Podcasts about Composer

THE COMPOSER WHO SURVIVED Colleague Tanya Branigan. This segment focuses on Wang Xilin, a composer and former zealous party member whose career was destroyed during the Cultural Revolution. Despite his devotion, he was persecuted, subjected to brutal "struggle sessions," and driven to the brink of suicide. His music went unperformed for 37 years. Branigan describes Wang's intense anger when discussing the era, noting that even his family struggles to understand his trauma. Wang later visited Auschwitz, drawing parallels between the Holocaust and the suffering he and others endured, suggesting that for survivors, the past is never truly gone. TANYA BRANIGAN NUMBER 41905 SHANGHAI NANJING ROAD

John Metcalfe was born in New Zealand but he's been British based for years. He's a celebrated arranger, composer, producer and violist. His music is a unique combination of classical, pop, electronica and who knows what else. He's worked with Andrea Bocelli, Blur, Peter Gabriel, George Michael, Coldplay and U2. He's a member of the classical Duke Quartet. He's also been part of the Durutti Column, a post punk outfit. He's been called “one of the UK's best, most consistently brilliant artists.”My featured song is “Ma Petite Fleur String Quartet”, my recent release. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JOHN:www.john-metcalfe.co.uk—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

Ep 166: Jan 7, 2026 - Are Advanced UFOs and Non-Human Intelligences Based Beneath Earth's Oceans? Testimony at joint congressional hearing UAP hearing: - Dr Tim Gallaudet, Read Admiral (ret.) - Luis Elizondo - Michael Shellenberger - Michael Gold Interview with David Fravor, Navy Commander (Ret.) - describing “Tic Tac” encounter on board USS Nimitz on Nov. 14, 2004 - “Faster than we can go” - “I'm pretty weirded out…never seen anything like this” Highlights from hearing: - “We are not alone in the cosmos”   ==== Upcoming Appearances: Conscious Life Expo 2026 February 20th-23rd, 2026 https://consciouslifeexpo.com/linda-moulton-howe-2026/?ref=njyynty   ====   #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/Earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

Camila Cortina is a terrific Cuban-born pianist and composer. She combines her Afro-Cuban heritage with jazz, classical, and world music. She has performed internationally at festivals in the U.S., Latin America and Asia, collaborating with artists like Paquito D'Rivera, Miguel Zenón, Terri Lyne Carrington, and Dianne Reeves. Her work “Bravura” premiered at London's Barbican Centre. She won the Duke Ellington Award.My featured song is “Mi Cachimber”, my recent single. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CAMILA:www.camilacortina.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

Damon gets to talk to Malcolm about performing at PASIC 50 with M'Boom, Houston, nicknames, psychology and much more! There's also segments like gig alerts, music news and others. 

Introducing Rob Ruiz Meet Rob Ruiz, a seasoned Senior Full Stack Developer with nearly two decades of expertise in WordPress innovation and open-source magic. As the Lead Maintainer of WP Rig since 2020, Rob has been the driving force behind this groundbreaking open-source framework that empowers developers to craft high-performance, accessible, and progressively enhanced WordPress themes with ease. WP Rig isn’t just a starter theme—it’s a turbocharged toolkit that bundles modern build processes, linting, optimization, and testing to deliver lightning-fast, standards-compliant sites that shine on any device. Show Notes For more on Rob and WP Rig, check out these links: LinkedIn Profile: https://www.linkedin.com/in/robcruiz WP Rig Official Site: https://wprig.io GitHub Repository: https://github.com/wprig/wprig Latest Releases: https://github.com/wprig/wprig/releases WP Rig 3.1 Announcement: https://wprig.io/wp-rig-3-1/ Transcript: Topher DeRosia: Hey everybody. Welcome to Hallway Chats. I’m your host Topher DeRosia, and with me today I have- Rob Ruiz: Rob Ruiz. Topher: Rob. You and I have talked a couple of times, once recently, and I learned about a project you’re working on, but not a whole lot about you. Where do you live? What do you do for a living? Rob: Yeah, for sure. Good question. Although I’m originally from Orlando, Florida, I’ve been living in Omaha, Nebraska for a couple of decades now. So I’m pretty much a native. I know a lot of people around here and I’ve been fairly involved in various local communities over the years. I’m a web developer. Started off as a graphic designer kind of out of college, and then got interested in web stuff. And so as a graphic designer turned future web developer, I guess, I was very interested in content management systems because it made the creating and managing of websites very, very easy. My first couple of sites were Flash websites, sites with macro media Flash. Then once I found content management systems, I was like, “Wow, this is way easier than coding the whole thing from scratch with Flash.” And then all the other obvious benefits that come from that. So I originally started with Joomla, interestingly enough, and used Joomla for about two or three years, then found WordPress and never looked back. And so I’ve been using WordPress ever since. As the years have gone on, WordPress has enabled me to slowly transition from a more kind of web designer, I guess, to a very full-blown web developer and software engineer, and even software architect to some degree. So here we are many years later. Topher: There’s a big step from designer to developer. How did that go for you? I’m assuming you went to PHP. Although if you were doing Flash sites, you probably learned ActionScript. Rob: Yeah. Yeah. That was very convenient when I started learning JavaScript. It made it very easy to learn JavaScript faster because I already had a familiarity with ActionScript. So there’s a lot of similarities there. But yeah. Even before I started doing PHP, I started learning more HTML and CSS. I did do a couple of static websites between there that were just like no content management system at all. So I was able to kind of sharpen my sword there with the CSS and HTML, which wasn’t particularly hard. But yeah, definitely, the PHP… that was a big step was PHP because it’s a proper logical programming language. There was a lot there I needed to unpack, and so it took me a while. I had to stick to it and really rinse and repeat before I finally got my feet under me. Topher: I can imagine. All right. So then you work for yourself or you freelance or do you have a real job, as it were? Rob: Currently, I do have a real job. Currently, I’m working at a company called Bold Orange out of Minneapolis. They’re a web agency. But I kind of bounce around from a lot of different jobs. And then, yes, I do freelance on the side, and I also develop my own products as well for myself and my company. Topher: Cool. Bold Orange sounds familiar. Who owns that? Rob: To be honest, I don’t know who the owners are. It’s just a pretty big web agency out of Minneapolis. They are a big company. You could just look them up at boldorange.com. They work for some pretty big companies. Topher: Cool. All right. You and I talked last about WP Rig. Give me a little background on where that came from and how you got it. Rob: Yeah, for sure. Well, there was a period of time where I was working at a company called Proxy Bid that is in the auction industry, and they had a product or a service — I don’t know how you want to look at that —called Auction Services. That product is basically just building WordPress sites for auction companies. They tasked us with a way to kind of standardize those websites essentially. And what we realized is that picking a different theme for every single site made things difficult to manage and increase tech debt by a lot. So what we were tasked with was, okay, if we’re going to build our own theme that we’re just going to make highly dynamic so we can make it look different from site to site. So we want to build it, but we want to build it smart and we want to make it reusable and maintainable. So let’s find a good framework to build this on so that we can maintain coding standards and end up with as little tech debt as possible, essentially. That’s when I first discovered WP Rig. In my research, I came across it and others. We came across Roots Sage and some of the other big names, I guess. It was actually a team exercise. We all went out and looked for different ones and studied different ones and mine that I found was WP Rig. And I was extremely interested in that one over the other ones. Interestingly enough- Topher: Can you tell me why over the other ones? Rob: That’s a great question. Yeah. I really liked the design patterns. I really liked the focus on WordPress coding standards. So having a system built in that checked all the code against WordPress coding standards was cool. I loved the compiling transpiling, whatever, for CSS and JavaScript kind of built in. That sounded really, really interesting. The fact that there was PHP unit testing built into it. So there’s like a starter testing framework built in that’s easy to extend so that you can add additional unit tests as your theme grows. We really wanted to make sure… because we were very into CICD pipelines. So we wanted to make sure that as developers were adding or contributing to any themes that we built with this, that we could have automated tests run and automated builds run, and just automate as much as possible. So WP rig just seemed like something that gave us those capabilities right out of the box. So that was a big thing. And I loved the way that they did it. Roots Sage does something similar, but they use their blade templating engine built in there. We really wanted to stick to something that was a bit more standard WordPress so that there wasn’t like a large knowledge overhead so that we didn’t have to say like, okay, if we’re bringing on other developers, like junior developers work on it, oh, it would be nice if you use Laravel too because we use this templating engine in all of our themes. We didn’t want to have to worry about that essentially. It was all object-oriented and all that stuff too. That’s what looked interesting to me. We ended up building a theme with WP Rig. I don’t know what they ended up doing with it after that, because I ended up getting let go shortly thereafter because the company had recently been acquired. Also, this was right after COVID too. So there was just a lot of moving parts and changing things at the time. So I ended up getting let go. But literally a week after I got let go, I came across a post on WP Tavern about how this framework was looking for new maintainers. Basically, this was a call put out by Morton, the original author of WP Rig. He reached out to WP Tavern and said, “Look, we’re not interested in maintaining this thing anymore, but it’s pretty cool. We like what we’ve built. And so we’re looking for other people to come in and adopt it essentially.” So I joined a Zoom meeting with a handful of other individuals that were also interested in this whole endeavor, and Morton reached out to me after the call and basically just said, “I looked you up. I liked some of the input that you had during the meeting. Let’s talk a little bit more.” And then that eventually led to conversations about me essentially taking the whole project over entirely. So, the branding, the hosting of the website, being lead maintainer on the project. Basically, gave me the keys to the kingdom in terms of GitHub and everything. So that’s how it ended up going in terms of the handoff between Morton and I. And I’m very grateful to him. They really created something super cool and I was honored to take it over and kind of, I don’t know, keep it going, I guess. Topher: I would be really curious. I don’t think either of us have the answer. I’d be curious to know how similar that path is to other project handoffs. It’s different from like an acquisition. You didn’t buy a plugin from somebody. It was kind of like vibes, I guess. Rob: It was like vibes. It was very vibey. I guess that’s probably the case in an open source situation. It’s very much an open source project. It’s a community-driven thing. It’s for everybody by everybody. I don’t know if all open source community projects roll like that, but that’s how this one worked out. There was some amount of ownership on Morton’s behalf. He did hire somebody to do the branding for WP Rig and the logo. And then obviously he was paying for stuff like the WPrig.io domain and the hosting through SiteGround and so on and so forth. So, we did have to transfer some of that and I’ve taken over those, I guess, financial burdens, if you want to think of it like that. But I’m totally okay with it. Topher: All right. You sort of mentioned some of the things Rig does, compiling and all that kind of stuff. Can you tell me… we didn’t discuss this before. I’m sitting at my desk and I think I want a website. How long does it take to go from that to looking at WordPress and logging into the admin with Rig? Rob: Okay. Rig is not an environment management system like local- Topher: I’m realizing my mistake. Somebody sends me a design in Figma. How long does it take me to go from that to, I’m not going to say complete because I mean, that’s CSS, but you know, how long does it take me to get to the point where I’m looking at a theme that is mine for the client that I’m going to start converting? Rob: Well, if you’re just looking for a starting point, if you’re just like, okay, how long does it take to get to like, okay, here’s my blank slate and I’m ready to start adopting all of these rules that are set up in Figma or whatever, I mean, you’re looking at maybe 5 minutes, 10 minutes, something like that. It’s pretty automated. You just need some simple knowledge of Git. And then there are some prerequisites to using WP Rig. You do have to have composer installed because we do leverage some Composer packages to some of it, although to be honest, you could probably get away with not using Composer. You just have to be okay with sacrificing some of the tools the WP Rig assumes you’re going to have. And then obviously Node. You have to have Node installed. A lot of our documentation assumes that you have NPM, that you’re using NPM for all your Nodes or your package management. But we did recently introduce support for Bun. And so you can use Bun instead of NPM, which is actually a lot faster and better in many ways. Topher: Okay. A lot of my audience are not developers, users, or light developers, like they’ll download a theme, hack a template, whatever. Is this for them? Am I boring those people right now? Rob: That’s a great question. I mean, and I think this is an interesting dichotomy and paradigm in the WordPress ecosystem, because you’ve got kind of this great divide. At least this is something I’ve noticed in my years in the WordPress community is you have many people that are not coders or developers that are very interested in expanding their knowledge of WordPress, but it’s strictly from a more of a marketing perspective where it’s like, I just want to know how to build websites with WordPress and how to use it to achieve my goals online from a marketing standpoint. You have that group of people, and then you have this other group of people that are very developer centric that want to know how to extend WordPress and how to empower those other people that we just discussed. Right? Topher: Right. Rob: So, yeah, that’s a very good question. I would say that WP Rig is very much designed for the developers, not for the marketers. The assumption there is that you’re going to be doing some amount of coding. Now, can you get away with doing a very light amount of coding? Yes. Yes, you can. I mean, if you compare what you’re going to get out of that assumed workflow to something that you would get off like Theme Forest or whatever, it’s going to be a night and day difference because those theme, Forest Themes, have hours, hundreds, sometimes hundreds of hours of development put into them. So, you’re not going to just out of the box immediately get something that is comparable to that. Topher: You need to put in those hundreds of hours of development to make a theme. Rob: As of today, yes. That may change soon though. Topher: Watch this space. Rob: That’s all I’ll say. Topher: Okay. So now we know who it’s for. I’m assuming there’s a website for it. What is it? Rob: Yeah. If you go to WPrig.io, we have a homepage that shows you all the features that are there in WP Rig. And then there’s a whole documentation area that helps people get up and running with WP Rig because there is a small learning curve there that’s pretty palatable for anybody who’s familiar with modern development workflows. So that is a thing. So the type of person that this is designed for anybody that wants to make a theme for anything. Let’s say you’re a big agency and you pull in a big client and that client wants something extremely custom and they come to you with Figma designs. Sure, you could go out there and find some premium theme and try to like child theme and overhaul that if you want. But in many situations, I would say in most situations, if you’re working from a Figma design that’s not based off of another theme already that’s just kind of somebody else’s brainchild, then you’re probably going to want to start from scratch. And so the idea here is that this is something to replace an approach, like underscores an approach. Actually, WP Pig was based off of underscores. The whole concept of it, as Morton explained it to me, was that he wanted to build an underscores that was more modern and full-featured from a development standpoint. Topher: Does it have any opinions about Gutenberg? Rob: It does now, but it did not when I took it over because Gutenberg did not exist yet when I took over WP Rig. Topher: Okay. What are its opinions? Rob: Yeah, sure. The opinion right out of the gate is that you can use Gutenberg as an editor and it has support like CSS rules in it for the standard blocks. So you should be able to use regular Gutenberg blocks in your theme and they should look just fine. There’s no resets in there. It doesn’t start from scratch. There’s not a bunch of styling you have to do for the blocks necessarily. Now, if you go to the full site editing or block-based mentality here, there are some things you need to do in WP Rig to convert the out-of-the-box WP Rig into another paradigm essentially. Right when you pull WP Rig, the assumption is you’re building what most people would refer to as a hybrid theme. The theme supports API or whatever, and the assumption is that you’re not going to be using the site editor. You’re just going to kind of do traditional WordPress, but you might be using Gutenberg for your content. So you’re just using Gutenberg kind of to author your pages and your posts and stuff like that, but not necessarily the whole site. WP Rig has the ability to kind of transform itself into other paradigms. So the first paradigm we built out was the universal theme approach. And the idea there is that you get a combination of the full site editing capabilities. But then you also have the traditional menu manager and the settings customizer framework or whatever is still there, right? These are things that don’t exist in a standard block-based theme. So I guess an easy example would be like the 2025 WordPress theme that comes right out of the box. It comes installed in WordPress. That is a true block-based theme, not a universal theme. So it doesn’t have those features because the assumption there is that it doesn’t need those features. You can kind of transform WP Rig into a universal theme that’s kind of a hybrid between a block-based and a classic theme. And then it can also transform into a strictly block-based theme as well. So following the same architecture as like the WordPress 2025 theme or Ollie or something like that is also a true block-based theme as well. So you can easily convert or transform the starting point of WP Rig into either of those paradigms if that’s the type of theme you’re setting out to build. Topher: Okay. That sounds super flexible. How much work is it to do that? Rob: It’s like one command line. Previously we had some tutorials on the website that showed you step-by-step, like what you needed to change about the theme to do that. You would have to add some files, delete some files, edit some code, add some theme supports into the base support class and some other stuff. I have recently, as of like a year and a half ago or a year ago, created a command line or a command that you can type into the command line that basically does that entire conversion process for you in like the blink of an eye. It takes probably a second to a second and a half to perform those changes to the code and then you’re good to go. It is best to do that conversion before you start building out your whole theme. It’s not impossible to do it after. But you’re more likely to run into problems or conflicts if you’ve already set out building your whole theme under one paradigm, and then you decide how the project you want to switch over to block-based or whatever. You’re likely to run into the need to refactor a bunch of stuff in that situation. So it is ideal to make that choice extremely early on in the process of developing your theme. But either way it’ll still work. That’s just one of the many tools that exist in WP Rig to transform it or convert it in several ways. That’s just one example. There are other examples of ways that Rig kind of converts itself to other paradigms as well. Topher: Yeah. All right. In my development life, I’ve had two parts to it. And one is the weekend hobbyist, or I download cadence and I whip something up in 20 minutes because I just want to experiment and the other is agency life where everything’s in Git, things are compiled, there are versions, blah, blah, blah. This sounds very friendly to that more professional pathway. Rob: Absolutely. Yes. Or, I mean, there’s another situation here too. If you’re a company who develops themes and publishes them to a platform like ThemeForest or any other platform, perhaps you’re selling themes on your own website, whatever, if you’re making things for sale, there’s no reason you couldn’t use WP Rig to build your themes. We have a bundle process that bundles your theme for publication or publishing. Whether you’re an agency or whether you’re putting your theme out for sale, it doesn’t matter, during that bundle process, it does actually white label the entire code base to where there’s no mention of WP Rig in the code whatsoever. Let’s say you were to build a theme that you wanted to put up for sale because you have some cool ideas. Say, page transitions now are completely supported in all modern or in most modern browsers. And when I say print page transitions, for those that are in the know, I am talking about not single page app page transitions, but through website page transitions. You can now do that. Let’s say you were like, “Hey, I’m feeling ambitious and I want to put out some new theme that comes with these page transitions built in,” and that’s going to be fancy on ThemeForest when people look at my demo, people might want to buy that. You could totally use WP Rig to build that out into a theme and the bundle process will white label all of the code. And then when people buy your theme and download that code, if they’re starting to go through and look through your code, they’re not going to have any way of knowing that it was built with WP Rig unless they’re familiar with the base WP Rig architecture, like how it does its object-oriented programming. It might be familiar with the patterns that it’s using and be able to kind of discern like, okay, well, this is the same pattern WP Rig uses, so high likelihood it was built with WP Rig. But they’re not going to be able to know by reading through the code. It’s not going to say WP Rig everywhere. It’s going to have the theme all over the place in the code. Topher: Okay. So then is that still WP Rig code? It just changed its labels? Rob: Yeah. Topher: So, it’s not like you’re exporting HTML, CSS and JavaScript? The underlying Rig framework is still there. Rob: Yeah. During the bundle process, it is bundling CSS and HTML. Well, HTML in the case of a block-based theme. But, yeah, it is bundling your PHP, your CSS, your JavaScript into the theme that you’re going to let people download when they buy it, or that you’re going to ship to your whatever client’s website. But all that code is going to be transpiled. In the case of CSS and JavaScript, there’s only going to be minified versions of that code in that theme. The source code is not actually going to be in there. Topher: This sounds pretty cool. You mentioned some stuff might be coming. You don’t have to tell me what it is, but do you have a timeline? When should we be watching for the next cool thing from Rig? Rob: Okay, cool. Well, I’m going to keep iterating on Rig forever. Regardless of any future products that might be built on WP Rig, WP Rig will always and forever remain an open source product for anybody to use for free and we, I, and possibly others in the future will continue to update it and support it over time. We just recently put out 3.1. You could expect the 3.2 anytime in the next six months to a year, probably closer to six months. One feature I’m looking at particularly closely right now is the new stuff coming out in version 6.9 of WordPress around the various APIs that are there. I think one of them is called the form… There’s a field API and a form API or view API or something like that. So WP Rig comes with a React-based settings framework in it. So if you want your theme to have a bunch of settings in it to make it flexible for whoever buys your theme, you can use this settings framework to easily create a bunch of fields, and then that framework will automatically manage all your fields and store all the data from those fields and make it easy to retrieve the values of the input on those fields, without knowing any React at all. Now, if you know React, you can go in there and, you know, embellish what’s already there, but it takes a JSON approach. So if you just understand JSON, you can go in and change the JSON for the framework, and that will automatically add fields into the settings framework. So you don’t even have to know React to extend the settings page if you want. That will likely get an overhaul using these new APIs being introduced into Rig. Topher: All right. How often have you run into something where, “Oh, look, WordPress has a new feature, I need to rebuild my system”? Rob: Over the last four or five years, it’s happened a lot because, yeah, I mean, like I said, when I first took this thing over, Gutenberg had not even been introduced yet. So, you had the introduction of Gutenberg and blocks. That was one thing. Then this whole full site editing became a thing, which later became the site editor. So that became a whole thing. Then all these various APIs. I mean, it happens quite frequently. So I’ve been working to keep it modern and up to date over the past four years and it’s been an incredible learning experience. It not only keeps my WordPress knowledge extremely sharp, but I’ve also learned how various other toolkits are built. That’s been the interesting thing. From a development standpoint, there’s two challenges here. One of the challenges is staying modern on the WordPress side of things. For instance, WordPress coding standards came out with a version 3 and then a version 3.1 about two years ago. I had to update WP Rig to leverage those modern coding standards. So that’s one example is as WordPress changes, the code in WP Rig also needs to change. Or for instance, if new CSS standards change, right, new CSS properties come out, it is ideal for the base CSS in WP Rig, meaning the CSS that you get right out of the box with it, comes with some of these, for instance, CSS grid, Flexbox, stuff like that. If I was adopting a theme framework to build a theme on, I would expect some of that stuff to be in there. And those things were extremely new when I first took over WP Rig and were not all baked in there essentially. So I’ve had to add a lot of that over time. Now there’s another side to this, which is not just keeping up with WordPress and CSS and PHP, 8. whatever, yada yada yada. You’ve also got the toolkit. There are various node packages and composer packages of power WP Rig and the process in which it does the transpiling, the bundling, the automated manipulation of your code during various aspects of the usage of WP Rig is a whole nother set of challenges because now you have to learn concepts like, well, how do I write custom node scripts? Right? Like there were no WP CLI commands built into WP Rig when I first took it over. Now there’s a whole list. There’s a whole library of WP CLI commands that come in Rig right out of the gate. And so I’ve had to learn about that. So just various things that come with knowing how do you automate the process of converting code, that’s something that was completely foreign to me when I first took over WP Rig. That’s been another incredible learning experience is understanding like what’s the difference between Webpack and Gulp. I didn’t know, right? I would tell people I’m using Gulp and WP Rig and they would be like, “Well, why don’t you just use Webpack?” and I would say, “I don’t know. I don’t know what the difference is.” So over time I could figure out what are the differences? Why aren’t we using Webpack? And I’m glad I spent some time on that because it turns out Webpack is not the hottest thing anymore, so I just skipped right over all that. When I overhauled for version 3, we’re now not using Gulp anymore as of 3.1. We’re now using more of a Vite-like process, far more modern than Webpack and far better and faster and sleeker and lighter. I had to learn a bunch about what powers Vite. What is Vite doing under the hood that we might be able to also do in WP Rig, but do it in a WordPress way. Because Vite is a SaaS tool. If you’re building a SaaS, like React with a… we’re not a SaaS. I guess a spa is a better term to use here. If you’re building a single page application with React or view or belt or whatever, right, then knowing what Vite is and just using Vite right out of the box is perfect. But it doesn’t translate perfectly to WordPress land because WordPress has its own opinions. And so I did have to do some dissecting there and figure out what to keep and what to not keep to what to kind of set aside so that WordPress can keep doing what WordPress does the way WordPress likes to do it, but also improve on how we’re doing some of the compiling and transpiling and the manipulation of the code during these various. Topher: All right. I want to pivot a little bit to some personal-ish questions. Rob: Okay. Topher: This is a big project. I’m sure it takes up plenty of your time. How scalable is that in your life? Do you want to do this for the rest of your life? Rob: That’s a fantastic question. I don’t know about the rest of my life. I mean, I definitely want to do web development for the rest of my life because the web has, let’s be honest, it’s transformed everyone’s way of life, whether you’re a web developer or not. You know, the fact that we have the internet in our pocket now, you know, it has changed everything. Apps, everything. It’s all built on the web. So I certainly want to be involved in the web the rest of my life. Do I want to keep doing WordPress the rest of my life? I don’t know. Do I want to keep doing WP Rig the rest of my life? I don’t know. But I will say that you bring up a very interesting point, which is it does take up a lot of time and also trust in open source over the past four or five years I would argue has diminished a little bit as a result of various events that have occurred over the past two or three years. I mean, we could cite the whole WP Engine Matt Mullerwig thing. We can also cite what’s going on with Oracle and JavaScript. Well, I mean, there’s many examples of this. I mean, we can cite the whole thing that happened… I mean, there’s various packages out there that are used and developed and open source to anybody, and some of them are going on maintained and it’s causing security vulnerabilities and degradation and all this stuff. So it’s a very important point. One thing I started thinking about after considering that in relation to WP Rig was I noticed that there’s usually a for-profit arm of any of these frameworks that seems to extend the lifespan of it. Let’s just talk about React, for example, React is an open source JavaScript framework, but it’s used by Facebook and Facebook is extremely for-profit. So companies that are making infrastructural or architectural decisions, they will base their choice on whether or not to use a framework largely on how long they think this framework is going to remain relevant or valid or maintained, right? A large part of that is, well, is there a company making money off of this thing? Because if there is, the chances- Topher: They’re going to keep doing that. Rob: They’re going to keep doing it. It’s going to stay around. That’s good. I think that’s healthy. A lot of people that like open source and want everything to be free, they might look at something like that and say like, well, I don’t want you to make a paid version of it or there shouldn’t be a pro version. I think that’s a very short-sighted way of looking at that software and these innovations. I think a more experienced way of looking at it is if you want something to remain relevant and maintained for a long period of time, having a for-profit way in which it’s leveraged is a very good thing. I mean, let’s be real. Would WordPress still be what it is today if there wasn’t a wordpress.com or if WooCommerce wasn’t owned by Automattic or whatever, right? They’ll be on top. I mean, it’s obviously impossible to say, but my argument would be, probably not. I mean, look at what’s happened to the other content management systems out there. You know, Joomla Drupal. They don’t really have a flourishing, you know, paid pro service that goes with their thing that’s very popular, at least definitely not as popular as WordPress.com or WordPress VIP or some of these other things that exist out there. And so having something that’s making and generating money that can then contribute back into it the way Automattic has been doing with WordPress over these years has, in my opinion, been instrumental. I mean, people can talk smack about Gutenberg all they want, but let’s be real, it’s 2025, would you still feel that WordPress is an elegant solution if we were still working from the WYSIWYG and using the classic editor? And I know a lot of people are still using the classic editor and there’s classic for us, the fork and all that stuff. But I mean, that only makes sense in a very specific implementation of WordPress, a very specific paradigm. If you want to explore any of these other paradigms out there, that way of thinking about WordPress kind of falls apart pretty quickly. I, for one, am happy that Gutenberg exists. I’m very happy that Automattic continues. And I’m grateful, actually, that Automattic continues to contribute back into WordPress. And not just them, obviously there’s other companies, XWP, 10Up, all these other companies are also contributing as well. But I’m very grateful that this ecosystem exists and that there’s contribution going back in and it’s happening from companies that are making money with this. And I think that’s vital. All that to say that WP Rig may and likely will have paid products in the future that leverage WP Rig. So that’s not to say that WP Rig will eventually cost money. That’s just to say that eventually people can expect other products to come out in the future that will be built on WP Rig and incentivize the continued contributions back into WP Rig. The open source version of WP Rig. Topher: That’s cool. I think that’s wise. If you want anything to stay alive, you have to feed it. Rob: That’s right. Topher: I had some more questions but I had forgotten them because I got caught up in your answer. Rob: Oh, thank you. I’ll take that as a compliment. I mean, my answer was eloquent. But I’m happy to expand on anything, know you, WordPress related, me related, you know, whether it comes to the ecosystem in WordPress, the whole WordCamp meetup thing is very interesting. I led the WP Omaha meetup for many years here in Omaha, Nebraska and I also led the WordCamp, the organizing of WordCamp here in Omaha for several years as well. That whole community, the whole ecosystem, at least in America seems to have largely fallen apart. I don’t know if you want to talk about that at all. But yeah, I’m ready to dive into any topics. Topher: I’m going to have one more question and then we’re going to wrap up. And it was that you were talking about all the things you had to learn. I’m sure there were nights where you were looking at your computer thinking, “Oh man, I had it working, now I gotta go learn a new thing.” I would love for you to go back in time and blog all of that if you would. But given that you can’t, I would be interested in a blog moving forward, documenting what you’re learning, how you’re learning it and starting maybe with a post that’s summarizes all of that. Obviously, that’s up to you and how you want to spend your time, but I think it’d be really valuable to other people starting a project, picking up somebody else’s project to see what the roadmap might look like. You know what I mean? Rob: For sure. Well, I can briefly summarize what I’ve learned over the years and where I’m at today with how I do this kind of stuff. I will say that a lot of the improvements to WP Rig that have happened over the last year or two would not be possible without the advent of AI. Topher: Interesting. Rob: That’s a fancy way of saying that I have been by coding a lot of WP Rig lately. If you know how to use AI, it is extremely powerful and it can help you do many things very quickly that previously would have taken much longer or more manpower. So, yeah, perhaps if there was like five, six, seven people actively, excuse me, actively contributing to WP Rig, then this type of stuff would have been possible previously, but that’s not the case. There is one person, well, one main contributor to WP Rig today and you’re talking to them. There are a handful of other people that have been likely contributing to WP Rig over the versions and you can find their contributions in the change log file in WP Rig. But those contributions have been extremely light compared to what I’ve been doing. I wouldn’t be able to do any of it without AI. I have learned my ability to learn things extremely rapidly has ramped up tenfold since I started learning how to properly leverage LLMs and AI. So that’s not to say that like, you know, WP Rig, all the code is just being completely written by AI and I’m just like. make it better, enter, and then like WP Rig is better. I wish it was that easy. It’s certainly not that. But when I needed to start asking some of these vital questions that I really didn’t have anyone to turn to to help answer them, I was able to turn to AI. For instance, let’s go back to the Webpack versus Gulp situation. Although Gulp is no longer used in WP Rig, you know, it was used in WP Rig until very recently. So I had to understand like, what is this system, how does it work, how do I extend it and how do I update it and all these things, right? And why aren’t we using WebPack and you know, is there validity to this criticism behind you should use webpack instead of Gulp or whatever, right? I was able to use AI to ask these questions and be able to get extremely good answers out of it and give me the direction I needed to make some of these kind of higher level decisions on like architecturally where should WP Rig go? It was through these virtual conversations with LLMs that I was able to refine the direction of WP Rig in a direction that is both modern and forward-thinking and architecturally sound. I learned a tremendous amount from AI about the architecture, about the code, about all of it. My advice to anybody that wants to extend their skill set a little bit in the development side of things is to leverage this new thing that we have in a way that is as productive as possible for you. So that’s going to vary from person to person. But for me, if I’m on a flight or if I’m stuck somewhere for a while, like, let’s say I got to take my kid to practice or something and I’m stuck there for an hour and I got to find some way to kill my time 9 times out of 10, I’m on my laptop or on my phone having conversations with Grok or ChatGPT or Gemini or whatever. I am literally refining… I’m just sitting there asking it questions that are on my mind that I wish I could ask somebody who’s like 10 times more capable than me. It has been instrumental. WP Rig wouldn’t be where it is today if it wasn’t for that. I would just say to anybody, especially now that it’s all on apps and you don’t have to be on a browser anymore, adopt that way of thinking. You know, if you’re on your lunch break or whatever and you have an hour lunch break and you only take 15 minutes to eat, what could you be doing with those other 45 minutes? You could just jump on this magical thing that we have now and start probing it for questions. Like, Hey, here’s what I know. Here’s what I don’t know. Fill these knowledge gaps for me.” And it is extremely good at doing that. Topher: So my question was, can you blog this and your answer told me that there’s more there that I want to hear. That’s the stuff that should be in your book when you write your book. Rob: I’m flattered that you would be interested in reading anything that I write. So thank you. I’ve written stuff in the past and it hasn’t gotten a lot of attention. But I also don’t have any platforms to market it either. But yeah, no, I made some… I’m sorry. Topher: I think your experience is valuable far beyond Rig or WordPress. If you abstract it out of a particular project to say, you know, I did this with a project, I learned this this way, I think that would be super valuable. Rob: Well, I will say that recently at my current job, I was challenged to create an end to end testing framework with Playwright that would speed up how long it takes to test things and also prevent, you know, to make things fail earlier, essentially, to prevent broken things from ending up in the wild, right, and having to catch them the hard way. I didn’t know a lot about Playwright, but I do know how toolkits work now because of WP Rig. And I was able to successfully in a matter of, I don’t know, three days, put together a starter kit for a test framework that we’re already using at work to test any website that we create for any client. It can be extended and it can be hooked into any CI CD pipeline and it generates reports for you and it does a whole bunch of stuff. I was able to do this relatively quickly. This knowledge, yes, does come in handy in other situations. Will I end up developing other toolkits like WP Rig in the future for other things? I guess if I can give any advice to anybody listening out there, another piece of advice I would give people is, you know, especially if you’re a junior developer and you’re still learning or whatever, or you’re just a marketing person and just want to have more control over the functionality side of what you’re creating or more insight into that so you could better, you know, manage projects or whatever. My advice would be to take on a small little project that is scoped relatively small that’s not too much for you to chew and go build something and do it with… Just doing that will be good. But if you can do it with the intent to then present it in some fashion, whether it be a blog article or creating a YouTube video or going to a meetup and giving a talk on it or even a lunch and learn at work or whatever, right, that will, in my experience, it will dramatically amplify how much you learn from that little pet project that’s kind of like a mini learning experience. And I highly encourage anybody out there to do that on the regular. Actually, no matter what your experience level is in development, I think you should do these things on a regular basis. Topher: All right. I’m going to wrap this up. I got to get back to work. You probably have to get back to work. Rob: Yeah. Topher: Thanks for talking. Rob: Thanks for having me, Topher. Really appreciate it. Topher: Where could people find you? WPrig.io?  Rob: Yeah, WPrig.io. WP rig has accounts on all of the major platforms and, even on Bluesky and Mastodon. You can look me up, Rob Ruiz. You can find me on LinkedIn. You can find me on all of those same platforms as well. You can add me on Facebook if you want, whatever. And I’m also in the WordPress Slack as well as Rob Ruiz. You can find me in the WordPress Slack. And then I’m on the WordPress Reddit and all that stuff. So yeah, reach out. If anybody wants to have any questions about Rig or anything else, I’m happy to engage.  Topher: Sounds good. All right, I’ll see you. Rob: All right, thanks, Topher. Have a good day. Topher: This has been an episode of the Hallway Chats podcast. I’m your host Topher DeRosia. Many thanks to our sponsor Nexcess. If you’d like to hear more Hallway Chats, please let us know on hallwaychats.com.

Composer Michelle DiBucci is a versatile artist whose work spans theater, opera, dance, and film. Michelle has made significant contributions to contemporary music, having collaborated with renowned ensembles like the Kronos Quartet and created works performed at prestigious venues such as Alice Tully Hall and the Komische Oper in Berlin. Her rich background includes studying under esteemed composers like Louis Andriessen and teaching at Juilliard since 1992, where she shares her passion for music and theater with aspiring artists.In this first part of our conversation, we explore Michelle's early influences, from her childhood experiences with television soundtracks to her pivotal moment of discovering the relationship between music and visual storytelling. She shares her journey from acting to composing, detailing how mentorship shaped her path and the lessons learned along the way. Michelle's insights into music composition reveal the intricate balance between creativity and the realities of the industry.[Subscriber Content] In the second part, we delve deeper into her composition approach and the collaborative process behind her compositions. Michelle discusses memorable projects, including her opera based on Charlotte Solomon's life, and highlights her thoughts on the changing landscape of music education and the impact of technology on future generations of musicians. This section offers valuable perspectives on navigating a career in music, alongside a reflection on the importance of live performances in an increasingly digital world.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Daron Malakian returns to continue his conversation in Part Two. Composer, guitarist, vocalist, and record producer Daron Malakian, a founding member of System of a Down, reflects on his lifelong relationship with heavy metal. Using music as a guide to discuss how different styles, sounds, and eras shaped his identity as an artist, he talks through what he listens for in metal, including riffs, mood, aggression, and atmosphere, and how those elements influenced his own songwriting and creative direction. ------ Thank you to the sponsors that fuel our podcast and our team: LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

Ep 165: Dec 31, 2025 -  Does Edwards AFB “Detachment 3”  Have E. T. Implant Removal Program? Happy New Year to everyone. Linda is spending time with family this Christmas holiday, but please enjoy this special rebroadcast presentation.   US Space Force announced new mission statement:  “To secure our Nations' interest, in, from and to space.” Interview with former officer from Edwards Air Force Base failed medical exam “noticed an anomaly in my jaw..they wanted to keep an eye on it” “he was pale white” “I was outranked… I got a call” “he whispered… does anything about this seem weird to you?” “it looked like a white…pill” “I know for a fact that you've seen things in the sky that you can't explain” “silver disc…I was 9, it was about 80 yards away” “you probably have memories..or things you can't recall” ==== Upcoming Appearances: Conscious Life Expo 2026 February 20th-23rd, 2026 https://consciouslifeexpo.com/linda-moulton-howe-2026/?ref=njyynty   ====   #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/Earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html

In this special episode, created by one of our student podcast fellows, NYU student Rachel Fang interviews Dr. Matthew Pellegrino, a composer, music educator, and professor at the NYU Steinhardt School of Culture, Education, and Human Development. Korean culture is everywhere, and with the recent success of Netflix's K-Pop Demon Hunters, K-pop's importance in particular has taken on new heights. Rachel speaks with Dr. Pellegrino about his musical upbringing, how his Korean identity has shaped the way he hears and thinks about music, and how this all influences his teaching as an NYU professor.Dr. Matthew Jihoon Pellegrino is an award-winning composer, Fulbright researcher, and music educator. He has enjoyed an eclectic musical upbringing; one which combines Western classical, traditional Korean music, and a brief stint in a metal band. Uncompromising in his work, Pellegrino seeks to create music that engages equally with casual audiences as well as the most serious of listeners. In his research and his music he most enjoys bringing Korean music into the classroom and concert hall by exploring Korean instruments and folk melodies, and analyzing trends in recent K-pop songs.For a full transcript of this episode, please email career.communications@nyu.edu. 

We are entering a brand new era — and the cosmos is making sure we feel it. Composer, astrologer, and eclectic witch Cawnawyn Mor joins Nichole once again for a powerful astrology forecast of the first quarter of 2026. After a “preview year” in 2025, the major planetary shifts now take root — setting the tone for innovation, awakening, and expansion of the collective consciousness.  In this episode, you'll learn: Why 2025 served as the “preview year” for what's now officially taking shape. The significance of Neptune entering Aries and what it activates within us. How Pluto in Aquarius is bringing the collective shadow into the light. Why cardinal zodiac signs (Aries, Cancer, Libra, Capricorn) may feel the most change. How to move through uncertainty with intuition, flexibility, and compassion. If you missed Cawnawyn's first appearance on the podcast, be sure to go back and listen —Episode 235: The Modern Witch — Psychic Gifts and Sacred Connection. To explore more of Cawnawyn's offerings visit cawnawynmor.com. Socials and YouTube are @cawnawynmor on all platforms.  To connect with Nichole, schedule a 1:1 session or join The Psychic Club go to apsychicsstory.com. If you'd like to support the podcast, please subscribe to it and/or: FOLLOW @apsychicsstory on Instagram.  BOOK a session with Nichole. SIGN-UP to the newsletter for updates. JOIN Patreon for exclusive, ad-free content.  BECOME A MEMBER of The Psychic Club. This podcast is intended to inspire you on your personal journey to inner peace. Its host, co-hosts or guests are not psychologists or medical doctors and do not offer any professional health or medical advice. If you are suffering from any psychological or medical conditions, please seek help from a qualified health professional. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Composer, guitarist, vocalist, and record producer Daron Malakian, a founding member of System of a Down, returns to Tetragrammaton to  reflect on his lifelong relationship with heavy metal. Using music as a guide to discuss how different styles, sounds, and eras shaped his identity as an artist, he talks through what he listens for in metal, including riffs, mood, aggression, and atmosphere, and how those elements influenced his own songwriting and creative direction. ------ Thank you to the sponsors that fuel our podcast and our team: Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

From Berkeley robotics and OpenAI's 2017 Dota-era internship to shipping RL breakthroughs on GPT-4o, o1, and o3, and now leading model development at Cursor, Ashvin Nair has done it all. We caught up with Ashvin at NeurIPS 2025 to dig into the inside story of OpenAI's reasoning team (spoiler: it went from a dozen people to 300+), why IOI Gold felt reachable in 2022 but somehow didn't change the world when o1 actually achieved it, how RL doesn't generalize beyond the training distribution (and why that means you need to bring economically useful tasks into distribution by co-designing products and models), the deeper lessons from the RL research era (2017–2022) and why most of it didn't pan out because the community overfitted to benchmarks, how Cursor is uniquely positioned to do continual learning at scale with policy updates every two hours and product-model co-design that keeps engineers in the loop instead of context-switching into ADHD hell, and his bet that the next paradigm shift is continual learning with infinite memory—where models experience something once (a bug, a mistake, a user pattern) and never forget it, storing millions of deployment tokens in weights without overloading capacity. We discuss: Ashvin's path: Berkeley robotics PhD → OpenAI 2017 intern (Dota era) → o1/o3 reasoning team → Cursor ML lead in three months Why robotics people are the most grounded at NeurIPS (they work with the real world) and simulation people are the most unhinged (Lex Fridman's take) The IOI Gold paradox: "If you told me we'd achieve IOI Gold in 2022, I'd assume we could all go on vacation—AI solved, no point working anymore. But life is still the same." The RL research era (2017–2022) and why most of it didn't pan out: overfitting to benchmarks, too many implicit knobs to tune, and the community rewarding complex ideas over simple ones that generalize Inside the o1 origin story: a dozen people, conviction from Ilya and Jakob Pachocki that RL would work, small-scale prototypes producing "surprisingly accurate reasoning traces" on math, and first-principles belief that scaled The reasoning team grew from ~12 to 300+ people as o1 became a product and safety, tooling, and deployment scaled up Why Cursor is uniquely positioned for continual learning: policy updates every two hours (online RL on tab), product and ML sitting next to each other, and the entire software engineering workflow (code, logs, debugging, DataDog) living in the product Composer as the start of product-model co-design: smart enough to use, fast enough to stay in the loop, and built by a 20–25 person ML team with high-taste co-founders who code daily The next paradigm shift: continual learning with infinite memory—models that experience something once (a bug, a user mistake) and store it in weights forever, learning from millions of deployment tokens without overloading capacity (trillions of pretraining tokens = plenty of room) Why off-policy RL is unstable (Ashvin's favorite interview question) and why Cursor does two-day work trials instead of whiteboard interviews The vision: automate software engineering as a process (not just answering prompts), co-design products so the entire workflow (write code, check logs, debug, iterate) is in-distribution for RL, and make models that never make the same mistake twice — Ashvin Nair Cursor: https://cursor.com X: https://x.com/ashvinnair_ Chapters 00:00:00 Introduction: From Robotics to Cursor via OpenAI 00:01:58 The Robotics to LLM Agent Transition: Why Code Won 00:09:11 RL Research Winter and Academic Overfitting 00:11:45 The Scaling Era and Moving Goalposts: IOI Gold Doesn't Mean AGI 00:21:30 OpenAI's Reasoning Journey: From Codex to O1 00:20:03 The Blip: Thanksgiving 2023 and OpenAI Governance 00:22:39 RL for Reasoning: The O-Series Conviction and Scaling 00:25:47 O1 to O3: Smooth Internal Progress vs External Hype Cycles 00:33:07 Why Cursor: Co-Designing Products and Models for Real Work 00:34:14 Composer and the Future: Online Learning Every Two Hours 00:35:15 Continual Learning: The Missing Paradigm Shift 00:44:00 Hiring at Cursor and Why Off-Policy RL is Unstable

Meet Robert Fritz: The Artist, Author & Structural Wizard Who Will Change How You Create Your Life Robert Fritz doesn't just talk about creativity — he decoded it. Composer, filmmaker, bestselling author of The Path of Least Resistance, and the genius behind structural dynamics, Robert's work has impacted creators, CEOs, and visionaries around the globe. In this deeply insightful episode of Exit The Matrix, I sat down with Robert to explore what most people completely misunderstand about change, success, and the real reason why we sabotage ourselves — even when we know what we want.

Composer Geoff Knorr — known for his work on the Civilization series and other large-scale game soundtracks — joins us for a deep conversation about creativity, discipline, and what it really takes to build a life in music.We discuss learning to accept criticism, letting go of ideas that don't work, why good music can still be the wrong music, and why some composers grow while others stay stuck. Drawing from Geoff's experience composing for major games, teaching at the Peabody Institute, and collaborating with musicians across diverse musical traditions, the conversation explores humility, perspective, and long-term creative growth.The episode also touches on health, sustainability, and discipline — from staying physically active as a composer to recognizing that music is simply too hard to pursue unless you genuinely love it.GEOFF KNORR LINKS:Website: https://www.geoffknorr.com/Youtube: https://www.youtube.com/@KnorrMusicSpotify: https://open.spotify.com/artist/1OFCjpSAsyIOWWzIAYb3OI?si=_eoobKhuQTSmDIWa4DYmjgApple Music: https://music.apple.com/us/artist/geoff-knorr/411130469Instagram: https://www.instagram.com/geoff.knorrFacebook: https://www.facebook.com/pages/Geoff-Knorr-Composer/174736382555080Markus Junnikkala is a Composer from Finland.https://www.markusjunnikkala.com/Support this podcast by becoming a member:https://markusjunnikkala.com/membership/Want me to answer your question?Ask it on social media:https://www.instagram.com/markusjunnikkala/https://www.facebook.com/markusjunnikkala/https://x.com/markusjunnikkalhttps://www.reddit.com/user/markusjunnikkala/https://www.linkedin.com/in/markusjunnikkala/Subscribing, sharing, and liking helps the podcast.TIMESTAMPS:(00:00:08) Introduction(00:02:16) Growing Up, Family, and Early Influences(00:08:32) Sports, Discipline, Health & Longevity as a Composer(00:13:19) Failure, Hard Work & Lessons From Sports(00:16:37) Subjectivity, Criticism & Facing Reality in Music(00:23:14) Letting Go of Music That Doesn't Work(00:27:19) Teaching, Mediocrity & Why Some Musicians Don't Improve(00:34:15) Game Music Reality: Serving the Vision (Beyond Earth)(00:38:19) Technology, Early MIDI & Audio Foundations(00:45:33) Collaboration, Culture & Working With Musicians(00:51:35) Childhood, Encouragement & Learning to Love Music(00:56:05) Classical Foundations, Bach & Musical Identity(01:01:04) Why Music Is Too Hard If You Don't Love It(01:05:11) Video Games, Direction & Choosing a Career Path(01:16:10) Studying Composition, Recording & Wearing Both Hats(01:30:10) Composing Process: Score, DAW & Sample Libraries(01:46:00) Improvisation, Structure & Non-Western Traditions(02:02:10) Trust, Sensitivity & Recording Real Musicians(02:18:40) Sound vs Notes: Where Music Actually Lives(02:36:00) Experience, Speed & Long-Term Creative Thinking(02:57:30) What Keeps You Going (Final Reflections)

Sabbath Perez is a wonderful jazz vocalist and composer. She grew up in Cologne, Germany, the daughter of Gabriel Perez, award winning Argentinian composer and saxophonist. Her songs combine Argentine rhythms, Impressionist harmonies and improvisational jazz. She made her first recording at age 12. She has performed with the WDR Big Band, the Frankfurt Radio Big Band, the Cologne Contemporary Jazz Orchestra, and the EOS Chamber Orchestra. She has shared the stage with artists like Billy Childs. Her latest album is called “Searching For Beauty”.My featured song is “The Gift”, my recent single which transformed my jazz ballad into a Big Band Samba. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH SABETH:www.sabethperez.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Kyle sits down with Andrew Boysen Jr to discuss:-Conducting advice for band directors -Effective techniques in organizing and managing an honor band-Advice to be sure the students are successful when you are asked to conduct an honor band-We listened to so many of his great pieces as well! To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.comOur mission is to share practical  advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years.Connect with us with comments or ideasFollow the show:Podcast website : Thegrowingbanddirector.comOn Youtube The Growing Band Director Facebook-The Growing Band Director Podcast GroupInstagram @thegrowingbanddirectorTik Tok @thegrowingbanddirectorIf you like what you hear please:Leave a Five Star Review and Share us with another band director!

A Chicago Symphony Chorus Spotlight by CSO Association

This week, Joe is featuring Pianist/Composer Mike Renzi, Bassist/Vocalist Dick Lupino from their 2011 Self-Published recording titled “December Songs.”

As the holidays keep rolling, we keep the Christmas spirit steam rolling with another Xmas guest. Composer and musician Tom Sharpe is an award winning musician performing for the Tom Sharpe Ensemble and Dennis DeYoung of Styx. During the holidays he is the percussionist for Mannheim Steamroller, the number one selling Christmas artist of all time. We chat with him about the tour, the band's Christmas following, and also a chance encounter with the Trans-Siberian Orchestra   We also take a look at Cam Skattebo's Christmas list, Burlew almost dies, and the guys exchange gifts!  Have a listen.

Health Hats Danny celebrates 50 – years with his honey & pounds lost. With gratitude for privilege, & best health thru family, media, music, travel, & advocacy. Summary Think of 2025 as Danny’s Sofrito year—familiar and unexpected ingredients simmering together. The base: 50 years married, daily saxophone practice, steady MS management. The aromatics: Cuban jazz immersion, co-founding a Personal Health Data Bank, and celebrating with old friends on Bloom Mountain. The heat: losing 50 pounds, earning $150 as a “professional” musician, and learning from his grandsons. What makes sofrito work is the slow sauté, the patient layering of flavors. Danny’s learning the same with music (leave white space), with health (five out of ten is excellent), and with AI (it changes the work but doesn’t replace Mom’s feedback). Between PCORI Board meetings, podcast production, band rehearsals, and startup strategy sessions, he’s discovered that retirement’s spicy complexity comes from knowing when to drop out, when to join the rhythm section, and when to let the energizing endorphins carry you through disturbing times. The recipe? Nap whenever and keep improvising. Click here to view the printable newsletter with images. More readable than a transcript. Contents Table of Contents Toggle EpisodeProemFrom Mom to AI50 Years of Love and Privilege RoastedRolling in CubaToo Many and Too Few HornsBest GovernanceGame-Changing StartupOnwardBest Health NowEndorphins and GratitudeRelated episodes from Health Hats Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn  via email YouTube channel  DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk  Leon van Leeuwen: editing and site management Oscar van Leeuwen: video editing Julia Higgins: Digit marketing therapy Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro and outro Claude, Auphonic, Descript, Grammarly, DaVinci, Whisper Transcription Podcast episode on YouTube Inspired by and Grateful to: All of you! Photo Credits for Videos 50th Anniversary images by Patti Harris, Rich Rieger, Jodi Buckingham, Ann Boland, Christine Higgins, and me Swiss cheese image by Rahul Pugazhendi on Unsplash Nourish image by Santiago Lacarta on Unsplash Cuba images by Ann Boland, Richard Fish, Gisselle Perez, and me Zoom images by Michael Chaffin and Steve Heatherington Links and references The Curse of an Aching Heart Music by Al Piantadosi, Lyrics by Henry Fink 1913 played by the Summer Street Stompers https://health-hats.com/wp-content/uploads/2025/12/The-Curse-of-an-Aching-Heart-20251206.mp3  Referenced in episode Dan Fox and Morningside Studios,  the Havana Music School, the Havana Jazz Festival Lechuga Fresca Latin Band and Summer Street Stompers Dixieland Band Research partnerships and participatory governance of AI Personal Health Data Bank https://goodlistening.org Episode Proem I love retirement. I have plenty to do on my own schedule. I can nap almost whenever I want. I‘m no better at saying no. Every day feels rich, although I don't always know what day it is. From Mom to AI My podcast about best health continues to flourish and nourish. Thank you very much. I embrace the tension between creativity and productivity as I test new approaches and media. I published fifteen new episodes in 2025, plus 32 YouTube episodes, and countless social media shorts. What do you think of my new intro and outro? Grandsons Leon and Oscar encouraged me to update them. Leon has been updating my website, as a growing proportion of people access my back catalog. Both Leon and Oscar advise me on direction, content, and strategy, especially using social media. I meet regularly with my virtual, supportive, and challenging podcasting peeps. I enjoy experimenting with AI in production to find and create images and suggest brief descriptions and section headings. My favorite prompt is “Suggest three ironic titles, brief descriptions, and section headings, a tech-savvy teen would appreciate.” I rarely use the suggested responses, but I chuckle and take an unexpected path. AI does not make me more productive; it changes the work a tad. When I first started blogging, I would read draft episodes to my mom. Her feedback was more often helpful than AI's. I miss my mom. 50 Years of Love and Privilege Roasted The highlights of the year included celebrating our 50th wedding anniversary with old friends and my grandsons. Our son, Ruben, served as Master of Ceremonies. Nine people from our 1975 wedding joined us in July on Bloom Mountain in West Virginia to tell stories. We played the Dating Game and Danny and Ann Trivia. We, rather, I, got roasted. Oscar, Bruce Kimmel, and I played Simple Gifts on clarinet, bass, and baritone sax. We sang Simple Gifts at our wedding. Listeners and viewers, you can find full performances of this and other referenced tunes at the end of the podcast. Readers, click the links in the transcript or check the show notes. Rolling in Cuba Another highlight was our week-long trip to Cuba for a music extravaganza. Dan Fox and Morningside Studios arranged it, and the Havana Music School hosted a week of the Havana Jazz Festival, daily lessons and ensemble work, culminating in a gig at a restaurant attended by many Havana musicians in town for the Festival. One of the tunes I recorded from the gig, “Sofrito” by Mongo Santamaria, has had 48,000 views on YouTube as of this writing. Before this, my most-viewed videos had 300 views. I'm grateful to Pachy Silveria for saxophone instruction and to Claudia Fumero and Gisselle Perez for their kindness in hosting. I worried about wheelchair access before we went to Cuba, but I needn't have. My wheelchair was no more of a barrier there than it is anywhere else. Too Many and Too Few Horns Speaking of music, I'm playing in two bands now-Lechuga Fresca Latin Band and Summer Street Stompers Dixieland Band. Lechuga Fresca is reconstituting after several musicians moved on to other projects. I'm often the only horn player at rehearsals, while we have five horn players in the Summer Street Stompers. Too few and too many. Both situations have challenges. I've never had to hold my own in a band completely; usually, I hide behind someone. With a horn section, the music at its best is controlled cacophony. Too many horns are nuts. I'm learning to lay back, not hide, drop out sometimes, join the rhythm section other times, and leave more white space in my solos. I'm grateful to my teacher of 17 years, Jeff Harrington. Oscar and I figure that I must be a professional musician. While I don't make a living playing, I made $150 this year. I average 1 hour a day with my music, and it feeds my soul and creates new pathways in my Swiss-cheese brain. Best Governance I'm in my sixth year on the PCORI (Patient Centered Outcomes Research Institute) Board, focused on shifting the balance of power in community-research partnerships and in the participatory governance of AI used in research. If reappointed, I'll enthusiastically re-up for another six years. PCORI has the best Board, leadership, and staff dynamics, as well as the output, of any organization I've participated with during my 50-year career. A nod to Jan Oldenburg for outstanding coaching that kept me focused on two goals at a time. Game-Changing Startup A year ago, I would have said serving on the PCORI Board of Governors was the pinnacle of my career but let me tell you about my new career gig. For twenty-five years, I've worked with many collaboratives to advance patients’ abilities to turn their health data into useful information to make choices about their health and care. “Gimme my damn data” is a great slogan and first step, but success could be drinking dirty water out of a firehose. I virtually met my start-up partners, Tomas Moras and Marianne Hudgins in April and started working together in August. We're seeking seed funding to build a Personal Health Data Bank, an owner-controlled health data bank that promotes individual data ownership, safety, security, and trust by storing personal health data from any source and using AI-assisted synthesis to serve the data owner. Data owners' needs vary. We might need our data for research participation, health data summarization, clinician visit prep, care coordination with family in whatever diaspora, or tracking data over the years, across health systems and locations.  We have a sandbox where we are testing and enhancing existing open-source technology while we figure out participatory governance to address ethical, privacy, and usability issues. We favor a bottom-up rather than a top-down approach as we build community and services for owners and their trusted networks. I'm excited about the challenge of finding the smallest viable community that can use these Data Banks, with everyone making enough money to sustain the banks, service providers, and networks. No data broker would make money on the data. I'm revved up as I learn about a new audience – investors. The diversity of investors rivals that of any culture I'm new to. Onward I traveled to DC, Portland OR, New Orleans, and Colorado. In 2026, we booked a trip to Belize with Linda and Mike DeRosa. We are also planning a trip to Ireland and Wales with my brother-in-law, Paul Boland, I'll be sharing more about my adventures on my podcast and social media. Best Health Now Oh, I almost forgot. My health is excellent, meaning I spend a decent share of time in a state of best health. Talked to a friend, Shel. How do you answer people when they ask how you are doing? On a scale of 1 to 10, with this administration, the best is a seven. Considering the annoyances of MS, that brings it down to a five. So, how are you doing? Five out of ten is best health.  I lost 50 pounds this year after a Type II Diabetes diagnosis. Mobility remains steady, though I was slowing down before the weight loss. I rate symptoms as annoying, seriously annoying, or disabling. Episodes of disabling symptoms are rare and brief. I know how to handle most symptoms most of the time. I'm delighted with a five. Endorphins and Gratitude I'm grateful for my health, my pathological optimism, my privilege, my honey, my grandkids, and my health team. I appreciate all of you – family, friends, and colleagues. You infuse me with energizing endorphins, the best antidote to fatigue. May you celebrate the energizing moments you find in these disturbing times. A https://goodlistening.org poet wrote this poem for me. Related episodes from Health Hats https://health-hats.com/pod233/ https://health-hats.com/pod228/ https://health-hats.com/pod128/ Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements:    BY: credit must be given to the creator.   NC: Only noncommercial uses of the work are permitted.    SA: Adaptations must be shared under the same terms. Please let me know. danny@health-hats.com. Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute®  (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)

Ep 164: December 24, 2025 - Is JSOC “Zodiac” Program the Real U.S. Gatekeeper of UFO/UAPs?   Merry Christmas to everyone. Linda is spending time with family this Christmas holiday, but please enjoy this special rebroadcast presentation. The Conversation post - "NASA report finds no evidence that UFOs are extraterrestrial" Hearing Ryan Graves, David Grusch, David Fraver “non-human biologics found” hard evidence of extraterrestrials Communication from insider on secret program called ZODIAC “ZODIAC is run by a partnership between JSOC..with Raytheon..to recover downed craft…not from earth” “JSOC and ZODIAC are the primary force interacting with non-humans” Read the report on Earthfiles: U.S. Navy Chief Yeoman Describes “Extraterrestrial Biological Entities” in TOP SECRET/MAJIC Photographs https://www.earthfiles.com/2023/09/20/part-1-u-s-navy-chief-yeoman-describes-extraterrestrial-biological-entities-in-top-secret-majic-photographs/   ==== LINKS: Earthfiles YouTube Channel podcast:   https://podcast.earthfiles.com   Truth Hunter Season 2:  https://www.gaia.com/earthfiles  Trailer: https://youtu.be/znyrQyZjEBg ==== Upcoming Appearances: Conscious Life Expo 2026 February 20th-23rd, 2026 https://consciouslifeexpo.com/linda-moulton-howe-2026/?ref=njyynty   ====   #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/Earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html  

Donald Macleod visits the home of Jane Austen with historian Amanda Vickery to discover some of the seasonal customs and Christmas music of late-Georgian Britain.Music featured: Thomas Clark: While Shepherds Watched William Matthews: How beauteous are their feet Anon: The Holly and the Ivy Viotti: Violin Concerto No 13 in A Major Handel: Messiah Cimarosa: L'Olimpiade: Sinfonia Thomas Wilson: Wellington's Triumph Thomas Straight: Trip to Vauxhall, Sailor Laddie Weber (orch Berlioz): Aufforderung zum Tanz Trad (arr. Townsend): Arise and Hail the Joyful Day Trad.: Awake, and join the cheerful choir Attrib. Wade (arr. Vincent Novello): O come, all ye faithful Arr. Thomas Butts: Hark! how all the welkin rings Attwood: O God, Who by the Leading of a Star Mendelssohn: The Evening Bell Jarman: There were shepherds abiding John Wainwright: Christians, awake, salute the happy morn Pleyel: Symphony No.12 in E flat Kalmar Wesley: Rondo on God Rest You Merry Gentlemen Trad: The First Nowell Anon: Remember The Poor John Hill: The people that walked in darkness Richard Charke: Harlequin Restor'd John Frederick Lampe: The Dragon of Wantley, Overture Presented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for A Georgian Christmas: https://www.bbc.co.uk/programmes/m0026800 And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

My guest is award-winning, world known American playwright, poet, novelist, essayist, song writer, composer, editor and publisher, Ishmael Reed.A San Francisco resident, he is known for his satirical works challenging the American political culture. He taught at the University of California at Berkley for many years. He is best known for his 1972 release of Mumbo Jumbo. He recently release a jazz album he composed and produced. This Podcast is produced, directed, edited and host by Stephen E Davis. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tamar Sagiv is an Israeli-born cellist and composer. Her work explores themes of memory, identity, and emotional resonance. She is the recipient of the Zubin Mehta Certificate of Honour, in addition to an award from the America-Israel Cultural Foundation. She's performed as a soloist with orchestras in Israel and Germany, and at venues including Lincoln Center and Alice Tully Hall. She's also recorded several broadcasts for the Israeli National Radio, and she's performed in festivals across Israel, Europe, and the U.S. Last August she released her first album, “Shades Of Mourning”.My featured song is “Tree Of Life”, from the album PGS 7 by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH TAMAR:www.tamarsagiv.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Author and prime composer Laura Charissa Gardea shares the origin story of her groundbreaking opera, a story inspired by indigenous storytelling of the Mexica in central Mexico. In conversation with Stan Stalnaker at the Hub Culture Climate Campus Belém, COP30.

Ecoutez Ça va beaucoup mieux - Spécial fêtes avec Émilie Steinbach du 24 décembre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Mac Quayle is an Emmy-winning and Grammy-nominated composer whose credits include Mr. Robot, American Horror Story, Pose, Ratched, and The Last of Us Part II. He has scored more than 40 films and TV projects and is known for his versatile contributions to contemporary screen music.In this episode of Bonfire Conversations, I sit down with Emmy-winning composer Mac Quayle for an in-depth conversation about scoring some of the most psychologically complex television of the past decade.Mac discusses his work on Netflix's Monster: The Ed Gein Story, as well as Mr. Robot, The Last of Us Part II, American Horror Story, and Ratched. The conversation explores the responsibility of scoring real-world darkness, collaboration with showrunners and directors, and the challenges of shaping long-form musical arcs across multi-episode series.We also dive into creative process, restraint, conscious versus subliminal scoring, favorite plugins and synths, film influences, and the realities of working at the highest level of prestige television. The episode closes with lighter questions about games, films, and life outside composing.Chapters included.

"Avatar: Fire And Ash" is, like the previous two, an incredible technical accomplishment from the sound, visuals, and score; the amazingly talented men and women behind the scenes have once again transported audiences back to Pandora through James Cameron's epic vision. The Next Best Picture team was lucky enough to spend time with a few key people in charge of bringing that vision to life. First up, we have Brendan Hodges's interview with composer Simon Franglen, then we have my interview with production sound mixer Julian Howarth, and then we circle back to Brendan one more time for his discussion with the visual effects team, including EP/Visual Effects Supervisor Richard Baneham, Visual Effects Supervisor Eric Saindon, and Animation Supervisor Dan Barrett. Please be sure to check out the film, which is now playing in theaters from 20th Century Studios and is up for your consideration at the 98th Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Handel Messiah & Tchaikovsky Nutcracker by CSO Association

Johanna Linnea Jakobsson is a terrific young Scandinavian artist. She's a saxophonist, singer and composer from Denmark. Her music and her voice are beautiful, soft and gentle. She reminds me of a cross between Norah Jones, Diana Krall and Feist. Her latest album, "Don't Overthink It", has been named Album of the Year by Danish National Radio, and the track “Time” has been nominated as 'Single of the Year'. And she wrote and recorded the soundtrack for the Emmy Award winning tv mini series “One Of The Boys”.My featured song is “All Of The Time”, my recent single. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JOHANNA:www.johannalinneajakobsson.com—----------------------------------------ROBERT'S LATEST SINGLE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Ep 163: Dec 17, 2025 - RB -  Did One Of Three Interstellar Objects Have Melted, Thermonuclear Device? Fall of 2017 - Omuamua spotted Travelling at 56,000 mph, then changes direction and speeds up “Omuamua was not slowing down as it should have” “We've never seen interstellar objects pass through out solar system” “21/Birosov comet spotted in 2021”, only 2nd known to humans Avi Loeb and Amir Siraj investigated list of meteors at CNEOS and found another meteor travelling 100,000 mph Possible interstellar object entered Earth's atmosphere Memo dated March 1, 2022 confirmed it as interstellar with 99.999% confidence Object was moving at 60m/sec Expedition mounted to retrieve object near Papua, New Guinea John Brandenburg, Ph.D took an interest in the findings   Interview with John Brandenburg, Ph.D “unusual sample…almost no nickel” “resembles..high strength aerospace alloy” “this is a very strange object” “Uranium and thorium…used in nuclear bombs” “if this is nuclear weapons..this is very concerning” “there are intelligent beings…it should be expected” ===== Books mentioned: Interstellar By Avi Loeb, Ph.D  Death on Mars By John Brandenburg, Ph.D ==== Upcoming Appearances: Conscious Life Expo 2026 February 20th-23rd, 2026 https://consciouslifeexpo.com/linda-moulton-howe-2026/?ref=njyynty   ====   #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/Earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html

This week, Kate Molleson explores the life and music of Sergey Prokofiev – a composer whose imagination shaped some of the most vivid music of the 20th century. From childhood stories in rural Ukraine to bold experiments at the St Petersburg Conservatory, from revolutionary Russia to the bright lights of New York, and finally to his dramatic homecoming, Prokofiev's journey is full of ambition, upheaval and colour. We hear music that tells tales – fairytales, fantasies and fragments of real life – revealing a composer who never stopped dreaming.Troika (from Lieutenant Kijé Suite, Op. 60) Cinderella Suite, Op. 87 The Winter Bonfire, Op. 122: IV–VIII Music for Children, Op. 65: Nos. 1–9 Peter and the Wolf, Op. 67 Four Études, Op. 2 Autumnal Sketch Piano Concerto No. 1 in D flat major, Op. 10 The Ugly Duckling, Op. 18 Cinderella Suite No. 1, Op. 107: IV. Fairy Godmother and Winter Fairy Symphony No. 1 in D major, Op. 25 'Classical' Seven, They Are Seven, Op. 30 Scythian Suite, Op. 20: I–II Old Grandmother's Tales, Op. 31: Nos. 1–4 Overture on Hebrew Themes The Love of Three Oranges: Suite Five Songs Without Words Violin Concerto No. 2 in G minor, Op. 63: II. Andante assai Le Pas d'acier Suite, Op 41a: I, II The Prodigal Son, Op. 46, Scene 1: IV–VIII Romeo and Juliet: Dance of the KnightsPresented by Kate Molleson Produced by Ellie Ajao for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Sergey Prokofiev (1891-1953) https://www.bbc.co.uk/programmes/m002n9nvAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Multi-award-winning composer Ceiri Torjussen's (pronounced Kay-Ree) music was described by the Los Angeles Times as a “sudden bolt of creative lightning”. Welsh-born, but based in Los Angeles, his credits run the gamut of independent films, documentaries, network TV, animation, and numerous large-budget studio films.Check out Ceiri's work at ⁠⁠⁠ceiri.com | Listen to his music here: https://s.disco.ac/ryhkgenosiuiPlease support the podcast by following us on Instagram ⁠⁠⁠⁠@thedaronjenkins⁠====Ready to take your Video Podcast to the next level? Then you're ready to talk to Planet X Studios. Why not book a studio tour today? Visit ⁠https://planetxstudios.life

New York-based classically trained composer and musician Kelly Moran's music draws on everything from classical to dance to metal, but ends up sounding like none of those. She has become known for her music for prepared piano – a regular piano whose strings have things like metal or wood placed on the strings to alter the sound. Moran has also worked with electronic keyboards, and has recorded music for unaltered, completely acoustic piano. (She has also composed for classical musician Margaret Leng Tan, toured with Oneohtrix Point Never and FKA Twigs, and worked with other visionary contemporaries like Kelsey Lu and Yves Tumor.) Her 2025 record, Don't Trust Mirrors (Warp Records), combines all three kinds of keyboards. Kelly Moran has brought her audio interface, her tools, and her bags of screws and bolts. She has prepared our piano, and plays in-studio. Set list: 1. Don't Trust Mirrors 2. Prism Drift 3. VeselaKelly Moran on sampling her own instrument and production techniquesKelly Moran's Track by Track notes on Don't Trust Mirrors

2025 Show Notes addendum: With C1E100, you just heard how Ch 1 ends. Now, hear how Ch 1 began!   Also, C1E100 ends with a production deliberately designed to be as close to the much much MUCH worse production quality of the original episodes. With today's rerun, you can compare it to the C1E100 ending to see how well or how poorly 45yr old "2025 St. John" did at emulating and impersonating that clunky, and untrained, but "starry-eyed", "pocket full of dreams" 36yr old St. John from C1E1. I definitely want to know what you think at nerd.noise.radio@gmail.com or on social media or Discord! Lastly, for as atrocious as the production quality is on this Dec 2016 production (Jan 2017 release), it is actually the [by far] superior version of the episode. In Oct 2016, I produced beta versions of the first four episodes, and shared them under the pseudonym of "Disco Santa's House of Impossible Conundrums" so I could put them out there for a very limited audience to solicit feedback without a mass release (this was before I was using cloud storage, mind you). The final releases of those four episodes were amended based on the feedback received from everyone from Mike Levy of XVGM, to Pieness64, to even Stephen Hill of NPR's decades-running New Age / Space / World / Ambient late-night FM radio program: Hearts of Space. Well, recently, I found the original beta versions of those first four episodes , and here is a Google Drive link to the episode 1 beta - the only NNR production to use an alternate version of the "St. John NNR shout". The version we ended up going with was recorded during the episode 2 beta and applied to everything thereafter. So this episode 1 beta is the only time in show history where an episode opens with an alternate St. John NNR shout - and boy is it pathetic! This one was recorded with me sitting down. The ep 2 beta shout (which eventually became the "official shout") was recorded standing up. Here's a Google Drive link to that original Oct 2016 Ep 1 beta: https://drive.google.com/file/d/1FXWu6EsHeveev4h65yKcLkww7jAPPMtA/view?usp=drive_link In fact, here's a link to the entire "Disco Santa" folder, with the Oct 2016 beta versions of all of the first four episodes: https://drive.google.com/drive/folders/1eueCDmOikIdTXxK_s6VDsWd3Z4QImZeu?usp=drive_link --------------------------------------------------- orig show notes:   The moment has finally come - the Channel 1 podcast is HERE!    Today's broadcast is Episode 1 for ThemeThursday, January 5th, 2017. Today's Theme is title screen music on a program we're calling “Press Start”.    Tracklist - Track#, Game, System, Composer, Timestamp:    01: Intro - 00:00  02: Sonic 3 - Genesis - Tomonori Sawada - 01:50  03: Double Dragon - NES - Kazunaka Yamane - 02:05  04: Metroid - FDS - Hirokazu ("Hip") Tanaka - 03:44  05: Crash Bandicoot - PS1 - Josh Mancell - 05:17  06: SpiderMan/X-Men - SNES - Tim and Geoff Follin - 06:51  07:  Halo - Xbox - Martin O'Donnell - 07:48  08: Ballblazer - Atari 8-bit - Peter Langston and “Riffology” - 10:35  09: Doom 2016 - Multiplat - Mick Gordon - 12:59  10: Street Fighter 2 - Arcade - Yoko Shimomura - 15:20  11: SomerAssault - TG16 - Hidehito Aoki and Katsuyuki Inose - 15:46  12: Zelda II - FDS - Akito Nakatsuka - 18:29  13: LED Storm - ZX Spectrum - Tim Follin - 20:56  14: Streets of Rage - Genesis - Yuzo Koshiro - 23:38  15: Mega Man 2 - NES - Takashi Tateishi - 25:05  16: Shovel Knight - Multi - Jake Kaufman - 26:48  17: Ocarina of Time - N64 - Koji Kondo - 27:40  18: Revenge of Shinobi - PC88 - Yuzo Koshiro - 30:03  19: Golden Axe - C64 - comp: You Takada  / arr: Jeroen Tel - 30:22  20: Final Fantasy VII - PS1 - Nobuo Uematsu - 33:05  21: Bonk's Revenge - TG16 - Hirohiko Takayama - 35:52  22: Wolfchild - Amiga - Martin Iveson - 36:10  23: Kirby's Dreamland - Gameboy - Jun Ishikawa - 39:47  24: X-Men - Arcade - Junya Nakano - 40:24  25: Mortal Kombat - Genesis - Matt Furniss - 40:59  26: Black Belt - Mastersystem - Katsuhiro Hayashi - 42:01  27: Xybots - Arcade - Hal Canon, Brad Fuller, and/or Earl Vickers - 42:11  28: Super Mario World - SNES - Koji Kondo - 42:31  29: Outro - 44:03      Music Block Runtime: 42:14,  Total Episode Runtime: 50:31    Our Intro and Outro Music is Funky Radio - Dreamcast - BB Rights    If you wish to subscribe to the Nerd Noise Radio - Channel 1 Music block podcast, there are two options:    Option 1: Subscribe right here to the "Nerd Noise Radio Network - All Channels" podcast feed. Feed will include Channels 1, 2, 3, and any future channels not yet planned. Feed will also include podcasts in high quality, stereo where applicable, and episodes will never expire off the feed.    Option 2: If you're ONLY interested in Channel 1 episodes, and not in any of the other channels, there is a Channel 1-specific feed. But it's hosted on a free account, rather than an upgraded account like the "All Channels Feed" with lower quality sound (mono, I believe), a maximum 2hrs per month of content (so if the month's episodes run longer than that, they may need to be trimmed), and episodes expire off the feed forever after 90 days. If this is what you want instead, here's the RSS:     http://www.buzzsprout.com/77944.rss    Our episodes will also appear on our Nerd Noise Radio YouTube Channel - just search for Nerd Noise Radio, you'll find us! Here's today's episode:    https://youtu.be/xW4CSuCVyi4    You can also find us on The Retro Junkies Network:    www.retrojunkies.com    You can find us (and all of our episodes) as "Nerd Noise Radio" on Archive.org and can also find us and join the conversation on both our Nerd Noise Radio Network Facebook, Google+, and Twitter pages, as well as our Facebook and Google+ "Nerd Noise Radio - Easy Mode" and "Nerd Noise Radio - Expert Mode" groups.     Lastly, we share our episodes as well on our blog at nerdnoiseradio.blogspot.com. This specific episode can be found here:    http://nerdnoiseradio.blogspot.com/2017/01/nerd-noise-radio-channel-1-podcast.html    As always, your feedback and input is DEEPLY appreciated, so we cheerfully invite you to "blow up the comments section", or you can always reach us by e-mail at nerdnoiseradio@gmail.com as well as all the aforementioned social media outlets.    Hope you enjoy the episode! Join us again in two weeks for C1E2 (Channel 1, Episode 2), and wherever you are - Fly the N!    Cheers! 

Jim Keller started in the music industry as part of Tommy Tutone, writing the hit '867-5309/Jenny', then the bands career sank and he left performing, landing as an assistant and then manager for Phillip Glass, Nico Muhly, Ravi Shankar, and others, before 'retiring' and returning to making music by hosting jam sessions with members of The Black Crowes, Levon Helm's band, The Beach Boys, The Wallflowers, The Lumineers, and more. We talk to Jim about the realities of 'crashing and burning', the business and creative divide, the power of honesty, knowing your role, showing up, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:Jim KellerTommy TuToneAdam MinkoffTony LeoneNonesuch RecordsEp 46 - Mary Chapin CarpenterEp 16 - Rodney CrowellPhilip GlassByron IsaacsChris MastersonNico MuhlyRachel PortmanAudley FreedLilly WinwoodClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Music as Cultural Storytelling w/Clipper EricksonFrom Juilliard to Dett's rediscovery: a pianist's mission to reveal hidden brilliance.Clipper Erickson has been hailed by Fanfare as “one of the finest pianists of his generation…a consummate musician.” A devoted musical explorer, he made his debut at age 19 with the Young Musicians Foundation Orchestra in Los Angeles before training at The Juilliard School, Yale University, and Indiana University under legendary pianist John Ogdon. His artistry has earned international acclaim on stages such as the Kennedy Center and Carnegie Hall, as well as through his landmark Navona Records release My Cup Runneth Over – The Complete Piano Works of R. Nathaniel Dett, named a Gramophone UK “Critic's Choice” and Album of the Year in 2016. Today, Erickson continues to champion overlooked voices in American music while sharing his passion with students at the Westminster Conservatory and through master classes worldwide.Linkhttps://www.clippererickson.com/Tags:Arts,Composer,Culture,Music,music education,Music History,Music Interviews,Performing Arts,pianist,recording artist,Music as Cultural Storytelling w/Clipper Erickson,Live Video Podcast Interview,Phantom Electric Ghost Podcast,PodcastSupport PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

Ep 162: Dec 10, 2025 - Whose Body Preservation Tubes Are These? Linda is working on a new episode for next week. Please enjoy this special rebroadcast! New medical study finds Gun deaths Rising Sharply in Children NASA and Space X to launch new “Psyche” mission https://Nasa.gov/nasatv mission to Psyche metal asteroid, 144 miles long, 173 miles long made up of gold, platinum and other precious metals worth trillions of dollars Interview with experience “Wana Lawson” “they wanted to take a sub-creature and evolve it” “putting their genes into a human fetus” Interview with “Brian” from Minnesota “I was in a tube…I saw two beings” “very tall, very skinny, stark white” “almost like they were clones” “I thought there albinos” “silver, kind of bluish, greyish silver” Betty Andreasson Luca “the balance of nature is in jeopardy” “greys are remote imaging sensors” “what if …humans are remote imaging servants?” “Our universe is paired to another one” “Time flows to the past” “..our souls return back here” ==== Books Mentioned: Glimpses of Other Realities Volume 1: Fact and Eyewitnesses By Linda Moulton Howe ====   ==== Upcoming Appearances: Conscious Life Expo 2026 February 20th-23rd, 2026 https://consciouslifeexpo.com/linda-moulton-howe-2026/?ref=njyynty   ====   #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/Earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html

EPISODE 139: Blair Mowat is a BAFTA-nominated, award-winning composer with over 200 projects and nearly two decades of experience across film, television, and theatre. Credits include Class (a spin-off from Doctor Who), McDonald & Dodds, Hammer Horror's Doctor Jekyll, Russell T Davies's Nolly (TV BAFTA-nominated score and Camille Award winner), The Guest, After the Flood, and The Age of Disclosure, an explosive and record breaking documentary that, since release, has entered the global news conversation. blairmowat.co.ukContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

"Highest 2 Lowest" is an American crime thriller film directed by Spike Lee from a screenplay by Alan Fox. It is an English-language remake of Akira Kurosawa's 1963 Japanese film "High and Low," itself based on Ed McBain's 1959 novel "King's Ransom." The film stars Denzel Washington, Jeffrey Wright, Ilfenesh Hadera, ASAP Rocky, John Douglas Thompson, Dean Winters, LaChanze, Princess Nokia, and Ice Spice (in her film debut). The film had its world premiere at the 2025 Cannes Film Festival out of competition, where it received positive reviews for its performances, music, and direction from Lee. Composer Howard Drossin and songwriter/performer Aiyana-Lee, who collaborated on the film's title track, were both kind enough to spend some time talking with us about their work and experiences working on the film, which you can listen to below. Please be sure to check out the film, which is now available to stream on Apple TV+. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode #401 of BGMania: A Video Game Music Podcast. Today on the show, Bryan and Bedroth travel back to the formative years of home computer gaming to celebrate the groundbreaking work of Martin Galway, one of the true architects of early video game music. Best known for pushing the Commodore 64's SID chip far beyond its perceived limits, Galway helped define the sound of an entire era with unforgettable compositions. Long before lush orchestras and expansive sound libraries, Galway was composing bold, expressive, and technically daring music under extreme hardware constraints, creating tracks that still shine with personality and ambition decades later. This Composer Appreciation honors a pioneer whose fearless experimentation and melodic instincts laid crucial groundwork for everything video game music would eventually become, and whose influence can still be felt in chiptune and retro-inspired scores today. Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or any other thoughts you'd like to share! Special thanks to our Executive Producers: Jexak, Xancu, Jeff & Mike. EPISODE PLAYLIST AND CREDITS Ocean Loader 1 from Hyper Sports [Martin Galway, 1985] Title Screen from Arkanoid [Martin Galway, 1988] Title Screen from Wizball [Martin Galway, 1987] Title Theme from Crazee Rider [Martin Galway, 1987] Title Screen -I Wanna Be Your Drill Instructor- from Combat School [Martin Galway, 1987] Title Screen from Rambo: First Blood Part II [Martin Galway, 1985] Title Theme from Terra Cresta [Martin Galway, 1986] Title Screen from Helikopter Jagd [Martin Galway, 1986] Title Screen from Ultima: Runes of Virtue II [Martin Galway, 1993] Main Theme from The Neverending Story [Martin Galway, 1985] Main Theme from Game Over [Martin Galway, 1987] Title Theme from Yie Ar Kung-Fu II: The Emperor Yie-Gah [Martin Galway, 1986] Title Screen from Times of Lore [Martin Galway, 1988] Title Screen from Street Hawk [Martin Galway, Unreleased] LINKS Patreon: https://patreon.com/bgmania Website: https://bgmania.podbean.com/ Discord: https://discord.gg/cC73Heu Facebook: BGManiaPodcast X: BGManiaPodcast Instagram: BGManiaPodcast TikTok: BGManiaPodcast YouTube: BGManiaPodcast Twitch: BGManiaPodcast PODCAST NETWORK Very Good Music: A VGM Podcast Listening Religiously

4/8 Persecution and Survival: The Composer Wang Xilin's Memory — Tanya Branigan — The biography of composer Wang Xilin, a zealous Communist Party member and peasant-background intellectual, illustrates the regime's betrayal of its devoted followers. Wang endured systematic persecution including multiple struggle sessions, during which he anticipated execution. Branigan documents that remembering this trauma remains acutely painful; Wangcompared his suffering to Holocaust experiences at Auschwitz. Wang demonstrates extreme anger when questioned about controversial gaps in his compositional legacy, reflecting the profound depth of his unresolved psychological trauma. 1967