Podcast appearances and mentions of jennifer glaser

Thinking: I'll briefly unpack the scholarly article "Digitizing English" by Jennifer Glaser and Laura R. Micciche and its consideration of updating the collegiate English curriculum to include the digital humanities. Drinking: Orange Cinnamon Tea - MarketSpice; Seattle, WA -- Intro and Outro Music: "End of the Street" by Kabbalistic Village

In Borrowed Voices: Writing and Racial Ventriloquism in the Jewish American Imagination (Rutgers University Press, 2016), Jennifer Glaser, Associate Professor of English and comparative literature and an affiliate faculty member in Judaic studies and womens, gender, and sexuality studies at the University of Cincinnati, Ohio, examines how racial ventriloquism became a hallmark of Jewish-American fiction. She offers a nuanced analysis of this practice of Jewish writers speaking for or as other minorities. This book is a compelling contribution, bringing Jewish cultural studies into conversation with critical race theory in innovative and provocative ways. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Borrowed Voices: Writing and Racial Ventriloquism in the Jewish American Imagination (Rutgers University Press, 2016), Jennifer Glaser, Associate Professor of English and comparative literature and an affiliate faculty member in Judaic studies and womens, gender, and sexuality studies at the University of Cincinnati, Ohio, examines how racial ventriloquism became a hallmark of Jewish-American fiction. She offers a nuanced analysis of this practice of Jewish writers speaking for or as other minorities. This book is a compelling contribution, bringing Jewish cultural studies into conversation with critical race theory in innovative and provocative ways. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Borrowed Voices: Writing and Racial Ventriloquism in the Jewish American Imagination (Rutgers University Press, 2016), Jennifer Glaser, Associate Professor of English and comparative literature and an affiliate faculty member in Judaic studies and womens, gender, and sexuality studies at the University of Cincinnati, Ohio, examines how racial ventriloquism became a hallmark of Jewish-American fiction. She offers a nuanced analysis of this practice of Jewish writers speaking for or as other minorities. This book is a compelling contribution, bringing Jewish cultural studies into conversation with critical race theory in innovative and provocative ways. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Borrowed Voices: Writing and Racial Ventriloquism in the Jewish American Imagination (Rutgers University Press, 2016), Jennifer Glaser, Associate Professor of English and comparative literature and an affiliate faculty member in Judaic studies and womens, gender, and sexuality studies at the University of Cincinnati, Ohio, examines how racial ventriloquism became a hallmark of Jewish-American fiction. She offers a nuanced analysis of this practice of Jewish writers speaking for or as other minorities. This book is a compelling contribution, bringing Jewish cultural studies into conversation with critical race theory in innovative and provocative ways. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Borrowed Voices: Writing and Racial Ventriloquism in the Jewish American Imagination (Rutgers University Press, 2016), Jennifer Glaser, Associate Professor of English and comparative literature and an affiliate faculty member in Judaic studies and womens, gender, and sexuality studies at the University of Cincinnati, Ohio, examines how racial ventriloquism became a hallmark of Jewish-American fiction. She offers a nuanced analysis of this practice of Jewish writers speaking for or as other minorities. This book is a compelling contribution, bringing Jewish cultural studies into conversation with critical race theory in innovative and provocative ways. Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices