Podcasts about Composer

In this episode, we feature Cherish, a luminous new work by acclaimed Canadian composer and pianist Bonnie Milne. https://www.facebook.com/BonnieMilneMusic Released as part of her sophomore album Perception (MTS Records, July 25, 2025), Cherish is both elegant and deeply moving — a piece that captures gratitude, memory, and enduring emotional connection.Available in both full ensemble and solo piano versions, Cherish highlights Milne's gift for weaving classical expression with cinematic storytelling. Her artistry shines not only in the beauty of her piano work but also in the layered textures created with world-class collaborators, including cellists Kevin Fox and Alyssa Wright, violinist Shane Guse, flautists Dawn Ellis-Mobbs and Karen Richards, organist Dan McCoy, and percussionist Dave Hewitt.With more than 200,000 Spotify streams, chart-topping singles, and international acclaim — including the UK iTunes Classical #2 hit Stolen Night Sky — Bonnie Milne has quickly become a compelling voice in modern classical music. Her latest album, Perception, explores vulnerability, healing, and the beauty that can be found in uncertainty.Cherish invites us into a quiet yet powerful space of reflection, where music becomes a vessel for connection and peace.The 5 Minutes of Peace podcast is created by The Peace Room in Boise, Idaho. Learn more at www.ThePeaceRoom.love.

Episode: 2517 Rebecca Clarke: Violist, Composer, Woman.  Today, a woman in conflict.

Recently, the Saint Paul the Apostle Church choir in New York City had the exciting opportunity to perform an original song called “Love More” at Pope Leo XIV's general audience. Father Dave lives and serves at Saint Paul the Apostle, and he discusses the profound moment with the song's composer, J. Oconer Navarro.

on this episode we have music composer and orchestra conductor Philip Shorey on.  Philip and his orchestra will be performing at the Ted Mann Concert Hall in Minneapolis this Halloween. They will be providing the music and scoring for the 1925 "Phantom of The Opera" silent film as it being shown.  A TRULEY ONCE IN A LIFETIME EVENT.    We talk about the history of the story of "The Phantom of the Opera" and how Philip got involved with doing live orchestra music while the film is being shown as well as other silent films he also work with.      We also talk a little about Philip's passion of puppetry and traveling.     ****** IF YOU ARE INTERESTED IN PURCHASING TICKETS FOR THE HALLOWEEN EVENT**** "THE PHANTOM OF THE OPERA" click here. https://curseofthevampire.com/en/curse-of-the-vampire/   CHECK OUT THE TRAILER OF THE EVENT HERE https://www.youtube.com/watch?v=Pwxq8tuIlP0&t=23s CHECK OUT PHILIP SHOREY'S youtube channel. https://www.youtube.com/philipshorey   Check out E.H. DRAKE's web sight for her books. Order one today! https://www.ehdrake.com/   Check out host Nick Palodichuk's film reviews https://stpaulfilmcast.reviews/  

On the 478th episode of Piecing It Together, we are LIVE from Downtown Cinemas in Las Vegas with William-Patrick Coleman, KL Martin and Bob Jomes to talk about Good Boy! This horror story from the point of view of a dog has caught a lot of buzz, and as a huge dog lover and the lead of a doggy rock group The Pup Pups, of course I had to do a show on this one. Puzzle pieces include Scooby Doo, The Thing, The Others and Poltergeist.This episode is dedicated to the memory of Harvey from The Pup Pups.As always, SPOILER ALERT for Good Boy and the movies we discuss!Written by Ben Leonberg and Alex CannonDirected by Ben LeonbergStarring Indy, Shane Jensen, Larry Fessenden, Arielle FriedmanShudder / IFCKL Martin is a writer-director-filmmaker from Las Vegas. He has directed nine shorts including “You Should Smile More” which is currently on a film festival run.Check out his work at https://linktr.ee/KEVINLMARTINFollow KL Martin on Twitter @Codename_LEONCheck out Jason Harris on FacebookBob Jomes is a local MC and currently a host of the Punk Rock Party Brunch at The Composer's Room on Saturdays at 11am.Chek out Bob on Instagram @imbobjomesAnd check out the Punk Rock Brunch at https://thecomposersroom.com/tm-event/punk-rock-brunch-hits-from-the-90s-y2k-most-fun-vegas-brunch-25/William-Patrick Coleman is the host of the FILMBUFF YouTube channel.Check out FILMBUFF at https://www.youtube.com/channel/UCrku_45HWx_zSx6mCSdxMkQAnd follow William on Instagram @filmbuff_showMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAThe song at the end of the episode is of course from my pet rock group The Pup Pups. Honestly I don't remember which song I included but hey, it's one of the songs from our 5 albums or our upcoming 6th album Pup Pup Radio!Make sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on...

Queen Elizabeth replays a tape of her husband King Edward's band as she obsesses over his failing health. Her brother, Lord Rivers, tries to comfort her, as do her two sons from a previous marriage, Gray and Dorset. She tells them that the sons she conceived with Edward are still too young to rule, and that if her husband dies, the throne will go to Richard until the oldest son comes of age, putting her safety in jeopardy. Buckingham and Derby arrive to report that King Edward's health is improving and that he wants to make peace between Richard and Elizabeth's clans. Richard barges in with Hastings at his side, railing that he's being disrespected and that people are telling lies about him. Elizabeth does her best to defend herself against his accusation that she put Clarence in jail and that she is vying for the throne. As they argue, the old Queen Margaret arrives unseen and listens to them from outside the house, commenting bitterly to herself about how quickly power is lost. She finally confronts the group and berates Richard for the murders of her family before cursing everyone in the room, one by one. After she departs, Catesby enters to say that King Edward wants to talk to his family. Richard, left alone, celebrates his mischief, then hires two murderers to kill his brother Clarence in the Tower. There, Clarence tells Brackenbury (the jailer) about a nightmare he had in which he drowned trying to rescue Richard and was dragged down to hell. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLO. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Que faire quand le business prend toute la place et impact notre relation de couple ?Avec Anne Roussel, coach en relations, on explore les clés pour transformer son couple en ressource, et non en frein.Équilibre entre entrepreneuriat et vie de couple, charge mentale, incompréhensions, rythmes décalés, manque de soutien ou peur du rejet. Mais aussi : communication, équilibre, vulnérabilité, limites et sécurité émotionnelle.En résumé, vous saurez exactement comment :➡️ Recréer du lien et une communication saine quand l'entrepreneuriat crée du déséquilibre dans le couple.➡️ Préserver la qualité de votre relation sans ralentir la croissance de votre business.➡️ Composer avec un partenaire qui doute de votre projet…Bonne écoute

In this GB Classic, Mitch Albom shares the stories behind his bestselling books and how they're really about living fully, loving deeply, and making a difference.

Composer and audio producer Pat McCusker joins me to talk about his work creating music for The Ezra Klein Show, his role at The New York Times, and what it's like touring the world as a musician with actor David Duchovny. Pat's music also appears on The Daily, Modern Love, and many more.

Ep 154: October 1, 2025 - Is Advanced Alien Tractor Beam Controlling 3I/ATLAS? Edgar Cayce - Vision of a “blade of light”…involving “mysterious forces” 3I/ATLAS moving at 130,000 mph Avi Loeb states 3I/ATLAS may be larger than 3 miles Interview with Dick Allaire, Future Forecasting Group Remote Viewing FFGRV.com "a glimpse” "comet may be bringing disruption” “horizon full of black smoke” “severe earthquakes in the next 90 days…Uzbekistan, Iran…that side of the world” “the solar system is a finely tuned gear” “wow…this is something big…I'm in a star field” “there's going to be a solar flare” “it's interacting with the sun in some way” “this thing was GUIDED…was that gravity..or a like a tractor beam” “target A1R0-L1N0” “this big thing out in the darkness… motion and mass” “affecting earth in some weird way…something from the sun” “I sense danger…a force I don't understand” “its being pulled through space…like by a tractor beam” More headlines “Giant lava tunnels on Mars” “Scientists confirm massive underground tunnels on Venus” “Venus is hiding massive underground tunnels that are much bigger than expected” ==== NEW PRINTINGS NOW AVAILABLE: Glimpses of Other Realities, Vol. 1: Fact & Eye Witnesses   Now available on Amazon: https://earthfiles.com/glimpses1  Glimpses of Other Realities, Vol. 2: High Strangeness   Now available on Amazon: https://earthfiles.com/glimpses2 An Alien Harvest: Further Evidence Linking Animal Mutilations and Human Abductions to Alien Life Forms   Now available on Amazon: https://earthfiles.com/aah ====   #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/Earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html

Composer and author Tina Davidson's memoir, Let Your Heart Be Broken, is available in audiobook format on all major platforms starting August 12, 2025 via publisher Boyle & Dalton. The audiobook, read by Davidson herself, features her music woven throughout, interspersed in sections where she discusses the compositions' creation. This rare look inside a composer's creative process juxtaposes recordings of Davidson's music, memories, journal entries, and insights into the life of an artist and mother at work. Let Your Heart Be Broken was published in hardback and paperback in 2023.“Part of my commitment as a composer is to bring others into my musical world, both through the music itself and by writing about my creative process,” says Tina Davidson. “By weaving my compositions into the chapters of this audiobook containing my journals, I'm creating a bridge between my inner creative practice and the finished work, opening the door for listeners to understand and connect more deeply.”FaceBook: https://www.facebook.com/tinadavidsoncomposerauthor/Instagram: https://www.instagram.com/tinadavidson.music/Web Page: http://www.tinadavidson.comHear the music: https://open.spotify.com/artist/2y5Z17bEilAiViMp9FMuJhOrder the memoir: https://www.amazon.com/Let-Your-Heart-Broken-Classical/dp/1633376966/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1677079964&sr=1-1BlueSky: https://bsky.app/profile/tinadavidson.bsky.socialSubStack: https://tdavid508.substack.com/publish/homeMake sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! 

Der langjährige Chefdirigent und Composer-in-Residence der hr-Bigband, Jim McNeely, ist am Freitag, 26. September 2025, im Alter von 76 Jahren in New York nach kurzer schwerer Krankheit verstorben. Jim McNeely war einer der profiliertesten Orchesterleiter des zeitgenössischen Jazz. Als Komponist und Arrangeur hat er für die renommiertesten Jazzorchester in den USA und Europa gearbeitet. Von 2011 bis 2022 war McNeely Chefdirigent der hr-Bigband, danach führte er seine Arbeit noch zwei Jahre als "Composer in Residence" weiter. Erst im Juni 2024 gab McNeely zusammen mit der hr-Bigband ein umjubeltes Abschiedskonzert im hr-Sendesaal und wurde zum ersten Ehrendirigenten des Ensembles ernannt. Daniella Baumeister erinnert mit Aufnahmen der hr-Bigband und Interviews an Jim McNeely. (Sendung vom 28.9.)

Today, we welcome two remarkable guests: composer Amy Scurria and Dr. Ryan Gardner, Associate Professor of Trumpet at the University of Colorado Boulder. Amy, a multi-award-winning composer, has seen her work performed worldwide, including at Carnegie Hall. With a unique perspective shaped by her late autism diagnosis, she began composing at just eight years old, using music as a language to explore her emotions. Ryan, originally from Santa Monica, California, has spent over a decade teaching trumpet and is known for his innovative approaches to performance psychology. He also serves as the artistic director for Music for Autism, a program that creates inclusive concert experiences for autistic individuals and their families.In this first part of our conversation, we dive into the intersections of music and autism. Amy shares her insights on neurodiversity and how it shapes her approach to composing, while Ryan discusses the transformative power of music for autistic audiences. As Amy poignantly states, "Neurodiversity means we're just scratching the surface of what the human brain is capable of and how it works." Their stories and perspectives promise to offer enlightening views on how music can bridge differences and create connections.[Subscriber Content] In the subscriber section, we delve deeper into Amy's journey as a composer and her educational experiences. She reflects on her influences, including her composition teachers at Rice University and Duke University, and shares thoughts on how improvisation has played a role in her creative process. Ryan also discusses the impactful training he received and the importance of understanding individual learning styles in music education. Their shared wisdom is sure to resonate and inspire anyone interested in the rich tapestry of music education and neurodiversity.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Julian Winding, the Danish composer and electronic artist behind The Demon Dance from Nicolas Winding Refn's The Neon Demon, joins me on Bonfire Conversations. In this episode, we dive deep into his upbringing in Denmark and England, his early rock beginnings, and how he found his voice in electronic and film music.Julian opens up about collaborating with his uncle, Nicolas Winding Refn, on projects like Copenhagen Cowboy, the pressures and joys of scoring atmospheric silence, and the art of balancing bold experimentation with emotional resonance. We also talk about his love for dance-oriented music, the influence of Nordic folk traditions, and the future of sound in an age of AI.In the Penny for Your Thoughts segment, Julian shares his dream collaboration, a beautiful mistake that changed his music, his top five films, and what he thinks music will sound like 500 years from now.

As his older brother, the newly crowned King Edward, weakens with illness, Richard, Duke of Gloucester, lays out his plans to take the throne. He frames his brother Clarence for conspiring to kill Edward, then convinces Lady Anne, the widow of the previous King Henry, to marry him, even though he killed her husband and their son. The PLAY ON PODCAST SERIES, “RICHARD THE THIRD”, was written by WILLIAM SHAKESPEARE and translated into modern English verse by MIGDALIA CRUZ. All episodes were directed by LISA ROTHE. Radio play by CATHERINE EATON.   This podcast was recorded under a SAG-AFTRA AGREEMENT.   The cast is as follows:   MATT FRASER                  as    RICHARD THE THIRD MIA KATIGBAK                 as    QUEEN MARGARET, CITIZEN and BLUNT HIRAM DELGADO             as    CLARENCE, DORSET, ELY and MESSENGER NANCY RODRIGUEZ        as    LADY ANNE, OXFORD, RIVERS and A MURDERER RACHEL CROWL              as    QUEEN ELIZABETH, NORFOLK, and MESSENGER SANJIT DE SILVA             as    NESS AQUINO, BUCKINGHAM, and A CITIZEN CHARLES DUMAS            as    EDWARD, HENRY the SIXTH, STANLEY & CARDINAL ANDY LUCIEN       as    HASTINGS, SCRIVENER, a MESSENGER and A MURDERER GABRIELA SAKER           as    CATESBY, DUKE OF YORK and A MESSENGER DANAYA ESPERANZA as BRAKENBURY, RATCLIFFE, LORD MAYOR, TYRREL, and  RICHMOND ALMA CUERVO              as    DUCHESS OF YORK, SHERIFF & A MESSENGER ELIJAH GOODFRIEND  as    PRINCE EDWARD, A PAGE, and A BOY   Casting by THE TELSEY OFFICE: KARYN CASL, CSA.   Voice and Text Coach: JULIE FOH   Original music composition, Mix and Sound Design by LINDSAY JONES. Composer, Producer, Guitars, Bass, Lead Vocals, Recording and Mix Engineer, DAVID MOLINA. EDWIN AYALA on Drums. Backup Vocals by MANUEL TRUJILLA. Sound engineering and mixing by SADAHARU YAGI. Mix Engineer and Dialogue Editor: LARRY WALSH. Podcast Mastering by GREG CORTEZ at New Monkey Studio. Coordinating Producer: TRANSCEND STREAMING (KYRA BOWIE and LEANNA KEYES). Executive Producer: MICHAEL GOODFRIEND.   The Play On Podcast Series “RICHARD THE THIRD” is produced by NEXT CHAPTER PODCASTS and is made possible by the generous support of THE HITZ FOUNDATION. Visit NEXTCHAPTERPODCASTS.COM for more about the Play On Podcast Series. Visit PLAYONSHAKESPEARE.ORG for more about Play On Shakespeare.   Subscribe to Play On Premium for ad-free episodes and join our Patreon for exclusive merchandise and early commercial-free releases. Go to nextchapterpodcasts.com for our Bonus Content, where you'll find interviews with the artists, producers and engineers who brought it all to life. And remember: “We are not safe”. Learn more about your ad choices. Visit megaphone.fm/adchoices

Andy welcomes composer & producer Catharina Jaunviksna back to the show to talk about coping through music, her documentary on folk guitarist Elizabeth Cotten, and ghosts in the mandolin. Check out her upcoming album, Nobody Dies, coming out October 10th!  

This week I'm sitting down and talking with Composer Nicolas Snyder, about his work on the best show of the year, Common Side Effects! Join our Patreon: https://patreon.com/CartoonChronix   Follow Us On Social Media: Facebook: https://www.facebook.com/CartoonChronix Instagram: https://www.instagram.com/CartoonChronix X: https://x.com/CartoonChronix Youtube: https://www.youtube.com/@CartoonChronix   Follow Nicolas: https://www.instagram.com/nicolas__snyder Follow Nicolas: https://www.nicolassnyder.com/ Follow Nicolas: https://open.spotify.com/artist/7KJ48VkA4FWRAGXsreKJYe Space Infection Short Film: https://www.youtube.com/watch?si=plNl66mzhs4glUEY&v=5H1iZYm9owA&feature=youtu.be   #NicolasSnyder #Composer #CommonSideEffects #AdultSwim #ScavengersReign

This episode features songs and conversation with special guests Jeremy Reynolds and Jenni Brandon.

This week, Joe is featuring Pianist/Composer Michael Johnson from his 2007 Self-Published recording titled “Driven.”

Sid Sriram – Singer, Composer, and PerformerThis one's a new attempt — The Raw Jam - unlike our usual conversations, this episode is mainly in English and takes the form of a free-flowing jamming session.In this special episode, Sid Sriram opens up about his journey through music, the deeper purpose behind his art, and why he still doesn't speak Telugu despite being loved by millions here. He shares his honest take on the controversy around his Telugu pronunciations, his opinion love and alot more.Between these heartfelt conversations, we jammed — a lot, with the entire team.

Salonen & Kuusisto by CSO Association

Donald Macleod explores the life of Spanish composer Joaquín Rodrigo.The Spanish composer Joaquín Rodrigo is responsible for one of the most instantly recognisable works for classical guitar - if not one of the most famous pieces of classical music full stop. But when he was just three years old, a bout of diptheria left him almost completely blind, and a future in composition seemed out of the question. How did he become one of Spain's most revered musical minds?Music featured: Concierto de Aranjuez 2 Esbozos Rumaniana 3 Evocaciones 5 Sonatas de Castilla con toccata a modo de pregón Juglares Zarabanda Lejana Pastorale 2 Berceuses Bagatela Preludio de anoranza Suite pour piano Preludio para un poema a la Alhambra 5 piezas infantiles Serenata española Tres Danzas de España Cuatro estampas andaluzas Sonada de adios (Homenaje a Paul Dukas) Per la flor del lliri blau Cuatros Piezas Cancion Del Cucu Coplas del pastor enamorado En los trigales Tiento antiguo Junto al Generalife Fantasia para un Gentilhombre: I. Villano y Ricercare Concierto de estio: Siciliana: Andantino Invocacion y danza Ausencias de Dulcinea Concierto para una fiesta: Andante calmoPresented by Donald Macleod Produced by Alice McKee for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Joaquin Rodrigo (1901-1999) https://www.bbc.co.uk/programmes/m002jfqx And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Follow Joe Weinberg @OverthinkingTheatre on TikTok and Instagram. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Ep 153: Sept 24, 2025 - Is 3I/ATLAS An Alien Reconnaissance Probe? History of 3I/ATLAS object moving over 130,000 miles per hour first seen 3 months ago in August, 2025 3rd interstellar object Headline: 3I/ATLAS Just changed color” object changed from red to green Interview with John Brandenburg, Ph.D. comets can change color green is a common color cyanide is a common element in comets “I try to rank the degree of anomaly” “trajectory - like this thing was planned, like the Jupiter probes” “does not look like a natural event at all…looks like a reconnaissance probe” “Oumuamua…almost like it was camouflaging itself behind the sun” C/2025 R2 SWAN - “highly unlikely to happen naturally” 3I/ATLAS to pass close to Mars on October 3, 2025 “could be a scientific survey of our solar system” “If Oumuamua and 3I/ATLAS are part of the same…they are interested in Mars” “I am convinced the government has known for 80 years or more that we are not alone in this universe” “the government does not want to talk about his aspect”   Remote viewer Richard from FFGRV.com  ==== BOOKS MENTIONED: Death on Mars: The Discovery of a Planetary Nuclear Massacre John E. Brandenburg, PhD. ==== NEW PRINTINGS NOW AVAILABLE: Glimpses of Other Realities, Vol. 1: Fact & Eye Witnesses   Now available on Amazon: https://earthfiles.com/glimpses1  Glimpses of Other Realities, Vol. 2: High Strangeness   Now available on Amazon: https://earthfiles.com/glimpses2 An Alien Harvest: Further Evidence Linking Animal Mutilations and Human Abductions to Alien Life Forms   Now available on Amazon: https://earthfiles.com/aah ====   #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/Earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html

Composer, runner, and friend of the podcast Brendan Eder returns and provides an update on his running progress and recent experimentations with casual swearing. Trevor debuts a successful piano piece and Dave lands a top finish at a recent road race. The hosts make a last-minute attempt to hype up Brendan for his run and forget to ask about Dave Rawlings.

Mercury-nominated vocalist, composer and producer ESKA talks about her favourite studio gear and how her background as a live jazz musician shapes her approach to writing and recording.Chapters00:00 - Introduction01:30 - ESKA's Journey Into Music06:21 - Using Tech To Tell A Story14:23 - Approaching Each Track Individually16:35 - Developing A Sonic Identity20:18 - Live vs Studio Artist Methods26:59 - Solo Albums And Soundtracks31:47 - Exploration And Improvisation32:43 - Collaborating With Musicians 38:57 - Live Performances With Ableton#CamelCrusher #NeumannTLM103 #NeumannU87 #PrismLyra2 #AbletonLive Eska BiogESKA is a Mercury Award nominated singer, songwriter, composer and producer. Her music blends elements of folk, soul, psychedelia and electronica, shaped by years of live performance and a strong jazz influence. She has released acclaimed projects including her self-titled debut album ESKA and her more recent release, The Ordinary Life of a Magic Woman. Her work has received radio support from Gilles Peterson, Lauren Laverne and John Kennedy, and her debut EP was named one of Bandcamp's Best Releases of 2013.Alongside her solo career, ESKA has collaborated with artists such as Grace Jones, The Cinematic Orchestra, Zero 7, Bobby McFerrin, Esperanza Spalding, Shabaka Hutchings and Kae Tempest, and her credits include theatre and film scores as well as performances at major venues and festivals.https://www.eskaonline.com/https://www.instagram.com/eskaonline/https://www.facebook.com/eskaonline/Caro C BiogCaro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.URL: http://carocsound.com/Twitter: @carocsoundInst: @carocsoundFB: https://www.facebook.com/carocsound/Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

On the latest episode of ‘New Classical Tracks,' composer Dawn Avery and cellist Wilhelmina Smith present their first collaborative recording, ‘Sweetgrass.' Listen now with host Julie Amacher!

Text us about this show.Kostia is, in a word, special. He's not only a prolific composer and pianist, but one of the most genuine human beings you could ever know. Born and raised in St. Petersburg in the former USSR, Kostia made his way to the United States in 1989 and within a week of arriving he had his first recording deal with Narada Records. Over the years he has been active in the Milwaukee music scene accompanying vocalist Carmen Nickerson and playing keyboards for guitarist Daryl Stuermer (Genesis, Phil Collins). He is a Grammy nominated artist whose compositions are easy to get wrapped up in and a gentleman in every sense of the word. His heart comes out in all the music he brings into being and that is what makes Kostia special."Russian Story," "Song of Evergreen," "Girl From Barcelona," "Winter Ride," "Troika," "First Touch," "There Is So Much Light," and "American Fields" written and performed by Kostia℗ Kostia Efimov. Used with permission of Kostia Efimov.Melody Audiology LLCAudiology services for all. Specializing in music industry professionals and hearing conservation.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2025 by Project X Productions. All rights reserve...

TRIGGER/CONTENT WARNING: weight, weight lossDina dishes with Ben about the realities of life as a traveling artist, and how he maintains balance, eats well, and keeps up healthy habits while touring.Ben Basile is a bassist, educator, and composer from New York's Hudson Valley Area. He holds a Bachelor of Science in Jazz Studies from The State University of New York at New Paltz and a Music Performance Certificate from The State University of New York at Dutchess Community College.Ben has performed, composed, recorded, and toured across six continents with a variety of groups. Most notably, Ben has been a member of Big D and The Kids Table (https://www.bigdandthekidstable.com/) since 2013 and is a founding member of The Poughkeepsie Jazz Project, a group which has hosted a weekly jazz jam session in Poughkeepsie, NY since 2012.Ben's debut solo album "Benergy" was released in May 2025. You can learn more about him and check out upcoming tour dates at:https://benbasile.com/https://www.instagram.com/benbasile/https://www.facebook.com/ben.basile.94/Mentioned in this episode:Anthony Basile | Episode 129 (https://open.spotify.com/episode/0wwJ1kaCKhsSqfdzAh5iRY?si=8mLdLfyuQUCIMVdC8SUH3w)3rd Decade financial program (https://3rddecade.org/)---- Check out our podcast in video format on DishWithDinaTV:https://www.youtube.com/user/DishWithDina?sub_confirmation=1Join our mailing list to stay connected, stay informed, receive exclusive offers, and be a part of the DishWithDina community:https://forms.gle/MzV7gVAPEsqEyEFH6⁠If you enjoyed this podcast, please subscribe, leave a review, and share it with others! You can also submit listener feedback or request to be a guest on a future episode by completing this form:https://forms.gle/EFYX7Gshbjx9cCKfA----DISCLAIMER: The purpose of this podcast is to entertain, educate, and inform, but it is not to be taken as medical advice. Please seek prompt, qualified medical care for any specific health issues and consult your physician or health practitioner before starting a new fitness regimen, herbal therapy, or other self-directed treatment.

Mike Murray stands as a multifaceted Recording Artist, Composer, Musician, and Producer in the Smooth Jazz and Chill Out genres. His journey into the realm of music commenced during his formative years, where summers spent at camp ignited his passion for the piano, played on a humble upright instrument. This initial introduction laid the foundation for what would become a lifelong passion.During high school, Murray's musical trajectory took an unexpected yet compelling turn when he secured a spot in a local funk band. However, his role evolved from pianist to drummer, revealing his adaptability and versatility. Though these musical seeds were sown, life beckoned him forward to explore new horizons.Across the years, Murray's musical horizons were greatly expanded by the influence of icons like George Duke, Stanley Clarke, Four Play, Santana, Hiroshima, Paul Hardcastle, Alex Bugnon, Earth Wind & Fire, Sly Stone, Mandrill, and an array of other revolutionary talents.With the release of his newest single, "Global Warning," the forth of seven singles in a series called Seven Stories, Mike Murray continues his musical journey, blending smooth grooves with deep stories. Following the bold energy of “ewe do ewe,” which marked a pivotal moment in his evolution, Murray takes the next step in his growth, inviting listeners to experience a sound that's personal, real, and always rhythm-driven.With Seven Stories, Murray begins a fresh chapter—one that brings together smooth grooves, real stories, and thoughtful moments. This new collection builds on the spirit of “ewe do ewe,” staying true to the idea of following your own path, but with a deeper sound and a wider range of feeling. Jazz DifferentlySupport the showMusic Artist interview

We sit down with composer Cameron Paxton, best known for his work on the hit indie game Dome Keeper. From growing up in a music-filled home to serving in the Air Force and eventually carving a path into game audio, Cameron's story is one of resilience, reinvention, and rediscovery.We explore what it means to balance youthful creative urgency with the more deliberate craft of maturity, how to chase sparks of inspiration before they fade, and why discipline is just as important as inspiration. Cameron shares lessons from his journey through rock bands, tape recorders, game jams, and ultimately finding his voice in game music.This episode is about more than music — it's about the art of becoming. Whether you're a musician, creative, or simply curious about the philosophy behind making art, you'll walk away with insights to fuel your own journey.CAMERON LINKS:Website: cameronpaxton.comSpotify: https://open.spotify.com/artist/1OBr3Jn1ePWfUJ4f0Vp0VE?si=mwcfwL4JRy-nKI_Zq8scWgApple Music: https://music.apple.com/us/artist/cameron-paxton/608985830Bandcamp: https://cameronpaxton.bandcamp.com/Markus Junnikkala is a Composer from Finland.https://www.markusjunnikkala.com/Support this podcast by becoming a member:https://markusjunnikkala.com/membership/Want me to answer your question?Ask it on social media:https://www.instagram.com/markusjunnikkala/https://www.facebook.com/markusjunnikkala/https://x.com/markusjunnikkalhttps://www.twitch.tv/markusjunnikkalahttps://www.reddit.com/user/markusjunnikkala/https://www.linkedin.com/in/markusjunnikkala/Subscribing, sharing, and liking helps the podcast.TIMESTAMPS:(00:00:00) – Intro & Tech Setup(00:09:12) – Life in Austin & Texas Stories(00:17:41) – Growing Up Military & Air Force Years(00:28:33) – Lessons from the Military & Diversity of People(00:53:14) – Discovering Music as a Teenager(00:55:03) – C-Lane Project & Early Recordings(01:09:10) – Inspiration vs Discipline in Creativity(01:24:45) – Game Jams & The Road to Dome Keeper(01:36:23) – Dome Keeper's Development & Soundtrack Expansion(01:46:45) – Release Reflections & Creative Validation(02:32:46) – Sound Design, Tools & Process Insights(02:51:41) – Work-Life Balance, Therapy & Sustaining Creativity(03:10:00) – What It Means to Be an Artist(03:18:17) – Closing Thoughts & Outro

Composer and producer Ben Holloway slides into the studio to share stories about writing and producing music, while spinning smooth tracks from local artists.

Mäkelä Conducts Mahler 3 by CSO Association

In this engaging episode of Set Lusting Bruce, podcast host Jesse Jackson dives into a fascinating conversation with composer Tina Davidson. Tina discusses her unique audiobook, 'Let Your Heart Be Broken,' which intertwines her memoir with excerpts of her own music. She reflects on her creative process, her inspirations, and the challenges she faced, both personally and professionally. Tina also teases her upcoming book, focusing on the creative spirit after 60 and the experience of aging as an artist. Tune in for a rich exploration of music, memory, and creativity. https://www.tinadavidson.com/ 00:00 Introduction and Patreon Shoutouts 01:17 Guest Introduction: Tina Davidson 01:54 Tina's Musical Journey and Memoir 02:26 Creating the Audiobook: A Unique Experience 04:37 The Creative Process and Inspirations 24:14 Excellence vs. Perfectionism in Art 30:49 Upcoming Projects and Final Thoughts 34:58 Closing Remarks and Contact Information Learn more about your ad choices. Visit megaphone.fm/adchoices

It's part two of our Caught Stealing sonic special, as composer Rob Simonsen joins us to discuss his contribution to Darren Aronofsky's latest movie, and plenty more besides. Edith's chat with Joe from IDLES is also available, as indeed is the episode with Darren, so do check those out if you haven't already. But it was great to get Rob on his own so we could dive deep into his own process, as well as some of his other career highlights. 

Tune into the fourth installment of AJC's latest limited podcast series, Architects of Peace. Go behind the scenes of the decades-long diplomacy and quiet negotiations that made the Abraham Accords possible, bringing Israel, the United Arab Emirates, Bahrain, and later Morocco, together in historic peace agreements.  From cockpits to kitchens to concert halls, the Abraham Accords are inspiring unexpected partnerships. In the fourth episode of AJC's limited series, four “partners of peace” share how these historic agreements are reshaping their lives and work. Hear from El Mehdi Boudra of the Mimouna Association on building people-to-people ties; producer Gili Masami on creating a groundbreaking Israeli–Emirati song; pilot Karim Taissir on flying between Casablanca and Tel Aviv while leading Symphionette, a Moroccan orchestra celebrating Andalusian music; and chef Gal Ben Moshe, the first Israeli chef to ever cook in Dubai on his dream of opening a restaurant in the UAE. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  Episode lineup: El Mehdi Boudra (4:00) Gili Masami (11:10) Karim Taissir (16:14) Gal Ben Moshe (21:59) Read the transcript: https://www.ajc.org/news/podcast/partners-of-peace-architects-of-peace-episode-4 Resources: AJC.org/ArchitectsofPeace - Tune in weekly for new episodes. The Abraham Accords, Explained AJC.org/CNME - Find more on AJC's Center for a New Middle East Listen – AJC Podcasts: The Forgotten Exodus  People of the Pod Follow Architects of Peace on your favorite podcast app, and learn more at AJC.org/ArchitectsofPeace You can reach us at: podcasts@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript: El Mehdi Boudra: All the stereotypes started like getting out and people want to meet with the other. They wanted to discover the beauty of the diversity of Israel. And this is unique in the region, where you have Arabs Muslims, Arab Christians, Druze, Beta Yisrael, Ashkenazi, Sephardic Jews, Jews from India, from all over the world. This beauty of diversity in Israel is very unique for our region. Manya Brachear Pashman: In September 2020, the world saw what had been years – decades – in the making: landmark peace agreements dubbed the Abraham Accords – normalizing relations between Israel and two Arabian Gulf states, the United Arab Emirates and the Kingdom of Bahrain. Later, in December, they were joined by the Kingdom of Morocco.  Five years later, AJC is pulling back the curtain to meet key individuals who built the trust that led to these breakthroughs and turning the spotlight on some of the results. Introducing: the Architects of Peace. ILTV correspondent: Well, hello, shalom, salaam. For the first time since the historic normalization deal between Israel and the UAE, an Israeli and an Emirati have teamed up to make music. [Ahlan Bik plays] The signs have been everywhere. On stages in Jerusalem and in recording studios in Abu Dhabi. [Camera sounds]. On a catwalk in Tel Aviv during Fashion Week and on the covers of Israeli and Arab magazines. [Kitchen sounds]. In the kitchens of gourmet restaurants where Israeli and Emirati chefs exchanged recipes. Just days after the announcement of the Abraham Accords, Emirati ruler Sheikh Khalifa bin Zayed Al Nahyan formally ended the UAE's nearly 50-year boycott of Israel. Though commerce and cooperation had taken place between the countries under the radar for years, the boycott's official end transformed the fields of water, renewable energy, health, cybersecurity, and tourism.  In 2023, Israel and the UAE signed a Comprehensive Economic Partnership Agreement (CEPA) to advance economic cooperation, and by 2024, commerce between the UAE and Israel grew to $3.2 billion. Trade between Bahrain and Israel surged 740% in one year. As one of the world's most water-stressed countries, Bahrain's Electrical and Water Authority signed an agreement to acquire water desalination technology from Israel's national water company [Mekorot].  Signs of collaboration between Israeli and Arab artists also began to emerge. It was as if a creative energy had been unlocked and a longing to collaborate finally had the freedom to fly. [Airplane take off sounds]. And by the way, people had the freedom to fly too, as commercial airlines sent jets back and forth between Tel Aviv, Casablanca, Abu Dhabi, and Manama.  A gigantic step forward for countries that once did not allow long distance calls to Israel, let alone vacations to the Jewish state. At long last, Israelis, Moroccans, Emiratis, and Bahrainis could finally satisfy their curiosity about one another. This episode features excerpts from four conversations. Not with diplomats or high-level senior officials, but ordinary citizens from the region who have seized opportunities made possible by the Abraham Accords to pursue unprecedented partnerships. For El Medhi Boudra, the Abraham Accords were a dream come true.  As a Muslim college student in 2007 at Al Akhawayn University in Ifrane, Morocco, he founded a group dedicated to preserving and teaching the Jewish heritage of his North African home. El Mehdi knew fostering conversations and friendships would be the only way to counter stereotypes and foster a genuine appreciation for all of Morocco's history, including its once-thriving Jewish community of more than 100,000. Five years later, El Mehdi's efforts flourished into a nonprofit called Mimouna, the name of a Moroccan tradition that falls on the day after Passover, when Jewish and Muslim families gather at each other's homes to enjoy cakes and sweets and celebrate the end of the Passover prohibitions. Together.   El Mehdi Boudra: Our work started in the campus to fill this gap between the old generation who talk with nostalgia about Moroccan Jews, and the young generation who don't know nothing about Moroccan Judaism. Then, in the beginning, we focused only on the preservation and educating and the promotion of Jewish heritage within campuses in Morocco. In 2011, we decided to organize the first conference on the Holocaust in the Arab world. Manya Brachear Pashman: So did the Abraham Accords make any difference in the work you were already doing? I mean, I know Mimouna was already a longtime partner with AJC.  El Mehdi Boudra: With Abraham Accords, we thought bigger. We brought young professionals from Morocco and Israel to work together in certain sectors on challenges that our regions are overcoming. Like environment, climate change, water scarcity and innovation, and bring the best minds that we have in Morocco and in Israel to work together. But we included also other participants from Emirates and Bahrain. This was the first one that we started with.  The second was with AJC. We invited also young professionals from United States and France, which was an opportunity to work globally. Because today, we cannot work alone. We need to borrow power from each other. If we have the same vision and the same values, we need to work together.  In Morocco, we say: one hand don't clap. We need both hands. And this is the strategy that we have been doing with AJC, to bring all the partners to make sure that we can succeed in this mission.  We had another people-to-people initiative. This one is with university students. It's called Youth for MENA. It's with an Israeli organization called Noar. And we try to take advantage of the Abraham Accords to make our work visible, impactful, to make the circle much bigger. Israel is a country that is part of this region. And we can have, Israel can offer good things to our region. It can fight against the challenges that we have in our region. And an Israeli is like an Iraqi. We can work all together and try to build a better future for our region at the end of the day. Manya Brachear Pashman: El Mehdi, when you started this initiative did you encounter pushback from other Moroccans? I mean, I understand the Accords lifted some of the restrictions and opened doors, but did it do anything to change attitudes? Or are there detractors still, to the same degree? El Mehdi Boudra: Before the Abraham Accords, it was more challenging to preserve Moroccan Jewish heritage in Morocco. It was easier. To educate about Holocaust. It was also OK. But to do activities with civil society in Israel, it was very challenging. Because, first of all, there is no embassies or offices between Morocco. Then to travel, there is no direct flights.  There is the stereotypes that people have about you going to Israel. With Abraham Accords, we could do that very freely. Everyone was going to Israel, and more than that, there was becoming like a tendency to go to Israel.  Moroccans, they started wanting to spend their vacation in Tel Aviv. They were asking us as an organization. We told them, we are not a tour guide, but we can help you. They wanted to travel to discover the country.  All the stereotypes started like getting out and people want to meet with other. They wanted to discover the beauty of the diversity of Israel. And this is unique in the region where you have  Arab Muslims, Arab Christians, Druze, Beta Israel, Ashkenazi, Sephardic Jews, Jews from India, from all over the world. This beauty of diversity in Israel is very unique for our region.  And it's not granted in this modern time, as you can see in the region. You can see what happened in Iraq, what's happening in Syria, for minorities. Then you know, this gave us hope, and we need this hope in these dark times. Manya Brachear Pashman: Hm, what do you mean? How does Israel's diversity provide hope for the rest of the Middle East North Africa (MENA) region?  El Mehdi Boudra: Since the MENA region lost its diversity, we lost a lot. It's not the Christians or the Yazidis or the Jews who left the MENA region who are in bad shape. It's the people of the MENA region who are in bad shape because those people, they immigrated to U.S., to Sweden, they have better lives. But who lost is those countries.  Then us as the majority Muslims in the region, we should reach out to those minorities. We should work closely today with all countries, including Israel, to build a better future for our region. There is no choice. And we should do it very soon, because nothing is granted in life.  And we should take this opportunity of the Abraham Accords as a real opportunity for everyone. It's not an opportunity for Israel or the people who want to have relation with Israel. It's an opportunity for everyone, from Yemen to Morocco. Manya Brachear Pashman: Morocco has had diplomatic relations with Israel in the past, right? Did you worry or do you still worry that the Abraham Accords will fall apart as a result of the Israel Hamas War? El Mehdi Boudra: Yes, yes, to tell you the truth, yes. After the 7th of October and things were going worse and worse. We said, the war will finish and it didn't finish. And I thought that probably with the tensions, the protest, will cut again the relations. But Morocco didn't cut those relations. Morocco strengthened those relations with Israel, and also spoke about the Palestinians' cause in the same time.  Which I'm really proud of my government's decisions to not cut those relations, and we hope to strengthen those relations, because now they are not going in a fast dynamic. We want to go back to the first time when things were going very fastly. When United States signed with the Emirates and Bahrain in September 2020, I was hoping that Morocco will be the first, because Morocco had strong relations with Israel. We had direct relations in the 90s and we cut those relations after the Second Intifada in 2000.  We lost those 21 years. But it's not [too] late now. We are working. The 7th of October happened. Morocco is still having relations with Israel. We are still having the Moroccan government and the Israeli government having strong relations together.  Of course, initiatives to people-to-people are less active because of the war. But you know, the war will finish very soon, we hope, and the hostages will go back to their homes, Inshallah, and we will get back to our lives. And this is the time for us as civil society to do stronger work and to make sure that we didn't lose those two years. [Ahlan Bik plays] Manya Brachear Pashman: Just weeks after the White House signing ceremony on September 15, 2020, Israeli music producer Gili Masami posted a music video on YouTube. The video featured a duet between a former winner of Israel's version of The Voice, Elkana Marziano, and Emirati singer Walid Aljasim.  The song's title? Ahlan Bik, an Arabic greeting translated as “Hello, Friend.” In under three weeks, the video had garnered more than 1.1 million views. Gili Masami: When I saw Bibi Netanyahu and Trump sign this contract, the Abraham Accords, I said, ‘Wow!' Because always my dream was to fly to Dubai. And when I saw this, I said, ‘Oh, this is the time to make some project that I already know how to do.' So I thought to make the first historic collaboration between an Israeli singer and an Emirati singer.  We find this production company, and they say, OK. We did this historic collaboration. And the first thing it was that I invite the Emirati people to Israel. They came here. I take them to visit Jerusalem, Tel Aviv, and then I get a call to meet in Gitix Technology Week in the World Trade Center in Dubai. Manya Brachear Pashman: Gitix. That's the Gulf Information Technology Exhibition, one of the world's largest annual tech summits, which met in Dubai that year and invited an Israeli delegation for the first time. Gili Masami: They tell me. ‘Listen, your song, it was big in 200 countries, cover worldwide. We want you to make this show.' I said, OK. We came to Dubai, and then we understand that the production company is the family of Mohammed bin Zayed al Nayhan, the president of UAE. And now we understand why they agree.  The brother of Muhammad bin Zayed Al Nahyan, Sheik Issa Ben Zahid Al Nahyan, he had this production company. This singer, it's his singer. And we say, ‘Wow, we get to this so high level, with the government of Dubai.' And then all the doors opened in Dubai.  And then it was the Corona. 200 countries around the world cover this story but we can't do shows because this Corona issue, but we still did it first. Manya Brachear Pashman: The song Ahlan Bik translates to “Hello, Friend.” It was written by Israeli songwriter Doron Medalie. Can you tell our listeners what it's about? Gili Masami: The song Ahlan Bik, it's this song speak about Ibrihim. Because if we go to the Bible, they are cousins. They are cousins. And you know, because of that, we call this Abraham Accords, because of Avraham. And they are sons of Ishmael. Yishmael. And we are sons of Jacob.  So because of that, we are from back in the days. And this is the real cousins. Saudi Arabia, UAE, Morocco. They are the real ones. And this song speak about this connection. Manya Brachear Pashman: After Morocco joined the Abraham Accords, you also put together a collaboration between Elkana and Moroccan singer Sanaa Mohamed. But your connection to UAE continued. You actually moved to Dubai for a year and opened a production company there. I know you're back in Israel now, but have you kept in touch with people there?   Gili Masami: I have a lot of friends in UAE. A lot of friends. I have a production company in UAE too. But every time we have these problems with this war, so we can do nothing. I was taking a lot of groups to Dubai, making tours, parties, shows, and all this stuff, because this war. So we're still friends.  Manya Brachear Pashman: Given this war, do you ever go back and listen to the song Ahlan Bik for inspiration, for hope?  Gili Masami: I don't look about the thinking that way. These things. I know what I did, and this is enough for me. I did history. This is enough for me. I did [a] good thing. This is enough for me. I did the first collaboration, and this is enough for me. Manya Brachear Pashman: Moroccan pilot and music aficionado Karim Taissir also knows the power of music. In 2016, he reached out to Tom Cohen, the founder and conductor of the Jerusalem Orchestra East & West and invited him to Morocco to conduct Symphonyat, an orchestra of 40 musicians from around the world playing Jewish and Arab music from Morocco's past that often has been neglected.  Karim Taissir: In 2015 I contacted Tom via Facebook because of a story happening in Vietnam. I was in a bar. And this bar, the owner, tried to connect with people. And the concept was a YouTube session connected on the speaker of the bar, and they asked people to put some music on from their countries. So when he asked me, I put something played by Tom [Cohen], it was Moroccan music played by the orchestra of Tom. And people said, ‘Wow.'  And I felt the impact of the music, in terms of even, like the ambassador role. So that gave me the idea. Back in Morocco, I contacted him. I told him, ‘Listen, you are doing great music, especially when it comes to Moroccan music, but I want to do it in Morocco. So are you ready to collaborate? And you should tell me, what do you need to create an orchestra that do this, this excellency of music?'  And I don't know why he replied to my message, because, usually he got lots of message from people all over the world, but it was like that. So from that time, I start to look of musician, of all conditions, asked by Tom, and in 2016 in April, we did one week of rehearsals. This was a residence of musician in Casablanca by Royal Foundation Hiba. And this is how it starts. And from that time, we tried every year to organize concerts. Sometimes we succeed, and sometimes not. Manya Brachear Pashman: I asked this of El Mehdi too, since you were already doing this kind of bridge building Karim, did the Abraham Accords change anything for you? Karim Taissir: In ‘22 we did the great collaboration. It was a fusion between the two orchestras, under the conductor Tom Cohen in Timna desert [National Park], with the presence of many famous people, politician, and was around like more than 4,000 people, and the President Herzog himself was was there, and we had a little chat for that.  And even the program, it was about peace, since there was Moroccan music, Israeli music, Egyptian music, Greek music, Turkish music. And this was very nice, 18 musicians on the stage. Manya Brachear Pashman: Oh, wow. 18 musicians. You know, the number 18, of course, is very significant, meaningful for the Jewish tradition.  So, this was a combination of Israeli musicians, Moroccan musicians, playing music from across the region. Turkey, Greece, Egypt, Israel. What did that mean for you? In other words, what was the symbolism of that collaboration and of that choice of music? Karim Taissir: Listen, to be honest, it wasn't a surprise for me, the success of collaboration, since there was excellent artists from Israel and from Morocco. But more than that, the fact that Moroccan Muslims and other people with Israeli musicians, they work together every concert, rehearsals.  They became friends, and maybe it was the first time for some musicians, especially in Morocco. I'm not talking only about peace, happiness, between people. It's very easy in our case, because it's people to people. Manya Brachear Pashman: How have those friendships held up under the strain of the Israel-Hamas War? Karim Taissir: Since 7th October, me, for example, I'm still in touch with all musicians from Israel, not only musicians, all my friends from Israel to support. To support them, to ask if they are OK. And they appreciate, I guess, because I guess some of them feel even before they have friends from all over the world. But suddenly it's not the case for us, it's more than friendships, and if I don't care about them, which means it's not true friendships. And especially Tom. Tom is more than more than a brother. And we are looking forward very soon to perform in Israel, in Morocco, very soon. Manya Brachear Pashman: So I should clarify for listeners that Symphonyat is not your full-time job. Professionally you are a pilot for Royal Air Maroc. And a week after that concert in Timna National Park in March 2022, Royal Air Maroc launched direct flights between Casablanca and Tel Aviv. Those flights have been suspended during the war, but did you get to fly that route? Karim Taissir: They call me the Israeli guy since I like very much to be there. Because I was kind of ambassador since I was there before, I'm trying always to explain people, when you will be there, you will discover other things. Before 7th of October, I did many, many, many flights as captain, and now we're waiting, not only me, all my colleagues.  Because really, really–me, I've been in Israel since 2016–but all my colleagues, the first time, it was during those flights. And all of them had a really nice time. Not only by the beauty of the Tel Aviv city, but also they discover Israeli people. So we had really, really, very nice memories from that period, and hoping that very soon we will launch flight. Manya Brachear Pashman: Chef Gal Ben Moshe, the first Israeli chef to earn a Michelin Star for his restaurant in Berlin, remembers the day he got the call to speak at Gulfood 2021, a world food festival in Abu Dhabi. That call led to another call, then another, and then another.  Before he knew it, Chef Gal's three-day trip to the United Arab Emirates had blossomed into a 10-day series: of master classes, panel discussions, catered dinners, and an opportunity to open a restaurant in Dubai. Gal Ben Moshe: Like I said, it wasn't just one dinner, it wasn't just a visit. It's basically from February ‘21 to October ‘23 I think I've been more than six, eight times, in the Emirates. Like almost regularly cooking dinners, doing events, doing conferences. And I cooked in the Dubai Expo when it was there. I did the opening event of the Dubai Expo. And a lot of the things that I did there, again, I love the place. I love the people. I got connected to a lot of people that I really, truly miss. Manya Brachear Pashman: When we first connected, you told me that the Abraham Accords was one of your favorite topics. Why? Gal Ben Moshe: I always felt kind of like, connected to it, because I was the first Israeli chef to ever cook in Dubai. And one of the most influential times of my life, basically going there and being there throughout basically everything from the Abraham Accords up to October 7. To a degree that I was supposed to open a restaurant there on the first of November 2023 which, as you probably know, did not happen in the end.  And I love this place. And I love the idea of the Abraham Accords, and I've had a lot of beautiful moments there, and I've met a lot of amazing people there. And, in a way, talking about it is kind of me missing my friends less. Manya Brachear Pashman: So you were originally invited to speak at Gulfood. What topics did you cover and what was the reception like? Gal Ben Moshe: The journalist that interviewed me, he was a great guy, asked me, ‘OK, so, like, where do you want to cook next?' And I said, ‘If you would ask me six months ago, I would say that I would love to cook in Dubai, but it's not possible.' So having this happened, like, anything can happen, right? Like, if you would tell me in June 2020 that I would be cooking in Dubai in February 2021, I'm not sure I was going to believe you. It was very secretive, very fast, very surprising. And I said, ‘Yeah, you know, I would love to cook in Damascus and Beirut, because it's two places that are basically very influential in the culture of what is the Pan-Arabic kitchen of the Levant. So a lot of the food influence, major culinary influence, comes from basically Aleppo, Damascus and Beirut. Basically, this area is the strongest influence on food. A lot of Jordanians are probably going to be insulted by me saying this, but this is very this is like culinary Mecca, in my opinion.'  And I said it, and somebody from the audience shouted: ‘I'm from Beirut! You can stay at my place!' And I was like, it's just amazing. And the funny thing is, and I always talk about it is, you know, I talk about my vegetable suppliers in Berlin and everything in the Syrian chefs and Palestinian chefs and Lebanese chefs that I met in the Emirates that became friends of mine. And I really have this thing as like, I'm gonna say it is that we have so much in common. It's crazy how much we have in common.  You know, we have this war for the past two years with basically everyone around us. But I think that when we take this thing out of context, out of the politics, out of the region, out of this border dispute or religious dispute, or whatever it is, and we meet each other in different country. We have so much in common, and sometimes, I dare say, more than we have in common with ourselves as an Israeli society. And it's crazy how easy it is for me to strike a conversation and get friendly with the Lebanese or with a Palestinian or with the Syrian if I meet them in Berlin or in Dubai or in New York or in London. Manya Brachear Pashman: I should clarify, you run restaurants in Tel Aviv, but the restaurant that earned a Michelin star in 2020 and held on to it for four years, was Prism in Berlin. Tel Aviv was going to be added to the Michelin Guide in December 2023, but that was put on hold after the start of the Israel-Hamas War. Did your time in the Emirates inspire recipes that perhaps landed on your menu at Prism? Gal Ben Moshe: I was approached by a local journalist that wrote cookbooks and he did a special edition cookbook for 50 years for the Emirates. And he wanted me to contribute a recipe. And I did a dish that ended up being a Prism signature dish for a while, of Camel tartar with caviar, quail yolk, grilled onion, and it was served in this buckwheat tortelet. And at the time, it's a concept dish. So basically, the story is this whole story of Dubai. So you have the camel and the caviar, so between the desert and the sea. And then you have the camel, which basically is the nomadic background of Dubai, with the Bedouin culture and everything, and the caviar, which is this luxurious, futuristic–what Dubai is today. And it was really a dish about the Emirates. And I was invited to cook it afterwards in a state dinner, like with very high-end hotel with very high-end guests.  And basically the chef of the hotel, who's a great guy, is like, sending, writing me an email, like, I'm not going to serve camel. I'm not going to serve camel in this meal. And I was like, but it's the whole story. It's the whole thing. He's like, but what's wrong with Wagyu beef? It's like, we're in Dubai. Wagyu beef is very Dubai. And I was like, not in the way that the camel is in that story. Listen, for a chef working there, it's a playground, it's heaven. People there are super curious about food. They're open-minded. And there's great food there. There's a great food scene there, great chefs working there. I think some of the best restaurants in the world are right now there, and it was amazing. Manya Brachear Pashman: There have been other Israeli chefs who opened their restaurants in Dubai before October 7. I know Chef Eyal Shani opened with North Miznon in a Hilton hotel in Dubai. You recently closed Prism, which really was a mom and pop place in Berlin, and you've now opened a hotel restaurant in Prague. Would you still consider opening a kitchen in Dubai? Gal Ben Moshe: I have not given up on the Emirates in any way. Like I've said, I love it there. I love the people there. I love the atmosphere there. I love the idea of being there. I would say that there is complexities, and I understand much better now, in hindsight of these two years. Of why, basically, October 7 meant that much. I live in Berlin for 13 years, and I work with my vegetable suppliers for the past, I would say nine or eight years. They're Palestinians and Syrians and Lebanese and everything.  And even though October 7 happened and everything that's happened afterwards, we're still very close, and I would still define our relationship as very friendly and very positive. The one thing is that, I don't know, but I think it's because we know each other from before. And I don't know if they would have taken the business of an Israeli chef after October 7. So having known me and that I'm not a symbol for them, but I am an individual.  For them it is easier because we're friends, like we worked together, let's say for five years before October 7. It's not going to change our relationship just because October 7 happened. But I think what I do understand is that sometimes our place in the world is different when it comes to becoming symbols. And there are people who don't know me and don't know who I am or what my opinions are, how I view the world, and then I become just a symbol of being an Israeli chef. And then it's you are this, and nothing you can say at that moment changes it.  So I don't think that me opening a restaurant in Dubai before October 7 was a problem. I do understand that an Israeli chef opening a restaurant in Dubai after October 7 was not necessarily a good thing. I can understand how it's perceived as, in the symbolism kind of way, not a good thing. So I think basically, when this war is over, I think that the friendship is there. I think the connection is there. I think the mutual respect and admiration is there. And I think that there is no reason that it can't grow even further. Manya Brachear Pashman: In our next episode, expected to air after the High Holidays, we discuss how the Abraham Accords have held during one of Israel's most challenging times and posit which Arab countries might be next to join the historic pact.  Atara Lakritz is our producer. T.K. Broderick is our sound engineer. Special thanks to Jason Isaacson, Sean Savage, and the entire AJC team for making this series possible.  You can subscribe to Architects of Peace on Apple Podcasts, Spotify, or wherever you listen to podcasts, and you can learn more at AJC.org/ArchitectsofPeace. The views and opinions of our guests don't necessarily reflect the positions of AJC. You can reach us at podcasts@ajc.org. If you've enjoyed this episode, please be sure to spread the word, and hop onto Apple Podcasts or Spotify to rate us and write a review to help more listeners find us. Music Credits: Middle East : ID: 279780040; Composer: Eric Sutherland אלקנה מרציאנו & Waleed Aljasim - אהלן ביכ | Elkana Marziano AHALAN bik أهلاً بيك Moroccan Suite: Item ID: 125557642; Composer: umberto sangiovanni Medley Ana Glibi Biddi Kwitou / Ma Nebra - Symphonyat with Sanaa Marahati - Casablanca - 2022 Middle East: Item ID: 297982529; Composer: Aditya Mystical Middle East: ID: 212471911; Composer: Vicher  

Jay offers a personal appreciation of Rodion Shchedrin (1932–2025). Bizet-Shchedrin, “Changing of the Guard,” from “Carmen Suite” Bizet-Shchedrin, “Bolero,” from “Carmen Suite” Rachmaninoff, Prelude in G-sharp minor, Op. 32, No. 12 Shchedrin, “Humoresque” Shchedrin, Piano Concerto No. 1, Scherzo-toccata Tchaikovsky, “Miniature overture,” from “The Nutcracker” Shchedrin, Chamber Suite, Finale

Antonio Sánchez: Drumming Legend, Birdman Composer, Pat Metheny Group, The Studio, 4 GRAMMYs, Emmy Episode 88: Antonio Sánchez. Antonio is one of the most celebrated drummers and composers of our time. From shaping the sound of the Pat Metheny Group, to scoring Alejandro Iñárritu's Oscar-winning film Birdman, to composing for Apple TV+'s The Studio, Antonio has pushed the boundaries of what a drummer can be. With 4 GRAMMY wins, a 2025 Emmy nomination, and collaborations spanning jazz, film, and world music, his artistry continues to inspire musicians and audiences worldwide. This is a 2.5 hour deep dive interview with Antonio that covers the full scope of his career. We talk about his journey from Mexico City to Berklee and how he got onto the world stage, the story behind creating the all-drum score for Birdman, and what it was like to spend decades working side by side with Pat Metheny. We dig into the lessons he's carried forward, his approach to film scoring, and how he brings storytelling into his drumming. We also get into his newest projects like Bad Hombre 1 and 2, BEATrio with Béla Fleck and Edmar Castañeda, Elipsis with Michael League and Pedrito Martínez, and his collabs with Dave Matthews, Trent Reznor, Atticus Ross, Silvana Estrada, Joe Lovano, John Patitucci, Christian McBride, John Scofield and more, as he continues to expand his musical universe. Hope you enjoy my conversation with the incredible human, Antonio Sanchez. Big thanks to our friends at DistroKid! DistroKid is the easiest and fastest way to get your music on over 150 platforms worldwide! Go to https://distrokid.com/vip/elmo to get 20% off your first year! ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Antonio: https://www.instagram.com/antoniodrums1/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep 152: Sept 17, 2025 - Why are American military threatened after UFO encounters? Linda is busy working on an all new episode. Please enjoy this special rebroadcast. ==== NEW PRINTINGS NOW AVAILABLE: Glimpses of Other Realities, Vol. 1: Fact & Eye Witnesses   Now available on Amazon: https://earthfiles.com/glimpses1  Glimpses of Other Realities, Vol. 2: High Strangeness   Now available on Amazon: https://earthfiles.com/glimpses2 An Alien Harvest: Further Evidence Linking Animal Mutilations and Human Abductions to Alien Life Forms   Now available on Amazon: https://earthfiles.com/aah ====   #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/Earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html

Cesar Orozco is a prolific Cuban/Venezuelan pianist, vocalist, violinist and composer and 2x Latin Grammy nominee. He specializes in fusing Cuban and Venezuelan music. He's worked with Paquito D'Rivera, Pedrito Martinez, Ariacne Trujillo Durand and Mike Stern, to name just a few. He's played on more than 80 albums including eight of his own. His newest band, SonAhead, is a fusion of Cuban son and timba music, with modern jazz and electronic music mixed in.My featured song is “The Queen's Carnival” from the album of the same name by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CESAR:www.www.cesarorozco.net—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

2025 Rerun Notes: In commemoration of this month release of the last-ever Mishmash Monday on Channel 1, I thought I'd rerun the first two installments of the series - both from all the way back in 2017 (Season 1 of the show). Therefore, all the obvious caveats on "absolutely atrocious production quality" and blah blah blah (especially on C1E10, the earlier of the two releases). Though this rerun is "officially" and "canonically" the first "Mishmash Monday" (free play) episode in Nerd Noise Radio history, it is really "Mishmash Monday in name only" as it wasn't truly a free play. Instead, it was designed with a very specific purpose and with each track housing a very specific meaning. Though I explain and elaborate fully in a 2019 special expanded rebroadcast of this episode we called "Chandlerfest", which I'll link to below, for now, the tl;dr is that this mixtape was actually made in commemoration for a friend who died entirely too young in Dec 2016, and whose absence we still feel regularly from here in 2025. When I got the news, I left work, went home, and turned my grief into tortured energy, and made this mixtape, with the design philosophy being to use the tracks and the particular arch of the track order to tell the story of the emotions of those of us left behind in his wake as we processed the news of his departure. With this being a 2017 episode, all the obvious caveats on "absolutely atrocious production quality" (especially episodes from the first half of 2017, which were even worse than those from the second half.) But content-wise, this early outing remains one of the most important episodes of Nerd Noise Radio....ever. Here's a link to Chandlerfest for anyone who wants to know more: https://terraplayer.com/shows/nerd-noise-radio/nerd-noise-radio-reruns-presents-chandlerfest Otherwise, enjoy! Original 2017 show notes below! ------------------------------------------------------------------ Today's broadcast is Episode 10 for Mishmash Monday, May 22nd, 2017 on a program we're calling "Mishmash Monday vol. 1"    This episode is dedicated to the memory of Chris Chandler.    Tracklist - Track#, Game, System, Track Name, Composer, Timestamp:    01: Intro - 00:00  02: Shinobi 3 - Genesis - Japonesque - Hirofumi Murasaki, Masayuki Nagao, Morihiko Akiyama - 01:55  03: Final Fantasy XIII - PS3 - The Vile Peaks - Masashi Hamauzu - 04:13  04: Trip World - Game Boy - Stage 2-2 - “Phase Out” - 06:59  05: Ninja Warriors - SNES - City - Hiroyuki Iwatsuki - 08:43  06: Quake 2 - PC - Quad Machine - Sonic Mayhem - 10:50  07: X-Men - Arcade - Ethnic Cave and Flame - The Konami Kukeiha Club - 14:22  08: Jumping Flash 2 - PS1 - Stage 1-2 - Takeo Miratsu - 16:56  09: Fushigi no Umi no Nadia - PCE - HES 12 - Shiro Sagisu - 18:34  10: Sim City - SNES - Capital - Soyo Oka - 20:33  11: Castlevania III - NES - Riddle - Konami Kukeiha Club - 22:54  12: Ai Chou Aniki - PC Engine - Stage 4-3 - Iwasaki Taku - 23:56  13: Star Wars: SOTE - N64 - Menu - Joel McNeely - 25:33  14: Super Meat Boy - PC/360 - Forest Funk - Danny Baronowsky - 26:34  15: Metroid Prime - GameCube - Metroid Prime Battle - Kenji Yamamoto and/or Kouichi Kyuma - 29:22  16: James Bond 007 - Genesis - Space Hop - Matt Furniss - 31:58  17: Tiny Toon Adventures: BBL - SNES - Space Opera -  Kazuhiko Uehara and/or Yukie Morimoto - 34:03  18: Chester Cheetah: TCTF - Genesis - To the Exit - Kaneko Sound Team - 36:46  19: Salamander - PC Engine - Crystal Forever - Konami Kukeiha Club - 39:41  20: Outro - 40:09    Music Block Runtime: 38:18, Total Episode Runtime: 46:39    Our Intro and Outro Music is Funky Radio - Dreamcast - BB Rights    If you wish to subscribe to the Nerd Noise Radio - Channel 1 Music block podcast, there are two options:    Option 1: Subscribe right here to the "Nerd Noise Radio Network - All Channels" podcast feed. Feed will include Channels 1, 2, 3, and any future channels not yet planned. Feed will also include podcasts in high quality, stereo where applicable, and episodes will never expire off the feed.    Option 2: If you're ONLY interested in Channel 1 episodes, and not in any of the other channels, there is a Channel 1-specific feed. But it's hosted on a free account, rather than an upgraded account like the "All Channels Feed" with lower quality sound (mono, I believe), a maximum 2hrs per month of content (so if the month's episodes run longer than that, they may need to be trimmed), and episodes expire off the feed forever after 90 days. If this is what you want instead, here's the RSS:     http://www.buzzsprout.com/77944.rss    Our episodes will also appear on our Nerd Noise Radio YouTube Channel - just search for Nerd Noise Radio, you'll find us! Here's today's episode:    https://youtu.be/C7v71_YhYUc    You can also find us on The Retro Junkies Network:    www.retrojunkies.com    You can find us (and all of our episodes) as "Nerd Noise Radio" on Archive.org and can also find us and join the conversation on both our Nerd Noise Radio Network Facebook, Google+, and Twitter pages, as well as our Facebook and Google+ "Nerd Noise Radio - Easy Mode" and "Nerd Noise Radio - Expert Mode" groups.     https://archive.org/details/@nerd_noise_radio  https://twitter.com/NerdNoiseRadio  https://www.facebook.com/NerdNoiseRadioNetwork/  https://www.facebook.com/groups/276843385859797/  https://www.facebook.com/groups/381475162016534/  https://plus.google.com/u/0/116712079232328588606  https://plus.google.com/u/0/b/115513825710696980758/116712079232328588606?pageId=115513825710696980758    Lastly, we share our episodes as well on our blog at nerdnoiseradio.blogspot.com. This specific episode can be found here:    http://nerdnoiseradio.blogspot.com/2017/05/nerd-noise-radio-channel-1-podcast_22.html    As always, your feedback and input is DEEPLY appreciated, so we cheerfully invite you to "blow up the comments section", or you can always reach us by e-mail at nerdnoiseradio@gmail.com as well as all the aforementioned social media outlets.    Hope you enjoy the episode! Join us again July 7th for C1E11 (Channel 1, Episode 11), and wherever you are - Fly the N!    Cheers! 

Harding Conducts The Planets by CSO Association

The Library of Virginia will present a Chesterfield native with its highest honor this weekend. Brad Kutner spoke with composer Damien Geter and filed this report. 

Messiah has since become one of the most frequently performed choral works in Western music with the “Hallelujah” chorus becoming a central piece in the choral ...

Dan Locklair is an esteemed American composer and educator, known for his contributions to sacred music and his long tenure at Wake Forest University in North Carolina. Born in Charlotte, he began his career as a professional organist at just 14 and has since crafted a diverse body of work, which includes orchestral pieces and choral compositions. Locklair's notable achievements include being the Composer-in-Residence at Wake Forest and composing pieces for significant events, such as 'The Peace may be exchanged' for Ronald Reagan's funeral. In this episode, we explore the transition from a full-time teaching career to dedicating more time to composition, his experiences with students, and insights into the evolving world of classical music.In Part 1 of the conversation, Dan shares his reflections on retirement after 43 years in academia, emphasizing the joy of having time solely for composition. He recounts humorous anecdotes from his teaching days and discusses the balance between commissioned works and personal projects. "If someone truly wants to be a composer, they'll find their way, regardless of the challenges," he notes, illustrating his passion for music and teaching.[Subscriber Content] In Part 2, we dive deeper into Dan's creative process, discussing the importance of crafting music while also addressing frustrations that come with it. He highlights key influences from his education, including his mentors and the impact of major works he's composed. Expect to hear about his relationship with significant figures in music education, like Sam Adler, and how these experiences have shaped his journey. Dan's stories reveal the human side of being a composer and educator, showcasing the emotional depth behind his music and the lessons he's learned along the way.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Welcome to Jake's Happy Nostalgia Show, the podcast where nostalgia comes alive!This week, we welcome acclaimed music supervisor and composer Jeff Zahn, whose work has soundtracked some of the most beloved children's television of the past three decades. Jeff's credits include iconic series like Are You Afraid of the Dark?, The Busy World of Richard Scarry, Madeline, Arthur, Wimzie's House, and Caillou—for which he also wrote the unforgettable theme song. Jeff composed the music for the film Spookley the Square Pumpkin and has created tunes for Playhouse Disney and The Jim Henson Company. Join us as Jeff shares the stories behind his career, what goes into scoring for children's media, and how music becomes the heartbeat of shows that families treasure for years to come.Special thanks to Judy Rothman Rofé for connecting us!Keep up with Jeff!https://www.jeffzahnmusic.com/Taping date: December 13, 2024Edited by: Drew Wellshttps://www.youtube.com/@drewsmediacorner399https://www.instagram.com/drews_media_1/Be sure to check out our website, where you can learn more about the podcast and find how to follow the Happy Nostalgia team!https://jakeshappynostalgiashow.weebly.com/Listen to our podcast on Spotify and other audio platforms!https://open.spotify.com/show/1PdrRWSmUdQ3m2NpNR9lSkhttps://linktr.ee/JakesHappyNostalgiaShow

Donald Macleod explores Robert Schumann's years in Dusseldorf – the city where he would spend the final years of his life. Despite often being portrayed as a creative disaster, during this period, Schumann was greatly inspired by the city and by the countryside which surrounded it, and would write some of his greatest music.Music featured: Marchenbilder, Op 113 (1st mvt, Nicht schnell) Symphony No 3 in E-flat major ‘Rhenish' Op 97 5 Lieder, Op 40 (No 4, Der Spielmann) Geistervariationen in E-flat major for piano, WoO 24 Violin Concerto in D minor, WoO 23 (2nd & 3rd mvts) Konzertstück for 4 Horns and Orchestra, Op 86 (1st mvt) Lieder und Gesange aus Wilhelm Meister, Op 98a Scenes from Goethe's Faust, Part 3 (excerpt) The Bride of Messina Overture Kinderszenen, Op 15 (No 7 Träumerei) Genovera Overture Op 81 Sechs Gesange, Op 107 (No 6 Abendlied) Adventlied (excerpt) Mass in C minor, Op 147 (Gloria) Symphony No 4 in D minor, Op 120 (1st mvt) Manfred Overture, Op 115 Cello Concerto in A minor, Op 129 Violin Sonata No 1 in A minor, Op 105 (2nd mvt) Der Rose Pilgerfahrt, Op 112 Marchenerzahlungen, Op132 (No 3) Fantasy for Violin and Orchestra in C major, Op 131 Introduction and Concert Allegro, Op 134 Blumenstuck in D-flat Major, Op 19 Wenn mein Stundlein vorhanden istPresented by Donald Macleod Produced by Sam Phillips for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Robert Schumann (1810-1856) https://www.bbc.co.uk/programmes/m002hwtc And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Ep 151: September 10, 2025 - How long have Elon Musk and Trump planned Mars base? Linda is preparing for an upcoming Gaia production this week. Please enjoy this special episode from the archives! ==== NEW PRINTINGS NOW AVAILABLE: Glimpses of Other Realities, Vol. 1: Fact & Eye Witnesses   Now available on Amazon: https://earthfiles.com/glimpses1  Glimpses of Other Realities, Vol. 2: High Strangeness   Now available on Amazon: https://earthfiles.com/glimpses2 An Alien Harvest: Further Evidence Linking Animal Mutilations and Human Abductions to Alien Life Forms   Now available on Amazon: https://earthfiles.com/aah ====   #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/Earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html

Doug Besterman is a much in-demand orchestrator, arranger, and composer whose works span Broadway, film, television, and concert stages. Doug's been nominated for the Tony Award six times, winning for The Producers, Thoroughly Modern Millie, and Fosse. With a career that includes numerous other iconic productions such as Young Frankenstein, Sister Act, and Anastasia, Doug has helped shape the sound of modern musical theater. Recent Broadway credits include Death Becomes Her, SMASH, and BOOP! Internationally, his work has been heard in London, Berlin, and Hamburg in productions such as Rocky, Sister Act, Charlie and the Chocolate Factory, and Guys and Dolls.Doug's film and TV orchestration credits include Mary Poppins Returns, the live action films of Aladdin, Beauty and the Beast, and The Little Mermaid, Chicago, Frozen,Smash, and Schmigadoon. He's contributed to countless live broadcasts and awards shows, including the Oscars, Tonys, Emmys, and Kennedy Center Honors.As a composer, Doug has written scores for Breathe, Little Did I Know, The Big One-Oh, and the new musical Crumbs. His arrangements have been performed by extraordinary artists ranging from Barbra Streisand to Beyoncé, and by ensembles including the Boston Pops and the U.S. Military Academy Band. Doug continues to champion musical storytelling across all media, including through the Arrival Arts Initiative.Doug's Website: https://dougbesterman.com/Facebook: https://www.facebook.com/DougBestermanMusic/Instagram: https://www.instagram.com/dougbesterman/ Arrival Arts:Website: https://www.arrivalartsinitiative.org/Facebook: https://www.facebook.com/profile.php?id=61577010220015Instagram: https://www.instagram.com/arrival_arts_initiative/  

Paul Cantelon grew up with music in his blood—his mother played trumpet in the Philadelphia Symphony, his father was a preacher. A prodigy on violin, he debuted at UCLA's Royce Hall at 13, then studied piano across Geneva, Juilliard, and Paris. At 17, a bike accident left him in a coma and wiped out his memory; he had to relearn music from scratch. He went on to co-found the band Wild Colonials, release solo piano albums, and score films like The Diving Bell & the Butterfly, The Other Boleyn Girl, and W.. He's also written for silent film classics like Battleship Potemkin.