Podcasts about Composer

Ep 168: January 21, 2026 - Have “Artificial City Lights” Been Discovered by Webb Telescope On Other Planets? “James Webb Telescope just detected city lights 7 trillion miles from Earth” Headline from Beyond Discovery YouTube channel   - https://www.youtube.com/watch?v=wocaEP67zA0 Update on “UFO Pod” near Corona, NM in July, 1947 === Books mentioned: MARTIAN ARCHAEOLOGY: "Stunning Evidence of a Vanished Civilization" David Gannett book Wars of the Anunnaki: Nuclear Self-Destruction in Ancient Sumer Chris H. Hardy, Ph.D. ==== Upcoming Appearances: Conscious Life Expo 2026 February 20th-23rd, 2026 https://consciouslifeexpo.com/linda-moulton-howe-2026/?ref=njyynty   ====   #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/Earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html  

Percussionist, Composer, and Professor of Music at the University of Quebec at Montreal Gina Ryan stops by to talk about her teaching activities in Montreal (04:30), working with Sixtrum Percussion Ensemble and Triolet Percussion Group, and her percussion freelancing and composing activities (14:45), growing up in Newfoundland, Canada, creating the “Gina Ryan Summer Percussion Camp”, her connections to members of NEXUS and Michael Colgrass, her other high school activities, and traveling to France (31:40), her college years in Newfoundland and Toronto, doing a residency at Banff, and working for the train company (51:25), moving to Montreal, her graduate school time at McGill (Canada), and returning to Newfoundland to get a second bachelor's degree (01:07:15), living and teaching in Thailand for a decade (01:22:50), and settles in for the Random Ass Questions, including segments on great food, good and bad movies, great books, Karaoke, and inspiring art (01:40:15).Finishing with a Rave on the 2025 film Hamnet (02:07:50).Gina Ryan Links:Gina Ryan's websiteTrioletSixtrum PercussionGina Ryan's YouTube pageThe Thailand International Percussion FestivalPrevious Podcast Guests Mentioned:Triolet in 2026Victoria Sparks in 2018Kristie Ibrahim in 2024Aiyun Huang in 2023Other Links:Fabrice MarandolaCanadian Percussion Network100 Guitars - Tim BradyNEXUSBeverley JohnstonJohn WyreMichael ColgrassAvalon Peninsula TrailsThe Baschet BrothersD'Arcy GrayCharlene RyanTrevor GrahlThe Godfather trailerTrolls trailerChristmas with the Kranks trailerFather of the Bride trailerThe Art of Hearing Heartbeats - Jan-Philipp SendkerFlannery - Lisa MooreThe Rocky Horror Picture Show trailerThe Marginalian“Don't Speak” - No Doubt“Creep” - RadioheadRed Poppy Ladies' Percussion EnsembleRaves:Hamnet - Maggie O'FarrellHamnet trailer

On this episode of The Movie Podcast, Daniel, Shahbaz, and Anthony are joined by Grammy winning and Golden Globe nominated composer Simon Franglen to discuss his work on Avatar: Fire and Ash. Simon has helped shape the sound of some of cinema's most iconic moments, from producing Record of the Year for Celine Dion's “My Heart Will Go On” on Titanic to scoring blockbuster films like Avatar: The Way of Water and Avatar: Fire and Ash, which has been number one at the box office for five consecutive weeks. With credits on four of the highest grossing films and six of the best selling albums of all time, Franglen has collaborated with filmmaking greats like James Cameron and Terrence Malick, music legends including Michael Jackson, Whitney Houston, Madonna, and Celine Dion, and composers such as James Horner and Howard Shore. James Cameron's Avatar: Fire and Ash is now playing in theatres. Watch and listen to The Movie Podcast now on all podcast platforms, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TheMoviePodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ EXCLUSIVE NordVPN Deal ➼ ⁠https://nordvpn.com/moviepod⁠ Try it risk-free now with a 30-day money-back guarantee! Contact: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠hello@themoviepodcast.ca⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Daniel on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Shahbaz on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Anthony on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Movie Podcast on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Discord⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rotten Tomatoes Learn more about your ad choices. Visit megaphone.fm/adchoices

Randy chats with Composer/multi-instrumentalist Joshua Abrams about his newest record, Perseverance Flow out now on Eremite Records. GO buy a copy now!https://eremiterecords.bandcamp.com/album/perseverance-flow https://joshuaabramsmusic.com/https://naturalinformationsociety.com/ALBUMSMentioned in this episode:Izotope

“I remember when I performed at Carnegie Hall for the first time. It was transformative. I remember taking the stage and just being in complete awe. I looked out, and it was just incredible. When I heard the sound, it was even more incredible. I used to say that my favorite part of my job was standing right at the stage door and watching every choir singer come and take the stage for the first time. They would look out and just be in complete awe. Now that I'm production manager, my new favorite part of my job is when conductors come off the stage and I get to tell them, ‘turn around, go back, they're still clapping for you.'” - Eric Spiegel“Living abroad gave me a whole new perspective and appreciation for my home country. It taught me a lot about other cultures and how to work with different people and have a certain cultural sensitivity and sensibility. I could not recommend it enough. We're trying to grow and enhance the kinds of international opportunities that we provide. It's such a collaborative, educational experience that goes way beyond one or two concerts. We know for many people who travel with us, it might be their first time in Europe. We try to make sure that it's special in every possible way that we can.” - James RedcayA native of Allentown, Pennsylvania, James Redcay joined MidAmerica Productions in April of 2015. A graduate of New York University, Redcay spent years in New York City as an accomplished pianist, composer and teacher, performing and composing for numerous concerts and institutions. During this time Redcay also held the position of Composer-in-Residence at Stevens Institute of Technology in Hoboken, NJ. After graduating from NYU, Redcay moved abroad to Macao, where he taught music at the Conservatory of Macao and created and managed large-scale arts and entertainment programs and daily operations for Sands China Ltd., a subsidiary of Las Vegas Sands. After six fruitful years, Redcay relocated to the United States and now resides in Michigan.Eric Spiegel holds a Master of Music Education degree from the University of Illinois at Urbana-Champaign, as well as a Bachelor of Music degree from the University of Miami Frost School of Music, with experience teaching middle and high school vocal/general music. As a performer, Eric has sung and acted in choirs, jazz groups, a cappella ensembles, and musicals across the United States and around the world. Eric conducted the Brooklyn, NY chapter of HaZamir: The International Jewish High School Choir for seven seasons, including in performances at David Geffen Hall and Jazz at Lincoln Center, and has served as MidAmerica Productions' head of production for concerts at Carnegie Hall since 2023.To get in touch with James & Eric, you can visit midamerica-music.com or find MidAmerica on Facebook (@midamerica.productions) or Instagram (@midamericaproductions)Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

Damon gets to talk to Andrew about the World Vibes Congress, The Wells-Rapp Center for Mallet Percussion Research, Drum Corps, New Jersey, and much more. There's also segments like gig alerts, gear talk, music news, and others. 

Jason and Greta discuss the series premiere and their first impressions of Ser Duncan “Dunk” the Tall and his young squire Egg. They talk with showrunner Ira Parker about what first drew him to this story and where Dunk stands in his knightly journey. Then, Jason and Greta sit down with composer Dan Romer, who shares how he created a unique musical landscape for the show. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today we are talking about Patching Drupal, Composer, and Composer Patches 2.0 with guest Cameron Eagans. We'll also cover Configuration Development as our module of the week. For show notes visit: https://www.talkingDrupal.com/536 Topics What is Composer Patches 2.0 Exploring Community Dynamics in Composer Patches The Genesis of Composer Patches The Decision to Use GitHub Broadening Composer Patches Beyond Drupal The Evolution to Composer Patches 2.0 Understanding Workflow Complexities Refining User Experience in 2.0 New Features and Enhancements in 2.0 Navigating Controversial Changes in 2.0 The Role of Dependency Patches Introducing patches.lock.json Best Practices for Patch Management Transitioning to Git Patching Exploring New APIs in Composer Patches 2.0 Understanding Capabilities and Events Transitioning to Composer Patches 2.0 Future of Composer Patches and Community Contributions Resources Announcing Composer Patches 2.0 Recipe issue for config devel Docs Patch man page Guests Cameron Eagans - cweagans.net cweagans Hosts Nic Laflin - nLighteneddevelopment.com nicxvan John Picozzi - epam.com johnpicozzi Andy Giles - dripyard.com andyg5000 MOTW Correspondent Martin Anderson-Clutz - mandclu.com mandclu Brief description: Do you maintain modules that provide configuration files? There's a module that can help manage them. Module name/project name: Configuration Development Brief history How old: created in Apr 2014 by chx, though recent releases are by Joachim Noreiko (joachim) Versions available: 8.x-1.11, which works with Drupal 9.3, 10, and 11 Maintainership Actively maintained Security coverage Test coverage Number of open issues: 36 open issues, 7 of which are bugs Usage stats: 2,391 sites Module features and usage The module really provides three useful features. First, it can ensure specific configuration files are automatically imported on every request, as though the contents were pasted into the core "single import" form Second, it can automatically export specific configuration objects into files whenever the object is updated. You provide a list of filenames and the module will derive the objects that need to be exported. Finally, it provides a drush command that can be used to generate all the necessary configuration files for a specific project. You put a list of the files into the project's info.yml file, and then with a single command a fresh copy of all the specified files will be generated and placed directly into the project's configuration folder. For obvious reasons this is not something you should ever have enabled in production, so definitely a best practice to pull this in using the require-dev composer command

Composer and sound designer Joel Corelitz joins us for a deep dive into the art of game music. His work spans massive hits like Halo Infinite, Hyper Light Breaker, and Eastward, all of which reached #1 on Steam, alongside iconic franchises including Mortal Kombat and Sonic the Hedgehog. We talk with Joel about his creative process, balancing music and sound design, and how he adapts his sound for everything from AAA games to intimate indie projects. If you're curious about how audio shapes the worlds we play in, this episode is for you.Special Guest - Joel Corelitzhttps://joelcorelitz.com/ https://linktr.ee/joelcorelitz?utm_source=linktree_profile_share<sid=2147673f-55d1-453f-8548-d86f48e2b42eHost: Jared Gonzalez. Cohosts: Chaz Hawkins, Mauro Piquera. Master Chief Engineer: Jared Gonzalez. Editor: Jared Gonzalez. Graphics Editor: Jared Gonzalez. Digital Media Editor: Jared Gonzalez. Producer: Jared Gonzalez. https://linktr.ee/razzledazzleshowpodcast?utm_source=linktree_profile_share#razzledazzle #razzledazzleshow #gamemusic #sounddesign #videogames #podcast #popculture #fyp #explore

Enjoy!•Avatar is a multimedia universe centred on the first peoples of the distant moon of Pandora, a reality-based paracosm created by filmmaker, engineer and eco-activist James Cameron. Taking inspiration from, and ultimately acting as a paean to, our own Earth and its many first peoples, Avatar promotes ‘artivism' — activism through art — to inspire change in how we treat ourselves, each other, and the planet. It is one of the most successful media properties ever, and comprises films, interactive experiences, books, music, attractions, and more.•The Avatar Network is a community-run production of @thequantumyth and not affiliated with Lightstorm, Disney or 20th Century Studios.•avatar.com✨

Great Guest Soloists by CSO Association

This Capricorn New Moon episode marks the first lunation of 2026, inviting a collective pause for reflection, steadiness, and intentional rebuilding. Recorded in the early morning hours of January 18, the episode opens as a ritual space, slowing the breath, honoring embodied resilience, and contemplating the “bones” of our lives: the structures, commitments, and practices that have sustained us over the past decade. Through Capricorn's themes of devotion, endurance, and legacy, the conversation weaves together astrology and tarot, including the Devil card's sober invitation to examine where fear, survival strategies, or inherited systems still hold authority over us, and where greater spiritual authorship is being called forth. The episode also offers a deep astrological lens on the rare and powerful Saturn–Neptune transition, as both planets prepare to leave Pisces and enter Aries, culminating in their once-every-36-years conjunction at 0° Aries on February 21, 2026. This threshold signals a profound reset of personal and collective structures, asking us to integrate spirituality with responsibility, vision with action. The New Moon reflection is grounded by an exploration of Capricorn's sea-goat archetype, blending Saturnian discipline with Neptunian mysticism, and illustrated through the legacy of Alvin Ailey as an example of devotion turned into cultural architecture. The episode concludes in an intimate, ritual-lit space devoted to the Capricorn New Moon and its invitation into devotion, discipline, and long-term vision. Jeff Hinshaw is joined by composer, musician, and dancer Evan Hart Marsh for a wide-ranging conversation at the crossroads of astrology, artistry, and collaboration. Evan shares his unconventional creative path, beginning in music and movement, coming to formal dance training later than most, and ultimately weaving composition, choreography, and collaboration into a singular artistic language rooted in deep listening and care. The conversation expands into embodied listening, ritual, and mythic reflection, including a guided Mystic Meanderings journey with tarot, ancestry, and somatic imagination. Listeners are invited into Evan's recent works:  a collaborative piece, ‘If You Wanna Come Closer', that channels industrial transcendence with devotional intensity; the expansive, world-building score for ‘The Ocean World, Act I' from The Little Mermaid ballet;  and “A Job Well Done” from the short film Yuri;  Alongside reflections on Capricorns Sade and Alvin Ailey, yoga, Ayurveda, and nature as sustaining forces, this episode closes with an invitation to honor one's foundations, tend to creative and ancestral lineages, and practice embodied listening as a ritual of self-nurturance, especially under the quiet, powerful architecture of a Capricorn New Moon. Cosmic Cousins Links Newsletter 6-Month Online Fools Tarot Journey Mentorship Deep Dive Astrology Readings Tarot Soul Journey  Cosmic Cousins Substack & Memberships Intro & Outro Music by:  Felix III  

"Sirāt" is the new film from filmmaker Óliver Laxe, starring Sergi López as a father in search of his missing daughter, along with his son and a group of ravers in the deserts of southern Morocco. The film had its world premiere in the main competition of the 78th Cannes Film Festival, where it won the Jury Prize. At the 83rd Golden Globe Awards, it was nominated for Best Foreign Language Film and Best Original Score. It was also selected as the Spanish submission for Best International Feature Film at the 98th Academy Awards, making the shortlist alongside Best Casting, Cinematography, Original Score, and Sound. Sound Designer Laia Casanovas and Composer Kangding Ray were both kind enough to spend some time talking with us about their work and experience making the film, which you can listen to below. Please be sure to check out the film, which is now playing in theaters from NEON and is up for your consideration for the 98th Academy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Ep 167: Jan 14, 2026 - Are Non-Humans Working Underground in Some U. S. Military Medical Facilities? HEADLINES: Potential Biosignatures on K2-18b dimyethyl sufide and dimethyl disulphide Nikku Madhusudhan;s team made discovery Interview with former military member about Non-Humans Working Underground in Some U. S. Military Medical Facilities Anna Paulina Luna releases “UAP Investigation Timeline” ==== Upcoming Appearances: Conscious Life Expo 2026 February 20th-23rd, 2026 https://consciouslifeexpo.com/linda-moulton-howe-2026/?ref=njyynty   ====   #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/Earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html  

Composer, producer, multi-instrumentalist, and electronic artist recording and performing under the artist name Tone Ranger. Last month he released a full-length handcrafted fantasy film paired with his most expansive and immersive album to date. The 14-song album had come out last August and he also released two singles in 2025. Since releasing his debut in 2018, he has not only performed at Burning Man, but – beyond his solo work – has scored for film and produces across genres ranging from indie folk to RandB. For his own artist project, he has put up big streaming numbers, with approximately 24 thousand monthly listeners on Spotify, where he has over four million streams on his top five songs alone. He also talks about his studio, plus getting a couple songs licensed for a film that's coming out this year.

Will Healey is a pianist and composer who plays multiple genres of music including classical, jazz and hip hop. In 2023 he won the Leonard Bernstein Prize from the ASCAP Foundation. He has performed at venues like Jazz at Lincoln Center and Carnegie Hall. His arranging credits include works for the New York Philharmonic and the Albany Symphony. He is the artistic director and founder of ShoutHouse, a group of hip-hop, jazz, and classical musicians. As a pianist, he has performed solo recitals in the United States and abroad. He also plays piano and synthesizers in the Pathos Trio, an award-winning metal-influenced chamber group. He is also a founding member of Upstream, a duo with violinist and composer George Meyer. My featured song is “Moon Shot”, my recent single featuring Mark Lettieri from Snarky Puppy on guitar. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH WILL:www.willhealymusic.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Ken Navarro began his recording career in Los Angeles as a premier session guitarist, performer and composer, performing and recording with artists as diverse as Doc Severinsen, Nell Carter, John Patitucci, Eric Gale, Vicki Carr, Dave Koz, Ann Jillian and Alex Acuna. In 1990, Ken established his own musical identity with the release of his debut album, The River Flows. With each successive album, Ken has received increasing acclaim and recognition as a leading stylist in Contemporary Jazz. Ken has made concert appearances at festivals, clubs, performing arts centers throut the world. Ken has shared the stage with artists such as Spyro Gyra, Chuck Mangione, Najee, Chris Botti, The Rippingtons, David Sanborn, Joe Sample, Jean Luc Ponty, Stanley Clarke, Larry Carlton, George Howard, Bela Fleck and the Flecktones, Keiko Matsui, David Benoit, Boney James and many others.  Ken's contribution to Contemporary and Mainstream Jazz goes beyond his personal artistry. Ken has produced successful albums for Narada/EMI recording artist Eric Darius as well as saxophonist Tony Craddock Jr. and pianist Jay Rowe to name a few. As founder of Positive Music Records, Ken is responsible for launching and furthering the recording careers of saxophonist Brandon Fields, guitarists Grant Geissman, Thom Rotella and Pat Kelley, and keyboardists Gregg Karukas, Jay Rowe and Marcus Johnson. Ken's vision of a musician's record label has enhanced the genre with over 35 new artists and 100 releases.

We'd love to hear from you! Please send us a Text Message!One day, not so long ago, I was simply walking across my living room, when a thought hit me and stuck in my head that there was a wealthy elderly man sitting in his den playing a video board game that he had invented. The board game was somewhat magical and most complex. I stopped in my tracks and thought deeper. I realized that he was a God like figure and the board game was us, here on Planet Earth. We were the result of his invention. That was about it. I smiled and moved on across the room. But the notion stuck with me. I laughed at the thought and wrote it down on a slip of paper: Living In My Video Game.Perhaps several years later, here is the result of that pause in life.Theater of the Imagination is presented by Watchfire Music https://watchfiremusic.com/

This week, Donald Macleod explores the life and music of Aaron Copland, one of the most distinctive voices in 20th-century American music. From his Brooklyn childhood and formative studies in Paris to his return home with bold new ideas, Copland's career charts a path through modernism, jazz, and the search for an unmistakably American sound. We hear music that captures the spirit of a nation – from Billy the Kid and Lincoln Portrait to his Fanfare for the Common Man, before he made the move from composer to conductor. Music featured includes: 4 Dance Episodes from Rodeo: iv. Hoe Down Two Preludes for violin and piano Four Early Songs: i. Night; ii. A Summer Vacation; iii. My Heart is in the East; iv. Alone Four Motets: iii. Have Mercy on Us, O My Lord Three Moods: i. Embittered; ii. Wistful; iii. Jazzy Symphony for Organ and Orchestra: ii. Scherzo; iii. Finale: Lento The Cat and the Mouse Old Poem; Pastorale Music for the Theater: i. Prologue; ii. Dance Piano Concerto Vitebsk (trio for violin, cello and piano) Hear Ye! Hear Ye! – ballet in one act: Scene i (Prelude) Piano Variations Short Symphony (Symphony No. 2): i. Incisivo; ii. Espressivo; iii. Presto e ritmico El Salón México Billy the Kid Suite: i. Introduction: The Open Prairie; ii. Street in a Frontier Town; iii. Mexican Dance and Finale Letter from Home Appalachian Spring Suite: v. Solo Dance; vi. Meno mosso; vii. Variation on a Shaker Hymn Clarinet Concerto Lincoln Portrait Fanfare for the Common Man Two Pieces for String Quartet: No. 2. Allegro Moderato Piano Quartet: iii. Non troppo lento Music for a Great City: i. SkylinePresented by Donald Macleod Produced by Elizabeth Ajao for BBC Audio Wales & West For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Aaron Copland (1900-1990): https://www.bbc.co.uk/programmes/m002p75g And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Our guest this week not only voiced Donkey Kong in Donkey Kong 64 and many other games, but he created the classic music for Goldeneye 007, Donkey Kong 64, Perfect Dark, Banjo-Kazooie, and many other memorable games! Award-winning composer and voice actor Grant Kirkhope stops by to share stories behind gaming classics like Banjo-Kazooie, the DK Rap from Donkey Kong 64, and even GoldenEye 64's iconic music. From his early musical influences to his legendary work at Rare, Grant dives into the tunes that shaped childhoods and pop culture. He also spills secrets about his time working on Perfect Dark, Viva Pinata, and other gaming masterpieces, plus he shares experiences touring with rock icons like Eddie Van Halen and Bon Jovi. This episode is a must listen! GrantKirkhope.com Instagram: @GrantKirkhopeComposer CannedAirPodcast.com TikTok: @CannedAirPodcast Instagram: @Canned_Air If you'd like to show your support, you can either visit our Patreon page at Patreon.com/CannedAirPod or you can leave us a comment, like, and subscribe! Thanks for watching! #goldeneyen64 #goldeneye007 #nintendo #raregames #donkeykong #dkrap #perfectdark #banjokazooie #mario #podcast #video #vlog   Learn more about your ad choices. Visit megaphone.fm/adchoices

Danny Jonokuchi is an award winning trumpeter, singer and arranger. He's arranged for Lady Gaga and for a number of artists who have been guests on this podcast including Nicole Zuraitis, Benny Benack III and Christian Wiggs, and he's performed on two Grammy winning projects. He is the leader of The Danny Jonokuchi Big Band and he's recorded several big band albums.My featured song is “The Gift”, my recent single which transformed my jazz ballad into a big band Samba. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH DANNY:www.dannyjonokuchi.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Canellakis & Gerstein by CSO Association

This week on Jazz After Dinner, Joe features Trumpeter/Composer Tom Harrell from his 1989 Contemporary Records recording, titled “Sail Away.”  

THE COMPOSER WHO SURVIVED Colleague Tanya Branigan. This segment focuses on Wang Xilin, a composer and former zealous party member whose career was destroyed during the Cultural Revolution. Despite his devotion, he was persecuted, subjected to brutal "struggle sessions," and driven to the brink of suicide. His music went unperformed for 37 years. Branigan describes Wang's intense anger when discussing the era, noting that even his family struggles to understand his trauma. Wang later visited Auschwitz, drawing parallels between the Holocaust and the suffering he and others endured, suggesting that for survivors, the past is never truly gone. TANYA BRANIGAN NUMBER 41905 SHANGHAI NANJING ROAD

John Metcalfe was born in New Zealand but he's been British based for years. He's a celebrated arranger, composer, producer and violist. His music is a unique combination of classical, pop, electronica and who knows what else. He's worked with Andrea Bocelli, Blur, Peter Gabriel, George Michael, Coldplay and U2. He's a member of the classical Duke Quartet. He's also been part of the Durutti Column, a post punk outfit. He's been called “one of the UK's best, most consistently brilliant artists.”My featured song is “Ma Petite Fleur String Quartet”, my recent release. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH JOHN:www.john-metcalfe.co.uk—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

Ep 166: Jan 7, 2026 - Are Advanced UFOs and Non-Human Intelligences Based Beneath Earth's Oceans? Testimony at joint congressional hearing UAP hearing: - Dr Tim Gallaudet, Read Admiral (ret.) - Luis Elizondo - Michael Shellenberger - Michael Gold Interview with David Fravor, Navy Commander (Ret.) - describing “Tic Tac” encounter on board USS Nimitz on Nov. 14, 2004 - “Faster than we can go” - “I'm pretty weirded out…never seen anything like this” Highlights from hearing: - “We are not alone in the cosmos”   ==== Upcoming Appearances: Conscious Life Expo 2026 February 20th-23rd, 2026 https://consciouslifeexpo.com/linda-moulton-howe-2026/?ref=njyynty   ====   #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/Earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

Camila Cortina is a terrific Cuban-born pianist and composer. She combines her Afro-Cuban heritage with jazz, classical, and world music. She has performed internationally at festivals in the U.S., Latin America and Asia, collaborating with artists like Paquito D'Rivera, Miguel Zenón, Terri Lyne Carrington, and Dianne Reeves. Her work “Bravura” premiered at London's Barbican Centre. She won the Duke Ellington Award.My featured song is “Mi Cachimber”, my recent single. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CAMILA:www.camilacortina.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

Tracklist: Track# - Track - Game - System(s) - Composer(s) - Selected By 01) Zebra Bananza - DK Bananza - Switch 2 - Daisuke Matsuoka, Reika Nakai, Yuri Goto, and/or Tsukasa Usui, Noato Kubo - Trey a) Introductory Earcatcher - 00:00:00 b) Music - 00:00:03 c) Introduction - 00:02:13 d) Top of the Show - 00:03:56 e) Discussion - 00:20:09 02) PerfecT Shape - to a T - Multiplatform - c: Sakai Asuka and/or Keita Takahashi / v: Sam Bird - St. John a) Music - 00:26:25 b) Discussion -00:28:12 03) When the Moon's Reaching Out Stars - Persona 3 Reload - Multiplatform - c: Shoji Meguro / a: Atsushi Kitajoh / v: Azumi Takahashi - Trey a) Music - 00:45:00 b) Discussion - 00:48:37 04) Starview Peak - Mario Kart World - Switch 2 - Maasa Miyoshi, Takuhiro Honda, Yutaro Takakuwa, and/or Atsuko Asahi - St. John a) Music - 00:54:59 b) Discussion - 00:56:50 05) Kronos Island (First Lap) - Sonic Racing Crossworlds - Multiplatform - Takahiro Kai, Tae Fujimoto, Kanon Oguni, Hidekuni Horita, Iona Takashima, Hiroki Kiriyama, Satoshi Okamura, Makoto Tokuyama, Satoshi Oike, Keisuke Tsukahara, and/or Saki Tsuda - Trey a) Music - 01:03:48 b) Discussion - 01:06:17 06) Race Music 2 - New Star GP - Multiplatform - Benjamin Rooker, Alistair Edmond, Viraj Ramsharan, Giovanni D'Ambrosio, and/or Declan Birchall - St. John a) Music - 01:19:49 b) Discussion - 01:22:11 07) Captain Falcon - F-Zero GX/AX - Game Cube - Hidenori Shoji - Trey a) Music - 01:29:33 b) Discussion - 01:33:03 08) RedWood Forest - Fast Fusion - Switch 2 - Bjulin, and/or Francisco Cerda - St. John a) Music - 01:39:32 b) Discussion - 01:43:17 09) Fury Green - Metroid Prime 4: Beyond - Switch / Switch 2 - Kenji Yamamoto - Trey a) Music - 01:49:22 b) Discussion - 01:52:35 10) The First Day - Dungeons of Hinterberg - Multiplatform - David Zahradnicek, and/or Markus Zahradnicek - St. John a) Music - 02:02:12 b) Discussion - 02:06:18 11) Lumiose City (Day) - Pokemon Legends Z-A - Switch / Switch 2 - Minako Adachi, Hiromitsu Maeba, Carlos Eiene, Shinji Hosoe, Ayako Sasō, Takahiro Eguchi, Hitomi Sato, and/or Shota Kageyama - Trey a) Music - 02:14:02 b) Discussion - 02:18:05 12) Eggshell Hotel - DK Bananza - Switch 2 - Daisuke Matsuoka, Reika Nakai, Yuri Goto, and/or Tsukasa Usui, Noato Kubo - St. John a) Music - 02:28:24 b) Discussion - 02:32:20 13) Royal Capital of Grancel - Legend of Heroes: Trails in the Sky FC - Multiplatform - Wataru Ishibashi - Trey a) Music - 02:42:02 b) Discussion - 02:45:28 14) Pull of the Light - God of War: Ragnarok - PS4 / PS5 / PC - Bear McCreary - St. John a) Music - 02:51:32 b) Discussion - 02:53:16 15) Black Tar - Xenoblade X - WiiU - Hiroyuki Sawano - Trey a) Music - 02:59:13 b) Discussion - 03:05:27 16) First Time Setup - N/A (System Music) - Switch 2 - Kazumi Totaka - St. John a) Music - 03:10:40 b) Discussion - 03:13:09 17) Level 1 (Velgress) - UFO 50 - Multiplatform - Eirik Suhrke - Trey a) Music - 03:21:01 b) Discussion - 03:22:49 18) Okada Clan HQ - Double Dragon Gaiden: Rise of the Dragons - Multiplatform - Arman Aspromonti - St. John a) Music - 03:28:33 b) Discussion - 03:31:24 19) Pride from Despair - Yakuza Kiwami 2 - PS4 / XB1 / PC - Hidenori Shoji, Yuri Fukuda, Chihiro Aoki, Saori Yoshida, and/or Takiya Kuroda - Trey a) Music - 03:40:36 b) Discussion - 03:45:06 c) End of Show - 03:56:07 d) Closing Track Discussion - 04:01:09 e) Final Self-Promos - 04:03:05 f) Sign-off - 04:05:56 20) Credits Song (Legends of Trivia) - Jackbox Party Pack 11 - Multiplatform - Nate Sandberg - St. John a) Music - 04:06:22 b) Outtake - 04:09:35 Total Episode Runtime: 04:17:38 --------------------------------------------------------------------------------- Nerd Noise Radio Lnks: NNR General feed: https://terraplayer.com/shows/nerd-noise-radio NNR Episode 100: https://terraplayer.com/shows/nerd-noise-radio/ch1-noise-from-the-hearts-of-nerds-c1e100-now-go-and-rest-our-heroes

Tony, Grammy and Emmy winning composer Marc Shaiman stops by to talk about his new autobiography "Never Mind The Happy: Showbiz Stories from a Sore Winner". 

In this special edition, we hear from our guests from across the arts and sciences. From composers and poets to forest ecologists and climate envoys, they tell the story of our planet. Moving beyond the data of destruction, we explore the intelligence of nature, the ethics of what we eat, and the empathy required to save our future.MAX RICHTER, Composer, Sleep, The Blue NotebooksCARL SAFINA, Author, Becoming WildADA LIMÓN, 24th US Poet LaureateCYNTHIA DANIELS, Grammy Award-winning Sound Eng.SUZANNE SIMARD, Finding the Mother TreeJOELLE GERGIS, Lead Author, IPCC 6th Assessment RptNOAH WILSON-RICH, CEO, Best Bees CompanyINGRID NEWKIRK, PETA FounderBERTRAND PICCARD, Solar Impulse FoundationDAVID FARRIER, Author, FootprintsKATHLEEN ROGERS, Pres, Earth Day NetworkODED GALOR, Unified Growth TheoryPETER SINGER, PhilosopherGEOFF MULGAN, Another World Is PossibleCLAIRE POTTER, Welcome to the Circular EconomyCHRIS FUNK, Dir. Climate Hazards Car.JENNIFER MORGAN, Special Envoy, International Climate ActionTo hear more from each guest, listen to their full interviews.Episode Website

Today's broadcast is a fun one-off between Trey Johnson of NintenDomain and W.A.R.T. Radio fame and myself in the style of a Nerd Noise Radio - Channel 2 epiosde with the theme of "tracks we discovered in 2025".    Apologies for the absurdist length - but if you miss Ch 2, I think this one will scratch that itch for you! Also reminder that what would eventually go on to become Channel 2 also started as a fun one-off between Hugues and I, so you never know what the future holds! (I'll re-run that 2019 Ch F between Hugues and I later this month for contrast).   Tracklist:   Track# - Track - Game - System(s) - Composer(s) - Selected By   01) Zebra Bananza - DK Bananza - Switch 2 - Daisuke Matsuoka, Reika Nakai, Yuri Goto, and/or Tsukasa Usui, Noato Kubo - Trey          a) Introductory Earcatcher - 00:00:00          b) Music - 00:00:03          c) Introduction - 00:02:13          d) Top of the Show - 00:03:56          e) Discussion - 00:20:09   02) PerfecT Shape - to a T - Multiplatform - c: Sakai Asuka and/or Keita Takahashi / v: Sam Bird - St. John          a) Music - 00:26:25          b) Discussion -00:28:12   03) When the Moon's Reaching Out Stars - Persona 3 Reload - Multiplatform - c: Shoji Meguro / a: Atsushi Kitajoh / v: Azumi Takahashi - Trey          a) Music - 00:45:00          b) Discussion - 00:48:37   04) Starview Peak - Mario Kart World - Switch 2 - Maasa Miyoshi, Takuhiro Honda, Yutaro Takakuwa, and/or Atsuko Asahi - St. John          a) Music - 00:54:59          b) Discussion - 00:56:50   05) Kronos Island (First Lap) - Sonic Racing Crossworlds - Multiplatform - Takahiro Kai, Tae Fujimoto, Kanon Oguni, Hidekuni Horita, Iona Takashima, Hiroki Kiriyama, Satoshi Okamura, Makoto Tokuyama, Satoshi Oike, Keisuke Tsukahara, and/or Saki Tsuda - Trey          a) Music - 01:03:48          b) Discussion - 01:06:17   06) Race Music 2 - New Star GP - Multiplatform - Benjamin Rooker, Alistair Edmond, Viraj Ramsharan, Giovanni D'Ambrosio, and/or Declan Birchall - St. John          a) Music - 01:19:49          b) Discussion - 01:22:11   07) Captain Falcon - F-Zero GX/AX - Game Cube - Hidenori Shoji - Trey          a) Music - 01:29:33          b) Discussion - 01:33:03   08) RedWood Forest - Fast Fusion - Switch 2 - Bjulin, and/or Francisco Cerda - St. John          a) Music - 01:39:32          b) Discussion - 01:43:17   09) Fury Green - Metroid Prime 4: Beyond - Switch / Switch 2 - Kenji Yamamoto - Trey          a) Music - 01:49:22          b) Discussion - 01:52:35   10) The First Day - Dungeons of Hinterberg - Multiplatform - David Zahradnicek, and/or Markus Zahradnicek - St. John          a) Music - 02:02:12          b) Discussion - 02:06:18   11) Lumiose City (Day) - Pokemon Legends Z-A - Switch / Switch 2 - Minako Adachi, Hiromitsu Maeba, Carlos Eiene, Shinji Hosoe, Ayako Sasō, Takahiro Eguchi, Hitomi Sato, and/or Shota Kageyama - Trey          a) Music - 02:14:02          b) Discussion - 02:18:05   12) Eggshell Hotel - DK Bananza - Switch 2 - Daisuke Matsuoka, Reika Nakai, Yuri Goto, and/or Tsukasa Usui, Noato Kubo - St. John          a) Music - 02:28:24          b) Discussion - 02:32:20   13) Royal Capital of Grancel - Legend of Heroes: Trails in the Sky FC - Multiplatform - Wataru Ishibashi - Trey          a) Music - 02:42:02          b) Discussion - 02:45:28   14) Pull of the Light - God of War: Ragnarok - PS4 / PS5 / PC - Bear McCreary - St. John          a) Music - 02:51:32          b) Discussion - 02:53:16   15) Black Tar - Xenoblade X - WiiU - Hiroyuki Sawano - Trey          a) Music - 02:59:13          b) Discussion - 03:05:27   16) First Time Setup - N/A (System Music) - Switch 2 - Kazumi Totaka - St. John          a) Music - 03:10:40          b) Discussion - 03:13:09   17) Level 1 (Velgress) - UFO 50 - Multiplatform - Eirik Suhrke - Trey          a) Music - 03:21:01          b) Discussion - 03:22:49   18) Okada Clan HQ - Double Dragon Gaiden: Rise of the Dragons - Multiplatform - Arman Aspromonti  - St. John          a) Music - 03:28:33          b) Discussion - 03:31:24   19) Pride from Despair - Yakuza Kiwami 2 - PS4 / XB1 / PC - Hidenori Shoji, Yuri Fukuda, Chihiro Aoki, Saori Yoshida, and/or Takiya Kuroda - Trey          a) Music - 03:40:36          b) Discussion - 03:45:06          c) End of Show - 03:56:07          d) Closing Track Discussion - 04:01:09          e) Final Self-Promos - 04:03:05          f) Sign-off - 04:05:56   20) Credits Song (Legends of Trivia) - Jackbox Party Pack 11 - Multiplatform - Nate Sandberg - St. John            a) Music - 04:06:22            b) Outtake - 04:09:35   Total Episode Runtime: 04:17:38   You can find NintenDomain here:   https://nintendomainpodcast.com/   And you can find the NDM Episode 500 link here (where I make a cameo in the final 3/4 of the episode):   https://podcasts.apple.com/us/podcast/500-500-500-500-a-guest-for-every-hundred-we-made/id1055861408?i=1000741049701   NintenDomain can also be found on the podcatcher of your choice, as well as on most social media platforms!   As for Nerd Noise Radio, be on the look out for that 2019 Ch F rerun, probably a proper Ch 2 rerun, and of course, C1R8 - our Channel 1 "2025 best of year in review episode". Delicious VGM, on Nerd Noise Radio - and wherever you are.....Fly the N!

Damon gets to talk to Malcolm about performing at PASIC 50 with M'Boom, Houston, nicknames, psychology and much more! There's also segments like gig alerts, music news and others. 

Introducing Rob Ruiz Meet Rob Ruiz, a seasoned Senior Full Stack Developer with nearly two decades of expertise in WordPress innovation and open-source magic. As the Lead Maintainer of WP Rig since 2020, Rob has been the driving force behind this groundbreaking open-source framework that empowers developers to craft high-performance, accessible, and progressively enhanced WordPress themes with ease. WP Rig isn’t just a starter theme—it’s a turbocharged toolkit that bundles modern build processes, linting, optimization, and testing to deliver lightning-fast, standards-compliant sites that shine on any device. Show Notes For more on Rob and WP Rig, check out these links: LinkedIn Profile: https://www.linkedin.com/in/robcruiz WP Rig Official Site: https://wprig.io GitHub Repository: https://github.com/wprig/wprig Latest Releases: https://github.com/wprig/wprig/releases WP Rig 3.1 Announcement: https://wprig.io/wp-rig-3-1/ Transcript: Topher DeRosia: Hey everybody. Welcome to Hallway Chats. I’m your host Topher DeRosia, and with me today I have- Rob Ruiz: Rob Ruiz. Topher: Rob. You and I have talked a couple of times, once recently, and I learned about a project you’re working on, but not a whole lot about you. Where do you live? What do you do for a living? Rob: Yeah, for sure. Good question. Although I’m originally from Orlando, Florida, I’ve been living in Omaha, Nebraska for a couple of decades now. So I’m pretty much a native. I know a lot of people around here and I’ve been fairly involved in various local communities over the years. I’m a web developer. Started off as a graphic designer kind of out of college, and then got interested in web stuff. And so as a graphic designer turned future web developer, I guess, I was very interested in content management systems because it made the creating and managing of websites very, very easy. My first couple of sites were Flash websites, sites with macro media Flash. Then once I found content management systems, I was like, “Wow, this is way easier than coding the whole thing from scratch with Flash.” And then all the other obvious benefits that come from that. So I originally started with Joomla, interestingly enough, and used Joomla for about two or three years, then found WordPress and never looked back. And so I’ve been using WordPress ever since. As the years have gone on, WordPress has enabled me to slowly transition from a more kind of web designer, I guess, to a very full-blown web developer and software engineer, and even software architect to some degree. So here we are many years later. Topher: There’s a big step from designer to developer. How did that go for you? I’m assuming you went to PHP. Although if you were doing Flash sites, you probably learned ActionScript. Rob: Yeah. Yeah. That was very convenient when I started learning JavaScript. It made it very easy to learn JavaScript faster because I already had a familiarity with ActionScript. So there’s a lot of similarities there. But yeah. Even before I started doing PHP, I started learning more HTML and CSS. I did do a couple of static websites between there that were just like no content management system at all. So I was able to kind of sharpen my sword there with the CSS and HTML, which wasn’t particularly hard. But yeah, definitely, the PHP… that was a big step was PHP because it’s a proper logical programming language. There was a lot there I needed to unpack, and so it took me a while. I had to stick to it and really rinse and repeat before I finally got my feet under me. Topher: I can imagine. All right. So then you work for yourself or you freelance or do you have a real job, as it were? Rob: Currently, I do have a real job. Currently, I’m working at a company called Bold Orange out of Minneapolis. They’re a web agency. But I kind of bounce around from a lot of different jobs. And then, yes, I do freelance on the side, and I also develop my own products as well for myself and my company. Topher: Cool. Bold Orange sounds familiar. Who owns that? Rob: To be honest, I don’t know who the owners are. It’s just a pretty big web agency out of Minneapolis. They are a big company. You could just look them up at boldorange.com. They work for some pretty big companies. Topher: Cool. All right. You and I talked last about WP Rig. Give me a little background on where that came from and how you got it. Rob: Yeah, for sure. Well, there was a period of time where I was working at a company called Proxy Bid that is in the auction industry, and they had a product or a service — I don’t know how you want to look at that —called Auction Services. That product is basically just building WordPress sites for auction companies. They tasked us with a way to kind of standardize those websites essentially. And what we realized is that picking a different theme for every single site made things difficult to manage and increase tech debt by a lot. So what we were tasked with was, okay, if we’re going to build our own theme that we’re just going to make highly dynamic so we can make it look different from site to site. So we want to build it, but we want to build it smart and we want to make it reusable and maintainable. So let’s find a good framework to build this on so that we can maintain coding standards and end up with as little tech debt as possible, essentially. That’s when I first discovered WP Rig. In my research, I came across it and others. We came across Roots Sage and some of the other big names, I guess. It was actually a team exercise. We all went out and looked for different ones and studied different ones and mine that I found was WP Rig. And I was extremely interested in that one over the other ones. Interestingly enough- Topher: Can you tell me why over the other ones? Rob: That’s a great question. Yeah. I really liked the design patterns. I really liked the focus on WordPress coding standards. So having a system built in that checked all the code against WordPress coding standards was cool. I loved the compiling transpiling, whatever, for CSS and JavaScript kind of built in. That sounded really, really interesting. The fact that there was PHP unit testing built into it. So there’s like a starter testing framework built in that’s easy to extend so that you can add additional unit tests as your theme grows. We really wanted to make sure… because we were very into CICD pipelines. So we wanted to make sure that as developers were adding or contributing to any themes that we built with this, that we could have automated tests run and automated builds run, and just automate as much as possible. So WP rig just seemed like something that gave us those capabilities right out of the box. So that was a big thing. And I loved the way that they did it. Roots Sage does something similar, but they use their blade templating engine built in there. We really wanted to stick to something that was a bit more standard WordPress so that there wasn’t like a large knowledge overhead so that we didn’t have to say like, okay, if we’re bringing on other developers, like junior developers work on it, oh, it would be nice if you use Laravel too because we use this templating engine in all of our themes. We didn’t want to have to worry about that essentially. It was all object-oriented and all that stuff too. That’s what looked interesting to me. We ended up building a theme with WP Rig. I don’t know what they ended up doing with it after that, because I ended up getting let go shortly thereafter because the company had recently been acquired. Also, this was right after COVID too. So there was just a lot of moving parts and changing things at the time. So I ended up getting let go. But literally a week after I got let go, I came across a post on WP Tavern about how this framework was looking for new maintainers. Basically, this was a call put out by Morton, the original author of WP Rig. He reached out to WP Tavern and said, “Look, we’re not interested in maintaining this thing anymore, but it’s pretty cool. We like what we’ve built. And so we’re looking for other people to come in and adopt it essentially.” So I joined a Zoom meeting with a handful of other individuals that were also interested in this whole endeavor, and Morton reached out to me after the call and basically just said, “I looked you up. I liked some of the input that you had during the meeting. Let’s talk a little bit more.” And then that eventually led to conversations about me essentially taking the whole project over entirely. So, the branding, the hosting of the website, being lead maintainer on the project. Basically, gave me the keys to the kingdom in terms of GitHub and everything. So that’s how it ended up going in terms of the handoff between Morton and I. And I’m very grateful to him. They really created something super cool and I was honored to take it over and kind of, I don’t know, keep it going, I guess. Topher: I would be really curious. I don’t think either of us have the answer. I’d be curious to know how similar that path is to other project handoffs. It’s different from like an acquisition. You didn’t buy a plugin from somebody. It was kind of like vibes, I guess. Rob: It was like vibes. It was very vibey. I guess that’s probably the case in an open source situation. It’s very much an open source project. It’s a community-driven thing. It’s for everybody by everybody. I don’t know if all open source community projects roll like that, but that’s how this one worked out. There was some amount of ownership on Morton’s behalf. He did hire somebody to do the branding for WP Rig and the logo. And then obviously he was paying for stuff like the WPrig.io domain and the hosting through SiteGround and so on and so forth. So, we did have to transfer some of that and I’ve taken over those, I guess, financial burdens, if you want to think of it like that. But I’m totally okay with it. Topher: All right. You sort of mentioned some of the things Rig does, compiling and all that kind of stuff. Can you tell me… we didn’t discuss this before. I’m sitting at my desk and I think I want a website. How long does it take to go from that to looking at WordPress and logging into the admin with Rig? Rob: Okay. Rig is not an environment management system like local- Topher: I’m realizing my mistake. Somebody sends me a design in Figma. How long does it take me to go from that to, I’m not going to say complete because I mean, that’s CSS, but you know, how long does it take me to get to the point where I’m looking at a theme that is mine for the client that I’m going to start converting? Rob: Well, if you’re just looking for a starting point, if you’re just like, okay, how long does it take to get to like, okay, here’s my blank slate and I’m ready to start adopting all of these rules that are set up in Figma or whatever, I mean, you’re looking at maybe 5 minutes, 10 minutes, something like that. It’s pretty automated. You just need some simple knowledge of Git. And then there are some prerequisites to using WP Rig. You do have to have composer installed because we do leverage some Composer packages to some of it, although to be honest, you could probably get away with not using Composer. You just have to be okay with sacrificing some of the tools the WP Rig assumes you’re going to have. And then obviously Node. You have to have Node installed. A lot of our documentation assumes that you have NPM, that you’re using NPM for all your Nodes or your package management. But we did recently introduce support for Bun. And so you can use Bun instead of NPM, which is actually a lot faster and better in many ways. Topher: Okay. A lot of my audience are not developers, users, or light developers, like they’ll download a theme, hack a template, whatever. Is this for them? Am I boring those people right now? Rob: That’s a great question. I mean, and I think this is an interesting dichotomy and paradigm in the WordPress ecosystem, because you’ve got kind of this great divide. At least this is something I’ve noticed in my years in the WordPress community is you have many people that are not coders or developers that are very interested in expanding their knowledge of WordPress, but it’s strictly from a more of a marketing perspective where it’s like, I just want to know how to build websites with WordPress and how to use it to achieve my goals online from a marketing standpoint. You have that group of people, and then you have this other group of people that are very developer centric that want to know how to extend WordPress and how to empower those other people that we just discussed. Right? Topher: Right. Rob: So, yeah, that’s a very good question. I would say that WP Rig is very much designed for the developers, not for the marketers. The assumption there is that you’re going to be doing some amount of coding. Now, can you get away with doing a very light amount of coding? Yes. Yes, you can. I mean, if you compare what you’re going to get out of that assumed workflow to something that you would get off like Theme Forest or whatever, it’s going to be a night and day difference because those theme, Forest Themes, have hours, hundreds, sometimes hundreds of hours of development put into them. So, you’re not going to just out of the box immediately get something that is comparable to that. Topher: You need to put in those hundreds of hours of development to make a theme. Rob: As of today, yes. That may change soon though. Topher: Watch this space. Rob: That’s all I’ll say. Topher: Okay. So now we know who it’s for. I’m assuming there’s a website for it. What is it? Rob: Yeah. If you go to WPrig.io, we have a homepage that shows you all the features that are there in WP Rig. And then there’s a whole documentation area that helps people get up and running with WP Rig because there is a small learning curve there that’s pretty palatable for anybody who’s familiar with modern development workflows. So that is a thing. So the type of person that this is designed for anybody that wants to make a theme for anything. Let’s say you’re a big agency and you pull in a big client and that client wants something extremely custom and they come to you with Figma designs. Sure, you could go out there and find some premium theme and try to like child theme and overhaul that if you want. But in many situations, I would say in most situations, if you’re working from a Figma design that’s not based off of another theme already that’s just kind of somebody else’s brainchild, then you’re probably going to want to start from scratch. And so the idea here is that this is something to replace an approach, like underscores an approach. Actually, WP Pig was based off of underscores. The whole concept of it, as Morton explained it to me, was that he wanted to build an underscores that was more modern and full-featured from a development standpoint. Topher: Does it have any opinions about Gutenberg? Rob: It does now, but it did not when I took it over because Gutenberg did not exist yet when I took over WP Rig. Topher: Okay. What are its opinions? Rob: Yeah, sure. The opinion right out of the gate is that you can use Gutenberg as an editor and it has support like CSS rules in it for the standard blocks. So you should be able to use regular Gutenberg blocks in your theme and they should look just fine. There’s no resets in there. It doesn’t start from scratch. There’s not a bunch of styling you have to do for the blocks necessarily. Now, if you go to the full site editing or block-based mentality here, there are some things you need to do in WP Rig to convert the out-of-the-box WP Rig into another paradigm essentially. Right when you pull WP Rig, the assumption is you’re building what most people would refer to as a hybrid theme. The theme supports API or whatever, and the assumption is that you’re not going to be using the site editor. You’re just going to kind of do traditional WordPress, but you might be using Gutenberg for your content. So you’re just using Gutenberg kind of to author your pages and your posts and stuff like that, but not necessarily the whole site. WP Rig has the ability to kind of transform itself into other paradigms. So the first paradigm we built out was the universal theme approach. And the idea there is that you get a combination of the full site editing capabilities. But then you also have the traditional menu manager and the settings customizer framework or whatever is still there, right? These are things that don’t exist in a standard block-based theme. So I guess an easy example would be like the 2025 WordPress theme that comes right out of the box. It comes installed in WordPress. That is a true block-based theme, not a universal theme. So it doesn’t have those features because the assumption there is that it doesn’t need those features. You can kind of transform WP Rig into a universal theme that’s kind of a hybrid between a block-based and a classic theme. And then it can also transform into a strictly block-based theme as well. So following the same architecture as like the WordPress 2025 theme or Ollie or something like that is also a true block-based theme as well. So you can easily convert or transform the starting point of WP Rig into either of those paradigms if that’s the type of theme you’re setting out to build. Topher: Okay. That sounds super flexible. How much work is it to do that? Rob: It’s like one command line. Previously we had some tutorials on the website that showed you step-by-step, like what you needed to change about the theme to do that. You would have to add some files, delete some files, edit some code, add some theme supports into the base support class and some other stuff. I have recently, as of like a year and a half ago or a year ago, created a command line or a command that you can type into the command line that basically does that entire conversion process for you in like the blink of an eye. It takes probably a second to a second and a half to perform those changes to the code and then you’re good to go. It is best to do that conversion before you start building out your whole theme. It’s not impossible to do it after. But you’re more likely to run into problems or conflicts if you’ve already set out building your whole theme under one paradigm, and then you decide how the project you want to switch over to block-based or whatever. You’re likely to run into the need to refactor a bunch of stuff in that situation. So it is ideal to make that choice extremely early on in the process of developing your theme. But either way it’ll still work. That’s just one of the many tools that exist in WP Rig to transform it or convert it in several ways. That’s just one example. There are other examples of ways that Rig kind of converts itself to other paradigms as well. Topher: Yeah. All right. In my development life, I’ve had two parts to it. And one is the weekend hobbyist, or I download cadence and I whip something up in 20 minutes because I just want to experiment and the other is agency life where everything’s in Git, things are compiled, there are versions, blah, blah, blah. This sounds very friendly to that more professional pathway. Rob: Absolutely. Yes. Or, I mean, there’s another situation here too. If you’re a company who develops themes and publishes them to a platform like ThemeForest or any other platform, perhaps you’re selling themes on your own website, whatever, if you’re making things for sale, there’s no reason you couldn’t use WP Rig to build your themes. We have a bundle process that bundles your theme for publication or publishing. Whether you’re an agency or whether you’re putting your theme out for sale, it doesn’t matter, during that bundle process, it does actually white label the entire code base to where there’s no mention of WP Rig in the code whatsoever. Let’s say you were to build a theme that you wanted to put up for sale because you have some cool ideas. Say, page transitions now are completely supported in all modern or in most modern browsers. And when I say print page transitions, for those that are in the know, I am talking about not single page app page transitions, but through website page transitions. You can now do that. Let’s say you were like, “Hey, I’m feeling ambitious and I want to put out some new theme that comes with these page transitions built in,” and that’s going to be fancy on ThemeForest when people look at my demo, people might want to buy that. You could totally use WP Rig to build that out into a theme and the bundle process will white label all of the code. And then when people buy your theme and download that code, if they’re starting to go through and look through your code, they’re not going to have any way of knowing that it was built with WP Rig unless they’re familiar with the base WP Rig architecture, like how it does its object-oriented programming. It might be familiar with the patterns that it’s using and be able to kind of discern like, okay, well, this is the same pattern WP Rig uses, so high likelihood it was built with WP Rig. But they’re not going to be able to know by reading through the code. It’s not going to say WP Rig everywhere. It’s going to have the theme all over the place in the code. Topher: Okay. So then is that still WP Rig code? It just changed its labels? Rob: Yeah. Topher: So, it’s not like you’re exporting HTML, CSS and JavaScript? The underlying Rig framework is still there. Rob: Yeah. During the bundle process, it is bundling CSS and HTML. Well, HTML in the case of a block-based theme. But, yeah, it is bundling your PHP, your CSS, your JavaScript into the theme that you’re going to let people download when they buy it, or that you’re going to ship to your whatever client’s website. But all that code is going to be transpiled. In the case of CSS and JavaScript, there’s only going to be minified versions of that code in that theme. The source code is not actually going to be in there. Topher: This sounds pretty cool. You mentioned some stuff might be coming. You don’t have to tell me what it is, but do you have a timeline? When should we be watching for the next cool thing from Rig? Rob: Okay, cool. Well, I’m going to keep iterating on Rig forever. Regardless of any future products that might be built on WP Rig, WP Rig will always and forever remain an open source product for anybody to use for free and we, I, and possibly others in the future will continue to update it and support it over time. We just recently put out 3.1. You could expect the 3.2 anytime in the next six months to a year, probably closer to six months. One feature I’m looking at particularly closely right now is the new stuff coming out in version 6.9 of WordPress around the various APIs that are there. I think one of them is called the form… There’s a field API and a form API or view API or something like that. So WP Rig comes with a React-based settings framework in it. So if you want your theme to have a bunch of settings in it to make it flexible for whoever buys your theme, you can use this settings framework to easily create a bunch of fields, and then that framework will automatically manage all your fields and store all the data from those fields and make it easy to retrieve the values of the input on those fields, without knowing any React at all. Now, if you know React, you can go in there and, you know, embellish what’s already there, but it takes a JSON approach. So if you just understand JSON, you can go in and change the JSON for the framework, and that will automatically add fields into the settings framework. So you don’t even have to know React to extend the settings page if you want. That will likely get an overhaul using these new APIs being introduced into Rig. Topher: All right. How often have you run into something where, “Oh, look, WordPress has a new feature, I need to rebuild my system”? Rob: Over the last four or five years, it’s happened a lot because, yeah, I mean, like I said, when I first took this thing over, Gutenberg had not even been introduced yet. So, you had the introduction of Gutenberg and blocks. That was one thing. Then this whole full site editing became a thing, which later became the site editor. So that became a whole thing. Then all these various APIs. I mean, it happens quite frequently. So I’ve been working to keep it modern and up to date over the past four years and it’s been an incredible learning experience. It not only keeps my WordPress knowledge extremely sharp, but I’ve also learned how various other toolkits are built. That’s been the interesting thing. From a development standpoint, there’s two challenges here. One of the challenges is staying modern on the WordPress side of things. For instance, WordPress coding standards came out with a version 3 and then a version 3.1 about two years ago. I had to update WP Rig to leverage those modern coding standards. So that’s one example is as WordPress changes, the code in WP Rig also needs to change. Or for instance, if new CSS standards change, right, new CSS properties come out, it is ideal for the base CSS in WP Rig, meaning the CSS that you get right out of the box with it, comes with some of these, for instance, CSS grid, Flexbox, stuff like that. If I was adopting a theme framework to build a theme on, I would expect some of that stuff to be in there. And those things were extremely new when I first took over WP Rig and were not all baked in there essentially. So I’ve had to add a lot of that over time. Now there’s another side to this, which is not just keeping up with WordPress and CSS and PHP, 8. whatever, yada yada yada. You’ve also got the toolkit. There are various node packages and composer packages of power WP Rig and the process in which it does the transpiling, the bundling, the automated manipulation of your code during various aspects of the usage of WP Rig is a whole nother set of challenges because now you have to learn concepts like, well, how do I write custom node scripts? Right? Like there were no WP CLI commands built into WP Rig when I first took it over. Now there’s a whole list. There’s a whole library of WP CLI commands that come in Rig right out of the gate. And so I’ve had to learn about that. So just various things that come with knowing how do you automate the process of converting code, that’s something that was completely foreign to me when I first took over WP Rig. That’s been another incredible learning experience is understanding like what’s the difference between Webpack and Gulp. I didn’t know, right? I would tell people I’m using Gulp and WP Rig and they would be like, “Well, why don’t you just use Webpack?” and I would say, “I don’t know. I don’t know what the difference is.” So over time I could figure out what are the differences? Why aren’t we using Webpack? And I’m glad I spent some time on that because it turns out Webpack is not the hottest thing anymore, so I just skipped right over all that. When I overhauled for version 3, we’re now not using Gulp anymore as of 3.1. We’re now using more of a Vite-like process, far more modern than Webpack and far better and faster and sleeker and lighter. I had to learn a bunch about what powers Vite. What is Vite doing under the hood that we might be able to also do in WP Rig, but do it in a WordPress way. Because Vite is a SaaS tool. If you’re building a SaaS, like React with a… we’re not a SaaS. I guess a spa is a better term to use here. If you’re building a single page application with React or view or belt or whatever, right, then knowing what Vite is and just using Vite right out of the box is perfect. But it doesn’t translate perfectly to WordPress land because WordPress has its own opinions. And so I did have to do some dissecting there and figure out what to keep and what to not keep to what to kind of set aside so that WordPress can keep doing what WordPress does the way WordPress likes to do it, but also improve on how we’re doing some of the compiling and transpiling and the manipulation of the code during these various. Topher: All right. I want to pivot a little bit to some personal-ish questions. Rob: Okay. Topher: This is a big project. I’m sure it takes up plenty of your time. How scalable is that in your life? Do you want to do this for the rest of your life? Rob: That’s a fantastic question. I don’t know about the rest of my life. I mean, I definitely want to do web development for the rest of my life because the web has, let’s be honest, it’s transformed everyone’s way of life, whether you’re a web developer or not. You know, the fact that we have the internet in our pocket now, you know, it has changed everything. Apps, everything. It’s all built on the web. So I certainly want to be involved in the web the rest of my life. Do I want to keep doing WordPress the rest of my life? I don’t know. Do I want to keep doing WP Rig the rest of my life? I don’t know. But I will say that you bring up a very interesting point, which is it does take up a lot of time and also trust in open source over the past four or five years I would argue has diminished a little bit as a result of various events that have occurred over the past two or three years. I mean, we could cite the whole WP Engine Matt Mullerwig thing. We can also cite what’s going on with Oracle and JavaScript. Well, I mean, there’s many examples of this. I mean, we can cite the whole thing that happened… I mean, there’s various packages out there that are used and developed and open source to anybody, and some of them are going on maintained and it’s causing security vulnerabilities and degradation and all this stuff. So it’s a very important point. One thing I started thinking about after considering that in relation to WP Rig was I noticed that there’s usually a for-profit arm of any of these frameworks that seems to extend the lifespan of it. Let’s just talk about React, for example, React is an open source JavaScript framework, but it’s used by Facebook and Facebook is extremely for-profit. So companies that are making infrastructural or architectural decisions, they will base their choice on whether or not to use a framework largely on how long they think this framework is going to remain relevant or valid or maintained, right? A large part of that is, well, is there a company making money off of this thing? Because if there is, the chances- Topher: They’re going to keep doing that. Rob: They’re going to keep doing it. It’s going to stay around. That’s good. I think that’s healthy. A lot of people that like open source and want everything to be free, they might look at something like that and say like, well, I don’t want you to make a paid version of it or there shouldn’t be a pro version. I think that’s a very short-sighted way of looking at that software and these innovations. I think a more experienced way of looking at it is if you want something to remain relevant and maintained for a long period of time, having a for-profit way in which it’s leveraged is a very good thing. I mean, let’s be real. Would WordPress still be what it is today if there wasn’t a wordpress.com or if WooCommerce wasn’t owned by Automattic or whatever, right? They’ll be on top. I mean, it’s obviously impossible to say, but my argument would be, probably not. I mean, look at what’s happened to the other content management systems out there. You know, Joomla Drupal. They don’t really have a flourishing, you know, paid pro service that goes with their thing that’s very popular, at least definitely not as popular as WordPress.com or WordPress VIP or some of these other things that exist out there. And so having something that’s making and generating money that can then contribute back into it the way Automattic has been doing with WordPress over these years has, in my opinion, been instrumental. I mean, people can talk smack about Gutenberg all they want, but let’s be real, it’s 2025, would you still feel that WordPress is an elegant solution if we were still working from the WYSIWYG and using the classic editor? And I know a lot of people are still using the classic editor and there’s classic for us, the fork and all that stuff. But I mean, that only makes sense in a very specific implementation of WordPress, a very specific paradigm. If you want to explore any of these other paradigms out there, that way of thinking about WordPress kind of falls apart pretty quickly. I, for one, am happy that Gutenberg exists. I’m very happy that Automattic continues. And I’m grateful, actually, that Automattic continues to contribute back into WordPress. And not just them, obviously there’s other companies, XWP, 10Up, all these other companies are also contributing as well. But I’m very grateful that this ecosystem exists and that there’s contribution going back in and it’s happening from companies that are making money with this. And I think that’s vital. All that to say that WP Rig may and likely will have paid products in the future that leverage WP Rig. So that’s not to say that WP Rig will eventually cost money. That’s just to say that eventually people can expect other products to come out in the future that will be built on WP Rig and incentivize the continued contributions back into WP Rig. The open source version of WP Rig. Topher: That’s cool. I think that’s wise. If you want anything to stay alive, you have to feed it. Rob: That’s right. Topher: I had some more questions but I had forgotten them because I got caught up in your answer. Rob: Oh, thank you. I’ll take that as a compliment. I mean, my answer was eloquent. But I’m happy to expand on anything, know you, WordPress related, me related, you know, whether it comes to the ecosystem in WordPress, the whole WordCamp meetup thing is very interesting. I led the WP Omaha meetup for many years here in Omaha, Nebraska and I also led the WordCamp, the organizing of WordCamp here in Omaha for several years as well. That whole community, the whole ecosystem, at least in America seems to have largely fallen apart. I don’t know if you want to talk about that at all. But yeah, I’m ready to dive into any topics. Topher: I’m going to have one more question and then we’re going to wrap up. And it was that you were talking about all the things you had to learn. I’m sure there were nights where you were looking at your computer thinking, “Oh man, I had it working, now I gotta go learn a new thing.” I would love for you to go back in time and blog all of that if you would. But given that you can’t, I would be interested in a blog moving forward, documenting what you’re learning, how you’re learning it and starting maybe with a post that’s summarizes all of that. Obviously, that’s up to you and how you want to spend your time, but I think it’d be really valuable to other people starting a project, picking up somebody else’s project to see what the roadmap might look like. You know what I mean? Rob: For sure. Well, I can briefly summarize what I’ve learned over the years and where I’m at today with how I do this kind of stuff. I will say that a lot of the improvements to WP Rig that have happened over the last year or two would not be possible without the advent of AI. Topher: Interesting. Rob: That’s a fancy way of saying that I have been by coding a lot of WP Rig lately. If you know how to use AI, it is extremely powerful and it can help you do many things very quickly that previously would have taken much longer or more manpower. So, yeah, perhaps if there was like five, six, seven people actively, excuse me, actively contributing to WP Rig, then this type of stuff would have been possible previously, but that’s not the case. There is one person, well, one main contributor to WP Rig today and you’re talking to them. There are a handful of other people that have been likely contributing to WP Rig over the versions and you can find their contributions in the change log file in WP Rig. But those contributions have been extremely light compared to what I’ve been doing. I wouldn’t be able to do any of it without AI. I have learned my ability to learn things extremely rapidly has ramped up tenfold since I started learning how to properly leverage LLMs and AI. So that’s not to say that like, you know, WP Rig, all the code is just being completely written by AI and I’m just like. make it better, enter, and then like WP Rig is better. I wish it was that easy. It’s certainly not that. But when I needed to start asking some of these vital questions that I really didn’t have anyone to turn to to help answer them, I was able to turn to AI. For instance, let’s go back to the Webpack versus Gulp situation. Although Gulp is no longer used in WP Rig, you know, it was used in WP Rig until very recently. So I had to understand like, what is this system, how does it work, how do I extend it and how do I update it and all these things, right? And why aren’t we using WebPack and you know, is there validity to this criticism behind you should use webpack instead of Gulp or whatever, right? I was able to use AI to ask these questions and be able to get extremely good answers out of it and give me the direction I needed to make some of these kind of higher level decisions on like architecturally where should WP Rig go? It was through these virtual conversations with LLMs that I was able to refine the direction of WP Rig in a direction that is both modern and forward-thinking and architecturally sound. I learned a tremendous amount from AI about the architecture, about the code, about all of it. My advice to anybody that wants to extend their skill set a little bit in the development side of things is to leverage this new thing that we have in a way that is as productive as possible for you. So that’s going to vary from person to person. But for me, if I’m on a flight or if I’m stuck somewhere for a while, like, let’s say I got to take my kid to practice or something and I’m stuck there for an hour and I got to find some way to kill my time 9 times out of 10, I’m on my laptop or on my phone having conversations with Grok or ChatGPT or Gemini or whatever. I am literally refining… I’m just sitting there asking it questions that are on my mind that I wish I could ask somebody who’s like 10 times more capable than me. It has been instrumental. WP Rig wouldn’t be where it is today if it wasn’t for that. I would just say to anybody, especially now that it’s all on apps and you don’t have to be on a browser anymore, adopt that way of thinking. You know, if you’re on your lunch break or whatever and you have an hour lunch break and you only take 15 minutes to eat, what could you be doing with those other 45 minutes? You could just jump on this magical thing that we have now and start probing it for questions. Like, Hey, here’s what I know. Here’s what I don’t know. Fill these knowledge gaps for me.” And it is extremely good at doing that. Topher: So my question was, can you blog this and your answer told me that there’s more there that I want to hear. That’s the stuff that should be in your book when you write your book. Rob: I’m flattered that you would be interested in reading anything that I write. So thank you. I’ve written stuff in the past and it hasn’t gotten a lot of attention. But I also don’t have any platforms to market it either. But yeah, no, I made some… I’m sorry. Topher: I think your experience is valuable far beyond Rig or WordPress. If you abstract it out of a particular project to say, you know, I did this with a project, I learned this this way, I think that would be super valuable. Rob: Well, I will say that recently at my current job, I was challenged to create an end to end testing framework with Playwright that would speed up how long it takes to test things and also prevent, you know, to make things fail earlier, essentially, to prevent broken things from ending up in the wild, right, and having to catch them the hard way. I didn’t know a lot about Playwright, but I do know how toolkits work now because of WP Rig. And I was able to successfully in a matter of, I don’t know, three days, put together a starter kit for a test framework that we’re already using at work to test any website that we create for any client. It can be extended and it can be hooked into any CI CD pipeline and it generates reports for you and it does a whole bunch of stuff. I was able to do this relatively quickly. This knowledge, yes, does come in handy in other situations. Will I end up developing other toolkits like WP Rig in the future for other things? I guess if I can give any advice to anybody listening out there, another piece of advice I would give people is, you know, especially if you’re a junior developer and you’re still learning or whatever, or you’re just a marketing person and just want to have more control over the functionality side of what you’re creating or more insight into that so you could better, you know, manage projects or whatever. My advice would be to take on a small little project that is scoped relatively small that’s not too much for you to chew and go build something and do it with… Just doing that will be good. But if you can do it with the intent to then present it in some fashion, whether it be a blog article or creating a YouTube video or going to a meetup and giving a talk on it or even a lunch and learn at work or whatever, right, that will, in my experience, it will dramatically amplify how much you learn from that little pet project that’s kind of like a mini learning experience. And I highly encourage anybody out there to do that on the regular. Actually, no matter what your experience level is in development, I think you should do these things on a regular basis. Topher: All right. I’m going to wrap this up. I got to get back to work. You probably have to get back to work. Rob: Yeah. Topher: Thanks for talking. Rob: Thanks for having me, Topher. Really appreciate it. Topher: Where could people find you? WPrig.io?  Rob: Yeah, WPrig.io. WP rig has accounts on all of the major platforms and, even on Bluesky and Mastodon. You can look me up, Rob Ruiz. You can find me on LinkedIn. You can find me on all of those same platforms as well. You can add me on Facebook if you want, whatever. And I’m also in the WordPress Slack as well as Rob Ruiz. You can find me in the WordPress Slack. And then I’m on the WordPress Reddit and all that stuff. So yeah, reach out. If anybody wants to have any questions about Rig or anything else, I’m happy to engage.  Topher: Sounds good. All right, I’ll see you. Rob: All right, thanks, Topher. Have a good day. Topher: This has been an episode of the Hallway Chats podcast. I’m your host Topher DeRosia. Many thanks to our sponsor Nexcess. If you’d like to hear more Hallway Chats, please let us know on hallwaychats.com.

Composer Michelle DiBucci is a versatile artist whose work spans theater, opera, dance, and film. Michelle has made significant contributions to contemporary music, having collaborated with renowned ensembles like the Kronos Quartet and created works performed at prestigious venues such as Alice Tully Hall and the Komische Oper in Berlin. Her rich background includes studying under esteemed composers like Louis Andriessen and teaching at Juilliard since 1992, where she shares her passion for music and theater with aspiring artists.In this first part of our conversation, we explore Michelle's early influences, from her childhood experiences with television soundtracks to her pivotal moment of discovering the relationship between music and visual storytelling. She shares her journey from acting to composing, detailing how mentorship shaped her path and the lessons learned along the way. Michelle's insights into music composition reveal the intricate balance between creativity and the realities of the industry.[Subscriber Content] In the second part, we delve deeper into her composition approach and the collaborative process behind her compositions. Michelle discusses memorable projects, including her opera based on Charlotte Solomon's life, and highlights her thoughts on the changing landscape of music education and the impact of technology on future generations of musicians. This section offers valuable perspectives on navigating a career in music, alongside a reflection on the importance of live performances in an increasingly digital world.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Daron Malakian returns to continue his conversation in Part Two. Composer, guitarist, vocalist, and record producer Daron Malakian, a founding member of System of a Down, reflects on his lifelong relationship with heavy metal. Using music as a guide to discuss how different styles, sounds, and eras shaped his identity as an artist, he talks through what he listens for in metal, including riffs, mood, aggression, and atmosphere, and how those elements influenced his own songwriting and creative direction. ------ Thank you to the sponsors that fuel our podcast and our team: LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

Ep 165: Dec 31, 2025 -  Does Edwards AFB “Detachment 3”  Have E. T. Implant Removal Program? Happy New Year to everyone. Linda is spending time with family this Christmas holiday, but please enjoy this special rebroadcast presentation.   US Space Force announced new mission statement:  “To secure our Nations' interest, in, from and to space.” Interview with former officer from Edwards Air Force Base failed medical exam “noticed an anomaly in my jaw..they wanted to keep an eye on it” “he was pale white” “I was outranked… I got a call” “he whispered… does anything about this seem weird to you?” “it looked like a white…pill” “I know for a fact that you've seen things in the sky that you can't explain” “silver disc…I was 9, it was about 80 yards away” “you probably have memories..or things you can't recall” ==== Upcoming Appearances: Conscious Life Expo 2026 February 20th-23rd, 2026 https://consciouslifeexpo.com/linda-moulton-howe-2026/?ref=njyynty   ====   #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/Earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html

We are entering a brand new era — and the cosmos is making sure we feel it. Composer, astrologer, and eclectic witch Cawnawyn Mor joins Nichole once again for a powerful astrology forecast of the first quarter of 2026. After a “preview year” in 2025, the major planetary shifts now take root — setting the tone for innovation, awakening, and expansion of the collective consciousness.  In this episode, you'll learn: Why 2025 served as the “preview year” for what's now officially taking shape. The significance of Neptune entering Aries and what it activates within us. How Pluto in Aquarius is bringing the collective shadow into the light. Why cardinal zodiac signs (Aries, Cancer, Libra, Capricorn) may feel the most change. How to move through uncertainty with intuition, flexibility, and compassion. If you missed Cawnawyn's first appearance on the podcast, be sure to go back and listen —Episode 235: The Modern Witch — Psychic Gifts and Sacred Connection. To explore more of Cawnawyn's offerings visit cawnawynmor.com. Socials and YouTube are @cawnawynmor on all platforms.  To connect with Nichole, schedule a 1:1 session or join The Psychic Club go to apsychicsstory.com. If you'd like to support the podcast, please subscribe to it and/or: FOLLOW @apsychicsstory on Instagram.  BOOK a session with Nichole. SIGN-UP to the newsletter for updates. JOIN Patreon for exclusive, ad-free content.  BECOME A MEMBER of The Psychic Club. This podcast is intended to inspire you on your personal journey to inner peace. Its host, co-hosts or guests are not psychologists or medical doctors and do not offer any professional health or medical advice. If you are suffering from any psychological or medical conditions, please seek help from a qualified health professional. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Composer, guitarist, vocalist, and record producer Daron Malakian, a founding member of System of a Down, returns to Tetragrammaton to  reflect on his lifelong relationship with heavy metal. Using music as a guide to discuss how different styles, sounds, and eras shaped his identity as an artist, he talks through what he listens for in metal, including riffs, mood, aggression, and atmosphere, and how those elements influenced his own songwriting and creative direction. ------ Thank you to the sponsors that fuel our podcast and our team: Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter

From Berkeley robotics and OpenAI's 2017 Dota-era internship to shipping RL breakthroughs on GPT-4o, o1, and o3, and now leading model development at Cursor, Ashvin Nair has done it all. We caught up with Ashvin at NeurIPS 2025 to dig into the inside story of OpenAI's reasoning team (spoiler: it went from a dozen people to 300+), why IOI Gold felt reachable in 2022 but somehow didn't change the world when o1 actually achieved it, how RL doesn't generalize beyond the training distribution (and why that means you need to bring economically useful tasks into distribution by co-designing products and models), the deeper lessons from the RL research era (2017–2022) and why most of it didn't pan out because the community overfitted to benchmarks, how Cursor is uniquely positioned to do continual learning at scale with policy updates every two hours and product-model co-design that keeps engineers in the loop instead of context-switching into ADHD hell, and his bet that the next paradigm shift is continual learning with infinite memory—where models experience something once (a bug, a mistake, a user pattern) and never forget it, storing millions of deployment tokens in weights without overloading capacity. We discuss: Ashvin's path: Berkeley robotics PhD → OpenAI 2017 intern (Dota era) → o1/o3 reasoning team → Cursor ML lead in three months Why robotics people are the most grounded at NeurIPS (they work with the real world) and simulation people are the most unhinged (Lex Fridman's take) The IOI Gold paradox: "If you told me we'd achieve IOI Gold in 2022, I'd assume we could all go on vacation—AI solved, no point working anymore. But life is still the same." The RL research era (2017–2022) and why most of it didn't pan out: overfitting to benchmarks, too many implicit knobs to tune, and the community rewarding complex ideas over simple ones that generalize Inside the o1 origin story: a dozen people, conviction from Ilya and Jakob Pachocki that RL would work, small-scale prototypes producing "surprisingly accurate reasoning traces" on math, and first-principles belief that scaled The reasoning team grew from ~12 to 300+ people as o1 became a product and safety, tooling, and deployment scaled up Why Cursor is uniquely positioned for continual learning: policy updates every two hours (online RL on tab), product and ML sitting next to each other, and the entire software engineering workflow (code, logs, debugging, DataDog) living in the product Composer as the start of product-model co-design: smart enough to use, fast enough to stay in the loop, and built by a 20–25 person ML team with high-taste co-founders who code daily The next paradigm shift: continual learning with infinite memory—models that experience something once (a bug, a user mistake) and store it in weights forever, learning from millions of deployment tokens without overloading capacity (trillions of pretraining tokens = plenty of room) Why off-policy RL is unstable (Ashvin's favorite interview question) and why Cursor does two-day work trials instead of whiteboard interviews The vision: automate software engineering as a process (not just answering prompts), co-design products so the entire workflow (write code, check logs, debug, iterate) is in-distribution for RL, and make models that never make the same mistake twice — Ashvin Nair Cursor: https://cursor.com X: https://x.com/ashvinnair_ Chapters 00:00:00 Introduction: From Robotics to Cursor via OpenAI 00:01:58 The Robotics to LLM Agent Transition: Why Code Won 00:09:11 RL Research Winter and Academic Overfitting 00:11:45 The Scaling Era and Moving Goalposts: IOI Gold Doesn't Mean AGI 00:21:30 OpenAI's Reasoning Journey: From Codex to O1 00:20:03 The Blip: Thanksgiving 2023 and OpenAI Governance 00:22:39 RL for Reasoning: The O-Series Conviction and Scaling 00:25:47 O1 to O3: Smooth Internal Progress vs External Hype Cycles 00:33:07 Why Cursor: Co-Designing Products and Models for Real Work 00:34:14 Composer and the Future: Online Learning Every Two Hours 00:35:15 Continual Learning: The Missing Paradigm Shift 00:44:00 Hiring at Cursor and Why Off-Policy RL is Unstable

Sabbath Perez is a wonderful jazz vocalist and composer. She grew up in Cologne, Germany, the daughter of Gabriel Perez, award winning Argentinian composer and saxophonist. Her songs combine Argentine rhythms, Impressionist harmonies and improvisational jazz. She made her first recording at age 12. She has performed with the WDR Big Band, the Frankfurt Radio Big Band, the Cologne Contemporary Jazz Orchestra, and the EOS Chamber Orchestra. She has shared the stage with artists like Billy Childs. Her latest album is called “Searching For Beauty”.My featured song is “The Gift”, my recent single which transformed my jazz ballad into a Big Band Samba. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH SABETH:www.sabethperez.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

As the holidays keep rolling, we keep the Christmas spirit steam rolling with another Xmas guest. Composer and musician Tom Sharpe is an award winning musician performing for the Tom Sharpe Ensemble and Dennis DeYoung of Styx. During the holidays he is the percussionist for Mannheim Steamroller, the number one selling Christmas artist of all time. We chat with him about the tour, the band's Christmas following, and also a chance encounter with the Trans-Siberian Orchestra   We also take a look at Cam Skattebo's Christmas list, Burlew almost dies, and the guys exchange gifts!  Have a listen.