of the Chinese worker was born in the crosscurrents of empire and nation in the late nineteenth century. Yunnan railway workers contested the conditions of their employment with the knowledge of a globalizing capitalist market, fundamentally reshaping Chinese ideas of free labor, national sovereignty, and regional leadership in East and Southeast Asia. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Chinese workers helped build the modern world. They labored on New World plantations, worked in South African mines, and toiled through the construction of the Panama Canal, among many other projects. While most investigations of Chinese workers focus on migrant labor, Chinese Workers of the World: Colonialism, Chinese Labor, and the Yunnan-Indochina Railway (Stanford UP, 2024) explores Chinese labor under colonial regimes within China through an examination of the Yunnan-Indochina Railway, constructed between 1898-1910. The Yunnan railway--a French investment in imperial China during the age of "railroad colonialism"--connected French-colonized Indochina to Chinese markets with a promise of cross-border trade in tin, silk, tea, and opium. However, this ambitious project resulted in fiasco. Thousands of Chinese workers died during the horrid construction process, and costs exceeded original estimates by 74%. Drawing on Chinese, French, and British archival accounts of day-to-day worker struggles and labor conflicts along the railway, Selda Altan argues that long before the Chinese Communist Party defined Chinese workers as the vanguard of a revolutionary movement in the 1920s, the modern figure of the Chinese worker was born in the crosscurrents of empire and nation in the late nineteenth century. Yunnan railway workers contested the conditions of their employment with the knowledge of a globalizing capitalist market, fundamentally reshaping Chinese ideas of free labor, national sovereignty, and regional leadership in East and Southeast Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Chinese workers helped build the modern world. They labored on New World plantations, worked in South African mines, and toiled through the construction of the Panama Canal, among many other projects. While most investigations of Chinese workers focus on migrant labor, Chinese Workers of the World: Colonialism, Chinese Labor, and the Yunnan-Indochina Railway (Stanford UP, 2024) explores Chinese labor under colonial regimes within China through an examination of the Yunnan-Indochina Railway, constructed between 1898-1910. The Yunnan railway--a French investment in imperial China during the age of "railroad colonialism"--connected French-colonized Indochina to Chinese markets with a promise of cross-border trade in tin, silk, tea, and opium. However, this ambitious project resulted in fiasco. Thousands of Chinese workers died during the horrid construction process, and costs exceeded original estimates by 74%. Drawing on Chinese, French, and British archival accounts of day-to-day worker struggles and labor conflicts along the railway, Selda Altan argues that long before the Chinese Communist Party defined Chinese workers as the vanguard of a revolutionary movement in the 1920s, the modern figure of the Chinese worker was born in the crosscurrents of empire and nation in the late nineteenth century. Yunnan railway workers contested the conditions of their employment with the knowledge of a globalizing capitalist market, fundamentally reshaping Chinese ideas of free labor, national sovereignty, and regional leadership in East and Southeast Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Chinese workers helped build the modern world. They labored on New World plantations, worked in South African mines, and toiled through the construction of the Panama Canal, among many other projects. While most investigations of Chinese workers focus on migrant labor, Chinese Workers of the World: Colonialism, Chinese Labor, and the Yunnan-Indochina Railway (Stanford UP, 2024) explores Chinese labor under colonial regimes within China through an examination of the Yunnan-Indochina Railway, constructed between 1898-1910. The Yunnan railway--a French investment in imperial China during the age of "railroad colonialism"--connected French-colonized Indochina to Chinese markets with a promise of cross-border trade in tin, silk, tea, and opium. However, this ambitious project resulted in fiasco. Thousands of Chinese workers died during the horrid construction process, and costs exceeded original estimates by 74%. Drawing on Chinese, French, and British archival accounts of day-to-day worker struggles and labor conflicts along the railway, Selda Altan argues that long before the Chinese Communist Party defined Chinese workers as the vanguard of a revolutionary movement in the 1920s, the modern figure of the Chinese worker was born in the crosscurrents of empire and nation in the late nineteenth century. Yunnan railway workers contested the conditions of their employment with the knowledge of a globalizing capitalist market, fundamentally reshaping Chinese ideas of free labor, national sovereignty, and regional leadership in East and Southeast Asia. Learn more about your ad choices. Visit megaphone.fm/adchoices

