Podcasts about rutgers up

Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan's avid importation of Western technology and popular culture in the early twentieth century. Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today. By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan's avid importation of Western technology and popular culture in the early twentieth century. Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today. By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan's avid importation of Western technology and popular culture in the early twentieth century. Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today. By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan's avid importation of Western technology and popular culture in the early twentieth century. Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today. By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Meet Julie Enszer, editor of Sinister Wisdom, dyke poetry superstar, and protector of the lesbian archives. Julie and I speak about shared queer cultures, lesbian feminist publishing, and all of the amazing queer archiving projects Julie is involved in. We also speak about the importance of sharing knowledge and practices of resistance, especially at a time like the present moment. Since Julie is particularly invested in sharing these practices internationally, she is part of the team that is bringing the Lesbian Lives conference to New York in October 2025… Tune in for the details.  References:https://julierenszer.com/Sinister Wisdom https://www.sinisterwisdom.org/@sinister_wisom (IG)Julie Enszer's The Pinko Commie Dyke (Indolent Books, 2024) with illustrations by Isabel Clare PaulOutWrite: The Speeches that Shaped LGBTQ Literary Culture (ed. Julie Enszer and Elena Gross, Rutgers UP, 2022)The Complete Works of Pat Parkers (ed. Julie Enszer, Sinister Wisdom/A Midsummer Night's Press, 2016)Fire-Rimmed Eden: Selected Poems by Lynn Lonidier (ed. Julie Enszer, Sinister Wisdom, 2023)Sinister Wisdom 128: Trans/FeminismsReveal Digital Archiveshttps://about.jstor.org/revealdigital/The Lesbian Poetry Archive http://lesbianpoetryarchive.org/Feminist Bookstore News Archivehttps://www.lesbianpoetryarchive.org/fbnCarol SeajayWomen in Print MovementCatherine NicholsonHarriet DesmoinesHillary ClintonLesbian Lives ConferenceElla Ben HagaiThe Journal of Lesbian StudiesOlu JenzenCLAGS (The Centre for LGBTQ Studies, CUNY)https://www.gc.cuny.edu/clags-center-lgbtq-studiesMatt BrimGrace Nichols' The Fat Black Woman's PoemsHeresieshttp://heresiesfilmproject.org/archive/Cheryl Clarkehttps://www.poetryfoundation.org/poets/cheryl-clarkeTim Retzloffhttps://michiganlgbtqremember.com/842-2/Alison Bechdel's Fun HomeMarilyn Hacker's Love, Death and the Changing of the Seasons (1986)  Questions you should be able to respond to after listening:1.      How do we build lesbian and feminist communities? Which examples does Julie give?2.      What are the Reveal Digital Archives?3.      What types of writing does Sinister Wisdom publish and what would Julie like to see more of? In which year was the journal launched?4.      How does Julie describe the importance of lesbian archives?5.      How might archives help us with lesbian, queer and trans oganising?  

Cinema under National Reconstruction (Rutgers UP, 2024) calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cinema under National Reconstruction (Rutgers UP, 2024) calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Cinema under National Reconstruction (Rutgers UP, 2024) calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Cinema under National Reconstruction (Rutgers UP, 2024) calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies

Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/economics

Hollywood Unions (Rutgers UP, 2024) is a unique collection that tells the stories of the unions and guilds that have organized motion picture and television labor: IATSE, the DGA, SAG-AFTRA, and the WGA. The Hollywood unions represent a wide swath of the workers making media: from directors and stars to grips and makeup artists. People today know some of these organizations from their glitzy annual awards celebrations, but the unions' actual importance is in bargaining with the Association of Motion Picture and Television Producers (AMPTP) on behalf of 331,000 workers in the motion picture and television industry. The Hollywood unions are not neutral institutions but rather have long histories of jurisdictional battles, competitions with rival unions, and industry-altering strikes. They have supported the industry's workers through the Great Depression, World War II, the McCarthy era, the collapse of the studio system, the rise of television, runaway production, fights for gender parity, the digital revolution, and a global pandemic. The history of these unions has contributed to making media work sustainable in the long term and helped shape the conditions and production cultures of Hollywood. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, I talked to Corinne Sugino, whose book Making the Human: Race, Allegory, and Asian Americans (Rutgers UP, 2024) examines how mainstream stories about Asian American success have come to serve harmful ideas about progress. At the turn of the century, Asian Americans have come to embody meritocracy and heteronormative family values, and more recently, some Asian Americans have become the face of law and order. These ideas become solidified in a variety of narratives, from blockbuster movies such as Crazy Rich Asians, to (supposedly) myth-busting documentaries such as Seeking Asian Female, to legal arguments against Affirmative Action. But these stories—usually stories about American citizens of East Asian descent—erase the diverse lived experience of Asian America. In this conversation, Corine Sugino also explains how we can draw on Black Studies, including scholarship by Sylvia Wynter and Katherine McKittrick, to develop a more