Podcast appearances and mentions of larry group

Produced by Joseph Cottrell, Ken Fuller, Wayne Hall and Jeffrey Crecelius This week Mark and I spoke to the generous and talented composer, Larry Groupé, about his compositions for the 2001 Yes album, Magnification. We also talked about the orchestrations he did for the Symphonic Tour and his conducting. It was a wonderful, wide-ranging conversation. How did Larry Groupé end up working on Magnification? How did Larry approach the writing? Was he happy with the results? Larry's website - https://www.larrygroupe.com/ Larry Groupé https://soundcloud.com/larry-group TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Ken Fuller Jeffrey Crecelius and Wayne Hall Patrons: Aaron SteelmanDave OwenMark James LangPaul TomeiJoost MaglevDavid HeydenPaul WilsonMartin KjellbergBob MartilottaLindMichael O'ConnorWilliam HayesBrian SullivanDavid PannellLobate ScarpMiguel FalcãoChris BandiniDavid WatkinsonNeal KaforeyRachel HadawayCraig EstenesDemMark 'Zarkol' BaggsPaul HailesDoug CurranRobert NasirFergus CubbageScott ColomboFred BarringerDavidGeoff BailieSimon BarrowGeoffrey MasonStephen LambeGuy R DeRomeSteve DillHenrik AntonssonSteve PerryHogne Bø PettersenSteve RodeDeclan LogueSteve ScottTodd DudleyJimJamie McQuinnSteven RoehrJohn ParryKeith HoisingtonAlan BeggTerence SadlerJohn HoldenBarry GorskyMichael HanderhanTim StannardJon PicklesJohn ThomsonJohn CowanTony HandleyRobertGary BettsJim Morrison Our (relatively) new Facebook YMP Discussion Group is open to anyone to join but I'll be adding rules and joining requirements when I have time (one day...). One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Become a Patron! Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from: archive.org

Produced by Joseph Cottrell, Ken Fuller, Wayne Hall and Jeffrey Crecelius This week Mark and I continued to subtly subvert the format of our ‘Why Did Yes Want…?' series by looking at Larry Groupé who provided orchestrations, arrangements and unique orchestral music for the 2001 album, Magnification. We learned some interesting things about the Professor and prolific film and TV composer which will make our forthcoming conversation with him even more fascinating. As is so often the case, Larry is a big Yes fan which makes his choice a good one. Mark and I are both huge supporters of Magnification and we are looking forward to speaking to Larry, hopefully next week. Who is Larry Groupé? What skills did he have which might have attracted Yes? What did he add to Magnification? Larry's website - https://www.larrygroupe.com/ Larry Groupé https://soundcloud.com/larry-group TormatoBook.com YMP Patrons: Producers: Joseph Cottrell Ken Fuller Jeffrey Crecelius and Wayne Hall Patrons: Aaron SteelmanDave OwenMark James LangPaul TomeiJoost MaglevDavid HeydenPaul WilsonMartin KjellbergBob MartilottaLindMichael O'ConnorWilliam HayesBrian SullivanDavid PannellLobate ScarpMiguel FalcãoChris BandiniDavid WatkinsonNeal KaforeyRachel HadawayCraig EstenesDemMark 'Zarkol' BaggsPaul HailesDoug CurranRobert NasirFergus CubbageScott ColomboFred BarringerDavidGeoff BailieSimon BarrowGeoffrey MasonStephen LambeGuy R DeRomeSteve DillHenrik AntonssonSteve PerryHogne Bø PettersenSteve RodeDeclan LogueSteve ScottTodd DudleyJimJamie McQuinnSteven RoehrJohn ParryKeith HoisingtonAlan BeggTerence SadlerJohn HoldenBarry GorskyMichael HanderhanTim StannardJon PicklesJohn ThomsonJohn CowanTony HandleyRobertGary BettsJim Morrison Our (relatively) new Facebook YMP Discussion Group is open to anyone to join but I'll be adding rules and joining requirements when I have time (one day...). One of the advantages of the new format is that all members of the group have the same ability to post content, so it's a bit more egalitarian, or somesuch. Please do search for the group and join in. https://www.facebook.com/groups/3216603008606331/ Become a Patron! Please follow/subscribe! If you are still listening to the podcast on the website, please consider subscribing so you don't risk missing anything: Theme music The music I use is the last movement of Stravinsky's Firebird Suite. This has been used as introduction music at many Yes concerts. My theme music is not take from a live concert - I put it together from: archive.org

The Yes album Magnification was originally released September 10, 2001 in the UK. What set this album apart from other Yes albums is that it featured a four-member lineup relying on an orchestra (conducted by Larry Groupé) in place of a keyboardist. To honor the 20th anniversary of this album, we discuss how we feel about it, talking about each track that is included, and go over the lasting impact of this album, which was for 10 years essentially the "last" Yes studio album until the release of Fly from Here in 2011, and remains the last Yes studio album to feature Jon Anderson. You can follow our podcast series at https://anchor.fm/yesshift, which includes an audio version of this episode if you prefer not to look at us. We welcome comments, questions, and suggestions, so feel free to email us at yesshiftpodcast @ gmail.com On our Facebook page. we will not only share our podcast episodes, but also Yes photos and videos with stories from throughout their career. --- Support this podcast: https://anchor.fm/yesshift/support

Rod Lurie joined Larry Groupé spoke with host Aaron Cain in the WFIU studios

Rod Lurie joined Larry Groupé spoke with host Aaron Cain in the WFIU studios

With two Musical Composition/Arrangement Emmy wins behind him, professor Larry Groupé talks with Dean Shanahan about Hollywood scoring for movies, video games, and shows. Groupé leads IU's new film and media scoring program, teaching classed in the Jacobs School of Music and the Media School.

What you’ll hear: The most important thing you need to succeed as a film composer What NOT to do when networking with film industry people His formula for getting work in the film music business (this formula is tried and true!) Specific tips on what and how to share your music when looking for work - keeping your AUDIENCE in mind (AKA the producers/directors/people that hire you) The big difference in contracts and unions between the US and other countries - how this causes work in the film recording industry to go overseas… and what you can do about it … and SO much more   Mentioned in the episode - Larry Groupé's film composer workshop, coming up this summer. For more information go to: http://www.palomarworkshops.com/ I want to thank Ficks Music for sponsoring Crushing Classical. When you’re looking for high quality sheet music, look no further than  https://www.ficksmusic.com/discount/CRUSH Use the link above to get 10% off your order!   Check out the new revolutionary tuner app DRONE TUNER on iOS. Available NOW for iPhone and iPad. Tune to REAL recorded instrument tones instead of machine-like sounds to work on intonation, sound concept and blend. The visual component of this tuner is also incredible, with a super-fast reaction time, it allows you to tune while playing a musical passage or using vibrato. It even allows you to tune chords! Get yours today: https://apple.co/2pe4NBe