Showpiece City: How Architecture Made Dubai (Stanford UP, 2020) by Todd Reisz is a critical historical account of Dubai's transformation into a global urban spectacle. Reisz examines how architecture, master planning, and international expertise contributed to the construction of Dubai's modern image, focusing particularly on the period between the 1950s and 1970s. Rather than narrating Dubai's development as a spontaneous miracle of oil wealth, Reisz reveals it as a meticulously crafted project, shaped by deliberate strategies to project modernity, power, and cosmopolitanism. Throughout the book, Reisz uses a wide range of archival materials, planning documents, interviews, and visual sources to trace how architecture and city-making became tools of governance and spectacle. He brings attention to the invisible labor—both technical and physical—that undergirded Dubai's rise. Yet, the workers, planners, and advisors often remain shadowy figures behind the gleaming facades they helped erect. One of the key figures Reisz highlights is British architect John Harris, whose firm was commissioned in the 1960s to create Dubai's first master plan. Harris's work embodied the desire to modernize without entirely erasing local culture. Yet, as Reisz notes, the imported modernist language of architecture often clashed with, or simply overrode, traditional urban forms. Dubai's early building boom was thus a hybrid project: shaped by Western notions of progress and functionality, but executed in a Gulf context where colonial histories and local aspirations intertwined. Importantly, Showpiece City challenges narratives that paint Dubai as either a rootless fantasy or a neoliberal dystopia. Reisz treats Dubai's history seriously, demonstrating that its urban form is the result of pragmatic decisions, diplomatic negotiations, and speculative gambles rather than mere vanity. He also critiques the romanticization of "traditional" Arab cities by showing that Gulf urbanism has long been dynamic, experimental, and globally connected. Showpiece City presents Dubai's urbanization not as an inevitable product of oil wealth or as a superficial extravagance, but as a complex, calculated project of image-making and infrastructural ambition. Reisz's work contributes to Middle Eastern urban studies by insisting that cities like Dubai deserve nuanced, historically grounded analysis rather than simplistic dismissals or celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Showpiece City: How Architecture Made Dubai (Stanford UP, 2020) by Todd Reisz is a critical historical account of Dubai's transformation into a global urban spectacle. Reisz examines how architecture, master planning, and international expertise contributed to the construction of Dubai's modern image, focusing particularly on the period between the 1950s and 1970s. Rather than narrating Dubai's development as a spontaneous miracle of oil wealth, Reisz reveals it as a meticulously crafted project, shaped by deliberate strategies to project modernity, power, and cosmopolitanism. Throughout the book, Reisz uses a wide range of archival materials, planning documents, interviews, and visual sources to trace how architecture and city-making became tools of governance and spectacle. He brings attention to the invisible labor—both technical and physical—that undergirded Dubai's rise. Yet, the workers, planners, and advisors often remain shadowy figures behind the gleaming facades they helped erect. One of the key figures Reisz highlights is British architect John Harris, whose firm was commissioned in the 1960s to create Dubai's first master plan. Harris's work embodied the desire to modernize without entirely erasing local culture. Yet, as Reisz notes, the imported modernist language of architecture often clashed with, or simply overrode, traditional urban forms. Dubai's early building boom was thus a hybrid project: shaped by Western notions of progress and functionality, but executed in a Gulf context where colonial histories and local aspirations intertwined. Importantly, Showpiece City challenges narratives that paint Dubai as either a rootless fantasy or a neoliberal dystopia. Reisz treats Dubai's history seriously, demonstrating that its urban form is the result of pragmatic decisions, diplomatic negotiations, and speculative gambles rather than mere vanity. He also critiques the romanticization of "traditional" Arab cities by showing that Gulf urbanism has long been dynamic, experimental, and globally connected. Showpiece City presents Dubai's urbanization not as an inevitable product of oil wealth or as a superficial extravagance, but as a complex, calculated project of image-making and infrastructural ambition. Reisz's work contributes to Middle Eastern urban studies by insisting that cities like Dubai deserve nuanced, historically grounded analysis rather than simplistic dismissals or celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

Showpiece City: How Architecture Made Dubai (Stanford UP, 2020) by Todd Reisz is a critical historical account of Dubai's transformation into a global urban spectacle. Reisz examines how architecture, master planning, and international expertise contributed to the construction of Dubai's modern image, focusing particularly on the period between the 1950s and 1970s. Rather than narrating Dubai's development as a spontaneous miracle of oil wealth, Reisz reveals it as a meticulously crafted project, shaped by deliberate strategies to project modernity, power, and cosmopolitanism. Throughout the book, Reisz uses a wide range of archival materials, planning documents, interviews, and visual sources to trace how architecture and city-making became tools of governance and spectacle. He brings attention to the invisible labor—both technical and physical—that undergirded Dubai's rise. Yet, the workers, planners, and advisors often remain shadowy figures behind the gleaming facades they helped erect. One of the key figures Reisz highlights is British architect John Harris, whose firm was commissioned in the 1960s to create Dubai's first master plan. Harris's work embodied the desire to modernize without entirely erasing local culture. Yet, as Reisz notes, the imported modernist language of architecture often clashed with, or simply overrode, traditional urban forms. Dubai's early building boom was thus a hybrid project: shaped by Western notions of progress and functionality, but executed in a Gulf context where colonial histories and local aspirations intertwined. Importantly, Showpiece City challenges narratives that paint Dubai as either a rootless fantasy or a neoliberal dystopia. Reisz treats Dubai's history seriously, demonstrating that its urban form is the result of pragmatic decisions, diplomatic negotiations, and speculative gambles rather than mere vanity. He also critiques the romanticization of "traditional" Arab cities by showing that Gulf urbanism has long been dynamic, experimental, and globally connected. Showpiece City presents Dubai's urbanization not as an inevitable product of oil wealth or as a superficial extravagance, but as a complex, calculated project of image-making and infrastructural ambition. Reisz's work contributes to Middle Eastern urban studies by insisting that cities like Dubai deserve nuanced, historically grounded analysis rather than simplistic dismissals or celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

The road novel is often dismissed as a mundane, nostalgic genre: Jack, Sal, and other tedious white men on the road trying to recapture an authentic youth and American past that never existed. Yet, new road novels appear every year, tackling unexpected questions and spanning new geographies, from Mexico, Brazil, Bulgaria, Palestine, Ukraine, and former-Yugoslavia. Why did the road novel emerge and why does it persist? What does it do and why has it traveled so widely? In Cartographies of Empire: The Road Novel and American Hegemony (Stanford University Press, 2025) Dr. Myka Tucker-Abramson draws from an archive of more than 140 global road novels from over twenty countries, challenging dominant conceptions of the road novel as primarily concerned with American experiences and subjectivities. Grounding her analysis in materialist theories of genre, world-ecology and commodity frontier frameworks, and post-45 American literary studies, Dr. Tucker-Abramson persuasively argues that the road novel is a genre specific to, coterminous with, and revealing of US hegemony's global trajectory. Shifting our focus from Americanness to the fraught geopolitics of US Empire, from the car to the built environment through which it moves, and from passengers to those left behind, Dr. Tucker-Abramson remaps the road novel, elucidating the genre's unique ability both to reveal the violent and vertiginous processes of capitalist modernization and to obfuscate these harsh truths through seductive narratives of individual success and failure. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Showpiece City: How Architecture Made Dubai (Stanford UP, 2020) by Todd Reisz is a critical historical account of Dubai's transformation into a global urban spectacle. Reisz examines how architecture, master planning, and international expertise contributed to the construction of Dubai's modern image, focusing particularly on the period between the 1950s and 1970s. Rather than narrating Dubai's development as a spontaneous miracle of oil wealth, Reisz reveals it as a meticulously crafted project, shaped by deliberate strategies to project modernity, power, and cosmopolitanism. Throughout the book, Reisz uses a wide range of archival materials, planning documents, interviews, and visual sources to trace how architecture and city-making became tools of governance and spectacle. He brings attention to the invisible labor—both technical and physical—that undergirded Dubai's rise. Yet, the workers, planners, and advisors often remain shadowy figures behind the gleaming facades they helped erect. One of the key figures Reisz highlights is British architect John Harris, whose firm was commissioned in the 1960s to create Dubai's first master plan. Harris's work embodied the desire to modernize without entirely erasing local culture. Yet, as Reisz notes, the imported modernist language of architecture often clashed with, or simply overrode, traditional urban forms. Dubai's early building boom was thus a hybrid project: shaped by Western notions of progress and functionality, but executed in a Gulf context where colonial histories and local aspirations intertwined. Importantly, Showpiece City challenges narratives that paint Dubai as either a rootless fantasy or a neoliberal dystopia. Reisz treats Dubai's history seriously, demonstrating that its urban form is the result of pragmatic decisions, diplomatic negotiations, and speculative gambles rather than mere vanity. He also critiques the romanticization of "traditional" Arab cities by showing that Gulf urbanism has long been dynamic, experimental, and globally connected. Showpiece City presents Dubai's urbanization not as an inevitable product of oil wealth or as a superficial extravagance, but as a complex, calculated project of image-making and infrastructural ambition. Reisz's work contributes to Middle Eastern urban studies by insisting that cities like Dubai deserve nuanced, historically grounded analysis rather than simplistic dismissals or celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices

The road novel is often dismissed as a mundane, nostalgic genre: Jack, Sal, and other tedious white men on the road trying to recapture an authentic youth and American past that never existed. Yet, new road novels appear every year, tackling unexpected questions and spanning new geographies, from Mexico, Brazil, Bulgaria, Palestine, Ukraine, and former-Yugoslavia. Why did the road novel emerge and why does it persist? What does it do and why has it traveled so widely? In Cartographies of Empire: The Road Novel and American Hegemony (Stanford University Press, 2025) Dr. Myka Tucker-Abramson draws from an archive of more than 140 global road novels from over twenty countries, challenging dominant conceptions of the road novel as primarily concerned with American experiences and subjectivities. Grounding her analysis in materialist theories of genre, world-ecology and commodity frontier frameworks, and post-45 American literary studies, Dr. Tucker-Abramson persuasively argues that the road novel is a genre specific to, coterminous with, and revealing of US hegemony's global trajectory. Shifting our focus from Americanness to the fraught geopolitics of US Empire, from the car to the built environment through which it moves, and from passengers to those left behind, Dr. Tucker-Abramson remaps the road novel, elucidating the genre's unique ability both to reveal the violent and vertiginous processes of capitalist modernization and to obfuscate these harsh truths through seductive narratives of individual success and failure. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The road novel is often dismissed as a mundane, nostalgic genre: Jack, Sal, and other tedious white men on the road trying to recapture an authentic youth and American past that never existed. Yet, new road novels appear every year, tackling unexpected questions and spanning new geographies, from Mexico, Brazil, Bulgaria, Palestine, Ukraine, and former-Yugoslavia. Why did the road novel emerge and why does it persist? What does it do and why has it traveled so widely? In Cartographies of Empire: The Road Novel and American Hegemony (Stanford University Press, 2025) Dr. Myka Tucker-Abramson draws from an archive of more than 140 global road novels from over twenty countries, challenging dominant conceptions of the road novel as primarily concerned with American experiences and subjectivities. Grounding her analysis in materialist theories of genre, world-ecology and commodity frontier frameworks, and post-45 American literary studies, Dr. Tucker-Abramson persuasively argues that the road novel is a genre specific to, coterminous with, and revealing of US hegemony's global trajectory. Shifting our focus from Americanness to the fraught geopolitics of US Empire, from the car to the built environment through which it moves, and from passengers to those left behind, Dr. Tucker-Abramson remaps the road novel, elucidating the genre's unique ability both to reveal the violent and vertiginous processes of capitalist modernization and to obfuscate these harsh truths through seductive narratives of individual success and failure. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

The road novel is often dismissed as a mundane, nostalgic genre: Jack, Sal, and other tedious white men on the road trying to recapture an authentic youth and American past that never existed. Yet, new road novels appear every year, tackling unexpected questions and spanning new geographies, from Mexico, Brazil, Bulgaria, Palestine, Ukraine, and former-Yugoslavia. Why did the road novel emerge and why does it persist? What does it do and why has it traveled so widely? In Cartographies of Empire: The Road Novel and American Hegemony (Stanford University Press, 2025) Dr. Myka Tucker-Abramson draws from an archive of more than 140 global road novels from over twenty countries, challenging dominant conceptions of the road novel as primarily concerned with American experiences and subjectivities. Grounding her analysis in materialist theories of genre, world-ecology and commodity frontier frameworks, and post-45 American literary studies, Dr. Tucker-Abramson persuasively argues that the road novel is a genre specific to, coterminous with, and revealing of US hegemony's global trajectory. Shifting our focus from Americanness to the fraught geopolitics of US Empire, from the car to the built environment through which it moves, and from passengers to those left behind, Dr. Tucker-Abramson remaps the road novel, elucidating the genre's unique ability both to reveal the violent and vertiginous processes of capitalist modernization and to obfuscate these harsh truths through seductive narratives of individual success and failure. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The road novel is often dismissed as a mundane, nostalgic genre: Jack, Sal, and other tedious white men on the road trying to recapture an authentic youth and American past that never existed. Yet, new road novels appear every year, tackling unexpected questions and spanning new geographies, from Mexico, Brazil, Bulgaria, Palestine, Ukraine, and former-Yugoslavia. Why did the road novel emerge and why does it persist? What does it do and why has it traveled so widely? In Cartographies of Empire: The Road Novel and American Hegemony (Stanford University Press, 2025) Dr. Myka Tucker-Abramson draws from an archive of more than 140 global road novels from over twenty countries, challenging dominant conceptions of the road novel as primarily concerned with American experiences and subjectivities. Grounding her analysis in materialist theories of genre, world-ecology and commodity frontier frameworks, and post-45 American literary studies, Dr. Tucker-Abramson persuasively argues that the road novel is a genre specific to, coterminous with, and revealing of US hegemony's global trajectory. Shifting our focus from Americanness to the fraught geopolitics of US Empire, from the car to the built environment through which it moves, and from passengers to those left behind, Dr. Tucker-Abramson remaps the road novel, elucidating the genre's unique ability both to reveal the violent and vertiginous processes of capitalist modernization and to obfuscate these harsh truths through seductive narratives of individual success and failure. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The road novel is often dismissed as a mundane, nostalgic genre: Jack, Sal, and other tedious white men on the road trying to recapture an authentic youth and American past that never existed. Yet, new road novels appear every year, tackling unexpected questions and spanning new geographies, from Mexico, Brazil, Bulgaria, Palestine, Ukraine, and former-Yugoslavia. Why did the road novel emerge and why does it persist? What does it do and why has it traveled so widely? In Cartographies of Empire: The Road Novel and American Hegemony (Stanford University Press, 2025) Dr. Myka Tucker-Abramson draws from an archive of more than 140 global road novels from over twenty countries, challenging dominant conceptions of the road novel as primarily concerned with American experiences and subjectivities. Grounding her analysis in materialist theories of genre, world-ecology and commodity frontier frameworks, and post-45 American literary studies, Dr. Tucker-Abramson persuasively argues that the road novel is a genre specific to, coterminous with, and revealing of US hegemony's global trajectory. Shifting our focus from Americanness to the fraught geopolitics of US Empire, from the car to the built environment through which it moves, and from passengers to those left behind, Dr. Tucker-Abramson remaps the road novel, elucidating the genre's unique ability both to reveal the violent and vertiginous processes of capitalist modernization and to obfuscate these harsh truths through seductive narratives of individual success and failure. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The spread of democracy across the Global South has taken many different forms, but certain features are consistent: implementing a system of elections and an overarching mission of serving the will and well-being of a country's citizens. But how do we hold politicians accountable for such a mission? How are we to understand the efficacy of the policies they put forth?  In Indicators of Democracy (Stanford UP, 2024), Diana Graizbord exposes the complex, often-hidden world of the institutions that are meant to ensure democratic accountability and transparency. Taking the case of Mexico's National Council for the Evaluation of Social Development Policy (CONEVAL), Graizbord provides a deep theory of what happens when democratic aspirations intersect with technocratic ambitions. Analyzing what it takes to establish and sustain monitoring and evaluation as a form of official state expertise, Graizbord is able to put forward the contours of technodemocracy—a democratic political project that hinges on the power of experts to shape politics in unexpected but profound ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

The spread of democracy across the Global South has taken many different forms, but certain features are consistent: implementing a system of elections and an overarching mission of serving the will and well-being of a country's citizens. But how do we hold politicians accountable for such a mission? How are we to understand the efficacy of the policies they put forth?  In Indicators of Democracy (Stanford UP, 2024), Diana Graizbord exposes the complex, often-hidden world of the institutions that are meant to ensure democratic accountability and transparency. Taking the case of Mexico's National Council for the Evaluation of Social Development Policy (CONEVAL), Graizbord provides a deep theory of what happens when democratic aspirations intersect with technocratic ambitions. Analyzing what it takes to establish and sustain monitoring and evaluation as a form of official state expertise, Graizbord is able to put forward the contours of technodemocracy—a democratic political project that hinges on the power of experts to shape politics in unexpected but profound ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

The spread of democracy across the Global South has taken many different forms, but certain features are consistent: implementing a system of elections and an overarching mission of serving the will and well-being of a country's citizens. But how do we hold politicians accountable for such a mission? How are we to understand the efficacy of the policies they put forth?  In Indicators of Democracy (Stanford UP, 2024), Diana Graizbord exposes the complex, often-hidden world of the institutions that are meant to ensure democratic accountability and transparency. Taking the case of Mexico's National Council for the Evaluation of Social Development Policy (CONEVAL), Graizbord provides a deep theory of what happens when democratic aspirations intersect with technocratic ambitions. Analyzing what it takes to establish and sustain monitoring and evaluation as a form of official state expertise, Graizbord is able to put forward the contours of technodemocracy—a democratic political project that hinges on the power of experts to shape politics in unexpected but profound ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The spread of democracy across the Global South has taken many different forms, but certain features are consistent: implementing a system of elections and an overarching mission of serving the will and well-being of a country's citizens. But how do we hold politicians accountable for such a mission? How are we to understand the efficacy of the policies they put forth?  In Indicators of Democracy (Stanford UP, 2024), Diana Graizbord exposes the complex, often-hidden world of the institutions that are meant to ensure democratic accountability and transparency. Taking the case of Mexico's National Council for the Evaluation of Social Development Policy (CONEVAL), Graizbord provides a deep theory of what happens when democratic aspirations intersect with technocratic ambitions. Analyzing what it takes to establish and sustain monitoring and evaluation as a form of official state expertise, Graizbord is able to put forward the contours of technodemocracy—a democratic political project that hinges on the power of experts to shape politics in unexpected but profound ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latin-american-studies