capacious understanding of “the human” and antiracism. This provides a foundation for imagining solidarity across racial lines. About Corinne Sugino: Corinne Sugino is an Assistant Professor in the Department of English and Center for Ethnic Studies. Their research focus lies at the intersections of Asian American studies, cultural studies, rhetorical theory, and media studies. Corinne's first book project, Making the Human: Race, Allegory, and Asian Americans (Rutgers University Press, November 2024) explores how cultural and media narratives about Asian American racial and gendered difference naturalizes a limited understanding of what it means to be human. Beyond this project, her research interests also include discourses of false inclusion, Asian American grassroots media during the Asian American movement, and transnational racialization in Japan. About Weishun Lu: Weishun Lu is an Assistant Professor in the Department of Humanitities & Communication at Embry-Riddle Aeronautical University. Her research focus is contemporary poetry, avant-garde writing, the history of multiculturalism, and critical ethnic studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this episode, I talked to Corinne Sugino, whose book Making the Human: Race, Allegory, and Asian Americans (Rutgers UP, 2024) examines how mainstream stories about Asian American success have come to serve harmful ideas about progress. At the turn of the century, Asian Americans have come to embody meritocracy and heteronormative family values, and more recently, some Asian Americans have become the face of law and order. These ideas become solidified in a variety of narratives, from blockbuster movies such as Crazy Rich Asians, to (supposedly) myth-busting documentaries such as Seeking Asian Female, to legal arguments against Affirmative Action. But these stories—usually stories about American citizens of East Asian descent—erase the diverse lived experience of Asian America. In this conversation, Corine Sugino also explains how we can draw on Black Studies, including scholarship by Sylvia Wynter and Katherine McKittrick, to develop a more capacious understanding of “the human” and antiracism. This provides a foundation for imagining solidarity across racial lines. About Corinne Sugino: Corinne Sugino is an Assistant Professor in the Department of English and Center for Ethnic Studies. Their research focus lies at the intersections of Asian American studies, cultural studies, rhetorical theory, and media studies. Corinne's first book project, Making the Human: Race, Allegory, and Asian Americans (Rutgers University Press, November 2024) explores how cultural and media narratives about Asian American racial and gendered difference naturalizes a limited understanding of what it means to be human. Beyond this project, her research interests also include discourses of false inclusion, Asian American grassroots media during the Asian American movement, and transnational racialization in Japan. About Weishun Lu: Weishun Lu is an Assistant Professor in the Department of Humanitities & Communication at Embry-Riddle Aeronautical University. Her research focus is contemporary poetry, avant-garde writing, the history of multiculturalism, and critical ethnic studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

In this episode, I talked to Corinne Sugino, whose book Making the Human: Race, Allegory, and Asian Americans (Rutgers UP, 2024) examines how mainstream stories about Asian American success have come to serve harmful ideas about progress. At the turn of the century, Asian Americans have come to embody meritocracy and heteronormative family values, and more recently, some Asian Americans have become the face of law and order. These ideas become solidified in a variety of narratives, from blockbuster movies such as Crazy Rich Asians, to (supposedly) myth-busting documentaries such as Seeking Asian Female, to legal arguments against Affirmative Action. But these stories—usually stories about American citizens of East Asian descent—erase the diverse lived experience of Asian America. In this conversation, Corine Sugino also explains how we can draw on Black Studies, including scholarship by Sylvia Wynter and Katherine McKittrick, to develop a more capacious understanding of “the human” and antiracism. This provides a foundation for imagining solidarity across racial lines. About Corinne Sugino: Corinne Sugino is an Assistant Professor in the Department of English and Center for Ethnic Studies. Their research focus lies at the intersections of Asian American studies, cultural studies, rhetorical theory, and media studies. Corinne's first book project, Making the Human: Race, Allegory, and Asian Americans (Rutgers University Press, November 2024) explores how cultural and media narratives about Asian American racial and gendered difference naturalizes a limited understanding of what it means to be human. Beyond this project, her research interests also include discourses of false inclusion, Asian American grassroots media during the Asian American movement, and transnational racialization in Japan. About Weishun Lu: Weishun Lu is an Assistant Professor in the Department of Humanitities & Communication at Embry-Riddle Aeronautical University. Her research focus is contemporary poetry, avant-garde writing, the history of multiculturalism, and critical ethnic studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this episode, I talked to Corinne Sugino, whose book Making the Human: Race, Allegory, and Asian Americans (Rutgers UP, 2024) examines how mainstream stories about Asian American success have come to serve harmful ideas about progress. At the turn of the century, Asian Americans have come to embody meritocracy and heteronormative family values, and more recently, some Asian Americans have become the face of law and order. These ideas become solidified in a variety of narratives, from blockbuster movies such as Crazy Rich Asians, to (supposedly) myth-busting documentaries such as Seeking Asian Female, to legal arguments against Affirmative Action. But these stories—usually stories about American citizens of East Asian descent—erase the diverse lived experience of Asian America. In this conversation, Corine Sugino also explains how we can draw on Black Studies, including scholarship by Sylvia Wynter and Katherine McKittrick, to develop a more capacious understanding of “the human” and antiracism. This provides a foundation for imagining solidarity across racial lines. About Corinne Sugino: Corinne Sugino is an Assistant Professor in the Department of English and Center for Ethnic Studies. Their research focus lies at the intersections of Asian American studies, cultural studies, rhetorical theory, and media studies. Corinne's first book project, Making the Human: Race, Allegory, and Asian Americans (Rutgers University Press, November 2024) explores how cultural and media narratives about Asian American racial and gendered difference naturalizes a limited understanding of what it means to be human. Beyond this project, her research interests also include discourses of false inclusion, Asian American grassroots media during the Asian American movement, and transnational racialization in Japan. About Weishun Lu: Weishun Lu is an Assistant Professor in the Department of Humanitities & Communication at Embry-Riddle Aeronautical University. Her research focus is contemporary poetry, avant-garde writing, the history of multiculturalism, and critical ethnic studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this episode, I talked to Corinne Sugino, whose book Making the Human: Race, Allegory, and Asian Americans (Rutgers UP, 2024) examines how mainstream stories about Asian American success have come to serve harmful ideas about progress. At the turn of the century, Asian Americans have come to embody meritocracy and heteronormative family values, and more recently, some Asian Americans have become the face of law and order. These ideas become solidified in a variety of narratives, from blockbuster movies such as Crazy Rich Asians, to (supposedly) myth-busting documentaries such as Seeking Asian Female, to legal arguments against Affirmative Action. But these stories—usually stories about American citizens of East Asian descent—erase the diverse lived experience of Asian America. In this conversation, Corine Sugino also explains how we can draw on Black Studies, including scholarship by Sylvia Wynter and Katherine McKittrick, to develop a more capacious understanding of “the human” and antiracism. This provides a foundation for imagining solidarity across racial lines. About Corinne Sugino: Corinne Sugino is an Assistant Professor in the Department of English and Center for Ethnic Studies. Their research focus lies at the intersections of Asian American studies, cultural studies, rhetorical theory, and media studies. Corinne's first book project, Making the Human: Race, Allegory, and Asian Americans (Rutgers University Press, November 2024) explores how cultural and media narratives about Asian American racial and gendered difference naturalizes a limited understanding of what it means to be human. Beyond this project, her research interests also include discourses of false inclusion, Asian American grassroots media during the Asian American movement, and transnational racialization in Japan. About Weishun Lu: Weishun Lu is an Assistant Professor in the Department of Humanitities & Communication at Embry-Riddle Aeronautical University. Her research focus is contemporary poetry, avant-garde writing, the history of multiculturalism, and critical ethnic studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

In 2015, Patricia Roos's twenty-five-year-old son Alex died of a heroin overdose. Turning her grief into action, Roos, a professor of sociology at Rutgers University, began to research the social factors and institutional failures that contributed to his death. Surviving Alex: A Mother's Story of Love, Loss, and Addiction (Rutgers UP, 2024) tells her moving story—and argues for a more compassionate and effective approach to addiction treatment. Weaving together a personal narrative and a sociological perspective, Surviving Alex describes how people become addicted. She highlights the toll that addiction took on Alex and all members of a family. Drawing from interviews with Alex's friends, family members, therapists, teachers, and police officers—as well as files from his stays in hospitals, rehab facilities, and jails—Roos paints a compelling portrait of a young man whose life veered between happiness, anxiety, success, and despair. The book is part memoir, part sociological case study, and part policy proposal because it provides a strong challenge to extant treatment and policy options. As she explores how a punitive system failed her son, Dr. Roos calls for a community of action that would improve care for substance users and reduce addiction, realigning public health policy to address the overdose crisis. Dr. PATRICIA ROOS is a Professor emerita of sociology at Rutgers University. Among her many publications are the books Job Queues, Gender Queues: Explaining Women's Inroads into Male Occupations (coauthored with Barbara Reskin) from Temple University Press and Gender and Work: A Comparative Analysis of Industrial Societies from University of Albany Press. After her son's death, Dr. Roos realigned her research and advocacy interests to explore mental health and substance use disorders, turning her grief into activism. Mentioned: David Herzberg's White Market Drugs: Big Pharma and the Hidden History of Addiction in America from University of Chicago Press. Pat Roos on Hunter Biden, Hunter Biden addiction: Joe, Jill continue to show compassion Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 2015, Patricia Roos's twenty-five-year-old son Alex died of a heroin overdose. Turning her grief into action, Roos, a professor of sociology