Podcast appearances and mentions of kimberly zarecor

Preserving quality of life in shrinking Iowa cities. A grant from the National Science Foundation is exploring how communities can protect quality of life and community infrastructure while they lose population. The Shrink Smart Project aims to develop data-driven tools to assist towns in actively planning for shrinkage. Three people from Iowa State University joined the podcast: Kimberly Zarecor is an Associate Professor of Architecture, Sara Hamideh is an Assistant Professor of Community & Regional Planning, and Eric Davis is an Assistant Professor of Computer Science. They discussed how they are using both data and qualitative research to figure out why some rural communities are maintaining their quality of life while they shrink and others don't.   

When I first went to the Soviet Union (in all my ignorance), I was amazed that everyone in Moscow lived in what I called “housing projects.” The Russians called them “houses” (doma), but they weren’t houses as I understood them at all. They were huge, multi-story, cookie-cutter apartment blocks, one standing right next to the other for miles. “Why?” I asked myself. Kimberly Zarecor‘s wonderfulManufacturing a Socialist Modernity: Housing in Czechoslovakia, 1945-1960 (Pittsburgh UP, 2011) goes a long way in providing an answer, and it’s a surprising one. As she shows, socialism and architectural modernism were tightly linked even before the Second World War. This was true in the Soviet Union, of course, but it was also true throughout much of Europe–especially in Czechoslovakia. The avante guard of Czech architects were enthralled with modernism, just as they were (with some exceptions) enthralled with the promise of communism. They believed modernism provided a template for a truly socialist architecture, particularly in the sphere of housing. Once the communists came to power after the war, the Czech architects were given the opportunity to realize the dream of building that truly socialist built environment. The result was the “panel house”: pre-fab apartment blocks built in factories, transported to sites, and then assembled. They were strikingly modern in terms of design, construction techniques and materials. Over time, the panel-house vision was compromised: by Socialist Realism, by economic constraints, by corruption and politics. But if you travel to the Czech Republic today, you can still see excellent examples of modernist panel houses in more or less pure form. Let Kimberly Zarecor be you guide. Learn more about your ad choices. Visit megaphone.fm/adchoices

When I first went to the Soviet Union (in all my ignorance), I was amazed that everyone in Moscow lived in what I called “housing projects.” The Russians called them “houses” (doma), but they weren’t houses as I understood them at all. They were huge, multi-story, cookie-cutter apartment blocks, one standing right next to the other for miles. “Why?” I asked myself. Kimberly Zarecor‘s wonderfulManufacturing a Socialist Modernity: Housing in Czechoslovakia, 1945-1960 (Pittsburgh UP, 2011) goes a long way in providing an answer, and it’s a surprising one. As she shows, socialism and architectural modernism were tightly linked even before the Second World War. This was true in the Soviet Union, of course, but it was also true throughout much of Europe–especially in Czechoslovakia. The avante guard of Czech architects were enthralled with modernism, just as they were (with some exceptions) enthralled with the promise of communism. They believed modernism provided a template for a truly socialist architecture, particularly in the sphere of housing. Once the communists came to power after the war, the Czech architects were given the opportunity to realize the dream of building that truly socialist built environment. The result was the “panel house”: pre-fab apartment blocks built in factories, transported to sites, and then assembled. They were strikingly modern in terms of design, construction techniques and materials. Over time, the panel-house vision was compromised: by Socialist Realism, by economic constraints, by corruption and politics. But if you travel to the Czech Republic today, you can still see excellent examples of modernist panel houses in more or less pure form. Let Kimberly Zarecor be you guide. Learn more about your ad choices. Visit megaphone.fm/adchoices

When I first went to the Soviet Union (in all my ignorance), I was amazed that everyone in Moscow lived in what I called “housing projects.” The Russians called them “houses” (doma), but they weren’t houses as I understood them at all. They were huge, multi-story, cookie-cutter apartment blocks, one standing right next to the other for miles. “Why?” I asked myself. Kimberly Zarecor‘s wonderfulManufacturing a Socialist Modernity: Housing in Czechoslovakia, 1945-1960 (Pittsburgh UP, 2011) goes a long way in providing an answer, and it’s a surprising one. As she shows, socialism and architectural modernism were tightly linked even before the Second World War. This was true in the Soviet Union, of course, but it was also true throughout much of Europe–especially in Czechoslovakia. The avante guard of Czech architects were enthralled with modernism, just as they were (with some exceptions) enthralled with the promise of communism. They believed modernism provided a template for a truly socialist architecture, particularly in the sphere of housing. Once the communists came to power after the war, the Czech architects were given the opportunity to realize the dream of building that truly socialist built environment. The result was the “panel house”: pre-fab apartment blocks built in factories, transported to sites, and then assembled. They were strikingly modern in terms of design, construction techniques and materials. Over time, the panel-house vision was compromised: by Socialist Realism, by economic constraints, by corruption and politics. But if you travel to the Czech Republic today, you can still see excellent examples of modernist panel houses in more or less pure form. Let Kimberly Zarecor be you guide. Learn more about your ad choices. Visit megaphone.fm/adchoices

When I first went to the Soviet Union (in all my ignorance), I was amazed that everyone in Moscow lived in what I called “housing projects.” The Russians called them “houses” (doma), but they weren’t houses as I understood them at all. They were huge, multi-story, cookie-cutter apartment blocks, one standing right next to the other for miles. “Why?” I asked myself. Kimberly Zarecor‘s wonderfulManufacturing a Socialist Modernity: Housing in Czechoslovakia, 1945-1960 (Pittsburgh UP, 2011) goes a long way in providing an answer, and it’s a surprising one. As she shows, socialism and architectural modernism were tightly linked even before the Second World War. This was true in the Soviet Union, of course, but it was also true throughout much of Europe–especially in Czechoslovakia. The avante guard of Czech architects were enthralled with modernism, just as they were (with some exceptions) enthralled with the promise of communism. They believed modernism provided a template for a truly socialist architecture, particularly in the sphere of housing. Once the communists came to power after the war, the Czech architects were given the opportunity to realize the dream of building that truly socialist built environment. The result was the “panel house”: pre-fab apartment blocks built in factories, transported to sites, and then assembled. They were strikingly modern in terms of design, construction techniques and materials. Over time, the panel-house vision was compromised: by Socialist Realism, by economic constraints, by corruption and politics. But if you travel to the Czech Republic today, you can still see excellent examples of modernist panel houses in more or less pure form. Let Kimberly Zarecor be you guide. Learn more about your ad choices. Visit megaphone.fm/adchoices