Podcasts about Composer

Musician Kole Galbraith (Peoria Tribe) has spent nearly a decade perfecting his unique blend of electronic and acoustic instrumentation and field recordings to create his signature drone-doom sound. Galbraith's musical roots are grounded in metal, noise, free jazz, and musique concrète. He is earning praises from audiences from the Pacific Northwest to Eastern Europe for his honed sound that finds the beauty in dark and abrasive tones. Composer and violinist Laura Ortman (White Mountain Apache) calls her approach to music “sculpting sound.” She often composes for visual art exhibitions and multimedia performances. Like Galbraith, Ortman blends field recordings with her own masterful violin playing, which Vogue has described as “transcendent” and “eccentric.” Her music has taken her to stages throughout Europe and led to collaborations with acclaimed Diné ballet dancer Jock Soto, Diné Pulitzer Prize–winning composer Raven Chacon, and many others. She joins us to talk about her live performances, honoring her Apache heritage, and her unique approach to composing. Break 1 Music: Live from Skaņu Mežs, Latvia [EXCERPT] (song) Laura Ortman (artist) Live from Skaņu Mežs, Latvia (album) Break 2 Music: Everywhere On Earth I Roam (song) Courtney Yellow Fat (artist) The Lost Songs of Sitting Bull (album)

Craig Dobbin is an acclaimed composer and 2x BMI award winner in film, television and commercials. Shows include NCIS Los Angeles, Discovery Channel Shark Week and the PBS shows Jay Jay the Jet Plane and Betsy's Kindergarten Adventures. His compositions have also been featured in commercials for Samsung, Visa, McDonalds, Netflix, and Marvel. And he's got a contemporary jazz group called 3RD FORCE. My featured song is “Out Of Tahini”, from the album Play by my band Project Grand Slam. Spotify link.—------------------------------------Top 1% of all podcasts with Listeners in 200 countries!Click here for Start HereClick here for All Episodes Click here for Guest List Click here for Guest TestimonialsClick here for PillarsClick here for Robert's Project Grand SlamClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CRAIG:www.craigdobbin.com ROBERT''S LATEST RELEASE:"MA PETITE FLEUR STRING QUARTETCLICK HERE FOR ALL LINKS—-----------------------------------ROBERT'S RECENT RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally DifferentCLICK HERE FOR OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------------Audio production:Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com

Send us Fan MailEd Littlefield is the composer of  “Ḵutulagaaw: The Tlingit-Russian Battles”—the world's first Lingít opera premiering tonight at Thunder Mountain Middle School in Juneau.  This opera was born of an idea from Sealaska Heritage Institute President, Dr. Rosita Ḵaaháni Worl, with a libretto by Vera Starbard, orchestrations by Rory Stitt, directed by Madeline Sayet, and translations by X'unei Lance Twitchell. The opera's score is grounded in Tlingit musical and performing arts traditions that our guest has been immersed in since his childhood in Sitka. Ed Littlefield is a freelance percussionist, educator, and composer based out of Seattle, WA. He is Lingít and has released three albums featuring traditional native melodies. Although he has been composing music since his youth, this is his first opera.The show runs from September 11 - 20, 2026 in Juneau. Buy tickets here.Read KTOO's: "Why we are using ‘Lingít' instead of ‘Tlingit.'

Musical Novels. Entertainment of the Future? |Rick NorrisAuthor and Composer of Musical Novels Rick Norris is the award-winning creator, writer, and composer of a new type of reading experience, the musical novel. His Christian Fantasy musical novel series, Angelic Wars, has brought a new dimension of entertainment to the reader with audio tracks of angel characters singing when QR codes or hyperlinks are activated in the stories. He joins us here today to tell us what a musical novel is and why it plunges the reader deeper into his stories.Links:https://www.angelicwars.com/https://www.instagram.com/angelicwarsbook/Tags:podcast for creatives,creative podcast,podcast creator interviews,professional podcast,creative podcasts,podcast host interviews,creative podcast ideas,Author,Christian Fiction,Composer,Musician,Novelist,Songwriter,Support PEG by checking out our Sponsors:Download and use Newsly for free now from www.newsly.me or from the link in the description, and use promo code “GHOST” and receive a 1-month free premium subscription.The best tool for getting podcast guests:https://podmatch.com/signup/phantomelectricghostSubscribe to our Instagram for exclusive content:https://www.instagram.com/expansive_sound_experiments/Subscribe to our YouTube https://youtube.com/@phantomelectricghost?si=rEyT56WQvDsAoRprRSShttps://anchor.fm/s/3b31908/podcast/rssSubstackhttps://substack.com/@phantomelectricghost?utm_source=edit-profile-page

After a sold out run last season, a father-daughter drama returns to a theater in Old Town, featuring music that mixes instruments with real-life bird sounds.

The sound team behind “Cairn” joins guest host Alistair Hirst to discuss the immersive sound design and mix of this survival-climbing game from acclaimed French indie studio The Game Bakers. Built around the tension, focus, and physicality of climbing a massive mountain, the game uses detailed Foley, breathing, wind, environmental soundscapes, and a sparse musical score to make every handhold, footstep, and moment of silence feel essential… and perilous.“The core gameplay is climbing. So that was all about the small Foley sounds, differentiating between different [holds]… There's [also] a whole breathing system, which is the primary stamina feedback. It was really nice for the developers to say, ‘Hey, we want audio to be the primary feedback to the player on the stamina,' rather than having stamina bars.”—Martin Stig Andersen, Audio Director, Sound Designer, and Composer, “Cairn”Joining the conversation:- Martin Stig Andersen – Audio Director, Sound Designer, and Composer- Lukas Julian Lentz – Lead Sound DesignerBe sure to check out “Cairn,” available now in Dolby Atmos, on supported systems. Dolby Atmos is just as impactful for indie developers as it is for major AAA games! Game developers interested in bringing Dolby Atmos to their own projects can learn more here.Please subscribe to Dolby Creator Talks wherever you get your podcasts, now available as a video podcast on YouTube and Spotify.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Hello à tous,Aujourd'hui, je reçois Édouard Philippe, ancien Premier ministre et actuel maire du Havre.Et pour tout vous dire, habituellement, je refuse de recevoir des personnalités politiques sur ce podcast. Cela m'est arrivé plusieurs fois, d'être contacté, y compris avec de très grands noms. Et j'ai toujours refusé. Non pas que le sujet ne m'intéresse pas, mais tout simplement parce que je ne veux pas que ce média devienne une tribune politique.Cette fois-ci, j'ai accepté parce que l'équipe d'Édouard Philippe m'a proposé de parler non pas d'un programme, mais de ce qu'il se passe derrière un grand mandat politique.Dans cet épisode on a donc parlé des dessous de la vie d'un premier ministre : Comment se passe concrètement la remise des clés de Matignon ? Comment vit-on le poids émotionnel, humain d'avoir “charge d'âme” ?On a aussi parlé de la vocation politique : d'où vient elle ? Comment se forge-t-elle ? Et pourquoi on décide de la suivre, alors même qu'on connaît les sacrifices - personnels, familiaux, parfois même physiques - qu'elle peut exiger ?Je dois vous dire que cette conversation a été pour moi un véritable exercice de style. Alors j'espère de tout cœur que cet épisode vous plaira. Et détail suffisamment rare pour être souligné : l'équipe d'Édouard Philippe n'a demandé ni questions à l'avance, ni réécoute, ni coupe. Une liberté totale. Et quand on sait à quel point certaines personnalités, parfois beaucoup moins exposées, cherchent à contrôler leur image, j'ai trouvé cela assez remarquable.Bonne écoute ✨Chapitrage 00:00 Introduction01:45 L'enfance, les valeurs et la naissance d'une vocation14:07 Du Havre à Matignon, le jour de sa nomination30:18 Composer un gouvernement, et les surprises de Matignon36:29 La célébrité soudaine et le rapport à la critique43:57 Le poids émotionnel : Millas, Notre-Dame et la vie de famille55:12 Covid, gilets jaunes et l'épreuve du vitiligo1:07:46 Gérer son temps et son énergie au sommet de l'État1:15:54 Le crible du Podcast1:28:06 Les livres recommandés par Édouard PhilippeNotes et références de l'épisode ✨ Pour retrouver Édouard Philippe : Sur InstagramSur LinkedInSur FacebookSur X La Ville du Havre, dont il est Maire ✨ Pour retrouver les livres cités par Édouard Philippe :Voyage au bout de la nuit, de Louis-Ferdinand CélineLes Faux-Monnayeurs, d'André GideCyrano de Bergerac, d'Edmond RostandTous les hommes du roi (All the King's Men), de Robert Penn Warren Alexandre Dumas, en particulier Les Trois Mousquetaires, Vingt ans après, Le Vicomte de Bragelonne et Le Sphinx rougeLes Disparus et Une Odyssée de Daniel MendelsohnHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Support the show and receive a link to our private discord: ko-fi.com/wedgeheadpodcastIn this episode I speak with Dan Forden, another legend of both the videogame and pinball industry. Whilst undoubtably known best for the Motral Kombat video game series, he also worked on a ton of pinball machines at Williams/Bally during the late 80s-90s golden era including: Bad Cats, Black Knight 2000, Mousin Around, Roller Games, Bride of Pinbot, Getaway: High Speed 2, Star Trek: Next Generation, The Shadow, No Fear, Safecracker…and a couple real obscure Brian Eddy games called Attack From Mars, and Medieval Madness!TOPcast Interview from 2010Support the show

He had the conservatory training, the orchestral chops, and the “proper” classical path laid out ahead of him, but Sebastian Plano couldn't ignore the stronger call: make his own music. We sit down with the Grammy-nominated cellist and composer to trace the real turning points, from leaving Lisbon on a one-way ticket to Boston, to realizing that interpretation alone was not enough, to building a creative life where the cello becomes both voice and laboratory. We dig into the craft behind his signature approach: studying scores, sneaking into composition spaces, then recording his early work by layering parts until he could “make the orchestra” himself. Sebastian also tells the unvarnished post-school story, including what happens when you order 1,000 CDs and suddenly need an audience. His answer was simple and brave: play. He busks in the San Francisco subway, takes gigs anywhere, and learns how direct connection, repetition, and community can become both income and momentum for an independent artist. Then we shift to Solo, his newest solo cello album with no electronics, no multitracking, and nowhere to hide. He explains why stepping out of his safe zone felt necessary, how travel and transformation shaped the music, and why he wants other players to take these pieces and make them their own. If you care about contemporary cello, modern composition, independent music production, or choosing a nontraditional musician career, this conversation offers practical insight and a lot of honesty. Subscribe for more interviews like this, share the episode with a musician who needs a nudge, and leave a review so more listeners can find the show.For more information on Sebastian: https://www.sebastianplano.com/You can also find Sebastian on Facebook and Instagram: @sebastianplanoYouTube: @sebastianplanoofficialIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

"Jeff Fuller & Friends inaugurate 2026 Ellington Jazz Series at Yale School of Music" Jeff Fuller is a bassist, composer, arranger, and educator based in New Haven, Connecticut, with a career spanning over five decades in jazz, Latin, and cross-genre music Born November 30, 1945, in Southbridge, Massachusetts, he holds a master's degree in composition from Yale University and graduated cum laude from Yale College

Episode #439 of BGMania: A Video Game Music Podcast. Today on the show, Bryan and Bedroth have a long overdue one. We're finally highlighting the career of Michiru Yamane, a composer whose name has become inseparable from gothic grandeur even as her catalog stretches far beyond the castle walls she's best known for. After studying composition at Aichi Prefectural University of Fine Arts and Music, where she built her thesis around Bach, Yamane joined Konami in 1988 and spent over two decades there, composing for more than forty games. From tiny handheld chips and loud arcade cabinets to the orchestral heights of Castlevania: Symphony of the Night, she proved again and again that a classical foundation could bend to almost any hardware, genre, or mood. We're tracing the full arc of Yamane's journey, from one of her earliest credited jobs in 1990 all the way to the Castlevania theme that launched her legend. Along the way, we stop in on lush RPG worldbuilding, a beat-'em-up that never left Japan, a jazz-soaked fighting game, an indie love letter to the exact genre she helped define, and the freelance era that saw her wandering happily outside her comfort zone. From haunted halls to lounge-jazz curtain calls, this Composer Appreciation episode is dedicated to an artist whose fingerprints are all over the medium, whether you realized it or not. Email the show at bgmaniapodcast@gmail.com with requests for upcoming episodes, questions, feedback, comments, concerns, or any other thoughts you'd like to share! Special thanks to our Executive Producers: Jexak, Xancu, Jeff & Mike. Feedspot's Top 39 Best Video Game Music Podcasts Discussed on the Show: https://podcast.feedspot.com/video_game_music_podcasts/ EPISODE PLAYLIST AND CREDITS Stage 1-2 Traffic Jam Sewers, Stage 4-2 Waste Dump Caves from Teenage Mutant Ninja Turtles: Fall of the Foot Clan [Michiru Yamane, 1990] Power in The Darkness from Vendetta [Michiru Yamane, 1991] Vinay Del Zexay from Suikoden III [Michiru Yamane, 2002] The Three of Us as One! Battle Start from The Sword of Etheria [Michiru Yamane, 2005] Ending Theme from Ganbare Goemon 2 [Michiru Yamane, 1989] Wood Carving Partita from Castlevania: Symphony of the Night [Michiru Yamane, 1997] A Toccata into Blood Soaked Darkness from Castlevania: Curse of Darkness [Michiru Yamane, 2005] Beyond the Fog and the Tears -Stage 5- from Mushihime-sama Bug Panic [Michiru Yamane, 2010] The Sewers from Monster Boy and the Cursed Kingdom [Michiru Yamane, 2018] Ark of Promise -Instrumental- from Arcalast [Michiru Yamane, 2019] Symphonic Poem -Planet Orbit- from Otomedius Excellent [Michiru Yamane, 2011] In a Moment's Time from Skullgirls [Michiru Yamane feat. Geila Zilkha, 2012] Ritual Of The Night from Bloodstained: Ritual of the Night [Michiru Yamane, 2019] Calling From Heaven -Stage 6- from Castlevania: Bloodlines [Michiru Yamane, 1994] LINKS Patreon: https://patreon.com/bgmania Website: https://bgmania.podbean.com/ Discord: https://discord.gg/cC73Heu Facebook: BGManiaPodcast X: BGManiaPodcast Instagram: BGManiaPodcast TikTok: BGManiaPodcast YouTube: BGManiaPodcast Twitch: BGManiaPodcast PODCAST NETWORK Very Good Music: A VGM Podcast Listening Religiously

durée : 00:45:09 - Le meilleur de la science - par : Mathieu Vidard - Avec le changement climatique, les incendies deviennent plus fréquents et intenses en France. Face à cette "crise du feu", la géographe Pauline Vilain-Carlotti invite à repenser notre rapport aux flammes et propose des pistes pour mieux vivre avec ce risque. - équipe : Jérôme Boulet, Lucie Sarfaty, Anna Massardier, Joelle Levert, Jean-Philippe Veret, Éléonore Thévenot - invités : Pauline Vilain-Carlotti Géographe Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Vincent Hsu (徐崇育) is a Taiwanese bassist, composer and the leader of Vincent Hsu & Soy La Ley Afro-Cuban Jazz band. We sat down to speak a few days before his concert, Spirits from Both Sides. The concert was held on August 15th at Flushing Town Hall with Vincent and Arturo O'Farrill- a six-time GRAMMY Award winner and two-time Latin GRAMMY Award winner. Hsu planned to premiere a big-band arrangement of his Taiwanese Trilogy Music Suite (台灣人三部曲), at the August 15th  performance. Related Links: https://talkingtaiwan.com/vincent-hsu-%e5%be%90%e5%b4%87%e8%82%b2-award-winning-taiwanese-jazz-bassist-composer-bridges-cultures-through-his-musical-works-ep-358/ We talked about the parallels between Taiwanese folk culture and Afro-Latin spiritual beliefs and how his musical composition, Taiwanese Trilogy Music Suite, draws inspiration from Taiwanese Hakka writer Chao-Cheng Chung (鍾肇政). Related Links: https://talkingtaiwan.com/vincent-hsu-%e5%be%90%e5%b4%87%e8%82%b2-award-winning-taiwanese-jazz-bassist-composer-bridges-cultures-through-his-musical-works-ep-358/

Afkham & Gluzman by CSO Association

Today on AirTalk: Grand Canyon flash flood (0:30) California's SB 577 (6:28) History of SoCal fast food (17:33) Data center and Flock camera backlash (50:58) John Williams' most iconic film scores (1:08:28) Divisive TV habits in the household (1:25:03) Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency.

0:00 SEGMENT 1: Filmmaker & writer Glen Merzer talking about the film he made here in STL called 'Buddhist Blues'https://www.instagram.com/glenmerzer/ 24:08 SEGMENT 2: Composer/conductor Shelbie Rassler discussing the upcoming "Sonic: Live in Concert"https://www.instagram.com/shelbierassler/ https://sonicliveinconcert.com/ 40:52 SEGMENT 3: Producer Joey V. reviews ‘Buddy', a horror film about an orange unicornKeep up to date with 2 Rivers Comic Con, coming back to St. Charles in 2027 https://2riverscomiccon.com/ Check out the ‘Justice League Revisited Podcast' with Susan Eisenberg and James Enstall at https://anchor.fm/justiceleague Thanks to our sponsors Historic St. Charles, Missouri (https://www.discoverstcharles.com/), Bug's Comics and Games (https://www.facebook.com/profile.php?id=100070575531223), HW Kia (https://www.hwkia.com/)Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl Patreon -   https://www.patreon.com/GeekToMeRadio Website -   http://geektomeradio.com/   Podcast -   https://anchor.fm/jamesenstall Facebook -   https://www.facebook.com/GeekToMeRadio/  Twitter -   https://twitter.com/geektomeradio  Instagram -   https://www.instagram.com/geektomeradio/ Producer - Joseph Vosevich https://twitter.com/Joey_Vee 

Janáček; J. Strauss, Jr. & Mussorgsky by CSO Association

My first-ever post (2012) meets 100 life-sized elephants on Commonwealth Ave. Episode 625. I still haven’t found the whole animal. Click here to view the verbatim transcript Summary I revisit my first-ever blog post, a 2012 story about two strangers in wheelchairs, each certain the other had it worse, as I ride my wheelchair through The Great Elephant Migration’s 100 life-sized sculptures on Boston’s Commonwealth Avenue. Fourteen years and 625 episodes later, the argument holds: best health isn’t fixed, and no one, not the patient, not the organization, not me, ever gets the whole animal. Episode Proem: Orientation On July 24, 2012, over 14 years ago, I published my first post, Best Health: Different Lens, Different Point of View. I wrote it while vacationing on Cape Cod with my family. My son-in-law, Eric Pinaud, helped me set up my website. The episode has stood the test of time. For those of you listening instead of watching (see the video in the show notes), I’m on my trike on Commonwealth Ave, threading through a hundred elephants. They’re not real. They’re not statues either, not exactly — they’re woven. Dried lantana root, an invasive weed, hand-carved by artisans in India’s Nilgiri Hills. Each one modeled after a real elephant those artisans know by name. Calves knee-high, matriarchs taller than my head, tusks close enough to touch. A mile of them, all facing the same direction, as if they’re walking somewhere together. I’m riding at wheelchair height, which means I see knees, trunks, and the undersides of ears before I see a whole animal. One elephant at a time. Never the herd. Episode #1 featured two people with recent disabilities approaching each other in wheelchairs in a rehab hallway. An eighteen-year-old with a gunshot wound, learning to steer with his mouth. A fifty-year-old stroke patient, learning to steer with one hand and a foot, with his wife behind him, dressed up and disgusted. The younger one muttered, “Glad I’m not him.” Neither of them was wrong about what they saw. Neither saw the whole thing. Best health isn’t one thing. Not for you, not for the person next to you, not for the organization billing you for services. Best health moves. It depends on which part of the elephant you’ve got your hand on. So today: the old post, the new elephants, and a hundred and sixty-nine months of me still not knowing the whole shape. This is episode #625. Yikes. 2012, Uncorrected: First Lens This first blog sets the stage. “Best health.” How will we recognize it? For individuals, could it be love, peace of mind, a cure, the ability to perform activities of daily living, or freedom from dis-ease? For organizations, could it be profitability, increased volume, high overall satisfaction, or a high Net Promoter score? Just like anything in the human condition, best health isn’t static. It’s constantly changing. At one point in my life, while working for a landscaping company, I had to complete the final hand raking of topsoil for a brand-new 2-acre rolling lawn. It took 20 hours. Through the lens of that solitary, monotonous gig, I learned that there is no up without a down. Every depression had a corresponding rise. Zen for the 20-year-old! Best implies less than best, always together. While in nursing school, I worked as a rehab aide. I was walking down the hall with an 18-year-old quadriplegic from a gunshot wound to the neck, learning to maneuver his wheelchair with his mouth. Coming the other way was a 50-year-old man suffering from a debilitating stroke, learning to propel his wheelchair with his left hand and foot. Behind the drooling, slouching, struggling man was his beautiful 20-something wife, dressed to the hilt, looking completely disgusted. Out of the corner of his mouth, my young patient muttered, “glad I’m not him.” It’s all relative. Different lens, different point of view. Attaining best health means figuring out the unique goal of the person or organization and working toward that goal collaboratively. I invite you to tell your story. Reflection: Still Best Health, Somehow Fourteen years ago, I used one cane, no forearm crutches, no wheelchair. I was between jobs after being laid off from Boston Children's Hospital. My oldest grandson was four, and my youngest was one. I was playing bari sax in Herb's Heard Big Band. I had just begun my relationship with PCORI. Today, I still have best health! Life is good. Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn  via email YouTube channel  DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk  Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection Claude, Perplexity, Auphonic, Descript, Grammarly, DaVinci Resolve, DaVinci AI Art Generator, OpenArt AI Creator Studio Inspired by and Grateful to: Eric Pinaud, Jane Sarasohn-Kahn, and my sisters Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements:    BY: credit must be given to the creator.   NC: Only noncommercial uses of the work are permitted.    SA: Adaptations must be shared under the same terms. Please let me know. dannyhealthhats@gmail.com  Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute®  (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)

A cinematic classic meets a striking new musical vision in this special screening of “Frankenstein”, at Stissing Center in Pine Plains, NY starring Boris Karloff, featuring the world premiere of a chamber ensemble score by composer Michael Shapiro. Performed live by the Argus String Quartet with pianist Steven Beck—praised as “vivacious” by The New Yorker—this reimagined score brings new emotional depth to the film's iconic imagery. Shapiro's full orchestral version has already been performed by more than 80 orchestras worldwide. The evening begins with a Q&A with Boris Karloff's daughter, Sara Karloff. At the heart of the score is the mirrored relationship between Henry Frankenstein and his creation. “The monster is the doppelganger of Henry Frankenstein,” Shapiro notes, a connection reflected musically in unexpected ways. Dark, driving themes underscore the doctor's ambition, while the monster is accompanied by music that is at times gentle, haunting, and deeply sympathetic. Karloff's portrayal—imbued with a sense of soul—feels newly illuminated through this lens. Shapiro's score ebbs and flows alongside the film, heightening both its terror and its humanity—from the charged electricity of creation to the quiet, tragic innocence of the monster's brief encounters with the world.

Donald Macleod joins Sally Beamish at her home on the south coast of England to celebrate her 70th birthday. Across a lifetime in music, Beamish has combined careers as performer and composer, drawing inspiration from places, people and collaborations along the way. From a musical childhood in post-war London and her early years as a violist, to a transformative move to Scotland and a growing international reputation as a composer, Beamish reflects on the experiences that have shaped her creative life. Folk traditions, landscape, birdsong and long-standing creative relationships all play a part, as she looks back on a remarkable career and ahead to new projects.Presented by Donald Macleod Produced by Ellie Ajao for BBC Audio WalesMusic featured includes: April Crescent The Wise Maid Gerropaedie Partita The Naming of Birds: III. Carduelis Cannabina, Emberiza Calendra Seavaigers Cello Sonata: II. Scherzo-Allegro Trance The Day Dawn Stone, Salt and Sky: Processional Gala Water Piobaireachd The Singing First Peace Viola Concerto No. 1 City Stanzas (Piano Concerto No. 3): Burlesque Bridging the Day Trinculo Sally's Tune Prelude and Canon Night Songs Pavan Caliban Spinal ChordsFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Sally Beamish: https://www.bbc.co.uk/programmes/m00309fvAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Ep 198: Aug 26, 2026 - Is 3I-ATLAS A Secret Government Crisis? Rebroadcast as Linda is working on a new episode this week. Scientists photographed blue glowing object fastest object ever recorded at 130,000+ miles per hour labeled it “3I/ATLAS” Interview with Physicist John Brandenburg, PhD predicted anomalous acceleration “it's behaving like Omuamua” “this one…is going very close to Mars” “this looks completely improbable” “the object is radiating energy like a star” “must be artificially powered” John Brandenburg's calculations: https://earthfiles.com/brandenburg U  https://lazarusinitiative.com #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html

8/27/26: Co-Host Andy Bukowski “A Nation Wrestles with God”—Ilan Stavans, Amherst College Professor,of Humanities, Latin American and Latino culture & Co-founder and Publisher of Restless Books, shares insights and questions from his new book, including what the Founders really thought about the place of religion in their new country. Dan Crowley, Ex Editor, Daily Hampshire Gazette & Greenfield Recorder, on Tuesday's elections: Jeromie Whalen v Richard Neal, Seth Moulton v Ed Markey, Lora Wondolowski v Corrine Coryat, & the South Hadley override: how editorial, news and Opinion Page decisions are made and space allocated in an election cycle; how editorial cartoons are chosen; and when the coverage stops. Rev. Carole Bull on our spirit and values and the power of prayer and meditation in troubled times and as impetus for social action and fighting for justice. All that Jazz: John Anz with truly extraordinary musician and composer Champian Fulton—live from the North Sea, coming to the Northampton Jazz Festival.

Damon welcomes Jon back on the podcast to talk about the album he composed, his new home studio, Spindrift, Nashville, skateboarding, and much more! There's also segments like gig alerts, music news, and others. 

On Wednesday's show: We discuss the latest developments in politics in our weekly roundup.Also this hour: We learn how the concept of cohousing works by visiting East End Commons, a first-of-its kind in Houston housing concept that just opened in the East End.And two local ensembles come together to celebrate the 90th birthday of composer Arvo Pärt with a pair of concerts Aug. 29 and 30. We learn more from the founders of Kinetic and Cor Mundi.Watch

On this episode of The Movie Podcast, Daniel and Shahbaz are joined by returning friend of the show Will Forte and Lana Condor to discuss the eagerly anticipated COYOTE VS. ACME. Following their conversation, Academy Award-winning composer Steven Price joins us to discuss his score for the film, including how a last-minute inspiration led him to the London Voices choir to record a new rendition of the 1812 Overture at Abbey Road, complete with Road Runner-inspired “meep meeps”! After decades of being blown to bits by bombs, demolished by dynamite, mangled by magnets, battered by boulders, trampled by trains, tricked by tunnels, sprung by springs, steamrolled by steamrollers, maligned by misfires, bedeviled by bungees, rattled by rockets, backstabbed by bat suits, rocked by rocket skates, upended by unicycles, quaked by quake pills, rubberized by rogue bands, and hurled headlong off every cliff in the Southwest, Wile E. Coyote (Genius) finally fights back. Teaming up with billboard accident lawyer Kevin Avery (Will Forte), he takes on slick corporate counsel Buddy Crane (John Cena) and ACME, Inc., the profit-obsessed conglomerate behind every one of the Coyote's chaotic catastrophes. Coyote vs. Acme finally releases into theatres August 28, 2026. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our new ⁠⁠⁠⁠The Movie Podcast Clips Channel!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

What happens when words are no longer enough to explain a life? Composer and jazz artist Ray Seol joins Dave Carter for a deeply personal conversation about immigration, language, music, memory, and the unlikely journey that led him to search for meaning through sound. At the heart of the conversation is Professor Seol's extraordinary relationship […]

Benny Goodman in Nielsen and Weber by CSO Association

Welcome to the latest episode of Harmonious World, where I interview musicians about how their music helps make the world more harmonious.Composer, arranger and saxophonist Tobias Hoffmann focuses on the relationship between composition and improvisation. His latest album - Innuendo - is an exciting collection of tracks performed by the Tobias Hoffmann Jazz Orchestra.Thanks to Tobias for allowing me to play extracts from Innuendo alongside our conversation.Get in touch to let me know what you think!Thank you for listening to Harmonious World. Please rate, review and share: click on the link and subscribe to support the show.Don't forget the Quincy Jones quote that sums up why I do this: "Imagine what a harmonious world it would be if every single person, both young and old, shared a little of what he is good at doing."Support the showRead reviews of albums and gigs and find out more about me at hilaryseabrook.co.ukFollow me on instagram.com/hilseabrookFollow me on facebook.com/HilarySeabrookFreelanceWriterFollow me on twitter.com/hilaryrwriter

Maggie & Cindy go in-depth regarding her newly released recording "Coherence" Drummer, bandleader & composer Cindy Blackman Santana has been a force since her debut album featuring legends Wallace Roney, Joe Henderson, Kenny Garrett, & Buster Williams. Fast forward to 2026, and Cindy commands that same power with her new album, Coherence: a once-in-a-lifetime journey combining jazz, rock, fusion, & spirituality, with special guests John McLaughlin & Carlos Santana. Buckle up for a masterclass in modern music from one of the most electrifying drummers to ever do it. Coherence: a once-in-a-lifetime musical journey combining jazz, rock, fusion, and spirituality, featuring special guests John McLaughlin and Carlos Santana. Buckle up for a masterclass in modern music from one of the most electrifying drummers to ever do it.Source: https://cindyblackmansantana.com/new-album-coherenceSource: https://mackavenue.com/products/cindy-blackman-santana-coherence-vinyl?srsltid=AfmBOopGRUT5DJMtCoFvtRFJOg6f9vNa8J5t-hWE6vqbcNli4wp5nfF9Source:  https://santana.com/news/cindy-blackman-santanas-coherence-is-out-now/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us Fan MailSupport the show@profileswithmaggielepique@maggielepique

Internationally renowned composer and Oberlin professor Jesse Jones joins host Leah Roseman. Jesse has been awarded the Guggenheim and Rome Prizes, he also thrives in bluegrass-fusion with the group EZRA, and we're featuring music excerpted from several albums. We explore Jacob Jolliff's album of Jesse's music—including his recent mandolin concerto—and also feature clips from Xak Bjerken's performance of Variations on Oklahoma Rooster. Jesse discusses building instruments, his personal approach to microtonality, and how a sudden accident completely transformed his musical path.You can watch the video on my YouTube or listen to the podcast, and I've also linked the transcript. Have a look at the show notes of this episode on my website, where you'll find all the links. There you can sign up for my newsletter to get access to exclusive information about upcoming guests, consider buying me a coffee on my Ko-fi page, or buying some unique podcast merch. I've linked several suggested episodes for you with Banjo player Adam Hurt, mandolinist Joe K. Walsh, instrument innovator, and improvisor, creator of the Bazantar, the late Mark Deutsch, Irish composer Karen Power, who uses nature recordings from some of the most remote places on earth, Jesse Stewart the Canadian composer, percussionist, visual artist, researcher and educator, and composer and pianist Michael Stephen Brown, among so many episodes since 2021. You can also review this podcast, share it with your friends, and follow on your podcast app, YouTube, and social media. Click here(00:00) Intro(01:55) connecting to his roots, Ezra Froggy's Demise, Craig Butterfield clip of McLaughlin (06:41) Ezra, discovering Bluegrass, learning different instruements, Jacob Joliff, Max Allard, clip of Sobreandando from Froggy's Demise(15:12) Jacob Jolliff, mandolin with clips of Jolliff Plays Jones, Prelude, Tune Book Finale (18:26) development of Jesse's compositional style, clip of Tamborine from Tune Book(24:08) Lutherie(31:49) love of banjo, clip of Golden Hill(34:47) Xak Bjerken with clip track 6 Whippersnap (39:09) Commissions, Xak Bjerken Variations on Oklahoma Rooster with clips of Procession and Riffing with Xak Bjerken, video linked in show notes(44:42) Whippersnap with clip of My Point eXAKtly from Whippersnap by EZRA(45:45) linked episodes and ways to support this independent podcast(46:45) Whippersnap, clip of Milk on Tap, Max Allard(48:56) need for contrast, Gossamer with a clip, why the band hasn't performed much(53:41) Professor at Oberlin, fascination with microtonality, Mark Deutsch Bazantar(59:55) musical memories, Jesse's youth and family, String Helix(01:09:04) vocal music, Sharon Harms, first symphony(01:12:08) Rome Prize experience

Ep 197: Aug 19, 2026 - Why Are Metallic Spheres Most Common UFO Shapes Reported? Rebroadcast as Linda is visiting family this week. Link to IMMACULATE CONSTELLATION document: https://earthfiles.com/mace Headline on Space.com: "Pentagon UFO office testifies to US Senate today." Director of AARO was witness   Michael Shellenberger release “IMMACULATE CONSTELLATION” document on November 13 hearing “collecting imagery intelligence of UAP” Congresswoman Mace posted document Orb spheres were most often reported shapes “an F-22 fighter pilot noted multiple…metallic orbs hovering in place…accelerated toward the jet” “F-22 was forced out of the mission area by the UAP formation”   Interview with Danny Adair from Oregon Dan has seen and reported silver UFO spheres “3 feet in diameter silver ball” as a toddler next time was “around 10 years old…around 75 feet” “overwhelming feeling of nauseous, dizzy” “7 disc type craft passed over the hill” in Roseburg, Oregon, 1972 at 16, had a “face to face interaction with ETs” in 1984 “didn't look like any kind of a man I had seen before… wearing a thin skin-tight clothing” “wearing sunglasses or goggles… those are his eyes” “going into your mind… taking over your mind” “a huge sphere…a total of 20 spheres altogether” “a beam of light coming down…men walking all around, harvesting seeds” “he invited me to come aboard…and I told them I'll go” Danny later emailed link “they were gathering seeds.. to reintroduce life on Earth” #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html

Douglas Knehans is an American-Australian composer whose music has been performed, recorded, and broadcast worldwide by leading orchestras, opera companies, chamber ensembles, and distinguished soloists. Hailed by The New Yorker for its "primitive force and melodic insistence that recall Stravinsky," his music has earned international recognition through performances, recordings, broadcasts, and awards including The American Prize, ISCM World Music Days, the Kennedy Center, New Music USA, the National Endowment for the Arts, and the Australia Council for the Arts. He is the founder and Artistic Director of ABLAZE Records, and his music is distinguished by dramatic intensity, architectural clarity, expressive immediacy, and exceptional orchestral craftsmanship.https://www.facebook.com/douglas.knehanshttps://www.instagram.com/dknehanscomposer/https://www.douglasknehans.com/https://www.ablazerecords.net/https://www.thamsummit.com/Book a free discovery call with me! We can spend an hour looking at your creative career. You deserve to thrive, and your artistry matters. https://calendly.com/jennet/thmMake sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! 

A trans-man from San Francisco finds out America is not so bad after he leaves it, and Brian Kilmeade stops by for a visit about his upcoming show in Chesterfield.

Hi listeners! Ben and I will be back to continue Series 7 in a few weeks. In the meantime, I wanted to share this clip from one of my other podcasts, Queer As A Cucumber, where I interviewed composer Sam Watts who wrote the music for The Sarah Jane Adventures, as well as Wizards vs Aliens, and most recently, Tip Toe!Check out Queer As A Cucumber now to hear the full interview:https://linktr.ee/queerasacucumberAbout Time:www.linktree.com/AboutTimeCast

PHP Podcast – August 20, 2026 Hosts: Joe Ferguson, Sara Golemon & Holly Schilling Shirley MacLaine is the answer — but what’s the question? RAM prices went up 500%, GitHub fell over for eight hours, and the crew figured out how you can actually contribute to PHP. Glasses optional. Shirley MacLaine, Green Room Shade, and the Show’s New Normal The episode opens with Joe flustered — not because it’s a “flustered day,” but because there’s shade being thrown in the green room backstage chat. Rather than spoil the drama, the crew turns a mysterious green-room answer into a running bit: “Shirley MacLaine” is the answer, and listeners are invited to submit what the question was. It’s declared the first round of PHP Architect’s Jeopardy, complete with its own Easter egg sound cue. Joe also lays out where the show is heading. Eric and John took over the podcast the previous week to relive their glory days, and the plan is for the old guys to step back to roughly one episode a month. Joe and Sara are working on something to fill one slot, another mystery show is in the works pending signed contracts, and Alive and Kicking is confirmed still alive and kicking after a great recent episode with Derek. Joe also plugs the PHP 8.6 Beta 1 tag and Scott Keck-Warren’s PHP Community Podcast interview with release managers Daniel Scherzer and Matteo Bacotti. The RAM Apocalypse: 500% in Twelve Months The big topic of the week is the ongoing memory and chip crisis. Memory prices have climbed 500% in twelve months, and the crew commiserates about the parts they wish they’d bought bigger. Sara explains the brutal math: you can’t build a semiconductor fab fast enough — two or three years minimum — and by the time one comes online nobody knows if we’ll have overproduction or a burst bubble. Worse, Sara notes that essentially every RAM stick through the end of 2027 is already accounted for and sold to vendors. The ripple effects are everywhere. Console prices are going up instead of down late in their cycle, with next-gen consoles projected to start at $1,000 or more. The hobbyist single-board computer market is getting crushed — Pine64 announced they’re stepping back from making hardware, and a Raspberry Pi 5 that debuted cheap now runs over 100 pounds. Holly’s new PC, bought at the start of 2025, ended up shipped 3,000 kilometers the wrong way to California and is stuck awaiting import paperwork, leaving her leaning on a laptop and some now-precious Raspberry Pi zeros. The nostalgia gets thick as the crew reminisces about DIP chips, EDO RAM, Pentiums, Epson 486s, Tandy 1000s, and the TRS-80. Special venom is reserved for Packard Bell (“utter freaking trash”) and Gateway 2000’s cow-pattern branding — which Sara confirms sold better in Wisconsin than anywhere, though hay bales in a Berkeley storefront still boggle the mind. A chat comment about technicians de-soldering and reballing BGA RAM chips becoming economically viable gets a hearty “absolutely.” Memory-Aware Development and Why PHP 7 Doubled Down Bringing the RAM crisis back to PHP, Joe wishes more developers were aware of how their applications consume and release memory — a lesson he credits to learning enough C back in the day, where you have to manage memory yourself. He connects sloppy memory awareness to the N+1 query problems web developers keep tripping over. Sara drops a great deep dive: a significant reason PHP 7 was roughly twice as fast as PHP 5 was changes in the memory layout. Every variable became referenced by one fewer pointer, and while eight bytes sounds trivial, every level of indirection adds time across every single instruction and access. Sara adds the CPU-level detail — one layer of indirection can be a single instruction on most architectures, but adding a second layer can push a lookup from one instruction to three. That leads into a warm tangent about learning C to become game developers. Sara’s evergreen joke: “I’m going to be a game developer” is the programmer’s version of “I’m going to buy a bar.” Great people, brutal hours, endless competition, and the reality of hitting spacebar 400 times to figure out why you can phase through a wall. The cat-reading-the-paper “I should buy a boat” meme makes an appearance to seal it. The GitHub Outage and the Monoculture Problem Monday’s eight-hour GitHub outage hit the crew directly. Holly couldn’t use a site that only offered “log in with GitHub,” and Joe got kicked out of his CLI auth session mid-PR with no way to re-authenticate. To GitHub’s credit, they published an incident update and a follow-up blog post: a service auto-scaled so aggressively to handle network traffic that the sidecar and supporting services couldn’t keep up, bringing the whole thing down. The conversation turns to whether this is self-inflicted. Joe recalls GitHub’s pre-Microsoft, gold-standard reliability and wonders aloud how much the decline lines up with Copilot’s arrival and internal AI adoption, with uptime reportedly slipping below a single nine at points. Sara defends them somewhat — the number of actions, CPU cores, and pull requests has genuinely hockey-sticked, partly because AI has emboldened people who previously wouldn’t have opened a PR. But as Joe puts it, the call is coming from inside the house, since GitHub itself has been pushing AI. On alternatives, Joe says the least-jarring migration for PHP Architect’s clients would be self-hosting GitLab, since GitHub Actions and GitLab runners are nearly identical in syntax — Atlassian’s Bitbucket, by contrast, is a bridge too far, mostly because the entire ecosystem assumes you’re on GitHub. Sara names this the core problem: monoculture. The crew discusses package mirrors, local caches, 12-factor thinking, and Composer’s support for custom mirrors, all while remembering the PHP repo intrusion years ago that came from an unmaintained self-hosted Git server. The takeaway: owning your pipeline end-to-end is the only way an outage can’t stop you — and Joe teases spinning up a self-hosted GitLab now that “the boss” (Sara) has signed off. How to Contribute to PHP (and Handling Security Reports) The crew highlights two PHP Foundation blog posts. First, Matt Stauffer’s “How to Contribute to PHP,” adapted from a talk he gave at Atlanta PHP. It goes well beyond “learn C,” clearly separating the PHP project, the PHP ecosystem, and the Foundation, and lays out approachable on-ramps: testing pre-releases (PHP 8.6 Beta 1 is out, Beta 2 lands next week), improving documentation, and writing tests — which, spoiler, are written in PHP, not C, using PHP’s own test format that’s simple enough to learn from any single example. Other contribution paths include triaging and reviewing issues across PHP repositories — invaluable work that frees core developers from wading through AI-generated slop bug reports — and participating in internals via the well-documented mailing list process, up to and including running for release manager (8.7 managers will be needed before you know it). Sara points folks to discord.phpc.chat for the PHP Discord, with dedicated Internals and Foundation channels for anyone the mailing list intimidates. Second, Sebastian Bergmann’s “So you received a security report. Now what?” is a jump-around reference for application developers rather than a front-to-back read, walking through roughly ten steps to triage, validate, and resolve reported issues the right way. Sara shares a real-world example from mobile: a flagged package that was only exploitable on a rooted device with an actively hostile package installed alongside it — a very different risk profile than a SQL injection on an API endpoint. Cue reminiscing about writing SQL against Access databases over ODBC from PHP (and Perl) back in the 90s, and Joe’s advice for handling any security report: don’t panic, and always know where your towel is. Links from the show: PHP Tek 2027 — April 27–29, 2027 in Chicago; early bird tickets & hotel available now PHP Tek 2027 CFP Audio versions of the podcast at phparch.com Join us live on Discord at discord.phparch.com PHP Discord — discord.phpc.chat Community Corner Podcast: PHP 8.5 + 8.6 Release Manager Daniel Scherzer Memory prices climb 500% in 12 months So You Received a Security Report. Now What? How to Contribute to PHP Shirley MacLaine Host: Joe Ferguson Mastodon: @joepferguson@phpc.social PHPArch.me: @svpernova09 Sara Golemon Mastodon: @pollita@phpc.social Holly Schilling Mastodon: @TheCodeLorax@tech.lgbt Streams: Youtube Channel Twitch Connect & Hire PHP Architect Website Twitter/X Mastodon Hire PHP Developers Looking to hire PHP developers? Email support@phparch.com – Joe and the team are available for consulting, infrastructure work, Ansible playbooks, and code review. Partner This podcast is made a little better thanks to our partners Displace Infrastructure Management, Simplified Automate Kubernetes deployments across any cloud provider or bare metal with a single command. Deploy, manage, and scale your infrastructure with ease. https://displace.tech/ OurCVEs Your security posture, on autopilot with OurCVEs CodeRabbit Cut code review time & bugs in half instantly with CodeRabbit. PHP Architect Consulting Your PHP codebase deserves a partner, not a contractor PHP Architect provides long-term technical partnerships for organizations that need senior-level PHP expertise that you can depend on https://www.phparch.com/consulting/ Music Provided by Epidemic Sound https://www.epidemicsound.com/ Join Us Live Next Week Youtube Channel Got feedback? Join us on Discord at discord.phparch.com The post The PHP Podcast 2026.08.20 appeared first on PHP Architect.

In this episode, film and game composer Anne-Kathrin Dern joins Dave to talk about her recent brutally honest composer advice, how her own career has evolved, and how she actually gets hired.Watch this episode on YouTube: https://youtu.be/rYF_xun27Echttps://annedern-filmcomposer.comhttps://www.youtube.com/@AnneKathrinDernComposerHow Hard Is it to Make a Living in Production Music? | 52 Cues Podcast #278https://youtu.be/-owQEUH26jsIs Production Music Worth It in 2026? | 52 Cues Podcast #279https://youtu.be/L9gJYZC8330Support for the 52 Cues Podcast comes from ReelCrafter, the professional way to pitch your production music and know exactly when your cues are heard.Start your free trial at ReelCrafter.com/52Cues!Join the 52 Cues Community! – https://my.52cues.comIt's free to post your cues for feedback from the community, network with other composers, and ask questions about the industry!Plus, member subscribers get extra perks like workshops, livestreams,  cue breakdowns, live feedback sessions, hundreds of hours of video archives, and opportunities to submit to real music libraries.One-on-one coaching sessions and video critiques also available at http://52cues.com/coaching!Note: Links may be affiliate links which generate a small commission but at no extra cost to you!

Click here to join the award-winning Sync Producer Hub This episode follows the Sync Producer Hub community celebrating recent wins — placements, metadata wins, and unexpected contracts — while highlighting caution around "expected" placements until music actually airs. Practical tips include preparing instrumentals and stems, using Disco nesting for alternate versions, creating templates for faster workflows, and prioritizing library requests by budget, deadline, likelihood of placement and available time.

Composers' Early Successes by CSO Association

Five years after the Taliban took over Afghanistan, we hear how it has changed women's lives in the country and beyond. Anita Rani speaks to 21-year-old Purvin Juma who fled to the UK from Afghanistan in 2021 and the human rights activist Shaharzad Akbar.The Mexican composer Gabriela Ortiz won three Grammys for her 2024 album Revolución diamantina, and this week saw the work's UK premiere at the BBC Proms. Gabriela joined Nuala McGovern to discuss how this work was inspired by Mexico's 2019 Glitter Revolution, the nationwide feminist protests sparked by the rape of a teenage girl by four police officers, during which activists covered Mexico City's security chief in pink glitter.Dr Amanda Cole found out she had Tourette syndrome in her twenties. Now a professor of sociolinguistics at the University of Cambridge, Dr Cole joins Nuala to discuss her decision to share her diagnosis with her students.A serial sex attacker who had a 'morbid fascination' with sex has been jailed for the rest of his life after he was found guilty of murdering two women and raping a third. His sentence comes after police and the Crown Prosecution Service apologised over a series of disastrous decisions that left him free to roam the streets. To discuss the implications of this case, Anita was joined by Helen Millichap, the deputy assistant commissioner of the Metropolitan Police and director of the National Centre for Violence Against Women and Girls and Public Protection, and the author and journalist Joan Smith.Kelly Latimer, flight test pilot and aeronautical engineer, is retiring this year after decades spent flying the world's most advanced planes, and even going into space. She reflects on a truly remarkable career.Presenter: Anita Rani Producer: Kirsty McQuire

Adrian Galante is an Australian-born jazz multi-instrumentalist, arranger and composer who plays the piano and the clarinet. His debut album, “Introducing Adrian Galante”, was released last year and features pianist Tamir Hendelman and drummer Joe LaBarbera, both of whom have been guests on this podcast. My featured song is “Mi Cachimber”, one of my recent singles. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH ADRIAN:www.adriangalante.com —----------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Pathological optimism meets its cathartic downside. Listen to a 2-minute burst about what sucks in life as I ride my recumbent trike. It's lame & heartfelt. Click here to view the printable newsletter. More readable than a transcript. Click here to view the verbatim transcript Summary Pathological optimism doesn’t mean things don’t suck. Sometimes you just need a 2-minute burst of complaining. I hate leaking misery in dribs and drabs. I let loose about my sax struggles, MS fatigue, too many pills, old-man prostate, and empty nesting. It’s ridiculous, it’s cathartic, and by the end, my annoyances are down a notch. Episode Proem: The Downside of Pathological Optimism Okay. Good morning. I’m riding my trike, and I’m feeling the need for a 2-minute bitch. I don’t know if I’ve talked to you before; I might have, about the 2-minute bitch. See, one downside of being pathologically optimistic is that it doesn’t mean things still don’t suck. So every once in a while, I just must have a 2-minute bitch. I don’t like it to— I don’t like my miserableness, or unhappiness, or whatever it is to, like, leak out in drips and drabs and— you know, I’d rather have a burst. Sourpuss Kick-off: I Suck at Music. I Quit. So, today—last night, I had a rehearsal. Oh my God. A rehearsal with the Latin band, Lechuga Fresca. Oh, man. You know, right now I’m— I was the only horn there, and I’m often the only horn. And I’m a Bari sax player, and I’m never the only horn. So this is a really new experience for me. Well, it’s not so new; it’s been going on for a year, so. But anyway, I’m— oh man, I just— I just don’t hear the music, or I’m not counting the 1, and I’m just, like, I feel like, you know, there’s like 3 percussionists— no, what were there? Today— yesterday— there was just— last night— there was just 2 percussionists, a keyboard player, and that was it. So it was not enough. Clearly not enough. But it’s stuff I’ve been working on. I’ve just been working on it, and I— I just can’t get it. I just don’t hear it. And then I sort of freeze up, and I— ugh, I just hate that. And I feel like I’m remedial, you know? Like, my band mates were— they’re really nice, and they work with me, and— I don’t know. But anyway, I just— I just have this feeling that I’m going to quit. I’m going to quit this band. This is too much. I’m also playing with a Dixieland band and rehearsing once a week. I still play an hour a day. An hour a day. And I’m just not— I don’t know— not getting better fast enough, I guess. Tired of Tired And I’m tired. I just hate being tired all the time. I wake up in the morning, and I’m exhausted. I hate that. I hate being exhausted. And then, yeah, I don’t sleep that well. I usually say, “Oh, good enough.” And it is good enough. I mean, I do what I do. But I want to have more energy. I don’t know. What would I do with more energy? Anyway, I’m just going to be miserable. Let’s see. What else can I be miserable about? I have cramps. I have cramps. Cramps in my calves. Cramps in my back. Cramps in my shoulders. It’s just annoying. It’s like stuff I've got to manage all the time. I don’t want to manage this stuff. I want to be 74 years old and not have pain. Ugh, that sounds ridiculous. Anyway, I’m bitching. Ugh. What else? Well, here I am, riding my trike. I had— oh, my legs really aren’t that strong. I wish they were stronger. And it’s actually my strong right leg that feels weak. I mean, it makes sense. You know? I got MS, but anyway, I’m bitching. And what have I done? Ridden the trike— what, so far? 6 times, maybe, this season. And I don’t feel like I’m getting stronger. I mean, I don’t have to be stronger. I got a lovely ICE trike. It’s a top-of-the-line trike. It’s got great gears. It’s very comfortable to ride. Old White Man with Old White Man Problems Wait a minute. I’m bitching. What else can I bitch about? I wish I wasn’t an old man with prostate issues. How do you like them apples? It’s just annoying. Annoying, annoying, annoying. Oh goodness. What else can I— I’m going to dig deep here. Find something else to bitch about. I don’t have anything else. Ugh. Oh, here. I got another one. I take too many pills. You know? I have to sit there for 20 minutes every Sunday and lay out my pills. What am I doing taking so many pills? Pills for my cholesterol. Pills for my MS. Pills for anemia. Pills for diabetes. Ugh. What have I gotten to? Pills, pills, pills. I might have just run out of steam on that. Let me ride a little longer and see if I can come up with something else to bitch about. Here, I can bitch about having to wait for a red light. How you like that? How you like that, huh? Oh, I didn’t have to wait. Oh well. That was a wasted bitch. Man, it’s a great temperature. Really nice. It’s cloudy, and it’ll probably rain. I could bitch about the rain, even though we need it. I like rain. It’s so much work to be at the top of my game. I want to be at the top of my game all the time. There. There’s another bitch. Man, this is really lame. My lame bitching. All right. I’ll turn it on again if I think of more. Round 2. Losing It All right. I’m a little farther along now, and I have a couple more things to bitch about. One is, I got back on the video because my wife just called to say that some very nice man stopped at the house on his electric bike, bringing my wallet, which I dropped on the bike path here. So, you know, I’m such an idiot. I— I know these pockets suck, and I don’t— I thought I had my wallet in this pocket that has a flap on it, but it’s not really, I guess, a flap that closes. So anyway. There. I’m bitching about being such an idiot, doing stupid things. Empty Nesting I have another thing I thought I had to bitch about. So my—my son, my daughter-in-law, and my grandson moved. They lived upstairs from us for 18 years. We had 18 years with them. And they needed to go. It was enough with the in-laws. But I really miss my son and my grandson. My grandson’s going to college. He’s such a sweetie. And he— he’s gone. And I feel it even more than when my— I guess, when my kids left. I don’t know. Simon, I was glad to see him go. He was just ready to be away from us. He hated me. And then when Ruben left, Mike was still there. When Mike left, that was hard. Really hard. I missed him. I still miss him. He died at 26, God. Anyway. But Leon. I miss Leon. I try to text him almost every day. I’m a pain in the ass, Opa. But he says it’s fine. He likes it. But anyway. There you go. Something else I can feel sorry for myself about. Cycling / Walking Community Pretty nice, isn’t it? Look at this beautiful here. I’m going so slow. It’s a little bit uphill. I think there’s a limit to how strong I can get. There. I got to bitch about that. If I already bitched about that, I don’t like to be repetitive. Anyway. It’s pretty lame. Good morning. (as I pass a cluster of people on the bike path talking). I like seeing people out here. Chatting and exercising. It’s nice being in a community. All right. I’m going to turn it off again. Anyway, I just listened to it. That was it. Reflection: Catharsis. Downgrading Annoyances It was cathartic. It was ridiculous. I hate complaining. Though, when I’m with other people who are gossiping, I gossip. When I’m— when I sour on a relationship or a job, I can be really negative. And when I’m sour or negative for more than a few minutes, I can feel it. All my annoyances escalate a step. It’s my scale. Not 1 to 10, but annoyances. I go from annoying to moderately annoying, to seriously annoying, to catastrophizing, to crippling. So. That was it. A little longer than 2 minutes, but you know, I packed it right in there. Anyway. Thanks for spending this time with me. Later. Please comment and ask questions: at the comment section at the bottom of the show notes on LinkedIn  via email YouTube channel  DM on Instagram, TikTok to @healthhats Substack Patreon Production Team Kayla Nelson: Web and Social Media Coach, Dissemination, Help Desk  Steve Heatherington: Help Desk and podcast production counseling Joey van Leeuwen, Drummer, Composer, and Arranger, provided the music for the intro, outro, proem, and reflection Claude, Perplexity, Auphonic, Descript, Grammarly, DaVinci Resolve, DaVinci AI Art Generator, OpenArt AI Creator Studio Inspired by and Grateful to: Peter Lehman, Jeff Harrington, Shel Schenkler Artificial Intelligence in Podcast Production Health Hats, the Podcast, utilizes AI tools for production tasks such as editing, transcription, and content suggestions. While AI assists with various aspects, including image creation, most AI suggestions are modified. All creative decisions remain my own, with AI sources referenced as usual. Questions are welcome. Creative Commons Licensing CC BY-NC-SA This license enables reusers to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator. If you remix, adapt, or build upon the material, you must license the modified material under identical terms. CC BY-NC-SA includes the following elements:    BY: credit must be given to the creator.   NC: Only noncommercial uses of the work are permitted.    SA: Adaptations must be shared under the same terms. Please let me know. dannyhealthhats@gmail.com  Material on this site created by others is theirs, and use follows their guidelines. Disclaimer The views and opinions presented in this podcast and publication are solely my responsibility and do not necessarily represent the views of the Patient-Centered Outcomes Research Institute®  (PCORI®), its Board of Governors, or Methodology Committee. Danny van Leeuwen (Health Hats)

EPISODE 149: NYC-based Jane Getter is a “triple-threat” (Geoff Wilbur)—guitarist, singer, ASCAP award-winning and NYSCA commissioned composer. Getter's 2026 7D Media release, Transmogrify, coalesces a lifetime of musical exploration into intricate arrangements, powerful playing, and killer solos. Getter has been shredding boundaries since picking up a guitar at age eight and recently won the number 8 slot for best guitarist in Prog Magazine's 2021 readers poll. She cites musical influences Mahavishnu Orchestra, King Crimson, Porcupine Tree and guitar influences Jeff Beck, Allan Holdsworth, and Wes Montgomery. On her first tour, with legendary jazz/blues organist Brother Jack McDuff, Getter's musical language expanded to embrace the groove-oriented music that she saw thrilling audiences. Getter has also toured and played with Lenny White, Ursala Dudziak, Jaimoe (of the Allman Brothers), Michal Urbaniak, Kenny Garrett, The Roots the jam, Mike Clark (Headhunters), the Saturday Night Live Band and more. Following solo albums Jane (Lipstick Records, 1999), See Jane Run and Three (Alternity Records, 2005, 2012), the new songs Getter was composing had a fuller, richer sound than anything she had recorded before. For releases On (Snapper's MadFish Music, 2015), ON Tour (Big Fun Productions, 2017) Anomalia (Cherry Red/Esoteric Antenna) and Division World (Cherry Red/Esoteric Antenna) Getter formed Jane Getter Premonition to fulfill the promise of these compositions, assembling players Adam Holzman (Steven Wilson Band, Miles Davis), Alex Skolnick (Testament), Chad Wackerman (Frank Zappa), plus Bryan Beller, Mark Egan, Gene Lake, Stu Hamm, special guests Vernon Reid, Corey Glover, Theo Travis and singers Randy McStine and Chanda Rule. The Current touring and recording JGP features Adam Holzman, Alex Skolnick, Paul Frazier (David Byrne, Nile Rogers) and Gene Lake (Marcus Miller, Nile Rogers )with guest appearances on vocals by Randy McStine (Porcupine Tree, Steven Wilson). janegetter.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

Ep 196: August 12, 2026 - Do Grey E. T.s Inhabit Large Earth Underground Tube Structures?   Interview with experiencer Erik Nanstiel encounters have persisted for 55 years “highly strange events are forming complex repeating patterns… grey extraterrestrials inhabit large caverns, deep underground” “three massive subterranean caverns under east Illinois” “as deep as half a mile underground” “a lifetime of encounters…a lab rat” “too late for us to mount an effective response” “two species becoming one species” “they want to replace Homo sapiens” “they can't live on the surface” “Homo exogenous will replace Homo sapiens” ==== BOOKS MENTIONED: Angst in the Shadows: A True Story Of Alien Abductions By Erik Nanstiel https://www.angstintheshadows.com/ ==== From the archives. #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html

THIS IS A PREVIEW. FOR THE FULL EPISODE, GO TO Patreon.com/worstofall According to all known laws of aviation, there is no way a bee should be able to fly. Media Referenced in this Episode: Bee Movie. Dir. Simon J. Smith and Steve Hickner. 2007. “A Complete History of Bee Movie's Many, Many Memes" by Paris Martineau. New York Magazine. November 2nd, 2017. “Bee Movie: A Seinfeldian Society” by Joe Strike. Animation World. November 2nd, 2007. “How Bee Movie Won 2016” by Laura Bradley. Vanity Fair. December 30th, 2016. TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com Interstitial: “A Series of Voicemails Left on Jerry Seinfeld's Answering Machine by one Stephen Sondheim, Composer of Musical Theater and Lover of Bees” // Written by A.J. Ditty and Brian Alford // feat. David Armstrong as “Stephen Sondheim” and Brian Alford as “Jerry” Episode edited by Brian Alford. Interstitial edited by A.J. Ditty. Produced by Josh Boerman, A.J. Ditty, and Brian Alford. This podcast was recorded under a SAG-AFTRA Agreement. Its wings are too small to get its fat little body off the ground. The bee, of course, flies anyway because bees don't care what humans think is impossible. Yellow, black. Yellow, black. Yellow, black. Yellow, black. Ooh, black and yellow! Let's shake it up a little. Barry! Breakfast is ready! Coming! Hang on a second. Hello? - Barry? - Adam? - Can you believe this is happening? - I can't. I'll pick you up. Looking sharp. Use the stairs. Your father paid good money for those. Sorry. I'm excited. Here's the graduate. We're very proud of you, son. A perfect report card, all B's. Very proud. Ma! I got a thing going here. - You got lint on your fuzz. - Ow! That's me! - Wave to us! We'll be in row 118,000. - Bye! Barry, I told you, stop flying in the house! - Hey, Adam. - Hey, Barry. - Is that fuzz gel? - A little. Special day, graduation. Never thought I'd make it. Three days grade school, three days high school. Those were awkward. Three days college. I'm glad I took a day and hitchhiked around the hive. You did come back different. - Hi, Barry. - Artie, growing a mustache? Looks good. - Hear about Frankie? - Yeah. - You going to the funeral? - No, I'm not going. Everybody knows, sting someone, you die. Don't waste it on a squirrel. Such a hothead. I guess he could have just gotten out of the way. I love this incorporating an amusement park into our day. That's why we don't need vacations. Boy, quite a bit of pomp… under the circumstances. - Well, Adam, today we are men. - We are! - Bee-men. - Amen! Hallelujah! Students, faculty, distinguished bees, please welcome Dean Buzzwell. Welcome, New Hive City graduating class of… …9:15. That concludes our ceremonies. And begins your career at Honex Industries! Will we pick our job today? I heard it's just orientation. Heads up! Here we go. Keep your hands and antennas inside the tram at all times. - Wonder what it'll be like? - A little scary. Welcome to Honex, a division of Honesco and a part of the Hexagon Group. This is it! Wow. Wow. We know that you, as a bee, have worked your whole life to get to the point where you can work for your whole life. Honey begins when our valiant Pollen Jocks bring the nectar to the hive. Our top-secret formula is automatically color-corrected, scent-adjusted and bubble-contoured into this soothing sweet syrup with its distinctive golden glow you know as… Honey! - That girl was hot. - She's my cousin! - She is? - Yes, we're all cousins. - Right. You're right. - At Honex, we constantly strive to improve every aspect of bee existence. These bees are stress-testing a new helmet technology. - What do you think he makes? - Not enough. Here we have our latest advancement, the Krelman. - What does that do? - Oatches that little strand of honey that hangs after you pour it. Saves us millions. Oan anyone work on the Krelman? Of course. Most bee jobs are small ones. But bees know that every small job, if it's done well, means a lot. But choose carefully because you'll stay in the job you pick for the rest of your life. The same job the rest of your life? I didn't know that. What's the difference? You'll be happy to know that bees, as a species, haven't had one day off in 27 million years. So you'll just work us to death? We'll sure try. Wow! That blew my mind! “What's the difference?” How can you say that? One job forever? That's an insane choice to have to make. I'm relieved. Now we only have to make one decision in life. But, Adam, how could they never have told us that? Why would you question anything? We're bees. We're the most perfectly functioning society on Earth. You ever think maybe things work a little too well here? Like what? Give me one example. I don't know. But you know what I'm talking about. Please clear the gate. Royal Nectar Force on approach. Wait a second. Oheck it out. - Hey, those are Pollen Jocks! - Wow. I've never seen them this close. They know what it's like outside the hive. Yeah, but some don't come back. - Hey, Jocks! - Hi, Jocks! You guys did great! You're monsters! You're sky freaks! I love it! I love it! - I wonder where they were. - I don't know. Their day's not planned. Outside the hive, flying who knows where, doing who knows what. You can'tjust decide to be a Pollen Jock. You have to be bred for that. Right. Look. That's more pollen than you and I will see in a lifetime. It's just a status symbol. Bees make too much of it. Perhaps. Unless you're wearing it and the ladies see you wearing it. Those ladies? Aren't they our cousins too? Distant. Distant. Look at these two. - Oouple of Hive Harrys. - Let's have fun with them. It must be dangerous being a Pollen Jock. Yeah. Once a bear pinned me against a mushroom! He had a paw on my throat, and with the other, he was slapping me! - Oh, my! - I never thought I'd knock him out. What were you doing during this? Trying to alert the authorities. I can autograph that. A little gusty out there today, wasn't it, comrades? Yeah. Gusty. We're hitting a sunflower patch six miles from here tomorrow. - Six miles, huh? - Barry! A puddle jump for us, but maybe you're not up for it. - Maybe I am. - You are not! We're going 0900 at J-Gate. What do you think, buzzy-boy? Are you bee enough? I might be. It all depends on what 0900 means. Hey, Honex! Dad, you surprised me. You decide what you're interested in? - Well, there's a lot of choices. - But you only get one. Do you ever get bored doing the same job every day? Son, let me tell you about stirring. You grab that stick, and you just move it around, and you stir it around. You get yourself into a rhythm. It's a beautiful thing. You know, Dad, the more I think about it, maybe the honey field just isn't right for me. You were thinking of what, making balloon animals? That's a bad job for a guy with a stinger. Janet, your son's not sure he wants to go into honey! - Barry, you are so funny sometimes. - I'm not trying to be funny. You're not funny! You're going into honey. Our son, the stirrer! - You're gonna be a stirrer? - No one's listening to me! Wait till you see the sticks I have. I could say anything right now. I'm gonna get an ant tattoo! Let's open some honey and celebrate! Maybe I'll pierce my thorax. Shave my antennae. Shack up with a grasshopper. Get a gold tooth and call everybody “dawg”! I'm so proud. - We're starting work today! - Today's the day. Oome on! All the good jobs will be gone. Yeah, right. Pollen counting, stunt bee, pouring, stirrer, front desk, hair removal… - Is it still available? - Hang on. Two left! One of them's yours! Oongratulations! Step to the side. - What'd you get? - Picking crud out. Stellar! Wow! Oouple of newbies? Yes, sir! Our first day! We are ready! Make your choice. - You want to go first? - No, you go. Oh, my. What's available? Restroom attendant's open, not for the reason you think. - Any chance of getting the Krelman? - Sure, you're on. I'm sorry, the Krelman just closed out. Wax monkey's always open. The Krelman opened up again. What happened? A bee died. Makes an opening. See? He's dead. Another dead one. Deady. Deadified. Two more dead. Dead from the neck up. Dead from the neck down. That's life! Oh, this is so hard! Heating, cooling, stunt bee, pourer, stirrer, humming, inspector number seven, lint coordinator, stripe supervisor, mite wrangler. Barry, what do you think I should… Barry? Barry! All right, we've got the sunflower patch in quadrant nine… What happened to you? Where are you? - I'm going out. - Out? Out where? - Out there. - Oh, no! I have to, before I go to work for the rest of my life. You're gonna die! You're crazy! Hello? Another call coming in. If anyone's feeling brave, there's a Korean deli on 83rd that gets their roses today. Hey, guys. - Look at that. - Isn't that the kid we saw yesterday? Hold it, son, flight deck's restricted. It's OK, Lou. We're gonna take him up. Really? Feeling lucky, are you? Sign here, here. Just initial that. - Thank you. - OK. You got a rain advisory today, and as you all know, bees cannot fly in rain. So be careful. As always, watch your brooms, hockey sticks, dogs, birds, bears and bats. Also, I got a couple of reports of root beer being poured on us. Murphy's in a home because of it, babbling like a cicada! - That's awful. - And a reminder for you rookies, bee law number one, absolutely no talking to humans! All right, launch positions! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Buzz, buzz, buzz, buzz! Black and yellow! Hello! You ready for this, hot shot? Yeah. Yeah, bring it on. Wind, check. - Antennae, check. - Nectar pack, check. - Wings, check. - Stinger, check. Scared out of my shorts, check. OK, ladies, let's move it out! Pound those petunias, you striped stem-suckers! All of you, drain those flowers! Wow! I'm out! I can't believe I'm out! So blue. I feel so fast and free! Box kite! Wow! Flowers! This is Blue Leader. We have roses visual. Bring it around 30 degrees and hold. Roses! 30 degrees, roger. Bringing it around. Stand to the side, kid. It's got a bit of a kick. That is one nectar collector! - Ever see pollination up close? - No, sir. I pick up some pollen here, sprinkle it over here. Maybe a dash over there, a pinch on that one. See that? It's a little bit of magic. That's amazing. Why do we do that? That's pollen power. More pollen, more flowers, more nectar, more honey for us. Cool. I'm picking up a lot of bright yellow. Oould be daisies. Don't we need those? Oopy that visual. Wait. One of these flowers seems to be on the move. Say again? You're reporting a moving flower? Affirmative. That was on the line! This is the coolest. What is it? I don't know, but I'm loving this color. It smells good. Not like a flower, but I like it. Yeah, fuzzy. Ohemical-y. Oareful, guys. It's a little grabby. My sweet lord of bees! Oandy-brain, get off there! Problem! - Guys! - This could be bad. Affirmative. Very close. Gonna hurt. Mama's little boy. You are way out of position, rookie! Ooming in at you like a missile! Help me! I don't think these are flowers. - Should we tell him? - I think he knows. What is this?! Match point! You can start packing up, honey, because you're about to eat it! Yowser! Gross. There's a bee in the car! - Do something! - I'm driving! - Hi, bee. - He's back here! He's going to sting me! Nobody move. If you don't move, he won't sting you. Freeze! He blinked! Spray him, Granny! What are you doing?! Wow… the tension level out here is unbelievable. I gotta get home. Oan't fly in rain. Oan't fly in rain. Oan't fly in rain. Mayday! Mayday! Bee going down! Ken, could you close the window please? Ken, could you close the window please? Oheck out my new resume. I made it into a fold-out brochure. You see? Folds out. Oh, no. More humans. I don't need this. What was that? Maybe this time. This time. This time. This time! This time! This… Drapes! That is diabolical. It's fantastic. It's got all my special skills, even my top-ten favorite movies. What's number one? Star Wars? Nah, I don't go for that… …kind of stuff. No wonder we shouldn't talk to them. They're out of their minds. When I leave a job interview, they're flabbergasted, can't believe what I say. There's the sun. Maybe that's a way out. I don't remember the sun having a big 75 on it. I predicted global warming. I could feel it getting hotter. At first I thought it was just me. Wait! Stop! Bee! Stand back. These are winter boots. Wait! Don't kill him! You know I'm allergic to them! This thing could kill me! Why does his life have less value than yours? Why does his life have any less value than mine? Is that your statement? I'm just saying all life has value. You don't know what he's capable of feeling. My brochure! There you go, little guy. I'm not scared of him. It's an allergic thing. Put that on your resume brochure. My whole face could puff up. Make it one of your special skills. Knocking someone out is also a special skill. Right. Bye, Vanessa. Thanks. - Vanessa, next week? Yogurt night? - Sure, Ken. You know, whatever. - You could put carob chips on there. - Bye. - Supposed to be less calories. - Bye. I gotta say something. She saved my life. I gotta say something. All right, here it goes. Nah. What would I say? I could really get in trouble. It's a bee law. You're not supposed to talk to a human. I can't believe I'm doing this. I've got to. Oh, I can't do it. Oome on! No. Yes. No. Do it. I can't. How should I start it? “You like jazz?” No, that's no good. Here she comes! Speak, you fool! Hi! I'm sorry. - You're talking. - Yes, I know. You're talking! I'm so sorry. No, it's OK. It's fine. I know I'm dreaming. But I don't recall going to bed. Well, I'm sure this is very disconcerting. This is a bit of a surprise to me. I mean, you're a bee! I am. And I'm not supposed to be doing this, but they were all trying to kill me. And if it wasn't for you… I had to thank you. It's just how I was raised. That was a little weird. - I'm talking with a bee. - Yeah. I'm talking to a bee. And the bee is talking to me! I just want to say I'm grateful. I'll leave now. - Wait! How did you learn to do that? - What? The talking thing. Same way you did, I guess. “Mama, Dada, honey.” You pick it up. - That's very funny. - Yeah. Bees are funny. If we didn't laugh, we'd cry with what we have to deal with. Anyway… Oan I… …get you something? - Like what? I don't know. I mean… I don't know. Ooffee? I don't want to put you out. It's no trouble. It takes two minutes. - It's just coffee. - I hate to impose. - Don't be ridiculous! - Actually, I would love a cup. Hey, you want rum cake? - I shouldn't. - Have some. - No, I can't. - Oome on! I'm trying to lose a couple micrograms. - Where? - These stripes don't help. You look great! I don't know if you know anything about fashion. Are you all right? No. He's making the tie in the cab as they're flying up Madison. He finally gets there. He runs up the steps into the church. The wedding is on. And he says, “Watermelon? I thought you said Guatemalan. Why would I marry a watermelon?” Is that a bee joke? That's the kind of stuff we do. Yeah, different. So, what are you gonna do, Barry? About work? I don't know. I want to do my part for the hive, but I can't do it the way they want. I know how you feel. - You do? - Sure. My parents wanted me to be a lawyer or a doctor, but I wanted to be a florist. - Really? - My only interest is flowers. Our new queen was just elected with that same campaign slogan. Anyway, if you look… There's my hive right there. See it? You're in Sheep Meadow! Yes! I'm right off the Turtle Pond! No way! I know that area. I lost a toe ring there once. - Why do girls put rings on their toes? - Why not? - It's like putting a hat on your knee. - Maybe I'll try that. - You all right, ma'am? - Oh, yeah. Fine. Just having two cups of coffee! Anyway, this has been great. Thanks for the coffee. Yeah, it's no trouble. Sorry I couldn't finish it. If I did, I'd be up the rest of my life. Are you…? Oan I take a piece of this with me? Sure! Here, have a crumb. - Thanks! - Yeah. All right. Well, then… I guess I'll see you around. Or not. OK, Barry. And thank you so much again… for before. Oh, that? That was nothing. Well, not nothing, but… Anyway… This can't possibly work. He's all set to go. We may as well try it. OK, Dave, pull the chute. - Sounds amazing. - It was amazing! It was the scariest, happiest moment of my life. Humans! I can't believe you were with humans! Giant, scary humans! What were they like? Huge and crazy. They talk crazy. They eat crazy giant things. They drive crazy. - Do they try and kill you, like on TV? - Some of them. But some of them don't. - How'd you get back? - Poodle. You did it, and I'm glad. You saw whatever you wanted to see. You had your “experience.” Now you can pick out yourjob and be normal. - Well… - Well? Well, I met someone. You did? Was she Bee-ish? - A wasp?! Your parents will kill you! - No, no, no, not a wasp. - Spider? - I'm not attracted to spiders. I know it's the hottest thing, with the eight legs and all. I can't get by that face. So who is she? She's… human. No, no. That's a bee law. You wouldn't break a bee law. - Her name's Vanessa. - Oh, boy. She's so nice. And she's a florist! Oh, no! You're dating a human florist! We're not dating. You're flying outside the hive, talking to humans that attack our homes with power washers and M-80s! One-eighth a stick of dynamite! She saved my life! And she understands me. This is over! Eat this. This is not over! What was that? - They call it a crumb. - It was so stingin' stripey! And that's not what they eat. That's what falls off what they eat! - You know what a Oinnabon is? - No. It's bread and cinnamon and frosting. They heat it up… Sit down! …really hot! - Listen to me! We are not them! We're us. There's us and there's them! Yes, but who can deny the heart that is yearning? There's no yearning. Stop yearning. Listen to me! You have got to start thinking bee, my friend. Thinking bee! - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! Thinking bee! Thinking bee! There he is. He's in the pool. You know what your problem is, Barry? I gotta start thinking bee? How much longer will this go on? It's been three days! Why aren't you working? I've got a lot of big life decisions to think about. What life? You have no life! You have no job. You're barely a bee! Would it kill you to make a little honey? Barry, come out. Your father's talking to you. Martin, would you talk to him? Barry, I'm talking to you! You coming? Got everything? All set! Go ahead. I'll catch up. Don't be too long. Watch this! Vanessa! - We're still here. - I told you not to yell at him. He doesn't respond to yelling! - Then why yell at me? - Because you don't listen! I'm not listening to this. Sorry, I've gotta go. - Where are you going? - I'm meeting a friend. A girl? Is this why you can't decide? Bye. I just hope she's Bee-ish. They have a huge parade of flowers every year in Pasadena? To be in the Tournament of Roses, that's every florist's dream! Up on a float, surrounded by flowers, crowds cheering. A tournament. Do the roses compete in athletic events? No. All right, I've got one. How come you don't fly everywhere? It's exhausting. Why don't you run everywhere? It's faster. Yeah, OK, I see, I see. All right, your turn. TiVo. You can just freeze live TV? That's insane! You don't have that? We have Hivo, but it's a disease. It's a horrible, horrible disease. Oh, my. Dumb bees! You must want to sting all those jerks. We try not to sting. It's usually fatal for us. So you have to watch your temper. Very carefully. You kick a wall, take a walk, write an angry letter and throw it out. Work through it like any emotion: Anger, jealousy, lust. Oh, my goodness! Are you OK? Yeah. - What is wrong with you?! - It's a bug. He's not bothering anybody. Get out of here, you creep! What was that? A Pic ‘N' Save circular? Yeah, it was. How did you know? It felt like about 10 pages. Seventy-five is pretty much our limit. You've really got that down to a science. - I lost a cousin to Italian Vogue. - I'll bet. What in the name of Mighty Hercules is this? How did this get here? Oute Bee, Golden Blossom, Ray Liotta Private Select? - Is he that actor? - I never heard of him. - Why is this here? - For people. We eat it. You don't have enough food of your own? - Well, yes. - How do you get it? - Bees make it. - I know who makes it! And it's hard to make it! There's heating, cooling, stirring. You need a whole Krelman thing! - It's organic. - It's our-ganic! It's just honey, Barry. Just what?! Bees don't know about this! This is stealing! A lot of stealing! You've taken our homes, schools, hospitals! This is all we have! And it's on sale?! I'm getting to the bottom of this. I'm getting to the bottom of all of this! Hey, Hector. - You almost done? - Almost. He is here. I sense it. Well, I guess I'll go home now and just leave this nice honey out, with no one around. You're busted, box boy! I knew I heard something. So you can talk! I can talk. And now you'll start talking! Where you getting the sweet stuff? Who's your supplier? I don't understand. I thought we were friends. The last thing we want to do is upset bees! You're too late! It's ours now! You, sir, have crossed the wrong sword! You, sir, will be lunch for my iguana, Ignacio! Where is the honey coming from? Tell me where! Honey Farms! It comes from Honey Farms! Orazy person! What horrible thing has happened here? These faces, they never knew what hit them. And now they're on the road to nowhere! Just keep still. What? You're not dead? Do I look dead? They will wipe anything that moves. Where you headed? To Honey Farms. I am onto something huge here. I'm going to Alaska. Moose blood, crazy stuff. Blows your head off! I'm going to Tacoma. - And you? - He really is dead. All right. Uh-oh! - What is that?! - Oh, no! - A wiper! Triple blade! - Triple blade? Jump on! It's your only chance, bee! Why does everything have to be so doggone clean?! How much do you people need to see?! Open your eyes! Stick your head out the window! From NPR News in Washington, I'm Carl Kasell. But don't kill no more bugs! - Bee! - Moose blood guy!! - You hear something? - Like what? Like tiny screaming. Turn off the radio. Whassup, bee boy? Hey, Blood. Just a row of honey jars, as far as the eye could see. Wow! I assume wherever this truck goes is where they're getting it. I mean, that honey's ours. - Bees hang tight. - We're all jammed in. It's a close community. Not us, man. We on our own. Every mosquito on his own. - What if you get in trouble? - You a mosquito, you in trouble. Nobody likes us. They just smack. See a mosquito, smack, smack! At least you're out in the world. You must meet girls. Mosquito girls try to trade up, get with a moth, dragonfly. Mosquito girl don't want no mosquito. You got to be kidding me! Mooseblood's about to leave the building! So long, bee! - Hey, guys! - Mooseblood! I knew I'd catch y'all down here. Did you bring your crazy straw? We throw it in jars, slap a label on it, and it's pretty much pure profit. What is this place? A bee's got a brain the size of a pinhead. They are pinheads! Pinhead. - Oheck out the new smoker. - Oh, sweet. That's the one you want. The Thomas 3000! Smoker? Ninety puffs a minute, semi-automatic. Twice the nicotine, all the tar. A couple breaths of this knocks them right out. They make the honey, and we make the money. “They make the honey, and we make the money”? Oh, my! What's going on? Are you OK? Yeah. It doesn't last too long. Do you know you're in a fake hive with fake walls? Our queen was moved here. We had no choice. This is your queen? That's a man in women's clothes! That's a drag queen! What is this? Oh, no! There's hundreds of them! Bee honey. Our honey is being brazenly stolen on a massive scale! This is worse than anything bears have done! I intend to do something. Oh, Barry, stop. Who told you humans are taking our honey? That's a rumor. Do these look like rumors? That's a conspiracy theory. These are obviously doctored photos. How did you get mixed up in this? He's been talking to humans. - What? - Talking to humans?! He has a human girlfriend. And they make out! Make out? Barry! We do not. - You wish you could. - Whose side are you on? The bees! I dated a cricket once in San Antonio. Those crazy legs kept me up all night. Barry, this is what you want to do with your life? I want to do it for all our lives. Nobody works harder than bees! Dad, I remember you coming home so overworked your hands were still stirring. You couldn't stop. I remember that. What right do they have to our honey? We live on two cups a year. They put it in lip balm for no reason whatsoever! Even if it's true, what can one bee do? Sting them where it really hurts. In the face! The eye! - That would hurt. - No. Up the nose? That's a killer. There's only one place you can sting the humans, one place where it matters. Hive at Five, the hive's only full-hour action news source. No more bee beards! With Bob Bumble at the anchor desk. Weather with Storm Stinger. Sports with Buzz Larvi. And Jeanette Chung. - Good evening. I'm Bob Bumble. - And I'm Jeanette Chung. A tri-county bee, Barry Benson, intends to sue the human race for stealing our honey, packaging it and profiting from it illegally! Tomorrow night on Bee Larry King, we'll have three former queens here in our studio, discussing their new book, Classy Ladies, out this week on Hexagon. Tonight we're talking to Barry Benson. Did you ever think, “I'm a kid from the hive. I can't do this”? Bees have never been afraid to change the world. What about Bee Columbus? Bee Gandhi? Bee Jesus? Where I'm from, we'd never sue humans. We were thinking of stickball or candy stores. How old are you? The bee community is supporting you in this case, which will be the trial of the bee century. You know, they have a Larry King in the human world too. It's a common name. Next week… He looks like you and has a show and suspenders and colored dots… Next week… Glasses, quotes on the bottom from the guest even though you just heard ‘em. Bear Week next week! They're scary, hairy and here live. Always leans forward, pointy shoulders, squinty eyes, very Jewish. In tennis, you attack at the point of weakness! It was my grandmother, Ken. She's 81. Honey, her backhand's a joke! I'm not gonna take advantage of that? Quiet, please. Actual work going on here. - Is that that same bee? - Yes, it is! I'm helping him sue the human race. - Hello. - Hello, bee. This is Ken. Yeah, I remember you. Timberland, size ten and a half. Vibram sole, I believe. Why does he talk again? Listen, you better go ‘cause we're really busy working. But it's our yogurt night! Bye-bye. Why is yogurt night so difficult?! You poor thing. You two have been at this for hours! Yes, and Adam here has been a huge help. - Frosting… - How many sugars? Just one. I try not to use the competition. So why are you helping me? Bees have good qualities. And it takes my mind off the shop. Instead of flowers, people are giving balloon bouquets now. Those are great, if you're three. And artificial flowers. - Oh, those just get me psychotic! - Yeah, me too. Bent stingers, pointless pollination. Bees must hate those fake things! Nothing worse than a daffodil that's had work done. Maybe this could make up for it a little bit. - This lawsuit's a pretty big deal. - I guess. You sure you want to go through with it? Am I sure? When I'm done with the humans, they won't be able to say, “Honey, I'm home,” without paying a royalty! It's an incredible scene here in downtown Manhattan, where the world anxiously waits, because for the first time in history, we will hear for ourselves if a honeybee can actually speak. What have we gotten into here, Barry? It's pretty big, isn't it? I can't believe how many humans don't work during the day. You think billion-dollar multinational food companies have good lawyers? Everybody needs to stay behind the barricade. - What's the matter? - I don't know, I just got a chill. Well, if it isn't the bee team. You boys work on this? All rise! The Honorable Judge Bumbleton presiding. All right. Case number 4475, Superior Court of New York, Barry Bee Benson v. The Honey Industry is now in session. Mr. Montgomery, you're representing the five food companies collectively? A privilege. Mr. Benson… you're representing all the bees of the world? I'm kidding. Yes, Your Honor, we're ready to proceed. Mr. Montgomery, your opening statement, please. Ladies and gentlemen of the jury, my grandmother was a simple woman. Born on a farm, she believed it was man's divine right to benefit from the bounty of nature God put before us. If we lived in the topsy-turvy world Mr. Benson imagines, just think of what would it mean. I would have to negotiate with the silkworm for the elastic in my britches! Talking bee! How do we know this isn't some sort of holographic motion-picture-capture Hollywood wizardry? They could be using laser beams! Robotics! Ventriloquism! Oloning! For all we know, he could be on steroids! Mr. Benson? Ladies and gentlemen, there's no trickery here. I'm just an ordinary bee. Honey's pretty important to me. It's important to all bees. We invented it! We make it. And we protect it with our lives. Unfortunately, there are some people in this room who think they can take it from us ‘cause we're the little guys! I'm hoping that, after this is all over, you'll see how, by taking our honey, you not only take everything we have but everything we are! I wish he'd dress like that all the time. So nice! Oall your first witness. So, Mr. Klauss Vanderhayden of Honey Farms, big company you have. I suppose so. I see you also own Honeyburton and Honron! Yes, they provide beekeepers for our farms. Beekeeper. I find that to be a very disturbing term. I don't imagine you employ any bee-free-ers, do you? - No. - I couldn't hear you. - No. - No. Because you don't free bees. You keep bees. Not only that, it seems you thought a bear would be an appropriate image for a jar of honey. They're very lovable creatures. Yogi Bear, Fozzie Bear, Build-A-Bear. You mean like this? Bears kill bees! How'd you like his head crashing through your living room?! Biting into your couch! Spitting out your throw pillows! OK, that's enough. Take him away. So, Mr. Sting, thank you for being here. Your name intrigues me. - Where have I heard it before? - I was with a band called The Police. But you've never been a police officer, have you? No, I haven't. No, you haven't. And so here we have yet another example of bee culture casually stolen by a human for nothing more than a prance-about stage name. Oh, please. Have you ever been stung, Mr. Sting? Because I'm feeling a little stung, Sting. Or should I say… Mr. Gordon M. Sumner! That's not his real name?! You idiots! Mr. Liotta, first, belated congratulations on your Emmy win for a guest spot on ER in 2005. Thank you. Thank you. I see from your resume that you're devilishly handsome with a churning inner turmoil that's ready to blow. I enjoy what I do. Is that a crime? Not yet it isn't. But is this what it's come to for you? Exploiting tiny, helpless bees so you don't have to rehearse your part and learn your lines, sir? Watch it, Benson! I could blow right now! This isn't a goodfella. This is a badfella! Why doesn't someone just step on this creep, and we can all go home?! - Order in this court! - You're all thinking it! Order! Order, I say! - Say it! - Mr. Liotta, please sit down! I think it was awfully nice of that bear to pitch in like that. I think the jury's on our side. Are we doing everything right, legally? I'm a florist. Right. Well, here's to a great team. To a great team! Well, hello. - Ken! - Hello. I didn't think you were coming. No, I was just late. I tried to call, but… the battery. I didn't want all this to go to waste, so I called Barry. Luckily, he was free. Oh, that was lucky. There's a little left. I could heat it up. Yeah, heat it up, sure, whatever. So I hear you're quite a tennis player. I'm not much for the game myself. The ball's a little grabby. That's where I usually sit. Right… there. Ken, Barry was looking at your resume, and he agreed with me that eating with chopsticks isn't really a special skill. You think I don't see what you're doing? I know how hard it is to find the rightjob. We have that in common. Do we? Bees have 100 percent employment, but we do jobs like taking the crud out. That's just what I was thinking about doing. Ken, I let Barry borrow your razor for his fuzz. I hope that was all right. I'm going to drain the old stinger. Yeah, you do that. Look at that. You know, I've just about had it with your little mind games. - What's that? - Italian Vogue. Mamma mia, that's a lot of pages. A lot of ads. Remember what Van said, why is your life more valuable than mine? Funny, I just can't seem to recall that! I think something stinks in here! I love the smell of flowers. How do you like the smell of flames?! Not as much. Water bug! Not taking sides! Ken, I'm wearing a Ohapstick hat! This is pathetic! I've got issues! Well, well, well, a royal flush! - You're bluffing. - Am I? Surf's up, dude! Poo water! That bowl is gnarly. Except for those dirty yellow rings! Kenneth! What are you doing?! You know, I don't even like honey! I don't eat it! We need to talk! He's just a little bee! And he happens to be the nicest bee I've met in a long time! Long time? What are you talking about?! Are there other bugs in your life? No, but there are other things bugging me in life. And you're one of them! Fine! Talking bees, no yogurt night… My nerves are fried from riding on this emotional roller coaster! Goodbye, Ken. And for your information, I prefer sugar-free, artificial sweeteners made by man! I'm sorry about all that. I know it's got an aftertaste! I like it! I always felt there was some kind of barrier between Ken and me. I couldn't overcome it. Oh, well. Are you OK for the trial? I believe Mr. Montgomery is about out of ideas. We would like to call Mr. Barry Benson Bee to the stand. Good idea! You can really see why he's considered one of the best lawyers… Yeah. Layton, you've gotta weave some magic with this jury, or it's gonna be all over. Don't worry. The only thing I have to do to turn this jury around is to remind them of what they don't like about bees. - You got the tweezers? - Are you allergic? Only to losing, son. Only to losing. Mr. Benson Bee, I'll ask you what I think we'd all like to know. What exactly is your relationship to that woman? We're friends. - Good friends? - Yes. How good? Do you live together? Wait a minute… Are you her little… …bedbug? I've seen a bee documentary or two. From what I understand, doesn't your queen give birth to all the bee children? - Yeah, but… - So those aren't your real parents! - Oh, Barry… - Yes, they are! Hold me back! You're an illegitimate bee, aren't you, Benson? He's denouncing bees! Don't y'all date your cousins? - Objection! - I'm going to pincushion this guy! Adam, don't! It's what he wants! Oh, I'm hit!! Oh, lordy, I am hit! Order! Order! The venom! The venom is coursing through my veins! I have been felled by a winged beast of destruction! You see? You can't treat them like equals! They're striped savages! Stinging's the only thing they know! It's their way! - Adam, stay with me. - I can't feel my legs. What angel of mercy will come forward to suck the poison from my heaving buttocks? I will have order in this court. Order! Order, please! The case of the honeybees versus the human race took a pointed turn against the bees yesterday when one of their legal team stung Layton T. Montgomery. - Hey, buddy. - Hey. - Is there much pain? - Yeah. I… I blew the whole case, didn't I? It doesn't matter. What matters is you're alive. You could have died. I'd be better off dead. Look at me. They got it from the cafeteria downstairs, in a tuna sandwich. Look, there's a little celery still on it. What was it like to sting someone? I can't explain it. It was all… All adrenaline and then… and then ecstasy! All right. You think it was all a trap? Of course. I'm sorry. I flew us right into this. What were we thinking? Look at us. We're just a couple of bugs in this world. What will the humans do to us if they win? I don't know. I hear they put the roaches in motels. That doesn't sound so bad. Adam, they check in, but they don't check out! Oh, my. Oould you get a nurse to close that window? - Why? - The smoke. Bees don't smoke. Right. Bees don't smoke. Bees don't smoke! But some bees are smoking. That's it! That's our case! It is? It's not over? Get dressed. I've gotta go somewhere. Get back to the court and stall. Stall any way you can. And assuming you've done step correctly, you're ready for the tub. Mr. Flayman. Yes? Yes, Your Honor! Where is the rest of your team? Well, Your Honor, it's interesting. Bees are trained to fly haphazardly, and as a result, we don't make very good time. I actually heard a funny story about… Your Honor, haven't these ridiculous bugs taken up enough of this court's valuable time? How much longer will we allow these absurd shenanigans to go on? They have presented no compelling evidence to support their charges against my clients, who run legitimate businesses. I move for a complete dismissal of this entire case! Mr. Flayman, I'm afraid I'm going to have to consider Mr. Montgomery's motion. But you can't! We have a terrific case. Where is your proof? Where is the evidence? Show me the smoking gun! Hold it, Your Honor! You want a smoking gun? Here is your smoking gun. What is that? It's a bee smoker! What, this? This harmless little contraption? This couldn't hurt a fly, let alone a bee. Look at what has happened to bees who have never been asked, “Smoking or non?” Is this what nature intended for us? To be forcibly addicted to smoke machines and man-made wooden slat work camps? Living out our lives as honey slaves to the white man? - What are we gonna do? - He's playing the species card. Ladies and gentlemen, please, free these bees! Free the bees! Free the bees! Free the bees! Free the bees! Free the bees! The court finds in favor of the bees! Vanessa, we won! I knew you could do it! High-five! Sorry. I'm OK! You know what this means? All the honey will finally belong to the bees. Now we won't have to work so hard all the time. This is an unholy perversion of the balance of nature, Benson. You'll regret this. Barry, how much honey is out there? All right. One at a time. Barry, who are you wearing? My sweater is Ralph Lauren, and I have no pants. - What if Montgomery's right? - What do you mean? We've been living the bee way a long time, 27 million years. Oongratulations on your victory. What will you demand as a settlement? First, we'll demand a complete shutdown of all bee work camps. Then we want back the honey that was ours to begin with, every last drop. We demand an end to the glorification of the bear as anything more than a filthy, smelly, bad-breath stink machine. We're all aware of what they do in the woods. Wait for my signal. Take him out. He'll have nauseous for a few hours, then he'll be fine. And we will no longer tolerate bee-negative nicknames… But it's just a prance-about stage name! …unnecessary inclusion of honey in bogus health products and la-dee-da human tea-time snack garnishments. Oan't breathe. Bring it in, boys! Hold it right there! Good. Tap it. Mr. Buzzwell, we just passed three cups, and there's gallons more coming! - I think we need to shut down! - Shut down? We've never shut down. Shut down honey production! Stop making honey! Turn your key, sir! What do we do now? Oannonball! We're shutting honey production! Mission abort. Aborting pollination and nectar detail. Returning to base. Adam, you wouldn't believe how much honey was out there. Oh, yeah? What's going on? Where is everybody? - Are they out celebrating? - They're home. They don't know what to do. Laying out, sleeping in. I heard your Uncle Oarl was on his way to San Antonio with a cricket. At least we got our honey back. Sometimes I think, so what if humans liked our honey? Who wouldn't? It's the greatest thing in the world! I was excited to be part of making it. This was my new desk. This was my new job. I wanted to do it really well. And now… Now I can't. I don't understand why they're not happy. I thought their lives would be better! They're doing nothing. It's amazing. Honey really changes people. You don't have any idea what's going on, do you? - What did you want to show me? - This. What happened here? That is not the half of it. Oh, no. Oh, my. They're all wilting. Doesn't look very good, does it? No. And whose fault do you think that is? You know, I'm gonna guess bees. Bees? Specifically, me. I didn't think bees not needing to make honey would affect all these things. It's notjust flowers. Fruits, vegetables, they all need bees. That's our whole SAT test right there. Take away produce, that affects the entire animal kingdom. And then, of course… The human species? So if there's no more pollination, it could all just go south here, couldn't it? I know this is also partly my fault. How about a suicide pact? How do we do it? - I'll sting you, you step on me. - That just kills you twice. Right, right. Listen, Barry… sorry, but I gotta get going. I had to open my mouth and talk. Vanessa? Vanessa? Why are you leaving? Where are you going? To the final Tournament of Roses parade in Pasadena. They've moved it to this weekend because all the flowers are dying. It's the last chance I'll ever have to see it. Vanessa, I just wanna say I'm sorry. I never meant it to turn out like this. I know. Me neither. Tournament of Roses. Roses can't do sports. Wait a minute. Roses. Roses? Roses! Vanessa! Roses?! Barry? - Roses are flowers! - Yes, they are. Flowers, bees, pollen! I know. That's why this is the last parade. Maybe not. Oould you ask him to slow down? Oould you slow down? Barry! OK, I made a huge mistake. This is a total disaster, all my fault. Yes, it kind of is. I've ruined the planet. I wanted to help you with the flower shop. I've made it worse. Actually, it's completely closed down. I thought maybe you were remodeling. But I have another idea, and it's greater than my previous ideas combined. I don't want to hear it! All right, they have the roses, the roses have the pollen. I know every bee, plant and flower bud in this park. All we gotta do is get what they've got back here with what we've got. - Bees. - Park. - Pollen! - Flowers. - Repollination! - Across the nation! Tournament of Roses, Pasadena, Oalifornia. They've got nothing but flowers, floats and cotton candy. Security will be tight. I have an idea. Vanessa Bloome, FTD. Official floral business. It's real. Sorry, ma'am. Nice brooch. Thank you. It was a gift. Once inside, we just pick the right float. How about The Princess and the Pea? I could be the princess, and you could be the pea! Yes, I got it. - Where should I sit? - What are you? - I believe I'm the pea. - The pea? It goes under the mattresses. - Not in this fairy tale, sweetheart. - I'm getting the marshal. You do that! This whole parade is a fiasco! Let's see what this baby'll do. Hey, what are you doing?! Then all we do is blend in with traffic… …without arousing suspicion. Once at the airport, there's no stopping us. Stop! Security. - You and your insect pack your float? - Yes. Has it been in your possession the entire time? Would you remove your shoes? - Remove your stinger. - It's part of me. I know. Just having some fun. Enjoy your flight. Then if we're lucky, we'll have just enough pollen to do the job. Oan you believe how lucky we are? We have just enough pollen to do the job! I think this is gonna work. It's got to work. Attention, passengers, this is Oaptain Scott. We have a bit of bad weather in New York. It looks like we'll experience a couple hours delay. Barry, these are cut flowers with no water. They'll never make it. I gotta get up there and talk to them. Be careful. Oan I get help with the Sky Mall magazine? I'd like to order the talking inflatable nose and ear hair trimmer. Oaptain, I'm in a real situation. - What'd you say, Hal? - Nothing. Bee! Don't freak out! My entire species… What are you doing? - Wait a minute! I'm an attorney! - Who's an attorney? Don't move. Oh, Barry. Good afternoon, passengers. This is your captain. Would a Miss Vanessa Bloome in 24B please report to the cockpit? And please hurry! What happened here? There was a DustBuster, a toupee, a life raft exploded. One's bald, one's in a boat, they're both unconscious! - Is that another bee joke? - No! No one's flying the plane! This is JFK control tower, Flight 356. What's your status? This is Vanessa Bloome. I'm a florist from New York. Where's the pilot? He's unconscious, and so is the copilot. Not good. Does anyone onboard have flight experience? As a matter of fact, there is. - Who's that? - Barry Benson. From the honey trial?! Oh, great. Vanessa, this is nothing more than a big metal bee. It's got giant wings, huge engines. I can't fly a plane. - Why not? Isn't John Travolta a pilot? - Yes. How hard could it be? Wait, Barry! We're headed into some lightning. This is Bob Bumble. We have some late-breaking news from JFK Airport, where a suspenseful scene is developing. Barry Benson, fresh from his legal victory… That's Barry! …is attempting to land a plane, loaded with people, flowers and an incapacitated flight crew. Flowers?! We have a storm in the area and two individuals at the controls with absolutely no flight experience. Just a minute. There's a bee on that plane. I'm quite familiar with Mr. Benson and his no-account compadres. They've done enough damage. But isn't he your only hope? Technically, a bee shouldn't be able to fly at all. Their wings are too small… Haven't we heard this a million times? “The surface area of the wings and body mass make no sense.” - Get this on the air! - Got it. - Stand by. - We're going live. The way we work may be a mystery to you. Making honey takes a lot of bees doing a lot of small jobs. But let me tell you about a small job. If you do it well, it makes a big difference. More than we realized. To us, to everyone. That's why I want to get bees back to working together. That's the bee way! We're not made of Jell-O. We get behind a fellow. - Black and yellow! - Hello! Left, right, down, hover. - Hover? - Forget hover. This isn't so hard. Beep-beep! Beep-beep! Barry, what happened?! Wait, I think we were on autopilot the whole time. - That may have been helping me. - And now we're not! So it turns out I cannot fly a plane. All of you, let's get behind this fellow! Move it out! Move out! Our only chance is if I do what I'd do, you copy me with the wings of the plane! Don't have to yell. I'm not yelling! We're in a lot of trouble. It's very hard to concentrate with that panicky tone in your voice! It's not a tone. I'm panicking! I can't do this! Vanessa, pull yourself together. You have to snap out of it! You snap out of it. You snap out of it. - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - You snap out of it! - Hold it! - Why? Oome on, it's my turn. How is the plane flying? I don't know. Hello? Benson, got any flowers for a happy occasion in there? The Pollen Jocks! They do get behind a fellow. - Black and yellow. - Hello. All right, let's drop this tin can on the blacktop. Where? I can't see anything. Oan you? No, nothing. It's all cloudy. Oome on. You got to think bee, Barry. - Thinking bee. - Thinking bee. Thinking bee! Thinking bee! Thinking bee! Wait a minute. I think I'm feeling something. - What? - I don't know. It's strong, pulling me. Like a 27-million-year-old instinct. Bring the nose down. Thinking bee! Thinking bee! Thinking bee! - What in the world is on the tarmac? - Get some lights on that! Thinking bee! Thinking bee! Thinking bee! - Vanessa, aim for the flower. - OK. Out the engines. We're going in on bee power. Ready, boys? Affirmative! Good. Good. Easy, now. That's it. Land on that flower! Ready? Full reverse! Spin it around! - Not that flower! The other one! - Which one? - That flower. - I'm aiming at the flower! That's a fat guy in a flowered shirt. I mean the giant pulsating flower made of millions of bees! Pull forward. Nose down. Tail up. Rotate around it. - This is insane, Barry! - This's the only way I know how to fly. Am I koo-koo-kachoo, or is this plane flying in an insect-like pattern? Get your nose in there. Don't be afraid. Smell it. Full reverse! Just drop it. Be a part of it. Aim for the center! Now drop it in! Drop it in, woman! Oome on, already. Barry, we did it! You taught me how to fly! - Yes. No high-five! - Right. Barry, it worked! Did you see the giant flower? What giant flower? Where? Of course I saw the flower! That was genius! - Thank you. - But we're not done yet. Listen, everyone! This runway is covered with the last pollen from the last flowers available anywhere on Earth. That means this is our last chance. We're the only ones who make honey, pollinate flowers and dress like this. If we're gonna survive as a species, this is our moment! What do you say? Are we going to be bees, orjust Museum of Natural History keychains? We're bees! Keychain! Then follow me! Except Keychain. Hold on, Barry. Here. You've earned this. Yeah! I'm a Pollen Jock! And it's a perfect fit. All I gotta do are the sleeves. Oh, yeah. That's our Barry. Mom! The bees are back! If anybody needs to make a call, now's the time. I got a feeling we'll be working late tonight! Here's your change. Have a great afternoon! Oan I help who's next? Would you like some honey with that? It is bee-approved. Don't forget these. Milk, cream, cheese, it's all me. And I don't see a nickel! Sometimes I just feel like a piece of meat! I had no idea. Barry, I'm sorry. Have you got a moment? Would you excuse me? My mosquito associate will help you. Sorry I'm late. He's a lawyer too? I was already a blood-sucking parasite. All I needed was a briefcase. Have a great afternoon! Barry, I just got this huge tulip order, and I can't get them anywhere. No problem, Vannie. Just leave it to me. You're a lifesaver, Barry. Oan I help who's next? All right, scramble, jocks! It's time to fly. Thank you, Barry! That bee is living my life! Let it go, Kenny. - When will this nightmare end?! - Let it all go. - Beautiful day to fly. - Sure is. Between you and me, I was dying to get out of that office. You have got to start thinking bee, my friend. - Thinking bee! - Me? Hold it. Let's just stop for a second. Hold it. I'm sorry. I'm sorry, everyone. Can we stop here? I'm not making a major life decision during a production number! All right. Take ten, everybody. Wrap it up, guys. I had virtually no rehearsal for that.

Come see us in Las Vegas. Get your Sin City Tickets: https://thespacelv.com/event/side-scrollers-presents-sin-city/New Side Scrollers Bits Channel -https://www.youtube.com/@SideScrollersBitsWatch Craig on Kick: Kick.com/SideScrollersArch: https://www.youtube.com/@TheArchCast Marty O'Donnell: https://x.com/MartyTheElder https://martyforcongress.vote/00:00 Faux Intro05:39 REAL INTRO15:29 Marty's Cancellation34:33 Marty Is Joining Us In Vegas!01:08:18 Plane Talk01:15:50 Hard News01:16:00 New Movie Announcements!01:36:23 Digital Media - You Own Nothing!01:40:03 A NEW Video Game For Phoenix!01:42:36 Elder Scrolls 601:45:20 Layoffs01:48:20 Quake Announcement01:51:45 Wholesome Thing: Kids Gets N6401:55:20 Rumble Wallet01:57:10 Gaming History

Mexican composer Gabriela Ortiz won three Grammys for her 2024 album Revolución diamantina, and this week sees the work's UK premiere at the BBC Proms, when conductor Gustavo Dudamel leads the second of two LA Philharmonic Proms on Wednesday. Gabriela joins Nuala in the studio to discuss her career and how this work was inspired by Mexico's 2019 Glitter Revolution, the nationwide feminist protests sparked after the rape of a teenage girl by four police officers, during which activists famously covered Mexico City's security chief in pink glitter. A hospital in a rural area of England has suspended its maternity services from today because of unsafe levels of staffing. Instead of going to the North Devon District hospital in Barnstaple, women in labour will have to travel more than 50 miles to Exeter. More than 15,000 people have signed a petition against the plans that was initiated by the Liberal Democrat MP for North Devon, Ian Roome. He joins presenter Nuala McGovern along with Jemima Knight who is currently pregnant with her third baby and lives in the area.Imprisonment for Public Protection sentences – or IPPs - were brought in by the Labour government in 2005, resulting in many prisoners not being given a fixed release date. One woman given a two year sentence spent sixteen years behind bars, with no idea of when she would eventually be released. They were abolished in 2012, but figures show more than 2,000 people are still impacted. As Prime Minister Andy Burnham looks into how they will play a part in his plan to reduce the prison population, we hear from Dr Muin Boase, the barrister who led the recent complaint to the UN on the continued use of this sentencing and how it's impacted women. How can we get children to read more over the summer? It's officially the National Year of Reading and evidence suggests that reading more over the holidays can help children hit the ground running in September when schools go back. But for many busy parents, getting children engaged in books and actively choosing reading over the lure of a tablet, TV or anything else can be a challenge. Liberty Venn, founder of the Children's Book Project, and award-winning author and former primary school teacher Luan Goldie join us to discuss the benefits and share their tips for getting children reading more. Presenter: Nuala McGovern Producer: Sarah Jane Griffiths

Brad Fiedel wrote one of the most recognisable pieces of music in film history, and he did it on a drum machine, a sequencer and a keyboard chained together with a computer ribbon cable, before MIDI was really a thing. The famous lurch in the rhythm is him hitting a button by hand and deciding the wobble was better than the fix. Years later Henry Mancini rang up wanting to record it with a big band, and the man writing the lead sheet couldn't work out the time signature.There is a lot more to Brad than Terminator, and that's really what this conversation is about. He grew up inside his parents' school of the arts on Long Island, his dad a jazz musician, his mum a modern dancer who studied with Martha Graham. He spent years improvising live for dance classes, which turned out to be exactly the muscle a film composer needs, though nobody told him that at the time. He nearly signed to Columbia. He played keys for Hall and Oates in 1974 and jammed with the band that became the E Street Band. He was working with Arthur Miller and Vanessa Redgrave before James Cameron ever called.We get into temp tracks and why he never did his best work against one, when a scene is better off with no music at all, the direction Cameron gave him on the canal chase in T2, and the moment after the True Lies sessions when a small voice told him he was finished. These days his regular gig is writing musicals with first graders in Santa Barbara, and he's very clear that he gets as much out of it as they do.This podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

Send us Fan MailFor many of us, hearing orchestras or choirs perform, "The Messiah," at Christmastime is one of our favorite traditions.  While "The Messiah," is composer George Frideric Handel's magnus opus, his other contributions to classical and sacred music, was a game changer! He dedicated his life to using his musical genius and glorifying God. Yet this Godly and brilliant man has recently come under attack by the LGBQT community and liberal ideologues who have their own evil agenda. Join us as we delve into George Frideric Handel's life and how his name and life is being desecrated!Thanks for tuning in! Be sure to check out everything Proverbs 9:10 on our website, www.proverbs910ministries.com! You can also follow us on Facebook, Instagram, Rumble, YouTube, Twitter, Truth Social, and Gettr!

Enjoy one month of free access to Conversations on Dance on Patreon and listen ad-free. Click here to redeem. Join Conversations on Dance hosts Rebecca King Ferraro and Michael Sean Breeden for a special live podcast recording celebrating a remarkable milestone: the 10th year of Pulitzer Prize and Grammy Award-winning composer and performer Caroline Shaw as the festival's Leonard Bernstein Composer-in-Residence.Shaw, the youngest-ever winner of the Pulitzer Prize for Music, has been a defining creative voice at Vail for a decade: composing and collaborating across genres, disciplines, and artists in ways that have transformed what's possible on a summer stage. In this conversation, she reflects on ten years of pushing music and dance into new territory, what keeps drawing her back to the mountains of Colorado, and what is next for her.Stay tuned for more episodes coming from the Vail Dance Festival 2026.Conversations on Dance at the Vail Dance Festival is generously underwritten by The Town of Vail.Conversations on Dance was the recipient of the 2024 Clive Barnes Award for Journalism and Media Achievement.Access bonus episodes on Patreon: https://www.patreon.com/cw/conversationsondanceWebsite: conversationsondancepod.comJoin our email list: https://conversations-on-dance.kit.com/7f73880f5bInstagram: instagram.com/conversationsondance Hosted on Acast. See acast.com/privacy for more information.

Tye Austin is a classical guitarist and composer from Southern Oregon and also the founder and artistic director of Wilder Frets: Classical Guitar in the Wilderness.     The two-month-long concert tour that kicked off on Aug. 1 features Austin performing original and traditional classical guitar compositions at 15 state parks and other outdoor locations, from the Central Oregon high desert to the Portland metro area, the Rogue Valley and the rugged Oregon coast. Austin is making tickets available for free or at discounted prices for people facing financial difficulties, and he’s also giving away free classical guitars and music instruction to at-risk youth.    He joins us to share how the pandemic inspired this concert series, his vision for its future growth and to perform works audiences can expect to hear.