The spread of democracy across the Global South has taken many different forms, but certain features are consistent: implementing a system of elections and an overarching mission of serving the will and well-being of a country's citizens. But how do we hold politicians accountable for such a mission? How are we to understand the efficacy of the policies they put forth?  In Indicators of Democracy (Stanford UP, 2024), Diana Graizbord exposes the complex, often-hidden world of the institutions that are meant to ensure democratic accountability and transparency. Taking the case of Mexico's National Council for the Evaluation of Social Development Policy (CONEVAL), Graizbord provides a deep theory of what happens when democratic aspirations intersect with technocratic ambitions. Analyzing what it takes to establish and sustain monitoring and evaluation as a form of official state expertise, Graizbord is able to put forward the contours of technodemocracy—a democratic political project that hinges on the power of experts to shape politics in unexpected but profound ways. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

After four decades of reform and development, China is confronting a domestic waste crisis. As the world's largest waste-generating nation, the World Economic Forum projects that by 2030, the volume of household waste in China will be double that of the United States. Starting in the early 2000s, Chinese policymakers came to see waste management as an object of environmental governance central to the creation of "modern" cities, and experimented with the circular economy, in which technology and policy could convert all forms of waste back into resources. Based on long-term research in Guangzhou, Circular Ecologies: Environmentalism and Waste Politics in Urban China (Stanford University Press, 2024) critically analyzes the implementation of technologies and infrastructures to modernize a mega-city's waste management system, and the grassroots ecological politics that emerged in response. In Guangzhou, waste's transformation revealed uncomfortable truths about China's environmental governance: a preference for technology over labor, the aestheticization of order, and the expropriation of value in service of an ecological vision. Amy Zhang argues that in post-reform China, waste-the material vestige of decades of growth and increasing consumption-is a systemic irritant that troubles China's technocratic governance. Waste provoked an unlikely coalition of urban communities, from the middle class to precarious migrant workers, that came to constitute a nascent, bottom-up environmental politics, and offers a model for conceptualizing ecological action under authoritarian conditions. Amy Zhang is Assistant Professor of Anthropology at New York University.Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word. Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom. Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present. In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States' revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom. Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present. In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States' revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom. Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present. In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States' revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom. Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present. In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States' revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom. Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present. In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States' revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

The history of queer politics in the United States since 1968 is commonly narrated as either a progressive campaign for state recognition or as a subcultural rejection of prevailing gender norms. But these accounts miss the true scale of queer politics in the post-war era. By centering transnational relations, practices, and infrastructures in the history of sexual rebellion, Eros and Empire: The Transnational Struggle for Sexual Freedom in the United States (Stanford University Press, 2025) provides an alternative view of US-based struggles for sexual freedom. Dr. Alexander Stoffel analyzes three prominent US-based social movements—gay liberationism, Black lesbian feminism, and AIDS activism—to argue that they were fundamentally shaped by their transnational entanglements. Departing from popular domestic framings of these movements, Dr. Stoffel recasts the history of radical queer thought and action as a project of erotic worldmaking. This project mobilized queer affects of pleasure, desire, and eroticism in the fight for revolutionary transformation on a world scale. The transnational perceptions, activities, and consciousness of queer radicals, Dr. Stoffel argues, not only conditioned the trajectory of queer history, but also radicalized wider anti-imperialist, socialist, and abolitionist struggles past and present. In this ambitious and interdisciplinary work, Dr. Stoffel reconsiders the United States' revolutionary sexual past and creates new opportunities for the study of sexual formations in relation to questions of capital accumulation, empire, and resistance. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices