Podcasts about Composer

Theodore Gordon is a musicologist and musician whose work connects experimental music, critical organology, and science and technology studies. He has performed with viola and Buchla instruments at venues including Elastic Arts, Experimental Sound Studio, and Roulette. Gordon is Assistant Professor of Music at Baruch College, and serves on the Doctoral Faculty at the CUNY Graduate Center. His first book, The Composer's Black Box: Making Music in Cybernetic America, published in December 2025, shows how scientific concepts and technologies borrowed from cybernetics, information theory, and systems-thinking became catalysts for new musical organizations in the 1960s. This interview, like the book, focuses on these concepts through the work of Morton Subotnick, Donald Buchla, Pauline Oliveros, Sun Ra, and Alvin Lucier.Music: As I Live & Breathe by Morton Subotnick, live at Other Minds 27; Silver Apples of the Moon by Morton Subotnick (Nonesuch Records); “The Cosmic Explorer” from Nuits de la Fondation Maeght by Sun Ra (Shandar); Mnemonics I by Pauline Oliveros; Vespers by Alvin LucierBuy The Composer's Black Box: Making Music in Cybernetic America.Follow Theodore Gordon on Instagram.ted-gordon.netFollow us on Instagram and Facebook.otherminds.orgContact us at otherminds@otherminds.org.The Other Minds Podcast is hosted and edited by Joseph Bohigian. Outro music is “Kings: Atahualpa” by Brian Baumbusch (Other Minds Records).

Your hormones aren't broken — but if nobody's told you about the conductor running the whole show, you'll keep chasing your tail. In this episode, Dr. Tabatha and Ashlee unpack the Symphony Framework: the orchestra (your organs), the conductor (your nervous system), the sheet music (what's shaping your thoughts), and the Composer who wrote it all.●        Why the original Hormone Guide got a full overhaul — and what was missing●        The Symphony Framework: orchestra, conductor, sheet music, and Composer●        Why your internal dialogue can be a bigger stressor than a staph infection●        Why labs come back "normal" while you still feel awful●        Renewing your mind: Paul's 2,000-year-old protocol, backed by science●        The two wolves, the shopping-cart test, and what it means to actually abide | "For my thoughts are not your thoughts, declares the Lord... so are my ways higher than your ways, and my thoughts higher than your thoughts." — Isaiah 55:8-9Grab the brand-new Hormone Guide (completely rebuilt — grab it even if you have the original): https://drtabatha.com/free-hormone-guide/For just five dollars, you get five days with a certified one-on-one coach guiding you through your hormones, your gut, and your faith.Go to ftf.fasttofaith.com/empoweredbyfaithdiyReady to go deeper?The women who hear this episode and feel something shift — they belong in the Fast to Faith Sisterhood. This is where faith, functional medicine, and identity work come together with a community of women who are done managing symptoms and ready to lead from healing.If you feel called to take that even further — to guide other women through this exact transformation — the Fast to Faith Coaching Academy is where that calling becomes a career.Become a certified Fast to Faith™ coach →Weekly live mentorship with Dr. TabathaNot ready for the academy yet? Start here: 5-Day Empowered by Faith Challenge ftf.fasttofaith.com/empoweredbyfaithdiyShop Dr. Tabatha's supplement line: Use code PODCAST for 20% off your first order: shop.fasttofaith.comGet the book: Fast to Faith: A 40-Day Awakening: book.fasttofaith.com/bonus?am_id=fasttofaith5413Fast to Faith is hosted by Dr. Tabatha Barber — OB/GYN, functional medicine physician, and founder of the Fast to Faith Sisterhood and Coaching Academy.

Rochelle Rice is a singer and composer who blends jazz, soul, and pop. Take it from me - her singing is simply sublime. Since 2016 she's been a member of Sweet Honey in the Rock. They are a 3x Grammy nominated, all female, African American a cappella ensemble. She's performed at The Kennedy Center and Blues Alley among many other venues. She's an advocate for social justice. Her latest project, “Tell Her This”, is a blend of podcasting, visual art, and live music that celebrates the voices and wisdom of women. My featured song is “The Buzz”, my latest single. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH ROCHELLE:www.rochellericemusic.com —------------------------------------ ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

This week, Ivy Slater, host of Her Success Story, chats with her guest, Diane Coburn Bruning. The two talk about the origins of Diane Coburn Bruning's passion for dance, the founding and mission of the Chamber Dance Project, which pairs dancers with live musicians, and the unique challenges of sustaining a performing arts company. In this episode, we discuss: How a passion for both dance and live music inspired the founding of Chamber Dance Project, and its unique approach to performances with live musicians. What it was like to build a dance company in New York and later in Washington, D.C., including the challenges of financial sustainability and artist support. Diane Coburn Bruning recognized the need to create opportunities for dancers and choreographers during traditional company layoffs, leading to the company's founding in 2000. Why live music is essential to an authentic dance experience, and the importance of smaller, more intimate venues for both audiences and performers. What goes into commissioning new works and supporting emerging and established choreographers through the Chamber Dance Project. Why building a company is a marathon, not a sprint, and why patience and persistence are critical for growth in the arts. Diane Coburn Bruning, founder of Chamber Dance Project In 2000, choreographer Diane Coburn Bruning founded Chamber Dance Project, dancers & musicians in New York City guided by a conviction that dance should be performed with live music, that smaller venues afford a more intense experience for viewers and performers alike, and that sharing the creative process engages audiences on a deeper level. In 2013 she moved the company to Washington, D.C. Diane is an award-winning choreographer who has worked with dance, theatre, and opera companies throughout the U.S. and abroad. She has received a Guggenheim Fellowship, two fellowships from the National Endowment for the Arts, two fellowships from the New York Foundation for the Arts, the McKnight National Fellowship, a Dewar's Young Artist Award, fellowships from Sundance Film Institute, Yale University School of Drama, Leopold Schepp Foundation and Virginia Commission on the Arts, and a Strauss Fellowship. She has also received support from Meet the Composer, the Harkness Foundation, New York State Council for the Arts, Heathcote Foundation, David Howard Foundation and The Carlisle Project. Diane has worked with Atlanta Ballet, Pacific Northwest Ballet, Pennsylvania Ballet, Boston Ballet, Juilliard Dance Ensemble, American Repertory Ballet, Milwaukee Ballet, Joffrey II, Nashville Ballet, Aspen Ballet, Ballet Chicago, Ballet Memphis, Daghdha Dance (Ireland), Minnesota Ballet, Chautauqua Ballet, Woolly Mammoth Theatre, and Studio Theatre, among others. Her popular Ramblin' Suite, her collaboration with the Red Clay Ramblers, was commissioned by Atlanta Ballet and performed by Milwaukee Ballet. She has worked on productions with Pittsburgh Opera, Glimmerglass Festival, and four with Washington National Opera at the Kennedy Center. Vogue Television did a feature on her, and Dance magazine named her as one of "25 to Watch." Diane's works appeared in the International Ballet Festival in Colombia, South America, and her major work Boots was premiered near Berlin with Ballett Magdeburg. She has done commercial work for top brands and clients including Nickelodeon, People magazine, Lord and Taylor, and Lladro. She has done theatrical work for Studio Theatre, Woolly Mammoth Theatre, and Shakespeare Theatre Company. At Shakespeare Theatre Company, she worked alongside director Michael Kahn, receiving a Helen Hayes Award nomination for her choreography of the musical Improbable Frequencies. She has been a guest artist at more than 25 conservatory and university dance departments, including several times for Juilliard and Tisch/NYU. She has been a teaching artist for Lincoln Center Institute and New York City Ballet and has served on many grant panels. Diane directed the Craft of Choreography Conference, helped found Pacifica Choreography Project, and has led choreographic workshops throughout the country Graduating with honors from Butler University's Jordan College of Arts, she later received their Alumni Achievement Award. She holds a master's in choreography from NYU and studied composition privately with Bessie Schoenberg and music with Juli Nunlist. Diane studied for a year with renowned designers Jennifer Tipton and Ming Cho Lee on a post-graduate fellowship from Yale University School of Drama.     Website: https://chamberdance.org/   Social Media Links: https://www.facebook.com/ChamberDanceProject/   https://www.instagram.com/chamberdanceproject/      

Kanneh-Mason Plays Elgar by CSO Association

Dilemmalina IX - The World's Largest Podcast Party!Michael Sidgwick and Michael Hamflett discuss some of the biggest Dilemmalinas (everybody's saying it) in all of wrestling, including...Biggest IWC Lie: Two-Man Power Trip, The Nexus or Evolution?Who do WWE respect the LEAST: Sami Zayn or Mick Foley?Most influential composer: Jimmy Hart, Jim Johnston or Mikey Ruckus?ENJOY! Hosted on Acast. See acast.com/privacy for more information.

ABOUT TYLER BATES: American composer, musician and producer best known for his work on film scores such as “Deadpool 2”, “Guardians of the Galaxy”, and the “John Wick” franchise among others. His range has made him a leading force in cinematic sound design. TV series' credits include “Californication”, “The Punisher”, and many more, plus collaborations with iconic artists such as Marilyn Manson, Evanescence, Jerry Cantrell, Mastodon, Bush, and In This Moment. With a career spanning over three decades, he has significantly influenced the sound of contemporary cinema and modern media. ABOUT THE PODCAST:  Candid discussions with and about those behind the scenes in the music business including industry veterans representing the segments of: Musician, Design & Live ABOUT THE HOSTS: All three Music Buzzz Podcast hosts (Dane Clark, Hugh Syme and Andy Wilson) have spent their careers working with the biggest names in entertainment and have been, and still are, a fly on the wall. Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott Hosfield and Maria Newman have been married for 25 years and they collaborate together musically. They have spent much of their professional lives as studio musicians and artists working in film and TV, including on the “Anamaniacs” series and other Hollywood based projects. Scott plays the violin and viola. Maria is a composer and also plays violin and viola, plus she's a Pianist and Conductor. And she's part of a musical dynasty. Her father is 9x Academy Award winner Alfred Newman, her two brothers are both acclaimed composers, and her cousin is the great Randy Newman. They are both members of the Los Angeles Film Orchestra. Newman Legacy Sessions is a major focus for them now. And they're involved with Malibu Friends of Music and their concert venue, MAHMA. My featured song is “Ma Petite Fleur String Quartet”, my recent release. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH SCOTT AND MARIA:www.malibufriendsofmusic.org —------------------------------------ ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

https://www.skool.com/circle-of-interval-magicians/about I teach you interval-based composition in 30 days (or less)! From the basics to advanced concepts, I'll guide you step by step. Start your free 7-day trial today, and after that, it's less than one coffee per week! If you're new here, my name is Frank, and I'm the co-founder of the Music Interval Theory Academy (MITA), which I've been running since 2015. I teach composers how to stop guessing and start creating music with real intention, using intervals as the foundation instead of chords. How I got here... ** 1993: Heard the Jurassic Park score in the theater and was blown away. ** 2000: Started to compose and learned traditional theory. Quickly, I hit the same wall most composers hit: the music I wrote was technically correct but forgettable. ** 2005 onwards: Started scoring professionally for animation, film, documentaries, and video games (Disney, Mattel, theme parks, and many others). Built a library of 700+ tracks for production and sync. ** 2015: Everything changed. A workshop with Thomas Chase Jones (TC) flipped the way I think about music. It was all about intervals, and composition got cleaner, faster, and more original. That shift became a system. The system became MITA. ** Since then: hundreds of composers have gone through the Academy. My business partner TC has credits on approximately 1,800 TV shows (Scooby-Doo, Batman, Dexter's Lab, Tom and Jerry — look him up). Together, we teach what most music schools don't. On this channel, I share the exact methods I use to help composers find their voice, work faster, and stop feeling stuck. If you've ever felt like your music sounds too generic, or like you understand theory but still can't quite control what you're creating, you're in the right place. Never stop composing, Frank

SynopsisToday we note the birthday of a remarkable composer, conductor and virtuoso violinist: Eugéne Ysaÿe, who was born in Liége, Belgium, on today's date in 1858. After studies with two of the most famous violin composers of his day, Henyrk Wieniawski of Poland and his Belgian compatriot, Henri Vieuxtemps, he soon was touring Europe and Russia as a star performer himself.In 1886, when 28-year old Ysaÿe married, great Belgian composer Cesar Franck presented the young couple with his Violin Sonata as a wedding present. That same year, Ysaÿe founded a famous string quartet, and in 1893 it was the Ysaÿe Quartet that gave the premiere performance of Claude Debussy's String Quartet, a work its composer dedicated to the ensemble in admiration.In 1918, he made his American debut as a conductor with the Cincinnati Symphony, and made such a great impression there that he remained as music director of the Cincinnati Symphony from 1918 to 1922.As a composer, he wrote eight concertos and a set of six solo sonatas for the violin. In 1928, at 70, the patriotic Belgian began work on an opera, Peter the Miner to a libretto in his native Walloon language, and was at work on a second opera when he died at 72, in 1931. In 1937, Queen Elizabeth of Belgium inaugurated the annual Eugene Ysaÿe International Prize for promising young violinists.Music Played in Today's ProgramCesar Franck (1822-1890): Violin Sonata; Itzhak Perlman, violin; Martha Argerich, piano; EMI 56815Eugène Ysaÿe (1858-1931): Chant d'hiver; Aaron Rosand, violin; Radio Luxembourg Orchestra; Louis de Froment, conductor; Vox Box 5102

Faith Brackenbury (musician and composer) challenges Henri-Pierre Koubaka on the use of AI in creating beautiful and intense music. She argues that AI will destroy musician's dignity in an 'unCatholic' way. Faith Brackenbury studied violin and piano classically at music school, diversifying into jazz, folk, rock and improvisation at Brunel University.Please consider supporting us with a one-off or monthly donation. It is only through the generosity of our listeners that we are able to be a Christian voice by your side.⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://radiomaria.uk/donations/⁠⁠⁠

2024 Ravinia Festival Opening Night - Celebration of Americana by CSO Association

Send us Fan MailLet's travel back more than 1,100 years to meet Kassia of Constantinople, the earliest known female composer whose music still survives today. In just sixty seconds, I'll introduce you to this extraordinary Byzantine abbess, poet, and composer whose works are still sung today.Love classical music? There's more to discover.If you enjoyed this episode, you can read the companion article and subscribe on Substack at The Classical Music Minute. And for a brand-new narrated classical music story every day, download the Classical Minute app for iPhone.Until next time, I'm Steven Hobé. Thanks for listening to The Classical Music Minute.

