Podcasts about World War II

Dave Smith brings you the latest in politics! On this episode of Part Of The Problem, Dave and Robbie "The Fire" Bernstein talk about convicted former spy Jonathan Pollard being hosted at the white house, Jasmine Crockets statements about various white house officials receiving money from "a" Jeffrey Epstein, former Obama speech writer Sarah Hurwitz talking about the problem with the lessons taken from WWII, and more.Order Lauren Smith's book here: https://a.co/d/67djjBpSupport Our Sponsors:Cowboy Colostrum - Get 25% Off Cowboy Colostrum with code DAVE at https://www.cowboycolostrum.com/DAVEThe Wellness Company - Go to https://www.twc.health/problem to peptide your pain away with THERABLUE Pain Relieving Gel from The Wellness Company. Use code PROBLEM to save 10% Off + Free Shipping on every order.Mars Men - https://mengotomars.com/ Use code "PROBLEM" at checkoutIndaCloud - If you're 21 or older, get 40% OFF your first order + free shipping @IndaCloud with code [PROBLEM] at https://inda.shop/PROBLEM! #indacloudpodPart Of The Problem is available for early pre-release at https://partoftheproblem.com as well as an exclusive episode on Thursday!PORCH TOUR DATES HERE:https://www.eventbrite.com/cc/porch-tour-2025-4222673Find Run Your Mouth here:YouTube - http://youtube.com/@RunYourMouthiTunes - https://podcasts.apple.com/us/podcast/run-your-mouth-podcast/id1211469807Spotify - https://open.spotify.com/show/4ka50RAKTxFTxbtyPP8AHmFollow the show on social media:X:http://x.com/ComicDaveSmithhttp://x.com/RobbieTheFireInstagram:http://instagram.com/theproblemdavesmithhttp://instagram.com/robbiethefire#libertarianSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

My guest today on the Online for Authors podcast is MN Lee, author of the book Proof of Origin. MN Lee is a fiction author with a soft spot for oversteeped tea, tangled gardens, and stories that blur the line between the real and the uncanny. She writes across speculative and literary genres, weaving sharp prose, political unease, and moments of quiet magic into narratives that linger. She is hard at work on her next novel, The Ajumma Point, a feminist comedy about supernatural midlife transformation.   In my book review, I stated that Proof of Origin is a contemporary women's fiction that could be torn from today's headlines. This near-future story looks at politics gone awry, with the latest executive order calling for a lineage purity test. Anyone not 'American enough' is no longer welcome in the US and sent to camps that are far too reminiscent of the concentration camps of WWII.   We follow three characters - Jenny, born in the US to Vietnamese immigrant parents, Huy, Vietnamese but highly influential in the US government - until he's not, and Charlotte, a woman on the arm of an up and coming politician. What happens as their lives criss-cross and each has to confront difficult truths?   Lee's rendition of the rhetoric from the US government is very haunting - from the views on immigrants to their views on woman, birth control, family, books, and more. It is reminiscent of things one might hear on fringe-leaning social media posts, which makes her story even more chilling.   But we also see what happens to people who, once erased from their country, find a way to move forward and build again. Lee's ability to show resilience, and how it is forged, is beautiful, despite the circumstances.   I think this is a must-read book, if for no other reason than to help people understand what happens when you take something like patriotism and transform it into nationalism that has gone too far.   Subscribe to Online for Authors to learn about more great books! https://www.youtube.com/@onlineforauthors?sub_confirmation=1   Join the Novels N Latte Book Club community to discuss this and other books with like-minded readers: https://www.facebook.com/groups/3576519880426290   You can follow Author MN Lee Website: https://mnleewrites.com/ IG: @mn.lee.writes   Purchase Proof of Origin on Amazon: Paperback: https://amzn.to/425iTaS Ebook: https://amzn.to/3VtsrIX   Teri M Brown, Author and Podcast Host: https://www.terimbrown.com FB: @TeriMBrownAuthor IG: @terimbrown_author X: @terimbrown1   Want to be a guest on Online for Authors? Send Teri M Brown a message on PodMatch, here: https://www.podmatch.com/member/onlineforauthors   #mnlee #proofoforigin #contemporaryfiction #womensfiction #terimbrownauthor #authorpodcast #onlineforauthors #characterdriven #researchjunkie #awardwinningauthor #podcasthost #podcast #readerpodcast #bookpodcast #writerpodcast #author #books #goodreads #bookclub #fiction #writer #bookreview *As an Amazon Associate I earn from qualifying purchases.

Welcome to The Times of Israel's Lazar Focus. Each Friday, join host deputy editor Amanda Borschel-Dan and diplomatic correspondent Lazar Berman for a deep dive into what's behind the news that spins the globe. Last week, the pair spoke with foremost urban warfare expert John Spencer and Borschel-Dan noted that a term -- “nation-building” -- was raised repeatedly. In this week's episode, we explore this concept, starting with defining the term. We hear about previous models of nation-building, starting from Japan and Germany, following their defeats in World War II. We learn how these attempts were successful -- and former enemies quickly turned into allies. We then turn to more recent history with the West's attempts to reshape Afghanistan and Iraq. What were the differences between the two wars and their aftermaths? And finally, Berman applies the lessons learned in these previous attempts at nation-building and conjectures how they could -- or could not -- be applied in Gaza. Lazar Focus can be found on all podcast platforms. This episode was produced by the Pod-Waves. IMAGE: Lazar Berman (courtesy) / A general view shows a Security Council meeting at the UN headquarters, September 23, 2025, at the United Nations. (AP Photo/Yuki Iwamura, File)See omnystudio.com/listener for privacy information.

“Exposing the hidden power structures shaping our world — from secret societies to financial elites. This investigation connects the dots between globalist influence, engineered economic instability, and the era of infiltration over invasion that reshaped America between 1944 and 1954. A deep dive into the post-WWII networks of bankers, intelligence agencies, industrialists, and global power brokers who built the systems of control still impacting the world today.” About Mel K: Mel K is a well-known YouTube commentator and researcher focused on geopolitics, corruption, global power structures, and the fight for truth in media. Her platform explores historical, political, and financial narratives often overlooked by mainstream outlets. She is also the author of the upcoming book Infiltration Instead of Invasion: America Betrayed 1944–1954, which expands on her research into the post-WWII systems of influence and the hidden takeover that reshaped the nation.   Join Mel's YouTube    •   YouTube:    / @themelkshow-o5o     •   Instagram:   / themelkshow  MEL K RUMBLE https://rumble.com/c/TheMelKShow ————————

It is the darkest period of World War II...

Pope Leo XIV talks with U.S. Catholic youth through live video. Meanwhile, in Nigeria, 52 children have been abducted from a Catholic school as the region sees a spike in religious persecution. And Polish & German bishops mark the 60th anniversary of a letter that paved the way for peace after WWII.

Drawing Liberalism: Herblock's Political Cartoons in Postwar America (U Virginia Press, 2023) is the first book-length critical examination of the political and social impact of the political cartoonist Herbert Block--popularly known as Herblock. Working for the Washington Post, Herblock played a central role in shaping, propagandizing, and defending the ideals of postwar liberalism, a normative set of values and assumptions that dominated American politics and culture after World War II. Best remembered for his unrelenting opposition to and skewering cartoons of Joseph McCarthy and Richard Nixon, Herblock introduced the term "McCarthyism" into the American political lexicon. With its unstinting and unapologetic support for the liberal agenda, across a career spanning over fifty years at the Post, Herblock's work affords a unique lens through which to interpret and understand the shifts and contours of twentieth-century American political culture, from the postwar period through the civil rights era into the Nixon presidency. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

It is the darkest period of World War II...

Drawing Liberalism: Herblock's Political Cartoons in Postwar America (U Virginia Press, 2023) is the first book-length critical examination of the political and social impact of the political cartoonist Herbert Block--popularly known as Herblock. Working for the Washington Post, Herblock played a central role in shaping, propagandizing, and defending the ideals of postwar liberalism, a normative set of values and assumptions that dominated American politics and culture after World War II. Best remembered for his unrelenting opposition to and skewering cartoons of Joseph McCarthy and Richard Nixon, Herblock introduced the term "McCarthyism" into the American political lexicon. With its unstinting and unapologetic support for the liberal agenda, across a career spanning over fifty years at the Post, Herblock's work affords a unique lens through which to interpret and understand the shifts and contours of twentieth-century American political culture, from the postwar period through the civil rights era into the Nixon presidency. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Honoring Dorothea Lange, the American documentary photographer and photojournalist who, through her snapshots and commentary, recorded the consequences of the Dust Bowl, the Great Depression and WWII in California.Snapshots in black & white illustrate the human suffering and struggle to survive of farmers fleeing the Dust Bowl and the Great Depression, and the internment of Japanese American citizens.A walk through the past brings us back to today. Here we are, 95 years years after the Dust Bowl and Great Depression. Poverty is spiking in the country with the highest concentration of billionaires in the world, the U.S.A. Through the machinations of the billionaires and fossil fuel corporations, the White House has rolled back progress in dealing with  the climate crisis. Remember the suffering and loss caused by the Dust Bowl? Remember the devastation caused by the Great Depression? After experiencing the live performance of Last West Roadsongs for Dorothea Lange at the Sonoma Valley Museum of Art, this is what floated up for me. https://svma.org/exhibition/last-west/For more: https://oshahayden.com/RELEVANT HISTORY The DUST BOWL “Between 1930 and 1940, the southwestern Great Plains region of the United States suffered a severe drought. Once a semi-arid grassland, the treeless plains became home to thousands of settlers when, in 1862, Congress passed the Homestead Act. Most of the settlers farmed their land or grazed cattle. The farmers plowed the prairie grasses and planted dry land wheat. As the demand for wheat products grew, cattle grazing was reduced, and millions more acres were plowed and planted.Dry land farming on the Great Plains led to the systematic destruction of the prairie grasses. In the ranching regions, overgrazing also destroyed large areas of grassland. Gradually, the land was laid bare, and significant environmental damage began to occur. Among the natural elements, the strong winds of the region were particularly devastating.With the onset of drought in 1930, the overfarmed and overgrazed land began to blow away. Winds whipped across the plains, raising billowing clouds of dust. The sky could darken for days, and even well-sealed homes could have a thick layer of dust on the furniture. In some places, the dust drifted like snow, covering farm buildings and houses. Nineteen states in the heartland of the United States became a vast dust bowl. With no chance of making a living, farm families abandoned their homes and land, fleeing westward to become migrant laborers.”“In all, 400,000 people left the Great Plains, victims of the combined action of severe drought and poor soil conservation practices.”“In his 1939 book The Grapes of Wrath, author John Steinbeck described the flight of families from the Dust Bowl: "And then the dispossessed were drawn west--from Kansas, Oklahoma, Texas, New Mexico; from Nevada and Arkansas, families, tribes, dusted out, tractored out. Car-loads, caravans, homeless and hungry; twenty thousand and fifty thousand and a hundred thousand and two hundred thousand. They streamed over the mountains, hungry and restless--restless as ants, scurrying to find work to do--to lift, to push, to pick, to cut--anything, any burden to bear, for food. The kids are hungry. We got no place to live. Like ants scurrying for work, for food, and most of all for land." Library of Congress US History https://www.loc.gov/classroom-materials/united-states-history-primary-source-timeline/great-depression-and-world-war-ii-1929-1945/dust-bowl/If you enjoyed this show, please leave a positive review and share with your friends. Thank you! Osha

Drawing Liberalism: Herblock's Political Cartoons in Postwar America (U Virginia Press, 2023) is the first book-length critical examination of the political and social impact of the political cartoonist Herbert Block--popularly known as Herblock. Working for the Washington Post, Herblock played a central role in shaping, propagandizing, and defending the ideals of postwar liberalism, a normative set of values and assumptions that dominated American politics and culture after World War II. Best remembered for his unrelenting opposition to and skewering cartoons of Joseph McCarthy and Richard Nixon, Herblock introduced the term "McCarthyism" into the American political lexicon. With its unstinting and unapologetic support for the liberal agenda, across a career spanning over fifty years at the Post, Herblock's work affords a unique lens through which to interpret and understand the shifts and contours of twentieth-century American political culture, from the postwar period through the civil rights era into the Nixon presidency. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

British Prime Minister and prominent leader during World War II, Winston Churchill once said, “We make a living by what we get but we make a life by what we give.”  He could have very well been gleaning truth from a passage that King Solomon wrote centuries earlier that is recorded in Proverbs Chapter Eleven, verse twenty-five.  That verse and this sermon addresses the question, “What do we gain when we give?”  