at Rutgers University, began to research the social factors and institutional failures that contributed to his death. Surviving Alex: A Mother's Story of Love, Loss, and Addiction (Rutgers UP, 2024) tells her moving story—and argues for a more compassionate and effective approach to addiction treatment. Weaving together a personal narrative and a sociological perspective, Surviving Alex describes how people become addicted. She highlights the toll that addiction took on Alex and all members of a family. Drawing from interviews with Alex's friends, family members, therapists, teachers, and police officers—as well as files from his stays in hospitals, rehab facilities, and jails—Roos paints a compelling portrait of a young man whose life veered between happiness, anxiety, success, and despair. The book is part memoir, part sociological case study, and part policy proposal because it provides a strong challenge to extant treatment and policy options. As she explores how a punitive system failed her son, Dr. Roos calls for a community of action that would improve care for substance users and reduce addiction, realigning public health policy to address the overdose crisis. Dr. PATRICIA ROOS is a Professor emerita of sociology at Rutgers University. Among her many publications are the books Job Queues, Gender Queues: Explaining Women's Inroads into Male Occupations (coauthored with Barbara Reskin) from Temple University Press and Gender and Work: A Comparative Analysis of Industrial Societies from University of Albany Press. After her son's death, Dr. Roos realigned her research and advocacy interests to explore mental health and substance use disorders, turning her grief into activism. Mentioned: David Herzberg's White Market Drugs: Big Pharma and the Hidden History of Addiction in America from University of Chicago Press. Pat Roos on Hunter Biden, Hunter Biden addiction: Joe, Jill continue to show compassion Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

In 2015, Patricia Roos's twenty-five-year-old son Alex died of a heroin overdose. Turning her grief into action, Roos, a professor of sociology at Rutgers University, began to research the social factors and institutional failures that contributed to his death. Surviving Alex: A Mother's Story of Love, Loss, and Addiction (Rutgers UP, 2024) tells her moving story—and argues for a more compassionate and effective approach to addiction treatment. Weaving together a personal narrative and a sociological perspective, Surviving Alex describes how people become addicted. She highlights the toll that addiction took on Alex and all members of a family. Drawing from interviews with Alex's friends, family members, therapists, teachers, and police officers—as well as files from his stays in hospitals, rehab facilities, and jails—Roos paints a compelling portrait of a young man whose life veered between happiness, anxiety, success, and despair. The book is part memoir, part sociological case study, and part policy proposal because it provides a strong challenge to extant treatment and policy options. As she explores how a punitive system failed her son, Dr. Roos calls for a community of action that would improve care for substance users and reduce addiction, realigning public health policy to address the overdose crisis. Dr. PATRICIA ROOS is a Professor emerita of sociology at Rutgers University. Among her many publications are the books Job Queues, Gender Queues: Explaining Women's Inroads into Male Occupations (coauthored with Barbara Reskin) from Temple University Press and Gender and Work: A Comparative Analysis of Industrial Societies from University of Albany Press. After her son's death, Dr. Roos realigned her research and advocacy interests to explore mental health and substance use disorders, turning her grief into activism. Mentioned: David Herzberg's White Market Drugs: Big Pharma and the Hidden History of Addiction in America from University of Chicago Press. Pat Roos on Hunter Biden, Hunter Biden addiction: Joe, Jill continue to show compassion Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

In 2015, Patricia Roos's twenty-five-year-old son Alex died of a heroin overdose. Turning her grief into action, Roos, a professor of sociology at Rutgers University, began to research the social factors and institutional failures that contributed to his death. Surviving Alex: A Mother's Story of Love, Loss, and Addiction (Rutgers UP, 2024) tells her moving story—and argues for a more compassionate and effective approach to addiction treatment. Weaving together a personal narrative and a sociological perspective, Surviving Alex describes how people become addicted. She highlights the toll that addiction took on Alex and all members of a family. Drawing from interviews with Alex's friends, family members, therapists, teachers, and police officers—as well as files from his stays in hospitals, rehab facilities, and jails—Roos paints a compelling portrait of a young man whose life veered between happiness, anxiety, success, and despair. The book is part memoir, part sociological case study, and part policy proposal because it provides a strong challenge to extant treatment and policy options. As she explores how a punitive system failed her son, Dr. Roos calls for a community of action that would improve care for substance users and reduce addiction, realigning public health policy to address the overdose crisis. Dr. PATRICIA ROOS is a Professor emerita of sociology at Rutgers University. Among her many publications are the books Job Queues, Gender Queues: Explaining Women's Inroads into Male Occupations (coauthored with Barbara Reskin) from Temple University Press and Gender and Work: A Comparative Analysis of Industrial Societies from University of Albany Press. After her son's death, Dr. Roos realigned her research and advocacy interests to explore mental health and substance use disorders, turning her grief into activism. Mentioned: David Herzberg's White Market Drugs: Big Pharma and the Hidden History of Addiction in America from University of Chicago Press. Pat Roos on Hunter Biden, Hunter Biden addiction: Joe, Jill continue to show compassion Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In 2015, Patricia Roos's twenty-five-year-old son Alex died of a heroin overdose. Turning her grief into action, Roos, a professor of sociology at Rutgers University, began to research the social factors and institutional failures that contributed to his death. Surviving Alex: A Mother's Story of Love, Loss, and Addiction (Rutgers UP, 2024) tells her moving story—and argues for a more compassionate and effective approach to addiction treatment. Weaving together a personal narrative and a sociological perspective, Surviving Alex describes how people become addicted. She highlights the toll that addiction took on Alex and all members of a family. Drawing from interviews with Alex's friends, family members, therapists, teachers, and police officers—as well as files from his stays in hospitals, rehab facilities, and jails—Roos paints a compelling portrait of a young man whose life veered between happiness, anxiety, success, and despair. The book is part memoir, part sociological case study, and part policy proposal because it provides a strong challenge to extant treatment and policy options. As she explores how a punitive system failed her son, Dr. Roos calls for a community of action that would improve care for substance users and reduce addiction, realigning public health policy to address the overdose crisis. Dr. PATRICIA ROOS is a Professor emerita of sociology at Rutgers University. Among her many publications are the books Job Queues, Gender Queues: Explaining Women's Inroads into Male Occupations (coauthored with Barbara Reskin) from Temple University Press and Gender and Work: A Comparative Analysis of Industrial Societies from University of Albany Press. After her son's death, Dr. Roos realigned her research and advocacy interests to explore mental health and substance use disorders, turning her grief into activism. Mentioned: David Herzberg's White Market Drugs: Big Pharma and the Hidden History of Addiction in America from University of Chicago Press. Pat Roos on Hunter Biden, Hunter Biden addiction: Joe, Jill continue to show compassion Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

In 2015, Patricia Roos's twenty-five-year-old son Alex died of a heroin overdose. Turning her grief into action, Roos, a professor of sociology at Rutgers University, began to research the social factors and institutional failures that contributed to his death. Surviving Alex: A Mother's Story of Love, Loss, and Addiction (Rutgers UP, 2024) tells her moving story—and argues for a more compassionate and effective approach to addiction treatment. Weaving together a personal narrative and a sociological perspective, Surviving Alex describes how people become addicted. She highlights the toll that addiction took on Alex and all members of a family. Drawing from interviews with Alex's friends, family members, therapists, teachers, and police officers—as well as files from his stays in hospitals, rehab facilities, and jails—Roos paints a compelling portrait of a young man whose life veered between happiness, anxiety, success, and despair. The book is part memoir, part sociological case study, and part policy proposal because it provides a strong challenge to extant treatment and policy options. As she explores how a punitive system failed her son, Dr. Roos calls for a community of action that would improve care for substance users and reduce addiction, realigning public health policy to address the overdose crisis. Dr. PATRICIA ROOS is a Professor emerita of sociology at Rutgers University. Among her many publications are the books Job Queues, Gender Queues: Explaining Women's Inroads into Male Occupations (coauthored with Barbara Reskin) from Temple University Press and Gender and Work: A Comparative Analysis of Industrial Societies from University of Albany Press. After her son's death, Dr. Roos realigned her research and advocacy interests to explore mental health and substance use disorders, turning her grief into activism. Mentioned: David Herzberg's White Market Drugs: Big Pharma and the Hidden History of Addiction in America from University of Chicago Press. Pat Roos on Hunter Biden, Hunter Biden addiction: Joe, Jill continue to show compassion Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery

In 2015, Patricia Roos's twenty-five-year-old son Alex died of a heroin overdose. Turning her grief into action, Roos, a professor of sociology at Rutgers University, began to research the social factors and institutional failures that contributed to his death. Surviving Alex: A Mother's Story of Love, Loss, and Addiction (Rutgers UP, 2024) tells her moving story—and argues for a more compassionate and effective approach to addiction treatment. Weaving together a personal narrative and a sociological perspective, Surviving Alex describes how people become addicted. She highlights the toll that addiction took on Alex and all members of a family. Drawing from interviews with Alex's friends, family members, therapists, teachers, and police officers—as well as files from his stays in hospitals, rehab facilities, and jails—Roos paints a compelling portrait of a young man whose life veered between happiness, anxiety, success, and despair. The book is part memoir, part sociological case study, and part policy proposal because it provides a strong challenge to extant treatment and policy options. As she explores how a punitive system failed her son, Dr. Roos calls for a community of action that would improve care for substance users and reduce addiction, realigning public health policy to address the overdose crisis. Dr. PATRICIA ROOS is a Professor emerita of sociology at Rutgers University. Among her many publications are the books Job Queues, Gender Queues: Explaining