The funnel most marketers grew up on – see the ad, click, browse, add to cart, buy – did not gradually erode. It came apart almost overnight, as shoppers got comfortable discovering, deciding, and buying inside social feeds and LLMs, often in a single moment. Recorded live at K:LDN 2026 in London, this is the close-out conversation for the series, a step back to ask what actually replaces the funnel and what it demands of the brands trying to keep pace. Alicia Esposito of Future Commerce sits down with Kelsey Capps, who leads Klaviyo's product work across analytics, personalization, and AI, and so has a front-row seat to the change. A shopper can now find a product in a TikTok comment, buy it, and post about it before the marketing team has time to react, which means the advance-planning window marketers relied on has all but vanished. Kelsey's argument is that brands have to rebalance, away from a roughly 80/20 split of campaigns over automated flows and toward signal-triggered automation that can react in the moment, like a flow that fires when someone arrives from a ChatGPT referral. Underneath the tactics sits a bigger shift: optimizing your site and product data so the machines doing the discovering can actually surface you, and building an operating model around understanding customers rather than merely targeting them. Her closing note is optimistic. The data advantage that once belonged only to enterprises is now within reach of the smallest brand, and because customer intelligence compounds, the brands that start building the model first are the ones that pull away. What you'll learn What replaces the linear funnel once discovery, comparison, and conversion happen at once Why the advance-planning window has collapsed, and what to do about it How to rebalance from campaigns toward signal-triggered automated flows Why optimizing your product data and brand voice for machines is now table stakes How a single wrong recommendation breaks trust, and why understanding beats targeting Why customer intelligence compounds, and why first movers pull away Pull quotes "Customers don't want to be just targeted, they want to be understood." — Kelsey Capps [13:50] "You can see when someone came to your site from ChatGPT. That's just a UTM source on an event, and a brand could automate a workflow around it." — Kelsey Capps [16:15] "This conversation used to be confined to the four walls of industry events. Now your family and friends are having the same conversations about how their data is being used." — Alicia Esposito [23:01] "Even your smallest mom-and-pop shop can take advantage of their first-party data in a way they just never could before." — Kelsey Capps [24:55] Chapters 0:00 Cold open and introductions 5:23 Perpetual commerce and the collapse of the funnel 6:11 Discovering and buying inside a TikTok comment 11:43 Understanding customers, not just targeting them 14:46 Optimizing your data for the machines doing the discovering 15:40 The vanishing planning window, campaigns versus flows 17:08 Composer and orchestration pulling it together 19:03 Vision in the age of autonomy 22:00 The turkey-sub story, how a bad recommendation breaks trust 23:43 What Kelsey is optimistic about, and the urgency for laggards In-Show Mentions: Learn more about Klaviyo's Composer Associated Links: Check out Future Commerce on YouTube Check out Future Commerce Plus for exclusive content and save on merch and print Subscribe to Insiders and The Senses to read more about what we are witnessing in the commerce world Listen to our other episodes of Future Commerce Have any questions or comments about the show? Let us know on futurecommerce.com, or reach out to us on Twitter, Facebook, Instagram, or LinkedIn. We love hearing from our listeners! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, Ray Cochrane breaks down AI distillation, the teacher-student technique frontier labs now lean on to train smaller, cheaper models. He also covers GPT-5.6’s government-vetted rollout, Claude Sonnet 5 landing on AWS, Maryland’s two-year data center pause, and Microsoft’s climbing carbon numbers. Finally, he wraps with Apple’s $30 billion Broadcom deal, Meta’s tamper-proof recording light, Michigan’s parasite outbreak, and a simulation that erased a super El Niño. – Want to start a podcast? Its easy to get started! Sign-up at Blubrry – Thinking of buying a Starlink? Use my link to support the show. Subscribe to the Newsletter. Email Ray if you want to get in touch! Like and Follow Geek News Central’s Facebook Page. Support my Show Sponsor: Best Godaddy Promo Codes Get 1Password Full Summary Cochrane opens with a quick personal update. Longer days have him outdoors, including a float trip on the Sandy River at Dabney State Park, where he found clearer water, clay-like sand, and easy footing. Next week brings both a move and a trip home, so he is stocking up on Trader Joe’s “Power Berries” and IKEA bags at his mom’s request. Then he turns to the lead story. AI Distillation Explained: How Frontier Models Teach Each Other Cochrane’s featured story comes from Hugging Face engineer Sergio Paniego. Distillation is teacher-student training for AI: a capable model generates the training signal, and a smaller student learns to match it. The classic off-policy version compresses giant models into cheap students, either through soft labels or piles of worked answers. Google’s Gemma models and DeepSeek’s R1-Distill line were built exactly this way. However, the industry is now converging on multi-teacher on-policy distillation, or MOPD. Labs build reinforcement-learning specialists for math, coding, and agentic work, then have them grade a single student, word by word, as the student generates its own answers. DeepSeek-V4, MiMo-V2-Flash, and NVIDIA’s Nemotron 3 Ultra all run versions of the recipe, and the Qwen3 team reported better results at roughly a tenth of the GPU hours of raw reinforcement learning. Finally, self-distillation lets models like Cursor’s Composer 2.5 learn from better-prompted versions of themselves. Sponsor: GoDaddy Economy hosting $6.99/month, WordPress hosting $12.99/month, domains $11.99. Website builder trial available. Use codes at geeknewscentral.com/godaddy to support the show. GPT-5.6 Arrives With a Government-Vetted Rollout OpenAI shipped GPT-5.6 as a three-tier family: Sol, Terra, and Luna. Sol costs five dollars in and thirty dollars out per million tokens, half of Claude Fable 5’s rate. The benchmarks split: Sol Ultra wins Terminal-Bench at 91.9 percent, while Claude Fable 5 still leads SWE-Bench Pro. Notably, the API launched in limited preview to roughly 20 partners vetted by the U.S. government, though the model went live in Microsoft 365 Copilot on day one. Claude Sonnet 5 Lands on AWS, Plus Quick AWS Wins Claude Sonnet 5 arrived on AWS through Bedrock, pitched as top-tier intelligence at Sonnet pricing. Additionally, Amazon WorkSpaces for AI agents reached general availability, enabling agents to drive full desktop applications securely. OpenSearch gained a log-analytics engine claiming four times the price-performance, and SageMaker now scales inference about twice as fast. Cochrane also flags that Kendra and Q Business move to maintenance mode at the end of July. Anthropic Wants You to Reflect on Your Claude Habits Anthropic launched Reflect, a beta feature that analyzes your past Claude conversations and visualizes how you actually use the assistant. It requires Memory, excludes incognito and health-related chats, and keeps its insights inside the tool. Cochrane loves the idea. He reviews his own transcripts to extract prompt patterns and turn them into reusable skills, and he suggests listeners simply ask their AI to do the same. AlphaEvolve Goes GA on Google Cloud Google made AlphaEvolve generally available to Google Cloud customers on the Gemini Enterprise Agent Platform. The agent acts as an evolutionary collaborator: provide a baseline algorithm and your goals, and it searches for better, human-readable code. BASF, JetBrains, and Kinaxis are the named early adopters. Meanwhile, Cochrane renews his standing wish that DeepMind release AlphaGo as a playable teacher. Google Adds “How This Ad Was Made” AI Labels Google is adding a “How this ad was made” section to My Ad Center across Search, YouTube, and Discover. Ads built with Google’s own AI tools automatically get the disclosure, backed by invisible watermarks. However, ads made with outside tools rely on advertiser self-declaration. Cochrane points out the limits of voluntary disclosure in an AI-flooded content economy. Microsoft’s Carbon Emissions Climb 25 Percent Microsoft’s new sustainability report shows emissions up 25% in 2025, driven by a data center construction spree. The gross figure is 34 million metric tons before offsets, while other coverage puts the net figure at around 20 million. Water consumption also jumped thirty-four percent, even as Microsoft claims its first water-positive year. Cochrane argues regulation needs to catch up, since Google and Amazon report similar increases. Prince George’s County Pauses Data Centers for Two Years Prince George’s County adopted a two-year moratorium on new data center development, the longest pause in Maryland so far. The resolution blocks new applications, including hyperscale projects, until the council passes real regulations. Water and energy impacts remain open questions the county intends to study. Cochrane gives kudos to residents for making their voices heard. Apple and Broadcom Ink a $30 Billion U.S. Chip Deal Apple is expanding its partnership with Broadcom with a multiyear agreement expected to exceed $30 billion. The deal covers custom silicon and wireless components, with more than fifteen billion chips to be made on American soil. Broadcom’s Fort Collins, Colorado plant anchors the work with a $1.5 billion equipment expansion. Tim Cook framed the deal as accelerating Apple’s commitment to American manufacturing. MSI and Intel Ship the First Arc G3 Extreme Handheld Intel detailed how it co-engineered the MSI Claw 8 EX AI+, the first handheld on the Arc G3 Extreme processor. Highlights include a heat-spreading board layout and game-tuning loops that Intel says run Cyberpunk 2077 up to thirty-seven percent faster. The device is on sale now in void purple for around $1,500. At that price, Cochrane jokes he would rather buy a computer. Meta’s Glasses Get a Tamper-Proof Recording Light Meta answered the most common privacy questions about its AI glasses. Photos stay private on the device until the wearer imports or shares them, and a white capture LED blinks during any recording with no off switch. Moreover, newer glasses disable the camera if the LED is blocked, tampered with, or destroyed. Cochrane reminds listeners these claims are Meta grading its own homework, but the blink signal is worth recognizing in public. Michigan’s Parasite Outbreak Tops 1,200 Cases Michigan’s cyclosporiasis outbreak reached 1,251 cases since June 22, with roughly forty hospitalizations along the way. Northwest Ohio adds more than five hundred cases. The parasite typically spreads through contaminated fresh produce, and investigators still have not found the source. Cochrane’s advice: wash your produce, and get tested if your symptoms fit. AI Finds the San Andreas Fault’s Silent Slips Researchers paired AI with borehole strainmeters to detect dozens of hidden slow-slip events beneath the San Andreas Fault’s Parkfield section. Each silent slip releases stress within hours and is reliably followed by low-frequency earthquakes. Together, the findings support a continuous spectrum from silent creep to destructive quakes. The study appears in Nature Communications, and Cochrane hopes it will lead to better earthquake prediction. Cloud Brightening Erased a Super El Niño, in a Simulation Finally, a Science Advances study simulated marine cloud brightening in response to the 1997 and 2015 super El Niño events. Seeding clouds over the eastern Pacific erased the events entirely inside the model. Real deployment would take roughly 2,400 ships spraying continuously, and the simulations showed side effects like extra warming over Europe and Asia. Cochrane finds the weather-machine concept fascinating, yet he questions the consequences of altering cycles the planet runs for a reason. The post AI Distillation: How Frontier Models Teach Each Other #1870 appeared first on Geek News Central.

PHP Podcast – July 9, 2026 Hosts: Eric Van Johnson & John Congdon | Guest: Holly Schilling A PHP RFC for extension methods that PHP definitely should have had by now. Holly Schilling, Uninvited but Welcome Holly was originally just planning to heckle from the Discord chat room. She had about 45 minutes’ notice before the show that she’d be on camera instead, which she took in stride — minus the PHP swag shirt she would have worn if she’d known. Eric is happy to hand her the show; she’s been in the backstage feed and notes that the zero-latency view means she actually gets the jokes, unlike the 3–5 second delay that makes jokes land after everyone’s moved on. PHP Tek 2027 CFP: Now Open The call for papers for PHP Tek 2027 is open, and the deadline is end of August. This year, PHP Tek is doing three tracks: two traditional PHP-focused tracks and a third rotating track that will change each day — one day dedicated to AI talks, one to Laravel talks, one to DevOps talks. The goal is to get submissions in and the schedule published early enough that attendees can put it in their budget before their fiscal year closes. Holly (who now manages the submission review) has a note for repeat submitters: if your talk was accepted and given at a previous PHP Tek, don’t submit it again. Also: bot submissions from automated systems that spam every CFP in SessionEyes are a real problem, and Holly’s job is to filter them out before the blind evaluation round begins. The evaluation process is designed to keep Eric and John out of the loop until after the first pass — so they can’t accidentally influence votes for speakers they already like. PHP Tek 2027 Hotel + Conference Bundle Brief reprise from last week: the hotel and conference bundle is available at phptek.io — one price that includes your conference pass, hotel nights, and conference lunches and breakfasts, designed to make the ask to a manager or CFO as simple as possible. Eric is working on a short video to explain it rather than just dumping pricing on the homepage. Joe Ferguson at Merge PHP — Today Joe Ferguson — PHP Architect team member and co-release manager of PHP 8.6 — is presenting at Merge PHP immediately after this podcast wraps. His talk: “Ansible for PHP Developers: Configure, Deploy, and Update Your Infrastructure.” Eric was trying to reach Joe for an hour before the show (Joe was apparently already in the Merge PHP stream watching the podcast). If you’re listening after the fact, the recording may be available. Holly’s RFC: Class Extension Methods Holly has spent the past week doing a caffeine-fueled deep dive into PHP internals C code and has come out the other side with a draft RFC and working proof-of-concept code for class extension methods — a feature she kept assuming PHP had, tried to write, and found didn’t exist. The idea: you can add methods to an existing class without subclassing it. Swift has this, Kotlin has it, C# has it. The canonical PHP example is something like adding isWeekday() or isWeekend() to DateTimeImmutable — you get to call it as an instance method on the native class, not on a subclass you’d have to propagate everywhere. Under the hood it’s syntactic sugar: the implementation in C# is a static method with the class passed as the first parameter, and Holly is taking a similar approach. No performance penalty — a few people have already tested it. Early concern about performance impact has not materialized. The feature naturally extends to scalar methods, which Laracon’s Levi Koop and others have discussed: the ability to write $str->length() instead of strlen($str). This part is harder because $this in PHP must always be an object, so scalars need special hooks to work as receivers. That complexity is why Holly broke the implementation into three phases. She has posted GitHub Gists rather than a formal PHP wiki RFC so far — she submitted for a wiki account yesterday and is waiting to hear back. Outlook has been eating her PHP internals mailing list emails (treating new posters as spam), so she’s in the process of switching to a new email address. Joe Ferguson is in the chat offering to help expedite the wiki account. Feedback is coming in, changes are being made, and this is moving toward a formal RFC. Holly’s motivation is pure: she built this for herself because she needed it. Eric quoted himself from the “PHP Ugly Days” era, telling the community that if there’s a feature you want and nobody’s building it, it’s on you. Holly has resented and credited that line in equal measure ever since. NativePHP Mobile: Holly Is Building the Longhorn App Holly has started building a conference app for Longhorn PHP using NativePHP Mobile. Eric’s reaction ranges between excitement (someone’s doing it!) and mild betrayal (it’s not for PHP Tek). Holly also submitted a talk to Longhorn PHP about what actually distinguishes a real native mobile app from a website wrapped in an app shell — and the answer isn’t the language, the transitions, or the scroll animations. It’s state management. Native apps treat the local device copy as authoritative or at minimum authoritative enough that you’re not reaching the server for every interaction. Web apps don’t do this; native apps have to. Holly has real-world context here: one of her earlier jobs was building the Chicago Sun-Times native app and then white-labeling it for 70+ publications across the country. She says she’d never do that again. Every single publication has brand style guidelines, logo clearance zones, and color adjacency rules. Multiply that by 70 and you start to understand why white-labeling at scale is a nightmare. Longhorn PHP CFP — Closes Tomorrow The call for papers for Longhorn PHP is open through tomorrow night (July 10). It had been briefly reported as closed last week; it got extended. If you want to speak at Longhorn, head to cfp.longhornphp.com now. The conference is in Austin at the Holiday Inn. WordPress: Stewardship, Backward Compatibility, and the Laravel Fork Question Holly’s experience white-labeling apps prompted a broader conversation about WordPress — specifically a genuine acknowledgment of how technically impressive it is that a WordPress installation can look completely different from any other, at the scale WordPress operates. Eric respects the technical accomplishment but has longstanding criticism of how WordPress positioned itself in relation to the PHP community. His view: WordPress was the Laravel of its day, arguably the thing that kept PHP relevant for a decade. But rather than leaning into the broader PHP ecosystem and pushing the language forward from the inside — the way Facebook tried to (even if it eventually forked into HHVM/Hack) — WordPress was laser-focused on backwards compatibility. The result was that PHP internals couldn’t move as fast as it might have because WordPress’s enormous install base created a de facto veto on any change that would have required sites to update. Holly pushed back gently: WordPress’s backwards compatibility constraint wasn’t really a choice they could have made differently given the scale of self-hosted installs and third-party plugins. Eric acknowledges the constraint while still wishing they’d engaged more with internals. The Hack language comes up as a counterpoint: HHVM/Hack, whatever its ultimate fate, was the provocation that woke up PHP internals. PHP 7’s massive performance improvements and modern type system features largely came out of internals saying “Hack has a point, let’s do this properly.” Almost every good idea from Hack eventually got ported into PHP. Eric’s darker hypothetical: if Laravel today had an existential need for a PHP feature that internals kept rejecting, and Taylor Otwell forked PHP — that could be a genuine death blow to the ecosystem. Holly thinks the community would survive; Eric thinks the math on maintaining a language fork is nastier than it looks. Composer, Supply Chain Security, and the 48-Hour Question A viewer asked whether Composer has a way to skip packages released in the last 48 hours when running an update — the motivation being supply chain attacks, where a compromised package gets published and immediately picked up by the next composer update run. Eric’s short answer: not natively, and the real mitigation is to not run composer update blindly. Holly points out the harder version of this problem: languages like Swift allow pre-compiled binary packages, which are far scarier than source packages because you can’t even do a code review. Eric mentions that Packagist and Composer have been doing real work on supply chain integrity (covered on the show a few weeks back). If you want the deeper treatment, Eric Mann’s upcoming Security Corner column in the July issue of PHP Architect covers exactly this — Composer and the PHP supply chain. Look for it in the next few weeks. Eric’s Laptop Saga, Chapter N The new “clean install” MacBook Pro that Eric has been using to solve his connectivity issues dropped partway through the show. Eric switched to his older laptop (which was still running and still connected), but couldn’t get his camera to re-appear in the stream source list, couldn’t add himself back, and eventually gave up and wrapped up audio-only. John and Holly carried the last few minutes. The older laptop that never dropped is now, apparently, the better one. Eric is running out of explanations and considering a career in farming. Links from the show: PHP Tek 2027: Call for Speakers @ Sessionize.com PHP RFC: Extension Methods · GitHub PHP RFC: Scalar Extension Methods · GitHub php-rfc_Extensions+Visibility.md · GitHub Longhorn PHP Conference 2026 Host: Eric Van Johnson X: @shocm Mastodon: @eric@phparch.social Bluesky: @ericvanjohnson.bsky.social PHPArch.me: @eric John Congdon X: @johncongdon Mastodon: @john@phparch.social Bluesky: @johncongdon.bsky.social PHPArch.me: @john Guest: Holly Schilling PHP internals contributor; author of the Surfaces RFC and now Class Extensions RFC Primary mobile developer; built the PHP Tek 2026 conference app; building the Longhorn PHP app in NativePHP Mobile Based near Chicago, IL Streams: Youtube Channel Twitch Connect & Hire PHP Architect Website Twitter/X Mastodon Hire PHP Developers Looking to hire PHP developers? Email support@phparch.com – Joe and the team are available for consulting, infrastructure work, Ansible playbooks, and code review. Partner This podcast is made a little better thanks to our partners Displace Infrastructure Management, Simplified Automate Kubernetes deployments across any cloud provider or bare metal with a single command. Deploy, manage, and scale your infrastructure with ease. https://displace.tech/ OurCVEs Your security posture, on autopilot with OurCVEs CodeRabbit Cut code review time & bugs in half instantly with CodeRabbit. Music Provided by Epidemic Sound https://www.epidemicsound.com/ Join Us Live Next Week Youtube Channel The post The PHP Podcast 2026.07.09 appeared first on PHP Architect.