China is lodging serious protests with Japan over Japanese Prime Minister Sanae Takaichi's remarks on the Taiwan question. Over the past two weeks, the remarks describing a Taiwan contingency as a survival-threatening situation for Japan have triggered strong outrage and condemnation from China and beyond. In the words of Russia's foreign ministry, Japan has not yet acknowledged its mistakes 80 years after World War II. What is fundamentally erroneous and dangerous regarding Takaichi's remarks? Host Ding Heng is joined by Professor Chen Yun from Fudan University's School of International Relations & Public Affairs; Warwick Powell, Adjunct Professor at Queensland University of Technology; Sultan Hali, a China observer and retired air force officer in Pakistan.

Brian Shactman interviews Justin Piccirillo, a middle school art teacher and author of "The Hidden History of Meriden," published on November 4. Piccirillo discusses his passion for Meriden's history, including its role as a potential state capital and its nickname, "Silver City." He highlights lesser-known stories, such as the Yankee peddler Ash Bill Griswold and Meriden's significant contributions during World War II, including blackout paint and dog tags. Piccirillo also mentions his journey from political cartoonist to author, driven by his love for Meriden's history and legacy. The book is available on Amazon.

In this episode, historian Dr. Chris Smith discusses the Coventry Blitz, marking its 85th anniversary. He explores the myths surrounding the event, particularly the narrative that Churchill sacrificed Coventry to protect intelligence secrets. The conversation delves into the scale of the bombing, the city's industrial significance, the immediate aftermath, and the role of propaganda. Smith also highlights the reconstruction efforts and the lasting legacy of the Blitz in Coventry's identity, emphasizing themes of resilience and reconciliation. Note: I'm aware of the technical problems with the guest's video - unfortunately, there is no way to fix it, but the audio is fine. Also, there will not be a podcast next week due to the Thanksgiving holiday. Links Chris Smith at Coventry University "The Last Cambridge Spy: John Cairncross, Bletchley Codebreaker and Soviet Double Agent" by Chris Smith Official Coventry Cathedral website: coventrycathedral.org.uk Hitler's Btlitz's on Britain (Article) Friends of Anglotopia Club Takeaways The Coventry Blitz is framed by both historical and modern narratives. Myths surrounding the Blitz, particularly about Churchill, persist despite being debunked. The bombing raid on Coventry was one of the largest of the war at that time. Coventry's industrial significance made it a strategic target during WWII. The aftermath of the bombing revealed a complex public reaction, not just unity. Propaganda played a crucial role in shaping public perception of the Blitz. The reconstruction of Coventry was influenced by pre-war modernization plans. The new cathedral symbolizes peace and reconciliation after the war. Coventry's identity is deeply tied to the events of the Blitz. Commemoration of the Blitz remains significant in Coventry's cultural memory. Soundbites Here are 10 interesting soundbites from the Coventry Blitz podcast: On the scale of the raid: "They dropped something in the region of 30,000 incendiary bombs, 500 tons of high explosives and 50 landmines. They even used some brand new types of explosive that they hadn't really been using to that point. It's a really, really massive raid by the standards of the war to that point." On the Churchill Ultra myth: "There's no evidence that Churchill made a decision to sacrifice Coventry. It's an absolute fantasy which basically has to rely upon either Churchill being the most evil man who has ever existed or the most incompetent man who has ever existed." On strategic bombing's true purpose: "One of the points of strategic bombing is terror, is to cause terror amongst the citizens... the British actually have a really nasty euphemism for this, which was to 'dehouse people' as a result of bombing. And that's how they basically described killing citizens and making other citizens homeless." On Coventry's industrial importance: "Coventry is hugely important industrially to Britain's war effort... by the time we get into the 20th century, bicycle manufacturing, the auto industry, the car industry becomes very important to Coventry, which makes it both wealthy and a ripe target." On the cathedral's symbolism: "They didn't knock it down. They built a new cathedral right next to it. So if any of your listeners ever visit Coventry, you can actually walk around the ruins of the old cathedral... It's a really powerful testament to resilience." On why the myth persists: "The myth of Churchill sacrificing Coventry persists because it plays into this very British, post-war self-image of stoic heroism and difficult choices. It makes for a better story than the truth, which is that sometimes intelligence fails and terrible things happen." On comparing bombing campaigns: "In Dresden, over 22,000 people are killed. The US conventional bombing of Tokyo kills over 100,000 people. So by those standards, what we're talking about in Coventry is relatively light, but by the context of what's happening in Britain, it's extremely serious." On "Keep Calm and Carry On": "These posters were wildly unpopular. They're really patronizing. They never really get used in the Second World War—they mostly just stay in a warehouse and are pulped for paper. But now they've taken on this massive life... You cannot go to London without seeing them, but you wouldn't have seen that in the Second World War at all." On Coventry's transformation: "Coventry becomes a symbol of reconciliation and peace after the war, forging connections with other bombed cities including Dresden. It's this remarkable transformation from devastation to representing hope and international cooperation." On the raid's duration: "The raid begins around seven o'clock in the evening, 10 past seven, and it lasts for a good 11 hours. The all-clear isn't actually announced until 6:16 the following morning. Eleven hours of continuous bombing—imagine living through that." Chapters 00:00 The Coventry Blitz: A Historical Overview 01:48 The Scale and Impact of the Raid 04:48 Destruction and Loss: Key Buildings in Coventry 06:29 Strategic Bombing: Aiming for Terror and Industry 07:20 Why Coventry? The Target's Significance 13:51 Civilian Response: How Coventry Endured the Blitz 15:04 The Myth of Foreknowledge: Churchill and Ultra Intelligence 23:29 Debunking the Sacrifice Myth: Historical Clarifications 27:20 Complex Narratives: Understanding WWII's Intricacies 28:04 The Aftermath of the Coventry Blitz 35:04 National Reactions and Morale 39:04 Reconstruction Plans for Coventry 41:13 Symbolism of the Cathedral Ruins 46:12 Lessons from the Blitz and Modern Warfare 49:07 The Enduring Legacy of the Blitz 50:08 Commemorating the Coventry Blitz 52:52 Exploring the Coventry Blitz and Its Myths 55:28 The Propaganda of War: Debunking 'Keep Calm and Carry On' 58:41 Books and Future Projects: Insights from Chris Smith 01:00:37 anglotopia-podcast-outro.mp4 Video Version

“Nazi.” “Hitler.” The smears have been used against conservatives for generations—but something new is happening.  Victor Davis Hanson warns that a small, vocal corner of the Right is beginning to flirt with World War II revisionism and even speak favorably about aspects of Nazism. He explains what the Nazi Party truly was, the destruction it unleashed, and why these comparisons—and this revisionism—must be confronted immediately on today's episode of “Victor Davis Hanson: In a Few Words.”   “For the first time in all of our lives, we are seeing people openly, overtly—not very many, but they have a larger audience, it seems, every couple of months—who defend Nazism and the horrors that followed from Adolf Hitler's career. And so, it's very incumbent upon us that we know what the Nazis were, when they rose, what they caused, how we defeated them, and how an American elected president or mainstream political figures, even if we don't agree with them, are not Nazis, are not Hitler-like. That is a given.” (0:00) Introduction (2:21) The Rise and Fall of the Nazi Party (4:54) Emerging Right-Wing Revisionism (5:53) Conclusion

At the end of the Second World War, Europe was a mess. The economies of most countries were in shambles and the threat of communism loomed over the continent.  In a speech at Harvard University on June 5, 1947, U.S. Secretary of State George C. Marshall proposed a plan which could help get Europe back on its feet.The plan is widely considered one of the most successful foreign aid programs in history. Learn more about the Marshall Plan, how it came about, and how it worked on this episode of Everything Everywhere Daily.  Sponsors Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Mint Mobile Get your 3-month Unlimited wireless plan for just 15 bucks a month at mintmobile.com/eed Stash Go to get.stash.com/EVERYTHING to see how you can receive $25 towards your first stock purchase. Newspaper.com Go to Newspapers.com to get a gift subscription for the family historian in your life! Subscribe to the podcast!  https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/  Disce aliquid novi cotidie Learn more about your ad choices. Visit megaphone.fm/adchoices

⭐Samuel Fuller's 10 Grittiest Films Ranked⭐

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Powerleegirl hosts, the mother daughter team of Miko Lee, Jalena & Ayame Keane-Lee speak with artists about their craft and the works that you can catch in the Bay Area. Featured are filmmaker Yuriko Gamo Romer, playwright Jessica Huang and photographer Joyce Xi.   More info about their work here: Diamond Diplomacy Yuriko Gamo Romer Jessica Huang's Mother of Exiles at Berkeley Rep Joyce Xi's Our Language Our Story at Galeria de la Raza     Show Transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    Ayame Keane-Lee: [00:00:46] Thank you for joining us on Apex Express Tonight. Join the PowerLeeGirls as we talk with some powerful Asian American women artists. My mom and sister speak with filmmaker Yuriko Gamo Romer, playwright Jessica Huang, and photographer Joyce Xi. Each of these artists have works that you can enjoy right now in the Bay Area. First up, let's listen in to my mom Miko Lee chat with Yuriko Gamo Romer about her film Diamond Diplomacy.    Miko Lee: [00:01:19] Welcome, Yuriko Gamo Romer to Apex Express, amazing filmmaker, award-winning director and producer. Welcome to Apex Express.   Yuriko Gamo Romer: [00:01:29] Thank you for having me.    Miko Lee: [00:01:31] It's so great to see your work after this many years. We were just chatting that we knew each other maybe 30 years ago and have not reconnected. So it's lovely to see your work. I'm gonna start with asking you a question. I ask all of my Apex guests, which is, who are your people and what legacy do you carry with you?    Yuriko Gamo Romer: [00:01:49] Oh, who are my people? That's a hard one. I guess I'm Japanese American. I'm Asian American, but I'm also Japanese. I still have a lot of people in Japan. That's not everything. Creative people, artists, filmmakers, all the people that I work with, which I love. And I don't know, I can't pare it down to one narrow sentence or phrase. And I don't know what my legacy is. My legacy is that I was born in Japan, but I have grown up in the United States and so I carry with me all that is, technically I'm an immigrant, so I have little bits and pieces of that and, but I'm also very much grew up in the United States and from that perspective, I'm an American. So too many words.    Miko Lee: [00:02:44] Thank you so much for sharing. Your latest film was called Diamond Diplomacy. Can you tell us what inspired this film?   Yuriko Gamo Romer: [00:02:52] I have a friend named Dave Dempsey and his father, Con Dempsey, was a pitcher for the San Francisco Seals. And the Seals were the minor league team that was in the West Coast was called the Pacific Coast League They were here before the Major League teams came to the West Coast. So the seals were San Francisco's team, and Con Dempsey was their pitcher. And it so happened that he was part of the 1949 tour when General MacArthur sent the San Francisco Seals to Allied occupied Japan after World War II. And. It was a story that I had never heard. There was a museum exhibit south of Market in San Francisco, and I was completely wowed and awed because here's this lovely story about baseball playing a role in diplomacy and in reuniting a friendship between two countries. And I had never heard of it before and I'm pretty sure most people don't know the story. Con Dempsey had a movie camera with him when he went to Japan I saw the home movies playing on a little TV set in the corner at the museum, and I thought, oh, this has to be a film. I was in the middle of finishing Mrs. Judo, so I, it was something I had to tuck into the back of my mind Several years later, I dug it up again and I made Dave go into his mother's garage and dig out the actual films. And that was the beginning. But then I started opening history books and doing research, and suddenly it was a much bigger, much deeper, much longer story.   Miko Lee: [00:04:32] So you fell in, it was like synchronicity that you have this friend that had this footage, and then you just fell into the research. What stood out to you?    Yuriko Gamo Romer: [00:04:41] It was completely amazing to me that baseball had been in Japan since 1872. I had no idea. And most people,   Miko Lee: [00:04:49] Yeah, I learned that too, from your film. That was so fascinating.    Yuriko Gamo Romer: [00:04:53] So that was the first kind of. Wow. And then I started to pick up little bits and pieces like in 1934, there was an American All Star team that went to Japan. And Babe Ruth was the headliner on that team. And he was a big star. People just loved him in Japan. And then I started to read the history and understanding that. Not that a baseball team or even Babe Ruth can go to Japan and prevent the war from happening. But there was a warming moment when the people of Japan were so enamored of this baseball team coming and so excited about it that maybe there was a moment where it felt like. Things had thawed out a little bit. So there were other points in history where I started to see this trend where baseball had a moment or had an influence in something, and I just thought, wow, this is really a fascinating history that goes back a long way and is surprising. And then of course today we have all these Japanese faces in Major League baseball.   Miko Lee: [00:06:01] So have you always been a baseball fan?   Yuriko Gamo Romer: [00:06:04] I think I really became a fan of Major League Baseball when I was living in New York. Before that, I knew what it was. I played softball, I had a small connection to it, but I really became a fan when I was living in New York and then my son started to play baseball and he would come home from the games and he would start to give us the play by play and I started to learn more about it. And it is a fascinating game 'cause it's much more complex than I think some people don't like it 'cause it's complex.    Miko Lee: [00:06:33] I must confess, I have not been a big baseball fan. I'm also thinking, oh, a film about baseball. But I actually found it so fascinating with especially in the world that we live in right now, where there's so much strife that there was this way to speak a different language. And many times we do that through art or music and I thought it was so great how your film really showcased how baseball was used as a tool for political repair and change. I'm wondering how you think this film applies to the time that we live in now where there's such an incredible division, and not necessarily with Japan, but just with everything in the world.   Yuriko Gamo Romer: [00:07:13] I think when it comes down to it, if we actually get to know people. We learn that we're all human beings and that we probably have more in common than we give ourselves credit for. And if we can find a space that is common ground, whether it's a baseball field or the kitchen, or an art studio, or a music studio, I think it gives us a different place where we can exist and acknowledge That we're human beings and that we maybe have more in common than we're willing to give ourselves credit for. So I like to see things where people can have a moment where you step outside of yourself and go, oh wait, I do have something in common with that person over there. And maybe it doesn't solve the problem. But once you have that awakening, I think there's something. that happens, it opens you up. And I think sports is one of those things that has a little bit of that magical power. And every time I watch the Olympics, I'm just completely in awe.    Miko Lee: [00:08:18] Yeah, I absolutely agree with you. And speaking of that kind of repair and that aspect that sports can have, you ended up making a short film called Baseball Behind Barbed Wire, about the incarcerated Japanese Americans and baseball. And I wondered where in the filmmaking process did you decide, oh, I gotta pull this out of the bigger film and make it its own thing?    Yuriko Gamo Romer: [00:08:41] I had been working with Carrie Yonakegawa. From Fresno and he's really the keeper of the history of Japanese American baseball and especially of the story of the World War II Japanese American incarceration through the baseball stories. And he was one of my scholars and consultants on the longer film. And I have been working on diamond diplomacy for 11 years. So I got to know a lot of my experts quite well. I knew. All along that there was more to that part of the story that sort of deserved its own story, and I was very fortunate to get a grant from the National Parks Foundation, and I got that grant right when the pandemic started. It was a good thing. I had a chunk of money and I was able to do historical research, which can be done on a computer. Nobody was doing any production at that beginning of the COVID time. And then it's a short film, so it was a little more contained and I was able to release that one in 2023.   Miko Lee: [00:09:45] Oh, so you actually made the short before Diamond Diplomacy.   Yuriko Gamo Romer: [00:09:49] Yeah. The funny thing is that I finished it before diamond diplomacy, it's always been intrinsically part of the longer film and you'll see the longer film and you'll understand that part of baseball behind Barbed Wire becomes a part of telling that part of the story in Diamond Diplomacy.   Miko Lee: [00:10:08] Yeah, I appreciate it. So you almost use it like research, background research for the longer film, is that right?    Yuriko Gamo Romer: [00:10:15] I had been doing the research about the World War II, Japanese American incarceration because it was part of the story of the 150 years between Japan and the United States and Japanese people in the United States and American people that went to Japan. So it was always a part of that longer story, and I think it just evolved that there was a much bigger story that needed to be told separately and especially 'cause I had access to the interview footage of the two guys that had been there, and I knew Carrie so well. So that was part of it, was that I learned so much about that history from him.   Miko Lee: [00:10:58] Thanks. I appreciated actually watching both films to be able to see more in depth about what happened during the incarceration, so that was really powerful. I'm wondering if you can talk a little bit about the style of actually both films, which combine vintage Japanese postcards, animation and archival footage, and how you decided to blend the films in this way.   Yuriko Gamo Romer: [00:11:19] Anytime you're making a film about history, there's that challenge of. How am I going to show this story? How am I gonna get the audience to understand and feel what was happening then? And of course you can't suddenly go out and go, okay, I'm gonna go film Babe Ruth over there. 'cause he's not around anymore. So you know, you start digging up photographs. If we're in the era of you have photographs, you have home movies, you have 16 millimeter, you have all kinds of film, then great. You can find that stuff if you can find it and use it. But if you go back further, when before people had cameras and before motion picture, then you have to do something else. I've always been very much enamored of Japanese woodblock prints. I think they're beautiful and they're very documentary in that they tell stories about the people and the times and what was going on, and so I was able to find some that sort of helped evoke the stories of that period of time. And then in doing that, I became interested in the style and maybe can I co-opt that style? Can we take some of the images that we have that are photographs? And I had a couple of young artists work on this stuff and it started to work and I was very excited. So then we were doing things like, okay, now we can create a transition between the print style illustration and the actual footage that we're moving into, or the photograph that we're dissolving into. And the same thing with baseball behind barbed wire. It became a challenge to show what was actually happening in the camps. In the beginning, people were not allowed to have cameras at all, and even later on it wasn't like it was common thing for people to have cameras, especially movie cameras. Latter part of the war, there was a little bit more in terms of photos and movies, but in terms of getting the more personal stories. I found an exhibit of illustrations and it really was drawings and paintings that were visual diaries. People kept these visual diaries, they drew and they painted, and I think part of it was. Something to do, but I think the other part of it was a way to show and express what was going on. So one of the most dramatic moments in there is a drawing of a little boy sitting on a toilet with his hands covering his face, and no one would ever have a photograph. Of a little boy sitting on a toilet being embarrassed because there are no partitions around the toilet. But this was a very dramatic and telling moment that was drawn. And there were some other things like that. There was one illustration in baseball behind barbed wire that shows a family huddled up and there's this incredible wind blowing, and it's not. Home movie footage, but you feel the wind and what they had to live through. I appreciate art in general, so it was very fun for me to be able to use various different kinds of art and find ways to make it work and make it edit together with the other, with the photographs and the footage.    Miko Lee: [00:14:56] It's really beautiful and it tells the story really well. I'm wondering about a response to the film from folks that were in it because you got many elders to share their stories about what it was like being either folks that were incarcerated or folks that were playing in such an unusual time. Have you screened the film for folks that were in it? And if so what has their response been?    Yuriko Gamo Romer: [00:15:20] Both the men that were in baseball behind barbed wire are not living anymore, so they have not seen it. With diamond diplomacy, some of the historians have been asked to review cuts of the film along the way. But the two baseball players that play the biggest role in the film, I've given them links to look at stuff, but I don't think they've seen it. So Moi's gonna see it for the first time, I'm pretty sure, on Friday night, and it'll be interesting to see what his reaction to it is. And of course. His main language is not English. So I think some of it's gonna be a little tough for him to understand. But I am very curious 'cause I've known him for a long time and I know his stories and I feel like when we were putting the film together, it was really important for me to be able to tell the stories in the way that I felt like. He lived them and he tells them, I feel like I've heard these stories over and over again. I've gotten to know him and I understand some of his feelings of joy and of regret and all these other things that happen, so I will be very interested to see what his reaction is to it.   Miko Lee: [00:16:40] Can you share for our audience who you're talking about.   Yuriko Gamo Romer: [00:16:43] Well, Sanhi is a nickname, his name is Masa Nouri. Murakami. He picked up that nickname because none of the ball players could pronounce his name.   Miko Lee: [00:16:53] I did think that was horrifically funny when they said they started calling him macaroni 'cause they could not pronounce his name. So many of us have had those experiences.   Yuriko Gamo Romer: [00:17:02] Yeah, especially if your name is Masanori Murakami. That's a long, complicated one. So he, Masanori Murakami is the first Japanese player that came and played for the major leagues. And it was an inadvertent playing because he was a kid, he was 19 years old. He was playing on a professional team in Japan and they had some, they had a time period where it made sense to send a couple of these kids over to the United States. They had a relationship with Kapi Harada, who was a Japanese American who had been in the Army and he was in Japan during. The occupation and somehow he had, he'd also been a big baseball person, so I think he developed all these relationships and he arranged for these three kids to come to the United States and to, as Mahi says, to study baseball. And they were sent to the lowest level minor league, the single A camps, and they played baseball. They learned the American ways to play baseball, and they got to play with low level professional baseball players. Marcy was a very talented left handed pitcher. And so when September 1st comes around and the postseason starts, they expand the roster and they add more players to the team. And the scouts had been watching him and the Giants needed a left-handed pitcher, so they decided to take a chance on him, and they brought him up and he was suddenly going to Shea Stadium when. The Giants were playing the Mets and he was suddenly pitching in a giant stadium of 40,000 people.    Miko Lee: [00:18:58] Can you share a little bit about his experience when he first came to America? I just think it shows such a difference in time to now.    Yuriko Gamo Romer: [00:19:07] Yeah, no kidding. Because today they're the players that come from Japan are coddled and they have interpreters wherever they go and they travel and chartered planes and special limousines and whatever else they get. So Marcie. He's, I think he was 20 by the time he was brought up so young. Mahi at 20 years old, the manager comes in and says, Hey, you're going to New York tomorrow and hands him plane tickets and he has to negotiate his way. Get on this plane, get on that plane, figure out how to. Get from the airport to the hotel, and he's barely speaking English at this point. He jokes that he used to carry around an English Japanese dictionary in one pocket and a Japanese English dictionary in the other pocket. So that's how he ended up getting to Shea Stadium was in this like very precarious, like they didn't even send an escort.   Miko Lee: [00:20:12] He had to ask the pilot how to get to the hotel. Yeah, I think that's wild. So I love this like history and what's happened and then I'm thinking now as I said at the beginning, I'm not a big baseball sports fan, but I love love watching Shohei Ohtani. I just think he's amazing. And I'm just wondering, when you look at that trajectory of where Mahi was back then and now, Shohei Ohtani now, how do you reflect on that historically? And I'm wondering if you've connected with any of the kind of modern Japanese players, if they've seen this film.   Yuriko Gamo Romer: [00:20:48] I have never met Shohei Ohtani. I have tried to get some interviews, but I haven't gotten any. I have met Ichi. I did meet Nori Aoki when he was playing for the Giants, and I met Kenta Maya when he was first pitching for the Dodgers. They're all, I think they're all really, they seem to be really excited to be here and play. I don't know what it's like to be Ohtani. I saw something the other day in social media that was comparing him to Taylor Swift because the two of them are this like other level of famous and it must just be crazy. Probably can't walk down the street anymore. But it is funny 'cause I've been editing all this footage of mahi when he was 19, 20 years old and they have a very similar face. And it just makes me laugh that, once upon a time this young Japanese kid was here and. He was worried about how to make ends meet at the end of the month, and then you got the other one who's like a multi multimillionaire.    Miko Lee: [00:21:56] But you're right, I thought that too. They look similar, like the tall, the face, they're like the vibe that they put out there. Have they met each other?    Yuriko Gamo Romer: [00:22:05] They have actually met, I don't think they know each other well, but they've definitely met.   Miko Lee: [00:22:09] Mm, It was really a delight. I am wondering what you would like audiences to walk away with after seeing your film.   Yuriko Gamo Romer: [00:22:17] Hopefully they will have a little bit of appreciation for baseball and international baseball, but more than anything else. I wonder if they can pick up on that sense of when you find common ground, it's a very special space and it's an ability to have this people to people diplomacy. You get to experience people, you get to know them a little bit. Even if you've never met Ohtani, you now know a little bit about him and his life and. Probably what he eats and all that kind of stuff. So it gives you a chance to see into another culture. And I think that makes for a different kind of understanding. And certainly for the players. They sit on the bench together and they practice together and they sweat together and they, everything that they do together, these guys know each other. They learn about each other's languages and each other's food and each other's culture. And I think Mahi went back to Japan with almost as much Spanish as they did English. So I think there's some magical thing about people to people diplomacy, and I hope that people can get a sense of that.    Miko Lee: [00:23:42] Thank you so much for sharing. Can you tell our audience how they could find out more about your film Diamond diplomacy and also about you as an artist?    Yuriko Gamo Romer: [00:23:50] the website is diamonddiplomacy.com. We're on Instagram @diamonddiplomacy. We're also on Facebook Diamond Diplomacy. So those are all the places that you can find stuff, those places will give you a sense of who I am as a filmmaker and an artist too.    Miko Lee: [00:24:14] Thank you so much for joining us today, Yuriko. Gamo. Romo. So great to speak with you and I hope the film does really well.    Yuriko Gamo Romer: [00:24:22] Thank you, Miko. This was a lovely opportunity to chat with you.   Ayame Keane-Lee: [00:24:26] Next up, my sister Jalena Keane-Lee speaks with playwright Jessica Huang, whose new play Mother of Exiles just had its world premiere at Berkeley Rep is open until December 21st.    Jalena Keane-Lee: [00:24:39] All right. Jessica Huang, thank you so much for being here with us on Apex Express and you are the writer of the new play Mother of Exiles, which is playing at Berkeley Rep from November 14th to December 21st. Thank you so much for being here.   Jessica Huang: [00:24:55] Yeah, thank you so much for having me. It's such a pleasure.   Jalena Keane-Lee: [00:24:59] I'm so curious about this project. The synopsis was so interesting. I was wondering if you could just tell us a little bit about it and how you came to this work.   Jessica Huang: [00:25:08] When people ask me what mother of Exiles is, I always say it's an American family story that spans 160 plus years, and is told in three acts. In 90 minutes. So just to get the sort of sense of the propulsion of the show and the form, the formal experiment of it. The first part takes place in 1898, when the sort of matriarch of the family is being deported from Angel Island. The second part takes place in 1999, so a hundred years later where her great grandson is. Now working for the Miami, marine interdiction unit. So he's a border cop. The third movement takes place in 2063 out on the ocean after Miami has sunk beneath the water. And their descendants are figuring out what they're gonna do to survive. It was a strange sort of conception for the show because I had been wanting to write a play. I'd been wanting to write a triptych about America and the way that interracial love has shaped. This country and it shaped my family in particular. I also wanted to tell a story that had to do with this, the land itself in some way. I had been sort of carrying an idea for the play around for a while, knowing that it had to do with cross-cultural border crossing immigration themes. This sort of epic love story that each, in each chapter there's a different love story. It wasn't until I went on a trip to Singapore and to China and got to meet some family members that I hadn't met before that the rest of it sort of fell into place. The rest of it being that there's a, the presence of, ancestors and the way that the living sort of interacts with those who have come before throughout the play.   Jalena Keane-Lee: [00:27:13] I noticed that ancestors, and ghosts and spirits are a theme throughout your work. I was wondering if you could talk a little bit about your own ancestry and how that informs your writing and creative practice.   Jessica Huang: [00:27:25] Yeah, I mean, I'm in a fourth generation interracial marriage. So, I come from a long line of people who have loved people who were different from them, who spoke different languages, who came from different countries. That's my story. My brother his partner is German. He lives in Berlin. We have a history in our family of traveling and of loving people who are different from us. To me that's like the story of this country and is also the stuff I like to write about. The thing that I feel like I have to share with the world are, is just stories from that experience.   Jalena Keane-Lee: [00:28:03] That's really awesome. I guess I haven't really thought about it that way, but I'm third generation of like interracial as well. 'cause I'm Chinese, Japanese, and Irish. And then at a certain point when you're mixed, it's like, okay, well. The odds of me being with someone that's my exact same ethnic breakdown feel pretty low. So it's probably gonna be an interracial relationship in one way or the other.   Jessica Huang: [00:28:26] Totally. Yeah. And, and, and I don't, you know, it sounds, and it sounds like in your family and in mine too, like we just. Kept sort of adding culture to our family. So my grandfather's from Shanghai, my grandmother, you know, is, it was a very, like upper crust white family on the east coast. Then they had my dad. My dad married my mom whose people are from the Ukraine. And then my husband's Puerto Rican. We just keep like broadening the definition of family and the definition of community and I think that's again, like I said, like the story of this country.   Jalena Keane-Lee: [00:29:00] That's so beautiful. I'm curious about the role of place in this project in particular, mother of exiles, angel Island, obviously being in the Bay Area, and then the rest of it taking place, in Miami or in the future. The last act is also like Miami or Miami adjacent. What was the inspiration behind the place and how did place and location and setting inform the writing.   Jessica Huang: [00:29:22] It's a good question. Angel Island is a place that has loomed large in my work. Just being sort of known as the Ellis Island of the West, but actually being a place with a much more difficult history. I've always been really inspired by the stories that come out of Angel Island, the poetry that's come out of Angel Island and, just the history of Asian immigration. It felt like it made sense to set the first part of the play here, in the Bay. Especially because Eddie, our protagonist, spent some time working on a farm. So there's also like this great history of agriculture and migrant workers here too. It just felt like a natural place to set it. And then why did we move to Miami? There are so many moments in American history where immigration has been a real, center point of the sort of conversation, the national conversation. And moving forward to the nineties, the wet foot, dry foot Cuban immigration story felt like really potent and a great place to tell the next piece of this tale. Then looking toward the future Miami is definitely, or you know, according to the science that I have read one of the cities that is really in danger of flooding as sea levels rise.   Jalena Keane-Lee: [00:30:50] Okay. The Cuban immigration. That totally makes sense. That leads perfectly into my next question, which was gonna be about how did you choose the time the moments in time? I think that one you said was in the nineties and curious about the choice to have it be in the nineties and not present day. And then how did you choose how far in the future you wanted to have the last part?   Jessica Huang: [00:31:09] Some of it was really just based on the needs of the characters. So the how far into the future I wanted us to be following a character that we met as a baby in the previous act. So it just, you know, made sense. I couldn't push it too far into the future. It made sense to set it in the 2060s. In terms of the nineties and, why not present day? Immigration in the nineties , was so different in it was still, like I said, it was still, it's always been a important national conversation, but it wasn't. There was a, it felt like a little bit more, I don't know if gentle is the word, but there just was more nuance to the conversation. And still there was a broad effort to prevent Cuban and refugees from coming ashore. I think I was fascinated by how complicated, I mean, what foot, dry foot, the idea of it is that , if a refugee is caught on water, they're sent back to Cuba. But if they're caught on land, then they can stay in the us And just the idea of that is so. The way that, people's lives are affected by just where they are caught , in their crossing. I just found that to be a bit ridiculous and in terms of a national policy. It made sense then to set the second part, which moves into a bit of a farce at a time when immigration also kind of felt like a farce.   Jalena Keane-Lee: [00:32:46] That totally makes sense. It feels very dire right now, obviously. But it's interesting to be able to kind of go back in time and see when things were handled so differently and also how I think throughout history and also touching many different racial groups. We've talked a lot on this show about the Chinese Exclusion Act and different immigration policies towards Chinese and other Asian Americans. But they've always been pretty arbitrary and kind of farcical as you put it. Yeah.   Jessica Huang: [00:33:17] Yeah. And that's not to make light of like the ways that people's lives were really impacted by all of this policy . But I think the arbitrariness of it, like you said, is just really something that bears examining. I also think it's really helpful to look at where we are now through the lens of the past or the future. Mm-hmm. Just gives just a little bit of distance and a little bit of perspective. Maybe just a little bit of context to how we got to where we got to.   Jalena Keane-Lee: [00:33:50] That totally makes sense. What has your experience been like of seeing the play be put up? It's my understanding, this is the first this is like the premier of the play at Berkeley Rep.   Jessica Huang: [00:34:00] Yes. Yeah. It's the world premier. It's it incredible. Jackie Bradley is our director and she's phenomenal. It's just sort of mesmerizing what is happening with this play? It's so beautiful and like I've alluded to, it shifts tone between the first movement being sort of a historical drama on Angel Island to, it moves into a bit of a farce in part two, and then it, by the third movement, we're living in sort of a dystopic, almost sci-fi future. The way that Jackie's just deftly moved an audience through each of those experiences while holding onto the important threads of this family and, the themes that we're unpacking and this like incredible design team, all of these beautiful visuals sounds, it's just really so magical to see it come to life in this way. And our cast is incredible. I believe there are 18 named roles in the play, and there are a few surprises and all of them are played by six actors. who are just. Unbelievable. Like all of them have the ability to play against type. They just transform and transform again and can navigate like, the deepest tragedies and the like, highest moments of comedy and just hold on to this beautiful humanity. Each and every one of them is just really spectacular. So I'm just, you know. I don't know. I just feel so lucky to be honest with you. This production is going to be so incredible. It's gonna be, it feels like what I imagine in my mind, but, you know, plus,    Jalena Keane-Lee: [00:35:45] well, I really can't wait to see it. What are you hoping that audiences walk away with after seeing the show?   Jessica Huang: [00:35:54] That's a great question. I want audiences to feel connected to their ancestors and feel part of this community of this country and, and grateful and acknowledge the sacrifices that somebody along the line made so that they could be here with, with each other watching the show. I hope, people feel like they enjoyed themselves and got to experience something that they haven't experienced before. I think that there are definitely, nuances to the political conversation that we're having right now, about who has the right to immigrate into this country and who has the right to be a refugee, who has the right to claim asylum. I hope to add something to that conversation with this play, however small.   Jalena Keane-Lee:[00:36:43]  Do you know where the play is going next?   Jessica Huang: [00:36:45] No. No. I dunno where it's going next. Um, exciting. Yeah, but we'll, time will   Jalena Keane-Lee: [00:36:51] and previews start just in a few days, right?   Jessica Huang: [00:36:54] Yeah. Yeah. We have our first preview, we have our first audience on Friday. So yeah, very looking forward to seeing how all of this work that we've been doing lands on folks.   Jalena Keane-Lee: [00:37:03] Wow, that's so exciting. Do you have any other projects that you're working on? Or any upcoming projects that you'd like to share about?   Jessica Huang: [00:37:10] Yeah, yeah, I do. I'm part of the writing team for the 10 Things I Hate About You Musical, which is in development with an Eye Toward Broadway. I'm working with Lena Dunham and Carly Rae Jepsen and Ethan Ska to make that musical. I also have a fun project in Chicago that will soon be announced.   Jalena Keane-Lee: [00:37:31] And what is keeping you inspired and keeping your, you know, creative energies flowing in these times?   Jessica Huang: [00:37:37] Well first of all, I think, you know, my collaborators on this show are incredibly inspiring. The nice thing about theater is that you just get to go and be inspired by people all the time. 'cause it's this big collaboration, you don't have to do it all by yourself. So that would be the first thing I would say. I haven't seen a lot of theater since I've been out here in the bay, but right before I left New York, I saw MEUs . Which is by Brian Keda, Nigel Robinson. And it's this sort of two-hander musical, but they do live looping and they sort of create the music live. Wow. And it's another, it's another show about an untold history and about solidarity and about folks coming together from different backgrounds and about ancestors, so there's a lot of themes that really resonate. And also the show is just so great. It's just really incredible. So , that was the last thing I saw that I loved. I'm always so inspired by theater that I get to see.   Jalena Keane-Lee: [00:38:36] That sounds wonderful. Is there anything else that you'd like to share?   Jessica Huang: [00:38:40] No, I don't think so. I just thanks so much for having me and come check out the show. I think you'll enjoy it. There's something for everyone.   Jalena Keane-Lee: [00:38:48] Yeah. I'm so excited to see the show. Is there like a Chinese Cuban love story with the Miami portion? Oh, that's so awesome. This is an aside, but I'm a filmmaker and I've been working on a documentary about, Chinese people in Cuba and there's like this whole history of Chinese Cubans in Cuba too.   Jessica Huang: [00:39:07] Oh, that's wonderful. In this story, it's a person who's a descendant of, a love story between a Chinese person and a Mexican man, a Chinese woman and a Mexican man, and oh, their descendant. Then also, there's a love story between him and a Cuban woman.   Jalena Keane-Lee: [00:39:25] That's awesome. Wow. I'm very excited to see it in all the different intergenerational layers and tonal shifts. I can't wait to see how it all comes together.   Ayame Keane-Lee: [00:39:34] Next up we are back with Miko Lee, who is now speaking with photographer Joyce Xi about her latest exhibition entitled Our Language, our Story Running Through January in San Francisco at Galleria de Raza.    Miko Lee: [00:39:48] Welcome, Joyce Xi to Apex Express.    Joyce Xi: [00:39:52] Thanks for having me.    Miko Lee: [00:39:53] Yes. I'm, I wanna start by asking you a question I ask most of my guests, and this is based on the great poet Shaka Hodges. It's an adaptation of her question, which is, who are your people and what legacy do you carry with you?   Joyce Xi: [00:40:09] My people are artists, free spirits, people who wanna see a more free and just, and beautiful world. I'm Chinese American. A lot of my work has been in the Asian American community with all kinds of different people who dreaming of something better and trying to make the world a better place and doing so with creativity and with positive and good energy.   Miko Lee: [00:40:39] I love it. And what legacy do you carry with you?   Joyce Xi: [00:40:43] I am a fighter. I feel like just people who have been fighting for a better world. Photography wise, like definitely thinking about Corky Lee who is an Asian American photographer and activist. There's been people who have done it before me. There will be people who do it after me, but I wanna do my version of it here.   Miko Lee: [00:41:03] Thank you so much and for lifting up the great Corky Lee who has been such a big influence on all of us. I'm wondering in that vein, can you talk a little bit about how you use photography as a tool for social change?   Joyce Xi: [00:41:17] Yeah. Photography I feel is a very powerful tool for social change. Photography is one of those mediums where it's emotional, it's raw, it's real. It's a way to see and show and feel like important moments, important stories, important emotions. I try to use it as a way to share. Truths and stories about issues that are important, things that people experience, whether it's, advocating for environmental justice or language justice or just like some of them, just to highlight some of the struggles and challenges people experience as well as the joys and the celebrations and just the nuance of people's lives. I feel like photography is a really powerful medium to show that. And I love photography in particular because it's really like a frozen moment. I think what's so great about photography is that. It's that moment, it's that one feeling, that one expression, and it's kind of like frozen in time. So you can really, sit there and ponder about what's in this person's eyes or what's this person trying to say? Or. What does this person's struggle like? You can just see it through their expressions and their emotions and also it's a great way to document. There's so many things that we all do as advocates, as activists, whether it's protesting or whether it's just supporting people who are dealing with something. You have that moment recorded. Can really help us remember those fights and those moments. You can show people what happened. Photography is endlessly powerful. I really believe in it as a tool and a medium for influencing the world in positive ways.   Miko Lee: [00:43:08] I'd love us to shift and talk about your latest work, Our language, Our story.” Can you tell us a little bit about where this came from?   Joyce Xi: [00:43:15] Sure. I was in conversation with Nikita Kumar, who was at the Asian Law Caucus at the time. We were just chatting about art and activism and how photography could be a powerful medium to use to advocate or tell stories about different things. Nikita was talking to me about how a lot of language access work that's being done by organizations that work in immigrant communities can often be a topic that is very jargon filled or very kind of like niche or wonky policy, legal and maybe at times isn't the thing that people really get in the streets about or get really emotionally energized around. It's one of those issues that's so important to everything. Especially since in many immigrant communities, people do not speak English and every single day, every single issue. All these issues that these organizations advocate around. Like housing rights, workers' rights, voting rights, immigration, et cetera, without language, those rights and resources are very hard to understand and even hard to access at all. So, Nik and I were talking about language is so important, it's one of those issues too remind people about the core importance of it. What does it feel like when you don't have access to your language? What does it feel like and look like when you do, when you can celebrate with your community and communicate freely and live your life just as who you are versus when you can't even figure out how to say what you wanna say because there's a language barrier.    Miko Lee: [00:44:55] Joyce can you just for our audience, break down what language access means? What does it mean to you and why is it important for everybody?   Joyce Xi: [00:45:05] Language access is about being able to navigate the world in your language, in the way that you understand and communicate in your life. In advocacy spaces, what it can look like is, we need to have resources and we need to have interpretation in different languages so that people can understand what's being talked about or understand what resources are available or understand what's on the ballot. So they can really experience their life to the fullest. Each of us has our languages that we're comfortable with and it's really our way of expressing everything that's important to us and understanding everything that's important to us. When that language is not available, it's very hard to navigate the world. On the policy front, there's so many ways just having resources in different languages, having interpretation in different spaces, making sure that everybody who is involved in this society can do what they need to do and can understand the decisions that are being made. That affects them and also that they can affect the decisions that affect them.   Miko Lee: [00:46:19] I think a lot of immigrant kids just grow up being like the de facto translator for their parents. Which can be things like medical terminology and legal terms, which they might not be familiar with. And so language asks about providing opportunities for everybody to have equal understanding of what's going on. And so can you talk a little bit about your gallery show? So you and Nikita dreamed up this vision for making language access more accessible and more story based, and then what happened?   Joyce Xi: [00:46:50] We decided to express this through a series of photo stories. Focusing on individual stories from a variety of different language backgrounds and immigration backgrounds and just different communities all across the Bay Area. And really just have people share from the heart, what does language mean to them? What does it affect in their lives? Both when one has access to the language, like for example, in their own community, when they can speak freely and understand and just share everything that's on their heart. And what does it look like when that's not available? When maybe you're out in the streets and you're trying to like talk to the bus driver and you can't even communicate with each other. How does that feel? What does that look like? So we collected all these stories from many different community members across different languages and asked them a series of questions and took photos of them in their day-to-day lives, in family gatherings, at community meetings, at rallies, at home, in the streets, all over the place, wherever people were like Halloween or Ramadan or graduations, or just day-to-day life. Through the quotes that we got from the interviews, as well as the photos that I took to illustrate their stories, we put them together as photo stories for each person. Those are now on display at Galleria Deza in San Francisco. We have over 20 different stories in over 10 different languages. The people in the project spoke like over 15 different languages. Some people used multiple languages and some spoke English, many did not. We had folks who had immigrated recently, folks who had immigrated a while ago. We had children of immigrants talking about their experiences being that bridge as you talked about, navigating translating for their parents and being in this tough spot of growing up really quickly, we just have this kind of tapestry of different stories and, definitely encourage folks to check out the photos but also to read through each person's stories. Everybody has a story that's very special and that is from the heart   Miko Lee: [00:49:00] sounds fun. I can't wait to see it in person. Can you share a little bit about how you selected the participants?    Joyce Xi: [00:49:07] Yeah, selecting the participants was an organic process. I'm a photographer who's trying to honor relationships and not like parachute in. We wanted to build relationships and work with people who felt comfortable sharing their stories, who really wanted to be a part of it, and who are connected in some kind of a way where it didn't feel like completely out of context. So what that meant was that myself and also the Asian Law Caucus we have connections in the community to different organizations who work in different immigrant communities. So we reached out to people that we knew who were doing good work and just say Hey, do you have any community members who would be interested in participating in this project who could share their stories. Then through following these threads we were able to connect with many different organizations who brought either members or community folks who they're connected with to the project. Some of them came through like friends. Another one was like, oh, I've worked with these people before, maybe you can talk to them. One of them I met through a World Refugee Day event. It came through a lot of different relationships and reaching out. We really wanted folks who wanted to share a piece of their life. A lot of folks who really felt like language access and language barriers were a big challenge in their life, and they wanted to talk about it. We were able to gather a really great group together.    Miko Lee: [00:50:33] Can you share how opening night went? How did you navigate showcasing and highlighting the diversity of the languages in one space?    Joyce Xi: [00:50:43] The opening of the exhibit was a really special event. We invited everybody who was part of the project as well as their communities, and we also invited like friends, community and different organizations to come. We really wanted to create a space where we could feel and see what language access and some of the challenges of language access can be all in one space. We had about 10 different languages at least going on at the same time. Some of them we had interpretation through headsets. Some of them we just, it was like fewer people. So people huddled together and just interpreted for the community members. A lot of these organizations that we partnered with, they brought their folks out. So their members, their community members, their friends and then. It was really special because a lot of the people whose photos are on the walls were there, so they invited their friends and family. It was really fun for them to see their photos on the wall. And also I think for all of our different communities, like we can end up really siloed or just like with who we're comfortable with most of the time, especially if we can't communicate very well with each other with language barriers. For everybody to be in the same space and to hear so many languages being used in the same space and for people to be around people maybe that they're not used to being around every day. And yet through everybody's stories, they share a lot of common experiences. Like so many of the stories were related to each other. People talked about being parents, people talked about going to the doctor or taking the bus, like having challenges at the workplace or just what it's like to celebrate your own culture and heritage and language and what the importance of preserving languages. There are so many common threads and. Maybe a lot of people are not used to seeing each other or communicating with each other on a daily basis. So just to have everyone in one space was so special. We had performances, we had food, we had elders, children. There was a huge different range of people and it was just like, it was just cool to see everyone in the same space. It was special.    Miko Lee: [00:52:51] And finally, for folks that get to go to Galleria de la Raza in San Francisco and see the exhibit, what do you want them to walk away with?   Joyce Xi: [00:53:00] I would love for people to walk away just like in a reflective state. You know how to really think about how. Language is so important to everything that we do and through all these stories to really see how so many different immigrant and refugee community members are making it work. And also deal with different barriers and how it affects them, how it affects just really simple human things in life that maybe some of us take for granted, on a daily basis. And just to have more compassion, more understanding. Ultimately, we wanna see our city, our bay area, our country really respecting people and their language and their dignity through language access and through just supporting and uplifting our immigrant communities in general. It's a such a tough time right now. There's so many attacks on our immigrant communities and people are scared and there's a lot of dehumanizing actions and narratives out there. This is, hopefully something completely different than that. Something that uplifts celebrates, honors and really sees our immigrant communities and hopefully people can just feel that feeling of like, oh, okay, we can do better. Everybody has a story. Everybody deserves to be treated with dignity and all the people in these stories are really amazing human beings. It was just an honor for me to even be a part of their story. I hope people can feel some piece of that.    Miko Lee: [00:54:50] Thank you so much, Joyce, for sharing your vision with us, and I hope everybody gets a chance to go out and see your work.    Joyce Xi: [00:54:57] Thank you.   Ayame Keane-Lee: [00:55:00] Thanks so much for tuning in to Apex Express. Please check out our website at kpfa.org/program/apexexpress to find out more about the guests tonight and find out how you can take direct action.   Apex Express is a proud member of Asian Americans for civil rights and equality. Find out more at aacre.org. That's AACRE.org.   We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important.    Apex Express is produced by  Miko Lee, Jalena Keene-Lee, Ayame Keene-Lee, Preeti Mangala Shekar, Anuj Vaida, Cheryl Truong, Isabel Li, Nina Phillips & Swati Rayasam. Thank you so much to the team at KPFA for their support and have a good night.       The post APEX Express – 11.20.25 – Artist to Artist appeared first on KPFA.

 Mini podcast about a nationwide strike of US miners in the wake of World War II.Our work is only possible because of support from you, our listeners on patreon. If you appreciate our work, please join us and access exclusive content and benefits at patreon.com/workingclasshistory.See all of our anniversaries each day, alongside sources and maps on the On This Day section of our Stories app: stories.workingclasshistory.com/date/todayBrowse all Stories by Date here on the Date index: https://stories.workingclasshistory.com/dateCheck out our Map of historical Stories: https://map.workingclasshistory.comCheck out books, posters, clothing and more in our online store, here: https://shop.workingclasshistory.comIf you enjoy this podcast, make sure to check out our flagship longform podcast, Working Class History

The triple university that continued the educational mission through WWII.Support the show

Electric companies are working to meet the highest level of electricity demand growth since the post-World War II era, spurred in part by AI and data centers. On this episode, Ed Baine, executive vice president of Utility Operations and president of Dominion Energy Virginia, and Martin Hermann, CEO of BrightNight, discuss how electric companies and technology providers are meeting the increased demand for electricity, and lessons learned from Northern Virginia—also known as Data Center Alley—that can guide other regions as they prepare for a future shaped by AI and data centers.

In this surprise-topic conversation, Rebbe Dr. Marc Gafni takes us deep into the esoteric and magical threads of Kabbalah-  first confirming that magic is real-  exploring how invisible forces connect all things and how we can participate in them through intention, devotion, and love.Moving beyond *only the realm of* spells and mysticism, Marc reveals how magic manifests in everyday moments: a dinner party where everyone comes alive, a comedian generating waves of collective laughter, or the courage to walk across life's narrow bridges without fear. He distinguishes between sacred magic—which creates wholeness * and blessing* catalyzing  everyone's highest Unique Self—and black magic, which fragments and diminishes and curses*The conversation ventures into profound territory: Why did faith in protective magic fail some Jewish communities during WWII? How does magic operate alongside other cosmic forces? What role does prophecy and the divine whisper (Lehishah) play in our lives? Marc shares validated stories of inexplicable protection during wartime while maintaining brutal intellectual honesty about magic's place in a multi-dimensional reality.At its core, this dialogue explores how we access magic through "outrageous love". which is the courage that comes from keeping our hearts ripped open, staying in conversation even when it's difficult, and blessing rather than cursing. Marc shows* that tears are *elixirs of magic* —* magical rivulets*of ecstasy, empathy, and connection—are the most direct access point to the magical dimension of existence. | Dr. Marc Gafni |Substack: ⁠https://substack.com/@marcgafni⁠Instagram: ⁠https://www.instagram.com/marcgafni/⁠YouTube: ⁠https://www.youtube.com/c/MarcGafni⁠Twitter:⁠https://twitter.com/MarcGafni⁠ Whole Mate: the Future of Relationships⁠https://www.amazon.com/dp/B0F4PZ9V5B/⁠Join the revolution: ⁠https://www.centerforworldphilosophyandreligion.com/jointherevolution⁠This episode is sponsored byMetal Mark Golden Collectable Art |  ⁠https://mtlmrk.com/⁠Korrect Energy | ⁠https://korrectlife.com/Hone Health | https://shorturl.at/JvhAJ| Aubrey Marcus |Website |⁠ ⁠⁠⁠⁠⁠⁠http://bit.ly/2GesYqi ⁠⁠⁠⁠⁠⁠⁠Instagram |⁠ ⁠⁠⁠⁠⁠⁠http://bit.ly/2BlfCEO ⁠⁠⁠⁠⁠⁠⁠Facebook |⁠ ⁠⁠⁠⁠⁠⁠http://bit.ly/2F4nBZk ⁠⁠⁠⁠⁠⁠⁠X | ⁠ ⁠⁠⁠⁠⁠http://bit.ly/2BlGBAdAd⁠⁠⁠⁠⁠⁠⁠Subscribe to the Aubrey Marcus newsletter:⁠⁠⁠⁠⁠⁠⁠https://www.aubreymarcus.com/pages/email⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠To partner with the Aubrey Marcus Podcast⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to the Aubrey Marcus podcast:iTunes |⁠ ⁠⁠⁠⁠⁠⁠https://apple.co/2lMZRCn ⁠⁠⁠⁠⁠⁠⁠Spotify |⁠⁠⁠⁠⁠⁠⁠ https://spoti.fi/2EaELZO ⁠⁠⁠⁠⁠⁠⁠Stitcher |⁠ ⁠⁠⁠⁠⁠⁠http://bit.ly/2G8ccJt ⁠⁠⁠⁠⁠⁠⁠IHeartRadio |⁠ ⁠⁠⁠⁠⁠⁠https://ihr.fm/3CiV4x3 ⁠⁠⁠⁠⁠⁠⁠

As Italy advances into Egypt, Britain quietly prepares its first major offensive — Operation Compass — in this tense buildup episode. We explore the friction between Churchill's impatient push for victory and General Wavell's insistence on realistic desert readiness, while massive reinforcements arrive: Matilda tanks, armored regiments, artillery, and supplies all vital to a bold strike through the Enba Gap. You'll also see how Italy's disastrous invasion of Greece shifts British priorities — from Egypt to the Balkans — with far-reaching consequences. This is the quiet storm before Operation Compass, where logistics, terrain, and leadership clash in the desert — setting the stage for one of WWII's most consequential early battles. Contact advertising@airwavemedia.com to advertise on History of the Second World War. History of the Second World War is part of the Airwave Media podcast network. Learn more about your ad choices. Visit megaphone.fm/adchoices

After almost a year of Trump stonewalling about the Epstein files, Republicans in the House finally took a stand against him. More than a hundred Republican members were prepared to vote for releasing the files. Facing a dramatic defeat, on Sunday night Trump caved, and Tuesday the vote in the House was nearly unanimous. John Nichols has our analysis.Also: The Americans who fought in World War II have been called “the greatest generation,” but historian David Nasaw argues that it's more appropriate to regard them as “the wounded generation.” That's the title of his new book about vets coming home after WWIIOur Sponsors:* Check out Avocado Green Mattress: https://avocadogreenmattress.com* Check out BetterHelp: https://betterhelp.com/THENATIONAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The history books will tell you that World War II ended on September 2, 1945. The filmmaker James Vanderbilt, however, will tell there was still one last battle left to fight as the conflict officially drew to a close. It was a battle to be fought not in the trenches but in a court room, with the eyes of the world watching and the stakes were impossibly high. The Nazi party of Germany had been stopped, with the surviving members of their high command arrested. But it wasn't enough to simply shoot them behind closed doors. They had to be brought to trial and held publicly accountable for the unthinkable horrors of the Holocaust – the entire planet made aware of the systematic cruelty they'd inflicted. Giving these charismatic monsters a chance to excuse their actions in front of the global media, though, ran the risk of giving their ideology a chance to spread. Get this wrong and in fifteen years, the Nazis might come back stronger than before, some on the prosecution worried. It's this terrifying prospect that propels James' new historical drama, Nuremberg, starring Russell Crowe and Rami Malek, delving into the legal saga that followed the supposed war to end all wars.Today on the show – a spoiler conversation about Nuremberg in which James and I break down the need to tell this story at this moment in time, as the number of people who lived through the Holocaust dwindles. We talk about the throughline between this film and 2007's Zodiac, written by James and directed by David Fincher, which James came on Script Apart to discuss in 2020. You'll hear about how Silence Of The Lambs became an unlikely roadmap for this wartime epic. And we also get into why the movie ultimately arrives at the message that the barbaric tendencies of Hitler and acolytes weren't unique to the Nazi psyche; fascism and authoritarianism could happen – and perhaps is happening – right underneath our noses today.Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.To get ad-free episodes and exclusive content, join us on Patreon.Get coverage on your screenplay by visiting ScriptApart.com/coverage. Hosted on Acast. See acast.com/privacy for more information.

In the 1930s, singer and actress Asmahan became one of the most beloved performers in the Arabic-speaking world. After the outbreak of World War II, she embarked on a secret mission to Syria to aid in the fight against Hitler. For show notes and full transcripts, visit www.artofcrimepodcast.com.  If you'd like to suppor the show, please consider becoming a patron at www.patreon.com/artofcrimepodcast. 

Sydney Levit was 17 years old when the Japanese attacked Pearl Harbor. Like most kids his age, he was eager to serve. In 1943, Levit was drafted into the U.S. Army and he soon had the opportunity to join the airborne, training as a paratrooper and also with gliders. He became part of the 17th Airborne Division.In this edition of Veterans Chronicles, Levit describes the rigorous training he went through as part of the airborne, including his first jump out of an airplane and learning how gliders work. He then explains how his unit spent months training in England, waiting to enter the fight. Their first action was at Malmedy and was both vicious and chaotic.Levit details the logistical fight against the Germans at the Bulge and the separate struggle against the brutal and unrelenting cold that was also a daily fight to stay alive.Then, Levit takes us into Operation Varsity, the massive airborne campaign designed to help the Allies cross the Rhine River. Yet, very few Americans are even aware of it.Levit also shares memorable moments away from the fighting, including his interactions with prisoners, being stunned by the death of President Roosevelt, and being surprised when a Hollywood star just popped into his tent.

From Restraint to Ruin - The Birth of the Bombing WarAt the dawn of World War II in 1939, a fragile consensus existed among the warring powers. Spurred by an appeal from President Roosevelt, leaders like Neville Chamberlain and even Hitler gave public undertakings to abstain from the horror of aerial attacks on civilians. There was a genuine, if naïve, belief that the looming conflict could be "humanised," and that the bomber would be restricted to purely military targets.But how did this initial restraint crumble into the devastating strategic bombing campaigns that would define the war? In this episode, we delve into Richard Overy's "The Bombing War" to explore the complex factors that shaped Britain's approach to aerial warfare in the crucial early years of 1939-1942.Join us as we uncover the story of a nation caught between its self-image as a "civilised" power and the brutal necessities of total war. We'll examine why RAF Bomber Command was initially held back, not just by political and legal niceties, but by its own operational unreadiness. Discover how the unique, independent institutional culture of Bomber Command—a force designed solely to attack—fostered a doctrine that would eventually target the enemy's home front, leading to the destruction of cities like Hamburg, Cologne, and Dresden under the infamous command of Sir Arthur "Bomber" Harris.If you liked this episode, listen to: https://shows.acast.com/explaininghistory/episodes/the-politics-of-rearmament-in-britain-1936Go Deeper: Visit our website at www.explaininghistory.org for articles and detailed explorations of the topics discussed.▸ Join the Conversation: Our community of history enthusiasts discusses episodes, shares ideas, and continues the conversation. Find us on:Facebook: https://www.facebook.com/groups/ExplainingHistoryPodcast/Substack: https://theexplaininghistorypodcast.substack.com/▸ Support the Podcast: Explaining History is a listener-supported production. Your contribution helps us cover the costs of research and keep these conversations going. You can support the show and get access to exclusive content by becoming a patron.Support on Patreon: https://www.patreon.com/explaininghistoryExplaining History helps you understand the 20th Century through critical conversations and expert interviews. We connect the past to the present. If you enjoy the show, please subscribe and share.▸ Support the Show & Get Exclusive ContentBecome a Patron: patreon.com/explaininghistory▸ Join the Community & Continue the ConversationFacebook Group: facebook.com/groups/ExplainingHistoryPodcastSubstack: theexplaininghistorypodcast.substack.com▸ Read Articles & Go DeeperWebsite: explaininghistory.org Hosted on Acast. See acast.com/privacy for more information.

Read more  Residents voice opposition to Hanover data center proposal  New documentary looks back at World War II from one family's perspective  Watch “She said, he said” over UVA president's resignation (VPM on YouTube)  Judge scolds Justice Department for 'profound investigative missteps' in Comey case    Other links  Virginia drought conditions (Department of Environmental Quality)  ‘This is BS': Councilmembers frustrated by budget surplus a month after voting against lowering real estate taxes (Richmond Times-Dispatch)*  A lawyer for the city said he didn't ask for the sealing of a court document. Emails tell a different story. (The Richmonder)  Spanberger appoints energy policy transition team (Virginia Mercury)  National Zoo Cheetah Cub Cam  Our award-winning work is made possible with your donations. Visit vpm.org/donate to support local journalism. 

Send us a textThis week on Here's What We Know, step into the world of pirates and hidden histories with bestselling author Samuel Marquis. In this conversation, we dig into the life of Captain William Kidd and explore where fact meets myth. Samuel shares how his family's connection to Kidd opened the door to a deeper look at piracy, courage, politics, and the stories that shape our understanding of early America.We talk about the rise of pirate legends, the real struggles sailors faced on the open seas, and the untold strength of Kidd's wife, Sarah Bradley Cox Kidd. Samuel also gives us a look into his writing process and how he works to honor history while still telling a powerful story.If you love rich conversations about identity, resilience, and the truth hidden behind old legends, this episode will pull you right in.In This Episode:Samuel Marquis and his unique connection to Captain KiddHow real pirate life compares to the stories we tellThe political tides that changed Captain Kidd's fateThe overlooked resilience of Sarah Bradley Cox KiddWhat early piracy reveals about the birth of American identityWhy these stories still capture our imagination todayThis episode is sponsored by:Sterling Oak Cabinetry (Bring your dream cabinet to life!)Dignity MemorialBio:The ninth-great-grandson of legendary privateer Captain William Kidd, Samuel Marquis, M.S., P.G., is a professional hydrogeologist, expert witness, and bestselling, award-winning author of twelve American non-fiction-history, historical-fiction, and suspense books, covering primarily the period from colonial America through WWII. His American history and historical fiction books have been #1 Denver Post bestsellers and received multiple national book awards (Publishers Weekly Starred Review, Kirkus and Foreword Reviews Book of the Year, American Book Fest and USA Best Book, Readers' Favorite, Beverly Hills, Independent Publisher, Colorado Book Awards). His historical titles have garnered glowing reviews from bestselling authors, colonial American history and maritime historians, U.S. military veterans, Publishers Weekly, Booklist, Kirkus Reviews, and Foreword Reviews (Starred, 5 Stars).Website: https://samuelmarquisbooks.com/Instagram: https://www.instagram.com/sammarquisbooks/Facebook: https://www.facebook.com/samuelmarquisbooks/Connect with Gary: Gary's Website Follow Gary on Instagram Gary's Tiktok Gary's Facebook Watch the episodes on YouTube Advertise on the Podcast Thank you for listening. Let us know what you think about this episode. Leave us a review!

Our co-hosts attempt to "stump the chumps," as host John C. McManus and guest Kevin Hymel discuss their new interactive podcast.

In today's episode of Late For Changeover, we bridge cutting-edge space tech, veteran advocacy, and some of the strangest chapters in military history. We start in orbit, where a revolutionary satellite just used artificial intelligence to reorient itself — a breakthrough that could push space operations toward full autonomy (07:36). Back on the ground, a new bill could force the VA to disclose its secret list of toxic-exposure illnesses, potentially reshaping care for millions of veterans (24:24). Then we turn back the clock. First: the shocking 1932 standoff in Washington, D.C., when the Bonus Army of WWI veterans marched on the capital demanding promised compensation — and were met with tanks, tear gas, and national outrage (36:17). And finally: one of WWII's strangest classified projects — Project Pigeon — a real plan to train pigeons to guide bombs with pinpoint accuracy (47:04). From orbital AI to forgotten veterans, from protest caravans to bomb-guiding birds… this episode delivers history, headlines, and outrage in classic Late For Changeover style. https://lateforchangeover.com/

After almost a year of Trump stonewalling about the Epstein files, Republicans in the House finally took a stand against him. More than a hundred Republican members were prepared to vote for releasing the files. Facing a dramatic defeat, on Sunday night Trump caved, and Tuesday the vote in the House was nearly unanimous. John Nichols has our analysis.Also: The Americans who fought in World War II have been called “the greatest generation,” but historian David Nasaw argues that it's more appropriate to regard them as “the wounded generation.” That's the title of his new book about vets coming home after WWII.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Bob DeMarco digs into his collection and pulls out 11 of his biggest Cold Steel fixed blade knives in Episode 642 of The Knife Junkie Podcast. From the 30-year-old Trailmaster that remains his number one recommendation to the Cinquedea that he shadow boxes with, each knife gets the spotlight it deserves.The episode kicks off with a stacked pocket check featuring the North Mountain BBMN, Jack Wolf Knives Gateway Barlow, TKell Agent 001, and APOC Survival Waning Moon Yatagan. DeMarco also reveals the Gentleman Junkie giveaway knives for November (a TKell Agent 001) and December (a Gunfighter Customs Gunfighter).Knife Life News covers the RoseCraft Blades Cumberland River Coke Bottle Jack, the Kizer Topsail collaboration with Jonathan Styles, a limited Winkler and Dead Air Silencers battle axe, and a sobering look at knife turn-in boxes in the UK. The First Tool segment tells the story of the Randall Model #1, the handmade fighting knife that soldiers carried through World War II and Vietnam.State of the Collection highlights include the new Jack Wolf Knives Gateway Equal End slip joint, a Fenix LD30 flashlight, and an Opinel folding vegetable peeler that DeMarco could not resist. Then came the big Cold Steel fixed blades: Trailmaster Bowie, Laredo Bowie, Tanto XII, Jimmy Slash Competition Chopper, Wild West Bowie, Rondel Dagger, 1917 Frontier Bowie, Chieftain's Seax, Natchez Bowie, Chaos Kukri, and Cinquedea.Find the list of all the knives shown in the show and links to the Knife Life news stories at https://theknifejunkie.com/642. Support the Knife Junkie channel with your next knife purchase. Find our affiliate links at https://theknifejunkie.com/knives. You can also support The Knife Junkie and get in on the perks of being a patron, including early access to the podcast and exclusive bonus content. Visit https://www.theknifejunkie.com/patreon for details. Let us know what you thought about this episode and leave a rating and/or a review. Your feedback is appreciated. You can also email theknifejunkie@gmail.com with any comments, feedback, or suggestions. To watch or listen to past episodes of the podcast, visit https://theknifejunkie.com/listen. And for professional podcast hosting, use our podcast platform of choice: https://theknifejunkie.com/podhost.

SO FREAKIN' BADASS!! Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! SISU (2022) Greg & Roxy's Reaction:    • SISU MOVIE REACTION!! FIRST TIME WATCHING!...   Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With Sisu: Road to Revenge (SI2U) in theatres this weekend, Coy & John head down the treacherous road into their SISU Reaction, Recap, Commentary, Breakdown, Q&A, & Spoiler Review!! Coy Jandreau & John Humphrey react to Sisu (2022), the brutal and stylish Finnish action film written and directed by Jalmari Helander (Rare Exports, Big Game). Set during the final days of World War II, Sisu has become a modern cult favorite thanks to its over-the-top action, striking visuals, and a near-mythic one-man-army protagonist. The story follows Aatami Korpi, played by Jorma Tommila (known for Rare Exports and Big Game), a quiet prospector with a terrifying past. When he strikes gold in the Lapland wilderness, he attracts the attention of Nazi soldiers led by the ruthless SS Officer Bruno Helldorf, played by Aksel Hennie (The Martian, Headhunters). What follows is a relentless warpath of retribution as Aatami single-handedly takes on an entire platoon determined to steal his fortune. Supporting performances include Jack Doolan (The Boys, Marcella) as the vicious Wolfgang, Mimosa Willamo (Aurora, Bodom) as Aino, one of the women captured by the Nazis, and Onni Tommila (Rare Exports) in a memorable minor role. Iconic and highly searched scenes from Sisu include the minefield sequence, Aatami's insane underwater knife fight, the tractor convoy ambush, the hanging escape, and the over-the-top plane finale that cements Korpi as one of the toughest action heroes of the past decade. With its grindhouse energy and jaw-dropping stunts, Sisu is a blood-soaked ride that blends spaghetti western vibes with '80s action excess. Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

When people think of J.R.R. Tolkien and C.S. Lewis, they often picture tweedy Oxford professors and beloved fantasy authors. But their writing wasn't drawn only from their bucolic days teaching at Oxford and walking in the English countryside; it had a darker, deeper backdrop: the trenches of World War I and the cataclysm of World War II. Lewis and Tolkien weren't just fantasy writers — they were war veterans, cultural critics, and men with firsthand knowledge of evil, heroism, and sacrifice.In today's episode, I'm joined by Joseph Loconte, returning to the show to discuss his latest book, The War for Middle Earth. We explore how both world wars shaped the perspectives of Tolkien and Lewis, found their way into works like The Lord of the Rings and The Chronicles of Narnia, and infused their literary masterpieces with moral weight, spiritual depth, and timeless themes of resistance, friendship, and redemption. We also talk about the legendary friendship between Tolkien and Lewis, the creation of the Inklings, and how the men demonstrated the countercultural power of imaginative storytelling.Resources Related to the PodcastRelated AoM podcasts:#178: The Inklings Mastermind Group#272: Lewis, Tolkien, and the Myth of Progress (Loconte's first appearance on the AoM podcast)#430: Why You Need to Join the Great Conversation About the Great Books#499: A Fascinating Primer on Norse Mythology #594: How Churchill (and London) Survived the Blitz of 1940#723: Men Without Chests#765: C.S. Lewis on Building Men With Chests#951: The Hobbit VirtuesRelated AoM articlesThe Power of Conversation: A Lesson from CS Lewis and JRR Tolkien Lessons in Manliness from Viking Mythology Lessons in Manliness: The HobbitMen Without Chests“Blood, Sweat, and Tears” speech by Winston Churchill4 Classic Chapter Books to Read Aloud With Your KidsRelated outside articles:Tolkien's Deadly Dragons Munich AgreementOwen BarfieldTolkien books mentioned:The Letters of J.R.R. Tolkien Beowulf translated by Tolkien The Hobbit The Lord of the Rings Beren and Luthien Letters from Father Christmas Lewis books mentioned:The Letters of C.S. Lewis The Collected Poems of C.S. Lewis The Pilgrim's RegressThe Chronicles of NarniaThe Great DivorceThe Screwtape Letters The Space Trilogy The Four LovesMere Christianity The Reading Life Related books by other authors:Tolkien and the Great War by John GarthThe Somme by Martin GilbertThe Guns of August by Barbara TuchmanThe Future of an Illusion by Sigmund FreudThe Aeneid by VirgilPhantastes by George MacDonaldThe Vinland SagasThe Iliad and The Odyssey by HomerThe Divine Comedy by Dante Alighieri Le Morte d'Arthur by Thomas MaloryConnect With Joseph LoconteJoseph's websiteSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When World War II ended 80 years ago, the fighting ended but global stability and peace did not emerge. Instead, a "Cold War" between the forces of capitalism and communism, represented by the U.S. and Soviet Union, dominated global politics and led to instability, interventions, wars, a militarized economy, a mass-surveillance National Security State, and so much more---and its legacy continued to this day as we look at Venezuela, Palestine, Iran, and other places across the globe.The U.S. posed the Cold War as a battle between "freedom" and Soviet domination, but that was always a ruse as the Americans held overwhelming dominance in all major military and economic matters. The U.S. had emerged from the war with global hegemony while the USSR had lose about 25 million people, a million farms and factories, and half its economy.So, 80 years later, it's important to examine and understand the role of the U.S. in using its power to create global dominance, disrupt 3rd World development, and destabilize countries across the globe. ----------------------------------

The ideals behind the concept of human rights — such as the sacredness of life, reciprocity, justice and fairness — have millennia-old histories. After the carnage of the Second World War and the Holocaust, these ideas took a new legal form. In his second Massey Lecture, Alex Neve considers six dizzying years that laid out a blueprint for a new world. Visit cbc.ca/masseys for more on the series.

RESILIENCE by Barak Zilberberg https://www.amazon.com/RESILIENCE-Barak-Zilberberg/dp/B0D8GGKTP9 Barakzilberberg.com In "From Humble Beginnings: The Journey of Barak Zilberberg," embark on an inspiring and compelling tale of resilience, perseverance, and triumph. Barak Zilberberg invites readers to explore his remarkable life story, tracing his roots back to his grandparents who survived the atrocities of World War II and the Holocaust. Despite facing unimaginable adversity, their strength and determination laid the foundation for Barak's journey. Born into a typical Jewish family, Barak's story is a testament to the power of persistence and the human spirit's capacity to overcome the odds. With captivating honesty, he reveals the trials and tribulations he faced, mirroring the humble beginnings of renowned figures like Steve Jobs, Oprah Winfrey, and Howard Schultz. These icons, much like Barak, started with little but their dreams and unyielding willpower.

