Podcasts about Writing

The Share Shed – Sober Awkward Writing Competition Specials - No More Numbing Out - By Aliz, TexasEvery Thursday, we're handing the story telling over to you.Over the next few months, Vic will be reading some of the incredible entries from this year's Sober Awkward Writing Competition. Honest, funny, heartbreaking, hopeful, awkward and beautifully human, these stories come from people all over the world who have experienced the ups and downs of changing their relationship with alcohol.Whether you're sober curious, newly alcohol-free, years into recovery, or simply wondering if life might feel better without booze, we hope these stories remind you that you're not alone.Writing has a powerful way of helping us make sense of our lives. It can shine a light on things we've hidden away, help us process difficult experiences, and remind us just how resilient we really are. Plus, it's considerably cheaper than therapy and doesn't require you to wear pants.So grab a cuppa, get comfortable, and join us for this week's Share Shed as Vic tells another story from our amazing community.

Do you feel like an imposter as a writer?You probably are. Most authors who experience imposter syndrome are imposters, but they don't have to be!As the saying goes, “There are no good writers; just bad writers who didn't quit.”Every author starts off as a bad writer. To make a living at writing you must improve through hard work, determination, and training. In this week's episode, you'll hear from Chris Fox, author of over 80 books and three million copies sold. You'll learn:Why not knowing your reader's emotional motivation is costing you salesHow word order affects your readers experienceHow Grammarly is making your writing worseHow authors accidentally protect their characters and ruin their books.If something isn't clicking with your writing, listen in or read the blog version to find out what you should be looking for and how you can fix it.Blog Link: https://www.authormedia.com/how-to-level-up-your-writing-with-chris-fox/Authormedia.social:  https://authormedia.social/c/novel-marketing/how-to-level-up-your-writing-with-chris-foxYT Link: https://youtu.be/DanstjzQs6ANovelMarketing.com/patron  Support the show

In this episode, Charlie Newcomb shares his inspiring journey from a young McDonald's employee to a leadership expert and author. Discover how pivotal quotes, emotional intelligence, and mentorship have shaped his career and leadership style. Whether you're a business owner, aspiring leader, or writer, there's valuable insight for everyone seeking to make a meaningful impact."Effective leaders trust their team enough to let them make mistakes, learn from failures, and develop resilience."Chapters00:00 - The significance of letting people go and controlling your destiny01:09 - Introducing Charlie Newcomb and his journey from McDonald's to leadership expert02:12 - Charlie's career start at 18 and influential training from Ken Blanchard and Stephen Covey03:41 - The impact of company culture and leadership skills on business success04:07 - The essential leadership trait of active listening05:07 - How leaders can support team members through mistakes and failures06:00 - Approaching mistakes with empathy and understanding, not punishment06:56 - How writing a book shifted Charlie's perspective and impacted his career07:55 - Emotional intelligence and handling crises like successful CEOs08:25 - Recognizing influential mentors and the humility of leadership10:49 - The impact of mentorship, influence on others, and the importance of legacy12:41 - Advice to new writers: storytelling, impact, and embracing imperfections13:57 - The choice of Ronald Reagan as an inspirational figure for leadership and communication15:03 - How to connect with Charlie, his book on Amazon, and inspiring the next generation of leaders"Strong emotional intelligence creates trust and rapport, enabling leaders to manage complex dynamics with grace."Other Takeaways*Charlie's career started at McDonald's and evolved over 33 years through leadership training influenced by Ken Blanchard and Stephen Covey. *The importance of listening, trust, and allowing team members to learn from their mistakes. *How emotional intelligence enhances leadership and crisis management.*Writing a book as a tool for legacy, influence, and self-reflection. *Lessons learned for aspiring authors about storytelling, impact, and mentorship. *The importance of humility and recognizing the influence of others on personal success. *Exploring leadership through humor, honesty, and finding the good in people – inspired by Ronald Reagan.Send us Fan MailSupport the showRemember to subscribe for the next episode. Show Sponsor: ComingAlive PodcastProduction.com (Download your Podcast Launch Checklist for only $1 here)Music Credits: Copyright Free Music from Adventure by MusicbyAden.

After 51/2 years on our K-Drama journey, we reflect on how K-Dramas have changed our lives. From how we participate in fandoms, to what has changed in our writing, to the community we're so grateful to have found, watching dramas has truly been a life-altering experience. Ready to download your first audiobook? Don't forget to click HERE for your free Audible trial.*Audible is a sponsor of Afternoona Delight Podcast*Are your family and friends sick of you talking about K-drama? We get it...and have an answer. Join our AfterNoona Delight Patreon and find community among folks who get your obsession. And check out www.afternoonadelight.com for more episodes, book recs and social media goodness. And don't forget about the newest member of our network: Afternoona Asks where diaspora Asians living in the West find ways to reconnect to Asian culture via Asian/KDramas.Last but CERTAINLY not least....love BTS? Or curious what all the fuss is about? Check out our sister pod Afternoona Army for takes on Bangtan life. ★ Support this podcast on Patreon ★

Send us Fan MailDee and Carol talk about sound in the garden, inspired by a new book.To watch this episode on YouTube, click here.For more info and links, check out our Substack newsletterI Fireflies or Lightning Bugs. Such a loved little beetle, it has its own website.Flowers:Listen to your garden to hear how healthy it is:Vegetables:You better hear the hum of bees because you need pollination for so many crops, including squash and cucumbers. On the Bookshelf:Garden Voices: A Year of Gardeners' Writing, Edited by Claire Masset (Amazon)Dirt:Control Mosquitoes with a Mosquito Bucket. (News Report)  Rabbit Holes:Carol revisited Elizabeth Lawrence to write about her as the latest Lost Lady of Garden Writing.A Garden to Visit:Longwood Gardens - Famous for their fountains.  That's it for this week! As always, we appreciate all of you for listening to our podcast and for reading this newsletter!(If you'd like to support us, check out our affiliate links here. Book links are also affiliate links.)Support the showOn Instagram:  Carol: Indygardener, Dee: RedDirtRamblings, Our podcast: TheGardenangelists.On Facebook: The Gardenangelists' Garden Club.On YouTube.

What is the best use of writing? This week, Jess, Joey, and Aaron talk about organizing mental chaos, description, recall, process vs. idea, songwriters, and formal logic. references Billie Eilish on Conan O'Brien Needs A Friend Sapir-Whorf Hypothesis Explosions in the Sky The Earth is Not a Cold Dead Place Go With Elmo Lovano: Why Linda Perry Gave ‘Beautiful' to Christina Aguilera The New York Times Magazine 30 Greatest Living American Songwriters Song Exploder: Episode 61: Courtney Barnett “Depreston” 

Molly and Kate speak with Tanya Bush, the author of Will This Make You Happy, about her cookbook/memoir mashup and how the pandemic contributed to her decision to marry a personal story and a technical text. Tanya shares some the life experiences behind the book, her impetus to create and the themes she wanted to explore as well as the process of getting an agent, earning an MFA and how the project shifted since its origins. We get into her thoughts on why she wanted to write this particular blend of genres, how the recipes, the book's design and her real life experiences fit in and how important critical distance and play are to her voice. Finally she hits on her hopes for the work, the audio version and potential adaptations and a few thoughts on her print magazine, Cake Zine. Hosts: Kate Leahy + Molly Stevens + Kristin Donnelly + Andrea Nguyen Editor: Abby Cerquitella   Mentions Food Friends Podcast Newsletter Episode 162: The one in which we issue an apology and answer listener questions   Tanya Bush Website Instagram Cake Zine The Little Egg Restaurant   Why We Can't Stop Reading — and Writing — Food Diaries, Hannah Goldfield, The New Yorker Clare Mao, agent   Visit the Everything Cookbooks Bookshop to purchase a copy of the books mentioned in the show Will This Make You Happy by Tanya Bush

Hannah Brown rapid-fires through which show messed with her head the most, whether she'd be a Faithful or a Traitor, and the wild real-life twist she put straight into Reasons to Be Loved by You. See omnystudio.com/listener for privacy information.

Lara Love Hardin had the perfect cul-de-sac life: a million-dollar home, kids, the soccer-mom routine. What no one knew was that she and her husband were funding a heroin addiction by stealing their neighbors' credit cards. When the police finally knocked, she was charged with dozens of felonies and became inmate S32179. In this conversation, Lara takes us inside her descent into opioid addiction, what her time in county jail was like and the unlikely path that took her from a jail cell to ghostwriting New York Times bestsellers and an Oprah's Book Club pick for her own memoir, The Many Lives of Mama Love. We talk addiction, shame, the criminal justice system, second chances, and how she rebuilt a life most people thought was over. _____________________________________________ #addictionrecovery #TrueCrime #secondchances _____________________________________________ Connect with Lara Love Hardin: Website: https://www.laralovehardin.com/ Instagram: https://www.instagram.com/laralovehardin/?hl=en Book: https://www.amazon.com/Many-Lives-Mama-Love-Stealing-ebook/dp/B0BPDNW33W/ref=books_amazonstores_desktop_mfs_author_smart_catalog_1?_encoding=UTF8&pd_rd_w=NMLe6&content-id=amzn1.sym.aec507cb-142c-4f68-9ae5-803b8e7b33f1&pf_rd_p=aec507cb-142c-4f68-9ae5-803b8e7b33f1&pf_rd_r=136-6178201-4449817&pd_rd_wg=GRZoL&pd_rd_r=3432d7e9-c686-4577-8237-d731c18fd71a _____________________________________________ Hosted, Executive Produced & Edited By Ian Bick: https://www.instagram.com/ian_bick/?hl=en https://ianbick.com/ _____________________________________________ Timestamps: 00:00 Introduction: Laura Love Harden's Story 00:30 Her Childhood and Upbringing 01:45 Escaping Through Books and Education 03:42 Family Secrets No One Talked About 06:07 Trying to Fit In During High School 07:00 College and a Fresh Start 08:48 Marriage, Motherhood & Quiet Struggles 09:54 The First Painkillers 11:02 The Hidden Pattern of Family Addiction 13:45 Fighting Pill Addiction—and Denial 16:26 Sobriety, Remarriage & New Beginnings 17:41 The Day She Found Out: Heroin Relapse 20:08 The Rapid Downfall Into Crime 22:15 What Daily Life as an Addict Was Really Like 24:50 How She Justified the Crimes 27:02 The Arrest That Broke the Family Apart 31:15 First Days in Jail 36:33 A Mental Health Crisis Behind Bars 41:03 The Legal System and Family Fallout 47:00 The Plea Deal & Gender Disparities in Sentencing 53:13 Motherhood, Shame & the Community's Reaction 01:00:02 Life After Jail: Rebuilding From Zero 01:11:20 Starting Over: A Career in Literary Agency 01:20:28 Facing Stigma & Earning Redemption 01:26:20 Advocacy and Supporting Incarcerated Women 01:33:01 Writing the Modern Memoir 01:38:18 Regrets, Lessons & Parenting Reflections 01:41:45 What's Next: Fiction and TV _____________________________________________ To advertise on the show, contact sales@advertisecast.com or visit https://advertising.libsyn.com/LockedInWithIanBicka Learn more about your ad choices. Visit podcastchoices.com/adchoices

Be steadfast and immovable, always abounding in the work of the Lord. That was an exhortation from the Apostle Paul in First Corinthians. We DO the work of the Lord, and we’re to BE steadfast and immovable. When the winds of change blow through our culture, we’re to be solid as a rock. And today on A NEW BEGINNING, Pastor Greg Laurie points out how to do that as we consider a man who showed us how NOT to do that. We’re considering an epic failure in the Old Testament. The Harvest Crusade is coming to Angel Stadium on July 11! Stay updated on all important event details. — Become a Harvest Partner today and join us in knowing God and making Him known through media and large-scale evangelism, our mission of over 30 years. Explore more resources from Pastor Greg Laurie, including daily devotionals and blogs, designed to answer your spiritual questions and equip you to walk closely with Christ.Support the show: https://bit.ly/anbsupportSee omnystudio.com/listener for privacy information.

In this week's episode, I'm sharing a lesson that came from a foggy drive across southern Idaho and the perspective it gave me about navigating uncertainty in life and business. We all go through seasons where we can't clearly see what's ahead, whether it's a career transition, a business challenge, a relationship struggle, or simply feeling stuck. In those moments, our instinct is often to stop and wait for clarity, but what I've learned is that clarity rarely comes from standing still. It comes from continuing to move forward, even when you can only see a few feet ahead.I also share why I think there are different types of “fog” in life, the temporary kind that clears quickly and the heavier kind that settles in for a season. We talk about the power of momentum, why movement creates clarity, and the lesson we can learn from buffalo, which instinctively run into a storm instead of away from it. If you're navigating a season of uncertainty, this episode is a reminder that the road ahead still exists, even when you can't fully see it yet.Be sure to subscribe/follow the show so you never miss an episode!Connect with Jessie:Follow on Instagram @ofthewest.co and @mrsjjarvFollow on Facebook @jobsofthewestCheck out the Of The West websiteResources & Links:Join The Directory Of The WestGet our FREE resource for Writing a Strong Job DescriptionGet our FREE resource for Making the Most of Your InternshipGet our FREE resource: 10 Resume Mistakes (and how to fix them)Get our FREE resource: How to Avoid the 7 Biggest Hiring Mistakes Employers MakeEmail us at hello@ofthewest.coSubscribe to Of The West's ⁠NewslettersList your jobs on ⁠Of The WestMentioned in this episode:Click below to check out open jobs on Of The West.Open Jobs on Of The West

Johnny and Jacob are back with a new midweek format. World Cup is on. Arsenal's window is heating up. This is part one. Here's what's inside:

Charles Duhigg is a Pulitzer Prize-winning journalist and staff writer at The New Yorker. He is the author of The Power of Habit, Smarter Faster Better, and Supercommunicators. His work focuses on the science of habits, productivity, decision-making, and human connection.In this episode of Summation, Charles and Auren discuss:why producing the words is only 10% of an author's job, and the 90% AI can't dowhat GLP-1s actually do to the brain the serendipity tax: why you pay for five dead-end dinners to get the one that changes your lifethe three skills that separate supercommunicators from everyone elseYou can find Auren Hoffman on X at @auren and Charles Duhigg on X at @cduhigg

In this episode, we break down how to determine whether you're truly competitive for the PA schools on your list so you can apply confident in your PA program list.

If you're trying to build a capability statement for government contracts that actually gets noticed, this episode is exactly what you need. Randie Ward breaks down the real, behind-the-scenes details of what makes a capability statement work, from the documents agencies actually read to the small details that get your company remembered. Whether you're brand new to procurement or refreshing your materials before your next pursuit, this conversation gives you a practical roadmap. Inside this episode, you'll learn: How to treat your capability statement as a living document that changes with every project, not a static PDF Why spelling out your NAICS codes can directly impact how agencies classify and remember your company How to identify your true differentiating factors instead of relying on generic "we do good work" language What to do if you don't have past performance yet, and how to reframe it as past experience Why project sheets are a lifesaver for staying organized and submitting faster responses to sources sought notices EPISODE CHAPTERS: 0:00 - Introduction to the Federal Help Center podcast 0:30 - Why your capability statement is a living document 1:14 - Writing a strong company summary and core competencies 2:34 - Why spelling out your NAICS codes matters 4:00 - Finding the differentiating factors that make you stand out 4:58 - Past performance versus past experience explained 6:59 - Why project sheets are a lifesaver for consultants 8:38 - Handling project issues in front of federal clients Mindy gives you the federal opportunities, agency signals, recompete intel, and pursuit briefs that tell you not just what contracts exist, but which ones to chase and how to win them. Sign up for free Daily Alerts and get opportunities delivered to your inbox before the day starts.

What does doctoral supervision actually look like in contemporary academia? In this NBN episode, Fredrik Saxegaard discusses the open-access book Doctoral Supervision Across Boundaries: Interdisciplinarity as Process and Practice (Scandinavian UP, 2026), co-edited with Mia Lövheim, and Geir Afdal. The conversation challenges the traditional image of supervision as a private relationship between a supervisor and a PhD candidate. Instead, the book argues that supervision today is distributed across networks, institutions, peers, reviewers, research schools, and academic cultures. We discuss: Why interdisciplinarity complicates doctoral identity formation, How Accountability Pressures Reshape Supervision, The hidden curricula of doctoral education, Writing and evaluation across disciplinary boundaries Drawing on experiences from the Scandinavian RVS research school, the book offers a critical rethinking of supervision as a relational, collective, and institutionally embedded practice. This episode will be particularly relevant to supervisors, doctoral candidates, academic developers, and anyone interested in the future of higher education. Amisah Bakuri (PhD) is an Assistant Professor in the Faculty of Social Sciences and Humanities at Vrije Universiteit Amsterdam. Her work explores the intersections of religion, sexuality, gender, and migration, especially within African diasporic communities in the Netherlands. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Show Summary On today's episode, we're having a conversation with Army Veteran Ramon Salazar, Senior Manager of Learning and Experience Design for PsychArmor, as well as Executive Director for Warriors At Ease, an organization dedicated to empowering the military and veteran community with the tools and knowledge to harness the transformative power of yoga and meditation.Provide FeedbackAs a dedicated member of the audience, we would like to hear from you. If you PsychArmor has helped you learn, grow, and support those who've served and those who care for them, we would appreciate hearing your story. Please follow this link to share how PsychArmor has helped you in your service journey Share PsychArmor StoriesAbout Today's GuestRamón Salazar is a US Army Veteran with a diverse background in education and wellness. Holding a Master's degree in Education and experience in instructional design, he currently serves as an instructor at the University of Arizona. As an E-RYT 500 (Experienced Registered Yoga Teacher that has completed at leased 500 hours of advanced yoga teacher training and logged a minimum of 2,00 hours of teaching experience), Ramón brings a deep understanding of yoga practice, skillfully tailoring his approach to the specific needs of the military community. He incorporates trauma-informed techniques and mindful movement to foster healing and resilience. Ramón also holds various certifications in other wellness areas. His commitment to education and holistic well-being reflects his belief in yoga's power to positively impact individuals and communities.Links Mentioned in this Episode Ramon on PsychArmorWarriors At Ease websitePsychArmor Resource of the WeekThis week's resource of the week is PsychArmor's online course library, including many courses designed and led by Ramon. PsychArmor offers trusted, expert-led training for anyone who wants to better understand and support service members, Veterans, and their families. Whether you're a health care provider, educator, employer, caregiver, or simply someone who wants to make a difference — these courses are designed for you.You can find the resource here:https://learn.psycharmor.org/collections Episode Partner: Are you an organization that engages with or supports the military affiliated community? Would you like to partner with an engaged and dynamic audience of like-minded professionals? Reach out to Inquire about Partnership Opportunities Contact Us and Join Us on Social Media Email PsychArmorPsychArmor on TwitterPsychArmor on FacebookPsychArmor on YouTubePsychArmor on LinkedInPsychArmor on InstagramTheme MusicOur theme music Don't Kill the Messenger was written and performed by Navy Veteran Jerry Maniscalco, in cooperation with Operation Encore, a non profit committed to supporting singer/songwriter and musicians across the military and Veteran communities.Producer and Host Duane France is a retired Army Noncommissioned Officer, combat veteran, and clinical mental health counselor for service members, veterans, and their families.  You can find more about the work that he is doing at www.veteranmentalhealth.com  

Send us Fan MailHannah was lucky enough to sit down with Paul Austin Ardoin and discuss the release of his new book A Fatal Ingredient, book 1 of The Milwaukee Foodie Mysteries. We discussed building a work around Milwaukee restaurants, characters you love to hate, and how to create care for a new character. We also discuss building a new series after four series that came before!Special thanks to Indeed Brewing for hosting this event!Media MentionsThe works of Paul Austin ArdoinThe works of John Gurda on MilwaukeeRestaurant Mentions:Indeed BrewingLa MarendeDan DanHeirloom MKEEsterEVVanguardThree BrothersWhere to find Paulpaulaustinardoin.com@paulaustinardoin on InstagramSupport the showBe sure to follow OWWR Pod!www.owwrpod.com YouTube: @owwrpodBlueSky: @OwwrPodTikTok: @OwwrPodInstagram: @owwrpodThreads: @OwwrPodSend us an email at: owwrpod@gmail.comCheck out OWWR Patreon: patreon.com/owwrpodOr join OWWR Discord! We'd love to chat with you!You can follow Hannah at:Instagram: @brews.and.booksThreads: @brews.and.booksTikTok: @brews.and.booksYou can follow Laura at:Instagram: @goodbooksgreatgoatsBlueSky: @myyypod

Sean Wood joins The Chairman and the Council of Nerds to discuss The Fog Within, his creator-owned post-apocalyptic comic series that blends science fiction, action, mystery, and time-bending adventure.With The Fog Within #5 launching on Kickstarter, Sean shares the origins of the series, how a simple run through a foggy day sparked the concept, the challenges of building a creator-owned comic universe, and the lessons he's learned from running multiple successful crowdfunding campaigns.The conversation explores worldbuilding, indie publishing, Kickstarter strategy, creator-owned storytelling, and the realities of building an independent comic career one issue at a time.Topics include:• The origins of The Fog Within• Worldbuilding and character creation• Kickstarter crowdfunding• Creator-owned comics• Indie publishing• Writing and storytelling• Building a comic universe• Lessons learned as an independent creator

In this episode of Bonfire Conversations, I speak with narrative designer David Mervik, known for his work on LittleBigPlanet 3, Little Nightmares, Little Nightmares II, and the critically acclaimed Reanimal from Tarsier Studios.Originally planned around the game's launch, this conversation was postponed due to the outbreak of war in my home country, Iran. During that period, experiencing real-world uncertainty and loss gave new meaning to Reanimal's themes of fear, innocence, and survival.Together, we explore the relationship between war and storytelling, the loss of innocence, writing without dialogue, and how real-life tragedies can shape the emotional foundation of interactive narratives.David also shares insights into his creative process, inspirations, and the philosophy behind building worlds that communicate emotion beyond words.Thank you for watching and supporting Bonfire Conversations.Subscribe for more conversations with filmmakers, game developers, composers, and storytellers shaping the world of modern narrative art.Chatpers:0:00 - Introduction & Welcome1:16 - Postponing the Interview: Living Through War in Iran3:18 - The Inception and Themes of Reanimal10:50 - Addressing War Without Glorifying It11:38 - Childhood Memories & Influences on Tarsier's Games15:11 - Evolving as a Person and a Parent16:47 - Growing Up in the UK and Stumbling Into Sweden19:03 - Finding a Passion for Writing and Narrative Design21:35 - Moving to Tarsier Studios & Transitioning Away From Level Design22:27 - Telling Stories With Fewer Words: The Power of Minimalism28:31 - Penny for Your Thoughts: Finding Light in Dark Moments31:10 - Learning Humility and Overcoming Strong Opinions32:20 - David's Top Five Favorite Horror Films33:55 - David's Favorite Video Games of All Time35:55 - What Scares a Horror Writer the Most?38:03 - What's Next for Tarsier Studios? Reanimal DLC and Future Projects40:17 - Outro & Final Thoughts#reanimal #writing #videogames

Joddy Pettit is a bowyer in Colorado with 30 years of experience. Through his company, Meadowlark Adventure Gear, he sells traditional bows and bow making supplies. He is the author of the Building the Bamboo-Backed Reflex/Deflex Bow, and the creator of extensive bow building content on YouTube.Please enjoy this episode of Project Quiver on Salish Wolf with Joddy Pettit.          Episode Links: https://www.instagram.com/meadowlarkbows/https://www.youtube.com/channel/UCNdYge5ocCvElEVheCn7eoQhttps://www.facebook.com/meadowlarkbows/https://meadowlarkag.com/Project Quiver at Anchor Point ExpeditionsSummary:In this episode, Joddy Pettit shares his 30-year journey in bow making, from primitive self bows to advanced composite designs, and discusses his innovative techniques like peri-reflex bows and bamboo lamination. Discover practical insights, his process for teaching, and his plans for future projects in the art of bow crafting.Show Notes:Joddy Pettit's 30-year bow making journeyPeri-reflex bow design and lamination techniquesUse of bamboo in bow constructionExperimentation with bow shapes and materialsTeaching and sharing bow making knowledgeChallenges in bow making and material sourcingFuture projects and online coaching plansChapters:00:00 Introduction to Joddy Pettit and His Craft04:29 The Journey into Bow Making07:23 Diverse Bow Making Techniques10:26 The Science of Bamboo in Bow Making13:17 Exploring Perireflex Bow Design16:20 The Art of Bow Performance and Safety19:31 The Role of Social Media in Bow Making22:30 Teaching and Sharing Knowledge25:13 The Process of Writing a Bow Making Book41:00 Collaborations and Influences in Bow Making42:30 Exploring Materials: Bamboo and Beyond45:57 Experimentation with Bow Design49:21 The Art of Primitive Bow Building51:37 Learning from Experience: The Journey of a Bowyer54:01 The Impact of Environment on Bow Making56:16 Future Aspirations and Teaching Bow Building59:04 Community and Connections in Bow Making01:01:29 The Artistic Side of Bow Making01:02:57 The Story Behind Metal Arc01:03:44 Looking Ahead: New Projects and Content

What if the pain you've been trying to escape is actually the fuel you've been looking for? Recording artist Ben Barbic walked away from alcohol, nicotine, and blood pressure medications at 28 — and built a 15-year operating system for resilience.In this episode of Health Longevity Secrets, Robert Lufkin MD sits down with Ben Barbic — chart-climbing reggae and hip-hop recording artist, San Jose-based studio owner of Where Dreams Sail Studios, and author of the new memoir Rise and Climb: Finding Purpose Through Pain (Skyhorse Publishing / Simon & Schuster, October 15). They talk about the night his childhood home burned down, the 1989 Loma Prieta earthquake that destroyed his family's second house, the teddy bear from his young son that triggered his sobriety pivot, the redwood-tree metaphor on the book cover, kirtan and chakra meditation as his entry point to a calmer mind, and how very small daily choices — a single five-minute habit — compound into a completely different life.CHAPTERS:00:00 — Introduction01:08 — Meet Ben Barbic: Recording Artist, Author, and Self-Builder02:00 — Childhood Trauma: When the House Burned Down03:00 — The 1989 Loma Prieta Earthquake and the Power of Rebuilding04:01 — Why Music Became His First Anchor as a Child05:02 — The 28th Birthday Pivot: Walking Away from Alcohol and Nicotine06:02 — The Subtraction-Then-Addition Method for Habit Change07:03 — Quitting Blood Pressure Medications and Treating the Root Cause09:04 — The Teddy Bear Moment: How His Son Triggered the Pivot12:04 — Why Tiny Five-Minute Habits Beat Big Resolutions14:05 — The First Three Habits He Added After Sobriety17:07 — Kirtan and Chakra Meditation: A Beginner's Path19:08 — Music, Memory, and the Brain's Storytelling Pathways24:09 — Writing a Memoir: The Hardest Part Is Vulnerability27:10 — Three Lessons for Self-Builders and High Performers30:11 — The Redwood Tree Metaphor on the Book Cover31:11 — Victim Mindset vs Agency: How to Reframe Adversity32:11 — Redefining Success: From Catching Up to Contributing36:12 — The Empty-Nest Pivot and the Next 5 Years38:13 — Final Thoughts: Pursue What Gives You PurposeKEY TAKEAWAYS:Subtract before you add — remove the drainers first, then layer in new habits.Hypertension is rarely solved by stacking more meds — change the upstream inputs and the numbers follow.The pivot moment usually has a single concrete trigger.Five minutes is enough — compounding does the rest.Kirtan plus chakra meditation is a friendly entry point for musicians.Redwood trees regrow tall around old burn scars.Define success by what you can contribute, not by who you can catch up to.LINKS & SOURCES:Rise and Climb: Finding Purpose Through Pain by Ben BarbicBen's music catalog1989 Loma Prieta earthquake background

FLEETING LIFE Interview | PERMA DEATH EP Breakdown, Video Game Themes & Modern Metalcore Madness! | Metal Maniacs Podcast #159Metalcore, Nu Metal, Rap Metal, Perma Death EP, Fleeting Life, Michigan Metal, Modern Metalcore, Gaming Inspired Metal, Breakdowns, Metal PodcastOn this episode of the Metal Maniacs Podcast, host Jay Ingersoll sits down with Michigan metalcore powerhouse Fleeting Life to discuss their journey from a small local project to releasing one of the most ambitious independent metal releases of 2026, the crushing new EP Perma Death.Joining us are:

After dedicating his career to understanding and sharing the power of transformative ideas, entrepreneur and author Eric Jorgenson has seen how the right book can inspire action and drive personal growth. Best known for “The Almanack of Naval Ravikant,” Eric shares how reading sharpens decision-making and unlocks new opportunities. In this episode, he discusses his latest work, “The Anthology of Balaji: A Guide to Technology, Truth, and Building the Future,” featuring insights from visionary entrepreneur Balaji Srinivasan, and offers a sneak peek into an exciting project on Elon Musk's groundbreaking innovations. In this episode, Darius and Eric will discuss: (00:00) Introduction and Guest Introduction (03:08) The Impact of Books on Personal Growth (05:49) Eric's Journey to Writing “The Almanack of Naval Ravikant” (08:54) The Process of Writing and Publishing (12:00) The Influence of Naval Ravikant (14:53) Exploring Wealth and Its Definitions (17:53) The Role of Leverage in Success (21:01) The Importance of Knowledge and Skills (24:11) Elon Musk: A New Book Project (27:01) The Future of Network States (29:59) Final Thoughts and Greatness Question Eric Jorgenson is an author, investor, and creator known for distilling complex ideas into accessible wisdom. His bestselling book, “The Almanack of Naval Ravikant,” guides readers to wealth and happiness through Naval's most impactful insights. Following its success, Eric published “The Anthology of Balaji,” showcasing the visionary ideas of engineer and futurist Balaji Srinivasan. As the founder of Rolling Fun, Eric invests in early-stage tech startups, writes at ejorgenson.com, and hosts the Smart Friends podcast. His blog has engaged over a million readers since 2014. When not working, he's on a mission to craft the perfect sandwich. Connect with Eric: Website: https://www.ejorgenson.com/ LinkedIn: https://www.linkedin.com/in/erjorgenson  Instagram: https://www.instagram.com/erjorgenson/  Books: https://www.ejorgenson.com/books-1  Twitter: https://twitter.com/EricJorgenson  Connect with Darius: Website: https://therealdarius.com/ Linkedin: https://www.linkedin.com/in/dariusmirshahzadeh/ Instagram: https://www.instagram.com/imthedarius/ YouTube: https://www.youtube.com/@Thegreatnessmachine  Book: The Core Value Equation https://www.amazon.com/Core-Value-Equation-Framework-Limitless/dp/1544506708 Write a review for The Greatness Machine using this link: https://ratethispodcast.com/spreadinggreatness.  Learn more about your ad choices. Visit megaphone.fm/adchoices

When we talk about mythic fiction, it's easy to assume mythic stories are created through familiar ingredients: archetypes, symbolism, old myths, epic structure. But I don't think that's where mythic storytelling begins. In this post/podcast, I explore seven practices and mindsets that help writers reconnect with what the lost art of mythmaking--not just  borrowing of old symbolic forms, but accessing the deeper creative process from which meaningful stories emerge in the first place. We talk about: • Why mythic stories often feel like they come *through* us rather than *from* us • How dreamzoning and flow states support deeper storytelling • Why "shoulds" can block archetypal imagination • How asking questions opens access to mythic resonance • The deeper shape beneath story structure • Why confronting the shadows matters for writers • How mythic storytelling functions as transformation and initiation Mythic fiction isn't just a genre or an aesthetic. At its deepest level, it is a way of relating to story itself. If you've ever wanted to write stories that feel more alive, more resonant, or more meaningful, but weren't sure how to move beyond technique alone, this conversation offers a practical place to begin. 01:50 What Is Mythic Fiction? 02:34 What Mythic Fiction Is Not 04:07 What Mythic Fiction Is 05:12 The Lost Art of Mythmaking 06:31 Practice #1: Entering the Flow State 08:49 Practice #2: Clear the "Shoulds" That Block Archetypal Imagination 09:58 Practice #3: Ask Questions Instead of Arriving With Answers 11:32 Practice #4: Study the Deeper Shape Beneath Story Structure 12:56 Practice #5: Study the Stories That Create Mythic Resonance 15:07 Practice #6: Be Fearless Enough to Enter the Shadows 17:11 Practice #7: Approach Archetypal Storytelling With Humility and Responsibility 18:16 Learning How to Imagine Better 19:22 Writing Masterclass: Alchemizing Plot, Character, and Theme Read the transcript: https://helpingwritersbecomeauthors.com/how-to-write-mythic-fiction-practices LINKS & RESOURCES Want More? WRITING MASTERCLASS: Alchemizing Plot, Character, & Theme Sign Up Here: https://kmweilandstore.com/b/plot-character-theme-class In this masterclass, I explore how plot, character, and theme act as one cohesive symbolic structure capable of creating stories with emotional resonance, narrative momentum, and deeper thematic meaning. We'll talk about: • Aligning inner and outer arcs  • Creating stories that feel alive from the inside out  • Integrating plot, character, and theme organically  • Writing stories with greater depth and cohesion 

Nidhi Tewari, LCSW reveals the secret skill behind better trust, connection, and collaboration: attunement. — YOU'LL LEARN — 1) The next evolution of emotional intelligence2) How to improve collaboration and performance with the CHECK-IN framework3) How sharing your own experiences can unintentionally shut others downSubscribe or visit AwesomeAtYourJob.com/ep1161 for clickable versions of the links below. — ABOUT NIDHI — Nidhi Tewari, LCSW is a 2026 Thinkers50 Radar award recipient and keynote speaker on work culture and wellbeing, drawing on 13 years of clinical expertise with high-performing leaders. She has worked with LinkedIn, Warner Bros. Discovery, TED, and NPR, among others, and presented at the World Economic Forum, Cannes Lions, TEDWomen, and TEDNext. Featured in The New York Times, Forbes, Inc., and Fast Company, she serves on the Harvard Business Review Advisory Council and Harvard T.H. Chan 2026 Creator Cohort.​​​​​​​​​​​​​​​​• Book: Working Well: How to Build a Happier, Healthier Workplace Through the Science of Attunement• LinkedIn: Nidhi Tewari• Website: NidhiTewari.com— RESOURCES MENTIONED IN THE SHOW — • Book: I Hear You: The Surprisingly Simple Skill Behind Extraordinary Relationships by Michael Sorensen• Book: Start with Why: How Great Leaders Inspire Everyone to Take Action by Simon Sinek• Book: The Dictionary of Body Language: A Field Guide to Human Behavior by Joe Navarro• Past episode: 341: Decoding Body Language with ex-FBI Special Agent Joe Navarro• Past episode: 693: Building Better Relationships through Validation with Michael Sorensen— THANK YOU SPONSORS! — • Shopify. Sign up for your $1/month trial at Shopify.com/awesomepodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

The Brazilian-American novelist says she never had to claim her Latina identity because “it embraced me” as she grew up bilingual, bicultural, and multinational. On tour for her latest novel, The Air You Breathe, de Pontes Peebles tells Alicia about wrestling with the tension between needing time and space to create while meeting the demands of being a dedicated mother. She also recounts difficult scenes from her postpartum depression and how the act of telling someone saved her. Writing continues to save her, and she guards her gift ritualistically, including her tradition to “let the wall be empty for a while.” Follow Frances on Twitter @chiquinhapeebles. And buy her book, The Air You Breathe. If you loved this episode, listen to Lilliam Rivera, Carmen Maria Machado, Valeria Luiselli and Quiara Alegría Hudes for more on summoning the writing muse. Show your love and become a Latina to Latina Patreon supporter! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jodi Miller on Comedy, Mentorship, and Filming a Special During the Pandemic Comedian Jodi Miller joins Keith Reza on Reza Rifts for a funny, insightful, and honest conversation about building a career in stand-up comedy, filming a comedy special during the pandemic, and why humor can be one of the most powerful tools for healing. In this episode, Jodi talks about the realities of working in the comedy industry, the importance of mentorship, and how comedians adapt when the world changes overnight. She shares her perspective on performing in clubs versus theaters, the value of staying authentic on stage, and how comics can grow through community, patience, and real-life experience. The conversation also dives into women in comedy, social media, comedy books, running rooms, personal loss, and the therapeutic role humor can play in difficult times. If you're an aspiring comedian, comedy fan, or someone who believes laughter helps us survive, this episode is packed with wisdom, perspective, and great stories. Guest Info Jodi Miller is a stand-up comedian, writer, and performer known for her sharp comedy, honest storytelling, and thoughtful perspective on life, the business, and the evolving comedy world. In this conversation with Keith Reza, she opens up about the long game of stand-up, learning from mentors, filming during uncertain times, and why comics should never rush the process. Guest Social Links Follow Jodi Miller: Website: https://www.jodimillercomedy.com/  Instagram: https://www.instagram.com/jodimillercomic/  Twitter/X: https://twitter.com/JodiMillerComic Facebook: https://www.facebook.com/JodiMillerComic/  Chapters 00:00 Introduction and Comedy Scene Connections 04:01 Filming Comedy Specials Post-Pandemic 09:53 Navigating the Pandemic as a Comic 14:01 The Rise of OnlyFans and Comedy 18:06 Writing and Publishing Comedy Books 25:51 The Journey into Comedy and Mentorship 28:35 The Journey of a Comedian 30:00 Learning from the Road 35:55 The Impact of Social Media on Comedy 40:00 Running Comedy Rooms 44:53 The Therapeutic Power of Comedy 49:08 Dealing with Loss through Humor 56:48 The Evolution of Women in Comedy 59:47 Advice to My Younger Self Call to Action If you enjoy conversations about stand-up comedy, the comedy industry, filmmaking specials, mentorship, and the healing power of humor, make sure to: Like this video Comment with your favorite moment Subscribe to Reza Rifts with Keith Reza Turn on notifications so you never miss an episode Share this episode with a comic, comedy fan, or anyone who could use a laugh Host Links Support the show on https://patreon.com/rezarifts61  Follow Keith on all social media platforms: FB: https://www.facebook.com/realkeithreza IG:https://www.instagram.com/keithreza  ALT IG:https://www.instagram.com/duhkeithreza  X:https://www.twitter.com/keithreza  TT:https://www.tiktok.com/keithreza  Book Keith on cameo at www.cameo.com/keithreza Check out my website for dates at https://www.keithreza.com/  Subscribe - Rate & Review on Apple Podcasts - Tell a friend :) Be a Rifter!     #RezaRifts #KeithReza #JodiMiller #StandUpComedy #ComedyPodcast #WomenInComedy #ComedySpecial #ComedyIndustry #Mentorship #HumorHealing #ComedyClubs #PandemicComedy #ComedianInterview #FunnyPodcast #EntertainmentPodcast  

What does it mean to adapt, advocate, and build a life on your own terms while living with cerebral palsy?In this episode of The Cerebral Palsy Perspective Podcast, Chad Williams and Daryl Perry sit down with Gillian Jasper, a writer, advocate, public speaker, and storyteller who shares her experiences navigating life with cerebral palsy, epilepsy, and other challenges.Gillian discusses growing up with disabilities, learning to accept and adapt to the realities of cerebral palsy, the impact of seizures and mobility challenges, and how writing became an important outlet for sharing her story with the world. She also shares her passion for disability advocacy, creating awareness, and helping others better understand what it means to live with a disability.Throughout the conversation, Gillian opens up about overcoming self-doubt, finding confidence in her own voice, and why she refuses to let a diagnosis define who she is or what she can accomplish.Topics Covered:• Growing up with cerebral palsy and epilepsy• Being born premature and overcoming long odds• Physical therapy and adapting to daily challenges• Disability advocacy and awareness• Writing as a form of self-expression• Living with seizures and mobility limitations• Social media and finding community• Public speaking and storytelling• The importance of self-acceptance• Why disability does not define a personGuest Links:Gillian Jasper Instagram:https://www.instagram.com/gillianjasper_Cerebral Palsy Through My Lens:https://www.jewishnewhaven.org/press-releases/cerebral-palsy-through-my-lens-the-hand-i-have-been-dealtHost Links:Chad Williams:https://www.instagram.com/chadwillia1Daryl Perry:https://www.instagram.com/daryltperryThank you for listening to The Cerebral Palsy Perspective Podcast. If this conversation resonated with you, please share it with someone who could benefit from hearing Gillian's story and perspective.

Writer Julie A. Helling argues no TV show today handles social issues better than THE BIONIC WOMAN, the 1970s hit starring Lindsay Wagner.Writing creatively under the name “J.A. Helling,” Julie A. Helling has been a Peace Corps Volunteer (Niger, 1988-1990), a prosecutor, a professor, and a podcaster. Helling spent years prosecuting domestic violence in Minneapolis before undertaking a twenty-year career as an associate professor for the undergraduate Law, Diversity and Justice Program. She is proud to have attended the Lambda Writers Retreat for Emerging LGBTQ Voices (2008) and is also a graduate of the Odyssey Writing Workshop for Fantasy, Science Fiction and Horror (six-week residential program in 2017). Today she writes Science Fiction & Fantasy with Sapphic Pride and, bursting with stories to tell, is pursuing novels, audio drama and scriptwriting with a passion. She lives with two beloved cats who like to walk on her keyboard at critical moments. Episode Links: Julie's Website Joe's Patreon Mr. Owl's Website

Do you want to become a great ad writer?Follow these ten steps and you will rise high and go far.1. Read poetry every day.2. Memorize at least two dozen poems.3. Recite them out loud when you are alone.4. Perform them spontaneously when you have an audience.5. Feel the pulsating rhythm that is the heartbeat of every poem.6. Wiggle your way through the unexpected twists and turns that are its dance.7. Ask a few business owners to evaluate the ads that you have written for them.8. Listen respectfully to everything they tell you. Even when they are wrong.9. Do not try to change their mind about anything. Just write exactly what they would say if they could write as well as you do. Remember: This is their business, not yours.10. Never write ads that rhyme. Use the heartbeat and the dance instead.The pulsing heartbeat is called poetic meter. Study it.The slide and glide of the dance is contained in its unexpected combinations of common words. Look, listen, and take note of these phrases in the poems that hit you the hardest.Common words used in uncommon ways contain powerful magic.Squeeze those phrases and drink the juice.If you do the things I told you, your ads will dramatically outperform the ads of your peers.You will make a lot of money, but your college-compliant peers will tell you that you are “doing it wrong.”Let me now say it as plainly as I can:Successful advertising is not informational. Successful advertising is emotional.Powerful ads do not speak to the mind.They speak to the heart.Like a poem.– Roy H. WilliamsOne more thing:Everything I told you is true when you are writing for social media or for mass media. But the things that I told you do NOT apply to B2B (Business to Business writing) and they only partially apply to website copy. Websites and business communications need to deliver more facts and logic because THAT is what the customer is looking for in those moments.Tim Whitt is a business coach who learned his craft from termites, mosquitoes, and stinging bees. Seriously. After more than 45 years in the pest-control business, Tim says every business owner can learn a lot from the problems that insects and vermin create for homeowners.Listen as Tim tells deputy rover Maxwell Rotbart about the striking parallels between household pests and the damage that toxic employees can inflict upon an organization. He also names the steps that you can take to correct those problems.If troublesome employees are infesting your workplace, Tim's pest-control perspective may be exactly the advice that you need. It's time to get crazy at MondayMorningRadio.com

Annie Hartnett is the award-winning author of three novels: Rabbit Cake, Unlikely Animals, and the national bestseller The Road to Tender Hearts, which won the 2025 New England Book Award for fiction and was named a best book of 2025 from NPR, LitHub, and Southern Living. It's now out and available in paperback, published by Ballentine. Along with the writer Tessa Fontaine, Annie co-runs Accountability Workshops for writers, helping writers commit to routines and embrace the long, slow, joyful, terrible process of doing the work. The Road to Tender Hearts gives us writers a lot to talk about. Structuring a novel around a road trip and how to weave in backstory while maintaining forward momentum. Writing heavy topics like death, addiction, grief, and abandonment with humor. Annie's approach to third-person multiple points of view, tackling a range of viewpoints, and so much more. We also talked about her ambivalent relationship with Scrivener, how she uses spreadsheets, working with mind maps, and the importance of accountability for writers. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. You can find hundreds of past interviews on our website. (Recorded June 2, 2026) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)

In this episode of The Write Place, I'm joined by New York Times bestselling author Jeaniene Frost, best known for her hugely popular Night Huntress books.Jeaniene joins me to talk about her latest novel, A Curse of Beasts and Magic, the first book in her new Beautiful and Beastly series. Described as Beauty and the Beast meets The Witcher, this is a romantasy adventure with a twist: Beauty is the Beast.We talk about the rise of romantasy, writing morally grey characters, building fantasy worlds from character first, and why Jeaniene doesn't keep the kind of organised series bible many writers might expect.Jeaniene also reflects on finally finishing her first novel after years of starting but not completing books, the pressure and reality of becoming a published author, and the difficult balance between writing from passion and treating publishing like a business.We also discuss social media, book marketing for introverts, burnout, revision, persistence, and why writers need to celebrate the small victories along the way.In the Book That Saved Your Life segment, Jeaniene talks about the books and authors that shaped her, including Skye O'Malley by Bertrice Small, Jackie Collins, Dean Koontz and Stephen King.Useful links:Jeaniene Frost website: https://www.jeanienefrost.comJeaniene on Instagram: https://www.instagram.com/jfrostauthor/Jeaniene on TikTok: https://www.tiktok.com/@jfrostauthorJeaniene on Threads: https://www.threads.net/@jfrostauthorA Curse of Beasts and Magic: https://www.panmacmillan.com/authors/jeaniene-frost/a-curse-of-beasts-and-magic/9781037404429My book, Real Writers Never Quit, is out now: https://mybook.to/realwritersneverquitFollow me on Instagram: https://www.instagram.com/mrkelly2u/

Australia is experiencing a golden age of crime and thriller writing right now and Christine Gregory is a part of that. Her latest novel, The Informant, explores the world of bikie gangs, and in this episode, Christine discusses how she went about researching this subject, and how she balances dark themes as an author. And we love that she is an AWC graduate! 00:00 Welcome04:25 Writers in the wild05:52 Writing tip: Cut the first paragraph!07:14 WIN!: Out of the Blue by Penelope Janu09:15 Word of the week ‘Plicate’10:02 Writer in residence: Christine Gregory10:53 Plot of new book, The Informant12:28 Why bikey gangs fascinate14:28 On-location research16:20 Standalone sequels and balancing story18:39 Writing process and deadlines20:06 Why Australia suits crime23:46 Challenges writing the book24:02 Taming story rabbit holes24:51 Choosing the right POV25:29 How she became an author27:17 Courses that improved her skills|29:13 A realistic writing routine31:14 Day job and dark themes33:16 Writing without lecturing35:55 Practical advice for writers37:57 Book recommendations39:33 What‘s next?40:28 Final thoughts Read the show notes Connect with Valerie and listeners in the podcast community on Facebook Visit WritersCentre.com.au | ValerieKhoo.comSee omnystudio.com/listener for privacy information.

Breaking The Silence with Dr Gregory Williams Scars, Service, and Built-to-Lead Resilience: Turning Struggle Into Strength Guest, Keith Grounsell, a 28-year law enforcement veteran, two-time Chief of Police, former DEA Special Agent, international police advisor, entrepreneur, speaker, and multi-book author Back by popular demand, this week's guest will be Keith Grounsell. Keith is a veteran law enforcement leader with nearly 30 years at the city, county, federal and international levels. A former deep undercover narcotics officer and 2-time Chief of Police. He is the author of more than 12 books. You can find all of Keith's book at his author page on Amazon: https://www.amazon.com/stores/Keith-P.-Grounsell/author/B08J456MMW?ref=sr_ntt_srch_lnk_1&qid=1773710088&sr=1-1&shoppingPortalEnabled=true A Night of Hope After Hurt In this episode of Breaking the Silence, host Dr. Gregory Williams opens from his home near the Texas Medical Center in Houston, welcoming listeners to a Sunday evening conversation about trauma, healing, and perseverance. He reminds the audience that the show's purpose is to give people something useful they can carry into the week, whether for themselves or someone they care about. He also notes that the program is approaching seven years on the air, making the episode part of a long-running effort to help people break the silence around personal pain. The Value That Trauma Cannot Destroy Before introducing his guest, Dr. Williams offers two illustrations about value after damage. First, he uses a $100 bill to show that even when something is crumpled, stepped on, or dirtied, its value remains unchanged. Then he tells the story of a broken antique vase repaired with gold, making the cracks visible but even more beautiful and valuable. He applies both images to survivors of sexual abuse, domestic violence, trafficking, emotional abuse, verbal abuse, and other forms of trauma, emphasizing that their worth has not been diminished by what was done to them. Scars as Testimonies of Healing Dr. Williams connects the broken-vase image to spiritual healing, saying God does not pretend that wounds never happened but instead binds broken pieces together in a way that turns scars into testimonies. He cites Psalm 147:3, which says God heals the brokenhearted and binds up their wounds. His message is that survivors may still carry visible cracks, but those scars can become signs of victory rather than defeat. He also acknowledges his own ongoing healing process, describing progress as sometimes taking two steps forward and one step back. Keith Grounsell Returns by Popular Demand Dr. Williams welcomes Keith Grounsell, a veteran law enforcement leader, former deep undercover narcotics officer, two-time police chief, international law enforcement professional, and author of more than a dozen books. Dr. Williams says Keith is returning for a third appearance by popular demand and highlights both his leadership experience and writing career. Keith responds to the opening message by saying that struggles and scars have made him stronger, more empathetic, and more committed to helping others. Failure, Work Ethic, and the Drive to Help Others Keith explains that his own life has included failures, struggles, and setbacks, but he does not allow those failures to define him. Instead, he says the way a person rebounds from failure is what reveals their character, especially in leadership. He also discusses being diagnosed with a learning disability early in life and how that challenge forced him to work harder, memorize more intentionally, and develop a strong work ethic. Keith says that what first seemed like a handicap later became fuel for his drive, education, writing, and leadership. Teen Takeovers, Social Media, and Personal Responsibility Dr. Williams asks Keith about recent incidents involving large groups of youth taking over public areas, including one in downtown Houston. Keith frames these “teen takeovers” as criminal activity tied to declining personal responsibility, social media influence, weak accountability, and breakdowns in family structure. He argues that parents and caregivers must be held responsible when minors participate in destructive behavior, while adults involved should face serious consequences. He also points to the role of viral attention, influencer culture, and online reward systems that encourage shocking or chaotic behavior. Leadership, Iran, and Peace Through Strength Dr. Williams also asks Keith to comment on breaking news about a reported peace agreement involving Iran. Keith says effective leadership requires conviction, courage, and the ability to ignore constant criticism. He praises Donald Trump's approach as “peace through strength,” saying Trump showed restraint while still demonstrating power. Keith argues that the prevention of a broader regional war and the limiting of Iran's nuclear ambitions required unusually difficult negotiation and strong leadership, though he notes the agreement still needed to be signed. Writing, Discipline, and the System Behind Many Books After the break, the conversation shifts to Keith's writing process. Keith explains that he now devotes around sixty hours a week to writing and has developed a system that allows him to complete books efficiently. Instead of trying to perfect each chapter immediately, he focuses on getting the story down first, often using dictation in Microsoft Word and then editing afterward. He also discusses the value of self-publishing, retaining creative rights, and transforming his books into scenario-driven online leadership courses through the Institute of Global Integrity and Leadership. Books on Policing, Leadership, and Character Keith describes several upcoming or recent books, including a leadership book on community policing, a book for frontline law enforcement supervisors, and a book about field training officers. He also discusses his children's books in the Kids' Character and Confidence series, which he created to help families have deeper conversations about values, boundaries, kindness, and personal growth. One book focuses on inappropriate touching and the importance of children being able to say no when something feels wrong. Keith also shares plans for a future book inspired by his adopted son, who was born drug-addicted and later faced developmental challenges. Built to Lead and the Daily Standard of Discipline Dr. Williams closes the interview by focusing on Keith's book Built to Lead, especially the chapter “Discipline Is the Leader's Daily Standard.” Keith says discipline begins with self-discipline, because people are always watching how leaders live. He describes daily routines involving health, exercise, focus, goal-setting, and protecting one's most productive time of day. Dr. Williams and Keith discuss the importance of knowing one's peak mental hours, reducing distractions, and using that time for the most important work. The episode closes with Dr. Williams reminding listeners that storms eventually pass, hope remains, and no one should ever say they are worthless.

Pastor Greg Laurie helps us become spiritual "heavyweights" - men and women of substance. Tuesday on A NEW BEGINNING, he shows us a contrast with one of the Old Testament's infamous lightweights. Important insights to keep us growing spiritually!Support the show: https://harvest.org/resources/See omnystudio.com/listener for privacy information.

Writing this all again during a heatwave in a garage has made this a little more of a rant than a description. We dive into the World Cup and the NBA finals last week. We find a rabbit hole of the Tonys with a few nominees leading Nate to talk about Solo. Commentary on DVDs seemed to be a dying art that the kids will never understand. Hopefully everyone is staying safe out there and apologies for the short description.

Lords: Erica Krissy Topics: The Battle of Food Dog and Valley Jump Park The Wilson Wolfe Affair, or, how I spent $350 on the mysterious wolfe in the sky This tabletop RPG with scripting support https://mastodon.tomodori.net/@vga256/116246406043573614 Why the heck are we making everything smart these days? And why is the security so terrible (A.K.A. The Lovense Story) The Naming of Cats by T.S. Eliot https://poets.org/poem/naming-cats Microtopics: The first and still only place you can discuss topics. Writing down your plugs ahead of time. The happy ending you deserve. A small child crawling into your bed in the middle of the night and asking the questions that keep him up at night, such as "can you one-shot a Silver Boss Bokoblin with a regular arrow and a Lizal strong bow?" Giving your child a classical education. (In Zelda and Mario games.) Living in Virginia near a bunch of Confederate monuments. Looking at the battle map to see where the soldiers come down from the Food Lion. The monument to not building anything. Sonically-enforced exclusion zones. Whether there's sound in the eye of the hurricane. What they call the Wal-Mart in Puerto Rico. Podcasts on which it's okay to hate the French. Quebecois LARPing as French. History: it's all around us, and it keeps happening. Wanting to spend $350 on the wolf in the sky but the wolf just won't take your money. Simulacra Games. Spinning a zoetrope. Questioning the palness of these supposed pals. Little mom and pop shops exhorting you to solve this unsolved cold case murder. Side stories extending the lore. Applying heat to make the secret message appear, then applying cold to make the message disappear so that the next person can apply heat to make the secret message appear. Being so busy making your video game that you don't have the spare energy to solve an interesting puzzle. Kitchen table ARGs. Dang you, Mr. Stormdancer! Always coming up with your schemes. What happened to the Twinbeard corporation. Paying $800 a year in something something taxes to keep your corporation going. Incorporating in the state of Delaware. Licensing the Frog Fractions brand for a dollar. Retiring and making Pico-8 games for the rest of your life. It's like PiCoSteveMo all year! Reading your program aloud to the DM who executes it in his head. Reading your program aloud to the DM who tells you there's a syntax error on line 397. Writing out a program to present to the class. You went over my helmet?! Programming in Logo and watching the turtle move around the screen. Rehabilitating the image of Lisp-like languages by changing the parentheses to square brackets which are much cooler. Are you a friend of humans? Crossing your legs into a storytelling position. Picking your job based on what's funniest. How smart do you have to be to be a fridge. Pulling out your phone and opening your banking app to see how much cash is in your smart wallet. Hacking smart butt plugs. Whether hacking an insecure smart butt plug is funnier or less funny than making the smart butt plug in the first place. Login functions that don't require a password. Can you get a virus from a smart butt plug? The consequences of your smart butt plug getting taken over by hackers. Messaging all your Facebook friends explaining that your smart butt plug was hacked and if the butt plug sends a message saying "help I'm trapped in a butt plug," it's not really from you. Working for the U.S. govt hacking pacemakers. The chat is coming from inside the butt. The three names of a cat. Munkustrap, Quaxo, Coricopat, Bombalurina, and Jellylorum. A cat in profound meditation. Looking up TS Eliot in the phone book. Child Jordan Mechner looking up the lyricist of the Wizard of Oz in the phone book and calling him up. Doing a Doctor Who joke that nobody gets. How many members of The Who are still alive. Effanineffability. Up to the Neck in Weber.

Welcome to the Success With Jewelry podcast, hosted by Laryssa Wirstiuk and Liz Kantner, two experts passionate about helping independent jewelry artists thrive. Welcome to episode #177! We talk about email marketing a lot on this podcast, but today Laryssa and Liz are covering specifically how your website should be actively working to grow your list — because a consistent email strategy doesn't help much if your site isn't set up to capture the people who are already visiting. In today's episode, Laryssa and Liz cover: The etiquette of email pop-ups: when they should appear, how often, and for whom What makes a pop-up actually work — from tried-and-true to trendy (scratch-offs, spin-the-wheels, and more) Why discounts aren't always the right incentive, especially for fine jewelry What a lead magnet is and how to think about creating one that fits your brand Why a welcome email is non-negotiable (and a cautionary pillow story to prove it) Writing pop-up and signup copy that actually sounds like you In the bonus segment for Insiders only, Laryssa and Liz share a full list of lead magnet ideas that work for jewelry brands, plus pop-up timing and placement strategies. Liz Kantner works with independent jewelry artists to help them find their unique voices and succeed in today's marketplace. With over ten years of experience in jewelry marketing and sales, Liz offers consulting services and digital strategy. She's also the founder of the Stay Gold Collective, a private group providing live training, industry insights, and personalized feedback. Learn more at https://www.lizkantner.com. Laryssa Wirstiuk is the founder and creative director of Joy Joya, a digital marketing agency for the jewelry industry. She's the author of Jewelry Marketing Joy and the creator of JoyDeck, a platform designed to make marketing accessible for jewelry makers and designers. Discover more at https://joyjoya.com. Tune in to hear Liz and Laryssa share valuable insights, tips, and strategies for success in the jewelry industry!

SummaryJoin Nate Leslie in a masterclass on human connection and leadership with Bruce Mayhew, author of The Path of an Inspired Leader. Discover how trust, transparency, authenticity, and curiosity can transform workplace culture and improve leadership effectiveness.ResourcesThe Path of an Inspired Leader by Bruce Mayhew - ⁠https://amzn.to/42kezUz⁠ Bruce Mayhew on LinkedIn - ⁠https://www.linkedin.com/in/brucemayhew⁠⁠brucemayhew.com ⁠ keywordsleadership, trust, transparency, authenticity, curiosity, workplace culture, difficult conversations, leadership book, team building, inspired leadership key topicsTrust and its impact on performanceTransparency and authenticity in leadershipThe role of curiosity in difficult conversationsBuilding a culture of positive accountability and shared visionThe importance of vulnerability and letting go of ego sound bites"Authenticity is crucial for effective leadership""Focus on what is good and build from there"Chapters00:00 Introduction to Leadership and Trust02:50 The Importance of Transparency in Leadership05:29 Authenticity and Armor in Leadership07:52 Vision and Values in Leadership10:36 Leading with Curiosity and Service to Others15:52 The Journey to Writing 'The Path of an Inspired Leader'19:10 Appreciative Inquiry: A New Approach to Problem Solving23:36 Curiosity vs. Reactivity in Leadership25:59 Preparing for Difficult Conversations28:29 Letting Go of Ego to Build Trust30:31 Where to Find Bruce Mayhew and His Work31:21 LWC Riverside outro Generic.mp4

Ted is joined by Lindsay Lewis, who fell in love with books when she realized she could escape algebra class by peeking at the romance novel hidden on her lap. Now she entertains herself by making the characters in her head kiss. Her debut novel, a sports rom-com titled It's a Business Doing Pleasure With You, will be published by Alcove Press this August.Lindsay tells us about the book and why she aims to give readers a sense of found sisterhood through her work before she and Ted bond over their long roads to publication. She then offers two writing tips, one about self-editing and another on what she looks for when a scene just isn't working. Plus Ted is contractually obligated to ask her about the four rows of Post-Its lining the wall in her writing closet.Learn more about Lindsay and pre-order her book at lindsaylewiswrites.com.More information about Ted and his books is available on his website, thetedfox.com.

Singer, pianist and composer Patrick Hogan, who will be performing with The Patrick Hogan Trio at Maxan Jazz June 21, shares the remarkable story of how his love affair with jazz began practically in the cradle, listening to Frank Sinatra's iconic recording of “In The Wee Small Hours.” Patrick discusses the enduring appeal and poetic depth of the Great American Songbook and explains why its timeless themes continue to resonate across generations. He also reveals an unexpected ally in preserving classic music—TikTok—and how social media is introducing younger audiences to songs that have stood the test of time. The conversation explores Patrick's upbringing in a home filled with jazz, his decision to begin piano lessons at age 10, and his passion for small-group instrumental jazz. He explains why Nelson Riddle's arrangement of “I've Got You Under My Skin” remains his favorite recording and why he never tires of listening to it. Patrick also talks about studying writing at UNLV, how storytelling influences his music, and how he balances beloved jazz standards with his own original compositions during live performances. It's a fascinating look at the artistry, craftsmanship and enduring power of jazz from one of Las Vegas' most talented musicians. (Also Watch Full Podcast Video)

Writing in the Irish Times, Seamus O'Reilly has been swamped with questions from his 7 year old, including the question: would you rather have no stomach or no bum? Henry McKean has an 8 year old at home, and has to field similar questions, what is the best way to answer them?Henry met with parents and kids, and sent in this report.

In this episode of the Beautiful Work Beautiful Life, co-hosts Laurel Holland and Laurel Boivin explore the deeply personal journey of self-trust, trusting life, and what it truly takes to keep a dream alive. Through honest storytelling and reflection, they unpack how self-doubt, old patterns, people-pleasing, and fear can quietly disconnect us from the dreams we most deeply desire.Laurel Boivin shares the vulnerable and inspiring story of finally moving back to New Hampshire's seacoast after holding the dream for more than 15 years — and the inner work required to stop abandoning her own desires in order to keep others comfortable. Together, the Laurels discuss how dreams often require courage, discomfort, trust, and a willingness to act differently in order to create different outcomes.The conversation weaves together themes of worthiness, divine timing, subconscious patterns, emotional awareness, and the importance of holding onto what matters, even when the path forward is unclear. Listeners are reminded that if a dream lives within them, it may very well be meant for them; and that keeping a dream alive begins with honoring it, believing in it, and trusting themselves enough to carry it forward.Episode HighlightsExploring the connection between self-trust, trust in life, and the courage to pursue meaningful dreamsLaurel Boivin's personal story of holding onto a 15-year dream of moving back to the seacoastHow people-pleasing, self-doubt, and old identity patterns can keep us disconnected from what we truly wantThe importance of asking: What do I want, why do I want it, and am I willing to act differently to support it?A powerful reminder that dreams often unfold through divine timing, inner work, and self-kindness rather than force or certaintyJournaling prompts are suggested to further your exploration. What is the dream I keep carrying inside myself?Why do I want this dream?What would it look like to hold my dream without forcing the outcome?Where have I been abandoning my own desires to keep other people comfortable?What patterns or behaviors might I need to interrupt in order to create a different outcome?What do I say I want but struggle to fully believe I deserve?How might self-doubt be shaping the way I look at my life or decisions?What would it look like to organize my life toward what I truly want?What dream have I picked up and put down repeatedly over the years?If I believed I was worthy of my dream, how would I act differently?Host/Cohost/Guest InfoGuiding others to become effective leaders of their own lives, Laurel Holland has been on a journey of awakening and transformation throughout her life. Writing about inner work, Laurel has authored four books, including Crossroads and Love's 8 Laws. Her books, Live Your Inner Power, the Journal, and Courageous Woman, introduce, share, and explore the eight foundational practices for creating transformation from the inside out. Through her books, programs, and innovative talks, Laurel's great desire is to lift others up and courageously step into the life they came here to live. You can learn more about Laurel, her books, and work she does at www.liveyourinnerpower.com.Laurel Boivin is a leadership coach, speaker, and workshop facilitator. Founder of Flux+Flow Professional Coaching, Laurel works with high-performing professionals and mission-driven organizations to shift from achievement to alignment — helping them connect deeply to purpose, lead with confidence, and create environments where people thrive.  A Reiki master and yoga practitioner, collector of sea glass and antiques, she lives in New Hampshire and summers in Maine. You can learn more about Laurel and the work she does at www.fluxflowcoaching.com.The email to send questions to Laurel Boivin is laurel@fluxflowcoaching.com and for Laurel Holland - laurel@liveyourinnerpower.com

What happens when a lifelong passion for James Bond inspires the creation of a brand-new spy hero? For author, business strategist, and innovation expert Rowan Gibson, that journey led to A Spy Ever After, the debut Nathan Rocke novel and the launch of an exciting new espionage adventure series.In this engaging conversation, Sam Whitfield sits down with Rowan Gibson to discuss the inspiration behind A Spy Ever After and how his admiration for Ian Fleming's literary Bond evolved into a creative mission of his own. Drawing on decades of international business experience, extensive world travel, and a love for classic spy fiction, Rowan crafted Nathan Rocke as a modern adventurer who embodies the excitement, sophistication, and globe-trotting intrigue that fans of the genre crave.The discussion explores Rowan's transition from bestselling business author and innovation thought leader to novelist, including the challenges he faced creating Bond-inspired content and how those experiences ultimately motivated him to build an original espionage universe. Rowan shares insights into the writing process behind A Spy Ever After, the development of Nathan Rocke as a character, and the importance of authentic locations, action sequences, and tradecraft in creating immersive spy fiction.Interested in reading A Spy Ever After? Get your copy on Amazon: https://a.co/d/00YBJADISam and Rowan also examine the growing role of artificial intelligence in publishing and creative work, discussing how AI tools can assist authors with editing, research, marketing, and content creation while still preserving the human element of storytelling. Throughout the conversation, Rowan reflects on honoring Fleming's legacy while forging a fresh path for a new generation of espionage readers.Topics include:• The inspiration behind A Spy Ever After and the creation of Nathan Rocke• Ian Fleming's lasting influence on modern spy fiction• Building an original espionage universe inspired by classic Bond adventures• How international travel contributes to authentic storytelling• Writing realistic action, weapons, and intelligence tradecraft• The opportunities and challenges AI presents for authors and creators• Why readers continue to embrace classic-style espionage adventuresWhether you're a devoted James Bond fan, an aspiring novelist, a lover of adventure fiction, or simply curious about the creative process behind launching a new spy franchise, this episode offers a fascinating look at the making of A Spy Ever After and the world of Nathan Rocke.Tune in for an entertaining conversation about espionage fiction, creativity, innovation, and the enduring influence of Ian Fleming on a new generation of storytellers.

UK needs a a strong liberal voice in the south to counter the predictable catastrophe of Farage and Reform In his latest Lowdown podcast, Nick Cohen talks to historian and author James Hawes about parallels between current political developments and fascist movements in the 1930s and 1970s. James compares Elon Musk's influence to that of Alfred Hugenberg in 1930s Germany, noting how both used media control to promote extreme right-wing parties. Nick and James discuss conservative establishment figures like Michael Grade at Ofcom were failing to enforce impartiality laws, how the government was unwilling to act against platforms promoting insurrection, and how the right-wing media landscape had shifted dramatically since the days when Enoch Powell was rejected by the Conservative Party. Hawes emphasises the need for a united liberal democratic front to oppose far-right parties like Farage's, warning that the first-past-the-post electoral system could allow Nigel Farage to become Prime Minister with less than a third of the vote if the left remained split. They conclude with calls for a "popular front" similar to those that successfully opposed fascists in the past, with both hosts expressing optimism that such a coalition could still be formed. The UK desperately needs a strong Liberal voice in the south to prevent Farage inflicting his second catastrophe on the UK after Brexit - a Reform government with the inevitable division, economic misery and national failure that would guarantee.Read all about it! James Hawes @jameshawes2 Renaissance man, historian, writer and novelist. James, the author of The Shortest History of England and The Shortest History of Germany. His latest in the series, The Shortest History of Ireland, is out next month.Nick Cohen's @NichCohen4 latest Substack column Writing from London on politics and culture from the UK and beyond. Hosted on Acast. See acast.com/privacy for more information.

Subscribe to Greg Fitzsimmons: https://bit.ly/subGregFitz Mike is LIVE from New York during peak Knicks insanity as he and Greg dive into Broadway, bagels, old HBO stories, Florida crime, bizarre internet trends, and the strangest Sunday Papers topics yet. This show is produced by Gotham Production Studios and part of the Gotham Network. https://www.gothamproductionstudios.com/studios/ Follow Greg Fitzsimmons: Facebook: https://facebook.com/FitzdogRadio Instagram: https://instagram.com/gregfitzsimmons Twitter: https://twitter.com/gregfitzshow Official Website: http://gregfitzsimmons.com Tour Dates: https://bit.ly/GregFitzTour Merch: https://bit.ly/GregFitzMerch “Dear Mrs. Fitzsimmons” Book: https://amzn.to/2Z2bB82 “Life on Stage” Comedy Special: https://bit.ly/GregFitzSpecial Listen to Greg Fitzsimmons: Fitzdog Radio: https://bit.ly/FitzdogRadio Sunday Papers: http://bit.ly/SundayPapersPod Childish: http://childishpod.com Watch more Greg Fitzsimmons: Latest Uploads: https://bit.ly/latestGregFitz Fitzdog Radio: https://bit.ly/radioGregFitz Sunday Papers: https://bit.ly/sundayGregFitz Stand Up Comedy: https://bit.ly/comedyGregFitz Popular Videos: https://bit.ly/popGregFitz About Greg Fitzsimmons: Mixing an incisive wit with scathing sarcasm, Greg Fitzsimmons is an accomplished stand-up, an Emmy Award winning writer, and a host on TV, radio and his own podcasts. Greg is host of the popular “FitzDog Radio” podcast (https://bit.ly/FitzdogRadio), as well as “Sunday Papers” with co-host Mike Gibbons (http://bit.ly/SundayPapersPod) and “Childish” with co-host Alison Rosen (http://childishpod.com). A regular with Conan O'Brien and Jimmy Kimmel, Greg also frequents “The Joe Rogan Experience,” “Lights Out with David Spade,” and has made more than 50 visits to “The Howard Stern Show.” Howard gave Greg his own show on Sirius/XM which lasted more than 10 years. Greg's one-hour standup special, “Life On Stage,” was named a Top 10 Comedy Release by LA Weekly. The special premiered on Comedy Central and is now available on Amazon Prime, as a DVD, or a download (https://bit.ly/GregFitzSpecial). Greg's 2011 book, Dear Mrs. Fitzsimmons (https://amzn.to/2Z2bB82), climbed the best-seller charts and garnered outstanding reviews from NPR and Vanity Fair. Greg appeared in the Netflix series “Santa Clarita Diet,” the Emmy-winning FX series “Louie,” spent five years as a panelist on VH1's “Best Week Ever,” was a reoccurring panelist on “Chelsea Lately,” and starred in two half-hour stand-up specials on Comedy Central. Greg wrote and appeared on the Judd Apatow HBO series “Crashing.” Writing credits include HBO's “Lucky Louie,” “Cedric the Entertainer Presents,” “Politically Incorrect with Bill Maher,” “The Man Show” and many others. On his mantle beside the four Daytime Emmys he won as a writer and producer on “The Ellen DeGeneres Show” sit “The Jury Award for Best Comedian” from The HBO Comedy Arts Festival and a Cable Ace Award for hosting the MTV game show "Idiot Savants." Learn more about your ad choices. Visit megaphone.fm/adchoices

In Part 2 of our study through 2 Timothy, we examine Paul's call to faithful endurance in the midst of suffering. Writing from prison, Paul reminds Timothy that the gospel is worth suffering for because Christ is worth remembering, God's Word cannot be chained, and God's people need the message of salvation.As believers entrusted with the gospel, we are called to pursue holiness, remain focused on Christ, and faithfully pass the truth to others. Even when following Christ is costly, the gospel continues advancing because God's purposes cannot be stopped.

Comedian Adam Hunter joins Brian Kilmeade to reveal what it was really like being hired to write comedy monologues for Donald Trump! Hunter shares the wild story behind his viral Elizabeth Warren joke and explains why he was secretly writing punchlines about Bill Clinton while everyone else was ducking under tables. Learn more about your ad choices. Visit podcastchoices.com/adchoices