Composer Laura Bowler on leading the Cheltenham Music Festival's Composer Academy, recorded on-site during the week of workshops in Gloucestershire. She talks about what conservatoire didn't teach her — pitching, funding applications, resilience — plus a look back at Houses Slide, her 2021 piece for London Sinfonietta and seventeen cyclists.

For years, the marketer's job ended when the campaign shipped. Hit send, check the numbers, measure growth, repeat. That model is changing, and what replaces it is agentic orchestration, where the system and the journey around a message matter more than a single send. Recorded live at K:LDN 2026, this conversation pairs the person building the AI with an operator running it at real scale. Gilbert Hsu, who leads Marketing AI at Klaviyo, sits down with Alon Turchin, VP of Retention at Particle, a US-manufactured DTC self-care brand for men with a marketing team based in Israel. That kind of scale brings real complexity, and this is where Composer by Klaviyo brings solutions at scale. Alon describes it today as the brain and the eyes, the thing that finds and frames problems he might not catch manually. His wish list is for it to become the hands too, trusted to edit filters, rules, and content, a trust he says has to be earned through testing first. Closing advice for teams earlier in their journey: know your audience before you trust anyone's benchmarks, remember that selling is mostly psychological, and test your way to what actually works rather than assuming you already know. What you'll learn How Particle scaled from one million to ten million monthly sends in weeks, not months, while doubling revenue Why "the campaign is not the product, the system is" changes what a marketing team actually optimizes for How Particle segments customers and non-customers by urgency and lifecycle stage across 150-plus flows and 100-plus forms Where Composer fits today (the brain and the eyes) and what Alon wants it to become next (the hands) Why rigorous A/B testing is the gate that lets Alon hand more decisions to AI Alon's advice for marketers earlier in their own orchestration journey Key takeaways Alon's operating principle: the campaign is not the product, the system is, meaning the journey around a message matters more than the message itself. Particle scaled from one million to ten million sends a month in a matter of weeks, not months or a year of slow warmup, while revenue doubled, run across more than 150 active flows and 100-plus forms. Segmentation isn't just more lists, it's urgency based. Recent sign-ups get reached while the brand is still top of mind. Older, colder contacts get reintroduced rather than ignored. Composer today functions as the brain and the eyes, surfacing problems and opportunities Alon might miss manually. His wish list is for it to become the hands, trusted to edit filters, rules, and content, once testing earns that trust. Alon's closing advice: don't assume you know your audience or trust someone else's benchmark. Selling is mostly psychological, so test relentlessly until you find what actually works for your own customers. Chapters 0:00 Cold open and introductions 1:38 Meet Particle, and how the marketing job has changed 2:48 The campaign is not the product, the system is 3:30 From engagement to behavior-based segmentation 4:49 Why sending more, to the right tiers, doubled revenue 7:12 Managing 150-plus flows without losing control 7:55 Composer as the brain and eyes, and the wishlist for the hands 10:43 Keeping the brand's soul with a human in the loop 11:55 Advice for teams earlier in the journey In-Show Mentions: Learn more about Klaviyo's Composer Associated Links: Check out Future Commerce on YouTube Check out Future Commerce Plus for exclusive content and save on merch and print Subscribe to Insiders and The Senses to read more about what we are witnessing in the commerce world Listen to our other episodes of Future Commerce Have any questions or comments about the show? Let us know on futurecommerce.com, or reach out to us on Twitter, Facebook, Instagram, or LinkedIn. We love hearing from our listeners! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Direction la Turquie où a lieu un sommet de l'Otan, l'Alliance Atlantique Nord mise à rude épreuve ces derniers mois par Donald Trump. Émilie Baujard est l'envoyée spéciale de RTL à Ankara. Emmanuel Macron est arrivé sur place hier soir.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Justin Gray's Grammy®-winning album Immersed was composed, recorded, produced, mixed, and mastered all with Dolby Atmos® in mind, from the very beginning. In this conversation, guest host Ben Givarz is joined by Gray, co-producer Drew Jurecka, immersive mastering engineer Michael Romanowski, and Dolby's Greg “Stryke” Chin to discuss how the team crafted a captivating musical experience featuring 38 artists from around the world, where every performance, microphone placement, production choice, and mix decision was designed to put the listener at the center of the music. Together, they explore how Immersed reimagines what an album can be when space is treated not as an afterthought, but as a core part of the composition itself.“Space is a really, really powerful storytelling tool and a powerful production tool. And so when I sat down to write the music, I definitely set out with this thing: I want to make a project where I write the music from the start, produce it for immersive audio.”—Justin Gray, Composer, Immersive Mix Engineer, and Producer, ImmersedBe sure to check out Immersed, available in Dolby Atmos on enabled streaming music services such as Apple Music and Amazon Music.Stay connected with our guests on Instagram:- Justin Gray- Michael Romanowski- Drew Jurecka- Morten Lindberg- Greg "Stryke" ChinListen to other classic and contemporary artists mixed in Dolby Atmos on enabled streaming music services.Interested in creating content in Dolby Atmos? Check out our FREE resources to give you a jump start!- Dolby Atmos Music Accelerator: https://www.dolby.com/creator-lab/music-accelerator/- Dolby Atmos Essentials Course: https://learning.dolby.com/- Dolby Atmos Music Support: https://professional.dolby.com/music/Professional-resources/Please subscribe to Dolby Creator Talks wherever you get your podcasts.You can also check out the video for this episode on YouTube.Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Recommending the wrong whiskey to a loyal customer does not just miss a sale. It breaks trust, and once trust breaks, no amount of personalization copy fixes it. Recorded live at K:LDN 2026 in London, this conversation is about the thing every brand now has in common. Everyone has access to the same AI tools. So what actually separates the brands winning with them from the ones just using them? Phillip Jackson sits down with Jake Cohen, VP of Insights at Klaviyo, and Tim Martin-Harvey, Head of Ecommerce at The Bottle Club, a UK multi-brand alcohol retailer carrying roughly 9,500 products. Their answer: memory. Not the AI kind, the brand kind… meaning the stored, structured context a business builds about its own customers and products over time. Tim explains how one mandatory checkout question, asking whether an order is a gift, for self-consumption, for hosting, or for trade, reshaped his customer insight and exposed why standard RFM and lifetime value metrics break down across different buyer types. Jake widens the lens, arguing that loyalty is better measured through engagement across touchpoints than through money spent, and that the brands seeing real gains from AI are the ones writing customer and product knowledge down as reusable context, what Klaviyo calls "artifacts." The conversation gets specific fast, down to the exact wrong recommendation that can cost a brand its credibility, and closes with Jake's straightforward plan for putting this into practice over the next 90 days. What you'll learn Why context, not performance marketing spend, is becoming the real competitive moat as every brand adopts the same AI tools How one checkout question corrected years of wrong assumptions about who buys and why at The Bottle Club Why standard RFM and lifetime value segmentation breaks down once you separate gift buyers from self-consumption buyers Why loyalty is better read through engagement than through total spend The exact kind of recommendation mistake that destroys customer trust, and how layered product data prevents it Jake Cohen's 30/60/90 day plan for building AI context that compounds over time Key takeaways As every brand uses the same AI tools, the real differentiator becomes stored context, meaning written detail about the brand, the customer, and the products, what Klaviyo calls "artifacts." The Bottle Club added one mandatory checkout question (gift, self-consumption, hosting, or trade), which corrected wrong assumptions about which products are gifts and showed that standard RFM and lifetime value metrics break down across different buyer types. Loyalty reads better through engagement across touchpoints than through money spent. The goal is asking the right questions instead of pushing a discount, then building context on each customer over time. Recommendations get dramatically stronger when product data (margin, weeks of cover, gift versus self-consumption, category nuance) is layered onto customer data. Recommend a Jack Daniels to a lifelong Jameson drinker and you have made, in Tim's own framing, the worst recommendation possible, one that costs more than the sale. Jake's plan: set up a service agent and build its skills first, then use Composer to explore your data and test ideas, then keep improving the skills as you learn, since the value compounds over time. Pull quotes "The word of the moment to me is actually context, and that context, if you can store it effectively and leverage it effectively, is the way that you can create a moat, because you can serve more people more personally, more memorably, which will create deeper relationships and, of course, more durable business over time." — Jake Cohen, VP of Insights, Klaviyo [2:08 to 3:04] "What starts to become very important in the world of AI post LLMs is that the most important thing a brand can do is show up for someone the way that they need when they need it." — Jake Cohen [9:09] "I genuinely think Klaviyo agent makes the most sense to be the agentic storefront, and that's not just me Klaviyo championing it. It's genuinely got the most context from multiple sources." — Tim Martin-Harvey, Head of Ecommerce, The Bottle Club [18:49 to 19:48] "The answer should not be, 'Great, here's 10% off, go buy one.' The answer should be, 'How long are you running? Do you have a color you're interested in? Do you have a race coming up?' As you start to collect that information, that helps build the context for that individual, and they become the type of customer that will stay with you for a lifetime." — Jake Cohen [10:26] Chapters 0:00 Cold open and introductions 4:45 Memory is the new moat, why context beats tools 8:00 The checkout question that rewrote The Bottle Club's customer data 9:15 Why RFM analysis breaks down across buyer types 10:40 Showing up for the customer the way they need, when they need it 12:15 The running shoe example, questions over discounts 19:08 The whiskey mistake, the worst recommendation in retail 20:38 Why Klaviyo believes it can power the agentic storefront 21:18 Jake's plan for the next 90 days In-Show Mentions: The Bottle Club Learn more about Klaviyo's Composer Associated Links: Check out Future Commerce on YouTube Check out Future Commerce Plus for exclusive content and save on merch and print Subscribe to Insiders and The Senses to read more about what we are witnessing in the commerce world Listen to our other episodes of Future Commerce Have any questions or comments about the show? Let us know on futurecommerce.com, or reach out to us on Twitter, Facebook, Instagram, or LinkedIn. We love hearing from our listeners! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Klaviyo has been rolling out something called Composer in beta - an AI agent that promises to build entire marketing campaigns from a single prompt. Audience, copy, design, segmentation, all of it. The promise is impressive. So I got access on a real client account and tested it myself. And my honest take is more nuanced than the hype - and more useful than the skeptics would have you believe. The short version: Composer is less an autonomous agent and more a really well-informed assistant. It knows your account data better than any outside AI tool could. It just still needs you. Where it genuinely surprised me was the data side - send time recommendations backed by actual account history, revenue per recipient, open rates by date, flagging which sends had enough volume to be statistically meaningful. That's marketing expert level analysis, and it's specific to your account in a way that ChatGPT or Claude simply can't replicate without a direct integration. Where it fell short was the creative side. The copy was functional but generic. The design pulled image slices from across the account that didn't really hang together. Getting it to feel on brand would have taken enough back and forth that I may as well have just written and designed it myself. In this episode I walk through exactly what happened when I tested it, what genuinely impressed me, where it still needs a human, and how to think about using it if you get access. ✨ In this episode, you'll learn: What Klaviyo Composer actually is and what it promises to do What happened when I tested it on a real client account with a real campaign prompt Why the creative output is a starting point, not a finished product The limitation that affects accounts where most emails are designed in Figma or Canva The one thing Composer did that genuinely surprised me - and why it matters Why the send time analysis is where this tool actually earns its place What to watch out for with the auto-populated segmentation suggestions How to think about the human vs. AI division of labor in your email program right now Let it handle the data. You handle the creative direction and strategy. That framing is really useful for anyone thinking about where AI fits into their email marketing going forward. Work with Joy Joya: https://joyjoya.com