In Part One, we followed the money — from ancient temples to the secret meeting at Jekyll Island, where a handful of bankers drafted a plan that would change the world. Now, in Part Two, The Conspiracy Podcast dives into what happened after that plan became law — and how it gave birth to one of the most powerful and most misunderstood institutions in history: the Federal Reserve.When the Federal Reserve Act passed in 1913, Americans had no idea how deeply it would shape their lives. A new hybrid system was born — part public, part private, run by twelve regional banks and a central board in Washington. It was designed to stop the boom-and-bust chaos that had plagued the country for decades. But to this day, people still ask the same question: Who really controls the Fed?The boys break down how this quiet institution evolved from a crisis-fighting experiment into a global financial empire. From the Great Depression to World War II, from the gold standard to the postwar boom, the Fed's fingerprints are everywhere — printing money, rescuing markets, and rewriting the rules of capitalism. They'll unpack how the Fed gained near-godlike power to move markets with a single announcement, and why every decision behind closed doors ripples through every dollar in your pocket.But this is The Conspiracy Podcast, and no story this big comes without shadows. Part Two dives into the darker theories — that the Fed is a private cartel of bankers pulling the strings behind the government; that the Rothschilds and Rockefellers still influence its policy; that the institution was designed not to stabilize America, but to enslave it in endless debt. From the myths of the Titanic murders to whispers about JFK's silver-backed money, the conspiracies surrounding the Fed are as old as the Fed itself.So, what's the truth behind the “Creature from Jekyll Island”? Is the Federal Reserve a necessary guardian of modern finance… or a hidden hand controlling the world economy?Sean, Jorge, and Eric crack open the vault and ask the question few dare to: who really runs the money machine?www.patreon.com/theconspiracypodcast

From the ridges of Blanc Mont to the jungles of China, this chapter follows the Marines as they emerge from the Great War hardened and transformed. It opens on the blood-soaked hills of France, where the Corps shattered German lines at Blanc Mont and the Meuse, then traces their return to a nation eager for peace but uncertain of their purpose.  In the decades between wars, the Marines rebuilt themselves on football fields, in classrooms, and on ponies at Peking. They forged doctrine, studied war, and turned lessons from Haiti and France into the blueprint for amphibious victory. By the eve of World War II, they had become a force unlike any in history and ready for the storm to come. Support the Series Listen ad-free and a week early on historyofthemarinecorps.supercast.com Donate directly at historyofthemarinecorps.com Try a free 30-day Audible trial at audible.com/marinehistory Social Media Instagram - @historyofthemarines Facebook - @marinehistory Twitter - @marinehistory

It's not something you'll read about in most history books. Sharon tells the remarkable story of Florence Hall and her Women's Land Army: the women who took over the farming jobs American men left behind when they went off to fight World War II. These women weren't just fill-ins, in many cases, the farms they worked on were even more successful than when the men were doing the work.Plus, Sharon is joined again by Akhil Reed Amar, one of the nation's foremost constitutional scholars, to talk about his newest book, Born Equal, and the battle over who had the right to call themselves American citizens after the Civil War. If you've been wanting to learn more about birthright citizenship, this conversation is for you. And Sharon answers your most pressing questions: Will we all be getting $2,000 checks because of President Trump's tariffs? Could 50 year mortgages be coming?  Can Chuck Schumer be replaced as the Senate Minority Leader? If you'd like to submit a question, head to thepreamble.com/podcast – we'd love to hear from you there. And be sure to read our weekly magazine at ThePreamble.com – it's free! Join the 350,000 people who still believe understanding is an act of hope. Credits: Host and Executive Producer: Sharon McMahon Supervising Producer: Melanie Buck Parks Audio Producer: Craig Thompson To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Western Miscalculation and the Core Problem of Russia's Dominance Ideology. Professor Eugene Finkelargues that debates about Ukraine joining NATO or the EU are secondary, as the core problem remains Russia's deeply rooted ideological belief that it must control Ukraine. Western powers, including the US and Southern and Central Europe, have repeatedly misread Russia as transactional and rational, failing to recognize it as a revanchist neo-imperialist power. This miscalculation led to poor decision-making and a lack of preparation. Eastern European countries, who understood the enduring Russian threat, were wrongly dismissed. The professor concludes by noting his grandfather's brave refusal of a KGB recruitment offer after World War II. Guest: Professor Eugene Finkel. 1855

Galatia, the "Ukrainian Piedmont," and the Threat of Ukrainian Nationalism. Professor Eugene Finkel touches on the life of his Jewish grandfather, Lev, from Galatia, who joined the Red Army in 1940, illustrating how parts of Ukraine were not under Russian control until World War II. Russia viewed the tolerant Austro-Hungarian region of Galatia as a dangerous "Ukrainian Piedmont" that could spread nationalism. Russia's goal of controlling Galatia and assimilating its people was a key driver of World War I. The collapse of the Russian Empire in 1917 allowed for the brief, weak existence of the first Ukrainian state. Guest: Professor Eugene Finkel. 1859

Collapse of Independent States and the Purposeful Famine of the Holodomor. Professor Eugene Finkel examines the period following the 1917 collapse, when attempts to form independent Ukrainian states—the UNR and the ZUNR—failed, facing invasion by various Russian forces united in the belief that Ukraine must belong to Russia. Subsequently, Stalin implemented collectivization, leading to the Holodomor, a purposeful famine from 1932 to 1933 designed to break Ukrainian resistance and secure grain for export to modernize the Soviet military. This tragedy killed millions and decimated the landscape before World War II began. Guest: Professor Eugene Finkel. 1855

Dr. Larry P. Arnn, President of Hillsdale College, joins Hugh Hewitt on the Hillsdale Dialogues to continue a series on The Second World War, Churchill's sprawling memoir and history of World War II in six volumes.Release date: 14 November 2025See omnystudio.com/listener for privacy information.

Brad takes listeners through two heartbreaking stories that reveal how religion, immigration policy, and selective notions of freedom collide in today's political climate. He first looks at the attempted deportation of a Holocaust survivor born in a refugee camp after World War Two who has lived in the United States for decades. Brad shares details about the survivor's health struggles, the harsh conditions he has faced in detention, and what his case says about the cruelty baked into ICE's approach to long-term residents. He then turns to an incident at the Broadview facility in Chicago, where clergy were suddenly told they could not pray for or with detainees. The conversation digs into religious liberty, the right to worship, and the way vulnerable people are denied both care and dignity inside these facilities. Throughout the episode, Brad connects these cases to larger themes of religious populism, civil liberties, and the uneven ways religious freedom gets applied in America. He contrasts the peaceful interfaith protests at Broadview with the violence of January 6th and reflects on who gets labeled as a threat when faith enters the public square. Brad also shares updates about the future of the show, including a redesigned website, new ways to connect, and expanded content for subscribers that digs into the shifting MAGA coalition and early positioning for the 2028 presidential race. Subscribe for $5.99 a month to get bonus content most Mondays, bonus episodes every month, ad-free listening, access to the entire 850-episode archive, Discord access, and more: https://axismundi.supercast.com/ Linktree: https://linktr.ee/StraightWhiteJC Order Brad's book: https://bookshop.org/a/95982/9781506482163 Subscribe to Teología Sin Vergüenza Subscribe to American Exceptionalism Learn more about your ad choices. Visit megaphone.fm/adchoices

Go to www.LearningLeader.com for full show notes This is brought to you by Insight Global. If you need to hire one person, hire a team of people, or transform your business through Talent or Technical Services, Insight Global's team of 30,000 people around the world has the hustle and grit to deliver. My guest: Nicholas Thompson is the CEO of The Atlantic and former editor-in-chief of WIRED. He's the author of the best-selling book (and one of my favorites of the year), The Running Ground. Nick shares why great leaders must balance being decisive with staying open to being wrong, how to build teams that challenge your thinking without creating chaos, and why the most important skill for the next decade is knowing what questions only humans can answer. Key Learnings Consistency Over Intensity Creates Results - If you go out there every day, six or seven days a week, and a couple days you push yourself really hard, you get faster. There's no two ways about it. If you don't do that, you don't get faster. It's a very good reminder that you can get a lot done if you just go and allot time to pushing yourself. Recommendation letter written by the Stanford faculty about Nick's dad to be a Rhodes Scholar: "Scotty Thompson is the kind of young man that comes along only once in approximately ten years. I cannot recall ever having known a student who possessed the same combination of intelligence, creativity, energy, drive, and dedication. He has attempted more, achieved more, than anyone we have studied– including some who now hold high office. He is generally conceded among those who have observed the student body since World War II to be the outstanding leader of the era. I think it likely that in the entire history of Stanford campus life, he has had no near rival since Herbert Hoover as an undergraduate." Also about Nick's Dad: Tracy Bennett, one of his graduate students, said, "He was flamboyant, gently endearing, annoyingly arrogant, piercingly intelligent, entertaining, and more. I'd never met a man, nor had a professor, who was clearly so brilliant and at the same time so precariously insecure." His grandfather, Frank Thompson, placed second in the Southern California extemporaneous speaking contest held at Whittier College. First place was Richard Nixon. Parenting — "Nothing makes me more worried about failure than parenting." "Parenting is suffused with regrets, confusion, and mistakes. But when I run by, I know my children are rooting for me to succeed with infinite love and enthusiasm." Running hard... Pushing yourself. Why do it? "Discipline builds discipline. Discipline is cumulative." Sometimes You Have to Trick Yourself - I ran 10:48 because the track was bigger than I thought, and I didn't realize how fast I was going. If I had known I was running at a 5:23 pace, I would've shut down. My body would've started to hurt. Sometimes you can't let yourself know what you're actually doing, or you'll get scared. Hiring at The Atlantic - The people he hires at The Atlantic share four must-have attributes: A spirit of generosity. A force of ideas. They're relentlessly hard workers. And they have an edge: an anxiety about getting great work done. That last one stuck with me. The best people aren't just talented... They're driven by a productive anxiety to do work that matters. Becoming CEO of The Atlantic: The Search & Selection: The Atlantic conducted a yearlong search after President Bob Cohn left in fall 2019. When owners Laurene Powell Jobs and David Bradley announced Thompsont in December 2020, they said "Nick is singular; we've seen no one like him" and that he brought "a surround-sound coverage of relevant experience." Move at an Uncomfortable Pace - You don't get anything you want by being comfortable. If you're working in a way that feels easy and setting deadlines where everything seems smooth, you're not growing, you're not learning, you're not getting there. That's a lesson from running, and it's a good lesson for work. Set Audacious Goals - We're setting two extremely big goals at The Atlantic. Our projections don't suggest we're going to hit them. But the same was true last time when I said we're gonna get profitable and a million subscribers in three years. We got there. Sometimes having a really big goal motivates you and forces all the tough choices. Continuous Forward Motion Matters Most - When I realized yesterday's marathon was going badly, I kept telling myself: continuous forward motion. Sometimes the goal becomes just finishing. It's better to make a full drop in pace and hold that than to slowly slide backwards every mile once you know you won't hit your goal. Every Extra Word Is an Opportunity to Lose People - Every extra word, every extra thought, every extra detail that doesn't propel the story needs to be removed. This book is 75,000 words, but there's 60,000 words I cut. Is this sentence absolutely essential? No? It's gone. That's storytelling, and that's leadership communication. The Cocktail Party Test for Storytelling - If you describe what you're writing at a cocktail party, do people come towards you or walk away? I can talk about my 2005 cancer diagnosis and 2007 marathon, and people lock in. I talk about my 2009 marathon, and no one cares. Test what has emotional resonance with your friends. Write and Speak To Help People SEE a Movie - When somebody's reading, they're visualizing it in their mind's eye. Can you see it? Can you feel it? If you can't run a movie in your head about what I'm writing, it shouldn't be on the page. Help them visualize it—the little white house in Concord, walking around Walden Pond. Hiring: Spirit of Generosity and Force of Ideas - Spirit of generosity means can they work with people? Will they be territorial or figure out what's best for the org? Force of ideas means are you smart and sharp? I also want edge—a little bit of productive paranoia. Not complacent, but kind to everybody. Discipline Can Show Up in Different Ways - My editor-in-chief hasn't run a mile in 25 years. Is he disciplined? Hell yeah. Works all the time, focused on every sentence. You can have mental discipline without physical discipline. I try to get the most out of different kinds of people with different strengths. Keep Going - This is the hardest time to graduate because of AI and uncertainty. Find things you're passionate about and really focus on them. My twenties weren't great professionally. I found journalism, but I wasn't good at it yet. Keep pushing, and eventually things turn out for the best. Reflection Questions What would happen if you moved at an uncomfortable pace in your most important work? Where are you setting deadlines that feel too easy and smooth? Are you ruthlessly cutting everything that doesn't propel your story forward? What sentence, meeting, or project exists simply because it always has, not because it's essential? Former Episodes Referenced #603 - Michael Easter - The Comfort Crisis #611 - Codie Sanchez - Main Street Millionaire #654 - Jake Tapper - Be So Good They Can't Ignore You Time Stamps: 02:05 Nick's NYC Marathon Experience 03:35 Nick's Father's Legacy 11:43  Running and Leadership 17:08 Overcoming Cancer and Running Again 19:24 The Importance of Setting "Stretch" Goals  21:30 Marathon Challenges and Lessons 27:09 The Warrior Athlete and Early Lessons 28:54 Nick's Role as CEO of The Atlantic 29:30 Unique Talents for a CEO Role 30:42 Balancing Multiple Interests 32:30 Writing 'The Running Ground' 37:37 Crafting a Compelling Story 41:24 Storytelling Tips for Leaders 44:15 Hiring the Right People 51:55 Running and Parenting 54:06 Advice for New Graduates 56:07 EOPC