Women's Inroads into Male Occupations (coauthored with Barbara Reskin) from Temple University Press and Gender and Work: A Comparative Analysis of Industrial Societies from University of Albany Press. After her son's death, Dr. Roos realigned her research and advocacy interests to explore mental health and substance use disorders, turning her grief into activism. Mentioned: David Herzberg's White Market Drugs: Big Pharma and the Hidden History of Addiction in America from University of Chicago Press. Pat Roos on Hunter Biden, Hunter Biden addiction: Joe, Jill continue to show compassion Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2015, Patricia Roos's twenty-five-year-old son Alex died of a heroin overdose. Turning her grief into action, Roos, a professor of sociology at Rutgers University, began to research the social factors and institutional failures that contributed to his death. Surviving Alex: A Mother's Story of Love, Loss, and Addiction (Rutgers UP, 2024) tells her moving story—and argues for a more compassionate and effective approach to addiction treatment. Weaving together a personal narrative and a sociological perspective, Surviving Alex describes how people become addicted. She highlights the toll that addiction took on Alex and all members of a family. Drawing from interviews with Alex's friends, family members, therapists, teachers, and police officers—as well as files from his stays in hospitals, rehab facilities, and jails—Roos paints a compelling portrait of a young man whose life veered between happiness, anxiety, success, and despair. The book is part memoir, part sociological case study, and part policy proposal because it provides a strong challenge to extant treatment and policy options. As she explores how a punitive system failed her son, Dr. Roos calls for a community of action that would improve care for substance users and reduce addiction, realigning public health policy to address the overdose crisis. Dr. PATRICIA ROOS is a Professor emerita of sociology at Rutgers University. Among her many publications are the books Job Queues, Gender Queues: Explaining Women's Inroads into Male Occupations (coauthored with Barbara Reskin) from Temple University Press and Gender and Work: A Comparative Analysis of Industrial Societies from University of Albany Press. After her son's death, Dr. Roos realigned her research and advocacy interests to explore mental health and substance use disorders, turning her grief into activism. Mentioned: David Herzberg's White Market Drugs: Big Pharma and the Hidden History of Addiction in America from University of Chicago Press. Pat Roos on Hunter Biden, Hunter Biden addiction: Joe, Jill continue to show compassion Learn more about your ad choices. Visit megaphone.fm/adchoices

Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, God's Waiting Room: Racial Reckoning at Life's End (Rutgers University Press, 2024) considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds. Casey Golomski is an associate professor of anthropology and women's and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, God's Waiting Room: Racial Reckoning at Life's End (Rutgers University Press, 2024) considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds. Casey Golomski is an associate professor of anthropology and women's and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, God's Waiting Room: Racial Reckoning at Life's End (Rutgers University Press, 2024) considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds. Casey Golomski is an associate professor of anthropology and women's and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, God's Waiting Room: Racial Reckoning at Life's End (Rutgers University Press, 2024) considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds. Casey Golomski is an associate professor of anthropology and women's and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, God's Waiting Room: Racial Reckoning at Life's End (Rutgers University Press, 2024) considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds. Casey Golomski is an associate professor of anthropology and women's and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, God's Waiting Room: Racial Reckoning at Life's End (Rutgers University Press, 2024) considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds. Casey Golomski is an associate professor of anthropology and women's and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, God's Waiting Room: Racial Reckoning at Life's End (Rutgers University Press, 2024) considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds. Casey Golomski is an associate professor of anthropology and women's and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices

In Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture (Rutgers UP, 2024), Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D'Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize. This book is also freely available online as an open-access digital edition here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture (Rutgers UP, 2024), Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D'Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize. This book is also freely available online as an open-access digital edition here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture (Rutgers UP, 2024), Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D'Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize. This book is also freely available online as an open-access digital edition here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture (Rutgers UP, 2024), Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D'Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize. This book is also freely available online as an open-access digital edition here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

In Finding God in All the Black Places: Sacred Imaginings in Black Popular Culture (Rutgers UP, 2024), Beretta E. Smith-Shomade contends that Black spirituality and Black church religiosity are the critical crux of Black popular culture. She argues that cultural, community, and social support live within the Black church and that spirit, art, and progress are deeply entwined and seal this connection. Including the work of artists such as Mary J. Blige, D'Angelo, Erykah Badu, Prince, Spike Lee, and Oprah Winfrey, the book examines contemporary Black television, film, music and digital culture to demonstrate the role, impact, and dominance of spirituality and religion in Black popular culture. Smith-Shomade believes that acknowledging and comprehending the foundations of Black spirituality and Black church religiosity within Black popular culture provide a way for viewers, listeners, and users not only to endure but also to revitalize. This book is also freely available online as an open-access digital edition here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Dr. James Burt believed women's bodies were broken, and only he could fix them. In the 1950s, this Ohio OB-GYN developed what he called “love surgery,” a unique procedure he maintained enhanced the sexual responses of a new mother, transforming her into “a horny little house mouse.” Burt did so without first getting the consent of his patients. Yet he was allowed to practice for over thirty years, mutilating hundreds of women in the process. It would be easy to dismiss Dr. Burt as a monstrous aberration, a modern-day Dr. Frankenstein. Yet as medical historian Sarah Rodriguez reveals, that's not the whole story. The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation (Rutgers University Press, 2020) asks tough questions about Burt's heinous acts and what they reveal about the failures of the medical establishment: How was he able to perform an untested surgical procedure? Why wasn't he obliged to get informed consent from his patients? And why did it take his peers so long to take action? The Love Surgeon is both a medical horror story and a cautionary tale about the limits of professional self-regulation. Sarah B. Rodriguez is a medical historian at Northwestern University in the Global Health Studies Program, the Department of Medical Education, and the Graduate Program in Medical Humanities and Bioethics. Her teaching and research focuses on the history of reproduction, clinical practice, and research ethics. Her publications include the book Female Circumcision and Clitoridectomy in the United States: A History of a Medical Practice. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Dr. James Burt believed women's bodies were broken, and only he could fix them. In the 1950s, this Ohio OB-GYN developed what he called “love surgery,” a unique procedure he maintained enhanced the sexual responses of a new mother, transforming her into “a horny little house mouse.” Burt did so without first getting the consent of his patients. Yet he was allowed to practice for over thirty years, mutilating hundreds of women in the process. It would be easy to dismiss Dr. Burt as a monstrous aberration, a modern-day Dr. Frankenstein. Yet as medical historian Sarah Rodriguez reveals, that's not the whole story. The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation (Rutgers University Press, 2020) asks tough questions about Burt's heinous acts and what they reveal about the failures of the medical establishment: How was he able to perform an untested surgical procedure? Why wasn't he obliged to get informed consent from his patients? And why did it take his peers so long to take action? The Love Surgeon is both a medical horror story and a cautionary tale about the limits of professional self-regulation. Sarah B. Rodriguez is a medical historian at Northwestern University in the Global Health Studies Program, the Department of Medical Education, and the Graduate Program in Medical Humanities and Bioethics. Her teaching and research focuses on the history of reproduction, clinical practice, and research ethics. Her publications include the book Female Circumcision and Clitoridectomy in the United States: A History of a Medical Practice. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Dr. James Burt believed women's bodies were broken, and only he could fix them. In the 1950s, this Ohio OB-GYN developed what he called “love surgery,” a unique procedure he maintained enhanced the sexual responses of a new mother, transforming her into “a horny little house mouse.” Burt did so without first getting the consent of his patients. Yet he was allowed to practice for over thirty years, mutilating hundreds of women in the process. It would be easy to dismiss Dr. Burt as a monstrous aberration, a modern-day Dr. Frankenstein. Yet as medical historian Sarah Rodriguez reveals, that's not the whole story. The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation (Rutgers University Press, 2020) asks tough questions about Burt's heinous acts and what they reveal about the failures of the medical establishment: How was he able to perform an untested surgical procedure? Why wasn't he obliged to get informed consent from his patients? And why did it take his peers so long to take action? The Love Surgeon is both a medical horror story and a cautionary tale about the limits of professional self-regulation. Sarah B. Rodriguez is a medical historian at Northwestern University in the Global Health Studies Program, the Department of Medical Education, and the Graduate Program in Medical Humanities and Bioethics. Her teaching and research focuses on the history of reproduction, clinical practice, and research ethics. Her publications include the book Female Circumcision and Clitoridectomy in the United States: A History of a Medical Practice. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Dr. James Burt believed women's bodies were broken, and only he could fix them. In the 1950s, this Ohio OB-GYN developed what he called “love surgery,” a unique procedure he maintained enhanced the sexual responses of a new mother, transforming her into “a horny little house mouse.” Burt did so without first getting the consent of his patients. Yet he was allowed to practice for over thirty years, mutilating hundreds of women in the process. It would be easy to dismiss Dr. Burt as a monstrous aberration, a modern-day Dr. Frankenstein. Yet as medical historian Sarah Rodriguez reveals, that's not the whole story. The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation (Rutgers University Press, 2020) asks tough questions about Burt's heinous acts and what they reveal about the failures of the medical establishment: How was he able to perform an untested surgical procedure? Why wasn't he obliged to get informed consent from his patients? And why did it take his peers so long to take action? The Love Surgeon is both a medical horror story and a cautionary tale about the limits of professional self-regulation. Sarah B. Rodriguez is a medical historian at Northwestern University in the Global Health Studies Program, the Department of Medical Education, and the Graduate Program in Medical Humanities and Bioethics. Her teaching and research focuses on the history of reproduction, clinical practice, and research ethics. Her publications include the book Female Circumcision and Clitoridectomy in the United States: A History of a Medical Practice. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Dr. James Burt believed women's bodies were broken, and only he could fix them. In the 1950s, this Ohio OB-GYN developed what he called “love surgery,” a unique procedure he maintained enhanced the sexual responses of a new mother, transforming her into “a horny little house mouse.” Burt did so without first getting the consent of his patients. Yet he was allowed to practice for over thirty years, mutilating hundreds of women in the process. It would be easy to dismiss Dr. Burt as a monstrous aberration, a modern-day Dr. Frankenstein. Yet as medical historian Sarah Rodriguez reveals, that's not the whole story. The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation (Rutgers University Press, 2020) asks tough questions about Burt's heinous acts and what they reveal about the failures of the medical establishment: How was he able to perform an untested surgical procedure? Why wasn't he obliged to get informed consent from his patients? And why did it take his peers so long to take action? The Love Surgeon is both a medical horror story and a cautionary tale about the limits of professional self-regulation. Sarah B. Rodriguez is a medical historian at Northwestern University in the Global Health Studies Program, the Department of Medical Education, and the Graduate Program in Medical Humanities and Bioethics. Her teaching and research focuses on the history of reproduction, clinical practice, and research ethics. Her publications include the book Female Circumcision and Clitoridectomy in the United States: A History of a Medical Practice. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. James Burt believed women's bodies were broken, and only he could fix them. In the 1950s, this Ohio OB-GYN developed what he called “love surgery,” a unique procedure he maintained enhanced the sexual responses of a new mother, transforming her into “a horny little house mouse.” Burt did so without first getting the consent of his patients. Yet he was allowed to practice for over thirty years, mutilating hundreds of women in the process. It would be easy to dismiss Dr. Burt as a monstrous aberration, a modern-day Dr. Frankenstein. Yet as medical historian Sarah Rodriguez reveals, that's not the whole story. The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation (Rutgers University Press, 2020) asks tough questions about Burt's heinous acts and what they reveal about the failures of the medical establishment: How was he able to perform an untested surgical procedure? Why wasn't he obliged to get informed consent from his patients? And why did it take his peers so long to take action? The Love Surgeon is both a medical horror story and a cautionary tale about the limits of professional self-regulation. Sarah B. Rodriguez is a medical historian at Northwestern University in the Global Health Studies Program, the Department of Medical Education, and the Graduate Program in Medical Humanities and Bioethics. Her teaching and research focuses on the history of reproduction, clinical practice, and research ethics. Her publications include the book Female Circumcision and Clitoridectomy in the United States: A History of a Medical Practice. Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky's College of Medicine. She teaches and writes about health behavior in historical context. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage. Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You'll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente. Lavishly illustrated with over fifty photos, Walking East Harlem: A Neighborhood Experience (Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio's exciting history, cultural diversity, and continued artistic vibrancy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage. Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You'll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente. Lavishly illustrated with over fifty photos, Walking East Harlem: A Neighborhood Experience (Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio's exciting history, cultural diversity, and continued artistic vibrancy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage. Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You'll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente. Lavishly illustrated with over fifty photos, Walking East Harlem: A Neighborhood Experience (Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio's exciting history, cultural diversity, and continued artistic vibrancy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network