Barenboim Conducts Bruckner 4 by CSO Association

Send us Fan MailJoin me as I introduce you to Pérotin, one of the earliest known composers whose music still survives today. In just sixty seconds, you'll discover how this remarkable medieval composer helped shape the future of Western classical musicLove classical music? There's more to discover.If you enjoyed this episode, you can read the companion article and subscribe on Substack at The Classical Music Minute. And for a brand-new narrated classical music story every day, download the Classical Minute app for iPhone.Until next time, I'm Steven Hobé. Thanks for listening to The Classical Music Minute.

K:LDN 2026 opened to more than a thousand merchants and set a clear vision with several key product announcements: Klaviyo's expanding toolset has become powerful enough to let a brand of any size operate at a scale that once required a full team. The promise of personalization, long marketed but rarely delivered, has finally become something all brands can ship. Phillip Jackson sits down live with Klaviyo CMO Jamie Domenici and IDC research director Roger Beharry Lall to break down the trends that are shaping the future of retail and Klaviyo as an organization:  the slow collapse of the linear funnel as shoppers move across LLMs, social, and search; the evolution of AI from a disparate chat window to an embedded experience where marketers work; and how the public beta of Klaviyo's new agent, Composer, is helping marketers create campaigns rooted in data from hundreds of thousands of merchants. Market Like It's Hot Key takeaways: A year ago brands were still learning what AI was; this year, they're ready to put it to work. Klaviyo's Composer moves the agent out of the chat window and into campaigns, flows and channels where marketers operate. Klaviyo's edge is context: customer history plus best practices drawn from 200,000 brands, unified in one data platform. The funnel is no longer a controlled path; discovery, advertising, and commerce increasingly share the same LLM. European merchants weigh privacy and compliance more heavily, which favors vendors who have already solved for regulation. [XX:XX] "Six months ago, you couldn't buy in an LLM. Now you can actually have more visibility into what your customers are doing in an LLM, how they're interacting." (Jamie Domenici) [XX:XX] "77% of consumers would prefer to click through from the recommendations in their agentic searches, rather than have the agent do a purchase for them. They want control." (Phillip Jackson) In-Show Mentions: Learn more about Klaviyo's AI marketing agent, Composer Learn more about Klaviyo Associated Links: Check out Future Commerce on YouTube Check out Future Commerce Plus for exclusive content and save on merch and print Subscribe to Insiders and The Senses to read more about what we are witnessing in the commerce world Listen to our other episodes of Future Commerce Have any questions or comments about the show? Let us know on futurecommerce.com, or reach out to us on Twitter, Facebook, Instagram, or LinkedIn. We love hearing from our listeners! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Charu Suri is a Grammy nominated pianist and composer. She fuses Indian ragas with traditional jazz. Her latest album, Shayan, blends evening ragas with classical and jazz, encouraging people to sleep better and healthier. She had a sold-out premiere for this release at Carnegie Hall last year. Her prior album featured John Patitucci and Steve Gadd. Her albums have reached #1 in India and #2 in Kenya. She also became the first Indian artist to collaborate with the Preservation Hall Jazz Band. And she is a Governor of the Recording Academy's New York Chapter. My featured song is “Feeling So Good”, from the album Bobby M and the Paisley Parade. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH CHARU:www.charusuri.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

The music of the Polish composer Grażyna Bacewicz is undergoing a long-overdue renaissance. Her output was extensive and extraordinarily rich, as both the pianist Peter Jablonski and the violinist Bomsori Kim have proved in their explorations of her work. To celebrate not only Bacewicz’s music but Polish music in general, Gramophone’s James Jolly spoke to Jablonski and Kim about their individual journeys through Poland's music. The podcast episode it presented in association with the Polish Cultural Institute and PWM Edition, since 1945 Poland’s leading music publisher whose catalogue includes the complete works of Fryderyk Chopin, Mieczysław Karłowicz, Stanisław Moniuszko and Karol Szymanowski. It’s the house that published the first works of prominent Polish composers, Krzysztof Penderecki, Witold Lutosławski and Henryk Górecki, and it’s home to many scores by Grażyna Bacewicz, Tadeusz Baird, Wojciech Kilar, and many composers of a younger generation. Peter Jablonski, who records for Ondine, and Bomsori Kim, a DG artist, are PWM ambassadors. See omnystudio.com/listener for privacy information.

Damon gets to talk to Thad about being PAS President, the Percussive Arts Society, teaching, technology, family, jam bands, Indianapolis, and much more! There's also segments like gig alerts, music news, and others. 

From the July/August 2026 edition of The Scottish Rite Journal.  Any accompanying photographs or citations for this article can be found in the corresponding print edition.Make sure to like and subscribe to the channel!  Freemasons, make sure you shout out your Lodge, Valley, Chapter or Shrine below!OES, Job's Daughter's, Rainbow, DeMolay?  Drop us a comment too!To learn how to find a lodge near you, visit www.beafreemason.comTo learn more about the Scottish Rite, visit www.scottishrite.orgVisit our YouTube Page: Youtube.com/ScottishRiteMasonsJoin our Lost Media Archive for only $1.99 a month!https://www.youtube.com/channel/UCv-F13FNBaW-buecl7p8cJg/joinVisit our new stores:Bookstore: https://www.srbookstore.myshopify.com/Merch Store: http://www.shopsrgifts.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/scottish-rite-journal-podcast--3134571/support.

Composer and pianist Antoni O'Breskey and his daughter, singer and fiddle player Consuelo Nerea Bresch chat to Rick and play live in studio. 

Composer Claudia Sarne joins guest host Jon Burlingame to discuss her bold, hybrid score for “Supergirl,” and how she blended orchestra, choir, synths, and experimental textures to match this more complicated, emotionally wounded version of the iconic DC character. Sarne also breaks down how she built Supergirl's theme gradually across the film, letting it emerge piece by piece as Kara steps into her heroic identity. “[Director] Craig [Gillespie] did not want the theme to play properly until she had emerged into the suit and walked into the character fully. We hinted at it earlier on when she's still in the trench coat, and in her first fight sequence — which is this bus sequence with the Sklarians. The first thing that I wrote on this was on that Sklarian bus sequence where she's floating in space. It's sort of lonely piano, and it opens out, and you almost get to a theme, but you don't quite. It just hints at something. When I had that… just a tiny architecture of something, I took that and made it into the theme. That kind of was the genesis of what happened in the whole film and with the music. I took that as the seed and expanded from there.” —Claudia Sarne, Composer, “Supergirl” Be sure to check out “Supergirl,” now playing in theaters, in Dolby Vision® and Dolby Atmos® where available. Please subscribe to Dolby Creator Talks wherever you get your podcasts. You can also check out the video for this episode on YouTube. Learn more about the Dolby Creator Lab and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Send Us A Message or Ask Us A Question? Chris Barnett on Purpose, Film Composition, and Peace of Mind | Us People Podcast Season 7Savia Rocks opens season seven of the Us People Podcast focused on legacy, shedding cultural trauma, and turning hardship into beauty, then interviews film and TV composer Chris Barnett. Barnett shares his Jamaican heritage as a first-generation Londoner, early exposure to reggae and radio charts, record collecting after a childhood U.S. trip, DJing parties and boat parties, and how studying album credits sparked his interest in production. He describes an engineering apprenticeship, a pivotal coworker who introduced him to studios, his mother's strict investment in his education, and later discovering his grandfather worked as a set builder at Ealing Studios amid racism. Chris Barnett credits mentors who helped him progress into university and composition, explains scoring by finding a story's “truth” beyond what audiences see, cites work on Street Shepherd and Getting Away With Murders, and discusses Quincy Jones-inspired humility, embracing all “good music,” spiritual maturity, tools for peace of mind, and advice to pursue art for love while avoiding negativity; he also shares where to find his work online.00:00 Legacy And Trauma01:10 Meet Chris Barnett02:13 Jamaican Roots And Music05:33 DJ Hustle And Record Love09:01 Engineering To Studio Dreams10:37 Mirror Identity And Purpose11:29 Family Drive And Education16:52 Film Nights And Grandad22:19 First Breaks And Mentors29:23 How Film Scoring Works32:03 Scripts Versus Screen33:55 Scoring Street Shepherd38:48 Invisible Documentary Music41:53 Quincy Jones Wisdom44:39 Finding Inner Peace47:10 Peace Of Mind Tools51:51 Advice For Artists55:37 Where To Find Chris57:20 Final Thanks And Outro58:53 Closing Song And WrapInstagram: https://www.instagram.com/christophbarnett/Youtube: https://www.youtube.com/@christophbarnettLinkedin: https://www.linkedin.com/in/christophbarnett/Youtube: https://www.youtube.com/channel/UC6vOMqQhrSuV7wg1lJpIk6QThank you so much Chris for showing us that with investment into yourself and letting go of fear we can achieve anything with creatively put out hearts into - Savia RocksSupport the show

Ep 123: Three Time Guest and Composer of the Slightly Serious Sign Podcast Intro Music, Joe Morreale of Roland DG returns to talk about Eco-Solvent (including the brand new TrueVIS Series VG4), UV, and Flatbed printers, Software, and some big news about the integration of a popular brand of cutters.Get the offer from Geneva Capital: No Payment for 90 Days, Zero DownCheck out the featured products:Arlon DPF V9500G2G ProductsMetamark"Your podcast is the best podcast in the business." - Jared Granberry, President, GSG (Graphic Solutions Group)The Slightly Serious Sign Podcast is now the #1 Most Fact Checked Podcast in the United States.Voted #1 by Signman (standing on a van on top of 18 pallets changing a lightbulb over a movie theater sign)https://www.wensco.com/company/slightly-serious-sign-podcast616.785.3333W.A.R. (Wensco Automotive Restyling)Slightly Serious Sign Podcast Theme Song Courtesy of Joe Morreale© 2025 Joe MorrealeThe views, thoughts, and opinions expressed are the speaker's own and do not represent the views, thoughts, and opinions of Wensco Sign Supply. The material and information presented here is for general information purposes only. The "Wensco Sign Supply" name and all forms and abbreviations are the property of its owner and its use does not imply endorsement of ...

Guests in the House by CSO Association

A special in-studio appearance and performance of audio art by Isaac Io Schankler in partnership with CU Boulder's Media Archaeology Lab, during their residency at the MAL! Learn more at https://isaacschankler.com and https://mediaarchaeologylab.com. Isaac Io Schankler is a composer, accordionist, and electronic musician living in Los Angeles. Their music has been described as “powerful” (Sequenza21), “delightful” (I Care If You Listen), “ingenious” (The Artificialist), “masterfully composed” (Boston Musical Intelligencer), and “the antidote to sentimentality” (LA Times). Schankler's performances and commissions include works for the Nouveau Classical Project, the Ray-Kallay Duo, Friction Quartet, gnarwhallaby, the Los Angeles Percussion Quartet, Lorelei Ensemble, Juventas New Music Ensemble, flutist Meerenai Shim, and bass-baritone Nicholas Isherwood. Recent honors include awards and grants from Meet the Composer, the National Opera Association, the American Composers Forum, the Atlantic Center for the Arts, and the American Prize. Schankler is a past winner of the USC Sadye J. Moss Composition Prize and the ASCAP/Lotte Lehmann Foundation Art Song Competition. As a composer for video games, Schankler has written music for critically acclaimed and award-winning independent games, including Ladykiller in a Bind, Analogue: A Hate Story, Hate Plus, Redshirt, and Depression Quest. As a writer and researcher, Schankler has written numerous articles for NewMusicBox, the multimedia publication of New Music USA, and in 2013 was a winner of the ASCAP Deems Taylor Award for excellence in music journalism. Their writing has also appeared in the International Journal of Arts and Technology, Computer Music Journal, and the proceedings of various international conferences. Schankler is the artistic director of the concert series People Inside Electronics, and holds a Doctor of Musical Arts degree in composition from the University of Southern California, as well as Master of Music and Bachelor of Music degrees in composition from the University of Michigan. Schankler is currently Associate Professor of Music at Cal Poly Pomona, where they teach composition, music technology, and music theory.

The roof is collapsing on the Democrat establishment — and the inmates are now running the asylum. George Conway gets blown out by a "Team CDC" candidate, the DCCC fumbles Matt Dunlap's résumé in Maine, and a fresh crop of DSA primary winners is heading to Washington and Albany with the wildest platforms you've ever heard. We break down the clips, the chaos, and what this socialist takeover means for 2028. Plus: legendary Halo and Destiny composer Marty O'Donnell joins the show to talk music, video games, and his run for Congress in Nevada's 3rd District.

Ep 190: June 24, 2026 - Brains to Galaxies: The Key Is Frequencies Special episode from Contact In The Desert 2021   #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html  

Hear an interview with the Indianapolis-based composer, performer, and multimedia artist Jordan Munson. His latest project, We Walk Beneath A Patient Sky, is a collaboration with Dance Kaleidoscope featuring choreography by Joshua Blake Carter. The work finds Munson expanding his sonic palette by incorporating elements of traditional Appalachian folk music.

Christina Courtin is an outstanding Violinist, vocalist, and composer and a founding member of The Knights, the classical orchestra founded by Eric Jacobsen and his brother. She has collaborated with Ed Sheeran, Le Ann Womack, and Sara Bareilles, among many others. She has toured all over the world, and continues to have a thriving solo career. She has sung with artists including Yo-Yo Ma, Dawn Upshaw, Laurie Anderson, Bela Fleck, and The Orlando Philharmonic.  She's a featured soloist in the films Chappaquiddick and Free State of Jones, and writes music for This American Life. And she's been a teaching fellow and performer at the infamous Sing-Sing prison. My featured song is “Spring Dance”, from the album of the same name by my band Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH CHRISTINA:www.christinacourtin.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Peaky Blinders Sequel Casting, Ray Gunn's Composer, Mister Yummy Adaptation, Deltarune Chapter 5 Premiere. Hosted on Acast. See acast.com/privacy for more information.

Gabriella Lena Frank is a partially deaf woman of color telling stories outside the traditional Western European canon.

Burping your home involves opening windows and doors to let the outdoor air in to get rid of toxins inside. We met Delphine Farmer, an atmospheric chemist at Colorado State University who studies indoor air, at a house in Westminster, to learn what to consider. Then, a mother works to balance child care with her dream of working in healthcare. And composer Grace Hale returns to her alma mater to premiere her new chamber piece, "Colored Glass" at the Colorado College Summer Music Festival.

Damon welcomes back Anthony to talk about his new album, composing, touring, fashion, fitness, and so much more! There's also segments like gig alerts, educational spotlights, and others. 

WHITE SHADOW, 98min., Singapore Directed by Gloria Chee, Eileen Cheng An untimely diagnosis of a terminal illness sends Ren Jie into a tailspin. Determined to experience love in the limited time she has left, Ren Jie sets out to give her all to Kai Ting, a premature widow still grieving the tragic death of her husband. Through her relentless pursuit, Kai Ting eventually softens. The two friends who have known each other for decades experience the most powerful emotion - love. A moving journey ensues - two individuals learning to trust, communicate, be brave, and vulnerable, but neither are prepared for the agony and heartache in their inevitable separation. https://www.wildsound.ca/videos/audience-feedback-white-shadow https://www.instagram.com/reel/DVgV7SHElHS/?igsh=MTF5MTQwOTRidnN0aQ== —— Subscribe to the podcast: https://twitter.com/wildsoundpod https://www.instagram.com/wildsoundpod https://www.facebook.com/wildsoundpod —— Love for for you to try the Indy Film Festival AP. • Daily new film festival of the best new films from around the world. New archived festival to watch anytime. • Library of over 500+ award-winning films to watch anytime. Go to https://www.wildsound.ca and sign up for the free 3-day trial. Check out the daily film festival (and previous ones from last month) at https://www.wildsound.ca/browse Always an amazing lineup of films. Inspiring for storytellers.

On this episode of Music Matters with Darrell Craig Harris, we welcome Grammy-winning drummer, composer, producer, educator, and social activist Terri Lyne Carrington.   A pioneering force in contemporary jazz and beyond, Terri shares insights into her remarkable career, her passion for music education, and her commitment to using art as a catalyst for positive social change. We also discuss her highly anticipated new album "Trip The Night Fantastic"along with the creative process behind her latest work, and the importance of empowering the next generation of artists.   From performing with some of the world's most celebrated musicians to leading groundbreaking projects that challenge conventions and inspire dialogue, Terri Lyne Carrington continues to shape the future of music while honoring its rich history.   www.TerriLyneCarrington.com   www.Instagram.com/terrilynecarrington   Join us for an inspiring conversation about creativity, leadership, advocacy, and the transformative power of music. Subscribe, rate, and review Music Matters with Darrell Craig Harris on Apple Podcasts and wherever you listen to podcasts.   About Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Sports Illustrated photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Currently, over 1.2 million global downloads in 40 countries. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh  Instagram: www.Instagram.com/musicmatterspodcastofficial For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell  Voice intro by Nigel J. Farmer of Voice Wrap Studios Representation:  Yvette Morales | YM & Associates PR Beverly Hills, CA YM-PR.com Email: YMoralesY@ym-pr.com                        

As the fallout from the Fable shutdown continues, the AI world is racing to figure out what comes next: Chinese open models, Cursor's Composer, OpenRouter Fusion, and new routing strategies that promise frontier-level performance at lower cost. NLW looks at why the loss of Fable may accelerate the shift toward token efficiency, model diversity, and smarter enterprise AI architecture. In the headlines: G7 leaders debate frontier model access, Noam Shazeer leaves Google for OpenAI, and ChatGPT sunsets Pulse.Sneak preview: ⁠⁠⁠⁠⁠⁠http://training.besuper.ai/Brought to you by:KPMG – Research from KPMG and the University of Texas at Austin shows the highest-impact AI users treat AI like a reasoning partner — and those skills can be taught at scale. Learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠kpmg.com/us/Sophisticated⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Section - Section turns AI investment into workforce transformation and ROI - ⁠⁠https://www.sectionai.com/⁠⁠Outsystems - Stop wondering how AI will change your business and start building the agents that will lead it - ⁠http://outsystems.com/⁠Scrunch - The AI customer experience platform - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://scrunch.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Zenflow Work - Agents for knowledge work - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://zenflow.free/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Blitzy - Want to accelerate enterprise software development velocity by 5x? ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://blitzy.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MissionCloud - Eliminate AWS complexity with end-to-end cloud and AI services ⁠https://www.missioncloud.com/⁠AssemblyAI - The best way to build Voice AI apps - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.assemblyai.com/brief⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Robots & Pencils - Cloud-native AI solutions that power results ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://robotsandpencils.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The AI Daily Brief helps you understand the most important news and discussions in AI. Subscribe to the podcast version of The AI Daily Brief wherever you listen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://pod.link/1680633614⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Newsletter is BACK: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://aidailybrief.beehiiv.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Interested in sponsoring the show? sponsors@aidailybrief.ai

Ep 189: June 17, 2026 - Linda Moulton Howe & Drs. Hurtaks give a Higher Conscious Review of Spielberg's Disclosure Day Special discussion with Dr. J.J. Hurtak, Dr. Desiree Hurtak and Alan Steinfeld #LindaMoultonHowe #Earthfiles — For more incredible science stories, Real X-Files, environmental stories and so much more. Please visit my site https://www.earthfiles.com — Be sure to subscribe to this Earthfiles Channel the official channel for Linda Moulton Howe https://www.youtube.com/user/Earthfiles. — To stay up to date on everything Earthfiles, follow me on FaceBook@EarthfilesNews and Twitter @Earthfiles.  To purchase books and merchandise from Linda Moulton Howe, be sure to only shop at my official Earthfiles store at https://www.earthfiles.com/earthfiles-shop/ — Countdown Clock Piano Music:  Ashot Danielyan, Composer:  https://www.pond5.com/stock-music/100990900/emotional-piano-melancholic-drama.html  

Send us Fan MailAccording to the American Academy of Pediatrics, more than 50% of transgender boys have attempted suicide. Directors Lexie and Logan travel across the United States, trying to understand their own trans boyhood through the legacies of two young men and exploring what community healing means. From World preimere Berlinale (winning two awards incl the Amnesty International Film Award for best human rights project) to UK Premiere at BFI Flare (named amongst top films to watch from Time Out London, Criterion Collection, Pink News, and Buzzfeed)top indie fests in Asia and other notable LGBT fests around Europe, just winning the Audience Award in SwitzerlandIn lead up to North American screenings Inside Out (Canada's largest queer fest) and bring in Pride Month with deadCenter in Oklahoma CityLexie Bean (they/he) Perigee Vitz-WongWebsite | Rotten Tomatoes | Linktree | Youtube | Twitter | Instagram 

In our last episode, we followed composer John Williams from his childhood to his 1970s run with Steven Spielberg and George Lucas. Now, we pick up the story as John enters an era of seemingly impossible success… from Raiders of the Lost Ark to Home Alone, Jurassic Park, Schindler's List, and beyond. In this episode, we explore how John revived the grand orchestral score, conquered the classical music world, and crafted melodies that millions of people can instantly recognize. Along the way, journalist Tim Greiving reveals the habits, quirks, and creative brilliance of this living legend. Twenty Thousand Hertz is produced by ⁠⁠⁠Defacto Sound⁠⁠⁠. Support the show and get ad-free episodes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠20k.org/plus⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Subscribe on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to see our video series. If you know what this week's mystery sound is, tell us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠mystery.20k.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Follow Dallas on ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠Facebook⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠. Find out how you can get the iPhone 17 Pro at no cost with an eligible trade in at ⁠⁠att.com/iphone⁠⁠, or by visiting an AT&T store. Visit ⁠⁠⁠⁠⁠⁠⁠quo.com/20k⁠⁠⁠⁠⁠⁠⁠ for 20% of your first 6 months of business phone software. Sign up for a one-dollar-per-month Shopify trial at ⁠⁠⁠⁠⁠shopify.com/20k⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices